Quick Reviews – Cold People, Code Red and Ordinary Gods and Monsters

In recent weeks, I have been trying to get out reviews of several books I read last year but never got the chance to write anything about.  I am hoping to partially rectify that now by publishing quick reviews of three great novels from 2023 I had a fun time reading.

Cold People by Tom Rob Smith

Cold People Cover

Publisher: Simon & Schuster (Trade Paperback – 1 February 2023)

Series: Standalone

Length: 452 pages

My Rating: 3.5 out of 5 stars

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The first book I want to quickly review in this post is Cold People by established author Tom Rob Smith.  Cold People was an intriguing science fiction read that presented a very unique scenario to the reader.

Plot Synopsis:

The world has fallen. Without warning, a mysterious and omnipotent force has claimed the planet for their own. There are no negotiations, no demands, no reasons given for their actions. All they have is a message: humanity has thirty days to reach the one place on Earth where they will be allowed to exist… Antarctica.

Cold People follows the journeys of a handful of those who endure the frantic exodus to the most extreme environment on the planet. But their goal is not merely to survive the present. Because as they cling to life on the ice, the remnants of their past swept away, they must also confront the urgent challenge: can they change and evolve rapidly enough to ensure humanity’s future? Can they build a new society in the sub-zero cold?

This was a pretty cool (ha ha) story, although I must admit it went in some directions that I really wasn’t expecting.  Based on the synopsis, I was expecting Cold People to primarily show the harrowing journey that many different people would take to get to the safety of Antarctica, which  would have made for a great story on its own.  Instead, only the first section of the book really showcased this journey, which was honestly a rushed introduction to the whole plot.  The rest of the book skips ahead many years and dives into showcasing the ongoing struggles that humanity faces whilst trapped in Antarctica.  This part of the book then becomes a cautionary tale about genetic modification as various geneticists work to make humans more adaptable to living in the ice, only to unleash something far more dangerous than the alien threat above.

I honestly had some issues with how Cold People is structured.  I felt that this book might have been better if the author had either focused fully on the journey to Antarctica or set it completely in the isolated future and explored the journey in flashbacks for several characters.  The focus on genetically enhanced humans was also an interesting choice, and while it was primarily to explore how humans are capable of surviving anything, it felt very unrealistic in places and got way out of hand.  It was also odd that you really don’t get to find out anything about the mysterious aliens who caused the human exodus, and you are instead left wondering about who or what they were.

Still, there were some great elements to this book.  The genetic antagonists are pretty scary, and Smith does a good job diving into the psychology behind them.  I also really loved the author’s intriguing insights into the hostility of Antarctica as a continent and how hard it would be to live on it.  The clever way Smith built up the background setting to showcase several ingenious ways that humans could potentially adapt and survive in such a scenario was quite fascinating, and it proved to be a great part of the book.  As such, Cold People is an interesting novel to check out, and many readers will appreciate Smith’s ideas about humanity and its strong desire to survive.

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Code Red by Kyle Mills (Based on the series by Vince Flynn)

Code Red Cover

Publisher: Simon & Schuster (ebook – 4 October 2023)

Series: Mitch Rapp – Book 22

Length: 352 pages

My Rating: 4 out of 5 stars

Amazon

The next book I want to highlight here is Code Red by Kyle Mills, which served as the 22nd entry in the long-running Mitch Rapp series that was originally written by the late Vince Flynn.  Following a hyperviolent veteran American spy as he goes up against a range of deadly threats in unusual thriller situations, the Mitch Rapp books are a key part of my yearly reading schedule, and I have really enjoyed several of the latest entries, including Red War, Lethal Agent, Total Power, Enemy at the Gates and Oath of Loyalty.

Plot Synopsis:

Mitch Rapp returns to make a mortal enemy of Russia in this high-octane and up-to-the-minute installment in the #1 New York Times bestselling series from “one of the best thriller writers on the planet” (The Real Book Spy).

Mitch Rapp hates owing anyone a favor—especially when it’s the world’s most powerful crime lord. But when Damian Losa calls, Mitch is honor-bound to answer.

The Syrian government appears to have created a highly addictive new narcotic that it plans to distribute throughout Europe. It’s a major threat to Losa’s business and he’s determined to send someone to keep him on top by any means necessary. Rapp is the perfect choice for the mission. Not only does he have extensive experience operating in the Middle East, but he’s also entirely expendable. As he crosses into war-torn Syria, Rapp quickly discovers a shocking truth. The new drug isn’t being produced by Damascus to prop up the government’s collapsing finances. Instead, it was created by Russia’s asymmetrical warfare unit, not for profit but as a weapon against the West.

With far more than Damian Losa’s interests at stake, Rapp devises a desperate plan that forces him and his team onto a battlefield where the United States is virtually powerless and allegiances shift almost hourly. Further, if Russia uncovers their plot, it will set off a confrontation between the two countries that could change the course of human history.

This was another exciting entry in the Mitch Rapp books, although I must admit this book wasn’t my absolute favourite novel in the series.  Don’t get me wrong, Mills came up with a very compelling story that thrust the protagonist into some dangerous situations as he attempts to repay his debt to the entertaining crime lord Damian Losa.  However, in some ways Code Red is a little by the numbers, especially as we have just come off several impressive reads where Rapp was in some very ridiculous or deadly situations, such as a massive power-outage impacting all of America, or the last two books where Rapp found himself at war with a corrupt US President.  An infiltration mission into Syria seems a little tame in comparison, so this might have coloured my appreciation for Code Red a little.

Despite this minor complaint, Code Red was a great action-packed read that showcased Mitch Rapp doing what he does best, infiltrating the Middle East and frustrating Russian plans.  There are loads of firefights and intense action scenes scattered throughout this book, and I thought the underlying Russian plot to destroy economies and weaken Western society through an addictive drug was very intriguing, especially as it also featured some dark scenes of exploitation and utilisation.  Easily read as a standalone novel or as an entry into the wider Mitch Rapp series, Code Red was a fantastic novel that I managed to get through quickly, and it is well worth checking out.

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Ordinary Gods and Monsters by Chris Womersley

Ordinary Gods and Monsters Cover

Publisher: Picador (Trade Paperback – 29 August 2023)

Series: Standalone

Length: 300 pages

My Rating: 4.25 out of 5 stars

The final book I want to feature in this post was the excellent Australian novel, Ordinary Gods and Monsters by Chris Womersley.

Plot Synopsis:

It could have been any summer’s evening, but of course it wasn’t.
It was the end of some things, the beginning of so many others.

