Quick Review – Resistance by Mara Timon

Resistance Cover

Publisher: Zaffre (Trade Paperback – 30 November 2021)

Series: City of Spies – Book Two

Length: 416 pages

My Rating: 4.25 out of 5 stars

Prepare to dive into the intricacies of World War II espionage with a second fantastic historical thriller from Mara Timon, Resistance.

Timon is a brilliant author who debuted in 2020 with her intriguing novel, City of Spies, which followed a British agent sent to infiltrate neutral Portugal and encounter all manner of dangers and deceit.  Timon has now followed up this impressive debut with an intriguing sequel, Resistance, which follows the protagonist of City of Spies as she is sent to German-occupied Normandy days before the Allies invade.

Synopsis:

Three women. One mission. Enemies everywhere.

May 1944. When spy Elisabeth de Mornay, code name Cécile, notices a coded transmission from an agent in the field does not bear his usual signature, she suspects his cover has been blown– something that is happening with increasing frequency. With the situation in Occupied France worsening and growing fears that the Resistance has been compromised, Cécile is ordered behind enemy lines.

Having rendezvoused with her fellow agents, Léonie and Dominique, together they have one mission: help the Resistance destabilise German operations to pave the way for the Normandy landings.

But the life of a spy is never straightforward, and the in-fighting within the Resistance makes knowing who to trust ever more difficult. With their lives on the line, all three women will have to make decisions that could cost them everything – for not all their enemies are German.


Resistance
was an impressive and clever historical spy thriller that proves to be extremely addictive and exciting.  Set several months after the events of City of Spies, Resistance sees the protagonist and point-of-view character Elisabeth sent to infiltrate occupied Normandy under a new cover identity to assist the local French Resistance as a wireless operator.  Simultaneously gathering intelligence and investigating a potential mole in the French organisation, Elisabeth works with several other female spies in the area and is forced to contend with traitors, radicals and the Gestapo.  This story gets even more intense the further it goes, not only because a figure from the protagonist’s past comes into the picture and complicates events, but because the last third of the novel features the D-Day landings at the nearby Normandy beaches.  This forces the protagonist and her friends to encounter several attacks and betrayals amid the chaos of invasion and it leads to an incredibly exciting and captivating final section that is honestly impossible to put down.  While I did think that a couple of character arcs were a bit underdeveloped and unnecessary to the plot, this was an overall epic story and I really appreciated the complex and powerful narrative that Timon came up with.

I felt that new readers could easily get into Resistance with having read the preceding novel City of Spies.  Timon does an excellent job of explaining all the key events of the first novel, and readers are quickly informed of everything that would impact that plot of this sequel.  That said, fans of City of Spies will find this to be a pretty good sequel as several intriguing storylines are continued throughout the plot of the book.  Not only do key characters make significant reappearances but you also have a continuation of the fantastic romantic arc between Elisabeth and German officer Eduard Graf, who got married in the first novel.  Despite being an unusual relationship, this was an excellent storyline to continue and it was great to see the two interesting characters continue their forbidden love in the midst of war and intrigue, especially as both have major secrets (one is a spy, the other is planning to assassinate Hitler; it’s complicated) and are trying not to expose each other to their enemies.  I will be really intrigued to see where this series goes next, especially if Elisabeth is dropped into Germany either during Operation Valkyrie or the dying days of the war

One of the things that I most liked about Resistance was how this book ended up being a particularly solid and compelling historical thriller that emphasised its gritty and realistic spy elements.  Timon strives to strongly emphasise all the historical espionage aspects of the plot, and it was fascinating to see all the cool details about spy craft and being an undercover radio operator.  There was also a great focus on the abilities of Britain’s legendary female operatives, and Timon ensured that this book felt as realistic and compelling as possible.  Throw in some cool historical characters, such as members of the SOE and key German soldiers, like Erwin Rommel, and you have a particularly good historical thriller that was a lot of fun to explore.

With her second book, Resistance, impressive author Mara Timon continues to shine as a bright new figure in the historical thriller genre.  Perfectly combining realistic espionage elements with an iconic and dangerous historical setting, Resistance serves as an excellent sequel to Timon’s debut, City of Spies, and proves to be extremely addictive and compelling.  An awesome and highly recommended read.

Kill Your Brother by Jack Heath

Kill Your Brother Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 30 November 2021)

Series: Standalone

Length: 339 pages

My Rating: 5 out of 5 stars

One of Australia’s most brilliant and potentially psychotic crime fiction authors, Jack Heath, returns with a powerful and captivating thriller, Kill Your Brother, which was one of the best pieces of Australian fiction I read all year.

Would you kill your brother to save your own life?

That is the question that Elise Glyk is forced to ask herself after being placed in an impossible situation.  Elise, a disgraced athlete hated by the entire country, is a woman on a mission.  Her brother, Callum, a popular local teacher, has been missing for a month, and the police have been unable and unwilling to find him.  Determined to locate Callum, Elise’s investigation eventually leads her to a dilapidated local farm, where she is shocked to discover her brother being held prisoner in a modified septic tank.  However, before she can rescue him, Elise is captured and thrown into the same hole as her brother.

Their captor is heartbroken former sheep farmer Stephanie Hartnell, who believes that Callum is responsible for her daughter’s death and has been attempting to force him to confess to his supposed crimes.  However, Stephanie doesn’t have room for two prisoners, and while she doesn’t want to hurt the innocent Elise, she needs to make sure that she won’t immediately go to the police.  To that end, she offers Elise a deal: kill your brother and you’re free to go.

Not even considering the deal, Elise attempts to find another way to gain their freedom.  Trying to find a way to escape while also working to prove Callum’s innocence to Stephanie, Elise hopes that someone will eventually be able to find them before time runs out.  However, the more Elise digs into her brother’s story, the more inconsistencies she discovers.  What is her brother really hiding, and how will either sibling react when the truth comes out?

Kill Your Brother was an awesome and impressive novel that I powered through in a couple of days due to its incredible narrative and amazing twists.  This was a great standalone book from Jack Heath, an author from my home city of Canberra, who has written some fantastic thrillers over the years.  This includes his bestselling Timothy Blake series, the third book of which, Hideout, was one of my favourite pieces of Australian fiction in 2020Kill Your Brother was originally released as an Audible original audiobook, with the paperback version I read subsequently rewritten and adapted into a novel format.  I had an outstanding time reading this book, and it was an excellent and impressive Australian thriller.

This book has an incredible story that takes the reader on a powerful thrill ride that they cannot get off if they tried.  Told using several character perspectives, Kill Your Brother quickly launches into the book’s deadly and compelling scenario, with Elise, a universally hated woman, attempting to find her brother.  Her hunt, which has been going on for months, has been largely unsuccessful, and the evidence found at her brother house’s, combined with her own reputation, means that everyone in her life constantly brushes her off.  However, Elise’s perseverance pays off when she finds Callum being held in a septic tank in Stephanie Hartnell’s backyard.  Posing as a private investigator, Elise tries to reason with Stephanie while plotting an escape, but she is soon forced into the ultimate no-win situation when given the option to kill her brother.  From there, the story devolves even further, with several escape attempts and mounting danger from their captor, and the two siblings turning against each other as their situation gets more desperate.  As the story progresses, several viewpoints on the situation and the events leading up to it are presented.  As the protagonist attempts to survive you get an interesting view of what Callum is accused of, and the eventual reveal of the full picture really influences the rest of the narrative.  This all leads up to the gripping and deadly finale in which every secret comes out and no-one is left untouched by the revelations and accompanying violence.

I really cannot exaggerate how awesome this cool narrative is.  Heath has gone out of his way to make Kill Your Brother’s story as clever and thrilling as possible, and I loved every single second that I spent reading it.  This book is filled with some brilliant twists and reveals, and Heath does a wonderful job of setting each of them up and slowly revealing them as the book progresses.  I honestly did not see half the twists coming and I loved how several small and seemingly inconsequential details eventually come back with amazing significance towards the end.  Heath also perfectly utilises a series of flashbacks that examine Elise’s past, showing why she is so disliked, while also revealing several clues about her family and the circumstances that lead to her brother’s imprisonment.  This was a really good standalone read, and potential readers are guaranteed a satisfying ending after getting stuck into the unique mystery and scenario.  I deeply enjoyed how this novel flowed, and there were no obvious issues with this being an adaption of an audiobook novella.  The impressive combination of character history, twisty writing and fast-paced storytelling ensured that I was deeply addicted within a few pages of starting.

One of the things that I must highlight is the fantastic central protagonist, Elise.  Elise is a brilliantly complex and sympathetic figure due to her complicated and tragic past, which has led to her current ostracism from her community and the hatred of the entirety of Australia.  I really enjoyed the impressive and complex backstory that surrounds this interesting and unique protagonist, especially as Heath did a great job of gradually introducing the full character history as the book progressed.  The whole angle is perfectly portrayed, including her motivations and the distinctly unfortunate events surrounding her disgrace, as well as the predicted reaction of the ordinary Australian sports fans.  This compelling and damaging backstory gives her quite an interesting insight and set of emotions regarding the events around her, as well as some intense determination to survive no matter the odds.  This helps produce a really fascinating character driven narrative, and I deeply enjoyed seeing the captivating and emotionally rich development that surrounded this brilliant protagonist.

