The Sandman – Act II (Audiobook) by Neil Gaiman and performed by a full cast

On April 16, 2024 By The Unseen LibraryIn Audiobook, Comics/Manga, Extended Universe, Fantasy, Five-Star Books, Horror, LGBT+, Superhero, Tie-in NovelLeave a comment

Publisher: Audible Original (Audio Drama – 22 September 2021)

Series: The Sandman – Volume 2

Script: Neil Gaiman and Dirk Maggs (script adapter)

Director: Dirk Maggs

Length: 13 hours and 47 minutes

My Rating: 5 out of 5 stars

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The gloomy and complex fantasy adventures of Neil Gaiman’s The Sandman continues in this epic second audiobook volume that once again brings Gaiman’s unique imagination and characters to life with an outstanding cast of actors.

Back in 2022 I had an outstanding time listening to the first volume of the audiobook adaptation of The Sandman comic. The original series, which started in 1989, is one of the most iconic comics of all time and features a unique adventure that only someone as twisted and imaginative as Neil Gaiman can come up with. Following Dream, the anthropomorphic personification of dreams and human imagination, The Sandman is a truly interesting comic that blends horror, fantasy and superhero storylines together. Some people might be more familiar with the recent Netflix series that adapted the first couple of comics and which has a second season on the way.

While I loved the show, I personally had a much better time with the audiobook version of the comics that was released a couple of years ago. Featuring a truly exceptional cast of celebrity and established audiobook narrators, the first volume of this series was so damn good, and I loved how well it established the characters and universe of The Sandman while also adapting Gaiman’s unique vibes and dark themes. This first volume was extremely addictive, and I made sure to listen to the second volume shortly after. The second volume, or Act II as it will be called in this review, continues the comic storyline and features some amazing stories, fun characters and new cast members.

In a universe of strange and deadly creatures, many beings are considered immortal, but only seven siblings can truly claim to be endless. The Endless, each a personification of a certain universal or human concept, are powerful and mesmerizing in their own way, but the most enchanting and mysterious is Dream. Known by many names, including Morpheus, this being governs the Dreaming, a vast realm of creation’s collected dreams and stories, protecting the imagination that makes life worth living. But circumstances outside of his control have set him on a dark path that not even he can escape from.

Still dealing with the consequences of his forced absence from his realm, Morpheus is working to recover everything he lost while avoiding the enemies he made along the way. The most powerful of these is Lucifer, the fallen angel and lord of Hell, whom Morpheus insulted when he stormed Hell to take back his stolen helm. Despite not wishing to cross Lucifer again, Morpheus is convinced to set right the biggest wrong of his life and free his former lover from Hell. However, he is unprepared for the reception that awaits him as Lucifer chooses to damn him in a far more sinister way: by gifting him control of his dark domain.

Finding himself in possession of the key to Hell’s gates, Lucifer must determine who will become the new ruler of Hell. Setting up a gala in the Dreaming, Morpheus receives visits from an array of gods, demons, angels, and other immortal beings, each of whom seek to control Hell for their own reason. Soon, Morpheus finds himself in the middle of a host of scheming beings, many of whom will turn on their host to get what they want. At the same time, weird things are happening in the Dreaming, as an ancient and unstable realm begins to drag in inhabitants from the real world and influence the waking world. Can Morpheus ensure his realm stays whole whilst dealing with the most dangerous beings in creation?

This was another outstanding adaptation of The Sandman comics that was so damn epic to listen to. Adapted by director Dirk Maggs and featuring all Gaiman’s impressive storytelling and dark characterisation, The Sandman – Act II was extremely impressive, and you really get drawn into the unique world of the original comics. Adapting issues #21-40 and #50 of the original comics, The Sandman – Act II brings together the stories of Season of Mists and A Game of You, and several entries from Fables & Reflections. All these adaptations are so damn good, and I love the elaborate and epic cast that helps to bring the tale to life.

Due to how the audiobook is set out, there are three distinctive parts to The Sandman – Act II, which provided their own unique stories and characters. The first of these is titled Season of Mists, and features Morpheus finding himself wrapped up in the fate of Hell. Starting with an entertaining and dysfunctional family dinner, where Morpheus reunites with all his siblings (bar one), the story then turns to Morpheus’s biggest regret, his relationship with the ancient African queen Nada (whose story was told in the last audiobook), which trapped her soul in Hell. Travelling to Hell to free her, Morpheus finds that Lucifer has banished all the demons and damned souls from his realm and is abdicating as ruler, leaving the key to Hell’s gates with Morpheus. Morpheus is soon tasked with deciding the fate of the dimension, which results in a flurry of immortal beings arriving at his home to request the key. The resulting conference proves to be highly entertaining as Morpheus is forced to deal with all manner of bargains, schemes and betrayals as everyone seeks his favour. I loved how the entire dramatic conference unfolds, and the interactions between the various over-the-top figures and the implacable Morpheus results in some great drama and hilarious sequences. The conclusion of this storyline is amazing, as a new irony overtakes the denizens of Hell, Morpheus finds himself meeting various beings who will change him in the future, and the seeds are set for a new story around Lucifer (as seen in his own comic and television series).

Honestly, this is probably the best part of The Sandman – Act II, as not only is Season of Mists particularly gripping, but it makes full use of both the existing voice cast and several new figures to really enhance the content. The battle of wits between several larger-than-life characters is extremely compelling and clever, and Gaiman does a remarkable job expanding the canon of The Sandman. There are so many subtle and delightful character interactions scattered throughout this storyline, and listeners will love the impressively devious stakes that are being discussed. This includes some fantastic and deep soul searching for the protagonist, who is forced to revisit one of his darkest deeds. Thanks to his own experiences of being locked away, Morpheus understands his harsh past actions a lot better, especially when prompted by members of his family. I always appreciated how Gaiman shows that Morpheus isn’t really a hero but a force of nature who arrogantly follows his own whims. However, in this case he is a somewhat better person, even if he is still selfish in his actions, and it takes some real prompting for him to do the right thing.

Gaiman also makes sure to feature some additional amazing character arcs, the most intriguing being Lucifer’s when he decides to perform the ultimate rebellion against his father by abandoning Hell. Lucifer’s portrayal by a returning Michael Sheen is exceptional, especially during his interactions with Morpheus, and his take on the events that led him to rule Hell are very powerful. In addition to Sheen, Season of Mists also features the inclusion of several amazing new actors, each of whom are used to their full potential. Jeffery Wright and Kristen Schaal are perfect additions to the Endless, voicing the taciturn Destiny and the bubbly Delirium respectfully. However, it is the one-two punch of Bill Nighy as Odin and David Tennant as Loki that really sold this chapter to me. Bill Nighy and David Tennant are two of my absolute favourite actors, and their takes on these two Norse gods are just amazing. While Nighy brings gravitas and cruelty to Odin, Tennant’s wheedling, manipulative Loki was so damn fun, and both were the highlight of every scene there were in. The rest of the cast in this chapter were epic as well, and this entire section was such a highlight of The Sandman – Act II, with its placement at the top of the book successfully drawing listeners in and ensuring they don’t go anywhere.

The other main storyline in The Sandman – Act II was titled A Game of You, and is an adaptation of one of the less popular comic arcs. This story is an intriguing female-led additional to the series, which primarily follows Barbie, a minor figure from the previous The Doll’s House arc, who has uprooted her life and moved to New York to live with an eclectic mixture of residents in an apartment building. When figures from Barbie’s long-lost dreams arrive in the waking world, Barbie is dragged back into a fantasy adventure, while her friends in New York deal with minions of the mysterious Cuckoo, a dream parasite preying on Barbie’s mind. The resulting attempts to help Barbie result in chaos and tragedy as they trespass into the Dreaming and come face to face with Morpheus as a he fulfills an old bargain.

Now I must admit that A Game of You was a little weaker than I was hoping, especially when compared to the preceding Season of Mists. The decision to focus on Barbie, who honestly didn’t stand out too much in her previous appearance, was an interesting choice by Gaiman, and this arc doesn’t have the most engrossing story. However, I did still have a great time listening to this part of the audiobook, especially as it focuses on showcasing both the magic and danger of dreams, as well as the impacts that interactions with Morpheus can have on mortals. The more distinctive fantasy focus of this story makes for a nice change of pace, and I liked how well Gaiman simultaneously showed events occurring inside and outside of the protagonist’s dreams.

One side effect of listening to A Game of You immediately after Season of Mists is that the less substantial cast is a lot more noticeable. That’s not to say that A Game of You doesn’t have great characters. There are some amazing figures featured here, including several unique protagonists who have compelling connections to previous story arcs from the series. There are also some nicely progressive LGBT+ elements for a comic released in 1991-92, especially when it comes to the trans woman character, Wanda, who is handled with tact and who has a particularly impactful story arc. There are also fewer celebrity voice appearances in this arc, although I did rather enjoy the inclusion of actress Emma Corrin of The Crown fame as the ancient witch Thessaly, as her intense and distinctive voice added a lot to this fantastic character. While it is easy to nitpick A Game of You, especially after some of the previous arcs, this is s till a particularly impressive storyline, which is masterfully brought to life with this production, producing something that is very fun to listen to.

These two main storylines are impressively augmented by a series of short stories scattered throughout the course of the audiobook. Most of these short stories fall between Season of Mists and A Game of You, with several more wrapping events up. There is also a short story in the middle of Season of Mists that showcases the impacts the closure of Hell has, which leads to the Dead Boy Detectives series. Gaiman comes up with some truly interesting and unique shorter stories to add to the main plot of the book. Most of these stories involve various mortals or other supernatural creatures encountering either the Endless or some of Morpheus’s creations, and they usually serve as some form of cautionary tale. I loved the intriguing underlying themes that Gaiman loaded into each story, including about the impermanence of power and examinations of the human condition, and the author also has fun in launching his distinctive characters into various historical periods.

While all the shorter stories contained in The Sandman – Act II are awesome in their own way, a couple do stand out due to their excellent stories and fantastic performances. For example, the complex story Three Septembers and a January, retells the tale of Joshua Abraham Norton, self-declared Emperor of the United States, with Dream and his siblings shown to be responsible for his strange actions. This story is both fascinating and dark, as you witness a man torn apart by the whims of the ethereal siblings. Listeners grow particularly attached to this tale due to the performance of John Lithgow as Joshua Norton, who adds some excellent humour and no small amount of tragedy with his moving voice work. Other great stories include Thermido, which sees the return of Lady Johanna Constantine from the first audiobook. Voiced by the absolutely fabulous Joanna Lumley, this story follows Constantine as she steals into France during the height of the revolution to steal something from Robespierre. This story was fast-paced, clever, and substantially dark, all of which helped it to stand out, especially with the compelling twists and ironic historical fates. It was also amazing to get a whole story told by Joanna Lumley, who was somewhat underutilised in the first audiobook. Finally, the tale August, which follows Augustus Caesar as he disguises himself as a beggar and tells his life story to a dwarf, proves to be quite impressive, especially with Brian Cox playing the titular character. Each of these shorter stories are masterfully presented, and I loved how complex and powerful their stories were, even with the shorter length the author had to work with.

Overall, I really appreciated the entire story of this volume. The blending of two fantastic main storylines, as well as the scattering of intriguing and unique short stories, makes for quite an epic continuous listen. The short stories were well utilised as the director spread them out amongst the audiobook providing a good break between the two extended plotlines, as well as some fun listens in the epilogue. Not only were all the entries in The Sandman – Act II fantastic and compelling, but each of them had such a distinctive feel that really highlights the author’s style and ability to blend various genres together into one powerful story. The interesting array of over-the-top characters makes for quite a fantastic listen, especially as Gaiman attempts to capture the many burdens of having cosmic responsibility, while other stories look at how characters are affected by dreams and imagination. The mixture of fantastic tales and dark moments is always cleverly undercut with moral lessons or complex observations about the human experience. You honestly come away from The Sandman in deep thought while still being traumatised or wildly entertained by how events unfolded. There is honestly nothing else quite like The Sandman in fiction, and I always have great admiration for the elaborate and multifaceted tales that Gaiman comes up with.