Nick Wheatley has finished high school, but he isn’t ready for the rest of his life. His parents are getting divorced, his sister is downright weird and his best friend and neighbour, Marion, seems to have acquired a boyfriend.

One hot night, Marion’s father is killed in a hit-and-run. There are no suspects and no leads. But a sly tip from the local psychic sends Nick and Marion into the undertow of a strange and sinister world they hadn’t known existed in the suburbs – one of inscrutable gangsters, speed-dealing bikies and unpredictable, one-eyed conspiracy theorists.

It’s a world they’ll be lucky to survive.


Ordinary Gods and Monsters
was a pretty awesome book from Womersley that proved to be one part crime fiction novel, one part Australian coming-of-age story.  Following Nick Wheatley, a young teenager in 1980s suburban Melbourne, as he simultaneously deals with life, complex family issues, and his uncertain relationship with his best friend and neighbour Marion.  Life becomes even more complicated when he is forced come to terms with the death of Marion’s father.  Thanks to a tip from a drug-dealing psychic, Nick finds himself identifying a series of clues that suggest that Marion’s father was murdered, and he takes it upon himself to investigate.

The resulting story is an interesting mixture of elements that will appeal to a range of different readers.  Womersley does an excellent job of portraying the life and difficulties of a teenage protagonist, and I loved the protagonist’s very relatable take on the various events, both mundane and unusual, going on around him.  This dramatic, 80’s focused, character-driven storyline blends extremely well with the more crime fiction elements of the book, as the protagonist finds himself becoming more and more involved with searching for the person responsible for Marion’s father’s death.  His unlikely investigation adds some exciting spice to an already engrossing coming of age tale, and you get drawn into his attempt to find answers.

The result of this plot is very interesting, especially as the reveal about who is behind everything is well handled and compelling.  Womersley also adds in a very compelling final sequence, where Nick and Marion find themselves confronting the perpetrators in a dangerous scenario.  The conclusion of this confrontation will leave readers wondering about what truly happened, and which I felt was a great end to this book.  An overall excellent piece of Australian fiction that I had a great time reading.

Quick Review – Everyone Who Can Forgive Me is Dead by Jenny Hollander

Everyone Who Can Forgive Me is Dead Cover

Publisher: Constable (Trade Paperback – 13 February 2024)

Series: Standalone

Length: 326 pages

My Rating: 4.25 out of 5 stars

Amazon

Debuting author Jenny Hollander presents a memorable first book with Everyone Who Can Forgive Me is Dead, an excellent read that provides a powerful insight into grief and trauma.

Plot Synopsis:

THEY CALL ME THE LUCKY ONE. THEY DON’T KNOW I LIED.

Nine years ago, Charlie Colbert’s life changed for ever.

On Christmas Eve, as the snow fell, her elite graduate school was the site of a chilling attack. Several of her classmates died. Charlie survived.

Years later, Charlie has the life she always wanted at her fingertips: she’s editor-in-chief of a major magazine and engaged to the golden child of the publishing industry.

But when a film adaptation of that fateful night goes into production, Charlie’s dark past threatens to crash into her shiny present.

Charlie was named a ‘witness’ in the police reports. Yet she knows she was much more than that.

The truth about that night will shatter everything she’s worked for. Just how far will she go to protect it?


Everyone Who Can Forgive Me is Dead
is an outstanding first book from Hollander, who provides a gripping and intense narrative for readers to get stuck into.  Told through the eyes of main character Charlie Colbert, the story quickly engrosses you.  Charlie has rebuilt her life after a brutal attack years ago, but when secrets from the past threaten to come forth, Charlie is forced to interact with her fellow survivors once again.  At the same time, Charlie also begins reliving the events leading up to that fateful night in her head, desperately trying to remember everything that happened to truly understand everything that she’s been running from.

The resulting story is very good, and Hollander has come up with a gripping, character-driven book that you can really sink your teeth into.  The combination of past and present storylines is quite effective, and I liked how you got to see the protagonist’s dark reactions in the present while slowly learning about the events that traumatised her and the people involved.  The way in which Hollander reveals all the secrets of the past is handled exceptionally well, and I loved the combination of flashbacks, discussions in the present, and quotes from fictional news articles that hint at what happened.  The full events of the past storyline turn out to be far more complicated than you initially think, and the author throws in some incredibly clever twists.  I honestly was surprised at some of the more brilliant reveals that come to light, and you really appreciate Hollander’s ability to misdirect the audience into assuming certain things happened.  The full reveal and the fallout in the present for the protagonist are pretty amazing, and I loved how everything came together.  The reader really comes away feeling satisfied, especially as everyone gets what they truly deserve at the end.

While I loved the intricate story that Hollander pulled together for Everyone Who Can Forgive Me is Dead, I think the most distinctive aspect of the book is the author’s focus on trauma and how different people deal with it.  This is mainly done through the eyes of the main character, Charlie, who is forced to continuously live with the trauma, guilt and emotional damage that followed the college massacre.  While a lot of this trauma results in a memory black hole for the protagonist, you get to see other aspects of it as the book continues, as she is dragged back into the past and begins to relive all the dark feelings that emerge.  The author’s portrayal of how a person would deal with such events, as well as how it would impact their memory, feels extremely realistic, and you can really feel the emotional damage done to Charlie and those closest to her as they try to help.  Other characters are also forced to deal with the trauma in other ways, and the different levels of regret, involvement and despair prove to be a captivating part of the book.  Throw in a cynical, if realistic, look at how the public idolises dark events, and Everyone Who Can Forgive Me is Dead proves to be quite an emotional rollercoaster.  This emotional charge really enhances the impact of the book, and I deeply appreciated how Hollander worked the protagonist’s attempts to remember and overcome her past into the overarching story.

Overall, I found Everyone Who Can Forgive Me is Dead to be an excellent and compelling first novel from Jenny Hollander that is really worth checking out.  Thanks to the great blend of personal storytelling, moving emotion, and dark secrets, readers come away from Everyone Who Can Forgive Me is Dead deeply moved, and I look forward to seeing what intriguing reads Hollander writes in the future.

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Quick Review – The Hidden Book by Kirsty Manning

The Hidden Book Cover

Publisher: Allen & Unwin (Trade Paperback – 29 August 2023)

Series: Standalone

Length: 312 pages

My Rating: 3.75 out of 5

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Australian author Kirsty Manning presents an emotionally charged and compelling historical drama that follows a beleaguered group of protagonists during and after the horrors of World War II with The Hidden Book.

