Serpentine by Jonathan Kellerman

Serpentine Cover

Publisher: Random House Audio (Audiobook – 2 February 2021)

Series: Alex Delaware – Book 36

Length: 12 hours and 10 minutes

My Rating: 4.5 out of 5 stars

One of the leading stars of the murder mystery genre, Jonathan Kellerman, returns with the latest entry in his long-running Alex Delaware series, Serpentine.

For years LAPD detective Lieutenant Milo Sturgis has tended to do things his own way in the department.  Thanks to his impressive solve rate and his unique and successful partnership with his best friend, psychologist Alex Delaware, Milo has been able to crack some of the toughest murder cases that the department has come up across while managing to avoid the lows of office politics.  However, not even Milo is able to withstand pressure from the very top of the LAPD, so when an extremely wealthy businesswoman wants help from the department’s best, Milo is forced to work an impossible case.

The businesswoman, young entrepreneur Eleanor Barker, wants closure over the death of her mother, a mysterious woman who was found dead decades ago in a torched Cadillac with a bullet in her head.  Despite their reservations over the way the case was assigned to them, Milo is determined to do the best job possible, and with Alex’s help he begins his investigation.  However, with no evidence, no case file, no witnesses and no real idea about their victim’s past or origins, their chances of success seem slim.

Forced to look for answers in some unusual places, Milo and Alex are slowly able to pull together a picture of the events surrounding the death of Eleanor’s mother.  However, the more they dig, the more unusual coincidences begin to arise as what they discover deviates massively from the established facts.  It soon becomes apparent that there is far more to this case than was initially believed and that someone out there is determined to stop any investigation into this brutal murder.  Can Milo and Alex solve their most difficult case yet, or will a cunning killer continue to remain free?

Well, that was a pretty cool murder mystery!  Serpentine is the 36th entry in Jonathan Kellerman’s amazing Alex Delaware series, which has been running since 1985.  I am a relative newcomer to Kellerman’s work, having only stumbled onto series when I read his 34th book, The Wedding Guest, back in 2019.  I had an excellent time reading The Wedding Guest and the loved the authors distinctive writing style and ability to weave together a great mystery.  I enjoyed it so much I ended up checking out Kellerman’s next book, the 2020 release The Museum of Desire, which contained an impressive murder case and ended up being another amazing read.  As a result, I have been very keen to check out Kellerman’s latest book for a while now and I have to say that I was very pleased with how awesome Serpentine turned out to be.

I ended up absolutely powering through this latest Alex Delaware novel, especially once I got hooked on its exceptional and impressive murder mystery narrative.  Kellerman came up with an amazing narrative for this novel that proved to be particularly captivating right off the bat as his two established protagonists become embroiled in a seemingly impossible-to-solve case.  Forced to dig around in the past, the protagonists slowly determine the events surrounding the old murder via odd bits of evidence and a range of interesting witnesses.  While the investigative process is quite fun to see, Kellerman has also thrown a ton of fantastic twists into the story, ensuring that the reader has no idea how the mystery is going to unfold.  I love some of the unique directions that the author took this compelling case and I was impressed with some of the clever reveals that he chucked in, especially as they were set up beautifully and added some fantastic surprises to the plot.  While I did think that the book concluded rather rapidly and some storylines could have been wrapped up a little better, this was still an exceptional narrative which I deeply enjoyed.

Easily my favourite thing about the Alex Delaware novels is the great way that the author portrays the ongoing investigation.  Kellerman always ensures that his investigations extremely realistic and as a result his protagonists always engage in a methodical examination of the sources, slowly gaining the information they need and building up connections and discovering any inconsistencies.  A lot of their evidence is obtained through discussions with potential witnesses, colleagues and experts, and there may be multiple conversations with various persons of interest to find out different nuggets of information.  This then results in the main characters throwing out theories about what potentially happened and basing their future investigative directions on the most promising clues.  This manner of investigation proves to be very different to other crime fiction novels I have read, and I really enjoy this more realistic portrayal of how police could solve a difficult case, especially as the author works in time delays for evidence analysis, unreliable witnesses and colleagues, and lack of resources.  I particularly enjoyed the investigation featured within Serpentine as it forces the protagonists to solve a murder that occurred over 30 years previously.  As a result, the characters lack any sort of evidence, useful witnesses, or previous investigations to help them find the killer, and they are forced to utilise more creative methods to find information or track down anyone who has the slightest idea of who the victim was or what happened to them.  This extremely cold case was a fantastic part of Serpentine’s plot and it proved to be deeply fascinating to see how he envisioned detectives solving this sort of investigation.  I loved this realistic and methodical portrayal of a murder investigation and it really made Serpentine stand out as a fantastic crime fiction novel.

I also must highlight the outstanding two lead characters who form the heart of Serpentine, and indeed the entire series, titular protagonist Alex Delaware and LAPD detective Milo Sturgis.  Alex and Milo are a fantastic pair of crime-fighting protagonists who have taken on some extremely tricky murders during their partnership.  Both characters bring a lot to the novel.  Alex is the more serious of the two.  As a clinical child psychologist with a head for mysteries, Alex can provide some intriguing insights into the minds of the victims, witnesses, and potential suspects, which provide new insight into their cases.  Milo on the other hand is the food-loving, cynical veteran cop who works the hard grind of a LAPD detective.  While I enjoy both characters, Milo is easily my favourite due to his constant wise cracks, the author’s tasteful portrayal of the character as a homosexual LAPD lieutenant, and his somewhat maverick cop persona.  Alex is also quite fun, especially as his psychological insights have a basis in the author’s own training as a psychologist, and I liked his constant clever quips about the situations they encounter.  The real joy of these two characters, however, is the way they work together.  These two make an amazing team, especially as they have become close best friends who are able to work together perfectly in sync.  I loved the way these two were able to work together to solve crimes, and their innate teamwork and friendship is a fantastic centre of the book’s story.  I also enjoyed the way the two characters play off each other throughout the story, as their personalities and unique sense of humour really gel together well and produce a lot of fun jokes and moments.  Overall, I had an amazing time following Alex and Milo through another excellent book, and I cannot wait to see what crazy case they encounter next time.

To check out Serpentine I grabbed a copy of its audiobook format, which was narrated by John Rubinstein.  This audiobook, which has a run time of just over 12 hours, ended up being an amazing way to enjoy this fantastic book and I powered through it in no time at all, especially once I got caught up in the outstanding mystery.  Rubinstein, whose has previously lent his voice to a great collection of crime fiction novels, including previous Alex Delaware audiobooks, did an outstanding job narrating this novel, and I felt that he moved the story along at a fast and enjoyable pace which really captured the audience’s attention.  I also rather enjoyed the various voices that he utilised throughout Serpentine, as each character was given their own unique voice, which I felt fit their respective personality perfectly.  I really loved the voice that Rubinstein uses for Milo in particular, as it just screams veteran cop, and it really helped enhance how much I enjoyed this already awesome character.  As a result, I would strongly recommended Serpentine’s audiobook to anyone interested in checking out this book and listeners are in for a good time with this format.

Serpentine by Jonathan Kellerman is another impressive and clever addition to the great Alex Delaware series.  This latest book features a complex and captivating murder mystery investigation which forces Kellerman’s fantastic and lovable protagonists to dive back into the past and solve an intriguing cold case.  Full of several outstanding twists around Kellerman’s latest compelling case, Serpentine has an incredible story and readers are going to have an amazing time unwinding this great mystery.  I deeply enjoyed this fantastic novel, and this might be the best Alex Delaware novel I have read so far.  Highly recommended.

Quick Review – City of Vengeance by D. V. Bishop

City of Vengeance Cover

Publisher: Macmillan (Trade Paperback – 9 February 2021)

Series: Cesare Aldo – Book One

Length: 402 pages

My Rating: 4.5 out of 5 stars

From impressive debuting author D. V. Bishop comes a powerful and exciting historical murder mystery set in the heart of 16th century Florence with the amazing City of Vengeance.

Synopsis:

Florence. Winter, 1536. A prominent Jewish moneylender is murdered in his home, a death with wide implications in a city powered by immense wealth.

Cesare Aldo, a former soldier and now an officer of the Renaissance city’s most feared criminal court, is given four days to solve the murder: catch the killer before the feast of Epiphany – or suffer the consequences.

During his investigations Aldo uncovers a plot to overthrow the volatile ruler of Florence, Alessandro de’ Medici. If the Duke falls, it will endanger the whole city. But a rival officer of the court is determined to expose details about Aldo’s private life that could lead to his ruin. Can Aldo stop the conspiracy before anyone else dies, or will his own secrets destroy him first?

City of Vengeance is an awesome and powerful historical murder mystery that I have been looking forward to for a while.  New author Bishop has come up with an excellent story that expertly combines great characters, intense historical detail, and a clever murder mystery into an awesome and exciting tale.  I had an outstanding time getting through this amazing book, and this might be one of the better debuts of 2021 that I have so far read.

Bishop has produced an extraordinary narrative for his debut book which I deeply enjoyed and found myself quickly engrossed in.  This book contains an excellent mystery which is actually a clever adaptation of a real-life historical murder and conspiracy in renaissance Florence which the protagonist, Cesare Aldo, finds himself investigating and attempting to stop after several other related crimes are discovered.  Bishop builds a fantastic and intense story around this investigation as the protagonist goes up against several powerful foes and is forced into deadly situations as his opponents attempt to stop him.  There is also a great secondary storyline about a separate murder which is being investigated by both Aldo and his associates at Florence’s criminal court.  While this other murder is not directly connected to the main murder and conspiracy, they do highlight some of the personal issues surrounding the protagonist and provide some intriguing opportunities for a dastardly secondary antagonist.  I loved the author’s great use of multiple perspectives throughout this narrative, and he really comes up with some intense, action-packed moments as Aldo is forced to fight for his life.  This story ended up having some amazing twists to it, especially if you are unfamiliar with the events of 16th century Florence, and the reader is constantly left on their toes as they witness all the crazy events unfold.  I particularly loved the final sequence in the book, mainly because it was an extremely cathartic moment for both the protagonist and the reader, and it served as the perfect end to this dark and captivating tale.  This was an overall incredible narrative, and I am really glad I got to check it out.

Easily one of the best highlights of this fantastic book was the impressive and realistic setting of renaissance Florence that Bishop brought into being.  The author has clearly done their research when it comes to this iconic Italian city as the reader is shown a detailed and complex view of the city throughout the book.  The various characters explore different parts of this historical location, and you get a real sense of the scale and culture of this city.  I really appreciated the way in which Bishop attempts to highlight interesting parts of day-to-day life in Florence during this period, and I also deeply enjoyed the examination of the city’s justice system, leadership, and political placement in the rest of Italy.  The author also utilises a range of different Italian terms and words into the text in a bid to increase the narrative’s authenticity.  I really liked this clever use of language throughout the book, especially as it enhanced the storytelling without disrupting the flow of the narrative.  Several major figures in Florence’s history also make an appearance, and I was deeply impressed by the way in which Bishop portrays them, as well as the infamous historical events that they are connected to.  I thought that the author did a great job cleverly tying these real-life figures into the exciting plot of City of Vengeance, and it was cool to see their unique tales unfold.  All this really helps to elevate City of Vengeance as a historical fiction novel and this was a captivating and clever dive back into 16th century Florence.

I also quite enjoyed the characters featured in this great novel.  On top of the historical figures who are seamlessly fitted into the narrative, Bishop has also come up with a collection of fantastic fictional characters who the main story revolves around.  While I enjoyed all these characters, I must highlight two in particular: the main protagonist Cesare Aldo and secondary antagonist Cerchi.  Aldo is an excellent hero for this book thanks to his dedication to justice, his maverick personality, his quickness with a blade and his investigative prowess, all of which help him attempt to solve the difficult crime before him.  Aldo gets into some very rough scrapes in this book, and it was a lot of fun to see him get through them and survive.  The risks are especially high since the detective also has to hide his sexuality in order to survive.  This was a fantastic character element for Bishop to include and it certainly amped up the difficulties for the protagonist, especially when he is forced to contend with people like Cerchi.  Cerchi is a fellow investigator in Florence’s criminal court, and in many ways he is the direct opposite of Aldo, in that he is a snivelling, corrupt and selfish individual who cares more about lining his own pocket than justice.  Cerchi spends most of the book attempting to undermine Aldo while also blackmailing prominent homosexuals in the city for large amounts of money.  This leads to even greater conflict with Aldo, especially as Cerchi suspects Aldo’s secret, and this adds a whole new level of drama and suspense to the narrative.  I really liked the inclusion of Cerchi in the story as he was a particularly despicable and unlikeable character who the reader quickly grows to hate and beg for his downfall.  Both characters have some great storylines throughout this book, and I particularly enjoyed the way in which their combined arc ends.

In the end I really enjoyed this exceptional first novel from D. V. Bishop which was a lot of fun to read.  Thanks to its awesome blend of history, mystery and clever characters, City of Vengeance has an exciting and captivating narrative that proved extremely hard to put down.  I was deeply impressed with the way that the author utilised his knowledge of 16th century Florence to create a powerful and compelling tale of murder and conspiracy, and readers are in for a real treat with this fantastic debut.  I look forward to seeing what Bishop comes up with next and I particularly hope that he revisits Cesare Aldo and Florence in his future novels.

Star Wars: Victory’s Price by Alexander Freed

Star Wars - Victory's Price Cover

Publisher: Random House Audio (Audiobook – 2 March 2021)

Series: Star Wars: Alphabet Squadron – Book Three

Length: 16 hours and 19 minutes

My Rating: 5 out of 5 stars

One of the best Star Wars tie-in series comes to an epic and impressive end, as Alexander Freed presents Star Wars: Victory’s Price, the amazing third and final entry in the awesome Alphabet Squadron trilogy.

