Headcase by Jack Heath

On March 21, 2023 By The Unseen LibraryIn Australian, Five-Star Books, Thriller1 Comment

Publisher: Allen & Unwin Australia (Trade Paperback – 29 November 2022)

Series: Timothy Blake – Book Four

Length: 416 pages

My Rating: 5 out of 5 stars

One of Australia’s leading and most diabolical thriller writers, the exceedingly talented Jack Heath, returns with another twisted and immensely clever mystery, Headcase, which sees the return of his cannibalistic protagonist, Timothy Blake.

While Australia has quite a few outstanding crime fiction authors, Jack Heath is a particular favourite of mine. Coming from my hometown of Canberra, Heath has been writing for years, producing a range of different series and standalone novels. I have really enjoyed some of his recent books, including the 2021 standalone novel, Kill Your Brother, an ultra-intense and amazing five-star read that saw a young woman with a complex past forced to make a terrible decision: kill her imprisoned brother or die herself. This was one of my favourite Australian novels of 2021, and it is a must-read for anyone keen for a powerful and thrilling story. However, Heath is probably best known for his Timothy Blake books (also known as the Hangman series), which are particularly fun and gruesome. Following the titular Timothy Blake, a brilliant investigator with cannibalistic tendencies, this epic series are set around a unique but highly entertaining series of mysteries that really draw the reader in. I have had an amazing time with this series, including the third entry in the series, Hideout (one of my favourite Australian books of 2020), and I have been very excited to see how this series continues for a while. Heath did not disappoint as the fourth and latest entry in the series, Headcase, proved to be an exceptional and gripping read.

Following his previous harrowing adventure, which cost him his arm and burned all the trust he had with his former FBI partner, freelance investigator and full-time cannibal Timothy ‘Hangman’ Blake’s future seemed in doubt, until he was given an offer he couldn’t refuse. Recruited by a CIA agent nearly as insane as he is, Blake now works freelance for the agency, investigating odd occurrences throughout the country in exchange for occasionally being able to indulge in his cannibalistic habit.

His latest case sees him and his CIA partner, Zara, journey to Houston, where something unexplainable has occurred at the NASA training complex. A fully suited Chinese astronaut has been discovered on the grounds of the facility and no one can explain how he got there. Did he fall out of the sky, or was he murdered elsewhere and somehow dragged into the middle of a secure United States facility? As a diplomatic catastrophe seems imminent, Blake is drafted by the CIA to unofficially investigate one of the facility’s employees, a former kidnapper who Blake helped put away seven years ago, who may hold the secret of the dead astronaut.

As Blake starts digging, he uncovers a series of surprising and unusual clues that seemed design to confuse any investigation. The evidence seems to point to the victim falling out of a Chinese spacecraft surveilling the United States, however, all Blake’s investigative senses and knowledge of human flesh seem to tell him differently. But with Chinese hit squads following them, the CIA attempting to forestall their investigation, several suspicious individuals working in the facility attempting to misdirect him, and Blake’s own ravenous hunger driving him crazy, this case seems near impossible to solve. Can the Hangman crack the impossible one more time, or will he finally end up in the cage that he deserves?

Wow, I just cannot get over how good Jack Heath is an author as he produces another outstanding and captivating read with a diabolical story behind it. This amazing thriller has everything you need to enjoy yourself, including a clever mystery and some truly insane characters, and I absolutely powered through it trying to see how everything came together. This is an easy five-star read from me and I have already featured Headcase on my Top Australian Books of 2022 list a few weeks ago.

Headcase has a brilliant story to it that takes the reader on a very wild ride into some very gruesome murders. Told from the perspective of main character Timothy Blake, you are soon shown the compelling murder through the eyes of a crazed cannibal who is attempting to simultaneously solve a murder and please the CIA while not revealing that they are looking into the death and sate his own hunger for dead human flesh. Heath provides a great set-up to this entire story with the mysterious Chinese astronaut discovered in the centre of the NASA facility, which is a very good hook to drag the reader in. As Blake tries to investigate this case, the reader is treated to several flashback chapters to when Blake was working for the FBI and helped to put away one of the NASA technicians for kidnapping, a crime Blake never believed he committed. Heath also mixes things up by also including several chapters set a short while into the future in which Blake is incarcerated in a mental institution and is recounting the current story to his psychologist. This three-way split storyline works extremely well for the first half the book as all three timelines support the others extremely well, and the blend of different periods and focuses helps to create a very interesting read. The storyline focusing on the dead astronaut remains at the centre of the narrative, with the other two plotlines tying into it, and this is where the magic truly happens. Heath sets up a particularly interesting mystery around the dead astronaut, with the protagonist forced to dive through a ton of clues, overly dodgy suspects, and government secrets to try and get to the truth. At the same time, Blake and his partner find themselves under attack from several sources, such as Chinese hit squads, the police, a mysterious serial killer, and their own very dark inner demons.

The story advances at a quick clip the entire way through as the characters power through a range of deadly and dark scenarios. Heath loads up the clues and the complicated supporting characters and it proves very interesting to see Blake attempt to work out who may be responsible and their very complex motivations. Much of the story has a bit more of a spy thriller taste to it, thanks to Blake’s association with the CIA and this really helps to make Headcase standout a little from the previous Timothy Blake books. The NASA and Chinese space surveillance proves to be a very fascinating inclusion that Heath cleverly works into the plot, and I loved that the author was able to write a whole story about mysterious Chinese surveillance craft before the current balloon crisis. While these spy elements, which include brutal encounters with hit teams from various agencies, are a great new inclusion, some of the best parts of the book still revolve around the deeper character moments of the story, especially when it comes to the protagonist. I deeply enjoyed how Heath utilises his protagonist’s disturbing cannibalistic insights as an investigative tool, while other insights into his mind, especially when he is in a mental institution, increase the tension and make you wonder just how reliable a narrator Heath truly is.

Everything comes together perfectly in the second half, especially when Blake is desperately trying to solve everything, not only to get to the truth but to save lives. All the previous story elements are brought together in a big way, and it was outstanding how the clues that Heath had cleverly laid throughout the story came together. The time split perspectives are resolved in a great way, and it is a lot of fun to see how Blake ended up in the mental hospital. Everything leads up to several big reveals at the end of the book, not just surrounding the main murder, but other curious events that have been explored as Headcase continues, and reader will not be disappointed in what comes to light, nor how the protagonist deals with it. The full details about the compelling and unique motivations for the main murder makes for a very interesting read, and the diabolical method of murder is something that I won’t be forgetting in a hurry. While I did find that the use of a certain McGuffin was somewhat unrealistic, even for this crazy series, I was generally extremely happy with how the entire novel came together. The complex mystery is resolved in a very captivating way, and the character arcs that sit at the centre of the story go in some very interesting direction which should result in some fantastic books in the future. I personally came away from Headcase extremely elated and deeply impressed with just how clever an author Heath is.

On top of the outstanding and fantastically compelling story, I have a lot of love for Heath’s writing style, which deeply enhances each of his books. The quick pace, the fantastic dives to both the past and future, and the intense blend of mystery and insane personal issues surrounding the main characters, makes for some outstanding reading, and there honestly isn’t a single part of Headcase that wasn’t extremely fascinating or fun. Understandably, due to the story content, this is a pretty gruesome series, and Heath doesn’t hold back on the detailed depictions of dead bodies, nor the terrible things that his protagonist does to them. However, he never goes way too over-the-top, and the gore and cannibalism always serves a vital purpose, either to provide clues to the mystery or to highlight the protagonist’s complex nature. It also helps to make the series particularly distinctive, even amongst other impactful thrillers, and you must love just how obsessed and focused the main character/narrator is about dead bodies. Like most of the books in this series, Headcase can be very easily read as a standalone novel, and Heath is very careful to concisely fill in any relevant details that the reader might need. However, as with most ongoing series, those people who have read the earlier books in the series will probably get a lot more out of Headcase emotionally, especially when it comes to seeing the progression of the protagonist. I wouldn’t hesitate to recommend Headcase to a new reader, as they are guaranteed to have a fun and unique time with this outstanding read.

I must highlight Heath’s captivating and complex central protagonist, Timothy Blake, who is once again one of the best things about this entire book. I really love the character of Blake in this series as he is such an intriguing and damaged character due to his deranged cannibalistic tendencies, which often drive him to do terrible things in the name of obtaining human flesh. There are so many great scenes where Blake feels his desire and hunger for human meat start controlling his actions and the character is constantly fighting for some measure of self-control. Despite this, he is a relatively good person and a skilled investigator whose keen observation skills, canny insights, intense survival instincts, and intimate knowledge of human bodies give him some intriguing edges during a case. While he often likes to pretend that he is only helping the case to get fresh meat, he is also obsessed with finding the truth and getting justice, which, when combined with his romantic desires for his former FBI partner Reese Thistle make him occasionally seem like a good, if highly damaged, person. These seemingly incompatible parts of his personality are so damn effective, and it is always quite fascinating to see what part of his personality actually wins: the feral hungry beast or the surprisingly heroic detective.

The version of Blake in Headcase is particularly interesting as Heath comes up with some new range of issues and problems for him to overcome on top of his all-consuming hunger. After managing to survive his particularly desperate situation in Hideout, he has a somewhat different lease on life which goes with his new job. However, he is still in love with Thistle, even after their confrontations in the last two books, and this is encouraging him to be a better person. This desire to be a better person somewhat goes against the desires of his new masters in the CIA, especially his partner Zara, who try to use his fractured mind to their advantage and his desire to change for Thistle puts both her and Blake at risk. He also undergoes therapy for the first time in his life, albeit somewhat against his will. These scenes with the psychologist are particularly fascinating as they discuss his cannibalistic desires and his general sanity. While the psychologist doesn’t believe he is a cannibal, her insights give Blake a lot to think about, especially when he comes to the revelation that he might be able to overcome these life-long issues if he sought treatment. This really alters Blake’s perspective of his entire life, and it, as well as some insights he gets from viewing other patients at the mental hospital he is locked in, proved to be a very interesting tipping point for the character growth we have witnessed throughout the series. It will be very interesting to see how Heath continues to explore and highlight Blake in the future and I have a feeling we are only on the start of a particularly dark and emotionally rich journey.

In addition to Blake, Heath has loaded Headcase with an intriguing array of unstable and entertaining supporting characters who add some awesome value to the entire novel. The most prominent of these is Blake’s CIA partner in this case, Zara. Zara was introduced in the previous novel, Hideout, when she managed to infiltrate a group of psychotic killers extremely successfully, before recruiting Blake with the promise of bodies to eat. While Zara serves as an effective agent and partner to Blake, she is ultra-violent and has some major mental issues and might even be crazier than Blake (which is saying something). Zara ends up forming a toxic relationship with Blake in this book, especially as she utilises his addiction and leads him into to some deadly and dark situations. She proves to be a fantastic addition to the plot and I love how intense and threatening Heath made her at times. There are some great reveals around her, as well as a certain incident that matches her with Blake, and I loved all the awesome stuff Heath set up around her. Heath also makes sure to bring back Blake’s former FBI partner and love interest, Reese Thistle, who has another interesting run in Headcase. Blake and Thistle have had a very compelling relationship throughout the series, which got even more complicated when Reese found Blake’s fridge full of corpses. Still keeping his secret after he saved her life, Reese is very awkward with Blake, which adds to Headcase’s dramatic tension. Despite this, the two do work together to try and solve the murder and it was nice to see them teaming up again. Of course, this leads to more danger and despair for both of them, but Heath is taking their relationship in some interesting directions, and I look forward to seeing how that turns out. Throw in a compelling group of potential suspects, foreign agents and mental patients that the protagonist has to work his way through to solve this complex case and you have an outstanding group of characters that I had a lot of fun with.

With his latest Timothy Blake novel, Headcase, Jack Heath continues to impress with his epic and captivating take on murder and complex characters. This incredible novel takes the reader on an awesome journey through insanity, obsession, and desperation, all centred around an impossible and very clever mystery. I had a brilliant time powering through Headcase, and I have so much appreciation for Heath’s scary wit and ability to dive into the head of a killer. Headcase is an exceptional book that comes highly recommended, I cannot wait to see what outstanding mysteries and thrillers he produces in the future.

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Warhammer 40,000: The Infinite and The Divine by Robert Rath

On February 28, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Tie-in Novel, Warhammer1 Comment

Publisher: Black Library (Audiobook – 10 October 2020)

Series: Warhammer 40,000

Length: 13 hours and 21 minutes

My Rating: 5 out of 5 stars

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Prepare to dive into one of the most entertaining and elaborate rivalries in Warhammer history with the outstanding and captivating read, The Infinite and The Divine, by the exceedingly talented Robert Rath.

Before I pause my current obsession with Warhammer fiction to pursue other recent books, I just had to read one more intriguing Warhammer 40,000 novel that I have been hearing a lot about in recent years, The Infinite and The Divine. The debut Warhammer 40,000 novel of exceptional author Robert Rath, who previously wowed me with last year’s epic book, Assassinorum: Kingmaker (one of my favourite books and audiobooks of 2022) The Infinite and The Divine dives into one of the more unique factions in the Warhammer universe, the Necron. This intriguing and fun novel follows two fantastic Necron characters as they engage in a bitter and lengthy feud across time and space. Pretty much every review I’d read about The Infinite and The Divine was highly positive and I just had to try it out, and boy did it live up to all my expectations.

Long before the Imperium of Man and the Emperor existed, before the fall of the Aeldari and even before the Necrons traded their flesh away for immortal metal, there existed something far more deadly and permanent, an undying conflict between two arrogant scholars. Even before they became immortal beings of metal, Trazyn the Infinite and Orikan The Divine were bitter rivals. While Trazyn glorifies the past and seeks to capture and contain anything of rare or historical value, Orikan looks only to the future, divining events that are to come and hoping to find a way to become a being of energy. But despite their differences, these two Necron are about to be drawn into the same obsession.

When Trazyn manages to obtain a rare Necron artefact, Orikan infiltrates Trazyn’s gallery to steal it, believing that it is the key to locating an ancient Necron tomb that could provide invaluable knowledge for the future of the Necrons. However, Trazyn is unwilling to lose such a treasure, nor let Orikan’s trespass go unanswered, and swiftly snatches the artefact back, hoping to locate and plunder the tomb for himself.

So begins a battle of cat and mouse that will last millennia. As both academics attempt to unlock the secrets of the artefact and gain the knowledge to find the tomb, they will engage in a series of deadly attacks and subterfuges to gain the advantage and destroy their opponent. Their battles will destroy planets and shape the future of civilizations as they proceed, unheeding of the cost to those around them. But the closer Trazyn and Orikan get to their goal, the more apparent it becomes that the treasure they seek is far beyond anything that the two rivals can ever imagine, and soon they and the entire Necron race sits on the precipice of destruction.

Wow, now that was an exceedingly epic and engaging Warhammer book. Rath really pulled out all the stops for his debut here as The Infinite and The Divine is an incredibly clever and captivating read that I had an exceedingly hard time putting down. Following two outstanding and petty protagonists, Rath hits the perfect blend of humour, intense action, and compelling lore expansions to elaborate Warhammer 40,000 lore, which turns The Infinite and The Divine into quite an elaborate and impressive read.

The Infinite and The Divine has a pretty epic and entertaining character driven story that essentially boils down to two highly arrogant immortals going on an elaborate scavenger hunt across the galaxy for thousands of years, while also simultaneously engaging in a petty and deadly feud to ensure they win and their opponent fails. This is an exceptional and highly amusing story concept which Rath utilises to his full ability, creating a captivating narrative that really drags you in and keeps you chuckling the entire way through. The book starts with Trazyn facing off against an offshoot tribe of dinosaur-riding Aeldari, which does a lot to grab your attention while also perfectly introducing one of the main characters. Rath keeps the momentum rolling after these initial fun fight scenes as Trazyn returns home to discover his rival, Orikan, invading his sanctum trying to steal one of his precious artefacts. After a compelling fight that really highlights the differences between the two characters, Orikan escapes, and this sets off their bitter feud.

