The Housemate by Sarah Bailey

The Housemate Cover

Publisher: Allen & Unwin (Trade Paperback – 31 August 2021)

Series: Standalone

Length: 454 pages

My Rating: 5 out of 5 stars

Impressive Australian author Sarah Bailey returns with The Housemate, an outstanding and intense murder mystery that takes a complex protagonist through a dark journey as they attempt to solve an infamous murder.

It was the crime that shocked all of Australia: one night, after a fractious party in the suburbs of Melbourne, three female housemates would become infamous for all the wrong reasons.  In the morning, one of the housemates is found brutally murdered, another is found covered in her blood, while the third goes missing and her body is never found.  Dubbed the Housemate Homicide, the unexplained murder, the mysterious disappearance, and the subsequent controversial court case has baffled and enthralled the country for years.  This includes Olive Groves, a journalist who got her first big break covering the murder and who then became obsessed with cracking the case.

Nine years later, the body of the missing housemate is found in a remote property in the Victorian countryside.  Despite dealing with her own dark personal issues, Olive is assigned to cover the story, and soon finds herself once again dragged into her deepest obsession.  Teamed up with millennial podcaster Cooper Ng, Olive begins to immerse herself in the details of the murder, reigniting her fiery obsession.

As Olive and Cooper work to uncover new details about the case and the three women at the heart of it, they start to make some startling discoveries.  None of the housemates were what they seemed, and all had dark and terrible secrets that have remained hidden for years.  What really happened to these three friends, and what secret was so terrible that they would kill to protect it?  Olive is about to discover that there is a dark conspiracy at work throughout this case, one whose roots may lay far closer to home than she ever imagined, and whose discovery may end up breaking her.

This was an incredible and extremely clever dark murder mystery from Sarah Bailey, who has previously produced some impressive and compelling pieces of Australian fiction.  The Housemate was pretty exceptional read and I quickly found myself getting really caught up in this remarkable and well-written piece of crime fiction.  The author weaved together a dark and compelling tale of betrayal, murder and tainted love, featuring an extremely damaged protagonist and multiple epic twists.

The Housemate has a pretty amazing and memorable murder mystery narrative that follows a reporter as she attempts to uncover the truth behind an infamous cold case.  Bailey does a great job setting up the plot of this book in the early pages, showing the protagonist’s involvement in reporting the initial discovery of the murder, before initiating a time skip nine years in the future.  Once there, the author spends a little time exploring how the protagonist’s life has changed in the intervening years, before swiftly starting the next stage of the mystery, with the discovery of a body out in the Victorian countryside that has connections to the murders.  The rest of the book flows by at a quick pace after this, as the reader gets stuck into the re-opened investigation.  Bailey starts the various twists flying early, and the reader is soon struck with a series of theories, leads, potential suspects and connected side characters, all of which add to the overall tapestry of the mystery, while also serving to keep you guessing about who is responsible for the murder, and that isn’t even mentioning the compelling flashbacks from the surviving housemate.

As the investigation continues, The Housemate’s story continues to get even more complex, as the personal life of the protagonist, Olive, gets dragged into the plot, especially as Olive is in a complex relationship with the widower of the primary police investigator of the original case.  This results in some extremely intense moments as Olive begins to suspect everyone, which has a major impact on her grip on reality.  I deeply appreciated the psychological thriller aspects that were worked in, as the reader starts to really question Olive’s grip on her sanity, and it helped to make the story even darker and more unpredictable.  Everything really kicks off in the final third of the novel, especially after the case becomes even more potentially convoluted and connected to a wider conspiracy.  There were some great reveals in this final third of the novel, and a pretty major and surprising event that really changes everything.  I found myself absolutely glued to this book in the final stages, as I couldn’t wait to see what happened.  While I did think that the author was a little too heavy handed when it came to suggesting that one particular character was the murderer, I thought the eventual reveal of who was behind everything was extremely clever.  The solution to the historic murder was very impressive, especially as some of the elements were set up extremely early in the novel and you didn’t even realise it.  I really loved the impressive way the case was wrapped up, although the end of the final confrontation was a tad too coincidental for my taste.  Still, it was a really great way to finish the novel, and I was well and truly hooked by this awesome and dark tale of murder.

