Tag: Investigation

Quick Review – Red Dirt Road by S. R. White

On By The Unseen LibraryIn Australian, Murder Mystery, Quick Review1 Comment

Red Dirt Road Cover

Publisher: Headline (Trade Paperback – 10 January 2023)

Series: Detective Dana Russo – Book Three

Length: 307 pages

My Rating: 4.5 out of 5 stars

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Impressive author S. R. White continues to lead the Australian outback murder mystery scene with his new and compelling release, Red Dirt Road, the third book in his Detective Dana Russo series.  I had the great pleasure of reading the second book in this series, Prisoner, back in 2021 and I really enjoyed his unique take on the outback detective novel.  As such, I have been rather excited to read his new book, Red Dirt Road, especially as it featured a particularly enthralling mystery.

Plot synopsis:

One outback town. Two puzzling murders. Fifty suspects.

In Unamurra, a drought-scarred, one-pub town deep in the outback, two men are savagely murdered a month apart – their bodies elaborately arranged like angels.

With no witnesses, no obvious motives and no apparent connections between the killings, how can lone police officer Detective Dana Russo – flown in from hundreds of kilometres away – possibly solve such a baffling, brutal case?

Met with silence and suspicion from locals who live by their own set of rules, Dana must take over a stalled investigation with only a week to make progress.

But with a murderer hiding in plain sight, and the parched days rapidly passing, Dana is determined to uncover the shocking secrets of this forgotten town – a place where anyone could be a killer.


Red Dirt Road ended up being a very fun and captivating murder mystery novel and one I had a wonderful time getting through.  I really enjoyed White’s cool and clever plot scenario and the entire concept of a cop attempting to solve a mystery in a small town with limited suspects is a fun idea that harkens back to classic whodunits.

Red Dirt Road’s story itself hits the ground running quickly, as complex protagonist Dana Russo is forced to travel to the small town for the investigation and soon becomes wrapped up in its many foibles.  This includes the sheer isolation, the lack of modern comforts and the unusual locals, many of whom are hiding from the outside world.  There is also a set of creepy angel-themed statues that mysteriously move around town, the work of a guerrilla artist who has remained hidden since the murders began.  With time restrictions on her investigation and with minimal help from the local police, Dana initiates an unconventional investigation that focuses on understanding Unamurra’s society and its people to solve the crime.  After getting to grips with the various people living there, as well examining other clues and evidence, she is able to figure out which one of the town’s residents is the most likely killer and confronts them in a particularly fascinating reveal sequence.  The full explanation for why the crime was committed, as well as the ingenious and very distinctive motivation of the murderer, was exceedingly clever, and I felt that White set everything up perfectly.  While certain elements of the conclusion were a bit over-the-top, (a very unrealistic elite government SWAT team comes to town), I felt that the story was pretty damn impressive and I was absolutely blown away with the elaborate motivation that the author came up with.  The plot of Red Dirt Road also simultaneously continues some of the series’ ongoing storylines, such as Dana’s personal relationship with her co-worker and the internal police politics that are impacting her career, and this ended up being quite a gripping read as a result.

One of the most noticeable things about Red Dirt Road was the unique, society-orientated investigation method that the protagonist used to understand the people of Unamurra and find out who the killer was.  I personally thought that this was a very smart and intriguing way to frame a murder investigation that worked extremely well in the context of the setting and the series.  When I reviewed Prisoner I noted that White likes to highlight the interrogation side of policing with his writing and this was once again in full display when it came to how Dana gathers information in Unamurra.  The flurry of casual conversation she engages in ensures she picks up all the knowledge about the town and people she needs, while also putting the potential suspects at ease as they don’t understand her style or the subtle reasons behind her lines of inquiry.  This information, when combined with some observations and additional background she gets from headquarters, allows her to pull together a full mental picture of the town and by understanding them and their needs she finally gets the insight she needs to understand the entire situation.  This results in a very unique case, and I found myself getting really wrapped up in both the characters and the setting while trying to wrap the clues together in my head.  While this style of investigation probably isn’t going to fit every murder mystery fan’s taste, I felt that it worked extremely well and I loved how the elaborate motivation was teased out through these discussions.  The final confrontation with the killer and the various revelations it contained really ties all these previous discussions together perfectly and you quickly realise just how cleverly White structured his entire mystery.

On top of the cool investigation method, I also deeply enjoyed the dusty and desolate setting of Unamurra that served as the backdrop to the murders.  White really tries to show the reader the full experience of such a lonely and decaying town, and thanks to the excellent descriptive writing you can absolutely picture every cloud of dust, quiet night, and the lack of movement.  At the same time, the protagonist begins talking to each of the residents of Unamurra and you really get to understand the sort of people that would live in such a place, whether they are desperate, trapped, or have their own strange motivations.  This excellent use of setting and compelling supporting characters greatly enhances the book’s already complex murder investigation, and I felt that White did an amazing job of working it into the larger narrative and mystery.  The sheer isolation impacts every decision and insight that Dana has and you really come away trying to imagine what life in such a location would be like.  While White does overgeneralise some areas of rural Australia in his book, especially as he makes the location of these crimes geographically vague, this setting added a great deal to the impact of Red Dirt Road and I deeply enjoyed my time in the elaborate setting of Unamurra.

Overall, Red Dirt Road was an outstanding new book from S. R. White that perfectly highlighted his distinctive take on a murder mystery investigation.  Combining another outstanding outback setting with a unique case, Red Dirt Road will have you hooked all the way to the fantastic finale.  I cannot wait to see what complex stories White comes up with in the future, but if they are anywhere near as clever and enthralling as Red Dirt Road, I know I am going to love them.

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Warhammer 40,000: Bloodlines by Chris Wraight

On By The Unseen LibraryIn Audiobook, Extended Universe, Murder Mystery, Science Fiction, Thriller, Tie-in Novel, Warhammer2 Comments

Warhammer 40,000 - Bloodlines Cover

Publisher: Black Library (Audiobook – 8 August 2020)

Series: Warhammer Crime

Length: 8 hours and 30 minutes

My Rating: 4.75 out of 5 stars

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After some of my recent awesome experiences with the Warhammer Crime series, I just had to check out the outstanding novel, Bloodlines by Chris Wraight, which has one of the best pure crime fiction stories in this entire epic franchise.

Regular readers may have noticed I have been having an absolutely amazing time getting through a ton of Warhammer 40,000 novels in recent weeks as everything about this extended franchise has been so damn fun.  One of the more intriguing sub-series of Warhammer fiction I have been tearing through has been the Warhammer Crime books which, as the name suggests, blends cool crime fiction narratives with a Warhammer 40,000 settings.  The entire series is set within the massive, corrupt city of Varangantua on the planet of Alecto, and several very talented writers have come up with some exceptional novels that perfectly showcase murder, mystery and death in the midst of this great setting.  I have so far deeply enjoyed the epic entries, Dredge Runners and The Wraithbone Phoenix by Alec Worley, Grim Repast by Marc Collins, and Flesh and Steel by Guy Haley, each of which have contained different, if equally exceptional stories.  However, few have had the excellent central mystery of the very first full-length Warhammer Crime novel, Bloodlines from new-to-me author Chris Wraight, which took a veteran cop on an intensive investigation with fantastic results.

After a lifetime working for the Varangantua Enforcers, Probator Agusto Zidarov is well aware that the only certainties in the continent-spanning city are wealth, corruption and criminality.  Tired of the games played between the warring gangs, trade combines, and nobles as they battle for control of the city’s resources, Zidarov is more concerned about his own life, family and secrets.  However, when a simple missing person investigation gets unexpectantly complicated, Zidarov will find a terrible case that he can’t turn away from.

Called to the estate of wealthy business magnate Udmil Terashova, Zidarov is ordered to find her son and heir, who has gone missing.  Forced to plumb the depths of Varangantua’s underbelly, Zidarov attempts to find any trace of the boy, who has likely just disappeared taking part in the rich’s hedonistic lifestyles.  However, when an uncovered lead places him conflict with one the city’s most ruthless gangs, Zidarov soon begins to believe that there is more to this case than he initially believed.

Discovering that the gang is involved in the notorious crime of cell draining, Zidarov’s attempts to shut them down.  However, his raid ends up being a bust, and the fallout results in a dead sanctioner, a wounded probator and a full-on war between the gang and the enforcers.  Attempting to mitigate the consequences of his actions, Zidarov soon discovers that there is far more going on behind the scenes than he ever imagined as corporate interests work to influence the investigation.  To find the truth about the city’s new crime ring and the missing noble, Zidarov is forced to probe both Varangantua’s lowest gangs and wealthiest citizens.  But can Zidarov survive the encounter with his secrets and life intact?

Bloodlines is an incredible and deeply impressive Warhammer Crime novel that I had an excellent time reading, especially as Wraight perfectly blended his crime fiction story with the cool Warhammer setting.  Featuring one of the more elaborate and intriguing cases in the Warhammer Crime books I have read so far, I absolutely powered through Bloodlines and this was truly an outstanding read.

At the heart of Bloodlines lies a pretty awesome and captivating narrative building on the basic crime fiction premise of a veteran cop attempting to solve a crime no one wants investigated.  Taking its cues from classic noir entries (I was reminded a bit of Chinatown), Bloodlines follows Probator Agusto Zidarov, a family man with a cynical view of his job and his place in the city, as he gets dragged into a missing persons case.  Initially starting off a little slow, the story quickly heats up as Zidarov attempts to find the missing heir to the wealthy Terashova family, a disappearance he assumes is a simple case of young rebellion.  However, his routine investigation into the missing lad leads him to discover a cell draining operation being run by one of the major gangs, and he shifts his investigation in an attempt to shut it down.  But when his plans go wrong and his colleagues end up injured or dead, Ziadarov finds himself on everyone’s firing line.

There are some interesting jumps in the case around halfway through as the protagonist soon realises there is far more going on than he initially believed and he is forced to simultaneously investigate both the gangs and some of the wealthiest families and businesses in the city.  I loved this gradual escalation of the stakes of the crime as the book continues, as the original missing persons case is revealed to be far more complex and intriguing than initially believed when the protagonist discovers that he is being used by everyone.  At the same time, Zidarov is forced to deal with some major personal issues, as his wife begins to resent his choices, his rebellious daughter has gone missing in a city full of predators, and certain dark secrets around Zidarov threaten to come into the light.  The eventual reveal about who is responsible for the various crimes is very clever, and I liked the subtle and effective hints and clues leading up to it as the unique motivations and plots utilised intriguing aspects of the Warhammer 40,000 universe.  Wraight ends Bloodlines on a great note as Zidarov gets justice through drastic means after a very intense and powerful confrontation with one of the book’s more intriguing and complex supporting characters.  As such, you come away from Bloodlines feeling very satisfied, although you instantly want to see more of this great character, especially as the sinister connotations about Zidarov’s dark secret indicate that some tragic events are going to befall this character in the future.

The entirety of Bloodlines was laid out extremely well by Wraight, who uses a great style to tell a complex and captivating story.  Told exclusively from Zidarov’s perspective, you are given a personal and close examination of the events of the book as Zidarov slowly and methodically investigates the various crimes.  You are quickly drawn into the elaborate narrative Wraight lays out as the author does a good job of combining an excellent crime fiction storyline with intriguing character development, all set with Varangantua and the wider Warhammer 40,000 universe.  The noir inspired elements of Varangantua really stand out in this book, especially as Zidarov is forced to simultaneously investigate both the criminal cartels and some of the city’s wealthiest residents.  Bloodlines really recalls some classic noir tales, as it focuses on the experienced and dogged investigator fighting the entire system to get answers and justice, and I loved exploring even more of this enormous city and its many colourful residents.  The whole concept of cell draining, which sees thousands of people literally drained of their essence to make life-extending products, was pretty damn horrifying, and I liked how the examination of this gave Bloodline’s crimes a distinctive feel.  Wraight’s great writing style really lends itself to producing a particularly impactful and compelling crime narrative, and I loved how the entire storyline unfolded, especially with the effective twists and the well thought out foreshadowing.  I ended up coming away from this book quite enthralled and happy and I am really excited to read more books from Wraight in the future.