What follows is a series of fights and schemes across several different battlefields and locations as the two trade their advantage back and forth by claiming and then losing the artefact, all while attempting to kill each other. There are some gloriously entertaining scraps throughout this book, especially as both Trazyn and Orikan have very different abilities and focuses, which Rath perfectly works into the story. I have to highlight a particularly awesome and funny trial sequence near the start that played out in several different and amusing ways as Orikan uses his mastery of time to rewind events to try and get a result that favours him. The two engage in some gloriously petty and hilarious methods to try and claim victory, and their reactions at being bested and the lengths they go to win really helps to turn this book into a fantastic and epic read. Rath does a great job of switching attention between these two excellent characters as the book continues and I loved seeing the intriguing differences of opinions and the elaborate schemes that swirl within both their minds as they squabble. The author adds in some great additional context of the wider universe throughout the story as well, and I loved the use of in-universe texts, such as the Necron epic The War in Heaven, at the start of each chapter, as they provide some subtle hints of what is to come.

The story gradually focuses on one specific planet which the Necron characters visit and fight across as they attempt to unlock the mysteries of the contested artefact and the treasure it unlocks. This part of the book is particularly intriguing, as Rath adds in some compelling examinations of the evolution of this planet, and it is fascinating to see how their feud influences the people within, often to everyone’s detriment. Trazyn and Orikan are eventually able to unlock the secrets of the artefact, which only intensifies their conflict, and I loved some of the very fun ways that they each try to knock off their opponents, especially as it often makes their own situation even worse. I also felt that it was very clever how the author worked in the planet’s history and culture into the solution of the main mystery, and it was great when seemingly innocuous discussions about human society were actually hints about major events to come. Everything leads up to the final opening of the tomb they have long been searching for, which of course only unleashes more problems. Rath did a really good job of layering in hints and clever clues about the final twist, and I deeply enjoyed the massive reveal that emerged. The protagonists are forced to work together in several spectacular scenes which did a wonderful job of highlighting the relationship the two formed throughout the conflict, while deeply upping the stakes and providing the reader with some memorable moments and entertaining battles. Everything ends on an amazing note, especially with some final great betrayals by the protagonists, and you come away from The Infinite and The Divine pretty damn satisfied and extremely amused.

I was deeply impressed with how Rath brought The Infinite and The Divine’s complex and entertaining story together and considering the outstanding way in which he dove into the subject matter, it is pretty remarkable that this was his first Warhammer novel. I was always going to be very interested in a book that focused on the Necrons, one of the more intriguing and distinctive factions in the Warhammer 40,000 canon, but I felt that Rath did a particularly exceptional job at capturing the essence of these immortal beings. The great humour and comedy that he brought to the protagonists’ eternal feud really helped to make these ethereal beings very relatable and I loved their fun and arrogant opinions about the other races in the galaxy. Rath manages to load a lot of snark into their observations about humans, orks and other species throughout their discussions, and it was quite fascinating to see their divergent opinions on the subject, as Orikan is determined to ignore and scorn all organics, while Trazyn is fascinated by culture and hopes to study or collect everything of value they have. However, Rath also goes a lot deeper and you get an intense and powerful examination of the Necron self, including how they feel about their current state of being, the decline of their empire and the many sacrifices they have made over the years. This, combined with an intriguing examination of their history, culture and personalities, gives readers a great understanding of the Necron race and any fan of this faction is absolutely going to love The Infinite and The Divine. Rath’s excellent descriptions of the events, history, and the elaborate battles and technology really paints a beautiful picture around the Necrons and I felt that he did a remarkable job fitting the story around this background lore. I especially loved the intriguing dive into Necron magic and other technology discussions, and it was really fun to see Orikan manipulate time throughout the book to make some very epic scenes. While a few elements were extremely lore heavy, especially when it came to decoding the artefact, this was a very good use of the Necrons, and I really hope that Rath dives into additional unique factions in the future.

Despite Rath’s impressive and compelling descriptions of the Necrons and the wider universe, I don’t think I would recommend The Infinite and The Divine to those new to the Warhammer franchise, as the sheer amount of lore might break their reading flow. However, for those a little more familiar with the history and background of the Warhammer 40,000 universe, this is a fantastic read which would serve as an exceptional transitional novel for those interested in checking out non-human stories in this canon. I really cannot emphasise how great a book this was for Necron fans though and I deeply enjoyed Rath’s vision of these aliens and their unique culture.

I also really must highlight the excellent and compelling central characters of this book who take the form of ancient Necrons, Trazyn the Infinite and Orikan The Divine. Ancient Necron lords who are the masters in their respective fields, Trazyn and Orikan are both particularly entertaining and fun in their own ways, as each of them believes themselves to be the smartest person in the room at all times. Due to this, and many other reasons, the two hate each other with a passion and they enter into their eternal feud over several perceived grievances. There is something delightfully entertaining about watching these supposedly highly evolved, ancient and wise beings engage in such petty actions against each other, and the way they bring out the worst in each other is so glorious, especially as it permeates the entire novel with some exceptional humour. I personally loved how both were just as bad as the other in this feud, as this ensures that you don’t actually care which one of them wins and you can just get lost in the resulting chaos. Ironically, the two protagonists actually have a lot in common, and when they are forced to work together they prove to be an effective team capable of so much more. There are some great flashes of a deeper potential friendship at times, although this never lasts, although it is entertaining and moving to see what could have been had their rivalry not consumed their lives. Throw in some very unique abilities, technology and artefacts between the two, which results in some particularly entertaining scenes and battles (watching Trazyn unleash his captured collections against his foes is always fun), and these two prove to be an outstanding central focus who really bring this exceptional story together. I had so much fun with Trazyn and Orikan and I hope we see much more of them in the future, especially if the future of their private war is revealed.

I naturally listened to The Infinite and The Divine on audiobook, which was an epic experience as always. The audiobook versions of all the Warhammer books are very effective at conveying the cool narratives, and I felt that The Infinite and The Divine’s audiobook really helped the reader to appreciate the elaborate story and the ton of lore that Rath fit into this book. With a run time of nearly 13 and a half hours, this is a decent length Warhammer audiobook, although dedicated readers will power through it once you get caught up in the story. I had a lot of fun listening to this audiobook, especially as they got the very talented Richard Reed to narrate the format. Reed is an outstanding voice actor, who has a lot of experience narrating Warhammer novels, such as the Warhammer Crime novel Grim Repast by Marc Collins. However, the main reason that I liked the use of Reed was because he also narrated the two The Twice-Dead King audiobooks, Ruin and Reign by Nate Crowley, which also focused on the Necrons. Reed once again expertly captures the ancient and deadly nature of these metal alien creatures in his narration, and I felt that both main characters, Trazyn and Orikan, were perfectly portrayed by him. Their intelligence and ancient emotions are shown to the listener, and I felt that Rath did a great job of showcasing their arrogance and pettiness through his voice work. Throw in some additional great portrayals of the other eclectic characters and aliens contained in this book, and you have an outstanding performance which really helped The Infinite and The Divine’s audiobook format shine. As such, this is absolutely the best way to enjoy this amazing novel and I cannot recommend it enough.

Robert Rath really cemented his Warhammer fiction legacy early with The Infinite and The Divine, which is one of the best and funniest Warhammer 40,000 novels I have read. The exceptional book presents the reader with a unique and captivating narrative that perfectly utilises the iconic Necron faction while also telling a deep, personal and humorous story of betrayal, antagonism and treasure hunting. I absolutely loved The Infinite and The Divine and I am really regretting not reading it earlier, especially as it lives up to all the hype. A highly recommend book that is frankly one of the better Warhammer tie-in novels out there.

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The Voyage of the Forgotten by Nick Martell

On February 25, 2023 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books2 Comments

Publisher: Gollancz (Audiobook – 3 November 2022)

Series: The Legacy of the Mercenary King – Book Three

Length: 19 hour and 47 minutes

My Rating: 5 out of 5 stars

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One of the very last books I read in 2022 might be one of the very best: the latest epic novel from Nick Martell, The Voyage of the Forgotten, which showcases just how much of an impressive, rising talent this outstanding author truly is.

Since 2020, one of my absolute favourite new fantasy authors has been the very, very talented Nick Martell, who burst into the scene in a big way with his elaborate and compelling The Legacy of the Mercenary King trilogy. This series started with The Kingdom of Liars, an exceptional book that introduced Martell’s intriguing fantasy world and distinctive protagonist Michael Kingman. The scion of a formerly great family whose patriarch was executed for a murder he didn’t commit, Michael spent most of The Kingdom of Liars trying to prove his father’s innocence while also finding himself dragged into various conspiracies infecting his home city of Hollow. I had an amazing time reading The Kingdom of Liars, and it ended up being one of my favourite books, audiobooks and debuts of 2020. Martell expertly followed his first novel up a year later with the equally incredible The Two-Faced Queen, which continued many of the fantastic story threads from the first book. However, the stakes were raised even further with the protagonist forced to deal with immortals, dragons, assassins, serial killers and more, all while trying to stop the woman he loves from killing him. This was another exceptional read, and The Two-Faced Queen was easily one of the best books and audiobooks of 2021. Naturally, there was no way that I would not read the third and final book in the series as soon as I could. This third book, The Voyage of the Forgotten, was one of my most anticipated reads of 2022, and I eagerly dove into it just before the year came to a close.

After proving his father’s innocence and restoring his family’s place in Hollow society, Michael Kingman should be happy. However, the closer he comes to victory, the more tragedy and defeat he suffers. Not only is the love of his life, Serena, the queen of Hollow, engaged to a merchant prince with his own elaborate agenda, but dangerous conspiracies centred on Michael seem to emerge from around every corner. His sister is enslaved to an immortal Wolven King who seeks war with his soon to be freed brothers, while his mercenary mentor, Dark, is becoming one of the most dangerous creatures in existence, using his stolen dragon magic to wreak havoc and destruction in the name of love. However, his true enemy remains Angelo Shade, Dark’s father, who seeks to bring back his dead wife and will burn the world, and everything Michael loves, to achieve it.

Thrust once again into this deadly battle of forces outside his league or ability to comprehend, Michael only has his wits, his barely trained magic ability, and a few dedicated friends to fight against the immortal schemers who have spent years bringing their elaborate plans to fruition. However, Michael is well used to being outclassed and underestimated by everyone he goes up against, and he resolves once again to make everyone pay to keep those he loves safe from harm.

Gathering his allies, Michael embarks on a foolish quest to fully understand all the world’s secrets that have long been hidden from him and ensure that he has the weapons to survive. But his course of action will put him at odds with the deadly mercenaries of Regal Company, all three of the ancient Wolven Kings, and even his own mercenary company. Defeating all of them seems impossible, but that has never stopped him from trying before. Can even the legendary stubborn Michael Kingman succeed and achieve his goals of becoming a Mercenary King when fate itself seems set against him? And even if he succeeds, is he willing to pay the terrible price that victory demands?

Wow oh wow, what an epic book. Nick Martell continues to deeply impress me with his captivating story writing ability as he brings this trilogy to a powerful and momentous end that I was instantly addicted to. The Voyage of the Forgotten was a truly exceptional read, loaded with amazing characters, elaborate fantasy lore and an intense story that refused to drop my attention. I can find no higher praise for this book than the fact that I named it one of my favourite books of 2022 well before I had even finished it; the first half was that damn good.

Martell has come up with a pretty epic narrative for The Voyage of the Forgotten, and it is one that I will not forget in a hurry. However, the first thing that I need to say about the story is: if you haven’t read the first two The Legacy of the Mercenary Kings novels, go back and start at the beginning. Martell has loaded the entire series with a ton of intricate and interesting lore, and he starts rapid firing back to the events of the last two books extremely early on in the story. While there is a useful Dramatis Personae, as well as a fun summary of previous events from one of the side characters, which helped to refresh my memory, if you haven’t read the previous books you will get lost very quickly when trying to read The Voyage of the Forgotten. The narrator is constantly making references to previous events, revelations, or characters who only appeared in the prior books, and it can get a little confusing if you don’t know what he is talking about. As such, I would strongly recommend reading (or re-reading) The Kingdom of Liars and The Two-Faced Queen in advance, which is a very small chore considering how amazing they are.

Now, if you’re up to speed on the prior books, you are in for a real treat when it comes to The Voyage of the Forgotten’s story. Told mainly from the perspective of protagonist and calamity-magnet Michael Kingman, Martell weaves together an intriguing, action-packed and character-driven conclusion to the elaborate story he set up in the first two books, which also leaves a lot of room for the larger series to grow in the future. The author once again primarily utilises a chronicle style from Michael’s perspective, which really helps to tell this unique story, especially as it forces Michael’s chaotic and hilarious personality into the story and made every scene seem that little more entertaining and personal.

The narrative itself starts quickly and effectively, with a series of fun battles, big confrontations, and a horde of vengeful dragons, all of which ensures that the reader is quickly reintroduced to the chaotic main character and the multiple tangled webs and conspiracies that he has found himself involved in. The story quickly advances to the main issue of this book as Serena Hollow loses her memory, and Michael is forced into an epic quest to find a cure. This of course leads Michael to fight against the entire world, as everyone is opposed to his quest, and this ends up resulting in multiple intriguing or over-the-top encounters. At the same time, Michael is constantly trying to unravel the mysteries of the world and his many enemies. There are some epic scenes and sequences in this first half of the book that I really fell in love with, and Martell has some fantastic writing chops behind him that makes his outrageous concepts really work and come to life. For example, one of the best sequences in the first half of the book sees Michael trapped in his own mind, forced to experience multiple loops of a historical battle from an ancient time. The constant death and fighting that occurs over innumerable rotations slowly drives the protagonist mad, which Martell captures perfectly in exquisite detail. Partnered with this intriguing sequence are several scenes showing an external view of Michael’s body, which has been taken over by a malevolent entity. This ended up being one of the best moments of the entire book, especially as it has a very fun ending.

In addition to the action, Martell continues to unwind or add to the overlying layers of conspiracies, plots and personal or historical secrets that have always been such a fun part of this series. Several long-running story threads are finally resolved in the first half of the book, and it is so much fun to see Michael finally get quite a few intriguing answers. Martell really does not hold back with the revelations in The Voyage of the Forgotten, and the entirety of the book is loaded with characters unburdening their secrets (at least some of them) or discussing the unique history of the wider world. I absolutely loved every sequence where revelations about this universe and its fun inhabitants came to the surface, and it was fascinating to see how they fit into the wonderful tapestry that Martell has woven throughout this trilogy. This universe building is further enhanced by a series of great interludes with alternate narrators, which show events outside of Michael’s knowledge and experiences. Not only do these help to showcase some of the fun supporting characters from the first two books but it also deepens the narrative and shows what schemes his friends, and more importantly his enemies, are up to, which provides some fun foreshadowing.

Everything really comes to a head in the second half of the book as Michael and his companions are thrust towards their destinies. After several major setbacks and further revelations that show off the sheer scope and intricacies of the story, you and the protagonist are dragged back on the road towards the final epic confrontation. The author sets all of this off perfectly by finally answering some big secrets that have been bedevilling the protagonist since the beginning, and there is a particularly cool twist that makes you rethink every major event of the first two books. I really loved how Martell briefly changed the narration around when this big twist is revealed and had Michael address the audience directly to reveal why he never mentioned certain details in his previous storytelling. This helped to really sell the effectiveness of this major reveal, as well as showcase a previously unseen alternate layer to the character’s personality, and I personally thought that this was bit of pure genius from Martell. All this leads up to the big final confrontation as Michael finally comes face to face with Angelo Shade, the main architect of his family’s pain, as well as some other surprising foes. This big conclusion is everything you would want it to be, with some epic moments, utter tragedy and multiple character arcs coming full circle in all the right ways. While parts of this conclusion do get a bit overly complicated and metaphysical, I felt that it came together pretty damn perfectly in ways that really fit the universe and the controversial main character to a T. Readers will come away from this conclusion both heartbroken and hopeful, and I felt that it was an exceptional and very on-brand ending to one of the more distinctive fantasy trilogies of the last few years.