I also deeply appreciated the way that Heath captured the feel of small-town Australia in his writing.  Most of the story is set in the fictional town of Warrigal, which draws a lot of inspiration from the small rural settlements throughout Australia, such as Braidwood, where Heath apparently wrote a good portion of this novel.  I really think that Heath did an amazing job of portraying the attitudes and mindsets of people in these sorts of locations, and you get an impressive sense of the location.  Watching the protagonist attempt to deal with the challenges of being the biggest pariah in her small town is pretty fascinating, and it was also compelling to see some of the limitations of a police investigation in this location, especially when it comes to locating a missing teacher.  The impacts of growing up in such a location also become a major part of the protagonist’s backstory, especially as the pressures of succeeding and representing her family and town drive her to make some mistakes.  I also must highlight the tiny pit that the protagonist and her brother find themselves held captive in.  Heath ensures that the reader gets the full sense of claustrophobia and the feeling of being trapped as the book progresses, especially once the characters become weaker and start turning on each other.  This intense and claustrophobic setting really helps to amp up the tension, and you will feel very uncomfortable during the scenes set down there.  Finally, I had a lot of fun with the author’s occasional visits to Canberra throughout the book, mainly because it was interesting to see the author’s take on my home city.  Overall, these settings are perfectly portrayed and the reader gets a real sense of them, especially the small-town lifestyles.  These work in the narrative extremely well, and it was a lot of fun to see the various characters’ experiences and impressions of them.

Kill Your Brother was an exceptional read from Jack Heath, who is quickly becoming one of Australia’s most impressive thriller writers.  This brilliant, dark and exceedingly clever thriller takes the reader on an incredible ride, and I loved seeing all the unique and captivating twists and turns that Heath came up with.  Focused around an amazingly complex protagonist and making full use of the rural Australian landscape, Kill Your Brother’s story is just incredible, and I am still reeling about some of the twists it contains.  This is a highly recommended read that gets a well-deserved five-star rating from me.  I am extremely excited to see what Heath writes next.

Quick Review – The Return by Harry Sidebottom

The Return Cover

Publisher: Zaffre (Trade Paperback – 11 June 2020)

Series: Standalone

Length: 307 pages

My Rating: 4.5 out of 5 Stars

Bestselling historical fiction author Harry Sidebottom takes you on a dark and compelling adventure into the mind of a haunted Roman soldier as he returns home only to find more death waiting for him with, The Return.

Harry Sidebottom is an impressive author specialising in exciting and detailed Roman historical fiction novels, whose work I have been enjoying for years.  Sidebottom has so far written two amazing series, the Warrior of Rome series, which followed a barbarian turned Roman general, Ballista, as he attempts to survive the machinations and wars of the Empire, and The Throne of the Caesar’s novels that examined some of the more obscure and chaotic Roman Emperors.  In recent years Sidebottom has started experimenting with some compelling standalone novels.  The first of these, The Last Hour, brought back Ballista and set him on a fast-paced adventure through Rome in a manner reminiscent of the television series 24.  His next novel The Lost Ten, featured a group of 10 mis-matched Roman soldiers who are sent on an infiltration mission into enemy territory to break a high value target out of prison.  His third standalone novel was The Return, which came out last year.  I read it a little while ago and failed to provide a timely review for it.  However, as Sidebottom’s latest novel, The Burning Road, has just been released, I thought I would take this opportunity to quickly review The Return so I have a clean slate when I get my hands on a copy of his latest book.

Synopsis:

He came home a hero.
But death isn’t finished with him yet . . .

145BC – CALABRIA, ANCIENT ROME. After years of spilling blood for Rome, Gaius Furius Paullus has returned home to spend his remaining days working quietly on the family farm.

But it seems death has stalked Paullus from the battlefield. Just days after his arrival, bodies start appearing – murdered and mutilated. And as the deaths stack up, and panic spreads, the war hero becomes the prime suspect. After all, Paullus has killed countless enemies on the battlefield – could he have brought his habit home with him?

With the psychological effects of combat clouding every thought, Paullus must use all his soldier’s instincts to hunt the real killer. Because if they are not brought to justice soon, he may become the next victim.

The Return was an intriguing and compelling novel that contains a brilliant and dark historical murder mystery.  Like some of his previous novels, Sidebottom has blended some unique crime fiction/thriller elements with his traditional historical settings and storylines.  As such, The Return reads like an interesting combination of historical fiction and a darker crime novel, specifically Scandi noir.  This results in a clever and compelling character driven narrative that follows a dark and conflicted Roman protagonist who is forced to investigate a series of murders in his grim and forbidding village.  The author does a wonderful job of blending his historical elements with the compelling crime fiction storyline, and the reader is soon treated to a harrowing and exciting murder investigation.  There is some brilliant use of a darker location, including a forbidding forest, as well as a lot of focus on his haunted protagonist, especially through a series of flashbacks.  All this comes together into an excellent narrative, and it was fascinating to see Sidebottom’s damaged protagonist dive head long into danger while trying to solve the murder and prove his own innocence.  While I did think that the solution to the mystery and the culprits behind the murder was a little obvious, this ended up being an excellent and impressive novel.  Sidebottom really takes the readers on a harrowing and enjoyable ride here, and I ended up getting through it in a few short days.

I was deeply impressed with the dark and guilt-ridden protagonist who Sidebottom set this great story around.  Paullus is a recently returned soldier who received much acclaim during Rome’s war with ancient Greece, but he is also haunted by his actions there, particularly around the fates of two of his comrades.  Thanks to his guilt he constantly sees the Furies, the Roman goddesses of vengeance and retribution, who remind him of the wrongs he commits.  To avoid seeing them Paullus dives headfirst into danger, as the threat of death is the only thing that alleviates his guilt.  This helps turns Paullus into a fascinating and deeply complex figure who has some interesting interactions with his own emotions and the people from his pre-war life who don’t understand what he is going through.  Sidebottom utilises a series of flashbacks to showcase Paullus’ military career and you slowly get the entire story of the protagonist’s heroic past, as well as the event that led to his intense guilt and heartache.  While I did think that Sidebottom might have been a tad heavy-handed with the flashbacks (it makes up nearly half the novel), I did really appreciate the sheer amount of work he put into his great protagonist.  The author did an impressive job of simulating the guilt, fear and anger of a war veteran attempting to re-enter society and it was really compelling to see.  I also deeply appreciated the author’s trick of personifying this guilt into visions of the supernatural Furies, especially as it is never fully established whether they are there or just figments of his damaged mind.  The use of Paullus as the central protagonist really enhanced The Return’s excellent story and he was an outstanding investigator for this fantastic murder mystery.

I also really enjoyed the cool historical fiction elements contained within this novel.  The Return takes place in 145BC, which is one of the earliest times that Sidebottom has explored in his historical fiction novels.  I deeply enjoyed the exploration of this time, especially as Sidebottom features more obscure conquests and locations.  The central location of the story, Calabria in Southern Italy, proved to be a fantastic and interesting setting, especially as this region of Italy contained two distinctive social groups, the Roman settlers and the original inhabitants.  Due to their historical support of Hannibal during the Punic Wars which saw them forced to give up their lands, the locals are treated as second-class citizens by the Romans, who use them as slave labour.  This adds some extra drama and intrigue to the story as these local tribes get caught up in the paranoia and despair around the hunt for the murderer.  I also really appreciated Sidebottom’s examination of the Roman invasion of Greece that the protagonist fought in.  This is one of the more obscure conflicts from Roman history and the author provides a detailed account of the causes, battles, and eventual consequences of the conflict.  I deeply enjoyed exploring this period in the flashback chapters, as there were some detailed and powerful battle sequences which featured some distinctive clashes between Greek and Roman military styles.  Throw in some Greek and Roman mythology as a potential cause for the murders or the protagonists’ actions, and you have quite a brilliant historical tale.  These grim and bloody historical elements blended perfect with the darker story that Sidebottom was telling and it was absolutely fascinating to see how they were incorporated into The Return’s compelling, multi-genre style.

Overall, The Return was an epic and complex novel that continued to showcase Harry Sidebottom’s amazing talent as a writer.  This fantastic novel ended up being one of the more unique historical fiction books I have ever read and I deeply enjoyed the cool combination of classic Roman history and darker crime fiction elements, especially when shown through the eyes of an extremely damaged protagonist.  This book comes highly recommended, and I cannot wait to get my hands on Sidebottom’s latest novel, The Burning Road.

The Dark Hours by Michael Connelly

The Dark Hours Cover 2

Publisher: Allen & Unwin (Trade Paperback – 9 November 2021)

Series: Ballard & Bosch – Book Three

Length: 391 pages

My Rating: 5 out of 5 stars

The master of crime fiction, bestselling author Michael Connelly, returns with another outstanding Ballard and Bosch novel, The Dark Hours, which sets his iconic protagonists on another intense and captivating case.

Connelly is one of those authors who needs very little introduction, having written an amazing number of crime fiction novels throughout his exceptional career.  I have really been getting into Connelly’s work lately, especially after reading his 2020 releases, Fair Warning and The Law of Everything.  However, my favourite Connelly novels have probably been the Ballard and Bosch sub-series, which follows the team of two of Connelly’s great protagonists.  This includes Renée Ballard, who debuted as the lead character of The Late Show, and Harry Bosch, Connelly’s long-running protagonist who has appeared in nearly every one of Connelly’s books since The Black Echo.  These two protagonists first teamed up in Dark Sacred Night in 2018, and then again in The Night Fire, one of the best books and audiobooks of 2019.  I have deeply enjoyed these two characters, and I was very excited when I saw that Connelly was featuring them again in his latest novel, The Dark Hours, which was one of my most anticipated releases for 2021.  The Dark Hours is the 36th overall novel in Connelly’s overarching crime fiction universe and proved to be another exciting and clever read.