Just with the first volume of this epic audiobook collection, the production really captures the epic nature of the comic, which makes it a real joy to listen to. Even with its runtime of nearly 14 hours, this is such an easy and addictive audiobook to listen to, and it proves hard to ever stop listening to the elaborate story that emerges. A lot of this is down to the impressive nature of the production surrounding this audiobook, as the director goes out of his way to enhance the audio experience for the listener. Everything about this audiobook, from the emotionally charged music, the elaborate sound effects, and the brilliant cast of actors and narrators, is designed to remind you what an imaginative and unique story you are listening to. Heck, even the way that the various chapter titles are announced is epic, and I always get a kick out of the impressive way they are read out. Honestly, the entire audiobook production is just perfect, and anyone who listens to it is in for an exceptional time they will not forget.

As part of my hyping up of the audiobook production, I have to highlight the sheer range of talent lending their voices to this audiobook production, without whom The Sandman – Act II would be nowhere near as exceptional as it was. I have mentioned several of the newer voice actors in the review already, but The Sandman – Act II also featured the exceptional returning cast from the first audiobook, each of whom provided fantastic new performances that really stuck in the mind. For example, Andy Serkis is so much fun as Matthew the Raven, while Justin Vivian Bond and Miriam Margolyes serve as fantastic and fitting versions of Desire and Despair respectively. Kat Dennings proves to be an outstandingly effective incarnation of Death, especially as her positive portrayal captures the more compassionate and likeable version of Death that Gaiman envisioned for his comic. Even Neil Gaiman has a key vocal role in the production, serving as the narrator who highlights events and details not captured by the dialogue. Gaiman proves to be an impressive narrator for this story, and his distinctive and wise voice matches the feel of The Sandman perfectly. However, most of these are overshadowed by James McAvoy, who plays the titular Sandman, Morpheus, in this production. McAvoy is honestly perfect in this role, and the gravitas, sense of unknowing, and great sadness of this character is so perfectly portrayed by the actor’s voice. McAvoy does such a good job portraying the imperialistic and arrogant tone and personality of Morpheus and the reader can really envision his actions and thoughts. McAvoy honestly does the best presentation of this character it is possible to do (television series included), and you will fall in love with his take on this sinister and mysterious figure.

The Sandman – Act II is an outstanding and incredible audiobook production that does such a remarkable job of bringing more of Neil Gaiman’s iconic comic to life. Perfectly adapting the distinctive and dark comics into a new format, listeners get the benefit of both an excellent narrative and some amazing audiobook production with a remarkable cast. An absolute joy to listen to from start to finish, The Sandman – Act II was a brilliant follow-up to the first production, and I cannot recommend it enough.

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Quick Review – He Who Drowned the World by Shelley Parker-Chan

On December 21, 2023 By The Unseen LibraryIn Australian, Fantasy, Historical Fiction, LGBT+, Quick Review2 Comments

He Who Drowned The World Cover

Publisher: Mantle (Trade Paperback – 29 August 2023)

Series: The Radiant Emperor – Book Two

Length: 487 pages

My Rating: 4.5 out of 5 stars

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Rising Australian author Shelley Parker-Chan returns with the second part of her Radiant Emperor duology, He Who Drowned the World, an impressive and complex historical fantasy set in 14^th century China. He Who Drowned the World is the exciting sequel to the author’s first novel, She Who Became the Sun, which provided a compelling spin on a legendary Chinese Emperor by imagining them as a female who takes on her dead brother’s identity to achieve greatness. She Who Became the Sun was a pretty awesome read, loaded with intriguing imagery, excellent characters, and a unique story. I deeply enjoyed reading it when it first came out and it ended up being one of my favourite debuts and pieces of Australian fiction in 2021. I was very excited to get a copy of He Who Drowned the World, especially as Parker-Chan does an excellent job of fishing off her epic story in a big and compelling way.

Plot Synopsis:

How much would you give to win the world?

Zhu Yuanzhang, the Radiant King, is riding high after her victory that tore southern China from its Mongol masters. Now she burns with a new desire: to seize the throne and crown herself emperor.

But Zhu isn’t the only one with imperial ambitions. Her neighbour in the south, the courtesan Madam Zhang, wants the throne for her husband – and she’s strong enough to wipe Zhu off the map. To stay in the game, Zhu will have to gamble everything on a risky alliance with an old enemy: the talented but unstable eunuch general Ouyang, who has already sacrificed everything for a chance at revenge on his father’s killer, the Great Khan.

Unbeknownst to the southerners, a new contender is even closer to the throne. The scorned scholar Wang Baoxiang has maneuvered his way into the capital, and his lethal court games threaten to bring the empire to its knees. For Baoxiang also desires revenge: to become the most degenerate Great Khan in history – and in so doing, make a mockery of every value his Mongol warrior family loved more than him.

All the contenders are determined to do whatever it takes to win. But when desire is the size of the world, the price could be too much for even the most ruthless heart to bear . . .

He Who Drowned the World proved to be a unique and captivating novel that continued to follow former monk turned general Zhu Yuanzhang as she attempts to free China from the Great Khan, outwit her rivals, and take the throne as Emperor. Parker-Chan dives right into this scenario as the book starts, and you are soon enthralled by the complex, multilayered story that emerges. Thanks to the power shift from the first book, the battle for control of China turns into a fight for dominance with four armies in the field, while the shadowy Wang Baoxiang manipulates events in his favour from the shadows at the capital. The events are shown from the various unique perspectives of the four main characters, each of whom is trying to survive and win the throne by their own methods. I love the blend of storylines that evolved here, whether it is the main protagonist’s plan to seize her destiny no matter what, Ouyang’s destructive quest for revenge, Madam Zhang’s attempt to manipulate all the men in her life to gain power, or Wang Baoxiang’s careful and lustful politicking. All these character arcs are deeply fun in their own right, although I must admit I found Wang Baoxiang’s storylines to be the most fascinating, mainly because he was so deliciously devious and swiftly rose up as a brilliant villain.

As the book continues, the reader is treated to some amazing story points, including Ouyang being forced to work with Zhu, who keeps winning with inventive tactics; Madam Zhang’s plots failing her left and right; and Wang Baoxiang’s malevolent rise to power, taking down everyone he gets close to. Each of these characters gets their moment to shine, and I loved some of the interactions that emerged, especially when the characters begin to meet each other. Zhu and Ouyang in particular play off each other perfectly, with Ouyang’s sheer anger finding no purchase with Zhu’s more Zen outlook on life, which only infuriates Ouyang more. I really loved the part of the book that focused on the complex alliance between these two characters, and its dramatic end also works extremely well, especially as it leads to that haunting scene where Ouyang encounters his destiny only for it to destroy him.

The entire book moves at an outstanding pace, and the compelling detail, unique world-building, and fascinating characters continue to build as the novel reaches its zenith. The final fate of Ouyang really was a major highlight of He Who Drowned the World, and the rest of the plot that follows had me hooked to the end. The last part of the book was a little more subtle than I was expecting, but it still featured some great moments as Zhu, who is not as benevolent as you would think, sacrifices much to try and achieve victory. The taut emotions, devastating betrayals, and determined attempts for revenge really help this conclusion stand out, and I was enthralled the entire way through. Parker-Chan ends everything on a somewhat hopeful note, which was nice after how dark the rest of the book was, and the reader will come away from He Who Drowned the World satisfied, if a little emotionally raw and shaken.

I really must comment on the fantastic and unique setting that Parker-Chan utilised for this duology. The overarching setting of 14^th century China is pretty awesome in itself as the author worked hard to capture the unique cultural aspects of the period, such as the control by the Mongolian dynasty, while also presenting all the chaos and war that emerged when Zhu attempted to claim the throne. However, things get even more interesting as the author works in some subtle but significant fantasy elements that really make these books standout. These elements are all tied into a person’s right to rule as those with the will, ability and destiny are gifted with a literal Mandate of Heaven, which allows them to call forth an aurora of light and fire to show their divine right to rule. Several key characters in the series are gifted by the mandate, and the way they use it, whether to install fear, show their divinity, or utilise it for even darker purposes, is pretty damn fascinating. The other major fantasy element revolves around ghosts that only a few characters can see, which end up being an interesting part of the plot. The protagonist’s ability to see and occasionally manipulate these ghosts adds a certain edge to their story, especially as it serves as a representation of their deeper guilt, regret or determination, and I felt it was a fitting character element. The manipulation of ghosts also results in some dark scenes, especially when one of the antagonists does some horrible things to get a supernatural advantage. This interesting blend of historical and fantasy elements really helped to give the world of these duology a fantastic and unique tinge, and I really enjoyed seeing the elaborate war story Parker-Chan set out in it.

I also enjoyed how nearly all the major characters in this book had some compelling gender and orientation feature to them, which helped to define their character and take them to some interesting places. This includes the main protagonist taking over a male identity and entering a unique relationship with their wife, while General Ouyang deals with the shame of being a eunuch, although that doesn’t stop him from being the biggest badass in the book. These elements were really well handled by the author, who featured them in a thoughtful and tasteful manner, and it was interesting to see how this defined them. Parker-Chan really dove into the emotional, cultural and spiritual nature of these factors, especially in their historical context. I particularly enjoyed how all these characters tended to rise up above the shame or taboo nature surrounding this character element, and indeed many of them used it to their advantage. I really enjoyed seeing how well Parker-Chan utilised these elements in the plot and it made for some great representation.

I really enjoyed this distinctive and fascinating novel from Shelley Parker-Chan who produced a remarkable conclusion to her impressive debut duology. He Who Drowned the World was a powerful, intense and complex read that really showcased the horrors of war, ambition and self-delusion. Featuring a moving and devastating narrative, loaded with great characters and a unique take on Chinese history, He Who Drowned the World is an exceptional read and a worthy sequel to Parker-Chan’s first book.

He Who Drowned the World Cover 2

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Quick Review – The Pit by Peter Papathanasiou

On November 2, 2023 By The Unseen LibraryIn Australian, Drama, LGBT+, Murder Mystery, Quick Review2 Comments

The Pit Cover

Publisher: Maclehose Press (Trade Paperback – 25 July 2023)

Series: DS George Manolis – Book Three

Length: 297 pages

My Rating: 4 out of 5 stars

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Australian author Peter Papathanasiou returns with his third DS George Manolis novel, The Pit, a complex and intriguing piece of Australian crime fiction that takes three unlikely companions on a memorable road trip.

Plot Synopsis:

A third outback noir from Peter Papathanasiou, following Special Constable Sparrow as he investigates a cold case in a barren mining region of Western Australia.

With DS Manolis on leave in Greece, Senior Constable Sparrow receives a phone call from a man who wants to turn himself in.

Bob is sixty-five years old, confined to a Perth nursing home. But thirty years ago, he killed a man in the remote northern Kimberley mining region. He offers to show Sparrow where the body is, but there’s a catch: Sparrow must travel north with him under the guise of being his carer.

They are accompanied on the drive by another nursing home resident: Luke, thirty years old, paralysed in a motorbike accident. As they embark on their road trip through the guts of Western Australia, pursued by outback police and adrenaline-soaked miners, Sparrow begins to suspect that Bob’s desire to head north may have sinister motivations. Is Luke being held against his will? And what lies in store for them when they reach their goal?