I honestly think that Martell wrapped this book up extremely well, and my only major disappointment is that there was not more crammed in, as I would have gladly listened to several more hours of it. The exceptional narrative, backed up with extensive lore, amazing character development and the very distinctive writing style helped to make this final book really pop, and I was honestly impressed every step of the way. I was also very happy with how Martell handled the sheer range of extensive storylines that he had set up in the previous books. My main concern before reading the final book was that Martell would be unable to wrap up every storyline or plot point he had set up. Indeed, there are still quite a lot of potential storylines and questions that were unresolved by the end of the book, but Martell is clearly setting up a sequel trilogy of some design in the same universe. Some of the best ongoing storylines have been left to continue in the future, and I for one am very excited for that as I hope to spend many more years getting lost in Martell’s world. I felt that the author was cleverly selective when it came to which storylines ended in The Voyage of the Forgotten, as he chose to close off the ones connected with protagonist Michael Kingman, while leaving others open. This ensures that any future stories will probably focus on some of the other characters that Martell has set up in this trilogy, and indeed it is pretty clear who that will be. I personally look forward to seeing a new take on this universe in the future, and it will be very interesting to see how the narrative continues with a major change in perspective.

One of the things that has always impressed me about The Legacy of the Mercenary King trilogy is the elaborate and well-thought-out fantasy world that the story has been set in. Its dark and grim nature, coupled with the intricate history, compelling magic system, and diverse people, has always added so much to the story, and this remains true in The Voyage of the Forgotten. Because he did not shut off this universe completely, Martell was given free rein to continue to expand on his elaborate universe, and boy did he. The reader is treated to a ton of extra information and history about this amazing world, including some of the strongest glimpses about the mysterious Wolven Kings, the world’s various immortals and other unique creatures, and their long-running battles throughout history. There are several glimpses of the past thanks to magic, and you really learn a lot about what previously befall many of the immortal characters and how this affects their current motivations. In addition, several new cities, islands, nations, groups and other great elements are featured heavily in the plot as Michael and his companions explore the wider world and engage on some massive sea voyages. Martell does a great job of incorporating these new elements or character history into his wider narrative, with the protagonists either spending substantial time exploring this information, or else discussing it with the clear intention that it might become a major detail in the future. I really enjoyed how many of the previous novel’s mysteries were answered thanks to world expansion featured in this novel, and it is very clear that Martell has a lot more planned for this fantasy world in the future.

Of course, I also need to mention the cool magical system that Martell features throughout The Voyage of the Forgotten, especially as it has some major and extremely clever implications on the plot. Like the first two books, the main form of magic featured is Fabrication, which forces the user to sacrifice their memories to perform magic. It is actually quite horrifying to see the consequences of Fabrication misuse, as some of the users forget friends, facts or family, and this is often enhanced by the user’s sacrifice or by the fact that they suddenly lose all concept of someone they’d grown close to. However, this is nothing to becoming a Forgotten, someone who has completely lost their memories or sense of self, and this is strong explored in this book. I deeply appreciate the amazing way that Martell utilises this memory loss throughout The Voyage of the Forgotten, especially when it relates to the protagonist, as he often does not remember what he is forgetting, and it is always very heartbreaking when you notice that he, or one of the supporting characters, has forgotten something or someone important. This darker side of magic is well counterbalanced by the various impressive usages that occur throughout The Voyage of the Forgotten, and there are some rather elaborate battles that take place as a result. Martell also does a very deep dive into the origins of magic in this novel, and you find out some interesting facts about Fabrication, as well as other magical disciplines that exist in this universe, many of which have been cleverly foreshadowed throughout the trilogy. I really enjoyed seeing some of the over-the-top magic that was utilised by other characters throughout the various battles, and there are some very interesting moments as a result. It will be very interesting to see what happens to the magic use in the future, especially considering the major changes to Fabrication theory that occurred at the end of The Voyage of the Forgotten, and I look forward to seeing how Martell continues that intriguing plot thread.

While I can go on about the story, setting, magic and writing, for me the true strength of The Legacy of the Mercenary King books has always been the outstanding and extremely complex characters. This remains the case in The Voyage of the Forgotten as Martell brings many of his best characters back for a particularly emotional adventure. There are so many major and dramatic character moments throughout this book as Martell used the end of the trilogy to wrap up multiple character storylines and events. I really appreciated some of the fantastic development and big character moments that occurred throughout this final book in the trilogy, and fans of the first two novels are going to be very moved by what happens to their favourite characters.

The primary focus of the plot is naturally Michael Kingman. Martell has done some real wonders around Michael Kingman in the last two books, and he has ended up being one of the most complex characters you are ever likely to encounter. A highly damaged individual who has had his mind warped by magic, has seen his family destroyed, has been forced to live up to an impossible legacy, and has been kept apart from the love of his life, Michael has had a lot of growing to do in the last two books, and Martell has really laid on the character development. As such, the Michael Kingman in The Voyage of the Forgotten is wiser and more mature than we have previously seen, although he still has some ways to go. However, Martell ensures that this growth continues in this final book, as he keeps trying to become a better person, especially when faced with the certainty of his death and the loss of people he loves. There are some major moments when Michael is forced to face damaging revelations or hard truths and each of them change him in some way, often during a pivotal and well-written scene. Martell also cleverly includes some great secrets about his past and his life that I thought were pretty damn epic, especially as it answers some major questions about his personal history and why he is stuck in the middle of events.

Despite all this, Michael is still the same cocky bastard that he was at the start of the trilogy and his overconfidence, determination and sheer ability to enrage anyone he comes into contact with is so damn entertaining. Seeing normally calm and collected characters trying to deal with the Michael problem always result in some of the funniest scenes, and I loved the often hilarious edge that the character brings to much of the story due to his amusing narration. As such, you find it very hard to dislike Michael, no matter how hard you try, and his unique and heartbreaking tale is one that will appeal to many people. Martell wraps up much of Michael’s great and intense story in this final book and it was very moving to see some of the dark sacrifices the character is forced to make to save his family and fix some of his biggest mistakes. I guarantee you will not be prepared for everything that Michael goes through in The Voyage of the Forgotten, but you won’t be able to turn away as Martell does some dark, yet wonderful things, to his best creation.

In addition, quite a lot of the book focuses on major secondary character Serena Hollow, Queen and love of Michael’s life, who has had a turbulent relationship with her Kingman. This relationship gets even more complex in The Voyage of the Forgotten, especially when Serena becomes a Forgotten without any idea of who she is or what her many responsibilities are. You see a much more free version of the character in this book, and I found the differences between this person and the vengeful queen of the second book to be very intriguing. The continued focus on the relationship between Michael and Serena hits extra hard as a result of this loss of memory, and it is fascinating and moving to see them attempt to rekindle what they had. Honestly, their entire story is pretty tragic in this final book, but I was nice to see a powerful conclusion to their doomed love story and Martell features some damn fine character work when it comes to Serena.

Aside from Michael, The Voyage of the Forgotten features a rich and extensive cast of characters, many of whom are returning from the previous two books. Standout characters include Dark, the mercenary killer who serves as Michael’s mentor and possibly most dangerous foe, as he attempts to find his own way to bring back the dead. Dark is a brilliant character, and I love how Martell has written such an edge of menace around him, although by the events of The Voyage of the Forgotten Michael is pretty much immune to it, resulting in some very entertaining interactions. You also have to love the sinister Angelo Shade as the main antagonist of the book. Michael’s former foster father and the man responsible for his family’s downfall, Angelo has been an outstanding manipulative bugger the entire way through this trilogy, and I loved seeing more of his games in this final book. Watching his elaborate plans come to fruition is pretty amazing, and Martell does a good job continuing to show his past and motivations, ensuring his obsession with bringing back his dead wife is mirrored by Michael’s attempts to save Serena. Other great characters like Naomi, Chloe and Alexis have some fantastic moments in this book as the main supporters of Michael and Serena, and it was great to see some of their storylines. The rest of the cast make some fantastic appearances as well, although it is interesting that several key characters from the first two novels only had minor appearances, and indeed I was a tad disappointed that some figures, such as amusing immortal nobleman, Charles Domet, were barely featured. However, it is clear that Martell is saving them up for future entries in this larger series, and I look forward to seeing what happens to them next. Overall, this was a great cast of characters and Martell should be congratulated on the amazing character work he did.

While I received a massive physical copy of The Voyage of the Forgotten, I chose to listen to the audiobook version of this book when it first came out, and boy was I glad that I did. I have often said that the audiobook format is the perfect way to absorb vast amount of lore and universe elements (at least for me), and, with all the revelations and expansions that Martell featured here, that proved to be a major boon. The story came across perfectly in this format, and you can easily visualise the powerful scenes, battles of wits, and some of the more outrageous actions of the characters, as they are read out to you. It helps that this audiobook was once again narrated by one of my favourite audiobook narrators, Joe Jameson, who has impressed me before with the first two audiobooks in the series, and with his work on King of Assassins by R. J. Barker and the fun Warhammer 40,000 novel, Fire Made Flesh. Jameson always does a remarkable job with his narration of Martell’s books, and his great tones and pacing help to move The Voyage of the Forgotten along at a fast clip. However, the main advantage of Jameson as a narrator is the cool voices he brings out for the characters. While I was not the biggest fan of a couple of his female voices, the majority of his narration was pretty much spot on and I felt that he really showcased the cool personalities and emotions of the key figures. However, the best voice is saved for the main protagonist and narrator Michael Kingman, who Jameson perfectly encapsulates throughout the course of the audiobook. Jameson really gets into Michael’s head with his narration and expertly portrays his personality, emotions and thought process. This great portrayal of the central characters adds so much to overall quality of the entire audiobook, and my enjoyment of The Voyage of the Forgotten as a whole, and I loved every damn second of Jameson’s narration as a result. This honestly was the best way I found to enjoy The Voyage of the Forgotten, and I very strongly recommend it as a result. With a run time of just under 20 hours, it does take a little bit of effort to get through this audiobook, however, it is more than worth the effort as you will have a fantastic time.

If this extensive write-up didn’t give it away, I clearly deeply loved The Voyage of the Forgotten. Nick Martell has wrapped up his The Legacy of the Mercenary King trilogy in an exceedingly epic way, and I deeply enjoyed how the elaborate, powerful, and character rich narrative came to an end. This is some of Martell’s best work yet, and if you haven’t experienced this amazing fantasy author’s work yet, you are really missing out. I look forward to seeing how Martell will continue this story in the future, and any follow-up trilogy that will jump to the top of my to-read list the moment it is announced. In the meantime, make sure to check out this exceptional book, as well as the proceeding two novels in the trilogy, as The Voyage of the Forgotten gets one of the easiest five-star ratings I have ever given out.

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Throwback Thursday – Warhammer 40,000: Hereticus by Dan Abnett

On February 3, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Thriller, Throwback Thursday, Tie-in Novel, Warhammer4 Comments

Publisher: Black Library (Audiobook – 30 July 2022)

Series: Eisenhorn – Book Three

Length: 9 hours and 48 minutes

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For this latest Throwback Thursday, I finish off the outstanding and iconic Eisenhorn trilogy by legendary Warhammer author, Dan Abnett, by reviewing the exceptional novel, Hereticus.

I have mentioned several times in the last few weeks that one of my absolute favourite authors of Warhammer fiction lately is the amazingly talented Dan Abnett, whose works have shaped a generation of lore and extended fiction. I have really enjoyed several of the books in his excellent Gaunt’s Ghosts novels, such as First and Only, Ghostmaker and The Vincula Insurgency, which provide some captivating depictions of the common soldier in the Warhammer 40,000 universe. However, based on what I have read so far, Abnett’s best series is the epic Eisenhorn trilogy, which follows titular character Inquisitor Eisenhorn as he attempts to protect humanity from a range of diabolical threats. The first book, Xenos, served as an excellent introduction to Eisenhorn and his major supporting characters, while Malleus showed an older Eisenhorn as he attempts to unravel a massive conspiracy painting him as the villain. I absolutely loved these outstanding novels and they both got a full five-star rating from me, and I immediately dove into the third and final book, Hereticus, as I really wanted to find how everything ended.

For over 150 years, Inquisitor Gregor Eisenhorn has loyally served the Imperium of Men, disrupting and ending multiple conspiracies and plots by heretics, daemons, and malicious xenos. Throughout all this time, Eisenhorn has always tried to avoid the lure of the radical path that many of his fellow inquisitors tread, determined not to be corrupted by the forces he has sworn to destroy. But desperation can drive even the best man towards the brink and Eisenhorn’s previous deal with a dark figure is coming back to haunt him.

Overseeing a Inquisitorial examination of the planet of Durer, Eisenhorn receives news that an old foe, one who cost him the life of a dear friend, is active on world. Assembling his forces, Eisenhorn is unprepared for the full horror that awaits him, as his enemy unleashes an ancient evil capable of destroying worlds. Facing tragedy and near death, Eisenhorn is forced to do the unthinkable and use foul rites to summon forth a greater evil in the form of the daemonhost Cherubael to survive.

Shocked and disgusted by his actions, Eisenhorn attempts to recover and atone for his mistakes. However, before he can begin, his manor house is raided by a dangerous army of mercenaries and all his forces throughout the sector are brutally destroyed in an instant. On the run with only a few loyal followers left, Eisenhorn needs to discover the identity of whoever is orchestrating his downfall before it is too late. But to defeat his enemy, Eisenhorn is forced to dive deeper into heresy and call upon dark forces that are best left untouched. Can Eisenhorn retain his sanity and soul, or is the price of his victory his own utter damnation?

Wow, just wow. After how epic Xenos and Malleus proved to be, I knew that there was no way that I wasn’t going to love Hereticus. However, I was unprepared for just how brutal and intense Abnett made this final book in the Eisenhorn trilogy, as Hereticus ended up being an exceptional read that perfectly ends his great series on a very high note. Loaded with action, intrigue, and some amazingly complex characters, Hereticus gets another five-star rating from me, and this is honestly one of the best trilogies I have ever read.

Part of the reason why I enjoyed Hereticus so much is because it has an exceptionally epic story to it that really drags you in from the offset. Set 50 years after the events of Malleus (150 years since the start of the series), Hereticus starts off big and never really slows down. The book has a calamitous introduction that sees Eisenhorn and his comrades forced to confront a Chaos Titan which decimates them and forces Eisenhorn to call upon his captured daemonhost Cherubael. This fantastic introduction not only perfectly continues the story from Malleus but also shows Eisenhorn’s progression towards radicalism as he uses his new knowledge in some pretty dark ways. Following this introduction, which splits his main team up, the story continues strongly, as there is a major and extended battle sequence in the heart of Eisenhorn’s sanctum, which sees him forced out on the run. Becoming a fugitive from new enemies, old foes, and the Inquisition itself, the rest of the novel is a very captivating and intense character-driven read that shows a desperate Eisenhorn continue to make radical decision after radical decision, all in the name of defeating his enemies, no matter the cost. There are some extremely moving and powerful scenes scattered through the second half of the book, as Eisenhorn comes to terms with many of his long-running comrades, many of whom do not agree with his methods, as well as some deadly confrontations. Everything leads up to a trippy and action-packed finale, as Eisenhorn finally faces down an old enemy. While the ultimate confrontation is short and the main antagonist only has a brief appearance in the book, the real joy of the story is the hunt to find out who they are and what they are after, with a focus on investigation, intrigue, and ethics. The conclusion leaves everyone extremely satisfied, and Abnett leaves the series open for follow-up, even if a ton of character-centric storylines are permanently closed by a series of deaths and destruction.