Plot Synopsis:

Europe, 1940

 Imprisoned in the Mauthausen concentration camp in Austria, Spanish fighter and photographer Mateo Baca is ordered to process images of the camp and inmates for a handful of photo books being made for presentation to top Nazi figures. Just five books in total, or so the officials think …

Mateo manages to make a secret sixth book and, with the help of a local woman, Lena Lang, it remains hidden until the end of the war.

Australia, present

 When thirteen-year-old Hannah Campbell’s Yugoslavian grandfather, Nico Antonov, arrives in Australia to visit his family, one of the gifts he brings with him is an intriguing-looking parcel wrapped in calico cloth which Roza, Hannah’s mother, quickly hides.

Later, Hannah sneaks off in search for the mysterious package. She is horrified to find in it a photo book full of ghastly historical photographs of a terrible place full of people suffering.

At first Hannah has little context for what she sees, but over the years as she experiences love, grief and trauma, she understands what these photos came to mean, for herself, her freedom and for those who risked their lives to ‘bear witness’ to history.

A startling story of clandestine courage and treachery in World War Two, and how we must meet and overcome our pasts to move into our futures.

This was a great piece of historical fiction from Manning, who has written several other intriguing novels in this genre over the years.  The plot of The Hidden Book is interesting as it combines a harrowing story of people caught up in the Holocaust with a complex narrative of a young person trying to understand the horrors they came from.  Half the novel follows several characters either imprisoned at the Mauthausen concentration camp, or living in the surrounding area, as they work together to record and smuggle out pictures of the atrocities being perpetrated against them.  The second storyline follows Hannah, the grandchild of one of the characters from the first storyline, who grows up in Australia, constantly wondering about the secrets of her grandfather’s book of pictures, and who finds her life defined by it.

Both of these storylines are interesting in their own way, and I think that Manning did a pretty good job of bringing them together into a fantastic overall story.  The half of the book, set in Mauthausen, is suitably dark and nerve-wracking, as you are constantly bombarded by the fear and determination of the characters imprisoned there in one shape or another.  This part of the book is an interesting retelling of real historical events surrounding Mauthausen, and Manning brings together a great group of characters here, including a sadistic camp commandant and a family of anti-Nazi locals who are afraid the Nazis will find out about their mentally impaired daughter.  This compelling and dark storyline serves as an excellent basis for much of The Hidden Book’s plot, and it leads into the second plot line extremely well.

This secondary plotline involves the character of Hannah Campbell finding her grandfather’s photo album covering the atrocities at Mauthausen and spending the rest of her life trying to make sense of them.  While I am not the biggest fan of historical dramas that rely on descendants finding old material from their ancestors (it is a bit of an overused story device), Manning presented some interesting storylines around it.  In particular, she uses it as a key part of Hannah’s coming-of-age storyline, as she experiences the highs and lows of life from childhood to parenthood.  Manning tells a great story of growing up in Australia, including country living and city life, and while parts of this storyline is are very frustrating, and it serves as an interesting counterbalance to the Holocaust tale while also providing insights into how the younger generations view the Holocaust and how knowing your history and change your present.

I enjoyed how well these two separate and distinctive storylines come together throughout the course of The Hidden Book.  The intensity, conflict and drive for survival in the historical part of the novel is well offset by a different layer of emotion in Hannah’s life story, and I liked the constant looks back to the past.  This proved to be a fast-paced and easy to read novel, and I liked the blend of characters, historical elements and two very different background settings that emerged.  Despite all that, I didn’t get amazingly emotionally invested in the plot, and I think parts of Hannah’s storyline slowed down the pacing at times.  Overall, I thought that The Hidden Book by Kirsty Manning was an intense and compelling read that I had good time with.  An excellent read for fans of historical drama, especially those that combine dark pasts and hopeful futures into powerful character driven narratives.

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Quick Review – The Girl From London by Olivia Spooner

The Girl From London Cover

Publisher: Moa Press (Trade Paperback – 14 November 2023)

Series: Standalone

Length: 314 pages

My Rating: 4.25 out of 5 stars

Amazon

Fantastic New Zealand author Olivia Spooner presents her first dive into historical fiction, with the intriguing and clever historical drama, The Girl Form London, an outstanding read that proved quite fascinating.

Plot Synopsis:

London, 1940. Ruth, a young schoolteacher, volunteers as an escort helping to evacuate children from war-torn England to Australia and New Zealand. Her three-month voyage is fraught – their passage is perilous, and the children anxious and homesick. Nine-year-old Fergus is more troubled than most and Ruth forms an unexpected bond with the boy.

It’s not just Fergus who captures Ruth’s attention. Bobby, a fellow volunteer who initially infuriates Ruth with his laidback charm, somehow gets under her skin and throws her ordered life into chaos.

Tragedy strikes on their return voyage, when the Rangitane is attacked by German raiders. As the ship goes down, the surviving passengers are taken as prisoners of war aboard the German vessel. To the rest of the world, they are missing, presumed dead.

New Zealand 2005. Hazel boards a plane to London, eager to explore Europe. Sitting next to her is a man named Joe. On her lap is a treasured book from her grandfather, Fergus. A book that will finally reveal Ruth’s story.

A captivating, heart-wrenching story of love, loss, and the resilience of the human spirit that will stay with you long after you turn the final page.

This was an outstanding novel from Spooner that took the reader on an enchanting and tragic adventure during some very distinctive moments from World War II.  Spooner chose to tell The Girl From London’s narrative through the somewhat overused medium of a young person in modern times learning about the struggles their older relatives went through during the war.  However, I rather enjoyed Spooner’s take on this writing trope by having her modern characters getting invested in a novel that covers the adventure of Hazel’s grandfather and the people that were important to him as a child.  This not only allowed the author to dive back into the unique story generated in the past but also allowed for a quite good and heartfelt romance story to occur in the present as Hazel and Joe have a meet-cute which develops naturally into a compelling, complex relationship.

While this modern storyline was interesting, I much preferred the storyline set in the past surrounding Ruth’s journey from England to Australian and New Zealand and then the tragic events aboard the Rangitane.  That entire journey away from England was pretty darn fascinating, and I loved the captivating details of how the children were being transported to safety, the inherent tragedy of their journey, and the complicated figures who volunteered to help escort them to a new life.  Spooner covers the historical aspects of their journey extremely well and the first half of their story is quite powerful and lovely, especially as she takes the time to explore the various characters, their developing relationships, and their complex motivations for being on the ship.

