Warhammer 40,000: Da Big Dakka by Mike Brooks

Da Big Dakka Cover

Publisher: Black Library (Audiobook – 24 February 2024)

Series: Warhammer 40,000: Ufthak Blackhawk – Book Two

Length: 9 hours and 25 minutes

My Rating: 4.75 out of 5 stars

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I have been really punching out the Warhammer reviews this week, and the final one I want to bring up is the exceedingly fun novel Da Big Dakka by Mike Brooks.

Mike Brooks is an outstanding author, who has been killing it with his amazing novels in the Warhammer 40,000 universe with elaborate tales featuring some unique figures.  I really enjoyed his dark novel, Huron Blackheart: Master of the Maelstrom, and The Lion: Son of the Forest was one of my favourite books and audiobooks of 2023.  However, out of all of Brooks’s books, the most entertaining, exciting and outright funny are his novels that focus on the ork faction.  Orks are always a fantastic group in Warhammer fiction, but Brooks has some amazing insights into these rowdy creatures.  His previous ork novels, Brutal Kunnin and Warboss, have both been awesome, but I honestly think his latest book, Da Big Dakka, is his best yet.

Ufthak Blackhawk, big boss of Da Tekwaaagh! is in trouble.  Sent far away into the stars by his Warboss, Da Meklord, to find loot and a good scrap, Ufthak has found barely anything to steal or fight, and now Da Meklord wants his tribute.  Determined to find one big score, Ufthak is awarded a unique opportunity when his new grot servant reveals the webway, mysterious ancient portals which can lead to all sorts of unusual places.  However, he has no way of entering the webway, that is until someone opens it for him.

Dhaemira Thraex is a powerful and ambitious drukhari archon, who seeks to empower her cabal and become leader of her section of the dark city of Commorragh.  To that end, Dhaemira brings Ufthak and his horde into Commorragh, hoping to use the threat they present to unite her rivals behind her.  Confident of a swift victory against the unorganised orks, it quickly becomes apparent that Dhaemira has underestimated the danger she has unleashed.

After years of fighting and getting stronger, Ufthak is no longer the simple ork he once was.  Instead, he is now a monstrous foe who excels at killing, and who has a plan to get everything he wants.  But can even the new and improved Ufthak stand against the worst that the twisted and malevolent drukhari have to throw at him, especially when treachery sprouts within his own ranks in the most unlikely of places?

Mike Brooks presents one of his funniest and most exciting novels yet as Da Big Dakka hits all the right notes for me.  Utterly hilarious, loaded with over-the-top characters, and featuring two extremely awesome factions from the Warhammer 40,000 universe, Da Big Dakka had me hooked from the moment I started listening to it and refused to let go until the very last laugh.

Da Big Dakka had a great story behind it, and I liked how Brooks set it up as a direct sequel to Brutal Kunnin (which I read recently in preparation for the release of this book), while also featuring elements from WarbossDa Big Dakka is more of a dark comedy than a serious Warhammer 40,000 novel, which is to be expected when you have a book focused on the orks.  The premise behind Da Big Dakka is simple: the orks under the command of the evolving Ufthak Blackhawk have found themselves inside the drukhari city of Commorragh and must pit their savage battle skills and crude intellect against the subtle tactics of their drukhari hosts.

The drukhari, whose scenes are primarily told from the perspective of Dhaemira Thraex, initially see the orks as a minor threat, and they are more concerned with their intrigues to take them seriously.  However, underestimating the orks never works out for anyone, and soon Ufthak has launched a series of insane and unpredictable counterattacks that force the drukhari to work together.  As this happens, Ufthak finds himself being secretly undermined by one of his grots, Snaggi Littletoof (who previously appeared in Warboss), who his determined to lead a grot uprising and finds himself in all manner of trouble as a result.  All three of these storylines come together in a big way towards the end of the book, as all the schemes, outrageous plans and badly organised rebellions, are decided in one big brawl.  The final results of Da Big Dakka are pretty damn awesome, as there are some deliciously ironic comeuppances, interesting character development, and entertaining hints about what Brooks plans to do in the future.

While there are notable similarities between Da Big Dakka and the previous novel, Brutal Kunnin, as the book follows a similar thread of orks rampaging across a new world facing off against arrogant enemies, it’s hard not to fall in love with this book.  You can clearly see that Brooks has evolved his style since Brutal Kunnin, and this sequel was a much stronger novel.  A lot of this was down to the inclusion of one of the best characters from Warboss, who added in an extra comedic angle to the plot that vibed wonderfully with the other storylines.  Brooks also amped up the petty political intrigue and plotting with the non-ork parts of the book, with the drukhari serving as an excellent antithesis to the orks.  There was also a great deal more character development when it came to the protagonist, which helped to strengthen a lot of the plot.  This split between these three main point of view characters was pretty damn perfect, and their alternating views of events helped to produce a very strong story.

In addition, there was excellent added complexity to Da Big Dakka’s humour, which I had a brilliant time with.  While most of the comedy is based around the over-the-top antics of the orks, there is also some darker, more subtle comedic elements spread throughout the plot which plays off the other jokes extremely well.  A lot of this based around ironic events, in-universe jokes, and hilarious betrayals, which really added up as the book progressed.  I found myself laughing out loud multiple times while listening to Da Big Dakka, and this was one of the funnier books of 2024.  Throw in a ton of over-the-top fight scenes, most of which serves to enhance the already epic story, and you have an outstanding and captivating book with pure fun at its heart.

One of the things that I always enjoy about Warhammer 40,000 fiction is the shear range of different stories and styles that can be told.  Da Big Dakka for example is a much more light-hearted book that focuses on two alien races that don’t always get a lot of focus in the extended fiction.  As such, this book has a great deal of appeal for those unfamiliar with Warhammer, as Brooks is required to dive into these factions without weighing the reader down with too much heavy plot.  New readers can easily enjoy this book without any real pre-knowledge or conceptions about the Warhammer 40,000 universe and still have an outstanding time with the unique story and characters.  It can also be readily enjoyed by those who haven’t read the preceding two novels, Brutal Kunnin and Warboss, as Brooks makes the story very accessible.  Naturally, established fans and those who have read Brooks’ prior novels will get a lot more out of Da Big Dakka, mainly because there is some interesting progression of character arcs, and because Brooks provides outstanding look at the orks and the drukhari.

As with his previous two novels, I was deeply impressed with how Brooks portrayed the orks in Da Big Dakka.  The orks are always a very entertaining bunch, and their hooligan-esque actions, desire to fight, and unique outlook on life makes for some fun reading.  Pretty much every book that features an ork character is bound to be more on the comedic side, and Brooks delivers this in spades, loading up the story with a ton of funny observations, in-jokes and outrageous behaviours that proved to be exceedingly entertaining.  Brooks really amps up the unpredictable nature of the orks in Da Big Dakka, and there was a good recurring theme about being underestimated.  While Brooks went a little light on describing ork technology and the different clans, mainly because he’s covered that before, there was an interesting look at ork psychology and biology which showcased why they fight and how it benefits them.  The author also featured a great look at the ork sub-race known as the grots, who have an expanded role in this book.  Smaller, weaker and extremely bullied members of the ork race, the grots serve as a snivelling slave caste, and offer some fun comedic relief.  A good part of the plot revolves around the grots and their cowardly nature, and it was really entertaining to see Brooks’s take on their mindset and place in ork society, especially when one of their number tries something different.  Honestly every scene featuring a major ork character was entertaining or interesting in some way or another, and I really love how well Brooks portrays this awesome faction.

While Da Big Dakka is mostly dedicated to the orks, Brooks also spends a ton of time focusing on one of the more intriguing factions in the canon, the drukhari.  Previously known as the dark eldar, the drukhari are one of the more underutilised groups in Warhammer 40,000 fiction, and it was great to see them here.  Essentially evil space elves, the drukhari live in an extra-dimensional city and require the pain of others to survive (think the Cenobites from Hellraiser).  As Da Big Dakka is primarily set in a section of their city and features a drukhari as a main character, Brooks showcases a lot of the drukhari lore in this book, which was really cool.  This book features an in-depth look at the drukhari, with their unique units, weaponry and vehicles strongly featured.  However, Brooks goes even deeper than that, focusing on the politics of the drukhari characters, the various alliances that bind them, and entire basis of their existence.  I loved the fascinating examination of why they require pain to survive, as well as their thoughts on mortality, and this became a key part of the book’s plot.  You get a real clash of styles between the two factions, and the orks are constantly frustrated by the hit-and-run tactics of the drukhari (or the spikiez, as the orks know them).  I also loved how cool the city of Commorragh proved as a background to the plot, and Brooks features several unique drukhari structures and locations that made for some great battlefields.  The entire final sequence takes place in one of their arenas, and it was very fun to see the protagonist face off against some of the drukhari captives.  I honestly really loved that Brooks featured the drukhari here, and I hope we see more Warhammer authors use them in the future as they are so underutilised.

