Unforgiven by Sarah Barrie

Unforgiven Cover

Publisher: HQ (Trade Paperback – 1 December 2021)

Series: Standalone/Book One

Length: 480 pages

My Rating: 5 out of 5 stars

Talented Australian author Sarah Barrie presents one of the darkest and best Australian thriller novels of 2021 with Unforgiven, a powerful and captivating read that sets determined protagonists against the very worst of human monsters.

Years ago, the city of Sydney was haunted by a terrible paedophile and murderer known as the Spider, who kidnapped, molested and killed young girls, all on camera.  His reign of terror was ended suddenly one violent night thanks to two women, a determined rookie police officer, Rachael Langley, and one of the Spider’s young victims, Lexi Winter, who disappeared never to be seen again.

Now, after years of living on the street, Lexi has grown up tough and hard, determined to escape the tortures of her childhood through alcohol while trying to reconnect with the sister she was forced to leave behind.  However, Lexi is still obsessed with taking down monsters, and with her impressive hacking skills she spends her days tracking paedophiles, entrapping them, and ensuring they are captured by the police.  However, when her latest target proves to be particularly illusive online, she makes a fateful decision to break into his house, only to witness him being murdered.

At the same time, Rachael Langley is now a successful detective inspector, solving some of the toughest crimes in Sydney.  Still lauded for her role in stopping the Spider, Rachael lives in regret for being unable to save Lexi all those years before.  However, everything changes when a man calls her, claiming to be the real Spider and providing proof by horrifically murdering another child on camera.  Quickly establishing a police taskforce, Rachael and her team must determine if the killer is a copycat or whether Rachael captured the wrong man all those years ago.  To solve this case Rachael is going to need help from the last person who wants to see her, Lexi, but can these women work together after everything they have been through?  And what happens when their killer learns that Lexi is still alive and hunting for him?

This was an intense, grim and deeply compelling Australian crime fiction read from Barrie, who has written an amazing and powerful story that proves very hard to put down.  Unforgiven was the first of Barrie’s books that I have read, although several of her other Australian crime fiction novels are quite intriguing and I might try and read them at some point after being so captivated by this epic and moving read.  This was such an addictive novel that it gets a full five-star rating from me.

Barrie has come up with a very impressive and intense narrative for Unforgiven that sees several damaged characters dragged into the web of a dangerous and clever criminal.  The story has a great start that showcases the lives of the main protagonists, Lexi, Rachael and Rachael’s nephew and fellow police officer Finn, as well as giving some hints at the events of the original Spider case that so deeply impacted the female main characters.  After this quick set-up, the story advances in all its dark and powerful glory, as two fascinating plot lines develop.  Lexi, who has become an online vigilante hunting paedophiles on the dark web, finds herself caught up in a brutal murder when one of her targets is murdered by a mysterious figure while she is sneaking into his house.  Most of her early story involves her continued attempt to hunt paedophiles while also trying to find a way to hide the body of the murdered man, for which she gains some help from an interesting source.  At the same time, Rachael and Finn become involved in a brutal case when the man claiming to be the real Spider calls Rachael and leads them to murdered young girl, forcing them to once again dive into the unsettling world of paedophiles.

Both storylines advance at a quick and compelling pace, with each of the main protagonists facing massive challenges as they attempt to achieve their objectives.  I liked this initial separation of the storyline, and the two plotlines work well together in tandem, with the reader getting pretty caught up in both narrative threads.  At the same time, the author drip-feeds in bits and pieces of Lexi and Rachael’s pasts, especially the events that led up to the arrest of the Spider and the disappearance of Lexi.  This deepens the audiences’ connections to the two protagonists so that when their storylines inevitably connect it really enhances the impact of the scene.  Unforgiven shifts into high gear once these plotlines are joined, with all three protagonists working towards the same goals, although Lexi maintains her secrets.  Barrie starts throwing in some real curveballs here, providing a complex and intriguing case that throws the protagonists through the emotional wringer as they get closer to the big and powerful conclusion of the novel.  There are some great twists in the last half of the book and while I saw a couple of things coming, there were some fantastic surprises that really threw me.  This ends up being an outstanding and complex story, and the readers will be left wanting more, especially as Barrie leaves it open for a sequel, which I really hope she does.

While I deeply enjoyed the captivating and intense story contained within Unforgiven, this was a bit of a hard novel to read at times due to its very, very dark content.  Unforgiven focuses on the hunt for a murderous paedophile and his child exploiting friends, which inevitably leads to some depictions of the terrible acts they commit, not only to children in the current storyline, but to the protagonist Lexi back in her childhood.  Barrie really does not pull any punches here, and the book contains some very dark and grim moments that really stick in the mind.  These powerful and shocking scenes really raised the stakes of the book and ensured that the reader becomes extremely invested in seeing the protagonists achieve justice through their actions.  While I really appreciated that Barrie was trying to raise awareness and showcase just how evil some people can be, I will admit that some of these scenes did get to be a bit much at times, forcing me to stop and put the book down.  Readers are warned that Unforgiven has very strong themes of violence and abuse against children and young people.  However, if you can get past that, it is worth it, as Barrie does an excellent job telling this rough story about true human evil.

Unforgiven’s already brilliant and powerful narrative is enhanced by the impressively written and complex central characters contained within.  Barrie has gone out of her way to introduce several very damaged and compelling protagonists, each of whom add so much to the overall plot thanks to their excellent backstories and substantial development.  The most prominent and interesting of these characters are the two female leads of the book, Lexi Winter and Detective Inspector Rachael Langley, whose lives became irreparably entangled all those years ago.  These two characters serve as two of the three main point-of-view characters, with most of the story told from their perspectives.

Lexi was a great character, and I was deeply impressed with the amount of work that Barrie put into her complex and damaging past, as well as her distinctive current personality.  There were so many interesting aspects to Lexi, who immediately stands out as a protagonist thanks to her damaged personality, strong sense of deduction and observation, her badass ability with a computer and the fact that she is the only character whose chapters are told in the first person.  I loved the intriguing contradictions in her life as Lexi makes a living as an escort while devoting most of her personal life to being an online vigilante/hacker extraordinaire who specialises in taking paedophiles down.  This makes for such a distinctive character, especially once you figure in all the major impacts of her childhood that has left her such an emotional mess.  Barrie does a good job of slowly revealing all the horrors of her early life, and while some of the scenes are pretty brutal, it is amazing to see everything that the character has risen above to still be such a strong figure.  The reader swiftly gets attached to Lexi as a protagonist and it will be fascinating to see what happens to her next if Barrie decides to turn this into a series.

The other central character that I must talk about is Rachael, the veteran detective inspector whose career was built off the success of the Spider case.  Rachael is a great police protagonist, a confident, intelligent and strong figure who is able to keep most of her people in line and pursue a vigorous investigation.  However, Barrie builds in several great aspects to her character that really impact this protagonist throughout the course of Unforgiven.  Firstly, there is the guilt that Rachael still feels over her past with Lexi, especially as Rachael failed her in a way which is slowly revealed over the course of the book, especially once the two reunite and have an awkward relationship.  The other aspect is the doubt that slowly creeps into Rachael as the case proceeds, especially as the possibility that the original person convicted in the Spider case might be innocent.  This doubt, coupled with the guilt over the fact that she could be responsible for the latest deaths by not actually catching the real Spider, starts to impact her throughout the book and proves to be an intriguing motivator for some of her decisions.  These complex aspects really helped enhance the emotional power of Unforgiven and I really appreciated the intense storyline that Barrie wrote about people living in the past and accepting one’s mistakes.  I really enjoyed seeing both Lexi and Rachael in this novel, and they had some great storylines in this book.

Aside from Lexi and Rachael, there are several other great characters in Unforgiven I should mention.  The most prominent of these must be Detective Senior Sergeant Finn Carson, Rachael’s nephew and second-in-command of the investigation, who ends up being the third major point-of-view character.  Finn was an excellent male police character who serves as an interesting counterpoint to the two female protagonists.  While not as damaged as the other two, Finn has his own issues, and his viewpoint really added to the overall quality of the book.  I was also a big fan of Lexi’s neighbour Dawny, an eccentric older woman who assists Lexi in several matters, including disposing of a body (what are good neighbours for?).  Dawny was one of the funniest characters in the book and it was great to see the protagonists be completely baffled by her knowledge and ability to come up with effective solutions to problems while maintaining the batty old lady routine.  I quite liked the eventual reveal of who Dawny really was, as it fit in well with the other characters in the book, and it will be fun to see if Barrie brings her back at some point in the future.  Finally, I definitely need to highlight the villain of the book, the Spider, who is one of the most despicable fictional antagonists I have seen: a sordid child abuser and murderer who films their grisly crimes.  You quickly feel a lot of hate towards this character, even if you don’t know who they are for most of the story.  The eventual reveal and the various twists around them were quite clever and I had an amazing, if disturbing, time finding out who this monster was.  An overall exceptional character driven novel, you will quickly find yourself getting stuck following all these fascinating and compelling figures.

Unforgiven by Sarah Barrie is an outstanding and impressive read that takes the reader of a gritty and vicious ride.  Filled with a disturbing narrative and some brilliantly damaged central characters, Unforgiven is an utterly captivating read that is near impossible to put down or forget about.  Easily one of the best Australian thrillers of 2021, Unforgiven comes highly recommended and I am extremely excited to see what other incredible novels Barrie comes up with in the future.

The Judge’s List by John Grisham

The Judge's List Cover

Publisher: Hodder & Stoughton (Trade Paperback – 19 October 2021)

Series: Standalone/The Whistler – Book Two

Length: 359 pages

My Rating: 5 out of 5 stars

Those interested in a tense, complex and brilliant thriller should definitely check out the latest novel from legendary crime fiction author John Grisham, The Judge’s List.

Grisham is an exceedingly talented author who has been producing impressive and distinctive legal-based thrillers since his 1989 debut, A Time to Kill.  Grisham has since written over 40 novels, made up of mostly standalone reads with a couple of series thrown in, such as his Theodore Boone children’s thrillers.  Most of these books have been absolute hits, with several being turned into massive films or other adaptations such as The Firm, The Pelican Brief, The Rainmaker, and The Runaway Jury.  While I have enjoyed some of the movies that came out of his work, I haven’t actually ever read one of Grisham’s novels before.  So when I received a copy of Grisham’s latest book, The Judge’s List, I decided to check it out, not only to finally see how this author writes but because I really liked the sound of its awesome plot.

Throughout America’s long judicial history, no judge has ever been convicted or charged with murder, but that is about to change.  In Florida all criminal accusations against judges are handled by the Florida Board on Judicial Conduct, and their chief investigator is Lacy Stolz.  Still recovering from her ordeals during her last big case and forced to deal with the chronic underfunding affecting her agency, Lacy is strongly considering a new career path.  However, an intriguing new case may relight the fire within her when a mysterious woman contacts her, wishing to report a serious crime.

For years, Jeri Crosby has been hunting the man who murdered her father using every investigative trick and avenue she can find, while concealing her identity behind a series of elaborate aliases.  Jeri finally believes that she knows who killed her father, and her prime suspect is a sitting judge in Florida.  While this judge appears to be a dedicated legal professional, Jeri believes that he is the most dangerous form a serial killer capable of concealing his identity and using his vast legal and forensic knowledge to hide his tracks and keep his very existence secret from the police.

Determined to stop this killer no matter what, Jeri provides all her evidence to Lacy, who she believes can connect the pieces she cannot.  While initially reluctant to investigate a murder, even one potentially committed by a judge, Lacy is eventually dragged into the case by her own curiosity and sense of justice.  However, the suspected killer is no easy target; he is a compassionless psychopath capable of hunting down anyone who has ever wronged him and permanently ending them.  Now he has both Lacy and Jeri on his list of potential victims, and he is coming for both of them!

This was an amazing novel from Grisham which proves that I really should have read some of his stuff a long time ago.  The Judge’s List has a captivating and clever narrative that pits two determined women against a lethal and brilliant killer determined to survive no matter the costs.  Serving as a sequel to Grisham’s previous novel, The Whistler, The Judge’s List was an outstanding thrill ride that I had an incredible time reading.

I deeply enjoyed the amazing story of The Judge’s List as Grisham came up with an extremely clever and impressive thriller narrative.  The author starts things off extremely quickly, reintroducing the protagonist of The Whistler, Lacy Stoltz, and bringing her into contact with new character Jeri Crosby, who tells Lacy the story about the man who murdered her father.  Grisham drip feeds the details of who the killer is and what they have done to the reader, ensuring that they have just enough to whet their curiosity, without overloading them.  Thanks to the compelling and unique story that the clearly fearful Jeri tells, the readers are swiftly wrapped up in the plot, and this brilliant introduction ensures that they will come back for more.  The novel swiftly continues from here as Jeri reveals more details about the murderer she is stalking, setting him up as a real monster who is seemingly supernatural in his ability to avoid detection and destroy those hunting him.  As Lacy gets closer to starting the investigation, you start to get some scenes shown from the perspective of the killer, whose intense and chilling point of view serves as a grim counterpoint to that of the protagonists.  While Grisham initially keeps the identity of the killer hidden during his scenes to help cast doubt on Jeri’s story, you soon get a very good picture of who the killer is and why they are committing their crimes.

This proves to be an exceptional setup for when the killer become aware of the investigation and starts to take some drastic measures to eliminate their pursuers and fulfil their master plan.  I loved the impressive and clever cat-and-mouse game that soon develops as the killer attempts to stay one step ahead of the protagonists while also discovering who they are and how they can be eliminated.  There are some powerful and brutal moments in this second part of the book, and I honestly had a very hard time putting it down once I got concerned for the characters.  This second half of the book was just outstanding and it all leads up to an intriguing and surprising conclusion.  While I might have preferred a more legal-based ending, perhaps with some sort of trial, I appreciated the brilliant moves that the antagonist pulled and it was an overall satisfying and fantastic way to wrap this excellent story up.

I had a great time with the impressive writing style in this book and it has definitely made me want to check out more of Grisham’s work in the future.  The author tells a clever and sharp story, and there are some amazing twists and turns that I didn’t see coming.  I appreciated how the author revealed the identity of the killer quite early in the book and the rest of the narrative follows the protagonists’ attempts to prove it and then catch him, which was a refreshing change.  Thanks to the cool plot point of the killer being a well-respected genius judge, this proves to be a very complex and intense investigation, and you are honestly uncertain if the protagonists will succeed in their investigation.  I found the inclusion of a judicial conduct board to be an interesting investigative base for the narrative, and it was fascinating to see Grisham utilise his legal knowledge to make this organisation and the characters associated with it feel very realistic.  The author’s use of various perspectives worked well here, especially as you get some amazing shots from the antagonists’ point of view, and you really end up with a full and distinctive plot.  I can say with confidence that readers need no knowledge of any of Grisham’s previous books to enjoy The Judge’s List despite it being a sequel to The Whistler.  I deeply enjoyed the story this book contained and the way that Grisham told it, and it proved to be very addictive.

