Fire With Fire by Candice Fox

Fire With Fire Cover

Publisher: Penguin Random House Australia (Trade Paperback – 4 April 2023)

Series: Standalone

Length: 480 pages

My Rating: 4.5 out of 5 stars

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One of Australia’s most exciting and compelling crime fiction authors, Candice Fox, returns with another intense and impressive novel, the powerful and memorable Fire With Fire.

Over the last several years, few Australian authors have dominated the crime fiction market as effectively as veteran author Candice Fox, who has produced some outstanding reads.  Fox is a very interesting author who started off focusing on the Australian market with several books set out in the wilds of Australia, including her Archer and Bennet series and the Crimson Lake books, the latter of which was recently adapted into the Australian television show, Troppo.  However, in more recent years, Fox has moved on to the larger international audience and has produced several great books set in America, as well as collaborating with legendary author James Patterson for their Detective Harriet Blue series.  I personally know Fox more for her international work rather than her Australian fiction, as I have been lucky enough to receive copies of her last few books, including the gritty standalone read Gathering Dark, the elaborate prison break novel The Chase, and the fantastic and heartfelt 2 Sisters Detective Agency co-written with James Patterson.  Each of these novels has been fun in their own way, and 2 Sisters Detective Agency ended up being one of my favourite Australian books of 2021.  Due to excellent books like these, Fox is now a key addition to my yearly reading schedule, and I just had to grab a copy of her latest novel, Fire With Fire, especially as it had a pretty epic plot behind it.

What starts as a normal day at the understaffed Hertzberg-Davis Forensic Centre in Los Angeles swiftly turns deadly when two people take over the lab, holding three people hostage.  However, this is no ordinary hostage situation, as the kidnappers are husband and wife Ryan and Elsie Delaney.  Two years earlier, the Delaneys’ daughter Tilly went missing at the Santa Monica beach, which the police eventually ruled an accidental drowning.  However, Tilly’s body was never found, key evidence was lost, and her parents never believed the official story and resented a lacklustre police investigation.

Now, desperate for answers, the Delaneys offer the LAPD an ultimatum: find Tilly dead or alive within 24 hours or they will destroy evidence in several major cases, all but destroying key investigations.  Armed with uncanny knowledge of which evidence is the most vital to the LAPD and which samples are too valuable to lose, the Delaneys appear to hold all the cards against the police.  However, the LAPD have no intention of validating the Delaneys’ actions by searching for Tilly.

However, one LAPD detective, Charlie Hoskins, has more motivation to save the evidence in the lab than the rest of the department.  Hoskins has finished up a gruelling five-year undercover stint within the ruthless Death Machines biker gang, an experience he barely survived.  All the evidence that he collected against the gang is now sitting in the lab, and if it goes up in flames, everything he tried to accomplish would be for nothing.  With the rest of the police force angling for a more lethal solution to the Delaney problem, Hoskins decides to find Tilly himself.

Helped by recently fired rookie Lynette Lamb, the woman responsible for blowing his cover with the Death Machines, which saw him literally thrown to the sharks, Hoskins begins a new investigation into Tilly’s disappearance, hoping to find any evidence that can convince the Delaneys that their daughter really did drown.  However, the more they dig, the more Hoskins and Lamb begin to realise that there is something far more sinister behind Tilly’s disappearance.  With time running out before his evidence is destroyed, and with the Death Machines hunting him across LA, can Hoskins find out what happened to Tilly before it’s too late and a lethal gang of killers are set free?

This was another excellent novel from Fox that featured an outstanding and captivating story.  Fox sets the entire narrative up perfectly, first introducing the main characters of Hoskins and Lamb by showing them on the very worst days of their life, as Hoskins is tortured out by the gang he infiltrated, while Lamb is fired on her first day as a rookie cop for being responsible for the leak.  From there, the story focuses on the start of the lab siege as the Delaneys take over and send the police their demands.  I really love this cool main scenario for the Fire With Fire as it is such a brilliant way to gain leverage over a police force.  Fox uses this to great effect to engage the major storylines of the book.  Firstly, there is an intriguing and intense siege storyline as police, led by LAPD Chief of Police Saskia Ferboden, attempt to resolve the situation without the destruction of evidence.  Fox examines many different sides of this situation, from the desperation of the Delaneys, the fear of the hostages in the lab, the emotions of the Delaney’s remaining daughter outside, and the growing hostility of the cops as they watch their evidence get destroyed.  This leads to a captivating series of events as Saskia and her FBI negotiator try to resolve the situation peacefully, only to hit setback after setback, as the Delaneys get violent, the hostages try to be heroic, and all her cops get mutinous at her decisions.

While the storyline around the siege is pretty intense and emotionally powerful, the real meat of the story focuses on Hoskins and Lamb as they attempt to find the Delaneys’ missing daughter, Tilly, before it is too late.  This entire storyline falls together extremely well as the unlikely partnership of Hoskins and Lamb are forced to work together and soon form an entertaining team as they simultaneously investigate the disappearance while also dodging the vengeful gang gunning for Hoskins.  The investigation angle takes them into some interesting directions, and I liked the compelling mystery that Fox wove together for this part of the book.  The author loads in a ton of misleads, alternate suspects, and problematic witnesses, each of whom muddy the water and ensure that the ultimate solution to the case isn’t too clear until the end.  The confrontation between Hoskins and his former gang also forms a great part of this story, especially as there are some excellent twists involved there, and the resulting carnage adds some major danger to the book.  However, the best part of this storyline is the partnership between Hoskins and Lamb, which steals the show with its genuineness and fun moments.

Fox has a highly readable writing style that I felt lent itself to this story and helped to turn it into an enjoyable read.  Pretty much everything about this book, including its flow, its pacing and the balance of story elements is set up really well, and I had a fun time getting through it.  The fast-paced and sharp chapters really move the plot along quickly, and you find yourself reading page after page, trying to see what awesome or intense event will occur next.  I liked how Fox split the story focus around Fire With Fire and the constant changes between the investigation for the missing girl and the deadly siege at the lab, really helps to amplify the intensity of the plot and keep the stakes very high.  I was also very impressed by the excellent blend of mystery, intense drama, high-octane action, and powerful character development, that were the primary features of the plot.  There is a barely a page where Fox isn’t portraying something pretty damn interesting or moving, and you are constantly intrigued with what is going to happen to the characters or the plot moving forward.  This ended up being a pretty amazing read, and I had such a great time getting through it.

One of the major writing highlights of Fire With Fire has to be the complex and damaged characters who formed the basis for much of the story.  There are some exceptional and well-written characters featured throughout this book, and Fox does a great job of showcasing their inner pain, motivations, and compelling personal pasts to the reader as the focus switches between them.  Two of the most notable are the characters of Detective Charlie Hoskins and Lynette Lamb, who serve as the main figures of the investigate arm of the plot.  Hoskins is a tough and independent figure who spent five years infiltrating a deadly criminal gang trying to find evidence to put them all away for murder, only to be discovered at the last minute and tortured.  Barely recovered from his ordeal, Hoskins spends the book trying to protect his hard-won evidence by finding the missing girl.  There is a lot of desperation behind Hoskins as he tries to make all the sacrifices and bad things he did over the last five years matter, and this leads to some great character moments throughout Fire With Fire.  There is also a major trauma component behind Hoskins, as he tries to get over the dark things he experienced during his torture and escape, which leads to him making some reckless decisions.

Hoskins is well matched up with his young and somewhat naïve partner Lynette Lamb.  Lamb is a rookie cop who was targeted without her knowledge and used to find information that exposed Hoskins to his gang.  Fired on her first day on the job, Lamb manages to find Hoskins out of both guilt and determination, hoping that he can get her job back.  Thrust together by circumstance, Lamb stubbornly partners up with Hoskins and works with him to find the missing girl.  There are a lot of great elements to Lamb’s storyline, and out of all the characters in Fire With Fire, she has the most growth as she tries to prove she is tough and capable enough to be a police officer.  The pairing of Hoskins and Lamb is an excellent highlight of the book and I loved how Hoskins reluctantly takes Lamb under his wing and tries to toughen her up., quickly realising there is far more to her than he initially though.  The two make an outstanding team, and they both cover the other’s weakness extremely well.

Aside from Hoskins and Lamb, some of the other standout characters include Ryan and Elsie Delaney, who take over the forensic lab and hold the evidence and people there hostage.  Fox does an outstanding job portraying the desperation behind these two characters as their obsession about finding their missing daughter, bought on by guilt and anger, drives them to extremes.  These two are some of the most complex figures in the entire book, especially as their actions, while bad, are understandable.  Other characters, such as Chief Ferboden and Hoskin’s entertaining friend Surge, help to round out the excellent cast of this book and I felt that these great figures really helped to turn Fire With Fire into a powerful and highly enjoyable read.

Overall, this was an amazing novel from Candice Fox, who once again shows why she is one of Australia’s premier crime fiction authors.  Fire With Fire had an outstanding and clever narrative to it that really drew me in and kept me extremely engaged the entire way through.  The excellent blend of intense narrative, amazing characters and a unique crime fiction scenario was highly effective, and I had a wonderful time reading this awesome book.  Fire With Fire comes highly recommended, and you will get really drawn into this great standalone crime fiction novel.

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Quick Review – Stay Awake by Megan Goldin

Stay Awake Cover 2

Publisher: Michael Joseph (Trade Paperback – 16 August 2022)

Series: Standalone

Length: 352 pages

My Rating: 4.5 out of 5 stars

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One of Australia’s most talented crime fiction writers, Megan Goldin, returns with another powerful and captivating read, Stay Awake, a unique and gripping novel that deals with memory, murder and a ton of traumatic suspense.

Over the last few years, crime fiction fans have been getting more and more impressed with the outstanding writings of Australian author Megan Goldin.  Goldin has so far written several epic and clever thrillers, and I have had a lot of fun reading two of her most recent books, The Escape Room (one of the best Australian books of 2018) and The Night Swim (one of the best Australian books of 2020).  Both of these books had outstanding plots, whether it was The Escape Room’s twisty tale of revenge or The Night Swim’s deep and emotionally charged story of justice for women, and I cannot recommend them enough.  After having such an epic time with her previous novels, I was very excited when I received a copy of Goldin’s latest book, Stay Awake, last year.  Featuring an outstanding story with an awesome hook to it, Stay Awake was an epic read that lived up to all my expectations.

Plot Synopsis:

Liv Reese wakes up in the back of a taxi with no idea where she is or how she got there. When she’s dropped off at the door of her brownstone, a stranger answers―a stranger who now lives in her apartment and forces her out in the cold. She reaches for her phone to call for help, only to discover it’s missing, and in its place is a bloodstained knife. That’s when she sees that her hands are covered in black pen, scribbled messages like graffiti on her skin: STAY AWAKE.

Two years ago, Liv was living with her best friend, dating a new man, and thriving as a successful writer for a trendy magazine. Now, she’s lost and disoriented in a New York City that looks nothing like what she remembers. Catching a glimpse of the local news, she’s horrified to see reports of a crime scene where the victim’s blood has been used to scrawl a message across a window, the same message that’s inked on her hands. What did she do last night? And why does she remember nothing from the past two years? Liv finds herself on the run for a crime she doesn’t remember committing as she tries to piece together the fragments of her life. But there’s someone who does know exactly what she did, and they’ll do anything to make her forget―permanently.