As the clock ticks down the last seconds of 2020, the citizens of Los Angeles celebrate New Year’s Eve in their typical chaotic way, with hundreds of celebrators firing guns up into the air, with a rain of bullets coming down shortly after.  Sheltering under a bridge, LAPD detective Renée Ballard is staking out the nearby neighbourhood in hopes of catching a team of rapists terrorising women during the holidays.  However, she instead finds herself called to the scene of a party where an auto shop owner has been fatally hit in the head with a bullet.

Initially assuming that the death was an accident brought on by the lateral bullets fired in celebration, Ballard soon discovers that the shooting occurred at point-blank range, indicating that someone used the revels to disguise their up-close murder.  Starting her investigation, Ballard soon discovers that the same gun was used in an unsolved murder case which had been investigated by her friend and mentor, retired LAPD detective Harry Bosch.

Working with Bosch, Ballard soon finds herself on the trail of a dangerous killer who may have killed many times before and is at the centre of a deadly conspiracy.  Determined to catch this killer before the case is taken away from her, Ballard is willing to break any rule to catch her suspect, no matter the danger to herself or her career.  At the same time, Ballard becomes obsessed with catching the team of rapists destroying lives in her city, but finds herself fighting against a demoralised and uncaring police department, more concerned with maintaining their image than police work.  Can Ballard and Bosch solve these latest crimes before it is too late, or will the predators they stalk land another fatal strike?

This was another incredible book from Connelly that contains a clever and captivating murder mystery that I deeply enjoyed.  The Dark Hours has a fantastic story to it, that not only takes the reader on an intense and particularly dark couple of cases but which also explores the state of policing in 2021.  A brilliant and powerful read, this was an excellent Connelly novel that gets a full five-star rating from me.

Connelly came up with an exceptional crime fiction narrative for The Dark Hours, which I powered through in a few days.  This latest story, told exclusively from the perspective of Ballard, follows the character as she investigates several horrific crimes.  There are two central cases in this book; the first involves a murder of a mechanic, which sees Ballard connect with her old friend Harry Bosch, who previously worked a connected cold case; and the other is a series of rapes throughout LA, made distinctive by the presences of a two-man team.  These two cases are both pretty compelling and unique in their own way, with Ballard getting quite obsessed with both of them.  The murder case has several outlying threads that see Ballard and Bosch chase down gang connections, dirty cops, and a wide-ranging conspiracy of dentists, all of which results in a tight and powerful investigation story with some substantial dangers to Ballard.  The rape case is a dark and disturbing counterpart to this murder, and Connelly ensures that the full horror of this particular type of crime is on full display.  Both of these cases come together extremely well as the story progresses, and I really appreciated how some of the emotions and consequences stirred up in one case led to the characters doing some rash and dangerous things in the other.  Throw in some major professional drama around Ballard, and you have an intense and powerful narrative that really sticks in the mind.  I loved some of the cool and dark twists associated with these intriguing storylines, and Connelly certainly has the ability to create some major and memorable moments.  The Dark Hours also does a good job of continuing some of the storylines from the previous novels, particularly around Ballard’s many issues as a member of the LAPD, and it sets up some future plot points that will no doubt make for an awesome novel or two in the years to come.

One of the most interesting things about The Dark Hours is Connelly’s compelling and in-depth examination of the LAPD in early 2021, following COVID and the protests of 2020.  Connelly paints a detailed and intriguing picture of the LAPD as a dispirited and defunded organisation which has withdrawn from proactive police work and is instead more concerned with avoiding bad publicity and controversy.  The police characters featured within this novel are notably unmotivated and aggrieved, with many more concerned with their own lives than protecting people.  This is a rather grim but seemingly realistic view of the LAPD, and I really appreciated the fact that Connelly attempted to explore what life as a police officer is like in these controversial times.  The author makes sure to try and show both sides of the debate around policing, made easier by his protagonist’s status as LAPD outsiders, and it was fascinating and moving to see the police perspective.  The apathy of the LAPD comes into play in the story in multiple ways, and it was an exceptional and memorable inclusion to The Dark Hours.  In addition, Connelly spends a lot of time exploring early 2021 Los Angeles, with multiple references to masks, vaccines, unemployment and all the other aspects of COVID-19 that we have come to know and love.  While most people are probably quite sick (ha!) about seeing all the COVID stuff wherever you go, even into book-land, those authors wishing to display modern life need to include it, and I felt that Connelly did a great job showing it from an LA perspective.  Throw in some commentary on other key events of early 2021, and The Dark Hours turns into quite a contemporary novel with some extremely intriguing opinions and insights.

Another aspect of The Dark Hours that I enjoyed was the fantastic use of characters featured within it.  In particular, it was rather interesting to see which protagonists got the most focus throughout the novel.  When I first started reading this novel, I assumed that, like the previous Ballard and Bosch books, the story would be a split perspective narrative featuring the two main characters.  Instead, the entire story ended up being told exclusively from Ballard’s point-of-view, with Bosch featured as a supporting character.  While some long-term Bosch fans might feel a little let down, I personally did not mind this as Ballard has been a really fascinating and relatable protagonist in her last few novels.  Ballard has always been an outcast in the LAPD, following her attempt to report her previous supervisor for sexual harassment, and this sense of being an outsider has only intensified throughout her more recent novels.  This all comes to a boil in The Dark Hours, as Ballard is continually stymied by the new attitude of the LAPD, and is constantly undermined by ineffective, dispirited and politically minded colleagues and superiors.  This eventually forces her to adopt a more Bosch-like mentality and she goes outside the lines multiple times to try and bring her culprits to justice.  I rather liked this more reckless side of Ballard, and it ends up resulting in some major changes to her personality and potential law enforcement future.  It was also very fascinating to see Ballard’s opinions on the recent issues affecting policing, and even she finds herself quite angry with some of the accusations levelled against her and the LAPD, despite harbouring her own negative opinions.  Throw in an interesting new relationship and a fun new puppy friend, and this ended up being a particularly good Ballard story.  I look forward to seeing more of Ballard in the future, and I really think that Connelly is setting her up as his primary police character for the future.

While most of the focus is on Ballard, Bosch still has a significant role in The Dark Hours, serving as the main supporting character and Ballard’s unofficial partner.  While it was a little odd not to see Bosch’s perspective on the two main investigations, he was a great wingman to the protagonist and I liked how Connelly was able to work Bosch’s veteran mindset into Ballard’s way of thinking.  It was fun to see him serve the joint role of being Ballard’s voice of reason while also subtly encouraging her to do some more rebellious moves.  I really enjoyed seeing more of Bosch in the book, and it will be interesting to see what Connelly does with him in the future.  Considering that Bosch is currently a much older, out-of-work detective currently battling leukaemia, you have to imagine that Connelly is planning to retire him permanently some point soon, and I am curious to see how or when that happens, no doubt occurring in heartbreaking fashion.

Overall, The Dark Hours is another exceptional novel from Michael Connelly, who continues to showcase why he is one of the best and most consistent authors of crime fiction in the world today.  This latest novel serves as an excellent continuation of the Ballard and Bosch subseries, and it is always so much fun to travel back into Connelly’s expanded and intriguing crime fiction universe.  The Dark Hours has an outstanding and compelling narrative that follows the authors dogged protagonist as she investigates several major and disturbing crimes.  I was pretty much hooked the moment I picked this book up and it is a must-read for all crime fiction fans.

Aurora’s End by Amie Kaufman and Jay Kristoff

Aurora's End Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 2 November 2021)

Series: Aurora Cycle – Book Three

Length: 493 pages

My Rating: 4.5 out of 5 stars

The all-star team of Australian authors Amie Kaufman and Jay Kristoff present the third and final novel in their epic Aurora Cycle series, with the intense and clever young adult science fiction novel, Aurora’s End.

Over the last few years, I have been deeply enjoying the outstanding partnership of Amie Kaufman and Jay Kristoff.  Both Kaufman and Kristoff are accomplished authors, with several independent series to their name, such as Kristoff’s Lifel1k3 series (make sure to check out my review for the second book, Dev1at3).  However, I think that some of their strongest work has been together, as Kaufman and Kristoff have previously co-authored the acclaimed The Illuminae Files trilogy.  Their latest collaboration, The Aurora Cycle, has been a particularly amazing young adult science fiction series, and I have been really enjoying its cool story.

The Aurora Cycle novels are set in a far future when humans have expanded out into space and encountered a range of different alien species.  Peace between these species is kept by the Aurora Legion, an intergalactic collation of peacekeepers, made up of teenagers of various species (a slightly more hormonal Starfleet, slightly).  The series follows Squad 312, a group of misfits brought together thanks to the arrival of the mysterious Aurora O’Malley.  Auri is a girl out of time, who was awoken by the squad after centuries frozen in a colony ship and found herself gifted with dangerous psychic powers.  The first book in this series, Aurora Rising, introduced the squad and saw them thrust into the midst of a galactic conspiracy, as a race of plant-based aliens, the Ra’haam, who are plotting to assimilate all life, frame them as terrorists.  The second novel, Aurora Burning, expanded on the threats, the conspiracies, and the character drama, and ended with a massive cliffhanger, with all the surviving members of Squad 312 in great danger and the fate of the universe on the brink.

Following the terrible battle near Earth between the human and Syldrathi fleets, the planet-destroying superweapon was fired, but nothing turned out as expected.  Now, the various members of the galaxy’s last hope, Squad 312, have been flung throughout time.  Scarlett, Finian and Zila have been blasted back into the early days of Earth’s intergalactic travel, when there is no Aurora Legion, no friends, and a ticking clock of doom as the mysterious station they arrived at keeps blowing up.  Subsequently, Auri and Kal arrive years in the future, where the Ra’haam have won, and all hope seems lost.