The author once again does an amazing job presenting the complex story contained within Hereticus and I have a lot of love for the writing style that Abnett utilised in this series. Blending tense galaxy-spanning intrigue with the hunt for dark forces, massive mysteries, complex revenge plots, and a focus on the corruption of the spirit, there is a ton of fun for a lot of readers in this book, and I loved the elaborate conspiracy that was the fantastic focus of the plot. I especially enjoyed the overall theme of Hereticus that saw Abnett try and bring a lot of storylines and character arcs full circle back to the original novel in the trilogy, Xenos. The history of all the characters in the book, as well as multiple prior events, are essential parts of Hereticus’s plot, and I loved how the author was able to tie together a ton of compelling overlying storylines that really highlights the importance of the first two novels. The primary storytelling method, a chronicle style from Eisenhorn’s perspective, adds a lot of power and flair to the overall book, especially as it enhances the character-driven aspect of the story and gives you some intriguing insights into the conflicted protagonist’s mind. There are a ton of great scenes showcased as result of this first-person perspective, from multiple massive battles, to intimate conversations and even a very well-written psychic interrogation sequence. Abnett has a great eye for detail and some of the resulting action sequences and unique locations are painted in such a way that the reader fully grasped every action or cool element of the setting. This, and so much more, really helps Hereticus’ exceptional story shine through and I had so much fun seeing how this entire novel unfolded.

Like most of Abnett’s books, Hereticus can be read as a standalone novel, especially as the author does an exceptional job of recapping key events, characters, and relationships from the previous Eisenhorn entries. However, to get the full emotional impact of epic narrative, I would strongly recommend checking out Xenos and Malleus first, as you really understand how the character has changed over the course of the series, as well as how well the storylines have continued. I also felt that Hereticus proved to be a particularly good entry into the wider Warhammer 40,000 canon as Abnett continues to explore some of the most intriguing parts of this grim universe, including the dark cults that are constantly a threat to the Imperium’s stability and the Inquisitors who hunt them. The fantastic dive into the different types of Inquisitors and their different ways of fighting the enemy is pretty cool and I loved seeing the various rivalries and discussions that eventuated, especially as Eisenhorn has an opinion on everything. This book also takes the reader to a variety of unique locations within the Warhammer universe, with several unique planets becoming key settings for the plot. I loved seeing the variety of worlds out there in this massive universe, and Abnett has fun tying the events of this book into some of the wider canon aspects of the franchise. I would say that overall the Eisenhorn trilogy really is one of the best series to start reading Warhammer 40,000 fiction with, especially as you get a completely different and more elaborate story than the classic military fiction plots that make up the majority of the genre.

As always, I can’t go away from an Eisenhorn book without talking about the exceptional character work that Abnett brings to the table. This is especially true in Hereticus, as Abnett brings so many compelling character arcs to a tragic and moving end, while also ensuring that his impressive protagonist is changed forever.

As you would expect, the focus of Hereticus is on protagonist Gregor Eisenhorn, who serves as the book’s primary narrator. I mentioned during my previous reviews of these books that I have loved the complex and powerful story that Abnett has woven around Eisenhorn. Starting off as a relatively innocent and uncontroversial Inquisitor who was just trying to do what is right, Eisenhorn has slowly slipped down the path of the radical by employing the methods and powers of his heretical foes. Abnett has showcased this gradual fall perfectly in the first two books, and while he made some questionable decisions out of desperation in Malleus, you still believed that he could be redeemed. Hereticus really has you doubt this as he begins to employ darker methods during this book, which not only cost him but impact the people around him. However, this is not entirely his fault, as forces outside of his control drive him to do so. Pretty much every mistake that Eisenhorn has made in his past seems to come back to bite him in Hereticus, and these events, and more, force him to make hard decisions to survive and defeat foes who are even worse than him. While he does bad things, you can fully understand and appreciate why he feels he needs to do so, even if you don’t agree with them. Despite these bad things, Eisenhorn remains a sympathetic character for most of the book, and his own realisation that what he is doing is wrong just makes the entire story that much sadder. However, there is a layer of arrogance over this that makes you slightly concerned about Eisenhorn’s actions, and you’re never quite sure just how far he has truly fallen. Abnett covers Eisenhorn’s overall character arc pretty damn perfectly, and while the author throws the protagonist’s decline into overdrive in this book, it felt pretty natural and showcases just how destructive desperation is as his good intentions lead him to hell.

On top of Eisenhorn, Hereticus features a bevy of compelling supporting characters who add their own complex spin to the story. Many of the supporting characters from the first two books are once again featured in this third Eisenhorn novel, and I really appreciated how Abnett sought to bring many of their arcs and storylines full circle here. Unfortunately for fans of the series, wrapping up their storylines results in most of the supporting character’s deaths or severe injury, and quite a substantial number of supporting figures from the first two books have their final appearance here. While I won’t go into too much detail, several of these deaths are pretty damn tragic, especially after they follow on from some noble self-sacrifices or major character moments. I was honestly shocked at how brutal Abnett was when it came to killing off his supporting characters, but all of these instances really worked in the context of the story and ensured that Hereticus ended up being particularly memorable. Before these major deaths, though, the author dives into the powerful relationships that each of these supporting characters has with Eisenhorn, and there are some deeply emotional moments scattered through, especially as each of them have their own opinion about Eisenhorn’s recent actions and whether he has gone too far. Watching his oldest friends become disgusted or outraged by his actions really hammers home how far Eisenhorn has fallen, especially as he drags several characters down with him. Throw in some outstanding central antagonists, all of whom have a complex history with Eisenhorn, and some intriguing cameos from the previous novels, and this was an exceptionally character rich novel designed to hit you in the feels.

As with all of Abnett’s books to date, I grabbed the audiobook version of Hereticus, which was once again an exceptional way to enjoy this amazing novel. Coming in at just under 10 hours and featuring the impressive narration of Abnett’s go-to audiobook narrator, Toby Longworth, this format was an excellent way to enjoy this book, and I managed to power through this entire story in no time at all. Longworth really brings the entire story to life with his excellent narration, and he makes sure to infuse all the characters with a ton of personality, while also tailoring their voices to match their history and physical (or metaphysical) attributes. I also thought that several of the best scenes of this book, including some desperate battles, a cool interrogation scene, and some particularly poignant character interactions, were made even more epic in this format, as the exceptional acting from Longworth showcased them in a way they truly deserved. I was utterly enthralled the entire way through Hereticus’s audiobook and this was easily the best way to experience Abnett’s compelling tale.

Overall, I felt that Hereticus was a pretty amazing book and a suitably epic finale to Dan Abnett’s original Eisenhorn trilogy. Bringing together a powerful story with some unique Warhammer 40,000 elements and an exceptional dive into the mind of a fallen inquisitor, Hereticus was utterly addictive and ended up being one of the best Warhammer books I have ever read. I was really impressed with how Abnett concluded this incredible trilogy, and I felt that Hereticus was an excellent final entry that tied together some of the complex storylines from the first two books. I cannot recommend this entire trilogy enough; it truly is one of the cornerstones of Warhammer 40,000 fiction. I look forward to reading more from Abnett in the future, especially as there are several spin-offs associated with this trilogy, as well as a recently released fourth Eisenhorn book in The Magos. However, I think I will try and get through some Gaunt’s Ghosts books first, before diving back into Abnett’s Inquisitor stories, although if I ever want a powerful Warhammer thriller, I know where to look.

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Throwback Thursday – Warhammer 40,000: Malleus by Dan Abnett

On January 28, 2023March 1, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Thriller, Throwback Thursday, Tie-in Novel, Warhammer6 Comments

Publisher: Black Library (Trade Paperback – 27 December 2001)

Series: Eisenhorn – Book Two

Length: 10 hours and 13 hours

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For this week’s Throwback Thursday, I continue my extensive dive into the Warhammer 40,000 universe with the awesome, galaxy-spanning thriller, Malleus by Dan Abnett.

For one of my latest Throwback Thursday reviews, I took a look at one of Dan Abnett’s iconic Warhammer 40,000 novels, Xenos, the first book in the incredible Eisenhorn trilogy. This fantastic book, which followed Inquisitor Gregor Eisenhorn, a hunter of dark influences in the Imperium of Man, was a clever and compelling read that saw Eisenhorn face off against a range of terrible foes who seek to destroy humanity from within. I had an outstanding time with Xenos, which really showcased Abnett’s skill as an author (I have also really enjoyed his Gaunt’s Ghosts novels, including First and Only, Ghostmaker and The Vincula Insurgency). Indeed, I enjoyed it so much that I quickly decided to continue the Eisenhorn trilogy by listening to the second book in the series, Malleus, another exceptional read that takes its protagonist on another dark and engrossing adventure.

In the 41^st Millennium, the dark enemies of mankind, whether they be heretical, daemonic, or alien in nature, continue to try and destroy the Imperium of Man from within. It falls to dedicated inquisitors, such as Gregor Eisenhorn, to battle their malign influences by whatever means they deem necessary. But what happens when the very institutions that Eisenhorn has long fought to uphold are turned against him?

Whilst battling against deadly alien influences on an isolated planet, Eisenhorn is made aware of certain allegations against his character which suggest that he has been corrupted by the influence of Chaos. Initially planning to ignore the rumours and continue his vital work safeguarding humanity, his plans are put on hold when a terrible act of destruction unfolds on the planet of Thracian Primaris. Investigating its causes, Eisenhorn is thrust into another deadly conspiracy, one tied to a foe he last encountered 100 years before, the daemonhost Cherubael.

Chasing after Cherubael and his minions, Eisenhorn attempts to discover what their latest unholy plan is. However, his investigation reveals that Cherubael is just a pawn, and that the true mastermind of the plot he has uncovered may be a fellow inquisitor. However, before Eisenhorn can find and confront them, he himself is declared a heretic and renegade by puritan members of his order, forcing him to flee. Chased by the members of the Ordo Malleus, as well as other deadly hunters loyal to Imperium, Eisenhorn must work outside the bounds of his usual authority to prove his innocence and find the true culprits. But to defeat his enemies, Eisenhorn may be forced to cross a dangerous line and become the very thing he has sworn to destroy.

Damn, Abnett was on a major roll when he wrote the Eisenhorn novels, as the second book, Malleus, is getting another five-star rating from me. Brilliantly combining a taut and intrigue-laden plot with the darkest elements of the Warhammer 40,000 universe, Malleus is an addictive and powerful read that proves near impossible to stop listening to.

Malleus has an incredible story that I found to be pretty damn addictive. Set 100 years after the events of Xenos, Malleus continues to follow Inquisitor Eisenhorn as he investigates several malign cults and figures throughout his sub-sector of space. The story soon ties into some of the lingering storylines from Xenos as the daemonhost Cherubael makes another appearance, framing Eisenhorn as a heretic. After a massive and suitably destructive series of events, Eisenhorn is thrust into a whole new investigation, trying to finally hunt down the figures that vexed him during the events of Xenos. Traversing the sector in pursuit of Cherubael and other rogue inquisitors, Eisenhorn finds himself thrust into battle after hopeless battle, and his constant losses war with his determination to finish the case. The protagonist faces several major hurdles towards the middle of the book, including capture and imprisonment by a fellow inquisitor for false crimes. Eventually escaping, Eisenhorn spends much of the book as a fugitive hunted by loyalist forces, which is an exciting new element that Abnett plays to full effect to enhance the plot. The overarching mystery/conspiracy plot of the book comes together extremely well, and I loved the outstanding investigation angle that follows as Eisenhorn desperately tries to find the evidence that not only ends the threat but exonerates him. This hunt for answers is actually set over a substantial period of time, mainly due to the delays associated with space travel, but this only increases the power of the plot as you witness Eisenhorn lose years of his life being hunted. Everything leads up to a massive confrontation with plenty of bloody battles and dangerous decisions that leave several fantastic characters dead or damaged. The ultimate conclusion is pretty impressive, especially as Abnett really starts to showcase his protagonist’s inevitable fall from grace here, and he leaves the book on a particularly dark note that was so damn awesome.

Just like with Xenos, Abnett has a fantastic writing style that really helps to enhance Malleus’s narrative and make the book very addictive and exciting. Perfectly utilising an excellent chronicle style that allows you to see inside Eisenhorn’s head, you are swiftly drawn into the complex plot. Abnett keeps up a swift and intense pace the entire way through, and you barely have a moment to stop and breathe before the next intriguing event takes over. The blend of intrigue, Inquisition politics, sector-spanning conspiracies, complex character development, unique Warhammer concerns, and impressive action is a heady mix and you get really get caught up in the hunt for the antagonists and Eisenhorn’s fight to prove his innocence. I loved how intense and deadly some of the crazy battle scenes got and Abnett has great skill at showcasing his characters in mortal danger. His attention to detail also results in some breathtaking sequences, and I was really impressed by that epic parade sequence, especially its ultra-chaotic ending. Abnett also takes the time in Malleus to set up some future storylines and alternate books, with some fun hints at novellas/short stories you should check out, while also quickly introducing his next major protagonist, Ravenor. All these brilliant writing elements, and more, really help to drag you into this elaborate narrative, and I deeply enjoyed the more intrigue-focused stories that are the hallmark of the Eisenhorn books. A worthy and powerful sequel to Xenos that really showcases the awesome characters and continues the outstanding and elaborate storylines.

I really loved the elaborate Warhammer 40,000 elements that Abnett featured within Malleus as the author dives right into the heart of the Inquisition and their battles. Just like with Xenos, you get a great understanding of the various internal threats that the Imperium faces in this universe, as Eisenhorn attempts to combat various conspiracies and threats. However, there is also a much deeper look at the inner workings of the often hidden Inquisition Ordos, especially as Eisenhorn is forced to work against the factions associated with them, including the Ordo Malleus, who think he has been compromised. The ensuing hunt for answers leads the protagonist, and by extension the reader, on a mighty chase around various unique planets in the Imperium, including Cadia before the fall, and Abnett has a lot of fun exploring the intriguing elements associated with these locations, as well as the general lore surrounding inquisitors, daemons and more. I did find it interesting that one of the major McGuffins of the book, the mysterious pylons of Cadia, ended up seeming a little more important in hindsight after the 13^th Black Crusade, and you have to wonder if the antagonist’s villainous plan didn’t actually have some merit. I felt that this was a particularly awesome Warhammer 40,000 book and I deeply appreciated how the universe’s unique elements and lore were able to seamlessly support the elaborate tale that Abnett wrote here. Due to Abnett’s detailed and compelling writing style, new Warhammer readers could easily start their exploration of the franchise with Malleus and get a rather good idea of the universe. However, I would really recommend starting with Xenos, as you get a much better introduction to key details and characters there. An overall exceptional read that makes full use of the massive, extended setting.

A highlight of any Abnett book is always the outstanding and highly complex characters, and Malleus has those in spades. The focus is once again on series protagonist and narrator, Gregor Eisenhorn, who grows as a character with each passing adventure. I really liked how Abnett portrayed Eisenhorn in Malleus and his compelling mission for justice and redemption is pretty intense. The Eisenhorn here is a different creature to that in Xenos, especially as, after 100 additional years in the Inquisition, he is a lot more experienced and skilled in his work. Now commanding a small army of followers, Eisenhorn has different methods and resources than before, but the same determination, loyalty and kindness (at least compared to other inquisitors) is still there. However, Malleus sees Eisenhorn go through some major battles, both mentally and physically, as he is forced to confront an enemy within his own order while defending his own methods and character. Watching him declared a heretic by his fellow inquisitors is pretty brutal, and Abnett throws in a heartbreaking prison scene to keep the readers intrigued. These events, coupled with some personal losses, and the continued presence of beings far more powerful than him, force Eisenhorn to make deals and cross lines he really shouldn’t. I love how each of the Eisenhorn books show the protagonist’s slow fall towards radicalism, and Malleus is an interesting starting point for that, as you understand why Eisenhorn is forced to go down this route. While he ends the book with most of his humanity and integrity intact, that brilliant final scene shows that he is getting awfully comfortable with his feet over a line he previously feared, and I cannot wait to see how far he falls in the next Eisenhorn novel.