In the vein of SJ Watson’s Before I Go to Sleep and Christopher Nolan’s cult classic Memento, Megan Goldin’s Stay Awake is an electrifying novel that plays with memory and murder.

This was a fantastic and captivating read by Goldin that really highlights her amazing ability as an author.  Stay Awake is a fast-paced and exceedingly addictive novel that grabs your attention early on and refuses to let go thanks to its very clever story.  Starting off with the main character, Liv Reese, finding herself covered in blood and with everything she thought she knew gone or altered around her, Goldin sets up an incredible introduction that sets up an amazing follow up story.

The book gets even more interesting once the author introduces Liv’s peculiar situation: thanks to a past trauma, her mind resets itself each time she goes to sleep and she cannot remember anything from the past two years.  This results in a brilliant story, which features three separate intriguing perspectives of events.  Not only do you get the exciting main story of a confused Liv running through New York City, attempting to get to grips with her lost life, but you also see events from two years in the past which led up to the trauma that claimed her memory.  At the same time, the book also follows Detective Darcy Halliday, who is assigned to investigate a dead body connected to Liv, and soon becomes obsessed with finding the amnesiac protagonist.  These three major plot lines are expertly weaved together as the book continues and you soon find yourself drawn into the exciting mystery of who Liv is and whether she committed the murder that Darcy is investigating.  Goldin also amps up the story by having Liv being chased by a mysterious figure who is intent on finding and killing her to protect their secret.

However, the real highlight of Stay Awake’s story has to be the continued memory lapses experienced by the protagonist throughout the course of her chapters in the present.  Due to her condition, Liv actually loses her memory several times throughout the course of her storyline, causing her mind to completely reset to two years in the past.  This is a very fascinating character element, and I felt the author used it extremely well.  It is very compelling and a little scary to watch Liv make the same mistakes and visit the same people repeatedly, especially as she has no knowledge of the last two years, such as certain deaths or relationships.  Watching her come to grips with her chaotic life, only to lose it again in the next chapter, is simultaneously heartbreaking and fascinating, and you honestly cannot tear yourself away from this gripping book.  Thanks to the killer using Liv’s condition against her, the story further devolves into a dark and unique game of cat and mouse, with Liv forced to find answers about her life while avoiding a danger that she unaware exists.  Everything comes together extremely well as the book concludes, and I loved the clever solution to the main mystery of Liv and the various murders, especially as the hints to it are subtly laid down in the three alternate plot lines, even if the protagonists doesn’t remember them.  A truly awesome crime fiction narrative that is expertly written by its talented author, who has produced another very unique crime story.

Overall, I was once again deeply impressed with Goldin, and I felt that Stay Awake was a particularly great novel from her.  Goldin really pulls together a distinctive crime fiction story in this standalone thriller, and I was really glad that the amnesia angle of her plot paid out so effectively.  Stay Awake really helps to cement Goldin as one of Australia’s, and the world’s, most inventive new authors, and I cannot wait to read her next book, Dark Corners, which is set for release later this year.

Stay Awake Cover

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Warhammer 40,000: Grim Repast by Marc Collins

Warhammer 40,000 - Grim Repast Cover

Publisher: Black Library (Audiobook – 25 September 2021)

Series: Warhammer Crime

Length: 9 hours and 52 minutes

My Rating: 4.5 out of 5 stars

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Prepare for a gruesome and dark murder mystery novel in the gritty Warhammer 40,000 universe with the incredible and awesome Warhammer Crime novel, Grim Repast by Marc Collins.

I have made no secret of the fact that I am currently in the middle of a big Warhammer reading frenzy, having recently reviewed several awesome books, including two novels in my last Throwback Thursday posts (Xenos by Dan Abnett and Deus Encarmine by James Swallow).  However, I am still not done with the tie-in books in this very cool franchise as I have just finished another outstanding read, this time a book which is part of the Warhammer Crime sub-series.

The Warhammer Crime books are a fantastic and captivating series which, as the name suggests, blends crime fiction storylines with the epic Warhammer 40,000 universe.  All set within the tortured and sprawling human city of Varangantua, these great novels tell a range of entertaining and complex crime stories, including dark murder mysteries and elaborate thrillers, which make great use of the gothic futuristic setting.  I have so far enjoyed two Warhammer Crime entries, Dredge Runners and The Wraithbone Phoenix by Alec Worley, both of which were pretty epic reads.  These initial awesome reads really sold the Warhammer Crime series to me, and I have been interested in enjoying another entry.  I ended up choosing the great sounding read, Grim Repast, by rising Warhammer author Marc Collins.  One of Collins’s first full-length novels, Grim Repast is an exceptional read with one of the darkest crime narratives I have ever had the pleasure of reading.

“This city eats men….”

Veteran probator Quillon Drask thinks that he has seen all the dangers, depravities and villains that Varangantua has to offer, but he is about to discover a whole new level of horror.  Already traumatised and ostracised after his last lethal case and the betrayal that accompanied it, Drask’s first new investigation is not the simple job he was hoping for, as a body has been found in the dying district of Polaris.  The victim, a businessman on the wrong side of town, has been gruesomely mutilated, the implications of his injuries have frightening implications.

As more bodies are discovered, Drask finds himself chasing after a deadly killer who murders and dismembers without compunction and who has a sudden obsession with tormenting Drask.  Forced to play a deadly game that uncovers the corruption of his own organisation and sets him against the city’s elite, Drask finds himself alone and afraid against an enemy he doesn’t understand.  Only his twisted insights into the criminal mind, as well as the lessons of his career and devious dead mentor, offer the answers that he needs to solve the case and stop the killer.  However, not even Drask’s dark mind can comprehend the true horrors that lie beneath his city, one that connects to Varangantua’s past and a dangerous hunger that has always controlled people like him.

Wow, Marc Collins really came out swinging with this epic and outstanding Warhammer Crime entry.  Grim Repast is probably one of the best pure mystery novels set in the Warhammer universe that I have so far read, and I loved how seamlessly Collins was able to blend a dark, psychological crime fiction narrative with the grim and repressive atmosphere of a Warhammer 40,000 city.

Collins has cooked up a pretty wicked story for Grim Repast, which brings together multiple elements from across the genres to really highlight just how epic and complex a Warhammer story can be.  Following the compelling and damaged protagonist and narrator Probator Quillon Drask through the deadly streets of Varangantua as he chases after a lethal serial killer, Grim Repast is first and foremost a crime novel, and one that really grabs the reader’s attention.  Coming off as a dark psychological thriller with classic noir detective elements to it, the protagonist is forced to delve into the darkest heart of his massive, gothic city when he investigates several connected murders whose victims have been butchered in inventive and dark ways.

Collins sets up the case extremely well and then adds some intriguing complications to it where Drask is forced to investigate against the opposition of his bosses and their corporate controllers.  Bringing together a ton of character growth, disturbing developments in the murder case, as well as some fun action as Drask comes face-to-face with the killer in disguise, the plot moves quickly, and you are soon very hooked on finding the killer and the people pulling the strings behind them.  Forced to contend with the interference of a giant corporation, the protagonist finds himself in the middle of a dark conspiracy and, after the typical cop requirement of being suspended without his gun or badge, investigates on his own.  The mystery itself is well-set out and slowly unfolds, even if the overall culprit behind it isn’t too surprising.  However, the obvious suspect isn’t a narrative weakness, as the power of the story revolves around the protagonist fighting through the corruption and the insanity to confront his suspect, as well as the wider implications and horrors his investigation reveal.  The last third of the story is particularly brutal and grim as the protagonist uncovers some pretty horrendous crimes tied into the dark past of Varangantua, and is forced to face them by himself.  Everything ends in a pretty bloody manner, and I had a wonderful time seeing how this entire awesome crime narrative came together.  I loved the cool conclusion of this book, and the hints at some potential adventures for this character is something I would be extremely keen for.

This was a very well written book, and I really appreciated how Collins was able to tell such an effective and powerful story.  Featuring a quick pace and a brilliant focus on a very damaged protagonist, Grim Repast keeps you on your toes the entire time, and I loved how well it blended multiple crime fiction elements for the story while also making full use of the grim Warhammer setting.  The crime itself has some outstanding elements to it, and I was getting some major Jack the Ripper vibes from the plot as Drask receives several taunting notes from the killer.  Collins really brings about a dark and desperate tone around the characters and the city itself, and this lends itself perfectly to the complex crimes, especially as the murders have far deeper meaning and consequences than are initially seen.  The use of corruption and dangerous corporations helped to ensure that the character had even more mysteries and obstacles to overcome, which I thought was an outstanding bonus hook to the story.  The fantastic focus on murder and mystery rather than on wider universe elements ensures that Grim Repast also serves as a pretty good entry into Warhammer 40,000 fiction, especially for crime fiction lovers.  While some elements of the story hint or briefly discuss larger events or bits of the universe’s wider lore, you really don’t need to understand it to enjoy this book, and anybody who loves a complex and gloomy crime fiction can easily have their first taste of Warhammer fiction here without any issues.

Perhaps one of the best elements of Grim Repast that Collins featured was the setting of Varangantua itself.  While the continent-spanning city of Varangantua has appeared in the other Warhammer Crime books, I don’t think I fully appreciated just how good a setting it is until reading Grim Repast.  Collins sets out to make the city as dreary, deadly and dark as possible, and you find yourself getting lost amongst its constricting streets, compelling people and many hidden dangers.  The author honestly sets the city up as a character in itself, and it is quite powerful to see the protagonist move amongst its streets as Varangantua works to consume him, mind, body and soul.  To just make things a little grimmer, Collins chooses to set most of the story in the section of the city known as Polaris, an icy, desolate part of town that is slowly dying due to a lack of commerce.  I love how Polaris’s fortunes seem to match that of the protagonist himself, and Collins really amps up the noir vibes of Polaris with a ton of neon signs, dingy apartments and corrupt cops, making it feel that little bit more like a classic police story.

However, no matter how dingy and gothic Varangantua may be, it is still a futuristic city, so the universe’s advanced technology and other wider Warhammer elements are integrated into the city as well.  There are some great scenes where the city’s law enforcement utilises interesting investigation methods to solve the brutal murders, and I liked seeing the set up of a police force within the Warhammer 40,000 setting, especially as it is as corrupt or degraded as most things within the Imperium of Man.  I also really enjoyed how Collins was able to tie the mystery into the history of the city itself, with key parts of Varangantua’s past coming to the surface during the course of Grim Repast.  This gives the book a lot more substance when it is fully revealed, especially as it increases the overall stakes of the book, and I really appreciated and enjoyed how Collin’s utilised this brilliant setting throughout his book.

