Category: Comedy/Satire

Warhammer 40,000: The Traitor’s Hand by Sandy Mitchell

On By The Unseen LibraryIn Audiobook, Comedy/Satire, Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer3 Comments

The Traitor's Hand Cover

Publisher: Black Library (Audiobook – 1 January 2005)

Series: Ciaphas Cain – Book Three

Length: 9 hours and 6 minutes

My Rating: 4.75 out of 5 stars

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After updating my list about my favourite Warhammer 40,000 novels last week, I was keen for more action from this awesome franchise, so I decided to quickly listen to the entertaining and fun novel, The Traitor’s Hand by Sandy Mitchell.

One of the things that I like most about the Warhammer 40,000 franchise is the sheer range of different stories and genres that can be found within it.  For example, one of the most popular series is a particularly funny and amusing series that focuses on a Blackadder-esque Imperial Commissar as he finds himself involved in all manner of over-the-top heroics.  This series is the Ciaphas Cain books, which follows the titular protagonist who has accidently become regarded as a great hero of the Imperium of Man, despite most of his actions being more for self-preservation.  The first two books in this series, For the Emperor and Caves of Ice, were extremely fun reads, and I have been meaning to check out the next book in the series for a while.  As such, when I had my recent Warhammer 40,000 craving, the third Ciaphas Cain book, The Traitor’s Hand, was an easy choice.

Commissar Ciaphas Cain, hero of the Imperium or unrepentant coward?  Constantly forced into the direst of circumstances despite doing everything in his power to avoid them, Cain has built up a reputation he considers entirely undeserved, especially as being known as a hero always seems to get him into trouble.  His latest assignment will test him like none other, especially when he is forced to go up against the great archenemy of the Imperium, the forces of Chaos.

With a Chaos fleet approaching the tidally locked planet of Adumbria, Cain and the soldiers of the Valhallan 597th are rapidly redeployed towards the planet to aid in its defence.  Despite wishing to stay off the frontlines, Cain’s experience and uncanny ability to find trouble forces him to join in the hunt for a Chaos cult hidden throughout the planet that has awakened in advance of the coming fleet.  However, the more he digs, the more he discovers that there is something far more sinister going on within the planet than anyone realises.

As the invading enemy arrives on the planet, it soon becomes apparent that two rival bands of Chaos worshippers are attacking Adumbria with very different goals in mind.  Leading the fight against the enemy, Cain needs to work out just what their objectives are before the world is destroyed in the Chaos crossfire.  However, with deadly enemy forces all around and a rival commissar determined to undermine him, can even the terminally lucky Cain stop them, especially when an old nightmare returns seeking revenge against him.

The Traitor’s Hand was an extremely awesome book from Mitchell that I had so much fun getting through.  Containing the outstanding blend of action, humour and intriguing characters that the Ciaphas Cain series is known for, The Traitor’s Hand was pretty damn epic, and I managed to power through it in about a day of intense listening.

This third Ciaphas Cain novel had a great story behind it that I had a wonderful time listening to.  While it does follow some similar story conventions to the previous books in the series, in that Cain and the Valhallan 597th arrive on a planet to face one foe, only for Cain to inadvertently discover another threat hidden under the surface, I think Mitchell did a good job distinguishing this book from the previous entries.  The introduction of a rival Commissar and alternating bands of Chaos worshippers makes for a great central storyline, and you get really involved in the battle for the planet and the attempts to discover a hidden Slaaneshi cult who are performing dark rituals.  The entire story evolves in a familiar manner, with Cain’s attempts to avoid a fight leading him into darker situations each time, while his keen insights allow him to determine where the true threat to the planet is located.  The big final sequence for The Traitor’s Hand was pretty damn awesome, as Cain leads a small force into a massive battle royale between warring Chaos warbands while also facing a dangerous foe from his past.  While the big bad’s identity was overly foreshadowed, their inclusion was very intense and lead to a gripping conclusion.  I do wonder if this repetitive story structure is going to be sustainable for the series in the future, but I really got stuck into this entertaining and exciting narrative and powered through it so damn quickly.

I absolutely loved the fun style of the Ciaphas Cain books which Mitchell once again uses to tell a fantastic story.  Primarily told from the first-person chronicle perspective as Cain recounts his many adventures, you get to see his insights into events that occur.  While on the surface this appears to be a typical Imperial Guard focused Warhammer 40,000 story, it is a much lighter read, as the book revolves around Cain’s continued attempts to get out of danger only to encounter worst problems.  It is really entertaining to see his excuses and manipulations, especially as nearly every action he does is calculated to avoid danger, which he shamelessly admits to.  The continued increase of stakes, desperate response from Cain and the inevitable lucky escape makes for some fun reading, and Mitchell does an excellent job of layering a strong amount of comedy into a usually dark universe.  This humour is expertly enhanced by the overarching narration of the book, provided by Inquisitor Vail’s editorial notes as she collates Cain’s memoirs.  Vail’s various notes, quotes and included histories of the story provides some much-needed context to the plot, while the entertaining and often sarcastic way they are delivered works extremely well.  I think that Mitchell got the right blend of humour, action, and dark moments throughout the course of The Traitor’s Hand, and I really got engrossed in the hilarious and action-packed story that emerged.  I did feel at times that Mitchell did get a bit repetitive with some of his phrases and lines, which you really notice with an extended read, but this is honestly a pretty minor complaint, and The Traitor’s Hand proved to be an amazing read.

I liked how well Mitchell featured the Warhammer 40,000 universe in The Traitor’s Hand, especially as he once again seeks to showcase the horrors of the franchise from the eyes of a human solider, even one as lucky as Ciaphas Cain.  The various Chaos factions prove to be great villains in this story, and I loved the cool comparisons between the Slaaneshi cult and the Khorne-worshipping warband.  You also get a great insight into the life of the common soldier or civilian, and it was fun to see the various responses many of them have to the reveals about Chaos and their dark designs.

Like most of the Ciaphas Cain novels The Traitor’s Hand can easily be read as a standalone book, and no real pre-knowledge of the Warhammer 40,000 universe is really needed.  Indeed, I really appreciated how efficiently Mitchell is able to ease new readers into the wider Warhammer 40,000 universe.  In addition, readers don’t really need to have checked out the prior Ciaphas Cain novels either, as Mitchell does a good job of summarising the necessary key points from these books when needed.  There were some strong references to the Ciaphas Cain short story, The Beguiling, which if you had read would have increased the impact of The Traitor’ Hand to a degree, however, it is also not necessary to have read it first, as Mitchell recaps it very well.  Overall, I felt this was a great piece of Warhammer 40,000 fiction that many people can get into.

A key highlight of any Ciaphas Cain novel is the excellent character work that Mitchell installs into the story.  This is certainly the case in The Traitor’s Hand, with most of the character work revolving around the protagonist and main point-of-view character, Commissar Ciaphas Cain.  While Mitchell has done a great job setting up this figure in the previous two books, it is always so much fun to see a story through Cain’s eyes, especially as the protagonist bears the duality of being a hero and a coward at the same time.  Fitted with a well-honed sense of survival, Cain is constantly trying to find ways to get out of danger and has proven quite adept at manipulating people to get what he wants.  However, due to bad luck or because he finds himself trapped by his own legend, Cain is constantly dragged into the most dangerous situations possible.  While it would be easy to dislike a character like this, readers quickly become aware that Cain isn’t as big a coward as he believes, and instead he is quite a skilled, brave and caring leader whose “cowardly” actions are often borne by shrewd assessment and tactical awareness.  Throw in his excellent sense of humour, his entertaining insights into the universe, and his vast experiences with the many different things trying to kill humans in the Warhammer universe, and Cain is such a great protagonist to follow.

Aside from Cain, The Traitor’s Hand features a raft of other great characters, each of whom bring a lot to the story.  For example, Inquisitor Vail, despite not appearing in person, serves a big role in the book, editing Cain’s unreliable manuscripts.  I loved her witty over-arching narration and notes throughout the book, and it was fun to have someone constantly calling out Cain for his wilder statements.  I also loved the continued inclusion of Cain’s aid, Jurgen, the man capable of killing anything in the galaxy with his trusted meltagun.  I love how Mitchell sets Jurgen up as the Baldrick to Cain’s Blackadder in this series, especially with his attitude, hygiene and loyalty, although he proves to be a vital ally.  It was also interesting to see Mitchell continue to explore just how vital Jurgen is to Cain’s success, especially due to his status as a Blank, and I love the entertaining team the two characters combine into.  New character Commissar Tomas Beije, an old school rival of Cain’s, serves as a great secondary antagonist for much of the story, and it was entertaining to finally see a character suspicious of Cain’s status as hero, especially as he looks deranged spouting out accusations we know to actually be true.  Finally, the various members of the Valhallan 597th, many of whom were introduced to us at the same time as Cain, continue to grow as characters and serve great supporting roles in the story, and it was touching to see how their relationship to the protagonist has grown over the years.

I have often said throughout my many reviews on the subject that the best way to enjoy a Warhammer 40,000 novel is its audiobook format.  Nowhere is that truer than the Ciaphas Cain audiobooks, which really capture the zany feel of the series through its excellent narration and style.  Most of this is due to the excellent use of multiple narrators, whose mixture of voices creates a particularly epic read (indeed this one of my favourite audiobook series with multiple narrators).  The Traitor’s Hand features four separate narrators, each of whom add so much to my enjoyment of this audiobook.  Each of these narrators has a distinctive role, with the amazing Stephen Perring providing the bulk of the narration in this series, as he narrates the chapters told from the protagonist’s perspective.  Perring serves as an epic centre for this audiobook, especially as he does such a good job capturing the larger-than-life Ciaphas Cain with his acting.  Perring’s take on Cain’s cocky dialogue, as well as his more honest chronicling of events, is impressive, and I love how he captured the various aspects of Cain’s character.  There are some other great voices featured throughout these chapters as well, as Perring assigns fitting and entertaining voices to each of the major characters.  My favourite of these is probably Jurgen, especially as Perring really tries to make him sound as much like Tony Robinson as possible.

While Perring does most of the narration in The Traitor’s Hand, the additional voice actors also add a lot to the story, especially Penelope Rawlins.  Rawlins voices the character of Inquisitor Vail, the Imperial Inquisitor and acquaintance of Cain who is compiling the memoirs for publication.  As such, Rawlins voices the prelude, chapter introductions and footnotes contained in this book to showcase the editorial notes that this character is adding in to make Cain’s ramblings easier to read.  Rawlins serves as a good contrast to Perring, especially as her character’s more serious tones are the direct opposite of Perring’s flippant take on Cain.  I love how seamlessly the production works Rawlins’ voice into the various points of the audiobook where her character cuts into the main story, and you really get into the groove of her explaining key details about the universe and the characters.  Throw in the additional voice work of Emma Gregory and new narrator Andrew Spooner, who give their voices to various in-universe texts that provide additional information for the reader, and you have a strong team who masterfully enhance Mitchell’s brilliant story.  These great actors really help to make this entire audiobook production so much fun to listen to, and with a runtime of just over nine hours, you can very easily sit back and listen to The Traitor’s Hand in one fantastic sitting.

With The Traitor’s Hand, Sandy Mitchell continues to showcase why he is one of the strongest, and funniest, authors of Warhammer 40,000 fiction.  Filled with the series’ trademark humour, intriguing characters and intense action, The Traitor’s Hand was an entertaining audiobook from start to finish that I could not turn off.  An outstanding and highly recommend novel, The Traitor’s Hand was so damn good, and I cannot wait to see how Mitchell continues this amazing series.

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Saevus Corax Captures the Castle by K. J. Parker

On By The Unseen LibraryIn Comedy/Satire, Fantasy, Five-Star Books3 Comments

Saevus Corax Captures the Castle Cover

Publisher: Orbit (Trade Paperback – 21 November 2023)

Series: Corax – Book Two

Length: 321 pages

My Rating: 5 out of 5 stars

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One of the funniest fantasy authors in the game presents a fantastic second entry in his closely released Corax trilogy with the hilarious and brutally brilliant Saevus Corax Captures the Castle.

In 2023, fantasy author K. J. Parker (a pseudonym of author Tom Holt), had an incredible blast of creativity as he managed to release an entire trilogy within the space of a month with the outstanding Corax series.  Set to follow an infamous battlefield salvager, the titular Saevus Corax, as he finds himself getting dragged into all manner of unusual scenarios, this series sounded so damn fun.  I was particularly intrigued, especially as these books were set in the same universe as his epic The Siege series, which featured Sixteen Ways to Defend a Walled City (one of my favourite books of 2019), How to Rule an Empire and Get Away with It (one of my favourite books of 2020) and A Practical Guide to Conquering the World (one of my favourite books of 2022).

While I managed to get all three of Parker’s Corax books last year, I only had the chance to read the first novel, Saevus Corax Deals with the Dead before 2023 ended.  This first entry in the trilogy was pretty damn incredible, and I loved the wonderful and highly entertaining story it contained, especially as it was masterfully layered with Parker’s trademark humour.  Saevus Corax Deals with the Dead got an easy five-star rating from me, and it ended up being one of my favourite books of 2023.  As such, I really want to get through the other two Corax books as soon as possible so I quickly powered through the second one, Saevus Corax Captures the Castle, last weekend.  Saeuvs Corax Captures the Castle was another outstanding read that I had such I wonderful time with.

Several years after his last outrageous adventure when he was crowned a king against his will, Saevus Corax is back to what he knows best, battlefield salvage.  While it is not the most glamorous work, it provides a living for his large crew of outcasts and rogues, as they tour their world’s many scattered battlefields, rescuing and repurposing everything they can recover from the dead.  However, a nemesis with a personal grudge will send Corax on a dangerous path he might have no escape from.

When several of his men are kidnapped, Corax’s only apparent chance to save them is to capture a delipidated castle in the middle of nowhere.  Utilising his unconventional tactics and knowledge of warfare, Corax begins his impromptu siege, only to discover that his old flame, the beautiful con artist Stauracia, is in charge of the castle’s defence, and she has no intention of losing to Corax again.