I also must highlight the excellent character work featured within Da Big Dakka, as Brooks featured some amazing figures whose unique insights added so much to the impact of this book.  The primary character is the ork big boss, Ufthak Blackhawk, who previously served as the protagonist of Brutal Kunnin.  Since we last saw him, Ufthak has literally grown into his role as a boss, as his victories have transformed Ufthak into a massive monster.  This physical growth has also resulted in him becoming smarter, and a lot of his storyline revolves around him utilising this new intellect for the first time.  It also makes him more ambitious and insightful, and it was fascinating to see him interact with the other characters in the book, especially the main drukhari figure.  Indeed, the one scene where they have a frank conversation was probably one of my favourites in the entire book, with Ufthak proving to be her intellectual match.  Despite this newfound and somewhat unwanted ability to think, Ufthak is still an ork at heart and he acts accordingly, with lots of destruction and carnage coming from him alone.  Ufthak is also a major source of comedy as his cynical, hilarious, and often surprisingly accurate insights into the drukhari, his fellow orks, and the other races of the galaxy, are so funny.  It will be interesting to see what adventures Brooks has planned for Ufthak in the future, as he is clearly positioning him to be a major recurring figure in his books.

Aside from Ufthak, the other two major characters of the book are the drukhari archon, Dhaemira Thraex and the grot Snaggi Littletoof, both of whom add some great alternate elements to the story.  Dhaemira is a ruthless drukhari strategist, who revels in schemes, plots and ambitious powerplays.  The person ultimately responsible for much of the carnage in Da Big Dakka, Dhaemira proves to be a fantastic figure to follow, especially as the reader gets most of their view of the drukhari from her.  Dhaemira proves to be an excellent alternative protagonist to Ufthak, mainly because the two are so different, and it was fascinating to see their clash of styles and personality, even though they have more common ground then you would expect.  I really loved Dhaemira’s narrative, which goes in some interesting directions, including an unlikely romance, and it really played off the ork perspective chapters so well.

The final key ingredient to this mix was Snaggi Littletoof, the self-proclaimed Grotboss and prophet of Gork and Mork.  Snaggi, who previously appeared in Warboss, is determined to lead a grot rebellion to overthrow the orks and place him in charge.  Unfortunately, Snaggi is held back due to the stupidity of his minions, as well as his own inaccurate sense of self-importance.  His entire storyline of attempted rebellion was a welcome addition to the plot as it served an interesting middle ground between Ufthak’s direct actions and Dhaemira’s more subtle plots.  It also added some excellent additional humour, as Snaggi’s various schemes to take over the ork band, go in some interesting directions that often balance unlikely success with massive failure.  This fantastic combination of characters was so much fun, and I really loved how well Brooks introduced them and balanced them out throughout Da Big Dakka.

I checked out this Warhammer novel in its audiobook format, which is the best way to enjoy the over-the-top action and big personalities of this franchise.  Da Big Dakka is a great example of this, and I love how all the amazing scenes and fun fights really come to life when they are read out to you.  In Da Big Dakka’s case, a lot of this is due to narrator Harry Myers, who is quickly becoming one of my favourite Warhammer audiobook voice actors.  Not only has he really impressed me in Brooks’s previous ork audiobook, Warboss, but Myers was also brilliant narrating two of my all-time favourite Warhammer 40,000 novels, Day of Ascension by Adrian Tchaikovsky and The Wraithbone Phoenix by Alec Worley.  Myers has such an amazing and booming voice and a great British accent that really fits the hooligan-aesthetics of the orks.  He effectively works through a series of voices in Da Big Dakka, that includes the commanding voice of main character Ufthak Blackhawk, and the high-pitched whiny voices of the various grots.  While his voice wasn’t always the most effective for conveying the subtle mannerisms of the ethereal drukhari, Myer still did an excellent job portraying them throughout this book, and I loved how efficiently and entertainingly he moved the plot along.  I honestly don’t think I would have had as much fun with Da Big Dakka without Myers’s narration, and with a run time just short of nine and a half hours, this is a very easy audiobook to get through and enjoy.

Mike Brooks continues to impress me with his outstanding and epic contributions to the Warhammer 40,000 franchise, especially as he so clearly grows as an author with each book he writes.  His latest novel, Da Big Dakka, is a captivating and deeply hilarious piece of Warhammer fiction that tells an awesome story, while also expertly using the franchise’s most unique factions.  Wildly entertaining, incredibly funny, and subtly clever, Da Big Dakka was particularly fun to read and comes highly recommended.  I cannot wait to see what wonderous piece of Warhammer fiction Mike Brooks will write next, as I know I am going to love it.

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Warhammer 40,000: Dead Men Walking by Steve Lyons

Dead Men Walking Cover

Publisher: Black Library (Audiobook – 30 November 2010)

Series: Warhammer 40,000

Length: 10 hours and 42 minutes

Rating: 4.75 out of 5 stars

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Two relentless foes face off in the intense Warhammer 40,000 novel, Dead Men Walking by Steve Lyons.

Dead Men Walking was an epic novel released back in 2010, that featured a brutal and compelling story I really fell in love with.  This novel follows the trend of books that highlight the adventures of specific regiments or units of Imperial Guard, such as Catachan Devil by Justin Woolley, Kasrkin by Edoardo Albert, Steel Tread by Andy Clark, and the Gaunt’s Ghosts books by Dan Abnett, which has been very fun.  Dead Men Walking was the author’s first look at the legendary Death Korps of Krieg, one of the most distinctive and dark regiments of Imperial Guard soldiers, who he covered again back in 2022 with Krieg.  This new novel sets the Death Korps onto a whole new battlefield with deadly results.

Hieronymous Theta is a small and relatively young world in the Imperium of Man.  Populated by nearly nine billion people, it is slowly becoming an important industrial hub, as its cities and massive spires build up.  But as the inhabitants of the capital, Hieronymous City, expand their mining operations deeper they encounter something unexpected and terrifying, the Necrons.  Unfeeling and inhuman ancient xenos encased in living metal, the Necrons are an unrelenting force determined to exterminate the human pests they find inhabiting their world by any means necessary.

As the citizens of Hieronymous City begin to panic, unable to stand against the encroaching Necrons and their deadly technology, their apparent salvation lands on the planet in the most unlikely of forms, the Death Korps of Krieg.  One of the most feared and mysterious regiments of the Astra Millitarum, the Death Korps of Krieg come from a world destroyed by civil war which seeks to redeem itself by producing soldiers solely dedicated to the Emperor and his victory.

As the Death Korps land on Hieronymous, they take the war to the Necrons and begin a determined siege to retake Hieronymous City from the outside.  But as the Krieg regiments push forward, the people of the planet soon begin to realise that the Death Korps might not be the salvation they hoped for.  The soldiers of Krieg’s only goal is to defeat the Emperor’s foes, and they are willing to sacrifice anything to achieve victory, including the citizens of Hieronymous.  With battle joined, the fate of Hieronymous hangs in the balance.  But does anyone truly win when two implacable and unrelenting armies go to war?

This was an extremely interesting, intense and dark novel from Steve Lyons, who follows up his previous Krieg novel in a big way with this outstanding read.  Featuring a moving, action-packed and highly cynical story, Dead Men Walking was probably one of the better Warhammer 40,000 books from last year, and I had an exceptional time getting through it.

I really liked the fantastic story that Lyons came up with for Dead Men Walking, especially as it successfully showcased both opposing armies, the Death Korps and the Necrons, without actually featuring any perspective characters from either side.  Instead, the focus is reserved for the other humans caught in the middle of the conflict, including the Imperial Commissar attached to the Death Korps, the governor of the planet, and several citizens who find themselves caught in the crossfire of the war and are forced to adapt to survive.  I love how Lyons set the early narrative out, with the perspective characters slowly becoming aware of the dangers beneath them.  The slow build introduction of the Necrons, a force the humans don’t know but the reader is very aware of, was handled perfectly, and there is a lot of great anticipation that pays of well when they finally attack.  The scenes of carnage and utter terror that emerge for the characters stuck in the city really hit home with their realism and intensity.  Indeed, there is a bit of a horror vibe to the story at this point, and Hieronymous City turns into an excellent wasteland setting for the characters to subsequently attempt to navigate.

Once the city is in ruins, the book turns towards the landing Death Korps, who begin prosecuting a deadly war against the Necrons.  This moves the story into a fascinating new zone, as you get some fantastic battles while also witnessing several characters soon caught up in the city as everything changes around them.  I loved the various unique, personal stories that emerged, and the focus on characters watching both the Krieg and Necron forces battle it out proves very powerful.  As the story continues, each of the main characters suffer in various ways, especially as they begin to realise that the unrelenting, victory-focused Krieg are just as dangerous as the Necrons, and there are some deeply powerful moments as they lose their humanity in the carnage of war.  All of these mostly independent character narratives go in some dark directions, especially as the background war gets even darker, and not everyone survives the various conflicts to come.  These storylines either end or coalesce together as the book comes to a head, and you really appreciate the impressive narrative that Lyons weaves together.  I loved how grim and cynical the story got at the end, and Lyons provides a particularly memorable conclusion that really highlights just how unfair the Warhammer 40,000 universe can be.