The Pit proved to be quite an interesting and compelling novel which honestly was very different from what I was expecting. I thought this would be more of a standard crime fiction/murder mystery novel in the Australian wilderness, but instead I got a character driven story that dove into one protagonist’s complex life, and I honestly think it worked out better this way.

The plot of The Pit is very far removed from Papathanasiou’s previous DS George Manolis novels, with the protagonist of the first two books not even actually appearing. Instead we get an intriguing story about supporting character Special Constable Sparrow, who finds himself presented with an unusual opportunity by an old man, Bob, wanting to confess to a 30-year-old murder. While I do think that Sparrow agreed to Bob’s strange request without backup a little too readily, it sets up an interesting and heartfelt storyline where Sparrow accompanies Bob and Bob’s unsuspecting young protégé, Luke, across Western Australia into the heart of mining country. The narrative splits into two separate timelines at this point, with the main narrative focusing on the three companions as they travel across the Pilbara, getting into all manner of trouble and meeting a range of outrageous and unique outback locals. The other main storyline is a series of intense flashbacks that examine the full life of Bob and the many hardships he experienced as a homosexual man in Australia from the 1960s onwards. There is also a subplot that follows the friendship Bob formed with Luke in the nursing home and why Bob decided to take him on the road trip.

These different fantastic storylines are interesting and emotional in their own way, and the reader gets heavily invested in seeing both the past and the present. Bob’s tragic and violent life story really drags the reader in, and it was fascinating to see his take on the homosexual experience throughout various periods of recent Australian history. At the same time, you get quite entranced by the unique friendship that forms between the three road trippers, especially as each of them has their own secrets, personal issues and emotional turmoil. I felt that the darker past storylines blended well with the unusual hijinks of the modern storyline, and the hidden clues in Bob’s recounting of events ended up having some interesting impacts on the central story. These split storylines come together in an excellent way, and Papathanasiou really lays on the tragedy in the main narrative threads, especially when it comes to Bob and the tragedies he’s experienced. The ending of the book is quietly poignant and ultimately unavoidable, and you will come away quite moved by how everything turned out and how the main characters developed.

Papathanasiou backed up this emotionally rich story with some fantastic and highly detailed background settings. The Pilbara in particular is shown in all its red glory, and the author does a remarkable job describing its harsh beauty and the heavy burden of those who traverse it. The anecdotes about the unusual people who worked in the Pilbara, both in the modern day and in the 1970s and 80s, are pretty over-the-top and very entertaining to absorb. I do hope that Papathanasiou was exaggerating just how crazy everyone out in the Pilbara is, as there were a lot of unsettling and concerning characters involved who added some interesting spice to the story. The memorable social interactions and courtship rituals of the repressed male Pilbara mining community back in the 1970s also seemed a bit unlikely, and I doubt I will be able look at a ute full of blokes the same way again after reading this book. These outrageous scenes were quite entertaining, and I think they helped to enhance some of the more emotional parts of the book in greater detail. Throw in other interesting historical locations, such as Sydney during the AIDS epidemic, and you have a fantastic background to this intense story that Papathanasiou used to full effect to tell his unique story.

Overall, The Pit was quite a memorable and compelling read by Papathanasiou, who told quite a complex Australian tale. As a dramatic Australian tale with historical elements more than a pure crime fiction read, The Pit was a fantastic book that beautifully dove into some dark issues and showcased some amazing characters. Charming and heartbreaking, The Pit was an excellent piece of Australian fiction that is well worth checking out.

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The Hunger by Marsheila Rockwell

On July 16, 2023 By The Unseen LibraryIn Comics/Manga, Extended Universe, Horror, LGBT+, Superhero, Tie-in Novel3 Comments

The Hunger Cover

Publisher: Aconyte Books (ebook – 3 October 2023)

Series: Marvel Zombies

Length: 249 pages

My Rating: 4.5 out 5 stars

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Prepare to dive into a wacky, time travelling, zombie filled Marvel novel with Marsheila Rockwell’s fantastic tie-in book, The Hunger.

After having a lot of fun reading the awesome Marvel Comics tie-in novel The Tyrant Skies by David Annandale earlier this year, I thought it would be an excellent idea to dive into another amazing Marvel book, especially one with a great plot like The Hunger. Written by intriguing fantasy and science fiction author, Marsheila Rockwell, whose previous foray in Marvel fiction produced the magic Sisters of Sorcery novel, The Hunger is an awesome upcoming book that I was very happy to get an early copy of thanks to Netgalley. Set around the iconic Marvel Zombies concept, The Hunger was a pretty epic read that I had an outstanding time with.

When a mysterious object falls to Earth, landing in New York city, it unleashes a wave of evil and despair as the world’s greatest heroes are turned into ravenous zombies determined to feast on all living flesh. As the zombified superheroes begin to spread out across the planet, turning or eating everything before them, only Doctor Strange can briefly retain his sanity to try and find a way to avert disaster, but despite his best efforts, his overwhelming hunger threatens all around him.

With no alternative, Doctor Strange is forced to turn to one of the few magic users left unaffected by the zombie outbreak, the librarian of the Sanctum Sanctorum, Zelma Stanton, who reluctantly takes up the burden and imprisons her zombified mentor. Despite her lack of experience, Zelma has access to all the magical knowledge and ancient artefacts in Doctor Strange’s Sanctum Sanctorum, and she hopes to find some answer to the deadly chaos consuming her planet. But Zelma soon realises that even all the books in the Sanctum aren’t enough; if she wants to succeed, she’s going to need help.

Pulling together a ragtag team of survivors, including Runaway witch Nico Minoru, monster hunter Elsa Bloodstone and the living embodiment of insanity, Deadpool, Zelma hopes that together they can find a solution. But their plan to trap the zombies in a time loop backfires on them, thanks to antics of Deadpool, unsurprisingly. Now with time fracturing all around them, an evil magic threat unleashed, and the zombie horde still determined to eat everything, Zelma and her strange team need to find a way to reverse the damaged they caused while still saving the world. But is this group of survivors truly capable of stopping the flesh-eating nightmares waiting for them?

That was an insanely fun book about zombies and time travel shenanigans that I desperately needed, and I am sure glad that I decided to check this novel out. The Hunger was a very entertaining book that I ended up knocking out in a few hours because of how easy and fantastic it was to read. Rockwell came up with a very impressive story that quickly grabbed my attention and took me along a wild journey loaded with so many awesome moments. Starting off with a great new introduction to an alternate Marvel Zombies event, where Doctor Strange and pretty much every other hero gets brutally turned into zombies, the story gets bleak very quickly and rarely lightens up after that. The resulting narrative focuses on the intriguing figure of Zelma Stanton, a supporting character in one of the recent Doctor Strange comics, and it proves to be very interesting as you follow a young, inexperienced magician as she tries to survive in a very dangerous world. The resulting story has a lot of great features to it as Zelma finds her courage, gathers a unique group of allies, and then finds herself getting thrown into all manner of chaos as her actions produce more zombie mayhem and every time travel issues you could think of. The second half of The Hunger is pure, unadulterated bedlam, and I frankly loved every second of it, as Rockwell comes up with some outrageous and exciting scenarios that never really slow down. Bringing together some well set-up storylines in some excellent ways, you honestly will find it hard to put down The Hunger once you get rolling with it, and I found the entire story to be exceedingly entertaining, especially as Rockwell wove together some complex scenes that saw the characters journey through all manner of unique points the Marvel Universe timeline. This story was a riot from start to finish, especially the fantastic extended time travel sequences, and you will come away from this book very satisfied and honestly wanting more.

Rockwell has a great writing style that I felt really lent itself to the emotionally charged and intense story that came together in The Hunger. Primarily told from the perspective of two young female magic users, The Hunger is a strong, character-driven tale that showcases how people grow under adversity, while also treating the reader to a brilliant amount of action, carnage and Marvel comics lore. Rockwell really leans into the Marvel Zombies background of her story to provide some gruesome and graphic moments, which I felt helped set The Hunger apart from some of the other Marvel tie-in books. While there is a lot of humour attached to the book, mainly thanks to the inclusion of a particular merc-with-a-mouth, The Hunger gets very deep and serious at times, and I loved the impactful dive into the traumas affecting the protagonists. I loved the fast pace that Rockwell sets for The Hunger’s story, and frankly there was not a single moment of this book where I wanted to stop, as I just wanted to see what was going to happen next. I did think some of the early sequences of the book felt a little simplistic in their writing, which almost threw me off. However, Rockwell found her stride as the book continued, and I loved some of the elaborate sequences that emerged, especially those that feature multiple figures, time elements and obscure bits of Marvel lore. Some of The Hunger’s twists were very well set up in the earlier stages of the book, and I loved how well things came together in the end, especially as Rockwell made such great use of the time travel elements to tell a very entertaining story.

The Hunger serves as a rather interesting addition to the wider Marvel lore that exists as Rockwell makes fine use of several existing storylines, concepts and characters, to create a pretty fun read. Set in a version of the main Marvel universe that is suddenly impacted by a Marvel Zombies event, The Hunger has a ton of curious and distinctive elements to it that established fans of the comics will deeply enjoy. Not only are there a ton of different characters present, often in zombie form, but Rockwell goes out of her way to feature or reference multiple storylines from the comics. This includes a great mixture of more recent comics and some classic storylines, both of which work extremely well in the context of the story and its time travel elements. I felt that Rockwell did a very good job of cleverly introducing and then utilising these different storylines throughout the course of the comics, and the resulting crazy plot encounters and big moments were pretty damn awesome. Each of the main characters also makes sure to remember or mention many key story arcs from their history, many of which have a compelling impact on the current storyline or mental state. The author clearly has an appreciation for the various storylines and obscure characters that she featured and I loved how random and compelling the later scenes got. While Rockwell does go to some diverse areas of the Marvel universe and history, all of these elements and characters are explored in excellent detail so that anyone with some basic knowledge of Marvel comics can easily enjoy what is going on. I personally loved all the cool references that emerged, as well the excellent reimagining of the Marvel Zombies storyline which helped turn The Hunger into a pretty awesome tie-in novel.

As with her previous Marvel tie-in novel, Sisters of Sorcery, Rockwell chose to focus The Hunger on three intriguing and somewhat underused female characters from the Marvel canon, Zelma Stanton, Nico Minoru, and Elsa Bloodstone. All three characters are already epic, but it was great to see them forming a team here in The Hunger, especially when faced with an insane, world-ending threat. Of these three characters, Zelma is probably the one I knew the least about, mainly because I’ve never read any of the Doctor Strange comics she is in, but she soon proved to be the invaluable heart of this entire novel. Rockwell did a remarkable job of introducing and utilising Zelma as a character, even to a reader like me that has had no experience with her. You are swiftly brought up to speed on who Zelma is and why she is involved, and soon you follow this overwhelmed magical character as she is thrust into events beyond her comprehension. I loved the overarching narrative of this character finding her confidence and ability in this ultimate post-apocalyptic setting, and it was great to see her become the hero that Doctor Strange believed her to be. Watching her use her unique intelligence and experiences to survive and attempt to stop all the chaos is quite compelling, and you really grow to appreciate Zelma, especially as she has very relatable doubts and concerns. Zelma is the emotional heart of this entire book and I felt that Rockwell was very wise to use her as a central character, especially with how exceptionally she is portrayed.