I also have to highlight the outstanding central protagonist and point-of-view character, Quillon Drask.  Collins created a wonderful character in Drask, a beaten down and emotionally damaged cop, reminiscent of classic pulp or noir detectives and investigators.  Still emotionally traumatised by the betrayal of his mentor during the last case, Drask attempts to find some normalcy in his work.  However, Drask is now isolated from the rest of his force, not just because of his propensity for finding the weirdest cases, but because of the taint surrounding his mentor.  Drask channels much of his anger and trauma into the new case, but he soon confronts forces that even he can’t fight through.  His obsession with this new case, his well-founded hatred of the aristocracy, and his desire for redemption, lead him to continue his investigation despite his boss’s orders, which leads him into all manner of trouble.  Collins did an outstanding job showcasing this character’s intense mental trauma throughout Grim Repast, and he really comes across as a complex and dark individual.  Despite being a troubled soul, you can’t help but like Drask, as his grim stubbornness just keeps forcing him towards the abyss, and nothing he does in the book, not even solving the murders, brings him any real comfort.  I loved how Collins also explored his penchant for getting into the darkest parts of the human mind and empathising with killers, and he reminded me a bit of Will Graham from the Hannibal Lector franchise, which isn’t too surprising considering that there are some major Thomas Harris influences in this book.  Drask gives a great running commentary on his dark observations of the city around him, and Collins really dives into the mind of his character throughout the course of the book.  This really adds to the book’s overall tone and quality, and I absolutely loved how Collins set out his central protagonist.

If I were to make one major complaint about Grim Repast, it would be that Collins relied a little too much on people reading his short story, Cold Cases, first.  Appearing in the Warhammer Crime anthology book, No Good Men, Cold Cases was the previous (and first) appearance of Quillon Drask, in which he hunted down another notorious killer.  Collins brought up Cold Cases multiple times throughout the course of Grim Repast, as the events helped form the protagonist and led to his mental/profession state in Grim Repast.  While I appreciate that Collins was trying to tie his new book back into this introductory story, I found it a bit confusing and irritating at times, mainly because I haven’t read Cold Cases.  I kind of got a little tired of the continued references to Cold Cases throughout Grim Repast, as it messed with the initial flow and enjoyment of this novel.  While you can pick up the events of Cold Cases through context as Grim Repast continues, I felt that Collins could have either eased up on the references a little or featured a better summary of this short story at the start, especially as it was such a big part of the protagonist’s motivations.  While this wasn’t a massive issue in my enjoyment of Grim Repast, it bugged me the entire way through, and it is something readers interested in Grim Repast should be aware of.  Overall, though, this was a pretty epic read, and I would recommend it, even with this issue.

To no-one’s surprise I ended up listening to the Grim Repast audiobook, which was pretty damn awesome.  I have so much love for Warhammer 40,000 audiobooks, especially as they are always so successful at capturing the dark tone of the settings as well as the complex stories.  I felt that Grim Repast was a particularly good example of this, as its audiobook really drew the reader into the cold surrounds of Varangantua and refused to let you leave.  It helped that Grim Repast was narrated by the highly talented Richard Reed, who previously impressed me with his narration of Nate Crowley’s The Twice-Dead King books, Ruin and Reign.  Reed has a naturally tough and rugged voice that does Grim Repast’s story a lot of justice, as his tones perfectly fit the noir-esque city of Varangantua.  I especially enjoyed how he portrayed Quillon Drask throughout the book, giving him a very gravelly tone that showcased his gruff exterior, while also expertly conveying the protagonist’s inner turmoil and pain.  You really get the full sense of who Drask is through Reed’s great voice work, and I really cannot emphasise how much value Reed’s narration added to this awesome audiobook.  With a runtime of just under 10 hours, Grim Repast is an easy audiobook to quickly power through, and you will really find yourself getting dragged into this elaborate and powerful tale in this format.

Fans of crime fiction, Warhammer fiction and everything in between should look no further than Grim Repast by Marc Collins for their next epic read.  Bringing together a complex and twisted murder mystery with the iconic setting of Varangantua in the Warhammer 40,000 universe, Grim Repast is an outstanding amalgamation of mystery, a dark psychological thriller, and the madness of the grim Warhammer 40,000 future, all of which makes for one hell of a dark and emotionally charged story.  I had an amazing time reading this powerful read, and it comes very highly recommended.

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The Bullet That Missed by Richard Osman

The Bullet That Missed Cover

Publisher: Viking/Penguin Audio (Audiobook – 15 September 2022)

Series: Thursday Murder Club – Book Three

Length: 11 hours and 17 minutes

My Rating: 5 out of 5 stars

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Murder, comedy and the most badass team of investigators you are every likely to read about come together perfectly in the new Thursday Murder Club novel, The Bullet That Missed by Richard Osman.

Over the last three years, some of the most impressive and outright entertaining murder mystery novels have been part of the Thursday Murder Club series by British television personality Richard Osman.  Set in a luxury retirement village in the English countryside, the Thursday Murder Club books follow the adventures of four outrageous pensioners who spend their free time solving cold cases.  However, their lives get even more complicated when several murders occur around their village, and they endeavour to find out who committed them.  The series started with The Thursday Murder Club in 2020, which had an outstanding blend of mystery, great characters and humour, all of which came together in a perfect and deeply addictive read.  The Thursday Murder Club ended up being one of my favourite books, audiobooks and debuts of 2020, and I cannot rave about it enough.  Osman followed this first book up last year with The Man Who Died Twice, an excellent sequel that presents the reader with another great mystery, while also exploring the characters even further.  I had another amazing time with The Man Who Died Twice, and it also ended up being one of the best things I read all year, making my top books and audiobooks of 2021 lists.  Needless to say after the first two epic books, I have been very excited for the third Thursday Murder Club novel, and The Bullet That Missed has been one of my most anticipated reads for 2022 for a while now. 

After their last exciting adventure, Elizabeth, Joyce, Ibrahim and Ron, are continuing to solve murders in their spare time.  Their latest case sees them dive into an infamous cold case in which a young, highflying television reporter was murdered just before breaking a story on a major crime ring, with her body never recovered from the ocean.  Teaming up with the reporter’s famous presenter colleague, the Thursday Murder Club eagerly begin their investigation, hoping to shed light on her murder while having fun with their new high-profile friends.

However, it soon becomes apparent that the people behind the reporter’s death might still be active and are attempting to cover their tracks.  Their only witness in the case is found dead in her prisoner cell shortly after the club attempts to question her, and even the notorious crime lord many believe responsible for killing their original victim is afraid to talk.

Not ones to be deterred, the club continues their investigation and soon long-hidden secrets from the past come spilling out.  However, as they close on the killer, a completely different threat emerges from Elizabeth’s past.  A mysterious new nemesis wants Elizabeth to return to her assassin roots and kill an old contact from her spy days, if she does not, everyone close to her will die.  Forced to choose between her friends and her conscience, Elizabeth needs to find a way to defuse the situation before someone gets hurt.  But is this new encounter just the thing the Thursday Murder Club needs to solve their latest crime before the murderer strikes again?

Well damn, what another brilliant and impressive read.  Richard Osman went all out for his third book and I honestly think that The Bullet That Missed is some of his best work yet, possibly even eclipsing the original The Thursday Murder Club.  Bringing together an elaborate and deeply enjoyable mystery storyline with some brilliant characters, outstanding humour, and a heck of a lot of great twists, I was instantly addicted to this latest book from Osman and couldn’t wait to find out how everything ended.  An extremely captivating read, The Bullet That Missed gets a very emphatic five-star rating from me, and I had an incredible time reading it.

I loved, loved, loved the exceptional story that Osman came up with for The Bullet That Missed, especially as Osman provided a perfect blend of mystery, character growth and genuine human moments that the reader can’t help but eat up.  Starting off shortly after the events of the last book, The Bullet That Missed sees the Thursday Murder Club using their usual charm and manipulative practices to investigate another cold case, gaining insight through the victims’ old colleagues, while also dragging in their usual friends and police colleagues.  They soon find themselves in the middle of a cracking mystery and use their connections and well-earned insights to examine the various clues and persons of interests associated with the case.  At the same time, Elizabeth is quite literally dragged into a dark place by a mysterious new figure who knows about her past and who forces her to choose between killing an old colleague from her spy days or watching Joyce and the rest of her friends die.  This side plot adds quite a bit to the overall story, especially the introduction of several awesome new characters, and I really enjoyed how Osman tied it into the main mystery. 

Combined with the various scenes that show the day-to-day lives of the many characters in the book, as well as some genuinely heartbreaking moments of love and loss, this proves to be one heck of a story that I was particularly rivetted to.  I loved the unique investigation that resulted from the mystery, and the characters have so many clever and hilarious ways of getting to the truth.  Osman throws in an appropriate number of red herrings and suspects, which serves to effectively muddy the water and keep the readers in suspense as they try to work out which of the many suspicious characters might have had a hand in the killings.  I was able to pick out the main villain a fair bit in advance, although the journey to getting there and the eventual reveal was really good, and I loved every single second of it.  I also didn’t see a bunch of the final twists coming, and you really appreciate all the cleverly hidden hints and clues that Osman seeded throughout the book.  I came away from The Bullet That Missed exceedingly satisfied with how the story unfolded, and I really cannot emphasise just how amazing and awesome the plot was.

On top of this, Osman has an awesome writing style that I feel really enhances the elaborate and powerful narrative of The Bullet That Missed.  I particularly enjoyed how the author made great use of multiple character perspectives throughout the book to tell the elaborate narrative.  While the focus is generally on the four members of the Thursday Murder Club, the perspectives of all the other characters in the book are shown several times throughout the story.  Not only does this allow you to get multiple intriguing views of the main mystery and the club’s actions, including from the book’s many suspects, but it also ensures that the reader gets closer to all these characters by learning their motivations, feelings, and personal histories.  This makes for a much more compelling narrative, especially as you grow attached to the new characters quickly, while also getting to experience the powerful human developments impacting the main cast.  Osman does a great job of keep the pace pretty consistent and enjoyable throughout the entirety of The Bullet That Missed, and you are constantly exposed to intriguing mystery developments, deeper emotional moments from the characters, or a ton of entertaining humour which can’t help but make you chuckle.  This keeps up throughout the entire book, although it does pick up at several points, especially when the club are making some big moves, and it always works out well. 

While one of the best things about The Bullet That Missed is the compelling mystery, a discussion of this book really would not be complete without mentioning the fantastic humour loaded into it.  Osman is undeniably a very funny man, and he puts his excellent comedic skills to great use in this series, and particularly in The Bullet That Missed, with nearly every page containing some subtle, fun, comedic elements that I absolutely loved.  A large amount of this humour revolves around the various ways in which the older characters of the book manage to outwit and manipulate the younger people they come across, whether it be by acting senile, or forcing them to accommodate them out of politeness.  At the same time, the main characters’ very diverse and highly amusing viewpoints of the world around them, especially involving modern society or pop culture, are extremely funny, and it is entertaining to see an older perspective on this crazy modern world.  Osman fits in quite a huge number of references to British culture throughout the course of the book, and I had a lot of fun hearing all the clever references to iconic shows and products that the character’s mention throughout the book, especially as they often talk about them in a very clever way.  Throw in some fantastic coincidences, a lot of jokes about turning old, several hilarious self-referential jabs about the trouble with writing crime novels, and the perfect banter that occurs between the four main protagonists and their exasperated cohorts, and The Bullet That Missed was an exceedingly funny read that is guaranteed to keep you wildly amused with its various antics.