On top of Eisenhorn, Abnett features a pretty awesome collection of supporting characters who assist the inquisitor in his investigation and they each add their own distinctive personality to the narrative. There is a good continuation of character arcs from the first book as several of his followers from Xenos make a return here, including the entertaining Savant Aemos, former Arbites investigator Fischig and his dedicated psychic blank Bequin. Each of them is a little older, wiser and more familiar with the hardships of being an inquisitor’s acolyte, and I liked the stronger relationships that developed amongst them, particularly Bequin, who really comes into her own in this book as a veteran. There are several interesting new characters added as well, such as the bounty hunter Nayl or brash pilot Medea Betancore (replacing her father Midas), and I felt that their distinctive personalities added a fun and entertaining edge to the narrative. I was surprised that new character Gideon Ravenor, who goes on to get his own spinoff series, only had a relatively small appearance in this book, as I figured he would be a pretty major character to get his own story. Still, he gets a good introduction here and it will be interesting to see how his arc plays out in the future.

Malleus also features several intriguing antagonists, each of whom test Eisenhorn and his colleagues in different ways. While there are the usual array of cultists, aliens and other creatures, most of the antagonists in this novel prove to be other inquisitors, who are either working on their own radical plots or who believe that Eisenhorn is the true heretic who needs to be stopped. This adds a very interesting dynamic to the story and it was fascinating to see the varied philosophies and plots amongst the rival orders and factions. I did find it interesting that the main villain of the story, a mysterious inquisitor acting from the shadows, only had a very minor appearance in the book, and while you feel his presence, a bigger appearance from him might have been in order. However, this character is more than made up for by his principal minion, the daemonhost Cherubael, who returns after his fantastic appearance in Xenos. Cherubael is a brilliantly sinister character who steals every single scene they are in thanks to their menacing monologues and intriguing insights. The outstanding obsession he forms with Eisenhorn is a great deal of fun and I loved seeing this evil figure toy with the inquisitor and force him to go to great lengths to defeat him. Abnett really knows how to write an outstanding character, even in a limited amount of time, and it will be fascinating to see what happens to these characters in the next Eisenhorn book.

I of course chose to listen to Malleus on audiobook, as it is my preferred way of enjoying great Warhammer books, and I was not disappointed with how it turned out. This fantastic format once again deeply enhanced the quality of the story and you can practically see the awesome battle scenes and other breath-taking elements of the wider Warhammer 40,000 universe. Narrator Toby Longworth, who is the go-to narrator for all of Abnett’s Warhammer audiobooks, does another outstanding job with Malleus, and I loved how he was able to keep the pace of the production going. He also has an outstanding voice that really conveys the dark and dangerous nature of the universe, while also perfectly bringing the characters to life. I deeply appreciated how Longworth made sure to utilise the same character tones that he previously featured in Xenos here, and it gave the Malleus audiobook a great sense of continuation. All the new characters are also given excellent voices, and I loved how awesome he made them sound, especially the more supernatural or alien beings that the protagonist comes across. I was frankly hooked on this audiobook from the very start, and it is an exceptional way to enjoy this epic narrative. With a run time of just over 10 hours, I managed to power through this audiobook very quickly, and this is definitely the best format for the Eisenhorn series.

Dan Abnett continues to showcase why he is one of the absolute best Warhammer authors out there with the second book in his superb and beloved Eisenhorn trilogy, Malleus. Featuring a powerful and incredibly captivating narrative of conspiracy, heretics and desperation, Malleus takes Abnett’s compelling protagonist on an even darker journey of despair, compromise and hard choices. Brutal, intense and impossible to put down, Malleus is easily one of the best Warhammer books I have ever read, and I cannot get over how exceptional it was. A very highly recommended book, I plan to check out the third and final Eisenhorn book soon as I can to see how this epic series ends.

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Throwback Thursday – Warhammer 40,000: Xenos by Dan Abnett

On January 14, 2023March 1, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Thriller, Throwback Thursday, Tie-in Novel, Warhammer10 Comments

Publisher: Black Library (Audiobook – 1 May 2001)

Series: Eisenhorn – Book One

Length: 9 hours and 55 minutes

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. In my latest Throwback Thursday I continue to review the awesome Warhammer 40,000 works of Dan Abnett with his impressive and dark space thriller, Xenos.

For my Throwback Thursday last week, I talked about legendary Warhammer fiction author Dan Abnett and his Gaunt’s Ghosts series, which is one of the pillars of Warhammer 40,000 fiction. I have already had a lot of fun reading several of the Gaunt’s Ghosts novels (including First and Only, Ghostmaker and The Vincula Insurgency), so I thought I would take the opportunity to check out one of Abnett’s other major Warhammer entries, the Eisenhorn series, which I have heard some extremely good things about. Set in a different area of the Warhammer 40,000 universe than the Gaunt’s Ghosts books, the Eisenhorn books are a darker and more intense series that follows a troubled Imperial Inquisitor hunting down a deadly conspiracy at the heart of humanity.

In the dark future, the Imperium of Man is under constant attack from aliens, monsters and daemons who seek to destroy or corrupt all within. However, the greatest threat to the Imperium comes from within as diabolical heretics, witches and cultists work from the shadows to weaken the Imperium, worship the forces of Chaos, and bring humanity crashing down around them. The only protection humanity has against these nefarious and hidden threats are the members of the Inquisition, deadly agents who wield great power and authority to pursue their investigations by any means necessary.

Gregor Eisenhorn is a talented and experienced Inquisitor who has long fought against the shadows constantly threatening stability and order. When he finally corners and kills an old adversary amid a dark ritual, Eisenhorn hopes that his actions have permanently ended an ongoing source of Chaos and despair in the Imperium. However, evidence he recovers from the crime scene hints at a greater conspiracy that threatens several local systems.

Travelling to a prosperous system hub, Eisenhorn restarts his investigation, determined to get to the bottom of this new danger. However, he is unprepared for the full scope of the hidden forces of Chaos that wait for him, as a massive and hidden cabal rises in opposition against him. As multiple planets within the system burn due to the action of the Chaos cultists, Eisenhorn works with a series of unique allies to bring this cult to heel before they cause irreparable damage to the Imperium. However, the more sinister danger may come from the prize that his enemies are seeking, an ancient and dark tome of knowledge, known as the Necroteuch, which has the potential to burn the universe and turn the entire Inquisition against Eisenhorn.

Xenos was another exceptional novel from Abnett, and one that really showcases his ability to tell a varied and complex tale. This is a dark, powerful, and impressive character-driven read, and I loved the switch to dark intrigue and heretical investigations, which made for such an incredible story. I was an instant fan of Xenos’s clever and highly addictive plot, and I must give it a full five-star rating for how awesome it was.

I was deeply impressed with the outstanding and compelling story that Abnett featured in Xenos, especially as it was very different in style and substance to his previous works I have enjoyed. While the Gaunt’s Ghosts novels are gritty war stories that focus on the common soldier, Xenos was a powerful and twisty space thriller that saw a determined Inquisitor attempt to root out the manipulations of Chaos far away from the battlefields. The story itself is extremely clever and well-paced, and it swiftly draws you in with its dark events, especially its intense and action-packed introduction. Despite killing his nemesis early in the story, Eisenhorn is forced to keep digging even further as he uncovers more conspiracies and plots. Utilising undercover methods, interrogations, obscure evidence and a series of bloody fights, Eisenhorn and his unique comrades follow the trail across the sub-sector, attempting to discover the true plot of their enemies. This leads to several large and memorable set pieces, and I loved the constant change of locations, especially as it allowed you to get a whole new idea of the scope of their foes plans and the desperate battles being fought to stop them. I also enjoyed the quieter scenes that were laid out between them as they not only added some great intrigue, but also highlighted the personal nature of the protagonist’s quests and the bonds he forged along the way. The plot is eventually resolved after several major battles, including some very trippy sequences, and I came away from this book very satisfied and wanting more, especially as Abnett laid some intriguing hints about deeper conspiracies towards the end. I was absolutely hooked the entire way through this narrative and I had such an amazing time reading this exciting and compelling story.

Xenos was an extremely well written Warhammer novel, and I really appreciated how Abnett was able to seamlessly change writing style and tone for this darker read. The author makes excellent use of a first-person perspective for Xenos, as the story is in a chronicle format being written by the central character of Inquisitor Eisenhorn. This allows for a much more personal and protagonist-centric narrative which really draws you into the hunt as you see the protagonist’s obsession with capturing the heretics and ending the threat to the Imperium. Abnett keeps the pace pretty fast and intense throughout the entirety of Xenos, even during the sequences between the main action-packed scenes, and you are constantly engaged with the hunt or the intriguing relationships between the characters. I was personally very impressed with how Abnett was able to blend a lot of distinctive story elements together throughout Xenos to produce an excellent story. The way that the author combines Warhammer, thriller, mystery, science fiction and even horror (the Chaos creatures can get pretty bad at times) elements together is just amazing, and it opens up the appeal of the book to a wide range of readers. I loved the continued and powerful hunt throughout the Imperium, especially as all the protagonist’s actions and attempts to end the threat result in major consequences for those around him. This was a deeply captivating and intense read, and I cannot empathise how addictive and fun I found it.

One of the main reasons I chose to check out Xenos and the Eisenhorn series, aside from generally loving Abnett’s writing, is it is generally considered to be one of the best series to start a dive into Warhammer fiction. After powering through Xenos, I can confirm this as Abnett uses the lore and the darker side of the Warhammer universe to its full advantage throughout this fantastic thriller tale. While some slight knowledge of the large Warhammer 40,000 universe might be helpful to understand parts of Xenos, new readers unfamiliar with the franchise can easily dive into this book and follow the story with no problem, and any science fiction fan can have an amazing time reading it. Abnett patiently and competently explores key details of the Warhammer universe as the story continues, although never in a way that interferes with the captivating flow of the book. As such, you get a good view of the overall state of humanity and the Imperium during this novel, with a particular focus on the Inquisitors and their mission. The Inquisitors have always been a fascinating and complex part of Warhammer 40,000 lore, and this series really highlights just how dangerous their tasks are, as well as the fine line they walk in their hunt for justice and purity. Naturally, this dive into the Inquisition will also make this book very appealing to experienced Warhammer readers as well, and Abnett is considered to be one of the best franchise authors for a reason. I have a deep appreciation for all the cool lore elements that were featured here, and I particularly enjoyed how Xenos offers a very different story to many of the other Warhammer 40,000 books out there, and really highlights just how complex the universe can be.

I was also very impressed by the exceptional character work that Abnett featured with Xenos, as this compelling read features some great characters. The primary figure of this book is naturally Inquisitor Gregor Eisenhorn, who serves as the main protagonist and narrator of the story. I felt that Xenos served as a particularly good introduction to this iconic Warhammer figure, and I found myself getting quite attached to his journey. A no-nonsense and extremely practical Inquisitor, Eisenhorn is seen by many as a cold and calculating man, although deep down he is a caring individual who feels great attachment to his friends and comrades. Abnett portrays Eisenhorn as a pretty reasonable figure, preferring subtle investigations, which makes him appear a bit radical to some of his fellow Inquisitors whose preferred methods are to kill anyone with any potential for evil. It was very interesting to see him as a pretty strait-laced guy in Xenos, especially as I have heard of how radical he gets in the future, and I think it was very smart of Abnett to showcase him in this way first to enhance the impact of his future actions. However, Eisenhorn does go through a lot in Xenos, including mental, psychical and spiritual tortures, and you can really see the damage done to him and how his desire for vengeance and getting the job done by any means grows. I cannot wait to see how his story advances in the next few books, as I know that Abnett has damaging days in store for him.

In addition to Eisenhorn, Abnett loads Xenos with a ton of interesting supporting characters, all of whom are seen through Eisenhorn’s eyes. This includes Eisenhorn’s eccentric entourage of follows and agents, including a data-obsessed scholar, a skilled pilot, a grim justice operative and his newest associate, Bequin, a psychic blank who is drafted into the war against Chaos against her will. This unusual team prove to be great backup to the dour Eisenhorn, and I liked the genuine connection that Eisenhorn forms with them, especially as it shows that he really isn’t the monster many people think he is. Other characters of note include the varied and distinctive fellow inquisitors that either assist or oppose Eisenhorn, and the various deadly enemies he goes up against. Rather than have one specific antagonist in Xenos, Abnett featured a cabal of Chaos worshipping foes, each of whom despises Eisenhorn for what he represents. While there isn’t a massive focus on any specific villain, each of the major players in the cabal are pretty distinctive, and I liked the overall effect that Eisenhorn is fighting a multi-faced beast in Chaos, rather than a specific evil. These outstanding characters really enhanced this epic and captivating narrative and I look forward to seeing what other insane figures show up in this series as it progresses.

Unsurprisingly, I chose to enjoy Xenos in its audiobook format, which is frankly the best way to experience any Warhammer novel. With a run time of just under 10 hours, I absolutely powered through this audiobook and I found that it perfectly conveyed all of Abnett’s elaborate and compelling story elements. This was partially due to the brilliant narration of veteran voice actor Toby Longworth, who has lent his fantastic vocal talents to most of Abnett’s Warhammer books. Longworth did another remarkable job here with Xenos, and I loved his take on this slighter darker narrative. I deeply appreciated all the voices he provided to the characters in Xenos, especially as he is not just recycling the voices he uses in the Gaunt’s Ghosts books. Each of the voices here are pretty fitting to their respective character and there is some fantastic variation based on plot details such as the speaker’s planet of origin, species, inclination, and personality. This excellent voice work really enhanced my enjoyment of this captivating read and I would strongly recommend this format to anyone interested in reading Xenos.

The first entry in Dan Abnett’s Eisenhorn series, Xenos, lives up to all the hype surrounding it as it proved to be an exceptional and highly addictive read. Perfectly combining an elaborate thriller story with the dark Warhammer 40,000 universe, Xenos was a joy to read from start to finish. I cannot recommend this novel enough and my plan is to listen to yet another book from Abnett in the next couple of days.

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The Golden Enclaves by Naomi Novik

On December 27, 2022 By The Unseen LibraryIn Fantasy, Five-Star Books2 Comments

Publisher: Del Rey (Trade Paperback – 20 September 2022)

Series: Lesson Three of the Scholomance

Length: 408 pages

My Rating: 5 out of 5 stars

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Naomi Novik ends her addictive and clever Scholomance trilogy in a big way with the very impressive The Golden Enclaves, which takes the protagonists out of the school and into a whole new world of trouble.

For the last few years I have been having an epic time with the exceptional Scholomance series by acclaimed author Naomi Novik. Novik, who is best known for her Temeraire series, as well as the standalone novels Uprooted and Spinning Silver, has been absolutely killing it with the Scholomance books, which serve as a compelling, dark homage to classic magical school fantasy novels. Set within the deadly magic school, the Scholomance, the trilogy follows a group of teenage magic users who are attempting to hone their skills while surviving the school and the many dangerous magical creatures, known as maleficaria (mals) who inhabit it. The first book, A Deadly Education, introduced the reader to protagonist Galadriel “El” Higgins, a loner student who has a big secret, she is an unbelievably powerful magic user, capable of easily unleashing destructive magic that could level cities. Teaming up with Orion Lake, a mal hunter with a hero complex, El attempts to survive the school and ensure her and her friends survive. A Deadly Education was an excellent read and it ended up being one of my favourite books of 2020. Novik followed it up perfectly last year with The Last Graduate (one of my favourite books of 2021), which brilliantly continued the story while also ending it on a traumatic cliff-hanger which I may never forgive Novik for. Needless to say, I have been extremely excited for The Golden Enclaves and it was one of my most anticipated reads for 2022.

After trapping most of the worlds mals in the Scholomance and untethering it from reality, El looks to have finally defeated fate. Instead of turning into the city-destroying dark witch she was prophesied to become, she is now a hero who has saved generations of young magic users from needing to hide in the deadly school. However, her victory has come at a great cost, as the love of her life, Orion Lake, chose to stay behind in the dying school to wage his eternal war against the mals, including the ravenous maw-mouth that finally claimed him.

Traumatised, El attempts to regain her sanity at home, her only plan to one day implement her dream of ending the elite enclave system and using the Golden Stone sutras book she liberated from the school to bring about a new era of magical communities. However, fate still has other ideas in store for her, and El is about to come face-to-face with the full horrors that her world has in store for her.