In addition to Zelma, I really enjoyed the fantastic use of Nico Minoru and Elsa Bloodstone in The Hunger who served as impressive joint protagonists. I particularly loved seeing Nico Minoru here in The Hunger, mainly because I’m such a big fan of Runaways, and Rockwell featured her in an excellent way. Focusing on her at a key part of her character development from the comics, this already jaded and wary Nico arrives on the scene after seeing her entire adopted family turned to zombies and is swiftly forced into another harrowing adventure with a new group of strangers. I really enjoyed exploring Nico’s fears, concerns and complex history throughout The Hunger, and she served as a great secondary point-of-view character for the plot. These female characters are further enhanced by monster hunter extraordinaire Elsa Bloodstone, who is well suited for this sort of dark, monstrous tale. The foul-mouthed, highly confident figure is a great addition to the focal cast of the novel, especially as her loud personality plays off the more reserved Zelma and Nico for a good chunk of the novel. While initially shown to be mostly carefree, there are some compelling darker feelings under the surface, especially related to the start of the zombie apocalypse, and I felt that Elsa was a brilliant and great addition to the plot.

The final major character in the book really needs no introduction as Rockwell features Deadpool as the much need comic relief. Brought into the story for very unique reasons, Deadpool is his usual blend of irrelevant humour, catchy one-liners, and all-round killing machine that works well with the female protagonists to save the day. His constant jokes, weird comments and fourth wall breaks deeply add to the enjoyment I had of the book, even with its darker story content. So many of the best plot moments in The Hunger revolve around Deadpool’s antics, and he really is an unsurpassed character to include in a crazy book like this. His interactions with the other protagonists are also a lot of fun, with an intriguing blend of comedic conversations, crazed resentment, and even a grudging respect for his fellow survivors. Throw in a ton of zombified superheroes, an overpowered magical witch from history, a fun new mount for Deadpool, and some intriguing figures from the dawn of the Marvel canon, and The Hunger has an outstanding cast that are a lot of fun to follow, especially during their darker and emotionally charged moments.

The Hunger really lived up to all its great potential and I had an epic time getting through this insane and highly exciting read. Marsheila Rockwell produced one hell of a story here that made great use of the Marvel Zombies theme and featured a bonkers story with fantastic time travel elements, complex characters, and a ton of compelling references to the wider Marvel canon. I honestly had such an incredible time with The Hunger and readers are guaranteed to get caught up in its cool story just like me. Highly recommended, for all Marvel fans, you will have fun with this book.

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Witch King by Martha Wells

On June 24, 2023 By The Unseen LibraryIn Fantasy, LGBT+5 Comments

Witch King Cover

Publisher: Tor (ebook – 30 May 2023)

Series: Standalone/Book One

Length: 432 pages

My Rating: 4.5 out of 5 stars

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Acclaimed science fiction author Martha Wells returns to fantasy fiction in a big way with a cool new epic novel, Witch King. This was an excellent and intriguing new read that I had a wonderful time reading, especially as I finally got to check out something from Wells, who has been on my to-read list for a while. Wells is a veteran author who has several intriguing novels and series throughout her storied career, including her Ille-Rien, Books of the Raksura and Emilie, and well as tie-in books in the Star Wars and Stargate franchises. While I am interested in reading her Star Wars book, Wells is best known for her Murderbot Diaries series, which follows a deadly security robot who has gained sentience and finds itself involved in serval complicated situation with various humans. This series gets a lot of love in review communities and has been on my radar for a while. However, instead I managed to get a copy of Wells’ new fantasy novel, Witch King and decided to have a read of that. Featuring an intriguing and compelling story, Witch King was an awesome novel that I found myself really hooked on.

Kai is having a very bad day. Awakening after an unknown period of imprisonment in a specially designed underwater cell, Kai is annoyed to find an arrogant magic user attempting to bind him to their will. However, Kai is no mere demon, he is Kaiisteron, the Witch King, a legendary figure who, with the help of his heroic friends, saved the world from the nefarious Hierarchs and the led the current nations to freedom.

Now freed from his tomb and inhabiting the body of the mortal who foolishly tried to control him, Kai needs to find out who trapped him and why. Accompanied by his long-time friend, the witch Ziede, and Sanja, the young woman intended to be sacrificed to him, Kai emerges once again into the world, trying to figure out what is changed and who benefited from his absence. However, nothing is as it seems, and Kai and Ziede soon discover that their other friends and comrades have also gone missing.

Determined to get to the truth, Kai, Ziede and Sanja begin their search for answers, but soon find themselves under attack from all corners. Dangerous magic users, powerful angelic creatures and lethal killers are all hunting for them, and everyone seems to have their own agenda. To survive, Kai and Ziede will need to dive into their dark history, and the legendary war they fought years ago. But the secrets they uncover will reveal dark truths about people they thought were their friends, and soon they will be forced to face the terrible consequences of their past mistakes. Can these legendary figures survive in a world that turned against them to find their loved ones, or has their adventure finally come to an end?

This was a pretty awesome read from Wells. Witch King has a gripping and intense story that really gets your attention early on and wows you with its elaborate world and interesting characters. I had a great time reading this book, and while I struggled to get through it quickly, I ended up really enjoying it and I am very interested in seeing how Wells follows it up.

I really enjoyed the great story contained within Witch King, although you have to be prepared for Wells to drop you into some heavy plot right away. There is not a lot of introduction to the characters or the world at the start of the book; instead you have to build up your own picture of events initially based on what’s going on. This kind of makes the first few chapters a little harder to follow at times, although there is some fun action, interesting events, and great characters to grab your attention. Wells eventually provides some of the details you need as the story continues, especially as she starts to split the story into two separate timelines, the current one and one set years in the past. The modern timeline continues to show the characters as they get to the bottom of why they’re imprisoned and why everyone is after them, while the past timeline shows the earlier days of their history, as well as the legendary war that made them famous and which is still impacting everyone who was involved. Both of these timelines are told from the perspective of Kai, and it provides a great overarching narrative, especially as you get to see two different sides to the same characters. The older timeline also provides some much needed context for the modern day storyline, and Wells did a great job of balancing events from the two timelines to tell an intriguing and elaborate story.

Both awesome narratives continue at a great pace and Wells loads both up with some outstanding moments. Out of the two, I enjoyed the chapters set in the past the most, especially as the young and inexperienced Kai was so very different from his confident and lethal persona in the future. There was also a greater sense of desperation, oppression, and an overlay of hope in these prequel scenes which really spoke to me. I also felt that it gave the reader a pretty good supplementary introduction into several of Witch King’s best characters, including Kai and Ziede, both of whom have some fun, complex, and LGBT+ positive arcs. I loved seeing them as younger characters experiencing some of the worst, and most defining, moments of their lives, and Wells did an outstanding job of building that up. However, most of the most important action occurred in the present-day storyline, and Wells writes a fantastic and powerful narrative about lost friends and relentless enemies that proved to be very compelling. There are some great twists and turns here, most of which are rooted in their adventures in the past, and I loved some of the powerful moments that occurred. Wells features several impressive battle scenes that make full use of the cool abilities of her magical characters, and it was particularly fun seeing Kai in action with his deadly abilities. Both storylines come to a great conclusion that perfectly complement each other, and I liked the symmetry with the past and present, especially as it relates to the protagonists. The final twist of the novel was pretty good and I liked how the modern-day storyline was set up to allow the narrative to continue if Wells chooses to. However, if this was only a standalone novel, it worked really well, and I loved how impressive and fun this fantastic narrative turned out.

In addition to featuring a compelling and well-written narrative with great characters, Wells also comes up with a very distinctive and intriguing fantasy setting for Witch King, which I had a fantastic time exploring. The world itself is a bit dark and damaged, having seen wars, magical upheaval and conquests, and it serves as a great background for the complex story. Wells does an outstanding job of utilising some unique elements, such as demons, angelic warriors, dark magic users and mysterious tyrants to bolster the plot and produce some distinctive and exciting sequences. This is often further enhanced by the author’s great use of the split timeline, as readers get to compare and contrast the settings and abilities of the characters after the massive time difference. Some of the settings are really outstanding as well, with my favourite being a sinister palace first introduced in the prequel timeline. This palace makes for an excellent backdrop for most of the early timeline’s plot, and the subsequent visit to it in the present also produces some fantastic and elaborate scenes, especially as actions in the past alter it in some very dramatic ways. While most of these unique fantasy and world elements are impressive and fun in many ways, I did think that Wells could have done a bit of a better job introducing them. The author really did just drop readers into the middle of the world at the start of the story with very little explanation and it takes a while to build up a full understanding of all the politics, factions, races, and basis for magic that are relevant to the plot. While this did lead to the occasional bought of confusion during the early chapters of the book, once you get deeper into the plot (especially after the first few prequel chapters), you really grow to appreciate the elaborate world and the inventiveness Wells put into it.

Overall, Witch King was a pretty awesome and captivating fantasy read, and it was one that served as a great introduction to Martha Wells for me. The exciting and compelling plot really drags the readers in, and the use of great characters, clever storyline splits, and an epic fantasy landscape proves to be an effective combination. I really hope that Wells continues some of the storylines set up in Witch King in the future, and I look forward to reading more from the author if she does.

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All of Our Demise by Amanda Foody and Christine Lynn Herman

On September 23, 2022 By The Unseen LibraryIn Fantasy, LGBT+, Young Adult1 Comment

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Publisher: Gollancz (Trade Paperback – 30 August 2022)

Series: All of Us Villains – Book Two

Length: 470 pages

My Rating: 4.75 out of 5 stars

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After wowing the world with their first collaboration, 2021’s All of Us Villains, the superstar young adult fiction team of Amanda Foody and Christine Lynn Herman return with the second book in their impressive duology, All of Our Demise, one of the most anticipated young adult fantasy releases of the year.

For generations, seven prominent families of the city of Ilvernath have each sacrificed one of their children to a legendary death tournament, the winner of which would secure the extremely powerful high magick for their family. However, this latest tournament has not turned out like anyone expected. Already exposed to the world thanks to a tell-all book, some of the champions, led by the seemingly heroic Briony Thorburn, are determined to break free from the bloody tournament that has long haunted their families. But as they attempt to break the curse that binds the tournament to them by destroying the enchanted artefacts and locations associated with their families, their actions will have unexpected consequences on all around them.

For the first time in its history, the magical Blood Veil that physically separates the participants from the outside world has been broken and now everyone can witness the tournament unfold. As reporters and members of the public swarm into the historic battleground as witnesses, the participants can return to Ilvernath and seek help from those in town. The destruction of the Blood Veil seems proof that Briony’s plan is working, but not everyone wants the curse to end.

After the miraculous resurrection of his murdered brother, Hendry, Alistair Lowe believes that the only way he can keep Hendry alive is by winning the tournament. After murdering his entire evil family and after being cursed by the girl he fell for, Alistair finds himself isolated with Hendry, unsure how to proceed. However, he soon finds himself working with a surprising new ally in Gavin Grieve, the boy no-one expected to survive, and who has his own desperate reasons for working with the Lowes. At the same time, the formerly glamorous Isobel Macaslan finds herself drawn to the mysterious Reid MacTavish, whose manipulation of the champions has brought nothing but trouble. Determined to help Briony destroy the tournament, Isobel will break all the rules to survive, even if that means drafting Reid in against his will.

As the battle lines are drawn and the two groups of champions attempt to path their respective courses to victory, they find unexpected obstacles blocking their way. Not only are the champions’ manipulative families attempting to sway events to their favour, but the media is determined to make all of them infamous in their own way. Forced to battle each other both in the tournament and in the field of public opinion, the champions will face unbelievable tragedy and despair as they all try to survive. However, the biggest threat to all of them may come from outside the tournament, and no-one is prepared for the evils waiting for them in the wider world.