But why is Corax’s new unwelcomed employer so determined to capture the castle, and what are they hoping to achieve by using Corax’s motley crew?  The truth has the potential to plunge the whole world into war if Corax can’t keep it under wraps.  However, Corax soon finds himself distracted by revelations from his past, as he finds hope being dangled before his eyes.  Can Corax survive this latest misadventure and the dastardly rivals it brings, or has he finally met his match?

The second Corax book proved to be just as funny, addictive, and inventive as the first awesome entry, and I had such an outstanding time with Saevus Corax Captures the Castle.  Placing his wonderfully witty and world-weary protagonist on the course for more unusual conflict, Saevus Corax Captures the Castle had me fully hooked from the very first word and I just had to give it another full five-star rating.

Parker came up with a pretty clever and memorable narrative for Saevus Corax Capture the Castle, which proved to be a lot of fun to read.  Starting with another entertaining look at one of the group’s salvage jobs, the book soon places Corax’s entire group in a bad situation when members of the salvage band are kidnapped, and the only way to get them back is by capturing a castle.  So begins a battle of wits as Corax pits his innate knowledge of war and human nature against the manipulation of his old foe Stauracia, as they both try and work out why they have been charged with looking after an isolated castle.  This impromptu siege between two groups of people who do not actually want to be there proves to be quite entertaining, and it serves as a fun focus for the first half of the book.  This first half also features several flashbacks into Corax’s past, especially the events that have occurred since Saevus Corax Deals with the Dead, which provides some interesting motivations and looks at the connections between Corax and the book’s main antagonist.

Thanks to some deeply personal manipulations, there is an interesting and dramatic plot change in the second half of Saevus Corax Captures the Castle, as Corax finds himself motivated to journey alone to a forbidden nation.  This change from a siege to an independent journey actually works really well in the context of the story, and it builds on a lot of cleverly hidden elements and clues from the earlier plot.  You are really on the edge of your seat during this second part of the book, especially as Corax is in the direst of scenarios, and I loved seeing him use his understanding of people to get out of trouble.  The ending of this misguided quest proves to be very clever and a little heartbreaking, as Corax finds what he is looking for, but it’s not what he wants.  It does allow him a few bits of knowledge that let him destroy his opponents back home and get the payday, although nothing is every that simple for Corax.  I liked the intriguing tone that Parker left this second book on, especially as like the first book, the protagonist soon realises that he’s happiest when back doing what he does best.

Saevus Corax Captures the Castle features the exact same writing style as the first book in the series, which you tend to notice when you read these books in quick succession.  I personally liked this continuation of style, especially as it is what made me a fan of Parker in the first place, and it results in quite an entertaining story.  Told in a chronicle format from the perspective of main character Saevus Corax, the book is his account of events, filled with his commentary, observations and memories, to tell an intriguing tale.  Corax proves to be a very fun narrator, and his ultra-cynical take on the world has an entertaining influence on the story which is hard not to enjoy.  The resulting mixture of betrayals, manipulations and unconventional warfare really comes together into quite a comprehensive and fun story thanks to this great narration, and I was chuckling the entire way through.

The series continues to utilise the unique world that Parker came up with for both the Corax books and The Siege novels, and the fun references to some of the prior events are quite amusing.  As I mentioned in my review for Saevus Corax Deals with the Dead, this series is in some ways more of an alternate history novel rather than a fantasy book, as it does not feature any magic or unnatural elements.  Instead, we get a world of war, politics, and domineering nations, which acts as a satirical mirror of our own history.  I would still prefer some form of map up front to keep track of where the characters are going and where some of the nations being discussed are in relation to each other, but you can get by without one.  While there are a few mentions of the previous novel in the series, Saevus Corax Captures the Castle is for the most part a standalone novel, and anyone interested in a particularly fun tale can dive in here no problem.  However, I would personally suggest going from the start of the trilogy, if for no other reason than some of the jokes in this sequel are a little funnier after Saevus Corax Deals with the Dead, and you get the full understanding of the unique relationship between Corax and Stauracia.  It also solves one of the main mysteries from the first book, and it would not surprise me if a couple of story elements from this novel are featured in the third and final novel in the series.

As you would expect from a first-person perspective novel like this, most of the focus is on the titular Saevus Corax, whose unique adventures we are following.  Corax is a very typical Parker protagonist, in that he is an intelligent and cynical being who would rather live a simple life doing what he does best, but instead finds himself thrust into complex and dangerous events.  This proves to be a fun character dynamic, and I loved seeing the often-exasperated Corax forced to deal with people trying to outsmart and manipulate him while he is just trying to do the right thing.  Luckily his strong ability to understand how people think and then use that to outplay them often keeps him out of trouble, and it is quite entertaining to see him casually stop a clever enemy plan, just because they are doing exactly what he would.  His distrustful, intense, and often very honest outlook on life really impacts how the reader sees the world he lives in, and you really grow to appreciate his take on events, especially as he knows everyone is out to get him.  However, readers do get to see another side of Corax in this second book, especially as you get to see how his one previous attempt at romance worked out, and the impacts its tragic ending has on him cause him to act out in some big ways.  As such, this is a very intriguing book for this great character, and I had a wonderful time seeing him develop even further.

Aside from Corax, the cast of Saevus Corax Captures the Castle is pretty fun, as Parker comes up with an interesting group of self-centred, occasionally loyal, but mostly treacherous figures to partner up with our favourite rogue.  The most prominent of these is Stauracia, who was both a secondary antagonist of the first novel and the protagonist’s love interest.  Stauracia is a con-artist who has run afoul of Corax and his group before, and who finds herself forced to work both with and against them in this novel.  Smart, manipulative, and utterly lovely, Stauracia is the perfect foil for the more subdued Corax, and they have some amazing chemistry in this book.  I loved the unique relationship that bloomed between them that is often driven more by dislike or mistrust than anything else, but both of them come away a bit better from knowing the other.  Other major characters include the group of unlikely companions that make up Corax’s battlefield scavengers.  Their constant bickering makes for a fun background to many scenes, and I like how they are usually annoyed with Corax’s antics, although they keep following because no-one else could do the job better.  Throw in a great villain, whose prior connections to Corax result in some brutal plots against him, and the cast of Saevus Corax Capture the Castle are extremely entertaining, and I loved seeing the unique narrative that formed around them.

Overall, Saevus Corax Captures the Castle was a highly fun and utterly amazing novel from K. J. Parker that I cannot recommend enough.  Featuring all the humour, entertaining cynicism and clever characters that made the first Corax book so incredible, Saevus Corax Captures the Castle serves as an outstanding sequel that continues the series in an awesome way.  An outstanding and epic read, this was such a great book and I cannot wait to read the final Corax novel as soon as I can.

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Saevus Corax Deals with the Dead by K. J. Parker

On By The Unseen LibraryIn Comedy/Satire, Fantasy, Five-Star Books5 Comments

Saevus Corax Deals With the Dead Cover

Publisher: Orbit (Trade Paperback – 10 October 2023)

Series: Corax – Book One

Length: 359 pages

My Rating: 5 out of 5 pages

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One of the most unique and funny authors of fantasy fiction, K. J. Parker, returns with an outstanding and hilarious read about a likeable protagonist caught up in the middle of so much drama, with Saevus Corax Deals with the Dead.

Few authors have the comedic chops and inventiveness of K. J. Parker, whose work I have been deeply enjoying over the last few years.  A pseudonym of established fantasy author Tom Holt, Parker has written a ton of unique and compelling reads over the years, including some outstanding novels that set outrageous and clever protagonists against the stupidity of their world in some impressive scenarios.  I particularly enjoyed Parker’s recent The Siege series, which saw three very different men take advantage of a major siege in very different ways.  All three Siege books were extremely epic, and they all got five-star ratings from me because of their clever stories, entertaining characters, and fantastic comedy.  This includes Sixteen Ways to Defend a Walled City (one of my favourite books of 2019), How to Rule an Empire and Get Away with It (one of my favourite books of 2020) and A Practical Guide to Conquering the World (one of my favourite books of 2022).

Due to how much I enjoyed Parker’s last series, I was very excited when I found out that he had a fun new trilogy coming out in 2023.  This series, the Corax trilogy, follows Saevus Corax, a professional battlefield looter who runs afoul of multiple groups, nations and people in his quest for survival and the big score.  Parker, who seems to be an unstoppable force when it comes to writing, released all three Corax books in the space of around a month, which is pretty damn impressive.  I have so far had the great pleasure of reading the first of these, Saevus Corax Deals with the Dead, which proved to be an exceptional novel and one of my favourite books of 2023.

Saevus Corax is a man with a twisted and hidden past, who seeks to make a new future for himself by looting the many, many battlefields that scatter his world.  Leading a professional band of scavengers, Corax makes his living by selling recovered and repaired gear from the dead to warring armies desperate or greedy enough to buy from him.  While not the most glamorous work, it’s a job Corax excels at, and it allows him to escape his complicated history.  But the past always has a habit of coming back when you least expect it, especially when there is a great deal of money on the line.

Finishing up a lucrative job, Corax and his men are shocked to discover that they are being accused of committing a brazen heist and now have a price on their heads.  Assuming that he is the true target of this bounty, Corax soon finds himself targeted by the two most powerful banking organisations on the continent.  Forced to flee, Corax finds himself the most wanted man alive, with several nefarious organisations, as well as vengeful members of his own family, placing a massive bounty on his head.  But who is Corax really, and why does everyone want him either alive or dead?

To understand that you’ll need to unwrap Corax’s complex history, and the events that turned him into the most important figure in world politics.  But Corax is sick of being a pawn in everyone else’s game, and he soon starts to make his own moves to ensure his independence.  Will Corax survive, or will his attempts at upsetting the board result in chaos and destruction across the world?

This was an absolutely amazing read from K. J. Parker that placed a very likeable and relatable protagonist into one heck of an elaborate bind.  Filled with a wry humour, outrageous scenarios and constant treachery, Saevus Corax Deals with the Dead was an outstanding read that gets a very easy five-star rating from me.

Saevus Corax Deals with the Dead has a great story that is told in a first-person chronicle format from the perspective of titular protagonist Saevus Corax.  This is the exact way that Parker wrote The Siege trilogy, and indeed this book is set in the same world several hundred years down the line.  This results in a different landscape for the story, with the bulk of the technology, culture, and certain story elements reminiscent of medieval times rather than the previously seen Romanesque setting, and Parker uses this to his full advantage, especially as the protagonist finds himself caught in a battle between this world’s equivalent of the historic banking giants, the Knights Templar and the Knights Hospitaller.  While nominally a fantasy novel, as it is set in a different world, this series often comes across more as an alternate history novel with comedic undertones, which is highly fun.

The author comes up with an awesome tale surrounding this scenario, as the compelling protagonist is thrust into this conflict against his will thanks to certain aspects of his birth.  Corax recounts this entire adventure in detail, as he first attempts to ascertain who is trying to capture him after framing him for a crime, before eventually going on the run.  Despite promising the reader to always tell the truth, Corax proves to be a somewhat unreliable narrator, mainly because he doesn’t have a desire to share his own personal history unless he must.  However, this hidden history comes into play quite a lot, as his past ensures he is immensely important for just being him.

Inevitably betrayed and captured, Corax is sent off to experience his destiny, which results in some substantial carnage as the protagonist attempts to either escape or turn the situation to his advantage.  This leads to several amusing battles, impractical wars, and other major confrontations, as Corax and the other characters lie, backstab and manipulate to try and get what they want.  Watching a highly practical man with a professional understanding of warfare and a capable imagination face off against various foes who constantly underestimate him makes for some great entertainment, and the various twists and turns that emerge are so much fun.  This entire story comes together extremely well, and the sheer number of betrayals, changing loyalties and attempts by people to use the protagonist for their own advantage ensure you’re never certain who’s going to come out on top of every brilliant scene.  The conclusion of Saevus Corax Deals with the Dead’s plot is very clever, and it brings together a lot of the unique world and compelling story elements that have been built up over the course of the story.  The way that the protagonist overturns everything just to maintain his life is so much fun, and the fitting rewards all the characters get is very fun.

I have so much love for how this story comes together, as the protagonist’s recounting of events really works to give you a personal and complex take.  Every moment of the story is told through Saevus Corax’s cynical and distrustful eye, which adds a certain slant to events, and the author does a great job of providing some fun, but detailed, context to the events unfolding.  Much of this book’s excellent humour is lifted from these outrageous situations that the protagonist finds himself in.  The protagonist does a great job of expressing the ridiculousness of many of these moments, as well as the funny ways he manages to oppose them, often by using simple human nature or flaws in various systems to his advantage.  I loved how well Parker introduced his protagonist is this novel, and Corax’s excellent narration of current events, as well as the compelling and often emotionally charged retelling of his personal history, comes together well to tell an impressive story.  I really cannot emphasise enough how well this first-person narration works, and the detailed recounting of events from a grounded, sensible and exasperated figure really makes for a unique tale.

As the first book in this new trilogy, Saevus Corax Deals with the Dead is a self-contained book, and readers don’t need to have read any of Parker’s previous novels to appreciate it.  As a fan of The Siege series, I enjoyed that the Corax books are set in the same world, especially as the author slips in some fun references and allusions to prior events.  However, no prior knowledge of The Siege books is needed, as the protagonist provides all the relevant world history in his narration, with a few fun and ironic points about the unreliability of prior narrators.  Parker does a good job of quickly building and exploring the various nations and powers in this world, especially if they relate to the plot, and I liked some of the fun parallels that exist between some of them and real historical entities.  The interplay of politics, the rivalries between powers, and the simple desire many of these groups have to betray each other is well set out as a result, and this works into the plot of the book very effectively, especially once you begin to understand just who Corax is.  I really enjoyed how all these elements are explored in the plot, although I did on multiple occasions wish that Parker had included some form of map just so I could have kept track of locations and nations.  I honestly had such a great time returning to this amazing world, especially as we got to follow yet another unlikely leader who was able to change the world just by applying their own unique brand of knowledge and an understanding of how fallible humans can be.