Someone is attacking the previously protected enclaves, striking at their very cores, and inflicting untold damage on those who rely on them for shelter. When two fall within days of El coming back into the real world, she is recruited to find out who is responsible and hunt them down before an all-out enclave war erupts amongst the world’s magic users. However, El is far more concerned with finding a way back into the Scholomance, the school she fought so hard to destroy, and attempt to either save Orion or kill the maw-mouth that ate him. However, her mission will lead her to a dark truth that lies at the very heart of the enclave system and which will turn the entire world on its head. Worse, it will finally force El to face the truth, that she really is destined to be a destroyer, no matter how much she hates it.

There is a lot to unpack here with The Golden Enclaves and it is partly one of the reasons why it has taken me so long to write a review for it. I honestly did not know what to expect when The Golden Enclaves was released, especially as it was missing the great dark magic school setting which was one of the things that I most liked about the first two books. It was also clear that Novik would have to work very hard to follow on from her last book after she left it on such a major and heartbreaking cliff-hanger, and I did not know if this book would live up to all these expectations. Despite these concerns, I dove into The Golden Enclaves as soon as I got my hands on it, as I desperately wanted to see how everything was going to end. I quickly powered through the book itself and I found the final product to be extremely interesting and not at all what I was expecting. I did end up giving this book a full five-star rating, but this rating comes with some caveats.

Firstly, I should state that I really loved The Golden Enclaves and I felt that it perfectly wrapped up the series. Not only do the main characters get some further interesting development, as well as even more trauma and emotional damage, but the story goes in some very unique directions which ties together all the various loose ends. The story itself is pretty fast paced, if loaded with a lot of fantasy exposition, and follows on right from the events of The Last Graduate. The impact of Orion Lake’s decision to stay behind in the Scholomance really messes with El and she spends a good part of the book attempting to come to terms with it, often in some very unhealthy ways. However, before she can get too bereaved, she is forced to help the enclaves (magical communities that offer protection from mals to magic users) to try and discover who is responsible for destroying them. This results in a compelling, multi-continent trip where she visits various magic communities, gets involved with deadly world politics, as well as checking in with the supporting cast from the first two books, trying to discover answers. El also searches for a way to rescue Orion from the Scholomance, which culminates in her visiting the mostly destroyed school and finding out some heartbreaking revelations about the man she loves. Those aren’t the only big secrets El and her companions uncover as they soon discover the true terrible price of the enclave system, as well as who is truly behind the destruction of the enclaves and why. Novik layers these revelations perfectly, so each new one is even more impactful than the last, culminating in a particularly major gut punch regarding El and her prophesied destiny. All this leads up to a fantastic and complex final confrontation where El is faced with a terrible choice and must try to find a way out of it. Everything ends on an interesting and mostly satisfying conclusion, which I think ended the series on the right hopeful note, especially after all the dark trauma the characters have witnessed.

While the story itself is pretty compelling, I personally don’t think it stood on its own legs as much as the first two books in the series. Not only does it get a bit slow in places, but parts of the big conclusion are a little weak and not as impressive as I was expecting. Readers also really need to have read the first two books in the series; The Golden Enclaves would be pretty hard to appreciate without some context going in. For these reasons and a few more (I really missed the school), I might have been tempted to give this a lower rating if not for the big revelations which are deeply connected to the events of the first few books. Novik expertly ties the entire series together in The Golden Enclaves and if you look at this novel from a larger series perspective, than it is a pretty exceptional book with some very awesome moments to it. You soon release just how clever Novik has been with her first two novels as she previously set up every big revelation in The Golden Enclaves extremely well. The various discussions about the enclaves, the outside world and the character’s history comes full circle in this final entry and every lingering question you ever had is answered completely here. I was so damn impressed with how everything was wrapped up, especially with some emotionally devastating discoveries that were in line with the darker tone of this series, that I honestly could not put this book down. Novik really is an extremely talented author with an exceptional ability for planning out long-term storylines and this book really proves it.

In addition, I also deeply appreciated how Novik expanded and explained various fantasy elements that she introduced in the previous books and merged them into her outstanding story. While many of these fantasy elements, such as enclaves, maw-mouths, the creation of the Scholomance and the magical politics that dominate the world, have been discussed in the prior novels, Novik brings everything about them together in this final read and it works extremely well. The secret histories and crazy lore behind these events are fully revealed in The Golden Enclaves, and the true horror about magic and what people have done to hold onto it is pretty damn shocking. Novik does a remarkable job in filling in all the gaps she purposefully left out of the first two books and the reader finally gets to appreciate just how complex and integral to the plot they truly were. She also has a lot of fun expanding out the magical universe substantially in this final book as the reader is finally introduced to some settings outside of the magical school. I loved the elaborate international enclaves that the protagonist visits throughout this final book and the subsequent political squabbles, discussions of magical castes and the larger worldview of magic becomes a fascinating part of the book. All this intriguing expansion, as well as the impressive revelations about certain magical elements in the previous books, mostly make up for the lack of the magical school setting you’ve come to love so much, and I think that Novik handled a story outside of the Scholomance extremely well.

The final thing I want to mention is the outstanding character work contained within The Golden Enclaves. While I don’t want to go into too much detail here, I think that Novik hit the main characters out of the park in this final book and I loved the brilliant examinations of trauma, grief and deep psychological damage that many of them had after spending years inside a hellish death school. El continues to shine as the main protagonist and only point-of-view character, and her expansive, if highly cynical worldview, helps you get stuck into the narrative. El goes through a huge emotional roller coaster in The Golden Enclaves, as she is wracked with guilt, grief and anger for much of it, especially after her perceived failure to save Orion from himself. Watching her break down at the start of the book is extremely heartbreaking, and she never really seems to recover as she keeps finding herself getting dragged into crazy events in the real world. Many of these events impact her even further, especially once she realises just how evil many of the enclavers are, and she must work very hard to not unleash her destructive fury. However, one major final revelation really knocks her around, especially as it ties into her extended family who have long abandoned her, as well as her destined place in the world. I deeply appreciated the outstanding work that Novik put into El, and I also really enjoyed the supporting cast who were featured here as well. Many of your favourite characters from the first two books make another appearance here, and it was very interesting to see how they were dealing with the aftermath of their Scholomance education, as well as seeing their place in the wider world. There are a few surprising choices for major supporting characters in The Golden Enclaves, and some interesting interactions that resulted. Without spoiling too much, I will say that Orion does appear in The Golden Enclaves, and the storylines around him, especially the deep dive into his past, prove to be an outstanding and traumatic part of the plot. An exceptional expansion of the amazing character work that was such as distinctive feature of the first two novels.

Overall, The Golden Enclaves proved to be an epic final chapter in Naomi Novik’s amazing Scholomance series and I had an outstanding time reading it. While I did think that The Golden Enclaves had a few flaws, the way that Novik used it to tie the entire series together blew my mind and I was so deeply impressed with how every loose thread and inventive fantasy element was dragged together to create an outstanding final inclusion. The subsequent shocking and dark revelations, powerful character work and the compelling expansion of Novik’s fantasy universe help to make this a pretty incredible book and it is one that I had a wonderful time reading. I really cannot get over how well set up this final novel was and I think that it serves as a brilliant conclusion to one of my most favourite recent fantasy series. As such, I have to award The Golden Enclaves a five-star rating as one of the better books of the year, especially as I don’t think Novik could have written a more powerful and moving end to the incredible Scholomance books.

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The Bullet That Missed by Richard Osman

On December 20, 2022 By The Unseen LibraryIn Audiobook, Five-Star Books, Murder Mystery2 Comments

Publisher: Viking/Penguin Audio (Audiobook – 15 September 2022)

Series: Thursday Murder Club – Book Three

Length: 11 hours and 17 minutes

My Rating: 5 out of 5 stars

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Murder, comedy and the most badass team of investigators you are every likely to read about come together perfectly in the new Thursday Murder Club novel, The Bullet That Missed by Richard Osman.

Over the last three years, some of the most impressive and outright entertaining murder mystery novels have been part of the Thursday Murder Club series by British television personality Richard Osman. Set in a luxury retirement village in the English countryside, the Thursday Murder Club books follow the adventures of four outrageous pensioners who spend their free time solving cold cases. However, their lives get even more complicated when several murders occur around their village, and they endeavour to find out who committed them. The series started with The Thursday Murder Club in 2020, which had an outstanding blend of mystery, great characters and humour, all of which came together in a perfect and deeply addictive read. The Thursday Murder Club ended up being one of my favourite books, audiobooks and debuts of 2020, and I cannot rave about it enough. Osman followed this first book up last year with The Man Who Died Twice, an excellent sequel that presents the reader with another great mystery, while also exploring the characters even further. I had another amazing time with The Man Who Died Twice, and it also ended up being one of the best things I read all year, making my top books and audiobooks of 2021 lists. Needless to say after the first two epic books, I have been very excited for the third Thursday Murder Club novel, and The Bullet That Missed has been one of my most anticipated reads for 2022 for a while now.

After their last exciting adventure, Elizabeth, Joyce, Ibrahim and Ron, are continuing to solve murders in their spare time. Their latest case sees them dive into an infamous cold case in which a young, highflying television reporter was murdered just before breaking a story on a major crime ring, with her body never recovered from the ocean. Teaming up with the reporter’s famous presenter colleague, the Thursday Murder Club eagerly begin their investigation, hoping to shed light on her murder while having fun with their new high-profile friends.

However, it soon becomes apparent that the people behind the reporter’s death might still be active and are attempting to cover their tracks. Their only witness in the case is found dead in her prisoner cell shortly after the club attempts to question her, and even the notorious crime lord many believe responsible for killing their original victim is afraid to talk.

Not ones to be deterred, the club continues their investigation and soon long-hidden secrets from the past come spilling out. However, as they close on the killer, a completely different threat emerges from Elizabeth’s past. A mysterious new nemesis wants Elizabeth to return to her assassin roots and kill an old contact from her spy days, if she does not, everyone close to her will die. Forced to choose between her friends and her conscience, Elizabeth needs to find a way to defuse the situation before someone gets hurt. But is this new encounter just the thing the Thursday Murder Club needs to solve their latest crime before the murderer strikes again?

Well damn, what another brilliant and impressive read. Richard Osman went all out for his third book and I honestly think that The Bullet That Missed is some of his best work yet, possibly even eclipsing the original The Thursday Murder Club. Bringing together an elaborate and deeply enjoyable mystery storyline with some brilliant characters, outstanding humour, and a heck of a lot of great twists, I was instantly addicted to this latest book from Osman and couldn’t wait to find out how everything ended. An extremely captivating read, The Bullet That Missed gets a very emphatic five-star rating from me, and I had an incredible time reading it.

I loved, loved, loved the exceptional story that Osman came up with for The Bullet That Missed, especially as Osman provided a perfect blend of mystery, character growth and genuine human moments that the reader can’t help but eat up. Starting off shortly after the events of the last book, The Bullet That Missed sees the Thursday Murder Club using their usual charm and manipulative practices to investigate another cold case, gaining insight through the victims’ old colleagues, while also dragging in their usual friends and police colleagues. They soon find themselves in the middle of a cracking mystery and use their connections and well-earned insights to examine the various clues and persons of interests associated with the case. At the same time, Elizabeth is quite literally dragged into a dark place by a mysterious new figure who knows about her past and who forces her to choose between killing an old colleague from her spy days or watching Joyce and the rest of her friends die. This side plot adds quite a bit to the overall story, especially the introduction of several awesome new characters, and I really enjoyed how Osman tied it into the main mystery.

Combined with the various scenes that show the day-to-day lives of the many characters in the book, as well as some genuinely heartbreaking moments of love and loss, this proves to be one heck of a story that I was particularly rivetted to. I loved the unique investigation that resulted from the mystery, and the characters have so many clever and hilarious ways of getting to the truth. Osman throws in an appropriate number of red herrings and suspects, which serves to effectively muddy the water and keep the readers in suspense as they try to work out which of the many suspicious characters might have had a hand in the killings. I was able to pick out the main villain a fair bit in advance, although the journey to getting there and the eventual reveal was really good, and I loved every single second of it. I also didn’t see a bunch of the final twists coming, and you really appreciate all the cleverly hidden hints and clues that Osman seeded throughout the book. I came away from The Bullet That Missed exceedingly satisfied with how the story unfolded, and I really cannot emphasise just how amazing and awesome the plot was.

On top of this, Osman has an awesome writing style that I feel really enhances the elaborate and powerful narrative of The Bullet That Missed. I particularly enjoyed how the author made great use of multiple character perspectives throughout the book to tell the elaborate narrative. While the focus is generally on the four members of the Thursday Murder Club, the perspectives of all the other characters in the book are shown several times throughout the story. Not only does this allow you to get multiple intriguing views of the main mystery and the club’s actions, including from the book’s many suspects, but it also ensures that the reader gets closer to all these characters by learning their motivations, feelings, and personal histories. This makes for a much more compelling narrative, especially as you grow attached to the new characters quickly, while also getting to experience the powerful human developments impacting the main cast. Osman does a great job of keep the pace pretty consistent and enjoyable throughout the entirety of The Bullet That Missed, and you are constantly exposed to intriguing mystery developments, deeper emotional moments from the characters, or a ton of entertaining humour which can’t help but make you chuckle. This keeps up throughout the entire book, although it does pick up at several points, especially when the club are making some big moves, and it always works out well.

While one of the best things about The Bullet That Missed is the compelling mystery, a discussion of this book really would not be complete without mentioning the fantastic humour loaded into it. Osman is undeniably a very funny man, and he puts his excellent comedic skills to great use in this series, and particularly in The Bullet That Missed, with nearly every page containing some subtle, fun, comedic elements that I absolutely loved. A large amount of this humour revolves around the various ways in which the older characters of the book manage to outwit and manipulate the younger people they come across, whether it be by acting senile, or forcing them to accommodate them out of politeness. At the same time, the main characters’ very diverse and highly amusing viewpoints of the world around them, especially involving modern society or pop culture, are extremely funny, and it is entertaining to see an older perspective on this crazy modern world. Osman fits in quite a huge number of references to British culture throughout the course of the book, and I had a lot of fun hearing all the clever references to iconic shows and products that the character’s mention throughout the book, especially as they often talk about them in a very clever way. Throw in some fantastic coincidences, a lot of jokes about turning old, several hilarious self-referential jabs about the trouble with writing crime novels, and the perfect banter that occurs between the four main protagonists and their exasperated cohorts, and The Bullet That Missed was an exceedingly funny read that is guaranteed to keep you wildly amused with its various antics.

As always, one of the strongest parts of this latest Thursday Murder Club novel is the characters. Osman has created an amazing group of protagonists for this series, and he continues to build on them with each book, showcasing their strengths, personalities, and inherent vulnerabilities, as the find themselves in dangerous and unique situations. Most of the focus is again on the four members of the Thursday Murder Club who, by this third book, are really quite well established, and the reader is already very attached. Osman keeps up the wonderful interpersonal dynamic that was such an impressive feature of the first two books, and it continued to work extremely well in The Bullet That Missed, with several great new developments added in. Elizabeth and Joyce are once again set up as the book’s main characters, with a huge chunk of the book dedicated to them. Elizabeth, the former spy, proves to be an excellent manipulator, and it is always fun to see her talk about her days as a trained assassin, especially when her past comes back to haunt her. Joyce, on the other hand, is a legitimate sweetheart, and she really is the heart and soul of the book. I love how Osman changes the perspective in all her chapters to reflect her journalling the events of the story, and she provides some of the best descriptions of the events going on in the book. It is also very fun to see her in action as, despite appearing to be a harmless, sweet old lady, she is a tough as nails and can be just as manipulative as Elizabeth when she needs to be (the scene in which she meets the Viking was perfect).

