Warhammer 40,000: The Vincula Insurgency by Dan Abnett

The Vincula Insurgency Cover

Publisher: Black Library (Audiobook – 21 May 2022)

Series: Ghost Dossier – Book One

Length: 6 hours and seven minutes

My Rating: 4.5 out of 5 stars

One of the leading authors of Warhammer fiction, Dan Abnett, returns to his iconic Gaunt’s Ghosts franchise in a big way with the compelling military thriller, The Vincula Insurgency.

Few people have excelled at tie-in fiction in the same way that acclaimed author Dan Abnett has over the years.  Not only has he written multiple awesome comics and several original novels but he has contributed tie-in books to several different fandoms, including Doctor Who and Tomb Raider.  However, his most significant work has easily been within the Warhammer extended universe.  Abnett has produced a ton of impressive and compelling Warhammer novels over his career in both the Warhammer 40,000 and Warhammer Fantasy sub-series.  Some of his more notable works include some cool-sounding Warhammer comics, the Tales of Malus Darkblade novels (I’ve got a copy on my shelf waiting to be read), and some major Warhammer 40,000 novels, including multiple entries in the massive The Horus Heresy series, as well as his Eisenhorn, Ravenor and Bequin novels, which together paint one of the most complete pictures of the Imperial Inquisition).  However, I would say that his most notable series is probably the Gaunt’s Ghosts series of novels.

Set in the Warhammer 40,000 universe, the Gaunt’s Ghosts novels are part of the larger Sabbat Worlds crusades arc of fiction (which have come out of this series) following a unique regiment of soldiers, the Tanith First and Only.  The Tanith First and Only, also known as Gaunt’s Ghosts in respect to their commander, Colonel-Commissar Ibram Gaunt, are a highly skilled unit who specialise in stealth and scouting missions.  Their planet, Tanith, was destroyed shortly after their formation, hence the designation First and Only.  The Gaunt’s Ghosts series follows their battles through the Sabbat Worlds as a major part of the crusades.  This series began back in 1999 with the awesome novel, First and Only, and the latest novel, Anarch, (book 15) came out in 2019.  Generally considered one of the most iconic and compelling series in the Warhammer 40,000 universe, I have been meaning to properly read this series for ages, although so far I have only had the chance to check out First and Only.  However, Abnett recently revisited this series with the intriguing The Vincula Insurgency.  The first entry in Ghost Dossier series, which presents never-before-seen stories of the Ghosts, The Vincula Insurgency acts as a prequel to the main series and tells an impressive and fun new tale of the early regiment.

Before the battles that would make them famous throughout the Sabbat Worlds Crusades, the Tanith First and Only, under the command of Colonel-Commissar Ibram Gaunt, are still coming together as a unit.  After fighting a gruelling campaign on the planet of Voltemand, politics has forced the Tanith to remain and take over security for a backwater agricultural province and its capital, Vincula City.  Determined to get off-world and back to the frontlines, Gaunt and his regiment grudgingly prepare for the arrival of a new provincial governor and his administrators.  However, life is about to get very interesting for the Tanith forces.

A highly skilled and deadly insurgency movement has emerged within Vincular City, determined to cripple the Imperial forces within and disrupt their ability to assist the rest of the crusade.  After a series of brutal bombings, Gaunt and his troops attempt to keep the peace within the province.  However, their actions are countered at an impressive rate by the local insurgency elements, who are receiving outside help and training from a dangerous opponent who knows all the Tanith’s tricks.  Can Gaunt and his unit pull together to defeat this deadly foe?  And what happens when they discover that their mysterious opponent is linked to the Ghost’s long-dead planet?

This was another extremely awesome Warhammer novel from Abnett who has produced an intense and clever prequel to his existing Gaunt’s Ghosts novels.  The Vincula Insurgency is a relatively short novel, with a somewhat compressed story.  However, despite this length, Abnett manages to achieve quite a lot.  Not only does it set up plot points for the main series, but it also features a brilliant and very entertaining self-contained narrative that is guaranteed to keep the reader entertained.  Shown from the perspective of several of your favourite Ghosts, the author tells an excellent story that sees the protagonists under attack from a well organised insurgency group.  This results in a very fast-paced narrative that perfectly brings together the science fiction Warhammer 40,000 elements with a military thriller storyline as the Ghosts attempt to overcome the enemy attacking them from all sides.  The action flies thick and fast here, and features some impressively written battle sequences that really drag you into the heart of the fighting.  In addition, the author keeps the tension levels high throughout most of the story, and the feeling that some bad things are about to happen is never far from the reader’s mind.  The multiple character driven storylines come together extremely well within The Vincula Insurgency to create a comprehensive and powerful narrative, and I really appreciated some of the unique story elements that Abnett came up with.  This cool novel ends on an interesting note, and I will be quite intrigued to see what additional new Gaunt’s Ghosts’ stories Abnett has planned.

This was a very interesting addition to the Warhammer canon as Abnett dives back into the earlier days of his established series.  The Vincula Insurgency serves as an excellent prequel to the Gaunt’s Ghosts series, and it was great to see more of the early history surrounding this awesome unit.  Abnett makes sure to load up the book with a ton of references and hints of the events that are to come in the series, which established fans will really appreciate.  However, even those readers who are unfamiliar with the Gaunt’s Ghosts series can have fun here, as Abnett tells a very inclusive narrative that anyone can enjoy, with plenty of exposition about who the Tanith are and what is happening in the Sabbat Worlds Crusades.  Indeed, The Vincula Insurgency serves as a very good introduction to the series’ characters and storylines, and many readers could use this as a jumping point into the main Gaunt’s Ghosts novels.  Abnett also takes this opportunity to do an interesting bit of lore expansion with the Tanith troops.  Due to certain plot points, the characters dive into the Tanith culture and history, which proves to be very fascinating, especially when it may connect to a new enemy.  This also serves as a very good introduction to the wider Warhammer 40,000 canon, especially as it showcases the common trooper’s role in this chaotic universe.  I often say that stories about the common Imperial soldiers result in some of the best Warhammer 40,000 novels (Steel Tread and Krieg for example), and this was extremely true in The Vincula Insurgency.  Abnett really nails the feel of an armed insurgency in the Warhammer 40,000 setting, and the parallels between the battles in this book and in some real-world conflicts are pretty uncanny (think Iraq or Afghanistan with laser rifles).  An overall excellent addition to both the Warhammer and Gaunt’s Ghost canon that is really worth checking out.

I had a lot of fun with the characters in The Vincula Insurgency, especially as Abnett features slightly younger versions of all your favourite original Gaunt’s Ghosts protagonists.  This is a slightly different version of the Ghosts that you have seen before, as they are still coming together as a regiment and aren’t yet a fully cohesive team.  Abnett does a brilliant job featuring multiple key Gaunt’s Ghosts characters in this book, with many getting their own distinctive storylines.  I liked his portrayal of unit leader Colonel-Commissar Ibram Gaunt, who is still relatively new in his command of the regiment.  While he is still incredibly confident, skilled and an absolute badass, it was interesting to see a few differences here, such as his inability to remember the names of the members of his unit.  Other key characters include Colonel Colm Corbec, the regiment’s second in command who is sent on an alternate mission for most of the book where he learns all the joys of interacting with the upper echelons of the Imperial Guard.  Major Elim Rawne, the rebellious member of the unit has a great outing in this book, not only showcasing his established resentment for Gaunt, but also featuring him in an intriguing romance with an Administratum official that deeply impacts him.  Brin Milo, the youngest member of the Tanith, also has a major arc in this book, with the novel focusing on both his uncanny insights, and his rise to become Gaunt’s official aid.  Other characters who get some good showings in this book include Ceglan Varl, Bragg, Tolin Dorden, Oan Mkoll, and more, with all of them getting their moment to shine in this book.  I had a brilliant time seeing earlier versions of these great characters, and Abnett clearly had fun revisiting them and showcasing their older attitudes.

I ended up grabbing The Vincula Insurgency audiobook, which proved to be an excellent adaptation of this book.  With a runtime of just over six hours, listeners can really speed through The Vincula Insurgency audiobook, and the story just flows along, especially with the impressive narration from Toby Longworth.  Longworth, who is one of the more prolific Warhammer narrators, having voiced all the previous Gaunt’s Ghosts novels, is a very talented voice actor who brilliantly brings this compelling story and its great characters to life.  Not only does he address every bit of action and exposition for a powerful and impressive tone, but each of the characters are given their own distinctive and fitting voice throughout the book.  I particularly liked how he gave all the Tanith characters similar accents to denote that they all come from the same planet, and it was a very nice touch, especially as it contrasts well with the various non-Tanith characters, some of whom have other, often strongly European, accents.  This incredible voice work really helped to drag me into this captivating story, and I found myself getting a lot more invested in the characters and the plot as a result.  Easily the best way to enjoy The Vincula Insurgency, this audiobook comes highly recommended.

The always impressive Dan Abnett returns with another awesome addition to his fantastic Gaunt’s Ghosts series with The Vincula Insurgency.  Featuring an outstanding and exciting prequel narrative, The Vincula Insurgency takes an earlier version of the Tanith First and Only on an intense and action-packed adventure in captured enemy territory.  Tense, fast-paced, and loaded with compelling characters, The Vincula Insurgency is an excellent and highly enjoyable Warhammer 40,000 novel that will appeal to wide range of readers.

Star Wars: Brotherhood by Mike Chen

Star Wars - Brotherhood Cover

Publisher: Penguin Random House Audio (Audiobook – 10 May 2022)

Series: Star Wars

Length: 12 hours and 46 minutes

My Rating: 4.25 out of 5 stars

2022 is a great time to be a Star Wars fan as we are currently being bombarded with a string of awesome shows, cool comics, and fantastic novels (a movie also would be nice, but apparently there are issues there).  Fans like me are currently having a great time with the Obi-Wan Kenobi live-action show that has been all manners of fun, especially as it brings Ewan McGregor and Hayden Christensen back to their iconic roles as Obi-Wan Kenobi and Anakin Skywalker.  However, this is not the only recent Star Wars release that focuses on this iconic duo, as author Mike Chen presents Star Wars: Brotherhood.  This is Chen’s first Star Wars novel and follows these two great characters as they embark on a dangerous political adventure right after the events of the film, Attack of the Clones.

It is dark days for the galaxy as the destructive Clone Wars between the Republic and the Separatists have just begun.  As the galaxy splits down the middle and more and more systems join the war on opposing sides, the Jedi begin to take a new role as soldiers, the fragile peace they have long guarded slowly disappearing.

When an explosion devastates the neutral planet of Cato Neimoidia, home of the Trade Federation, the Republic is blamed by Count Dooku and the Separatists.  Desperate to keep Cato Neimoidia from joining the Separatists, the Jedi dispatch Obi-Wan Kenobi to the planet to investigate the explosion and attempt to maintain the peace.  However, Obi-Wan has his work cut out from him as he encounters a hostile planet, blinded by mourning and a long history of prejudice from the Republic.  Worse, not everyone wants him to solve the crime, as Count Dooku’s sinister agent, Asajj Ventress, is also on Cato Neimoidia, attempting to turn the populace against the Republic.

At the same time, Anakin Skywalker has been promoted to the rank of Jedi Knight and works to balance his new responsibilities with his secret marriage.  Despite orders not to intervene on Cato Neimoidia, when Obi-Wan finds himself in himself trouble, Anakin races to help him, dragging along a promising Jedi youngling.  However, with their relationship forever changed by Anakin’s promotion, can the two Jedi brothers still work together as they attempt to grow beyond master and apprentice?

This was a fantastic new addition to the Star Wars canon that fans of the franchise are really going to enjoy.  Containing an interesting character-driven story, Brotherhood was a great first outing from Chen, who successfully explored some of the best characters and settings of the Star Wars universe.

Brotherhood has a rather interesting multi-perspective narrative that I felt was pretty good.  This cool Star Wars novel is set right at the start of the Clone Wars and seeks to not only highlight some early aspects of the conflict but also dive into the minds of the iconic protagonists, Obi-Wan Kenobi and Anakin Skywalker.  The book has a strong start to it, with a devastating bombing going off on a neutral planet that forces Kenobi to investigate by himself.  Arriving on a planet thick with emotion, undue influences and conspiracies, Kenobi finds himself in all manner of danger, while his former apprentice, Anakin, is forced into a far less interesting mission.  Chen does a good job introducing the key elements of this book, and you soon get invested in the protagonists’s storylines, as well as the deeper emotions raging within them and other supporting characters about the bombing and wider events in the galaxy.

While I liked the start of the book, the centre of Brotherhood honestly dragged for me.  Now part of this is because I had to have a break from audiobooks for a few weeks, but even when I started listening to Brotherhood again, I had a hard time making much progress.  The slow investigation and Anakin’s slightly lumbering narrative, combined with the occasionally unnecessary plot around Mil Alibeth, just didn’t hold my attention as much as I had hoped, and it ended up being a bit of slog to get through it.  Luckily, the pace really picks up towards the end as the various storylines start to coalesce into a more compelling and exciting read.  I managed to get through the final third of the novel a heck of a lot quicker, and I was substantially invested in the characters, including a few supporting figures, and the narrative as a result.  Everything comes together pretty well in the end and Chen delivers a mostly satisfying conclusion that hints at the wider threat to come.  An overall entertaining, if slightly staggered narrative, I did have a lot of fun getting through it.

I mostly enjoyed how Brotherhood was written, as Chen did an outstanding job of blending compelling plot elements with deep character development and some fantastic universe-building.  The main story itself features a mixture of investigation, conspiracy and personal conflicts, as Obi-Wan visits a hostile planet impacted by all manner of anger and mistrust.  The author makes excellent use of multiple character perspectives to tell a complete and wide-ranging narrative.  While a good portion of the plot focuses on the main two characters, Chen routinely throws in the perspective of several great supporting figures, including some antagonists, and it was fantastic to get some alternate views on the events occurring.  As I mentioned above, I found the pacing was a bit off in the middle of the novel, and there were certain parts of the story that I had a harder time getting through.  For the most part, though, the book flowed pretty well, and the switch between various characters helped facilitate that.  While this is primarily a character-focused book, I did think that Chen did spend way too much time having his characters over-analyse everything in their heads, as the constant contemplation of their emotions or actions slowed the story down in places.  However, I did think that the author was particularly good at capturing action, with some brilliant and intense scenes featured throughout the book.  The ones that really shined to me where the sequences that showcased the Jedi character’s abilities in battle, as Chen made them come to life in a vibrant and powerful way.  Overall, I thought that this was a mostly well written story, I loved how Chen’s distinctive style helped to enhance the narrative in places.

Brotherhood proves to be a particularly interesting piece of Star Wars fiction as Chen sought to not only expand on the main characters but also explore the wider universe during the early Clone Wars period.  Written mostly as a standalone novel, Brotherhood has a lot of interesting canon elements that established fans of the franchise will deeply enjoy.  The book is closely connected with both the events of the second prequel film, Attack of the Clones, and the following Clone Wars animated series.  It was also apparently written somewhat in sync with another 2022 Star Wars novel, Queen’s Hope by E. K. Johnston, which I haven’t had a chance to read.  However, despite this, most readers familiar with the films should easily be able to jump in and read Brotherhood without any issues as Chen does a great job of explaining all the key characters, concepts and other elements.  There is also a ton of stuff for established fans of the franchise to enjoy as Chen spends a bit of time adding in some interesting elements and some great fan service.

One of the more interesting things featured within this novel is the examination of the early days of the Clone Wars.  This hasn’t been greatly explored in the current canon too much, so it was cool to see the start of the war, with some of the earlier battles, conflicts and issues surrounding this galactic civil war.  Chen spends a bit of time showcasing how the Clone Army was incorporated into the existing Republic structure, as well as the militarisation of the Jedi as they became commanders and generals.  There is also an interesting examination of the rise of extremism during the Clone Wars, as various factions start to cause trouble outside the actions of the main armies.  As a result, Brotherhood serves as an excellent bridging novel between Attack of the Clones and some of the preceding material, and I loved how Chen spent time setting up a few things for the Clones Wars animated series, although the sudden and unexplained appearance of a female clone was a bit odd.  I also had a lot of fun seeing some of Palpatine’s machinations here as he subtly manipulates events to get the Jedi even more involved in the war and more integrated with the clones.  There are also some key moments of the corruption of Anakin that occur here, and it was fascinating to see the moment that Anakin revealed his massacre of the Sand People to his future master.

While I deeply appreciated all the above, the most fascinating bit of Star Wars universe-building in Brotherhood had to revolve around the planet of Cato Neimoidia, the capital of the Trade Federation as Chen really went out of his way to explore this planet and its people, the Neimoidians.  For years the Neimoidians have mostly been seen as the exploitive and evil villains from The Phantom Menace and were never really explored in that much detail.  Chen spends a massive part of the book providing a deeper look at them and it soon becomes quite a compelling part of the novel.  In particular, the Neimoidians and their Trade Federation are shown to be mostly neutral, trying to stay out of the war and disavowing the actions of Nute Gunray and his faction who are supporting the Separatists.  When Obi-Wan arrives at Cato Neimoidia, he is introduced to their rich culture, unique society and a distinctive mindset that relies heavily on calculation and risk-assessment.  However, Obi-Wan soon discovers that there is far more to being a Neimoidian than he ever realised, as the Neimoidians have a long history of being ignored, ridiculed and prejudiced against by the Republic.  This long history of abuse, combined with the bombings on their planet, proves to be a deeply captivating and powerful part of the story.  All these great Star Wars elements add a lot to the narrative of Brotherhood, and I had an outstanding time seeing all the clever new ways that Chen worked to expand and explore this iconic universe.

While the story and Star Wars universe are key parts of this book, Chen spends most of his time working on the characters.  Brotherhood features a great cast of point-of-view protagonists who all have their own deep and unique journey through the book.  However, the focus is on the pairing of Obi-Wan Kenobi and Anakin Skywalker, whose relationship lies at the core of the book.  Both characters are featured very heavily throughout Brotherhood, and you are soon deeply invested in their individual narratives as well as their joint story.  Chen paces out their appearances together very well, and you get to see them act as both a team and independently, although one of the main themes of the book is the examination of how well they work together as a team and how close they are.  The author spends a lot of time exploring the unique relationship this master and apprentice duo have especially now that Anakin has become a full Jedi and they are now equals.  This proves to be a fascinating element to focus on and I loved how powerful the character work around the pair and their relationship was.