Foody and Lynn Herman have delivered quite an impressive sequel here with All of Our Demise, which presents the reader with another epic and powerful story. Building on the elaborate narrative and character arcs of All of Us Villains, All of Our Demise takes the reader on an exceptional emotional rollercoaster as they watch four extremely complex and distinctive point-of-view characters battle in impossible circumstances. All of Our Demise ends up being just as good, if not a little better, than Foody and Lynn Herman’s first impressive outing, and it provides readers with an outstanding and memorable conclusion to this captivating young adult fantasy duology.

I’m still reeling a little bit about how All of Our Demise’s story turned out. Foody and Lynn Hermann did a remarkable job with this sequel and the story continues seamlessly on from the events of the first book. Told from the perspective of the four main characters, the death tournament focus of the story has evolved due to the events of All of Us Villains and the characters are now forced to contend with outside forces as they fight in an extended battleground. The protagonists are now split down the middle as some fight to destroy the tournament for good, while they others try to keep it alive so they can win, either for their own survival or to save those closest to them. All four protagonists have some brilliant character driven storylines around them, and each of them is fighting for something important to them, whether it be redemption, family, reputation, or respect. In addition, the protagonists are still reeling from the events of All of Us Villains, and no-one has been left emotionally or physically untouched from the events of the first book. This results in an emotionally heavy storyline, especially once everyone gets a taste of betrayal, either from the other champions or from other malign figures outside of the main group. The story evolves at a great pace, and the authors chuck in some imaginative and clever twists as each group starts to get closer to their goal. New relationships are built while others are torn down, and there are some very intense moments as scorned friends finally confront each other over past betrayals. Everything leads up perfectly to the big conclusion, where there are some big sacrifices and some major changes in the lives of every protagonist as they reach their endgame. I really appreciated how this impressive story came together, and you will be left shocked, moved and very satisfied with how this outstanding duology came to an end.

I think the excellent team of Foody and Lynn Herman did a remarkable job pulling All of Our Demise together, and this was an extremely well-written book. As I mentioned above, this is a pretty epic sequel, and the authors strike off right after the cool cliff-hanger that All of Us Villains ended on. All the great story elements from the first book are seamlessly continued here, and I really appreciated being able to jump straight into the narrative again. While the authors do ensure that there is some exposition so that readers can remember what happened in the first book, I would say that All of Our Demise is a bit of a harder book to enjoy if you haven’t read All of Us Villains first. There are some story and character gaps featured here that might be a bit hard to follow without having read the first book, so I would definitely recommend checking that out first. Once you are into this story, there really isn’t a slow moment, as the characters are constantly engaged in some form of action, the enhanced intrigue surrounding the event, or a deep examination of their psyche and relationships, especially as they continue to examine the terrible events they have found themselves in. While All of Our Demise is a bit of a brick, you honestly are never left feeling bored or stuck, and you frankly can’t help but move forward as you are drawn into this elaborate tale. I really think that the split between the four protagonists is handled perfectly as well, and it ensures you get a well-balanced narrative and substantial time to dive into their respective and impressive character arcs. This was one of those young adult novels that has a lot of appeal both for its target teen audience, and much older readers, as everyone will deeply appreciate its clever storylines and deeply relatable characters. I felt that All of Our Demise came together exceptionally well, and this ended up being quite an outstanding and addictive read.

I must make special note of the cool death tournament that is such a fantastic feature of this amazing duology. I love a great young adult death tournament scenario (who doesn’t?), and the one featured in All of Us Villains and All of Our Demise is particularly inventive, loaded with a unique history, fun magical features, and all manner of devastating tragedy. I was really impressed with how the authors set up and featured this elaborate tournament in the previous book, and they continue to utilise it throughout All of Our Demise. The constant fight to survive the lethal tournament becomes even more complicated throughout this second book, and it was fascinating to see how the characters deal with the pressure and the constant war they find themselves in. There are some excellent features of the tournament that come into play in this second book, including the new magical artefacts and locations featured within that give them varying advantages. These are generally short lived as the champions are determined to destroy them all, which not only requires them to learn more of their various family’s dark histories but forces them to engage in deadly challenges built into the tournament to destroy it. These challenges are pretty epic, and it was great to see the protagonists involved in progressively more lethal encounters.

However, the most distinctive and entertaining change to the tournament that occurred in All of Our Demise was the sudden lack invasion of the public that occurred due to the breaking of the Blood Veil barrier. The tournament has always historically been a private affair between the champions, but now the entire battle is a worldwide sensation being constantly reported on by the media. It was quite fascinating and a little maddening to see the supposed sombre death tournament devolve further into a gaudy spectacle, equipped with baying fans, manipulative outsiders and a ton of paparazzi, all of whom have a very different view of the events occurring. I particularly enjoyed seeing the ridiculous media coverage that occurred throughout this second part of the tournament, especially as various over-the-top and often blatantly false headlines and discussions of current tournament events appeared at the start of every chapter, replacing the quotes from the tell-all book that were featured in All of Us Villains. This media coverage nearly always painted the complex characters in such a terrible light for the rest of world, which was a little hard to see, especially after you have become quite attached to the various protagonists. However, I personally felt that it drew me into the narrative a little more, and it was a very entertaining and fun element that I had an amazing amount of fun with. This media coverage had an interesting impact on the events of the narrative, as the characters are forced to conduct interviews and discussions with reporters to further their goals. This entire change in the publicity of the tournament was a brilliant addition to this second book, and it altered the tone of the book in an impressive and amazing way, that really added to my enjoyment of the book.

However, the best thing about All of Our Demise was the exceptional character work featured within. Foody and Lynn Herman did such a brilliant job setting up the four complex protagonists in All of Us Villains, and these impressive character arcs are continued seamlessly in the sequel, with each of the protagonists forced to deal with some of the further traumas that were inflicted on them in the first book. All of Our Demise maintains the same four point-of-view characters as before, and I found myself instantly connected to them again as I remembered their compelling history and the devastating events that occurred to them in the first book. The authors continued to perfectly build these characters throughout All of Our Demise, subjecting them to further trauma, emotional concerns and hardships, and watching them try to deal with these as they fight for their survival is a key and impressive part of this epic young adult book.

Probably the most compelling character in the entire duology is Alistair Lowe, who simultaneously plays the role of the best antagonist and an intriguing and likeable protagonist. Alistair is the oldest son of the Lowe family, who are generally considered to be the major villains of the tournament. Despite being raised from birth to be a monster, Alistair was hesitant about his role in the tournament and was initially a reluctant participant, even though he knew it was his destiny. Thanks to his romantic interactions with fellow champion Isobel and the murder of his brother Hendry by his family to boost his chances, Alistair had a brief brush as being a hero and destroying the tournament with the others. However, the apparent resurrection of Hendry by the tournament at the end of All of Us Villains caused Alistair to abandon his allies and attempt to kill Isobel as he believes their plan would result in his brother dying again. Now fatally cursed and having taken brutal revenge on his family, Alistair is forced to re-envision himself as the villain once again to convince himself to kill the other champions, all to save the most important person in his life.

It is very hard not to appreciate Alistair as character as the authors have done an incredible job creating him and turning him into the most complex figure in the novel. The authors really did a number on Alistair in the last book, and watching him try and work through all these issues here is extremely powerful, especially as he keeps experiencing more setbacks and traumas as he proceeds. There is so much tragedy and emotional turmoil surrounding Alistair in this book, and the authors write an excellent arc around him for this sequel. Watching him try to balance his desires and true nature with everyone’s perspective of him as a monster is just so damn fascinating and moving, and you can’t help but feel sorry for this fictional character. I am glad that Foody and Lynn Herman did work in a redemption arc for Alistair in All of Our Demise, and there are some surprising, but very heartfelt relationships surrounding him in this novel that help to keep him going. I really think that the authors handled Alistair perfectly, and he is definitely the character that everyone will remember once they finish this book.

Another character who you fall in love with Isobel Macaslan, another person who has gone through absolute hell through the course of the books. Forced into the tournament against her will, Isobel tried to use her sudden infamy to her benefit and projected an air of confidence before the tournament, despite being terrified and used by her family. Since then, she had an unfortunate romantic entanglement with Alistair Lowe which resulted in him murdering her. Resurrected by a dark curse that makes her more corpse than woman, Isobel is in a very bad place during this book. Still controlled by doubt and despair, Isobel is uncertain about whether she believes in the plan her friends are proposing and spends most of the book coming to terms with her fears and her growing attachment to another dangerous character. Throw in some major family issues, as she continues to struggle with her selfish family, and a hostile press who produce some typical paparazzi junk about her, and you some excellent and compelling moments around Isobel that are fascinating to see. Isobel continues to experience quite a lot of tragedy in this novel and watching her power through them and try to fix all her damaged relationships is a great part of the plot.

The third point-of-view character is Briony Thorburn, who serves quite a key role in the plot. Briony has seen herself as the hero her entire life and was the only person excited for the tournament. However, after her younger sister was chosen in her place thanks to the machinations of the government, Briony illegally entered the tournament by incapacitating her sister and cutting her finger off. Now determined to destroy the tournament, Briony leads the charge to destroy the artefacts and landmarks. However, there are some major concerns about her actual motivations, as many assume this part of her manipulative hero complex. Briony spends most of the book trying to redeem herself after the mistakes of the first novel, a task that is complicated by her own family, who have their own sinister plans for her and the other champions. Mentally isolated and hated by the media, Briony has a terrible time in All of Our Demise, and the authors weave some powerful moments around her. I honestly think that Briony had one of the best and most complete narratives in the entire series, and All of Our Demise brought her character arc together extremely well. Like the rest of the cast, it is very hard not to grow attached to Briony as you witness her complicated physical and mental battles unfold, and I really appreciated the outstanding way it ended.

The final main character is Gavin Grieve, who proved to be one of the most surprising and captivating characters from the first book. The chosen sacrifice of the one family who has never won the tournament, Gavin always knew he was destined to die. Full of rage and resentment, Gavin chose to make a deal with the devil and accessed a dangerous form of magick that drained his own life to gain substantial power. Made into a lethal contender but slowly dying, Gavin is convinced by outside forces that they can save him, but they require him to work with Alistair Lowe. Forced to overcome his own prejudices, most of which revolve from the perceived disrespect of the other champions, Gavin grows close to Alistair, and they form an interesting team. I was really surprised by the direction of Gavin’s storylines in this book, especially as there are some fantastic reveals and changes in personality. The authors did a great job of explaining his changes in personality, and I felt that it was quite a natural transition, especially when you consider everything he’s gone through. Gavin rounded out the central cast of damaged, complex protagonists, extremely well, and I thought that this was a brilliant combination of characters. Their combined complex storylines and arcs are just superb, and while you might get a little more drawn in to one or two of the characters more than the rest, there is no perspective that you are actively wanting to avoid. I cannot highlight just how impressive these four characters were, and Foody and Lynn Herman should be commended for the exceptional character work they did here.

The wonderful and insanely talented team of Amanda Foody and Christine Lynn Herman have come up with something truly special with All of Our Demise. Perfectly finishing the brilliant story started in All of Us Villains, All of Our Demise lived up to all the hype surrounding it and ended up being one of the best young adult fantasy books of the year. Featuring all the great characters from the first book, Foody and Lynn Herman weave an addictive and deeply personal narrative around them that takes the reader back into the midst of a constantly evolving and deeply traumatising magical death tournament. Intense, captivating and very complex, All of Our Demise is a highly recommended read, and I cannot have envisioned a better end for the exceptional young adult duology.