Trapped in a time loop, Scarlet, Fin and Zila will initiate a desperate plan (again and again) with a new friend, but their mission may end up having unimaginable consequences.  While in the future, Auri and Kal are trapped with the only weapon that can end the Ra’haam threat, if they can get back to the present.  Forced to team up with the most dangerous being in existence, Kal’s genocidal father, Caersan, Auri and Kal embark on a dangerous mission through the Ra’haam controlled future with some unexpected help.

Back in the present, Squad 312’s leader, Tyler Jones, is also running out of time.  Still branded a fugitive by the entire galaxy, Tyler is the only person who knows that the Ra’haam are making their move to destabilise the various governments of the galaxy to start their invasion.  Forced to work alone and against the odds, Tyler needs to travel back to the one place he considers home, the highly secure Aurora Legion headquarters.  All three of these teams will need to survive impossible odds if they are to complete their missions and get back home.  But even if they succeed, can this ragtag team of teenagers really save the entire galaxy, or is the age of the plant-based parasite about to begin?

This was an outstanding novel from Kaufman and Kristoff that served as an excellent and captivating end to this impressive series.  Kaufman and Kristoff really went all out here with Aurora’s End, producing a complex and entertaining narrative that separates out the various characters and presents them with impossible temporal obstacles.  I deeply appreciate the clever narrative that the authors wove around these compelling characters, and it ended up being an exceptionally fun and enjoyable young adult science fiction book that I powered through in two days.

I absolutely loved the cool story of Aurora’s End, not only because it was really thrilling and fast-paced but because it was so ambitious.  I cannot think of another trilogy where, in the final entry, the authors decide to suddenly embark on massive time-travel adventure, with an intense narrative split across three vastly different time periods.  However, it works incredibly well, as Kaufman and Kristoff produced some epic and exciting storylines that remain mostly separate throughout the entirety of the book.  All three storylines are very distinctive, and all of them are pretty fun in their own unique way.  The storyline set hundreds of years in the past is an extremely entertaining event that sees three point-of-view characters trapped in a slowly devolving time-loop that ends every time one of them dies.  The characters are forced to work through an exploding, high-security station to find a way to travel back in time, with a substantial number of hilarious deaths and mistakes along the way.  The storyline in the present follows the Squad’s leader as he attempts to stop the entire alien invasion by infiltrating the most secure location in the entire galaxy without his squad.  Finally, you have the storyline in the future, which is an emotional and powerful post-apocalyptic narrative that sees Auri and Kal forced to contend not only with a hostile galaxy completely taken over by the Ra’haam but also with Kal’s insane and manipulative father.

I felt that all three of these storylines worked incredibly well, and each of them had their own appeal.  I honestly have a hard time faulting any of these distinct storylines, and it was one of those rare occasions in a split-storyline novel where there wasn’t a single character or timeline that I was a little less excited to read about.  If I had to choose a favourite, it would be the storyline set in the past, mainly because I loved the fun opportunities that only a time-loop story can present.  All three storylines were incredibly rich and compelling, and the authors did a good job of layering drama, excitement, character growth and humour through each of them.  While they were mostly separate from each other, the overlapping elements worked incredibly well, and the storylines ended up coming together perfectly towards the end.  The authors also do a good job wrapping up a lot of the unexplained story elements from the previous novels, with certain mysterious events and McGuffins finally revealed in their entirety.  This results in a big and epic finale where all the remaining characters are reunited to face the final threat of the Ra’haam.  It was extremely cool to see all the unique story threads finally come together.  I did think that the authors got a bit too meta-physical in the finale, especially when it came to dealing with the big-bad, but this didn’t really disrupt my overall enjoyment of the story.  I absolutely loved this wacky, clever, and well-planned out narrative, and I am still deeply impressed with how well the entire time-travel story worked.

I have really appreciated the cool and enjoyable writing style that Kaufman and Kristoff utilised throughout the Aurora Cycle, and it worked incredibly well once again in this final book.  Just like with the previous novels, Aurora’s End is told utilising six split perspectives, with each of the surviving squad members going into the final book getting multiple chapters.  Not only do these multiple perspectives help to present a rich and complex character driven narrative but it also helps the reader to really get into the heads of the main characters.  Each part of the book told by a different character has its own unique feel to it, and you really get the sense of each of the characters’ personalities and experiences.  I also love the way in which Kaufman and Kristoff layer in the action and humour throughout the entire novel, with various fun scenes featured throughout.  The action scenes are very intense, and the authors do a great job of highlighting the crazy battles that each of the characters get involved in, whether it be massive space battles, deadly close-combat fights, or sneaky attempts to move through an exploding space station.  The authors also have a great sense of humour, with many fun jokes and observations that made me laugh multiple times, especially around the fun time-loop storyline.  This made Aurora’s End a very easy novel to get through, as the natural narration and fast-paced scenes ensures that readers can power through it quickly, and with little hassle at all.  Due to this being the final entry in a series, readers are encouraged to check out the first two Aurora Cycle novels first before reading Aurora’s End.  However, those readers tempted to start and finish he series here should still be able to enjoy the story as the authors have a very inclusive writing style, and the book also features a highly detailed “stuff you should know” section at the front (very useful for both new readers and those who need a quick refresher).

Just like the previous novels in this series, Aurora’s End is marketed as a young adult read, and I would strongly recommend it to this audience.  Younger readers will deeply appreciate the use of multiple complex teenage characters kicking ass and saving the world, and I think that the authors did a good job of capturing the teenage mindset in their various protagonists.  This was also quite a mature and positive read, with multiple examples of romantic relationships, complex issues, and great portrayals of LGBT+ relationships that will be appealing to the younger audience, especially as the authors do not try to talk down to their chosen readers.  Due to some of these mature elements, I would suggest that this is a more appropriate read for older teens, and this is a series I would have really enjoyed when I was first getting into fantasy and science fiction.  Despite its marketing towards the young adult audience, this is a series easily enjoyed by older readers, and I think that most science fiction fans will have a great time with this series, if they don’t have any objections to following teenage protagonists.  Overall, I think this book will appeal to a wide range of readers and is a particularly good series for teenagers looking for a fun adventure with relatable heroes.

The last thing I want to highlight abut Aurora’s End is the excellent characters featured throughout, especially protagonists Aurora, Tyler, Kal, Scarlett, Finian and Zila.  Over the course of the Aurora Cycle, the reader has had a wonderful time getting to know all the protagonists, all of whom have grown throughout the series, while also experiencing loss, heartbreak, betrayal, and devastating revelations.  I have deeply appreciated the impressive and realistic character growth featured within, and the authors have continued this throughout Aurora’s End, with some major character moments that helped to define all of them and shown how they have grown.  Unlike the previous novels that have focused on a couple of the characters a little more, there was a much more even spread amongst the characters, with each getting their moment in the light.  Indeed, thanks to the cool time travel elements, you get to see multiple versions of one protagonist, with an older version of this character becoming a supporting figure in one of the other storylines.  I deeply appreciated the various character arcs featured throughout this novel, and Kaufman and Kristoff go out of their way to make you run the full emotional gauntlet here.  These arcs include a more comedic one surrounding the sarcastic Finian and the perhaps oversexualised Scarlett as they explore their new relationship while the world continuously explodes around them.  At the same time, the socially awkward Zila has a more serious experience in the time-loop, even as she embarks on a doomed relationship with someone who lived hundreds of years before she was born.

The other three characters also have some major and moving character arcs, especially Aurora and Kal, who are trapped in a future where the Ra’haam won, and everything has been infected by them.  This is a particularly dark storyline, and these two protagonists go through a lot, especially as they keep witnessing all manner of death and destruction around them.  Their arc is further complicated by Caersan, Kal’s father, who has similar powers to Auri and used them to destroy Kal’s home planet.  This results in some major emotional moments, as Auri and Kal are forced to work with an unrepentant Caersan, while also trying to work out their own complex emotions.  Finally, I must highlight the great development at occurred with Tyler, the team’s leader, who, after spending two novels turning Squad 312 into the ultimate team and family, ends up by himself, forced to face literal ghosts from his past with none of his established support.  Tyler really suffers in this book, and you must feel sorry for everything he goes through, even if he does start a passionate, if exceedingly violent relationship with a warrior alien princess.  All of these character arcs are really impressive, and you will be moved by everything these fantastic heroes go through, especially as not all of them will come out of it in one piece.

With this fantastic final book, the team of Amie Kaufman and Jay Kristoff have brought their amazing Aurora Cycle series to an epic and impressive conclusion.  Aurora’s End was an outstanding novel that perfectly wrapped up this excellent trilogy with fun, flair, and exceptional action.  Featuring some amazing characters and a very clever time-travel based storyline, Aurora’s End was an incredibly fun novel that comes highly recommended.  I deeply enjoyed this epic novel, and I really hope that these two brilliant Australian authors team up again in the future for another compelling series.

The Housemate by Sarah Bailey

The Housemate Cover

Publisher: Allen & Unwin (Trade Paperback – 31 August 2021)

Series: Standalone

Length: 454 pages

My Rating: 5 out of 5 stars

Impressive Australian author Sarah Bailey returns with The Housemate, an outstanding and intense murder mystery that takes a complex protagonist through a dark journey as they attempt to solve an infamous murder.

It was the crime that shocked all of Australia: one night, after a fractious party in the suburbs of Melbourne, three female housemates would become infamous for all the wrong reasons.  In the morning, one of the housemates is found brutally murdered, another is found covered in her blood, while the third goes missing and her body is never found.  Dubbed the Housemate Homicide, the unexplained murder, the mysterious disappearance, and the subsequent controversial court case has baffled and enthralled the country for years.  This includes Olive Groves, a journalist who got her first big break covering the murder and who then became obsessed with cracking the case.