I also need to highlight the great characters contained within The Judge’s List, especially its two central protagonists, Lacy Stoltz and Jeri Crosby.  Lacy is the returning protagonist from The Whistler, and Grisham introduces some great storylines around her that impact how she investigates the case in this book.  Lacy is still traumatised and damaged after the murder attempt that occurred in the first book, which makes her reluctant to get involved with another dangerous case, especially with the increased profile her previous success has given her.  Lacy has also reached a bit of a mid-life crisis here as she is facing stagnation in both her career and her romantic life.  This becomes a major part of her character as the book progresses, and it was interesting to see her try and balance them with her role in the case.  I also liked the intriguing reluctant investigator angle that Grisham worked into this character, as Lacy isn’t convinced that she should be involved with a murder case.  However, her inherent curiosity and sense of justice keep dragging her back into the investigation despite her better judgement, and it makes for an intriguing story angle.  I had a great time getting to know Lacy in this book and I would love to see more of her in the future.

The other major protagonist is Jeri Crosby, who has been hunting the book’s killer for years.  The author does an amazing job with this character, and you soon get introduced to a dedicated woman deeply obsessed with finding the person who murdered her father.  I loved the great storylines written around Jeri, and it was amazing to see the various impacts of her obsession, including failed relationships and estrangements from family.  Despite her obsession, Jeri is a very collected and cautious person who has adapted to hunt the monster that killed her father.  For most of the book Jeri appears to be extremely paranoid, due to her belief that the killer can track down any pursuer and make them disappear, and I loved how Grisham justified her concerns.  Watching this character finally get to bask in the success of her lifelong venture is pretty cool, although I do question some of Jeri’s choices during the final stages of the case.  Still, this was a brilliant bit of character work here and I deeply enjoyed diving into the psyche of this obsessed character.

While I deeply enjoyed the protagonists of The Judge’s List, the true standout character must be its complex and dangerous antagonist who serves as a brilliant counterbalance to Lacy and Jeri.  Grisham has gone out of his way to produce a truly impressive and distinctive antagonist here, and I loved the concept of a murderous judge who uses their position and knowledge to get away with their crimes.  The author sets them up perfectly, first introducing the idea of the killer through Jeri’s eyes, and then fleshing them out in person with several excellent and thrilling chapters shown from their perspective.  From there, you find yourself caught in the mental web of an unrepentant killer, who acts on petty grudges for their own self-satisfaction.  You really get a sense of what this villain is capable as the book continues, and I found myself really starting to hate him, which is enraging as he manages to slip a lot of nets and proves to be near impossible to catch.  Grisham does a brilliant job diving into the head of this great antagonist, and the reader is given a powerful view into their motivations and history, ensuring that they know how and why he became a killer.  I really enjoyed following this excellent antagonist, and I thought that his character arc went perfectly, and it was fascinating to see the lengths they will go to win, no matter the personal cost.

Overall, The Judge’s List was an intense and impressive novel from John Grisham, which is making me really regret not checking out any of his books sooner.  This latest novel had a brilliant and powerful plot that takes the reader deep into the mind of a demented killer.  Filled with complex and compelling character moments and a thrilling and twist-filled narrative, I had an exceptional time reading The Judge’s List and it comes extremely highly recommended.  I will definitely be reading more books from Grisham in the future, and I cannot wait to see what other outstanding novels he has written.

Kill Your Brother by Jack Heath

Kill Your Brother Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 30 November 2021)

Series: Standalone

Length: 339 pages

My Rating: 5 out of 5 stars

One of Australia’s most brilliant and potentially psychotic crime fiction authors, Jack Heath, returns with a powerful and captivating thriller, Kill Your Brother, which was one of the best pieces of Australian fiction I read all year.

Would you kill your brother to save your own life?

That is the question that Elise Glyk is forced to ask herself after being placed in an impossible situation.  Elise, a disgraced athlete hated by the entire country, is a woman on a mission.  Her brother, Callum, a popular local teacher, has been missing for a month, and the police have been unable and unwilling to find him.  Determined to locate Callum, Elise’s investigation eventually leads her to a dilapidated local farm, where she is shocked to discover her brother being held prisoner in a modified septic tank.  However, before she can rescue him, Elise is captured and thrown into the same hole as her brother.

Their captor is heartbroken former sheep farmer Stephanie Hartnell, who believes that Callum is responsible for her daughter’s death and has been attempting to force him to confess to his supposed crimes.  However, Stephanie doesn’t have room for two prisoners, and while she doesn’t want to hurt the innocent Elise, she needs to make sure that she won’t immediately go to the police.  To that end, she offers Elise a deal: kill your brother and you’re free to go.

Not even considering the deal, Elise attempts to find another way to gain their freedom.  Trying to find a way to escape while also working to prove Callum’s innocence to Stephanie, Elise hopes that someone will eventually be able to find them before time runs out.  However, the more Elise digs into her brother’s story, the more inconsistencies she discovers.  What is her brother really hiding, and how will either sibling react when the truth comes out?

Kill Your Brother was an awesome and impressive novel that I powered through in a couple of days due to its incredible narrative and amazing twists.  This was a great standalone book from Jack Heath, an author from my home city of Canberra, who has written some fantastic thrillers over the years.  This includes his bestselling Timothy Blake series, the third book of which, Hideout, was one of my favourite pieces of Australian fiction in 2020Kill Your Brother was originally released as an Audible original audiobook, with the paperback version I read subsequently rewritten and adapted into a novel format.  I had an outstanding time reading this book, and it was an excellent and impressive Australian thriller.

This book has an incredible story that takes the reader on a powerful thrill ride that they cannot get off if they tried.  Told using several character perspectives, Kill Your Brother quickly launches into the book’s deadly and compelling scenario, with Elise, a universally hated woman, attempting to find her brother.  Her hunt, which has been going on for months, has been largely unsuccessful, and the evidence found at her brother house’s, combined with her own reputation, means that everyone in her life constantly brushes her off.  However, Elise’s perseverance pays off when she finds Callum being held in a septic tank in Stephanie Hartnell’s backyard.  Posing as a private investigator, Elise tries to reason with Stephanie while plotting an escape, but she is soon forced into the ultimate no-win situation when given the option to kill her brother.  From there, the story devolves even further, with several escape attempts and mounting danger from their captor, and the two siblings turning against each other as their situation gets more desperate.  As the story progresses, several viewpoints on the situation and the events leading up to it are presented.  As the protagonist attempts to survive you get an interesting view of what Callum is accused of, and the eventual reveal of the full picture really influences the rest of the narrative.  This all leads up to the gripping and deadly finale in which every secret comes out and no-one is left untouched by the revelations and accompanying violence.

I really cannot exaggerate how awesome this cool narrative is.  Heath has gone out of his way to make Kill Your Brother’s story as clever and thrilling as possible, and I loved every single second that I spent reading it.  This book is filled with some brilliant twists and reveals, and Heath does a wonderful job of setting each of them up and slowly revealing them as the book progresses.  I honestly did not see half the twists coming and I loved how several small and seemingly inconsequential details eventually come back with amazing significance towards the end.  Heath also perfectly utilises a series of flashbacks that examine Elise’s past, showing why she is so disliked, while also revealing several clues about her family and the circumstances that lead to her brother’s imprisonment.  This was a really good standalone read, and potential readers are guaranteed a satisfying ending after getting stuck into the unique mystery and scenario.  I deeply enjoyed how this novel flowed, and there were no obvious issues with this being an adaption of an audiobook novella.  The impressive combination of character history, twisty writing and fast-paced storytelling ensured that I was deeply addicted within a few pages of starting.

One of the things that I must highlight is the fantastic central protagonist, Elise.  Elise is a brilliantly complex and sympathetic figure due to her complicated and tragic past, which has led to her current ostracism from her community and the hatred of the entirety of Australia.  I really enjoyed the impressive and complex backstory that surrounds this interesting and unique protagonist, especially as Heath did a great job of gradually introducing the full character history as the book progressed.  The whole angle is perfectly portrayed, including her motivations and the distinctly unfortunate events surrounding her disgrace, as well as the predicted reaction of the ordinary Australian sports fans.  This compelling and damaging backstory gives her quite an interesting insight and set of emotions regarding the events around her, as well as some intense determination to survive no matter the odds.  This helps produce a really fascinating character driven narrative, and I deeply enjoyed seeing the captivating and emotionally rich development that surrounded this brilliant protagonist.

I also deeply appreciated the way that Heath captured the feel of small-town Australia in his writing.  Most of the story is set in the fictional town of Warrigal, which draws a lot of inspiration from the small rural settlements throughout Australia, such as Braidwood, where Heath apparently wrote a good portion of this novel.  I really think that Heath did an amazing job of portraying the attitudes and mindsets of people in these sorts of locations, and you get an impressive sense of the location.  Watching the protagonist attempt to deal with the challenges of being the biggest pariah in her small town is pretty fascinating, and it was also compelling to see some of the limitations of a police investigation in this location, especially when it comes to locating a missing teacher.  The impacts of growing up in such a location also become a major part of the protagonist’s backstory, especially as the pressures of succeeding and representing her family and town drive her to make some mistakes.  I also must highlight the tiny pit that the protagonist and her brother find themselves held captive in.  Heath ensures that the reader gets the full sense of claustrophobia and the feeling of being trapped as the book progresses, especially once the characters become weaker and start turning on each other.  This intense and claustrophobic setting really helps to amp up the tension, and you will feel very uncomfortable during the scenes set down there.  Finally, I had a lot of fun with the author’s occasional visits to Canberra throughout the book, mainly because it was interesting to see the author’s take on my home city.  Overall, these settings are perfectly portrayed and the reader gets a real sense of them, especially the small-town lifestyles.  These work in the narrative extremely well, and it was a lot of fun to see the various characters’ experiences and impressions of them.

Kill Your Brother was an exceptional read from Jack Heath, who is quickly becoming one of Australia’s most impressive thriller writers.  This brilliant, dark and exceedingly clever thriller takes the reader on an incredible ride, and I loved seeing all the unique and captivating twists and turns that Heath came up with.  Focused around an amazingly complex protagonist and making full use of the rural Australian landscape, Kill Your Brother’s story is just incredible, and I am still reeling about some of the twists it contains.  This is a highly recommended read that gets a well-deserved five-star rating from me.  I am extremely excited to see what Heath writes next.

Cytonic by Brandon Sanderson

Cytonic Cover

Publisher: Gollancz (Audiobook – 23 November 2021)

Series: Skyward – Book Three

Length: 14 hours and 28 minutes

My Rating: 5 out of 5 stars

One of the best authors of fantasy and science fiction in the world today continues his incredible and brilliant Skyward young adult science fiction series, with the third epic instalment, Cytonic.

This was another incredible book from the amazingly talented Brandon Sanderson, who I would say is one of the top authors in the world today.  Debuting back in 2005, Sanderson has written many brilliant and complex fantasy and science fiction novels and was personally selected to finish off Robert Jordan’s iconic The Wheel of Time series.  Sanderson has since written a great collection of books, most of which have been part of his interconnected Cosmere universe.  This includes his groundbreaking The Stormlight Archive series, which started in 2010 with The Way of Kings, as well as his bestselling Mistborn series.  While the extremely prolific Sanderson is constantly adding to his Cosmere novels, he has also been working on several other series, such as his Skyward books.

The Skyward series are an excellent young adult science fiction series that follows the character of Spensa Nightshade, a misfit who rose to become a fighter pilot to defend her planet from alien invaders.  Made up of Skyward and Starsight, this great series has proven to be truly fantastic, and these first two novels were amongst the best books of 2018 and 2019 respectfully.  The first book detailed Spensa’s training as a pilot, which saw her save her planet and discover that her people were intentionally trapped on their planet in a penal colony.  The second book, Starsight, followed Spensa as she infiltrated the alien capital in disguise to discover what the aliens wanted, and what plans they had for her planet.  However, after being betrayed, Spensa learns that the Superiority government want to use the mysterious interdimensional beings known as the Delvers as weapons against the humans.  This third book in the series, Cytonic, follows on immediately after the events of Starsight and continues Spensa’s adventure, showing what happened to her after she dove into a Superiority interdimensional portal at the end of the second book.  Sanderson also released several novellas around the same time as Cytonic, including Sunreach, Redawn and Evershore, which add context to the universe and focus on some of the side characters from the previous novels.

Following her dive into the mysterious portal in the middle of Starsight to escape the Superiority, Defiant Defence Force pilot and amateur spy, Spensa Nightshade, finds herself in all manner of trouble when she arrives in the realm known as the Nowhere.  The Nowhere is a unnatural and chaotic dimension outside our universe that hosts the Delvers, destructive creatures that are being manipulated by the Superiority into destroying humanity, especially the psychically empowered beings known as Cytonics, such as herself.

Determined to find out more about both the Delvers and her own Cytonic abilities, Spensa remains in the Nowhere to find the clues that will uncover the history behind her own power and that of her enemies.  However, the Nowhere is a weird and mysterious place, made up of floating fragments of multiple planets and filled with all manner of creatures, alien pirates and Superiority forces.  Worse, the very nature of the Nowhere slowly changes the people within it, draining their memories and making them forget everything important to them.

Alone except for her unhinged ship AI, M-Bot, and a forgetful intergalactic explorer, Spensa begins her quest.  As Spensa hunts down fragments from the past, she soon finds herself under attack from the Delvers, who are desperate to destroy her and the threat she poses to their entire race.  With mysterious monsters, dangerous physics and hostile aliens closing in on her, Spensa is thrust into the great adventure she always wanted.  However, the closer she gets to the truth about herself and the delvers, the more she begins to realise just how high the cost of knowledge and power can be.

This was an exceptional and addictive read from Sanderson, who once again takes the reader on a complex and powerful ride.  Cytonic was an excellent continuation of the unique story started in Skyward and then expanded on in Starsight, and I love the powerful journey contained in this novel.  Featuring a brilliant combination of a clever narrative, a unique new setting and some amazingly entertaining characters, this was an exceptional read that gets a full five-star rating from me.

I deeply enjoyed this incredible narrative, especially as it continues the cool plot from the previous two novels.  One of the best things about this series is the amazing amount of variance in storylines, with the first book reading like a flight academy story (teenage Top Gun), while the second book was an espionage book set in the heart of alien territory.  This third book turned out to be a wild and epic adventure novel, which places the protagonist in a unique and dangerous new setting and requires her to complete a great quest to save her friends and escape.  This great change of tone really made for a compelling read, and I loved the inventive pivots featured in this book.

Cytonic starts right after the events of Starsight, quickly resolving the cliffhanger from the second book, while also placing Spensa immediately in danger yet again.  Once the new main character, Chet, is introduced, Cytonic’s story quickly sets the protagonist on her mission, travelling to one location after another to learn the past of the universe and her enemies.  There are some brilliant sequences set throughout this part of the book, as Spensa gets to grips with the strange new dimension she has found herself in, while also enjoying the cool adventure she is having.  Around halfway through the book, several key new characters are introduced, as Spensa is forced to join an alien pirate gang to advance any further into the Nowhere.  What follows are some brilliant character moments as Spensa starts to find her place in this dimension, while also worrying about her friends back home.  After some intense and exciting space fighter fights, Spensa and her companions eventually get towards the end run of the book, learning everything they came to while trying to escape the Delvers.  The final major sequence of the book is loaded up with an intense amount of action, drama and major twists, as everything you think you know is changed around, and some big events occur that will rock you right in the feels.  This was a brilliant and extremely fast-paced narrative, with the protagonists never sitting still for long as they encounter danger and adversity around every corner.  Despite the intense pace, Sanderson also works a lot of character development and emotional encounters throughout the book, and you get an extremely well-balanced story that is very easy to get addicted to.