One of the things that I have so far found with all the Warhammer Crime entries is that readers really need very little familiarity with the wider Warhammer 40,000 universe to appreciate these great books.  Anyone interested in a compelling and intense crime fiction story set in a cool and grim futuristic city can easy dive into one of these novels, and all these books are an awesome introduction to the Warhammer fandom.  Bloodlines is no exception to this, as Wraight writes a very accessible crime fiction thriller that anyone can enjoy while simultaneously enjoying the gothic setting.  That being said, Wraight does make excellent use of several intriguing elements from the Warhammer 40,000 lore to enhance his story and there are hints and discussions about elements outside of Varangantua, such as the Imperial Guard or the wider wars of the Imperium, which fans of the franchise will deeply appreciate.  Wraight does do an amazing job of explaining these elements so that newer readers will fully appreciate them, however, established readers will always get a little bit more out of it.  For example, the full significance of Zidarov’s secret isn’t going to be too apparent to new readers, while in-the-know fans are going to get a blast out of the potential implications.  I felt that Bloodlines has a lot to offer all readers, no matter their experiences with Warhammer, and you might find yourself falling for the franchise with this first book.

Another key aspect of the Warhammer Crime series that Wraight perfectly captured in Bloodlines was the excellent utilisation of a complex and likeable central character.  Wraight’s protagonist and main point of view character, Probator Agusto Zidarov, is a deeply intriguing figure who stands out from the other protagonists in the Warhammer Crime series for being much less of a damaged outsider.  Instead, he is a veteran probator who worked his way up to his position with a very realistic view of the world around him than most other characters, and I liked his no-nonsense approach to his job and his city which has been formed from years on the job staying alive.  Despite this veteran presence and cynicism, Zidarov is still willing to do what is right, even if it endangers him, and his dogged approach to solving the case is extremely addictive, especially as Wraight puts in some deeper motivations behind them.  I really enjoyed some of the scenes where Zidarov continuously ignores his friend’s advice and keeps going forward with the case, simply explaining to them and the reader that he is unable to let it go, and he just keeps moving forward despite the inherent weariness of the character.  This determined and tired cop persona is well balanced by the family man aspect of Zidarov, which is another intriguing element that you don’t see in a lot of Warhammer fiction, as most protagonists don’t have wives or children.  Watching him attempt to balance his family responsibilities with that of his job adds some intriguing drama to the story, and I enjoyed seeing this portrait a ‘normal’ Warhammer 40,000 family.  Wraight perfectly weaves together these dual aspects of Zidarov’s personality with a certain darker, secretive thread that really shows the character in a whole new light when revealed, and which is going to have some intriguing impacts down the line.  All of this, and more, helps to make Zidarov one of the more relatable and enjoyable protagonists I have ever enjoyed in Warhammer fiction, and I really hope that Wraight produces some additional Zidarov stories soon.

Once again, I chose to listen to this cool Warhammer novel in its audiobook format, which, as always, was an excellent and deeply fun experience.  The Bloodlines audiobook did an amazing job of bringing this intense and powerful story to life in some very fun ways.  In particular, the complex central setting of Varangantua is really shown in all its corrupt glory when you hear it being described, and I loved how the fast pacing of the audiobook kept the story rolling by.  This format of Bloodlines was also greatly helped by veteran narrator Charles Armstrong, who has so far only lent his talented voice to a few Warhammer audiobooks.  Armstrong provided an excellent performance in Bloodlines, really diving into the various complex characters and helping to showcase their unique personalities and emotions.  I loved the tired and resigned voice that Armstrong came up with for the main character, which really sells the audience on Zidarov’s veteran status which is the result of an exhaustive and draining career.  Other great voices include that fun Irish accent he gifted to supporting character Brecht, which added to his entertaining nature, as well as some excellent voices the various suspects in the main case had.  All this makes the Bloodlines audiobook the very best way to enjoy this exceptional novel and with a runtime of eight and a half hours, you can power through it in no time at all.

Overall, Bloodlines was a particularly epic entry in the Warhammer Crime series, and it is one that author Chris Wraight should be extremely proud off.  Wraight did a remarkable job of blending together an intense and clever crime fiction story with the dark and grim Warhammer 40,000 setting, and the result is a brilliantly twisted case that I couldn’t turn away from.  Combined with instantly likeable character, Bloodlines proved to be extremely fun and deeply captivating, and I loved how the entire book unfolded.  As such, Bloodlines comes extremely highly recommended and you are guaranteed to love every second of it.  I look forward to seeing how Wraight continues this character in the future, and any future books featuring Zidarov are going to be something truly amazing.

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Throwback Thursday – Warhammer 40,000: Hereticus by Dan Abnett

On By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Thriller, Throwback Thursday, Tie-in Novel, Warhammer4 Comments

Warhammer 40,000 - Hereticus Cover

Publisher: Black Library (Audiobook – 30 July 2022)

Series: Eisenhorn – Book Three

Length: 9 hours and 48 minutes

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this latest Throwback Thursday, I finish off the outstanding and iconic Eisenhorn trilogy by legendary Warhammer author, Dan Abnett, by reviewing the exceptional novel, Hereticus.

I have mentioned several times in the last few weeks that one of my absolute favourite authors of Warhammer fiction lately is the amazingly talented Dan Abnett, whose works have shaped a generation of lore and extended fiction.  I have really enjoyed several of the books in his excellent Gaunt’s Ghosts novels, such as First and Only, Ghostmaker and The Vincula Insurgency, which provide some captivating depictions of the common soldier in the Warhammer 40,000 universe.  However, based on what I have read so far, Abnett’s best series is the epic Eisenhorn trilogy, which follows titular character Inquisitor Eisenhorn as he attempts to protect humanity from a range of diabolical threats.  The first book, Xenos, served as an excellent introduction to Eisenhorn and his major supporting characters, while Malleus showed an older Eisenhorn as he attempts to unravel a massive conspiracy painting him as the villain.  I absolutely loved these outstanding novels and they both got a full five-star rating from me, and I immediately dove into the third and final book, Hereticus, as I really wanted to find how everything ended.

For over 150 years, Inquisitor Gregor Eisenhorn has loyally served the Imperium of Men, disrupting and ending multiple conspiracies and plots by heretics, daemons, and malicious xenos.  Throughout all this time, Eisenhorn has always tried to avoid the lure of the radical path that many of his fellow inquisitors tread, determined not to be corrupted by the forces he has sworn to destroy.  But desperation can drive even the best man towards the brink and Eisenhorn’s previous deal with a dark figure is coming back to haunt him.

Overseeing a Inquisitorial examination of the planet of Durer, Eisenhorn receives news that an old foe, one who cost him the life of a dear friend, is active on world.  Assembling his forces, Eisenhorn is unprepared for the full horror that awaits him, as his enemy unleashes an ancient evil capable of destroying worlds.  Facing tragedy and near death, Eisenhorn is forced to do the unthinkable and use foul rites to summon forth a greater evil in the form of the daemonhost Cherubael to survive.

Shocked and disgusted by his actions, Eisenhorn attempts to recover and atone for his mistakes.  However, before he can begin, his manor house is raided by a dangerous army of mercenaries and all his forces throughout the sector are brutally destroyed in an instant.  On the run with only a few loyal followers left, Eisenhorn needs to discover the identity of whoever is orchestrating his downfall before it is too late.  But to defeat his enemy, Eisenhorn is forced to dive deeper into heresy and call upon dark forces that are best left untouched.  Can Eisenhorn retain his sanity and soul, or is the price of his victory his own utter damnation?

Wow, just wow.  After how epic Xenos and Malleus proved to be, I knew that there was no way that I wasn’t going to love Hereticus.  However, I was unprepared for just how brutal and intense Abnett made this final book in the Eisenhorn trilogy, as Hereticus ended up being an exceptional read that perfectly ends his great series on a very high note.  Loaded with action, intrigue, and some amazingly complex characters, Hereticus gets another five-star rating from me, and this is honestly one of the best trilogies I have ever read.

Part of the reason why I enjoyed Hereticus so much is because it has an exceptionally epic story to it that really drags you in from the offset.  Set 50 years after the events of Malleus (150 years since the start of the series), Hereticus starts off big and never really slows down.  The book has a calamitous introduction that sees Eisenhorn and his comrades forced to confront a Chaos Titan which decimates them and forces Eisenhorn to call upon his captured daemonhost Cherubael.  This fantastic introduction not only perfectly continues the story from Malleus but also shows Eisenhorn’s progression towards radicalism as he uses his new knowledge in some pretty dark ways.  Following this introduction, which splits his main team up, the story continues strongly, as there is a major and extended battle sequence in the heart of Eisenhorn’s sanctum, which sees him forced out on the run.  Becoming a fugitive from new enemies, old foes, and the Inquisition itself, the rest of the novel is a very captivating and intense character-driven read that shows a desperate Eisenhorn continue to make radical decision after radical decision, all in the name of defeating his enemies, no matter the cost.  There are some extremely moving and powerful scenes scattered through the second half of the book, as Eisenhorn comes to terms with many of his long-running comrades, many of whom do not agree with his methods, as well as some deadly confrontations.  Everything leads up to a trippy and action-packed finale, as Eisenhorn finally faces down an old enemy.  While the ultimate confrontation is short and the main antagonist only has a brief appearance in the book, the real joy of the story is the hunt to find out who they are and what they are after, with a focus on investigation, intrigue, and ethics.  The conclusion leaves everyone extremely satisfied, and Abnett leaves the series open for follow-up, even if a ton of character-centric storylines are permanently closed by a series of deaths and destruction.

The author once again does an amazing job presenting the complex story contained within Hereticus and I have a lot of love for the writing style that Abnett utilised in this series.  Blending tense galaxy-spanning intrigue with the hunt for dark forces, massive mysteries, complex revenge plots, and a focus on the corruption of the spirit, there is a ton of fun for a lot of readers in this book, and I loved the elaborate conspiracy that was the fantastic focus of the plot.  I especially enjoyed the overall theme of Hereticus that saw Abnett try and bring a lot of storylines and character arcs full circle back to the original novel in the trilogy, Xenos.  The history of all the characters in the book, as well as multiple prior events, are essential parts of Hereticus’s plot, and I loved how the author was able to tie together a ton of compelling overlying storylines that really highlights the importance of the first two novels.  The primary storytelling method, a chronicle style from Eisenhorn’s perspective, adds a lot of power and flair to the overall book, especially as it enhances the character-driven aspect of the story and gives you some intriguing insights into the conflicted protagonist’s mind.  There are a ton of great scenes showcased as result of this first-person perspective, from multiple massive battles, to intimate conversations and even a very well-written psychic interrogation sequence.  Abnett has a great eye for detail and some of the resulting action sequences and unique locations are painted in such a way that the reader fully grasped every action or cool element of the setting.  This, and so much more, really helps Hereticus’ exceptional story shine through and I had so much fun seeing how this entire novel unfolded.

Like most of Abnett’s books, Hereticus can be read as a standalone novel, especially as the author does an exceptional job of recapping key events, characters, and relationships from the previous Eisenhorn entries.  However, to get the full emotional impact of epic narrative, I would strongly recommend checking out Xenos and Malleus first, as you really understand how the character has changed over the course of the series, as well as how well the storylines have continued.  I also felt that Hereticus proved to be a particularly good entry into the wider Warhammer 40,000 canon as Abnett continues to explore some of the most intriguing parts of this grim universe, including the dark cults that are constantly a threat to the Imperium’s stability and the Inquisitors who hunt them.  The fantastic dive into the different types of Inquisitors and their different ways of fighting the enemy is pretty cool and I loved seeing the various rivalries and discussions that eventuated, especially as Eisenhorn has an opinion on everything.  This book also takes the reader to a variety of unique locations within the Warhammer universe, with several unique planets becoming key settings for the plot.  I loved seeing the variety of worlds out there in this massive universe, and Abnett has fun tying the events of this book into some of the wider canon aspects of the franchise.  I would say that overall the Eisenhorn trilogy really is one of the best series to start reading Warhammer 40,000 fiction with, especially as you get a completely different and more elaborate story than the classic military fiction plots that make up the majority of the genre.

As always, I can’t go away from an Eisenhorn book without talking about the exceptional character work that Abnett brings to the table.  This is especially true in Hereticus, as Abnett brings so many compelling character arcs to a tragic and moving end, while also ensuring that his impressive protagonist is changed forever.