As always, one of the strongest parts of this latest Thursday Murder Club novel is the characters.  Osman has created an amazing group of protagonists for this series, and he continues to build on them with each book, showcasing their strengths, personalities, and inherent vulnerabilities, as the find themselves in dangerous and unique situations.  Most of the focus is again on the four members of the Thursday Murder Club who, by this third book, are really quite well established, and the reader is already very attached.  Osman keeps up the wonderful interpersonal dynamic that was such an impressive feature of the first two books, and it continued to work extremely well in The Bullet That Missed, with several great new developments added in.  Elizabeth and Joyce are once again set up as the book’s main characters, with a huge chunk of the book dedicated to them.  Elizabeth, the former spy, proves to be an excellent manipulator, and it is always fun to see her talk about her days as a trained assassin, especially when her past comes back to haunt her.  Joyce, on the other hand, is a legitimate sweetheart, and she really is the heart and soul of the book.  I love how Osman changes the perspective in all her chapters to reflect her journalling the events of the story, and she provides some of the best descriptions of the events going on in the book.  It is also very fun to see her in action as, despite appearing to be a harmless, sweet old lady, she is a tough as nails and can be just as manipulative as Elizabeth when she needs to be (the scene in which she meets the Viking was perfect). 

Ron and Ibrahim are also used to great effect in The Bullet That Missed and both have some impressive outings in this book.  I loved the many scenes featuring Ron, especially as he really stands out from the rest of the crowd by being a blue-collar rabble rouser who holds on to the old-school tough guy mentality.  A lot of Ron’s story in The Bullet That Missed revolves around the other characters breaking through his tough exterior, especially as he has a new love interest in this book who gets him to open up in several amusing ways.  I also loved the sense of vulnerability that surrounds Ron when he starts to realise that a lot of the men of his generation are starting to go and he suddenly doesn’t have as many people to connect with anymore, which gets used to great effect when he manages to get information by playing snooker with an old criminal with a similar mindset to him.  The final main character is Ibrahim, who is honestly one of the nicest, most genuine characters you are ever likely to meet in fiction.  Ibrahim gets an outstanding showing in this book, and it was really a relief to see him recovered after the terrible beating he received in The Man Who Died Twice.  I loved how he was able to use his psychology skills in this book, and he even spent time working with the woman responsible for his beating, which results in some excellent scenes.  All four of these main characters continued to impress me in this latest book and I cannot wait to see how their next adventure unfolds.

Aside from these major characters, The Bullet That Missed also contains a substantial supporting cast of entertaining characters who Osman uses to great effect throughout the course of the narrative.  These characters include a combination of some entertaining new figures, as well as many returning characters who made such an impact in the previous novels.  Many of these returning characters have been built up in a big way in the previous books, and it was great to see a lot of their character development continue, especially as they are generally better off after having met the Thursday Murder Club.  I really loved that the three main supporting characters from the first novel, DCI Chris Hudson, PC Donna De Freitas and Bogdan, each come into The Bullet That Missed with some positive storylines surrounding them, and the new romance between Donna and Bogdan was so damn nice. 

All the new characters in The Bullet That Missed were also very entertaining: an older makeup artist who takes a liking to Ron, a gigantic Scandinavian crime lord known only as the Viking, an eccentric local TV news host, and the local Chief Constable who also moonlights as a less-than-successful mystery writer.  These great characters added a lot of flavour to the narrative, and it was fascinating to see how many were worked into the plot, especially as Osman was setting several of them up for returning appearances.  I particularly loved the retired KGB officer turned criminal finance advisor, Viktor Illyich, who is an old contact of Elizabeth and who finds himself being hunted.  He was a brilliant and entertaining addition to the plot, especially with his great methods of manipulation.  You have to love that amazing scene where he applies his techniques to a young Virgin Media representative. 

However, the best recurring character has to be Elizabeth’s husband, Stephen, who has been a bit of a tragic figure throughout the series due to his dementia, which Elizabeth tries to hide from the world.  Stephen is perhaps the best character Osman has written, as the author provides a deep and extremely powerful view of the impacts dementia has on the sufferer and those closest to them.  Watching Stephen slowly lose himself while Elizabeth suffers beside him has provided some of the most heartbreaking parts of this series.  Stephen still proves himself to be a brilliant and caring figure, and Osman writes some great scenes for him in the series, especially when he plays chess with Bogdan, and it is always fun when he provides fantastic insights into Elizabeth’s cases.  He was particularly effective in this book, especially after being kidnapped, and his knowledge and surprising criminal contacts allow Elizabeth to outsmart one of their enemies in several amazing scenes.  Of course, these scenes are also loaded with sadness; with every positive step Stephen takes, he also loses a little, and every time he forgets a detail or a person it breaks your heart a little bit more.  Honestly, every character in this book is pretty damn epic, and clearly creating amazing characters is one of Osman’s biggest strengths as a writer.  I look forward to all the amazing character work that is bound to appear in the next Thursday Murder Club, and I am sure that I will fall in love with every single cast member once again.

While I did receive a physical copy of The Bullet That Missed, I chose to instead grab the audiobook version of this novel, as I had such an amazing time listening to the first two books in this format.  As it was, I ended up being surprised and slightly disappointed to discover that Lesley Manville, who narrated the first two Thursday Murder Club books, wasn’t returning for this third entry.  However, my disappointment was exceedingly short lived when I found out that she had been replaced by the amazing Fiona Shaw, who I have loved for years in things like the Harry Potter films, Killing Eve and Andor.  Unsurprisingly, Shaw did an outstanding job narrating The Bullet That Missed, and she masterfully portrayed all the characters in a very fun and entertaining way.  I loved all the great voices she used for this awesome audiobook, and each character got their own distinctive tone that allowed the reader to easily pick up who they were.  Shaw brings a huge range of different accents to the table, and while her Swedish accent was purposely a little silly, it still fit the character extremely well.  However, what really impressed me was the effort that Shaw took in matching the voices of most of the recurring characters with Lesley Manville’s previous take on them.  All the four main members of the cast, as well as supporting characters like Donna and Bogdan, sounded extremely like their appearances in the previous two audiobooks, and while Shaw did do her own take on a couple of figures, I personally deeply appreciated her attempts to keep some continuity with the previous audiobooks.  Shaw also kept the audiobook rolling along at a brisk pace, and the 11 hour and 17 minute runtime passed along in no time whatsoever, especially as you get deeper and deeper into the plot.  Throw in another lovely interview with Richard Osman at the end and I felt that this was an absolutely incredible audiobook, and definitely the best format by which to enjoy The Bullet That Missed.  I will be extremely happy if Shaw chooses to come back for the fourth Thursday Murder Club audiobook next year.

Richard Osman continues to show the world just how much talent he has a murder mystery writer with the third exceptional entry in the amazing Thursday Murder Club series, The Bullet That Missed.  Continuing to follow his brilliant pensioner protagonists as they solve a complex murder in some clever and funny ways, The Bullet That Missed was an incredible addition to the series that is guaranteed to have you hooked from start to finish.  I cannot recommend this book enough, and if you haven’t started reading the Thursday Murder Club books yet, you are really missing out.

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Desert Star by Michael Connelly

Desert Star Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 8 November 2022)

Series: Ballard and Bosch – Book Four

Length: 393 pages

My Rating: 5 out of 5 stars

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Legendary crime fiction author, Michael Connelly, returns with another impressive and deeply enjoyable read that once again brings together two of his best protagonists for a compelling investigation, with Desert Star.

Connelly is an author who needs very little introduction, having spent the last 30 years dominating the crime fiction world.  His various outstanding works often cover several diverse subgenres of crime fiction, and his unique and captivating protagonists all exist in one shared universe, primarily set around Los Angeles.  Ever since I started properly reading crime fiction a few years ago, Connelly has been an author I have particularly enjoyed each year, and I have had a wonderful time reading several of his most recent books.  This includes the fantastic Mickey Haller legal thriller, The Law of Innocence, and the intense Jack McEvoy journalistic investigative read, Fair Warning (one of my favourite novels of 2020).  However, some of my favourite Connelly books have been the more classic police investigation novels, all of which have been part of the Ballard and Bosch subseries.

The Ballard and Bosch books are an intriguing set of recent novels that bring together Connelly’s two main police protagonists into one investigative team.  These two protagonists are female detective Renée Ballard and Connelly’s original protagonist, Harry Bosch, who has long retired from the LAPD but is still in the detective game.  These two form a fantastic team, and it is always fun to see their interesting mentor/mentee relationship as they investigate a series of cases.  There have so far been three Ballard and Bosch books, and I have had a wonderful time with each of them, including Dark Sacred Night, The Night Fire (one of my favourite books and audiobooks of 2019) and The Dark Hours (one of my favourite books of 2021).  Due to how awesome these last three books have been, I was quite excited to see that Connelly had a new one coming out in 2022, and that book, Desert Star, was one of my most anticipated reads for the second half of 2022.

Desert Star is set a year after the events of The Dark Hours, which saw Renée Ballard quit the LAPD after encountering sexism, corruption, and obstacles to solving her cases.  Lured back after being offered a dream job, Ballard now finds herself leading an elite cold cases unit which hopes to find justice for the many unsolved murders throughout Los Angeles.  While Ballard has already pulled together an effective team, there is still one person she needs to complete it: Harry Bosch.

While angry at Ballard following their last encounter, Bosch is lured back as a volunteer investigator after Ballard offers him help on the one cold case that has haunted him for years, the slaying of the Gallagher family.  Years ago, the entire family of four was found brutally killed, their bodies buried in the desert, and Bosch has never forgotten them or the fact that he was unable to find the man he knows killed them.  In return for access to the resources of Ballard’s unit, Bosch agrees to help Ballard solve her own cold case.

To keep their unit alive and well funded, Ballard needs to solve the rape and murder of a councilman’s sister years ago.  There are few avenues for a further investigation, and Ballard hopes that Bosch’s unique views may be the key to solving it.  However, after a chance clue connects their case to another brutal murder, Ballard and Bosch find themselves taking their investigation in some very dangerous directions.  At the same time, Bosch’s obsession with finding the Gallagher family’s killer grows even more, as he finds himself determined to catch him before it’s too late.  Can Ballard and Bosch solve their crimes, or will tragedy strike right at the heart of their partnership?