I deeply enjoyed Sanderson’s excellent writing style which helped to make Cytonic particularly accessible and fun to read.  Told exclusively from the perspective of Spensa, the reader gets a detailed and upfront examination of all the events occurring in front of her in addition to her own hilarious observations and reactions.  I find that the Skyward novels have a very different tone from some of Sanderson’s other works, and I appreciate the cool and perfect combination of intense science fiction elements, with compelling character development, impressive action sequences and outrageous and exciting humour that was featured in Cytonic.  The various fighter combat sequences are particularly good, and while they aren’t as plentiful as some of the other Skyward novels, there are still some exciting and elaborately written scenes that pit Spensa against other pilots or entities in high-stakes combat.  I will say that Cytonic does, at times, seem like a bridging novel in the series, setting up events for the big finale and sidelining several supporting characters.  However, I still really liked this great read, and I had an amazing amount of fun with its clever adventure framing.

Before starting Cytonic I was a little worried about how easy it was going to be for me to follow, especially as it had been nearly two years since I read Starsight, and I might have forgotten a lot of detail.  I was also concerned because I did not have a chance to read any of the novellas that Sanderson released around Cytonic, which some readers claimed were vital to the plot.  I personally felt that I was able to read this book without a refresher as Sanderson ensured that certain key details were summarised within the text extremely well, and I was swiftly able to remember anything that might have slipped my mind.  I also found that my enjoyment didn’t suffer from having not read any of the novellas, mainly because it was such a Spensa focused story.  The novellas detailed events that occurred back on Detritus and the Superiority during Spensa’s absence, and they only have minor impacts on the plot.  As such, readers can manage without them, although I think I will read them soon to find out what else has been happening in the wider universe.  One of the other things that I really appreciated about Cytonic is that it is extremely appealing to a wide range of readers.  While it is marketed as a young adult novel to teenagers, I honestly think that readers of most age ranges can really enjoy this book.  Older readers will deeply appreciate the complex characters and intriguing science fiction elements, while younger fans will love the cool action and hilarious humour.  Combined, this makes for an awesome read that I would strongly recommend to anyone interested in a great science fiction read.

I really must rave about the fantastic setting and universe building contained within Cytonic.  Sanderson really went all out expanding the Skyward universe in this latest novel, and the reader gets a ton of information as key elements from the previous novels are finally explained in full, such as Cytonics and the Delvers.  While readers may occasionally feel overwhelmed by all the new inclusions and background information that Sanderson shoved into this novel, I personally found it really fascinating and I appreciated having several questions answered.  There are some great scientific and character elements built into who and what Cytonics, Delvers, and the Nowhere are, and I think they were woven into the exciting plot extremely well.  Established elements from the previous two novels are also reintroduced expertly throughout Cytonic, and it was great to get some updates on the history, disputes and characters that were such a cool feature of the first two novels.  I particularly loved the fun reimagining of key parts of human culture that have been warped by years of retellings and misunderstandings.  Spensa’s love of stories ensures that several of these are featured throughout Cytonic, and it was always amusing to hear distorted version of well-known movies and books, such as Spensa’s epic and hilarious retelling of The Lion King.

I also need to gush about the incredible new setting of the Nowhere, which serves as the primary location for the entire narrative.  The Nowhere is a weird and haunting dimension outside of real space that is filled with all manner of wonder and danger.  Revolving around a faux-star containing Delvers, the rest of the Nowhere contains a ton of floating fragments of land and soil, containing all manner of elements from the planets they originated from.  This makes for a brilliant and shifting landscape which was really fun to explore and even more cool to fly over.  However, the real brilliance of this setting lies in the impact it has on the characters’ minds.  People stuck in the Nowhere, which includes pirates, miners, outcasts and anyone the Superiority wants to get rid of, are slowly having their memories, personality and sense of time sucked away by the weird space, with only certain figments of reality slowing the process down.  This naturally has some substantial impacts on the plot and the characters, with Spensa constantly trying to hold on to what is important to her.  This exceptionally clever and inventive setting is a great backdrop to this amazing narrative, and it was extremely cool to see Spensa and her friends try to navigate and overcome the various elements of the Nowhere.  Sanderson is a true master of creating unique and captivating universes, and I cannot wait to see what happens in this one next.

There is no way that you cannot talk about one of Sanderson’s novels without highlighting the many exceptional and complex characters featured within.  Cytonic, and the Skyward series in general, is a perfect example of this, as the readers are treated to a range of unique and entertaining protagonists, each of whom add an incredible amount to the overall story.  Due to the events of the plot, there is a much more limited range of characters in this novel, although the three main characters more than make up for it with their bold personalities and captivating backstories.

The most prominent of theses is point-of-view character and main protagonist Spensa Nightshade.  Spensa is a great character who has gone through an amazing amount during the trilogy, transforming to loner weirdo child who was reviled as the daughter of a traitor, to a heroic pilot, then to a daring spy.  In this third book, she becomes a wilderness adventurer on a quest to save her people, which plays perfectly to her personality, which has been warped by her youth of listening to wild stories.  As such, Spensa has a great time in this book, and it is deeply entertaining to see her adventure around and become a space pirate.  While there are a lot of fun moments with Spensa, Sanderson also takes the time to once again dive into her personality, showing how much she has grown since the start of the first book, as well as the unique relationships she has formed.  Spensa is faced with some hard choices in this book as she attempts to return home, and there is an impressive examination of her damaged psyche, especially surrounding all the responsibilities that have been thrust upon her.  This makes for a complex and compelling portrayal in this novel, and while you may laugh at Spensa’s antics you know that there is a lot going on within her head.  There are some interesting developments around Spensa in this book, particularly when it comes to her Cytonic powers, and it will be fascinating to see how she further develops in the next novel.

I also deeply enjoyed the character of M-Bot, the silly and distracted artificial intelligence who Spensa discovered in a crashed ship in the first book.  After being disassembled by the Superiority in Starsight, M-Bot now flies around in a tiny cleaning drone and finds himself going through some big changes.  In particular, he has gained full sapiency in this book, and he immediately goes on an emotional bender, trying to understand the complex feelings he is now experiencing, while also dealing with his sense of betrayal after Spensa abandoned him in the previous book.  This dive into sentience adds some really entertaining layers to M-Bot in Cytonic, and he is even more amusing and charming than before, which I didn’t think was possible.  Readers will swiftly fall in love with M-Bot again, and it was so much fun following him around, especially as he continues to develop his unique friendship with Spensa.  M-Bot has some amazing moments and ridiculous dialogue in this book, and you will not be prepared for everything that occurs with him.

The other major character of this book is new protagonist Chet Starfinder, a human Cytonic explorer who lives in the Nowhere and decides to help Spensa achieve her goals and escape back to her universe.  Chet is an eccentric being who combines aspects of all the famous literary explorers into his personality, thanks to his love of stories and his inability to remember life outside of the Nowhere.  Readers will enjoy getting to know Chet, and it was fascinating to see the cool dynamic that grows between him and Spensa as they take on a fun partnership to traverse the Nowhere.  Sanderson opens some big questions surrounding who Chet is at the start of Cytonic, and it was a lot of fun finding out who exactly he was and what his motivations for helping Spensa are.  I deeply enjoyed Chet’s unique and compelling storyline and he proved to be a brilliant addition to the novel.

Aside from these main three characters, Cytonic also features an interesting supporting cast.  Most of these characters are new, with characters from the preceding novels barely featured here (they appear in the accompanying novellas).  These new characters are the trapped inhabitants of the Nowhere who find Spensa and become part of her journey.  These include the Broadsiders, an alien pirate band who Spensa joins and swiftly grows close to thanks to their inclusive nature and love of great pilots.  It was fascinating to see Spensa, who has had to fight for inclusion her entire life, gain some more friends, even though she knows she can’t stay with them.  There are some great figures amongst this bunch, and I loved some of the unique alien features they had.  Sanderson reintroduced one of the best characters from the Starsight in the book, who proves to be quite an entertaining and lovable inclusion, even if they are experiencing some memory issues.  Some of the main series antagonists have minor appearances in this book, plotting from afar and setting some evil plans in motion.  While it would have been interesting to see more about them, especially as they were only introduced in the prior novel, I think keeping them mostly apart from Spensa worked in the context of the unique plot that Sanderson was trying to develop.  I also deeply enjoyed the strange creatures known as the Delvers.  The Delvers are dangerous and powerful interdimensional beings who exist on a whole other form of reality and consciousness.  Sanderson does a fantastic job exploring what exactly these beings are, and you get a real sense of their dangerous emotions and outlook on life.  I really appreciated the author’s clever use of these seemingly less than humourous monsters as the antagonists of this book, and it proved to be a welcome addition to the plot.  Every character in this book is extremely awesome, and readers will have an exceptional time exploring their complex personalities as the plot unfolds.

While I did receive a physical copy of this book, I chose to enjoy the audiobook version of Cytonic instead to fit it into my reading schedule.  This proved to be an extremely wise decision as the audiobook was a fantastic way to check Cytonic out, something I had previously found when listening to Skyward.  There are actually two versions of the Cytonic audiobook available, but I chose to listen to the Sophie Aldred version, as she was the narrator who I listened to previously.  This version of Cytonic had a run time of just under 14 and a half hours, making it a relatively quick audiobook to get through, especially once I got incredibly hooked on the story.  I really enjoyed listening to Cytonic and I found that the audiobook version helped my appreciation of both the new setting of the Nowhere and the various cool space fighter sequences featured throughout.  Aldred is an outstanding narrator, and I had an exceptional time with the various voices she featured throughout Cytonic.  She hits the character of Spensa perfectly, fully capturing her daring and adventurous personality, and enhancing all her many quirks.  I also loved the cool voice she used for M-Bot, including the fun accent, which fully showed of his computer origin, as well as the many unusual behavioural quirks that have developed within him.  This great narration deeply enhanced this already cool novel and I had a wonderful time listening to this incredible audiobook.

With the third entry in the epic Skyward series, Cytonic, acclaimed author Brandon Sanderson continues to shine as one of the absolute best modern fantasy and science fiction writers out there.  Cytonic is another captivating and impressive young adult science fiction read that perfectly continues the outstanding narrative from the previously Skyward novels.  Featuring some incredible characters, an intense and moving narrative, and a bold and inventive new setting, Cytonic is an exceptionally awesome read that you will get addicted to.  I had a fantastic time with this novel and I cannot wait to see how Sanderson wraps up this series in the future.

Cytonic Cover 2

Star Wars: Thrawn Ascendancy: Lesser Evil by Timothy Zahn

Star Wars - Thrawn Ascendancy - Lesser Evil Cover

Publisher: Del Rey/Penguin Random House Audio (Audiobook – 16 November 2021)

Series: Thrawn Ascendancy – Book Three

Length: 23 hours and 13 minutes

My Rating: 5 out of 5 stars

The undisputed master of Star Wars extended fiction, Timothy Zahn, returns with final book in the Thrawn Ascendancy series, Lesser Evil, which brings this excellent prequel trilogy to a fantastic and dramatic end.

Out of all the awesome authors who have contributed to the Star Wars extended universe over the years, few are more talented or highly regarded than Timothy Zahn.  Zahn, who is one of the key architects of the original extended universe (now rebranded as Star Wars Legends), is probably best known for his original trilogy of Star Wars novels, which started with Heir to the EmpireHeir to the Empire served as the introduction of several major extended universe characters, such as Mara Jade; however, his most iconic creation is probably the legendary character of Grand Admiral Thrawn.

Grand Admiral Thrawn is an intriguing and complex figure considered the greatest tactician in the entire Star Wars canon.  Serving as a major figure in the Imperial Navy, Thrawn was the brilliant antagonist of Heir to the Empire and other major Star Wars Legends novels.  The subsequent popularity of Thrawn saw him eventually introduced into the Disney canon in the Star Wars: Rebels animated series, as well as a future live-action appearance.  This also resulted in Zahn being contracted to write six new Thrawn-centric novels.  The Thrawn trilogy (made up of Thrawn, Alliances and Treason), detailed Thrawn’s introduction, rise and career in Imperial Navy and filled in some of the gaps of the show.  Zahn followed this up with the Thrawn Ascendancy trilogy, which served as a prequel to the original trilogy.

The Thrawn Ascendancy series is set during the Clone Wars period and takes place in the Chaos, the unexplored area of space outside of the main galaxy of the Star Wars series, and focuses on Thrawn’s species, the Chiss.  As such, the series is primarily set in and around the Chiss Ascendancy and focuses on several threats to the Ascendancy that Thrawn attempts to overcome.  This series has so far consisted of Chaos Rising and Greater Good, both of which were extremely cool, filled with detailed battles, fun new characters, and some intense political machinations.  Now this brilliant trilogy comes to an end, with a final chapter telling the full story of Thrawn’s greatest victory and lowest moment.

For thousands of years, the legendary Chiss Ascendancy has been one of the greatest powers within the Chaos, keeping its people safe from the alien races who seek to conquer or destroy them.  Confident in its own power and determined not to interfere in the lives of its neighbours, the Chiss maintain their borders through the Expansionary Defence Fleet.  However, in recent months, the Ascendancy has found itself under attack from a dangerous and manipulative force that seeks to utterly destroy the Chiss.  After defeating a potential external invader and weathering an attempt to drag some of the Ascendancy’s powerful families into conflict, the threat to the Chiss appears to be over.  However, these were merely a precursor to a much more sophisticated and dangerous attack by a new alien race, known as the Grysk.  Led by the dangerous and manipulative Jixtus, the Grysk seek to unleash a deadly, multi-pronged assault against the Chiss to rip the ascendancy apart inside and out.

As Jixtus traverses the planets of the Ascendancy, manipulating the great Chiss families towards civil war, his powerful fleet lies just outside its borders, waiting to attack.  With the Chiss getting closer and closer to a devastating internal and external conflict, the fate of the Ascendancy lies in the hands of Senior Captain Mitth’raw’nuruodo (Thrawn), the Chiss Expansionary Defence Fleet’s most brilliant and unconventional commander.  Having defeated the previous attacks on the Ascendancy, Thrawn is the only person that fully understands the oncoming danger and he is determined to stop Jixtus and permanently end the threat he represents.  However, Thrawn has long worn out the patience of the ruling families, and he now finds himself hamstrung by politics and personal grievances.  To save his people, Thrawn will be forced to break all the rules he has sworn to uphold.  But just how far will Thrawn go to defeat his enemy, and what consequences will his actions have on himself and the future of the Chiss Ascendancy?

Lesser Evil was another brilliant and exceptional read from Zahn that did an amazing job of wrapping the complex Thrawn Ascendancy series to an end.  Containing some awesome and unique Star Wars elements, Lesser Evil fills in all the gaps between this trilogy and the sequel Thrawn trilogy, and I think it ended up being one of Zahn’s strongest recent novels.