All of Our Demise Cover

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Hide by Kiersten White

On August 17, 2022August 17, 2022 By The Unseen LibraryIn Audiobook, Horror, LGBT+, Thriller1 Comment

Publisher: Penguin Random House Audio (Audiobook – 24 May 2022)

Series: Standalone/Book One

Length: 8 hours and 9 minutes

My Rating: 3.75 out of 5 stars

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Get ready to run and scurry for cover in the intriguing new horror thriller from Kiersten White, Hide. Kiersten White is a captivating author who is known for her young adult and tie-in fiction novels. I best know her for her work on the extended universe of franchises like Buffy the Vampire Slayer, where she recently wrote a series of novels about a new Slayer, which started with the 2019 release Slayer. White is also making some waves this year with the new Star Wars young adult novel, Padawan, which follows a young Obi-Wan Kenobi and which is pretty high up on my to-read list. However, her 2022 release that intrigued me the most was the thriller release, Hide. Hide had a great concept to it and I couldn’t resist checking it out in the last week to see what it was all about.

Mack is good at hiding. She’s spent her whole life doing it after it worked so well to save her life as a child while her family died around her. However, after years of avoiding people, Mack is running out of options and money. So when a strange challenge arises, Mack has no choice but to accept, even if it brings back terrible nightmares from her past.

A mysterious corporation is sponsoring a new and unique reality competition with a prize of $50,000 to the winner. The challenge is simple: survive a week hiding in a creepy abandoned amusement park and don’t get found. The last person left hidden is crowned the winner and gets enough money to change everything.

Competing against a group of similarly desperate and determined young people, each of whom is hoping that this game will turn their life around, Mack thinks the odds are in her favour to win. However, there is something far more sinister going on than any of the contestants know. As the people around her start disappearing, one by one, Mack and the rest of the competitors begin to realise that something else is in the park with them, something that is hungry and unrelenting. Come out, come out, wherever you are.

This was an intriguing and fun book from White that I managed to get through in a few days. I loved the excellent premise behind Hide and I think that the author produced a pretty good story that appeals to both horror and thriller fans. While the book has a slightly slow start to it, once the competition starts I found myself getting pretty into it as I was very keen to see what happened. White ratchets up the tension day by day as the competition continues, and I think that the increased level of threat and uncertainty that occurred helped to keep my attention and make me want to figure out what is going on. There are some interesting revelations about halfway through the book that I thought were pretty clever, especially the reveal about what exactly is chasing them and why. Once that happens, it’s a pretty high-octane fight for survival that results in some fantastic and compelling moments. While there were still a few questions left over by the end of the book, I think White ended Hide pretty well and everything came together in interesting way. I do wish that there the competition was a bigger part of the plot, as that could have been pretty cool, but I guess you can’t have everything.

White utilised an interesting storyline telling method to get Hide’s narrative across, which worked for the most part but had a few issues. While the story is primarily focused around Mack, the book does quickly jump between the other characters in the book, giving some brief insights into their thoughts and history. While this worked to keep you in the loop about every contestant, it was a bit random at times and I felt that it impacted the pacing of the story, especially when it jumped between multiple perspectives in a very short amount of time. I also felt that the use of jumps resulted in some missing details in places, such as when some characters are removed from the contest without you realising it. I did think that White did a good job inserting the background lore behind the events of the book into the story through a series of journal entries, and that part of the book was quite fascinating, although I wouldn’t have minded a bit of a deeper dive. There is also quite a bit of social commentary chucked into the mix as well, especially when it comes to exploring the motives of the unsurprising villains, plus you must appreciate the strong LGBT+ elements thrown in as well. The story itself had a mostly fine flow to it, and you do feel the fear and terror of the contestants once they realise what is going on. All of this worked pretty well in the end, and I think that the story came across in a pretty accessible and compelling way.

White focuses the story on an interest group of protagonists, each of whom has their own reason to be there. Due to the way that the narrative jumps around to examine different characters, you get a decent look into the heads of each of the competitors, as well as some other characters, and you soon get some insights into why each of them is there. It soon becomes apparent that each contestant is pretty desperate and broken in their own way, which I felt added to the drama and intensity of the story. However, due to the quick-fire change in perspective, the reader isn’t given a lot of time to bond with most of the characters, and their eventual fates aren’t too shocking or moving as a result. The main exception to this is Mack, who you do spend quite a lot of time with. Mack has a very tragic backstory (it reminded me of last year’s book, The Final Girls Support Group by Grady Hendrix), which becomes a major part of her motivations and trauma in Hide. Watching her attempt to overcome her dark past and her reservations for being there is pretty intense, and there was some interesting character work there, as well as a potential for new friendships and romance. A couple of other characters who survive towards the end of the book (I won’t mention who) are also developed to a decent degree, and I felt that some of the story arcs around them were pretty intense as well. It was a little obvious which of them was going to survive and who was going to die, even with a few twists thrown in, although I did appreciate a few surprise changes in motivations that worked really well. An overall interesting group of characters, I do wish that we could have gotten to know a few of them a little better though.

I ended up listening to Hide on audiobook, which worked as an excellent format to enjoy this interesting horror read. Hide has a pretty short runtime of just over eight hours, so if you get caught in the story you can get through it rather quickly. I felt that this format did help to emphasise the tension and the rising panic of the protagonists, especially as narrator Emma Galvin does a good job telling the story. Galvin had an excellent voice that was pretty fitting to this setting and story genre, and she ended up doing a good job personifying the main characters. I rather enjoyed the tone and intensity that Galvin brought to this audiobook, and I felt that this was a fantastic format to check out Hide on.

Overall, I had a lot of fun with Hide and Kiersten White came up with a great story that I really enjoyed. While I do think that there were a few missed opportunities and pacing issues in places, this mostly came together pretty well and I think fans of exciting novels with horror elements to it will have a great time with Hide. An interesting book that is worth checking out.

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Star Wars: The High Republic: Midnight Horizon by Daniel José Older

On August 10, 2022August 13, 2022 By The Unseen LibraryIn Audiobook, Extended Universe, LGBT+, Science Fiction, Star Wars, Tie-in Novel, Young Adult4 Comments

Publisher: Disney Lucasfilm Press (Audiobook – 1 February 2022)

Series: Star Wars – The High Republic

Length: 10 hours and 5 minutes

My Rating: 4.75 out of 5 stars

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The first phase of The High Republic Star Wars novels continues to come to an intriguing end with the phase’s third young adult entry, Midnight Horizon, a deeply exciting and fun novel from the talented Daniel José Older.

Since the start of 2021, fans of Star Wars fiction have been granted a unique treat in the form of The High Republic books, a Star Wars sub-series set hundreds of years before the events of the films. Set at the height of the Republic, the High Republic era is loaded with dangers for the Jedi, particularly that of the Nihil, dangerous raiders who seek to raid, pillage, and destabilise order, while their mysterious leader attempts a far more ambitious plan: the destruction of the Jedi. Broken down into three phases, the first phase was pretty epic and set up the entire High Republic premise extremely well. This phase has featured a great collection, including the three main adult novels, Light of the Jedi, The Rising Storm, The Fallen Star; some intriguing young adult books; the audio drama Tempest Runner; two awesome comic book series; as well as some other media releases. However, this first phase has come to an end, and I just managed to finish off one of the novels that served as its conclusion with Midnight Horizon.

Midnight Horizon is the third young adult fiction novel set within the first High Republic phase, and it is probably the best. This book was written by Daniel José Older, who has authored several great Star Wars novels over his career, including Last Shot, which was one of the books that started my recent obsession with Star Wars extended fiction, and who has been one of the key contributors to The High Republic. Midnight Horizon is set around the same time as the last adult book of the phase, The Fallen Star, and continues storylines from some of the previous books, including the other two young adult books Into the Dark and Out of the Shadows, as well as the Star Wars Adventures comic series and the junior novel Race to Crashpoint Tower.

Following the devastating Nihil attack on the Republic Fair, the Nihil raiders are finally on the run from the Jedi of Starlight Beacon. However, not everything is as it seems, and several mysterious events and attacks are beginning to occur around the galaxy. One of the more alarming rumours of Nihil activity has been sent from the planet of Corellia, home of the galaxy’s premier shipyards, where a now missing diplomatic bodyguard was attacked by mysterious killers wearing Nihil garb.

Determined to ensure that the chaos of the Nihil does not spread to the core planets of the Republic, the Jedi dispatch the small team of Jedi Masters Cohmac Vitus and Kantam Sy, as well as Padawans Reath Silas and Ram Jomaram, to investigate. All four Jedi have substantial experience dealing with the Nihil, but each of them is going through their own personal internal battles as they struggle to deal with recent losses. Nevertheless, the Jedi embark upon their investigation into Corellia and soon find unusual help from young security specialist Crash, the employer and friend of the missing bodyguard.

While Cohmac and Kantam attempt to investigate through official channels, Reath and Ram work with the chaotic Crash and her unusual security specialists to infiltrate Corellia’s high society. Crash believes that one of her elite clients has knowledge about the Nihil infiltrators and embarks on an ambitious plan to draw them out, setting up Jedi associate Zeen as a famous singer. However, nobody is prepared for the Nihil’s plans, both on Corellia and at Starlight Beacon, and chaos is about to be unleashed upon the Jedi and all of Corellia. Can the Jedi stand against their foe when all hope seems lost, or will the Nihil continue to sweep across the entire galaxy?

Midnight Horizon was an exceptional entry in the High Republic series, and I was particularly impressed with the cool and epic story it contained. Older came up with a brilliant and powerful narrative that combines a fast-paced story with great characters and some interesting High Republic developments.

This entry in the High Republic range had a very distinctive and compelling young adult story that sees all manner of chaos and action befall its protagonists. Older wrote a very fast-paced, character driven narrative that takes the reader to the world of Corellia. Drawing in an interesting team of entertaining and chaotic protagonists, all of whom are going through some major issues, Older sets them on a path to a major confrontation, while all of them try to come to terms with their roiling emotions. The author sets most of the story up extremely well at the start of the book, and the reader soon gets quickly invested in seeing the Jedi investigate the Nihil on Corellia. The story goes in some very interesting directions as everyone tries to identify the Nihil plot, with the best ones following the two Jedi Padawans as they team up with young bodyguard Crash. Crash has some elaborate and over-the-top plans that she drags them into, including tricking a rare species eating diva named Crufeela, and this proves to be a lot of fun, while also setting up the final act of the story. At the same time, Older also throws in some intriguing flashbacks to one of the character’s pasts, as well as showing a few scenes outside of Corellia, all of which adds some greater context to the story as well as adding to the amazing emotional depth of the novel.

Everything comes together brilliantly in the final third of Midnight Horizon, where the Nihil plot on Corellia is revealed, simultaneously occurring at the revelation of the fall of Starlight Beacon (which you knew was coming). I must admit that until this final third, I kind of found Midnight Horizon to be a bit by the numbers, although undeniably fun, but the way everything came about near the end was pretty awesome, as the characters are thrust into an all-out war. There are multiple pitched battles, tragic deaths and surprise reveals occurring during this part of the book, and you are constantly hit with big moment after big moment as it continues. I honestly couldn’t stop at this point in the book, as I desperately wanted to see what happened next, and I was sure that I was seconds away from bursting into either tears or cheers. My determination to continue really paid off, as Older saved the best revelation for right near the end as there is a really big moment that changes everything and is sure to get every Star Wars fan deeply excited. Older leaves everything on an exciting and powerful note, and readers will come away feeling deeply moved. It will definitely keep them highly interested in The High Republic as a whole.

The author really worked to give Midnight Horizon an extremely fast pace, and it is near impossible not to swiftly power through this book as it blurs around you. Shown from the perspective of all the key protagonists, you get a great sense of all the impressive events occurring throughout the book, while also getting some powerful and intense examinations into their respective heads. Older presents the reader with an excellent blend of universe building, character work, humour and action throughout Midnight Horizon, and there is a little something for everyone here, guaranteeing that it keeps your constant interest and attention. I do think that the story as a whole could have benefited from greater development of the book’s villains. They honestly came a bit out of nowhere towards the end and you really didn’t get an appreciation of who they were (some of it is explored in some of Older’s other works). I really wish that Older would have shown a few more scenes from the villain’s point of view, highlighting the establishment of their plans a little better, and I felt that really would have increased the impact of the book, but I still had a lot of fun with it.