Lyons really came up with a brilliant story for Dead Men Walking, as he balanced the need to highlight two interesting Warhammer 40,000 factions, while also telling his own unique narrative.  Telling the story of the Krieg and Necrons from the perspective of the third-party characters caught in the middle of their war was such as clever move, especially as it provided some fascinating contrast between the two factions.  The author provided such a dark vibe for Dead Men Walking, and the terrified civilians, the crumbling city and the relentless troops waging war without a care for those around them were all handled brilliantly.  I think the narrative split between the various characters caught up in the fray was done well, and you get to see all sides of the conflict, and the darkest actions of both opposing foes.  I also loved how well Lyons showcased the main city setting throughout the book, as the collapse of the once proud city mirrors the loss of humanity for the various protagonists.  Dead Men Walking can easily be read as a standalone novel, and new readers can just fall into its dark and unique story.  Indeed, this might be a pretty good entry point, as the views of the confused and horrified civilians provide some good opening observations about two key factions.  Naturally, established fans of the franchise will get a lot more out of Dead Men Walking, especially as Lyons really showcases both iconic groups in some fantastic ways.

I absolutely loved the portrayal of the Krieg soldiers in Dead Men Walking, and they really are some of the most entertaining figures in the Warhammer 40,000 canon.  Unlike his other novel, Krieg, where Lyons spent a great deal of time focusing on the origins of the Krieg soldiers with flashback sequences, Dead Men Walking showcases them purely through the eyes of other human inhabitants of the Warhammer 40,000 universe.  To the common soldier or citizen of the Imperium of Man, the Death Korp are unnaturally dedicated, unwavering and heartless, focussing on the battle to the exclusion of all others.  Thanks to their harsh training, indoctrination, and history, they have a very black-and-white view of the universe and will stop at nothing to win, even if that means sacrificing their comrades or allies for a strategy.  Lyons really highlights their near-inhuman mentalities throughout the course of Dead Men Walking, and thanks to the perspectives of the non-Krieg soldiers, you see them in a much more sinister light.  There is something very concerning about the simple mathematic they put behind their strategies, and I loved how well Lyons captured how similar they are to the Necrons.  Thanks in great deal to the actions of the Krieg soldiers, this ended up being a particularly bleak book, which really hammered home how there are no good guys in this universe.

In addition to the Krieg soldiers, Dead Men Walking also featured the Necrons as the antagonists, who served as worthy opponents to the Krieg.  As with the Krieg soldiers, you don’t get a Necron perspective in Dead Men Walking, which honestly enhanced the unique story Lyons was going for.  Unlike books like other more recent Necron focussed novels like Ruin, Reign or The Infinite and the Divine, you only see these characters through the eyes of normal humans, who have no idea who or what they are.  This makes for some particularly terrifying scenes as the humans encounter overwhelming attacks from unkillable metal monsters, and Lyons really captures how the unknown is just as bad as the devastation around them.  Even when the Krieg soldiers arrive, there is very little knowledge about the Necrons, due to the secrecy of their origins, and the only intelligence about them comes from rumours of prior encounters (which includes a cheeky reference to the Ciaphas Cain novel, Caves of Ice).  I really appreciated this shrouded look at the Necrons, and it proved to be interesting to see the how a normal person would view them.

I really liked the characters in Dead Men Walking, especially as Lyons focuses the story on several normal humans who suddenly get thrust into hell and find everything they thought they knew completely upturned.  Much of this upheaval is due to the interactions with the Krieg soldiers, whose unreasonable actions cause even the most stoic soldier or commander to falter in different ways.  Watching each of these characters slowly change for the worse makes for some gripping reading, and you end up feeling great sympathy for all the point of view characters.

These great characters include Gunthar Soreson, a mine supervisor who loses everything in a single night and tries to find redemption as a soldier fighting for the Krieg.  It was absolutely fascinating to see Gunthar, who starts the book as a relatively normal and nice character, slowly lose his humanity in a similar manner to the Krieg soldiers, and his story hits particularly hard at times.  I also must highlight the character of Commissar Costellin, one of the commissars attached to the Krieg regiments, and one of the few non-Krieg soldiers featured in the book.  Commissars are fantastic figures in the Warhammer 40,000 canon, mainly because they serve as implacable disciplinarians charged with maintaining order and morale through lethal means and ensuring that the soldiers due their duty.  However, due to the unnatural discipline of the Death Korp soldiers, Costellin finds himself acting more in the role of a liaison between the Krieg and the citizens of Hieronymous.  Lyons writes some intriguing storylines around Costellin, and it was fascinating to see a commissar character who fears the resolve of his own troops, as the Death Korp leaders go too far even for him.  Finally, I really enjoyed the inclusion of the governor of Hieronymous, Hanrik, who finds both his planet under attack and his authority taken away from him when the Death Korp takes over.  I felt the storyline around Hanrik was very clever, and you had to feel for him at times, especially when he finds his loyalties tested.  All these character arcs and more are really well written and hit hard emotionally, especially with their resulting dark ends.

It should come as no surprise whatsoever that I grabbed Dead Men Walking on audiobook, as frankly no other format does Warhammer 40,000 fiction justice.  The resulting audiobook was extremely awesome, as the intensity, action, and darker elements of Dead Men Walking’s story came through in this format.  Coming in with a run time just short of 11 hours, Dead Men Walking was an easy Warhammer 40,000 audiobook to power through quickly, especially once you get stuck into its awesome narrative.  It helped that they brought back talented narrator Timothy Watson for this audiobook adaptation.  Watson, who did a great job narrating Krieg and The Lion: Son of the Forest, was in rare form again in Dead Men Walking, especially as he has the perfect voice for this darker and exciting story.  His voice work really captures the chaos and desperation of the story, and I loved the unique tones he comes up with for the various characters.  The featured Krieg soldiers all have the typical German-esque accent, which matches the regiment’s World War I aesthetic, and I liked how Watson worked to enhance these figures relentless and unwavering nature through his voice work.  The other characters of the plot, who are allowed to have emotions, are also portrayed extremely well, and Watson provides them with excellent and fitting voices that captures their feelings on the situation, especially as their encounters with both the Krieg and the Necron, wear them down.  This audiobook version of Dead Men Walking was so damn good, and it is easily the best way to enjoy this epic novel.

Steve Lyons continues to showcase why the Death Korp of Krieg are some of the most memorable figures in the Warhammer 40,000 canon with the brilliant and dark read Dead Men Walking.  Presenting a grim scenario of war and sacrifice that only gets worse when the ‘good guys’ arrive, Dead Men Walking was a particularly harrowing piece of Warhammer fiction, that I still cannot stop thinking about.  Clever, intense and a little traumatising, Dead Men Walking comes highly recommended, and I cannot wait to see what great tale Lyons comes up with next.

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Warhammer: The Old World: Lords of the Lance by Graham McNeill

Lords of the Lance Cover

Publisher: Black Library (Audiobook – 20 January 2024)

Series: The Old World – Book One

Length: 12 hours and 5 minutes

My Rating: 4.5 out of 5 stars

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One of Warhammer’s very best authors brings fans back to the Old World in the gripping and action-packed fantasy adventure, Lords of the Lance by Graham McNeill.

As a long-time Warhammer fan, I love many of the different areas of the Warhammer fandom, including the grim dark science fiction Warhammer 40,000 universe.  However, my heart will always belong to Warhammer Fantasy, mainly because it was the game I played as a kid and where I first learned to love the franchise.  I deeply enjoyed all the fiction associated with the overarching fantasy setting, especially those set in the Old World, the main continent where most of the battles and wars took place.  Series like the Gotrek and Felix books (Trollslayer, Skavenslayer, Daemonslayer, Dragonslayer, Beastslayer, Vampireslayer and Giantslayer), as well as standalone books including Grudge Bearer, Van Horstmann, Runefang and Broken Honour, have all proven to be pretty damn awesome, and this is probably one of my absolute favourite fantasy settings.

Unfortunately, Games Worshop ceased the Warhammer Fantasy game several years ago, by having the in-game big bad win the final war against the forces of good and literally blow up the entirety of the setting.  This explosive conclusion ended all the ongoing novels, comics and characters from this universe, and Games Workshop subsequently ignored Warhammer Fantasy, prioritising Warhammer 40,000 and Age of Sigmar models and fiction.  However, Games Workshop are returning to their original fantasy world with The Old World.  Set hundreds of years before the end of the Warhammer Fantasy world, The Old World brings back the classic armies, figures, and history of this realm, while also introducing a whole new range of models.  As part of that, they are once again setting fiction in their fantasy realm and the first book back is Lords of the Lance by acclaimed Warhammer author Graham McNeill, who has really impressed me in the past with books like Storm of Iron.

Even centuries before the final war with the forces of Chaos, the Old World is still a dangerous place, where monsters, dark creatures and the forces of Chaos seek to destroy everything.  There are many dangerous places throughout the Old World, but few are more sinister than the Land of the Dead, an abandoned wasteland where the ancient and powerful nation of Khemri once stood.  Haunted by the evil actions of the dread necromancer Nagash, the former realm of Khemri is now ruled by the unliving Tomb Kings.  In this realm of sand, skeletons and death, only the greatest of warriors can hope to enter and survive, especially if they are on a noble quest.

Baron Lothar Aquilena is a great knight who has carved out territory in the lawless realm of the Border Princes.  However, despite his prowess, skilled warriors, and clever advisers, he is powerless when his son goes missing in the Land of the Dead, taken captive by the risen Amaranthine Queen, who seeks revenge against those who previously defeated her.  Desperate, Baron Lothar has no choice but to call in a debt of honour owed to him by his Bretonnian cousin, Duke Carrad of Quenelles, years after they suffered a falling out.  Despite the enmity between them, Duke Carrad leads his knights to Lothar’s realm, determined to repay the debt owed.