On an individual level, Chen spares most of the focus to look at Anakin, who is going through a lot at this point in his life.  Not only is he dealing with the sudden abilities of having to be a Jedi, but he is now secretly married to Padme, is trying to get used to his new robotic hand, and also bearing some anger and guilt at his actions of Tatooine.  This presents many complications for Anakin, and he is constantly battling his emotions, desires and the feelings of disconnection that he feels to the rest of the Jedi.  Chen does a great job of exploring the complex emotions and history surrounding Anakin, and you get a real sense of the inner conflict he feels all the time, especially when it is reflected in other characters.  He does end up coming to grips with many of these issues as the book progresses, although some of them remain, leading to darker events in the future.  The author’s focus on Obi-Wan is a little less intense, although there are still some very interesting elements there.  Most of Obi-Wan’s concerns reflect his current mission as he finds himself dealing with a culture he doesn’t understand and whose emotions he has trouble responding to.  At the same time, Obi-Wan is deeply concerned for Anakin, and his constant worries and examinations of their strained relationship deeply impact him.  I found it fascinating to see Obi-Wan’s observations during this period, especially as he witnesses and chooses to ignore some warning signs around Anakin.  Chen does a good job of trying to establish the more confident and wiser version of Obi-Wan that we see in The Clone Wars and Revenge of the Sith, and I it was very fun to see him negotiating and investigation on Cato Neimoidia.

Aside from these central characters, Brotherhood contains some other great characters whose storylines prove quite fascinating.  The most prominent of these is Jedi youngling Mil Alibeth, whose unique connection to the Force makes her very sensitive to the pain people are feeling, so much so that she spends much of her earliest appearances trying to cut herself off from the Force.  Mil finds an unlikely mentor in Anakin in this novel, and I appreciated the impromptu master-apprentice relationship they formed, especially as it benefits them both.  Two Neimoidian characters, royal guards Ruug Quamom and Ketar Kor, also serve a significant role in the story, although in two different ways.  The younger Ketar, whose family suffered greatly due to Republic prejudice, is extremely hostile to Obi-Wan and becomes a secondary antagonist, driven by his rage, anger and the manipulations of others.  Ruug, on the other hand, is a veteran soldier and commando whose more cynical world view, a result of her long life of violence and black ops missions, allows her to see past her emotions and investigate the bombing properly.  This results in Ruug becoming an ally to Obi-Wan as she tries to find the truth to save her people from more pain.  Ketar and Ruug serve as interesting counterpoints to the Neimoidian emotional spectrum, and their separate impacts on the story are extremely fascinating.  You really grow to like Ruug through the book, especially as she sticks to her principles, while Ketar, despite being an easily manipulated idiot, is one of the more understandable Star Wars antagonists you will encounter in, and his dive towards extremism is both powerful and understandable.

I also loved seeing fan favourite The Clone Wars’ character Asajj Ventress in this book, who serves as Brotherhood’s primary antagonist.  The events of this book represent Ventress’s first canon interactions with Obi-Wan and Anakin, and it was fascinating to see them attempt to work out who or what Ventress is.  Ventress ends up being very slippery and manipulative throughout Brotherhood, and she swiftly outmanoeuvres Obi-Wan by playing to the Neimoidian prejudices and emotions.  I loved seeing this early Ventress appearance, and her conversations with Obi-Wan are really fun, especially as Ventress’s sarcasm, venom and contempt shine through in every sentence, only to be met by Obi-Wan’s politeness.  This ended up being a great first major outing for Ventress, and I really enjoyed seeing how her rivalry with the Jedi began.  The interactions, development and introductions of these great characters serve to really strengthen Brotherhood as a whole and I had a great time seeing Chen’s interpretations about all this amazing figures.

Naturally, I decided to check out the audiobook version of Brotherhood, which turned out to be an excellent decision.  The Brotherhood audiobook was a fun experience that once again makes great use the classic and iconic Star Wars sound effects and music to enhance the story.  At 12 hours and 46 minutes, this is a pretty standard length for a Star Wars audiobook, although it took me a little while to get through it.  I had a lot of fun again with the sound effects which do a great job providing the ambient noise of the story that helps to bring the listener into the story.  In addition, the always awesome Star Wars score is utilised to amazing effect during key parts of the book, and it is really impressive how much John Williams’s epic music can increase the impact of a scene.

In addition to the music and sound effects, the Brotherhood audiobook is greatly enhanced by its excellent narrator, Jonathan Davis.  Davis is one of the best Star Wars narrators out there and his outstanding voice has been well utilised over the years.  I have personally enjoyed Davis works in several fantastic audiobooks such as in Lords of the Sith, Kenobi, Maul: Lockdown, Master & Apprentice, Dooku: Jedi Lost, Doctor Aphra and Tempest Runner, and he is always great value for money.  This was once again true for Brotherhood, as Davis does an outstanding job presenting the complex story to the listener while also bringing the various characters to life.  Davis does a particularly good Obi-Wan Kenobi voice, which really helped here considering the character’s prominence in the plot.  The rest of his voices are also very good, with multiple major and iconic characters come across in distinctive ways that fit how they have been portrayed in other media, particularly Yoda.  In addition, the various new characters introduced in Brotherhood are also gifted fantastic and appropriate voices that allow the listener to distinguish who is talking.  This excellent voice work, alongside the music and sound effects, really helps listeners to enjoy the compelling story and this is easily the best format to enjoy Brotherhood in.

This was another awesome addition to the rapidly expanding canon of the Star Wars universe.  Mike Chen’s Brotherhood had an impressive and compelling narrative that not only explores some intriguing areas of Star Wars lore, but which also perfectly features two of its most iconic protagonists.  A fantastic read that will appeal to anyone currently enjoying the Star Wars universe, Brotherhood is really worth checking out and I look forward to seeing what other awesome novels are added to this brilliant, expanded universe later this year.

Top Ten Tuesday – Audiobook for a Road Trip (June 2022)

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  The official topic for this week’s Top Tuesday revolved around Bookish Wishes, however, I am going to do something a little different and instead head back to my favourite format, audiobooks, with a list revolving around suggested books to listen to on road trips.

A couple of years ago I did a fun list where I presented my top ten suggestions for audiobooks that would be awesome for a road trip.  Road trips are always a great time to listen to some fantastic books, and I have personally had a great time listening to audiobooks while driving.  I actually just got back from a big road trip a few weeks ago where my wife and I listened to several impressive audiobooks as we made our way around Australia.  These cool audiobooks, several of which made the list below, proved to be incredibly entertaining, and the long hours of driving just flew by as a result.  So, I thought that this would be a great time to update this list, especially as I have listened to some more epic audiobooks since the last time, I wrote this list.

People familiar with my blog will know that I am a big fan of audiobooks; in many ways, they are some of the best way to enjoy a book from a talented author.  However, not all good audiobooks make for great entertainment on a road trip.  With that in mind, I have scrolled through some of my favourite audiobooks to find the ones I think would be the best for anyone taking a long trip.  To make this list, the audiobooks I chose had to not only be amazing novels but also had to have an excellent narration and the ability to keep a driver or passengers’ attention on a long trip.  While I know that some people are going to be experiencing particularly long trips, I tried to feature audiobooks with shorter runtimes so that those who are taking shorter excursions (say a roundtrip of eight or nine hours) can get through an entire book without trying to make time at home to finish it off.  That being said a few longer novels did end up making the cut, but all of these are great for longer trips.  I also tried to avoid any novels that would require a great deal of prior knowledge or hard-to-obtain background information so that everyone in the car could enjoy the book without any need for explanation or lectures from those people more familiar with the series. To that end, I have tried to avoid any novels that are later entries in a series or which require some form of assumed knowledge about a franchise.  I also tried to avoid anything that was a particularly extreme example of a genre (like fantasy or science fiction), and instead looked to include novels that would appeal to a wider group of readers.  While I have included a couple of tie-in novels, I tried to use those books that require only a smidge of familiarity with their respective franchise to enjoy, and I am confident anyone can easily enjoy any book I ended up featuring.

While I did have quite a few criteria to meet, I was eventually able to come up with a good list for this topic, including several honourable mentions.  I am pretty happy with how this list turned out and I have personally really enjoyed each of the below audiobooks.  I honestly believe that all of them would make for a great listen during an extended bit of travel or a road trip and each of them comes highly recommended.

Honourable Mentions:

Star Wars: Doctor Aphra, written by Sarah Kuhn and performed by a full cast – 5 hours and 35 minutes

Doctor Aphra Audio Cover

One of the most purely entertaining and impressive Star Wars audio production, Doctor Aphra is a wonderful listen that covers the storyline of a particularly fun character from the comics.  A great story combined with an awesome cast, including Emily Woo Zeller perfectly capturing the fantastic main character.

 

Tomorrow, When the War Began, written by John Marsden and narrated by Suzi Dougherty – 7 hours and 20 minutes

Tomorrow, When the War Began Cover

An old favourite of mine, Tomorrow, When the War Began is the exceptional introduction to the brilliant Australian young adult Tomorrow series by John Marsden.  This audiobook is very easy to get into and you will swiftly fall in love with this amazing series.

 

The Salvage Crew, written by Yudhanjaya Wijeratne and narrated by Nathan Fillion – 8 hours and 21 minutes

The Salvage Crew Cover

Come for the Fillion and stay for the unique science fiction story.

 

Planetside, written by Michael Mammay and narrated by R. C. Bray – 8 hours and 38 minutes

Planetside Cover 2

An insanely addictive science fiction thriller, Planetside is a particular favourite of mine and the audiobook, featuring the voice of the excessively talented R. C. Bray, is a great listen that will appeal to everyone.

Top Ten List:

World War Z, written by Max Brooks and performed by a full cast – 12 hours and 9 minutes

World War Z Cover 2

It is appropriate that the first entry on this list be the book that inspired me to go back and revisit this topic with the impressive World War Z by Max Brooks.  I had been meaning to read World War Z for ages and finally got a chance with my recent road trip when we listened to the massive, full-cast audiobook version of this iconic zombie novel.  I instantly fell in love with the complex story and elaborate take on a zombie apocalypse, especially as the entire novel was enhanced by an incredible cast of narrators.  Fantastic actors like Mark Hamill, Alan Alda, Alfred Molina and more, did an incredible job telling this brilliant and powerful story, and the entire production is just perfect.  A truly awesome audiobook that made a massive drive go by extremely quickly.  Highly recommended!

 

Redshirts, written by John Scalzi and narrated by Wil Wheaton – 7 hours and 41 minutes

Redshirts Cover

If you want to laugh your way through a quick road trip, then you should think about listening to quirky science fiction author John Scalzi’s Redshirts.  A comedic and meta homage to classic Star Trek, Redshirts imagines a fictional, Enterprise-esque spaceship that faces episodic danger that always leads to the death of its lower ranked crew members.  When the crew start to notice just how deadly their job has become, they go to extraordinary lengths to avoid it, even if that means escaping to the strangest of places.  Incredibly funny, but with some real heart to it, Redshirts is a great book to listen to, especially with its narration from Wil Wheaton himself.

 

The Thursday Murder Club, written by Richard Osman and narrated by Lesley Manville – 12 hours and 25 minutes

The Thursday Murder Club Cover

One amazing mystery novel that would keep me very entertained on a long trip is British comedian Richard Osman’s debut novel, The Thursday Murder Club.  Following four senior citizens as they attempt to solve complex murders around their retirement village, The Thursday Murder Club has an excellent mixture of mystery, humour and likeable characters, and proves to be quite the addictive read.  Throw in the perfect narration from actress Lesley Manville, and you have an exquisite listen that is guaranteed to keep you alert and happy all the way to your destination.

 

Any Discworld novel, by Terry Pratchett

Moving Pictures Cover

It is no secret that we at The Unseen Library love the incredible Discworld series by Terry Pratchett, with every novel in this impressive series being extremely compelling, clever and hilarious, all at once.  Thanks to the series’ great audiobook adaptations, I honestly could have filled every single entry on this list with Discworld books and called it a day.  However, as I am limiting this to a single entry, I will instead recommend either a standalone novel, such as Moving Pictures, Pyramids or Small Gods, or one of the cool City Watch novels like Guards! Guards!  All of these would be exceedingly high on my list of potential books to listen to on a road trip, and I know I would be very entertained the entire way through.

 

The Dark and Mind Bullet, written by Jeremy Robinson and narrated by R. C. Bray – 10 hours and 25 minutes (The Dark) and 11 hours and 42 minutes (Mind Bullet)

The Dark and Mind Bullet Cover

Just like with my Favourite Books of 2021 list last year, I couldn’t decide on which Jeremy Robinson novel to feature over the other.  Both of Robinson’s 2021 releases, The Dark and Mind Bullet, would be perfect for a road trip as they have some very intense and exciting stories to them.  While Mind Bullet probably has the narrative that would appeal to the most passengers, its connections to Robinson’s other may confuse new readers.  The Dark on the other hand is a much more standalone read, although its darker, horror tones may have less of a fanbase.  Both novels however are very, very good reads and their audiobook versions, which feature the incredible voice of R. C. Bray (one of my favourite audiobook narrators), would serve as outstanding entertainment for any long drive.

 

Legend, written by David Gemell and narrated by Sean Barrett – 13 hours and 13 minutes

Legend

Anyone interested in a fantasy epic for their road trip experience would be extremely smart to check out the classic novel, Legend, by the late, great David Gemell.  Legend, Gemell’s iconic debut, imagines the ultimate fantasy siege with a massive, unbeatable army besieging an impregnable stronghold garrisoned by a small force of heroes.  This outstanding fantasy battle plays out perfectly as an audiobook and you will be enthralled throughout your entire road trip.

 

Star Wars: Scoundrels, written by Timothy Zahn and narrated by Marc Thompson – 13 hours and 57 minutes

Star Wars Scoundrels Cover

If you wanted to try out a Star Wars story for a long drive than your best bet is probably going to be the Star Wars Legends novel Scoundrels by the superbly talented Timothy Zahn.  Despite no longer being canon, Scoundrels has one of the most appealing, fun, and compelling stories out there as it follows several of our favourite scoundrels, including Han, Chewie and Lando, as they embark on an elaborate heist.  Containing one of the best Star Wars stories out there, as well as the amazing talents of narrator Marc Thompson, Scoundrels will ensure a very entertained car.

 

The Gray Man, written by Mark Greaney and narrated by Jay Snyder – 11 hours and 11 minutes

The Gray Man Cover

If you’re the sort of person who wants non-stop action for their road trip than you really should load up Mark Greaney’s impressive first thriller, The Gray Man.  Following a legendary spy/assassin as he runs a gauntlet of bad guys throughout Europe, this slick novel never slows down and you will love all the thrills, twists and elaborate situations.  Set to be a major film in the next few months, an upcoming road trip would be the perfect opportunity to read ahead and the fantastic narration from Jay Snyder really brings the story to life.

 

Storm Front, written by Jim Butcher and narrated by James Marsters – 8 hours and 1 minute

Storm Front Cover

I had to recommend the Harry Dresden series somewhere on this list and the best option to listen to is probably the first novel Storm Front.  Serving as the perfect introduction to Jim Butcher’s urban fantasy series, Storm Front has a great story to it and you have to love the narration from outstanding actor James Marsters.  It won’t take long for you to become addicted to this series on your road trip and before you know if you’ll have listened to every single magical adventure.

 

The Sandman, written by Neil Gaiman, adapted by Dirk Maggs and performed by a full cast – 11 hours and 2 minutes

Sandman Act 1 Cover

The final entry for this list is another production we listened to on our recent road trip, the audio adaptation of Neil Gaiman’s iconic The Sandman comic.  Performed by an extremely awesome team of actors, including James McAvoy, Taron Egerton, Kat Dennings, Michael Sheen and more, this is a perfect way to enjoy this complex comic and you will have a brilliant time with its elaborate and insanely inventive narrative.  We powered through this on our road trip and have already started the second act of it, which would also be a great bit listen for a drive.  A fantastic and epic comic turned into an even better audiobook.

 

 

Well, that is the end of this latest list.  I think it turned out pretty well and if you have some upcoming travel planned you would do well to try out any of the above books.  Other outstanding audiobook suggestions can be found in my best audiobooks lists of 2020 and 2021, so you’ll have plenty of ideas for your next drive.  Let me know which of the featured audiobooks you enjoyed the most, as well as what productions you would recommend for a car trip in the comments below.

Throwback Thursday: World War Z by Max Brooks

World War Z Cover

Publisher: Random House Audio (Audiobook – 14 May 2013, originally published 12 September 2006)

Series: Standalone

Length: 12 hours and 9 minutes

My Rating: 5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For my latest Throwback Thursday review I take a look at the zombie horror classic, World War Z by Max Brooks, a truly epic and outstanding read.

One of the biggest novels that I have been meaning to read for ages was the highly regarded zombie novel, World War Z, also known as World War Z: An Oral History of the Zombie War.  Written by Max Brooks as a follow-up to his first book, the non-fictional The Zombie Survival Guide, World War Z is a unique novel that fully examines a zombie apocalypse from multiple perspectives.  I had heard some great things about this novel, and I even enjoyed the movie adaptation when it came out (more on that later).  Unfortunately, I never got a chance to read it and I kind of figured for a while that it might stay in my to-read pile for a while.  However, it moved much higher up my list of books to check out after I read Brooks’s 2020 novel, Devolution, which was one of my favourite novels of 2020 (as well as one of my favourite all-time horror novels).  I had also heard a lot of praise for World War Z‘s awesome audiobook edition, so when my wife and I needed some entertainment during a recent cross-country road trip, this was our first choice.

Plot Synopsis:

The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.

Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.

Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, “By excluding the human factor, aren’t we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn’t the human factor the only true difference between us and the enemy we now refer to as ‘the living dead’?”

Note: Some of the numerical and factual material contained in this edition was previously published under the auspices of the United Nations Postwar Commission.

Holy hell, that was an exceptional book!  I loved the powerful and expansive narrative contained within World War Z as Brooks attempts to fully encapsulate the entire experience of a zombie apocalypse in impressive detail.  Literally all the good things I heard about this book were true, and I loved his unique and very captivating way of capturing the horrors of this sort of experience, both from the zombies and other humans.  An exceptional and impressively inventive read, World War Z gets an easy five-star read from me.

