Publisher: Hachette Audio (Audiobook – 22 October 2019)
Series: Ballard and Bosch – Book 2
Length: 10 hours and 4 minutes
My Rating: 5 out of 5 stars
One of the masters of modern crime fiction, Michael Connelly, returns with another book in his bestselling interconnected crime universe. In The Night Fire, Connelly once again brings together the outstanding team of Ballard and Bosch for another exceptional murder mystery.
Back when he was a rookie detective, Harry Bosch was mentored by one of the LAPD’s best homicide detectives, John Jack Thompson, who helped stoke his internal fires of justice to ensure that no case ever goes unsolved. Now, years later, Thompson is dead, and at his funeral, the now retired Bosch is given a gift from his widow: a murder book for an unsolved crime. The case revolved around the murder of a young man in a gang-controlled alley nearly 30 years before, and it appeared that Thompson secretly took the book when he retired from the force. What was Thompson’s connection to the case, why was this one murder so important to him and why did he keep the murder book a secret for so long?
Determined to get answers, but already committed to helping his lawyer half-brother Mickey Haller defend his client in a tricky murder case, Bosch takes the book to Detective Renée Ballard for help. Ballard, Hollywood Division’s resident detective on the night shift (known as the Late Show), and Bosch have recently formed an unofficial partnership in order to work on some of Bosch’s old, unsolved cases. Identifying several inconsistencies in the cold case, Ballard decides to start digging deeper, while also investigating a suspicious death by fire that occurred on her beat.
Together Bosch and Ballard are an effective investigative team, and it does not take them long to identify a potential killer. However, the more they dig, the more they begin to realise that Thompson might not have taken the murder book to solve the murder, but to ensure that nobody ever tried to investigate it. Can these two detectives get to the truth, and what happens when their various investigations put them in the line of fire of some very dangerous people?
The Night Fire is the latest book in Connelly’s shared crime universe, which features the various adventures and investigations of several of his iconic protagonists. This new novel is a fantastic piece of crime fiction that once again combines together two of Michael Connelly’s most intriguing characters, Bosch and Ballard, after their outstanding first team-up in 2018’s Dark Sacred Night. This is the 22nd book featuring Bosch, Connelly’s original and most utilised protagonist, while Ballard has so far appeared in two prior novels. This book also briefly sees the return of Mickey Haller, another one of Connelly’s protagonists, who has appeared in several legal thrillers within the universe such as The Lincoln Lawyer (which was adapted into a film of the same name).
Just like in Dark Sacred Night, the plot of the book is shown from both Bosch’s and Ballard’s perspectives, as each of them gets a number of separate point-of-view chapters (about half each) to tell their respective stories. While there is a lot of crossover between the two characters, especially when they are working together on their joint cold case, both of them do their own independent investigations and have several chapters where they deal with their various personal issues without the other character being present. However, they also both appear in a number of chapters together, allowing the reader to not only get an interior view of the character but to see each of them through the other’s eyes.
One of the main things that I love about the Michael Connelly books I have read are the multiple cases that the protagonists investigate simultaneously, many of which may or may not be connected in some way. In The Night Fire for example, the story features one cold case that brings Ballard and Bosch together at the start of the book and which they work together on, while both characters have separate cases to work on. Bosch becomes involved in the legal defence of one of Mickey Haller’s clients who is on trial for murder, and this then evolves into the hunt for the murderer of a judge. Ballard on the other hand does most of the investigative work on the cold case, mainly because she is the one with access to the LAPD’s resources. At the same time, she is also investigating several other crimes that come across her desk during her night shifts at Hollywood Division. These include a homeless man who was burnt alive in their tent, the apparent suicide of a young girl and the discovery of a truckload of illegal immigrants. While some of these cases do not go anywhere or are investigated by a different part of the LAPD, Ballard does find herself fully investigating several different cases and getting some rather interesting results. I really enjoyed this cool combination of varied cases and examples of police work, especially as it combines together a decades-old murder with several recent crimes. There are some really complex and compelling mysteries involved with these cases, and I found myself getting drawn into each of them, as they all featured some clever police work and an intriguing bunch of potential suspects. The cold case in particular was great, as the reader not only needed to figure out who the killer was but also why Bosch’s mentor was so concerned with the murder. While it was a little disappointing not to get some follow-through on a couple of Ballard’s cases, I thought that all of these mysteries come together into an excellent overall narrative that does an outstanding job keeping the reader’s attention. I also loved how two of the cases eventually come together in an unexpected way, resulting in an explosive conclusion, while the results of another murder investigation had a very emotional impact on one of the protagonists.