Saevus Corax Deals with the Dead was an incredible novel from K. J. Parker that continues to showcase his exceptional and comedic writing style.  Setting a great protagonist down a chaotic road, Saevus Corax Deals with the Dead had an amazing story which Parker showcases in his well-honed and enjoyable style.  Immensely clever and exceedingly funny, Saevus Corax Deals with the Dead comes highly recommended, and I loved every second I spent reading it.  I already have both sequels, Saevus Corax Captures the Castle and Saevus Corax Gets Away with Murder (both with very intriguing titles), and I am hoping to read them as soon as possible as I know I will love them too.

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Everyone on this Train is a Suspect by Benjamin Stevenson

On By The Unseen LibraryIn Australian, Comedy/Satire, Murder Mystery3 Comments

Everyone on this Train is a Suspect Cover

Publisher: Michael Joseph (Trade Paperback – 17 October 2023)

Series: Ernest Cunningham – Book Two

Length: 318 pages

My Rating: 4.75 out 5 stars

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Impressive Australian author Benjamin Stevenson returns with another hilarious and outstanding murder mystery that once again acts as a clever homage to the classics with Everyone on this Train is a Suspect.

Over the last few years, one of the most consistently enjoyable authors of Australian crime fiction has been the remarkably talented Benjamin Stevenson.  Best known prior to his writing career for his comedic work with his brother James, Stevenson adapted well to crime fiction and made his first impression with his debut novel, Greenlight.  Also released as Trust Me When I Lie and She Lies in the Vines, Greenlight was an outstanding read, and Stevenson quickly followed it up with the cool sequel Either Side of Minute.  While both of these books had great murder mystery plots with some unique twists to them, I think Stevenson didn’t truly display his writing ability until his next novel; Everyone in my Family has Killed Someone.

Everyone in my Family has Killed Someone was an exceptional 2022 novel that saw a fictional murder mystery expert try to solve a classic locked room murder that was likely committed by a member of his notorious family, each of whom has killed someone in the past.  Everyone in my Family has Killed Someone was so damn good as not only did it feature a clever case but Stevenson excelled at producing a very funny novel in his unique style that parodied the classics of the genre.  Due to its entertaining and meta storytelling, Everyone in My Family has Killed Someone was such a joy to read and it ended up being one my favourite pieces of Australian fiction in 2022.  As such, I have been eager to see what Stevenson would produce next, and while I was initially a little surprised to see that he would be writing a sequel to Everyone in my Family has Killed Someone, it was something that really excited me.  This sequel, Everyone on this Train is a Suspect, was one of my most anticipated releases for 2023, and I had another outstanding time getting through it.

Plot Synopsis:

6 WRITERS. 5 DETECTIVES. 4 DAYS. 3 WEAPONS. 2 MURDERS. 1 TRAIN…

When the Australian Mystery Writers’ Society invited me to their crime-writing festival aboard the Ghan, the famous train between Darwin and Adelaide, I was hoping for some inspiration for my second book. Fiction, this time: I needed a break from real people killing each other. Obviously, that didn’t pan out.

The program is a who’s who of crime-writing royalty:

the debut writer (me!)
the forensic science writer
the blockbuster writer
the legal thriller writer
the literary writer
the psychological suspense writer.

But when one of us is murdered, six authors quickly turn into five detectives. Together, we should know how to solve a crime.

Or commit one.

How can you find a killer when all the suspects know how to get away with murder?

Stevenson once again presents an outstanding and wildly entertaining Australian crime fiction novel that proves impossible to put down.  Thanks to his impressive story and wonderfully distinctive style for this series, Everyone on this Train is a Suspect was a particularly funny novel that takes some fun shots at classic murder mysteries, modern crime fiction and the publishing world at large.

I absolutely loved the story Stevenson came up with for Everyone on this Train is a Suspect, which essentially traps his returning protagonist, Ernest Cunningham, on the Australian version of the Orient Express with a group of other famous crime fiction authors.  Ernest, who has achieved a certain amount of literary fame writing a true-crime book about the familial murder he solved, is the somewhat ostracised newcomer to the group and is currently suffering from writer’s block.  Hoping to gain inspiration from meeting some of his fellow authors, most of whom are homages to famous crime fiction authors (Ian Rankin and Patricia Cornwell, for example), Ernest instead finds himself caught up in another deadly murder, this time involving suspicious writers, greedy publishers, scheming agents, angry mega-fans and other fun figures from the literary world.  The resulting plot is extremely fun, as an obsessed Ernest attempts to solve the crime, only to encounter additional murders, opposition from his fellow writers, unique interactions, and all manner of ridicule.

This entire story is really well written, as it features all the elements that made Everyone in my Family has Killed Someone great, including a clever mystery, outrageous characters and an irrepressible sense of humour.  Just as with Everyone in my Family has Killed Someone, Everyone on this Train is a Suspect is told in the form of a true-crime book written by the protagonist as he recounts the events that unfolded aboard the train.  I really enjoyed this fun and clever way of writing the story, especially as the character of Ernest has such an amusing and satirical outlook on life and murder mysteries.  The author also believes in challenging the classic ways of writing crime fiction and providing clues to the reader, and as such the book is loaded with a ton of hints from the protagonist about who the killer is and the events to come.  For example, he indicates how many times he is going to mention the killer’s name early on and then keeps a running countdown going throughout the book to narrow down the suspect pool.  In addition, several characters’ fates, actions and other clues are mentioned well in advance, just to heighten anticipation.  While you would imagine that this would spoil much of the plot, I felt it honestly enhanced it, as you eagerly wait to see how these events occur or try to keep track of who is being talked about and in what context.  Stevenson also does not always play it fair with these hints, with a few flagrant mistruths sprinkled through by the protagonist to mislead the reader, although this is all done in good fun.

As such, by the time you get to the second half of Everyone on this Train is a Suspect, you are really invested in the overall mystery that Stevenson has cooked up.  All the various clues, hints and other interesting story details have been cleverly built up and you are eager to see how everything unfolds.  There are a few hilarious set pieces loaded here, including an unnecessary chase sequence, a failed denouement gathering, and some major misunderstandings, all of which add to the chaotic nature of the plot.  This exciting and funny story also makes great use of its iconic background setting of the Ghan, one of Australia’s most famous trains, and Stevenson works in some fantastic personal drama for the protagonist who finds that crime solving and romance do not mix.  The eventual solution to the mystery is just great, as it blends multiple motivations, character histories and various subtle clues in an outstanding way.  Even all the overt clues that the protagonist had been directly feeding the reader come into play, although not always in the way you would expect it to.  This leads to an intense and memorable conclusion, which I thought wrapped things up nicely, especially with that fun twist designed to surprise readers familiar with first-person stories.

As with Everyone in my Family has Killed Someone, this second novel serves as a great homage and parody of classic murder mystery tropes, as the protagonist once again finds himself in a locked-room scenario.  The parallels between this story and Murder on the Orient Express are purposely obvious, and I loved seeing the very self-aware protagonist revel in them as the plot continues.  Stevenson also modernises his references by including homages to more modern mystery and crime fiction sub-genres.  The legal thriller, forensic science, modern detective and psychological suspense genres are all featured here in some ways, as fictional authors of these genres are present as supporting characters, and all their specialties are considered when it comes to solving the crime.  Stevenson works these into the plot perfectly, and it was a great deal of fun to see each of these elements discussed, satirised, and then utilised to a degree.  As such, this proves to be quite a fun book for all manner of crime fiction fans, and the fun references, jokes and hints will greatly appeal to the wider murder mystery audience.

Another awesome aspect of Everyone on this Train is a Suspect that I liked was the exploration of the literary world.  Due to the events of the first book, the protagonist finds himself as a published author, with all the baggage that brings with it.  As such, this sequel is filled with a ton of fun discussions and jokes about being a writer, with Stevenson no doubt utilising his own personal experiences to give it a splash of realism.  Most of these inclusions are done to provide another comedic edge to the story, especially as Ernest has been thrown into the deep end with a group of experienced writers who have no respect for him.  The scenes where they discuss their works while also putting down his less successful book are so damn funny, although I could not help but feel a little self-conscious with some of the comments (I know I use too many adverbs).  Stevenson also really dives into the dark side of writing and publishing, with sketchy agents, dodgy backroom deals, story thefts, and personal compromises all being featured quite heavily in the plot.  These elements make for some great potential motives, but you have to appreciate the heavy level of cynicism that Stevenson is throwing into the mix.  I deeply enjoyed the way that Stevenson explored the minefield of life as a murder mystery writer, as well as other connected literary issues, and it ensured that the protagonist’s storyline about being a new author was simultaneously funny and intriguing.

Benjamin Stevenson continues to impress as one of my favourite authors of crazy Australian crime fiction.  His amazing latest novel, Everyone on this Train is a Suspect, is so damn good, as it combines a clever mystery with Stevenson’s unique style that satirises the entire crime fiction genre.  Loaded with some brilliant homages to all manner of murder mystery, and mixing an intense murder plot with jokes, outrageous characters, and fantastic way to tell the story, Everyone on this Train is a Suspect was a blast of epic fun from start to finish.  A worthy and incredible sequel to Everyone in my Family has Killed Someone, Everyone on this Train is a Suspect is funny, brilliant and occasionally dark, and you are guaranteed to love every second of it.

Everyone on this Train is a Suspect Cover 2

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Guest Review – Welcome to Night Vale and It Devours! by Joseph Frink and Jeffrey Cranor

On By The Unseen LibraryIn Audiobook, Comedy/Satire, Guest Review, Science Fiction, Throwback Thursday, Tie-in Novel1 Comment

This week as part of my Throwback Thursday articles I let my eternally awesome editor/wife, Alex, reveal what weirdness she has been reading lately with a guest review of two very fun, if odd, books.  Fans of this blog may remember that Alex has previously provided some insightful guest reviews for The Power (soon to be a television series), The Testaments, The Fowl Twins, Pan’s Labyrinth and the latest audiobook versions of The Lord of the Rings trilogy.  For this latest guest review, Alex dives into the audiobook versions of the tie-in novels associated with the Welcome to Night Vale podcast, written by Joseph Frink and Jeffrey Cranor.  Now, I have to admit that despite Alex’s love of Welcome to Night Vale, I honestly do not know much about it, and I was intrigued to see what stories these books featured.  If her review of the first two books are anything to go by, I am missing out on some crazy, crazy things by not listening to this podcast.

Welcome to Nightvale Cover

Alex’s Rating: 4 out of 5 stars

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Welcome to Night Vale is a long-running sci-fi podcast that publishes new episodes twice a month. Joseph Fink and Jeffrey Cranor have been writing the show together for just over 10 years now, and have so far published three books in the canon. I recently found myself in need of some audio entertainment to accompany some long drives, and I decided the soothing baritone of Cecil Baldwin was just the thing I needed, so I started with the first two books, Welcome to Night Vale and It Devours!

Regular listeners of the Welcome to Night Vale podcast will know exactly what to expect from these books. New fans will need to strap in for some weirdness, ranging from the merely strange, like invisible pie and the Glow Cloud (ALL HAIL), to the truly terrifying, like throat spiders and librarians. Time doesn’t work in Night Vale. Angels are real, but it is illegal to acknowledge them (and certainly don’t lend them any spare change when they ask for it). Mountains are real, but not everyone believes in them. There is a faceless old woman who secretly lives in your home, but she’s not usually violent. The best advice I can give is to simply accept everything the narrative tells you, as any law-abiding Night Vale citizen would do.

The Welcome to Night Vale book chiefly follows the adventures of three such Night Vale citizens. Josh Crayton is able to change his form at will, sometimes appearing as an insect or a sentient patch of haze, sometimes sporting huge antlers or the legs of an octopus. Like all teenagers, he’s just trying to learn how to feel comfortable in his body and figure out who he is—and who his father is. His mother, Diane Crayton, is just trying to protect and connect with her son; it’s not easy being a mother in a town so strange and dangerous. But she also finds herself transfixed by the mystery of a newcomer to town, a strange man in a tan jacket, whose name and face you forget as soon as you look away. The man in the tan jacket has also caught the attention of Jackie Fierro, the pawn shop owner, who has been 19 years old for as long as she or anyone can remember—decades or perhaps even centuries. When things are strange enough even for Night Vale locals to take note, you know that very strange things indeed are afoot.

It Devours! introduces Nilanjana, a scientist who is investigating a series of terrible, massive sinkholes which have started appearing all over town. Nilanjana is a newcomer to Night Vale, and unsurprisingly she hasn’t found it easy to join the community. The other major character, Darryl, is a member of the Joyous Congregation of the Smiling God, a cult-like religion mostly made up of expats from the nearby town of Desert Bluffs. This pair encapsulate the themes of belonging that are so prevalent in this book—the need to belong to a community, even one as strange as Night Vale or as sinister as the Joyous Congregation—as well as the friction between science and religion.

I found that the real treat of these books is that they give you an insight into the internal lives of Night Vale citizens. Since the podcast is almost exclusively presented from the perspective of journalist and community radio host Cecil, a sometimes unreliable narrator, the audience gets only second-hand knowledge of other characters. But since the books take on a more traditional, omniscient style of storytelling, we are treated to a much fuller view of the day-to-day lives and struggles of the people living in this strange town. As such, they very much operate as a character study (especially Welcome to Night Vale, since its protagonists are all pre-existing characters) but there’s also plenty of action to keep the stories moving.