Since its inception in 2014, the current Star Wars extended universe has featured an amazing range of novels that tie into the various movies and television series.  One of the best has been the Alphabet Squadron trilogy from acclaimed author Alexander Freed.  Alphabet Squadron is a particularly compelling trilogy that follows a fantastic group of mismatched Rebel and Imperial pilots who continue to fight in the aftermath of Return of the Jedi.  This series has so far featured two excellent entries: the great introductory novel Alphabet Squadron, and the outstanding second entry, Shadow Fall, both of which I have deeply enjoyed.  As a result, I have been looking forward to seeing how the series ends and I think that Freed has left the best to last with this epic and powerful read.

The Emperor and Darth Vader may be dead, and the second Death Star destroyed, but the war is far from over.  Nearly a year after the battle of Endor, conflict still reigns in the galaxy between the forces of the New Republic and the remnants of the Empire.  In nearly every battlefield, the Empire’s forces are in retreat and disarray, apart from the notorious pilots of the 204th Imperial Fighter Wing, better known as Shadow Wing.  Led by the dangerous Imperial TIE Fighter ace, Colonel Soran Keize, Shadow Wing continue to bring death and destruction to the Empire’s enemies, slipping away when their vile deeds are done.

However, despite their skills and strategies, Shadow Wing is in constant danger as New Republic forces, under the command of General Hera Syndulla, are pursuing them.  Syndulla is determined to end the threat of Shadow Wing utilising the ragtag pilots of the unique unit known as Alphabet Squadron, each of whom has a score to settle with Shadow Wing, to lead the fight against them.  However, the members of Alphabet Squadron, Wyl Lark, Chass na Chadic, Nath Tensent and Kairos, are still recovering from their last traumatic encounter with Shadow Wing on Cerberon, as well as the revelation that their former leader, Yrica Quell, was an active participant of Operation Cinder, the Emperor’s genocidal last order to destroy multiple disloyal planets.

As Hera and Alphabet Squadron attempt to find their prey, they begin to discover just how dangerous the cornered Shadow Wing has become, as their opponents begin to enact a new version of Operation Cinder.  Worse, Alphabet Squadron are shocked to discover that Yrica Quell is still alive and has re-joined her old comrades in Shadow Wing.  As the two forces engage in battle again, the loyalties of Alphabet Squadron will be tested like never before while Quell attempts to determine just whose side she is truly on.  The conflict will finally end above the skies of Jakku, as the Imperial and New Republic fleets engage in their final battle.  Can Alphabet Squadron finally put an end to the evils of Shadow Wing, or will Soran Keize’s master plan change the entire galaxy forever?

Now this is what all pieces of Star Wars fiction should be like.  Victory’s Price is an exceptional and impressive novel that had me hooked from the very beginning.  Not only does Freed do an amazing job of wrapping up the Alphabet Squadron trilogy but he also provides the reader with fantastic action sequences and some outstanding characters.  This is easily one of the best Star Wars novels I have read in ages and it gets a full five-star rating from me.

For this final book, Freed has come up with a powerful story set within the iconic Star Wars universe.  Starting right after the events of Shadow Fall, Victory’s Price sees the members of Alphabet Squadron separated and traumatised as their protracted and personal conflict with Shadow Wing begins.  This leads into a series of exciting encounters and battles in space as Alphabet Squadron pursues Shadow Wing during their latest mission, while the leader of Shadow Wing hatches a plan to end the war on his terms.  At the same time, each of the characters attempts to deal with issues or distress raised in the previous novels, whether it be Quell’s conflicted loyalties or Chass’s post-fight trauma.  All of this leads to some epic and impressive final confrontations as the two sides meet for the very last time.  This was an extremely good character-driven read, and I loved the very cool way that Freed finished off this amazing series. 

While it is an amazing Star Wars novel, Freed focuses more on the war part of the book, turning this into a gritty story of survival, loyalty and conflict, which makes for a powerful piece of fiction.  While obviously best enjoyed by those readers familiar with the rest of the series, Victory’s Price is a very accessible novel which new readers can follow without any trouble.  Thanks to the awesome use of multiple character perspectives, Victory’s Price has an excellent flow to it, and the readers are supplied with clever twists, cool action sequences and impressive character moments as the protagonists come to terms with their place in the universe and the constant fighting.  This ended up being quite an intense tale of war and life, which not only perfectly wrapped up the Alphabet Squadron series but which also had me engrossed from the very minute I started reading it.

One of the major things that I liked about this book was the way in which it added to the Star Wars expanded universe.  This series has always done a cool job of exploring what happened after Return of the Jedi, and it is always interesting and somewhat more realistic to see that the war did not end as soon as the Emperor died.  However Freed has painted this period as a particularly dark and deadly part of the war, and I love seeing how he envisioned what happened to members of the New Republic and Empire after Endor.  Victory’s Price focuses on the very end of the civil war, showing another side of the events that lead up to the battle of Jakku and fitting its original characters into this conflict.  This is a cool part of the book, and I loved seeing another version of the epic battle of Jakku, a major conflict that has been featured in several other novels and pieces of fiction.  Freed also takes the time to explore and answer several other intriguing questions, such as the mystery behind the Emperor’s messengers, the creepy red-clad droids who project holograms of the Emperor’s face, which sought out various Imperial commanders after Endor and ordered the various genocides of Operation Cinder.  The solution surrounding the messengers ends up being rather intriguing, and there are even some clever parallels to World War II in there.  Due to the intriguing elements of Star Wars lore featured within, Victory’s Price, like the rest of the Alphabet Squadron series, will probably be enjoyed most by major fans of the franchise, but there are a lot of compelling elements that readers of all knowledge bases will appreciate.  This was truly an exceptional piece of Star Wars fiction and I cannot wait to see what Freed adds to the canon next time.

I really must highlight the outstanding action scenes that Freed came up with for this book.  I am a man who likes his Star War’s action, and I have to say that Victory’s Price has some of the best sequences that I have ever had the pleasure of enjoying.  Due to the novel’s focus on fighter pilots, there are naturally a huge number of amazing combat scenes as the rival pilots engage in complex battles in space.  Freed has saved the best for last in this final Alphabet Squadron novel, as the opposing pilots find themselves fighting in a range of unique situations.  The battle scenes are extremely well crafted, filled with elaborate details and fantastic depictions of complex manoeuvres and clever tactics that are guaranteed to keep you on the edge of your seat with their intense action.  They are also quite emotionally rich, as you witness your favourite characters constantly face near-death experiences in this final entry in the series.  Highlights of these great battle sequences included two fantastic duels between the protagonists and the leader of Shadow Wing, which sees some fancy flying between some of the most skilled pilots in the series in some very distinctive landscapes.  I also really loved the final, elaborate battle set above Jakku, which proved to be a major part of the second half of the book.  Not only do you get the desperate and packed main conflict between the entire New Republic and Imperial fleets, which features destruction and death in every direction, but you also get a more private and quiet final battle between a group of Alphabet Squadron led New Republic fighters and Shadow Wing.  This smaller pitched battle between the two sides fits perfectly into the midst of the wider conflict and is filled with personal turmoil and antagonism as these two rival squadrons meet for a final time.  All these battles come out as being extremely epic and powerful, and I loved every second of the gritty and deadly fights they contained.

While I have a lot of love for Victory’s Price’s epic story, intense action, and clever Star Wars connections, easily the best thing about this book are the complex and well-written characters.  Each of the major characters featured in Victory’s Price have been introduced in the previous Alphabet Squadron novels with some complex and powerful storylines.  In Victory’s Price, all these great arcs reach a climax as the characters meet their final destiny and their stories comes to an end.  I really enjoyed the satisfying conclusions that Freed came up with for his outstanding characters, although in many ways it was sad to see their stories finish.  Still, I really appreciated all the great character arcs contained in this final novel, and Freed ensures they go through the emotional wringer before they go.

At the forefront of these outstanding characters are the five members of Alphabet Squadron who have served as the focal point for the entire series.  The pilots in Alphabet Squadron, so named for their use of a different Rebel Alliance fighter (A-Wing, X-Wing, B-Wing, U-Wing and Y-Wing), are layered and complex individuals, each of whom has experienced their own trauma or betrayal throughout the course of the lengthy war.  All five of these original characters have gone through significant development throughout the course of the previous two novels, and Freed does an exceptional job continuing their journeys in this final book.

The main protagonist of this series is Yrica Quell, a former member of Shadow Wing, who joined Alphabet Squadron in the first novel to help neutralise her former Imperial comrades.  However, it was eventually revealed that Quell, despite claiming she defected from the Empire after refusing to participate in Operation Cinder, aided in the destruction of a planet.  This revelation caused a massive rift in her relationship with the rest of Alphabet Squadron, and she ended up reuniting with Shadow Wing at the end of the second novel.  In this final book, it is revealed that Quell has infiltrated Shadow Wing to bring them down from the inside.  However, upon spending time with her Imperial comrades, she begins to experience doubts about her plan, especially as she sees that the Imperials are just as damaged by the war as she and the New Republic pilots are.  Her plans are further complicated due to her relationship with the leader of Shadow Wing, Soran Keize, her former mentor and the person who initially convinced her to defect to the New Republic.  Quell still has an immense amount of respect for Keize, and strongly believes in several of his plans.  This re-remembered loyalty to Shadow Wing strongly conflicts with her friendships with Alphabet Squadron and the guilt she feels for her role in Operation Cinder, placing Quell in a major quandary for most of the book.  This uncertainty and inner conflict is a really clever part of Quell’s story, and the reader is deeply impacted by her struggle and conflicted loyalties.  This was easily one of the best and most powerful character arcs in Victory’s Price and I really appreciated the outstanding character story that Freed set around Quell.

Victory’s Price also spends a significant amount of time following Quell’s fellow Alphabet Squadron members, Wyl Lark and Chass na Chadic, both of whom have compelling arcs that highlight different aspects of warring soldiers.  Wyl Lark is the young, optimistic member of the squadron who took over leadership at the end of the second novel.  Lark has developed a significant amount throughout the course of this series, and it is great to see him come into his own as a leader and pilot.  However, despite his apparent ease at the role, Lark is plagued by doubts and concerns about the morality of this fight, especially as it conflicts with some of the teachings of his race.  He spends a great deal of this final book coming to terms with his morals, and even attempts to once again contact the members of Shadow Wing to try and find some common ground or a way to end the conflict.  His actions go a long way to humanising the antagonists of the novel and his hope is a refreshing beacon of light in this darker Star Wars book.  I deeply enjoyed seeing the way in which Lark attempts to change the outcome of the war his way, and it was a fascinating addition to the story. 

Chass, on the other hand, is easily the most damaged character in the entire series.  A music-loving veteran pilot who is more afraid of the end of the war and her inevitable slide into irrelevance and despair than her own death, Chass has always been on edge throughout the series.  However, in Victory’s Price, Chass is even more traumatised, especially after learning of the betrayal of her love interest, Quell (which is an intriguing LGBT+ relationship for a Star Wars novel) and has since turned to the teachings of a cult to gain some clarity.  Despite this, Chass is still driven by her anger and her rage and is constantly lashing out at everyone around her, with her death wish a constant anchor around her neck.  Freed has written a complex and moving story around Chass and her suffering, and I deeply appreciate the portrayal of her as a troubled veteran.  I think that Chass’s story comes to a fantastic end in this final novel, especially as she gets closure with several important people in her life.  Both characters are incredibly well written and are fantastic examples of Freed’s exceptional writing ability.

Next up are the final two Alphabet Squadron pilots, Nath Tensent and Kairos.  While both characters have been somewhat overshadowed throughout the series, Freed has developed some intriguing storylines around them which come full circle perfectly in this final novel.  Nath Tensent, a pilot who served both the Empire and the Rebels during the war, has an enjoyable and likeable personality and is the sort of guy who quickly becomes everyone’s best friend.  However, despite the easygoing façade he projects to the world, even Nath is feeling the effects of the war and the constant worry and responsibility is getting to him.  This is particularly exacerbated in Victory’s Price when he becomes a decorated military hero with greater responsibilities and is forced to balance his own selfish goals with the lives of people who look up to him, as well as his very strong concerns for Wyl Lark.  This results in a particularly clever and enjoyable arc, and it was great to see him finally take some responsibility in this war.  I liked the way in which Freed ended Nath’s storyline, especially as it potentially opens another series in the future. 

The final member of the squadron is the mysterious Kairos, an alien of unknown origin with a strong hatred for the Empire and terrifying combat skills.  Despite her intriguing introduction in Alphabet Squadron, Kairos was somewhat left out of the second book after receiving an injury.  However, this is more than rectified in Victory’s Price, as Kairos is featured more prominently and we finally get to see some of her backstory.  Freed comes up with quite the intriguing, if tragic, story for Kairos, and it was fascinating to see her unique alien beliefs and culture, as well as a powerful story of renewal and redemption that accompanies her.  Kairos becomes quite close to two characters in this book, especially after the closest people in her life died in the previous novel, and it was great to see her finally connect, even if only for a short while.  Freed did a fantastic job setting up Kairos’ story in the previous two novels, and I personally loved finally getting some answers regarding this curious character’s identity.