As you would expect, the focus of Hereticus is on protagonist Gregor Eisenhorn, who serves as the book’s primary narrator.  I mentioned during my previous reviews of these books that I have loved the complex and powerful story that Abnett has woven around Eisenhorn.  Starting off as a relatively innocent and uncontroversial Inquisitor who was just trying to do what is right, Eisenhorn has slowly slipped down the path of the radical by employing the methods and powers of his heretical foes.  Abnett has showcased this gradual fall perfectly in the first two books, and while he made some questionable decisions out of desperation in Malleus, you still believed that he could be redeemed.  Hereticus really has you doubt this as he begins to employ darker methods during this book, which not only cost him but impact the people around him.  However, this is not entirely his fault, as forces outside of his control drive him to do so.  Pretty much every mistake that Eisenhorn has made in his past seems to come back to bite him in Hereticus, and these events, and more, force him to make hard decisions to survive and defeat foes who are even worse than him.  While he does bad things, you can fully understand and appreciate why he feels he needs to do so, even if you don’t agree with them.  Despite these bad things, Eisenhorn remains a sympathetic character for most of the book, and his own realisation that what he is doing is wrong just makes the entire story that much sadder.  However, there is a layer of arrogance over this that makes you slightly concerned about Eisenhorn’s actions, and you’re never quite sure just how far he has truly fallen.  Abnett covers Eisenhorn’s overall character arc pretty damn perfectly, and while the author throws the protagonist’s decline into overdrive in this book, it felt pretty natural and showcases just how destructive desperation is as his good intentions lead him to hell.

On top of Eisenhorn, Hereticus features a bevy of compelling supporting characters who add their own complex spin to the story.  Many of the supporting characters from the first two books are once again featured in this third Eisenhorn novel, and I really appreciated how Abnett sought to bring many of their arcs and storylines full circle here.  Unfortunately for fans of the series, wrapping up their storylines results in most of the supporting character’s deaths or severe injury, and quite a substantial number of supporting figures from the first two books have their final appearance here.  While I won’t go into too much detail, several of these deaths are pretty damn tragic, especially after they follow on from some noble self-sacrifices or major character moments.  I was honestly shocked at how brutal Abnett was when it came to killing off his supporting characters, but all of these instances really worked in the context of the story and ensured that Hereticus ended up being particularly memorable.  Before these major deaths, though, the author dives into the powerful relationships that each of these supporting characters has with Eisenhorn, and there are some deeply emotional moments scattered through, especially as each of them have their own opinion about Eisenhorn’s recent actions and whether he has gone too far.  Watching his oldest friends become disgusted or outraged by his actions really hammers home how far Eisenhorn has fallen, especially as he drags several characters down with him.  Throw in some outstanding central antagonists, all of whom have a complex history with Eisenhorn, and some intriguing cameos from the previous novels, and this was an exceptionally character rich novel designed to hit you in the feels.

As with all of Abnett’s books to date, I grabbed the audiobook version of Hereticus, which was once again an exceptional way to enjoy this amazing novel.  Coming in at just under 10 hours and featuring the impressive narration of Abnett’s go-to audiobook narrator, Toby Longworth, this format was an excellent way to enjoy this book, and I managed to power through this entire story in no time at all.  Longworth really brings the entire story to life with his excellent narration, and he makes sure to infuse all the characters with a ton of personality, while also tailoring their voices to match their history and physical (or metaphysical) attributes.  I also thought that several of the best scenes of this book, including some desperate battles, a cool interrogation scene, and some particularly poignant character interactions, were made even more epic in this format, as the exceptional acting from Longworth showcased them in a way they truly deserved.  I was utterly enthralled the entire way through Hereticus’s audiobook and this was easily the best way to experience Abnett’s compelling tale.

Overall, I felt that Hereticus was a pretty amazing book and a suitably epic finale to Dan Abnett’s original Eisenhorn trilogy.  Bringing together a powerful story with some unique Warhammer 40,000 elements and an exceptional dive into the mind of a fallen inquisitor, Hereticus was utterly addictive and ended up being one of the best Warhammer books I have ever read.  I was really impressed with how Abnett concluded this incredible trilogy, and I felt that Hereticus was an excellent final entry that tied together some of the complex storylines from the first two books.  I cannot recommend this entire trilogy enough; it truly is one of the cornerstones of Warhammer 40,000 fiction.  I look forward to reading more from Abnett in the future, especially as there are several spin-offs associated with this trilogy, as well as a recently released fourth Eisenhorn book in The Magos.  However, I think I will try and get through some Gaunt’s Ghosts books first, before diving back into Abnett’s Inquisitor stories, although if I ever want a powerful Warhammer thriller, I know where to look.

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Throwback Thursday – Warhammer 40,000: Xenos by Dan Abnett

On By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Thriller, Throwback Thursday, Tie-in Novel, Warhammer10 Comments

Warhammer 40,000 - Xenos Cover

Publisher: Black Library (Audiobook – 1 May 2001)

Series: Eisenhorn – Book One

Length: 9 hours and 55 minutes

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  In my latest Throwback Thursday I continue to review the awesome Warhammer 40,000 works of Dan Abnett with his impressive and dark space thriller, Xenos.

For my Throwback Thursday last week, I talked about legendary Warhammer fiction author Dan Abnett and his Gaunt’s Ghosts series, which is one of the pillars of Warhammer 40,000 fiction.  I have already had a lot of fun reading several of the Gaunt’s Ghosts novels (including First and Only, Ghostmaker and The Vincula Insurgency), so I thought I would take the opportunity to check out one of Abnett’s other major Warhammer entries, the Eisenhorn series, which I have heard some extremely good things about.  Set in a different area of the Warhammer 40,000 universe than the Gaunt’s Ghosts books, the Eisenhorn books are a darker and more intense series that follows a troubled Imperial Inquisitor hunting down a deadly conspiracy at the heart of humanity.

In the dark future, the Imperium of Man is under constant attack from aliens, monsters and daemons who seek to destroy or corrupt all within.  However, the greatest threat to the Imperium comes from within as diabolical heretics, witches and cultists work from the shadows to weaken the Imperium, worship the forces of Chaos, and bring humanity crashing down around them.  The only protection humanity has against these nefarious and hidden threats are the members of the Inquisition, deadly agents who wield great power and authority to pursue their investigations by any means necessary.

Gregor Eisenhorn is a talented and experienced Inquisitor who has long fought against the shadows constantly threatening stability and order.  When he finally corners and kills an old adversary amid a dark ritual, Eisenhorn hopes that his actions have permanently ended an ongoing source of Chaos and despair in the Imperium.  However, evidence he recovers from the crime scene hints at a greater conspiracy that threatens several local systems.

Travelling to a prosperous system hub, Eisenhorn restarts his investigation, determined to get to the bottom of this new danger.  However, he is unprepared for the full scope of the hidden forces of Chaos that wait for him, as a massive and hidden cabal rises in opposition against him.  As multiple planets within the system burn due to the action of the Chaos cultists, Eisenhorn works with a series of unique allies to bring this cult to heel before they cause irreparable damage to the Imperium.  However, the more sinister danger may come from the prize that his enemies are seeking, an ancient and dark tome of knowledge, known as the Necroteuch, which has the potential to burn the universe and turn the entire Inquisition against Eisenhorn.

Xenos was another exceptional novel from Abnett, and one that really showcases his ability to tell a varied and complex tale.  This is a dark, powerful, and impressive character-driven read, and I loved the switch to dark intrigue and heretical investigations, which made for such an incredible story.  I was an instant fan of Xenos’s clever and highly addictive plot, and I must give it a full five-star rating for how awesome it was.

I was deeply impressed with the outstanding and compelling story that Abnett featured in Xenos, especially as it was very different in style and substance to his previous works I have enjoyed.  While the Gaunt’s Ghosts novels are gritty war stories that focus on the common soldier, Xenos was a powerful and twisty space thriller that saw a determined Inquisitor attempt to root out the manipulations of Chaos far away from the battlefields.  The story itself is extremely clever and well-paced, and it swiftly draws you in with its dark events, especially its intense and action-packed introduction.  Despite killing his nemesis early in the story, Eisenhorn is forced to keep digging even further as he uncovers more conspiracies and plots.  Utilising undercover methods, interrogations, obscure evidence and a series of bloody fights, Eisenhorn and his unique comrades follow the trail across the sub-sector, attempting to discover the true plot of their enemies.  This leads to several large and memorable set pieces, and I loved the constant change of locations, especially as it allowed you to get a whole new idea of the scope of their foes plans and the desperate battles being fought to stop them.  I also enjoyed the quieter scenes that were laid out between them as they not only added some great intrigue, but also highlighted the personal nature of the protagonist’s quests and the bonds he forged along the way.  The plot is eventually resolved after several major battles, including some very trippy sequences, and I came away from this book very satisfied and wanting more, especially as Abnett laid some intriguing hints about deeper conspiracies towards the end.  I was absolutely hooked the entire way through this narrative and I had such an amazing time reading this exciting and compelling story.

Xenos was an extremely well written Warhammer novel, and I really appreciated how Abnett was able to seamlessly change writing style and tone for this darker read.  The author makes excellent use of a first-person perspective for Xenos, as the story is in a chronicle format being written by the central character of Inquisitor Eisenhorn.  This allows for a much more personal and protagonist-centric narrative which really draws you into the hunt as you see the protagonist’s obsession with capturing the heretics and ending the threat to the Imperium.  Abnett keeps the pace pretty fast and intense throughout the entirety of Xenos, even during the sequences between the main action-packed scenes, and you are constantly engaged with the hunt or the intriguing relationships between the characters.  I was personally very impressed with how Abnett was able to blend a lot of distinctive story elements together throughout Xenos to produce an excellent story.  The way that the author combines Warhammer, thriller, mystery, science fiction and even horror (the Chaos creatures can get pretty bad at times) elements together is just amazing, and it opens up the appeal of the book to a wide range of readers.  I loved the continued and powerful hunt throughout the Imperium, especially as all the protagonist’s actions and attempts to end the threat result in major consequences for those around him.  This was a deeply captivating and intense read, and I cannot empathise how addictive and fun I found it.

One of the main reasons I chose to check out Xenos and the Eisenhorn series, aside from generally loving Abnett’s writing, is it is generally considered to be one of the best series to start a dive into Warhammer fiction.  After powering through Xenos, I can confirm this as Abnett uses the lore and the darker side of the Warhammer universe to its full advantage throughout this fantastic thriller tale.  While some slight knowledge of the large Warhammer 40,000 universe might be helpful to understand parts of Xenos, new readers unfamiliar with the franchise can easily dive into this book and follow the story with no problem, and any science fiction fan can have an amazing time reading it.  Abnett patiently and competently explores key details of the Warhammer universe as the story continues, although never in a way that interferes with the captivating flow of the book.  As such, you get a good view of the overall state of humanity and the Imperium during this novel, with a particular focus on the Inquisitors and their mission.  The Inquisitors have always been a fascinating and complex part of Warhammer 40,000 lore, and this series really highlights just how dangerous their tasks are, as well as the fine line they walk in their hunt for justice and purity.  Naturally, this dive into the Inquisition will also make this book very appealing to experienced Warhammer readers as well, and Abnett is considered to be one of the best franchise authors for a reason.  I have a deep appreciation for all the cool lore elements that were featured here, and I particularly enjoyed how Xenos offers a very different story to many of the other Warhammer 40,000 books out there, and really highlights just how complex the universe can be.

I was also very impressed by the exceptional character work that Abnett featured with Xenos, as this compelling read features some great characters.  The primary figure of this book is naturally Inquisitor Gregor Eisenhorn, who serves as the main protagonist and narrator of the story.  I felt that Xenos served as a particularly good introduction to this iconic Warhammer figure, and I found myself getting quite attached to his journey.  A no-nonsense and extremely practical Inquisitor, Eisenhorn is seen by many as a cold and calculating man, although deep down he is a caring individual who feels great attachment to his friends and comrades.  Abnett portrays Eisenhorn as a pretty reasonable figure, preferring subtle investigations, which makes him appear a bit radical to some of his fellow Inquisitors whose preferred methods are to kill anyone with any potential for evil.  It was very interesting to see him as a pretty strait-laced guy in Xenos, especially as I have heard of how radical he gets in the future, and I think it was very smart of Abnett to showcase him in this way first to enhance the impact of his future actions.  However, Eisenhorn does go through a lot in Xenos, including mental, psychical and spiritual tortures, and you can really see the damage done to him and how his desire for vengeance and getting the job done by any means grows.  I cannot wait to see how his story advances in the next few books, as I know that Abnett has damaging days in store for him.