This novel contains an amazing narrative that brings together all the elaborate and compelling storylines from the previous Thrawn Ascendancy novels and provides a satisfying and fantastic conclusion to the trilogy.  The novel starts off right after the events of Greater Good, with several characters dealing with the aftermath of the near civil war and Thrawn’s latest unofficial mission.  The story quickly introduces the book’s antagonist, the master manipulator Jixtus, as he starts his grand plan to destroy the entire Chiss Ascendancy.  This brings out an impressive amount of intrigue, infighting and dissent, which forces many of the protagonists to attempt to slow it down.  At the same time, Thrawn engages in his own mission to try and identify the enemy’s master plan, which reintroduces several key storylines and settings from the previous novels and helps tie them into the plot of this book.  Zahn also throws in a series of flashback interludes that dive into key parts of Thrawn’s past and give some context to his current mindset and plans.  This all leads up to the big conclusion in which the great adversaries, Thrawn and Jixtus, finally meet in battle.  Lesser Evil proves to be a particularly exciting and intriguing read, and I loved the brilliant combination of world building, political intrigue, character development and fantastic battle sequences.  I had a lot of fun with this story, and it was one of the strongest in the entire Thrawn Ascendancy trilogy.

I really enjoyed how Zahn told this final entry in the series.  The great use of multiple character perspectives not only allows for a richer story that examines all angles of the conflict but it also presents several impressive character driven storylines that were wonderful to follow.  In addition, Zahn once again lays onto the universe building by expanding the reader’s knowledge of the alien Chiss Ascendancy and their domain outside of the main galaxy of the Star Wars universe.  This universe building excellently comes into play as the novel progresses, especially as the antagonist’s plan relies on manipulating the politics and history of the various ruling families.  I really appreciated this cool extended look into this intriguing setting, especially as it ties into some of Zahn’s prior work.  Due to the extensive and elaborate Star Wars lore contained within Lesser Evil, this book is probably best read by experienced fans of the franchise who will appreciate all the inclusions.  It is also highly recommended that readers check out the first two novels in this trilogy first, as the storylines of Lesser Evil are very strongly tied into them.

Lesser Evil contains some intriguing connections to the wider Star Wars universe and canon that long-term fans of the franchise will deeply appreciate.  These connections mainly revolve around Thrawn’s prior appearances and fills in many gaps that were left open from the Thrawn trilogy.  This includes the full reason why the original series began with Thrawn banished from his people and left stranded on an alien planet.  It has been pretty clear since the first Thrawn Ascendancy novel that this entire trilogy has been leading up to this moment, and Zahn did not disappoint, including a moving and complex reason for the banishment that played perfectly into the character’s personality and the events of the previous novels.  Zahn also layers in a ton of intriguing connections to his Star Wars Legends novels that fans will deeply enjoy.  For example, parts of Lesser Evil are deeply connected to Zhan’s previous novel, the now non-canon Outbound Flight, which also focused on a younger Thrawn.  Parts of Outbound Flight’s story and setting have been adapted into the Thrawn Ascendancy trilogy, such as some elements of Chiss culture and some supporting characters, and it was interesting to see Zahn retrofit his previous works for the new canon.  In addition, key flashbacks within Lesser Evil take place in a version of Outbound Flight’s narrative, and while I did think this was cool, Zahn did not include a lot of context, so readers unfamiliar with his prior book may be left a little confused.  Still, this was a clever homage to the author’s prior works, and I appreciated Zahn’s fascinating references to his now defunct novels.

One of the strongest things about Lesser Evil was the great array of characters featured throughout.  There is a very strong cast in this final book, with most of the key characters having been established in the previous Thrawn Ascendancy novels or re-introduced from some of Zahn’s Star Wars Legends novels.  All the major characters featured in Lesser Evil have some amazing story arcs and Zahn spends a lot of time fleshing out their personalities, motivations, and histories, which deeply enhances this brilliant narrative.

The most prominent of these characters is Thrawn himself, who has an epic showing in Lesser Evil after being somewhat underutilised in Greater Good. Lesser Evil proves to be a defining novel for Thrawn, especially as he encounters his true enemy, the Grysk, for the first time.  The reader is also given insights into certain previously unseen relationships that Thrawn had, namely with his adopted brother, Thrass.  It also finally reveals the reasons why he was banished from the Chiss and marooned on the deserted alien planet by the start of Thrawn.  I deeply enjoyed the cool character arc surrounding Thrawn in this book, and Zahn does a great job once again highlighting his unique personality and motivations.  Despite being a little less sinister in literary form than in Star Wars Rebels, Thrawn has a harsh edge here, and the reader gets some great insights into his constant motivation of protecting the Chiss Ascendancy.  Throughout the course of the book, it becomes deeply apparent that Thrawn will risk everything to achieve his goal, and I loved how heartless Thrawn can become when dealing with his enemies.  This motivation and background go a long way to exploring Thrawn’s actions while serving the Empire, and fans of this fantastic character will deeply appreciate this compelling story arc.  Zahn also answers several intriguing questions about Thrawn’s past in this book, and it proved incredibly fascinating to see this great character expanded even further.

I must once again highlight the great way in which Zahn displays his central protagonist.  As with his previous appearances in Zahn’s novels, Thrawn is one of the few characters whose perspective is not shown; instead all his actions and interactions are viewed through the eyes of his friends, allies, and even a couple of enemies.  I have always felt that this was a very clever technique from Zahn as it helps to highlight just how mysterious and distinctly complex his protagonist is.  Readers are only given glimpses into his brilliance, and it allows for increased suspense and surprise throughout the novel as the reader often has no idea what Thrawn is thinking or how he plans to get out of a certain situation.  The use of other observers also really helps to highlight the tactical ploys Thrawn employs, especially as he usually is forced to explain his insights, strategies, and the entire scope of his plans to the less tactically gifted people he is working with.  These elaborate explanations, coupled with the observations of the relevant side character, ensures that the readers get a much more detailed picture of Thrawn’s observations and subsequent tactics.  I have often compared this to how Watson amps up the deductive ability of Sherlock Holmes by having Sherlock explain everything to him, and the result is pretty much the same here.  I deeply enjoyed this fantastic use of perspective and I love everything that Zahn did with his iconic protagonist throughout Lesser Evil, and indeed the entire Thrawn Ascendancy series.

If Thrawn was Sherlock Holmes, then I would say that antagonist Jixtus was the Professor Moriarty of the Thrawn Ascendancy series.  A member of the mysterious Grysk species, Jixtus has been a shadowy figure throughout the proceeding novels, influencing events from the shadows and sending out proxies to fight Thrawn and the Chiss.  This comes to an end in Lesser Evil as Jixtus takes a personal hand in attacking the Chiss Ascendancy.  Jixtus proves to be an excellent and brilliant counterpoint to Thrawn and it is fascinating to see the battle of minds between them, especially as both have alternate strengths.  While Thrawn is tactically brilliant, Jixtus is better at personal manipulation and politics, something Thrawn struggles with.  As such, there is a real battle of styles here in Lesser Evil and the result is pretty brilliant.  I also really appreciated how you also never see any part of the book told from Jixtus’ perspective, ensuring that he is just as mysterious and ethereal as Thrawn.  I loved how Zahn portrays Jixtus in this novel; he comes across as an incredibly dangerous and malevolent being, even though you never see his face.

The other new character I wanted to focus on in this book was Thrass (Mitth’ras’safis), Thrawn’s friend and fellow member of the Mitth family.  Thrass is an interesting character, initially introduced in the previous canon as Thrawn’s brother.  There have only been hints of him in the Thrawn Ascendancy novels, and this final book finally features in him to a degree, showing him in a series of flashback interludes set in Thrawn’s past.  Thrass is shown to be a Mitth politician who finds himself befriending and then partnering with Thrawn through a series of adventures.  The two complement each other extremely well, with Thrass serving as a bridge for the more unconventional Thrawn, while also supporting him with his political knowledge.  Thrass’s scenes proved to be a great inclusion to the novel and I felt the author did a great job re-introducing the character, even if only for flashback sequences.  I really appreciated the author’s examination about how this friendship, and later brotherhood, was vital to Thrawn’s growth and current abilities, and I particularly enjoyed the examination about how Thrass helped develop Thrawn’s flair for the dramatic.  Fans of Zahn’s Legend’s work will deeply enjoy the new appearance of this established character in Lesser Evil, and I think it was an interesting and fun choice from the author, that ended up working incredibly well.

I must also highlight how Zahn featured the other recurring characters from the Thrawn Ascendancy series.  Pretty much all the major characters from the previous two novels are featured strongly in Lesser Evil, and there are some remarkably good storylines set around them.  Thrawn’s crew aboard the Springhawk get a decent amount of focus throughout this book, particularly Samakro, Thalias and Che’ri, and each of their storylines are nicely concluded.  In addition, I loved the continued use of Ziinda, another Senior Captain, who, after barely averting a civil war in the previous book, finds herself subsequently vilified and forced into a new family.  Ziinda proves to be a vital part of the plot, and it was great to see how much she had developed since the previous novel, especially as Zahn starts her on the path to becoming as determined as Thrawn.  Zahn also makes great use of Roscu, a former member of the Expansionary Defence Fleet who had issues with Thrawn in Chaos Rising. Roscu is initially set up as a secondary antagonist, especially as her mistrust of Thrawn, his friends, and all the rival families, drives her to do some stupid things.  However, Zahn slowly turns her into a surprisingly sympathetic character as the novel progresses and you end up really rooting for her.  I also loved Qilori, a supposedly neutral Pathfinder with a grudge against Thrawn; and Thurfian, the Mitth Patriarch who views Thrawn and his actions as a threat to his family and the Chiss as a whole.  These two serve as interesting secondary antagonists to the story, and it was great to see their outraged reaction to Thrawn’s actions, as well as their own attempts to end him.  These characters, and many more, added so much to this book, and I loved seeing all their arcs conclude with the trilogy.

I cannot talk about a Zahn Star Wars novel without highlighting the amazing and exciting space battles featured within.  No one does a space battle in Star Wars fiction better than Zahn, who devotes an impressive amount of time and detail into making them as impressive, thrilling, and tactically awesome as possible.  The reader gets a detailed mental impression of the space engagements that occur, and you can practically feel every shot, roll, or manoeuvre.  Lesser Evil was a particularly good example of this, featuring several great battle scenes, including one massive and action-packed confrontation towards the end.  Each sequence was beautifully rendered and perfectly portrayed, with the reader getting the full sense of everything that happened.  Throw in the distinctive technology of the Chiss, as well as the tactical abilities of Thrawn, and you have some of the most unique and brilliant battles in all of Star Wars fiction, especially as there is a great focus on larger cruisers and battleships, rather than smaller fighter craft.  I deeply enjoyed every battle sequence in this book, and fans of fights in space are in for a real treat here.

Unsurprisingly, I ended up checking out the audiobook version of Lesser Evil, rather than reading a psychical copy.  I cannot overemphasise just how amazing the Star Wars audiobooks are, thanks to their usual amazing combinations of impressive voice acting, clever sound effects and moving Star Wars music.  Lesser Evil is a great example of this, and I had a wonderful time getting through this brilliant audiobook, even with its extensive 23+ hours run time (it would rank 17th on the current version of My Longest Audiobook I Have Ever Listened To list).  I must once again highlight the cool sound effects that were utilised throughout the audiobook to great effect.  These effects, most of which have been taken from Star Wars films and animated shows, add so much depth and power to the audiobook’s scenes, building up a strong atmosphere around the words.  Sounds like blaster fire or roaring engines really help to bring the listeners into the centre of the book’s climatic scenes, while even smaller scenes get a boost thanks to having crowd noises or computer sounds lightly running in the background.  The audiobook also makes good use of the iconic Star Wars score in various parts.  While not featured as heavily as other Star Wars audiobooks, in several places the amazing orchestral music from the films is utilised to give some major scenes a dramatic punch.  This is particularly true in some of the battle sequences, and the listeners are treated to some of the more exciting or moving tunes, which makes the battles or major moments feel bigger and more important.

In addition to this great use of sound effects and epic Star Wars music, Lesser Evil’s audiobook also benefited immensely from the narration of Marc Thompson.  Thompson is an amazing narrator (one of my personal favourites), who has contributed his voice to a huge range of Star Wars novels, including all of Zahn’s previous Thrawn and Thrawn Ascendancy novels, and other audiobooks such as Scoundrels, Light of the Jedi, The Rising Storm, Dark Disciple and more.  Thompson has such a great range for Star Wars fiction, and he can produce some amazing and fitting voices for the various characters featured within.  Most of these voices are continuations of the ones used in the previous Thrawn Ascendancy novels, and I enjoyed the consistency from the previous two books.  I must also really highlight Thompson’s epic Thrawn voice, that perfectly captures the character’s essence, and which is incredibly close to Lars Mikkelsen’s voice from Star Wars: Rebels.  I also loved the voice that Thompson assigned to Jixtus, and the dark and sinister tones perfectly fit this awesome villain.  Thompson also cleverly modulated his voice for certain alien races to capture the unique characteristics Zahn assigned to them in his writing.  You really get a sense about how alien and strange these creatures are, which helped bring me into the zone.  This was another exceptional Star Wars audiobook, and this is easily the best way to enjoy this clever and impressive novel.

With the brilliant and captivating Lesser Evil, the legendary Timothy Zahn brings his awesome Thrawn Ascendancy trilogy to an end in a big way.  Loaded up with excellent universe building, an outstanding story, some excellent characters and some truly impressive space battles, Lesser Evil is probably the best entries in the entire Thrawn Ascendancy trilogy.  I loved how Zahn brought the trilogy’s various storylines together in this final novel, providing an exciting and captivating conclusion that perfectly leads into the original Thrawn trilogy.  Thanks to all of this and more, Lesser Evil gets a full five stars from me and comes extremely highly recommended, especially in its audiobook format.  I have had an incredible time reading the various Thrawn novels over the last few years and I really hope that Timothy Zahn continues to explore his iconic protagonist in the future, especially once Thrawn gets his long overdue live action debut.

Mind Bullet by Jeremy Robinson

Mind Bullet 2

Publisher: Podium Audio (Audiobook – 23 November 2021)

Series: Standalone/Infinite Timeline

Length: 11 hours and 42 minutes

My Rating: 5 out of 5 stars

The deliciously twisted mind of bestselling science fiction thriller author Jeremy Robinson returns with another epic and over-the-top adventure, Mind Bullet, a fantastic and captivating read.

Robinson is an outstanding author whose work I first checked out earlier this year.  Known for his Nemesis Saga and Chess Team series, Robinson is currently working on a collection of partially connected standalone novels, all of which are set within the same extended universe and which are leading up to some massive crossover novels.  I was lucky enough to read one of Robinson’s other 2021 releases earlier this year, The Dark, which was a captivating and deeply entertaining read with a bonkers story to it.  I had a wonderful time with The Dark, which got a full five-star rating from me, and it made me an instant fan of this cool writer.  As such, I was extremely intrigued when I saw that he had another novel coming out this year.  This book, Mind Bullet, was another unique and fascinating read from Robinson with a killer plot to it that I just had to pick up and check out.