Aside from the members of Alphabet Squadron, several other characters are also shown in great prominence throughout this book.  The one I liked the most was Hera Syndulla, the New Republic general commanding Alphabet Squadron.  Hera is one of the few characters in this novel who Freed did not come up with, as Hera originated in the Star Wars: Rebels animated series and serves as a bridging character to the larger franchise.  Due to how much I love Star Wars: Rebels, I have really enjoyed seeing more of Hera in this series, not only because I am very curious about her post-Rebels life but because she also serves as a great mentor character to the members of Alphabet Squadron.  Hera features a lot more prominently in this final novel and her perspectives are shown nearly as much as the members of Alphabet Squadron.  This extra perspective really added a lot to the story as a whole and I personally really enjoyed seeing Hera take charge and attempt to hunt down Shadow Wing, while also attempting to determine the course of the entire war.  I also really enjoyed the fact that this book shows Hera’s role in the battle of Jakku, which as the largest space battle in the entire civil war, you had to assume she would be a part of.  Hera is naturally a bit of a badass in this battle, as you would expect, and I appreciated that Freed featured more of her in this novel.

The other major character featured within Victory’s Price is Colonel Soran Keize.  Keize is a fantastically complex character who serves as the leader of Shadow Wing and Quell’s Imperial mentor.  Despite nominally being the antagonist of this book, Keize is portrayed as a more of a tragic and misunderstood figure, one who is sick of war and who only has the best concerns of his men at heart.  As a result, Keize is running his own game throughout Victory’s Price and works to get the best result for the members of Shadow Wing.  His convictions, sense of honour and understandable motivations make him a hard character to dislike, and his role in mentoring Quell ensures that she is extremely conflicted when it comes to betraying him.  Keize is also probably the best pilot in this entire series, as he is regarded as the Empire’s ace of aces, and Victory’s Price is where you get to see him soar as he engages in several great battles and duels.  Thanks to this, and his curious character development, Keize is a great character to follow, and I really enjoyed the unique tale Freed told through him. 

Freed also focuses on some of the other pilots on both the New Republic and Imperial sides.  This results in a great combination of complex side or minor characters, each of whom have their own reasons for fighting in the war.  Freed attempts to show that, despite fighting on different sides of the war, these characters really are not that different.  Instead, all of them are soldiers, with several similarities, including their own trauma, PTSD and issues with the war that they are fighting in.  I think it is a testament to Freed’s writing ability that he was able to get me to care about members of the Imperial navy, and it was pretty spectacular the way in which he attempted to show the humanity buried deep within them.  It does mean that the action sequences more emotionally loaded and potentially devastating as you end up not wanting to see some of the pilots dying, but I really appreciated the way in which Freed took the time to explore these compelling side characters.

While I have previously enjoyed the first two Alphabet Squadron novels in their paperback format, circumstances required me to check out Victory’s Price as an audiobook instead, which was pretty damn awesome.  Not only did Victory’s Price feature the usual blend of iconic sound effects and music that makes all Star Wars audiobooks such a treat to enjoy, but I found that the story flowed incredibly well in this format.  With a lengthy runtime of 16 hours and 19 minutes, I absolutely blasted through this book as I became so engrossed in the awesome story and the way in which it was performed as an audiobook.  I also thought that the use of the iconic Star Wars music in the Victory’s Price was particularly impressive, and not only did the music make several of the extended space battle sequences even more epic, but they also really highlighted some of the most emotional scenes in the book and made them strike my soul even more emphatically.  I also really enjoyed the amazing narration from January LaVoy, who has previously provided her voice to the other Alphabet Squadron books.  LaVoy is a particularly skilled narrator whose work on the Star Trek: Discovery tie-in novel, Die Standing, I really enjoyed.  Not only does LaVoy present the awesome details of Victory’s Price in a quick and exciting manner, making each of the action scenes sound particularly cool, but she also provides some great voices for the various characters.  Each of the main characters gets a unique voice which fits them perfectly and which really helps the listener get to grips with their personalities and inner thoughts.  While all of the character’s voices were done extremely well, the best voice that LaVoy did was probably Hera Syndulla’s, which sounded extremely close to the character’s voice in the Star Wars Rebels animated series.  All of this helps to make Victory’s Price’s audiobook an immensely enjoyable experience and I would highly recommend this format to anyone and everyone.

Star Wars: Victory’s Price is an exceptional and powerful novel from Alexander Freed that is one of the best books I have so far read in 2021.  Featuring a dark and gritty war story set during a fascinating period of Star Wars history, Victory’s Price perfectly wraps up the impressive Alphabet Squadron trilogy while also providing some cathartic conclusions to outstanding character arcs that Freed has built up during the previous book.  I absolutely loved this final novel (hence the massive review), and I think that this was probably the best entry in the entire series.  A highly recommended read, especially if you have already enjoyed the rest of the trilogy, this was a truly epic Star Wars novel.

The Girls I’ve Been by Tess Sharpe

The Girls I've Been Cover

Publisher: Hodder Children’s Books (Trade Paperback – 9 February 2021)

Series: Standalone/Book One

Length: 361 pages

My Rating: 5 out of 5 stars

From bestselling young adult author Tess Sharpe comes an outstanding and deeply impressive new novel, The Girls I’ve Been, an extremely clever and emotionally rich young adult thriller that is easily one of my favourite books of 2021 so far.

When young teen Nora O’Malley started her day, she thought that the worst thing she would have to deal with would be an awkward chance meeting with her ex-boyfriend at the local bank with her new girlfriend in tow.  However, things get decidedly worse when two armed men storm the bank, shooting wildly and demanding the manager.  When their plan goes awry, the two robbers take the staff and customers hostage, locking them in and barricading the doors.  With only a small police force in town, the nearest SWAT team hours away and the gunmen getting more and more antsy, things look grim for the hostages until Nora takes the lead.

Despite only being 17, Nora has a complicated and terrible past.  Born the daughter of a self-centred and manipulative con artist mother, Nora spent the first 12 years of her life helping her mother run her dangerous cons, first as a prop, then as an active participant, learning everything there is about lies, deceit and becoming a whole different person.  However, after their final job went terribly wrong, Nora eventually left her mother behind to escape and become Nora.  Despite living a relatively quiet life for the last five years with her long-lost sister, Nora is prepared to dive back into her past lives as a conwoman to ensure that everyone gets out this dangerous situation alive.

Using every trick and subtle deception at her disposal, Nora must try to manipulate the two robbers into letting them go, while also attempting to distract them from her friend’s escape attempts.  But as conditions in the bank get even worse, Nora begins to realise that these robbers have their own deadly plan, and that the only chance to survive is to reveal her true identity to her captors.  Nora has a deadly secret in her past, one that she has been running from for years, and which may prove to be far more dangerous than anything the robbers can throw at her.

The Girls I’ve Been is an impressive and captivating young adult thriller that I was lucky enough to receive a copy of a few weeks ago.  This is the latest novel from Tess Sharpe, an author who specialises in novels with strong female protagonists, including Barbed Wire Heart, Far From You and the Jurassic World: Fallen Kingdom tie-in novel, The Evolution of Claire.  I must admit that before receiving her latest novel, I was a little unfamiliar with Sharpe’s work, although I did hear good things about her Marvel Comics tie-in book, Captain Marvel: Liberation Run.  However, the moment I received The Girls I’ve Been, I knew that I had to read it as I really liked the cool synopsis and the fantastic-sounding plot.  I ended up powering through it in a few short days as I quickly became engrossed in the excellent and complex narrative that Sharpe weaved around her damaged protagonist.  I had an outstanding time reading this book and, considering how engrossing and powerful I found it, I have no choice but to give it a full five-star rating.

For this amazing book, Sharpe has come up with an exceptional story primarily told from the point of view of the book’s protagonist and narrator, Nora.  The author starts the story off quick, pushing the protagonist and her friends, the dramatic pairing of her hurt ex-boyfriend and her long-time crush turned recent girlfriend, into the midst of a violent and dangerous situation when the bank they are in is stormed by two gunmen.  After this explosive start, Nora quickly slips into action, plotting her escape while trying to find some way to manipulate their captors into letting them go, which in turn reveals her past as a conwoman’s daughter.  The author then starts layering in a series of fantastic flashback sequences or chapters loaded with details about the protagonist’s past or her relevant skills and experiences.  Not only do these become relevant to the current crisis that the characters find themselves in, but they also provide more context for Nora’s actions, as well as containing hints about her troubled past.  These flashbacks fit seamlessly into the main narrative, and as the book progresses and the situation in the bank gets worse, the reader becomes more and more aware of just how dangerous and messed up Nora’s childhood.  The depictions of the character’s past are exceedingly fascinating, and this entire flashback narrative proves to be an awesome addition to the plot, especially as some of her previous actions have severe consequences on current events.  Both the past and present come together extremely well to form an impressive conclusion, which also leaves open the potential for sequels in the future.  I really enjoyed this awesome overarching narrative, due to its fast-paced intensity, clever humour (I particularly liked the inclusion of text at the start of some chapters describing the progress of Nora’s various plans), and impressive character development, and it really did not take me long to get invested in the story.

Easily the best thing about The Girls I’ve Been is the extraordinary amount of character development that Sharpe puts into her point-of-view protagonist, Nora.  Nora (not her real name) is a character who has a unique outlook on life due to her past, which she is constantly haunted by.  When we are first introduced to Nora, the reader is shown a seemingly normal girl, albeit with a complex love life, but it does not take long for the reader to understand just how different she is.  Not only do we witness her immediately take control of the situation inside the bank, but soon the reader sees a powerful series of flashbacks showing the character’s chaotic early life.  Each of these great flashbacks help to produce a layered and captivating figure and it was truly fascinating to see how Nora was born and raised as a criminal conwoman.  Sharpe really dives down deep in Nora’s psyche, allowing you to see how messed up she is and how her past shaped her.  I particularly enjoyed the various flashback chapters that show her committing cons when she was younger, each time with a different name.  With each of these cons, the protagonist learns a whole new set of skills and personality traits, either because her mother demanded it to make the con work or because the trials she underwent during this job required her to learn them.  The protagonist attributes each of these traits to the distinct person she was during the job, and she calls on each of these personalities to shape her into the mostly stable and capable person that she is today.  The author pulls no punches in showing the reader all the terrible things that Nora experienced as a child, and I think she did an outstanding job capturing the lasting impact painful events would have on a young person.  Despite this trauma there is a noticeable strength to Nora that drives her to survive and help others, even if it means sacrificing herself or taking a more lethal approach to solving a problem.  Naturally, all this impressive backstory helps to produce a truly compelling protagonist who the reader cannot help to pull for, especially as Sharpe also imbues her with a sarcastic and clever sense of humour that really appealed to me.  It will be interesting to see if Sharpe continues utilising this unique character in the future and I for one would love to see what happens to her next.

In addition to Nora, Sharpe has also included several other great supporting characters who help to turn The Girls I’ve Been into a first-rate novel.  While none of these characters get as developed as Nora, Sharpe has ensured that each of them is just as complex and nearly as damaged.  The main two supporting characters are Iris, Nora’s quirky current girlfriend, and Wes, Nora’s ex-boyfriend, both of whom are trapped in the bank with her.  While you would assume that this combination of characters would result in petty drama, Sharpe has come up with an intriguing relationship dynamic between the three of them which becomes a fantastic part of the narrative.  They prove to be quite supportive of each other, as all three have experienced various forms of neglect or abuse in the past, and together they are able to face their demons and become more stable people.  I really liked the way that Sharpe utilised Iris and Wes in the story, especially as both characters have some interesting characteristics, and it was amazing to see them all develop them throughout the course of the novel.

In addition to her friends, there is also a significant focus on Nora’s family, her sister Lee, and her mother, both of whom have had a major impact on her life.  I enjoyed both characters for very different reasons.  Lee is the strong older sister who, after experiencing a similar traumatic childhood like Nora, dedicates her life to saving Nora, even if she must ruin everything she loves.  Their mother, on the other hand, is a selfish, manipulative creature, who lives for the scam and is willing to drag her children through hell to get what she wants.  Both characters are great additions to the narrative, and it was fascinating to see what motivated them and what terrible things they are willing to do for different reasons.  All these characters add so much to The Girls I’ve Been, and I was really impressed with Sharpe’s excellent work on them.

Like several of Sharpe’s previous novels, The Girls I’ve Been is marketed as a young adult fiction novel for a younger audience.  I would say that this is an exceptional novel for teenage readers, as The Girls I’ve Been contains a complex and powerful story that features a young girl forced to endure amazing hardships and overcoming them in an intelligent way.  There are some deep and emotional issues that are hit on throughout this book, including children forced to deal with abusive parents, as nearly every parental figure in this novel is either abusive or complicit through negligence.  I think the author addressed these issues in an excellent way, especially as she did not try to talk down her intended audience, and I have no doubt that these elements will strongly resonate with some readers.  In addition, Sharpe also discusses some other important issues in this novel, such as endometriosis, as well as depicting some very positive LGTB+ relationships, all of which I think a lot of teenagers will also really appreciate seeing.  The novel does contain some more mature themes and elements, which might not be appropriate for younger readers, but which make it a great teen read.  This is also one of those young adult novels that can be quite easily enjoyed by an older audience, and I think that a wide range of readers will deeply enjoy this amazing novel.