It Devours Cover

Alex’s Rating: 4 out of 5 stars

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Fink and Cranor take care to liberally sprinkle in cameos and references to delight podcast listeners whilst also giving new readers (and those of us who haven’t caught up on the podcast in a while) enough information to go on. At one point in Welcome to Night Vale Carlos the scientist makes an offhand comment about his extensive experience of other worlds, but that he doesn’t like to talk about it. New fans can enjoy this throwaway line as yet another deadpan non-sequitur, but regular listeners will know this refers to a long-running, heartbreaking arc in which Carlos spent a year trapped and isolated in a desert otherworld. It can be hard to tell which elements are simply weird worldbuilding and which are important clues that will assist the characters in their investigations, so the books are full of surprises. The books are also very suspenseful, with the characters facing some kind of peril—physical or psychological—on a regular basis. At one point while listening on a drive, I sat in the carpark for an extra 10 minutes after reaching my destination just to make sure Jackie and Diane made it out of the library alive.

On a similar note, another upshot of the novel format is that the payoff comes much quicker than podcast listeners may be accustomed to. With episodes only released every few weeks, it’s not unusual to have to wait months or even years for some elements to reach a resolution. Here we get a much tighter narrative that arises and resolves itself in a few hundred pages. I would say that It Devours! is the far stronger of the two books, as Fink and Cranor seem to have gotten a better handle on adapting their usual style to the novel format.

Of course the only appropriate narrator for these audiobooks is Cecil Baldwin, who in the podcast portrays Cecil Palmer, the presenter of the community radio show which is the format of most episodes. The books are written in a more traditional novel format but still with the usual Night Vale cadence; when I read the paperback editions when they were first published, I found myself “hearing” Cecil’s voice as I read, so it was a real treat to listen to the audiobooks properly. I also appreciated the use of Disparition’s eerie background music during the chapter interludes, making them feel like they’d been lifted right out of an episode of the podcast.

Overall I really enjoyed the first two Night Vale books, especially It Devours!, but I definitely had the advantage of a fair bit of familiarity with the Night Vale world already. I’m now especially looking forward to finally catching up on the third book, The Faceless Old Woman Who Secretly Lives In Your Home, narrated by my childhood idol Mara Wilson.

Throwback Thursday – For the Emperor by Sandy Mitchell

On By The Unseen LibraryIn Audiobook, Comedy/Satire, Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer11 Comments

Warhammer 40,000 - For the Emperor Cover

Publisher: Black Library (Audiobook – 23 December 2003)

Series: Ciaphas Cain – Book One

Length: 8 hours and 57 minutes

My Rating: 4.75

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I’ve already put up one Throwback Thursday post today, for the cool Warhammer 40,000 novel, Kingsblade by Andy Clark, but the fun doesn’t end there as I am also going back to 2003 and reviewing the hilarious and deviously clever novel, For the Emperor by Sandy Mitchell, which is easily one of the funniest Warhammer books I have ever read.

Anyone who has paid the slightest bit of attention to my recent review habits would probably have noticed that I am quickly and doggedly powering through a ton of the top books in the Warhammer 40,000 range of fiction.  Not only did I recently finish off the epic Eisenhorn trilogy by Dan Abnett (featuring Xenos, Malleus and Hereticus), but I have also checked out several cool standalone novels, including Grim Repast by Marc Collins, Deus Encarmine by James Swallow and Sepulturum by Nick Kyme.  All these books are exceedingly impressive examples of Warhammer 40,000 fiction that featured their own unique elements, such as galaxy spanning conspiracies, intense horror elements, or a futurist homage to classic, gritty cop stories.  However, the one thing that they all tended to lack was a substantial and notable sense of comedy.  That is where my next entry comes in as I have finally had a chance to explore the first book in the iconic Ciaphas Cain series by Sandy Mitchell (a pseudonym for author Alex Stewart), For the Emperor, which had me laughing like crazy.

In the millennia when the forces of humanity fought to maintain the Imperium of Man, many heroes have risen from amongst the ranks of the Imperial Guard, gloriously leading mankind’s armies against the traitors, the heretics and the xenos.  Of these, few are spoken of with as much reverence and respect as the famed Commissar Ciaphas Cain, a living legend of duty, honour and courage.  Known throughout the Imperium for his daring exploits that have seen him survive the harshest of battlefields and continually lead his forces to victory, Commissar Cain is considered by many to be one of the greatest heroes of the age.

However, everything everyone knows about Cain is a lie.  In reality, he is a conniving coward who only seeks to avoid the horrors of the battlefield by any means necessary, in order to survive and make it to retirement.  Blessed with remarkable survival instincts, Cain has managed to stay alive against impossible odds many times, which has led many to believe he is a true hero capable of anything.  However, Cain’s ill-earned fame and reputation is a double-edged sword, as he is constantly chosen to journey to the worst battlefields in the Imperium, where his bad luck ensures he is in the thick of the fighting.

His latest mission sees him assigned to a newly formed Imperial Guard regiment suffering from horrific infighting and a lack of discipline.  Determined to install unity and respect amongst his new regiment, primarily so they don’t shoot him in the back, Cain is confident that he has found a relatively safe assignment.  However, his bad luck once again sees him in the thick of it, as his regiment is transferred to the backwater planet Gravalax, where a delicate situation is unfolding.  The inhabitants of Gravalax are attempting to defect to the alien Tau, who come with a message of peace and the Greater Good.  Not wishing to face the Tau and their superior technology, Cain works hard to avoid an upcoming war and ensure diplomacy will prevail.

However, after the Tau ambassador is assassinated and tensions are enflamed across the planet, Cain begins to suspect that there is more in play than he previously expected.  A shadowy conspiracy is hoping to start a war between the Tau and Imperium on Gravalax, and Cain is right in the middle of their plot.  To survive and avoid yet another war, Cain needs to work with a beautiful inquisitor to find out who is behind the attempted carnage before it is too late.  But his investigation reveals a far more dangerous enemy than expected, one that is determined to destroy all before it, starting with the terrified Cain.

Wow, oh wow, now that was a pretty damn fun book.  I had heard many times before how awesome and entertaining the Ciaphas Cain books were, and For the Emperor really did not disappoint.  Featuring a compelling story loaded with clever, dark humour, For the Emperor is a very easy book to fall in love with, and I ended up coming away really impressed with Sandy Mitchell’s amazing writing and comedic ability.

For the Emperor’s narrative itself is pretty interesting as it follows Cain through one of his most notable adventures.  Told in a chronicle perspective from Cain’s own memoirs (which may or may not be the most reliable source of information), you get to see the true Commissar Cain as he finds himself thrust into another adventure.  After a quick and very intriguing introduction, with notes from Cain’s associate, Inquisitor Amberly Vail, the story initially details Cain’s attempt to unify and control the Valhallan 296th-301st composite Imperial Guard regiment (eventually the Valhallan 597th).  These initial chapters showcase many aspects of the compelling protagonist, his deep cunning and determination to avoid damage, while also taking the time to introduce several of the major supporting characters.  The story changes after a few chapters as Cain and his new regiment arrive on Gravalax, where Cain must contend with the Tau, who are influencing parts of the local population.  Unlike most Warhammer 40,000 novels, the story doesn’t revolve around a war between the Imperial Guard and the Tau; indeed the focus on the plot is avoiding the conflict as two rival races attempt to find a diplomatic solution.  Unfortunately, some hidden force is attempting to start a war between the Tau and the humans, and Cain soon finds himself trying to maintain the peace, primarily for his own benefit.  After several intriguing and entertaining side missions, the plot eventually sees Cain and the new Inquisitor Vail lead a small, expendable force into the lair of their true enemy.  While I won’t go into detail about who they face, it results in a series of gruesome and deadly battles, where Cain’s survival skills are really put to the test.  Mitchell features a ton of action, intrigue, and odd-couple team-ups for this final major sequence, and you are really drawn into the intense storytelling, with even Cain’s sense of humour failing to cut through the brutal nature of the conflict.  Everything ends on a compelling, if slightly dark note, and you come away from the story pretty damn satisfied and ready for another intriguing adventure from this hilarious protagonist.

I really liked the fun way Mitchell wrote For the Emperor, as everything is set out to enhance the inherent comedy of the book.  While there is a ton of impressive action, adventure and intrigue, at their core all the Ciaphas Cain books are very light-hearted and add a more humorous spin to the grim Warhammer universe.  Indeed, I was getting some major Blackadder vibes from For the Emperor, as much of the plot sees the supposedly noble protagonist attempting to weasel his way out of actually getting into a fight.  Pretty much every interaction or thought in this book had me chuckling in some way, and I appreciated some of the clever jokes or references that Mitchell scattered throughout.  I also deeply enjoyed the cool chronicle format of the story, as Cain’s antics are made even funnier when you see it from his eyes.  At the same time, Mitchell includes a ton of extra notes and excerpts from other in-universe texts that not only provide intriguing context, but also add to the humour, especially as the intentionally over-the-top opinions and bad writing highlights just how crazy other members of the Warhammer 40,000 universe are.  There are also a series of notes, footnotes and quotes from supporting character Inquisitor Vail sprinkled throughout the plot to provide some additional insights, often in a humorous way.  I always deeply enjoy the use of a good footnote in fiction, especially due to my love of Terry Pratchett’s novels, and I felt that Mitchell utilised them perfectly throughout For the Emperor.  Not only do they provide additional information, but Vail’s footnotes often directly contradict Cain’s opinions and descriptions of events, and ensure a much more complex and complete overall story.

While the focus is often on the humour, Mitchell also does write a pretty compelling military thriller as the main story, which ties well into the wider Warhammer universe.  The focus on the intense conspiracy and the outbreaks of rebellion and war fit into the more humorous feel of the book extremely well, and you get quite an impressive story as a result.  There are also some rather dark moments scattered throughout the novel as well, and they provide a rather interesting contrast to the more comedic elements.  Having the character deal with some heavy moments, like being forced to kill an innocent man, provides some great balance to the story, and despite the lighter tone, you are always reminded just how grim the overlying universe truly is.

I deeply enjoyed Mitchell’s unique take on the Warhammer universe that was featured in For the Emperor, especially thanks to who is telling the story.  Most of the Warhammer 40,000 books you experience either follow a bold warrior or a common soldier, many of whom see the universe through lens of duty or ignorance.  However, the Ciaphas Cain books provide a much more down-to-earth view as the cynical Cain sees events as they truly are and he knows deep down just how deadly the universe and his own comrades are.  I really liked this alternate view of the franchise from a protagonist and it, and the inherent humour of the story, help to make this book really stand out from some other novels.  At the same time, Mitchell adds in some compelling and fascinating insights to the Tau, and other factions to the story, which really help to expand out the universe and ensure that there is plenty there for all Warhammer readers.  The examination of a more diplomatic route from the usually xenophobic Imperium of Man was also pretty damn fascinating, and it really helps to showcase how pragmatic some of Mitchell’s characters are.  This lighter tone, as well as the fun references to some other classic Warhammer 40,000 novels, ensures that all fans of the franchise are going to have an amazing time with this book, and I personally found it to be a welcome change of pace between a few heavier Warhammer novels I have recently read.  For the Emperor would also serve as a pretty good entry point into the Warhammer 40,000 universe, especially as you get a good idea of how crazy everything is, while also getting to have a laugh at it.  As such, this is an extremely good Warhammer novel, and I now fully understand why the Ciaphas Cain books are so beloved by the fandom.

I can’t mention For the Emperor without discussing the awesome and extremely entertaining collection of characters that Mitchell successfully introduces here.  For the Emperor features a substantial and compelling cast, each of whom brings something special to the story and helps to either enhance the humour or the more serious aspects of the book in their own special way.

The most important of these characters is of course Commissar Ciaphas Cain, through whose memoirs we see most of the plot unfold.  A legendary hero of the Imperium, Cain is one of the more unique figures in Warhammer 40,000 fiction, mainly because he doesn’t deserve his inflated reputation.  While he acts the great hero and everyone is in awe of his reputation, in reality he is a craven figure who is actively trying to avoid the universe’s various wars and stay alive.  Thanks to his narration throughout the book, you see him constantly manipulating the situation to his advantage.  Literally every single action he takes is done to benefit him and him alone, with an appropriate explanation or excuse to keep people from getting suspicious.  Even his more heroic actions in the book (stopping a riot, defending the Tau ambassadors, visiting the enemy stronghold) are only done because they serve him in some way or when he can’t get out of doing it without dying or losing his ill-gained fame.  I absolutely loved this unique character feature, as not only is it hilarious to see how he manages to weasel out or manipulate situations but it ensures that he is the complete opposite of the usual gruff and ultra-serious Commissar characters that are such a big part of franchise (Gaunt and Yarrick, for example).

While it would be easy to dislike such a selfish character, you really grow to enjoy Cain and his hilarious and cynical viewpoint of the universe, which is the source of much of the book’s comedy.  It also helps that nearly every one of his actions backfires on him in some way, as his attempts to stay out of the fighting usually see him put into an even worse situation.  His intriguing narration through his journals (which have been seized and classified for political reasons), adds to the comedic and emotional impact of the story, especially as you get to see him weigh his actions with the benefit of hindsight (although he is usually unrepentant).  Of course, Cain is also the textbook definition of an unreliable narrator, and you have to wonder at the truth of his words sometimes.  I did like how Mitchell tried to show that despite his desire to avoid combat, Cain is actually a pretty capable warrior and commander, and that he wouldn’t be as effective a leader if he weren’t trying to keep up his lies.  There are also some flashes of humanity and deeper emotions scattered throughout the book, and you can see that there is a good person in there somewhere, even if it is buried far beneath his instincts for self-preservation.  Honestly, Cain might be my most favourite Warhammer character since Kal Jerico, and I had such a fun time seeing his antics in For the Emperor.

Aside from Cain, I really need to highlight Inquisitor Amberly Vail, who finds herself investigating the same conspiracy Cain gets wrapped up in.  Vail is a very fun character in this book as she not only presents the fictional version of For the Emperor to the reader, but she has a big role in the actual plot.  Vail serves as Cain’s love interest, but she also is the only person in the book who sees right through Cain and knows what he truly is.  Watching her manipulate the seasoned conman is quite cathartic, and the two make an effective and interesting team throughout the book.  However, I felt that Vail’s best contribution to the novel comes in the form of her notes and footnotes throughout the account, especially as they constantly call out Cain for his actions and keep his narration mostly honest by filling in some crucial gaps.  It as also very fun to see the various different versions of Vail that appear throughout the book, as you see both how she presents herself to the reader, and the slightly altered version of her that Cain sees.  This really makes her stand out as a central character in this series and her funny notes and corrections deeply enhanced the already entertaining plot.