In the world of high-level international assassination, Jonas is something of a legend.  Raised by two honourable killers, Jonas had set out on his own, taking on the most dangerous and difficult of jobs and succeeding in some extremely flashy ways.  Despite the ostentatious techniques used in some of his kills, Jonas has managed to stay out of the limelight and out of sight from conventional law enforcement due to fact that none of his targets ever shows any signs of violence.  That is because Jonas has a secret: he has telekinesis and can blow a small hole into people’s brains merely by concentrating on them, an unexplained ability he calls Mind Bullet.

However, despite all his success and the accompanying wealth, Jonas is unhappy and depressed.  Alone except for his sarcastic and possibly psychotic AI, Bubbles, Jonas is still grieving the loss of his dead parents, convinced that someone killed them and got away with it.  As his depression and loneliness results in Jonas taking more and more dangerous jobs, Bubbles decides to intervene for his own good.  Playing matchmaker, Bubbles determines that Madee, a local Thai food delivery woman and part-time thief, would be perfect for him.  After an awkward first meeting where Madee attempts to rob him, the two loners start to hit it off.  However, true love is about to get interrupted by the worst kind of gate crasher, the assassin group known as the Shrieking Ninja.

Angered by one of Madee’s burglaries, the Shrieking Ninjas attempt to break into Jonas’s house and kill them both.  Barely escaping from the Shrieking Ninjas’ mysterious and powerful master, Jonas goes on the run with Madee, hoping to find a way to get them off their trail for good.  However, the disastrous and very public encounter at his house has raised unwelcome attention and Jonas is shocked to find that a $10 million bounty has been placed on his head.  A mysterious organisation is determined to capture Jonas by any means necessary, and every elite assassin and hitman in America is willing to collect.  Pursued by a legion of outrageous killers, Jonas, Madee and Bubbles find themselves thrust into the midst of a dark and deadly conspiracy that lies in the heart of Jonas’s past and the secrets behind his lethal abilities.  Can this unusual group survive the onslaught headed their way, or will they be buried by a legion of lethal killers with their own unique abilities?

Wow, just wow, this novel was the absolute definition of fun.  Robinson did another amazing job with Mind Bullet, producing an intense and exciting novel that is wildly addictive and incredibly entertaining.  Featuring a brilliant, fast-paced story, Mind Bullet had me hooked from the very second I started listening to it, and I ended up powering through it in a few short days.  An outstanding and compelling read, this novel also got a five-star rating from me.

Mind Bullet has an awesome and deeply entertaining narrative that is extremely easy to read and even easier to get addicted to.  Robinson starts off strong with an audacious assassination involving an airborne car, an unethical AI, psychic powers and a parachute, which serves as the perfect introduction to Jonas and his assistant, Bubbles.  From there the story quickly evolves, with Jonas meeting the mysterious Madee while being forced to defend her from the outrageous Shrieking Ninjas (that name says it all).  Following that encounter, Jonas and Madee are forced to contend with continued attacks from even more unusual and deadly assassins, each of whom steal the scene they’re in, either by their unique methods or dangerous powers not unlike Jonas’s.  The protagonists are thrust into deadly situation after deadly situation, picking up new friends as progressively more dangerous foes attack with devastating effect.  This amazing and compelling narrative contains the right blend of forward action and intriguing backstory, as the attacks awaken memories from Jonas’s past, which he also seeks to explore.  After a series of interesting reveals after the halfway point of the book, the protagonists are thrust into their most dangerous situation yet when they encounter the book’s big bads, in an epic and twisty confrontation that brings everything together and ensures everything is out on the table.  All this leads up to an explosive conclusion that wraps up the story and the character arcs exceedingly well, while also leaving the door open for appearances in future Robinson books.

This entire story was extremely intense and addictive from the very beginning, and I had an outstanding time getting through it, and loved every single development, explosive encounter, and fantastically weird new character.  Despite its myriad elements, the entire narrative came together extremely well, and the readers are left feeling extremely satisfied, especially as this is a mostly self-contained story.  I felt that Robinson’s use of single first-person perspective to tell the whole story worked extremely well, especially as the point-of-view character was particularly entertaining and enjoyable.  Like most of Robinson’s stories, Mind Bullet’s narrative contained a great combination of humour, action, character growth and sheer insanity, which helps to produce a deeply entertaining and compelling plot that grabs the reader’s attention and holds on tight.  While substantially less dark in tone and character development than Robinson’s prior book, The Dark, Mind Bullet has serious moments which contrast extremely well with the inherent silliness to produce an overall epic read.  I honestly loved every second of this story, and there are some brilliant scenes featured throughout it, from massive and elaborate fight scenes, brutal psychic brawls both in reality and the mental plain, as well as several simpler scenes that deal with the characters and show their growth as people.

It is interesting to note that this book is part of Robinson’s wider Infinite Timeline, a collection of mostly unconnected novels set in the same overarching universe.  Robinson is currently making a play to combine the plots and characters of these standalone novels, and several upcoming novels will feature multiple characters from across the canon.  As such, Mind Bullet contains multiple references to Robinson’s prior works, mainly Tribe and The Dark, which are part of the same loosely connected storyline (the books of which are are going to have their first crossover in 2022’s Khaos).  There is also a surprising appearance from some of the protagonists of Robinson’s other books, which hints at the bigger crossover later in the series in Singularity (this universe’s version of Avengers: Endgame).  While readers can easily enjoy Mind Bullet without any knowledge of Robinson’s prior books, a couple of scenes and references might be a bit weird without context, especially as a few characters are briefly parachuted (or teleported) in.  Still, readers should be able to follow what is going on without too much difficulty, especially as Robinson does provide some explanation or interesting reaction from the protagonist, and hopefully these appearances will encourage them to check out some of the author’s other books.  I personally really enjoyed these inclusions, and it was fun to see how Robinson is getting more and more blatant with the connections between the various novels.  I am really looking forward to seeing how this entire series comes together, and I really need to go back and read some of Robinson’s other books before this happens.

One of the things that Robinson truly excels at as an author is his ability to produce some complex and relatable characters.  This is particularly true in Mind Bullet, which features a fantastic cast of compelling and relatable protagonists and antagonists with intriguing plot threads that the reader will quickly get invested in.

The most prominent character of this novel is the point-of-view protagonist, Jonas, the dangerous assassin with a heart of gold.  In many ways, Jonas was a pretty typical protagonist for Robinson, a confident and fun-loving figure who cracks a ton of jokes and has their own unique style and a liking for obscure pop culture.  I had a lot of fun following the adventure through Jonas’s eyes, especially as his hilarious view of all the outrageous stuff occurring around him and his constant quips kept me in stiches for most of the novel.  Despite this entertaining outer facade, once you dig deeper Jonas proves to be a lot more complex and emotionally damaged.  The character is chronically depressed and bored, especially after the mysterious car crash that killed his parents, and at the start of the book he has a substantial subconscious death wish.  The character evolves for the better as the novel progresses, especially as he starts to make some connections with the various side-characters.  These friendships and deeper relationships really change him for the better, although they also uncover a range of secrets from the past.  I loved the dive into the character’s psychic abilities, especially as he goes through a trial-by-fire against a range of powerful foes, each of whom is deadlier than the last.  It was also cool and intriguing to explore his hidden, traumatic past, which the author does extremely well through several clever flashback sequences.  The eventual reveal of who or what Jonas really is was done very well, and it will be interesting to see how the author expands on that in some of the future books.

My other favourite character in Mind Bullet was probably the sassy and potentially crazy artificial intelligence, Bubbles.  Bubbles, whose origins and capabilities are also unknown, is Jonas’s assistant and best friend, whose personality is growing based on her interactions with Jonas.  Thanks to the unique experiences she has gained living alongside a quipping assassin, Bubbles has developed quite a sarcastic and entertaining personality, and nearly every interaction with Bubbles results in an inappropriate joke or shocking comment which is pretty hilarious.  Like Jonas, Bubbles also develops a bit throughout the novel, and it was fascinating to see the author’s viewpoint about nature vs nurture when it comes to this character’s personality and emotions.  Despite being an AI, Bubbles is quite a caring being, even if she has developed some homicidal tendencies (especially towards ducks), and I appreciated the unique bond she forms first with Jonas, and then with some of the characters in the book.  Bubble’s meddling in Jonas’s life to keep him alive is particularly sweet, even if she tries to cover it with analytics, and it ended up being one of the major character threads of this book.  An outstanding and brilliant AI character who you will fall in love with!

Aside from Jonas and Bubbles, there are some other amazing characters throughout Mind Bullet.  Madee is another sassy and strong-willed female character (most of Robinson’s characters are sassy and sarcastic), whose break-in to Jonas’s house triggers all the events of the book.  Madee is another fun character, and I really loved the entertaining romance that bloomed between her and Jonas, despite their awkward, computer assisted meeting.  Robinson plays it pretty smart with Madee, and I loved some of the great twists surrounding her, even if by the final reveal it is apparent there is more going on with her.  Jonas also bands together with a group of other complex and entertaining characters, most of whom get pulled into his orbit as the world explodes around him.  While I did think the inclusion of several attractive female characters helping Jonas did appear a little harem-like, each of them proves to be a valuable member of the team, and I liked some of the fun character arcs surrounding them.  I also really need to highlight the fun collection of killers that come after the protagonists throughout Mind Bullet, especially as Robinson went out of his way to produce some wild and truly ridiculous figures here, including incompetent Neo Nazis, stereotypical gun-toting Texans, and foul-mouthed murderous nuns.  There are also a group of dangerous psychic killers, each of whom has their own unique history with Jonas, and whose compelling range of powers results in some dramatic action sequences when they try to fight the protagonists.  I had an outstanding time getting to know all these brilliant characters, and the sheer range of captivating figures really helps to make Mind Bullet stand out.

When Mind Bullet came out I absolutely had to grab this book in audiobook format.  This is because Mind Bullet was narrated by the incredibly talented R. C. Bray, who is one of my all-time favourite audiobook narrators (check out his narration of Michael Mammay’s Planetside, Spaceside and Colonyside).  Bray, who has narrated most of Robinson’s works, did another incredible job here, lending his fantastic and powerful voice to this wild and entertaining book.  Bray really gets Robinson’s fantastic protagonists and writing style, and he was soon moving this brilliant novel along and an ultra-fast pace, ensuring that listeners power through its 11 hour and 42 minute runtime in a very short order.  Bray really dives into the characters of the book, and I loved how he brought Jonas to life, ensuring that the reader gets the full sense of his humour, unique worldview and deeper inner struggles.  The rest of the character are also portrayed perfectly as well, especially Bubbles, and I loved the cool and amusing voices that he provides to each of them.  Bray obviously has a lot of fun here with this book, and the fantastic voices he uses for some of the more unique moments and characters are extremely entertaining and memorable.  I especially loved the ultra-serious and dramatic voice that he used for the formal name-drooping introduction of each major character’s names or codenames (which appear in the printed version in massive bold print).  I really appreciated this fun and entertaining take on the audiobook narration, and you will fall in love with Bray’s brilliant voice and entertaining style if you check out the audiobook version of this novel.

Overall, Mind Bullet is another epic and incredible read from the exceptional Jeremy Robinson.  Robinson’s latest book is crazy in all the right ways, and readers will deeply enjoy the wild and unpredictable ride that the characters go on.  Featuring an amazing group of characters, some fantastic humour, and some massive memorable scenes, Mind Bullet is an outstanding novel that I had an awesome time getting through.  Highly recommended to anyone looking for something fun, especially in its audiobook format, you need to check this book out!

Throwback Thursday: Green Arrow (2001): Volume 3: The Archer’s Quest by Brad Meltzer, Phil Hester and Ande Parks

Green Arrow Archer's Quest

Publisher: DC Comics (Paperback – 1 September 2004)

Series: Green Arrow Vol. 3 – Volume Three

Writer: Brad Meltzer

Penciller: Phil Hester

Inker: Ande Parks

Colourist: James Sinclair

Letterer: Sean Konot

Length: 175 pages

My Rating: 5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this week’s Throwback Thursday I check out an all-time favourite comic of mine, the third volume of the epic 2001 Green Arrow relaunch, The Archer’s Quest.

The late 1990s and early 2000s were an outstanding time for DC Comics, who produced an amazing number of epic and fascinating comic series that combined brilliant storytelling with fantastic artwork.  While there are several great series I enjoy from this period (Teen Titans comes to mind), one of my absolute favourites was the awesome 2001 relaunch of Green Arrow.  Also recorded as Green Arrow Vol. 3, this series resurrected the original Green Arrow, Oliver Queen, some years after his death.  I have an amazing amount of love for this comic; not only was it one of the first series I ever really got into but it still really stands up after all this time.  This is easily one of my all-time favourite comic book series, and the absolute pinnacle of this series was the simple, yet amazingly effective fourth volume, The Archer’s Quest.

While I probably should review some of the proceeding volumes of this series first before talking about The Archer’s Quest (such as the first volume, Quiver by Kevin Smith), I recently re-read this fantastic comic, so it has been on my mind all week.  Containing issues #16-21 of this outstanding series, The Archer’s Quest is a brilliant and captivating comic tale that really gets to grips with the protagonist as he embarks on a journey vital to his identity and history.  Featuring the brilliant writing of bestselling author Brad Meltzer (author of several amazing thriller novels, as well as some impressive DC Comics), and the artistic stylings of Phil Hester and Ande Parks, this is an exceptional comic which gets a five-star rating from me.

Green Arrow - #16

Following his unexpected resurrection after his violent death, Oliver Queen, the Green Arrow, has been returned to Earth, ready to continue the good fight.  However, no man can come back from the grave without a heavy heart, and Oliver Queen has more skeletons in his closet than most of his fellow heroes.  A chance discovery that the villain, Catman, attended his funeral leads Oliver back to his old friend, Shade, the immortal being Green Arrow trusted to round up certain artefacts of Oliver’s superhero career that could reveal his secret identity. 

Discovering that Shade failed to get several of Oliver’s most precious keepsakes, Oliver embarks on a cross-country road-trip to recover them himself.  Accompanied by his former sidekick, Roy Harper, Oliver begins visiting some of the locations most important to himself and his career as a superhero.  From the ruins of the Arrowcave to the Justice League’s orbiting Watchtower and even the Flash Museum in Central City, Oliver and Roy will attempt to find these items from the past in order to safeguard their future.

However, this will be no simple road trip, as the two heroes encounter some unexpected dangers and surprising opposition, including fellow hero the Flash and the angry zombie Solomon Grundy.  Worse, this journey will uncover some dark secrets from the past that Oliver has long hoped to keep quiet.  Can Oliver recover his treasures without his friends and family discovering who he really is, or has the past finally come back to destroy this resurrected hero?

Green Arrow - #17

The Archer’s Quest is a fantastic and powerful Green Arrow comic that takes the protagonist and his former sidekick on a wild and extremely personal adventure.  Before reading this, if you had ever pitched me a comic based around the idea of a recently resurrected superhero going on a road trip, I might have been a little dubious.  Well, it turns out that I would have been dead wrong, as Brad Meltzer produced an intense, captivating and emotionally rich narrative that is not only extremely entertaining but which contains some excellent character work, some brilliant references to the classic Green Arrow comics, and which dives deep into the psyche of a troubled and complex protagonist. 