The Girls I’ve Been is an outstanding and exceptional novel that I cannot give enough praise to.  Tess Sharpe has come up with a truly impressive young adult thriller, containing an amazing story and some exceedingly compelling characters.  I had an awesome time with this book, and I cannot recommend it enough.  I look forward to seeing what Sharpe will come up with next and I can certainly say that this is an author that I will be keeping a very close eye on.  I hope that she considers a sequel to The Girls I’ve Been in the future, although this great novel already has a pretty fantastic self-contained story to it, still it might be interesting to revisits the cool characters again.  There is apparently a movie adaptation of The Girls I’ve Been in the works, starring Millie Bobby Brown.  I think that this book would make for a really good movie, and Millie Bobby Brown is a fantastic choice to play Nora (I only just watched her in Enola Holmes).  In the meantime, do yourself a favour and check out The Girls I’ve Been, because you really will not be disappointed.

Star Wars: The High Republic: Into the Dark by Claudia Gray

Star Wars - Into the Dark Cover

Publisher: Penguin Random House Audio (Audiobook – 2 February 2021)

Series: Star Wars – The High Republic

Length: 11 hours and 11 minutes

My Rating: 4.25 out of 5 stars

The journey into the new era of Star Wars fiction known as The High Republic continues as acclaimed author Claudia Gray presents the next entry into this sub-series with the young adult novel, Star Wars: Into the Dark.

The High Republic is a fantastic Star Wars multimedia project made up of novels, comics and other pieces of Star Wars expanded universe fiction, set hundreds of years before the events of the films, showing a completely different period of Star Wars history.  This project started in January 2021 with the excellent novel, Light of the Jedi, which served as an impressive introduction to the period and the turmoils facing it.  Into the Dark, which runs somewhat concurrently with the events of Light of the Jedi, is the first young adult High Republic novel and presents an intriguing new adventure with a great group of new characters.  This young adult novel was written by the amazing Claudia Gray, author of the Evernight series, who has been making a real splash with Star Wars fiction in recent years.  Not only did she write the awesome-sounding novels Star Wars: Lost Stars, Star Wars: Bloodline and Star Wars: Leia, Princess of Alderaan (all three of which I fully intend to read in the future), but she also wrote the outstanding 2019 novel, Star Wars: Master and Apprentice, which is one of my absolute favourite Star Wars novels of all time.  As a result, I was quite keen to see Gray’s take on The High Republic era and she did not disappoint with a captivating and fascinating novel that was a lot of fun to read.

Jedi Padawan Reath Silas is about to have the adventure of his life, whether he wants it or not.  Apprenticed to the powerful Jedi Master Jora Malii, Reath is happy with his life on Coruscant where he can pursue his academic and scholarly interests.  However, his master has just accepted a dangerous new posting aboard the Starlight Beacon, a gigantic Republic-controlled space station on the frontier of the Outer Rim, far away from everything Reath has ever known. 

However, fate has a funny way of changing even the best laid plans. Reath, leaving Coruscant a few weeks after his master’s departure, finds himself caught up in the disaster sweeping through the galaxy.  Travelling aboard the unusual spaceship known as the Vessel, Reath and three other Jedi, each of whom have their own reasons for leaving the Jedi Temple and journeying into the wilds, encounter a mysterious disturbance out in hyperspace, as the remnants of the ship know as the Legacy Run, splinter out at lightspeed, destroying everything in their path.

To avoid the high-speed fragments, the Vessel makes an urgent jump out of hyperspace and finds itself trapped in an isolated portion of space with several other ships.  Forced to seek shelter in a seemingly abandoned space station, the Jedi and the Vessel’s crew attempt to work with the other ships to find a way to survive until hyperspace can once again be travelled safely.  However, great danger lies in wait aboard this station, as the various crews fight for resources and each of the Jedi are forced to fight their own inner demons.  But there are things far darker and more ancient aboard this station, and Reath and his colleagues will soon be forced to face off against a deadly foe whose reappearance could change the galaxy forever.

Into the Dark is another epic and enjoyable Star Wars novel from Claudia Gray that takes the reader on a fantastic and exciting character driven adventure.  I have been really enjoying the new High Republic pieces of Star Wars fiction and Into the Dark ended up being an awesome and compelling young adult feature that not only contains a great story, but which dives into some fascinating subjects through the eyes of its amazing characters.

Gray has come up with an excellent and enjoyable narrative for Into the Dark which not only ties in nicely with the previous entries in the High Republic line but which also sets several fantastic new characters on a captivating and emotionally trying adventure.  The author starts the story off well, introducing all the key characters in quick succession (indeed six main characters get introduced in one extended sequence), providing some hints at their compelling backstories before sending them on their way into space.  It does not take long before they get wrapped up in the chaotic events that featured in the previous High Republic novel, Light of the Jedi, forcing them to explore the main setting of the abandoned space station.  This naturally leads to a lot of exciting and intriguing events as the characters are forced to survive for a time on the station with the crews of several other ships.  During this time, a lot of story threads start to appear, such as mysterious statues, dangers from the other crews, strange writings on the wall that have significance to one key character and a lingering sense of darkness that assaults the Jedi. 

At the same time, the author dives into several of the main characters’ motivations and the events of the past that drive them, including through a series of interesting flashbacks that have some curious connections to modern day events.  The middle of the novel keeps up the excitement where, after a major event, the characters return home, only to continue to be assailed by the mysteries of the station.  There are several good twists at this part of the book, including a significant reveal about a side character that I really should have seen coming.  Eventually, all the characters reunite and return, only to get drawn into a dangerous confrontation on the station as gathered forces finally show their hand.  All of this results in an explosive and impressive conclusion that leaves some interesting story arcs open for the main characters while also ensuring that the reader gets some satisfying closure about the events of the book.  I really enjoyed this great narrative, which is filled with some clever story threads which come together extremely well into a fast-paced and compelling young adult tale that readers will get through extremely quickly.

Into the Dark is an interesting read which I felt had a wide range of appeal to a lot of different audiences.  This latest book has been marketed as a young adult novel and teenage Star Wars fans will enjoy it.  Not only is this a great Star Wars adventure but the book also features a couple of great teenage characters taking charge and attempting to initiate change, for better or worse, as the universe changes around them.  While primarily a Star Wars novel, Gray does try to make it a little more relevant to teenagers, with some discussions about relationships, drugs and sex that you wouldn’t typically see in a Star Wars novel but which fit the tone of the book quite well.  Like many Star Wars young adult novels, Into the Dark is a book that older readers will also enjoy, especially as it is tied into the main events of the High Republic era.  While I think readers unfamiliar with The High Republic could easily enjoy this book, as Gray makes the text extremely accessible, I would say that Into the Dark is probably best enjoyed by those who have read some of the previous entries in the media project, especially the opening novel Light of the JediInto the Dark has a lot of connections to Light of the Jedi, especially as a major event impacting the main protagonist of this book occurs in this preceding novel, and this latest book ties in well with the rest of the franchise while also enhancing it.  In addition, Star Wars fans will really appreciate the author’s attempt to explore deeper elements of the Force, with the Jedi characters engaging in complex rituals to combat the Dark Side energy they encounter.  The author does an amazing job examining some of the roots of the Force, as well as the mentality and abilities of the people who manipulate it, and it is a fascinating addition to the narrative.  As a result, Into the Dark can be enjoyed by a large range of people who are guaranteed to have a lot of fun with it.

Easily one of the best highlights of this book is the amazing group of new unique characters who Gray has populated this story with.  The author has come up with a great group of intriguing point-of-view characters, each of whom plays a major part in the book’s plot and who Gray spends substantial time introducing and providing some compelling development as the book progresses.  The main character of Into the Dark is Padawan Reath Silas, the bookish apprentice of a great Jedi Master.  Reath is a fantastic young adult fiction protagonist, being a teenager who is thrust into a dangerous adventure against his will and who must find his inner strength to survive and thrive.  The author does a great job developing Reath throughout the novel, especially as he experiences substantial loss and trauma that he must overcome and which changes his entire outlook on life.  This character also provides some fascinating insight into the experiences and troubles of a Jedi apprentice, especially when they encounter great uncertainty about their path.  All of this results in some excellent character moments, and it was a lot of fun to see how Reath developed. 

Another major protagonist of this book is Affie Hollow, the young teen co-pilot of the Vessel.  Affie is another great young adult character, although, as she is more worldly (or the outer space equivalent of worldly?) than the somewhat sheltered Reath, she has a bit more common sense and a heck of a lot more sass.  Affie has a pretty intriguing story arc that sees her investigate the mysterious involvement of her shipping guild, which is run by her adoptive mother, with the space station that the Vessel ends up on.  This investigation, and her own stubborn determination, places her in the middle of some dangerous situations, and she ends up having to make some emotional and ethical choices towards the end of the book.

Other major characters in the novel are two of the Jedi who accompany Reath aboard the Vessel, Orla Jareni, a Jedi set on becoming a Wayseeker, a Jedi independent of the Council, and Cohmac Vitus, a noted and hooded scholar, both of whom are leaving for the frontier for different reasons.  Orla and Cohmac are an interesting pair who are bound together by a long history and a shared trauma in their past.  The events of this novel impact both severely, as it reminds them of the first mission they completed together, which is shown to the reader through a series of intriguing flashbacks.  Despite being fully-fledged Jedi, both Orla and Cohmac are filled with doubts about their order and their purpose, although for very different reasons.  This makes them quite a fascinating pair to follow, as they admit their problems to each other and attempt to come to terms with what it is to be a Jedi Knight and the difficulties that all of them face.  There is also Dez Rydan, a younger Jedi knight who has a close connection to Reath due to them sharing the same master.  Dez is a hotshot, adventure-driven Jedi who, while fun to follow, does not get as much focus as the others, mainly due to the events of the book.  However, he goes through a substantial amount of trauma, which results in some intriguing sequences, and I quite enjoyed seeing his story progress.

While the above group of characters are all interesting and well developed, I have to say that my favourite two characters have the be the hilarious and comedic team of Leox Gyasi and Geode, the other two crewmembers of the Vessel.  Leox, the captain of the Vessel, is a space hippy, down to the outfit, speech pattern and mentality.  Described by the author as essentially being 1990s Matthew McConaughey in a spaceship, Leox has a lot of fun as he breezes through the events of Into the Dark with ease, passing out words of wisdom and advice, and generally being a nice and entertaining presence throughout the story.  While mainly the book’s comic relief (a role he fills perfectly), Leox does have a serious side, especially when it comes to protecting his young compatriot, Affie.  I also liked that the author portrays Leox as asexual, which think is great for the wider Star Wars universe, and I felt Gray introduced and handled it extremely well.  The other great character was the Vessel’s navigator, Geode.  As you may be able to guess from the name, Geode is in fact a large sentient alien rock who can apparently communicate and walk around.  If you had asked me before reading Into the Dark whether I would enjoy a character who is a mute rock, I probably would have had some issues with it, but Gray makes it work extremely well and I absolutely loved the inclusion of this character.  Since Geode does not speak out loud through the entire novel, the reader is a little uncertain whether Geode is actually alive or whether this is some elaborate joke from the characters aboard the Vessel.  Watching Affie and Leox apparently have detailed conversations with him, determine his emotional state just by looking at him, and suggesting that the character has a wild and outgoing personality is pretty hilarious, and I ended up really liking this fantastic character, who was a real solid (snigger) addition to the cast. 

Considering that the last Star Wars novel of Gray’s that I read ended up being one of the best audiobooks I read in 2019, it should come as no surprise that I chose to listen to Into the Dark’s audiobook.  Like pretty much every other Star Wars audiobook I have previously listened to, Into the Dark was pretty awesome in this format, thanks to the use of sound effects and music from the films and animated shows.  The Star Wars sound effects (which include the iconic sounds of blasters, lightsabers, star ships and so much more) add so much cool ambience to the narrative and the amazing music increases the emotional impact of a ton of awesome scenes, even though it was used a little more subtlety with this book.  I also quite enjoyed the narration of Dan Bittner, an experienced narrator whose work I have not previously had the pleasure of enjoying.  Bittner does an impressive job with Into the Dark, as he was able to move the story along at a swift pace while easily keeping the listener’s attention with his narration.  I particularly liked the cool voices that he came up with for the various characters featured in this novel, and he was able to produce distinctive voices that fit the characters really well.  I also loved the “hippie” voice that he came up with for Leox, and the good-natured, ethereal tone really stood out for me and made me laugh.  With a run time of 11 hours, this is not a very long Star Wars audiobook, and listeners should be able to power through it in short order while having a good time.  Overall, this was an impressive production, and audiobook remains my favourite way to check out a Star Wars novel.

Star Wars: Into the Dark is an outstanding and compelling young adult tie in novel that takes the reader on another amazing adventure in the Star Wars universe during the High Republic era.  The always awesome Claudia Gray has come up with a fantastic and captivating tale, anchored around several entertaining and wonderfully complex characters.  The result is an excellent Star Wars novel that will have a wide amount of appeal and is really worth checking out.

The Bone Shard Daughter by Andrea Stewart

The Bone Shard Daughter Cover

Publisher: Orbit (Trade Paperback – 8 September 2020)

Series: The Drowning Empire – Book One

Length: 439 pages

My rating: 4.5 out of 5 stars

From outstanding new fantasy author Andrea Stewart comes The Bone Shard Daughter, the first entry in The Drowning Empire series and one of the best debuts of 2020.

For generations the Sukai Dynasty has ruled the floating islands of the sprawling Phoenix Empire, protecting it from a mysterious force from the past.  In exchange for the Sukai’s protection and governance, each citizen must provide the Emperor with a shard of bone from their head, which can be utilised by the royal family to bring life to magnificent and dangerous magical constructs of flesh and power.  However, as the Emperor’s influence fades, revolution and change is coming to the Phoenix Empire, and the fate of the land lies with a handful of exceptional people.