I cannot get over how awesome and distinctive World War Z was as a concept.  Rather than a traditional novel, Brook’s masterpiece is written as an epistolary novel, written as in-universe oral history anthology of a zombie apocalypse.  The book, which was compiled by this universe’s version of Max Brooks, contained multiple testimonials and interviews, as Brooks seeks out and talks to multiple people who experienced the apocalypse and pulls together their various unique stories.  This book contains around 40 individual stories set out across five chapters which look at the various stages of the zombie war, from its origins all the way up to the postwar ‘new normal’.

At this point I need to make a quick note about the version of World War Z that we checked out.  There are a couple of different World War Z audiobooks out there, but for our trip we listened to the World War Z: The Complete Edition, which combines two separate audiobook adaptations of the novel, and contains all the stories from the original book.  I did look over a paperback edition of World War Z before I started this review, and it looks like our audiobook version covered the full stories well, although I did notice that some of the stories were shortened or missing minor parts.  In addition, the audiobook version did not feature any of the paperback’s footnotes, which contained technical details and notes from the author.  However, I don’t think I lost out on too much of the plot from some of these missing gaps.

I really fell in love with the various individual stories contained with World War Z as Brooks went out of his way to produce the most unique and moving tales that he could.  These are mostly standalone tales, although there are a few interesting crossovers as the book continues, with some character’s mentioning events or supporting figures from other stories in their interviews.  However, as you follow the stories within these five chapters (made up of Warnings, Blame, The Great Panic, Turning the Tide, and Good-Byes), you get a full sense of the entire war, and it quickly comes apparent how cleverly Brooks was crafting everything here.  I personally deeply enjoyed both the individual shorter tales and the much larger connected story of World War Z, and I was deeply impressed with the excellent writing style behind it.  Brooks is a true master of writing deeply personal, character-driven tales of survival, and you swiftly become attached to the various protagonists as they tell their unique stories.  The action within is gruesome, fast-paced and deeply terrifying, and there are multiple over-the-top descriptions of zombie and human violence that will stick with you forever.  This was easily one of the best zombie novels I have read in terms of storytelling and action, and everything about this tale is so damn compelling.

As I mentioned, there are roughly 40 separate stories contained within this anthology, each of which contains its own unique protagonist, supporting characters, settings and unique circumstances.  Naturally, with so many stories you have a bit of a range in terms of storytelling, with some being substantially better than others.  However, I felt that Brooks did a very good job of writing each of these stories extremely well, and there were none that particularly dragged the novel down.  There is a real mixture of narratives here, with particularly gruesome horror stories mixed in with more human-focused narrative, political plotlines, military thrillers, stories that balance on the edge of science fiction, and everything in between.  The spread of these stories works pretty well, with Brooks providing an entertaining mixture of storylines throughout the book so readers aren’t constantly bombarded by tales of horror or tragedy.  Instead, there are often fascinating, humorous and humanising stories thrown in amongst the horror.  This works to make the entire novel flow at a fantastic pace.

While pretty much all these stories are fun and tell some outstanding tales of the zombie apocalypse, there are a few that stood out to me as being a cut above the rest.  I had some early fun with the Stanley MacDonald storyline, which showed an amoral illegal surgeon in Brazil unwittingly transfer a zombie heart into a patient, which led to one of the earliest outbreaks in South America.  The Jesika Hendricks plot showed a brilliant, if very dark, take on ordinary citizens trying to flee the zombies only to experience the other dangers of surviving the winter in a desperate community.  There are several amazing and cynical storylines, such as the Breckinridge Scott and Grover Carison testimonies that showcase the capitalist opportunism that surrounded the initial outbreaks.  I also really liked the South African focused storyline around Paul Redeker, which showed a former Apartheid strategist using his stark and brutal plans to save the country from the undead hordes.  I loved the particularly inventive and clever testimony surrounding the character of Arthur Sinclair Junior, which focuses on how America was reorganised after the initial stages of the war, with the country setting its sights towards industry, construction and warfare, which really highlights the author’s impressive insights into the world.

Two other fantastic World War Z storylines set in Japan focus on two unique individuals, one an “otaku” (a computer-obsessed outsider who tried to live entirely online), and a blind “hibakusha” (a person affected by the atomic bombs used in WWII).  Both characters were outsiders in Japan before the zombie war, but the zombie invasion changed their entire lives and led to them becoming renowned warriors and survivors against all the odds.  These two storylines are extremely compelling, and I loved the way that the author utilised unique subsections of Japanese society and tried to imagine how those sorts of people would survive the zombies.  There was also a really intense storyline, told by Admiral Xu Zhicai, that details a Chinese submarine’s attempt to escape the zombies with their families, which turns into a brilliant, powerful and occasionally disturbing tale of survival, loyalty and family.  I also must mention the Terry Knox testimony that details the actions aboard the International Space Station and the Darnell Hackworth story that looks at the US army’s canine units that helped scout and herd zombies (yay for mini dachshunds, the real heroes of this book).  However, out all the testimonies featured within World War Z, my favourite had to be the ones focussing on soldier Todd Wainio.  Todd battled the zombies at multiple stages of the war, and his multiple entries paint a pretty grim picture but are easily some of the best depictions of the horror of the zombies and the challenges faced by the armed forces.  His first testimony about the army’s initial inability to combat the zombies is very chilling, and it was fascinating to hear about the changes to his training and equipment as the military adapted to fight this new and strange enemy.  I am honestly just scratching the surface of these testimonials here, as pretty much all of them were great in their own way.  However, the ones I mentioned here were my personal favourites, and I had a blast listening to them and seeing how they fit into the wider narrative.

For me, one of the main highlights of World War Z was Brooks’s incredible inventiveness and insights when it came to envisioning a potential world-wide zombie apocalypse.  Thanks to his amazing range of stories, Brooks showcases a vast global catastrophe that impacts everyone no matter where they are.  I loved his depiction of how the apocalypse emerged, and rather than a continuous attack that pretty much destroys everything in a single day, Brooks imagines a gradual catastrophe that is initially ignored and mishandled before it spreads uncontrollably.  This is covered in the early chapters of the book with some substantial skill, and you really get to see how and why everything falls apart, with appropriate zombie violence included.  While there is an understandable focus on America, I found it fascinating to see how Brooks imagined different countries would deal with this crisis, with different culturally informed strategies, and there are even some compelling references to real-life figures (the Nelson Mandela facsimile reacts in a very different way than you’d expect).  The author really dives into all the details of a zombie attack and examines all the pros and cons of various strategies humans could utilise, from fleeing, staying in defensible positions, or fighting back.  There are some brilliant testimonies that cover all of them, and Brooks’s dark depictions of unprepared or overconfident humans failing to understand the threats in front of them and paying the price for it are shocking, bleak and captivating.  Brooks also comes up with some truly unique and clever problems or impacts of the zombies, many of which are referenced or experienced by multiple characters, including floating zombies, marine zombies, feral children who survived without their parents, looters, civil wars, and even crazed humans pretending to be zombies.

These intriguing insights from Brooks’s imagination are further expanded on in the later chapters of the novel, where the author explores how the world order changed because of the zombie war.  Again Brooks dives into multiple countries here, and it was fascinating to witness which countries the author imagines will be destroyed by the zombies and which would thrive.  I really enjoyed his examinations of the way that America needed to reorganise itself and its subsequent battleplans, which were perfectly covered by several of the best characters.  Seeing countries likes Russia, China, Japan and more change in drastic ways a result of this apocalypse was really cool and compelling, especially as the author covers it in such a reasonable and logical manner.  Countries like Cuba and the West Indies thriving due to their isolation was pretty fascinating, and they stood as an interesting contrast to more prominent countries that were disadvantaged or never stood a chance thanks to their socioeconomic issues or unsuitable landscapes.  I loved some of the unique issues that some countries experienced, such as the infested Paris catacombs or the mystery around North Korea, and they leave some intriguing afterthoughts as a result.  Brooks also cleverly examines other unique impacts that the zombies are having on the world, such as extinctions (goodbye whales), changes in global relations, and long-term problems, and I was deeply fascinated and enthralled by all this impressive thinking.  All of this compelling insight and imagination really enhances the stories being told by various characters, especially as they all impact humanity’s potential survival, and I really lost myself in the author’s powerful and impressive vision of a zombie apocalypse.

While World War Z is primarily about survival and the wider impacts of a zombie apocalypse, Brooks also takes the time to cover a few interesting themes.  In particular, he uses this novel about zombies to examine humanity.  While there is a certain overlying theme about the indomitable human spirit and our ability to triumph no matter the odds, there are some very noticeable depictions of the worst parts of human nature.  I found his initial depictions of most people ignoring or ridiculing the slow rising zombie threat to be pretty realistic (keep in mind that this was written 14 years before COVID).  There are also some major critiques about corruption and government incompetence in the face of disaster that I also found to be very intriguing and insightful.  Many of the early chapters that talked about military attempts to fight back had some interesting parallels to the wars in the Middle East, and I really appreciated the author’s clever critiques of these conflicts through the medium of a zombie war.  I felt that Todd’s testimony about the first major battle of the zombie war was a great example of this, as he regales the reader with how politically motivated leadership and incompetence led to a massacre.  All of this added a thought-provoking and entertaining edge to many of the storylines in the novel, especially the earlier testimonies, and I felt that Brooks did an amazing job bringing some of his own insights and critiques into his writing.

As I mentioned a few times above, I listened to the extended audiobook adaptation of this novel, which I personally felt was the absolute best way to enjoy this epic read.  Running at just over 12 hours in length, we absolutely powered through the World War Z audiobook during our road trip, and it served as an excellent entertainment for a long drive.  I often find that having a story read out to you really helps you to absorb everything about the story, and this was particularly true with World War Z.  Not only did the narration allow you to focus on all the details of the testimonials, but the horror elements and action felt a lot more intense, especially when you were dragged into some of the more gruesome scenes.  I also feel that the audiobook version of World War Z had a better flow than the paperback novel.  The testimonials with the audiobook are a lot more separated out, treated as a new chapter each time the narrator changes.  This is very different from the paperback version, which throws multiple testimonials in a quick fire manner, with everything crammed together into the five chapters.  As such, I really felt the audiobook helped to highlight the uniqueness of each testimonial and you really got to focus on each story a lot more.

However, easily the best thing about the World War Z audiobook was the truly impressive voice cast that were featured within.  Brooks, a voice actor himself, recruited a crack team of international actors to fill out his cast, including several A-listers, who give some outstanding and amazing performances.  All these actors really dive into their various roles here, conveying the emotion, fear and insights of their protagonists, and their great voice work definitely enhanced the already cool stories of their characters.  I deeply enjoyed all their voice work throughout the audiobook, and I know that I enjoyed several testimonies even more because of the talented actors voicing them.  This cast is led by Brooks himself, who voices the interviewer, asking all the questions and meeting all the various figures the novel is set around.  Brooks does a really good job here, and his calm, collected interviewing style and additional narration helps to set the scene for the entire novel and moves the other character’s stories along at a great pace.

Aside from Brooks, there are a good 40 or so voice actors featured in the World War Z audiobook, and I was pretty impressed with all their performances.  Some standout early performances include a brief appearance from Nathan Fillion as Canadian soldier Stanley MacDonald; Paul Sorvino, who gives a very fun performances as the sketchy doctor Fernado Oliveira; and Martin Scorsese, who gives an unrepentant portrayal of corrupt businessman Breckinridge Scott.  Other great performances include Kal Penn as Sardar Khan, an Indian soldier who serves an excellent witness to an act of heroism; the late, great David Ogden Stiers, who brings Ukrainian solider Bohdan Taras Kondratiuk to life perfectly as he watches a great act of evil from his government; Common as dog trainer Darnell Hackworth; and Rob Reiner as “The Whacko” a radical politician/former Vice President who shares his strong opinions in a very fun outing.  I really need to highlight some intriguing voice performances from Simon Pegg, who does a pretty good Texan accent in the role of Grover Carlson; and Alfred Molina, whose Australian accent was pretty accurate (a rare talent).

The performances of Masi Oka and Frank Kamai really brought to life the two Japanese characters I mentioned above, as does Ric Young for Chinese Admiral Xu Zhicai’s elaborate testimony.  I also really need to highlight the brilliant work of Alan Alda in this book as he voices pivotal administrator Arthur Sinclair Junior.  Alda, whose voice I have loved since M*A*S*H, perfectly inhabits the role of this intriguing figure, and I loved hearing his narration of how America’s economy was changed.  However, out of all the voice actors in World War Z, my favourite was the always impressive and remarkable Mark Hamill, who voiced standout character Todd Wainio.  Hamill was one of the main reasons why Todd was such a great character, and I loved his outstanding performance as a former ground soldier recounting all the horror of the front line of the zombie war.  There is so much weariness, trauma and cynicism in Hamill’s voice as he narrates Todd’s testimony, and you really feel the character’s resentment and anger.  The way that Hamill describes all the gruesome gore and zombie violence was just so great, and his impressive range and tone helped to really enhance the insanity and horror of the moment.  These voice actors, and the rest of the impressive cast, are extremely epic here, and they turned this production into something extremely impressive.

A quick final note about the World War Z film.  Until I read this book, I really did not appreciate how wildly off-book the film adaptation was.  None of the true magic from the original story appears in the film at all, as they turned it into a generic action flick rather than a clever analysis of how a zombie apocalypse would change the world.  While I did enjoy the World War Z movie on its own, it is a terrible adaptation, with only small elements from the book appearing in the film.  While I can appreciate that this is not the easiest book to turn into a film, they didn’t even try.  I really do hope that someone does a proper adaptation of World War Z at some point, as it frankly deserves a lot better than what it got (perhaps a television series with each episode recreating one of the testimonies).

As you can clearly tell from the massive essay above, I deeply enjoyed World War Z by Max Brooks.  This was easily one of the best zombie novels I have ever read, and it definitely deserves its epic and highly regarded status.  Brooks’s distinctive and brilliant story was just plain amazing and I loved the outstanding combination of smaller testimonies coming together into one connected and thought-provoking tale.  The author cleverly examines every single aspect of a potential zombie apocalypse, and you find yourself not only loving the insane horror elements, but the fascinating political and social impacts that come with such an invasion.  Best enjoyed in the full audiobook format which features so many impressive voice actors, World War Z comes extremely highly recommended and I cannot hype it up enough!

World War Z Cover 2

The Sandman – Act 1 (Audiobook) by Neil Gaiman and performed by a full cast

Sandman Act 1 Cover

Publisher: Audible Original (Audio Drama – 15 July 2020)

Series: The Sandman

Script: Neil Gaiman and Dirk Maggs (script adapter)

Director: Dirk Maggs

Cast: Neil Gaiman, James McAvoy, Kat Dennings, Taron Egerton, Riz Ahmed, Samantha Morton, Bebe Neuwirth, Andy Serkis, Michael Sheen, Justin Vivian Bond, Arthur Darvill, William Hope, Mathew Horne, Reginald D. Hunter, Sue Johnston, Paterson Joseph, Josie Lawrence, Anton Lesser, Joanna Lumley, Miriam Margolyes, Tom Alexander, Stephen Critchlow, Blake Ritson, Oris Herhuero, Karen Batke, Ray Porter, Michael Roberts, Kerry Shale, Andrew James, Simon Vance, Sandra Dickinson, Ellen Thomas, Cathy Tyson, Sandra-Mae Luyx, Amaka Okafor, Shey Greyson, Laurel Lefkow, Harry Myers, Mack Keith Roach, Laurence Bouvard, Toby Longworth, Daniel Weyman, Samantha Beart, Cliff Chapman, Felicity Duncan, Julia Winwood, Nicholas Boulton, John MacMillan, Tracy Wiles and Adam Thomas Wright.

Length: 11 hours and 2 minutes

My Rating: 5 out of 5 stars

Thanks to a lengthy and productive road trip, I have finally breached the realm of dreams and explored the iconic and powerful creation that is Neil Gaiman’s The Sandman.  In this review I check out the first act of its impressive full-cast audiobook adaptation.

Back in 1989, mind-bending author Neil Gaiman unleashed his most iconic comic creation when he introduced the complex and dark The Sandman.  Centred on the mysterious character of Dream, the anthropomorphic personification of dreams, The Sandman was a clever and intense hybrid of horror, fantasy and superhero storylines released as part of the Vertigo comic imprint, which was associated with the DC Comics universe.  This series was considered a revolutionary success and its unique and colourful story cemented Gaiman’s legacy in comic circles, as The Sandman and its spinoffs are still very highly regarded.

Now I must make a bit of a confession: I have never actually read The Sandman and it is a bit of a gap in my comic book knowledge.  I just never seemed to be in a position to read these comics despite hearing how good they were.  However, with the upcoming television adaptation of The Sandman set for release later this year, I thought that it was about time that I tried to check it out.  Luckily, the good folks at Audible decided to make this rather easy for me as they recently released a full-cast audiobook adaptation of The Sandman.  Not only was this a great opportunity for me to check out this cool comic in my favourite format, but this adaptation featured a truly remarkable cast of actors, with the production pulled together by the highly acclaimed Dirk Maggs.

There are many strange, unusual and powerful creatures inhabiting the universe, but only seven siblings, known as the Endless, are truly immortal.  The Endless, each a personification of a human concept, have their own realms and powers, with the most mysterious and unique belonging to Dream.  Known by many names, including Morpheus, he is the manifestation of all dreams and stories, and governs the Dreaming, the vast realm made up of creation’s collected dreams.  Unchanging since the dawn of time, Morpheus’s eternal life is about to get more complicated than he ever believed.

Summoned by a mystical cult seeking to capture his sister, Death, Morpheus finds himself trapped and powerless on Earth.  Stripped of his tools of office and placed within a magical cage, Morpheus is kept as a prisoner for over 70 years.  When he eventually escapes from his captors, Morpheus returns to his realm only to find it in tatters, with several of his servants missing and his own powers greatly weakened.  To ensure the continued stability of the Dreaming, Morpheus must endeavour to regain his full strength by recovering his lost tools of power.

However, this is no easy task as all three items have been scattered across the world and are now in the hands of several dangerous foes.  To obtain them, he will have to contend with human magician John Constantine, face down Lucifer and battle the malicious Justice League foe known as Doctor Destiny.  From dangerous demons to rogue dreams and even his own siblings, Morpheus will face great challenges and unique creations on his road back from capture.  But even if Morpheus does succeed, is he prepared for the full chaos his absence has wrought on the world?