In addition to Eisenhorn, Abnett loads Xenos with a ton of interesting supporting characters, all of whom are seen through Eisenhorn’s eyes.  This includes Eisenhorn’s eccentric entourage of follows and agents, including a data-obsessed scholar, a skilled pilot, a grim justice operative and his newest associate, Bequin, a psychic blank who is drafted into the war against Chaos against her will.  This unusual team prove to be great backup to the dour Eisenhorn, and I liked the genuine connection that Eisenhorn forms with them, especially as it shows that he really isn’t the monster many people think he is.  Other characters of note include the varied and distinctive fellow inquisitors that either assist or oppose Eisenhorn, and the various deadly enemies he goes up against.  Rather than have one specific antagonist in Xenos, Abnett featured a cabal of Chaos worshipping foes, each of whom despises Eisenhorn for what he represents.  While there isn’t a massive focus on any specific villain, each of the major players in the cabal are pretty distinctive, and I liked the overall effect that Eisenhorn is fighting a multi-faced beast in Chaos, rather than a specific evil.  These outstanding characters really enhanced this epic and captivating narrative and I look forward to seeing what other insane figures show up in this series as it progresses.

Unsurprisingly, I chose to enjoy Xenos in its audiobook format, which is frankly the best way to experience any Warhammer novel.  With a run time of just under 10 hours, I absolutely powered through this audiobook and I found that it perfectly conveyed all of Abnett’s elaborate and compelling story elements.  This was partially due to the brilliant narration of veteran voice actor Toby Longworth, who has lent his fantastic vocal talents to most of Abnett’s Warhammer books.  Longworth did another remarkable job here with Xenos, and I loved his take on this slighter darker narrative.  I deeply appreciated all the voices he provided to the characters in Xenos, especially as he is not just recycling the voices he uses in the Gaunt’s Ghosts books.  Each of the voices here are pretty fitting to their respective character and there is some fantastic variation based on plot details such as the speaker’s planet of origin, species, inclination, and personality.  This excellent voice work really enhanced my enjoyment of this captivating read and I would strongly recommend this format to anyone interested in reading Xenos.

The first entry in Dan Abnett’s Eisenhorn series, Xenos, lives up to all the hype surrounding it as it proved to be an exceptional and highly addictive read.  Perfectly combining an elaborate thriller story with the dark Warhammer 40,000 universe, Xenos was a joy to read from start to finish.  I cannot recommend this novel enough and my plan is to listen to yet another book from Abnett in the next couple of days.

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Desert Star by Michael Connelly

On By The Unseen LibraryIn Five-Star Books, Murder Mystery2 Comments

Desert Star Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 8 November 2022)

Series: Ballard and Bosch – Book Four

Length: 393 pages

My Rating: 5 out of 5 stars

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Legendary crime fiction author, Michael Connelly, returns with another impressive and deeply enjoyable read that once again brings together two of his best protagonists for a compelling investigation, with Desert Star.

Connelly is an author who needs very little introduction, having spent the last 30 years dominating the crime fiction world.  His various outstanding works often cover several diverse subgenres of crime fiction, and his unique and captivating protagonists all exist in one shared universe, primarily set around Los Angeles.  Ever since I started properly reading crime fiction a few years ago, Connelly has been an author I have particularly enjoyed each year, and I have had a wonderful time reading several of his most recent books.  This includes the fantastic Mickey Haller legal thriller, The Law of Innocence, and the intense Jack McEvoy journalistic investigative read, Fair Warning (one of my favourite novels of 2020).  However, some of my favourite Connelly books have been the more classic police investigation novels, all of which have been part of the Ballard and Bosch subseries.

The Ballard and Bosch books are an intriguing set of recent novels that bring together Connelly’s two main police protagonists into one investigative team.  These two protagonists are female detective Renée Ballard and Connelly’s original protagonist, Harry Bosch, who has long retired from the LAPD but is still in the detective game.  These two form a fantastic team, and it is always fun to see their interesting mentor/mentee relationship as they investigate a series of cases.  There have so far been three Ballard and Bosch books, and I have had a wonderful time with each of them, including Dark Sacred Night, The Night Fire (one of my favourite books and audiobooks of 2019) and The Dark Hours (one of my favourite books of 2021).  Due to how awesome these last three books have been, I was quite excited to see that Connelly had a new one coming out in 2022, and that book, Desert Star, was one of my most anticipated reads for the second half of 2022.

Desert Star is set a year after the events of The Dark Hours, which saw Renée Ballard quit the LAPD after encountering sexism, corruption, and obstacles to solving her cases.  Lured back after being offered a dream job, Ballard now finds herself leading an elite cold cases unit which hopes to find justice for the many unsolved murders throughout Los Angeles.  While Ballard has already pulled together an effective team, there is still one person she needs to complete it: Harry Bosch.

While angry at Ballard following their last encounter, Bosch is lured back as a volunteer investigator after Ballard offers him help on the one cold case that has haunted him for years, the slaying of the Gallagher family.  Years ago, the entire family of four was found brutally killed, their bodies buried in the desert, and Bosch has never forgotten them or the fact that he was unable to find the man he knows killed them.  In return for access to the resources of Ballard’s unit, Bosch agrees to help Ballard solve her own cold case.

To keep their unit alive and well funded, Ballard needs to solve the rape and murder of a councilman’s sister years ago.  There are few avenues for a further investigation, and Ballard hopes that Bosch’s unique views may be the key to solving it.  However, after a chance clue connects their case to another brutal murder, Ballard and Bosch find themselves taking their investigation in some very dangerous directions.  At the same time, Bosch’s obsession with finding the Gallagher family’s killer grows even more, as he finds himself determined to catch him before it’s too late.  Can Ballard and Bosch solve their crimes, or will tragedy strike right at the heart of their partnership?

This was another outstanding crime fiction read from Connelly that combines a cool series of murder mystery cases with some intense character work to create and excellent story.  Desert Star gets off to a quick start, bringing back the two main protagonists and showing what changes have gone through their lives in the last year, as well as introducing the new cold case unit.  The reader is swiftly then brought across the two central murder cases that the protagonists are investigating.  The initial focus is on the murder of councilman’s sister, which has political connotations for the cold case unit, but Bosch also spends a large amount of time examining his personal case.  After some interesting breaks in the main case, Ballard and Bosch find themselves stuck looking far closer to home than they imagined, when clues point to a serial killer with connections to the very politician who created their unit.  There are some great twists and turns towards the centre of the book as they come close to their revelations, and the identity of this killer is pretty clever, with several interesting clues in the lead-up to the big confrontation.  At the same time, Bosch starts closing in on the main suspect in his case after revisiting witnesses from his initial investigation.  This leads him down a long, dark road as he contemplates what he’s willing to risk to get justice.  Everything leads up to a heart-pounding finale, which will leave readers on the edge of their seat as you honestly have no idea how far Connelly is going to take everything.  Desert Star ends on a particularly satisfying note, and it will be interesting to see where Connelly’s narratives go next, as he has left several intriguing storylines open.

This was a pretty addictive and fast-paced read, and it really doesn’t take long to get drawn into the two intriguing cases.  I loved the focus on cold case investigation in this book, which is a classic Connelly story element, and the author presents some excellent mystery elements.  I had a lot of fun with both cases, one because it was a seemingly unsolvable case with huge political issues behind it, the other because of one protagonist’s intense obsession with cracking it.  Connelly does a good job splitting focus between the two cases, which is made easier with the use of two perspective characters, Ballard and Bosch.  Both have very different views of the investigations, and the split in perspectives helps to ratchet up the tension in several scenes extremely well.  Connelly goes for a pretty fast pace in Desert Star, and you really find yourself powering through the narrative, especially once you get caught up in the excellent investigation arcs.  I loved how both cases turned out, and Connelly puts in some great build-up for both of their powerful conclusions.  Like most of the books in this shared crime universe, Desert Star can be easily read as a standalone novel, and no prior knowledge of either character is really required to enjoy it.  However, this latest Ballard and Bosch book is coming off a lot of emotional build-up and character development from the previous entries, so you’ll appreciate Desert Star more if you’ve checked them out first.  Connelly also throws in a ton of references to some previous novels, mainly some of Bosch’s older adventures, which established fans will really appreciate.  I loved Desert Star’s amazing story and how it was presented, as will all die-hard Connelly readers.

As always with a Connelly read, there is a noticeable and impressive focus on the central characters, with the author diving deep into his two point-of-view protagonists, Renée Ballard and Harry Bosch.  Both characters have a ton of history behind them at this point in Connelly’s joint universe, both as a team and as established, independent protagonists of their own novels.  As such, Connelly takes a little less time introducing them in Desert Star than he would previously, and instead starts highlighting their current issues and concerns, as well as re-establishing the teamwork between them.  While there is a little friction at the start of the book, mainly due to the fallout of The Dark Hours, Ballard and Bosch mostly get their investigative teamwork groove back and become an effective unit.  While Bosch does take on the mentor role in this book, it isn’t as prevalent as it has been previously, mainly because Ballard is now in control of her own unit and is the boss.  This forces her to supervise and try to control Bosch, with limited success, and this impacts their previous established dynamic.  At the same time, Ballard also relies on Bosch’s unpredictability and dislike of the rules to solve their more difficult, politically associated case, so that creates some odd friction and reliance that I rather enjoyed.

Most of the best character work in Desert Star revolved around old favourite protagonist Harry Bosch.  Bosch, who Connelly has aged up naturally over the last 30 years, is retired from the police, but he comes back to help Ballard with her case, and I loved seeing his maverick attitude reassert itself here.  However, he is primarily concerned with his own cold case, and swiftly reignites his obsession with finding the man responsible for the murder of a family.  This obsession soon starts to overwhelm him, and while he helps Ballard, he risks a lot to find his target while there is still time.  Connelly paints a powerful picture of Bosch in this book, and there are some big reveals about him that have been a long time coming.  While I won’t go into too much detail here, this is one of the more powerful and compelling Bosch narratives in a while, and Connelly does an outstanding job building up some tension around his storylines here.  Ballard also gets some interesting development in this book, and it was great to see her as a leader in this book, especially after spending so many years as the LAPD’s unwanted pariah for her attempts to report a superior for sexual harassment.  However, Ballard also encounters the darker side of leadership as she is forced to play politics and encounters various attempts to cover up the whole truth for expediency and self-gain.  This forces her to make some tough choices, and she becomes a bit more like her mentor, Bosch, with every case.  All this excellent character work really adds some impressive impact to Desert Star’s narrative, and this was one of the more significant novels for both of this amazing and iconic Connelly protagonists.

Michael Connelly continues to dominate the crime fiction scene with another epic and captivating read, Desert Star.  Bringing back two outstanding protagonists for a joint investigation, Desert Star contains a compelling and clever investigation into two fascinating murders.  Featuring a great story, some exciting pacing, and the amazing use of two complex protagonists, Desert Star was another exceptional read from Connelly that I had an awesome time reading. I can’t wait to see what Connelly writes next, and no doubt it will tie into the powerful moments raised in this incredible book.

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In the Shadow of Lightning by Brian McClellan

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books2 Comments

In the Shadow of Lightning Cover

Publisher: Macmillan Audio (Audiobook – 21 June 2022)

Series: The Glass Immortals – Book One

Length: 24 hours and 53 minutes

My Rating: 5 out of 5 stars

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One of the most inventive and compelling authors of fantasy fiction, Brian McClellan, kicks off an awesome new series with In the Shadow of Lightning, the first book in The Glass Immortals series.

Few authors over the last 10 years have had more of an explosive impact on the world of fantasy fiction then Brian McClellan.  Debuting in 2013, McClellan quickly set the world ablaze with The Powder Mage trilogy, which saw chaos and destruction unravel in a new fantasy world where gunpowder-powered mages face off against an enraged god.  I had a brilliant time with the first book in the series, Promise of Blood, and McClellan followed this initial trilogy off with the sequel, Gods of Blood and Powder trilogy, set in the same universe.  While I still need to finish the Powder Mage novels off, I was very excited to hear that McClellan was starting a new series with In the Shadow of Lightning, the first book in the author’s The Glass Immortals series.  This is an impressive and outstanding read that introduces readers to a distinctive new fantasy world, this time with a fascinating focus on glass magic.

Demir Grappo was once one of the most respected politicians, tacticians and glassdancers in the Ossan Empire.  A rising star in the assembly, a proven governor, and the only son of a prominent family, Demir’s promising career is suddenly shattered in the immediate aftermath of his greatest military victory when his army sacked and destroyed the entire city of Holikan, apparently on his orders.  Mentally broken by the massacre done in his name, Demir abandons his army and vanishes into the provinces, giving up his life of privilege for one of anonymity.