In the capital, Lin, the Emperor’s daughter, has lost her status as heir after a disease takes her childhood memories from her.  Desperate to gain her father’s respect and her rightful place on the throne, Lin embarks on a dangerous quest to unlock the secrets of her father’s palace and gain the knowledge to master her family’s dangerous bone shard magic.  However, ambition and fear will drive her to attempt the impossible: turning her father’s most powerful constructs against their creator.

Elsewhere, Jovis, a notorious smuggler, is chasing the ghosts of his past as he attempts to find a shadowy ship that took something precious from him.  As he scours the seas of the Empire, he becomes an unlikely hero to the people, saving children from the Emperor’s bone shard tithe and ensuring their safety.  His mission will take him to the island of Nephilanu, where rebels are massing, and the governor’s unruly daughter Phalue finds herself torn between love and duty.  At the same time, a mysterious woman awakens on an isolated island with no memories of her past and a desire to gain freedom.  Each of these people will find the fate of many thrust upon them, and their adventures will shake the Phoenix Empire to its foundation.  But are any of them truly prepared for the consequences of their actions?

The Bone Shard Daughter is a fantastic and clever novel from Andrea Stewart that was one of the most hyped-up fantasy releases of last year.  I have been meaning to read this excellent book for a while now and I finally got the chance to do so a couple of weeks ago.  I am extremely glad that I did as Stewart’s debut novel was an exciting and captivating book that transports the reader to a compelling and unique fantasy setting with all manner of conflicts, magic and terrible secrets.  This was an outstanding debut novel, and I had a great time reading it.

Stewart has come up with a captivating and complex character-driven narrative for her first novel, which sees several young protagonists from various walks of life attempt to survive in this brutal empire while also discovering its dangerous and earth-shattering secrets.  The Bone Shard Daughter contains four separate and distinctive storylines, each of which follows a separate protagonist (or in one case, two linked protagonists), on their own adventure of discovery.  Stewart does a fantastic job of introducing each of these storylines at the start of the novel, with some compelling opening chapters that hook the reader in different ways, whether with descriptions of complex magic, the start of an apparent kidnapping or a frantic attempt to escape from a sinking island.  Once these storylines have their hooks in the reader, Stewart starts to grow each of them throughout the course of the book, with all four of them maintaining a well-balanced pace.  While some of the storylines have a little more prominence than others, they are all really intriguing and exciting in their own right, especially as they have different focuses based on their respective protagonist’s abilities and history.  As the narrative progresses, the separate storylines start to come together as the various protagonists interact with each other, and the reader is gradually treated to a much more cohesive tale.  I felt that these unique storylines fitted together well, and Stewart ensured that they support and strengthen each other, forming a coherent and captivating narrative.  The end result is an excellent tale, filled with conflict, revenge, betrayal and magical chaos.

Stewart sets the narrative around five excellent point-of-view characters, each of whom narrates several chapters within The Bone Shard Daughter.  All five of these fantastic protagonists have their own enjoyable tale to tell, and their varied narratives helped to produce a comprehensive and rich overall narrative.  While each character has their own role to play in the novel, two of these characters in particular, Lin and Jovis, have more prominence then their fellows, especially as their chapters are told in the first person.  Lin is the young daughter of the Emperor of the Phoenix Empire, who has only recently recovered from a peculiar sickness that took away her childhood memories.  Now out of favour with her father, who instead focuses on training her rival, Bayan, Lin uses her skills for climbing, exploring and thievery to steal her father’s keys and gain access to the locked rooms of the palace.  With each key she gains, Lin obtains more information about her past and the secrets behind her family’s powerful bone shard magic.  However, the more information she uncovers, the more she becomes certain that something is wrong, and that her father is no longer fit to be emperor.  I really enjoyed the Lin storyline; not only does it give the reader the most information about this series’ distinctive bone shard magic but there is a substantial amount of intrigue and mystery surrounding Lin’s entire life which I found really fascinating to unravel.  There are some really good twists involved with Lin’s tale, and this was definitely a standout part of The Bone Shard Daughter’s overall story.

The other major character is Jovis, a skilled smuggler, sailor and navigator with a knack for getting into trouble.  Jovis is a fun and entertaining fellow with a heart of gold, who runs afoul of everyone while trying to find his lost love, Emahla, who was taken from him by an unknown ship with blue sails many years before.  While searching for the ship, Jovis finds himself caught up in the wider story when he survives the sinking of an island, managing to rescue a small child and a strange aquatic creature he names Mephi.  Returning the child to its parents, Jovis gains a reputation as a legendary hero, especially as he finds himself gaining unnatural strength and other abilities, and he soon becomes a key figure in the rebellion against the throne.  Due to his likeable personality, the adorable relationship he formed with Mephi, and his action-orientated chapters, Jovis quickly grew to become my favourite character within The Bone Shard Daughter and I deeply enjoyed seeing his adventures unfold.  Jovis proved to be the major bridging character of this novel, as he was the person who encountered many of the other protagonists, bringing their tales together and ensuring that they were all connected.  I also liked how Jovis’s story and points of reference were so different from Lin’s, due to his underprivileged start in life, as he has seen the worst that the Phoenix Empire and the Sukai Dynasty have to offer.  Jovis is also the most insightful and realistic protagonist of the bunch, able to spot the deeper and sinister motivations of some side characters that the other characters miss, and I appreciated how and why he developed these much-needed survival skills.  Overall, Jovis proved to be an exceptional and enjoyable character, and I looked forward to reading his chapters the most while getting through The Bone Shard Daughter.  There are a lot of questions left over when it comes to Jovis’s tale, especially with his relationship to Mephi, and it will be interesting to see how they unfold in future entries in this series.

In addition to the main characters of Lin and Jovis, there was the intriguing couple of Phalue, the Governor of Nephilanu’s daughter, and her girlfriend, Ranami.  Their joint storyline, which is told in the third person, follows the two as they become embroiled in a plot to overthrow Phalue’s corrupt father, with Ranami acting as the idealistic rebel while Phalue reluctantly goes along in the name of love.  This proved to be an excellent and enjoyable narrative that aims to highlight the inequality in the various classes featured throughout the empire and which seeks to explore the rebellion of the group known as the Shardless.  While neither character is featured as heavily as Lin or Jovis, Phalue and Ranami easily have the most interconnected storyline, and together they narrate nearly as many chapters as either of the main two protagonists.  While I quite enjoyed seeing Phalue and Ranami’s chapters unfold, I do have to admit that I wasn’t as invested in their storyline as I was with Lin’s or Jovis’s, as it just was not as interesting.  This was particularly true when Jovis arrives at Nephilanu, and becomes embroiled in their rebellions, as the charismatic smuggler immediately starts to steal focus from Phalue and Ranami.  I also really didn’t buy the relationship between these two as the book progressed, as there were way too many betrayals and lies by the seemingly highly moral Ranami to her girlfriend Phalue, and I am very surprised that they stayed together.  Still, there were some excellent moments in this chapter and it proved really intriguing to see.

The final point-of-view character in this novel is the mysterious Sand, who awakens on an island with no clear memories of who she is or how she arrived there.  Working with the similarly amnesiac inhabitants of her island, Sand attempts to find out something about her past, and swiftly determines that there is something very wrong with her life.  The chapters focusing on Sand and her compatriots, which are also told in the third person, are an intriguing and compelling addition to The Bone Shard Daughter but get the least amount of prominence throughout the book.  Due to the amnesiac nature of the protagonist, these chapters are shaded in mystery and uncertainty, and at first it is very unclear how they fit into the greater story, making them a little hard to get invested in.  However, as the novel progresses and more details are revealed about the island and its inhabitants, the reader swiftly begins to understand just how significant the character of Sand is and what has happened to her.  This was an interesting fourth storyline to this book, and while it was not featured as heavily or appeared to be as significant as the others, it is obviously going to be a major part of the series as a whole and was well set up.  Overall, I was deeply impressed with each of these fantastic characters and their captivating personal storylines, and it proved to be an exceptional and powerful centre to this entire novel.

In addition to the great story and excellent characters, I also really enjoyed the unique and inventive new fantasy world that Stewart created for The Drowning Empire series.  The Phoenix Empire, where the entirety of the series is set, is made up of a range of populated floating islands separated by sprawling oceans.  I quite enjoy novels that feature an oceanic or nautical theme to them, and Stewart features a number of fun sequences aboard or around boats, which here are powered by burning a magical substance to gain speed on the water ways.  I also liked the sequences set within the islands, as there is a particularly cool Asian influence to the people and settlements contained on them and I loved the unique and clever tale that they were able to inspire.  While there are some really cool elements to this setting, such as the vast and complex royal palace where Lin roams, the highlight of this world had to be the magical constructs that are powered by bone shard magic.  Each of these constructs contains a number of bone shards depending on their complexity, which give them intelligence and power, while simultaneously draining the life force out of the person from whom the shard was extracted.  Stewart, through the medium of her curious character Lin, provides a detailed and compelling examination of these constructs and the magical science behind them, and I really appreciated how the author set them up and utilised them throughout the novel.  These were a cool and distinctive part of The Bone Shard Daughter, and I look forward to seeing how Stewart expands on them in later books in her series.

The Bone Shard Daughter by Andrea Stewart is an amazing and incredible fantasy read that serves as the fantastic first entry in the cool new The Drowning Empire series and which really lived up to the hype I was hearing about it.  I had an outstanding time reading this novel and I really got lost in the inventive new fantasy world and the multiple compelling character perspectives.  This book comes highly recommended and I cannot wait to the see what happens in the series next.  The second entry in this series, The Bone Shard Emperor, is currently set for release in November this year, and I think it will end up being one of the top fantasy releases of 2021.

Hollow Empire by Sam Hawke

Hollow Empire Cover 2

Publisher: Bantam Press (Trade Paperback – 1 December 2020)

Series: Poison War – Book Two

Length: 560 pages

My Rating: 5 out of 5 stars

After a two-year wait, we finally get to see the epic sequel to Australian author Sam Hawke’s impressive debut novel, City of Lies, with her blockbuster new novel, Hollow Empire.

Two years after the siege of the city of Silasta, where the oppressed Darfri minority were manipulated into attacking the capital by an unknown outside force, the city has started to recover.  While the city focuses on rebuilding and reconciliation with their former besiegers, the poison-eating siblings Jovana and Kalina Oromani, secret protectors of the Chancellor, continue their efforts to work out who was truly behind the attack on their city.  However, to their frustration, no-one else in the city shares their concerns; instead they have grown complacent with the returned peace.

But no peace lasts forever, especially as Silastra celebrates the karodee, a grand festival, to which representatives of all the nations surrounding the city state have been invited.  While the focus is on peace and forging ties between nations, the siblings begin to suspect that their unknown enemy is using it as an opportunity to launch a new attack against Silastra.  In order to determine what is happening, Jovana attempts to hunt down a dangerous and deadly killer that only he seems to have noticed, while Kalina navigates the treacherous world of politics and diplomacy as she works to determine which of their neighbours may have been involved in the prior attack on their city.

Working together with the Chancellor Tain and the Darfri mystic Hadrea, the Oromani siblings get closer to finding some of the answers that they desire.  However, both siblings find themselves under attack from all sides as their opponents attempt not only to kill them but to discredit their entire family.  Determined to protect Silasta no matter what, Jovana and Kalina will risk everything to find out the truth, even if the answers are too much for either of them to bear.

Hollow Empire was another awesome novel from fellow Canberran Sam Hawke, which serves as the compelling and enjoyable second entry in her Poison War series, which follows on from her 2018 debut, City of Lies.  I am a big fan of Hawke’s first novel; not only was it one of my favourite books of 2018 but it is also one of my top debuts of all time.  As a result, I have been looking forward to seeing how the story continues for some time now and I was incredibly happy to receive my copy of Hollow Empire several weeks ago.  The wait was definitely worth it, as Hawke has come up with another impressive and clever novel that not only serves as an excellent sequel to City of Lies but which takes the reader on an intrigue laden journey into the heart of an exciting fantasy city filled with great characters.

Hawke has come up with an excellent narrative for this latest novel which takes the protagonists on a wild journey throughout their city and beyond as they attempt to uncover a dangerous conspiracy threatening to destroy everything they love.  Told from alternating perspectives of the two main characters, Jovana and Kalina, Hollow Empire’s story was a clever and exciting thrill-ride of intrigue, lies, politics, crime and treachery, as the protagonists attempt to find out who is targeting them and plotting to destroy their city.  This proved to be a fun and captivating narrative, and I liked how Hollow Empire felt a lot more like a fantasy thriller than the first book, which focused a bit more on the siege of the city.  The protagonists must dig through quite a few layers of lies, hidden history and alternate suspects to find out what is happening in Silasta, and while there was a little less focus on the fun poison aspects that made the first novel such a treat, I really enjoyed how the story unfolded.  Hawke comes up with several great twists and reveals throughout the book, some of which really surprised me, although I was able to guess a couple of key ones.  I did think that the eventual reveal of the ultimate villain of the story was a tad rushed, but it resulted in an intense and fast-paced conclusion to the novel which also opens some intriguing avenues for any future entries in this series.  Readers may benefit from rereading City of Lies in advance of Hollow Empire, especially as there has been a bit of gap between the first and second novels’ releases.  However, for those wanting to jump right in, Hawke did include a fun recap at the start of the book, which sees the protagonists watching a theatrical recreation of the events of City of Lies.  Not only is this a rather entertaining inclusion (mainly due to how Jovana is portrayed) but it also serves as a good summary of some of the book’s key events, and readers should be able to follow through this second book without any trouble, even if they have not had a chance to read City of Lies.  Overall, this was an epic and impressive story, and I really enjoyed seeing how the Poison Wars continued in Hollow Empire.