Nine years later, the body of the missing housemate is found in a remote property in the Victorian countryside.  Despite dealing with her own dark personal issues, Olive is assigned to cover the story, and soon finds herself once again dragged into her deepest obsession.  Teamed up with millennial podcaster Cooper Ng, Olive begins to immerse herself in the details of the murder, reigniting her fiery obsession.

As Olive and Cooper work to uncover new details about the case and the three women at the heart of it, they start to make some startling discoveries.  None of the housemates were what they seemed, and all had dark and terrible secrets that have remained hidden for years.  What really happened to these three friends, and what secret was so terrible that they would kill to protect it?  Olive is about to discover that there is a dark conspiracy at work throughout this case, one whose roots may lay far closer to home than she ever imagined, and whose discovery may end up breaking her.

This was an incredible and extremely clever dark murder mystery from Sarah Bailey, who has previously produced some impressive and compelling pieces of Australian fiction.  The Housemate was pretty exceptional read and I quickly found myself getting really caught up in this remarkable and well-written piece of crime fiction.  The author weaved together a dark and compelling tale of betrayal, murder and tainted love, featuring an extremely damaged protagonist and multiple epic twists.

The Housemate has a pretty amazing and memorable murder mystery narrative that follows a reporter as she attempts to uncover the truth behind an infamous cold case.  Bailey does a great job setting up the plot of this book in the early pages, showing the protagonist’s involvement in reporting the initial discovery of the murder, before initiating a time skip nine years in the future.  Once there, the author spends a little time exploring how the protagonist’s life has changed in the intervening years, before swiftly starting the next stage of the mystery, with the discovery of a body out in the Victorian countryside that has connections to the murders.  The rest of the book flows by at a quick pace after this, as the reader gets stuck into the re-opened investigation.  Bailey starts the various twists flying early, and the reader is soon struck with a series of theories, leads, potential suspects and connected side characters, all of which add to the overall tapestry of the mystery, while also serving to keep you guessing about who is responsible for the murder, and that isn’t even mentioning the compelling flashbacks from the surviving housemate.

As the investigation continues, The Housemate’s story continues to get even more complex, as the personal life of the protagonist, Olive, gets dragged into the plot, especially as Olive is in a complex relationship with the widower of the primary police investigator of the original case.  This results in some extremely intense moments as Olive begins to suspect everyone, which has a major impact on her grip on reality.  I deeply appreciated the psychological thriller aspects that were worked in, as the reader starts to really question Olive’s grip on her sanity, and it helped to make the story even darker and more unpredictable.  Everything really kicks off in the final third of the novel, especially after the case becomes even more potentially convoluted and connected to a wider conspiracy.  There were some great reveals in this final third of the novel, and a pretty major and surprising event that really changes everything.  I found myself absolutely glued to this book in the final stages, as I couldn’t wait to see what happened.  While I did think that the author was a little too heavy handed when it came to suggesting that one particular character was the murderer, I thought the eventual reveal of who was behind everything was extremely clever.  The solution to the historic murder was very impressive, especially as some of the elements were set up extremely early in the novel and you didn’t even realise it.  I really loved the impressive way the case was wrapped up, although the end of the final confrontation was a tad too coincidental for my taste.  Still, it was a really great way to finish the novel, and I was well and truly hooked by this awesome and dark tale of murder.

You can’t talk about The Housemate without mentioning the author’s great characters, especially protagonist, Olive Groves (a fun name).  Olive is a complex and damaged woman, who has been obsessed with the novel’s central case ever since she saw the suspected killer and the various family members emerging from the house during the initial media coverage.  Years later, Olive now has a complex life, as she is living with the controlling widower of the cop who was originally investigating the crimes, something she is immensely guilty and conflicted about.  Her already fragile mental state is put at risk when she starts working on the latest developments in the Housemate Homicides case, which reawakens her long-dormant obsession.  This obsession drives her to investigate the case by any means and takes her to some dark spaces as she tries to get into the head of the three housemates and figure out what happened to them.  Olive slowly goes downhill as the novel progresses thanks to a combination of stress, obsession, anger, and multiple personal reasons, such as the actions of her emotionally abusive partner and her own massive guilt for sleeping with him while his wife was still alive.  Olive has a big breakdown towards the end of the novel, especially after a major surprise event, and it was fascinating to see such a dramatic and powerful burst of emotion.  This compelling personal crisis is perfectly worked into the plot of the book, and it really helped to enhance the main murder mystery storyline, especially as you become really concerned for Olive’s mental and physical safety.  I appreciated the way in which Bailey wrapped up Olive’s character arc by the end of the novel, and I cannot emphasise what an impressive bit of character work Bailey did around her.

Aside from Olive, there is a great collection of complex side characters throughout the novel, each of whom play a vital role in the case.  The main one is Cooper Ng, the socially shy tech expert and social media whiz who is assigned to help Olive investigate, with the two required to develop a new podcast for their paper.  Cooper is a fun and energetic figure who stands as the complete opposite to Olive’s gruffer and irritable personality.  Cooper and Olive make for an interesting partnership throughout the book, and it was fun to see them combine their vastly different skills and experiences.  The author also spends a bit of time examining each of the three housemates who were at the centre of the book’s mystery.  It initially appears that all three were bright and optimistic students when the fateful night occurred.  However, as the book progresses you begin to see that they are a lot more complex than that, with all three involved in something dodgy.  Seeing how they were driven to the events that occurred the night of the killing is pretty fascinating, and I really appreciated the dark and intense storyline that Bailey weaved around them.  All these characters, and more, added a lot to the story, and I loved the fantastic and realistic interactions that occurred within.

The final thing that I wanted to highlight about The Housemate was its interesting examination of Australian journalism.  I have always rather liked journalist protagonists in fiction, due to their less formal way of investigating crimes, and this worked very well in the context of The Housemate, with Olive employing some interesting methods to get answers.  The focus on obtaining information for a story rather than attempting to bring someone to justice is very compelling and I loved seeing the protagonists setting up stories and podcasts.  I also quite enjoyed the interesting examination of the evolving form of journalism that was represented by the two main characters, Olive and Cooper.  Olive is the more old-school reporter, who just wants to do good journalism without resorting to popular gimmicks.  Cooper, on the other hand, is the flash new kid, focusing on social media and podcasting, which he sees as the future of journalism.  This fun comparison between reporting styles formed an interesting basis for their partnership, especially as they are brought together to do a podcast on the murders, and I felt that this was a great inclusion to an already exciting and entertaining narrative.

The Housemate by Sarah Bailey was an exceptional and captivating read that I had an outstanding time reading.  Featuring a dark and thrilling mystery storyline, this Australian murder mystery was incredibly addictive, especially once you get caught up in the unique investigation and complex personal life of the protagonist.  I really enjoyed seeing this fantastic story come together, and I was really impressed with how Bailey tied her brilliant mystery together.  Easily one of the best pieces of Australian fiction I have read all year, The Housemate gets a full five-star rating from me and is a very highly recommended read.

Unholy Murder by Lynda La Plante

Unholy Murder Cover

Publisher: Zaffre (Trade Paperback – 17 August 2021)

Series: Jane Tennison – Book Seven

Length: 389 pages

My rating: 4.25 out of 5 stars

The reigning queen of British crime fiction, Lynda La Plante, returns with another clever and intriguing murder mystery, with her latest entry in the Jane Tennison series, Unholy Murder.

La Plante is a great author whose books I have featured several times over the last few years.  Best known for her work in British television, where she produced and wrote several shows and television movies, La Plante has really started to focus more on her novels recently, producing some awesome and compelling reads.  Out of all her recent works, the one I have been enjoying the most is the outstanding Jane Tennison series.  Serving as a prequel to the acclaimed Prime Suspect television series, the Jane Tennison novels follow a younger version of the show’s protagonist, the titular Jane Tennison, as she works her way up the ranks of the Metropolitan Police.  This series has so far contained several awesome and impressive novels, including Good Friday, Murder Mile, The Dirty Dozen and Blunt Force.  The latest entry in the series, Unholy Murder, contained another amazing mystery that sets the protagonist against the dangerous influence of the Catholic Church.

In 1982, Detective Sergeant Jane Tennison has recently been assigned to the Bromley CID, a quieter London beat where she can focus on her upcoming inspector’s exam.  However, her knack for attracting the most unusual and deadly murders once again surfaces when construction workers uncover a coffin at the back of a new housing development.  Based on the site of an old, deconsecrated convent, it is initially assumed that the coffin could be part of a forgotten graveyard, and the coffin is taken to the local morgue.  However, when opened, the coffin is revealed to contain the corpse of a brutally murdered nun.

With no idea who the deceased is or when they died, Tennison is initially unsure how to proceed.  With her superiors assuming that the coffin could be decades or even centuries old, there is little desire for the case to continue.  However, when Tennison is able to determine that the crime took place just before the convent shut down in the 1960s, she is given permission to investigate and attempts to find who the murdered nun is and how her death was left undiscovered for so long.

Digging into the past of the convent and its attached orphanage, Tennison and her team soon discover a sordid history or abuse, neglect and cover-ups.  Convinced that the murder may be related to these charges, the police attempt to find out more about the nuns who lived there.  However, the Catholic Church is uncooperative and all their files on the convent are missing or destroyed.  With the Pope’s historical visit to London only days away, Tennison is determined to get to the bottom of this terrible case, no matter what, Tennison follows every angle she can to get to the truth.  But with someone high up in the church’s hierarchy doing everything to cover up the crime, and with her own superior’s attempting to stop the investigation, can Tennison and her team unmask the killer, or will the secrets of the past came crashing back with unfortunate collateral damage?