In addition to the great mysteries and fictional examples of police work, one of The Night Fire’s biggest strengths is its two protagonists, Ballard and Bosch. Both of these protagonists are excellent characters with strong backstories, and I really enjoyed how the two of them played off each other. In this novel, both Ballard and Bosch are outsiders to the LAPD. Ballard has been banished to the night shift for reporting a sexual assault by a superior officer, and now has serious trust issues when it comes to many of her male counterparts. Bosch on the other hand, after a long career with the police, is now retired, and thanks to some of his actions that forced him out the LAPD, many of the police no longer see him as one of them, a point reinforced when Bosch helps Mickey Haller free a murder suspect. This outsider viewpoint makes the team-up between both of them a lot more interesting, as both characters are still learning to trust the other, even after the success of their first case. I really liked how the relationship between the two of them grew throughout this book, and their different viewpoints and experiences turn them into an effective duo. Both characters go through some big moments in this book, including some medical issues with Bosch, Ballard standing up to her attacker and the various emotional impacts of the case, and it was great to see how they helped each other out. This is definitely a team-up I want to see again in the future, and I really hope that Connelly continues more of these adventures with Ballard and Bosch.
Just as I did with Michael Connelly’s previous book, Dark Sacred Night, I ended up listening to the audiobook version of The Night Fire. This audiobook runs for just over 10 hours, and features the vocal talents of Titus Welliver and Christine Lakin. I quite enjoyed the audiobook version of The Night Fire, as not only did it allow me to power through this book is short order (I think it only took me three days to finish it off) but its use of two separate narrators was done really well. Throughout the course of the book, Welliver is the voice of Bosch (which is a good fit as Welliver actually plays this character in the Bosch television show), while Lakin is the voice of Ballard, and they each narrate the chapters for their respective characters, including most of the dialogue. Welliver and Lakin are exceptional vocal talents, who did an outstanding job of bringing Bosch and Ballard to life. Both of these narrators really get to grips with the characters and are able to capture a lot of their various nuances in their performances.
Another great thing about this audiobook was the amazing way they utilised the two separate narrators. I really liked how the book was split between them, and it ensured that both sets of chapters had a great distinctive feel throughout the book, and the reader was never left in doubt who was narrating the chapter. The only exception to this is any dialogue the other point-of-view character has in that chapter, as that character’s narrator will then speak instead. This means for example, while Welliver is the primary narrator during Bosch’s chapters, whenever Ballard speaks during these chapters you get Lakin’s voice. While it was a tad disconcerting at times to suddenly hear the other narrator’s voice in the middle of a lot of dialogue in the primary vocal talent’s chapter, it did save the reader from getting confused by having to listen to two different versions of the protagonist’s voices. Overall, I would strongly recommend the audiobook version of The Night Fire to anyone interested in checking out this book, and I know that I will be utilising this format again in the future for Connelly’s next book.
In his latest crime fiction masterpiece, Michael Connelly once again knocks it out of the park with this fantastic new addition to his connected crime universe. The Night Fire is an exceptional murder mystery that makes excellent use of its two main protagonists to tell a rich and exciting narrative, filled with a number of intriguing investigations and cases. This is probably my favourite Michael Connelly book that I have read so far, and it gets a full five stars from me. A fantastic new entry from the king of crime fiction, this is a must read for all fans of the genre.