The narrative of The Archer’s Quest starts extremely strong, with Green Arrow meeting Superman at Oliver Queen’s grave.  This is a fantastic opening scene, especially once Superman hands over a series of photographs of the funeral, and I loved the focus on the harrowing realities following a resurrection.  The sombre mood is broken when Green Arrow notices a stranger in his photo amongst his closest friends.  This leads him to hunt down Catman, which also reveals the hand of Shade and the revelation that certain items from Oliver’s past are still out in the open.  This forces Green Arrow into a road trip, hunting for his artefacts and dealing with friends, enemies and family.  The first chapter packs in some much-needed action, as Green Arrow goes toe-to-toe with Solomon Grundy in an epic and brutal fight, that ends with a surprising, and gruesome, win from the protagonist.  From there, Meltzer and the artists pile up the emotional and the feels by having Oliver encounter several fellow heroes who he has complex relationships with, while also building up the nostalgia factor, with the reveal of classic Green Arrow items, locations and characters.  All this leads to some major moments, from an attempted proposal to a moving and long-awaited conversation between father and son.  However, Meltzer saves the absolute best for last with a startling revelation about the past that shows Oliver’s true character and serves as a powerful end to the entire story.  This was a beautiful, character driven story, and I think Meltzer hit all the right notes.  The pacing is perfect and there is a fantastic blend of action, character development and emotional discovery, which all comes together into one outstanding story.  The Archer’s Quest is addictive and dramatically intense from start to finish, I can read and re-read this comic for years (and I probably will).

Green Arrow - #18

One of the things that I really enjoyed about this amazing comic is the way in which Meltzer and the artists turned it into a homage to the Green Arrow comics.  The creative team spend a substantial amount of time diving back into the history and lore of the character and his comics, working them into the story in very meaningful ways.  So many key aspects of the Green Arrow comics are referenced or alluded to in some way, as the characters journey around some iconic locations, including the Arrowcave, to obtain the artefacts.  Through this dive into the past, the creative team manage to perfectly capture the various eras of Green Arrow, including the classic Golden Age comics, the grittier Silver Age comics, the road trip era with Green Lantern (which this comic really tries to emulate), and The Longbow Hunters period.  This wide range of references makes for a very intriguing and compelling comic, and it helps turn The Archer’s Quest into a must-read for all Green Arrow fans.  I loved the clever range of different artefacts that protagonists are trying to recover, including the diamond-tipped arrow from Green Arrow’s first appearance in Justice League of America, his official invitation to the Justice League, and the truck that he and Green Lantern used in their iconic road trip.  These cool artefacts really help to ramp up the nostalgia while simultaneously including key modern story elements hidden within.  The cool funeral sequence at the start of the comic also allows the creative team to reference and include a vast range of supporting characters and allies from the original comics, with a range of different figures from Oliver’s career appearing to pay their respect.  I deeply appreciated the modern analyses and descriptions of the items, locations, complex relationships, character designs, weaponry (why all the boxing gloves?) and prior adventures included in this comic, and it helps to produce a comprehensive account of these iconic events, while also bringing them up to speed with more modern comic lines.  You can really tell that the creative team behind The Archer’s Quest had a lot of affection for the preceding Green Arrow comics, and this outstanding comic proves to be an amazing and captivating love-letter to the Emerald Archer.

I deeply enjoyed the epic characters that this amazing comic followed, especially as Meltzer uses this story to dive deep into the psyche and relationships of the protagonists, especially Oliver Queen, the titular Green Arrow.  This version of the character is only recently returned from the grave, and this becomes a major part of his identity throughout the comic, driving him to fix some of the mistakes of his past while also ensuring that he never hurts his family again.  Thanks to the entire comic being narrated by Oliver, you get some very intriguing insights into Green Arrow’s mindset during this period, and you really get to know who he is and what his motivations are.  Rather than some of the typical portrayals of him as a liberal, generic arrow slinger, the creative team attempt to show him as a complex veteran hero, still deeply impacted by his resurrection and uncertain about his place in the world.  A lot of The Archer’s Quest’s narrative involves Green Arrow attempting to find pieces of his past that are significant or potentially damaging to him, and as such you get an amazing look into key events of Oliver’s past, as well as his current priorities and concerns.  I really enjoyed the storylines involved with him trying to reconcile or repair relationships with his former friends and allies, as well as an interesting development in his romantic partnership with Black Canary.

Green Arrow - #19

One of the best things about this comic is the way that Meltzer portrays Oliver as a more morally ambiguous figure, willing to make a deal with a supervillain, lie to those closest to him, and initiating undercover actions to protect identities.  There is also some great evidence of the self-destructive tendencies that would be a major defining feature of this series, as well as the complex decisions that affect those closest to him.  As such, he keeps many secrets, even from his former sidekick, such as his main motivation for recovering his old truck is to secure the Green Lantern ring Hal Jordan hid in there years ago.  However, the biggest secret involves the revelation that he always knew that his son, Conner, existed, and that he pretended he did not know who he was when they first met.  This revelation is slowly and cleverly revealed throughout the comic, first with Oliver subtly making the recovery of its hiding place his main priority, and then in the final scenes after he has a heart-to-heart with Conner, when he reveals the secret photo.  The narration during this scene sums up Green Arrow in this series perfectly: “You’re a bastard Oliver Queen.  You knew.  You always knew.  And the worst part is…. it’s still your secret.” and the entire sequence ensures you will never look at this character again in the same way.  I also musty highlight the great inclusion about Green Arrow secretly coming up with plans to protect secret identities if a hero died.  Not only is this vital to the plot of The Archer’s Quest, but it also hints at the great storyline that Meltzer would eventually use in his epic Identity Crisis, which features a proactive team of heroes mind-wiping villains and destroying personalities.  This outstanding and layered portrayal of Green Arrow in this comic is one of the defining characteristics of The Archer’s Quest, and I am blown away with this brilliant character work every time I read this volume.

The other major character of this novel is Roy Harper, his former sidekick (now Arsenal), who Oliver calls in to help him hunt down Catman.  I really enjoyed the inclusion of Roy in this comic, especially as he had been overly featured in this series (he was mostly appearing in Titans).  As such, we had not really gotten a glimpse at the current relationship between former mentor and sidekick, which has always been strained since the infamous heroine incident.  The Archer’s Quest did an amazing job bringing them back together again, and Roy really gets into the swing of the adventure, with the two characters getting back into their adventuring groove.  However, the comic also deals with the inherent mistrust between the two characters, with Roy upset that Oliver trusted Shade more than him to protect his identity after his death.  The two end up working through these issues throughout this comic, and it ended up being a fun and powerful reunion that long-term Green Arrow fans will deeply enjoy.

Green Arrow - #20

Aside from Green Arrow and Roy Harper, this comic also makes great use of several other supporting character who either bring the protagonist back to his past, or help to add some emotional weight to the story.  This includes brilliant inclusions of two fellow superheroes, Kyle Rayner and Wally West, the versions of Green Lantern and the Flash who were active at the time.  Both these younger heroes bear a major legacy that results in some complicated and moving interactions with Oliver.  One of the most important is Kyle Rayner, who has taken over the mantle of Green Lantern following the corruption and eventual death of Green Arrow’s best friend, Hal Jordan.  Since Oliver’s resurrection, their relationship has been strained, with Oliver having trouble accepting him.  This all finally comes to a head with Oliver travels to the Watchtower and encounters the young Lantern, and they have a massive heart-to-heart.  The revelations that Oliver has trouble accepting a new Lantern instead of his best friend, as well as the emotional burden Kyle also bears, especially around his first loss as a superhero (women in refrigerators man, that stuff will mess you up), all comes out, and leads to an amazingly moving scene.

I also loved the great interaction that Oliver had with Wally West outside the Flash Museum, after Wally is warned that Oliver is planning to break into it.  The two characters have a great stare-down, which sees the usually jovial Flash incredibly serious at Oliver’s attempted trespass.  Oliver’s narration about this event is pretty great, especially noting that Wally’s usual short attention span is overridden by his love of Barry Allen’s memory.  These two interactions with Green Lantern and Flash are short but extremely powerful, and it was amazing to see the strain on Oliver at being still alive, while the roles of his friends have been passed on to the next generation.  Despite the serious nature of these scenes, both had an entertaining ending with Oliver managing to outsmart his younger colleagues: “That old, lying son of a b…”.  I also liked the inclusion of Superman at the start of the comic, which was both entertaining, and played into the resurrection storyline perfectly with Superman feeling guilty about not being able to save Oliver when he died, while also being a bit of an expert on coming back to life himself.  I also enjoyed the fantastic conclusion of the Flash arc, especially as the entire break-in was to retrieve a costume-filled ring that the Flash made for Green Arrow years before, and which was a nice nod to the great friendship they used to have.

While this volume of Green Arrow does not have an antagonist per se (except for Solomon Grundy and Oliver’s self-destructive behaviour), it does feature a couple of great supervillains in a supporting role.  The first of these is Shade, the immortal shadow-powered gentleman who, despite being a villain, gained Green Arrow’s trust years ago, and was entrusted by Oliver to fulfil his post-death wishes (always chose an immortal).  Shade is a fantastic inclusion to this comic, especially as his inclusion enhances the implication that Green Arrow is a much more morally grey hero than you would initially believe.  The interactions between Shade, Green Arrow and Roy Harper are really good, and I liked the explanations for why he was unable to fulfil all his duties (I wouldn’t want to annoy Jay Garrick either).  I also really need to highlight the excellent inclusion of Thomas Blake, better known as Catman, in his first appearance in comic form in years.  Catman has always been a bit of a joke character due to his gimmick (which simultaneously rips off Catwoman and Batman at the same time), but in this comic he is shown to be a shell of even his previous ridiculous self, who is looked down on by the entire supervillain community.  Hired by Shade as his agent, Catman is hunted down by Green Arrow after attending his funeral, only to show him as an overweight and unthreatening loser.  This entire comic paints him as quite the pathetic figure and shows the downsides of being a fourth-rate villain who turned on some very powerful people.  While his appearance in this comic was more entertaining than deep, it does beautifully set up his later appearances in such comics as Villains United and Secret Six and serves as his inspiration for becoming the ultra-badass we see there.  These two villains perfectly rounded out the main cast of The Archer’s Quest, and both inclusions were fantastic and intriguing additions to the overall plot.

Green Arrow - #21

This amazing and complex narrative is perfectly backed up by some excellent artwork from the team of Hester and Parks, who really bring this story to life in exquisite detail.  This entire comic is drawn in fantastic detail with some beautiful scenes, fantastic backdrops (including some iconic Green Arrow locations, lovingly brought to life) and entertaining sequences.  This includes some brilliant and powerful action sequences, and the artists pay particular attention to the flight, movement, and destructive potential of the arrows.  I particularly liked the awesome fight scene between Green Arrow and Solomon Grundy, which was filled with some brutal action in the tight confines of the former Arrowcave and featured some great narration from the protagonist.  I loved the character designs featured in the comic, and the classic look of Green Arrow and his companions was great.  The artists do a great job portraying emotion on the face of the characters, especially surrounding Oliver and his multiple examples of anguish and conflict.  I also appreciated the play of emotion on some of the other characters faces, especially Flash when Oliver arrives at the Flash Museum.  Seeing the grim and dark look on Flash’s face as he tries to stop Oliver is really surprising and impactful, and the artists do a fantastic job of showcasing a tense stare-down between the two as the sun starts to rise.  However, in my opinion, the best drawn sequence in the entire comic occurs at the front of the volume, when Oliver contemplates his funeral.  Shown in a series of polaroids, you see the various grieving mourners and it was fantastic to see several obscure figures from Oliver’s past appear to pay their respect.  This beautifully drawn scene is short, but it sets the scene for the rest of the volume extremely well and is an excellent way to start this fantastic comic.  I loved the way the comics in The Archer’s Quest were drawn, and they ensured that the outstanding story reached its full potential.

Overall, I have an insane amount of love for this third volume of this classic Green Arrow series, and it comes highly recommended.  The Archer’s Quest is a brilliant and powerful comic arc that perfectly combines a clever and nostalgic story, with some intense character development and a fun and enjoyable art style.  Meltzer’s narrative in this fantastic Green Arrow comic so damn amazing, and I deeply enjoyed his take of this iconic character.  I deeply enjoyed The Archer’s Quest, and it easily one of my favourite comic volumes of all time.  I am hoping to review the rest of this Green Arrow series in some future Throwback Thursday series, and I look forward to highlighting all the amazing storylines that were contained in this incredible run.

The Bone Ship’s Wake by R. J. Barker

The Bone Ship's Wake Cover

Publisher: Orbit/Hachette Audio (Audiobook – 28 September 2021)

Series: The Tide Child Trilogy – Book Three

Length: 20 hours and 49 minutes

My Rating: 5 out of 5 stars

One of the fastest rising fantasy authors in the world today, the brilliant and exceedingly talented R. J. Barker, brings The Tide Child trilogy to an end in epic fashion with the exceptional and powerful The Bone Ship’s Wake, one of the best fantasy reads of 2021.

There have been some really impressive fantasy authors producing great reads over the last few years, but in my opinion none have been as consistently amazing and addictive as R. J. Barker.  Barker burst onto the scene in 2017 with Age of Assassins, the first book in The Wounded Kingdom trilogy, and soon followed it up with two additional outstanding reads, Blood of Assassins and King of Assassins.  While I have a lot of love for this brilliant trilogy, especially the final novel King of Assassins, Barker has since eclipsed it with his second series, The Tide Child trilogy.

The Tide Child trilogy is a grim and powerful series that follows a unique set of characters in an exceptional, character driven, adventure tale.  The Tide Child books are set in a dark fantasy world, primarily made up of deadly oceans and seas which have produced a harsh breed of warring humans.  The inhabitants of this world traverse these oceans in ships made of the harvested bones of sea dragons, known as the keyshans, the creation of which led to the mass extinction of these dragons.  The first novel in this series, The Bone Ships, set the scene for this great series and introduced the primary characters as they set out on an epic quest to hunt the last sea dragon aboard the boneship, Tide Child.  This was an exceptional read that ended up being one of the best books and audiobooks of 2019.  Barker followed this up in 2020 with Call of the Bone Ships, a great sequel that saw the crew of Tide Child engage in a rebellion against the established order.  Call of the Bone Ships ended on a pretty massive cliffhanger that set the scene for an exceptional and stunning conclusion.  As such, the final entry in this trilogy, The Bone Ship’s Wake, was one of my most anticipated reads of 2021, and Barker did not disappoint here, as he produced an epic and captivating read.

It has been a year since the climactic battle that saw the boneship Tide Child and the rebel fleet barely escape the wrath of the Hundred Isles after being forced to abandon shipwife Meas Gilbryn.  In that time, loyal deck keeper Joron Twiner has taken on the mantle of leadership for the rebel black ships and turned them into a fleet of marauding pirates.  Now known by all as the feared Black Pirate, Joron constantly raids the Hundred Isles, determined to weaken its fleet and devastate its defences for an invasion from the rival Gaunt Islands, Joron’s only true priority is to discover the location of his lost commander and rescue her.