Another major character I need to mention is Cain’s aide-de-camp, Jurgen, the Baldrick to Cain’s Blackadder.  A stooped, smelly and scruffy being, Mitchell has made Jurgen as Baldrick-like as possible (including a scene in which he comes up with a cunning plan), and I loved every damn second of it.  Firmly believing that Cain truly is the hero he claims to be, Jurgen faithfully serves Cain, and it is a lot of fun to see the two play off each other, especially as Jurgen is honestly the most honest and likeable character in the entire book.  The rest of the cast, which include schemers, professional soldiers, and various Tau, also have their moments, and I really liked how they were portrayed in the book.  However, they all share one particularly defining feature: they all believe Cain is a hero and are led around by his manipulations.  Watching these generally smart people fall for Cain’s lies is a great part of the book’s plot, and I had so much fun seeing them act the fool in this one specific way.  Overall, though, For the Emperor has some outstanding characters to it, and it will be fun to see how they are utilised in the other Ciaphas Cain books.

Like most Warhammer novels I have the pleasure of enjoying, I chose to listen to For the Emperor’s audiobook format, which I maintain is one of the best ways to enjoy Warhammer 40,000 fiction.  All the best narrative and stylistic elements of For the Emperor comes through at an even higher quality when you listen to them, and you really find yourself getting drawn into the complex story while also laughing at the fun characters.  I felt that the production value behind For the Emperor was particularly impressive, as the audiobook features three separate narrators in experienced voice actors Stephen Perring, Penelope Rawlins and Emma Gregory.  Perring, who I enjoyed last year in the audiobook for Engines of Empire by R. S. Ford, serves as the primary narrator for most of the book as he voices all the characters and action in the chapters of For the Emperor told from Cain’s perspective.  Perring is an extremely awesome narrator and the range of epic voices he creates for the main cast are very impressive and really capture their personalities and unique physical characteristics.  I loved the cynical, tired and falsely noble voice that Perring utilises for the main character of Cain, and you have to mention the slimy and fun voicework for the character of Jurgen as it makes him sound even more like Baldrick.  Perring also narrates a couple of the in-text extracts (those written by a male author), and he ensures that they sound even more pompous and filled with misinformation, than you would get from a simple reading.

While Perring is the main narrator, the other two featured actors have amazing performances in For the Emperor’s audiobook which really add to the overall production.  Penelope Rawlins voices the character of Inquisitor Vail during the parts of the novel she writes, mainly her notes on the events going on and the various footnotes featured throughout the plot.  Rawlins’s take on Vail is slightly different to that of Perring, and you get a stronger sense of her intelligence and power through Rawlins voice, which I felt helps to emphasise that Cain’s perspective might not be the most reliable.  The change in narrator also ensures that the various notes from Vail really pop out in comparison to the main story so you always know when Vail is speaking to correct Cain’s memory of events.  The way that the footnotes are read out exactly where they fall in the text also works extremely well, and it ensures that Cain’s misinformation never gets a chance to sit properly.  The final voice actor, Emma Gregory, also provides a few interesting sections to the audiobook, particularly as she narrates one of the recurring in-universe texts that is quoted, written by an older version of one of the supporting characters (Guardswoman Sulla, who gets promoted to a general in the future). Gregory captures the pride and arrogance of Sulla, as well as her devotion to Cain, perfectly, and I felt that this additional performance was a great part of the production.  All this incredible voice work, as well as the amazing story that it brings to life, ensures that For the Emperor’s audiobook is particularly awesome and really worth listening to.  With a runtime of just under 9 hours, this is a really easy audiobook to get through, and I powered through it in only a couple of days, mainly because of how much fun I was having, and I cannot recommend this format enough.

Look, I think it is clear to see that I loved For the Emperor and had a fantastic time reading this awesome book.  Sandy Mitchell did something pretty special with this first entry in the epic Ciaphas Cain series, and I am now a massive fan of this series and the titular character.  Loaded with so much clever humour, fantastic Warhammer elements, and a strong and surprisingly intense narrative, For the Emperor is pretty much perfect, and there is so much for people to enjoy.  As a result, this book is particularly highly recommended, and I fully intend to get more Ciaphas Cain fun and manipulations in the future.

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Quick Review – Everyone in My Family Has Killed Someone by Benjamin Stevenson

On By The Unseen LibraryIn Australian, Comedy/Satire, Five-Star Books, Murder Mystery, Quick Review12 Comments

Everyone in My Family Has Killed Someone Cover

Publisher: Michael Joseph (Trade Paperback – 29 March 2022)

Series: Ernest Cunningham – Book One

Length: 384 pages

My Rating: 5 out of 5 stars

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One of Australia’s fastest rising crime fiction stars, comedian turned mystery writer Benjamin Stevenson, returns with an outstanding standalone book that might be one of the best Australian crime fiction reads of 2022, Everyone in My Family Has Killed Someone.

One of my favourite Australian crime fiction authors now is the exceedingly talented Benjamin Stevenson, who has written some amazing works over the last couple of years.  Stevenson’s writing career began in 2018 when he released the amazing murder mystery Greenlight (which was subsequently released as Trust Me When I Lie and She Lies in the Vines outside of Australia).  A fantastic Australian crime fiction book with true crime elements to it, Greenlight followed a successful television producer who reinvestigates a murderer who was freed thanks to his show.  Stevenson followed Greenlight up in 2020 with the epic sequel, Either Side of Midnight, which saw the same protagonist investigate an impossible murder in what was one of my favourite Australian books of 2020.  Both these readers were pretty damn impressive, but Stevenson has saved his best work for the 2022 release, Everyone in My Family Has Killed Someone, which luckily has an outstanding story that matches the very cool title.

Plot Synopsis:

Everyone in my family has killed someone. Some of us, the high achievers, have killed more than once. I’m not trying to be dramatic, but it is the truth. Some of us are good, others are bad, and some just unfortunate.

I’m Ernest Cunningham. Call me Ern or Ernie. I wish I’d killed whoever decided our family reunion should be at a ski resort, but it’s a little more complicated than that.

Have I killed someone? Yes. I have.

Who was it?

Let’s get started.

EVERYONE IN MY FAMILY HAS KILLED SOMEONE

My brother

My stepsister

My wife

My father

My mother

My sister-in-law

My uncle

My stepfather

My aunt

Me

As the title and the intriguing plot synopsis above suggests, Everyone in My Family Has Killed Someone is an awesome read that sees Stevenson serve up an addictive narrative that is one part insane family drama and one part homage to classic detective novels.  I had an incredible time reading this book early on in 2022 and I honestly should have written a review for it well before now.

The plot of Everyone in My Family Has Killed Someone is pretty bonkers as it follows a very damaged protagonist, teacher and crime fiction mega-fan Ernest Cunningham, as he attends one of the most awkward family reunions in history.  Written from Ernest’s perspective as part of an in-universe book, Everyone in My Family Has Killed Someone sees Ernest reunite with the fellow members of the infamous Cunningham family at an isolated ski resort.  The black sheep of a dark family with criminal connections, Ernest has been invited to attend a special event: the release of his brother Michael from jail after Ernest testified against him.  However, once his brother arrives, a series of murders start to strike the resort, killing off several people.  With the ski resort cut off from the outside by the snow, it falls to Ernest to discover who is killing the remaining guests at the lodge.  However, everyone in his family is a suspect, as all of them have killed someone before, including Ernest, who has just as much motive as the rest.  As the book continues, it becomes very clear that someone in the Cunningham family has killed again, it’s just a matter of finding out which one did it.

I have to admit that I was pretty in love with this book from the opening pages, especially as it becomes clear early on that Stevenson planned to blend the book’s mystery with some great humour and brilliant homages to classic murder mysteries.  Stevenson lays out this story in a fun way that simultaneously focuses on the infamous main family, their complex past and relationships, while also presenting a compelling murder investigation that intentionally steals a lot of cues from classic whodunnits.  Stevenson introduces an outrageous cast of complex characters for the story, and they were very intriguing to follow, especially as they all have deeper issues brought on by the deaths they are responsible for.  The story at time transforms into a very moving and entertaining family drama, which helps to make the story richer and even more amusing.  The mystery itself is very clever, and I loved the multiple compelling twists and reveals that accompanied it as the protagonist is forced to dive back into every terrible event his family has been involved in, including murder, robbery, police corruption and kidnapping, all of which leads to final, devastating solution.  While the identity of the killer is a tad obvious, the reveal of why they are committing their crimes more than makes up for it, and Stevenson came up with one doozy of a motive.  However, the real highlight of the book is the way in which Stevenson sets out Everyone in My Family Has Killed Someone in the manner of an in-story chronicle written by the protagonist, which simultaneously takes on every established trope and rule of old-school detective novels and moulds it into itself.

As I mentioned a few times above, Everyone in My Family Has Killed Someone also acts as a homage to classic crime fiction novels, as Stevenson goes out of his way to simultaneously parody and revere the iconic detective genre.  The book starts with two intriguing elements: the membership oath of the Detectives Club (a secret society of classic crime fiction writers), and Ronald Knox’s ’10 Commandments of Detective Fiction’.  Both of these inclusions acknowledge the general tropes and rules of golden-age detective fiction, and they actually end up being used by the protagonist, and by extension Stevenson, as the main guideline for the mystery.  The author continuously refers back to this list as the novel continues (he even suggests folding this page down so you can revisit it when needed), and I loved how this mystery came together as the author tried to avoid breaking any of these rules.  The author also cheekily informs the reader in advance when in the book someone is going to die with an accompanying page number, ostensibly to allow the reader to jump ahead if needed.  However, as most people will continue through at the normal pace, it heightens the suspense a little as you get closer and closer to the page on which you know a death is going to occur.  Various elements like this, as well as a ton of self-referential internal monologues and discussions about the rules of whodunnits, gives this book an incredible meta feel, which Stevenson uses to full effect to tell a particularly hilarious story.  The author’s background as a comedian is on full display here as he creates an incredibly funny book, even with the continued murders and human tragedy.  These clever references are a great love letter to the classic detective novels, especially as he addresses them in such a satirical way, and all mystery lovers will get a real kick out this book as a result.

Overall, Everyone in My Family Has Killed Someone is an absolutely outstanding book that I cannot recommend enough.  While I have enjoyed Benjamin Stevenson’s mystery novels in the past, I think that Everyone in My Family Has Killed Someone is where he finally reveals his full potential.  Not only is the mystery itself brilliant, loaded as it is with compelling characters and a dark family history, but Stevenson finally showcases his impressive comedy skills and uses them to produce a truly delightful and incredibly addictive novel.  The combination of mystery, humour and a clever homage to the classics, is an intoxicating mixture, and it was near impossible to put this book down once you started reading it.  As such, I must give Everyone in My Family Has Killed Someone a full five-star rating, and it was one of the most entertaining books I read in all of 2022.  I have so much love for this book and I was very excited when I heard that Stevenson is releasing a sequel in October titled Everyone On This Train Is A Suspect.

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Top Ten Tuesday – My Favourite Discworld Novels by Terry Pratchett

On By The Unseen LibraryIn Comedy/Satire, Fantasy, List5 Comments

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  The official topic for this week’s Top Ten Tuesday required participants to list the top upcoming books on their Fall (Spring down here in the Southern hemisphere) to be read list.  However, I addressed that a couple of weeks ago, so that leaves me with a bit of a free topic this week.  I decided to fill this extra list by looking at one of my absolute favourite series of all time, the Discworld books by Terry Pratchett.

I have long been a fan of Terry Pratchett’s Discworld series, which, in my opinion, is one of the absolute best series of all time.  Made up of 41 separate novels and running from 1983 to 2015, the Discworld novels are a fantasy institution from one of the most talented authors ever.  Set on a flat world shaped like a disc that travels through space on the back of four elephants, who themselves stand on the back of a giant turtle, this world is filled with all manner of crazy and over-the-top people, creatures, gods and monsters, and this results in an amazing number of stories.  All 41 books feature amazing and highly unique story that perfectly blends outrageous fantasy elements with clever and relentless humour and satire.  I have read every Discworld novel multiple times, and in my opinion, everyone is a masterpiece in their own way.  Heck, I am such a big fan of this series that I even named this blog after a location in the Discworld universe, that’s how much I love them.

While the Discworld novels are never that far from my mind, I have been thinking about them a lot more lately, mainly because I have been featuring some of them on my recent top ten lists.  My lists that highlighted my favourite Books with Magical Schools, Favourite Books Written More than Ten Years Ago and Hilarious Book Titles have all featured a few Discworld books, and it turns out I have a hard time not going on about Pratchett’s work on a weekly basis.  Naturally, this has gotten me thinking more and more about the Discworld books, and I will probably embark on a new re-read of them sooner or later.  However, before I get around to that, I thought I would have a go at listing my absolute favourite Discworld novels, as that will make an interesting list.

Now, why I deeply enjoy this entire series, not all Discworld novels are created equal.  Several shine above the rest in my opinion, whether because they have better jokes, a more compelling plot, or a more impressive and elaborate premise.  As such, I felt reasonably confident that I could choose the ten entries (with some honourable mentions) that I enjoy the most.  I have based this list on several factors, including humour, plot, world-building, characters and many other features.  This allowed me to determine my favourite Discworld books, although I had to make some hard choices to settle on a final top ten, as all of them are very good.  I was eventually able to whittle it down to my list, and I think the results match my overall preference rather well.  While most of them are from Pratchett’s golden years and are in the middle of the Discworld release back, I think there is a good variety here, and that the list below really showcases the outstanding and amazing depth that Pratchett always had.  So let us see what made the cut.