I’ve been exceedingly foolish by neglecting The Sandman for so long.  This is such a unique and epic tale that contains powerful looks at revenge, change, human perception and the power of dreams and stories, and so much more, as Gaiman cleverly examines elements of the human psyche through the eyes of an elusive immortal.  The impressive and exceedingly memorable story contained within these early entries of The Sandman, are deeply captivating and I found myself really getting drawn into the amazing narrative and distinctive characters.  Throw in an exceptional voice cast and a brilliant audiobook production, and I honestly have no choice but to give this a full five-star review.

When I first heard about The Sandman audiobook I did wonder if it would provide a more abridged version of the narrative.  However, it appears that this production was a pretty faithful and full adaptation of issues #1-20 of The Sandman comic.  As such you get an intense and fully developed story that is guaranteed to grasp your attention and send your imagination into overdrive, especially by the two major storylines contained within these first 20 issues.  The first of these, the “More than Rubies” storyline, examines Morpheus’s capture by human occultists in the early 20th century, his decades-long imprisonment, his eventual escape, and his subsequent attempts to recover his tools of office to regain his lost power.  This storyline serves as a pretty awesome and captivating start to the entire production and it contains several distinctive and addictive chapters.  The initial chapters that deal with Morpheus’s imprisonment set up a lot of major storylines for the rest of the series, give you some fantastic early impressions of this world, introduce some key concepts and provide readers with their first compelling look at the main character.  From there, the story gets even more exciting as you follow Morpheus as he attempts to recover his items of power from some dangerous individuals.  This sets up some brilliant chapters as he deals with everyone’s favourite magician, John Constantine, in a horrific tale that provides readers with their first glimpse at the true danger of dreams.  From there, Morpheus goes straight to hell as he attempts to retain his helm from an army of demons while also dealing with the nefarious Lucifer in what is possibly one of the most entertaining parts of the entire production.  That is then followed by a particularly dark storyline that sees Morpheus forced to contend with damaged DC comics supervillain Doctor Destiny, who is using Morpheus’s own powers to destroy the world.  This initial main storyline is particularly good, with an amazing and captivating flow to it that is guaranteed to make you a fan of The Sandman.

The other major storyline of this first act of The Sandman sees Morpheus attempt to contend with a new dangerous threat impacting the Dreaming.  This threat turns out to be young woman, Rose Walker, who is a powerful Dream Vortex.  To fully understand her, Morpheus finds himself getting involved in her hunt for her missing brother, and soon finds himself in conflict with several of his missing creations, each of whom has their own agenda in the real world.  At the same time, Morpheus must contend with the machinations of his powerful siblings as they attempt to manipulate him for his own ends.  This second major storyline, The Doll’s House, is an extremely good follow-up to the introductory issues and continues several plot points, with several characters returning in interesting ways.  Indeed, as you traverse through this storyline, it becomes apparent how much the author set up in the initial major storyline, and this helps to make The Doll’s House flow extremely well.  This major storyline itself is pretty damn fun, and I liked how it split between Morpheus and several of the other major players, particularly Rose Walker and The Corinthian.  The entire thing goes in some rather interesting directions, from the traumatised dreaming mind of a young boy also containing several lost superheroes, to a serial killer convention where some of Morpheus’s most dangerous creations have arrived.  This entire storyline is pretty damn twisty and trippy in places, but it comes together extremely well and has some amazing high points to it.  I particularly enjoyed the sequences depicting the serial killer convention, which was both entertaining and disturbing in equal measures but which also has an outstanding payoff to it.  The Doll’s House ends the major storylines on an extremely high note and it will ensure that you will come back for the second act desperately wanting more.

Aside from the two main storylines, The Sandman also contains several filler arcs that take place around the main storylines, including all the stories contained in the collected volume Dream Country.  While I would usually be a little disappointed to have a gap occur between some of the main storylines like this, it worked really well.  Not only do these filler chapters serve as a bit of a palate cleanser, breaking up the major storylines, but they also provide a lot of additional context for the wider The Sandman universe by expanding on many of the supporting characters, such as Morpheus’s relatives or some of the strange people he encounters through his travels.  Each of these storylines lasts for a single chapter (an issue from the comic), and are fairly self-contained, coming together and concluding in short order.  Each of these filler stories is quite intriguing in their own right, especially as these stories are a little more metaphysical and often contain a dark, thought-provoking cautionary tale.  There is also an interesting range of settings and time periods for many of these stories, as some occur many years before the events of the major storylines, due to the immortal nature of Morpheus and his siblings.  I honestly enjoyed each of these separate storylines, not only because of the fantastic ways that they expanded The Sandman universe but because of the way that each story hit a different emotional note.  My favourite was probably Men of Good Fortune (issue #13 of the comic), a brilliant story that sees Morpheus and Death encounter a man, Hob Gadling, who is certain of his desire never to die.  Intrigued, Morpheus ensures his immortality and arranges to meet him once every 100 years in the same tavern.  So begins a fantastic story that skips across centuries as you see Hob continue to exist and change through the centuries.  Watching him achieve the highs and lows of an immortal is deeply fascinating, as is his compelling and deeply personal interactions with Morpheus as they discuss his experiences and his desires to stay alive.  The conclusion of this story proves to be particularly moving, and it helps to humanise Morpheus after several issues of him being emotionally distant.  Other interesting filler arcs include Morpheus meeting with Death and following her around in her complex and sad duties, another sees William Shakespeare, who years earlier made a Faustian bargain with Morpheus, debut A Midsummer’s Night Dream to a host of elven nobility in a touching performance.  All these filler arcs, and more, add a certain gravitas to the overall book, and I think that they really helped to enhance the major storylines they were set around.

I was really impressed with all these major and minor storylines, especially as the writing behind them was particularly powerful and brilliant.  Everything flows together extremely well and you can see that Gaiman is setting up a ton of fascinating storylines for the future, while also ensuring that the current plot points stand on their own and are extremely fun.  Everything about this story is interesting, and while the author does occasionally go in some zany, grotesque and unique directions, it generally proves to be entertaining and eventually fits back into the major storylines in a great way.  Gaiman seeks to create a massive and powerful epic that not is not only filled with action and excitement but which causes the reader to stop and think about certain states of being or metaphysical aspects such as dreaming.  This is often achieved, especially in the audiobook format, with distinctive and powerful dialogues that showcase the unique attributes of the characters and the dramatic and dangerous situations they find themselves in.

I personally loved how there were a range of different styles and elements featured throughout the plot as The Sandman didn’t conform to one particular genre.  The story could at any time jump from unique fantasy adventure to a deep character driven narrative or end up being a bleak and deeply disturbing horror tale.  For example, one of the best chapters in this act of The Sandman was a dark, disturbing and somewhat detached horror narrative they fit in right after a chapter involving the Justice League and certain Batman villains.  In this story the deadly Doctor Dee, having stolen Morpheus’s dream stone, holds several people hostage in a diner over the course of a day.  Throughout this day (which is counted down hour by hour for some impressive dramatic impact), Doctor Dee toys with his pets, diving deep into their personal lives and using disturbing elements from their past to manipulate their emotions and their reactions.  This results in several extremely disturbing hours as the bad doctor makes them experience lust, despair, hatred, animalist urges, religious zeal and more to entertain him as he waits, and it turns this chapter into a horrific experience in between some more action packed or fantasy issues.  This frequent change in genre really helps to make this first act stand out, and all the different storylines and elements work well with the overall dark gothic theme of The Sandman.  It also helps to make The Sandman a bit more accessible to different readers as there is something here for all fans of horror, fantasy and comics, although some basic knowledge of DC and Vertigo comics may be somewhat helpful.

This story is greatly helped by the complex and exceedingly memorable characters featured throughout.  The most notable of these characters is the titular Sandman himself, central character Dream/Morpheus, an immortal anthropomorphic personification who lives in creation’s dreams and serves as their lord and master.  I loved how Morpheus is portrayed in this first act as the reader really gets to sink their teeth into the character and find out what makes him tick.  Gaiman ensures you get the most out of Morpheus by immediately showing him at his worst, imprisoned for decades by humans with his powers stolen from him.  While you don’t get a lot of insight into who or what he is at the beginning, once he escapes you find out everything you need about his motivations, responsibilities and personalities.  Gaiman initially paints Morpheus as a callous and detached being, removed from humanity and more concerned with his own needs and realm than the people he interacts with.  While it does make it a little harder to root for him in some of the earlier storylines, I think this coldness helped to stoke some real mystery around the character and you wanted to find out more about him and his past.  Once the first major story arc ends and you get into some of the filler stories, especially the one involving the interaction with his sister Death, you start to understand him a lot better and soon see that his a basically good person, just with some major personality flaws brought on by his immortal existence and purpose.  Don’t get me wrong, at times he is still a pretty hard character to like, especially when details about his love life are revealed, but he is generally a lot more likeable than most of the other immortal or non-human characters you encounter, and you get really invested in his continual struggles.  By the end of his first act you will become extremely addicted to his story arc, and I cannot wait to see how Morpheus’s narrative continues in the future.

Gaiman has come up with an eclectic and distinctive group of characters to support the story, with a fantastic combination of original characters, mythological figures and even a few established DC and Vertigo comic characters.  These great characters are featured to various degrees throughout the story, with some being continuously used, while others only get brief flashes.  All of them are pretty fantastic, and I loved seeing how Gaiman worked them into his brilliant narrative.  There are so many notable characters throughout this first act to talk about, especially as they were portrayed by some outstanding actors (more on that later), and I could honestly spend pages talking about all of them, however, in the interests of saving time I might just limit it to my absolute favourites.  I must highlight Dream’s sister Death; rather than a traditional mournful or skeletal figure, Death is shown as a cheerful young woman who bears great compassion and kindness to those she reaps.  This is a really interesting change to the usual personification of Death you see in fiction, and it works really well, especially as Death here serves as a great positive foil to her dour brother Dream and the other Endless.  As such, she swiftly becomes a favourite character to follow, especially with her many different appearances.  I also must mention Gaiman’s great use of John Constantine, everyone’s favourite drunk English wizard, who has a notable chapter towards the start of the story.   Lucifer himself is also brilliant as a brief secondary antagonist, and Gaiman lays some interesting story seeds here for him.  The comedic duo of Cain and Abel brings some fun to several stories, as does Morpheus’s servant, Matthew the Raven.  Rose Walker serves as an excellent protagonist of the second major storyline, and I enjoyed her very English protector, Gilbert, who has some intriguing scenes.  Finally, I was rather impressed with the great early antagonist Doctor John Dee, better known as the Justice League villain Doctor Destiny.  Gaiman went out of his way to make Doctor Dee as creepy and deranged as possible in this comic and he has some outstanding, if shockingly horrifying, scenes throughout the More than Rubies storyline.  He, and other great villains like The Corinthian, add some intriguing danger and a ton of depravity to the story, and I had an absolute blast getting to know all these great characters.

As I mentioned before, I chose to check out the full-cast audio adaptation of The Sandman rather than reading the original comics, and this greatly impacted my experiences of how I absorbed this unique story.  However, while I probably missed out on some brilliant artwork, I think that this audio adaptation was the perfect way to enjoy this elaborate and massive story.  As far as I can tell, the audio production faithfully adapts all the comic storylines throughout its run, with the movement and action of the comic page replaced with narration, sound effects and probably altered dialogue where necessary for the benefit of the listener.  While this is probably a little different than the comic, I think that it captured the tone, characters, and intent of The Sandman exceedingly well, and the resulting production is pretty damn impressive.  Not only does it feature some brilliant acting, but the production team makes outstanding use of a ton of cool sound effects and some moving music to create something extremely special.

While this audio production has many great features, without a shadow of a doubt its most defining aspect is the incredibly stacked voice cast who bring the various characters to life.  Someone clearly sold their soul to get the eventual cast for The Sandman, as some exceedingly talented actors are featured here giving some intense and powerful performances.  These great performances deeply enhance the entirety of The Sandman and turn this already outstanding story into something that you will listen to again and again.  This voice cast is led by the insanely talented James McAvoy, who voices main character Morpheus.  McAvoy is extremely good in this production, showcasing all his acting range to bring this complex character to life in all his dark, gothic and detached glory.  Thanks to the way he voices the character, listeners really get a sense of how ethereal and distant Morpheus can be, as well as the intense weight of the events of this story and the relationships he has formed.  You really get the full gambit of Morpheus’s emotions during this first act and McAvoy covers them all perfectly, embodying the character’s rage, sorrow, impatience and intense regret extremely well.  This performance really serves to enhance the character of Morpheus in this production of The Sandman, and McAvoy was the perfect actor to helm this entire series.

The rest of the voice cast is just as impressive, with several major celebrities featured here.  Taron Egerton has a notable time voicing the iconic John Constantine and his pretty damn good here, bringing the distinctive magician to life extremely well.  Edgerton brilliantly brings forth Constantine’s full emotional range throughout The Sandman, and you get a great sense of his cheeky demeanour which overlays his insane amount of guilt and despair.  This was a very good version of Constantine, and indeed after listening to this production, Edgerton would be my choice for Constantine if they chose to do another major movie with him.  In addition, Kat Dennings has a major role in this audiobook as Death.  Dennings is pretty amazing here, and she brings some real life (pun intended) to this major role, showcasing this character’s intense warmth and friendliness, as well as her exasperations when it comes to her brother.  Dennings really made this unique character her own, and I deeply enjoyed her performance.  I also had a lot of fun with Andy Serkis who voices Matthew the Raven, Dream’s messenger and servant.  Matthew is a fairly comedic role which Serkis fills perfectly, giving the raven a sarcastic and everyman feel that fit the lines really well and helped to make him a very distinctive and fun figure.

Other big-name actors include Bebe Neuwirth, who perfectly voices a prophetic cat with aspirations to change the world through dreaming.  Riz Ahmed is pretty terrifying as The Corinthian and you get some major serial killer vibes from his performance.  Arthur Davill has a great couple of appearances as William Shakespeare, while the legendary Joanna Lumley has an unfortunately short appearance as Lady Johanna Constantine, although she gets her time to shine in future productions.  Likewise, Michael Sheen has only a short appearance as Lucifer Morningstar, although he brings some incredible flair to the character, dripping style, venom and power.  Like Joanna Lumley, Sheen will get his time to shine in future instalments of this audio series, so don’t be too disappointed with his limited appearances here.  I loved William Hope as Doctor Dee, as he gives the villain some deep malevolence and insanity.  Michael Roberts and Kerry Shale are fun as Cain and Able respectfully, while Paterson Joseph has a great sequence as The Demon Choronzon.  I was also very happy to see that one of my favourite audiobook narrators, Ray Porter, was featured here, voicing multiple supporting characters.  All of Porter’s portrayals were very fun, although I think he was best as Gilbert, providing some fun British pomp to the character.  Finally, Neil Gaiman himself has a massive role in this production as the Narrator, which is pretty damn appropriate.  Gaiman is great as the narrator, with his distinctive voice perfectly moving the story along, as he describes events, actions and settings, as well as providing a massive dose of exposition.  I was really impressed with Gaiman’s continued performance here, and I honestly don’t know if anyone else could have done such an impactful and meaningful job of it.  I am honestly only just scratching the surface of this cast, as there are a ton of other actors featured throughout The Sandman in some way.  However, all of them are extremely good and their work on this show is just superb.

As you can no doubt tell from the elaborate and long-winded review above, I had an outstanding time with this audio production of The Sandman, and I am so very happy that I got to finally experience Neil Gaiman’s amazing series.  Everything about this audiobook was impressive, with an elaborate and dark narrative, gritty characters, fantastic performances and some incredible world building.  There is truly something for everybody here, as readers unfamiliar with The Sandman can easily jump in and learn everything they want to know about the series (I’m now ready for that upcoming Netflix series), while established fans will no doubt enjoy it performed by such a talented team of actors.  I had such a good time listening to this first act that once I finished, I immediately jumped into listening to the second act, which has an even better and expanded voice cast.  I will hopefully review that in a few weeks, but in the meantime do yourself a favour and listen to this incredible audio production of The Sandman, as you will not regret it.

Warhammer 40,000 – Ghazghkull Thraka: Prophet of the Waaagh! by Nate Crowley

Ghazghkull Thraka - Prophet of the Waaagh! Cover

Publisher: Black Library (Audiobook – 15 March 2022)

Series: Warhammer 40,000

Length: 7 hours and 30 minutes

My Rating: 5 out of 5 stars

Prepare to read one of the most amusing and downright entertaining recent additions to the Warhammer 40,000 canon with the hilarious and brilliant Ghazghkull Thraka: Prophet of the Waaagh! by outstanding author Nate Crowley.

I have been having an immense amount of fun really diving into the massive wealth of tie-in fiction surrounding the Warhammer 40,000 tabletop game this year.  Books like Steel Tread by Andy Clarke, Krieg by Steve Lyons, The Bookkeeper’s Skull by Justin D. Hill and Day of Ascension by Adrian Tchaikovsky, have really highlighted just how diverse and intense this extended universe can be.  However, the latest tie-in novel I checked out may prove to be one of my absolute favourites, as I got to learn all about one of the most iconic ork characters in this universe with Ghazghkull Thraka: Prophet of the Waaagh!

Orks are the most notorious and dangerous creatures that roam the galaxy of the 41st millennium.  Billions upon billions of the powerful, war-loving creatures can be found throughout every sector of space, fighting anyone and anything they can find, especially each other.  However, out of all these monsters, none are more feared, respected or hated than the warlord Ghazghkull Mag Uruk Thraka, chosen of the ork gods Gork and Mork and proclaimed prophet of the Waaagh!

Throughout his legendary life, Ghazghkull has done what no other ork has been able to achieve.  Bringing together innumerable warbands into one massive horde of green, Ghazghkull has warred with every faction in the cosmos, while his infamous invasions of the Imperial planet of Armageddon are the stuff of bloody legend.  Everyone knows of his epic and rivalry with his indomitable foe, Commissar Yarrick, which turned Armageddon into a perpetual warzone, but does anyone know the true story of Ghazghkull and the events that made him?

Rogue Lord Inquisitor Tytonida Falx has long attempted to discover what lurks in the minds of the xenos her order faces.  When an opportunity to find out more about Ghazghkull presents itself, she eagerly jumps at the opportunity, bringing a unique prisoner aboard her heretical ship, Ghazghkull’s banner bearer, the grot Makari.  Interrogating him, Inquisitor Falx and her team soon discover that Makari might just be the only being in the universe who knows the full truth about who, or what, Ghazghkull is, and what he plans to do next.  But, as she listens to Makari’s tale, the Inquisitor soon discovers that the shadow of Ghazghkull’s rage and desire for violence far eclipses anything that the Imperium has ever believed.