I really enjoyed some of the cool writing elements that Hawke featured in Hollow Empire which added a lot to my overall enjoyment of the book and its great story.  The most noticeable of this is the use of the split perspectives, with the main protagonists, Jovana and Kalina, each getting alternating chapters shown from their point of view.  These split chapters worked extremely well in City of Lies, and I am really glad that Hawke decided to use them once again in her second book.  While the primary use of these alternate chapters was to show the different angles of investigation that the siblings were following, it does result in some additional benefits to the narrative.  I particularly liked the way in which the author uses the split perspectives to create tension and suspense throughout the novel, such as by one protagonist lacking information that the other character (and the reader) has knowledge of, or by leaving one protagonist’s fate uncertain.  It was also interesting to see the different opinions that the protagonists had on various characters and the specific relationships and friendships that they formed.  I also liked the way in which Hawke placed some intriguing in-universe poison proofing notes before each chapter, which recounted various poisonings that Oromani family has prevented or investigated over the years.  These notes were quite fun to check out and it really helped to highlight the importance the main characters place on protecting the Chancellor and their city from poison attacks.  These clever elements enhanced an already compelling narrative, and I imagine that Hawke will continue to utilise them in some of her future novels.

One of the major highlights of this book was the return to the author’s great fantasy setting that is the city of Silasta and its surrounding countryside.  Silasta is an extremely woke city full of artists, inventors and scholars who believe in equality between genders and acceptance of all sexualities and gender identities (for example, Hawke introduces a non-binary character in Hollow Empire).  While this was a fun city to explore in the first novel, especially as it was besieged for most of the book, I quite like how the author has altered the setting for Hollow Empire.  There is a significant focus on how Silasta has changed since the ending of the siege two years previously, especially on the attempted reconciliation efforts between the somewhat elitist citizens of Silasta and the Darfri, who were previously treated as second-class citizens doing the menial jobs.  While there have been changes to this relationship since the end of the first book, much is still the same and the difficulties in reconciling these two groups becomes a major and intriguing plot point within Hollow Empire.  Hawke also adds in an intriguing crime element to the novel, as several criminal gangs have used the chaos following the siege to build power within the city, peddling new drugs to the populace.  These new elements make for a different city than what the reader has previously seen, and I really liked how Hawke explored the negative elements of the aftermath of the first book and implemented them in Hollow Empire’s narrative, creating a fantastic and intriguing story.

In addition to focusing on the changes to the main city setting, I also really enjoyed the way in which Hawke decided to expand out her fantasy world.  This is mainly done by introducing emissaries from several of the nation’s neighbouring Silasta and bringing them to the city, resulting in the protagonists learning more about their respective histories and cultures, especially as they are convinced that one of them is responsible for the attack against them.  The story also explores the history of Silasta itself, with several storylines exploring how the city came into existence and its hidden past.  The author also worked to expand the magical system present within her universe by examining the spirit magic that was introduced in City of Lies and exploring more of its rules and limitations.  This results in several intriguing scenes, especially when one of the major characters, Hadrea, finds new ways to manipulate her magic.  In addition, some new forms of magic are introduced within the book.  These new magics have an origin in some of the new realms that are further explored in Hollow Empire and included an interesting and deadly form of witchcraft that differs wildly from the magical abilities that the characters utilised in the first book.  Not only are these new and inventive world-building elements quite fun to explore, but their inclusion becomes a key inclusion to the narrative.  All of this results in an enjoyable expanded universe, and it looks like Hawke has plans to introduce further lands and histories in the next Poison Wars book.

Another great part of Hollow Empire is the complexity of the characters, all of whom have evolved in some distinctive and compelling manner since the first novel.  As mentioned above, the main protagonists are the Oromani siblings, Jovana and Kalina, who serve as the book’s point-of-view characters.  Jovana is the Chancellor’s poison proofer, his secretive bodyguard who prepares his food and ensures that everything he eats is poison-free.  However, since the events of City of Lies, Jovan has become a lot more well-known throughout the city due to the role he played during the siege.  This requires him to adjust his role in society, especially as many people are now questioning how he and his family gained such prominence.  Jovan is also a lot more cautious when it comes to the Chancellor’s security after several near misses in the first novel, so that he appears almost paranoid at points throughout Hollow Empire.  This paranoia serves him well as he is forced to fight against an assassin who is using some clever means to attack his family and allies.  Jovan has also entered into a mentoring role within this book as he takes his young niece, Dija, as his new apprentice, teaching her the ways of proofing and ensuring that she has an immunity to toxins by poisoning her himself, in a similar way to how his uncle raised and taught him.  All of these add some intriguing new dynamics to Jovan’s character, and I really enjoyed seeing how he has changed since the first book.  Kalina also proves to be an excellent character throughout Hollow Empire, and I quite enjoyed reading her chapters.  Like her brother, Kalina has become a much more public figure in Silasta, although she is seen more as a hero than a suspicious poisoner like her brother.  Kalina’s chapters mainly focus on her attempts at finding out the truth through diplomacy as she interacts with the foreign delegations visiting the city.  Her investigations are just as dangerous as Jovan’s, and I really enjoyed seeing how her distinctive narrative unfolded, as well as how her character has also evolved, including with a fantastic new romance.  Both protagonists serve as excellent centres for the story and I look forward to seeing how they progress in later books in the series.

Hollow Empire also boasts a raft of fantastic side characters, many of whom have some exceptional arcs throughout the book.  The main two supporting characters are probably Chancellor Tain and Hadrea, both of whom were significant figures in City of Lies.  Like the main protagonists, Tain has also changed a lot since City of Lies, where he was the young and bold ruler thrust into a chaotic position.  Now he is a much more measured and cautious man, especially after narrowly avoiding death by poisoning in the first novel.  Tain continues to be the focus of the protagonist’s advice and protection throughout the novel, and the friendship he has with Jovana and Kalina becomes a major part of the book’s plot, resulting in some dramatic and powerful moments.  Hadrea, the young Speaker whose spirit magic saved the city in the first novel, also gets a lot of focus throughout Hollow Empire and is quite a major character.  In addition to being Jovan’s love interest, Hadrea also serves as the protagonist’s magic expert as they attempt to understand some of the mystical elements attacking them.  Hadrea’s magical power ends up becoming a major story element of Hollow Empire as she attempts to find new ways to use her magic while also chafing under the instruction of her superiors.  It looks like Hawke has some major plans for Hadrea in the future books, and I am curious to see what happens to her next.  These characters, and more, end up adding a lot to the story, and I quite enjoyed the way that Hawke portrayed them.

Hollow Empire by Sam Hawke was an impressive and deeply enjoyable novel that serves as an excellent sequel to City of Lies.  Featuring a thrilling and clever main narrative, great characters and an inventive, if damaged, fantasy setting, Hollow Empire was an epic read from start to finish that proves exceedingly hard to put down.  I had a wonderful time reading Hollow Empire and it ended up being one of my favourite books of 2020.  A highly recommended read, I cannot wait to see how the series continues in the future.

Star Wars: Doctor Aphra written by Sarah Kuhn and performed by a full cast

Doctor Aphra Audio Cover

Publisher: Random House Audio (Audio Drama – 21 July 2020)

Series: Star Wars

Script: Sarah Kuhn

Cast: Emily Woo Zeller, Jonathan Davis, Sean Patrick Hopkins, Sean Kenin, Nicole Lewis, Carol Monda, Euan Morton, Catherine Taber and Marc Thompson

Length: 5 hours and 35 minutes

My Rating: 4.5 out of 5 stars

The most brilliant and conniving archaeologist in the entire Star Wars canon gets her own audio drama as author Sarah Kuhn and an exceedingly talented cast of audiobook narrators present Star Wars: Doctor Aphra, the audio drama.

Throughout the galaxy Doctor Chelli Lona Aphra is renowned as a criminal and bringer of chaos without peer, but in her own eyes she is simply an archaeologist and technology enthusiast, albeit one willing to sell her findings to the highest bidder.  However, her latest venture is about to get her into the worst type of trouble, the sort that will haunt her for the rest of her incredibly short life.  Attempting to steal a dangerous weapon from a restricted alien vault, Aphra finds herself surrounded and slated to die, that is until Darth Vader, Dark Lord of the Sith and overall badass suddenly appears and saves her. 

Vader is engaging in a high-risk power play against the Emperor and Aphra has just become his most useful pawn, whether she likes it or not.  Working as his agent, Aphra must utilise her skills as a con-woman, genius technician and criminal mastermind to help Vader achieve his goals: depose the Emperor and find his new obsession, the pilot who blew up the Death Star, Luke Skywalker.  Determined to stay on Vader’s good side, Aphra, with the help of her two friendly murder droids, Triple-Zero and BT-1, helps her new master engage in all manner of shenanigans across the universe, including kidnappings, torture and elaborate heists.  However, Aphra knows that all it will take is just one mistake or slip-up to earn her new employers’ deadly wrath.  To avoid her inevitable appointment with Vader’s crimson lightsaber, Aphra will need to pull out every trick in her impressive arsenal if she is to survive.  But can even the great Doctor Aphra outsmart Darth Vader and the entire Empire, or has the smartest woman in the galaxy finally met her match?

Well this is an exceedingly fun and entertaining entry in the Star Wars expanded universe which provides a new angle to the tale of Doctor Aphra.  Doctor Aphra is an incredible and complex character who has only been recently added into the canon.  Introduced in the opening issues the 2015 Darth Vader comic book series, Doctor Aphra served as a major supporting character for much of the series run, entertaining readers with her antics and ability to survive working for Darth Vader.  Aphra proved to be an extremely popular character, and this resulted in the character getting her own comic book series (which ironically lasted more issues than the Darth Vader series she was introduced in).  The Doctor Aphra series ended up being an amazing hit thanks to some exceptional writing and it is one of my favourite pieces of Star Wars tie-in fiction (make sure to check out my reviews for the last two volumes in the series, Unspeakable Rebel Superweapon and A Rogue’s End), and there is even a second Doctor Aphra series on its way.  It seems that Aphra’s popularity has continued to grow as earlier this year this Doctor Aphra audio drama was released, written by talented author Sarah Kuhn.  This proved to be an exceptionally impressive audio release that does an amazing job bringing this fantastic character into an entirely new format.  This audio drama has a run time of around five and a half hours, which listeners are able to breeze through in no time at all.

The Doctor Aphra audio drama contains an intriguing and captivating story that follows the character as she engages in all manner of adventures in service to Darth Vader and her own survival.  Told entirely from the perspective of Aphra as she makes a series of recordings to an unknown person, and set shortly after the events of Star Wars: A New Hope, this story follows Aphra through the entirety of her ill-fated association with Darth Vader.  This employment places her in all manner of danger, as she completes a series of tasks important to Vader, including an elaborate heist; gets in the middle of a deadly conflict between Vader, one of his rivals in the Empire, and the protagonists of The Original Trilogy; and finds herself a prisoner of the Rebel Alliance before eventually attempting to manipulate the Emperor for her own ends.  At the same time, Aphra is constantly balancing on a knife’s edge, as her beloved boss has made it abundantly clear that he will kill her the moment she displeases him.  This forces Aphra into a number of tense and dangerous situations as she needs to convince Vader to keep her alive throughout the entire book.  This struggle to stay alive adds a substantial amount of suspense to the audio drama, as the listener really wants this entertaining character to survive, and it eventually leads to an outstanding and epic conclusion.  All of this proves to be an exceedingly captivating adventure, and listeners are in for an exciting and hilarious time, especially with Aphra’s entertaining and over-exaggerated narration of the events occurring. 

While I did really enjoy the story contained within this audio drama, I do need to point out that it is not actually an original tale; instead it is an adaption of several canon comic book series, namely the comics that featured Aphra’s early adventures.  The first part of the audio drama adapts most of the first two volumes of the 2015 Darth Vader comic series, Volume One: Vader and Volume Two: Shadows and Secrets.  From there the story follows the course of the crossover limited series, Vader Down, before moving on to the events of the fourth volume of the 2015 Star Wars comic, Rebel Jail.  Finally, the story returns to the Darth Vader comic, utilising parts of the fourth and final volume, End of GamesDoctor Aphra proves to be an exceptional adaptation of these comics although they only show off the events that Aphra herself witnessed or was a part of.  I had an amazing time listening to this adaptation and I really enjoyed seeing several of the amazing events that originally occurred on the page being brought to life by this enjoyable performance. 

People interested in listening to this audio drama do not need to have read the adapted comics first, as Kuhn provides Aphra with a great deal of narration that explains her role in the story and all the events leading up to the comics.  As someone who has read the comics before listening to this audio drama, I found that there was a lot in this production for fans of the comic.  I personally really enjoyed seeing these events from Aphra’s perspective (as the original comics mostly followed main characters such as Vader, Luke, Leia, and Han), and it was extremely interesting to see her thoughts on the various events occurring.  The author also comes up with a lot of additional backstory that helps to enrich Aphra’s involvement in the narrative, which fans of the character will really appreciate.  While I had a great time listening to this audio drama, I did notice that several events were glossed over, mainly because Aphra did not witness them occur in the comics.  For example, you have no idea who is behind several of the battles or attacks that Aphra finds herself in the middle of, with Aphra herself giving limited explanations for them.  While I knew full well what was going on, people who haven’t read the comics are going to be full of questions and this may make the audio drama a little confusing at times.  That being said, this was still an outstanding and deeply enjoyable production, and perhaps it will encourage listeners to check out some of the adapted comics (trust me, they are awesome).