Honourable Mentions:

Interesting Times – 1994

Interesting Times Cover

A rambling good read that sees one of Pratchett’s most iconic protagonists visit this world’s version of Asia.  Loaded with some brilliant jokes (the multiple translations of a person’s scream), a ton of fun references to Asian culture, and some outrageous characters, Interesting Times is an excellent read that also offers a little closure for the first two Discworld books.

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Feet of Clay – 1996

Feet of Clay Cover

The third City Watch novel, Feet of Clay is a brilliant murder mystery novel that makes full use of its fantasy and comedy to create an epic read.  Featuring several great mysteries, including a series of murders committed by a Golem and the poisoning of the city’s ruler, you really get dragged into the story while loving Pratchett’s excellent solutions and hilarious inclusions.

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The Truth – 2000

The Truth Cover

Pratchett introduces print journalism to the Discworld in this clever standalone entry.  Following an ambitious reporter who creates Ankh-Morpork’s first newspaper, only to get dragged into a big conspiracy, The Truth is an ambitious and very exciting entry that perfectly parodies everything about newspapers.  Loaded with jokes about everything from dodgy advertisers, stupid human interest pieces, and even featuring a trashy alternate paper, this is perfect for anyone familiar with the crazy newspapers of London.

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Night Watch – 2002

Night Watch Cover

Another exceptional City Watch book is the later entry, Night Watch, which sees Vimes, transported back into the past by magic with a dangerous serial killer.  Forced to relive his traumatic early days on the watch, Vimes must keep his younger self alive while also navigating a dangerous revolution he remembers all too well.  With a compelling narrative that mirrors Les Misérables and some great time-travel elements, Night Watch is one of the more distinctive reads in the series.  While it gets a lot darker than some of the other Discworld novels, it is still extremely addictive, and fits into the rest of the series perfectly

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Top Ten List:

Pyramids – 1989

Pyramids Cover

The first entry on my top ten list is the classic Pratchett novel, Pyramids.  A standalone entry in the series, Pyramids tells the story of a young prince of a river valley kingdom, very similar to Egypt, who returns home after receiving training as an assassin in Ankh-Morpork (the biggest city on the Discworld and a major setting).  Upon claiming the throne, he tries to fight against the tradition of his kingdom, with limited effect, until the kingdom’s overuse of pyramids creates major temporal issues for the entire valley (its all down to bad geometry).  Loaded with so many jokes about ancient Egypt, this is a hilarious fish-out-of-water tale that is very hard to put down.  There are a ton of great moments in this novel, including the best look at the legendary Assassin’s Guild, an impromptu rugby game between the gods over the sun (with commentary from an overexcited priest), and an army of mummies pissed off at being buried without their organs.  I have probably read this Discworld novel the most out of any of them, and I get something new out of it every time I pick it up.  An exceptional, and extremely funny read.

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Guards! Guards! – 1989

Guards! Guards! Cover

One of the more interesting aspects of the Discworld series is the way that Pratchett featured several smaller sub-series which follow specific characters.  My favourite of these is easily the City Watch books, which follow the underpaid and constantly underestimated watchmen of the infamous, crime-ridden city of Ankh-Morpork.  Perfectly blending Pratchett’s typical humour and fantasy elements with hard-boiled detective narratives, the City Watch books are some of the best entries in this series, and I love the unique blend of characters and highly entertaining and enthralling narratives.  The first City Watch entry, Guards! Guards! is definitely one of Pratchett’s best novels, and I constantly rave about it when I do lists about funny books.  Not only does it do a great job introducing several iconic characters who Pratchett would reuse throughout the rest of the series, but it has an outstanding narrative to it.  Following the depleted and useless Night Watch, made up of a drunk captain, a hopeless sergeant and a criminally minded corporal as they attempt to solve a series of murders caused by a magically summoned dragon.  Joined by a new eager, if slightly oblivious new recruit, who definitely isn’t the city’s returning king, the Night Watch embark on an ambitious investigation against cultists, dragon hunters and city’s massive criminal class.  Guards! Guards! is fantastic on so many levels, and there is something for everyone in it.

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Moving Pictures – 1990

Moving Pictures Cover

One of the things that the Discworld novels excel at is parody and satire of certain social, historical or cultural elements, with everything from countries, ancient empires and entire trades lovingly mocked.  Perhaps one of the best examples of this is Moving Pictures, a mostly standalone read that sees the art of film appear on the Discworld, becoming an instant hit.  Soon an alternate version of Hollywood appears, and various characters jump at the chance to make over-the-top films, which are accompanied by a vast array of jokes and references about classic movies, film making tropes and actors.  Naturally for a Discworld book, nothing is what it seems, and the heroes are forced to face off against interdimensional monsters coming out of the screens.  In addition, the iconic Unseen University setting gets some stability as a new Arch-Chancellor arrives, shaking up the wizards.  I love this book on so many levels, especially as Pratchett has so much fun satirising the film industry here.  Everything is lampooned here, such as Gone with the Wind (accompanied with subliminal advertising), King Kong (except a giant woman kidnaps an ape), The Wizard of Oz (the dwarfs of the Discworld will never be the same again), and so much more.  I can’t even count the sheer number of movie references featured here, and I discover a new clever joke every time I read Moving Pictures.  Pratchett also manages to introduce or expand on several great secondary characters who will go on to have major roles in other books in the series, so it turns out to be a surprisingly key book.  Impressive and wonderful on so many levels, Moving Pictures was an easy inclusion for this list.

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Witches Abroad – 1991

Witches Abroad Cover

Another one of the top Discworld sub-series is the Witches books, which unsurprisingly follows a group of witches (Granny Weatherwax, Nanny Ogg and Magrat Garlick), in several unique adventures.  Unlike the characters they are based on from Macbeth, the witches are a force for good and help the local villages primarily with headology (psychology and folk medicine parcelled up with mystical overtones) and the occasional magic.  The witches make for an excellent group of central characters, and Pratchett told some exceptional stories with them.  While Wyrd Sisters and Lords and Ladies are both pretty epic reads, my favourite Witches book is Witches Abroad.  As the name suggests, this book see the three protagonists embark on a holiday to a faraway kingdom (essentially New Orleans), to fulfil a fairy godmother’s last wish.  Along the way they are forced to confront a series of twisted fairy tale scenarios, their own internal bickering, and an evil fairy godmother from Granny Weatherwax’s past.  Armed only with a wand that is permanently set to pumpkin mode, the witches must deploy their usual trickery to save the day.  This entire novel is pretty epic, as it not only captures the protagonists in all their amazing glory, but it has a powerful story that expertly blends humour and drama.  A lot of the narrative focuses on the dark side of fairy tales, and Pratchett has fun satirising so many classic stories in very clever ways.  However, my favourite scene is the fantastic sequence where Granny Weatherwax uses headology to completely destroy a group of card sharks who had conned her friends.  Extremely inventive, memorable and oh so funny, I just had to feature Witches Abroad here.

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Small Gods – 1992

Small Gods Cover

The next entry on this list is in my opinion, some of Pratchett’s best work.  The 13th Discworld novel, Small Gods has a standalone narrative which sees Pratchett examine religion and belief.  The story follows Brutha, a somewhat simple lad who lives in a vast imperial theocracy that is centred around the worship of the Great God Om.  However, Brutha is shocked when he discovers a talking tortoise only he can understand who claims to be the actual Om.  Forced to take the tortoise along on a great adventure, Brutha discovers the corruption at the heart of his empire and must fight to save it, himself, and his god.  This is a particularly clever novel from Pratchett and a very worth addition to this list.  The author pulls together a very thoughtful and captivating read that examines the various pros and cons of religion, worship and gods in a very thoughtful, but still humorous way.  The mixture of theological debate, adventure, and the brilliant satire of religion, results in a very impressive read, and it is guaranteed to leave you both laughing and pensive at the same time.  The book’s main strength is the outstanding interactions of the two main characters, and the growing relationship between an arrogant put powerless god, and his simple but deeply wise believer, sets an impressive tone for the entire book.  I would say that Small Gods is one of the most intelligent and compelling books of the entire Discworld series and I cannot hype it up enough.

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Men at Arms – 1993

Men At Arms Cover

After wowing everyone with Guards! Guards! Pratchett mercifully brought back the City Watch characters and storylines again with a fantastic sequel, Men at Arms.  This book sees a retiring Captain Vimes and his team try and stop a madman who is running around the city killing people with the Disc’s first gun.  Featuring another exceptional mystery that involves assassins, clowns and a literal species war between dwarfs and trolls, Pratchett switches the tone of this book from the hardboiled detective story of Guards! Guards! to a more typical police narrative like Dirty Harry.  Loaded with fantastic cop humour and introducing several great new characters, Men at Arms is just as good as the first City Watch book, while also expertly setting up some story elements for the rest of the series.  Guaranteed to appeal to both fantasy fans and crime fiction buffs, Men at Arms is one hell of a read.

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Hogfather – 1996

Hogfather Cover

All Pratchett fans will know that one of the most surprising loveable recurring characters in the entire Discworld series is Death, the literal grim reaper, who appears in pretty much every book.  Initially shown to as a resolute soul taker, Death evolves into quite a personable and likeable figure who is obsessed with the humans he’s tasked with reaping.  This obsession eventually compels him to adopt a daughter and take on an apprentice, which leads to the first Death book, Mort.  Pratchett wrote several Death novels over his career, many of which dealt with Death’s growing love of humanity, while also involving attacks on reality by outside forces.  While I have a lot of love for Reaper Man and Soul Music, my favourite Death novel is probably Hogfather.  After the Hogfather (this universe’s version of Santa) is murdered, Death steps into the role for unknown reasons.  This forces his granddaughter, Susan, to investigate the disappearance and try to bring back the Hogfather.  This results in an extremely entertaining and silly book that satirises all things Christmas and festive in one fantastic outing.  Most of the humour revolves around Death pretending to be Santa, which leads to all manner of confusion and fear, that is so much fun to see.  Throw in a very memorable villain and a great secondary storyline around the crazy wizards at the Unseen University accidently inventing gods, and this is one of the funniest books in the series.  A very entertaining and compelling Discworld novel, you will never look at Christmas the same again after reading it.

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Jingo – 1997

Jingo Cover

For the next entry on this list, Jingo, I must admit that my choice to include it here might be for more personal reasons, rather than purely on the quality of the book.  That is because Jingo was the first Pratchett book I ever properly read, and it has led to my subsequent lifelong obsession with all things Discworld.  I still have my first copy of Jingo, and it is extra special for me because I managed to get Terry to sign it for me.  So yeah, I might be a little biased when it comes to Jingo, but I maintain it is a worthy addition to this list as it has a brilliant and hilarious story to it.  The fourth entry in the City Watch sub-series, Jingo sees Commander Vimes and his men caught up in a brewing war between Ankh-Morpork and the rival empire of Klatch when both claim a mysterious new island that rose in the ocean between them.  After an attempted assassination of a Klatchian prince occurs on Vimes’ watch, he leads the city watch in an impromptu invasion of Klatch to find the killer and stop the war.  I deeply enjoyed Jingo’s brilliant and very clever story and it was a very worthy addition to the City Watch series.  The humour in Jingo is a bit more subtle than some of Pratchett’s other novels, with most of the jokes satirising British imperialism, diplomacy, politics, and its view of foreigners, with a ton of references to historical wars and conflicts that Britain had against its neighbours.  While some of the jokes are a tad obscure, they are all extremely well set up, and they always get a chuckle out of me.  Throw in some brilliant references about a lone bowman assassin, an espionage mission with Sergeant Colon and a cross-dressing Corporal Nobbs that has mixed success, and the always charismatic Captain Carrot turning into Lawrence of Arabia and arresting two entire armies for breaches of the peace, and you have a really entertaining narrative.  Jingo is always a must read for me whenever I revisit the Discworld universe, as well as being an essential entry in the deeply impressive City Watch books that comes highly recommended.

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The Last Continent – 1998

The Last Continent Cover

Another Pratchett book that I have a little bias for is The Last Continent, which is probably one of my absolute favourite Discworld novels.  The sixth book to feature the cowardly wizzard (not a typo) Rincewind as its protagonist, The Last Continent takes place on the lost continent of XXXX, which is essentially the Discworld’s version of Australia (despite certain assurances from the author that any similarities to Australia are coincidental at best).  This book follows Rincewind after he is tricked into another heroic quest that sees him traverse the continent, often mimicking various Australian folk heroes or cultural icons.  At the same time, the wizards of Unseen University, in an attempt to find Rincewind, get themselves trapped back in time and must escape from an enthusiastic god of evolution with their usual chaotic shenanigans.  Pratchett has a lot of fun with The Last Continent, and there isn’t a single piece of Australian culture or history that he doesn’t make fun of here.  As an Australian myself, I can’t help but laugh at all his fun and well-written Australian jokes and it was interesting to see his British take on my country.  I also have a lot of love for the evolution centred jokes that occur during the secondary storyline, many of which I didn’t fully appreciate until after I studied biology at university.  This is probably one of the better Rincewind novels as well, especially as the character now full appreciates his role in the universe, and his resentment at being dragged into a heroic quest is quite hilarious.  Him, plus the fantastically written Unseen University wizards, make for a sensational cast, and their two storylines come together perfectly.  There is no way that I can exclude Pratchett’s love-letter to Australia from this list, and it will always have a very special place in my heart.