Wow, now that was a really fun and captivating read.  I knew going into Ghazghkull Thraka: Prophet of the Waaagh! that I was going to have a great time, especially after enjoying author Nate Crowley’s The Twice-Dead King novels, Ruin and Reign, but I was blown away by how awesome Ghazghkull Thraka was.  Featuring a clever and wildly entertaining story, perfectly told through various unique eyes, as well as some deeply enjoyable characters, I quickly became absorbed in the impressive story and powered through it in a couple of days.  Not only was this my favourite book from Crowley but it also probably overtakes Kal Jerico: Sinner’s Bounty as the most amusing Warhammer novel I have ever read.

I had an absolute blast with the incredible story that Crowley whipped up for Ghazghkull Thraka, as it ended up being an inventive and entertaining way to showcase an iconic Warhammer figure.  Due to his prominence within the game and the extended fiction, Ghazghkull is probably one of the most utilised non-human characters in the canon, with many different novels, game books and comics already diving into his life.  As such, Crowley needed to come up with a completely new way to examine this great character that didn’t tread on any prior works.  I think his solution to this problem was exceedingly clever, as he chose to tell the story through the eyes of the most unlikely narrator and chronicler, the grot Makari, whose unique insights and worldview turned this already known backstory into something truly special.

The story starts off in the current timeline of the Warhammer 40,000 universe and shows Inquisitor Falx obtaining Makari and interrogating him about Ghazghkull.  This causes the book to dive back into the early days of Ghazghkull as Makari chronicle his master’s existence as he saw it.  As such, you get a very specific examination of Ghazghkull’s life, with a focus on his early trials, some of his pivotal moments, and more specifically his interactions with Makari.  At the same time, the story keeps jumping back to the present, with the Inquisitor and her followers interrupting to ask specific questions and discussing whether there is any truth in what he says.  The book keeps jumping between these different perspectives, and you end up with two distinctive storylines as Makari’s presence brings some big woes for the Inquisitor in the present day.  The chronicle storyline goes at a brisk pace, especially as Makari’s interrogators get him to skip or shorten specific sections, but there is a clever and impressive logic into what parts of Ghazghkull’s life are featured or ignored.  Not only are the past and present storylines exceedingly intriguing and entertaining in their own rights, but they also come together perfectly as well, with Makari’s insights into Ghazghkull and himself impacting the actions of Falx.  While the ending was slightly too metaphysical, it served as a brilliant and powerful conclusion to this great story, and I loved seeing the entire tale come full circle in some hilarious ways.

I deeply appreciated the way that Crowley put Ghazghkull Thraka’s story together, as its distinctive and clever style really helped to enhance the chronicle contained within.  The plot device of an interrogation of an alien prisoner works extremely well to set up the main narrative, and the constant interruptions, debates and revelations that occur whenever it snaps back to the present adds to the sense of mystery and mysticism surrounding the titular figure.  While Crowley takes the story in some interesting and complex directions at times, the entire novel is paced beautifully, and there is never a single boring or slow moment within the entire thing.  I particularly liked the near constant humour that was injected into the story, a fantastic side-effect of basing the book around the funny ork species, and I laughed out loud several times as I powered through this impressively amusing read.  Like many Warhammer novels, Ghazghkull Thraka can be enjoyed as a standalone read, and the author makes sure that it features a great self-contained narrative that anyone can enjoy, even those unfamiliar with the universe and the canon.  Indeed, this would be a decent introduction to the Warhammer 40,000 canon and associated extended universe, especially as it perfectly presents one of the key factions of the universe.  Most of the unique universe elements and wider history are explained sufficiently for new readers to follow along without any issues, although some could potentially get confused by the deliberate exclusion of events previously covered in other books.  Still, Ghazghkull Thraka should turn out to be an easy and entertaining read for any science fiction fan, and I thought that this Warhammer 40,000 novel was very well written and extremely clever.

One of the things I love the most about Nate Crowley’s Warhammer novels is his brilliant ability to dive into the unique alien races of the universe and then perfectly showcase their culture and mindsets.  This was the case again in Ghazghkull Thraka, where Crowley expertly dives into the heads of the various ork and grot characters.  No matter whose perspective is shown, every scene of this book features some excellent and often highly amusing depiction of greenskin culture, as Makari attempts to explain the ork perspective as well as his place in the society as a grot.  As such, you get some incredibly detailed and compelling insights into this crude and warlike race, including their brutal hierarchy, need for violence, insane technology, and very unique worldview, which generally results in most of the book’s fantastic humour.  However, rather than the dumb, brutal and one-note figures that most authors depict, Crowley really goes out his way to show that there is a lot more to orks than you realise.  Not only do you get some excellent insights into their various clans and organisations but the various ork characters are shown to be complex beings with unique needs and the ability to formulate some very cunning plans.  There is a particularly intriguing look at the ork religion that follows the gods Gork and Mork, and this novel ends up with a spiritual edge, especially as Crowley shows the orks being extremely successful because they choose to strongly believe in themselves.  As such, you see quite a unique and compelling side to the ork race in this book, and I loved how incredibly Crowley portrayed them.

Naturally, a big part of this examination of ork culture comes from the in-depth look at the life of Ghazghkull himself.  As I mentioned before, Ghazghkull is one of the best-known characters in the entire Warhammer 40,000 canon, so most veteran readers would already be quite familiar with him and his actions.  However, Crowley does an excellent job of examining a completely new side to this character, and mostly ignores his wars at Armageddon and his intense rivalry with Commissar Yarrick, both of which have been done to death in other books.  While certain parts of his history are revisited in this novel, Crowley completely changes their implications and causes, instead focusing on Ghazghkull’s unique orkish mindset and his role as the prophet of his gods.  This new take on Ghazghkull proves to be quite unique and very captivating, as he is shown to be an overburdened being, constantly pressured by his own visions and the influence of the gods to succeed and be a uniting force for his people.  While he still retains the casual violence of his race, you really see Ghazghkull as a deep thinker, and it is fascinating to see his inner ork face off against his grand ambitions and desires.  Crowley also adds some compelling supernatural elements to his character, as Ghazghkull, as seen by Makari, bears a direct connection to the gods which he can use to alter his fellows and himself.  While this isn’t too overpowered or strange, it adds a great extra layer of menace to the character, especially for the humans, and I loved seeing the Inquisitors trying to wrap their heads around the strange occurrences.  I had a lot of fun seeing this other side of Ghazghkull, and this novel ended up being a great analysis of who they are and what they represent to their race.

I also really enjoyed the inclusion of Makari as one of the central characters, and his use as the main witness to Ghazghkull’s life worked incredibly well.  While Makari has always been associated with the character of Ghazghkull, accompanying him in his battles and waving his banner as a source of luck, Crowley really changes him in this novel and paints him as an essential part of Ghazghkull’s success and relationship with the gods.  Shown to be there the moment that Ghazghkull became the prophet, Makari follows Ghazghkull through some of his big moments and it is hilarious to see his snide view on the subject, especially as, like most grots, he a massive coward who doesn’t want to be there.  A lot of this novel’s humour is derived from Makari’s observations and responses, and I loved some of the jokes set up around it.  Crowley does an awful lot with this character, and I particularly liked how the story explained certain aspects of his previous portrayals, such as the apparent multiple versions and his surprising luck.  These are worked into the story extremely well, but it’s the relationship with Ghazghkull that becomes the most fascinating.  Just like with Ghazghkull, there is a major spiritual edge to Makari, who appears to be just as chosen and important to the plan as his master.  Makari’s mystical and religious bond enables him to have a far bigger insight into Ghazghkull’s actions than anybody else, and this really enhanced the analysis of the titular character.  However, it is in Makari’s attempts to serve and help his master achieve his destiny that we see the best Makari scenes, especially when faced with Ghazghkull’s apparent depression, the manipulation of his other followers, and his own stubbornness.  While Ghazghkull does have the inherent ork reluctance to rely on a grot, and indeed he is extremely likely to kill Makari if he starts giving advice, the moments where Makari get through to him are powerful, and I really appreciated the character work surrounding them.  There are some rocky moments between them, especially when Ghazghkull becomes dismissive of his lucky grot, and Makari’s subsequent reactions is very funny and incredibly over the top, which was so very cool.  Overall, this ended up being an excellent and surprisingly compelling portrayal of Makari, and I am exceedingly glad that Crowley featured him in this novel the way he did.

Aside from the greenskin characters, a large amount of plot revolves around the team interrogating Makari.  Crowley really went out his way to create a particularly unique group of Imperial agents who bear surprising insights into the mind of the xenos.  This team is led by Inquistor Falx, a rogue Inquisitor who bears a dangerous obsession with the alien creatures.  Falx is desperate to learn everything she can about the aliens attacking the Imperium to help defeat them and finds herself stymied by the Imperium’s controlling and non-progressive government and religion.  As such, she takes some major risks in this book to understand Makari and Ghazghkull and has some unique and dangerous methods for achieving her goals that borders on the insane/heretical.  I quite liked Falx, despite her obsessive qualities, and she proved to be a great central figure for half the novels plot, especially as her frustrations, concerns and thoughts about the evils of the Imperium, are extremely understandable.

Falx also employs a unique team of interrogators to help her with Makari, including Brother Hendriksen, a Space Wolves rune priest assigned to Deathwatch who has also fallen out of favour with the Imperium thanks to his work with Falx.  Hendriksen serves as a beastly and powerful presence on Falx’s team, and he often provides a great counterpoint to the inquisitor in both technique and common sense, often despairing at her more dangerous choices.  Crowley’s diverse cast gets even larger with the truly unique character of Cassia, a female ogryn psyker who has grown as smart as a human.  This was a fantastic and extremely distinctive addition to the cast, and her surprisingly calm demeanour, which contrasts beautifully with her immense ogryn strength, works perfectly against Hendriksen’s impatience and anger.  The final member of the team is probably the most enjoyable, with the ork character, Biter (Bites-Faces-Of-The-Face-Biter-Before-It-Can-Bite).  Biter is a member of a Blood Axes mercenary band who have dealings with Falx and who sell Makari to her, remaining behind to interpret Makari’s testimony to the humans.  Due to being a member of the Blood Axes, a group who idolise human military culture, Biter is a very distinctive figure, wearing an approximation of a military uniform and appreciating complex tactics and strategy.  However, Biter is even more intelligent and cunning than most Blood Axes, and his near human tendencies really stand out, as it is pretty unexpected from an orc.  His fantastic reactions, comedic impressions of human behaviour, and determination to antagonise the Inquisitor really make him stand out, and he was an absolute joy to behold.  These four interrogators play off each other perfectly during the present-day scenes, and their arguments, discussions and interpretations of Makari’s story give it added depth, humour and impact, especially once they start realising just how valuable their prisoner is.  This entire cast was put together extremely well, and I had an incredible time with this unique and enjoyable collection of characters.

Like most Warhammer novels I check out, I chose to grab the audiobook version of Ghazghkull Thraka, which turned out to be such a wonderful and incredible listening experience.  Not only did the story absolutely fly by in this format, allowing me to get through its seven and a half hour runtime extremely quickly, but I found that the narrative and descriptions of ork life really popped when read out.  However, the best part about the Ghazghkull Thraka audiobook is the outstanding use of narrators.  This audiobook has three separate narrators, Kelly Hotten, Paul Putner and Jon Rand, each of whom have some experience narrating other Warhammer audio productions.  Not only are each of these narrators quite talented but the way they were featured in this audiobook is extremely clever, with the voice actor changing depending on who is witnessing or telling the events of the book.  For example, Kelly Hotten serves as the narrator for the various scenes and interludes where Inquisitor Falx is witnessing Makari’s interrogation, and Hotten does a brilliant job capturing the various players of these scenes, including the Inquisitor, her unique companions, and their orkish interpreter.  Paul Putner narrates the various scenes shown directly from Makari’s perspective, and he has a lot of fun in this role, not only capturing the cowardly and sneaky mannerisms of the grot protagonist, but also providing some amusing and deep voices for the ork characters.  Finally, Jon Rand has a memorable sequence voicing Brother Hendriksen when he psychically jumps into Makari’s mind and views some of the events occurring, and he gives the character a notable accent and internal growl that fit him extremely well.  The jumps between the voice actors were done perfectly and I really loved how it changed up depending on the perspective.  All three voice actors did an amazing job with their narration, and their work, plus some fun sound effects here and there, helped to turn this into such an impressive production.  Easily the best way to enjoy Ghazghkull Thraka, you will have an incredible time listening to this audiobook.

Nate Crowley continues to shine with another entry in the Warhammer 40,000 universe, with the unbelievably entertaining Ghazghkull Thraka: Prophet of the Waaagh!  Featuring a unique and deeply amusing story that re-examines on of the canon’s most iconic alien characters, Ghazghkull Thraka has a tight and cleverly written story, loaded with action, great characters and whole mess of outstanding humour.  Not only that, but this is without a doubt one of the best portrayals of the Warhammer 40,000 orks I have seen as Crowley obviously had a ton of fun bringing them to life.  Easily one of the best (and definitely the funniest) Warhammer 40,000 novels I have been lucky enough to enjoy, Ghazghkull Thraka comes extremely highly recommended, especially in its audiobook format, and is a must read for all fans of this wonderful fandom.

World of Warcraft: Sylvanas by Christie Golden

World of Warcraft - Sylvanas Cover

Publisher: Penguin Random House Audio (Audiobook – 29 March 2022)

Series: World of Warcraft

Length: 15 hours and 38 minutes

My rating: 4.5 out of 5 stars

Prepare to find out everything you every wanted to know about one of Warcraft’s most complex characters with the brilliant Sylvanas by the always impressive Christie Golden.

There have been some great tie-in novels coming out this year across multiple franchises.  While I have mostly been sticking to Star Wars and Warhammer novels, I recently decided to dive back into the fiction surrounding a personal favourite franchise of mine, the Warcraft games.  It may surprise some people to know that the Warcraft games, which includes the absolute institution that is World of Warcraft (WOW), has a massive extended universe surrounding it, with multiple novels and comics working to enhance and support the game’s already impressively deep lore.  I have had a lot of fun with some of these over the years, but I was particularly intrigued when I managed to get a copy of the latest tie-in novel, Sylvanas by Christie Golden.  Not only did this book cover the life of one of the best characters in this franchise, Sylvanas Windrunner, but it was also written by the amazingly talented Christie Golden, an absolute master of tie-in fiction.  Golden has written some impressive Warcraft novels, including Before the Storm and the brilliant War Crimes, and she has also written tie-in novels to multiple other franchises, including one of my all-time favourite Star Wars novels, Dark Disciple.  As such, I am always really keen to check out any of Golden’s additions to this complex canon, and this turned out to be a particularly great book.

Few inhabitants of the world of Azeroth have had more of an impact on its recent history and the devastating events that have befallen it than the infamous Sylvanas Windrunner.  The Banshee Queen of the Forsaken, Sylvanas has held many titles, names and positions as she has witnessed and manipulated the entire realm for both her people and herself.  However, Sylvanas has a far deeper goal than power; she also seeks to realign the injustices of life and the meaninglessness of death, finally achieving the peace and happiness that she and the world deserve.  To that end, Sylvanas has aligned herself with the mysterious and otherworldly afterlife entity known as the Jailer.  Bound to his side and now a fugitive from both the Alliance and the Horde, Sylvanas seeks to bring his goals to fruition, no matter the cost.  However, her final task from the Jailer appears to be the most difficult, securing the fealty of imprisoned human king Anduin Wyrnn.

Reluctant to force service upon Anduin against his will, Sylvanas attempts to sway him to their side through subtler means.  To that end, she regales him with the story of her life, believing its lessons will convince Anduin of the necessity of her actions and help bind him to the Jailer’s cause.  With her captive audience listening close, Sylvanas reveals the key events from her life that shaped her, including her childhood and the tragedies of the Windrunner family, her death and damned resurrection at the hands of Arthas, and her eventual ascension to leadership of the Horde as Warchief.

However, amongst these tales of tragedy, triumph and a deep despair, Sylvanas also reveals her history with the Jailer and her first journey to the Maw.  Discovering a dark truth behind the veil of death, Sylvanas hopes to end the injustices and terrible consequences that awaits all souls, including her, by helping the Jailer achieve her goals.  But to achieve victory, Sylvanas was forced to become a force of destruction, bringing war to Azeroth and forcing another conflict between the Alliance and the Horde.  However, her worst actions may be yet to come as the Jailer’s plan for Anduin will require Sylvanas to become what she hates the most.  Daughter, sister, hero, unwitting pawn, rebel queen, Warchief, and monster, the truth of Sylvanas is revealed, and you’ll have to decide whether she is Azeroth’s greatest hero or worst villain.

Golden continues to add more and more depth to the Warcraft canon with this rich and clever novel that serves as the ultimate guide to one of the franchise’s best characters.  I had an absolute blast with this exceptional read that expertly turned the established history of Sylvanas Windrunner into a powerful and moving tale of family, tragedy and the consequences of choices.

Sylvanas contains a brilliant character-driven narrative that I think perfectly tells the tale of Sylvanas Windrunner, expanding out her life and providing details and insights about her that have never been shown in various other parts of the Warcraft fiction.  Starting during the events of the Shadowlands expansion, where Sylvanas is holding Anduin prisoner, the story soon morphs into a chronicle tale as the titular character recounts her entire life story to Anduin.  Starting off during her childhood, the first substantial part of the novel is focused on Sylvanas’s early life, the complex family relationships she had, her surprising rise to the rank of Ranger General, and her first encounter with tragedy.  This initial section of the novel, which covers most of Sylvanas’s life before her appearance in the games, is extremely detailed as Golden firmly establish this part of her life and show how her early relationships and losses would shape the rest of her life.  While this first part of the book is intriguing and vital to the story, it was a tad less exciting than I was hoping and ended up being one of the slowest parts of the novel, although once the first real tragedy occurs, it does speed up to an entertaining pace.