The Girl From London takes a fascinating turn once the main characters start the second part of their journey aboard the Rangitane.  The historical events covering the sinking of this ship off the coast of New Zealand during the war is absolutely amazing, and despite a love for history and a good knowledge of World War II history, I had personally never heard of the Rangitane before.  As such I was really enthralled by this real-life tale, and Spooner told it magnificently, examining the taking of the ship in detail and showcasing all the remarkable events that followed.  While these events in themselves are fascinating, Spooner makes them even more compelling by tying her great characters into this historical event.  By this point of the book, you’ve come to care for the characters, so having them involved in this tragedy really raises the stakes for the reader, especially as you know something bad has to happen to Ruth at some point.  This entire part of the book was pretty remarkable, and I really got caught up in how everything unfolded.

I think that Spooner did a pretty good job of bringing the two separate storylines together in an effective and enjoyable way.  As I mentioned above, I liked Spooner’s version of the relative finding out their grandparent’s story here, and the constant breaks in the World War II storyline to explore Hazel and Joe’s burgeoning relationship gave the story a distinctive flavour.  Honestly having her grandfather’s story not become Hazel’s entire identity was quite refreshing compared to other historical dramas I’ve read and I liked the mixture of storylines that emerged.  Still, it was good to get some closure on the main storyline surrounding Ruth, and I liked the emotionally powerful way that Spooner chose to have her story be told.  The ending is both tragic and heartwarming in all the right ways and this ended up being quite an excellent read.

Overall, The Girl From London is a wonderful and compelling historical drama that I had a fantastic time reading.  Olivia Spooner produced a compelling and emotionally charged narrative, that examines romance, sacrifice and the power of choices across the generations, while also diving into a fascinating historical event.  This ended up being an amazing book and Spooner definitely showcased her ability as an author in her first foray into historical fiction.

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Quick Review – The Pit by Peter Papathanasiou

The Pit Cover

Publisher: Maclehose Press (Trade Paperback – 25 July 2023)

Series: DS George Manolis – Book Three

Length: 297 pages

My Rating: 4 out of 5 stars

Amazon

Australian author Peter Papathanasiou returns with his third DS George Manolis novel, The Pit, a complex and intriguing piece of Australian crime fiction that takes three unlikely companions on a memorable road trip.

Plot Synopsis:

A third outback noir from Peter Papathanasiou, following Special Constable Sparrow as he investigates a cold case in a barren mining region of Western Australia.

With DS Manolis on leave in Greece, Senior Constable Sparrow receives a phone call from a man who wants to turn himself in.

Bob is sixty-five years old, confined to a Perth nursing home. But thirty years ago, he killed a man in the remote northern Kimberley mining region. He offers to show Sparrow where the body is, but there’s a catch: Sparrow must travel north with him under the guise of being his carer.

They are accompanied on the drive by another nursing home resident: Luke, thirty years old, paralysed in a motorbike accident. As they embark on their road trip through the guts of Western Australia, pursued by outback police and adrenaline-soaked miners, Sparrow begins to suspect that Bob’s desire to head north may have sinister motivations. Is Luke being held against his will? And what lies in store for them when they reach their goal?


The Pit
proved to be quite an interesting and compelling novel which honestly was very different from what I was expecting.  I thought this would be more of a standard crime fiction/murder mystery novel in the Australian wilderness, but instead I got a character driven story that dove into one protagonist’s complex life, and I honestly think it worked out better this way.

The plot of The Pit is very far removed from Papathanasiou’s previous DS George Manolis novels, with the protagonist of the first two books not even actually appearing.  Instead we get an intriguing story about supporting character Special Constable Sparrow, who finds himself presented with an unusual opportunity by an old man, Bob, wanting to confess to a 30-year-old murder.  While I do think that Sparrow agreed to Bob’s strange request without backup a little too readily, it sets up an interesting and heartfelt storyline where Sparrow accompanies Bob and Bob’s unsuspecting young protégé, Luke, across Western Australia into the heart of mining country.  The narrative splits into two separate timelines at this point, with the main narrative focusing on the three companions as they travel across the Pilbara, getting into all manner of trouble and meeting a range of outrageous and unique outback locals.  The other main storyline is a series of intense flashbacks that examine the full life of Bob and the many hardships he experienced as a homosexual man in Australia from the 1960s onwards.  There is also a subplot that follows the friendship Bob formed with Luke in the nursing home and why Bob decided to take him on the road trip.

These different fantastic storylines are interesting and emotional in their own way, and the reader gets heavily invested in seeing both the past and the present.  Bob’s tragic and violent life story really drags the reader in, and it was fascinating to see his take on the homosexual experience throughout various periods of recent Australian history.  At the same time, you get quite entranced by the unique friendship that forms between the three road trippers, especially as each of them has their own secrets, personal issues and emotional turmoil.  I felt that the darker past storylines blended well with the unusual hijinks of the modern storyline, and the hidden clues in Bob’s recounting of events ended up having some interesting impacts on the central story.  These split storylines come together in an excellent way, and Papathanasiou really lays on the tragedy in the main narrative threads, especially when it comes to Bob and the tragedies he’s experienced.  The ending of the book is quietly poignant and ultimately unavoidable, and you will come away quite moved by how everything turned out and how the main characters developed.

Papathanasiou backed up this emotionally rich story with some fantastic and highly detailed background settings.  The Pilbara in particular is shown in all its red glory, and the author does a remarkable job describing its harsh beauty and the heavy burden of those who traverse it.  The anecdotes about the unusual people who worked in the Pilbara, both in the modern day and in the 1970s and 80s, are pretty over-the-top and very entertaining to absorb.  I do hope that Papathanasiou was exaggerating just how crazy everyone out in the Pilbara is, as there were a lot of unsettling and concerning characters involved who added some interesting spice to the story.  The memorable social interactions and courtship rituals of the repressed male Pilbara mining community back in the 1970s also seemed a bit unlikely, and I doubt I will be able look at a ute full of blokes the same way again after reading this book.  These outrageous scenes were quite entertaining, and I think they helped to enhance some of the more emotional parts of the book in greater detail.  Throw in other interesting historical locations, such as Sydney during the AIDS epidemic, and you have a fantastic background to this intense story that Papathanasiou used to full effect to tell his unique story.

Overall, The Pit was quite a memorable and compelling read by Papathanasiou, who told quite a complex Australian tale.  As a dramatic Australian tale with historical elements more than a pure crime fiction read, The Pit was a fantastic book that beautifully dove into some dark issues and showcased some amazing characters.  Charming and heartbreaking, The Pit was an excellent piece of Australian fiction that is well worth checking out.