United in their mission, despite a mostly unwelcome reception by Baron Lothar, the knights of Bretonnia and the men of the Border Princes begin their quest to the Lands of the Dead.  However, crossing the deserts of Khemri is no easy task, and the loosely combined force soon experience the treacherous sand, blazing heat, unnatural creatures, and the forces of the dead.  Despite these obstacles, the host approach the giant tombs of Khemri, ready to save the Baron’s son.  However, nothing is as it seems, and soon the assembled knights and their retainers encounter a deadly enemy that none of them are prepared for.

Graham McNeill made me fall in love with the Old World once again as he provides a powerful and intense character-driven adventure across an iconic setting.  Lords of the Lance was a pretty damn awesome novel and I had such an epic time getting through it.

Due to this book being the first entry in The Old World canon, McNeill had a lot of pressure on his plate as he had to simultaneously bring back an established setting, tie-it into a recent model release, while also telling a powerful story that stood on its own.  I think that he succeeded on all fronts as Lords of the Lance proved to be quite an addictive read that contained some amazing features of the setting while also dragging the reader in with his elaborate storytelling.

The narrative of Lords of the Lance had a very classic fantasy quest feel to it, which honestly was a joy to see, and which fit this setting extremely well.  Starting off with an effective introduction, the story quickly proceeds with the two antagonistic lords leading their combined force towards the desert.  The narrative is effectively told from a few compelling and complex point-of-view characters, with several additional supporting characters standing in the wings.  The first half of the book is all about introducing and building up the protagonists, and there was a little less action than I was expecting, with McNeill content to firmly establish his story.  I think this build-up was very necessary as it ensured the second half was particularly epic, and there was still some good battles and compelling developments scattered throughout to keep readers interested.  This initial foray across the desert didn’t last as long as I thought it would, and McNeill brings the adventurers to their goal very quickly.  This allows him to enact an intriguing twist, which while telegraphed, was written brilliantly and changed the entire tone of the book.

This results in a frenetic, powerful, and impressive second half that sees the protagonists forced to abandon their quest and flee for their lives.  Constantly pursued, the knights and their retainers quickly traverse several of the most dangerous locations in the Old World while facing all manner of grave threats.  There are some brilliant and powerful scenes featured here as McNeill hits the protagonists hard, including with one particularly heartbreaking equine sacrifice.  I also loved the extended mini-siege sequence, as the Bretonnians face off against an awesome new foe in some of the best action scenes in the book.  McNeill also really enhances several character arcs during this half and the resulting development and emotional revelations empower the overall story, especially as the reader has become quite attached to the protagonists at this point.  Everything leads up to the final confrontation as the battered protagonists finally face their foes in one final charge.  The intensity and emotional power that leads up to this big confrontation cannot be understated, and I found myself very invested in seeing how everything came together.  The author keeps you on the edge of your feet right until the end and I really enjoyed how everything came together, although I was expecting some more tragedy.  Still, I came away from Lords of the Lance very satisfied, and McNeill leaves the story open for a sequel, while also providing one last tie to the latest release of models.

I liked how McNeill styled his narrative in Lords of the Lance, as you can tell he was trying to give it a more classic fantasy feel.  There is a lot of bold stating of titles, repetition of points, and depictions of knights, honour and magic, which gave the book an elaborate tone that I rather enjoyed, especially as it really fits the Arthurian-inspired Bretonnian faction who were the main focus of the story.  The resulting story is rich in both character work, action sequences, and intriguing Warhammer inclusions, with McNeill hitting an excellent balance of the features that had me quite hooked.  I really need to highlight some of the amazing action sequences, especially as McNeill provides such a fantastic variety of fight scenes to get the blood pumping.  The various knightly charges are a true highlight, and you can feel the thunder of the horse and power of the rushing knights, especially as McNeill endeavours to capture all the powerful details about them.  Other intense scenes also do an amazing job of enflaming the imagination, and I really loved how intricate and desperate some of the battles turned out to be.  I also really need to highlight the outstanding locations that much of this story was set in, especially as McNeill goes out of his way to make them come alive.  The deserts of Khemri are particularly vivid, and their use as a lethal and wearying backdrop is great, turning it into another foe the protagonists need to overcome.  The Marshes of Madness were also very awesome, offering another dangerous trudging location and I loved the alternate threats that they posed.  McNeill did such a great job of bringing this story together, and this great blend of story elements helped to produce an exquisite read.

I personally loved the intriguing version of the Bretonnians and the Tomb Kings that were featured within Lords of the Lance.  McNeill expertly captured the intensity, desire for honour, and compelling nature of the Bretonnian characters, as well as their prowess in combat (the scenes where they charge as cavalry are really well done).  The Tomb Kings are also shown to be an excellent antagonistic force, and while you don’t see anything from their perspective, the relentless pursuit they give and the anger contained within them is palpable at times.  A couple of other factions are also featured to a degree, mostly as additional threats for the Bretonnian characters, and I really enjoyed how well McNeill used some of them, especially during one horror-filled siege.  However, I understand that some readers had some issues with how McNeill portrayed these factions, mainly revolving around lore inconsistencies, which has led to a bit of review bombing.  While I’m no lore expert, I honestly barely noticed anything too problematic myself.  From what I could see, the most common complaints about the Bretonnian seem to be around the inclusion of female knights (gasp, oh my stars, clutch my pearls!), and one knight using a bow (seems like a pretty sensible weapon for someone riding a pegasus to me).  I will admit that some elements about the Tomb Kings, from their slightly more antagonist portrayal (they are usually a lot more neutral/good orientated), and the fact they raised some knights from the dead, was a little off lore, but I think that was mostly McNeill trying to make them even more threatening.  Honestly, most readers won’t even notice or care about these issues, and I personally didn’t let it get in my way of enjoying a great story.

For me, one of the best things about Lords of the Lance were the powerful, complex and memorable band of characters that the story was set around.  McNeill did an amazing job coming up with a cast of new and fantastic protagonists, each of whom had their own unique journey and background, which effortlessly flowed into the book’s main narrative.  You really become attached to many of these characters as Lords of the Lance progresses, and I loved how character-driven this book turned out to be.

One of the main characters of the book is Corentin Varo, equerry to Duke Carrard and known as The Knight of Quills due to his use as a clerk rather than a warrior.  Determined to prove himself, and to get over a tragic romance, Varo eagerly embarks on this quest, but chafes as his lord holds him back.  Varo proves to be an intriguing and compelling main protagonist, especially as you get invested in his tale of attempted heroism and valour.  McNeill does a good slow-burn story around Varo, as he slowly proves to others and himself that he is a worthy knight and leader, and he proves to be a good calm, central figure for most of the plot.  There are also some intriguing, if obvious, hints about his personal history, that while interesting, doesn’t have a major payoff in this book but could get explored in the future.  Varo is well matched by Karolina Lothar, who serves as the female lead of Lords of the Lance.  The daughter of Baron Lothar and a skilled knight, Karolina serves as the voice of reason for her father’s host and tries to bridge the gap between the two forces.  She forms a friendship with Varo as the book progresses and the two become a pretty impressive team.  I liked how naturally McNeill included Karolina as a strong female character and he paints an interesting picture of her family concerns, her grief as the book continues, and her martial prowess.  These two form a great centre for much of the plot and I liked the chemistry that grew between them, especially after their rough journey encourages them to let go of the past and look to the future.

Aside from Varo and Karolina, several other characters really stood out to me in Lords of the Lance, and I really enjoyed they fantastic storylines.  The most prominent of these is probably Sigurd of Yvaire, the deaf son of a nobleman who was left unknighted due to his affliction and who accompanies the Bretonnians on their quest leading the peasant host.  Sigurd ends up being the heart and soul of the book, and you get invested in his story as he finds both romance and self-worth on his journey.  I also had a lot of love for Bastien, the young and brash Knight Errant.  Bastien starts the book as an annoying cad who antagonises the other characters like Varo.  However, as the book continues, you eventually see that much of his brashness is an illusion, and he is a surprisingly thoughtful figure.  It is a testament to how good a writer McNeill is that you end up caring for Bastien after his annoying start.  Thanks to certain moments of bravery, and some notable setbacks, you really see just how noble Bastien is, and he ended up being one of my favourite characters.  Finally, I must highlight Sir Leodegar of the Golden Hart, a legendary Grail Knight who accompanies the army for duty, destiny, and to protect the Handmaidens of the Lady.  The epitome of the Bretonnian knightly code, Sir Leodegar is an imposing, memorable and incredibly noble figure who serves as a mentor to Varo, stealing every scene he’s in.  I loved how well McNeill captured the supernatural nature of the Grail Knights, and the depiction of this ethereal figure is quite fascinating, especially as the author also looks at the dark side of their duty.  These characters, and more, really enhanced Lords of the Lance’s great narrative, and I love the unique storylines that McNeill wove around them.