Ron and Ibrahim are also used to great effect in The Bullet That Missed and both have some impressive outings in this book. I loved the many scenes featuring Ron, especially as he really stands out from the rest of the crowd by being a blue-collar rabble rouser who holds on to the old-school tough guy mentality. A lot of Ron’s story in The Bullet That Missed revolves around the other characters breaking through his tough exterior, especially as he has a new love interest in this book who gets him to open up in several amusing ways. I also loved the sense of vulnerability that surrounds Ron when he starts to realise that a lot of the men of his generation are starting to go and he suddenly doesn’t have as many people to connect with anymore, which gets used to great effect when he manages to get information by playing snooker with an old criminal with a similar mindset to him. The final main character is Ibrahim, who is honestly one of the nicest, most genuine characters you are ever likely to meet in fiction. Ibrahim gets an outstanding showing in this book, and it was really a relief to see him recovered after the terrible beating he received in The Man Who Died Twice. I loved how he was able to use his psychology skills in this book, and he even spent time working with the woman responsible for his beating, which results in some excellent scenes. All four of these main characters continued to impress me in this latest book and I cannot wait to see how their next adventure unfolds.

Aside from these major characters, The Bullet That Missed also contains a substantial supporting cast of entertaining characters who Osman uses to great effect throughout the course of the narrative. These characters include a combination of some entertaining new figures, as well as many returning characters who made such an impact in the previous novels. Many of these returning characters have been built up in a big way in the previous books, and it was great to see a lot of their character development continue, especially as they are generally better off after having met the Thursday Murder Club. I really loved that the three main supporting characters from the first novel, DCI Chris Hudson, PC Donna De Freitas and Bogdan, each come into The Bullet That Missed with some positive storylines surrounding them, and the new romance between Donna and Bogdan was so damn nice.

All the new characters in The Bullet That Missed were also very entertaining: an older makeup artist who takes a liking to Ron, a gigantic Scandinavian crime lord known only as the Viking, an eccentric local TV news host, and the local Chief Constable who also moonlights as a less-than-successful mystery writer. These great characters added a lot of flavour to the narrative, and it was fascinating to see how many were worked into the plot, especially as Osman was setting several of them up for returning appearances. I particularly loved the retired KGB officer turned criminal finance advisor, Viktor Illyich, who is an old contact of Elizabeth and who finds himself being hunted. He was a brilliant and entertaining addition to the plot, especially with his great methods of manipulation. You have to love that amazing scene where he applies his techniques to a young Virgin Media representative.

However, the best recurring character has to be Elizabeth’s husband, Stephen, who has been a bit of a tragic figure throughout the series due to his dementia, which Elizabeth tries to hide from the world. Stephen is perhaps the best character Osman has written, as the author provides a deep and extremely powerful view of the impacts dementia has on the sufferer and those closest to them. Watching Stephen slowly lose himself while Elizabeth suffers beside him has provided some of the most heartbreaking parts of this series. Stephen still proves himself to be a brilliant and caring figure, and Osman writes some great scenes for him in the series, especially when he plays chess with Bogdan, and it is always fun when he provides fantastic insights into Elizabeth’s cases. He was particularly effective in this book, especially after being kidnapped, and his knowledge and surprising criminal contacts allow Elizabeth to outsmart one of their enemies in several amazing scenes. Of course, these scenes are also loaded with sadness; with every positive step Stephen takes, he also loses a little, and every time he forgets a detail or a person it breaks your heart a little bit more. Honestly, every character in this book is pretty damn epic, and clearly creating amazing characters is one of Osman’s biggest strengths as a writer. I look forward to all the amazing character work that is bound to appear in the next Thursday Murder Club, and I am sure that I will fall in love with every single cast member once again.

While I did receive a physical copy of The Bullet That Missed, I chose to instead grab the audiobook version of this novel, as I had such an amazing time listening to the first two books in this format. As it was, I ended up being surprised and slightly disappointed to discover that Lesley Manville, who narrated the first two Thursday Murder Club books, wasn’t returning for this third entry. However, my disappointment was exceedingly short lived when I found out that she had been replaced by the amazing Fiona Shaw, who I have loved for years in things like the Harry Potter films, Killing Eve and Andor. Unsurprisingly, Shaw did an outstanding job narrating The Bullet That Missed, and she masterfully portrayed all the characters in a very fun and entertaining way. I loved all the great voices she used for this awesome audiobook, and each character got their own distinctive tone that allowed the reader to easily pick up who they were. Shaw brings a huge range of different accents to the table, and while her Swedish accent was purposely a little silly, it still fit the character extremely well. However, what really impressed me was the effort that Shaw took in matching the voices of most of the recurring characters with Lesley Manville’s previous take on them. All the four main members of the cast, as well as supporting characters like Donna and Bogdan, sounded extremely like their appearances in the previous two audiobooks, and while Shaw did do her own take on a couple of figures, I personally deeply appreciated her attempts to keep some continuity with the previous audiobooks. Shaw also kept the audiobook rolling along at a brisk pace, and the 11 hour and 17 minute runtime passed along in no time whatsoever, especially as you get deeper and deeper into the plot. Throw in another lovely interview with Richard Osman at the end and I felt that this was an absolutely incredible audiobook, and definitely the best format by which to enjoy The Bullet That Missed. I will be extremely happy if Shaw chooses to come back for the fourth Thursday Murder Club audiobook next year.

Richard Osman continues to show the world just how much talent he has a murder mystery writer with the third exceptional entry in the amazing Thursday Murder Club series, The Bullet That Missed. Continuing to follow his brilliant pensioner protagonists as they solve a complex murder in some clever and funny ways, The Bullet That Missed was an incredible addition to the series that is guaranteed to have you hooked from start to finish. I cannot recommend this book enough, and if you haven’t started reading the Thursday Murder Club books yet, you are really missing out.

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Dragon Mage by M. L. Spencer

On December 6, 2022 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books3 Comments

Publisher: Stoneguard Publications/Podium Audio (Audiobook – 19 December 2020)
Series: Rivenworld – Book One

Length: 27 hours and 18 minutes

My Rating: 5 out of 5 hours

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Prepare for an epic fantasy adventure with a great classic feel to it, as awesome author M. L. Spencer presents the massive and captivating fantasy novel, Dragon Mage.

Back in 2020, the fantasy book world was abuzz with talk about the compelling and impressive fantasy fiction epic, Dragon Mage by M. L. Spencer, who was already known for her Rhenwars Saga and Chaos Cycle books. While I have not had the opportunity to read any of her previous works, Dragon Mage definitely caught my eye, especially with the very cool cover with the awesome art. While I never got the chance to read this book when it was first released, I did grab an audiobook copy of it and have been looking for an opportunity to listen to it for some time. When I found myself in the mood for some great high fantasy a few weeks ago, I decided it was finally time to listen to Dragon Mage, especially as a future Rivenworld book is apparently on the horizon, and boy did I have an outstanding time with it.

Aram Raythe is a simple lad from a small fishing village in the middle of nowhere. A strange boy with a love of knots and an inability to understand people, Aram thinks that he will go through life alone and hopes for a quiet existence as a sailor. However, Aram has a secret that he has never told anyone: he can see the colourful strands that make up the world, and he can manipulate them to do magic.

When a bard arrives at the village, seeking an apprentice, Aram uses his powers to help the only person who was ever nice to him, fellow teen Markus Galliar, get chosen; however, he is unprepared for the chaos that this action will unleash upon his life. While the bard, who recognises his potential, attempts to take him to safety, Aram accidently unleashes his power to cause a rift in the world. Soon the village is visited by an Exilari sorcerer, who captures Aram and Markus, seeking to drain Aram’s essence and use it to power his own magical abilities.

Aram’s destiny lies not in the torturous extraction cellars of the Exilari but with an order of dragon riders from another world. When fate drags him to them, Aram will find acceptance and friendship for the first time in his life, as well as the opportunity to fight against the Exilari, their dark allies in this new world, and the ancient monsters who control them. But to do that, Aram will need to learn to tap into the massive power lying deep within him and figure out how to use it to become a true Champion, the most powerful beings in two worlds. Can Aram become both a Champion and a dragon rider, and what role will Markus play in his turbulent life?

I am really regretting not reading this book when it first came out. While it was a lengthy read, Dragon Mage proved to be an excellent and captivating high fantasy adventure, and it was exactly what I was in the mood for. Featuring an elaborate and massive narrative, complete with unique fantasy elements and some exceptional characters, Dragon Mage was an outstanding book that gets a full five-star rating from me.

Spencer produced an extremely epic and complex narrative for Dragon Mage that I had a particularly awesome time getting through. Now, I do have to admit that Dragon Mage has a pretty lengthy story and it takes a considerable amount of time and effort to get through it. In addition, the narrative does get a bit slow in places, especially at the beginning, and there were a few points where I struggled to make progress. However, if you set aside the time for it and make an effort to keep going, I guarantee that it is more than worth it, as it unfolds into an epic, multidimensional coming-of-age story that has a real classic fantasy vibe to it. The impressive, self-contained tale within will keep you entertained and stick with you well after you have finished reading it.

The story itself starts off with an extended introduction to the main characters of Aram and Markus, which showcases their personalities, histories and views of the world, while also featuring their first meeting and the start of their friendship. I struggled a little to get through this opening part of Dragon Mage, mainly because I did not initially connect with Aram and his distinctive personality. However, once you get several chapters in, the excitement starts to increase, as you see the full potential of the protagonist, as well as the introduction of a brilliant antagonist, Sergan Parsigal, who really moves the narrative along. He quickly captures the two protagonists, which leads to several brilliant scenes, including an awesome and exciting escape from monsters from outside of reality. From there, the story evolves into more of a magical school narrative, which I naturally loved (see my recent list about favourite books with magical schools in them), although it doesn’t last too long, as Spencer throws in a pretty dark twist and a heartbreaking time skip.

Following this time skip, the story evolves again, with Markus and Aram separated for a while after Markus rescues Aram. The two characters soon develop in different story arcs, with Aram spending time in a completely new world, which sees him finally starts to explore his full potential. After some more chapters in a whole different magical school setting, the main characters converge again, with some great drama. Without going into too much detail, the rest of Dragon Mage keeps building on the plot from the first half of the book, and the characters are thrown into a ton of deadly situations as they continue to grow and discover their destiny. Spencer layers the rest of Dragon Mage with a great combination of adventure, war, character development, training, romance, friendship, conflict and tragedy, which comes together into an extremely powerful narrative. There are some truly epic scenes throughout this second half of the book, and you really grow attached to all the major characters in the book, which Spencer will make you pay for in some dark sequences. Some of the major appeal is watching the slow but steady growth of the protagonist as he evolves from being unconfident and isolated to a powerful hero, helped along by the friendships he forms with those close to him. Everything ends with a massive pulse-pounding confrontation that will keep you on your toes and ensure you cannot put down this book as you wait to see how everything turns out. Readers will come away from Dragon Mage extremely satisfied, and the author leaves open some intriguing storylines for the future, that I hope the author will continue.

One of the things that I particularly appreciated about Dragon Mage was the elaborate and compelling fantasy elements that Spencer introduced. Dragon Mage actually features two separate realities, which were previously joined before being separated into The World Above and The World Below during a historical cataclysm. These worlds can still be journeyed through by breaches caused by magic users and much of the plot revolves around the characters trying to stop an evil plot to recombine the words in a new cataclysm. The book starts off in The World Above, a typical medieval setting which is ruled over by a despotic empire controlled by an order of magicians known as the Exilari, who gain their power through draining the essence of anyone with magical potential. The second half of the book is set in The World Below, which features a range of magical creatures, including dragons, magical horses, and other creatures. The World Below is in the grip of deadly war between an evil demigod (one of several who rule both worlds) and an order of dragon riders, who serve as its primary protectors. Spencer does a great job introducing both worlds throughout the course of Dragon Mage and while they might not be as heavily explored as if there was only one world, you get a good sense of how they different and the histories that surround them. Both are very distinct in their own way and I had a lot of fun seeing both, especially as they provide a compelling contrast to each other as two halves of the same coin. I really like the switch between worlds that occurred halfway through the book and having the focus change to the more magical World Below made for quite an enjoyable and exciting read.

I was also a fan of the unique magical elements contained within Dragon Mage, which, as the name suggests, is big on magic and dragons. The magic itself is quite interesting, if a little ethereal in its description, and there are a few different versions of it. The primary form of magic is shown through Aram’s eyes and is tied into the strands of energy that make up the world. These strands, which only a few people can see, can be manipulated and tied into knots by the magic user for various magical effects. This is a very unique system, and it ties in well with Aram’s peculiarities, especially as he spends much of the early part of the book obsessed with knots without anyone understanding why. This results in some awesome displays of magic, and I found Aram’s perception of the magic and how it works to be extremely fascinating. Other forms of magic include Markus’ magical immunity, natural passive magic from other characters and items, as well as the magic of the Exilari, which they gain be stealing the essence from magic users like Aram. The destructive Exilari make for exceptional villains in this book, especially as they bask in their stolen power in a very creepy way, and I deeply appreciated that Spencer spent the time to explore their organisation, especially as the protagonists spend time in their training facility.

Then of course, there are the dragons, which inhabit The World Below. I always enjoy a good dragon focused story, and this one was pretty fun as Spencer goes for a sentient dragon that bonds with a rider. While this has been done before, I think that Spencer altered it enough, especially as quite a lot of the book is dedicated to them and their place in the world. The author spends a substantial time exploring the bond between human and dragon, and you get to see the entire process, from the initial training of the human recruits, the hatching of the dragons, their bonding, and then their eventual use in combat. There are a huge number of dragon characters in this book, and you get to see inside many of their minds and their bonds, especially as Aram can communicate with all of them. The bond itself is a deep and personal connection, and I loved the scenes that examine how lethally strong it is, with human or dragon rarely surviving the death of their partner. Having the emotional connection to a dragon becomes a key aspect of several of the key characters and it was really moving to see characters who have lost a lot in their life find new companionship with a soul bonded dragon. The subsequent scenes of dragon combat are extremely awesome, and I appreciated that Spencer introduced some equalisers to make sure that they didn’t come across as too overpowered. I had a wonderful time with all the fantasy elements in this great book and Spencer made great use of all her unique or fun elements to enhance and tell a brilliant story.

On top of the elaborate narrative and compelling fantasy elements, I was also very impressed by the amazing characters that Spencer featured in Dragon Mage. The story revolves around an outstanding cast of complex and damaged characters, each of whom brings their own light and pull to the book. Spencer sets all of these characters up extremely well, and while it might take you a while to appreciate a couple of them, once you do, you become extremely invested in their story and want to find out what is going to happen to them next.

The most prominent character in Dragon Mage is the extremely unique character of Aram Raythe, and this book is primarily his story from childhood to adulthood. Aram is a particularly fascinating choice for central protagonist; while he is shown to be a chosen one with great power, he also portrayed as socially inept and with many strange behaviours. I believe that Spencer wrote Aram as an autistic character (or the fantasy equivalent), especially as he is usually described as a Savant. I personally really enjoyed this, as you don’t see a lot of autistic characters in fiction, and it was a great twist on the classic chosen one story. Aram has a very different viewpoint of the world, and once you understand him you find that he is one of the sweetest and nicest fantasy protagonists you are likely to find, and you really start to care. Unfortunately, Spencer decides to punish you for caring for this character, as the author puts Aram through all manner of hell and torture which really ups the emotional impact of the story. Not only does Aram already have a distinct lack of confidence and social issues, but he is also repeatedly tortured and is deeply traumatised for much of the book. There is also a hidden history to his parentage and a ton of secrets that his mentors are keeping from him that will cause him further grief and impact his confidence. Watching him overcome all of this is very moving, and it is nice to seem him find some friends and slowly build up his confidence. Of course, there is still a lot of trauma coming for him, and you will continue to suffer as you watch him grow. Personally, I deeply appreciated Aram’s powerful character arc and it was one of the most enjoyable and compelling things about Dragon Mage. His entire character history and personality really set him apart from other fantasy protagonists and I appreciated the work that Spencer put into developing him and making him so appealing to the reader, especially as it pays off once he finally finds his confidence and starts to truly become a Champion.