One of the best things about this audio drama was the way in which the narrative explored the complex and exceedingly likeable character of Doctor Chelli Aphra.  Aphra is a clever, impulsive and chaotic rogue archaeologist who is obsessed with ancient technology, particularly unusual droids and dangerous weapons.  Aphra is a wildly entertaining character who is essentially an amoral version of Indiana Jones that has no problems cheating or betraying people who she encounters, as long as she gets to hold onto the valuable antiques or can sell them for vast amounts of money (none of her loot belongs in a museum!).  Aphra appears to have a relentlessly positive personality, providing the listener with a string of continual jokes and funny observations with an infectious amount of enthusiasm.  However, deep down Aphra is actually a deeply damaged individual who has suffered a number of losses and betrayals that impact her current outlook on life and other people. 

Despite the fact that Aphra is the very definition of an unreliable narrator (she literally deletes or edits the parts of the story she does not like to suit her agenda), I felt that this audio drama does an amazing job exploring this wily protagonist.  Having Aphra’s inner monologue about the events occurring during this story proved to be not only entertaining but also very enlightening, and it showed some fascinating glimpses of her inner personality and emotional state.  While much of Aphra’s story was previously explored in the comics that Doctor Aphra is based on, this adaptation does go a little further, pulling in some backstory that was introduced in the later Doctor Aphra comics and expertly working it into this narrative.  Kuhn also comes up with some additional history that is unique to this production, including a number of scenes that explore her previous romantic relationship with Sana Starros.  While this relationship has been mentioned and discussed in several of the comics, this is probably the most in-depth examination of it in the canon and it becomes an important part of the overall plot.  I really enjoyed the way in which Doctor Aphra examined its titular protagonist and I felt that the story really captured her essence and outrageous personality.

This audio drama sports an amazing voice cast and each of them does a fantastic job in this production.  However, I really must highlight the performance of Emily Woo Zeller, who portrayed the titular character.  Zeller is an experienced and talented narrator who has contributed to a huge raft of audiobooks, including several I am quite interested in checking out, such as Cyber Shogun Revolution by Peter Tieryas.  Due to how the audio drama is written, Zeller’s voice is the one we hear the most throughout Doctor Aphra, as she recounts all of the characters dialogue and the overall narration of this book.  I really loved the way that Zeller portrayed the character of Aphra in this audio drama and I thought she got all the aspects of the character down perfectly.  Zeller gives a particularly energetic performance throughout this adaption, and listeners get a real sense of the mischievous and over confident outer shell that Doctor Aphra portrays to everyone she meets.  However, Zeller also captures the vulnerable nature of this complex protagonist, showing off the character’s full range of emotions when she is scared, angry or contemplating her many regrets.  This rich and amazing performance from Zeller really helps to make this audio drama something special, and I am really glad that she was able to bring Doctor Aphra to life in such an exceptional way.

Doctor Aphra also makes use of several other impressive voice actors throughout this audio drama, each of whom are portraying major Star Wars characters who Aphra interacts with through the course of this adventure.  This audio drama features a who’s who of Star Wars audiobook narrators, many of whose works I have previously enjoyed in a range of productions including the previous Star Wars audio drama, Dooku: Jedi Lost.  These additional narrators include Jonathan Davis (who I previously enjoyed in Star Wars: Master and Apprentice and Lords of the Sith), Sean Kenin (Death Troopers), Euan Morton (Tarkin), Catherine Taber (Queen’s Peril and Queen’s Shadow), Marc Thompson (Thrawn, Thrawn: Chaos Rising, Dark Disciple and Scoundrels), Sean Patrick Hopkins, Nicole Lewis and Carol Monda.  Each of these voice actors did an exceptional job of bringing their various characters to life throughout Doctor Aphra.  I particularly enjoyed Marc Thompson’s Darth Vader and Euan Morton’s Emperor, as both voice actors brought some realistic menace to these iconic villains.  Catherine Taber, who is best known for her portrayal of Padme Amidala in The Clone Wars animated series, does an excellent Princess Leia in this production, and I really appreciated the choice to cast her.  Sean Patrick Hopkins does a really cool Luke Skywalker, and I was really struck by how close he got to a younger Mark Hamil’s voice.  I also really enjoyed Sean Kenin’s Triple-Zero, and I felt he really captured the essence of this crazy character.  Each of these side characters added a lot to the production as a whole and, while they were not as heavily featured as Aphra, each of them had their own entertaining moments and interactions.  I particularly loved the threatening aura that Darth Vader exhibited towards Aphra, and there is also a very entertaining interaction between Aphra and Han Solo that results in some of the best jokes in the entire production.  You also have to love the fact that Aphra ends up with a posse that essentially reflects the main characters from The Original Trilogy, with a protocol droid (Triple-Zero), an Astromech (BT-1) and a Wookie (Black Krrsantan).  Of course, Aphra’s friends are all dangerous killers, which makes for some extremely entertaining and deadly encounters.

In addition to featuring an impressive voice cast, Doctor Aphra also features the full range of iconic Star Wars sound effects and musical scores that were made famous in the movies.  Pretty much every action that occurs within the book is accompanied by a sound effect, whether it be blaster fire, the sound of engines or even a susurration from other people in a crowded room.  I always love how these sound effects helped to create an atmosphere throughout the course of a Star Wars novel, and I felt that they were particularly useful for this audio drama format due to the lack of narration that a standard audiobook would have.  I also have to talk up the excellent use of the incredible Star Wars musical score that features during several key scenes of the novel.  Hearing this music during some of the most pivotal, dramatic or action-packed sequences makes the narrative seem that much more epic, and I absolutely loved hearing this music throughout this production.  The use of the sound effects and music enhances the story in immeasurable ways, and it helps to turn this audio drama into an exceptional treat for the ears. 

Star Wars: Doctor Aphra is an impressive and deeply enjoyable audio production that brings fan-favourite character Chelli Aphra into a whole new light.  Cleverly adapting several amazing Star Wars comics, the Doctor Aphra audio drama features an interesting story from author Sarah Kuhn that shows the events from the perspective of the chaotic and duplicitous titular protagonist.  Featuring an exceptional voice cast, Doctor Aphra proves to be an extremely entertaining and exceedingly addictive listen that I had a very hard time turning off.  I personally think this was one of the best audio productions of 2020 and it comes highly recommended both to general Star Wars fans and to those who have read the adapted comics.  I had an amazing time listening to this audio drama and I hope that they think about adapting the later Doctor Aphra comic book series next as there are some impressive storylines featured in there.

Ink by Jonathan Maberry

Ink Cover

Publisher: Macmillan Audio (Audiobook – 17 November 2020)

Series: Standalone/Pine Deep series

Length: 15 hours and 9 minutes

My Rating: 4.75 out of 5 stars

Prepare to journey back to the weirdly dangerous town of Pine Deep as one of my favourite authors, Jonathan Maberry, presents his latest novel, Ink, an intriguing and clever horror thriller that dives down into the world of memories and tattoos.

Pine Deep, Pennsylvania is a town long-steeped in blood and death.  After barely surviving the terrible events of 15 years ago, now known by the locals as The Trouble, the town has slowly recovered, with fresh businesses and people bringing in new life.  However, no one is ever truly safe in Pine Deep, especially with a malicious predator haunting the streets, one with very particular appetites.

Monk Addison is man who has experienced many weird and horrifying things in his life, but what he is about to encounter in Pine Deep will shake him to his core.  A bounty hunter who has sought redemption in life by covering his body with tattoos depicting the faces of murder victims, Monk has recently moved to Pine Deep to be closer to his friend and tattoo-artist Patty Cakes, but what he arrives he finds Patty in a state of shock.  An important tattoo on Patty’s hand has started to disappear, and as it fades, so do the memories associated with it until Patty can no longer remember anything about, not even the precious person who inspired it.

As Monk desperately tries to understand what is happening to his friend, a pattern begins to emerge.  Several people within Pine Deep are experiencing losses of traumatic or significant memories, and in every case tattoos related to these events have also disappeared.  Worse, in some cases new tattoos are appearing on people, forcing them to do terrible deeds.  Working with Pine Deep’s chief of police, Malcolm Crow, and his adopted son, Mike Sweeney, Monk, Patty and other impacted residents of Pine Deep attempt to discover who or what is behind these stolen memories.  But can they find who is responsible before their memories fade, or will this predator continue to feast on the very thing that makes them human?  The Lord of the Flies is hungry, and his reign of terror has only just begun!

Over the last couple of years, I have become a major fan of Jonathan Maberry’s writings, and I only just recently finished reading all 10 Joe Ledger novels, as well as the first Rogue Team International book, Rage, so I was very excited to get my next fix of Maberry excitement with InkInk was one of my most anticipated novels for the second half of 2020, and it really did not disappoint in any way, as Maberry has produced an intense and captivating horror novel that proved to be both extremely exciting and deeply terrifying.

Ink is an outstanding and impressive book that contains one heck of a story that sees several remarkable characters attempt to deal with a weird and powerfully scary supernatural threat that is attempting to destroy what is most precious to them.  Maberry has crafted together a fantastic narrative for this book that is equal parts clever, compelling and scary, and which dives down deep into the psyche of several complex individuals.  The author utilises his trademark style to produce a wide-ranging, multi-character story that shows the full impact of the antagonist’s dark machinations, and the slow hunt of the protagonists to comprehend what is happening to them, and their subsequent attempts to combat the threat.  While I did think that the story was a little slow at the start, once it gets going the reader has a hard time putting it down, as they become obsessed with seeing the full extent of the horror, as well as becoming connected to the characters featured within.  While Ink contains a lot less action than a typical Maberry novel, this is an extremely exciting and fast-paced read, with the thrilling game of cat and mouse between the villain and his victims proving to be quite intense.  Readers should be warned that this is an extremely adult read, containing some fairly graphic sequences of violence, torture, mental manipulation and sexual content, which may not be for everyone.  Overall though, this is an exceptional read, and I really loved getting to the end of this enthralling and excellent narrative.

While Ink is ostensibly a standalone novel, in many ways it is a sequel to Maberry’s debut series, the Pine Deep trilogy, while also being set in the same universe as several of his other books, namely the Joe Ledger novels.  The entirety of Ink is set in the town of Pine Deep, which was the titular setting of the original trilogy.  As a result, several characters from these books appear throughout the course of the novel and there are a lot of mentions of the events of the Pine Deep trilogy, some of which play into the plot.  While you potentially could get a little more out of Ink by reading the Pine Deep novels first, I would say that you really do not need any prior knowledge of these books to enjoy Maberry’s latest novel.  Like always, Maberry’s writing is very inclusive, providing the reader with relevant information about the events that occurred in these previous novels.  As a result, the reader gets a decent summary of what occurred in the Pine Deep trilogy and how it relates to Ink.  This allows readers unfamiliar with the Pine Deep books to enjoy Ink without any issues, and this might even be a good Maberry starter novel for anyone who has been interested in reading some of his books.  On the other hand, those fans of Maberry who are familiar with this prior trilogy will no doubt really enjoy the return to this iconic setting and will have an amazing time seeing what has happened in the 15 years following the end of Bad Moon Rising (the third and final book in the Pine Deep trilogy).  The summaries of the Pine Deep novels contained within Ink are rather easy to get through and Maberry works them into the story extremely well, so those people familiar with these prior works should be able to read them without getting bored of a forced recap, and this is book that any horror or thriller fan can easily enjoy.

At the heart of Ink are the excellent main point-of-view characters that Maberry utilises to tell his complex tale.  There are several major characters featured throughout the book, including several original characters created specifically for Ink.  The most notable of these is Monk Addison, the relentless and scary former soldier who is desperately seeking redemption after a long and bloody life.  Monk turned out to be an amazing central character for this book and I loved the way that Maberry slowly revealed his past in order to show just how special he his.  Monk goes through a fair bit of development in this novel, and I found myself getting quite attached to him as the story progressed.  In addition to Monk, Ink also has a particular focus on Patty Cakes, Monk’s tattoo artist friend whose memories are impacted by the book’s antagonist.  Patty is a deeply tragic and magical character who has gone through a lot in her life and who now finds herself being attacked in a much more personal and devastating way.  Seeing Patty being overwhelmed by the loss of her memories is really disturbing and heartbreaking and you cannot help but feel her loss deep in your soul, which is a testament to Maberry’s excellent writing.  Patty is another character who you grow to care for as the story unfolds and the constant danger she is put into, both mentally and physically, keeps the reader on edge.  The other two original major characters I need to highlight are Dianna and Gayle.  Dianna is a medium who also has her memories stolen by Ink’s antagonist, while Gayle is someone who builds a connection to Dianna, who is then impacted by Gayle’s lost memories in a different way.  I liked the way that Dianna and Gayle were worked into the story, and they helped to provide a new angle to the narrative.  Watching them team up with Patty added some enjoyable female empowerment elements to the novel, and there is a touching LGBT romance between Dianne and Gayle that I thought Maberry handled well, even if it was a tad explicit.