My love for Warhammer audiobooks is well known, so naturally I listened to Lords of the Lance.  Coming in at just over 12 hours, this is a decently long Warhammer audiobook that I was able to power through in short order.  I felt that the audiobook format did an outstanding job bringing this elaborate and intense story to life, and you really get a sense of the intense action, powerful characters, and the amazing scenery when you have it read out to you.  I particularly enjoyed the narration by Peter Kenny, who has a well-established pedigree when it comes to narrating fantasy audiobooks.  Kenny utilises a series of great voices that perfectly fit many of the characters featured within Lords of the Lance.  All the main cast come across extremely well here, and I loved the determination you get through some of the main characters like Karolina and Varo, the brashness of Bastien, and other intriguing figures.  I personally also thought he did a good job accurately voicing the deaf character, Sigurd, although I understand if some people found that a little controversial.  Still, this was an outstanding way to enjoy this remarkable book and I would strongly recommend the audiobook version to anyone interested in checking out Lords of the Lance, although it no longer seems to be available in this format.

Graham McNeill continues to show why he is one of the best authors of Warhammer fiction as he takes readers back to the Old World in Lords of the Lance.  Featuring a complex story, powerful characters, and a ton of adventure, Lords of the Lance was extremely fun to read, and I loved seeing a story set back in the iconic setting.  This book is best enjoyed by established fans of the franchise, especially those who remember the Warhammer Fantasy days, although new readers will have a great time here as McNeill provides an intense and fun standalone read.  Highly recommended, I hope we get more Old World books soon.

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Warhammer 40,000 – Brutal Kunnin by Mike Brooks

Brutal Kunnin Cover

Publisher: Black Library (Audiobook – 22 June 2001)

Series: Warhammer 40,000: Ufthak Blackhawk – Book One

Length: 8 hours and 20 minutes

My Rating: 4.5 out of 5 stars

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Get ready for a scrap as one of the fastest rising authors Warhammer fiction, Mike Brooks, presents a fast-paced and wildly entertaining book that follows the orks as they bring carnage to a new planet with Brutal Kunnin.

One of the most impressive rising stars in Warhammer fiction at the moment is Mike Brooks, who has been on an outstanding roll lately.  An excellent talent with a great understanding of Warhammer lore and factions, Brooks has written several impressive novels in the last few years, all of which have contained clever stories featuring unique figures from the franchise.  I have had a wonderful time with several of these books, with Huron Blackheart: Master of the Maelstrom, Warboss and The Lion: Son of the Forest (one of my favourite books and audiobooks of 2023) being outstanding in their own way.  Because Brooks has some intriguing books coming out this year, I thought I would go back and check out one of his first major contributions to the Warhammer 40,000 canon with the thrilling novel, Brutal Kunnin, which I ended up having an amazing time with.

Out of all the dangerous creatures that infest the known galaxy, few things have more potential for violence and destruction than an ork warband.  Unfortunately for the Adeptus Mechanicus forge world of Hephaesto, they are about to caught in the middle of two rival warbands ready to show each other just who the hardest gits truly are.

Ufthak Blackhawk is a newly minted nob in the fleet of Da Meklord, who eagerly follows his boss to Hephaesto, looking for loot, glory, and the chance to break some skulls.  However, when Da Meklord forces arrive in orbit, they soon discover that another ork force is already there, as the ships of Freebooter Kaptin Badrukk lay siege to the planet.  Rather than fighting each other, Da Meklord and Badrukk form a temporary alliance to kill the human defenders before turning on each other.

Leading his troops to the surface, Ufthak looks ready to prove himself, only to find himself coming face to face with the most advanced weaponry and upgraded troops in the entire Imperium of Man.  However, even the highly specialised and disciplined soldiers of the Adeptus Mechanicus are unprepared for the green tide about to roll down upon them, especially when their troops are bogged down by incompetent leaders and infighting from within.  Worse, a darker threat lies waiting in the bowels of Hephaesto, one that has no qualms about killing both ork and augmented humans to achieve its bloody goals.  Can Ufthak lead his troops to victory against all comers, including an enemy that even he can’t headbutt into submission?

Brutal Kunnin was a particularly fun and thrilling novel from Brooks that takes great looks at two fantastic Warhammer factions, while also presenting an action-packed story.  Funny, brutal and loaded with laughs, this is a particularly awesome novel that makes great use of the ork faction.

I really enjoyed the fantastic story featured within Brutal Kunnin, especially as Brook produced an addictive and exciting read.  The trick with ork focused Warhammer 40,000 novel is that you usually aren’t going to get a serious story out of it; instead the writer needs to lean into the humour surrounding the whole faction.  Brooks did a really good job of this, as he primarily focuses on the volatile orks as they land on Hephaesto and begin fighting against both the Adeptus Mechanicus soldiers and other orks due to the rival fleets in order.  While this is extremely fun, it doesn’t necessarily result in a complete or fully engrossing story, so Brooks cleverly adds in a parallel storyline which helps to turn Brutal Kunnin into something particularly awesome.

This secondary storyline follows members of the Adeptus Mechanicus, particularly Zaefa Varaz, who serves as an alternative protagonist, as they witness the ork invasion unfold.  About half the book is told from the perspective of the various Adeptus Mechanicus characters, which adds a lot of meat to the story.  Not only do you get the entertaining perspective of smart characters being completely unprepared for the unusual and direct actions of the orks, but there is a lot of internal conflict as the planet’s leadership fight amongst themselves.  At the same time, various conspiracies lurking beneath Hephaesto’s surface comes to life which present even greater threats to the defenders.  I really loved how well the intrigue laden human characters contrasted with the straightforward, action-packed ork chapters, and it helped to produce a very effective story.  Brooks loads in some big set pieces as the story rushes by, and you really get drawn into the carnage that unfolds as the orks get closer to their goal and all hell breaks loose within the main city of Hephaesto.  The author sets up a very entertaining ending for Brutal Kunnin, with the right characters coming away on top, while others get their just deserts.  An overall exceedingly amusing, exciting, and cleverly set up story that you can’t put down.

I felt that Brooks did a really good job of setting out Brutal Kunnin’s story, especially with the split between the ork perspective and that of the inhabitants of Hephaesto.  The ork chapters are exclusively shown from Ufthak Blackhawk’s perspective, while the rest of the book is shown from multiple point-of-view characters to tell their side of the narrative.  Having only one ork protagonist was a clever choice from Brooks, as it ensured that side of the story was focused, character driven and didn’t get watered down with a group of similar ork characters.  I loved how well Brooks was able to express the unique perspectives of the various characters throughout the course of Brutal Kunnin, and you really get the sense of how each of these races sees the universe.  The various ork chapters are naturally loaded with humour, mostly brought on by their unique insights into the humans they face, and you have to laugh at some of the outrageous events that occur there.  This humour blends in nicely with the more serious chapters focusing on the Adeptus Mechanicus, and Brook hits the right balance between silly and intense here.  The resulting action is also very well written, and Brook made sure to fill up the story with so many compelling and over-the-top fights, which anyone can appreciate.

Unlike some of the more elaborate Warhammer novels out there, I felt that Brutal Kunnin was particularly accessible to new readers, and indeed could be a good entry point into the Warhammer 40,000 universe.  Brooks really leaned into showing how crazy and dark this universe can be throughout the course of the book, and the unique humour, over-the-top action, and interesting figures will appeal to a wide audience, especially to those interested in seeing what Warhammer 40,000 is all about.  Of course, there is a lot in it for established fans of the franchise, especially as Brooks brings several fantastic factions to life.

Naturally most of this focus revolved around the orks, who are always some of the funniest figures in the canon.  Essentially the Warhammer universe’s answer to football hooligans, the orks are the rude, crude, and always entertaining green horde, who only live for a fight.  You know what you are in for with an ork book.  Brooks did a particularly good job of capturing the orks in Brutal Kunnin, especially as you see them from both interior and exterior perspectives.  Most of what you see comes from the eyes of Ufthak Blackhawk, whose insights into the ork horde, its leaders, and the unique culture of violence, strength and domination, prove quite intriguing and usually entertaining.  Blackhawk’s chapters are loaded with the typical ork humour, as well as the entertaining observations of the humans they face, and I loved how well Brooks captured the ork mind.  This is well complemented by scenes shown from the perspective of the orks opponents, most of whom are completely unable to comprehend the threat coming towards them.  Indeed, much of the ork’s success is due to the other factions underestimating them, and it was quite satisfying to see some of the more arrogant characters lose badly due to their false preconceptions.  Other distinctive characters also have some compelling views about the orks, with one daemon’s insights in the matter being particularly fascinating.  If I had one complaint about the orks in Brutal Kunnin, it would be that Brooks somewhat overpowers them, as they tear through everything in front of them.  While this worked for narrative purposes, and showcased just how advantaged the orks were by their opponent’s arrogance, I could see fans of the other factions getting a little annoyed about how quickly the orks take down some big units.  Still, this is a very minor complaint, and I felt that Brutal Kunnin ended up being a pretty awesome book about the orks, and I loved how much fun Brooks had writing this faction.