Following this substantial introduction, Sylvanas’s story starts to feature some major time skips, with the narrative jumping to her encounter with Arthas and subsequent death, which is shown a bit more theatrically and briefly than you would expect.  The rest of the story happens at a blistering pace, with many of the key moments of the character’s life briefly shown as the story powers through the events of the various games and expansions.  There are some fascinating moments and scenes in this second half of the book, and I had a great time seeing Sylvanas’s resurrection and enslavement to Arthas, her rebellion against her deathless master, her rise to become a leader of the Forsaken and her early days as a member of the Horde.  The story really skips along extremely quickly here, although it slows down at times to highlight Sylvanas’s interactions with the Jailer and the various things she did as his command.  These scenes are some of the most important parts of the book, as they try to highlight when and how Sylvanas started working with this villain, as well as her motivations for joining him.  These pivotal scenes are extremely interesting, and Golden masterfully works in the novel’s earlier character development into Sylvanas’s reasons for her actions.  The rest of the novel showcases Sylvanas’ more villainous turn, until she completely becomes the antagonist we encounter in Shadowlands and the end of Battle for Azeroth, which brings us full circle to the interludes between Sylvanas and Anduin.  The book ends on a fantastic and compelling note, recreating a scene from the game, and serving as a fitting conclusion to Sylvanas’s story, while also providing the reader with some much needed hope and satisfaction at a potential happy ending in the future.

Golden used some interesting storytelling techniques throughout Sylvanas, and most of them paid off extremely well to create an intense and exciting story.  While many Warcraft novels are more concerned with immediate action and intrigue, Sylvanas works well as a chronicle story which focuses on its protagonist’s complex and damaged psyche, as well as an intense portrayal of family and the difficulties and joys associated with it.  Through her reminiscing, the protagonist highlights her story extremely well, and I liked the clever use of several interludes to take the story back to the present for Sylvanas to debate her actions and choices with Anduin, whose pensive and compassionate insights add to the emotional weight of the narrative.  Both these past events and the storyline set in the present have some great moments, and I loved the novel’s overarching theme of the importance of free-will and choice, especially as the protagonist is a person who often found the events of her life and death, controlled by others.  There is an excellent balance of story elements featured throughout Sylvanas, with Golden featuring a great blend of intense character moments with cool action scenes, fun interactions and attempts to bring the novel into the established events of the wider Warcraft universe.  However, I did have some issues with the pacing of the novel.  While most of the novel flowed well, I really disliked how the author would spend a substantial amount of time going over some periods of the characters life in high detail, before quickly jumping through multiple years of subsequent events in extremely short order.  While I could see the author’s reasons for doing this, it did limit the impact of the narrative and there were multiple interesting events and characters that were only lightly featured.  Still, I had a great time getting through the plot elements that the author included, and they ended up resulting in an excellent and intense character driven story that featured some very powerful moments as the protagonist goes through absolute hell and back.

Sylvanas ended up being a particularly interesting inclusion in the wider Warcraft canon and it is one that I am extremely glad I decided to check out.  Due the multiple appearances and impacts that this titular character has had, the plot of Sylvanas encompasses the events of all the Warcraft games, including the entirety of WOW (at this point).  At the same time, the novel also ties into some of the other books, comics and other pieces of extended Warcraft fiction that are out there, particularly some that were written by Golden.  As a result, there are an awful lot of references, locations and iconic events going on in here, and Golden does an excellent job to bring all of these to life throughout the novel, with a focus on Sylvanas’s role in them.  I loved seeing so many key moments from the games and the other extended fiction re-featured or referenced throughout this novel and it was fascinating to see how they connected with the events of this book.  While Golden does really try to explain the context or importance of all of them, some readers unfamiliar with the games (or who may have stopped playing in recent years), may have difficulty at times following what is happening.  This is partially mitigated by the fact that Golden chooses to avoid or only lightly feature multiple events, especially those covered in the games, other novels and comics (several of Golden’s books are only lightly brushed on).  While I can understand Golden trying to avoid unnecessarily rehashing events that Warcraft fans would have seen before, it was one of the main reasons for the pacing issues, as it ensured that the events of the character’s childhood, which has not really been seen before, got so much focus early on.  It also requires readers to have a bit of an idea of what happened in many of the other novels and comics, especially if you wanted to get the full emotional impact.  Still, attentive readers generally should not have any issues following the book’s plot, and established fans of the franchise will really love the intriguing world building elements and revealed character histories, especially those that help to fill in several of the gaps surrounding the Jailer and their actions.

Unsurprisingly, Sylvanas also proves to be a major character study of its intriguing protagonist Sylvanas Windrunner who serves as the main point of view character as she recounts her life story.  This was one of the main things that drew me to Sylvanas, as I have been a big fan of this character ever since Warcraft III.  Golden does a brilliant job featuring this titular protagonist here, and Sylvanas ends up being both a great recreation of the characters life and an in-depth study of one particularly damaged person’s darkest emotions.  I was really impressed with how much additional depth Golden added to this already well-established character, and there are some fascinating details included here that help to explain so much about her and her actions in the latest expansions.  Thanks to the chronicle style of the novel, you get an intense look at her life, and find out all her pivotal moments and the emotions she experienced throughout them.  Golden provides a particularly impressive focus on the character’s mostly previously unseen childhood and family life, which serves as a good basis for much of the character-driven narrative.  Her earlier tragedies and heartbreaks have a great lasting impact on her and serve as some of her motivation for serving the Jailor.  From there the story covers most of her appearances in the various games, and it is fascinating to get the new Sylvanas-orientated perspectives of these events, which adds substantially to the novel’s drama as you see Sylvanas reacting to the various terrible events, including her murder and subsequent enforced enslavement by Arthas.  Golden does a brilliant job of highlighting the character’s despair, anguish and helplessness during this period, and the change into the life-long hatred that infected her was extremely powerful, and many of these moments tie into the book’s overall them of choice and free will.  However, some of the most fascinating moments occurred after the Lich King’s death (at the end of the second WOW expansion), when Sylvanas, cheated of her revenge, takes some drastic actions never seen in the games.  These actions lead her to first meet the Jailer and her eventual villainous actions, and I think that Golden was extremely successful in finally showcasing the character’s motivations, which were a little clouded in the actual game.  As such, Sylvanas ends up being show as a far more sympathetic character in this novel, which ties into her great redemption arc in the game, and you end up getting very attached to her story.  This novel really was the ultimate Sylvanas Windrunner experience and I loved learning even more about this brilliant character.

Aside from Sylvanas herself, this novel contains a massive cast of supporting characters who have varying degrees of impact on the overall story.  Due to the scope of the book’s plot, this supporting cast ends up encapsulating most of the major characters from the various Warcraft games, which is a bit excessive.  Many of these characters are only included for brief moments or are featured merely as mentions, and it can be a bit overwhelming to be bombarded with character names, especially from some more obscure figures.  However, I liked how the use of all these characters and the various interactions they had with Sylvanas helped to set up her place in the universe, and Golden does ensure that the reader is aware of the reason why the character is there and what role they play in Sylvanas’s life.

While there is a huge cast of supporting characters, several do shine through in the plot, and it was great seeing the various relationships they have with Sylvanas.  For example, all the members of Sylvanas’ family are featured throughout the book, particularly in the first half, and Golden really captures the impact, joys and struggles of family, and showcases how the extreme nature of these can really impact a character’s life.  The inclusion of the least famous Windrunner sibling, Lirath, really adds to the overall story, especially due to the unique relationship they had with Sylvanas.  I have to say that I really enjoyed how much Nathanos Marris (eventually becoming Nathanos Blightcaller) was featured in this novel, and Sylvanas contains an in-depth exploration of the unique relationship they had with the protagonist both in life and in death.  This adds some intriguing depth to the actions of this supporting character, and it was fascinating to see how the loyalties and attachments of this character were formed, as well as the unusual romance they formed which lasted lifetimes.  The brief scenes of iconic villain Arthas were pretty intense, and I appreciated the look at the torment he inflicted upon Sylvanas, especially as it becomes such a big part of her life story.  The use of Alliance leader King Anduin Wyrnn as Sylvanas’s audience for her story was extremely good as well, especially as the kind and hopeful Anduin serves as a great foil to the more cynical Sylvanas.  Watching these two jab at each other in the interludes was an excellent and emotional part of the novel, with Anduin trying to convince her back into the light at the same time she’s trying to bring him towards her side.  These scenes get even more intense and emotional when you realise that the entire reason for these conversations is that Sylvanas is trying to be merciful and give Anduin a choice to serve, something Sylvanas was never given.  All these characters, and more, really help to tell the full story of Sylvanas and are an impactful and powerful inclusion in the overall narrative.

Like most tie-in novels I enjoy, I chose to check out Sylvanas in its audiobook format, which was outstanding.  This was mainly because Sylvanas was narrated by legendary voice actor Patty Mattson, who voices Sylvanas Windrunner in WOW.  There was absolutely no way I was going to turn down listening to a story about Sylvanas that is narrated by the ultimate voice of the character, especially after her epic performances in some of the recent cinematics.  Unsurprisingly, Mattson did an incredible job with this audiobook, and hearing Sylvanas telling her own tale really helps to bring you into the narrative in a big way.  Mattson does some excellent alterations to her voice to portray a younger Sylvanas in some of the earlier scenes, and it was also extremely cool to have Mattson recreate some of the most awesome lines from the games and cinematics throughout the plot.  Thanks to this impressive narration, the Sylvanas audiobook has an amazing flow to it, and you will swiftly find yourself powering through it, even with its 15 hour and 38 minute long runtime.  The ultimate way to enjoy Sylvanas, the audiobook format comes extremely highly recommended as it really enhanced my enjoyment of this novel.

Overall, Sylvanas by Christie Golden is a brilliant and impressive novel that serves as an excellent tie-in to the Warcraft franchise.  Containing a powerful and entertaining character driven narrative, Sylvanas serves as a definitive study of the damaged and brilliant game character, Sylvanas Windrunner, and I had an outstanding time seeing their entire character arc come together here.  A must-read for all Warcraft fans, especially those enjoying the recent expansions, Sylvanas is an amazing read that I had so much fun with.

The Hunger of the Gods by John Gwynne

The Hunger of the Gods Cover

Publisher: Orbit (Audiobook – 14 April 2022)

Series: The Bloodsworn Saga – Book Two

Length: 22 hours and 57 minutes

My Rating: 5 out of 5 stars

Extremely talented dark fantasy John Gwynne returns with one of my most anticipated fantasy novels of 2022, The Hunger of the Gods, the epic second entry in The Bloodsworn Saga.

Last year, the fantasy world was aflame with discussion about a certain novel from acclaimed author John Gwynne, best known for his The Faithful and the Fallen series and its sequel Of Blood and Bone trilogy.  While I wasn’t initially intending to check this book out, the sheer amount of positive feedback and reviews convinced me that I was clearly missing out, so I grabbed a copy and ended up being deeply impressed by the elaborate fantasy saga it contained.  That novel was The Shadow of the Gods, a Norse inspired dark fantasy tale that saw three intriguing protagonists explore a deadly new fantasy world wrecked by the last battle of the dead gods, and filled with monsters, warbands and powered humans tainted by the divine ancestors.  I had an exceptional time with this great book, which really met all my expectations and ended up being one of my favourite books and audiobooks of 2021 (it also topped my favourite new-to-me authors list and best covers of 2021 list, it was just that damn awesome).  I deeply enjoyed the fantastic and elaborate tale this novel contained, and I could not wait to see how it would be continued.  As such, when I received a copy of the sequel, The Hunger of the Gods, which featured another awesome fantasy cover and plot synopsis, I immediately started reading it and was once again thrust into world of gods and heroes.

The dread dragon god, Lik-Rifa the soul-stealer, has been released from her ancient tomb and now all of Vigrid lies in peril.  Determined to unleash a new era of blood, death and conquest upon the lands, Lik-Rifa immediately begins to gather around her horde of Tainted warriors, including her own descendants, the dragon-born, terrible monsters and a cult of followers, all slaved to her will.  Hope looks bleak, especially as the warring human kingdoms remain unaware that Lik-Rifa is free and about to unleash fresh horrors upon them.

Amongst this chaos, the deadly Orka continues her hunt for her stolen son, taken by Lik-Rifa’s followers.  Now revealed as the legendary and infamous warrior, the Skullsplitter, Orka will not rest until she has her son and her vengeance, no matter the obstacles.  While Orka continues her quest, her former warband of secretly Tainted warriors, the Bloodsworn, head south, determined to rescue one of their members, while their newest initiate, Varg, continues his attempts to find vengeance for his sister.  Meanwhile, Elvar is forced to fulfil the blood oath she took to rescue another child from the dragonborn, and needs to convince her now leaderless warband, the Battle-Grim, to follow her.

As these brave warriors each take their own steps to destiny, they will all face dangerous challenges and horrendous odds.  Orka will need to come to grips with the wolf lying deep in her heart as she attempts the impossible: defying a god.  Varg and the Bloodsworn will travel to a distant land to achieve their goals, only to meet tragedy and loss.  Elvar finally attempts to claim the responsibility of leadership that she has always desired.  However, despite all their bravery and skill in arms, none of these heroes are going to be capable of fighting Lik-Rifa directly.  Instead, Elvar and her company will attempt a desperate plan, using forbidden magic to bring a dead god to life and bind it to their will.

Wow oh wow, what an incredible and awesome read.  Gwynne continues to showcase why he is one of the best current authors of fantasy fiction with The Hunger of the Gods, which perfectly continues the impressive Bloodsworn Saga in a big way.  Featuring tons of bloody action, impressive new fantasy elements, complex characters, and a powerful and elaborate narrative that is the very definition of epic, The Hunger of the Gods was another five-star read from Gwynne that is easily one of the better books I have read so far this year.

The Hunger of the Gods has an outstanding and impressive story that instantly grabs the reader’s attention and ensures that they are unable to put the book down until the very last page.  This sequel kicks off right after the epic conclusion of The Shadow of the Gods and quickly follows up on all the big revelations and events that occurred there, especially the release of the giant dragon god, Lik-Rifa, who serves as a suitably sinister and epic main antagonist for the series.  Just like the first book, The Hunger of the Gods’ narrative is told from a series of split storylines, each one focused on a specific point-of-view character.  All three character-specific storylines from The Shadow of the Gods are continued here, following Orka, Varg and Elva.  These existing storylines go in some exciting and interesting directions in The Hunger of the Gods, and I loved how the author expanded on the character’s growth and individual journeys from the first novel, while also keeping some of the existing dynamics and elements.  Gwynne also adds in two new point-of-view characters, as antagonists Gudvarr and Biorr, who were good secondary characters from The Shadow of the Gods, get their own intriguing storylines here.  These new character arcs are impressively entertaining, providing great alternate perspectives to deepen the story, while also working into the existing storylines extremely well.  All five storylines go in some great directions throughout the course of the novel, and there are some absolutely brilliant moments, twists and revelations that occur throughout, especially as many of these storylines started to come together more.  I had an excellent time seeing where everything went, and Gwynne really did a great job taking all these character stories in some appropriate directions.  Every single storyline end on an amazing note and the conclusions are guaranteed to drag readers back for the third Bloodsworn novel.

This second book in The Bloodsworn Saga is written pretty damn perfectly as Gwynne continues his magic to produce an addictive and distinctive read.  The Hunger of the Gods retains the excellent tone introduced in the first novel, ensuring that everything comes across as a Norse adventure story set within a unique, dark fantasy realm.  Everything about this book is handled extremely well, from the exceptional pacing, which ensures that you fly through this massive novel, to the intense and brutal action that is installed in every section of the book, guaranteeing that readers get that much needed adrenalin rush.  Gwynne utilises an interesting writing style here that really emphasises repetition and unique dialogue to help to make the story feel more and more like an epic Norse saga.  Just like the preceding novel in The Bloodsworn Saga, I think that The Hunger of the Gods had just the right blend of action, humour, character growth, world building and darker elements to create an excellent and enticing read.  I also have to say that I was quite impressed with how Gwynne was able to avoid middle book syndrome here, as in many ways The Hunger of the Gods was even better than The Shadow of the Gods.  While the story does slow down in places to help build up certain settings or plot elements, there is always something interesting or compelling going on, and I can honestly say that I was not bored at any point in the book.  You could almost read The Hunger of the Gods by itself with no knowledge of the preceding book and still have a brilliant time with it, especially with the detailed synopsis of the prior novel at the start.

The best thing about how this story is written is the exceptional use of multiple character perspectives.  The story perfectly flits between the five separate characters arcs throughout the novel, with a different character being focused on with each new chapter.  Thanks to the inclusions of two new characters, readers of this sequel get to enjoy a much deeper story here, especially as the new characters are associated with some of the series’ antagonists, providing some fantastic new elements.  I think the additional characters worked really well, as while the existing three protagonists are great, their storylines needed to be spaced out more in this sequel.  All five separate character storylines play off each other perfectly as the novel continues, telling an immense narrative that, while connected, still contains a fair bit of individuality as you follow their specific adventure.

I liked finally being able to see some interactions between the various protagonists and I loved seeing these outstanding and well-written characters finally come together in some intense scenes, allowing the reader to see these distinctive characters viewed through the eyes of the other protagonists.  The author had a great sense of which perspectives needed to featured at certain times, and there were some amazing contrasts as certain exciting storylines were played off each other, especially when you were able to see two sides to certain major battles or events.  In addition, this is one of those rare multi-narrative fantasy novels where it is near impossible to choose a favourite storyline or character to follow.  Each of the five storylines offers the reader something different, from a bloody revenge story, to an intriguing look at the book’s main antagonists, and all of them work extremely well in the context of the wider story.  I will say that Orka’s brilliant quest for her son has some amazing action scenes and powerful character moments, while the camaraderie and excellent larger-scale battles of Varg’s storyline ensured that I was excited to hear from this character.  In addition, Gudvarr provides some great political intrigue from the perspective of a true weasel, which was so very fun to watch.  However, I honestly had a great time with every single character, and there was not a moment that their individual stories did not enhance the overall quality of The Hunger of the Gods.