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Quick Review – The Paris Agent by Kelly Rimmer

The Paris Agent Cover

Publisher: Hachette Australia (Trade Paperback – 28 June 2023)

Series: Standalone

Length: 337 pages

My Rating: 4.5 out of 5 stars

Amazon

One of Australia’s premier authors of historical fiction, the supremely talented Kelly Rimmer, returns with another moving and intense novel that dives into the horrors of World War II, The Paris Agent.

Over the last couple of years, I have been deeply impressed with the works of Kelly Rimmer, a well-established Australian author whose previous novels have been excellent historical dramas set during the Second World War.  Rimmer’s books are pretty spectacular, as they masterfully blend powerful personal stories with intense depictions of key parts of the war, especially those involving the evils of the Nazi regime.  Her last two books, The Warsaw Orphan (one of my favourite Australian books of 2021) and The German Wife (one of my favourite books and Australian books of 2022), were exceedingly moving, and I now make it a point to grab her new books each year.  Her latest novel, The Paris Agent, presented the reader with an interesting new story, one that focuses on female espionage agents in occupied France.

Plot Synopsis:

Two otherwise ordinary women become spies in WWII France in this sweeping new novel of historical suspense by New York Times bestselling author Kelly Rimmer

Twenty-five years after the end of the war, ageing British SOE operative Noah Ainsworth is reflecting on the secret agent who saved his life when a mission went wrong during his perilous, exhilarating years in occupied France. He never knew her real name, nor whether she survived the war.

His daughter Charlotte begins a search for answers. What follows is the story of Fleur and Chloe, two otherwise ordinary women who in 1943 are called up by the SOE for deployment in France. Taking enormous risks with very little information or resources, the women have no idea they’re at the mercy of a double agent within their ranks who’s causing chaos.

As Charlotte’s search for answers continues, new suspicions are raised about the identity of the double agent, with unsettling clues pointing to her father.

This was another powerful and clever novel from Rimmer, who takes on another aspect of World War II and weaves together an outstanding story.  The focus on Allied female spies being dropped into occupied France is a well-established and highly utilised topic in historical fiction and historical dramas, and Rimmer manages to produce a very distinctive read in The Paris Agent that I found very hard to put down.

To tell her story, Rimmer utilises an excellent multi-perspective narrative, with some interesting time differences also added in for each of the timelines.  The first timeline, shown from the perspective of Charlotte, is set in 1970, and follows the protagonist’s attempts to find out more about her amnesic father’s activities during the war after she finds out he was a spy in France.  The other two storylines focus on the characters of Fleur and Chloe respectively.  Both characters were dropped into France at different points of the war to do their own specific missions, including committing sabotage and investigating reports that the local network had been compromised.  These two past storylines are set across a couple of years in the war, with the two protagonists interacting with each other, and Chloe’s father, Noah, at various points, and together the three storylines wrap together to provide a complex and powerful narrative of espionage, personal relationships, and betrayal, all set in front of the brutal Nazi occupation of France.

All three stories are brought together throughout the course of The Paris Agent, and I liked the complex and intriguing narrative threads that emerged.  The risks and sacrifices of the characters during the war are pretty intense, and the emotional connections that they make bring a compelling balance to the dark story elements of espionage and betrayal.  The third storyline that focuses on Charlotte and her father is also very good, both on its own and for how it supports and enhances the other two plot lines.  This more modern storyline gives some great hints at the tragedy to come in the other storylines, while also underlying further the cost that these intelligence agents had to make.  The intriguing hints that Noah might have been a traitor responsible for terrible events is very compelling, and it is fascinating to see the impact that the war was still having on survivors like him.

The two storylines in the past eventually come together in the last quarter of the novel, and some of the compelling twists that come from this are moving and dark.  The identity of the traitor, while not overly surprising, does have some major emotional heft to it, and you can’t help to despise the antagonist, especially as Charlotte’s storyline serves to underline all the terrible things they did.  Both the Fleur and Chloe storylines end on a very tragic, if inspiring, note, and readers will come away from that exceedingly saddened but impressed by how well written these storylines were.  I did think that the ending of the Charlotte storyline was a little weaker, mainly because it relied on a little too much on coincidence, and I think that the author left some intriguing story opportunities closed.  Still, I really appreciated how cleanly and powerfully these three separate storylines came together, and it resulted in an overall exceptional read.

Rimmer utilises some intriguing writing elements to ensure her story is extra impactful.  As I mentioned before, the use of multiple character perspectives and timelines was a major part of this book, and I was mostly happy with how that turned out.  I must admit that I am not the biggest fan of historical novels that features a storyline where someone in the present day attempts to uncover family secrets, as frankly it is bit of a cliché at this point.  However, I think that Rimmer did a good job here, as it was set far closer to the war, and the family secrets that the protagonist is trying to uncover are the result of amnesia, which is well balanced by the potential spy aspect.  The rest of the story flows through extremely well as a result, and I loved how cleverly the separate wartime storylines interacted and enhanced each other, especially when it came to Noah’s connected story and the examination of the potential treachery.

However, one of the best things about The Paris Agent for me was the outstanding and deep portrayals of the Nazi occupation of France and the espionage efforts the Allies utilised in response.  Rimmer always excels at diving into some of the darkest and most intriguing parts of World War II history, and The Paris Agent was another great example of this.  The author provides some intriguing examinations of how the Nazis controlled France during the war, and Rimmer tries to showcase the occupation from several different sets of eyes in various French settings.  However, the real focus of the book is on the intelligence networks that the Allies set up in France during the war and the missions they engaged in.  This compelling part of the war is always rich ground for historical fiction authors, and I think that Rimmer’s take on it was particularly noteworthy.  She really captures the intensity and dedication that these agents had, as well as the constant risk that they found themselves in.  The focus and portrayal of tradecraft, intelligence gathering, and communication was very realistic, and I cannot emphasise how well each of the major spy protagonists were developed and featured throughout the book.  Of course, as this is a Rimmer book, The Paris Agent does get very dark in places, mainly when it comes to the fate of captured spies and intelligence agents.  Rimmer pulls no punches when it comes to how badly these prisoners were treated, nor when it comes to the terrible fates they experienced.  The fact that many of the characters are based on real historical people makes parts of the book hit even harder, and you really won’t come away from The Paris Agent without a tear in your eye.