Aside from the orks, Brutal Kunnin has a surprisingly in-depth look at the Adeptus Mechanicus, the Tech Priests of Mars.  Essentially humanity’s mechanics, inventors, and mass production specialists, the Adeptus Mechanicus worship technology and live to perfect their devices and expand their knowledge.  About half the book is shown from several Adeptus Mechanicus personalities on the planet as they attempt to fight back against the orks, and there are various scenes that showcase their combat capabilities, weird units, and excessive augmentation.  However, the true highlight of Brook’s use of the Adeptus Mechanicus characters, was how well he captured their ambitious and machine altered mindset.  Every scene featuring an Adeptus Mechanicus character has that figures perception and mind influenced by internal calculations and computer augmentations, which helped to show how most of this faction are more machine than man.  However, no matter how augmented they are, these characters are still human, especially when it comes to their ambitious, desires, and inability to work together.  In many ways, the main antagonist of Brutal Kunnin was these character’s hubris rather than the orks, as these big personalities were often more concerned with each other, and this cost them dearly.  Throw in a mysterious outsider from another faction, and Brutal Kunnin ends up being a pretty interesting piece of Warhammer 40,000 fiction, that fans will have a lot of fun with.

As with most Warhammer novels I have the pleasure of enjoying, I chose to check out Brutal Kunnin on audiobook rather than seeking out a physical copy.  Naturally this proved to be a pretty fun experience as Brutal Kunnin has an outstanding audiobook format that really enhances the amazing and fun story of this book.  With a run time of nearly eight and a half hours, this is a pretty typical sized Warhammer audiobook which I was able to power through quickly thanks to its fast-paced story.  It also helped that Brutal Kunnin had an awesome narrator in Tom Allenby.  Allenby is a narrator who I wasn’t familiar with before this book, but he quickly impressed me with his excellent range of voices.  Allenby proved quite adept at voicing the various inhuman figures in the story, whether it be an ork or a member of the Adeptus Mechanicus.  He did such a good job capturing the essence of these figures throughout the production, and I loved how all the various characters got their own unique voice that proved fitting to their personalities.  Allenby also did a great job of narrating the intense and entertaining action throughout the course of Brutal Kunnin, and the listener really gets a good sense of what is going on.  As such, I would strongly recommend the Brutal Kunnin audiobook format to anyone interested in checking this piece of Warhammer fiction out, as you guaranteed to have an amazing time with it.

Mike Brooks continues to impress me with his outstanding additions to the Warhammer canon.  Brutal Kunnin was a pretty damn amazing read that showcased the author’s ability to showcase some of the more distinctive figures from the game.  This was a wildly entertaining and exciting Warhammer 40,000 novel that comes very highly recommended.

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Waiting on Wednesday – Days of Shattered Faith by Adrian Tchaikovsky

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings.  Stay tuned to see reviews of these books when I get a copy of them.  For this week’s Waiting on Wednesday, I check out an awesome upcoming fantasy novel from one of the most inventive authors of the day with Days of Shattered Faith by Adrian Tchaikovsky.

Days of Shattered Faith Cover

So, people might remember that a couple of months ago, I highlighted three books coming out in 2023 from acclaimed science fiction and fantasy author Adrian Tchaikovsky, including Alien Clay, Service Model and Saturation Point.  All three of these novels are still set for release this year, with the first, Alien Clay coming out a couple of days ago (I need to find a copy).  However, despite this incredible effort from Tchaikovsky (I can’t think of many authors who can produce three unique books in a year), he’s apparently still not done.  I just found out that somehow, Tchaikovsky has a fourth book coming out in 2024, and this additional novel, Days of Shattered Faith, is probably the one I am most excited for.

Days of Shattered Faith will be the third book in Tchaikovsky’s The Tyrant Philosophers fantasy series.  This series has so far featured two outstanding books, City of Last Chances and House of Open Wounds, both of which were amongst my favourite books of 2023 (with City of Last Chances being one of the best audiobooks of 2023).  Set in a world of magic, gods and demons, The Tyrant Philosophers books follow the chaotic struggles that occur amongst unique people, often in a comedic and cynical manner.

While there are some overlapping characters, the first two books are mostly independent of each other, except for the fact that they examine the dark impact of the Palleseen, a growing empire of fanatics who believe in perfection and correctness, primarily through the violent suppression of superstition, beliefs, and faith.  The first book showcased the oppression of the Palleseen in a conquered magical city, while House of Open Wounds followed members of a Palleseen army medical unit who utilise forbidden medical techniques that the Palleseen sought to exploit for their military.  Both City of Last Chances and House of Open Wounds had incredible stories expertly centred around complex and damaged characters, and I loved the outstanding mixture of personalities, compelling fantasy elements and dark humour that Tchaikovsky utilised.  Due to how epic these first two books were, I have been eagerly waiting for a third book and thankfully Tchaikovsky seems very willing to oblige with the upcoming novel Days of Shattered Faith.

Days of Shattered Faith is currently set for release in December 2024, and looks to be a loose sequel to the first two books.  Once again following the impact of the Palleseen, Tchaikovsky has come up with an awesome new story that I really love the sound of.

Plot Synopsis:

Welcome to Alkhalend, Jewel of the Waters, capital of Usmai, greatest of the Successor States, inheritor to the necromantic dominion that was the Moeribandi Empire and tomorrow’s frontline in the Palleseen’s relentless march to bring Perfection and Correctness to an imperfect world.

Loret is fresh off the boat, and just in time.

As Cohort-Invigilator of Correct Appreciation, Outreach department, she’s here as aide to the Palleseen Resident, Sage-Invigilator Angilly. And Sage-Invigilator Angilly – Gil to her friends – needs a second in the spectacularly illegal, culturally offensive and diplomatically inadvisable duel she must fight at midnight.

Outreach, that part of the Pal machine that has to work within the imperfection of the rest of the world, has a lot of room for the illegal, the unconventional, the unorthodox. But just how much unorthodoxy can Gil and Loret get away with?

As a succession crisis looms, as a long-forgotten feat of necromantic engineering nears fruition, as pirate kings, lizard armies and demons gather, as old gods wane and new gods wax, sooner or later Gil and Loret will have to settle their ledger.

Just as well they are both very, very good with a blade…

I’m already so very, very keen for this book, especially as Tchaikovsky has something very special on his hands here.  A chaotic city, two intriguing new protagonists, and a whole range of over-the-top circumstances are the ideal formula for an epic Tchaikovsky novel, and it looks like Days of Shattered Faith is going to have that in spades, as well as pirates and lizardmen.

I’m particularly keen to see what fantastic and complex story Tchaikovsky weaves around his protagonists, especially as the two Palleseen are out in the world that they are supposed to despise.  I love the idea of watching these two characters push the envelope of their beliefs to achieve their goals, and the inbuilt cynicism, hypocrisy and self-loathing that will surround this is bound to be excellent.  Tchaikovsky has pulled together some amazing stories around the Palleseen already, and frankly they are such a great villainous faction, especially as many of them only pretend to ascribe to the beliefs they kill for.  Seeing two of these Palleseen protagonists on the very edge and dealing with all manner of trouble is going to be extremely compelling, and I look forward to seeing how they interact with all the unique figures of this new city.  I’m also keen to see if we get any returning characters from the first two books, as there are some great storylines that can be continued, and I am sure that Tchaikovsky will do a wonderful job bringing them all together.

Look, after loving Tchaikovsky’s previous two novels, as well as his Warhammer 40,000 novel Day of Ascension and the novella Ogres, there is no way I am not grabbing Days of Shattered Faith when it comes out.  This series has been so damn epic already, and the above synopsis promises more fun, unique occurrences and complex humour.  I have very little doubt that Days of Shattered Faith is going to be one of my favourite books of 2024 and I cannot wait to get my hands on it.

WWW Wednesday – 27 March 2024

WWW Wednesday is a weekly meme hosted by Taking on a World of Words, where bloggers share the books that they’ve recently finished, what they are currently reading and what books they are planning to read next. Essentially you have to answer three questions (the Three Ws):

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

So, let’s get to it.

What are you currently reading:

The Winter Palace by Paul Morgan (Trade Paperback)

The Winter Palace Cover

I started reading the compelling historical drama, The Winter Palace by Paul Morgan this week.  Set during World War II, The Winter Palace follows a separated Polish husband and wife duo as they attempt to get back to each other.  I’ve made a bit of progress with The Winter Palace so far and it is proving to be an excellent and moving novel that I should hopefully finish off in the next week or so.

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Peace Talks by Jim Butcher (Audiobook)

Peace Talks Cover

After slowly making my way through the entire Dresden Files series, I have finally made it full circle with the 16th book, Peace Talks.  A slightly shorter read that serves as a prelude to the epic book Battle Ground, Peace Talks is a compelling read that sees the protagonist deal with a supernatural peace summit in Chicago.  I have been really powering through Peace Talks and I will probably finish it off very soon.

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What did you recently finish reading?

A Clean Kill by Steven Konkoly (Ebook)

A Clean Kill Cover

An intriguing read about a dangerous serial killer and the sinister conspiracy surrounding him, A Clean Kill was very exciting and I’m glad I checked it out.

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Warhammer 40,000: Da Big Dakka by Mike Brooks (Audiobook)

Da Big Dakka Cover

Nothing is more fun than a Warhammer 40,000 book that focuses on the orks, and Da Big Dakka proved to be particularly awesome.  Following a band of orks as they rampage through a unique area of the Warhammer 40,000 universe, Da Big Dakka was so very funny, and I am hoping to get a review up for it soon.

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White Ash Ridge by S. R. White

White Ash Ridge Cover

I managed to get through the captivating Australian murder mystery, White Ash Ridge by S. R. White this week.  An awesome sequel to Prisoner, and Red Dirt RoadWhite Ash Ridge had an outstanding mystery behind it, that proved very hard to put down.