This was another outstanding crime fiction read from Connelly that combines a cool series of murder mystery cases with some intense character work to create and excellent story.  Desert Star gets off to a quick start, bringing back the two main protagonists and showing what changes have gone through their lives in the last year, as well as introducing the new cold case unit.  The reader is swiftly then brought across the two central murder cases that the protagonists are investigating.  The initial focus is on the murder of councilman’s sister, which has political connotations for the cold case unit, but Bosch also spends a large amount of time examining his personal case.  After some interesting breaks in the main case, Ballard and Bosch find themselves stuck looking far closer to home than they imagined, when clues point to a serial killer with connections to the very politician who created their unit.  There are some great twists and turns towards the centre of the book as they come close to their revelations, and the identity of this killer is pretty clever, with several interesting clues in the lead-up to the big confrontation.  At the same time, Bosch starts closing in on the main suspect in his case after revisiting witnesses from his initial investigation.  This leads him down a long, dark road as he contemplates what he’s willing to risk to get justice.  Everything leads up to a heart-pounding finale, which will leave readers on the edge of their seat as you honestly have no idea how far Connelly is going to take everything.  Desert Star ends on a particularly satisfying note, and it will be interesting to see where Connelly’s narratives go next, as he has left several intriguing storylines open.

This was a pretty addictive and fast-paced read, and it really doesn’t take long to get drawn into the two intriguing cases.  I loved the focus on cold case investigation in this book, which is a classic Connelly story element, and the author presents some excellent mystery elements.  I had a lot of fun with both cases, one because it was a seemingly unsolvable case with huge political issues behind it, the other because of one protagonist’s intense obsession with cracking it.  Connelly does a good job splitting focus between the two cases, which is made easier with the use of two perspective characters, Ballard and Bosch.  Both have very different views of the investigations, and the split in perspectives helps to ratchet up the tension in several scenes extremely well.  Connelly goes for a pretty fast pace in Desert Star, and you really find yourself powering through the narrative, especially once you get caught up in the excellent investigation arcs.  I loved how both cases turned out, and Connelly puts in some great build-up for both of their powerful conclusions.  Like most of the books in this shared crime universe, Desert Star can be easily read as a standalone novel, and no prior knowledge of either character is really required to enjoy it.  However, this latest Ballard and Bosch book is coming off a lot of emotional build-up and character development from the previous entries, so you’ll appreciate Desert Star more if you’ve checked them out first.  Connelly also throws in a ton of references to some previous novels, mainly some of Bosch’s older adventures, which established fans will really appreciate.  I loved Desert Star’s amazing story and how it was presented, as will all die-hard Connelly readers.

As always with a Connelly read, there is a noticeable and impressive focus on the central characters, with the author diving deep into his two point-of-view protagonists, Renée Ballard and Harry Bosch.  Both characters have a ton of history behind them at this point in Connelly’s joint universe, both as a team and as established, independent protagonists of their own novels.  As such, Connelly takes a little less time introducing them in Desert Star than he would previously, and instead starts highlighting their current issues and concerns, as well as re-establishing the teamwork between them.  While there is a little friction at the start of the book, mainly due to the fallout of The Dark Hours, Ballard and Bosch mostly get their investigative teamwork groove back and become an effective unit.  While Bosch does take on the mentor role in this book, it isn’t as prevalent as it has been previously, mainly because Ballard is now in control of her own unit and is the boss.  This forces her to supervise and try to control Bosch, with limited success, and this impacts their previous established dynamic.  At the same time, Ballard also relies on Bosch’s unpredictability and dislike of the rules to solve their more difficult, politically associated case, so that creates some odd friction and reliance that I rather enjoyed.

Most of the best character work in Desert Star revolved around old favourite protagonist Harry Bosch.  Bosch, who Connelly has aged up naturally over the last 30 years, is retired from the police, but he comes back to help Ballard with her case, and I loved seeing his maverick attitude reassert itself here.  However, he is primarily concerned with his own cold case, and swiftly reignites his obsession with finding the man responsible for the murder of a family.  This obsession soon starts to overwhelm him, and while he helps Ballard, he risks a lot to find his target while there is still time.  Connelly paints a powerful picture of Bosch in this book, and there are some big reveals about him that have been a long time coming.  While I won’t go into too much detail here, this is one of the more powerful and compelling Bosch narratives in a while, and Connelly does an outstanding job building up some tension around his storylines here.  Ballard also gets some interesting development in this book, and it was great to see her as a leader in this book, especially after spending so many years as the LAPD’s unwanted pariah for her attempts to report a superior for sexual harassment.  However, Ballard also encounters the darker side of leadership as she is forced to play politics and encounters various attempts to cover up the whole truth for expediency and self-gain.  This forces her to make some tough choices, and she becomes a bit more like her mentor, Bosch, with every case.  All this excellent character work really adds some impressive impact to Desert Star’s narrative, and this was one of the more significant novels for both of this amazing and iconic Connelly protagonists.

Michael Connelly continues to dominate the crime fiction scene with another epic and captivating read, Desert Star.  Bringing back two outstanding protagonists for a joint investigation, Desert Star contains a compelling and clever investigation into two fascinating murders.  Featuring a great story, some exciting pacing, and the amazing use of two complex protagonists, Desert Star was another exceptional read from Connelly that I had an awesome time reading. I can’t wait to see what Connelly writes next, and no doubt it will tie into the powerful moments raised in this incredible book.

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The Unbelieved by Vikki Petraitis

The Unbelieved Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 2 August 2022)

Series: Standalone/Book One

Length: 373 pages

My Rating: 5 out of 5 stars

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Debuting author Vikki Petraitis delivers an impressive and deeply moving Australian thriller skilfully set around the powerful subject of sexual violence with The Unbelieved.  This is Petraitis’s first novel, which has been receiving a large amount of buzz, including some awards.  As such, I was very interested in checking it out, especially as it had a very interesting plot, and this ended up being one of the most compelling and memorable Australian debuts of 2022.

Senior Detective Antigone Pollard has spent many years investigating terrible and destructive crimes in Melbourne.  After one case goes horribly wrong, Antigone decides to seek the quieter life and moves to her grandmother’s house in the Victorian coastal town of Deception Bay, where she was raised.  However, her attempts at finding peaceful policing quickly go up in smoke when a series of drug assisted sexual attacks occur throughout Deception Bay and the neighbouring towns.

After a sting operation at the local pub reveals a suspect who attempts to drug her, Antigone believes that they have perpetrator dead to rights.  However, they are soon forced to let him go when the male witnesses to the event refuse to cooperate and her superior attempts to brush the case under the rug.  Reaching out to the community, she finds a wall of silence and shame surrounding sexual crimes in Deception Bay, which has failed to lead to any convictions in the town.

Determined to stop the attacks no matter what, Antigone continues her investigation against her superior’s wishes, and uncovers a series of attacks across town.  Attempting to break through the fears of the women of Deception Bay, Antigone and her partner begin closing on the information they need.  However, Antigone also finds herself under threat from all corners and must work swiftly before she is shut down for good.  But can she succeed before another girl is attacked, and what happens when the darkness from her past rears its ugly head again?

Wow, I was not prepared for just how good and moving The Unbelieved was going to be.  Vikki Petraitis has really shown off her skill and talented as a writer with her first book, presenting a powerful read on an extremely relevant subject that strikes the reader hard.  Featuring an exciting and very clever mystery storyline that also intensely examines violence against women in Australia, The Unbelieved is an outstanding novel that gets a full five-star rating from me.

At its centre The Unbelieved has an exceptional multifaceted narrative that follows detective Antigone Pollard as she finds herself investigating terrible events occurring around Deception Bay.  Detective Pollard initially attempts to stop a series of sexual attacks, but she soon becomes involved in several other cases while trying to fit in to the community, despite opposition from some of its male residents.  As her case develops and more victims come forward, Pollard also finds herself investigating a suspicious death, a historical murder-suicide, a series of domestic violence cases, and more.  These investigations are often hampered by her superior and problematic members of the community, and Pollard also finds herself being threatened or attacked as she attempts to do her duties.  At the same time, elements from her past in Melbourne are revealed through a series of well-crafted flashbacks that expand on her motivations and begin to bleed into her current cases, especially once a prior suspect is brought back into the light.

Petraitis takes the story in some interesting directions throughout the course of The Unbelieved, and I loved the fantastic combination of the compelling yet heartbreaking cases that are explored throughout.  This investigation angle is well balanced with the character development of the protagonist, as well as the emotional exploration of several interesting supporting characters, and you really get involved in the narrative and the character’s fates as The Unbelieved continues.  The story becomes more complex as the book unfolds, and the protagonist finds herself caught up in a devious local conspiracy that seeks to take her down at the same time.  There are some brilliant twists and reveals throughout the plot, and I loved how several of the storylines developed.  The entire book was very well paced out, and I found myself getting really absorbed in so many key elements of the plot, especially as the author blends compelling investigations with dark, emotional examinations of the victims.  This all leads to up to a moving, thought-provoking and extremely satisfying conclusion that will leave every reader caught up in the plot happy.  I particularly enjoyed the final twist that Petraitis left the story on, and the way it was hinted at through the rest of the novel was extremely clever.  I honestly had such a remarkable time reading this great narrative, and there are so many excellent story elements to enjoy within it.

Easily the most distinctive part of The Unbelieved is the author’s detailed and powerful examination of the current situation of sexual and domestic violence in Australia.  Most of the book’s plot revolves around the investigation and attempted conviction of multiple sexual predators, and the author does not hold back in showcasing just how dark and damaging these sorts of cases can be.  Multiple viewpoints of the impacts of these crimes are examined throughout The Unbelieved, and readers are in for some emotionally devastating moments as you see so many of the different aspects of them.  There is a particularly good and dramatic look at how police investigating sexual crimes are impacted, especially when they are unable to get justice for the victims.  More importantly, Petraitis spends a lot of time exploring how Australian society perceives sexual crimes, and the book is loaded up with characters who don’t see them as a big deal or attempt to blame the victim.  There are multiple interludes within The Unbelieved that show short transcripts of interviews with people involved with these crimes, either as a witness or the accused, and the unguarded and unsupportive comments they make are both enlightening and a little infuriating.  Throw in some comments and interviews by the author’s accurate depiction of a typical Australian radio shock jock, which really boil the blood, and you have an excellent depiction of some of the main issues and attitudes towards sexual crimes, such as victim blaming.  These issues become a key part of the book’s plot, especially when the system fails so many victims, and it leads to some extremely emotional and painful moments.  I felt that Petraitis did a spectacular job working this confronting subject into the plot of her novel, and it certainly gave The Unbelieved a powerful edge that is hard to ignore.

I also really appreciated Petraitis’s examination of regional towns in Australia, which proves to be a great setting for this compelling book.  Rural and remote settings are always an excellent feature of Australian fiction, and I think that Petraitis used it extremely well in The Unbelieved.  The transfer of a big-city cop to the small town she grew up in results in a great change of pace for the protagonist, and the change in priorities and issues helps to add to the narrative complexity of The Unbelieved.  The use of this small-town setting comes into play throughout The Unbelieved in multiple intriguing ways, from the constant spread of rumours, the lack of secrets, and the fact everyone knows each other, and I liked how this affected several aspects of the police investigation plot line.  However, the most important part of this setting is the wall of silence that springs up during the book.  Many people know about the sexual and domestic violence going in in Deception Bay, but are unwilling to talk for various reasons, often keeping secrets from the police.  This becomes a key complication in the investigation, and it was fascinating and moving to see the protagonist attempt to overcome it.  As such, I felt that this small-town setting worked extremely well for The Unbelieved’s plot, especially with its specific criminal focus, and it definitely enhanced the story for me.