After a particularly vicious raid nearly sees the destruction of Tide Child, Joron is only more determined to find the shipwife before the entire fleet is lost.  With time running out for Joron thanks to the insidious keyshan’s rot that is slowly eating away at his body, Joron embarks on an ambitious plan to find and rescue Meas by returning to the most dangerous place in the world, the capital city of the Hundred Isles.

Accompanied by a small crew, Joron hopes to infiltrate the city and force Meas’s location from the ruthless rule of the Hundred Isles, Meas’ estranged mother.  However, all Joron will discover is blood and betrayal, as dangerous forces seek to take control of the oceans for their own nefarious ends.  Worse, Joron must continue to struggle with the dangerous legacy of the magical gullaimes, who believe that he is the Caller, the man who can sing up the keyshans and use them to destroy the world.  Will Joron and his crew succeed against impossible odds, or will the final voyage of the Tide Child result only in the death of everyone and everything Joron loves and cares about?

Well damn, now that was an incredibly awesome book.  I have said time and time again that Barker seems to get better with every book he writes, and I honestly believe that The Bone Ship’s Wake is the very best so far.  The Bone Ship’s Wake has an exceptional narrative filled with emotion, tragedy and powerful action on the high seas, which perfectly wraps up this epic series and provides the reader with an emotional and captivating goodbye.  Easily one of the best books of the year, The Bone Ship’s Wake gets a full five-star rating from me.

This final entry in The Tide Child trilogy has an extremely powerful, character-driven narrative to it, which perfectly continues the epic tales told in the preceding novels while also providing an extremely satisfying and moving conclusion to the entire series.  Told nearly exclusively from the perspective of central protagonist Joron Twiner, The Bone Ship’s Wake starts one year after Call of the Bone Ships, with some major changes occurring to the world and the characters during this period.  Told in three parts, this book has a bit of a slower introduction, which Barker uses to full effect to highlight the situation the characters find themselves in, while also reintroducing all the key elements of the fantasy world.  The first part of the novel is primarily used to show how far Joron has come, placing him in command of a ship as he faces off against his enemies.  This outstanding introduction sets up several key storylines while also featuring a tense and detailed chase out on the seas, with deadly and monstrous consequences.  The second part of the novel follows a desperate Joron, after leaving his ship and most of his crew behind, as he embarks on a dangerous all-or-nothing quest to save his shipwife and bring her back to the fleet.  This second part is loaded with some major dramatic moments, intrigue, treachery, and politics, which does an outstanding job expanding the already captivating storylines, while also serving as a great buffer from the nautical heavy start and end of the novel.  The story goes in some amazing directions here, and Barker throws in some captivating and surprising twists that alter everything you thought about how the story would end.

All this leads up to the conclusion of the novel, which sees the surviving primary characters caught in a desperate situation on the high seas.  After some daring actions and clever plans which have some unfortunate costs, all the characters are perfectly set up for their final places the series’ brilliant storyline.  This last part of the novel is deeply thrilling and powerful, and it honestly proves impossible to put it down as you wait to see how everything comes to an end.  Barker really amps up the desperation and hopelessness during this part of The Bone Ship’s Wake, as the crew of Tide Child and its allies are pressed in some destructive naval actions.  It all leads up to one final gambit, with the lives and the hopes of the survivors held in the balance.  This epic conclusion is extremely dramatic and powerful, with some big sacrifices and major character moments that will leave you breathless and deeply moved.  I thought that this amazing conclusion perfectly wrapped up the entire series, with all the key storylines and character arcs coming to a very satisfying and emotional end.  I loved every single second I spent getting through this exceptional story, and every brilliant turn, clever revelation and powerful character moment is still firmly engrained in my mind.

I really need to highlight Barker’s fantastic writing style, which brings this brilliant story to life.  It has been an absolute pleasure to see Barker grow as an author throughout the last few years, especially as he utilises more and more complex techniques with each passing novel.  The Bone Ship’s Wake is a particularly good example of this, as an amazingly well paced novel that slowly builds momentum as the story requires, with the intensity of the book turning on a dime, from the deep slowness of sailing to the fast pace of an epic nautical battle.  This is often accentuated by the author’s great use of repetition, with key sentences throughout the novel repeated multiple times to build up tension or to highlight the rapidity of duty aboard a ship.  This pacing and repetition almost gives The Bone Ship’s Wake a pulse, and you can feel the rhythmic build towards the high points of a novel.

I was once again deeply impressed by Barker’s incredible ability to produce a nautically focused novel.  Nautical novels require an insane amount of detail and dedication to work, and Barker has done that in spades throughout The Tide Child trilogy.  Thanks to Barker’s ultra-detailed writing style, life aboard the boneships is brought to life for the reader, showcasing every single action of the crew or movement of the ship.  The reader gets an amazing sense of what is happening aboard Tide Child, and you feel that you are aboard the ship itself, watching the crew in action.  This works particularly well during some of the intense, high-concept naval battles, where the actions of multiple ships are followed, ensuring that the reader gets a great idea about what is going on.  Barker also works in a lot of ship details that are unique to the series’ fantasy universe, allowing for a much more distinctive and compelling time at sea.  The combination of traditional nautical elements and fantasy features, such as ships crafted from dragon bone, ultra-powerful bolt throwers, wind calling bird men and the various monsters stalking the deeps is particularly striking and really helps this cool trilogy stand out.  This is honestly one of the best series set on a ship you are ever likely to read, and I am still so impressed with how well Barker was able to feature it in his novels.

I also must highlight the cool, dark fantasy world that Barker has created for this series.  Throughout this trilogy Barker has put an amazing amount of work into crafting this complex and deadly fantasy world, containing hostile oceans with only a few small islands, where the inhabitants are forced to fight on ships made from dragon bone.  I have had an outstanding time exploring this complex and compelling landscape, and I have a lot of love for some of the more unique details, including the enslaved gullaime (bird-like windtalkers), crazy monsters, the gender reversed human society which includes subtle changes like ships being consider male by their crews, and the constant naval warring and raiding such a landscape has created.  Barker does some very interesting expansions in this final entry, resulting in some substantial changes and journeys to new locations within the world.  There are some cool new creatures, including a mist-spewing kraken, as well as some fascinating and intense developments amongst the established creatures, including the gullaimes and the keyshans.  I similarly appreciated the way Barker examined the troubles with his female dominated society, especially as the motivations for some of the antagonists are closely tied into it.  Overall, I had a wonderful time with my last exploration of this unique and dangerous setting, and I cannot wait to see what sort of distinctive setting Barker comes up with next, although I already know it will be pretty incredible.

You cannot talk about any novel in The Tide Child series without praising the outstanding character work that Barker has done.  Each of these novels has done an exceptional job of building up all the major characters, from the central point-of-view perspective, to the various supporting characters found upon the central ship setting.  I have deeply enjoyed seeing each of these characters develop into better and well-rounded figures as this series has progressed, and Barker makes sure to give them an impressive send-off in this final entry.  Pretty much all the key surviving characters get some great moments throughout The Bone Ship’s Wake, and most of their associated storylines come to an end, one way or another.  This naturally results in some intense emotional moments throughout the novel, especially as readers of this series will have become deeply attached to a lot of these characters, and you will not be prepared for how some of these characters go out!

Just like in the previous two novels, the central focus of The Bone Ship’s Wake was on Joron Twiner, the deck keeper (first mate) of Tide Child, who has grown from scared drunkard to experienced officer within the course of the series.  Twiner has gone through an incredible amount during the last two books, and when we first see him again in The Bone Ship’s Wake, he is a very different person.  Joron has since lost a leg and is now infected by the keyshan’s rot, an incurable disease that is slowly eating him alive.  Despite this, he has finally taken on command of his vessel and an extended fleet and fashioning himself a new persona, that of the Black Pirate, a notorious killer of ill-repute.  This is a fascinating change for Joron, and it is absolutely amazing to see how the differences between this character and the one we first saw in The Bone Ships.  While this change is substantial, it has been well built up in the last few books, and it was great to finally see Joron take on the command he was always meant to have.  Despite this, Joron still has some uncertainty dogging his steps that proves great to explore, especially as he is hesitant to risk the lives of those under his command on his missions.  Joron is also forced to deal with the insane prophecy and power hanging over his head, as he is forced to contemplate his ability to summon the sea dragons and potentially end the world.  Throw in his unwillingness to take on the role of his mentor, and the extreme guilt he feels for all the lives he has taken in her name since the conclusion of the last book, and you have a quite a conflicted figure, desperate to do anything to redeem himself.  This makes for some amazing character moments, and I really appreciated the sheer amount of development that went into Twiner in this novel.  A lot of Twiner’s storylines come full circle in this novel, and there are some extremely satisfying moments  between him and the other characters in the novel.  I deeply enjoyed this flawed and uncertain protagonist throughout this series, and Baker ensures that he is given a fitting and powerful ending.

The novel also spends a lot of time examining Tide Child’s shipwife, Meas Gilbryn, also known as Lucky Meas.  When we last saw Meas, she was surrendering herself to the Hundred Isles to give her fleet a chance to escape.  In the year that follows, she has been brutally tortured by her captors, who are attempting to gain all her secrets, especially regarding the sea dragons.  Due to her capture, and the primary focus on Joron, we don’t see that much of Meas for the first half of The Bone Ship’s Wake, and when we finally do, she is very different.  Rather than the always confident captain we are used to, we have a broken and brooding figure, unsure of the correct actions to take and unprepared for how much her legend has spread in the year she has been gone.  This makes for a very interesting counterpoint to the growth in Joron, and it is fascinating to see the slight role reversal that occurs between them.  I loved this exceptional character change that occurred around Meas, and Barker uses it to full effect to create some dramatic and emotionally charged moments.  The author also ensures that several lingering questions about Meas are answered, especially as she finally gets some closure with members of her family, such as her mother.  It was also amazing to see the unique relationship she forged with Joron come full circle, as the man she chose to be her second surpasses her.  The outstanding character work surrounding Meas, especially when it comes to her connection to Joron, added so much to the overall quality of this novel, and it was great to see how Barker altered and explored this character in The Bone Ship’s Wake.

I have to highlight the outstanding storylines surrounding the Gullaime, the ship’s windtalker of legendary power, who is destined to destroy the world alongside Joron.  This humanoid bird creature is always an entertaining figure in the novel, due to their unique appearance and outrageous behaviour and Barker does an exceptional job giving unique avian features to it.  However, like the other characters, the Gullaime goes through some big events in this final novel, especially once certain species detail is revealed, as well as the full scope of its powers and prophesised responsibilities.  Out of the all the characters in this series, the Gullaime is probably the easiest to like, and the end of its story cuts deep to the heart.

I also really appreciated Cwell’s storyline in this novel, especially after all the changes that occurred around her in this series.  Cwell initially started as a secondary antagonist who led a mutiny against Joron in the previous novel.  Despite this, Joron spared her life and kept her as his shadow, a silent bodyguard always watching his back.  This final book really explores the extent of this bond forged between them, as Cwell’s loyalty is tested multiple times throughout the course of the novel.  Barker is such a canny writer when it comes to Cwell, and it was fascinating to see some of her final depths in this book, especially as you honestly have no idea what she is going to do and whether she will end up betraying Joron.  It was also great to see more of Farys, the young woman Joron mentored through the series, and who now finds herself as his second.  Farys has a complex and compelling storyline in this novel, and I really appreciated how much time Barker put into enhancing her role in this final novel.  I also want to give callouts to recurring characters Mevans, Solemn Muffaz and Aelerin the courser, who all have some great moments in this novel, and whose roles each had their own emotional weight.  There is also a certain interesting reveal about one side character, right at the end of the novel that was a little surprising to me, but which I really appreciated, especially as Barker set up some great hints about them as the novel progressed.  Overall, all the side characters in this book are extremely awesome, and I am so deeply impressed with the work that Barker put into them, and the outstanding impacts that had on this already epic and captivating tale.

While I did receive a physical copy of The Bone Ship’s Wake, I ended up enjoying this novel in its audiobook format, not only for scheduling reasons but because I knew that I would have an amazing experience with it.  The Bone Ship’s Wake’s audiobook format has a substantial runtime of just under 21 hours, which does require a substantial time investment to enjoy.  I can guarantee that the time spent is well worth it, as the audiobook format perfectly gets the reader into the flow of the story and the detailed fantasy world of the series, and I found myself really absorbing all the many details Barker places into his writing.  I was also deeply impressed with the narration of Jude Owusu, who really threw himself into voicing the various books in The Tide Child trilogy.  Owusu has a brilliant voice that perfectly fit the epic, marine based tale, and which perfectly translated every single action and move to the listener.  Owusu has an excellent range of voices for the various characters featured throughout the novel, and each character ended up with a distinctive voice that perfectly fit their personality and demeanour.  I particularly enjoyed the weird and hyper-excited voices he utilised for the various gullaime characters, fully highlighting their birdlike characteristics in his voicing.  I felt that the narrator did an amazing job of injecting all the relevant emotion into the tale, and you have no doubt what the characters are feeling as they speak.  This brilliant and powerful voice work really helped to bring this epic tale to life, and I loved every single second of this fantastic audiobook.  This format comes very highly recommend, and it was easily one of the best audiobooks I have had the pleasure of listening to in 2021.

With The Bone Ship’s Wake, the final incredible and epic entry in The Tide Child trilogy, the unstoppable R. J. Barker has once again shown the world he is the future of the fantasy genre.  This outstanding and captivating nautical fantasy novel masterfully wrapped up one of the best trilogies I have ever read, ensuring that the reader will be emotionally blasted by this brilliant and clever tale.  The entire story came together perfectly, and fans of this series will be amazed and moved by the fates of so many well-established characters.  Not only was this Barker’s best book to date, but The Bone Ship’s Wake is also one of the most impressive novels I have enjoyed all year.  An exceptional five-star read that comes very highly recommended, especially in its audiobook format.  Anyone who loves fantasy needs to read this series!

The Dark Hours by Michael Connelly

The Dark Hours Cover 2

Publisher: Allen & Unwin (Trade Paperback – 9 November 2021)

Series: Ballard & Bosch – Book Three

Length: 391 pages

My Rating: 5 out of 5 stars

The master of crime fiction, bestselling author Michael Connelly, returns with another outstanding Ballard and Bosch novel, The Dark Hours, which sets his iconic protagonists on another intense and captivating case.

Connelly is one of those authors who needs very little introduction, having written an amazing number of crime fiction novels throughout his exceptional career.  I have really been getting into Connelly’s work lately, especially after reading his 2020 releases, Fair Warning and The Law of Everything.  However, my favourite Connelly novels have probably been the Ballard and Bosch sub-series, which follows the team of two of Connelly’s great protagonists.  This includes Renée Ballard, who debuted as the lead character of The Late Show, and Harry Bosch, Connelly’s long-running protagonist who has appeared in nearly every one of Connelly’s books since The Black Echo.  These two protagonists first teamed up in Dark Sacred Night in 2018, and then again in The Night Fire, one of the best books and audiobooks of 2019.  I have deeply enjoyed these two characters, and I was very excited when I saw that Connelly was featuring them again in his latest novel, The Dark Hours, which was one of my most anticipated releases for 2021.  The Dark Hours is the 36th overall novel in Connelly’s overarching crime fiction universe and proved to be another exciting and clever read.