Now, nine years after the sacking of Holikan, Demir is a very different man, having spent the intervening time as a grifter with no true home.  However, everything changes when news reaches him that his mother was murdered, brutally beaten to death in public in an apparent political attack.  Determined to find her killers, Demir returns to the city of Ossa to reclaim his seat as the head of his family.  But not everyone is happy that he has returned, and Demir soon finds himself in the midst of several deadly conspiracies, while Ossa goes to war against its neighbour, all in the name of avenging his murdered mother.

To get to the centre of these conspiracies, Demir must find allies, including old friends and new acquaintances if he is to gain the power and influence he needs find answers, especially those hidden by the powerful guild families who rule Ossa.  However, as he searches, and soon finds a much more troubling secret: godglass, the source of magic within the world, is running out, and when it goes, chaos will reign.  The key to securing the future may lie in a device that could re-power inert pieces of godglass, and only one girl appears to have the skill to create such a device.  But as Demir fights to secure this new vital ally, he finds himself fighting against a mysterious new enemy, one that seems determined to destroy anyone who gets in their way.

McClellan impresses again with another incredible fantasy novel that had me instantly enthralled.  Presenting the reader with a multifaceted narrative that combines great characters with intriguing fantasy elements, In the Shadow of Lightning proved to be an outstanding start to McClellan’s new series and I had an exceptional time reading it.  Epic in scope, ambition and potential, In the Shadow of Lightning gets a full five-star rating from me and I am still reeling from just how good this was.

In the Shadow of Lightning is a particularly addictive novel, especially as McClellan presents the reader with an outstanding and complex narrative that pulls them in on so many levels.  Starting off with a compelling prelude that perfectly introduces central protagonist Demir Grappo and shows his dramatic and bloody fall from grace and sanity, the novel then undergoes a time skip which takes the reader into the current storyline, right as events are kicking off.  The initial focus is on Demir, who, after finding out his mother has been murdered, returns to Ossa to take over the family business and discover her murderers.  However, he soon finds that his mother was involved in complex dealings that might have led to her death, and that her assassination has been blamed on a neighbouring city Ossa is going to war with.  The story then splits as McClellan introduces three additional point-of-view characters, each other whom has their own distinctive story arc, closely related to Demir and the politics of Ossa.

These new characters include Thessa Foleer, a siliceer (godglass worker) from Ossa’s neighbour Grent, the breacher Idrian Sepulki and Kizzie Vorcien, an enforcer for a powerful guild-family who Demir hires to investigate his mother’s death.  Each of these new characters have their own individual storylines that tie into the plot points introduced in Demir’s initial chapters.  While these character arcs go in their own direction, their storylines are loosely connected together and form a great overarching narrative as they are dragged into war, imprisonment, political battles, conspiracies and criminal investigations.  I loved the cool blend of character-driven storylines, and everything comes together extremely well to show that something very rotten is going on within Ossa.  This is a very fast-paced story, and McClellan keeps multiple compelling plotlines running simultaneously to keep the reader’s attention, with some great reveals and amazing fight scenes scattered throughout the book.  Most of these reveals are set up and foreshadowed extremely well, with a couple of exceptions, and I didn’t see some of the twists coming, which was pretty fun.  Everything comes to a head towards the end of the novel, as all four characters find themselves in their own extremely dangerous and concerning situation.  Not only is there a massive battle for the future of Ossa but there are some shocking revelations about who is involved in the conspiracy and why.  The author leaves everything on an amazing note that not only leaves readers satisfied with the conclusion of some of the storylines but which also leaves a lot of questions unanswered and the reader wanting more.  An excellent and impressive story that dragged me in extremely quickly.

I was very impressed with how In the Shadow of Lightning’s story came together, as McClellan presented an epic and addictive offering that I snapped up extremely quickly.  I especially loved the use of four separate narrators to tell this story, and McClellan did an outstanding job of separating out their narratives.  Each narrator has their own unique story to tell, and what is really good is that they also explore a different aspect of the author’s new fantasy world, which often breaks across the associated genres.  For example, Thessa’s story focuses on the magical science behind godglass, and examines the political and social elements associated with this branch of magic.  Idrian’s tale comes across as a war tale as he is forced to participated in the deadly conflict between Ossa and Grent, where his particularly magical expertise makes him a living weapon.  Kizzie’s chapters come across as an investigation arc, as she attempts to uncover who killed Demir’s mother, and is forced to dive into the intrigues and shifting allegiances amongst the Ossan families, uncovering a deep conspiracy.  Demir serves as a bit of a joining figure; while he also has his own unique adventures, especially around Ossan politics, a lot of his arc involves interactions with the other three point of view characters.  Not only does this ensure that we get another viewpoint on the other character’s actions, as he gets involved in the godglass, espionage and the war elements that they are solely focussed on, but he helps to bring the other protagonist’s disparate storylines together into one solid and compelling narrative.

All four character-driven storylines are pretty exceptional in their own right, and this was one of those rare multi-perspective novels where you honestly can’t choose which character arc is the most intriguing or enjoyable.  I was particularly impressed with how McClellan brought these storylines together into one outstanding novel, and it makes for quite the epic read, especially as the author ensures you get the right blend of intrigue, action, magic and mystery throughout.  Despite its longer length, In the Shadow of Lightning has a pretty fast pace to it, and the readers are constantly treated to fantastic scenes that really keep your interest, either by being directly exciting, or featuring excellent examples of character development or world building.  I also really have to highlight the outstanding and amazing action sequences featured throughout this book.  McClellan has an impressive way of making these fight scenes really come to life in your mind, and it so easy to see all the epic events unfold.  These action scenes are particularly impactful when combined with the new magical features that the author has come up with, and I had so much fun seeing them unfold.  This really was an exceptional and highly entertaining read, and I loved how this entire amazing story was presented to the reader.

One of the things that most impressed me about In the Shadow of Lightning was the way in which McClellan envisioned and introduced the reader to an entirely new fantasy realm, equipped with its own distinctive magical system, all of which was substantially different from the elements featured in his previous Powder Mage novels.  While there are some similarities, namely that the Glass Immortals series also features magic, firearms, and a similar level of technology, there are quite a few differences which really make this new series stand out.  Most of the book is set in the Ossan Empire and its capital city of Ossa, which proves to be an excellent background location for the complex story.  Ossa, as well as some of the other nations mentioned reminded me of an Italian city-state, and I felt that it was an interesting change of pace to the French/English influences of Powder Mage universe.  The city is ruled by rival merchant guild families who are constantly battling for dominance, while the influence of the cities extends out to various provinces in the extended empire.  There is an intricate society set up around Ossa, and I loved the compelling interplay of industries, politics and intrigue that resulted.  McClellan examines various aspects of Ossan society, including sports, leisure, the military, and the various social levels, all of which were pretty intriguing to discover, and which painted Ossa and its people in a compelling light.  I particularly enjoyed their innate love for intrigue, contracts and business above everything else, and the fact that their national sport involves two magically enhanced people beating each other with cudgels tells you a lot about them.  Throw in some compelling snapshots of other relevant nations, as well as some sneaky hints at other mysterious beings, and the reader is given a really impressive and detailed introduction to this new world in this first book in the series, which McClellan did an outstanding job setting up.

However, the most distinctive part of this new universe is the cool magical system that forms the basis for much of the plot.  Just like with the Powder Mage novels, there are actually several different variations of magic and magic users in this series, which are connected to various forms of glass.  The first of these is the magical godglass, empowered glass items that give its users various abilities, such as strength, intelligence and enhanced senses, or which can be used to control a person.  Godglass is the most common form of magic in this series, which anyone can use, and indeed the entirety of human society in this world is based around the use of these items.  Pretty much every action a character does in this book is helped out in some way with godglass, resulting in some excellent sequences, especially during fights, and McClellan spends a lot of time exploring how it fits into his new world.  This includes multiple scenes set inside glassworks, where the godglass is forged, and you get an idea of how it is made and the significance it holds to the people of this world, including the fact that many of the characters have piercings that allow them to attach godglass to them.  Godglass actually becomes a key part of the book’s plot, once it is revealed that the supplies of magical cindersand that is used to create it is running low, resulting in an undercover war to control the remnants or finding a means of regenerating it.

The other magical elements of this new series involve the inbuilt talents of several characters, who have various degrees of sorcery in them.  The most prominent of these are the glassdancers, sorcerers who can control glass (except godglass) to an astonishing degree, and use it as a weapon.  There are multiple glassdancer characters featured throughout In the Shadow of Lightning (including the central protagonist), and you get to see multiple fights involving them, which are pretty badass.  You would never consider just how dangerous someone controlling glass could be until reading this book, and the brutal and quick ways in which they kill their opponents are pretty damn impressive.  The other major form of magical user are glazalier, who have more of a passive ability that allows them to resist the negative impacts of godglass (too much magic starts to eat away at someone) while still being able to use them.  These glazaliers are deployed as breachers, heavily armoured soldiers equipped with a ton of godglass that make them unstoppable tanks in battle, capable of killing units of men by themselves.  Acting as both a hammer and shield to their comrades, they are a lot more brutal than the subtly lethal glassdancers, and I loved the compelling contrast between the two major magical soldiers featured in this book.  McClellan does an outstanding job introducing, explaining and showcasing all these different magical elements in this first book, and I deeply enjoyed seeing the many cool ways these magical abilities and the godglass could be used, especially in the book’s many awesome action sequences.  I look forward to seeing how McClellan expands on them in the future, and I am still so impressed by how much magic the author could work into glass.

Another area where McClellan really excels as a writer is with the complex and multi-layered characters he is able to create.  This was really evident in his new novel, where several great point of view protagonists and fascinating supporting characters are perfectly introduced to the reader and become exciting focal points for the brilliant plot.

The most prominent of these is central protagonist, Demir Grappo, a brilliant strategist and politician, whose entire life is shattered in the opening prologue.  Forced back into public life after the death of his mother, Demir takes control of his family and attempts to rebuild his legacy while also finding answers.  Utilising the swindling, bluff and manipulation skills he built in the decade he was away, Demir proves to be a tough political adversary and quite an interesting figure to follow.  I loved his impressive and unique storyline, and watching him regain his political skills and self-confidence was really enjoyable, especially as he acts as a deadly glass sorcerer, businessman, politician, leader and even a general.  There are great sequences that highlight his skills, and I loved how he was able to manipulate everyone in many different ways, from being an agreeable political ally, to acting like a smarmy lord who is able to bluff his way around by sheer force of personality.  While he does come across as arrogant at times, which is partially due to the fear and respect everyone gives him due to his sorcerous abilities, McClellan ensures that the protagonist is aware of it, and works to fix his character flaws as he goes.  However, the biggest character aspect of Demir involves the trauma he carries after his actions apparently led to the massacre of an entire city.  Still haunted by the scenes from that night, Demir is forced to revisit them throughout the course of the book, especially when he meets a survivor while trying to find out who was actually responsible.  His roiling emotions around these events are his one weak spot, and the author slips in some powerful and understandable scenes where he loses control.  McClellan did a great job setting up Demir in this first book, and I have no doubt his story is going to get even more complex and painful.

McClellan ensures that all his intriguing characters have their own distinctive and compelling motivations, as well as a dark history that is explored throughout the course of In the Shadow of Lightning.  This includes Thessa Foleer, whose heartbreaking narrative and past worked perfectly in concert with Demir’s, which was appropriate as their storylines were the most closely linked.  Thessa’s story is one of constant loss, especially as everyone who seems to get close to her dies or suffers in some way, and the character goes through some major grief and trauma as a result.  The author does a good job balancing the focus on her past and her feelings of loss, with the scenes depicting her work as a siliceer, and I liked how you get some of the best insights about this book’s primary fantasy elements throughout her chapters.  McClellan sets up Thessa as quite a major character in this novel, and it will interesting to see how her story progresses in the future.