The final thing that I need to highlight is the excellent protagonist that Petraitis works the story around in Detective Antigone Pollard.  Pollard is an emotionally charged badass who has returned to her hometown after a devastating case in Melbourne, and now finds herself amid all manner of dark criminal activity.  While she is raw from the impacts of her last case and there are some dramatic moments surrounding here, the author portrays her as a practical and very capable cop, who takes charge and starts to clean up Deception Bay.  I really do think that Petraitis hit the right balance of vulnerable and determined in Pollard, and you grow quite attached to her as the book continues, especially once you learn the full extent of her last case.  Combine Pollard with several other fantastic characters in The Unbelieved, such as her partner, Detective Senior Constable Warren “Wozza” Harvey, and her loyal dog, Waffles, as well as some slimy villains, and you have a great cast for The Unbelieved that really add to the overall quality of this remarkable book.

With her impressive debut novel, The Unbelieved, Vikki Petraitis has set herself up as an exceptional talent in the Australian crime fiction game and she is a major new author to watch out for.  The Unbelieved has an outstanding crime fiction narrative to it that does an amazing job balancing a compelling mystery storyline with powerful dive into a sensitive and highly relevant subject.  Thanks to its well-written plot, clever mystery, distinctive setting and great characters, The Unbelieved comes together perfectly, and it proves to be extremely hard to put down.  While this book might be best avoided by those readers triggered by depictions of sexual violence, I cannot recommend this powerful novel enough, and it stands as one of the better Australian crime fiction books and debuts of 2022 so far.

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Quick Review – Dirt Town by Hayley Scrivenor

Dirt Town Cover

Publisher: Macmillian (Trade Paperback – 31 May 2022)

Series: Standalone

Length: 359 0ages

My Rating: 4.25 out of 5 stars

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Intriguing new author Hayley Scrivenor presents her powerful and excellent debut novel with the powerful and dramatic Australian mystery, Dirt Town.

Plot Synopsis:

My best friend wore her name, Esther, like a queen wearing her crown at a jaunty angle. We were twelve years old when she went missing.

On a sweltering Friday afternoon in Durton, best friends Ronnie and Esther leave school together. Esther never makes it home.

Ronnie’s going to find her, she has a plan. Lewis will help. Their friend can’t be gone, Ronnie won’t believe it.

Detective Sergeant Sarah Michaels can believe it, she has seen what people are capable of. She knows more than anyone how, in a moment of weakness, a person can be driven to do something they never thought possible.

Lewis can believe it too. But he can’t reveal what he saw that afternoon at the creek without exposing his own secret.

Five days later, Esther’s buried body is discovered.

What do we owe the girl who isn’t there?

Character-rich and propulsive, with a breathtakingly original use of voice and revolving points of view, Hayley Scrivenor delves under the surface, where no one can hide. With emotional depth and sensitivity, this stunning debut shows us how much each person matters in a community that is at once falling apart and coming together.

Esther will always be a Dirt Town child, as we are its children, still.


Dirt
Town was a fantastic and clever novel that contains a lot of interesting elements and moving parts to it that I had an amazing time reading.  Set in the small Australian country town of Durton in late 2001, the crux of Dirt Town’s plot revolves around the sudden disappearance of local schoolgirl Esther, who vanishes on her way home.  The subsequent search and police investigation into the disappearance soon involves several different inhabitants of Durton, including Esther’s friends, family and other connections, many of whom are dragged into the case over the course of the following days.  The investigation and the eventual reveal of what happened to Esther slowly but surely tears the town of Durton apart, as everyone’s secrets come spilling out.

The story focuses on several intriguing protagonists, including Esther’s best friend, Ronnie, who attempts to find her without really realising what is going on; their fellow schoolmate Lewis, who witnessed something relevant to the case but is unable to say anything out of fear of being outed; the various relatives to the children; the cops that come to investigate; and more.  This strong focus on these complex characters allows Scrivenor to weave together a compelling and exciting tapestry of personal stories that are altered for the worse when Esther goes missing.  All the characters react to the disappearance in different ways, and the reader gets a deep and captivating look into their lives, which often reveal long-buried secrets, fears and insecurities that the investigation brings to the light.  At the same time, the hunt for the missing child reveals other crimes going on around Durton, and everyone is moved in some way by the events of the narrative.  The eventual reveal about what happened to Esther and who was involved is very intense, and I really loved the clever, heartbreaking twist that Scrivenor utilised here.  The author layers the story with some clues, but it is still shocking to see what unfolded, and the series of events that led up to it and followed from there.  Dirt Town ends with a satisfying, if very bittersweet, conclusion, and I really appreciate the impressive debut narrative the Scrivenor produced here.

This was a pretty moving and distinctive novel, as Scrivenor blends several genres together into a single riveting tale.  While mostly framed as a mystery novel, Dirt Town also has a strong drama aspect to it, especially when it comes to examining the lives and secrets of the various townsfolk.  This ensures that you get quite a lot of unique character interactions throughout Dirt Town, and it was very moving and powerful to see how everyone was impacted by the events of the plot, often in quite substantial and painful ways.  It is also a particularly good piece of rural Australian fiction, as Scrivenor, who grew up in a small country town herself, does an amazing job portraying the tight-knit community, isolated landscape, and the feeling of decline that many of these towns experience during times of hardship.  Scrivenor added in a distinctive, disassociated chorus narrator, which is essentially the joint voice of the town, which produces some poetic and insight examinations of the impacts that the case has on the town and its people, as well as providing compelling insights into how the town is generally faring.  These separate elements blend well into a captivating and moving story, and you can find yourself getting quite drawn into Dirt Town as a result.

Overall, I felt that Dirt Town by Hayley Scrivenor was an outstanding and very distinctive debut novel, and one that sets Scrivenor up as an interesting rising talent in Australian fiction.  A recommended read, especially for those who love complex stories in Australia’s unmatched rural setting, Dirt Town was an outstanding book that is well worth checking out.

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Blood Sugar by Sascha Rothchild

Blood Sugar Cover

Publisher: Trapeze (Trade Paperback – 26 April 2022)

Series: Standalone

Length: 328 pages

My Rating: 4.75 out of 5 stars

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Outstanding screenwriter Sascha Rothchild presents her debut novel with the utterly addictive Blood Sugar, an awesome and clever thriller with a sweet twist.

Ruby Simon has been a killer since she was five years old.  On a sunny day, young Ruby took an opportunity to rid herself and her sister of the school bully by helping him drown at the local Miami beach.  After managing to get away with her crime, Ruby expected to feel guilty for the life she took, but instead all she felt was relief that the boy would never hurt her sister again.  This action led to Ruby having a realisation that sometimes killing a terrible person is not necessarily a bad thing.

Twenty-five years later, Ruby appears to have it all.  A successful and driven psychologist in Miami, Ruby has killed several times over the intervening years and has never felt guilt for her actions.  However, everything she has built is about to come crumbling down when she finds herself in an interrogation room under suspicion of murder.  In front of her lie four photographs of people who she once knew and who are all now dead.

As the interrogation continues, Ruby soon discovers a significant problem: of the four victims she is accused of murdering, she has only killed three of them, and it is the death she is not responsible for that the police are most determined to bring her down for.  Can Ruby prove she is innocent of this one murder?  And even if she can, does she even deserve to be set free?

This was an impressive and compelling debut from Sascha Rothchild that I was really quite happy to get a copy of.  Not only did it have an awesome-sounding plot but I was also very intrigued by the author, as Rothchild already had some major writing creds after her work on several television shows, including GLOW, which I was a big fan of.  I ended up really loving Blood Sugar and I swiftly got drawn into its witty, humorous and powerful story set around an unlikely and extremely likeable murderer.

Blood Sugar has a distinctive and fun narrative that really grabs your attention from the beginning, starting as it does with child-on-child murder.  Told exclusively from the perspective of central character Ruby Simon, the book is an impressive, deep and occasionally humorous character study of a very unique fictional killer.  The initial narrative is split between events in the character’s present, where she is being interrogated by the police, and an extended look back at her past, as you see all the major events in her life.  These flashback sequences take up the majority of the first two thirds of the book, and they present some powerful and intriguing examinations of the protagonist and all the moments that led to her present.  In particular, they look at her key relationships, her schooling, the events that made her into the successful person she is today, as well as the moments where she decided to take a life.  These two separate narrative threads play off each other extremely well, with the character history providing some intriguing context to the character’s background and mindset, while the present-day interrogation does a good job at hinting at events that are still to be revealed in the flashbacks.  Rothchild’s excellent writing style and ability to forge interesting and compelling characters are on full display during this part of the novel, and she is effortlessly able to construct a powerful and natural life story around the very relatable protagonist, with her occasional murders cleverly worked in.  The blend of character history and justified killings really works well to keep your attention, while also making you really start to care about the protagonist and her future.  Both separate linear threads bind together perfectly as the novel progresses and leads the reader towards Blood Sugar’s awesome third and final act.

The final third of Blood Sugar takes on a completely new format as the first-person examination of the protagonist’s past is wrapped up and the book turns into an intense legal thriller.  This fantastic and powerful change of pace is quite jarring and sees the protagonist encounter all manner of personal setbacks and attacks as the police close in on her.  Thanks to all the awesome work that the author did in the first part of the novel, the reader is now incredibly invested in Ruby’s life story, and you feel incredibly sympathetic for her.  As such, it hurts a little to see her so terribly attacked, even though many of the things that they are accusing her of are true and a key part of her life.  This final part of the novel is incredibly intense, and Rothchild brings out all manner of intriguing twists and turns to shake the reader, especially as you still a little uncertain about who is responsible for one of the key events.  The author comes up with an intriguing and entertaining conclusion for the novel that really makes one of the supporting characters shine.  I really liked how everything wrapped up here, and it really did the rest of the book justice.  An overall impressive and highly addictive narrative that I powered through in very short order.

I deeply enjoyed some of the unique elements that Rothchild sprinkled throughout her novel.  While there is a natural focus on the morality of murder and the mindset of her protagonist, the author also takes the time to examine other interesting elements in her own entertaining way.  Many of these elements revolve around relationships, with the protagonist finding herself connected to multiple interesting people in a variety of complex ways, from a very close platonic friendship that experiences major highs and severe lows, to a loving relationship that tries to overcome mistrust and traumatic pasts.  The author also presents one of the most honest and powerful examinations of the relationships people have with their pets, as the protagonist becomes extremely close with several animals that she adopts.  While one of these ends quite tragically (I was legitimately heartbroken when this happened), it transitions into a very moving and accurate examination of the strong grief that people often feel for their pets, and it is one that every animal lover will understand and appreciate.  The various relationships featured in Blood Sugar form a key part of the story, and it was fascinating to see them unfold around the protagonist, especially as they brought out some unique family dynamics, and I really appreciated the clever ways that the author worked them into the wider plot.