As the clock ticks down the last seconds of 2020, the citizens of Los Angeles celebrate New Year’s Eve in their typical chaotic way, with hundreds of celebrators firing guns up into the air, with a rain of bullets coming down shortly after.  Sheltering under a bridge, LAPD detective Renée Ballard is staking out the nearby neighbourhood in hopes of catching a team of rapists terrorising women during the holidays.  However, she instead finds herself called to the scene of a party where an auto shop owner has been fatally hit in the head with a bullet.

Initially assuming that the death was an accident brought on by the lateral bullets fired in celebration, Ballard soon discovers that the shooting occurred at point-blank range, indicating that someone used the revels to disguise their up-close murder.  Starting her investigation, Ballard soon discovers that the same gun was used in an unsolved murder case which had been investigated by her friend and mentor, retired LAPD detective Harry Bosch.

Working with Bosch, Ballard soon finds herself on the trail of a dangerous killer who may have killed many times before and is at the centre of a deadly conspiracy.  Determined to catch this killer before the case is taken away from her, Ballard is willing to break any rule to catch her suspect, no matter the danger to herself or her career.  At the same time, Ballard becomes obsessed with catching the team of rapists destroying lives in her city, but finds herself fighting against a demoralised and uncaring police department, more concerned with maintaining their image than police work.  Can Ballard and Bosch solve these latest crimes before it is too late, or will the predators they stalk land another fatal strike?

This was another incredible book from Connelly that contains a clever and captivating murder mystery that I deeply enjoyed.  The Dark Hours has a fantastic story to it, that not only takes the reader on an intense and particularly dark couple of cases but which also explores the state of policing in 2021.  A brilliant and powerful read, this was an excellent Connelly novel that gets a full five-star rating from me.

Connelly came up with an exceptional crime fiction narrative for The Dark Hours, which I powered through in a few days.  This latest story, told exclusively from the perspective of Ballard, follows the character as she investigates several horrific crimes.  There are two central cases in this book; the first involves a murder of a mechanic, which sees Ballard connect with her old friend Harry Bosch, who previously worked a connected cold case; and the other is a series of rapes throughout LA, made distinctive by the presences of a two-man team.  These two cases are both pretty compelling and unique in their own way, with Ballard getting quite obsessed with both of them.  The murder case has several outlying threads that see Ballard and Bosch chase down gang connections, dirty cops, and a wide-ranging conspiracy of dentists, all of which results in a tight and powerful investigation story with some substantial dangers to Ballard.  The rape case is a dark and disturbing counterpart to this murder, and Connelly ensures that the full horror of this particular type of crime is on full display.  Both of these cases come together extremely well as the story progresses, and I really appreciated how some of the emotions and consequences stirred up in one case led to the characters doing some rash and dangerous things in the other.  Throw in some major professional drama around Ballard, and you have an intense and powerful narrative that really sticks in the mind.  I loved some of the cool and dark twists associated with these intriguing storylines, and Connelly certainly has the ability to create some major and memorable moments.  The Dark Hours also does a good job of continuing some of the storylines from the previous novels, particularly around Ballard’s many issues as a member of the LAPD, and it sets up some future plot points that will no doubt make for an awesome novel or two in the years to come.

One of the most interesting things about The Dark Hours is Connelly’s compelling and in-depth examination of the LAPD in early 2021, following COVID and the protests of 2020.  Connelly paints a detailed and intriguing picture of the LAPD as a dispirited and defunded organisation which has withdrawn from proactive police work and is instead more concerned with avoiding bad publicity and controversy.  The police characters featured within this novel are notably unmotivated and aggrieved, with many more concerned with their own lives than protecting people.  This is a rather grim but seemingly realistic view of the LAPD, and I really appreciated the fact that Connelly attempted to explore what life as a police officer is like in these controversial times.  The author makes sure to try and show both sides of the debate around policing, made easier by his protagonist’s status as LAPD outsiders, and it was fascinating and moving to see the police perspective.  The apathy of the LAPD comes into play in the story in multiple ways, and it was an exceptional and memorable inclusion to The Dark Hours.  In addition, Connelly spends a lot of time exploring early 2021 Los Angeles, with multiple references to masks, vaccines, unemployment and all the other aspects of COVID-19 that we have come to know and love.  While most people are probably quite sick (ha!) about seeing all the COVID stuff wherever you go, even into book-land, those authors wishing to display modern life need to include it, and I felt that Connelly did a great job showing it from an LA perspective.  Throw in some commentary on other key events of early 2021, and The Dark Hours turns into quite a contemporary novel with some extremely intriguing opinions and insights.

Another aspect of The Dark Hours that I enjoyed was the fantastic use of characters featured within it.  In particular, it was rather interesting to see which protagonists got the most focus throughout the novel.  When I first started reading this novel, I assumed that, like the previous Ballard and Bosch books, the story would be a split perspective narrative featuring the two main characters.  Instead, the entire story ended up being told exclusively from Ballard’s point-of-view, with Bosch featured as a supporting character.  While some long-term Bosch fans might feel a little let down, I personally did not mind this as Ballard has been a really fascinating and relatable protagonist in her last few novels.  Ballard has always been an outcast in the LAPD, following her attempt to report her previous supervisor for sexual harassment, and this sense of being an outsider has only intensified throughout her more recent novels.  This all comes to a boil in The Dark Hours, as Ballard is continually stymied by the new attitude of the LAPD, and is constantly undermined by ineffective, dispirited and politically minded colleagues and superiors.  This eventually forces her to adopt a more Bosch-like mentality and she goes outside the lines multiple times to try and bring her culprits to justice.  I rather liked this more reckless side of Ballard, and it ends up resulting in some major changes to her personality and potential law enforcement future.  It was also very fascinating to see Ballard’s opinions on the recent issues affecting policing, and even she finds herself quite angry with some of the accusations levelled against her and the LAPD, despite harbouring her own negative opinions.  Throw in an interesting new relationship and a fun new puppy friend, and this ended up being a particularly good Ballard story.  I look forward to seeing more of Ballard in the future, and I really think that Connelly is setting her up as his primary police character for the future.

While most of the focus is on Ballard, Bosch still has a significant role in The Dark Hours, serving as the main supporting character and Ballard’s unofficial partner.  While it was a little odd not to see Bosch’s perspective on the two main investigations, he was a great wingman to the protagonist and I liked how Connelly was able to work Bosch’s veteran mindset into Ballard’s way of thinking.  It was fun to see him serve the joint role of being Ballard’s voice of reason while also subtly encouraging her to do some more rebellious moves.  I really enjoyed seeing more of Bosch in the book, and it will be interesting to see what Connelly does with him in the future.  Considering that Bosch is currently a much older, out-of-work detective currently battling leukaemia, you have to imagine that Connelly is planning to retire him permanently some point soon, and I am curious to see how or when that happens, no doubt occurring in heartbreaking fashion.

Overall, The Dark Hours is another exceptional novel from Michael Connelly, who continues to showcase why he is one of the best and most consistent authors of crime fiction in the world today.  This latest novel serves as an excellent continuation of the Ballard and Bosch subseries, and it is always so much fun to travel back into Connelly’s expanded and intriguing crime fiction universe.  The Dark Hours has an outstanding and compelling narrative that follows the authors dogged protagonist as she investigates several major and disturbing crimes.  I was pretty much hooked the moment I picked this book up and it is a must-read for all crime fiction fans.

The Housemate by Sarah Bailey

The Housemate Cover

Publisher: Allen & Unwin (Trade Paperback – 31 August 2021)

Series: Standalone

Length: 454 pages

My Rating: 5 out of 5 stars

Impressive Australian author Sarah Bailey returns with The Housemate, an outstanding and intense murder mystery that takes a complex protagonist through a dark journey as they attempt to solve an infamous murder.

It was the crime that shocked all of Australia: one night, after a fractious party in the suburbs of Melbourne, three female housemates would become infamous for all the wrong reasons.  In the morning, one of the housemates is found brutally murdered, another is found covered in her blood, while the third goes missing and her body is never found.  Dubbed the Housemate Homicide, the unexplained murder, the mysterious disappearance, and the subsequent controversial court case has baffled and enthralled the country for years.  This includes Olive Groves, a journalist who got her first big break covering the murder and who then became obsessed with cracking the case.

Nine years later, the body of the missing housemate is found in a remote property in the Victorian countryside.  Despite dealing with her own dark personal issues, Olive is assigned to cover the story, and soon finds herself once again dragged into her deepest obsession.  Teamed up with millennial podcaster Cooper Ng, Olive begins to immerse herself in the details of the murder, reigniting her fiery obsession.

As Olive and Cooper work to uncover new details about the case and the three women at the heart of it, they start to make some startling discoveries.  None of the housemates were what they seemed, and all had dark and terrible secrets that have remained hidden for years.  What really happened to these three friends, and what secret was so terrible that they would kill to protect it?  Olive is about to discover that there is a dark conspiracy at work throughout this case, one whose roots may lay far closer to home than she ever imagined, and whose discovery may end up breaking her.

This was an incredible and extremely clever dark murder mystery from Sarah Bailey, who has previously produced some impressive and compelling pieces of Australian fiction.  The Housemate was pretty exceptional read and I quickly found myself getting really caught up in this remarkable and well-written piece of crime fiction.  The author weaved together a dark and compelling tale of betrayal, murder and tainted love, featuring an extremely damaged protagonist and multiple epic twists.

The Housemate has a pretty amazing and memorable murder mystery narrative that follows a reporter as she attempts to uncover the truth behind an infamous cold case.  Bailey does a great job setting up the plot of this book in the early pages, showing the protagonist’s involvement in reporting the initial discovery of the murder, before initiating a time skip nine years in the future.  Once there, the author spends a little time exploring how the protagonist’s life has changed in the intervening years, before swiftly starting the next stage of the mystery, with the discovery of a body out in the Victorian countryside that has connections to the murders.  The rest of the book flows by at a quick pace after this, as the reader gets stuck into the re-opened investigation.  Bailey starts the various twists flying early, and the reader is soon struck with a series of theories, leads, potential suspects and connected side characters, all of which add to the overall tapestry of the mystery, while also serving to keep you guessing about who is responsible for the murder, and that isn’t even mentioning the compelling flashbacks from the surviving housemate.

As the investigation continues, The Housemate’s story continues to get even more complex, as the personal life of the protagonist, Olive, gets dragged into the plot, especially as Olive is in a complex relationship with the widower of the primary police investigator of the original case.  This results in some extremely intense moments as Olive begins to suspect everyone, which has a major impact on her grip on reality.  I deeply appreciated the psychological thriller aspects that were worked in, as the reader starts to really question Olive’s grip on her sanity, and it helped to make the story even darker and more unpredictable.  Everything really kicks off in the final third of the novel, especially after the case becomes even more potentially convoluted and connected to a wider conspiracy.  There were some great reveals in this final third of the novel, and a pretty major and surprising event that really changes everything.  I found myself absolutely glued to this book in the final stages, as I couldn’t wait to see what happened.  While I did think that the author was a little too heavy handed when it came to suggesting that one particular character was the murderer, I thought the eventual reveal of who was behind everything was extremely clever.  The solution to the historic murder was very impressive, especially as some of the elements were set up extremely early in the novel and you didn’t even realise it.  I really loved the impressive way the case was wrapped up, although the end of the final confrontation was a tad too coincidental for my taste.  Still, it was a really great way to finish the novel, and I was well and truly hooked by this awesome and dark tale of murder.

You can’t talk about The Housemate without mentioning the author’s great characters, especially protagonist, Olive Groves (a fun name).  Olive is a complex and damaged woman, who has been obsessed with the novel’s central case ever since she saw the suspected killer and the various family members emerging from the house during the initial media coverage.  Years later, Olive now has a complex life, as she is living with the controlling widower of the cop who was originally investigating the crimes, something she is immensely guilty and conflicted about.  Her already fragile mental state is put at risk when she starts working on the latest developments in the Housemate Homicides case, which reawakens her long-dormant obsession.  This obsession drives her to investigate the case by any means and takes her to some dark spaces as she tries to get into the head of the three housemates and figure out what happened to them.  Olive slowly goes downhill as the novel progresses thanks to a combination of stress, obsession, anger, and multiple personal reasons, such as the actions of her emotionally abusive partner and her own massive guilt for sleeping with him while his wife was still alive.  Olive has a big breakdown towards the end of the novel, especially after a major surprise event, and it was fascinating to see such a dramatic and powerful burst of emotion.  This compelling personal crisis is perfectly worked into the plot of the book, and it really helped to enhance the main murder mystery storyline, especially as you become really concerned for Olive’s mental and physical safety.  I appreciated the way in which Bailey wrapped up Olive’s character arc by the end of the novel, and I cannot emphasise what an impressive bit of character work Bailey did around her.

Aside from Olive, there is a great collection of complex side characters throughout the novel, each of whom play a vital role in the case.  The main one is Cooper Ng, the socially shy tech expert and social media whiz who is assigned to help Olive investigate, with the two required to develop a new podcast for their paper.  Cooper is a fun and energetic figure who stands as the complete opposite to Olive’s gruffer and irritable personality.  Cooper and Olive make for an interesting partnership throughout the book, and it was fun to see them combine their vastly different skills and experiences.  The author also spends a bit of time examining each of the three housemates who were at the centre of the book’s mystery.  It initially appears that all three were bright and optimistic students when the fateful night occurred.  However, as the book progresses you begin to see that they are a lot more complex than that, with all three involved in something dodgy.  Seeing how they were driven to the events that occurred the night of the killing is pretty fascinating, and I really appreciated the dark and intense storyline that Bailey weaved around them.  All these characters, and more, added a lot to the story, and I loved the fantastic and realistic interactions that occurred within.

The final thing that I wanted to highlight about The Housemate was its interesting examination of Australian journalism.  I have always rather liked journalist protagonists in fiction, due to their less formal way of investigating crimes, and this worked very well in the context of The Housemate, with Olive employing some interesting methods to get answers.  The focus on obtaining information for a story rather than attempting to bring someone to justice is very compelling and I loved seeing the protagonists setting up stories and podcasts.  I also quite enjoyed the interesting examination of the evolving form of journalism that was represented by the two main characters, Olive and Cooper.  Olive is the more old-school reporter, who just wants to do good journalism without resorting to popular gimmicks.  Cooper, on the other hand, is the flash new kid, focusing on social media and podcasting, which he sees as the future of journalism.  This fun comparison between reporting styles formed an interesting basis for their partnership, especially as they are brought together to do a podcast on the murders, and I felt that this was a great inclusion to an already exciting and entertaining narrative.

The Housemate by Sarah Bailey was an exceptional and captivating read that I had an outstanding time reading.  Featuring a dark and thrilling mystery storyline, this Australian murder mystery was incredibly addictive, especially once you get caught up in the unique investigation and complex personal life of the protagonist.  I really enjoyed seeing this fantastic story come together, and I was really impressed with how Bailey tied her brilliant mystery together.  Easily one of the best pieces of Australian fiction I have read all year, The Housemate gets a full five-star rating from me and is a very highly recommended read.