I really must highlight the incredible dark fantasy setting of The Bloodsworn Saga that is expertly used again in The Hunger of the Gods after Gwynne took the time to set it up in the first novel.  The harsh land of Vigrid, with its warring Jarls, terrifying monsters, long-dead gods, glory-seeking warbands and the feared and exploited Tainted, works so well as a background to this epic story and it really helps to expand the bloody adventures featured within.  I loved how Gwynne uses classic Norse elements like shield walls, longboats, weaponry and mindsets, and I still really love seeing this in a fantasy context, especially when combined or used against the monsters and Tainted characters.  This is further enhanced with the continued use of Norse inspired terms and dialogue throughout the novel, and it helps to give this entire series such a distinctive feel (although I kind of wish that he would stop trying to continually make “thought cage” an alternative to a person’s skull).  While the author spends a bit of time continuing these elements from the first book, The Shadow of the Gods also features some brilliant world building as Gwynne provides intriguing enhancements to the existing gods, land and people, which were already extremely intriguing.  There are also some examinations of the neighbouring nation of Iskidan, which was mentioned a few times in the first book.  Iskidan, which has elements of historical China, the Middle East and the Byzantine Empire in its construction, serves as an intriguing counterpoint to Vigrid, and it was fascinating to learn more about it.  I also loved a couple of cool, if freaky new monsters, that were featured in this book, although the flesh burrowing insect monster and the nightmare inducing tongue eaters, are a bit on the gruesome side (readers who don’t like body modifying monsters are warned to stay away).  All these awesome elements are fitted in the book perfectly, and I loved this continued dive into the dark and gruesome world Gwynne has lovingly created.

While the awesome narrative, clever storytelling and dark fantasy setting are amazing parts of the book, I would be extremely remiss if I didn’t highlight the incredible character work that Gwynne did within The Hunger of the Gods.  Just like the first book in The Bloodsworn Saga, The Hunger of the Gods features an impressive and captivating cast of characters, each of whom are expertly featured and who add some fantastic elements to the overall story.  This is particularly true for the wonderful and memorable characters from whose perspective this epic tale unfolds.  Gwynne did an incredible job introducing these excellent characters in the first book, and it was great to see two previous supporting characters promoted up to the central cast.  All five main characters are exceptional and their unique personalities and goals ensure that every chapter is different from the last which helps to produce an awesome and expansive read.

The first of these characters is Orka, an incredibly dangerous warrior who is hunting for her lost son and vengeance for her murdered husband.  Orka is a brilliant and complex figure who is easily one of the most exciting and enjoyable characters in the entire series.  Due to her single-minded determination and bloodlust, pretty much all Orka’s chapters read like a bloody revenge trip that is essentially a dark fantasy version of Taken.  Gwynne continues this excellent trend with Orka in this second novel and it was great to see this implacable warrior travel across this land, killing everyone who gets in her way as she takes big risks.  However, Gwynne adds in some extra elements to Orka’s tale in The Hunger of the Gods, especially following the revelations made at the end of The Shadow of the Gods that Orka is both Tainted and the former leader of the Bloodsworn, the legendary killer known as the Skullsplitter.  Orka actually comes across as a lot more bestial in this second book, especially after the big massacre she created at the end of The Shadow of the Gods that unleashed her inner monster.  As such, there are more scenes of Orka trying to contain her rage and anger, and there were some fantastic and clever portrayals of her inner beast throughout the book.  We also see some of Orka’s guilt and regret as the novel explores how she left the Bloodsworn and the relationships she sacrificed for the sake of her unborn son.  I also quite enjoyed seeing her as a reluctant leader in this novel as she finds herself in charge of a small team of warriors and monsters.  This enhances her sense of guilt and remembrances of her previous time with the Bloodsworn, and it adds some fun drama and even a mentoring arc as continues her work with her young student, Lif.  Orka’s storyline goes in some great directions throughout The Hunger of the Gods, and you will be enthralled with her tale right up until the last line of this book.

I also had a lot of fun with Varg in this book.  Varg, or as his warband knows him, Varg No-Sense, was probably my favourite character in The Shadow of the Gods and he continues to be an excellent part of this sequel.  While he doesn’t develop as much as some of the other characters in The Hunger of the Gods, Varg still remains an enjoyable figure.  Most of the appeal revolves around his friendship and growing sense of acceptance with his fellow Bloodsworn, and I liked seeing him continue to develop as a warrior and a free person, especially as starts to create some meaningful relationships.  Like Orka, a lot of Varg’s personal storyline deals with his desire for vengeance, as well as his issues controlling his Tainted rage, and I liked seeing how this complemented and contrasted with Orka’s experiences.  This is particularly noticeable when it comes to how he deals with loss, something he is not good at, especially when some good friends fall throughout the story.  As a result, there are some great moments for Varg in this novel, and his chapters are filled with some of the funniest supporting characters and best battle sequences.  I did find it interesting that Varg didn’t have the biggest impact on the overall storyline in this novel, even during his own chapters, but Gwynne is clearly planning some big things for him in the future, which I am really looking forward to.

Elvar, also has a great storyline in The Hunger of the Gods, and I honestly think that out of all the characters, she has the most development in this book.  Due to where her story from The Shadow of the Gods ended up (dragon gods rising and all), I was extremely excited to see more from Elvar in this novel, and it really did not disappoint as she immediately gets into action, resurrecting gods and bending them to her will.  Quite a lot of major plot elements occur through Elvar’s eyes, and she proves to be an excellent focus for all these key storylines.  I liked how Elvar grew up quite a lot in this sequel, especially after the traumatic betrayals of the previous book, and she ends up with a very different mindset throughout this sequel, especially when it comes to leadership and her need for fame.  Watching her grow and take control of the Battle-Grim is a compelling part of this novel, and it was awesome to see her come to terms with her new responsibilities.  It was also great to see how a lot of Elvar’s story comes full circle in this novel, especially when it comes to her personal history and family, and her final chapters in this novel are some of the best in the book.  I am once again extremely keen to see how Elvar’s story continues in the rest of the series, and Gwynne has left her in an incredible spot for the future.

Like I mentioned above, I was really impressed with Gwynne’s decision to start utilising two additional point-of-view characters in The Hunger of the Gods, and it really helped to turn this sequel into a much more detailed and compelling read.  Part of the reason this works so well is that these two additional characters are both complex and excellent characters, and their chapters act as a great continuation of some of the minor storylines from the first book.  The first of these characters is Biorr, former member of the Battle-Grim who was revealed to be a spy planted by Lik-Rifa’s followers and who ended up betraying and killing the Battle-Grim’s leader.  While it would be easy to hate Biorr for his actions, he becomes quite a sympathetic character.  Not only does he spend most of the book feeling intense guilt for his actions, but he also paints a pretty grim picture of his previous life as a slave, showcasing the hardships he and his fellow Tainted have suffered.  As such, you can understand many of his reasons for why he is helping Lik-Rifa, especially as she is promising a new world order for people like him.  Despite this he is still quite conflicted, and he acts as a more moderate antagonist.  This changes towards the end of the book, especially after he meets a certain divine being, and he starts to become a bit colder and more determined to support Lik-Rifa.  Despite being one of the least action-packed storylines in the novel, Biorr’s chapters were an excellent and entertaining part of the novel.  I particularly enjoyed the intriguing alternate views they gave of the main group of antagonists, making them seem more reasonable and complex, and the inclusion of Biorr greatly enhanced the entire narrative for the best.

The other new point-of-view character is Gudvarr, the conceited lordling who hunted Orka in the last book and was a particularly annoying antagonist.  I must admit that I was initially surprised that out of all the great supporting characters, Gudvarr was the one who was upgraded to main cast.  However, it soon became apparent why he was used, as Gwynne had some real fun turning him into one of the entertainingly despicable characters in the entire novel.  Gudvarr is the absolute epitome of arrogance, petty cruelty and cowardice throughout this book, and it is near impossible to have any respect for him, as he lies, brownnoses and attempt anything to gain power and reputation, often with disastrous results.  Gwynne goes out of his way to make him seem as conceited and cowardly as possible throughout the novel, mainly through his inner monologue, where he constantly hides all his insults and most cowardly thoughts to avoid getting into trouble with actual warrior.  He is such a little arseling in this novel, and you can’t help but hate him, especially as he has the devil’s luck and frustratingly manages to wiggle out of every single disaster he finds himself in.  Despite this, or perhaps because of it, I grew to really enjoy Gudvarr’s chapters as everything he did was hilarious in a sneaky and spiteful way, and it is just so damn entertaining to see him get pushed around then overcome more powerful and confident characters.  The Gudvarr chapters also provide some fantastic insight into another group of antagonists, loaded with political intrigue and deceit from one of the main courts of Vigrid.  I had an absolute blast following Gudvarr throughout the novel, and the way that his storyline in this novel comes to an end is just so perfect and really showcases what an absolute cowardly snake he is.  I cannot wait to see him get his eventual just deserts (or maybe he’ll be the only survivor), and he ended up being on of my surprisingly favourites in The Hunger of the Gods.

Aside from these main five characters, The Hunger of the Gods is filled with a massive raft of supporting characters, with a distinctive cast associated with each of the point-of-view storylines.  Gwynne handles these supporting characters beautifully; despite the cast list going on for six pages, you get to know all of them and fully appreciate everything they bring to the story.  Most of these characters support their respective storylines incredibly well and many of the characters either stand on their own as distinctive figures or have some brilliant interactions with the main characters.  Many of my favourites were members of the Bloodsworn band, with the hilarious and witty Svik being the best example of this with his tall tales, love of cheese, and calming attitude towards Varg, while an additional storyline about his connection to Orka adding some intriguing depth to his character.  You really get to enjoy many of the key Bloodsworn members, although this does mean you become way too emotionally strained when they get hurt or killed.  I also really grew to enjoy returning character Lif in this book as he continues to grow as a warrior through Orka’s tutelage.  Watching him develop is a great part of the Orka chapters, and he proves to be an excellent foil to the brutal main character.  I loved the deeper look at many of the series’ main antagonists throughout The Hunger of Gods, especially with the two new character perspectives, and it was great to see a different side to their plans and motivations.  The multiple resurrected or freed god characters proved to be an excellent addition to this second novel, with the main characters brought into their renewed war one way or another.  These gods really changed the entire story, and it was fascinating to see their interactions with the main characters, as well impact they have on everyone’s psyches.  These great characters, and many more, all added a ton to the story, and I loved how their various arcs and storylines came together.  It will be fascinating to see if anybody else becomes a point-of-view protagonists in the future (my money is on Lif), and I can’t wait to see what happens to these brilliant characters in the future.

While I was lucky enough to receive a physical copy of The Hunger of the Gods, I ended up listening to the audiobook version of it instead, which was an extremely awesome experience.  With a runtime of just under 23 hours, this is a pretty lengthy audiobook (the 19th longest audiobook I’ve ever listened to) and requires a substantial investment of time.  However, this is more than worth it as hearing this epic tale read out to you is a brilliant experience.  Not only does it ensure that you become deeply trapped in the elaborate story and are able to absorb all the great detail, but it also fits with the book’s inherit theme of an oral saga.  One of the best features of this audiobook is impressive narrator Colin Mace, a man with a ton experience narrating elaborate fantasy and science fiction audiobooks (such as The Black Hawks by David Wragg).  Mace has a commanding and powerful voice that really fits the theme of this universe and perfectly conveys all the violence, grim settings and powerful elements of the dark fantasy world.  He does a particularly good job with the character voices as well, as every character has a distinctive tone that fits their personality and actions extremely well.  I loved some of the great voices that he comes up with, including deep-voiced warriors, snivelling cowards, strange creatures, ethereal gods and more, and it helped to turn The Hunger of the Gods audiobook into quite an experience.  As such, I would strongly recommend this audiobook format as the way to enjoy The Hunger of the Gods, and I fully intend to check out the rest of this series on audiobook when it comes out.

John Gwynne continues to dominate the fantasy genre with his incredible Bloodsworn Saga.  The amazing second entry, The Hunger of the Gods, is another exceptional read that takes you on a wild and deadly adventure through Gwynne’s impressively put together dark fantasy world.  Containing an epic and powerful story, chock full of action, Norse fantasy elements and impressive characters, The Hunger of the Gods was one of the best reads of 2022 so far and I had an outstanding time reading it.  In some ways The Hunger of the Gods ended up being a better novel than the first entry in the series and is an absolute must read for all fantasy fans.

Throwback Thursday: Star Wars: Kenobi by John Jackson Miller

Star Wars - Kenobi Cover

Publisher: Random House Audio (Audiobook – 27 August 2013)

Series: Star Wars Legends

Length: 13 hours and 36 minutes

My Rating: 4.5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this week’s Throwback Thursday I take another look awesome book from the Star Wars Legends range, Kenobi by John Jackson Miller.

As I mentioned last week, I have been going out of my way to read some of the older Star Wars Legends tie-in novels, especially after all the fun I had recently reading and reviewing Darth Plagueis.  Despite no longer being considered canon since the Disney buyout, the Star Wars Legends range contains some cracking reads, including the awesome horror read Death Troopers, the brutal prison novel Maul: Lockdown, and the fun heist novel Scoundrels.  I have been meaning to check out some other great Legends novel for a while, but the one that I have been particularly excited to read is the 2013 novel, Kenobi.

Kenobi, which was one of the last novels released as part of the Legends line, is an intriguing read that follows Obi-Wan Kenobi in the aftermath of Revenge of the Sith and follows his early adventures on Tatooine.  Not only does this book have an intriguing plot, but the upcoming release of the new Obi-Wan Kenobi television series has got me more curious about this novel and I really wanted to see what differences occur between it and the show.  I was also drawn to fact that Kenobi was written by the supremely talented tie-in author John Jackson Miller.  Miller is a great author, who has written not only some intriguing Star Wars books but also some fantastic Star Trek novels, including Die Standing, which was particularly awesome.  As such, I was pretty sure I was in for an outstanding time reading Kenobi, and I definitely wasn’t disappointed.

Star Wars - Kenobi Cover 2

These are dark days for the galaxy.  The Republic and the Jedi have fallen, and the Empire, along with its Sith masters, has risen in its place.  All hope looks lost, except for an orphaned baby boy, now living on Tatooine, and watched over by a solitary protector, former Jedi Master Obi-Wan Kenobi.  After failing to save his fallen apprentice, Obi-Wan has retreated to the wilds of Tatooine, determined to hone his abilities, protect his charge, and wait for the day that hope is ready to return to the galaxy.  Sticking to the outskirts of the planet, Obi-Wan has taken on a new persona of Ben, a mysterious bearded and robed stranger, living alone in the desert and hiding from his past.  However, despite all his attempts to blend in, Ben is still a Jedi, and trouble follows him wherever he goes.

A deadly conflict is brewing in the deserts of Tatooine as enterprising moisture farmers clash with desperate Tusken Raiders.  The settlers are terrified of a new and ruthless Tusken war chief who has leading raids against their farmsteads, resulting in series of brutal retaliatory attacks.  When the fight seeks to engulf some of Ben’s new friends, he is again dragged into a war he never asked for.  Discovering a grave injustice as innocents are killed for a matter of greed, Ben will once again call upon the powers of the Force to ensure justice is done.  But can he achieve his goals without revealing to the entire planet that he is a Jedi, or will his greatest secret be uncovered along with the galaxy’s last hope?

Wow, this was a pretty impressive and captivating Star Wars novel from Miller that does a wonderful job showing a unique period in an iconic character’s life.  Featuring a brilliant and surprising story, set in the iconic backdrop of Tatooine, Kenobi is an excellent read that I had an amazing time getting through.

I must admit that I was a little surprised with how this story turned out.  With a name like Kenobi, you would assume that the narrative would be primarily told by Obi-Wan as he tried to settle in and survive on Tatooine.  However, Obi-Wan isn’t even a point-of-view character in this book, instead the story revolves more around some of the local people of Tatooine as they encounter Obi-Wan (or Ben, as he is known to them).  While on paper this might sound weird, it actually works really well and Miller tells a taught, powerful and compelling narrative that perfectly utilises its titular character as a mysterious and somewhat unknown figure.  Focusing on a growing battle between Tatooine settlers and the Tusken Raiders, the story shows the impact of the arriving Ben on these long-standing communities.  Miller does a great job of introducing several excellent and impressive new characters who become connected to this early version of Ben Kenobi.  Their story soon devolves into a fast-paced, character-driven adventure as Ben finds himself caught between the opposing sides.  The growing war between them takes some interesting turns, including monsters, gangsters and hidden Jedi, and introduces a fantastic villain with some clever motivations.  Miller does a great job of working the desolate setting of Tatooine and the excellent characters into this story, and you soon become attached to both as they enhance the overall the story.  Everything comes together into a captivating and moving conclusion that is exciting, emotional, and a little dark in places, bringing everything together in a satisfying way.  This intriguing story proves to be exceeding addictive and I really love the distinctive tale that Miller came up with.

This proved to be a particularly good entry in the Star Wars Legends canon, and Miller does an outstanding job of tying this story into the wider universe.  Set right after the final scene of Revenge of the Sith, you get some intriguing views of the new galaxy under the Empire, as well as Kenobi’s early attempts to settle into obscurity on Tatooine (including the answer to the question: why did he keep the last name Kenobi? The answer may surprise you).  Thanks to Miller’s excellent writing and the close relationship to the third prequel film, Kenobi is an easy novel to get into for anyone who has seen the films, and most readers will really appreciate the cool story it contains.  There are multiple references to all three prequel films and A New Hope in this book, and I know a lot of people will appreciate seeing how several of these events impacted the wider Tatooine community in surprisingly ways.  Miller also makes sure to provide a ton of compelling references to some more obscure Star Wars Legends elements, including multiple characters and events from certain comics, such as Outlander arc of Star Wars: Republic and the Star Wars Legacy series.  Some references are pretty ingrained in certain part of the Tusken Raider character’s backstories and motivations, although readers can probably get away without knowing too much about them as Miller does summarise the most relevant details.  As such, there is a lot here for the hard-core Star Wars and Legends fans to enjoy with this book, and most readers will enjoy seeing how it ties into the former canon.