There is also an outstanding look at the media circus that surrounds big crimes, especially once the protagonist finds their previous crimes under investigation.  Watching Ruby’s entire carefully constructed life come unravelled in the public eye is one of the more intense parts of Blood Sugar, and Rothchild pulls no punches when it comes to the savagery of the media and the isolation that accused people find themselves in.  I also appreciated the intense dive into the world of the personal psychology, as the protagonist uses her training to explore her mind as well as issues surrounding several of her clients.  This was a very intriguing part of the book’s plot, and I liked how Rothchild praised therapy, showing that it can be very beneficial to people, even trained psychologists and serial killers.  However, the most impressive story element that Rothchild worked into the novel was the in-depth examination of diabetes and the impacts it can have.  Due to a key plot point, quite a lot of the book revolves around a character’s diabetes, with their low blood sugar (yep, that is what the book is named after), become a major factor in the case against Ruby.  Rothchild has clearly done her research when it comes to the intricacies of diabetes, and I really appreciated how she was able to imagine a potential murder based around this disease.  All these distinctive elements and more are expertly utilised in the wider plot and become a key part of the protagonist’s unique and complex life.

Finally, I really must touch on Blood Sugar’s awesome protagonist of Ruby Simon, who stands out as one of the most original and surprisingly likeable literary characters of 2022.  Ruby is a very distinctive figure; she first killed at a very young age and has gone on to murder again several times through her life.  Even though she feels no guilt for these killings, Ruby is not portrayed as a psychopath or a serial killer; she is simply someone able to justify the actions she took in a very logical way.  Due to the way that the novel is set out, you see most of Ruby’s life through her eyes and you swiftly come to appreciate her point of view, especially as she appears as a mostly normal person who finds herself in some unique situations.  Each of her killings is laid out to the reader in a very logical and natural way, and you honestly have a hard time understanding and even supporting her reasons or justifications for the killings.  Due to this, as well as the extremely relatable way that Rothchild portrays her, you become strongly connected to the character, and you quickly start rooting for her to avoid being capture or prosecuted for her crimes.  I honestly cannot remember becoming as attached to a killer character as did with Ruby in Blood Sugar, and Rothchild really went out of her way to ensure that you liked her protagonist.  An excellent and memorable bit of character work.

Overall, Blood Sugar was one of the more unique and entertaining releases of 2022 so far, and I was really impressed with Sascha Rothchild’s first novel.  Featuring an extremely clever, hilarious, thrilling and addictive story, Blood Sugar was a very fun novel to dive into, especially once you become attached to the amazing main character.  Powerful, intense and very distinctive, Blood Sugar is easily one of the best debut novels of 2022 and it comes very highly recommended by the Unseen Library.

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Amongst Our Weapons by Ben Aaronovitch

Amongst our Weapons Cover

Publisher: Orion (Trade Paperback – 12 April 2022)

Series: Rivers of London – Book Nine

Length: 406 pages

My Rating: 5 out of 5 stars

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One of the leading lights in the urban fantasy genre, the exceedingly talented Ben Aaronovitch, returns with the latest epic book in his brilliant Rivers of London series, Amongst our Weapons.

For the last 10 years, the fantasy world has been exceedingly impressed by the fantastic writings of Ben Aaronovitch, who came up with a real winner with his Rivers of London series (also known as the Peter Grant series).  Aaronovitch, who already had some major nerd cred as a writer of two Doctor Who serials, debuted the first book in this series, Rivers of London, back in 2011.  This book told the story of Peter Grant, a young Metropolitan Police officer who is assigned to a specialised branch of the Met that deals with magic and supernatural incidents.  This intriguing debut combined magical elements with a classic police procedural format to create an epic and captivating read.  The author has since expanded this series out to several novels, as well as a range of novellas, short stories, and even a graphic novel series, all of which continue the story of Peter Grant and Aaronovitch’s unique magical world.  I have had a lot of fun over the last few years with this series, and I have greatly enjoyed Aaronovitch’s last two entries, Lies Sleeping and False Value.  Aaronovitch is back with another exceptional read in his ninth Rivers of London novel, Amongst our Weapons, which continues the excellent format and presents the reader with an awesome new mystery.

The London Silver Vaults are a renowned underground market for silverware in the heart of London.  They are highly secured and constantly monitored, so getting away with any sort of crime in the vaults is impossible.  So when a crazed would-be robber is brutally killed in the middle of the vaults with no witnesses or cameras catching the act, the Met are forced to call in their secret weapon, Peter Grant and his fellow detectives from the Special Assessment Unit, better known as the Folly.

Specialising in investigating magical incidents, Peter and his team are quickly able to determine that the death and the murder’s subsequent escape were a result of powerful magic.  Taking the lead on the case, Peter hopes to catch the killer quickly, but are quick to discover that their investigation is about to get far too complicated.  Ancient magics and unknown powers are loose around London, and after discovering a second body, the Folly team begin to investigate the members of a mysterious college cult from Manchester that has been inactive for years.  As more attacks occur, it becomes apparent that members of the cult are being hunted down and that their killer appears to be a vengeful, spear-wielding angel.

Determined to get to the bottom of the killings, Peter dives into the history of the cult and the mysterious artefacts they uncovered.  His investigation will lead him all over England, from the colleges of Manchester all the way to the dismal North.  But even as he begins to uncover the truth behind the killings and the being responsible, does even the full might of the Folly have the power to stop an angel and the deadly magic gifted to her?  Worse, another party has involved themselves in the case, someone that Peter knows far too well.  Can Peter solve this case before it is too late, and how will he deal with the greatest challenge of his life, becoming a father to his two magical twins?

Wow, Aaronovitch continues to massively impress me, bringing together another brilliant and unique urban fantasy read.  Once again bringing together an outstanding story that features distinctive fantasy elements with a clever mystery, Amongst our Weapons was a fantastic read that I had an incredible time reading.  This book was pretty damn awesome and gets a full five-star rating from me.

I had an absolute blast with the story contained within Amongst our Weapons as Aaronovitch has once again cleverly combined complex fantasy elements with a compelling murder mystery investigation, resulting in a deeply entertaining and addictive story.  Aaronovitch starts this latest novel off strong, with the protagonist and his team immediately thrust into an investigation of a man with a mysterious magical hole blown into his chest and no witnesses who saw what happened.  This intriguing start quickly becomes even more enticing, as a second murder is soon discovered, as well as other unusual signs and discoveries at the various crime scenes.  However, the excitement does not end there, as Aaronovitch also fits in an early encounter with the powerful murder, who appears to be an exceedingly deadly angel of vengeance, as well as the sudden reappearance of recurring antagonist Lesley May, Peter’s former partner who now acts as a magical mercenary.  Throw in some great character driven storylines about the protagonist’s family, as his river goddess wife is about to give birth, and you have quite an exceptional start to the novel.  Indeed, once all these elements were set up, I was hopelessly hooked on the story, and it proved extremely hard to put this book down at all.

The rest of the narrative flows on from here extremely strongly, as the characters launch an exhaustive and intense investigation not only into the murders but into the origins of certain magical items and the history of the college cult who appear to be targeted.  This takes the protagonist on a bit of a fieldtrip outside London, exploring Manchester and the North, and introducing the characters to some intriguing new magical elements.  While parts of the story here did get a bit bogged down when it came to exploring some of the more complex new fantasy inclusions, I flew through the second part of the book, especially as it is laced with several brilliant and imaginative confrontations between the protagonist and the book’s various antagonists.  Everything comes together extremely well in the lead-up to the conclusion, which results in a fantastic battle that helps resolve everything perfectly.  I did think that it got a little too metaphysical in places, but I still deeply enjoyed this great conclusion, which should really satisfy every reader, while also setting up some interesting storylines for the future.

Aaronovitch has such a distinctive writing style for the Rivers of London series, which is put to great use throughout Amongst our Weapons.  Like most of the Rivers of London novels, Amongst our Weapons can be read as a standalone read, with Aaronovitch doing a great job of rehashing some of the relevant continued storylines when they become relevant to the ongoing story.  This book features the usual awesome blend of magic, crime fiction and character-led storylines, wrapped up with a great sense of fun and humour, which helps to produce quite an entertaining and captivating read.  I particularly loved how the author makes his novels feel like a police procedural with magic, and this is perfectly on display in Amongst our Weapons, as the protagonists engage in elaborate investigation into several unique deaths.  It is so much fun to watch these magic-wielding protagonists do research, official police investigations, paperwork, evidence collecting and various theorising as they examine both the magical and human sides of the case, and I always love how well these elements can be fit into a seemingly typical murder mystery storyline.  Everything flows extremely well through this novel, and while I think there are some minor pacing issues towards the middle, readers will power through this entire book once they get caught up in the mystery and the magic.

I have always been really impressed with the distinctive and captivating fantasy elements contained within the Rivers of London novels, which prove to be intrinsic and outstanding parts of the book.  Rather than use classic fantasy elements, the magic and unique creatures featured within this series are a lot more abstract with a focus on energy manipulation, creatures from alternate universes and godlike beings who get their powers by being embodiments of important locations.  This really gives the novels a great, unique feel that is brilliantly enhanced by the way that the various characters treat magic in an almost scientific way, especially from a policing perspective, as the protagonists are effectively investigating and monitoring it in London.  This fantastic way of examining magic proves to be quite effective in Amongst our Weapons, as you get to see all manner of theorising, analyses and scientific conclusions drawn up as the protagonists attempt to identify and quantify the new forms of magic they are dealing with, especially when they come face to face with an unknown being of immense power.  This cool magic is also quite stunningly described throughout the novel, and I loved seeing its unique and clever use throughout the various magical confrontation sequences, and there is nothing more awesome than reading about a couple of wizards face off against an apparent angel.  I find all the cool magical elements quite fascinating to explore, and I loved seeing some of the world building that occurred throughout Amongst our Weapons, with some new groups of magical users introduced or referenced throughout.  Aaronovitch actually sets up some intriguing new world-building elements throughout Amongst our Weapons, and I look forward to seeing how this expands in some of the future novels.

Finally, I really must highlight the outstanding characters featured within Amongst our Weapons, who really help to turn this awesome story into something truly special.  This cast is headlined by the book’s main protagonist and point-of-view character, Peter Grant, who I really have a lot of fun with.  Grant is a funny and bold protagonist, who has been really growing since the first novel, not only in personality and responsibility but also in magical talent.  He serves as a brilliant protagonist for Amongst our Weapons, and his dogged and clever investigation of the unusual events moved the story along at a swift and enjoyable pace.  While his police work is a major part of the character, this latest novel also focuses again on his personal life, showing his unique marriage to a river (well, the living embodiment of a river), and the upcoming birth of his likely magical children.  This puts some major responsibility on Peter’s head, which he struggles to deal with, still taking risks with his work.  Watching him obsessively chase after the culprit while also trying to balance the upcoming birth of his children was a great part of the novel, and it really helped to make the reader feel attached to him.  However, I personally loved his outstanding sense of humour throughout this novel, as much of the book’s comedic elements are thanks to this protagonist’s funny statements and clever observations about the outrageous events he is witnessing.