While much of the narrative focuses on Aram, Dragon Mage is also the story of Markus Galliar, who befriends Aram early in the story and shares in many of his adventures as they become close. Markus becomes fascinated by Aram and his unique view of the world, especially when Aram tries to help him escape his abusive father. This friendship soon takes on new heights once Markus discovers Aram’s abilities and he starts to become his protector, a job helped by his own immunity to magic. Constantly forced together, they form a strong bond which survives being captured by the Exilari and several other misadventures. Despite being separated several times throughout the book, the two keep getting drawn back together and Spencer writes a great continuous narrative about their strong connection. The two share a very heartwarming friendship throughout Dragon Mage, and I really appreciate the interesting dynamic they form which sees Markus act as both protector and social guide, even when Aram develops his immense power. While this did have the potential to be a bit one-note, and indeed Spencer did feature way too many scenes of Markus worrying about Aram or waiting over his sick bed, I felt that the author featured a great balance with their relationship, which really pays off once Aram matures and becomes a better friend. The author also ensures that Markus develops outside of his friendship with Aram, and he soon becomes his own man, forced to deal with the horrors of his past to survive. Markus ends up being an extremely compelling and well-rounded protagonist and the author used him perfectly in combination with his unique central character.

Aside from Aram and Markus, I also really need to highlight two other excellent major characters in Esmir Revin and Sergan Parsigal. Esmir is a former dragon rider and Warden to the last Champion, who died due to his failure. Locked in his own despair and regret, as well as the distain of everyone around him, Esmir is given new life when he encounters Aram and Markus and begins training them to be Champion and Warden. I really enjoyed Esmir as a character, especially as Spencer really captured his grief, regret, and self-loathing over his past mistakes. Watching him become a gruff, but kind teacher, represented a great redemption arc in the book and I felt that he was a particularly complex and enjoyable supporting figure that the author did a great job with.

I was also really drawn to the character of Sergan Parsigal, who is one of the major villains of Dragon Mage. The Exilari sorcerer who discovers and initially captures Aram and Markus, Sergan is an ambitious and powerful magic user who seeks to turn his discovery to his advantage. Highly arrogant and malicious, Sergan cuts a distinctive and sinister figure throughout the story, even when he appears to be on the protagonist’s side, especially as he spends most of the book gobbling up magical essence to power his own spells. I loved how Spencer portrayed him as both an adversary and a mentor to Aram and Markus at different points of the book and he ends up forming quite a complex relationship with the protagonists. While at times Sergan is shown to be potentially thoughtful and caring, especially during an early conversation with Aram, he keeps reverting to his own selfish form, and he ended up being one of the best and most complex antagonists in this entire story. I had a wonderful time with these brilliant characters and I’m barely scratching the surface, as Spencer featured a range of great supporting figures and villains throughout the novel, all of whom deeply enhanced this amazing narrative.

To check out this impressive fantasy read, I chose to grab Dragon Mage on audiobook, which is my go-to for massive pieces of fantasy fiction like this. With a runtime of over 27 hours (currently the 13^th longest audiobook I have ever listened to), the Dragon Mage audiobook represents a substantial time investment for audiobook fans, although I personally think it was worth it. I tend the find that the audiobook format really enhances my appreciation of the elaborate words that authors create, but it also really brings me into the narrative. This was definitely the case with Dragon Mage, as this format did an outstanding job enhancing the story and I loved hearing all the intense detail about Spencer’s new, unique world and its fantasy elements. It also helped that they got an excellent narrator for Dragon Mage in the form of Ben Farrow, who did a remarkable job here. Farrow is a deeply impressive narrator who perfectly brought this story to life and moved it along at a crisp pace. Not only was he able to recount the massive amount of detail and lore that Spencer fit into the story, but Farrow also came up with a huge selection of fitting voices for all the characters in Dragon Mage. Using a range of different tones and accents, Farrow dove into the cast, and I loved how he was able to capture each character’s essence with his voices. For example, he perfectly showcases Aram’s hope and childlike wonder at the world, while also capturing his fear, uncertainty, and lack of confidence, especially after all the hell he goes through in the early chapters of the book. Other characters are expertly portrayed as well, and I loved how Farrow showcased Markus’ determination, Esmir’s weariness, and even Sergan’s intense arrogance and distain for everyone else. This outstanding voice work helped to turn the Dragon Mage audiobook into something very special, and I had an exceptional time listening to it. I would strongly recommend the audiobook version for anyone interested in checking out Dragon Mage and you are in for an excellent and captivating time if you do.

Overall, Dragon Mage was an amazing fantasy novel that really showcased M. L. Spencer’s skill as an author of epic fantasy. Featuring a captivating narrative that follows great characters around an elaborate new fantasy world, Dragon Mage is exciting, moving and awesome in all the right ways. I had an exceptional time reading this outstanding read and I look forward to seeing how Spencer will follow it up in the future. Recommended reading for anybody looking from some classic fantasy fun.

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Usagi Yojimbo: Volume 37: Crossroads by Stan Sakai

On December 4, 2022 By The Unseen LibraryIn Comics/Manga, Five-Star Books3 Comments

Publisher: IDW (Paperback – 15 November 2022)

Series: Usagi Yojimbo – Volume 37

Length: 137 pages

My Rating: 5 out of 5 stars

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The always impressive Stan Sakai presents another outstanding volume in his epic Usagi Yojimbo comic series with the fantastic and fun 37^th volume, Crossroads.

I think we can all agree that 2022 has been a rather mixed year; while the world of books has been fruitful as ever, the world at large does seem to be getting crazier and crazier. However, one thing that is guaranteed to make me happy is the fact that, for the first time since 2003, this year has seen the release of not one but two volumes of the exceptional Usagi Yojimbo comic. Fans of this blog will know that I love, love, love the Usagi Yojimbo series, and it is easily one of my very favourite comic book series. Written and drawn by the exceedingly talented Stan Sakai, the Usagi Yojimbo series is set in an alternate version of feudal Japan inhabited by anthropomorphic animals. The series primarily follows the character of Miyamoto Usagi, a rabbit ronin who travels the land facing all manner of evil, including criminals, monsters, ninja and rival samurai.

Thanks to the compelling narratives, complex characters, and exceptional artwork, the Usagi Yojimbo series has always really appealed to me, and I have always tried to grab the new volume as soon as it is released. The 36^th volume, Tengu War! came out in March, and it was pretty damn epic. Usually, I would have to wait an entire year to get my next Usagi Yojimbo fix, but Sakai appears to be on a roll, as he released the 37^th volume, Crossroads, earlier this month. Needless to say, I was extremely excited about this, and Crossroads was one of my most anticipated reads for the second half of 2022. I was very happy when I received my copy of Crossroads, and I ended up reading it literally as soon as I got my hands on it. I of course loved every second of it, and it proved to be another captivating read that really drew me in with its brilliant artwork and cool stories.

Crossroads is the 37^th volume of the Usagi Yojimbo series and the fourth volume that has been released in colour by IDW (other volumes in colour include Bunraku and Other Stories and Homecoming). Containing issues #22-26 of the IDW run on Usagi Yojimbo, this comic was once again completely written and drawn by Sakai, with Hi-Fi Design doing the colouring. This latest volume only contains two stories over five issues, but Sakai loads up some fantastic narratives and character work into this instalment.

The first story in this volume is a lengthy entry titled Ransom, which runs for a full three issues. Following on closely after the last story in Tengu War!, Yukichi, Ransom sees Usagi travelling the roads of Japan with his newly discovered cousin Yukichi, a gifted samurai who is a little naïve of the way of the world. However, Yukichi is about to get a crash course in the shadier side of life when, upon arriving a new town, the pair of samurai run into the chaotic thief Kitsune and her apprentice Kiyoko. Up to her usual tricks, Kitsune has stolen a valuable ledger from the local crime boss that she is planning to ransom back to him. However, the crime boss’ men soon catch up with them, and when Kiyoko is captured, Usagi, Yukichi and Kitsune must launch a desperate rescue before it is too late.

This is a fantastic and fun starting comic for this volume, and it is one that has a lot of excellent great parts to it. While the story will be familiar, mainly due to Sakai reusing elements of previous Kitsune stories, such as Kitsune trying to sell a stolen document back to a criminal (as in The Return of Kitsune, in Volume 7: Gen’s Story), this still proved to be a relatively fresh narrative, due to some new characters involved and the eventual story progression. The story moves at an intense and captivating pace, with the protagonists forced into several complex and extended fight sequences throughout the course of the comic. At the same time, they face other concerns, as a certain Snitch gets involved to undermine their plans, while a rival samurai starts to rediscover his honour. Sakai’s depictions of these fights are pretty awesome, and the multiple pages of animalistic samurai battling it out are cool as always, especially in colour. At the same time, there is a good covering of humour to this story, which makes it very light-hearted, even with the kidnapping and threat for life. I had a fantastic time getting through this amazing story, and it was another classic Usagi Yojimbo romp featuring the always fun Kitsune.

Although this story shares similar plot beats with earlier entries, I do think that this one stands apart thanks to Sakai’s excellent character work. I loved his continued focus on the new character of Yukichi, who has been quite an interesting inclusion to the Usagi Yojimbo series. Shown as a bit naïve in the ways of the world having spent his entire life inside the rigid confines of a sword school, Yukichi is generally unprepared for the rough life on the road that his cousin has chosen. As such, watching him interact with the wily and sneaky Kitsune was rather fun, as it put me in mind of Usagi’s initial interactions with the thieving fox, especially as Kitsune and Kiyoko immediately rob him in a very fun scene. While he does mature a little throughout Ransom, including his constant checking of his purse every time Kitsune touches him, he still has a lot to learn, and I feel that is going to be a recurring theme of the next few stories. I also quite enjoyed seeing how Usagi interacted with his new companion in this story, and there is a certain protectiveness that was quite touching, and it was great to see Usagi in the mentor role again. I think that Sakai did a great job with how he featured Yukichi in this story, and I look forward to seeing him interact with some of Usagi’s other outrageous friends in future books.

Aside from Usagi and Yukichi, this was also quite a fun story for established characters Kitsune and Kiyoko, who are once again at their thieving ways. This fantastic master-and-apprentice thief team is always very entertaining, especially with how they play off the more serious Usagi, and their enjoyable banter with the other characters is always great to see. This was a very interesting story for both these characters, especially as it continued to showcase the growth of Kiyoko into a master thief, as she is successfully able to change the situation to her own advantage multiple times. It was also very moving to see how much Kitsune cares for Kiyoko, as she was willing to risk giving up her career to save her (a promise she later recants, but only once Kiyoko is safe). These two were very humorous, and they always end up being the life of any story they are featured in. Throw in the curious new character Aoki, the only honourable samurai working for Ransom’s crime lord antagonist, and this excellent story featured an outstanding cast, who really added to the power and impact of this story. I had a wonderful time reading Ransom, and it ended up being a strong start to this latest volume

The second story in this volume is the two-issue entry, Crossroads, which the volume is named after. The Crossroads story sees Usagi and Yukichi once again on the road. Deciding to take an impromptu shortcut, their road sees them discover the recent massacre of a group of pilgrims. Determining that the murderers were a group of unsavoury ronin that Usagi and Yukichi passed earlier, the two samurai head back, determined to catch the killers before they strike again. Their pursuit becomes complicated when, upon reaching a fork in the road, they are unable to determine which way the culprits travelled. Splitting up, Usagi and Yukichi take a separate path to find the killers, hoping that they will be able to regroup before engaging their foes in battle. However, while one samurai finds the killers, the other finds something even more dangerous, the dark and soulless Blade of the Gods, Jei.

Whew, now this was an exceptional Usagi Yojimbo entry, and it is easily my favourite of two stories contained in the Crossroads volume. Sakai tells an intense and captivating tale in this story that really drew me in right away, especially as it starts with a classic Usagi Yojimbo move of the characters choosing a less travelled path only to wind up in trouble. The initial set up works very well, and the sudden change from light-hearted talk to serious action once the first bodies are found is pretty striking. The subsequent chase for the killers has some powerful tension to it, especially once the two protagonists are forced the split up. And that is when the story gets extremely good, as while Usagi finds the culprits and engages them in a brutal fight, Yukichi finds something far more dangerous in Jei and his young ward Keiko.

Now, fans of Usagi Yojimbo will know that Jei is probably the best villain in this entire series, and he has been a wonderful nemesis for Usagi since first appearing in the third volume, The Wanderer’s Road. A dark and mysterious spear-wielding killer with a unique look and way of speaking, for much of the series Jei has been a constant mystery, with readers unsure if he is an actual demon, a dark warrior of the gods, or just a deluded killer. While some of that mystery has been revealed, Jei still cuts a fantastically dark figure in Crossroads, especially as it has been several years since his last major appearance, and there was absolutely no warning that he was going to appear in this story until his latest victim was discovered. His inclusion in this story was just perfect, as you can only watch in horror as the completely unprepared Yukichi runs into Jei and ends up having a lengthy, philosophical conversation with them. While Yukichi can tell that something is off, he has no idea how much danger he is in, and you spend the entire time worrying that Jei is just about to strike. Their dark conversation is a real highlight of this entire volume, as not only and you are totally on edge the entire time, but it is quite compelling to see these two very different characters interact.

The use of this amazing sinister force proved to be a very excellent inclusion from Sakai, and Jei adds so damn much to any story he is involved in. The rest of the story unfolds in an amazing way, especially as Usagi and Yukichi’s eventual battle with the true antagonists of the story is the best drawn fight in the entire volume. The teamwork and care shown between the two protagonists is extremely moving, and it was great to see them work together while exhausted to take down a well-written and dangerous group of criminals. Sakai ends this entire masterful story perfectly, as not only does Jei get another fantastic appearance, doing his trademark laugh, but you also have Yukichi recount his encounter to a horrified Usagi. Watching the dawning realisation of who Yukichi is talking about appear on Usagi’s face is breathtaking, especially as you can imagine all the dark terror in his heart that his most dangerous opponent is still alive and stalking his loved ones. That final scene with Usagi naming the dark spearman to an oblivious Yukichi is so damn impressive, and if nothing else, it will ensure that you definitely come back for the next volume, as you will want to see the follow-up to that revelation. This ended up being such a strong and captivating entry in this volume, and I am so glad that Sakai chose to bring back his very best villain.

As with all of Stan Sakai’s comics, I was once again deeply impressed with the cool artwork contained within Crossroads. The art in these comics is just absolutely gorgeous and it always works to support the amazing narratives, bringing the fantastic actions of the characters to life in stunning detail. Not only does he do a wonderful job showcasing the various animal characters throughout the comics, but the various action sequences are so much fun to see, especially as Sakai always manages to capture the movement of the characters, allowing the reader to see how the sword fights would pan out. However, it’s not just the characters and the action that are great about the artwork; there is also the elaborate backgrounds and surrounding settings that bring all the scenes together. Nearly every panel has some degree of the unique Japanese setting in it, whether it’s the historical towns filled with people wearing period-appropriate clothing, the beautiful forests and mountains of Japan, or even a busy highway filled with people going about their business. All this artistic detail brings the reader into the story, and you can really envision this version of Japan filled with these unique characters. I am also still really loving seeing all the art in colour, which is a relatively new feature of these comics. While I will always have a soft spot for the monochrome style of the original Usagi Yojimbo comics, the extra colour in the IDW volumes gives these new comics a little more impact, and I enjoy the clearer pictures being produced. I particularly liked how the colour made Jei look even more sinister in his scenes, and the artwork around this creepy and malevolent character was extremely cool in Crossroads, and I love how much it enhanced his menace. Sakai continues to produce some epic artwork in this comic, and I loved every single panel in this latest Usagi Yojimbo volume.

Stan Sakai does it again as his latest volume of the exceptional Usagi Yojimbo series was another instant classic that proved to be an amazing read. Featuring two great stories, loaded with excellent characters, impressive action, cool artwork and even a few surprises, Crossroads was just epic and I had a fun time getting through it. This was another easy five-star rating from me, and I am still so ecstatic that I got two volumes in 2022. Even better, I won’t have much longer to wait for my next Usagi Yojimbo fix, as Sakai has another volume, The Green Dragon, coming out in February.

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