Midnight Horizon also proved to be a pretty good young adult novel, especially as it shows multiple compelling and well-written teenage characters in dangerous situations, and I loved the powerful exploration of their unique issues, especially the constant uncertainty and doubt about what they are doing. There are also some major LGBT+ elements scattered throughout this novel, which I thought were done really well, as you get a range of different relationships, orientations, sexualities and fluid genders throughout the book, and I loved seeing this sort of inclusivity in Star Wars. I also liked the easier flow that Older featured in the novel, which I felt was associated with the younger characters, and it worked quite well to quickly and efficiently tell this book’s fantastic narrative. While this is a young adult book, there are some great darker themes that all readers will appreciate, and I loved how it developed into a brutal and powerful war at the end.

Midnight Horizon proved to be an interesting entry in the wider High Republic series, as it served as one of the last books in the first phase. Since it is set alongside The Fallen Star, the readers get a whole other side of this key tragedy in Midnight Horizon, as the established characters all witness the fall of Starlight Beacon and the corresponding changes to the galaxy. At the same time, it does some interesting exploring of the key planet of Corellia during this period, gives some hints about some events that will appear in the upcoming second High Republic phase, while also setting up some other key moments for the future. However, the most significant thing that Midnight Horizon does for the High Republic is continue and conclude multiple key storylines and character plot lines that were started in other bits of work, such as the other High Republic young adult books. It also provides an intriguing sequel to Older’s junior fiction novel, Race to Crashpoint Tower, and actually serves as the conclusion to The High Republic Adventures comic series, also written by Older. The High Republic Adventures was one of the major comic lines for this phase of the sub-series, and fans of it really need to check this book out as it details the fates of several of its main characters. I had a great time seeing how some of these storylines continue in Midnight Horizon, and Older did a great job of bringing everything together in this novel, while also making it quite accessible to newer readers who haven’t had a chance to read the comics. That being said, good knowledge of the preceding High Republic works is probably a good thing to have for this novel, although Older does make sure to give as much background as possible as he goes.

As I have mentioned a few times throughout this review, Midnight Horizon was highly character focused, as the author brings in an interesting collection of main characters to base the story around. All the major point-of-view characters have been featured in previous pieces of High Republic fiction before (mostly in Older’s work), and the author ensures that they all get detailed and compelling storylines in this novel that not only revisit their complex appearances in previous books, but also brings all their storylines to an intriguing close for this phase. Older also spend a substantial time diving into the minds of these protagonists, which added some impressive emotional depth to the book, as all the characters experience deep traumas or regrets, especially after fighting the Nihil for so long. This resulted in quite a moving read, and while I do think that Older might have used a few too-many supporting characters, this ended up being an exceptional character focused novel, and I really appreciated the clever way the author explored his protagonists and showed the events of this book through their eyes.

The best two characters in this book are the two Jedi Padawans, Reath Silas and Ram Jomaram, who serves as Midnight Horizon’s heart and soul. I was particularly keen to see Reath Silas again, as he has been the constant protagonist of the High Republic young adult books and is a pretty major figure as a result. Older is the third Star Wars author who has featured Reath as one of their main characters, and I do like how consistent the various authors have been while showcasing his growth and emotional damage. Reath is going through quite a lot in Midnight Horizon, as he continues to try and balance his duty as a Jedi with the mass trauma he has experience in the last two books, his conflicted emotions, penchant for personal connections, and general uncertainty about what he is doing. Despite this, he proves to be a steadfast and dependable character, and it is hard not to grow attached to his continued story, especially as he has developed so much from the first book from scholarly shut-in to badass warrior. Reath’s narrative comes full circle in Midnight Horizon, and fans of this character will really appreciate how Older features him in this book.

I also had a lot of fun with Ram Jomaram, who was such a joy to follow. Ram is an eccentric and unusual Padawan who first appeared in the concurrently released The Rising Storm and Race to Crashpoint Tower. A mechanical genius with poor social skills and who is always accompanied by a group of Bonbraks (tiny sentient creatures), Ram brings most of the fun to the book with his antics and complete lack of situational awareness. While I initially didn’t like Jam (mainly because I found out he was the Jedi who first came up with calling cool things “Wizard”), he really grows on you quickly with is exceedingly perky personality. It was so much fun to see him in action throughout the book, and he gets into some unusual situations as a result. Despite mostly being a friendly and cheerful figure, Ram is also going through some major emotions in Midnight Horizon, as he witnessed his home planet get ravaged by the Nihil in The Rising Storm, and he is now very uncertain about the emotions he feels while getting into battle. This sees Ram form a great friendship with Reath throughout the book, and the two play off each other extremely well, bringing not only some fun humour but an interesting mentor-mentee connection. Ram ends up showing everyone just how much of a badass he is towards the end of the book, and I honestly had an amazing time getting to know this character.

There is also an interesting focus on the two Jedi Masters, Cohmac Vitus and Kantam Sy. Both go through some interesting and major moments in Midnight Horizon, and you really get some powerful insights from both. Cohmac’s story is an intense and intriguing examination of trauma as you see this Master continue to struggle with his history and inability to process emotion. These issues have been building within Cohmac since his introduction in Into the Dark, and it was fascinating to see them continue to impact him here, especially once he discovers what happened at Starlight Beacon to one of his closest friends. Kantam Sy is a nonbinary character who has been primarily featured in The High Republic Adventures comic. You get a much more in-depth look at Kantam in this book, especially as Older spends time developing several flashbacks around him that examine his complex past as one of Yoda’s students. Kantam’s team-up with Cohmac proves to be an intriguing part of the book’s plot, and it was compelling to see the more balanced Kantam witness Cohmac’s building anger and frustration.

The final two major characters are Zeen and Crash, both of whom have some interesting storylines in this book. Zeen, a Force-sensitive teen who assists the Jedi, is one of the main characters from The High Republic Adventures comic, and many of her storylines are finished off here a little abruptly although in some interesting ways. Most of her storyline is focused around her growing romantic relationship with Padawan Lula Talisola, who she has been close with during the series, and the resultant internal conflict as she tries to decide whether to act on it. There are also some more damaging emotional moments for Zeen as she comes to terms with the actions of her old friend Kamerat and the tragedy of Starlight Beacon. The other character is Alys Ongwa, better known as Crash, a diplomatic protection officer who specialises in protecting Corellia’s fractious and deadly political elite. Crash is an interesting character who was first introduced in a one-shot comic written by Older, Crash and the Crew Do What They Do, and it was interesting to see her brought back here. A skilled bodyguard and leader, Crash is an intense and highly motivated figure who enacts multiple crazy schemes to get what she wants, while also trying to be a good friend and boss. Crash hits some major crossroads in Midnight Horizon, especially when she is forced to balance her oath as a bodyguard against justice for her friend and the safety of her city, and she is constantly forced to keep her own intense emotions in check. I found Crash to be one of the most entertaining and enjoyable figures in Midnight Horizon and watching her and her chaotic crew of bodyguards in action is a lot of fun, especially when she plays of all the other protagonists really well, bringing out the recklessness in all of them. However, Crash is also quite emotionally vulnerable, and it was nice to see her try to become a better friend while also working on her romantic attachments to a beautiful alien singer and lifelong friend. I had a wonderful time with all these major characters in Midnight Horizon, and Older did a remarkable job highlighting them and ensuring the reader was aware of their many issues.

As with most Star Wars novels I read, I chose to grab a copy of Midnight Horizon’s audiobook format, which was the usual exceptional experience. Featuring a short run time of just over 10 hours, Midnight Horizon is a quick and fun audiobook to get through, and I loved the various ways this format enhanced the fantastic story. As usual, Midnight Horizon features all the amazing Star Wars sound effects for lightsabers, blasters and ships, which are used to punctuate the story elements being described and perfectly bring listeners into the moment. It also made good use of some of the classic Star Wars music, which, even though it was used a little more sparingly in Midnight Horizon, deeply added to the atmosphere of the book and perfectly enhanced the emotional impact of several key scenes.

While the sound effects and music where as cool as always, the thing that really impressed me about the Midnight Horizon audiobook was the great choice of narrator in Todd Haberkorn. I didn’t realise that Haberkorn was going to narrate this book until I started listening to it, and I was pretty blown away the second I realised that I got to listen to an audiobook read by Natsu himself. I am a massive fan of Haberkorn’s work as the English voice actor for dubs of awesome anime like Fairy Tail and Full Metal Alchemist Brotherhood, so it was really cool to have him narrate this audiobook. Not only that, but Haberkorn did an outstanding job bringing the various characters to life in Midnight Horizon and moving the story along at a blistering and fantastic pace. Haberkorn’s voice perfectly fit the frenetic energy of this story, and I loved the distinctive and very fitting voices he gifted to the novel’s eccentric characters. He also had a lot of fun voicing some of the unique alien creatures featured in the book, such as the Bonbraks, and he got to do a particularly good Yoda voice as well. I had an absolute blast listening to Haberkorn narrate this awesome audiobook, and when combined with the great music and impressive sound effects, this was an exceptional way to listen to Midnight Horizon. I would highly recommend this format as a result, and it probably added a few points to my overall rating because of how impressive it was.

Overall, Midnight Horizon was an excellent High Republic young adult novel that was a real treat to read. Daniel José Older came up with an outstanding and fun story that was both exciting and powerful as he dives into his various fantastic and damaged protagonists. Loaded with some awesome moments and epic developments, this was a great addition to the Star Wars canon, and I loved every second I spent listening to it.

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Waiting on Wednesday – Nona the Ninth by Tamsyn Muir

On February 9, 2022September 1, 2022 By The Unseen LibraryIn Fantasy, LGBT+, Science Fiction, Waiting on Wednesday6 Comments

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy. I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. For this week’s Waiting on Wednesday I take a look at an incredibly cool upcoming novel with a ton of potential, Nona the Ninth.

Nona the Ninth Cover

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Over the last few years I have been deeply impressed with the first series from exciting author Tamsyn Muir. Muir, who debuted back in 2019, has so far produced two amazing novels that are part of her Locked Tomb series of science fiction/fantasy novels. Set in the future, The Locked Tomb series follows a group of space-faring necromancers who seek awesome power by conducting dangers and mind-bending rituals. The first novel in this series, Gideon the Ninth, was a brilliant introduction to this series and it was one of my favourite debuts of 2019. Muir then followed it with the exceptional sequel, Harrow the Ninth, which brilliantly continued the series with some intense and clever twists and ended up being even better than Muir’s first outing. I absolutely loved Harrow the Ninth and it ended up being one of the best books and audiobooks I read in 2020.

Ever since the epic ending of Harrow the Ninth I have been eagerly waiting to see how Muir would continue this fantastic series, and it looks like we are getting close to finding out as details of the third book have just been released. The third book in this series will by Nona the Ninth, which is currently set for release in September 2022. Already equipped with another epic cover and a fascinating plot synopsis, Nona the Ninth has really grabbed my attention and I am very excited for it.

Synopsis:

Her city is under siege.

The zombies are coming back.

And all Nona wants is a birthday party.

In many ways, Nona is like other people. She lives with her family, has a job at her local school, and loves walks on the beach and meeting new dogs. But Nona’s not like other people. Six months ago she woke up in a stranger’s body, and she’s afraid she might have to give it back.