Aside from this excellent and relatable protagonist, Amongst our Weapons features a large and diverse cast of figures, including a combination of new people associated with the case and a huge batch of recurring characters who have been perfectly set up before.  Most of the recurring characters are re-introduced extremely well, and even new readers should be able to follow who is who amongst this unique cast of magic users and professional police officers who work together to solve crimes.  My favourite supporting character is Detective Chief Inspector Thomas Nightingale, head of the Folly and the last official wizard.  A gentlemanly figure who fought in World War II, Nightingale serves as a great mentor as well as a badass magician able to throw down with the worst creatures or dark magic users.  While not featured as heavily here as in previous novels, Nightingale has some great moments throughout Amongst our Weapons, and it was awesome to see him squaring off against the winged antagonist.  Aaronovitch also sets up some interesting storylines for him in this book, and it sounds like he will have a much more altered role in the future.  The other major character I should highlight is Lesley May, who serves as a secondary antagonist throughout this book.  Lesley, who spends most of the book as a mercenary character attempting to undermine the police’s investigation, is a great addition to the plot and I am extremely glad that Aaronovitch brought her back for this novel.  Not only do you get more of the regret-filled interactions with Peter but she serves as a great foil for the protagonists, and it was really fun to see her get involved and attempt to manipulate the situation to her advantage.  All these characters, and many more, are great additions to the fantastic and complex plot of the book, and I deeply enjoyed seeing the fantastic and powerful interactions between them.

The Rivers of London series continues to shine as one of the best and impressive urban fantasy series with Amongst our Weapons.  Ben Aaronovitch is such a talented author, and I deeply enjoyed distinctive and captivating stories he crafts, especially with its outstanding blend of unique fantasy and memorable murder mystery elements.  Amongst our Weapons is one of my favourite books from Aaronovitch I have read so far and it is a highly recommended for all fantasy fans.  If you aren’t exploring the Rivers of London, then you are really missing out!

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Death of the Black Widow by James Patterson & J. D. Barker

Death of the Black Widow Cover

Publisher: Century (Trade Paperback – 12 April 2022)

Series: Standalone

Length: 520 pages

My Rating: 5 out of 5 stars

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Prepare for one of the trippiest and darkest thrillers of 2022 with Death of the Black Widow, the latest brilliant standalone novel from the all-star team of James Patterson and J. D. Barker.

Few thriller writers out there at the moment are as well-known or prolific as superstar author James Patterson.  Patterson has been absolutely dominating the thriller and crime fiction genre for nearly 30 years and has an incredible catalogue of works to his name, including his best-selling Alex Cross books.  In recent years, Patterson has released a torrent of works, including some solo books and several novels done in collaboration with other talented writers and even a few celebrities.  I personally have loved several of his previous collaborated books, including Lost (co-written with James O. Born) and 2 Sisters Detective Agency (co-written with Candice Fox).  However, one of the more intriguing authors he has teamed up with is acclaimed thriller and horror author J. D. Barker.  Barker, whose work I previously enjoyed on Dracul (co-written with Dacre Stoker), has already produced two intriguing novels with Patterson, The Coast-to-Coast Murders and The Noise.  I have been keen to check out this awesome writing team for a while (The Noise is currently sitting on my shelf waiting for my attention), and when I received a copy of their latest book, Death of the Black Widow, I made sure to read it as soon as possible.

It is a typical night in Detroit until former police officer Walter O’Brien and his comrades call in a bomb threat on a busy night club and use concentrated sniper fire to keep its patrons trapped inside.  When the police arrive on scene, Walter surrenders to them and offers them a simple choice: allow them to kill a single woman hidden within the club, or watch as the entire building is destroyed.  But who is this mysterious woman and what has driven Walter and his friends to such extremes?

The origins of these desperate actions date back decades to when a young Walter O’Brien is called to a murder scene on his very first night for the Detroit PD.  What he uncovers is a terrible and bloody crime scene: a scared and surprisingly alluring young woman has apparently escaped from captivity and skillfully bludgeoned her ruthless captor to death with a lamp.  Attempting to take her to hospital, Walter is shocked when she escapes from his custody, leaving an impression on him that will last a lifetime.

Years later, as a new homicide detective, Walter has a chance encounter with someone he believes to be same women from that fateful night.  Still obsessed with his previous encounter, Walter attempts to track her down, only to find a disturbing pattern between this mysterious and woman and several disturbing and unexplainable murders he is investigating.  But when his case takes an even more unusual twist, Walter finds himself thrust into something far bigger than himself.  A secret government agency is attempting to find this mysterious woman, and soon they and Walter begin to uncover a disturbing trend of murders going back years.  As Walter begins to lose himself more and more to obsession, he becomes determined to be the one to stop any more killings.  But what is he willing to do to stop the deaths once and for all?

Wow, now that was a fun and intense book.  Patterson and Barker have produced something very special with Death of the Black Widow, which was an utterly insane and awesome read.  I was actually a little surprised with how much I enjoyed this clever book, and I think I have very little choice but to give it a full five-star rating.

Now, I must admit that when I started reading Death of the Black Widow, I honestly did not know too much about the book, apart from what was in the synopsis.  From that and the name, I assumed that this was going to be a psychological thriller or a spy thriller.  However, while Death of the Black Widow does have thriller and murder mystery elements to it, and indeed it appears to be a purely crime fiction novel for the first few chapters, it actually turned out to be something entirely more complex.  Within the first 100 pages or so, you begin to realise that the authors are subtly including elements from other genres, and Death of the Black Widow soon starts to take on a distinctive horror vibe, with some incredible brutal killings done under extremely unusual circumstances.  While I was surprised by this, I cannot say that I was disappointed.  Instead, I felt that it was a brilliant move from the authors and one that played particularly well to Barker’s strengths.  This new genre combines well with the books existing thriller/crime fiction framework to create an intense and exhilarating read that is extremely easy to get into and very, very hard to put down.  I personally found myself powering through the last 350+ pages in less than a day, especially once I begun to fully understand just how clever and weird things were about to get.

I was really impressed with how Death of the Black Widow unfolded as a story, especially as Patterson and Barker went out of their way to make this standalone read as enticing and epic as possible.  The book starts in the present day and shows the older protagonist and his compatriots entering the end game of their confrontation with a mysterious woman.  This serves as a great setup to the rest of the story, which jumps back multiple decades to 1986, when Walter and the mysterious woman, known here as Amy Archer, first meet, and the strange and deadly circumstances behind their encounter.  The story then jumps forward several years to 1992, where Walter is investigating several strange murders when he has a chance encounter with someone he believes is Amy.  This results in an intriguing series of chapters where Walter deals with both the investigation and his growing obsession with this girl, before everything blows up terribly and the mystery becomes more convoluted and unusual with each new revelation.  This pattern continues throughout the book, with the story jumping ahead years at a time to show the multiple encounters between Walter and his obsession.  Each time period reveals some intriguing new angles and elements, and you find out new revelations about the woman the protagonist is hunting, resulting in the full truth about her finally being revealed.  The novel also keeps slipping back to the siege occurring in the present, with some new characters trying to uncover what Walter and his team are up to as the protagonists provide them with hints about who they are and what they are after.

I deeply enjoyed that the authors chose to utilise a split timeline for Death of the Black Widow, especially as it works extremely well to tell this outstanding narrative.  The switch between time periods and chronological length of the story really enhances just how mysterious the events of the book are and the powerful, life-altering impact they have on the protagonist.  There are many clever elements to the switches between the periods, and I loved the subtle inclusions in the present timeline that hint at the events in the past that the protagonist was yet to experience, and the full impacts of them.  There are also some fun summaries loaded at the front of each change between the past and the present that represent the protagonist’s notes on the case.  Not only can these be useful to remind the reader where they are, but it helps to highlight just how massive the case gets, especially towards the end of the book, as well as tracking Walter’s growing obsession (especially the last one).  This entire story is loaded up with brilliant reveals and shocking twists, and I was honestly surprised and very thrilled in some of the excellent directions that the authors took the story.  You will honestly have a hard time putting this novel down once you get past the halfway point, especially once the 1992 storyline comes to its shocking end, and the intense revelations and horrific scenes of the next few time periods ensures you will become unerringly trapped as you attempt to find out more about the antagonist and their past.  This entire story of obsession, murder and mystery concludes perfectly in the present, with some truly big moments, as everything comes full circle and twists that have been hidden in plain sight since the start come into the light.  This was such a great story, and I frankly loved every single second I spent reading it.

I cannot finish talking about this book without mentioning the excellent characters it contained.  Death of the Black Widow features an intriguing and unique cast, each of whom brings something fun and compelling to the story.  The most prominent of these is Walter O’Brien, who serves as the central point-of-view character for most of the story.  Thanks to how the book progresses, you get to see the entirety of Walter’s life unfold, from his young days as a rookie cop, all the way up to his present, when an older, dying Walter attempts to bring his great obsession to an end by finally catching the woman who has haunted him for decades.  This ensures you get a brilliant look at this character and it proves absolutely fascinating to see the various stages of his life and the continued impacts of his interactions with the woman he knows as Amy Archer.  One of the best parts of this is that you get to see the growing obsession that Walter builds towards this woman, as meeting her proves to be a defining experience for him.  Despite the fact that his interaction with her are relatively short, each time he meets Amy she changes his life in a different way and he soon becomes quite obsessed with her.  This obsession continues to bloom, even after certain revelations about her and her actions become known, and he is forced to fight his own feelings and observations throughout the entire book, especially once it becomes clear that this obsession is mutual and that Amy is drawn to Walter as well in a twisted romance that is so damn dark.  Watching this usually confident and capable person being haunted by this obsession proves to be powerful and captivating centre to this story, and you really feel for this protagonist as he struggles.  Walter ends up serving a great role as the central protagonist of this story, and I found his entire character arc to be extremely well written and cleverly exposed.

On the other side of the coin is the mysterious woman who serves as the titular Black Widow of the story.  Known to Walter as Amy, this woman serves as a shadowy and enigmatic figure in the book, especially as you have no idea who she truly is for most of it.  To avoid spoilers, I will not go into too much detail about her here, but I will say she was an exquisite and amazing character, and the authors did a remarkable job bringing her to life and fitting her into this remarkable story.  She is easily one of the most distinctive and memorable literary villains I have read for a while, and if they ever make a movie of this book (which they really should), I think a great actor could turn her into something very special.  These two characters, as well as some other great supporting characters (the members of Walter’s team in the present day, as well as some distinctive cops from the past timelines for example), prove to be the beating heart of this incredible story, and it was absolutely fascinating to see how their intriguing lives worked in to the plot of this book.

No doubt it, I was really, really impressed with Death of the Black Widow, which ended up being one of the most exciting and compelling reads of 2022 so far.  The outstanding team of James Patterson and J. D. Barker were absolutely amazing here, producing a clever and intricate thriller, loaded with unique characters, a deep obsession laden storyline and some excellent horror elements.  This was easily one of the most unique and memorable novels I have read in a while, and I loved every single second I was going through it.  A highly recommended read that will appeal to anyone interested in a dark and deadly read, you will not be disappointed with Death of the Black Widow.

Death of the Black Widow Cover 2

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