This was another pretty awesome novel from La Plante, who has come up with a fantastic and captivating crime fiction story.  Unholy Murder has an impressive murder mystery to it, with the premise of a murdered, unknown nun secretly buried on the grounds of a former convent.  La Plante sets up this entire mystery perfectly, and the reader is soon invested in the plot.  There are some great aspects to the investigation, and I liked the usage of an older crime, with the protagonists forced to dive back nearly 20 years.  There are multiple potential suspects, twists and a range of interferences featured throughout the course of the investigation, and I had a wonderful time following through and trying to figure out who did it and who is trying to keep it quiet for their own reasons.  It all leads up to an intense and fast-paced conclusion, with a second killing seeming to occur, and several separate story threads coming together and adding in some intrigue and excitement.  I was really impressed with the final solutions to the story, and I appreciated the dark and cynical ending that it contained.  This was one of La Plante’s more captivating and clever mysteries and it was a lot of fun getting to the bottom of everything.

One of the more interesting aspects of the entire novel was the inclusion of the Catholic Church as a major force in the investigation.  While some of the lower-level clergy and staff are initially helpful, once the case is revealed to be a murder, potentially committed by someone working at the convent, senior church members work hard to halt the investigation and try to protect themselves and the reputation of the church.  This was a fascinating and intense part of the investigation, and it added in layers of complexities and difficulties that the protagonists are forced to overcome.  The case becomes even more complicated, with multiple allegations of abuse or brutality from the sisters at the convent coming to light.  I really appreciated the way La Plante worked this aspect into the novel, and it was fascinating to see this in a historical context as I am personally more used to hearing about these sorts of issues in the 21st century.  The impacts of the church and its members on the case are pretty fascinating, especially as it makes the solution a lot more clouded, and some resolutions a lot more controversial.  While some authors would use this to simply bash the church, La Plante paints a more complex and multifaceted story here, attempting to show that some of the clergy characters were really good people bound by rules, their oaths or the ambitions of others who abuse their roles and responsibilities for their own aims.  I felt that they author’s use and inclusion of the Catholic Church in this novel helped to make Unholy Murder a much better novel, and it ensured that the case was a lot more intense and complex.

Jane Tennison is always an interesting character to follow, especially as she is one of the few senior female investigators in the MET during this prequel series.  While this is a crime fiction series, a large amount of the plot revolves around Tennison’s personal life, and La Plante has spent a lot of time showing Tennison’s growth as a character, as well as the events that turned her into the hard-edged investigator featured in Prime Suspect.  It has been really fascinating to see Tennison claw her way up the ranks over the last few books, and it was great to see her once again take a leading role in a murder investigation.  Due to some of her prior experiences with fellow officers, Tennison has a bit of a chip on her shoulder in this book, although she manages to mostly prove that she has what it takes.  I do wish that Tennison weren’t portrayed as someone who lets her personal life interfere with the job, especially as she once again gets involved with a person connected to the murder to her own detriment.  Still, I enjoyed Tennison in this novel, and she was a great central protagonist to follow.

This novel featured an interesting group of supporting characters, including police officers, suspects, and members of the church.  The author’s great use of multiple character perspectives in this novel was perfect to highlight these various side characters, and I liked how it also helped to make some of the people connected to the case seem more suspicious or guilty.  While there were several characters I liked, I mostly want to focus on the various police characters featured within Unholy Murder, as they were a major part of the plot.  Not only do you have several recurring police characters from the prior Jane Tennison novels but there are also some great new characters who were very fun to follow.  I quite liked rookie investigator DC Boon, a young officer that Tennison has taken under her wing.  While he initially appears a bit clumsy and clueless, he really starts to grow as a character as the novel progressed, becoming a much more competent investigator.  He also becomes a lot more serious, especially once he gets personally involved in the case, and there are some deep and emotional moments that occur around him as the novel progresses.

I also deeply appreciated the inclusion of DCS Barnes, Tennison’s new boss who heads up the investigation.  Barnes has previously dealt with cases of child abuse by members of the church whose crimes were covered up by his superiors and the church, and this memory drives him throughout the novel and ensures that he takes the cases extremely seriously.  Once it becomes apparent that the murder was likely committed by a member of the clergy, and that the priest he previously attempted to bring down is now a senior figure leading the latest cover-up, he becomes a bit obsessive and refuses to accept any alternate possibilities and suspects.  It was really quite intriguing to see an anti-Church police officer in the 1980s, and I really liked the complex and compelling portrayal around him.  All these side characters add a lot to the overall story, and La Plante did an excellent job of fitting these intense personal stories into the wider murder mystery.

Unholy Murder is an excellent new novel that continues the excellent Jane Tennison series by the amazing Lynda La Plante.  Featuring a clever mystery, some great characters and a really intriguing plot hook, Unholy Murder easily grabs the reader’s attention and ensures that they become deeply attached to the outcome of the story.  I had an outstanding time reading this latest book and I look forward to the next instalment of this fun series in 2022.

Small Acts of Defiance by Michelle Wright

Small Acts of Defiance Cover

Publisher: Allen & Unwin (Trade Paperback – 1 June 2021)

Series: Standalone

Length: 344 pages

My Rating: 4.5 out of 5 stars

Impressive debuting Australian author Michelle Wright transports the reader back to the horrors and struggles of occupied Paris with the moving historical drama, Small Acts of Defiance.

May 1940.  Following the tragic death of her father, Australian teenager Lucie and her French mother Yvonne are left without any means of supporting themselves in Australia.  Reaching out to the only family they have left, Yvonne’s estranged brother Gerard, Lucie and her mother are convinced to journey back to Yvonne’s home city of Paris to live with Gerard in his apartment.

Despite having reservations about leaving for a Europe rocked by the early stages of war, Lucie is quickly enchanted by the beauty and culture of the city.  However, shortly after their arrival, disaster strikes and the French army suffers a catastrophic defeat, allowing the Nazis to invade France and occupy Paris.  Forced to adapt to the new regime, Lucie and her family attempt to survive as well as they can.

While wishing to remain safe and unnoticed by the Nazis, Lucie is drawn into the conflict when she befriends several people around Paris who resent the German occupation.  Encouraged by their strength and determination, Lucie experiments with using her artistic talents to engage in small acts of defiance against the Nazis and the puppet Vichy French government.  However, when she witnesses the Nazis’ increased attacks against Paris’s Jewish population and the attitudes of her authoritarian uncle, Lucie is drawn even deeper into the fight.  How far will Lucie go to save her new home, and what difference can even a few small acts of defiance truly have?

Small Acts of Defiance was a fantastic and moving novel from a promising new author that did an excellent job highlighting the horrors and troubles of occupied France.  Author Michelle Wright, an Australian who has spent considerable time in Paris, has written an outstanding novel with a story that is both beautiful and devastating, as she tells the intriguing and intense tale of Lucie and her experiences during the war.

Wright has produced a fast-paced and deeply moving narrative for Small Acts of Defiance.  The author swiftly sets the scene for the main characters of Lucie and her mother, who move to Paris right before the invasion while still dealing with the traumatic aftermath of Lucie’s father’s death.  It really does not take long for the historical horror to occur, as Paris is swiftly conquered by the Nazis, although Wright ensures that there is just enough time for Lucie, and the reader, to become enchanted with the city before its occupation.  Following the invasion, you are introduced to several great supporting characters who help Lucie to fully see how evil the Nazis and their French collaborators are, especially as some of her new friends are Jewish.  This centre part of the novel is great, and it was fantastic to see Lucie find her feet while also starting her initial acts of defiance.  However, while all appears mostly right, you know that tragedy is on the horizon, especially as the Jewish characters you become close to slowly have more and more restrictions placed upon them, which can only lead to disaster and despair.  Once the inevitable happens, the story really intensifies, as the protagonist witnesses true horrors and atrocities which slowly costs her some people she is really close to.  Readers will not be prepared for how dark and tragic the book becomes, although you cannot help but keep reading, especially as there is a little bit of hope for some characters.  The conclusion of Small Acts of Defiance is pretty intense and satisfying, especially as the protagonist achieves several great things while there is some good news for the other supporting characters.  This entire narrative very well written, and I loved the dramatic and powerful tale that Wright created here.  There is so much amazing and moving character development, especially around Lucie, which really grounds the novel and helps keeps the readers glued to the pages.  Wright has a real talent for writing hard and dark scenes, and I was utterly enthralled by this powerful story.

I was deeply impressed by the sheer amount of historical detail that Wright put into her debut novel, which is no doubt a side effect of all the time she spent in Paris.  The author covers the entirety of the Nazi occupation, from the French defeat, to the chaos of the invasion and the subsequent control of the city by the Germans.  There are so many interesting details and facets of history contained within the story, and I found myself getting really engrossed in the spectacular portrayal of this key historical location.  Wright spends time focusing on the various attitudes and reactions of the citizens of Paris, which ranged from outrage to acceptance or even outright support of the new regime.  The depictions of the puppet Vichy government and its actions was particularly intriguing, especially as the author examines the reason it had some support from the French.  This is particularly shown by Lucie’s uncle, an authoritarian former solider who respected the military general put in charge of the country, and who felt disenfranchised by the previous free French government.  There was also a lot of focus on the gradual crackdown and eventual deportation of the city’s Jewish population.  Due to the protagonist befriending several Jewish characters, you get to see the various restrictive laws come into effect, and the way that the Jewish population was dehumanised and destroyed one step at a time.  All of these proved to be deeply fascinating, and I loved how Wright was able to work it all into her intense and excellent story.