The whole city is falling to pieces. A monstrous blue sphere hangs on the horizon, ready to tear the planet apart. Blood of Eden forces have surrounded the last Cohort facility and wait for the Emperor Undying to come calling. Their leaders want Nona to be the weapon that will save them from the Nine Houses. Nona would prefer to live an ordinary life with the people she loves, with Pyrrha and Camilla and Palamedes, but she also knows that nothing lasts forever.

And each night, Nona dreams of a woman with a skull-painted face…

Now that is a pretty cool synopsis that provides a lot of hints about what is to come. It looks like Muir is planning to do another trippy, out of body novel with Nona the Ninth, especially as her new main character is likely possessed by the protagonists of the previous two novels (trust me on that). Thrust into the middle of a necromantic war zone with a monstrous, deep-space entity out on the horizon, this will probably force the protagonist to make some dangerous, reality-altering decisions as she battles with the multiple personalities in her head. Throw in the already cool space necromance magical system and the return of some of the elaborate antagonists from the previous novel and I am sure that Nona the Ninth will have another exceptional story to it.

Look, there was honestly no way that I was going to pass this book up, especially after how deeply impressive and cool the previous two novels are. I am really hoping that Muir will continue to grow as an author here and if she manages to produce something that is as good, or even better than Harrow the Ninth, then this will end up being one of the best books of the year. I have some very high expectations for Nona the Ninth and I cannot wait to see how this complex and deeply addictive series will continue.

It Ends in Fire by Andrew Shvarts

On December 9, 2021August 22, 2022 By The Unseen LibraryIn Fantasy, LGBT+, Young Adult2 Comments

It Ends in Fire Cover 2

Publisher: Jimmy Patterson Books (Hardcover – 9 November 2021)

Series: Standalone/Book One

Length: 369 pages

My Rating: 4.5 out of 5 stars

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After wowing the world with his debut trilogy, impressive young adult fantasy author Andrew Shvarts return with a fantastic and entertaining read that cleverly parodies the classic magical school fantasy setting with It Ends in Fire.

Shvarts is a great author whose work I have been rather enjoying over the last couple of years. Shvarts debuted back in 2017 with his Royal Bastards trilogy, which followed a group of illegitimate children as they found themselves caught up in the conspiracies and plots of their dangerous parents. Made up of Royal Bastards, City of Bastards (which has an extremely explosive ending), and War of the Bastards (one of my favourite books of 2019), this was an awesome trilogy, and it has made me very keen to read more of Shvarts’s books. As a result, when I heard that Shvarts had a new novel coming out, one set in one of my favourite settings, a magical school, I knew I had to grab it. I have been waiting for It Ends in Fire for a while, and I was quite excited when I received a copy the other day.

Prepare to visit the Republic, a land of magic, deceit and corrupted power, where the Wizards rule and the non-magical people, the Humbles, are brutally oppressed. At the heart of the Republic is Blackwater Academy, the most prestigious school of magic in the land, where the elite Wizards are trained and forged into scheming, power-hungry sadists. Blackwell Academy has survived for centuries and remains a great power in the Republic, but nobody is prepared for the arrival of its latest student.

As a child, Alka Chelrazi watched as her parents were brutally murdered by a powerful Wizard, and she has since sworn vengeance. Taken in by a rebel group, Alka has grown into their most lethal weapon thanks to her own magical abilities and has spent her life training to do the impossible: infiltrate Blackwell. Taking the identity of a dead Wizard unknown to anyone, Alka is tasked with entering the school, learning all its secrets, and burning it to the ground from the inside.

Determined to carry out her duty to the very end, Alka attempts to find her bearings and learn everything she can. However, Blackwell is unlike any other school in the Republic, its lessons are lethal, the rivalries are fierce, and some students will do anything to succeed, even kill their classmates. To complete her mission, Alka will need to use every skill and trick at her disposal to recruit allies, take out her rivals and help a motley crew of outcasts to win the Academy’s Great Game. However, with dangerous politics, power-hungry rivals, suspicious professors, and an evil headmaster all arrayed against it, can Alka succeed in bringing down the Academy, or will the fires of her revolution be snuffed out before it can begin?

This was an awesome and compelling new book from Shvarts, who has produced another deeply entertaining and intense read. It Ends in Fire has a powerful and captivating narrative that not only contains a great story about revenge and finding oneself, but which also parodies certain magical school stories. I had a great time reading this novel, and I became quite addicted to it as it went along.

It Ends in Fire has a brilliant and exciting narrative that moves at a fast pace and ensures that the reader is never bored. Shvarts starts the story off with a bang, introducing the protagonists and point-of-view narrator, Alka, and showing her initial steps in infiltrating the academy. The start quickly showcases some of the lead characters, the stakes of her mission, and the new and somewhat familiar setting of Blackwell Academy, as well as the surrounding Republic. At the same time, Shvarts includes a series of framing chapters that are set in the protagonist’s past, showcasing her motivations, her many personal tragedies and the training she undertook for her infiltration. From there the story quickly progresses into a compelling arc around the character’s darker magical school experience, while also building up her personal history. There are some fun magical lessons, budding rivalries and caste systems woven into the narrative, and it was intriguing to see this ultimate outsider attempt to get into the flow of this elite school. The crux of the narrative revolves around three magical contents that the various school houses compete in for glory and reputation (as well access to the Republic Senate, which interests Alka). These competitions are pretty awesome, and serve as the major story highlights, much in the same way as the Quidditch matches and the Triwizard Tournament in the Harry Potter novels. I particularly enjoyed the first and third one, and it was pretty fun to see the protagonist engage in some heavy cheating to pull it off.

This all leads up to a big and brutal finale, where the protagonist finally gets to unleash her true personality on her foes, and which potentially sets up some interesting directions for any resultant series in the future. There is a great blend of character development, world building, magical adventure, intrigue and personal betrayal throughout this story, and I ended up getting really stuck into this brilliant narrative. I pretty much read the last 200 pages in a single day, especially as it contained two of the competitions and a fantastic duel, and I really loved how everything came together. It Ends in Fire turned out to be fairly self-contained and feels a lot like a standalone read. That being said, it has some potential to be a larger series, and I would be interested to see where it goes, especially as there are some outstanding storylines to explore. Like Shvarts’s previous novels, It Ends in Fire is aimed towards a young adult audience with its teenage protagonist and supporting characters. Due to some more mature elements, this novel is probably best suited towards an older teenage audience, who will no doubt appreciate the author’s realistic take on teenage education. This novel will also hold a lot of appeal to adult fantasy fans, especially those who grew up on Harry Potter, as this novel acts in many ways like a clever and fun parody of these classic novels. An overall excellent story with some fun twists and major memorable moments.

I must say that I was also incredibly impressed with the new fantasy setting that Shvarts came up with for It Ends in Fire. This new fantasy world is a brilliant and complex collection of nations brought together by an oppressive magical regime ruled by powerful Wizards who control the non-magical people, the Humbles. The author does a great job setting up this cool new world, and I loved the examination of a magical regime and the unique cultural and social circumstances that would evolve in such a regime. I particularly enjoyed the fun examination of the Republic’s politics, especially when it came to the impacts of the protagonist’s actions within Blackwater Academy. It was also very compelling to see the clever hierarchies that see even some Wizards oppressed or disenfranchised, ensuring that the situation is even more complex than the protagonist, who was raised by rebellious Humbles who hate all Wizards, initially believed. This proves fertile ground for the main narrative that follows Alka attempting to take the system down from the inside, and it was a solid background to the narrative. I also really appreciated the cool new magical system that Shvarts came up with for his new novel. In It Ends in Fire, Wizards cast spells by entering a time-dilated field known as the Null, where they carve glyphs into the air with Loci (magical wands) to unleash elemental spells. This is an awesome magical system, which allows for some amazing and complex duals and battles. The slow-motion aspect of the Null ensures that there is some clever strategy involved, as well as some intense explanation from the protagonist, and I deeply enjoyed some of the fun an epic clashes that occurred.

In addition to the cool magic and fun overarching setting, I also must highlight Blackwater Academy, which serves as a dark mirror to other magical schools that have been featured in fantasy novels and media. In many ways, Blackwater Academy is a twisted version of Hogwarts; an elite magic school, with houses, elaborate classes and competitions. Shvarts does an amazing job of working altered versions of these classic magic school elements into his own setting, and pretty much every scene has something reminiscent of these established school settings. However, all these elements are twisted and converted into something far darker and more adult. The teachers are crueller, the rich rival kills with impunity, the lessons are more deadly, and the headmaster is essentially Dumbledore (a highly respected wizard who turned down political leadership to be a teacher), except evil and self-serving. I really liked how Shvarts included these elements in his novels, and it was a lot of fun to not only spot the similarities but also see how the author had twisted them into something different (for example, the protagonist is chucked into the universe’s version of Hufflepuff, and then turns them into a strong team). This resulted in a fantastic and compelling setting that is both familiar and rather distinct at the same time.

While there are a lot of similarities to Hogwarts and other classic magical schools, Blackwater Academy also has some truly unique features, which also enhance how awesome it is as a primary setting. The near murderous rivalries between the houses added some excellent conflict to the narrative, and I found the Humble village located next to the school to be a great inclusion, especially as all the inhabitants are absolutely terrified of their Wizard clientele. I also really loved the unique challenges that the students had to compete in throughout the year into order to win the Great Game. While the inclusion of a three-event competition is somewhat familiar, the challenges themselves are special, and Shvarts obviously had a lot of fun coming up with something new for the young Wizards to compete in. This entire clever setting and compelling magical system help to transform It Ends in Fire into an incredible read, and I hope that Shvarts will explore it more in the future.

I also need to quickly highlight the great characters within this novel. It Ends in Fire features a fantastic and entertaining cast whose unique stories add a lot of depth and drama to this brilliant tale. The most prominent of these is protagonist and narrator Alka, a rebel and wizard who infiltrates the Blackwater Academy with dreams of destroying it and everyone in it. Alka is a complex and intriguing figure who must overcome a lot of emotional turmoil in this novel while also encountering conflicts, revelations and disturbing truths about the nature of evil. Shvarts did an awesome job setting Alka up throughout this novel, and I appreciated the way in which elements of her past life are blended into the primary story. Alka’s unique history and experience with Wizard culture ensures that she is the perfect narrator, ensuring that the reader learns about many parts of the world’s unique aspects through her constant questioning and research. I also appreciated the complex romantic relationships that form between her and two other characters, especially as both are sweet and moving in their own ways, while also naturalising Alka’s bisexuality. The rest of the characters in It Ends in Fire are also set up pretty well, and I liked the cool blend of arrogant rich wizards, bitter Humbles and lower-tiered Wizards who struggle in life nearly as much as the Humbles. Shvarts utilised a wonderfully eclectic group of supporting characters throughout this novel, and I enjoyed some of the friendships and rivalries that formed, as well as the similarities that some characters have to notable Harry Potter characters. The author introduces some interesting storylines and character development arcs around them, and you end up getting attached to their survival alongside Alka. It will be interesting to see if Shvarts will continue to explore them in the future, and I hope he does, as I would love to see what happens to them next.

With his latest novel, It Ends in Fire, Andrew Shvarts continues to dominate the young adult fantasy genre with a complex and powerful read. It Ends in Fire has a brilliant and entertaining narrative that takes a rebellious soul into the heart of enemy territory, an evil and twisted magical school. I loved how Shvarts cleverly subverted a classic fantasy setting with his fantastic narrative and world building, and the resulting story is loaded with magical action, amazing character develop, and multiple fun, high-concept sequences. It Ends in Fire is a highly recommended young adult fantasy novel and you will have a wonderful and amazing time reading it.

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