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What do you think you’ll read next?

The Atlas Maneuver by Steve Berry

The Atlas Maneuver Cover

I swear that I really will listen to The Atlas Maneuver by Steve Berry next.  The latest book in the long-running Cotton Malone series, The Atlas Maneuver will feature another outstanding plot that blends historical conspiracies with modern day thriller storylines.  I have deeply enjoyed all the recent Cotton Malone books, and I have no doubt The Atlas Maneuver will be another exceptional and fun entry.

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That’s it for this week, check back in next Wednesday to see what progress I’ve made on my reading and what books I’ll be looking at next.

War Cry by Ian Ross

War Cry Cover

Publisher: Hodder & Stoughton (Trade Paperback – 25 January 2024)

Series: de Norton trilogy – Book Two

Length: 387 pages

My Rating: 4.75 out of 5 stars

Amazon

Ready to dive into an intense and fantastic historical adventure, then look no further than the epic new novel from Ian Ross, War Cry.

Last year I had the very great pleasure of reading the epic novel, Battle Song.  Written by author Ian Ross, who had made a name for himself with his Roman historical fiction, Battle Song was an outstanding and compelling novel that really blew me away.  Set during Simon de Montfort’s rebellion against the English crown, Battle Song followed a rogue knight and his squire, as they attempt to find the best side to fight on.  I had an outstanding time with Battle Song, especially as Ross combined a unique story with intriguing historical background and some great characters.  Battle Song ended up being one of my favourite books of 2023, and I had such a great time getting through it.  As such, I have been eager to see how Ross was going to follow Battle Song up and I recently got my hands on the sequel War Cry.  One of my most anticipated reads for 2024, War Cry proved to be an outstanding book that I quickly powered through.

England, 1265.  Following his decisive victory at the Battle of Lewes, the English lord Simon de Montford is now the de-facto ruler of England.  Holding the king and the crown prince prisoner, de Montford has ambitious plans to increase the power of the nobles while he champions the rights of the common people.  However, de Montford’s control is not absolute, with several powerful lords still loyal to the royal family and desperately seeking to restore their rule.  Worse, many of de Montford’s allies in the initial rebellion have grown wary of his power and ambitions.

As the political climate of England once again changes, the recently knighted Adam de Norton finds himself reclaiming his ancestral lands.  Finally having everything he always longed for, Adam looks to settle down and enjoy the prosperous future set out before him.  But the dual loyalties of England weigh heavily around him, and soon rumours of a new rebellion emerge, dragging Adam back to war.

Returning to the service of de Montford, Adam seeks to prove his worth in battle.  However, despite owing everything to de Montford, Adam begins to wonder if he should truly be fighting this war.  As the war progresses, Adam finds himself pushed to the limit and his loyalties tested, especially when he finds himself on the opposite side of his former mentor and master, Robert de Dunstanville.  Can Adam survive the brutal civil war unfolding around him, or has he chosen the wrong side of the conflict?

This was an awesome book from Ian Ross, who provided an outstanding follow up to his previous epic read.  War Cry had an amazing and powerful story behind it, which honestly had me hooked the entire way through.  I had such a great time with this book, and I ended up powering through it in only a short couple of days.

War Cry featured a powerful, brutal, addictive narrative that expertly ties together a personal story, while also diving into a particularly unique and fascinating period of English history.  This story is told exclusively from the perspective of returning protagonist Adam de Norton, who, after his adventures in the first book, has become a knight with his family estates returned to him.  The initial scenes of War Cry follow Adam as he attempts to restore his lands, while also facing conflict from several intriguing new enemies.  However, he is also soon forced to navigate the new political situation of England.  Despite his desire to stay out of the war, Adam is compelled by honour to return to the side of Simon de Norton as his rivals rise in rebellion against him.

This leads to an intriguing narrative that follows the subsequent campaigns that occurred in the period after de Norton’s rise to power.  Adam finds himself caught up in several key conflicts and events, including the escape of a certain hostage, a quick siege, and a collection of deadly battles across the breadth of the country.  At the same time, Adam is also caught up in several personal dramas, as he tries to reconcile his loyalties to de Norton, his friendship with Robert de Dunstanville, and his forbidden romance with Joane.  Ross did a great job of blending the historical and the personal together, and you get a great simultaneous look at the protagonist’s struggles, while also seeing the events of the war progress around him.  Thanks to the historical record, events get grimmer and grimmer for the protagonist as War Cry continues and you get really invested in seeing how everything unfolds, especially if you aren’t familiar with this particular English civil war.  Everything leads up to another climatic battle, where Adam and many of the supporting characters of the book meet their fates, one way or another.  The book ends on a pretty unique and dark note, and you will come away shocked at the cliffhanger, while also longing for more.

I really enjoyed how War Cry came together, as this epic piece of historical fiction was designed to hit hard and keep you on your toes.  I particularly loved some of the book’s unique historical elements, as Ross continued to explore the Simon de Norton rebellion against the English crown, which was such a major highpoint of Battle Song.  This unique civil war was a brilliant backdrop for the series, and Ross meticulously covers all the key events that followed de Norton’s victory at the Battle of Lewes here in War Cry.  You really get invested in this historical element of the book, especially as Ross expertly showcases some of the deadliest battles and places his protagonist right in the middle of them.  All these fight scenes are extremely well written, and Ross excels at highlighting the chaotic feel of battle, as Adam constantly finds himself amid a brutal melee of battle, especially during the final fight, and one particularly intense sequence on a bridge.  However, War Cry is much more than a rendition of a compelling historical war, it is also a deeply personal tale of love, loyalty, honour, and friendship, as the protagonist attempts to come to terms with his complex life and relationships while caught up in the battles.  As such, there is a little something for everybody in War Cry, and most fans of historical fiction will absolutely love this book.  War Cry was also a very worth sequel to Battle Song, and I cannot emphasise just how well Ross built on his original narrative and provided a gripping continuation in this sequel.

As with Battle Song, War Cry features a compelling combination of characters, including a mixture of fiction and real historical figures caught up in the war.  Ross did a great job of blending the two groups together, and I loved the range of unique knights and lords that emerged and the compelling interactions that followed.  There is a real focus on twisted loyalties and uncertain honour as many of the characters change alliances throughout the book, desperate to be on the winning side.  I did think that Ross might have at times included too many supporting characters, especially when it came to the various knights and lords, as you sometimes get worn down with a flurry of knightly names and titles that proves hard to remember.  However, this is generally a minor issue, especially when most of the character focus is reserved for recurring protagonists from the first book.

I really enjoyed seeing more of protagonist Adam de Norton, who is such a compelling centre for much of the plot.  After witnessing his exploits as a squire in the first book, it was great to finally see Adam as a knight in War Cry, even though that causes him more trouble than he hoped for.  Constantly dragged through battle after battle thanks to his still somewhat naïve sense of duty, Adam finds his loyalties fraying at times as he tries to stay true to who he is.  This proves hard as he is once again going up against the more self-centred views of his mentor, while also harbouring a forbidden love that he knows he cannot act on.  Several other characters also shine throughout War Cry, although my favourite is probably Robert de Dunstanville, Adam’s former mentor and friend.  While we get less of Robert in War Cry than I expected, he still proves to be a fascinating figure, serving as Adam’s dark conscience and trying to get him to do the smart thing rather than the right thing.  The two come to blows at several points throughout War Cry, and it was fascinating to see how their relationship has changed now that Adam has become his own man.  Robert also has some of the more fascinating character arcs.  After finally getting he wanted, he is still unhappy, and his attempts to reverse that cause only heartache for him.  I really enjoyed seeing these characters and more develop even further in War Cry, and there are some surprising fates for several of them that I honestly did not see coming.  It will be interesting to see what happens to the remaining protagonists in the future, and I really hope we get a third book soon as I am very invested in their stories.

Overall, War Cry by Ian Ross was an outstanding piece of historical fiction that I cannot recommend enough.  Expertly continuing Ross’s outstanding 2023 novel, Battle Song, War Cry thrusts the reader into the bloody centre of a fascinating English historical war, while also focusing on some complex and likeable characters.  Loaded with battle, intrigue and relatable protagonists, War Cry proved to be highly addictive, and I had an incredible time getting through it.

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Book Haul – 22 March 2024

I have been having another excellent couple of weeks for books, and I was lucky enough to receive several incredible and amazing new novels from some of my local publishers.  These novels include some truly awesome new releases, including several books that have the potential to be some of my top reads of the year.  I cannot wait to dive into them, and I look forward to seeing how they turn out.

Death on the Tiber by Lindsey Davis

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I was very happy to receive a copy of Death on the Tiber by Lindsey Davis.  An intriguing new addition to one of my favourite historical fiction series, the Flavia Albia books, Death on the Tiber presents another intense historical murder mystery that I know I’m going to love.

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White Ash Ridge by S. R. White

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I was also very happy to receive a copy of White Ash Ridge by S. R. White.  Part of a great Australian murder mystery series that has previously featured awesome books like Prisoner and Red Dirt Road, White Ash Ridge has an epic and compelling sounding murder behind it that I cannot wait to unravel.

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How to Solve Your Own Murder by Kristen Perrin

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A cool and fun sounding murder mystery book with a great concept behind it, as the protagonist attempts to solve her great aunt’s long-predicted murder.  I have heard good things about How to Solve Your Own Murder and I look forward to seeing how it comes together.