Kelly Rimmer continues to showcase why she is one of Australia’s best writers of intense and moving historical fiction.  The Paris Agent was an excellent piece of historical drama that features a powerful and compelling story about spies, tragedy and betrayal.  Cleverly written and guaranteed to stick with you long after you’ve finished reading it, The Paris Agent is an outstanding and highly recommend book that I am really glad I got to experience.

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Quick Review – Dirt Town by Hayley Scrivenor

Dirt Town Cover

Publisher: Macmillian (Trade Paperback – 31 May 2022)

Series: Standalone

Length: 359 0ages

My Rating: 4.25 out of 5 stars

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Intriguing new author Hayley Scrivenor presents her powerful and excellent debut novel with the powerful and dramatic Australian mystery, Dirt Town.

Plot Synopsis:

My best friend wore her name, Esther, like a queen wearing her crown at a jaunty angle. We were twelve years old when she went missing.

On a sweltering Friday afternoon in Durton, best friends Ronnie and Esther leave school together. Esther never makes it home.

Ronnie’s going to find her, she has a plan. Lewis will help. Their friend can’t be gone, Ronnie won’t believe it.

Detective Sergeant Sarah Michaels can believe it, she has seen what people are capable of. She knows more than anyone how, in a moment of weakness, a person can be driven to do something they never thought possible.

Lewis can believe it too. But he can’t reveal what he saw that afternoon at the creek without exposing his own secret.

Five days later, Esther’s buried body is discovered.

What do we owe the girl who isn’t there?

Character-rich and propulsive, with a breathtakingly original use of voice and revolving points of view, Hayley Scrivenor delves under the surface, where no one can hide. With emotional depth and sensitivity, this stunning debut shows us how much each person matters in a community that is at once falling apart and coming together.

Esther will always be a Dirt Town child, as we are its children, still.


Dirt
Town was a fantastic and clever novel that contains a lot of interesting elements and moving parts to it that I had an amazing time reading.  Set in the small Australian country town of Durton in late 2001, the crux of Dirt Town’s plot revolves around the sudden disappearance of local schoolgirl Esther, who vanishes on her way home.  The subsequent search and police investigation into the disappearance soon involves several different inhabitants of Durton, including Esther’s friends, family and other connections, many of whom are dragged into the case over the course of the following days.  The investigation and the eventual reveal of what happened to Esther slowly but surely tears the town of Durton apart, as everyone’s secrets come spilling out.

The story focuses on several intriguing protagonists, including Esther’s best friend, Ronnie, who attempts to find her without really realising what is going on; their fellow schoolmate Lewis, who witnessed something relevant to the case but is unable to say anything out of fear of being outed; the various relatives to the children; the cops that come to investigate; and more.  This strong focus on these complex characters allows Scrivenor to weave together a compelling and exciting tapestry of personal stories that are altered for the worse when Esther goes missing.  All the characters react to the disappearance in different ways, and the reader gets a deep and captivating look into their lives, which often reveal long-buried secrets, fears and insecurities that the investigation brings to the light.  At the same time, the hunt for the missing child reveals other crimes going on around Durton, and everyone is moved in some way by the events of the narrative.  The eventual reveal about what happened to Esther and who was involved is very intense, and I really loved the clever, heartbreaking twist that Scrivenor utilised here.  The author layers the story with some clues, but it is still shocking to see what unfolded, and the series of events that led up to it and followed from there.  Dirt Town ends with a satisfying, if very bittersweet, conclusion, and I really appreciate the impressive debut narrative the Scrivenor produced here.

This was a pretty moving and distinctive novel, as Scrivenor blends several genres together into a single riveting tale.  While mostly framed as a mystery novel, Dirt Town also has a strong drama aspect to it, especially when it comes to examining the lives and secrets of the various townsfolk.  This ensures that you get quite a lot of unique character interactions throughout Dirt Town, and it was very moving and powerful to see how everyone was impacted by the events of the plot, often in quite substantial and painful ways.  It is also a particularly good piece of rural Australian fiction, as Scrivenor, who grew up in a small country town herself, does an amazing job portraying the tight-knit community, isolated landscape, and the feeling of decline that many of these towns experience during times of hardship.  Scrivenor added in a distinctive, disassociated chorus narrator, which is essentially the joint voice of the town, which produces some poetic and insight examinations of the impacts that the case has on the town and its people, as well as providing compelling insights into how the town is generally faring.  These separate elements blend well into a captivating and moving story, and you can find yourself getting quite drawn into Dirt Town as a result.

Overall, I felt that Dirt Town by Hayley Scrivenor was an outstanding and very distinctive debut novel, and one that sets Scrivenor up as an interesting rising talent in Australian fiction.  A recommended read, especially for those who love complex stories in Australia’s unmatched rural setting, Dirt Town was an outstanding book that is well worth checking out.

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The Crimson Thread by Kate Forsyth

The Crimson Thread Cover

Publisher: Vintage Books Australia (Trade Paperback – 5 July 2022)

Series: Standalone

Length: 360 pages

My Rating: 4.5 out of 5 stars

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One of Australia’s premier authors presents another compelling and powerful historical drama with The Crimson Thread by Kate Forsyth.

Kate Forsyth is a very talented Australian author whose work I have long been a fan of.  While Forsyth is best known these days for her intense historical dramas, I personally am a big fan of her The Witches of Eileanan series, which I read when I was younger.  The Witches of Eileanan books, which were Forsyth’s debut series, follows a group of powerful magical users in a troubled fantasy realm filled with dragons, mages and monsters, as they attempt to overthrow a dark anti-magic tyrant and save the world from multiple impending threats.  Filled with great characters, impressive magic, a complex setting and some brilliant and occasionally dark storylines, this was a particularly awesome and epic series, and it was among the earliest fantasy books that I ever checked out.  I deeply enjoyed The Witches of Eileanan books and the sequel Rhiannon’s Ride series, and I have been meaning to reread them all for a while.  In the meantime, I decided it would be good to check out one of her more recent works with The Crimson Thread.  This intriguing and captivating historical drama is a lot more consistent with Forsyth’s current writing focus and I was very interested in seeing something from this genre.

By May 1941, the Nazis have conquered Greece and the island of Crete lies before them as the next land to control.  As the island prepares for invasion, young Cretan woman, Alenka, attempts to find some semblance of normality amongst the chaos, but chance meetings with two Australian soldiers stationed on the island will change her life forever.  When the Germans finally invade Crete in a massive and long-running battle, Alenka finds herself stuck in the middle of the fighting and eventually chooses to hide the Australians when the Germans win.