The other two point-of-view characters are Idrian Sepulki and Kizzie Vorcien, who add a lot more excitement and fun to the story.  Idrian’s scenes are some of the most action-packed, and it is very cool to see him in battle, especially as he tends to plough through entire units of men like a human tank.  However, Idrian is one of the most caring and likeable figures in the entire novel.  Primarily concerned for the lives of his comrades, Idrian goes into the battle to protect them, and the close friendships he builds with his men help define him.  However, Idrian is also battling some inner demons, and it is clear that McClellan has some tragedy planned for him in the future.  This is a little heartbreaking, as you really cannot help but enjoy Idrian’s straightforward nature and natural integrity, and anything bad that happens to him is going to strike the reader twice as hard as a result.  Kizzie, on the other hand, is a scrappy enforcer, forced to survive the intense politics of the city’s guild families.  The bastard daughter of the Vorcien family head, Kizzie desperately seeks legitimisation and acceptance from her father, if only to protect her from vicious brother.  Dragged into Demir’s hunt for his mother’s killers, Kizzie dives into the world of political intrigue and family espionage, only to find herself conflicted by the answers she seeks.  Forced to choose between friends and family, as well as between her desires and what his right, Kizzie has some great moments in this book, and her inner conflicts add a great amount of drama to the plot.

These central protagonists are well rounded out by an impressive and enjoyable series of supporting characters, each of whom add to the plot in their own unique way.  McClellan does a great job introducing all the key supporting characters featured in the plot, and there are some amazing and distinctive characters featured here, from long-time friends of the characters, to bitter enemies with their own agendas.  My favourite supporting character would probably be Baby Montego, Demir’s adopted brother who returns to help Demir with his exploits and find out who killed their mother.  A massive brute of a man and a former cudgeling world champion, Baby is considered to be the deadliest man on the planet, even though he doesn’t have any magical abilities and can’t use godglass.  He more than lives up to this reputation throughout the book, and he has some of the most exciting and action-packed sequences in the entire novel as he casually deals out violence.  At the same time, he is also a cunning thinker, and his dry humour and complete self-confidence really make him standout.  It was fantastic to see amazing characters like Baby interact with the point-of-view characters, and you get some impressive moments as a result.  Honestly, every character featured in this book was amazing in their own way, and I cannot emphasise enough how well McClellan wrote them.

As I tend to do with most massive fantasy novels, I chose to check out In the Shadow of Lightning in its audiobook format, which proved to be pretty damn awesome.  Coming in with a runtime of just under 25 hours, this is a lengthy audiobook to listen to (it comes in at number 15 on my latest longest audiobooks I have listened to list), and it took me a decent amount of time to get through it.  However, I felt that was time well spent, as I was relentlessly entertained every single second I spent listening to In the Shadow of Lightning, and there were times I wished it was even longer.  This epic novel really came to life in the audiobook format, and I loved how impressive and cool some of the big action sequences and confrontations felt when being listened to.  While I did initially struggle to keep track of the side characters in this format (having the ability to easily go back and figure out who people were would have been helpful), I was soon able to figure out who everyone was, while also absorbing a heck of a lot more detail about the new universe and its unique elements.

I was also deeply impressed with the outstanding narration In the Shadow of Lightning featured, thanks to the work of Damian Lynch.  Lynch is a veteran audiobook narrator with several epic fantasy series under his belt and he swiftly made me a big fan with his great voice work here.  He really dove into the various characters featured in the book, and you got a great sense of their personalities, emotions and actions as he narrated them.  I had fun with several of the voices he provided in this book, and I thought that protagonists like Demir, Idrian and Baby Montego, were really good, especially as you get notes of weariness in the old veteran Idrian, and the barely contained violence that resonates off Baby every time he talks.  I particularly liked the cool European accents that Lynch gave to the various characters, which helped to reinforce the Italian city-state nature of the main location, and people from other nations or cities had subtly different accents, which I thought was a very nice touch.  All this, and more, makes for an outstanding audiobook and this is easily the best way to enjoy In the Shadow of Lightning.  I had a wonderful time with this exceptional audiobook and I will definitely be grabbing the next book in this format when it comes out.

As you can no doubt see from this lengthy review, I deeply enjoyed In the Shadow of Lightning, which was such an epic book.  Brian McClellan did a remarkable job with this new novel, and he really proved his ability to set up another distinctive and exceptional fantasy series.  Loaded with so many amazing story elements, a cool new fantasy world with unique magical elements, and some impressive and complex characters, In the Shadow of Lightning was so very addictive, and I really could not stop listening to it.  A highly recommended read, especially in its audiobook format, In the Shadow of Lightning was one of the best books of 2022 and is a must read for all fantasy fans, especially those who have enjoyed McClellan’s work in the past, and I am exceedingly excited to see how The Glass Immortals series progresses from here.

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The Unbelieved by Vikki Petraitis

On By The Unseen LibraryIn Australian, Five-Star Books, Murder Mystery4 Comments

The Unbelieved Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 2 August 2022)

Series: Standalone/Book One

Length: 373 pages

My Rating: 5 out of 5 stars

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Debuting author Vikki Petraitis delivers an impressive and deeply moving Australian thriller skilfully set around the powerful subject of sexual violence with The Unbelieved.  This is Petraitis’s first novel, which has been receiving a large amount of buzz, including some awards.  As such, I was very interested in checking it out, especially as it had a very interesting plot, and this ended up being one of the most compelling and memorable Australian debuts of 2022.

Senior Detective Antigone Pollard has spent many years investigating terrible and destructive crimes in Melbourne.  After one case goes horribly wrong, Antigone decides to seek the quieter life and moves to her grandmother’s house in the Victorian coastal town of Deception Bay, where she was raised.  However, her attempts at finding peaceful policing quickly go up in smoke when a series of drug assisted sexual attacks occur throughout Deception Bay and the neighbouring towns.

After a sting operation at the local pub reveals a suspect who attempts to drug her, Antigone believes that they have perpetrator dead to rights.  However, they are soon forced to let him go when the male witnesses to the event refuse to cooperate and her superior attempts to brush the case under the rug.  Reaching out to the community, she finds a wall of silence and shame surrounding sexual crimes in Deception Bay, which has failed to lead to any convictions in the town.

Determined to stop the attacks no matter what, Antigone continues her investigation against her superior’s wishes, and uncovers a series of attacks across town.  Attempting to break through the fears of the women of Deception Bay, Antigone and her partner begin closing on the information they need.  However, Antigone also finds herself under threat from all corners and must work swiftly before she is shut down for good.  But can she succeed before another girl is attacked, and what happens when the darkness from her past rears its ugly head again?

Wow, I was not prepared for just how good and moving The Unbelieved was going to be.  Vikki Petraitis has really shown off her skill and talented as a writer with her first book, presenting a powerful read on an extremely relevant subject that strikes the reader hard.  Featuring an exciting and very clever mystery storyline that also intensely examines violence against women in Australia, The Unbelieved is an outstanding novel that gets a full five-star rating from me.

At its centre The Unbelieved has an exceptional multifaceted narrative that follows detective Antigone Pollard as she finds herself investigating terrible events occurring around Deception Bay.  Detective Pollard initially attempts to stop a series of sexual attacks, but she soon becomes involved in several other cases while trying to fit in to the community, despite opposition from some of its male residents.  As her case develops and more victims come forward, Pollard also finds herself investigating a suspicious death, a historical murder-suicide, a series of domestic violence cases, and more.  These investigations are often hampered by her superior and problematic members of the community, and Pollard also finds herself being threatened or attacked as she attempts to do her duties.  At the same time, elements from her past in Melbourne are revealed through a series of well-crafted flashbacks that expand on her motivations and begin to bleed into her current cases, especially once a prior suspect is brought back into the light.

Petraitis takes the story in some interesting directions throughout the course of The Unbelieved, and I loved the fantastic combination of the compelling yet heartbreaking cases that are explored throughout.  This investigation angle is well balanced with the character development of the protagonist, as well as the emotional exploration of several interesting supporting characters, and you really get involved in the narrative and the character’s fates as The Unbelieved continues.  The story becomes more complex as the book unfolds, and the protagonist finds herself caught up in a devious local conspiracy that seeks to take her down at the same time.  There are some brilliant twists and reveals throughout the plot, and I loved how several of the storylines developed.  The entire book was very well paced out, and I found myself getting really absorbed in so many key elements of the plot, especially as the author blends compelling investigations with dark, emotional examinations of the victims.  This all leads to up to a moving, thought-provoking and extremely satisfying conclusion that will leave every reader caught up in the plot happy.  I particularly enjoyed the final twist that Petraitis left the story on, and the way it was hinted at through the rest of the novel was extremely clever.  I honestly had such a remarkable time reading this great narrative, and there are so many excellent story elements to enjoy within it.

Easily the most distinctive part of The Unbelieved is the author’s detailed and powerful examination of the current situation of sexual and domestic violence in Australia.  Most of the book’s plot revolves around the investigation and attempted conviction of multiple sexual predators, and the author does not hold back in showcasing just how dark and damaging these sorts of cases can be.  Multiple viewpoints of the impacts of these crimes are examined throughout The Unbelieved, and readers are in for some emotionally devastating moments as you see so many of the different aspects of them.  There is a particularly good and dramatic look at how police investigating sexual crimes are impacted, especially when they are unable to get justice for the victims.  More importantly, Petraitis spends a lot of time exploring how Australian society perceives sexual crimes, and the book is loaded up with characters who don’t see them as a big deal or attempt to blame the victim.  There are multiple interludes within The Unbelieved that show short transcripts of interviews with people involved with these crimes, either as a witness or the accused, and the unguarded and unsupportive comments they make are both enlightening and a little infuriating.  Throw in some comments and interviews by the author’s accurate depiction of a typical Australian radio shock jock, which really boil the blood, and you have an excellent depiction of some of the main issues and attitudes towards sexual crimes, such as victim blaming.  These issues become a key part of the book’s plot, especially when the system fails so many victims, and it leads to some extremely emotional and painful moments.  I felt that Petraitis did a spectacular job working this confronting subject into the plot of her novel, and it certainly gave The Unbelieved a powerful edge that is hard to ignore.

I also really appreciated Petraitis’s examination of regional towns in Australia, which proves to be a great setting for this compelling book.  Rural and remote settings are always an excellent feature of Australian fiction, and I think that Petraitis used it extremely well in The Unbelieved.  The transfer of a big-city cop to the small town she grew up in results in a great change of pace for the protagonist, and the change in priorities and issues helps to add to the narrative complexity of The Unbelieved.  The use of this small-town setting comes into play throughout The Unbelieved in multiple intriguing ways, from the constant spread of rumours, the lack of secrets, and the fact everyone knows each other, and I liked how this affected several aspects of the police investigation plot line.  However, the most important part of this setting is the wall of silence that springs up during the book.  Many people know about the sexual and domestic violence going in in Deception Bay, but are unwilling to talk for various reasons, often keeping secrets from the police.  This becomes a key complication in the investigation, and it was fascinating and moving to see the protagonist attempt to overcome it.  As such, I felt that this small-town setting worked extremely well for The Unbelieved’s plot, especially with its specific criminal focus, and it definitely enhanced the story for me.

The final thing that I need to highlight is the excellent protagonist that Petraitis works the story around in Detective Antigone Pollard.  Pollard is an emotionally charged badass who has returned to her hometown after a devastating case in Melbourne, and now finds herself amid all manner of dark criminal activity.  While she is raw from the impacts of her last case and there are some dramatic moments surrounding here, the author portrays her as a practical and very capable cop, who takes charge and starts to clean up Deception Bay.  I really do think that Petraitis hit the right balance of vulnerable and determined in Pollard, and you grow quite attached to her as the book continues, especially once you learn the full extent of her last case.  Combine Pollard with several other fantastic characters in The Unbelieved, such as her partner, Detective Senior Constable Warren “Wozza” Harvey, and her loyal dog, Waffles, as well as some slimy villains, and you have a great cast for The Unbelieved that really add to the overall quality of this remarkable book.

With her impressive debut novel, The Unbelieved, Vikki Petraitis has set herself up as an exceptional talent in the Australian crime fiction game and she is a major new author to watch out for.  The Unbelieved has an outstanding crime fiction narrative to it that does an amazing job balancing a compelling mystery storyline with powerful dive into a sensitive and highly relevant subject.  Thanks to its well-written plot, clever mystery, distinctive setting and great characters, The Unbelieved comes together perfectly, and it proves to be extremely hard to put down.  While this book might be best avoided by those readers triggered by depictions of sexual violence, I cannot recommend this powerful novel enough, and it stands as one of the better Australian crime fiction books and debuts of 2022 so far.

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Quick Review – Dirt Town by Hayley Scrivenor

On By The Unseen LibraryIn Australian, Drama, Murder Mystery, Quick ReviewLeave a comment

Dirt Town Cover

Publisher: Macmillian (Trade Paperback – 31 May 2022)

Series: Standalone

Length: 359 0ages

My Rating: 4.25 out of 5 stars

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Intriguing new author Hayley Scrivenor presents her powerful and excellent debut novel with the powerful and dramatic Australian mystery, Dirt Town.