Star Wars - Kenobi Cover 3

I have to say that I was quite impressed with how Miller utilises the barren and desolate planet of Tatooine as a setting in Kenobi.  This book serves as a particularly good guide to Tatooine in the Legends canon, and you are soon immersed in the various cultures and landscapes of this deadly planet.  Not only are there multiple breathtaking and powerful depictions of the unforgiving desert landscape that the characters are forced to survive on but there are some fantastic looks at some of the creatures, monsters and threats that exist in the desert, most of which are encountered by the protagonists at some point.  The readers are also treated to an intensive look at some of the main groups of people living on Tatooine, particularly the moisture farmers and the Tusken Raiders.  I loved the depictions of these two different groups, with Miller amping up the resemblance to old West settlers and Native Americans in their cultures, disbursement, and conflict (the phrase “dancing with Tuskens” was used at one point).  I learnt a surprising amount about moisture farming in this novel, which was pretty fun, and it was really interesting to see some of the outcasts and settlers who take up the hard lifestyle.  However, the best depictions involve the Tuskens, who are featured pretty heavily thanks to the use of supporting character A’Yark.  You get some fascinating looks at the tough and often unexplained Tuskens throughout Kenobi and end up coming away with some compelling looks at their culture and lifestyles, as well as some mentions about their most distinctive members in the Legends canon.  I really appreciated the way that Miller portrayed them as a desperate people, thanks to several distinctive events from the films and the comics, and this becomes a major part of their motivations for fighting the settlers and coming into contact with Obi-Wan.  You really get a deep look at this entire setting and its people throughout the course of the story and I am extremely glad Miller featured them so heavily

Unsurprisingly, considering the title of this novel, the reader gets quite an intriguing look at the character of Obi-Wan Kenobi.  This version of Obi-Wan is recently arrived on Tatooine, only just removed from delivering baby Luke to his aunt and uncle, and now trying to find his place in the new, darker universe.  I really enjoyed how Obi-Wan was portrayed in this novel, especially as Miller made the interesting choice not to use him as a point-of-view character.  Instead, you see him purely through the eyes of the rest of the cast as the mysterious and weird hermit, Ben.  This actually works really well on many levels, providing at times a distant view of the protagonist that is reminiscent of Ben’s initial introductions in A New Hope.  I really enjoyed the other character’s impressions of Ben, especially as the character is trying to hide his Jedi abilities, and the fun reactions to his apparently odd actions are quite entertaining at times.

Despite Kenobi not being a point-of-view character, you do get some quite detailed impressions of his current state of mind, and it soon becomes apparent that Obi-Wan is emotionally raw after the events of Revenge of the Sith.  The other characters are quick to notice his apparent sadness, especially through certain noticeable reactions to particular topics, such as his past or the state of the galaxy.  While these other characters may not understand their significance, the reader certainly does, and Miller does a good job of showcasing his deep pain.  This troubled emotional state is also highlighted by several interludes that feature Obi-Wan’s attempted conversations with Qui-Gon Jinn in the Force, which summarise some of the recent events from Ben’s perspective while also examining his state of mind.  As the novel continues, certain events and revelations start to push Kenobi’s buttons, especially the actions of the book’s antagonist.  This eventually leads up to a big emotional outburst from Ben as he talks to one of the other characters about his failings in his past.  Watching him beat himself up for Anakin turning to the Dark Side, as well as the fall of the Jedi and the death of all his friends, is pretty heartbreaking, and it makes for the best scene in the entire novel.  I found it fascinating to see all these emotions unfurl as the plot continue, and the use of other character’s as the primary witnesses and interpreters of this, did a surprisingly good job of exploring the character’s mental state and showcasing just how alone and damaged he truly was.

While Obi-Wan does get a substantial amount of focus throughout Kenobi, the story is primarily told through the eyes of three separate point-of-view characters who Obi-Wan interacts with in different ways.  All three characters are pretty fascinating in their own right, and Miller sets up some brilliant and clever storylines around them.  My favourite of these is probably rancher and businessman Orrin Gault, who has an impressive and captivating character arc in Kenobi.  Initially portrayed as a compassionate, generous and ambitious moisture farmer who has set up the settler militia to oppose the Tusken Raids, Orrin appears to be a decent and noble figure.  However, Orrin has a dark side brought on by hidden motivations and dealings, and it soon becomes clear that many of the issues impacting the other characters are the result of his machinations.  Miller slowly reveals the full extent of Orrin’s misdeeds throughout the course of Kenobi, and he eventually turns into quite a conniving and distinctive antagonist.  The author provides some outstanding and powerful moments for Orrin throughout the book, and there are some interesting similarities between his fall and that of Anakin Skywalker.  I deeply enjoyed the full extent of his powerful arc in Kenobi, especially as Miller comes up with a particularly dark end to his story, and his inclusion really added to overall impact and strength of this book’s narrative.

The other major human character is Kallie Calwell, a store owner who runs the local watering hole and supply shop with her children and who has a close relationship with Orrin Gault.  Kallie ends up becoming one of the leading figures of the book after she and her daughter are the first settlers in the area to encounter the mysterious Ben and are instantly enthralled by his mysterious persona.  Kallie serves as a good narrator for a large portion of the novel and ends up being the central point of view figure for most of the interactions with Ben due to her romantic interest in him.  While I must admit I wasn’t the biggest fan of Kallie’s character (she was a bit too one-note and her constant family issues got tiring), she did have some intriguing scenes, especially when she interacted with Ben.  She ended up getting the most out of him emotionally, and her connection got him to open up at times to discuss his issues.

The other major point of view character was the deeply fascinating figure of A’Yark, the leader of the Tusken Raiders who have been raiding the local settlements.  Given the title of Plug Eye by the locals due to only having one mysterious red eye, A’Yark stands as a hard and uncompromising figure, determined to save their dying tribe without losing their traditions and sense of honour.  Thanks to A’Yark’s powerfully written scenes, you get a real sense of what it is to be a Tusken Raider, and they serve as captivating figure in comparison to the other characters in the book.  A’Yark has great story arc in this novel, and the intriguing growth, as well as their ability to adapt to certain situations, made them particularly fun to watch.  They also have some interesting connections to Obi-Wan and the Jedi Order, thanks to their former brother-in-law, and this results in some compelling scenes as A’Yark knows what Kenobi is and what he can do.  All these characters, and more, add some fascinating elements to the Kenobi novel, and I really appreciated the powerful and complex story that Miller wove around them.

Star Wars - Kenobi Cover 4

I doubt anyone would be surprised that I checked out Kenobi’s audiobook format, as I have a great love of the Star Wars audiobook format.  Naturally this worked out very well for me as the Kenobi audiobook was pretty damn awesome.  With a run time of just over 13 and a half hours, this was a relatively easy audiobook to get through and I managed to power through it over the course of several days.  Like most of the Star Wars audiobooks, Kenobi featured a great selection of iconic Star Wars sound effects and music with which the producers use to produce an atmosphere and help listeners visuals all the cool things going on.  Both were really good throughout Kenobi, with the sound effects in particularly being put to great use.  I did think that the use of John William’s epic score was a little more subtle here than in other books, but it still ended up enhancing some key scenes throughout the novel and giving them some extra emotional power.

I was also very impressed by the narration of the Kenobi audiobook, especially as the producers made excellent use of one of my favourite audiobook narrators, Jonathan Davis.  Davis is a brilliant narrator who has lent his epic voice out to multiple Star Wars productions over the years, including Master & Apprentice, Lords of the Sith and the Dooku: Jedi Lost audio drama.  He does another exceptional job with Kenobi, perfectly portraying all the characters of this novel with real aplomb.  He does a pretty good job with Obi-Wan, making himself sound as much like Ewan McGregor as possible, and I loved how intense he became during some of his more dramatic scenes.  Davis also provides distinctive voices for all the new characters in the novel, which I felt did a great job portraying their relevant personalities.  I particularly loved the scratchy and coarse voices of the various Tusken Raider characters, such as A’Yark, and you got a real sense of their rage and despair they have at their current situation.  This epic voice work really added to the quality of the Kenobi audiobook, and when combined with the usual awesome Star Wars sound effects and music, ensured that this was an absolute treat to listen to.

Overall, Kenobi by John Jackson Miller is a brilliant and powerful Star Wars novel that did an outstanding job of examining this complex and pivotal figure.  Perfectly examining the early days of Obi-Wan Kenobi’s life on Tatooine, this impressive Star Wars Legends novel contains an intriguing, character driven novel that provides an interesting perspective on this hidden Jedi master which I deeply enjoyed.  Making full use of some great new characters and the desolate desert setting, this was a compelling and addictive narrative that is really hard to put down.  Highly recommended, especially in its audiobook format, Kenobi is a great entry in the Star Wars Legends range and I look forward to seeing if any elements from it are used in the upcoming Obi-Wan Kenobi television show.

Warhammer 40,000: The Bookkeeper’s Skull by Justin D. Hill

The Bookkeeper's Skull Cover

Publisher: Black Library (Audiobook – 18 January 2022)

Series: Warhammer 40,000/Warhammer Horror

Length: 4 hours and 32 minutes

My Rating: 4.5 out of 5 stars

Get ready to dive back into the crazy and terrifying Warhammer 40,000 universe with the clever and exciting read, The Bookkeeper’s Skull by acclaimed author Justin D. Hill, which serves as a great entry in the Warhammer Horror sub-series.

Despite not being even halfway done yet, 2022 has already produced some epic new entries in the Warhammer 40,000 universe, including Steel Tread by Andy Clark, Reign by Nate Crowley, Day of Ascension by Adrian Tchaikovsky and Krieg by Steve Lyons, just to name a few.  After these awesome reads, there was no way I wasn’t going to check out The Bookkeeper’s Skull, especially when it had such an intriguing name.  The Bookkeeper’s Skull is an awesome book that forms part of a sub-series of Warhammer tie-in fiction known as Warhammer Horror.  This series unsurprisingly presents the reader with horror-based stories in its various universes and has already produced some very cool sounding reads.  The Bookkeeper’s Skull is my first brush with this horror series, and I was very excited to read one, especially as it was written by Justin D. Hill, a fantastic author who has been impressing recently with several great novels, including his Cadia series.  I loved the unique and clever story that Hill came up with for The Bookkeeper’s Skull.

Throughout the Imperium of Man, many planets serve the God Emperor in different ways.  For the agri-world of Potence, its only duty is to meet the iron-firm food quotas levied upon it by Imperial hierarchy, ensuring that the armies of the Imperium are supplied with all the food they need to fight the aliens and the heretics.  The enforcers, implacable lawmen with the ability to deal out death on an arbitrary basis, roam the planet and the farms of Potence, ensuring that the populace and serfs do all there is to produce the appropriate amounts.

Rudgard Howe is a new enforcer recruit who has just reported to duty.  The son of the planet’s chief enforcer, Rudgard faces a deadly future which will eventually force him to kill his older brothers to claim his dying father’s position.  But before he faces his family, he must learn the ropes by journeying out to the farmsteads of the planet and ensuring they can meet their quotas.  Travelling with a veteran enforcer, Rudgard learns the hard truths about life in the Imperium and the necessities of justice in keeping the planet running.  However, no lessons will prepare Rudgard for the horrors awaiting the enforcers at their final destination, the far-flung farmstead of Thorsarbour.

Located out in an ancient and unknown region of the planet, Thorsarbour is a cursed settlement, with its overseers poorly led and its serfs living in terror of the strange presences they claim to feel.  Finding the settlement far behind its quotas, the enforcers attempt to whip the farm into shape, but between the unnatural feeling of the land surrounding Thorsarbour and the dangerous presence of a bloody sanguinary cult amongst the serfs, they have their work cut out for them.  Worse, a series of unexplained and brutal murders are occurring around Thorsarbour, each one accompanied by mysterious strawman placed near the body.  As Rudgard tries to uncover the cause of these mysterious deaths before they destabilise their work, the enforcers begin to discover something unnatural behind them.  Can they discover the culprit before it is too late, or will the horrors of Thorsarbour consume them all?

This was a really interesting first dive into the Warhammer Horror series for me and it is one that I am very glad that I undertook.  The Bookkeeper’s Skull is an excellent novel that very quickly grabbed my attention with its clever storytelling and fantastic, fast-paced plot.  Hill manages to do a lot with this story in a very short amount of time as The Bookkeeper’s Skull has a pretty short run time.  Despite this, the reader is quickly and succinctly introduced to the main character and narrator, Rudgard, and the world of Potence, in a great couple of opening chapters, before dropping them right into the horror of Thorsarbour.  Once the narrator arrives then you are quickly struck by the unnatural and freaky nature of the location, as they encounter several of the unusual issues surrounding the farmstead.  Following the initial discovery of a multitude of bodies and death, the protagonists encounter one dangerous situation after another, as they contend with religious fanatics, terrified serfs and overseers, monstrous farm animals, mysterious strawmen, a strange and prophetic girl, and a mysterious force brutally killing off everyone in the compound.  Even with so much happening, the pace of this novel never slackens, and there is a very high death count as everything goes wrong in some very brutal way.  I was pretty hooked on this novel from the very start, and I loved where the story went, even if it did get a little predictable towards the end.  I had a fairly good idea of who was going to live and die from the start, as well as who the killer was likely to be (the title is very suggestive).  I do think that the novel slightly fell apart at the very end, as Hill chooses to leave a little too much mystery behind what sort of force might be ultimately responsible for the events of the book, but this was still an amazing story that I had a lot of fun with.

The Bookkeeper’s Skull turned out to be a pretty good Warhammer 40,000 novel, and I liked how it fit into the wider universe.  This novel is closely related to one of Hill’s other novels, Cadian Honour, which is also set on the world of Potence and features an older version of the protagonist.  I love it when a novel provides an interesting connection to an author’s previous work, especially one that provides some exciting context and personal history, and this was a great example of that.  Despite this, people interested in checking out The Bookkeeper’s Skull don’t need to have any pre-knowledge of Hill’s writing or any other Warhammer 40,000 novels to enjoy this excellent book.  Indeed, this is a fantastic introduction to both Hill’s writing and the wider Warhammer universe and could be an interesting first book to readers curious about either.

I was very impressed with how the author was able to meld horror elements into this Warhammer 40,000 novel to create a unique and impressive story.  Hill did a beautiful job of creating a powerful and creepy atmosphere for this novel right off the bat, especially as the opening chapter features a sinister and freaky toy/companion that the protagonist had as a child (seriously, WTF).  This dark atmosphere only increases as the book continues, especially once the characters arrive at Thorsarbour.  Between the brutal conditions imposed upon the serfs, the unsettling atmosphere, the undercurrent of fear, the crazed religious cult of self-mutilating fanatics, the graphic murders and the haunting presence of several otherworldly characters, you have all the elements you need for a truly impressive and memorable horror tale.  The pacing of the killings is excellent, and the reader finds themselves drawn in by their cruel and bloody nature as the bodies keep dropping in even more elaborate ways.  These killings also work well with the presence of the cult and the appearance of all the strawmen and other agricultural elements, and the book ends up with vibes reminiscent of films like The Wicker Man or Children of the Corn, especially with a pale and potentially psychic child talking about a supernatural figure responsible for the killings.  This ended up being an awesome horror read, and I find myself getting really drawn into the creepy story thanks to some of the freaky elements it contained.

This proved to be a particularly good Warhammer 40,000 novel due to the distinctive setting.  The Bookkeeper’s Skull takes place on a seemingly peaceful agri-world, which gives the reader some intriguing insights into this wider universe.  I loved the cool look at the various archaic ways that this spacefaring civilisation gets food and other resources.  The entire agri-world acts in a mostly feudalistic manner, with practically enslaved serfs doing much of the work on farmsteads.  The blend of gothic science fiction with modern and ancient agriculture elements works really well and it serves as a brilliant background for this darker tale.  Indeed, many of the book’s horror elements are derived from just how bleak and harsh the Imperium of Man truly is and just how badly they treat their own citizens (and they’re the good guys, apparently).  Hill paints some truly shocking pictures of the conditions on this world, including some very gruesome depictions of a rabid self-mutilating cult and some brutal scenes of violence that the enforcers inflict upon the people.  However, the most disturbing part of this world is Gambol, a being who is revealed to be a former criminal who had their arms and legs amputated, his mind modified by technology, and then dressed as a clown to become the protagonist’s childhood toy.  This disturbing figure, equipped with his festering flesh-plugs (shudder!), is sprung on you in the first few pages of the book and really helps to set the horror mood for the reader, as well as just how dark and horrific the Imperium can get (they do this sort of thing to a lot of people).  I loved how grim and dark Hill made this Warhammer story and you really get a sense of just how messed up everything is.

I quite enjoyed the character of Rudgard, who serves as the central protagonist and narrator.  The Bookkeeper’s Skull is told from Rudgard’s point of view in a chronicle format, so you get a real sense of this excellent character both as an experienced enforcer and the young rookie he is in this novel.  This version of Rudgard is a young and inexperienced man who is trying to live up to his family’s legacy, which includes a cruel father, two murderous brothers and an insane mother.  Sent out on routine mission with veteran enforcer Tarrini, Rudgard quickly learns all the terrible truths about his job as he essentially becomes an executioner.  Because of his past and the terrible events of this book, you get to see Rudgard turn into the no-nonsense figure from Hill’s previous novels, and I liked the continued change in his character.  I enjoyed the excellent mentor/mentee relationship he forms with Tarrini, as well as the narrators continued comments attempting or excusing some of his actions.  These considered and compelling notations from the older Rudgard give some interesting context to both the younger and older versions of the character, and it is interesting to see how much he has changed and developed over the years.  While I did think that parts of his backstory were wrapped up a little too quickly, this was still a fantastic examination of a great character and I look forward to seeing more of him in some of Hill’s other works.

I made sure to grab the audiobook version of The Bookkeeper’s Skull, which proved to be an incredible way to enjoy this brilliant novel.  Due to the shorter length of the story, this is a relatively quick audiobook with a rough run time of four and a half hours, which can be powered through extremely quickly.  I found that the audiobook format was highly conducive to the powerful horror mood of the novel and I personally felt that it really enhanced the tension and fear that the story produced.  A lot of the reason why I enjoyed this audiobook was the excellent voice work from narrator Matthew Hunt.  Hunt, who has lent his voice to several Warhammer audio productions in the past, had an excellent voice for this audiobook, and I felt that he captured both the main character and the overall tension of this novel extremely well.  Hunt moved this audiobook along at a swift and compelling pace that really grabs the attention and ensures that you keep listening as events get darker and darker.  Throw in some fantastic and fitting voices (Gambol’s near childlike voice is pretty damn freaky, and I loved the sly and manipulative voice given to the cult leader), and you have an outstanding audiobook that is really worth checking out.

Overall, The Bookkeeper’s Skull by Justin D. Hill is an outstanding and epic Warhammer Horror novel that I had a brilliant time reading.  Hill came up with a clever and captivating story that does an excellent job combining freaky horror elements with the expansive and fun Warhammer 40,000 universe.  I loved my first taste of the Warhammer Horror brand and I look forward to checking out more of it in the future, as well as some more exceptional writing from Hill.