These two soldiers are Jack and Teddy.  Lifelong best friends, the rambunctious Teddy and the shy, scholarly Jack, joined the army together to see the world, only to get caught up in the chaos of the war.  Separated during the retreat to Crete, Jack and Teddy manage to reunite on the island, with both falling for the alluring Alenka upon meeting her.  When the Germans invade and they are trapped behind enemy lines with no hope of escape, both go to ground, seeking out help from Alenka and her allies in Crete’s resistance movement.

As the Germans tighten their hold on the island, Alenka, Jack and Teddy find themselves in constant danger as they attempt to find some way for the Australians to escape.  However, their attempts to evade the Nazis are not their only trouble, as Jack and Teddy’s once close friendship starts to deteriorate through jealously and anger.  Worse, Alenka’s brother, Axel, is a dangerous Nazi collaborator, whose long simmering anger and resentment threatens everything Alenka holds dear.  As Axel searches for a way to destroy his sister and her friends, all will be forced to make some hard choices, both on the battlefield and in love.

This was a deeply moving and highly detailed historical drama from Forsyth that I had a wonderful time reading.  Balancing a captivating historical tale of invasion in a unique World War II setting with a powerful tale of romance, broken friendships and family betrayals, The Crimson Thread is an outstanding novel which really highlights Forsyth’s impressive skill as an author.

The Crimson Thread has an excellent and fast-paced narrative that quickly drags readers in with the wartime action and keeps them there with the subsequent drama and tragedy.  Told from various intriguing perspectives, The Crimson Thread does a great job of quickly introducing you to the key characters and settings before bringing the terror in the form of a sudden and devastating Nazi invasion.  What follows is captivating tale of survival, endurance and resistance, as the three central protagonists attempt to evade and outwit the occupiers while also dealing with their own simmering feelings of love, betrayal and jealousy.  Forsyth weaves together some hauntingly tense and moving scenes throughout this narrative, as you see the characters thrust into all manner of dangerous and tragic circumstances amid the horrors of war.  The entire narrative has an excellent blend of action, high-stakes espionage and deep personal drama that I found myself really drawn to, all of which fits together perfectly with the distinctive setting and period.  The entire narrative takes place over the course of several years, and I deeply appreciate the long-term storylines that Forsyth utilised as you got to see the various characters grow and change throughout the war, often for the worst.  I loved the focus on camaraderie, identity and historical pride that was worked into the story, and all the unique plot points come full circle by the end.  Forsyth ends the entire excellent story of survival and war on a tragic, but hopeful note, and while you may end up with some conflicting feelings about the fates of some of the focal characters, readers are going to come away from The Crimson Thread both moved and satisfied with the story conclusion.

One of the things that I have always appreciated about books set during World War II are the sheer number of unique stories that can be written, as there were so many different battlefields, conflicts and personal dramas that resulted from them.  While I am fairly knowledgeable about history and World War II, I honestly knew very little about the occupation of Crete during the war, nor did I realise that Australian and New Zealand soldiers were stationed there when the Germans invaded.  As such I was pretty in the dark when it came to the historical context of the novel, but Forsyth was well on hand here and spent substantial time exploring the entire Nazi conquest and occupation of Crete during the war.  Everything is covered here, including the initial 11-day battle to take control of the island, the subsequent disorganised evacuation of Allied forces, the harsh occupation of the Cretans, which included several massacres, the resistance movements, and everything else that occurred from first day to the end of the war.  I was particularly intrigued by the role that Australian troops played during this conflict, and Forsyth made sure to really highlight why they were there and the various hurdles they faced during this war, including being trapped behind enemy lines with few options to escape.  All of this is worked into the story in a clever and impressive way, and the various characters find themselves involved in many of the key events, either as witnesses or participants.  You really find yourself getting drawn into the midst of these compelling historical events, and I personally found it incredibly fascinating to see them, especially as Forsyth did some substantial research for this book.

I also really appreciated Forsyth’s dive into the culture, history and iconic landscape of the main setting of Crete.  Most of this book takes place on this beautiful island, and I felt that Forsyth really captured the heart and soul of Crete and its people throughout the story.  There are some compelling dives into the identity and culture of the Cretan people, including the importance of their dress, their customs, their speech, and their defiant nature.  Due to most of this explanation being done to show the undercover Australian citizens how to blend, it proves to be very informative, and readers without much pre-knowledge of Crete come away with a lot of detail and appreciation for its people.  There are also some fun dives into the history of the island, particularly its ancient association with legend of the Minotaur and palace of Knossos.  Due to my background in archaeology, I found this to be extremely interesting, especially as there are also some compelling depictions and discussions about the famous excavations that took place on Crete during this period.  Throw in some breathtaking and highly detailed descriptions of the various environments and settlements on Crete, including its treacherous and massive mountains, which serve as a great setting for some particularly intense scenes, and you get an outstanding appreciation for this island.  All of this is utilised in The Crimson Thread’s story really well, as the characters, like the reader, really get to know the island and how it impacts many of their decisions and actions.

Forsyth also came up with some excellent and distinctive characters for The Crimson Thread, and their unique and emotionally rich storylines are a powerful part of this great book’s story.  This includes Alenka, who finds herself caught between her culture, her troubled family past, and her attraction to the two Australian soldiers she grows close to.  Despite primarily being shown as a strong and clever woman, Alenka goes through some real tragedies and trauma in this book that slowly wear away at her psyche.  I found it fascinating to see her growth throughout the book, as well as her attempts to overcome the various obstacles and indignities that come her way.  Alenka was really well counterbalanced by her brother, Axel, a dark and dangerous youth who serves as the book’s central antagonist.  Initially shown as a youth who grows into a dangerous teenager throughout the narrative, Axel is a complex figure.  A half-Cretan boy who is the result of an extramarital affair with a German archaeologist, Axel has borne the shame of his heritage for most of his life and endured the ridicule and disdain of everyone on the island.  Focusing on his German heritage, Axel becomes obsessed with Hitler and the Nazis and quickly grows to be a valuable collaborator for the occupiers, helping them root out the resistance and hidden Allied soldiers.  While he is an extremely repulsive and evil figure, you fully understand while he idolises the Nazis and tries to join them because of how well Forsyth explored Axel’s motivations and past.  Forsyth writes a very dark storyline around Axel, and it was fascinating to see him corrupted by both his own unfair past and the invading Nazis.