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Play of Shadows by Sebastien De Castell

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An intriguing fantasy novel from acclaimed author Sebastien De Castell.  I will have to see how I go with Play of Shadows, mainly because I haven’t read the previous series that was set in the same universe.  Still, I had a lot of fun with De Castell’s last book, The Malevolent Seven, so I am sure I will have a great time getting through Play of Shadows.

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War Cry by Ian Ross

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I was very happy to finally get my hands on the new Ian Ross book, War Cry.  The sequel to his outstanding 2023 novel, Battle Song, War Cry is an awesome piece of historical fiction that follows a young knight involved in a brutal civil war.  I’ve actually already read War Cry, and it proved to be an epic novel with a brilliant story behind it.

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The Winter Palace by Paul Morgan

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I was intrigued to get a copy of the fantastic sounding historical drama, The Winter Palace.  Following a Polish husband and wife separated during World War II, The Winter Palace promises to be an exciting and moving read about love, sacrifice and war.

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Where Sleeping Girls Lie by Faridah Àbíké-Íyímídé

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The final book I recently received was the compelling young adult thriller, Where Sleeping Girls Lie.  An intriguing and dark mystery set in an elite private school, Where Sleeping Girls Lie sounds like an excellent novel and I cannot wait to check it out.

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Well, that’s the end of this latest Book Haul post.  As you can see I have quite a bit of reading to do at the moment thanks to all these awesome books that have come in.  Let me know which of the above you are most interested in and make sure to check back in a few weeks to see my reviews of them.

WWW Wednesday – 20 March 2024

WWW Wednesday is a weekly meme hosted by Taking on a World of Words, where bloggers share the books that they’ve recently finished, what they are currently reading and what books they are planning to read next. Essentially you have to answer three questions (the Three Ws):

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

So, let’s get to it.

What are you currently reading:

A Clean Kill by Steven Konkoly (Ebook)

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I was in the mood for a good thriller this week, so I started reading the upcoming book, A Clean Kill by Steven Konkoly.  An intriguing read about a dangerous serial killer and the sinister conspiracy surrounding him, A Clean Kill sounded extremely interesting, and I have been meaning to read it for a while now.  I’ve made a bit of progress on A Clean Kill so far and I am really enjoying its unique narrative.  I am planning to finish it off in the next couple of days and I look forward to seeing how it comes together.

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Warhammer 40,000: Da Big Dakka by Mike Brooks (Audiobook)

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Nothing is more fun than a Warhammer 40,000 book that focuses on the orks, and Da Big Dakka is proving to be particularly awesome.  Following a band of orks as they rampage through a unique area of the Warhammer 40,000 universe, Da Big Dakka is proving to be pretty damn amazing, and I should hopefully finish it off soon.

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What did you recently finish reading?

Blood Mountain by Alisa Lynn Valdés (ebook)

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I managed to finish off Blood Mountain by Alisa Lynn Valdés this week.  Set in the mountains of New Mexico, Blood Mountain has a great locked-room premise behind it as several people start getting killed in an isolated ranch.  Fun and exciting, this was an interesting book to check out.

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The Chaos Agent by Mark Greaney (Audiobook)

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An awesome continuation to one of my favourite spy thriller series, The Chaos Agent was an incredible read and I am hoping to get a review up for it soon.

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War Cry by Ian Ross (Trade Paperback)

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Following on from Ian Ross’s outstanding 2023 novel, Battle Song, War Cry was an impressive historical fiction novel that followed a young knight as he fights in a complex English civil war.  I had an outstanding time with War Cry and managed to finish it off in a very short amount of time.

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What do you think you’ll read next?

White Ash Ridge by S. R. White

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Once I get through A Clean Kill, I will probably start reading the captivating sounding Australian murder mystery, White Ash Ridge by S. R. White.  An awesome sequel to books like Prisoner, and Red Dirt Road, White Ash Ridge has an outstanding mystery behind it, and I cannot wait to see how it turns out.

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The Atlas Maneuver by Steve Berry

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I am still hoping to start listening to The Atlas Maneuver by Steve Berry next.  The latest book in the long-running Cotton Malone series, The Atlas Maneuver will feature another outstanding plot that blends historical conspiracies with modern day thriller storylines.  I have deeply enjoyed all the recent Cotton Malone books, and I have no doubt The Atlas Maneuver will be another exceptional and fun entry.

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That’s it for this week, check back in next Wednesday to see what progress I’ve made on my reading and what books I’ll be looking at next.

Waiting on Wednesday – A Darkness Returns by Raymond E. Feist

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings.  Stay tuned to see reviews of these books when I get a copy of them.  In this week’s Waiting on Wednesday, I check out the next intriguing upcoming books from legendary fantasy author Raymond E. Feist, with A Darkness Returns, the first book in The Dragonwar Saga.

A Darkness Returns Cover

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Few fantasy authors have had the impact Raymond E. Feist has had over the years.  Best known for his epic Riftwar Cycle that spanned an impressive 30 books, Feist has been dominating the fantasy genre since his 1982 debut, Magician.  I have been a massive fan of Feist and the Riftwar Cycle for years, and indeed one of the first major fantasy novels I read was the 2002 entry, Talon of the Silver Hawk.  I have had a wonderful time reading every book in this series, especially the Empire trilogy which Feist co-wrote with Janny Wurts in the same universe, and I really enjoy the elaborate narratives of magic, dragons, political intrigue, and multi-dimensional threats, that was such a huge feature of the entire interconnected series.

A few years ago, I also was also lucky enough to get my hands on the various books in Feist’s new The Firemane Saga.  An awesome trilogy of compelling, character-driven fantasy reads, The Firemane Saga was Feist’s first series set outside of the Riftwar Cycle.  I deeply enjoyed the amazing narrative of the Firemane Saga books, made up of King of Ashes, Queen of Storms, and Master of Furies, which followed some impressive storylines and character arcs, while also telling a classic fantasy adventure.  My appreciation for this series only increased when it was revealed in Master of Furies that The Firemane Saga was set in was set in the same multiverse as the Riftwar books, with several key characters from Feist’s original works making an appearance.  In hindsight this shouldn’t have been too much of a surprise, especially as Feist has been including alternate worlds and universes in his books since day one, and I felt it gave the Firemane books a bit more impact.  Master of Furies, ended on an intriguing note, with several of the protagonists of the Firemane books travelling to the main world of the Riftwar books, Midkemia, to prepare themselves for a great evil that has infected their world.

Due to this fantastic conclusion, I have been waiting since 2022 to see how Feist was going to continue the Firemane Saga’s story, and it doesn’t look like we have too much longer to wait.  That is because in August this year, Feist is releasing his new book A Darkness Returns.  The first book in a new series, the Dragonwar Saga, A Darkness Returns promises to be quite an impressive read and I love the intriguing storylines that are apparently going to be included.

Plot Synopsis:

From legendary author Raymond E. Feist, the first installment in an epic new series that will join his acclaimed Firemane Saga with his signature Riftwar Cycle in a riveting, conclusive adventure.

As worlds collide . . .

Hatushaly, last scion of the Firemane dynasty; his beloved Hava, and their dubious friend Donte have been transported across space and time from their war-torn world of Garn to the relative peace of Midkemia.

There, on Sorcerer’s Isle, under the guidance of the great magician Magnus and his reincarnated father Pug, Hatu will explore and expand his unique magical abilities: for if Garn is to be saved, they will be needed.

With the evil Pride Lords defeated, the Church of the One has risen to bring death and destruction to Hatu’s home world. The kingdom of Ilcomen has fallen, and now the Church is sending forces to Marquensas, where Daylon Dumarch has declared himself king, and master swordsmith Declan Smith finds himself suddenly raised to the status of prince and war commander.

But there are even greater menaces than the Church of the One waiting in the wings, beings from the Void, creatures born of Darkness. . . 

I love the sound of this epic plot, especially as A Darkness Returns will more effectively bring together the two separate series and feature storylines in both universes.  This will include one storyline focusing on intriguing characters Hatushaly, Hava and Donte, interacting and learning from Feist’s established protagonists on his original fantasy world of Midkemia.  At the same time, another key storyline will be set in the world of The Firemane Saga, Garn, and follow other major protagonist Declan Smith, as he attempts to save his people from an insidious invasion.

Both storylines sound awesome in their own way, as we are kind of getting the best of both worlds here.  I know I will deeply enjoy seeing The Firemane Saga protagonists interacting with Magnus and Pug, and it will frankly be great to see the major Riftwar characters be the focus of a book again.  At the same time, the storyline set back in Garn sounds awesome as well.  The storyline surrounding the insidious Church of the One has been bubbling since the very first book and Declan Smith has been one of my favourite protagonists during the first three books.  It will be interesting to see how that storyline develops, and I cannot wait to see what happens to Declan next.

Honestly, I am too much of a Raymond E. Feist fan not to grab A Darkness Returns when it came out this year and I have very little doubt that I am going to have an amazing time with this novel.  It is going to be so cool to see how Feist brings these two intriguing universes together, and I cannot wait to find out what happens to all these well-established characters.  This will probably end up being one of my favourite fantasy novels of the year, and I cannot wait to get my hands on A Darkness Returns.