In addition to these new characters, Maberry also makes use of the protagonists from the Pine Deep novels who return as major characters in Ink.  This includes major characters Malcolm Crow, Mike Sweeney, Val Guthrie and Jonatha Corbiel (now Jonatha Newton).  While Val and Jonatha have mostly smaller roles in this book, Malcolm and Mike are major point-of-view characters, performing their own investigation of the latest batch of weird events occurring around Pine Deep.  Both proved to be exceptional additions to the cast, as not only are they complex characters (especially after the events of the Pine Deep trilogy), but they also add some distinctive viewpoints into the investigate parts of the book.  Maberry does a fantastic job introducing these characters to new readers, while those who have read the Pine Deep books will deeply appreciate seeing what has happened to them since the events of this initial trilogy.  While I am sure that many of Maberry’s readers would have hoped for happy lives for Malcolm, Mike and Val after all they have been through, all three characters have experienced additional difficulties and tragedies in the last 15 years.  These additional life events, as well as their traumas from the Pine Deep books, are expertly incorporated into their characterisation for Ink, and it proved deeply compelling to see their arcs unfold.  I personally enjoyed seeing the new protagonists’ reactions when encountering Malcolm and Mike, and there are a lot of depictions about realising how dark, dangerous and damaged both of them are.  Some of these new characters are also in for a hair-raising surprise when it comes to Mike, and it was interesting to see how that certain aspect of Mike’s character has evolved since his last book.  All of the characters featured in Ink were deeply compelling, and I felt that Maberry did an exceptional job featuring them throughout this novel.

If there is one thing that Maberry is particularly good at it, it is creating iconic and despicable antagonists for his novels.  Ink is no exception to this, as Maberry has once again produced a dark and sinister figure in Owen Minor, the self-proclaimed Lord of the Flies.  Owen is an inherently creepy and deeply disturbing individual who has gained the ability to steal people’s tattoos and the associated memories with them, as well as several other abilities.  Thanks to a series of intriguing interludes, Maberry dives into the history of Owen, showing his origins as a character, what his motivations are and how he realised what his powers were.  This examination of Owen’s psyche and history is both fascinating and unsettling and getting this deeper look into the character’s soul makes the reader dislike him even more, especially as you begin to realise just how twisted he truly is.  The author also includes a number of chapters from the point of view of several different side characters who have been infected by Owen in some way or another.  These scenes not only help to explore the true extent of his abilities but they also show the lengths he is willing to go to get his favourite meal.  The way in which he attacks his victims and then revels in their mental agony ensures that the reader builds a deep hatred for him and you really cannot wait to see him get some form of comeuppance.  All in all, this was another great antagonist from Maberry, and I look forward to seeing what sort of maniac creature he comes up with next time.

As I mentioned above, Maberry returns to his iconic town of Pine Deep for this latest novel, with most of the story set within it.  This proves to be a fascinating and dark location for this great book, and I think that Maberry had fun revisiting this haunted town.  The author really loads a sense of menace and despair into nearly every scene set within the town, and this is enhanced by every character recognising just how weird and dangerous the place can be.  There is a lot of history associated with Pine Deep, as during the original Pine Deep trilogy the town was nearly destroyed by dark forces, with the survivors deeply traumatised as a result.  These events, now know by everyone as The Troubles, are a major part of the town’s identity, and Maberry does a great job teasing out what happened during The Troubles to new readers, with only hints and vague comments describing for the first part of the book.  It proved to be quite fascinating to see how the town has recovered in the roughly 15 years since the events of the Pine Deep trilogy, and Maberry fans will have an amazing time seeing this continuation of the setting.  I really enjoyed seeing the characters explore Pine Deep once again and I hope that Maberry has plans to revisit again in some of his future novels.

One of the more compelling elements of this book is the author’s examination of the importance of tattoos and the memories that people associate with them.  I have to admit that I am not particularly into tattoos; while I can appreciate the cool art that other people get, it is really not something I would consider doing for myself.  However, I deeply enjoyed the way in which Maberry explored the tattoo world in this novel, examining both tattoo artists and the people who desire the art on their body.  In particular, he explores the way in which people get tattoos to mark special or significant occasions, or how tattoos can be used to memorialise tragedy or dark moments from someone’s life and the emotional and memory connections that result from the tattoos.  This becomes quite a significant part of the novel, because the antagonist steals the tattoos to get to the memories associated with it.  As a result, Maberry than examines the impact of losing such a memory and what it could potentially do it to a person.  While some characters manage ok with losing these darker memories, a lot of them are deeply troubled by it, as going through these events and overcoming them, are key to their identity.  Without these memories, and the tattoos that personify them on their body, these characters become despondent, and in many cases it becomes too much for them to bear.  It helps to really emphasise just how evil and malignant the actions of the antagonist is, and I really appreciated the author’s dives into the human psyche and his compelling depiction of what happens when someone loses their memory and identity.  The removal of certain memories from the various point-of-view characters also adds a new level of difficulty to the protagonist’s investigation, as they have to try and find a way to hunt down someone who they can’t remember.  These inclusions really added a lot to the story, and readers may come away with a deeper understanding of how important tattoos can be to people.

As with all of Maberry’s novels that I have so far enjoyed, I really could not resist grabbing the audiobook version of Ink.  The Ink audiobook has a run time of just over 15 hours, which is a typical length for one of Maberry’s novels, and I found it extremely easy to power through this book in less than a week.  Part of this was because of the excellent narration of long-time Maberry narrator, Ray Porter, who once again lends his awesome vocal talent to this thrilling book.  Porter is probably one of my favourite audiobook narrators at the moment, and I cannot imagine listening to one of Maberry’s novels without his amazing voices.  Just like he does in the Joe Ledger novels, Porter really dives into the characters he is portraying, ensuring that the full range of their emotions become abundantly clear to anyone to who listening to the story.  He is also does an amazing job enhancing the horror elements of this book with some of his creepier tones, and the listener can get chills at the horrible and slimy voices he uses for the antagonist or for some of the darker scenes in Ink.  While it was a little disconcerting at time to hear some of the familiar voices from the Joe Ledger audiobooks in this new novel, Porter was once again fantastic narrating Ink, and I would strongly recommend this format as the ideal way to check this book out.

Jonathan Maberry once again shows why he is one of the preeminent authors of the weird thriller novel, with this outstanding horror book InkInk is an extremely clever and thrilling horror book that grabs the reader’s attention from the beginning and refuses to let go.  Thanks to the outstanding narrative, impressive characters and interesting themes, Ink proves to be a captivating and exciting read, especially when combined with the distinctive setting of Pine Deep from Maberry’s previous novels.  As a result, Ink comes highly recommended, especially in its audiobook format, and this novel is worth checking out.  I had an exceptional time reading this book and I cannot wait for Maberry’s next novel, Relentless, which comes out in several long months.

The Queen’s Captain by Peter Watt

The Queen's Captain Cover

Publisher: Macmillan (Trade Paperback – 10 November 2020)

Series: Colonial series – Book Three

Length: 358 pages

My Rating: 4.5 out of 5 stars

One of Australia’s top historical fiction authors, Peter Watt, wraps up his ultra-exciting Colonial series with the third and final novel, The Queen’s Captain.

Watt is a fantastic Australian author who has written a huge collection of amazing historical fiction novels, most of which are set in Australia or feature Australian characters.  I have been a fan of Watt’s books for several years now and I have been particularly enjoying his current body of work, the Colonial series.  The Colonial books, which started back in 2018 with The Queen’s Colonial, follow the adventures of Ian Steele, a colonial blacksmith who manages to enlist as an officer in the British army under the name Captain Samuel Forbes, taking the identity of a friend who wished to sit out his military service.  While the real Samuel leaves to go to America, Ian fights in his place for a period of 10 years, which will allow Samuel to claim a substantial inheritance from his ruthless family.  This has so far been a really fun series, and I enjoyed reading The Queen’s Colonial and The Queen’s Tiger.  I have been looking forward to reading this third novel in the series for some time now and I was very excited when I received my copy, especially because the back cover quoted my Canberra Weekly review of The Queen’s Tiger.  I ended up having an awesome time reading this book, and it proved to be another fast-paced and compelling read.

In October 1863, Ian Steele is still fighting for the British crown as Captain Samuel Forbes, known to his men as the Queen’s Colonial.  After helping to put down the Indian Mutiny, Samuel and his comrades, including his long-time friend Sergeant Major Conan Curry, are fighting the Pashtun in the treacherous mountain passes on the north-western frontier of India.  With only a few months left until the 10-year deal with the real Samuel Forbes concludes, Ian is determined to survive so he can claim his reward and finally settle down.  However, with his typical bad luck, he finds himself drawn into several high-profile missions, including a dangerous operation to eliminate a murderous rebel army camped in the jungle.

As Ian fights for Queen and country, his friends are engaged in their own adventures.  In America, the real Samuel Forbes has followed the man he loves into battle, become a lieutenant in the Union army to fight the Confederates.  Back in London, Ella, the women Ian loves, has entered into an unhappy marriage to Russian Count Nikolai Kasatkin.  Determined to have one piece of happiness, Ella attempts to reclaim the son she had with Ian, but the jealous Nikolai will do the unthinkable to spite her.  At the same time, Samuel’s ruthless older brother, Charles Forbes, continues his relentless bid for power and money, while still determined to prove that the Samuel serving in the British army is an imposter.

All of this will come to a head down in the colonies in 1864.  As Ian is transferred to New Zealand to provide advice to the soldiers fighting against the determined Maori, he will come face to face with an old enemy, and the final chapters of his story will be told.  Friends will die, people will be changed in unexpected ways and the Queen’s Colonial will fight his last battle.  How will the story end?

The Queen’s Captain was another excellent novel from Watt, who has produced an exciting and fascinating conclusion to his latest series.  Like the rest of the books in the Colonial series, The Queen’s Captain is an extremely fast-paced story told from a series of different character perspectives around the world.  The book is broken up into two distinctive parts (although the second part only contains the last 100 pages) and features a number of compelling action and intrigue orientated storylines.  This is an extremely easy novel to get into, even for those readers who have not previously enjoyed the Colonial series, and I was able to finish it off in a short period of time as I got caught up in the various battles and double-crosses.  Watt really took this final entry in his series in some interesting directions, and readers will be intrigued by the various ways he finishes up the Colonial books.  There was a real focus on wrapping up every single storyline and character arc throughout The Queen’s Captain, and I really enjoyed the way in which Watt brought the series to end, especially as the overarching narratives comes full circle.  Overall, I felt that The Queen’s Captain was a fantastic way to conclude the Colonial series and readers are in for a real treat with this book.

Like all of Watt’s novels, The Queen’s Captain makes use of a substantial number of point-of-view characters to tell the story.  This is a combination of some of the established characters from the previous Colonial novels as well as several new characters.  This makes for a rather intriguing, character driven novel, especially as Watt was apparently determined to wrap up as many character arcs as possible for this final entry in the series.  There is a particular focus on the characters of Ian, Samuel, Ella, Charles, and Ian and Ella’s child, Josiah, although many of the other point-of-view characters get their time to shine and Watt ensures that they have a decent backstory.  I have really enjoyed seeing several of these characters develop over the course of the series, and it has been rather heart-warming to see how the hard events of their lives has changed several of them.  I was particularly impressed with the characterisation of the real Samuel Forbes in The Queen’s Captain, as he had a fantastic arc in this book.  Samuel, whose hatred of war is a major plot point of the series, actually joins the Union army in this book, following his love James Thorpe into battle, and while he still detests being a soldier, he shows some natural flair as an officer.  I thought that this inclusion in the book was extremely fascinating, and I loved how Samuel’s arc in this book mirrored that of his body-double Ian, with both of them gaining a reputation for courage and bravery from their soldiers, and both gaining an affectionate nickname from their men, with Samuel becoming known as “the Limey Officer”.  Samuel’s storyline in this book is really good, full of all manner of tragedy, heartbreak and dramatic moments, and readers will be deeply surprised how it ends up.  I also have to highlight the character of Charles Forbes in this book.  Charles serves as the series’ main antagonist, as he is determined to bring down both Ian and Samuel while gaining as much power as possible.  Charles is an extremely slimy villain who the reader cannot help but dislike, and I know I had a rather good time seeing him gradually get some comeuppance in this book.  I also quite enjoyed the various ways in which Watt provided conclusions to nearly all the side-characters featured in the series.  Some of these are rather entertaining (I had a good laugh at one in particular), and it was great to get some closure on all of these excellent characters at the end. 

The major highlights of this book are the awesome and thrilling action sequences as The Queen’s Captain’s characters journey through several intense and dangerous battlefields around the world.  The Queen’s Captain features several interesting and impressive battle scenes from around the world and possibly has the greatest variety out of all the books in the Colonial series.  Not only do you have a number of great sequences in India as Ian fights both the Pashtun in the mountains and a group of rebels in the jungle, but you also have battles from the American Civil War as Samuel fights against the Confederates.  There are also some sequences that feature the Maori fighting against the British and the New Zealand settlers which really stand out, despite the fact that this particular conflict only occurs for a short while towards the end of the novel.  Watt has clearly done his research around these battles, as they are loaded with historical detail about the typical combatants and the weapons and tactics they utilised.  The author does an amazing job bringing these sequences to life, and you get a real sense of the desperation and the horror that the participants would have felt on these fields.  I particularly enjoyed the author’s examination of the differences between small-scale guerrilla skirmishes (several of which occur throughout The Queen’s Captain), compared to the larger-scale battles of the past, and Watt includes several hints about how combat was likely to occur in the future.  All these action scenes are extremely awesome to read and they are a great part of The Queen’s Captain, especially as they help the plot to move along at a faster pace.

The Queen’s Captain by Peter Watt was another amazing and enjoyable historical fiction novel that takes the reader on a series of fast-paced adventures around the world.  Watt has done an awesome job wrapping up his Colonial series and readers will have a fantastic time seeing how he has concluded the various storylines and character arcs he has set up over the previous two novels.  A fun and exciting read, The Queen’s Captain comes highly recommended and I look forward to seeing what cool series Peter Watt comes up with next.