Plot Synopsis:

My best friend wore her name, Esther, like a queen wearing her crown at a jaunty angle. We were twelve years old when she went missing.

On a sweltering Friday afternoon in Durton, best friends Ronnie and Esther leave school together. Esther never makes it home.

Ronnie’s going to find her, she has a plan. Lewis will help. Their friend can’t be gone, Ronnie won’t believe it.

Detective Sergeant Sarah Michaels can believe it, she has seen what people are capable of. She knows more than anyone how, in a moment of weakness, a person can be driven to do something they never thought possible.

Lewis can believe it too. But he can’t reveal what he saw that afternoon at the creek without exposing his own secret.

Five days later, Esther’s buried body is discovered.

What do we owe the girl who isn’t there?

Character-rich and propulsive, with a breathtakingly original use of voice and revolving points of view, Hayley Scrivenor delves under the surface, where no one can hide. With emotional depth and sensitivity, this stunning debut shows us how much each person matters in a community that is at once falling apart and coming together.

Esther will always be a Dirt Town child, as we are its children, still.


Dirt Town was a fantastic and clever novel that contains a lot of interesting elements and moving parts to it that I had an amazing time reading.  Set in the small Australian country town of Durton in late 2001, the crux of Dirt Town’s plot revolves around the sudden disappearance of local schoolgirl Esther, who vanishes on her way home.  The subsequent search and police investigation into the disappearance soon involves several different inhabitants of Durton, including Esther’s friends, family and other connections, many of whom are dragged into the case over the course of the following days.  The investigation and the eventual reveal of what happened to Esther slowly but surely tears the town of Durton apart, as everyone’s secrets come spilling out.

The story focuses on several intriguing protagonists, including Esther’s best friend, Ronnie, who attempts to find her without really realising what is going on; their fellow schoolmate Lewis, who witnessed something relevant to the case but is unable to say anything out of fear of being outed; the various relatives to the children; the cops that come to investigate; and more.  This strong focus on these complex characters allows Scrivenor to weave together a compelling and exciting tapestry of personal stories that are altered for the worse when Esther goes missing.  All the characters react to the disappearance in different ways, and the reader gets a deep and captivating look into their lives, which often reveal long-buried secrets, fears and insecurities that the investigation brings to the light.  At the same time, the hunt for the missing child reveals other crimes going on around Durton, and everyone is moved in some way by the events of the narrative.  The eventual reveal about what happened to Esther and who was involved is very intense, and I really loved the clever, heartbreaking twist that Scrivenor utilised here.  The author layers the story with some clues, but it is still shocking to see what unfolded, and the series of events that led up to it and followed from there.  Dirt Town ends with a satisfying, if very bittersweet, conclusion, and I really appreciate the impressive debut narrative the Scrivenor produced here.

This was a pretty moving and distinctive novel, as Scrivenor blends several genres together into a single riveting tale.  While mostly framed as a mystery novel, Dirt Town also has a strong drama aspect to it, especially when it comes to examining the lives and secrets of the various townsfolk.  This ensures that you get quite a lot of unique character interactions throughout Dirt Town, and it was very moving and powerful to see how everyone was impacted by the events of the plot, often in quite substantial and painful ways.  It is also a particularly good piece of rural Australian fiction, as Scrivenor, who grew up in a small country town herself, does an amazing job portraying the tight-knit community, isolated landscape, and the feeling of decline that many of these towns experience during times of hardship.  Scrivenor added in a distinctive, disassociated chorus narrator, which is essentially the joint voice of the town, which produces some poetic and insight examinations of the impacts that the case has on the town and its people, as well as providing compelling insights into how the town is generally faring.  These separate elements blend well into a captivating and moving story, and you can find yourself getting quite drawn into Dirt Town as a result.

Overall, I felt that Dirt Town by Hayley Scrivenor was an outstanding and very distinctive debut novel, and one that sets Scrivenor up as an interesting rising talent in Australian fiction.  A recommended read, especially for those who love complex stories in Australia’s unmatched rural setting, Dirt Town was an outstanding book that is well worth checking out.

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The Law by Jim Butcher

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Short Stories3 Comments

The Law Cover

Publisher: Podium Audio (Audiobook – 5 July 2022)

Series: The Dresden Files – Book 17.5

Length: 3 hours and 22 minutes

My Rating: 5 out of 5 stars

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Prepare to dive back into the wild world of Jim Butcher’s iconic Dresden Files series with the latest impressive novella, The Law.

Readers of this blog might have noticed that I usually don’t go out of my way to read too many novellas or short stories and instead usually focus on full-length novels and comics.  This isn’t so much a deliberate choice as I just prefer whole books I can really sink my teeth into.  However, I had to make an exception for the latest Dresden Files novella that Jim Butcher just dropped, as I have been deeply enjoying this epic series.

The Dresden Files are a long running series of urban fantasy novels that follow protagonist Harry Dresden, a wizard who protects the people of Chicago from the magic beings and creatures they don’t even know exist.  People may remember that I first got into the Dresden Files back in 2020 when I checked out the 17th entry in the series, Battle Ground.  While I did enter this series late in the game, I still had an outstanding time with Battle Ground and it ended up being one of my top books and audiobooks of 2020.  In fact, I enjoyed it so much that I went back and started reading the series from the beginning.  So far, I have been able to read the first four Dresden Files novels, Storm Front, Fool Moon, Grave Peril and Summer Knight, all of which have been pretty impressive and captivating reads.  This dive into the older novels, plus my lingering enjoyment of Battle Ground, ensured that I was ready and eager for any new Dresden Files content that came my way, and Butcher just delivered with his latest novella, The Law.

Set a month after the events of Battle Ground, The Law sees Harry Dresden and the city of Chicago still recovering from the invasion of the Titan Ethniu and her forces, which resulted in significant destruction.  However, Dresden is primarily mourning the tragic death of his love, Karrin Murphy, and even his new responsibilities as lord of a castle and protector of Chicago isn’t enough to keep his mind off his loss.  Determined to snap Dresden out of his funk, his friends decide to get him back to basics and introduce him to someone in need of a good investigator.

Enter Maya, a former prostitute turned tutor whose grassroots education company helps to supplement the education of Chicago’s working-class children.  Working hard, Maya has managed to turn her tutoring business into a viable, if low-profit, franchise that prioritises helping as many children as possible.  However, Maya’s past life is about to come back to haunt her in the form of her former pimp, Tripp Gregory, who initiates a bogus lawsuit against Maya’s company for a ridiculous sum.  Unable to afford a lawyer and desperate for help, Maya has no choice but to turn to Chicago’s resident miracle worker, Harry Dresden.

Deciding to the take on the case and hoping to quietly warn Tripp away from Maya, Dresden soon discovers that sometimes the most dangerous opponent is a greedy idiot concerned only for themselves.  Worse, Tripp and the case have unexpected connections to the magical world, with dangerous players taking an interest in its outcome.  Forced to deal with old and new foes of considerable power, Dresden will need all his wit and will if he is to save Maya’s business and ensure that justice is found.

Well, that has gone a long way to convincing me to check out more novellas in the future.  The Law was an epic read that took Butcher’s always outstanding Dresden File’s protagonist on a short, but extremely sweet, adventure.  Bringing Butcher’s usual flair and style, while also expanding on events from the last book, The Law was a great read that gets a full five-star rating from me.

Butcher pretty much teaches a master class on how to do a short, concise and captivating story here in The Law as, despite its length, this novella had an impressive and fun narrative that I found to be utterly addictive.  Not only does it serve as a great follow up to Battle Ground but it showcases some amazing character work while presenting the protagonist with an intriguing new adventure.  The story is so much fun, and I loved how it started as seemingly non-magical job and then morphed into something more dangerous and problematic as Dresden finds that it has connections with the magical world that forces him to deal with some of Chicago’s key players, including some old enemies.  Bringing a small but enjoyable amount of legal thriller aspect to the series’ usual urban fantasy crime fiction style, The Law goes in some fantastic directions, as Dresden attempts to placate all the players while also serving his client.  There is a great bit of action, a ton of humour, some intriguing revelations, and even some pretty dark moments, which combine extremely well to create quite the impressive narrative.  I loved how Butcher wrapped the entire novella up, especially with that one conference scene near the end, and the reader comes away very satisfied and entertained with the entire affair.  I cannot emphasise how great this story was, and I was so damn enthralled by it that I nearly finished it in an entire sitting.

One of the things that I particularly liked about The Law is the way that it serves as a bridging novella between Battle Ground and any future entries in the series.  Butcher spends a lot of time in this story looking at the aftermath of the previous novel, especially as Battle Ground featured that epic battle that saw Chicago nearly levelled.  As such, Butcher packs The Law with a ton of callbacks to the events of the last book, and there is a huge focus on how the various characters are dealing with the aftermath, especially Dresden.  There is also a very fascinating look at the rebuilding that is occurring during this time, as well as the current state of the citizenry, many of whom are traumatised or damaged because of a battle most of them couldn’t even fully comprehend.  I really appreciated seeing the various figures featured in The Law remembering or trying to understand the events of Battle Ground, whether they are a magical person who lost someone, a normal person who went through hell, or even one of Dresden’s Knights of the Bean, who now bear a dark connection with the protagonist.  Some of the details that came out as a result are deeply fascinating, and there are even a few hints about where some potential future storylines might go, such as increased Government awareness of magic (you see evidence of them covering up the events of Battle Ground here), or the increased fear that might lead to humans attacking magic kind in the future.  All of these are featured heavily in The Law, and I liked how it was well utilised for the current story, while also showing fans of the series how different the landscape of Chicago will be in the future.  I would say that this focus on the aftermath of Battle Ground did make The Law a little less accessible to those readers who haven’t read the latest Dresden Files novel, however, I think that if you are interested in reading this, then you should definitely read Battle Ground first.

I also must talk about the great character work featured in The Law.  Despite its shorter length, Butcher manages to fit a decent number of characters in The Law, and there are some impressive character arcs and development that occurs as a result.  Naturally, most of this is focused on series protagonist and central point-of-view character, Harry Dresden, who puts on his usual brave face for most of this novella, bringing his usual insights and wicked humour to the new case.  However, it soon becomes very apparent that Dresden is still heavily traumatised by the events of Battle Ground, where he lost so much because of the war.  Despite his best efforts to hide it, Dresden is a wreck for much of the story, and it was quite confronting and moving to see him experience blackouts and emotional strains due to the tragedies he has experienced.  I think that Butcher covered his protagonist’s trauma and grief in a pretty realistic way, and I liked how he tried to use an old-fashioned investigatory case as a coping method for Dresden.  It was great to see Dresden going back to his roots as a private investigator after the chaotic and world-altering events of the last few books, and it was interesting to see how much the character’s powers, methods, insights and choices have changed as a result of everything he’s seen.  The Law ended up being quite an intense and fantastic look in the recovering Dresden and readers will like seeing his emotional damage, his recovery, and even some of his darker moments that are contained within this excellent novella.

Aside from Dresden, The Law features an excellent array of supporting characters, who bring a lot to the narrative.  Butcher made sure to include a combination of new faces and existing characters to fill out the cast, and I had a blast with how they were utilised throughout.  Several of the funniest and most interesting recurring figures from the series had substantial roles here, including Bob, Gentleman John Marcone, and even Mab, and each of their appearances and interactions with Dresden were entertaining and fitting with their previous appearances.  I enjoyed many of the great new characters that Butcher introduced here.  Some of them, including a devilish lawyer with a shrouded identity, may come back in the future, and it will be interesting to see how they are utilised.  I also enjoyed main antagonist, Tripp Gregory, mainly because he was so different that Dresden’s usual antagonists.  Rather than being a magical creature or a major threat, Tripp is a normal and rather idiotic criminal, who has a surprising power: he’s too stupid to believe in magic and too self-centred to avoid all the trouble Dresden is bringing his way.  Dresden’s reactions to having to deal with such a selfish and unusual opponent makes Tripp’s inclusion totally worth it, and I had fun seeing his arc unfold.  These characters, and more, were awesome inclusions to The Law, and their unique inputs added a lot the quality and entertainment value of the entire novella.