The other two main characters are the Australian soldier protagonists, Jack and Teddy.  Despite being old friends, these two are very much the opposite of the other, with Teddy being a wild, confident and arrogant figure, while Jack is a kind and shy man with a stutter.  While you wouldn’t think that they would be friends, Forsyth does a good job establishing their bond, and you fully understand why they are close to each other.  Both characters are interesting in their own right, and I appreciated how Forsyth highlighted their differences and showed how their relationship eventually broke down over their mutual attraction to Alenka.  Teddy’s slow crawl from causal larrikin to arrogant jerk is subtle, but well formed, and the author shows some compelling, but damning, change in views in his mind throughout The Crimson Thread.  Jack, on the other hand, grows from unconfident scholar to strong-willed fighter, all thanks to his love of Alenka.  I loved how Forsyth showed all his artistic skills and passions, such as poetry, as a strength, and it was pretty fun to see him succeed in the specialised spy school both characters end up in.  This poetry actually had an interesting role in the wider book, and you can see a great example of it at the start of different chapters.  Forsyth really excelled at creating some amazing and captivating character arcs throughout The Crimson Thread, and I had an outstanding time getting close to these figures and experiencing their triumphs and dark pains.

Overall, The Crimson Thread was a wonderful and deeply moving read that ended up being one of the better historical dramas I have read this year.  Kate Forsyth continues to shine as an extremely talented Australian author, and I had fun exploring a book from her current genre of choice.  Featuring some damaged characters, a powerful story and some exquisite dives into Crete and its wartime history, The Crimson Thread is a captivating and clever novel that I had an outstanding time reading.

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Quick Review – Esther’s Children by Caroline Beecham

Esther's Children Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 3 May 2022)

Series: Standalone

Length: 361 pages

My Rating: 4.25 out of 5 stars

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Prepare to read about one of the more unique experiences of World War II with an excellent and moving historical drama, Esther’s Children by fantastic Australian author Caroline Beecham.

Plot Synopsis:

Inspired by the extraordinary life of Esther Simpson, Esther’s Children is a powerful novel of love and courage.

Austria, 1936: Esther ‘Tess’ Simpson works for a British organisation that rescues academics from the cruel Fascist and anti-Semitic regimes taking hold in Europe. On a dangerous trip to Vienna to help bring aid to Europe’s threatened Jewish scholars, Esther meets Harry Singer, a young Jewish academic and musician.

Tess works tirelessly to rescue at-risk academics and scientists from across Europe, trying to find positions for them in Britain and America. In 1938, she secures employment for Harry at Imperial College, London, their love affair intensifying as the world heads into war, yet they are separated once again as Britain moves to intern European refugees.

With Harry detained on the Isle of Man while still waiting for news of his parents, Esther and the Society plead with the government for the interned scientists’ release. When Harry is eventually liberated, his future with Esther is by no means secure as he faces an impossible choice.

Confronting the horrific dangers of World War Two with remarkable integrity and bravery, Esther Simpson is revealed as an exceptional heroine.

This was a rather great read from Caroline Beecham, who once again plumbs the highs and lows of history’s greatest struggle to produce an excellent read.  Beecham, who has written several other intriguing historical dramas, including 2020’s Finding Eadie, is a talented Australian author whose novels usually feature an intriguing hook around World War II.  Her latest novel, Esther’s Children, is probably my favourite one of her books so far, and tells another powerful and intense story about love, survival, and the evils committed during war time.

In Esther’s Children, Beecham has written a particularly clever and compelling story that follows the life of real historical figure Esther Simpson.  Adding in some fictional and dramatic details, Esther’s Children turns into a multi-year tale that showcases Esther’s work as she attempts to rescue academics from Nazi controlled countries in the lead-up to the war and beyond.  In particular, it follows her interactions with fictional character/love interest Harry Singer, as she attempts to get him out of Vienna and into England.  This forms the basis for an intense and heartbreaking story as these two ill-fated lovers are forced to ] contend with the obstacles placed before them, including the encroaching war, the machinations of the Nazis, the bureaucracy surrounding asylum seekers coming to England, and subsequent prejudice faced even after Harry has reached safety.  Told using a split perspective between Esther and Harry, you get an intense inside look at both characters as they attempt to overcome the odds keeping them apart, while also experiencing some of the horrors brought on by the Nazis and others, with the reader hit by constant frustration at everything that happens to these characters.  This entire story moves at a brisk and intense pace, and you will be swiftly drawn into the clever and touching narrative that is driven by these two characters’ experiences.  The way everything turns out is both poignant and heartbreaking, and I felt that this was a great and captivating read.

Esther’s Children’s dramatic story is greatly enhanced by the captivating and fascinating historical details that Beecham has set it around.  The author has clearly done a ton of research to pull her story together, and I was very impressed with some of the unique elements it contains.  Not only do you have some fantastic, if very disturbing, depictions of the Nazi movement taking over Austria, but the story goes out of its way to highlight the work done to get certain (primarily Jewish) academics out of Europe.  Focusing on the work of Esther Simpson, a unique figure from history who I was pleased to learn a lot about in this novel, you see the Society for the Protection of Science and Learning attempt to help these academics emigrate and find them jobs in England’s educational and government settings.  This novel really focuses on the impact that Esther had for many famous academics (her children, many of whom appear in the plot) and I found it fascinating to learn about her work and the people she helped.

However, I personally thought that the most fascinating historical aspect of this book was the subsequent imprisonment of these scholars and scientists by the English once the war broke out.  I must admit that I was unaware of just how widespread and unfair the interment of German nationals in England was during the war, and I was very surprised to find out that so many refugees and fleeing Jews were also incarcerated in places like the Isle of Man, often alongside Nazi sympathisers.  Shown directly through the eyes of one of her protagonists, Beecham paints a pretty grim picture of the terrible life that these incarcerated people would have experienced, and it was pretty heartbreaking to see all these people who had already lost everything get locked up by the country they were trying to help.  I really appreciated the powerful emotional weight that the author loaded into all the historical scenes, and they really work to expand on the dramatic and romance elements of the entire novel.  I cannot wait to see what unique historical element Beecham will explore in her future novels, but I am sure it will be fascinating.

Overall, Esther’s Children is a particularly powerful and captivating read that really highlights Caroline Beecham’s great skill as a historical drama author.  Expertly combining intriguing and dark elements of history with a dramatic tale of love, loss and regret, Esther’s Children becomes harder and harder to put down as the story progresses and you are drawn into the character driven narrative.  An excellent historical drama that is really worth checking out.