One aspect of this historical detail that I found extremely intriguing was the storyline surrounding the protagonist’s attempts at defying the Nazi and Vichy governments.  Unlike most historical fiction protagonists who fight back with guns, political speeches or brazen heists, the hero of Small Acts of Defiance at first uses art to subtly push back against authority.  This is achieved by drawing pamphlets or subtle symbols of French freedom in the postcards that she sells, small things that could still get her in trouble.  As the war progresses, the protagonist gets involved in other small ways, such as helping to pass information to the Allies or assisting the city’s remaining Jewish population.  I found these small acts of resistance to be a fascinating part of the book’s plot, and it was rather interesting to see the effect that even these minor actions could have on the character’s moral.  It also resulted in some compelling comparison to some of the more radical members of the French Resistance, especially some of Lucie’s friends, who take more drastic actions and face several physical and moral consequences as a result.  While Lucie does become more involved later in the book, I felt that it was really intriguing to see the various small, non-violent ways that French citizens could have helped in the war effort, and I think that it was a fantastic part of this captivating narrative.

Small Acts of Defiance was an incredible debut from Australian author Michelle Wright that does an amazing job capturing the tragedy, division and defiance that occurred during Nazi occupation of Paris.  Featuring a moving and captivating tale that surrounds one girl’s small attempt to help her friends and her new city, Small Acts of Defiance is an outstanding historical drama that comes highly recommended.  I am very intrigued to see what additional novels Wright creates in the future, and I am extremely glad I got the opportunity to read her fantastic first novel.

The Paris Collaborator by A. W. Hammond

The Paris Collaborator Cover

Publisher: Echo Publishing (Trade Paperback – 4 May 2021)

Series: Standalone

Length: 312 pages

My Rating: 4.5 out of 5

Amazing Australian thriller author A. W. Hammond presents his first historical read with The Paris Collaborator, a clever and exciting novel set in occupied Paris.

August 1944.  With Allied forces advancing towards Paris, the Nazi occupation of the city seems to be nearly at an end.  But just because the Germans are poised to leave does not mean that the city is any less dangerous, especially for those whose loyalties are in question.  Since the Germans arrived, former teacher Auguste Duchene has taken on a whole new profession to survive: finding missing children.  With his impressive observational skills, Duchene has proven to be a keen investigator, but his talents are about to get noticed by all the wrong people.

Despite his desire to only help reunite lost families, Duchene is forced into working for a violent faction of the French Resistance after they threaten the safety of his collaborating daughter, Marienne.  Recruited to find a missing priest and the cache of stolen weapons he was hiding for them; Duchene reluctantly begins his search.  However, hours after he begins working for the Resistance, he is approached by a senior Nazi officer who blackmails him into finding a missing German soldier.

Caught between two dangerous masters, Duchene has no choice by to comply with both if he and Marienne are to survive.  With only 48 hours until both groups will deliver on their deadly threats, Duchene scours Paris for both the missing men.  However, the more he discovers, the more he begins to realise that the cases may be connected, and that he may be only able to satisfy one of his employers.  Worse, the Gestapo have taken an interest in Duchene’s investigation and are determined to interfere for their own ends.  Can Duchene find his targets before it is too late, or will everything he love be taken away from him?

This was an awesome and fantastic novel from an impressive author who I was not too familiar with before I picked up this outstanding read.  A. W. Hammond has previously written two Australian thrillers under the name Alex Hammond.  These books, 2013’s Blood Witness and 2015’s The Unbroken Line, were intriguing legal thrillers that focused on his Will Harris protagonist.  The Paris Collaborator is the author’s first foray into historical fiction, and he did an exceptional job producing a clever and addictive historical thriller.  I had an incredible time reading The Paris Collaborator and I ended up finishing it off in a few short days once I got drawn into its cool and memorable narrative.

Hammond has come up with an excellent thriller storyline for The Paris Collaborator that is exciting and clever, and which also makes great use of its historical backdrop.  This is a very fast-paced story, and it really does not take long for it to take off, as unconventional missing child investigator Duchene is drawn into the conflicting webs of radical French Resistance fighters and an influential Nazi officer.  Forced to work on both cases on a very lean timeline, the protagonist conducts a hurried investigation, trying to find hints of two different missing persons while also trying to survive in the middle of a chaotic and failing city.  With the interference of the Gestapo, Duchene is trapped in the middle of a three-way battle for his loyalties, as each of these very dangerous groups threatens to kill him and his daughter unless he complies.  This results in a very epic final third of the book, as the protagonist runs around Paris, which is in the middle of overthrowing its German occupiers, trying to find the last pieces of the puzzle with everybody trying to kill or capture him.

This was a very captivating and high-stakes story, and I loved all the thrilling intrigue, action and suspense as the protagonist jumps from one bad situation to the next.  The overall investigation had some rather intriguing twists to it, many of which took me pleasantly by surprise, although they were very well set up in hindsight.  I absolutely lost it when the final twist was revealed, as it was so outrageous and surprising that I ended up laughing for several minutes.  This reveal, while a little hilarious, did fit nicely into the dark tone of the novel, and I felt it was an outstanding way to wrap up this novel, especially as it is guaranteed to stick in the reader’s mind.  I deeply enjoyed The Paris Collaborator’s clever story, and this ended up being one of the more entertaining and unique thrillers I have read all year.

While readers will definitely remember the amazing thriller story, I also must highlight the exceptional historical setting that was featured in The Paris Collaborator.  Hammond chose to set his clever story amid the final days of the Nazi occupation of Paris, which I really enjoyed.  The author does an outstanding job of portraying this intriguing historical setting, and I loved the exploration of an occupied city on the edge, with minimal resources, a thriving black market, a near-rebelling populace, nervous soldiers starting to pull out and a dangerous resistance movement planning their next strike.  Hammond makes great use of this unique setting throughout the story, and I really appreciated the way he featured historical elements like the Resistance, the Gestapo and the German army throughout the story.  The final part of the book is set during the French uprising to free Paris from the Nazis, and I loved how the protagonist had to overcome all the obstacles this put in his way, from tanks attempting to put down dissent, to crowds determined to kill any Germans they could find.  This was an outstanding depiction of occupied Paris and I felt that Hammond perfectly utilised it throughout this amazing book.

One of the most intriguing aspects of the historical setting of The Paris Collaborator is the compelling focus on the French mentality of collaboration and resistance.  Throughout the novel, the protagonist encounters a wide range of different characters who have survived the Nazi occupation by working for, engaging with, or falling in love with German soldiers, much to the disgust of their fellow French citizens.  The protagonist himself is considered by some to be a collaborator, not only because he has helped wealthy French collaborators find their children but because he finds himself working for various Nazis throughout the course of the book.  This forces the protagonist to walk a thin line, as he must appear to be a patriotic Frenchman disgusted with the occupiers while also making sure that he does not enrage any of the Nazis who are employing him, something he does not do particularly well.  As a result, Duchene, and several supporting characters, encounters dangerous reactions from some French characters and Resistance members, and this really adds to the tension and danger that he encounters.  I think that Hammond did an excellent job examining and portraying this mentality of anti-collaboration throughout the novel, especially as it is cleverly layered into nearly every interaction the protagonist has.  Some of the actions of French characters who were actively resisting against the Germans were also pretty intriguing, including one particularly over-the-top one that is definitely going to stick in my mind.  It was also fascinating to see what some people would do to avoid being labelled as a collaborator, even if that means completely changing who they are.  I really enjoyed the author’s examination of how collaborator would have been viewed during this turbulent period of history and it ended up being an excellent and compelling addition to The Paris Collaborator’s narrative.

The Paris Collaborator by A. W. Hammond is an outrageous and impressive historical thriller that comes highly recommended.  Hammond has written a fantastic fast-paced story that is heavy on action, intrigue, and amazing twists, all set amid Paris in the final days of the Nazi occupation.  I had a lot of fun getting through this awesome novel, and thanks to some outstanding reveals and exciting moments, The Paris Collaborator is really going to stick in my mind.  Readers are guaranteed a thrilling and clever time with this book and will power through it in no time at all.

The Three Paradises by Robert Fabbri

The Three Paradises Cover

Publisher: Corvus (Trade Paperback – 21 February 2021)

Series: Alexander’s Legacy – Book Two

Length: 413 pages

My Rating: 4.5 out of 5

One of my favourite authors of historical fiction, the always amazing Robert Fabbri, returns with the second entry in his epic Alexander’s Legacy series, The Three Paradises.

Alexander the Great is dead, and the battle for his empire has only just started!

Chaos reigns in the Macedonian controlled territories of Asia and the Mediterranean as the formerly loyal followers of Alexander fight amongst themselves for control of his mighty empire.  With the former front-runner for control, Perdikkas, murdered by his own men, the way forward is now even more uncertain.  In Macedonia, Alexander’s regent Antipatros seeks to hold the empire together, even if that means ignoring the ambitions of his volatile son.  In the east, the sly Greek Eumenes runs to avoid a death sentence placed on his head by the Macedonian army and must once again fall back on his intelligence and cunning to survive the forces lead by the one-eyed general Antigonos.  In the heart of the Macedonian army, two dangerous queens, Roxanna and Adea, each attempt to press their claims through their two unsuitable kings while also working out the best way to kill one another.  In Egypt, the bastard brother of Alexander, Ptolemy, secures his powerful position by seeding chaos across the rest of the Empire, while in the west, Alexander’s vicious mother, Olympias, bides her time, waiting for the perfect opportunity to strike. 