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Going Postal – 2004

Going Postal Cover

The final entry on the list is Going Postal, which I feel is one of Pratchett’s best later books.  Featuring a very different tone from some of his previous books, Going Postal is a very distinctive read that is very hard not to enjoy.  Introducing a new protagonist in Moist von Lipwig, a notorious conman who is captured by Ankh-Morpork’s tyrannical leader, Lord Vetinari, and given two options: death or running the city’s post office.  Reluctantly choosing the later, Lipwig soon lives to regret his decision, as everyone and everything associated with the post office is absolutely crazy.  Forced to use all his talent, skill and instincts as a conman to save the post, Lipwig tries to rise to the occasion, only to contend with the ruthless chairman of a rival company who is determined to kill him.  It is a testament to Pratchett’s writing skill that he could make anything, even the post office, ruthlessly entertaining, as you swiftly fall in love with the hilarious over-the-top employees and associates of this crazy establishment.  Lipwig himself is the perfect protagonist for this book, and Pratchett wrote a brilliant redemptive storyline around him as he attempts to save his new friends with all his old tricks.  While this book is extremely funny, I also felt that Going Postal benefited from a somewhat darker tone than the preceding books, while  Pratchett also examines the benefits and costs of progress and new technology.  This darker tone would persist for the rest of Pratchett’s adult Discworld novels, and I have often thought that Pratchett included it in response to his growing health issues.  As such, I often look on Going Postal with a little sadness, especially as it was probably the best book he wrote towards the end of his career.  However, despite that, Going Postal is probably one of the Discworld books I have read the most and I would strongly recommend it to anyone and everyone interested in this outstanding series.

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So, as you can see from this exceptionally long list, I have a lot of love for the Discworld series and can write a ton about all the books.  While I deeply enjoy all the Discworld novels, the ten featured above are my absolute favourite now, and I cannot recommend them enough, especially if you want a laugh or an uplifting tale to brighten your day.  This is a list I might come back to in the future, especially if I do another reread and re-evaluate my positions.  I have been thinking about trying to read all of them again soon, especially as I recently found out that the Discworld audiobooks have all been re-released, this time with an amazing voice cast, including Colin Morgan, Peter Serafinowicz, Billy Nighy, Andy Serkis and Indira Varma.  As such, stay tuned for more reviews of the Discworld books soon, and I look forward to returning to my ultimate comfort book series.  In the meantime, let me know what your favourite Discworld book is in the comments below.

A Practical Guide to Conquering the World by K. J. Parker

On By The Unseen LibraryIn Comedy/Satire, Fantasy, Five-Star Books10 Comments

A Practical Guide to Conquering the World Cover

Publisher: Orbit (Trade Paperback – 11 January 2022)

Series: The Siege – Book Three

Length: 352 pages

My Rating: 5 out of 5 stars

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2022 is off to a very good start for me, especially as I have already read an amazing novel that quite frankly may end up being one of my favourite books of the year.  This awesome read was the third and final book in K. J. Parker’s clever and compelling The Siege series, A Practical Guide to Conquering the World.

Over the last few years, I have been having an incredible time reading the incredible and deeply entertaining fantasy Siege series from K. J. Parker.  Parker, a pseudonym for bestselling author Tom Holt, has come up with something very special with The Siege series that combines an interesting new fantasy world with some brilliant humour and intriguing insights into human nature and reactions.  The first entries in The Siege series, Sixteen Ways to Defend a Walled City and How to Rule an Empire and Get Away with It, were both exceptional reads and they were among my absolute favourite books of 2019 and 2020 respectfully.  As such I have been eagerly waiting for a long time, and while I was initially disappointed that A Practical Guide to Conquering the World was delayed until the start of 2022, it ended up being such a great read and worth the wait.

The Siege series is set in an alternate fantasy world that bears some interesting similarities to ancient Europe.  The first book in the series, Sixteen Ways to Defend a Walled City, introduces the Robur Empire, a Roman-esque empire that is destroyed at the start of the novel by a coalition of enemies.  The one exception to this destruction was the Robur capital, simply known as The City, which was able to survive thanks to the actions of a military engineer and conman who was able to come up with some very inventive defences.  The second book, How to Rule an Empire and Get Away with It, was set a few years later and followed a new protagonist, an actor and playwright who is forced to impersonate the City’s figurehead after his death to keep the population’s morale and unity up to keep fighting the ongoing siege.  However, this second protagonist eventually takes control of the city and manages to evacuate it, leading the people to a new life.  The third and final book, A Practical Guide to Conquering the World, occurs during and beyond the events of both the first and second novel (if these books occurred the way they are portrayed) and features a new protagonist in a different land.

Aemilius Felix Boiannes the younger is a minor diplomat and translator assigned to the Robur embassy in the mighty Echmen Empire.  Content to live a relatively blameless life away from the people that wronged him, Felix’s life is forever changed when news of the fall of Robur reaches the Echmen.  Almost killed by the Echmen for no longer having a country, Felix’s life is only spared thanks to a debt owed by barbarian princess.  Determined to no longer live by the whims of others, Felix embarks on an ambitious plan that will reshape all of history.

When the Echmen attempt to enslave the princess’s people, Felix saves her and leads her out of Echmen territory.  Able to convince his new friend to unite the various barbarian tribes, Felix utilises his knowledge as a scholar to lead them to victory over the Echmen.  However, his ambition is not limited to conquering the greatest empire in existence, Felix is determined to take over the entire world and he already has all the tools to do so.  However, not even Felix is able to foresee all the consequences of his actions, and soon the entire world will be turned upside down.  For good or for bad, the story of Felix, the most influential and dangerous man in history, is about to begin.

Well damn, now this was one hell of a read.  Parker has come up with another exceptional read here with A Practical Guide to Conquering the World, combining a brilliant and clever story with incredible humour and an entertaining and compelling look into the human psyche.  Filled with constant laughs, intriguing developments and a truly addictive narrative, this book got an easy five-star rating from me and is near impossible to put down once you start it.

I have had a lot of fun with the great stories that Parker comes up with for this cool trilogy, especially as they are exceedingly entertaining and very unpredictable, even if, due to their complexity and cleverness, they are a bit hard to explain in my inevitable glowing reviews.  Like the rest of the series, A Practical Guide to Conquering the World is a standalone novel that can be read either by itself or as a continuation of the first two books in the series.  This novel is told in the chronicle style and tells the autobiography of the protagonist, Felix, a translator and scholar who finds himself in all manner of trouble when his nation is destroyed while he is in a foreign land.  Able to survive thanks to a recent good deed, Felix is soon dragged into the politics of the nation he is trapped in and attempts to stop the Chinese inspired Echmen empire from destroying and enslaving several neighbouring barbarian tribes.  Forced to put his scholarly knowledge to the test, Felix devises multiple brilliant and unpredictable plans to not only manipulate everyone around him, but to also defeat a massive empire and bend all its power to his ultimate goal of world domination and beyond.  This story goes in some extremely fun directions, and you honestly will not be able to put it down once you start as you become engrossed in seeing what elaborate idea Felix will come up with next.  There are some fantastic ploys and captivating twists scattered throughout this novel, and it is fascinating to see this nobody slowly gain more and more power thanks to his wit and ability to understand people.  I had an outstanding time getting through this story and it is extremely hilarious and very exciting.

A Practical Guide to Conquering the World is part of a larger series which switches protagonists with each entry, providing a new and unique tale of the aftermath of the siege of the City.  This third novel starts around the same time as the first book, Sixteen Ways to Defend a Walled City, and covers several years, going past the events of the second book, How to Rule an Empire and Get Away With It.  It is really interesting to see how this third book ties into everything, especially as the protagonist only has second-hand knowledge of the events of the prior two novels and, thanks to several clever inclusions in this book, as well as the unreliability of the narrators of the other entries, you’re not even certain those events actually occurred.  While new readers don’t need to have any knowledge of the other Siege novels to enjoy A Practical Guide to Conquering the World, I had a lot of fun seeing the mentions and discussions about the events of these prior books, especially as the protagonist is very disbelieving about what he hears.  The inclusion of a recurring character from the past book increases the connection to the rest of the series, although as she is also rather cagey, you have no idea how reliable her recollection of events is.  I loved how compelling this loosely connected series turned out to be, and it was a lot of fun to see how the entire funny saga come together into one entertaining collection.

Just like with the first two books in the series, A Practical Guide to Conquering the World is set around a single protagonist, with the story reflecting their personal account of what they experienced.  This new protagonist, Felix, is another entertaining and interesting central character, a former soldier who, after making some big mistakes and paying the cost for them, is banished to a diplomatic post in another country.  This, and his ability for languages, ironically ensures that he survives the destruction of his homeland and places him in a unique position for his goals.  I personally really enjoyed the cool story that Parker places around Felix and while there are some notable similarities between him and the other protagonists of the Siege books, mainly the fact that he is a conniving and selfish person with impressive insights into human nature and reaction, I think that there are enough differences to keep readers of the series happy.  I loved the focus on his experience with languages and scholarly research, which he uses to great effect throughout the book, manipulating translations for his advantage and then coming up with obscure or historical solutions to the various problems he faces.  Watching him turn this unique knowledge to his advantage, especially once he is inadvertently placed in the centre of world-shaping events, is really cool, and I loved seeing him succeed in his goals.  Parker adds in a great attempted redemptive arc around Felix, which serves as a surprising driving force for much of what he does.  However, readers do have to take Felix on face value, as, like the previous two protagonists of the Siege books, Felix is a bit of an unreliable narrator who may or may not be altering the story to make himself sound better to history.  The final stinger of the book, which hints at the falseness of Felix’s account, is a clever and amusing touch from Parker, and you will come away wondering just how much you believe this character.

Easily the highlight of this book is the amazing humour that Parker has laced his impressive story with.  Parker has an incredible and wicked ability with subtle comedy which permeates the entirety of A Practical Guide to Conquering the World thanks to the unique abilities that occur within.  Much of this humour is derived from the eccentric protagonists’ impressive insights into the human mind, which allows him to manipulate events and people to his favour.  Thanks to some great setup and some outrageous events, the readers get to see this protagonist subtly manipulate everyone, and his explanations for how he gets away with it and the subsequent reactions are extremely amusing.  At the same time, Parker also satirises large parts of the human experience and culture, including the inefficiencies of bureaucracy, the inevitability of betrayal in the name of survival, the herd mentality of groups of people, the unpredictability of starting your own religion, and the inherent suspicion that everyone has inside them.  All of this comes together quite brilliantly throughout the book, and you will honestly be chuckling straight from the beginning, especially as the first joke, about a massive bureaucracy nearly killing the wrong person due to a case of mistaken identity, is very cleverly put together.

Overall, K. J. Parker really did not disappoint with the third and final entry in his hilarious and impressive Siege trilogy.  A Practical Guide to Conquering the World was just as fun and clever as the first two books, and I had a brilliant time reading this captivating fantasy novel.  Containing a wildly inventive narrative set around a compelling protagonist, you will fall in love with this outstanding book, especially as Parker’s comedic inclusions will keep you laughing.  A Practical Guide to Conquering the World is easily going to be one of the best books of 2022 and if you have not checked out The Siege series yet, do yourself a favour and dive into these hilarious and addictive books.

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Throwback Thursday – The Last Continent by Terry Pratchett

On By The Unseen LibraryIn Audiobook, Comedy/Satire, Fantasy, Five-Star Books, Throwback Thursday9 Comments

The Last Continent Cover

Publisher: Doubleday and ISIS Audiobook (1 May 1998)

Series: Discworld – Book 22

Length: 9 hours and 57 minutes

My Rating: 5 out of 5 stars

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This is part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this Throwback Thursday I take a look at one of my absolute favourite books of all time, the incredibly funny and always enjoyable The Last Continent, by legendary author Sir Terry Pratchett.

I have never made it a secret that I absolutely love the works of the late, great, Terry Pratchett, who I consider to be one of the best authors of all time.  I love and adore every single one of Pratchett’s hilarious and captivating novels, especially the entries in the wacky and wild Discworld series, a comedy fantasy series set in an absolutely insane world of magic, monsters and outrageous personalities that lies upon a disc shaped world, borne through space on the back of four elephants, who themselves are on the back of a giant turtle.  I have so much love for this outstanding and hilarious series, and I have read each and every entry in multiple times.  Heck, even the name of my blog, The Unseen Library, is taken from a fictional institution in the Discworld series!  However, despite how much I love the series, I have so far only reviewed one Discworld novel on this blog so far (Shame! Shame! Shame!), Moving Pictures, and this is something I have been meaning to rectify for some time.

I recently did a Top Ten Tuesday list where I looked at some of the funniest books I have ever read, which included several Discworld novels, and this inspired me to do a review for another Pratchett read.  I ended up going with one of my favourite Discworld novels of all time, the incredible and wildly entertaining The Last Continent, which places one of the author’s most iconic characters into the most dangerous places imaginable, Australia.  I am reviewing this book slightly out of the order I originally planned, but I figured reviewing this one now may encourage me to get to others in the future.  I should admit that I have not read The Last Continent recently, but this is one of the many Discworld novels that I have read multiple times, either in its paperback (I’ve actually got a signed copy of this book) or its audiobook format, and at this point I have it pretty much memorised. 

So the first thing I should cover is:

“This is not a book about Australia.  No, it’s about somewhere entirely different which just happens to be, here and there, a bit…Australian.

Still…no worries, right?”

Welcome to EcksEcksEcksEcks (XXXX), the Discworld’s last continent.  Made by a rogue creator who snuck in after the rest of the Disc was created and kept hidden away from its other civilisations by a series of massive storms, XXXX is a deadly and dangerous place.  Filled with some of the most lethal and confusing creatures on the entire Disc and populated by a friendly, if occasionally murderous, group of people, XXXX is a hell of a place to live.  Unfortunately, everything in it is about to die as the water dries out and even the beer is getting hard to find.

Luckily for the people of XXXX, a hero has been found, one who is battling his way through the wastes and towns of the country, his legend growing all along.  But who is this road warrior, sheep shearer, horse wrangler, beer drinker and ballad-worthy bush ranger, and why is he apparently so determined to run away from his heroic destiny?

That man is Rincewind, the Discworld’s most cowardly and inept wizard, who has been bounced from one end of the Disc to the other and been chased by every sort of monster, maniac and seller of regional delicacies you can imagine.  All Rincewind wants to do is go home, and he is determined to avoid any new adventures as a chosen hero, no matter what the talking kangaroo stalking him tries to tell him.  Despite his best efforts, Rincewind once again finds himself caught up in the special craziness of the locals, and if he wants to survive, he needs to find a way to save everyone.  What’s the worst that could happen???