Finally, a quick note on the audiobook format, which was how I enjoyed The Law.  The Law audiobook has a very short run time of just over three hours and is a relatively easy audiobook to get through.  I always find myself really getting into Butcher’s excellent stories in this audio format, and this continued here with The Law, and it really helped me enjoy all the novella’s fun and entertaining details.  Probably the biggest thing about The Law audiobook was the choice of narrator.  I was deeply, deeply shocked when I discovered that long-time Dresden Files voice actor, the legendary James Marsters, wasn’t narrating The Law, and instead Butcher himself took over and voiced the entire thing.  Surprisingly, this ended up working out rather well and Butcher turned out to be a pretty competent and enjoyable audiobook narrator.  Don’t get me wrong, he’s no James Marsters (a point Butcher makes up-front, after promising Marsters would come back for future novels), but he does a really good job considering his lack of experience.  All the characters are given good, distinctive voices that fit their personalities and showcase their emotions and reactions perfectly.  His voice for Dresden was particularly good, and Butcher captured his creation’s cocky nature and damaged inner self perfectly.  While some of the accents he did were a little iffy, this was an overall fantastic performance from Butcher, and it was fun to see him contribute to his work in this way.  The Law audiobook ended up being an excellent and impressive way to enjoy this fantastic story, and it is easy the format I would most strongly recommend.

Jim Butcher continues to expand his epic Dresden Files series in some fantastic ways with the new novella, The Law.  Containing a compact, but highly impressive story loaded with some of Butcher’s best characters, The Law proved to be extremely entertaining and a lot of fun to get through.  Serving as a perfect follow-up to the major events of the last novel, The Law was an excellent and powerful entry in this long-running series that is a must read for all Dresden Files fans.

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The Accomplice by Steve Cavanagh

On By The Unseen LibraryIn Thriller2 Comments

The Accomplice Cover

Publisher: Orion (Trade Paperback – 26 July 2022)

Series: Eddie Flynn – Book Seven

Length: 323 pages

My Rating: 4.75 out of 5 stars

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The murder trial of the year is in session as brilliant legal thriller author Steve Cavanagh returns with his latest Eddie Flynn novel, The Accomplice.

Last year I had the great pleasure of reading a very fun and compelling thriller novel with The Devil’s Advocate, which was the sixth book in the Eddie Flynn series by talented author Steve Cavanagh.  I had heard of Cavanagh before last year, and indeed I already had a couple of his other books currently sitting on my to-read shelf, but this was the first real chance I had to read one of his novels.  I ended up being really impressed with The Devil’s Advocate, which pitted the series’ conman turned lawyer protagonist against a murderous southern prosecutor in a story that was wildly entertaining, extremely clever, and highly addictive.  As such, I have been rather eager to see what Cavanagh would write next, and his next book, The Accomplice, had been high on my upcoming books list for a while.  Well, I just received an advance copy of The Accomplice a couple of days ago and I immediately picked it up and started reading because it had such an awesome story idea behind it.

Carrie Miller is the most hated woman in America!  A seemingly normal and unassuming housewife, the world was shocked to discover that Carrie’s husband, Daniel Miller, was the notorious and brutal serial killer known as the Sandman.  After terrorising New York for months and killing 14 people, the Sandman suddenly vanished just as the police arrived to arrest him.  While the Sandman may have been gone, Carrie was still there, and everyone, including the police, FBI, media, and the entirety of America, believes that she knew about her husband’s crimes and helped to cover them up.

As the start of her trial begins, a desperate Carrie turns to the one defence attorney that could save her, former conman and legal genius Eddie Flynn.  Convinced of her innocence and determined to help, Flynn reluctantly takes on her case.  However, this will be the most difficult case of his life, as he must convince a jaded jury and the rest of the world that Carrie had no knowledge of her husband’s crimes and took no part in the murders.  But with Carrie already convicted by the media, and no evidence or witnesses that can back up her story, Eddie will have a real fight on his hands.

As Eddie prepares for the case, a dangerous new problem enters the picture.  After a lengthy absence, the Sandman has returned to New York, and he’s determined to save his wife from a life sentence.  Even with the police, FBI and rogue serial killer specialist Gabriel Lake on his tail, the Sandman begins a new reign of terror, targeting the prosecution’s witnesses and members of the FBI.  With the stakes higher than ever, can Eddie prove Carrie’s innocence before the killer strikes again or will he and everyone he cares about face the wrath of the Sandman?

Cavanagh hits it out of the park again, providing readers with a brilliant and intense thriller that is dark and fun at the same time.  Combining fantastic legal elements with a gripping psychological narrative about a dangerous killer, The Accomplice was another impressive read from Cavanagh that was well worth the wait.

This seventh Eddie Flynn novel has a really awesome and intense story to it that takes the reader on an impressive ride that is near impossible to stop.  Starting off with a great introduction to the case, the story quickly loops in Eddie Flynn and his team, while also bringing back the great villain in the Sandman.  Following some subsequent exposition and background to the case, Eddie gets into planning the defence, only to have a substantial shock hit him as the Sandman strikes in several different directions.  As the various characters attempt to deal with the issues surrounding the Sandman’s new attacks, Eddie is forced to defend his client in impossible circumstances as the trial starts.

Thanks to his great use of multiple character perspectives, which follows everyone including Eddie, his team, and even the Sandman himself, you get a great view of the events occurring throughout the book.  The middle of this impressive novel is filled with some excellent sequences depicting the killers’ current brutal actions, the desperate search for him that envelopes several main characters, and Flynn’s always impressive legal scenes.  I loved the awesome changes in tone and focus that occurred between these various chapters, and there is an intriguing and powerful contrast between the intensive cat-and-mouse games surrounding the killer and the more legal focused scenes.  All the perspectives come together in a big way towards the end of the book, and The Accomplice has a fantastic and wildly entertaining finale.  There are some pretty cool twists loaded up here and Cavanagh does a great job setting them up throughout the narrative.  I was kind of able to predict how one of the main ones would turn out, but I was pleasantly surprised by the other, and looking back it was cleverly set up and then hidden by the other secrets.  The author ends The Accomplice on a great note, and readers will come away wildly entertained and very impressed with how everything was so neatly wrapped up.

Cavanagh was in the zone when he was writing The Accomplice, and I deeply enjoyed how the entire story came together.  Like most of Cavanagh’s novels, the pacing in The Accomplice was spot on and the reader is never really given a chance to relax or put the novel down, which ensures that they try really hard to get through everything in one go (it worked on me).  There was an excellent blend of styles throughout The Accomplice, and Cavanagh once again did a great job of combining the darker subject matter of a disturbed killer, with the lighter scenes that focused on Eddie Flynn’s outrageous behaviour.  The scenes focused on the Sandman were particularly dark and gripping, especially as you get to see directly into his diseased mind, and the use of them throughout the novel really helped to amp up the drama and threat, while also moving the narrative along in some impressive directions.  Likewise, you get some intriguing and powerful character driven scenes from some of the other major characters, such as Flynn’s investigator Bloch and newcomer Gabriel Lake, as they get obsessed with finding the Sandman and bringing him to justice.

However, my personal favourite scenes in the book are those that deal more with the legal thriller aspects of the book.  I am always a sucker for a good legal battle in fiction, and Cavanagh, a man who knows a thing or two about the law, does a brilliant job of showcasing trials, legal prep work, and the formation of a defence case throughout his novels.  The court sequences scattered throughout the novel are very well written, and it was fascinating to see the author’s take on certain prosecution and defence strategies (some of the names for the strategies were quite amusing) as the protagonists do their darndest to blow a hole in the seemingly airtight case against their client.  I really loved how Cavanagh once again let Eddie go wild during the court case, and he uses all his knowledge and flair for the dramatic to manipulate the court in some inventive and often hilarious ways.  Most of Eddie’s appearances in the court are wildly entertaining, and his over-the-top shenanigans so much fun to behold, especially when he takes down every smug opponent and obstacle in a big way.  The author has a lot of fun setting up some of these events throughout the book, and it is really entertaining to see the protagonists coming up with their eccentric plans, as the hints about what they are going to do are left purposely vague to capture the reader’s attention.  I have so much love for Cavanagh’s ability to bring some wacky ideas into the court setting, and I can’t wait to see what convoluted and hilarious strategies the protagonist employs in any future books.

On top of the great story and distinctive sequences, Cavanagh also excels at character creation and development, which adds an extra impressive layer to the narrative.  The Accomplice features an interesting complement of characters, from the established cast of the previous books to some exceptional new figures whom the current case revolves around.  Naturally, most of the focus falls on the protagonist of Eddie Flynn, who is once again brought into an impossible case.  Flynn has another strong turn in The Accomplice and gets up to all his old tricks to win.  This results in quite a few entertaining and hilarious moments, and most of the book’s strong humour is because of Flynn’s more outrageous behaviours.  However, parts of this case do really get to Flynn and show that deep down he’s a good and flawed figure who lets his work dig into him.  Watching certain stresses and griefs take their hold on him really adds to the drama and intensity of the book, and I really appreciated how Cavanagh portrayed him throughout this latest novel.

On top of Eddie, the author brings back the central legal team, who are very strongly featured throughout this seventh book.  This includes Eddie’s mentor and advisor, Harry Ford, who continues to be a solid and calming presence for much of the book.  Harry serves as an excellent foil to the more outgoing Flynn, and they work well together as a team, especially during some scenes that see Harry have a bigger impact on the story than usual.  The other two key members of the staff are the firm’s other associate, young lawyer Kate Brooks and investigator Blotch, who are well utilised throughout The Accomplice.  Both bring something very different to the story, whether it be Kate’s relative innocence and determination to help wronged women, such as their client in this book, or Blotch’s investigative knowhow, capacity for violence, and general determination.  Both prove a good match for Flynn throughout this book, and I really liked the major impacts they have on the story, as it resulted in a much more varied and fun narrative.  There is also a great look at their strong friendship, which has lasted since childhood, and it was fun to see more examples of Blotch’s overprotective nature, especially when it comes to a thieving neighbour.

Finally, there are also some excellent new characters utilised in The Accomplice, who each bring something very different to the table.  Due to their stronger involvement with this particular case, be it suspect, perpetrator or hunter, Cavanagh does spend a bit more time introducing and developing these new characters than the existing cast, and you end up getting to know them extremely well.  This includes Flynn’s new client, Carrie Miller, the wife of the infamous Sandman, who finds herself under attack from pretty much the entire country in this book.  Carrie cuts a fascinating figure as a result, and while you are constantly wondering just how innocent she is, you get to see her at her most vulnerable as everyone she knows has turned against her.  I particularly enjoyed some of her insights (her choice of favourite film is excellent), and the journal entries that the author scatters throughout the novel really enhances her tale and gives greater context to her present actions.

In addition, Cavanagh also introduces the character of Gabriel Lake, a former FBI agent turned private investigator who specialises in catching serial killers.  A brilliant man with interesting ideas about the way to hunt killers which goes against the established theories of the FBI, Lake is an integral part of the plot, as he helps Flynn with his case in the hope of catching the Sandman.  However, there is also a deep well of anger within Lake, due to both his past and his personal connection to the Sandman case, and this becomes a major problem for the protagonists as the book goes on.  You never quite know what Lake’s motivations or intentions are, and he ends up adding an entire extra layer of complexity to an already twisty plot.

The final character I need to mention is the killer known as the Sandman.  While I won’t go into too much detail here about them to preserve some plot details, they serve as a sinister and threatening figure throughout the story, and their presence really impacts the events of the narrative.  Cavanagh goes out of his way to make the Sandman appear as deadly and deranged as possible, and it was fascinating to get a glimpse into his mind, especially as he truly believes that the Sandman is his true persona.  Watching him work his deadly skills in several disconcerting point of view chapters really adds to the intensity of the narrative, and he ended up being a particularly impressive literary villain.  I really had a great time with all these amazing and complex characters, be they old and new, and Cavanagh has once again really showcased his excellent skill when it comes to writing damaged people.

Unsurprisingly, I had a wonderful time with The Accomplice and Steve Cavanagh continues to impress me as one of the more entertaining thriller authors out there today.  This latest Eddie Flynn novel has all the series trademark flair as Cavanagh presents the reader with another unique and captivating case.  I loved how The Accomplice featured a great combination of a dark killer, hilarious legal scenes, a twisty thriller plot, and some well-established characters, which result in an incredible and addictive narrative.  A deeply enjoyable read, I really must go back and check out some of the earlier Eddie Flynn novels when I get a chance.  Highly recommended!

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