As these players make their moves to secure power, Antipatros attempts to mediate peace and keep all the Macedonian territories together by calling for a historical conference at The Three Paradises.  However, as the lies, treacheries and bloody battles continue, will there even be an empire left to save?  Some will rise, some will fall, and the world will never be the same again!

This was another incredible and deeply entertaining read from Fabbri, who has once again turned the insanities of history into another amazing novel.  I have been a major fan of Fabbri ever since I was lucky enough to receive one of the fantastic books in his compelling and memorable Vespasian series.  All of the books in this series (including Rome’s Sacred Flame, Emperor of Rome and the tie-in volume of short stories, Magnus and the Crossroads Brotherhood), were incredibly fun to read, and I really enjoyed each and every one of them.  Fabbri continued his impressive run last year when he started his brand new ancient history series, Alexander’s Legacy, set in the immediate aftermath of Alexander the Great’s death after he failed to select an heir to rule his empire.  The first book in this series, To the Strongest, was an amazing and clever read that not only set the scene perfectly but also provided the reader with a detailed and captivating tale of betrayal and destruction.  As a result, I have been keeping a very keen eye out for Fabbri’s second Alexander’s Legacy novel and I was very happy when I received a copy of The Three Paradises.

For this latest novel, Fabbri has come up with another awesome and captivating tale that dramatizes the crazy events that followed Alexander’s sudden death.  Told through multiple viewpoints, The Three Paradises continues to explore some of the key parts of the post-Alexander period, including a number of battles, conferences and manipulations recorded in history.  This results in an epic and captivating tale of betrayal, conspiracy and lies as everyone attempts to gain power.  I absolutely loved all the outrageous proceedings that occurred throughout this book, and Fabbri does an amazing job featuring as many real historical events as possible.  If you are unfamiliar with the history, than you are going to find that The Three Paradises’ story goes in some extremely unexpected directions as various key people rise or fall. 

I was surprised that many of the incredible events depicted in this novel are recorded in history, and it just goes to show that reality is sometimes a lot stranger than fiction.  I felt that Fabbri did a fantastic job depicting each of these events as they are chronicled in history, especially as he also attempts to fill in some of the gaps and come up with some of the possible discussions that would have happened in advance of them.  While some of the facts are no doubt dramatically exaggerated per Fabbri’s trademark style, this turned out to be a really detailed historical read and I loved the cool focus on this unique period.  I ended up enjoying The Three Paradises a bit more than the preceding novel in which the overarching storylines of the series were set up.  The Three Paradises jumps into the action a lot more quickly, and I think that the story flowed a lot better, especially as Fabbri ended up reintroducing the line break in this novel’s format.  All of this was incredibly epic, and readers will love Fabbri’s unique interpretation of these historical betrayals and battles.

One of the most intriguing parts of the Alexander’s Legacy series is the author’s use of multiple historical figures as his point of view characters.  This series focuses on a large selection of major players in this conflict, each of whom become the focal character of multiple chapters within the novel.  The Three Paradises in particular features 10 separate historical point-of-view characters, each of whom play a unique role in the events preceding the death of Alexander.  All 10 are former members of Alexander’s court that have gone into business for themselves and are now attempting to take power or shape the empire the way they want.  Fabbri brings each of these historical figures to life by examining their actions or descriptions from history and crafting a personality that matches their outrageous deeds or brilliant decisions.  Each character is given a title or nickname at the start of the story, usually centred on their personality or role in the empire (for example, The Sly, The Mother, The Wildcat or The Bastard) as well as a simple but clever representative icon.  Fabbri then builds on them from there, examining their various actions during the wars this book focuses on and highlighting nearly every decision or bold move that history records them doing.  Fabbri also throws in a little of his trademark exaggeration and creative licence, especially for characters like Olympias (although not by much), which really enhances the historical craziness this novel contains. 

As a result of his unique character creation, The Three Paradises ends up with a fantastic and diverse group of point-of-view characters whose exploits are a lot of fun to watch unfold, although readers should really not get too attached to them, as many do not survive the book.  These characters include the aged statesman, Antipatros, who uses his experience and canny nature to attempt to guide and control several of the other players, with various results.  You also have the scheming queens Roxanna and Adea, both of whom are linked to one of the people named king following Alexander’s death.  Roxanna was Alexander’s wife and the mother his child, while Adea is a close relative of Alexander who ended up marrying his mentally deficient half-brother.  Both of these queens are vicious and dangerous creatures who attempt to gain power over the stubborn Macedonian men, while also feuding amongst themselves over the status of their respective king.  Fabbri really amps up certain elements of these two queens’ characteristics, such as Roxanna’s murderous ambition (to be fair, she did reportedly kill several of Alexander’s other wives after his death), or Adea’s lesbianism.  Both prove to be really fun additions to this novel, and it was quite interesting to see how they influenced these hectic events.

There is also a lot of focus on Alexander’s mother, Olympias, a member of the cult of Dionysus and a figure of wrath and vengeance that every other major character is intensely afraid of.  Fabbri has a lot of fun portraying Olympias in this novel, and he really plays her up as a crazed snake priestess, showing several of the alleged rituals cultists of Dionysus would have performed.  I was quite surprised at how Olympias’s storyline unfolded in this novel, mainly as I was very unaware of how much influence she had after Alexander’s death, and she proved to be an extremely intense and memorable addition to the cast. 

My favourite character, however, is still Eumenes, who Fabbri appropriately nicknamed The Sly.  Eumenes is a Greek clerk who was able to gain some power after Alexander’s death by advising some of the other players and trying to keep the empire together.  The Three Paradises sees Eumenes take on a more military role, and he proves himself a skilled commander, able to out-think the supposedly superior Macedonian enemies.  However, Eumenes’s ambitions are constantly stymied by the stubbornness of his Macedonian followers or allies, all of whom believe in the superiority of the Macedonian people and are often reluctant to follow a Greek, even if he is the smartest person in the room.  It proves to be very frustrating to see one of the best and smartest characters constantly defeated by events outside his control, but you still stick with him in the hopes that he can once again get a victory.

In addition to the returning cast from the first book in the series, Fabbri also introduces two new characters to replace some of the casualties that occurred in To the Strongest (like I said, don’t get too attached to these characters).  These two new characters include Kassandros, nicknamed The Jealous (and represented by an icon of a boar, an animal that lies at the heart of his jealousies), and Polyperchon, nicknamed The Grey.  Both Kassandros and Polyperchon are introduced about halfway through The Three Paradises in response to a major character death, and they end up being great additions to the story.  Kassandros is the eldest son of one of the other point-of-view characters, and serves as an interesting antagonistic figure in the book.  Thanks to his sense of entitlement and the major chip on his shoulder, it really does not take Kassandros long to get on the reader’s nerves, and you find yourself pulling for his enemies, no matter how despicable they may be.  Polyperchon, on the other hand, is an older figure, portrayed as a bit of a loser.  Polyperchon is a person who thrives best as a second in command, rather than being the man in charge, and is uncertain how to proceed when he has to make the hard decisions.  Naturally, events conspire to give him a great deal of power, which results in disaster for Polyperchon and those allied with him, as he fumbles the job, allowing some of the other characters to take control.  Overall, I had an outstanding time following this unique collection of historical figures, and I look forward to seeing whom Fabbri focuses on in the next novel, especially after several more were killed off in The Three Paradises.

Aside from the 10 point-of-view characters, Fabbri also features a massive cast of side characters, most of whom are real historical figures.  The author does an impressive job of working each of these supporting characters into the plot, and you end up getting a pretty good idea of how each and every one of them played a role in the war, as well as some minor details about their personalities and intentions.  While it was interesting to learn more about all these historical characters, I did find it a little overwhelming to try and follow who was who at times, especially as there were great deal of characters, and several had similar names.  While I was generally able to keep up with what was happening thanks to an excellent character list contained at the end of the novel, readers will need to stay focused on who is being discussed at all times in order to avoid getting lost.

I also must highlight the incredible historical details of this book.  Fabbri has clearly done his research when it comes to ancient Macedonia and not only is The Three Paradises filled with an outstanding depiction of the recorded historical events but the author also tries to capture the various aspects of day-to-day life during this period.  This results in some great scenes chock full of fantastic historical detail, and the reader gets some amazing insights into the culture and attitudes of the conquering Macedonians.  This is particularly true in The Three Paradises’ various action sequences, as the armies of Macedonia face off against each other.  While a lot of the focus may be on the internal politics, personal betrayals and shifting alliances, Fabbri has also included several great fight sequences, and the reader is treated to fantastic battles on land and sea.  The book’s major battle scenes are really impressive, and I loved seeing the various tactics of the Macedonians, whether they are fighting foreign armies or rival groups of Macedonians.  It was particularly cool to see two separate pike phalanxes go up against each other, especially as their cramped and exhausting fight was essentially pointless (victory was decided by the fighting cavalry groups on the flanks).  It was also rather entertaining to see how several key battles were stopped or prevented simply because the Macedonian soldiers discovered that an important person, usually a relative of Alexander, was present with the opposing army, and they would suddenly abandon their generals to follow them.  This examination of the Macedonian mindset was really intriguing, and its limitations and predictabilities has become a fascinating recurring factor of this series.

Robert Fabbri once again shows why he is one of the most entertaining and captivating authors of historical fiction in the world today.  The Three Paradises is an impressive and clever second entry in the amazing Alexander’s Legacy series, which provides a detailed and captivating examination of a crazy period of history.  I absolutely loved this incredible read and I cannot wait to see what happens in the next exciting entry in this awesome series.