So, as you may be able to tell from the above synopsis, this is a bit of a crazy novel, but it is one that is always guaranteed to make me laugh, especially with its fantastic Australian-based humour.  The Last Continent is the 22nd overall entry in the Discworld series and the sixth book to focus on the character of Rincewind.  I personally have a lot of love for this particular Terry Pratchett novel, and it is probably one of my all-time favourite Discworld novels. 

Pratchett came up with a pretty clever and fantastic story for The Last Continent, which sees several of his established characters get involved in wackiness all around a newly discovered continent.  The main story follows Rincewind as he tracks across the wastelands of XXXX after getting sent there at the end of his previous novel, Interesting Times (there was an accident with a butterfly), and he is now primarily concerned with trying to find a way home.  However, mysterious forces soon work to turn him into the hero who will save XXXX from a thousand-year crippling drought.  Rincewind, who is more concerned with reaching the nearest port, soon gets involved with all manner of road bandits, deadly creatures, drunken locals and an annoying talking kangaroo, all of which lead him to the secrets at the heart of this lost continent.  At the same time, the wizard faculty at Unseen University are faced with a serious problem when their trusty orangutan colleague, the Librarian, falls ill, and they require his real name to work a spell to save him.  However, the only person who knows the Librarian’s real name is Rincewind, and so the faculty blunder their way through a magical portal to find him.  However, in predictable fashion, they find themselves trapped on a weird island thousands of years in the past and forced to deal with an immature and slightly beetle-obsessed god of evolution.  

I really enjoyed both story arcs contained within this book, and Pratchett did an amazing job bringing them together.  Both have some fantastic and weird elements to them and they make great use of the particular adventures and attitudes of their relevant characters.  While Rincewind is forced to run away from all manner of deadly situations you typically see here in Australia (let me tell you, the dropbears and road gangs are murder), the wizard faculty blunder their way through all manner of unique situations, mostly by ignoring what is happening to them.  Each storyline is unique and has some fantastic highlights, but the real strength is the way in which Pratchett combines them together into one cohesive narrative.  Not only are both distinctive arcs perfectly spread out and separated throughout the course of the book, but Pratchett does a fantastic job combining them together in a clever way.  This ended up serving as a great near-final adventure for Rincewind (he’s more of a supporting character in his following appearances), and I think it did a wonderful job wrapping up his main arc.  While readers should probably read some of the earlier Discworld novels featuring Rincewind (especially the preceding Interesting Times), The Last Continent can easily be read alone, and readers will have an outstanding time reading this fun and compelling comedic adventure.

In my opinion, The Last Continent is one of Pratchett’s funniest novels, although I might be somewhat biased by my own personal humour and background.  I always have an outstanding time reading this book and there are so many clever jokes and amusing references that I cannot help but laugh, no matter how many times I hear them.  This book has a lot of Pratchett’s classic humour elements to it, such as the unusual quirks of his various characters and the funny little footnotes, filled with great references and punchlines.  The author goes off on some very entertaining segues during this book, and I love some of the great jokes he came up with, especially those that make fun of Australia.

Now, despite what the author says at the front of this book, The Last Continent is clearly a parody of Australia, and Pratchett clearly enjoyed utilising every single Australian reference or cliché he could think of to craft his funny book.  The continent of XXXX is an over-the-top fantasy version of Australia, with many of the outrageous stereotypes that you would expect, as well as some more subtle choices, and it serves as a truly amusing setting for this book, especially as Rincewind perfectly plays the part of clueless tourist.  While you could potentially discount The Last Continent as merely satirising Australia, I have always seen it as something cleverer, as I think that Pratchett was more making fun of the stereotypes that outsiders came up with rather than Australia itself.  That being said, Pratchett, as a Brit, did take a few good shots, although that’s only to be expected.  As an Australian myself, I always enjoy when comedy writers try to encapsulate Australia in their works, as it is quite amusing to see what they reference.  I always thought that Pratchett did this the best with The Last Continent, as he really dived into so many aspects of Australia life, nature and culture, and there are some truly funny jokes contained within.  Australian historical or cultural icons like Mad Max, Priscilla, Queen of the Desert, Skippy, The Man From Snowy River, Crocodile Dundee, and Ned Kelly are utilised in this book to great effect throughout The Last Continent, and there are some truly outrageous and clever references and jokes here.

While The Last Continent is filled with many, many funny Australian jokes, a few really stick out to me.  I personally always laugh so hard when Death, wanting to learn more about the continent his elusive prey Rincewind has landed on, decides to ask his library for a list of all the deadly animals on XXXX.  However, this results in him being buried by a massive pile of reference books, including “Dangerous Mammals, Reptiles, Amphibians, Birds, Fish, Jellyfish, Insects, Spiders, Crustaceans, Grasses, Trees, Mosses and Lichens of Terror Incognita: (Volume 29c, Part Three).  This is followed up by a request for a list of harmless creatures on the continent, and a single card appears bearing the sentence “some of the sheep”.  I love that over-the-top joke about how dangerous Australia’s wildlife is (it is honestly not that bad, although my editor was bitten by a sheep the other day), and that was one of the best ways I have seen it bought up.  I also loved the references to Australian hero worship of notorious criminals such as Ned Kelly or the jolly swagman from Waltzing Matilda.  There are some amazing jokes here, from people attempting to make catchy ballads, to the prison guards providing advice and help on last words and escape possibilities, all of which capture the rebellious Australian spirit.  I particularly liked Pratchett’s version of Waltzing Matilda, which was perfect in its rhyme, its satirical analysis of the original poem, and how it fit into The Last Continent’s narrative:

“Once a moderately jolly wizard camped by a waterhole under the shade of a tree that he was completely unable to identify.  And he swore as he hacked and hacked at a can of beer, saying ‘what kind of idiots put beer in tins?’”

Other great Australian comedic sequences for me include the scene where the Unseen University wizards attempt to design a duck by committee, resulting in the mighty platypus, an impromptu Mad Max road chase with horse-drawn carts and the constant references to a certain line in our national anthem.  All of these jokes, and more, were pretty amazing and I really enjoyed seeing some of the outrageous and over-the-top elements that British culture picks up about Australia.

While I really enjoyed all the fun references to Australia, some of Pratchett’s best jokes in The Last Continent occurred during the secondary storyline that followed the faculty of Unseen University as they go back in time and encounter the god of evolution.  The author uses this part of the book to make comedic observations about time travel, evolution and advanced biology.  Not only does include a particularly hilarious sequence in which someone tries to explain the grandfather paradox to a group of wilfully ignorant wizards, but there are some truly funny jokes about evolution and biology which cleverly reference some advanced concepts and historical basis of the science.  While I read this book years ago, it wasn’t until I took some specific biology classes that I fully grasped just how intelligent some of the jokes in this part of the book are.  I personally love a book which you can come back to time and time again and find some new joke or layer to, and this is the case with The Last Continent, which no doubt still contains elements or references I’ve missed.  All of this results in a comically brilliant read, and The Last Continent remains one of my favourite Disworld reads as a result.

I have always enjoyed the great character choices contained within this book, as Pratchett brings together some old favourites, as well as a few entertaining new ones, to tell the story.  The main character of The Last Continent is Pratchett’s original Discworld protagonist, Rincewind, the cowardly and inept hero who cannot even spell “wizard” properly, but who has served as a world-saving hero on multiple occasions.  Rincewind is always a particularly fun character to follow, not only because he constantly finds himself caught in all manner of unique situations which he heroically tries to run away from (he has become quite the expert at running away), but he has a certain realistic approach to life that allows him to see through the ridiculousness around him and address it in a funny manner.  At this point in the series, Rincewind has been bounced around from adventure to adventure against his will so much that he has developed a bit of knack for knowing when it is going to happen again, including figuring out all the signs someone gives off when they are trying to con him into being a hero.  It proves to be quite entertaining to see Rincewind try to escape from people trying to drag him into the narrative, especially as all his attempts to get out of dangerous situations generally put him in even worse trouble.  It is also really worth seeing Rincewind’s reactions to the various elements of XXXX life, especially as he soon begins to realise that everyone there has some very unusual ideas about how to live and die, most of which he is very opposed to.  I really enjoyed this more mature and somewhat resigned version of Rincewind and I have to say that this is one of my more favourite adventures of his (either this or Interesting Times).  It was definitely great to see the character get a happy ending towards the end of the book for once, which he frankly deserved after his last few adventures.

While Rincewind is tearing it up in not-Australia, Pratchett also dedicates around half of The Last Continent to the characters who form the faculty of the Disc’s premier wizard school, Unseen University.  Many wizard characters have featured in the Discworld books, but this current iteration of the faculty (with the exception of the Librarian) was originally introduced in the 10th book, Moving Pictures, and has remained pretty constant ever since.  This group includes the hunting-obsessed Archchancellor, Mustrum Ridcully; the quite insane Bursar; the incredibly obese Dean; the amusing team of the Senior Wrangler, the Chair of Indefinite Studies and the Lecturer in Recent Runes; the orangutan Librarian (working in a library is dangerous work); and the long-suffering Ponder Stibbons, the youngest member of the faculty and the only one with any common sense.  Pratchett had previously done an amazing job building up all of these characters in prior books, highlighting their unique quirks and issues, including the overwhelmingly stubborn, childish and traditionalist personalities of the older wizards.  This excellent blend of personality types really makes the older wizard characters really amusing and their adventures, especially when encountering strange gods and creators who they generally ignore, are extremely funny.  While an entire book about these characters would potentially be a bit overwhelming, I think that Pratchett got the balance right in The Last Continent, and they ended up serving as a fun counterpoint to Rincewind.  Stibbons was also a particularly good straight-man to his fellow wizards, and the contrast between keen intellectualism and entrenched “wisdom” is a fantastic part of the book.  I rather enjoyed Stibbons arc in this book, especially as you get to appreciate the true depth of his frustration with his fellow wizards, although he does gain a deeper appreciation for them as the book progresses.  Other amusing storylines with the wizards includes the Senior Wrangler’s obsession with housekeeper, Mrs Whitlow, which eventually gets shared with some of the other wizards, and the uncontrollable shapeshifting infecting the Librarian, which makes for some entertaining gags.  I also really enjoyed the fact that much of the book’s plot revolves around the fact that no-one actually knows the Librarian’s name, a fun feature from the previous books, and it was interesting to see the reasons why this was the case.

Aside from this fun collection of wizard characters, Pratchett makes great use of a fine selection of supporting characters, each of whom add some fantastic fun to the overall story.  This includes a very inventive group of new characters, each of whom represent various parts of XXXX life, whether they be depressed operatic chefs, police officers more concerned with getting their charges ballads and famous last stands, bushland drovers, belligerent drinkers, desert-wandering crossdressers in a princess-themed cart and even a crazed road warrior named Mad.  Despite most of them being the result of a punchline or extended joke, Pratchett sets each of these characters up really well and ensures each of them has a fun and satisfying character arc in the book.  I also quite enjoyed the return of fan favourite character, Death, who goes on a bit of a tourist phase through the book.  I really liked Death’s random appearances throughout The Last Continent, especially as he drops some amusing anecdotes about dying in XXXX, and it was also great to see his current viewpoint on Rincewind.  Whereas before he was always determined to catch and kill Rincewind, as he was the one mortal who constantly got away from him, in this book, Death, who no longer has any idea of when Rincewind is actually going to die and is now quite fascinated by him, keeps himself appraised of his progress and is generally friendly to him, even if that freaks Rincewind out.  I also loved the appearance of another member of the extended Dibbler clan, even if the XXXX version was a parody of a certain unpleasant right-wing political figure here in Australia.  The appearance of another ruthlessly mercantile hot-food dispenser with inedible food is a great continuation of a running joke Pratchett has been using for several books, and it is one that really pays dividends in The Last Continent, when Rincewind recounts all the terrible foods he’s eaten over the years from the various Dibblers he has encountered, which then runs into a fantastic diatribe about the dangers of national delicacies, especially XXXX’s meat pie floater (a real meal here in Australia, although there is no way in hell I would ever eat one).  All of these characters add so much to the book’s story, and I love the inventiveness that Pratchett puts into them.

While I have enjoyed all the Discworld novels in their physical paperback format at one point or another, my preferred way to experience a Pratchett novel these days is in its audiobook form.  All of the Discworld novels have been turned into excellent audiobooks over the years, and The Last Continent is no exception.  Narrated by the outstanding Nigel Planer, who ended up narrating over 20 Discworld novels (The Last Continent was the penultimate Discworld book he leant his voice to), and with an easily enjoyable runtime of just under 10 hours, this is a pretty fantastic audiobook that I regularly rush through in not time at all.  I find that all the awesome jokes in this book come across in the audiobook format extremely well, even the jokes traditionally contained within the book’s footnotes, and Planer’s witty voice is always pitched at the best tone to bring out the joke’s potential.  I really appreciate the way in which Planer utilised the same voices for the various recurring characters he has used in all their previous appearances, and each of the voices fit the characters very well.  I also really enjoyed the voices he came up with all the new characters, and it was exceedingly amusing to see him come up with a range of Australian voices and accents and have them belt out a variety of outlandish slang terms.  All in all, this turns out to be an excellent audiobook version of The Last Continent and it is pretty much the only way I enjoy this novel at the moment.

As you can see from the huge review I pulled together above (I have written university essays that were shorter), I really love The Last Continent.  This fantastic Australian parody is easily one of my favourite Discworld novels, and I deeply enjoy the outstanding and entertaining story that Pratchett wove around this outrageous version of my country.  Anyone who is familiar with anything Australian is going to have an incredible time reading this book, and I honestly do not think I could give this anything less than five stars.  A highly recommended read from one of the funniest authors of all time.

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