You can’t talk about The Housemate without mentioning the author’s great characters, especially protagonist, Olive Groves (a fun name).  Olive is a complex and damaged woman, who has been obsessed with the novel’s central case ever since she saw the suspected killer and the various family members emerging from the house during the initial media coverage.  Years later, Olive now has a complex life, as she is living with the controlling widower of the cop who was originally investigating the crimes, something she is immensely guilty and conflicted about.  Her already fragile mental state is put at risk when she starts working on the latest developments in the Housemate Homicides case, which reawakens her long-dormant obsession.  This obsession drives her to investigate the case by any means and takes her to some dark spaces as she tries to get into the head of the three housemates and figure out what happened to them.  Olive slowly goes downhill as the novel progresses thanks to a combination of stress, obsession, anger, and multiple personal reasons, such as the actions of her emotionally abusive partner and her own massive guilt for sleeping with him while his wife was still alive.  Olive has a big breakdown towards the end of the novel, especially after a major surprise event, and it was fascinating to see such a dramatic and powerful burst of emotion.  This compelling personal crisis is perfectly worked into the plot of the book, and it really helped to enhance the main murder mystery storyline, especially as you become really concerned for Olive’s mental and physical safety.  I appreciated the way in which Bailey wrapped up Olive’s character arc by the end of the novel, and I cannot emphasise what an impressive bit of character work Bailey did around her.

Aside from Olive, there is a great collection of complex side characters throughout the novel, each of whom play a vital role in the case.  The main one is Cooper Ng, the socially shy tech expert and social media whiz who is assigned to help Olive investigate, with the two required to develop a new podcast for their paper.  Cooper is a fun and energetic figure who stands as the complete opposite to Olive’s gruffer and irritable personality.  Cooper and Olive make for an interesting partnership throughout the book, and it was fun to see them combine their vastly different skills and experiences.  The author also spends a bit of time examining each of the three housemates who were at the centre of the book’s mystery.  It initially appears that all three were bright and optimistic students when the fateful night occurred.  However, as the book progresses you begin to see that they are a lot more complex than that, with all three involved in something dodgy.  Seeing how they were driven to the events that occurred the night of the killing is pretty fascinating, and I really appreciated the dark and intense storyline that Bailey weaved around them.  All these characters, and more, added a lot to the story, and I loved the fantastic and realistic interactions that occurred within.

The final thing that I wanted to highlight about The Housemate was its interesting examination of Australian journalism.  I have always rather liked journalist protagonists in fiction, due to their less formal way of investigating crimes, and this worked very well in the context of The Housemate, with Olive employing some interesting methods to get answers.  The focus on obtaining information for a story rather than attempting to bring someone to justice is very compelling and I loved seeing the protagonists setting up stories and podcasts.  I also quite enjoyed the interesting examination of the evolving form of journalism that was represented by the two main characters, Olive and Cooper.  Olive is the more old-school reporter, who just wants to do good journalism without resorting to popular gimmicks.  Cooper, on the other hand, is the flash new kid, focusing on social media and podcasting, which he sees as the future of journalism.  This fun comparison between reporting styles formed an interesting basis for their partnership, especially as they are brought together to do a podcast on the murders, and I felt that this was a great inclusion to an already exciting and entertaining narrative.

The Housemate by Sarah Bailey was an exceptional and captivating read that I had an outstanding time reading.  Featuring a dark and thrilling mystery storyline, this Australian murder mystery was incredibly addictive, especially once you get caught up in the unique investigation and complex personal life of the protagonist.  I really enjoyed seeing this fantastic story come together, and I was really impressed with how Bailey tied her brilliant mystery together.  Easily one of the best pieces of Australian fiction I have read all year, The Housemate gets a full five-star rating from me and is a very highly recommended read.

Unholy Murder by Lynda La Plante

Unholy Murder Cover

Publisher: Zaffre (Trade Paperback – 17 August 2021)

Series: Jane Tennison – Book Seven

Length: 389 pages

My rating: 4.25 out of 5 stars

The reigning queen of British crime fiction, Lynda La Plante, returns with another clever and intriguing murder mystery, with her latest entry in the Jane Tennison series, Unholy Murder.

La Plante is a great author whose books I have featured several times over the last few years.  Best known for her work in British television, where she produced and wrote several shows and television movies, La Plante has really started to focus more on her novels recently, producing some awesome and compelling reads.  Out of all her recent works, the one I have been enjoying the most is the outstanding Jane Tennison series.  Serving as a prequel to the acclaimed Prime Suspect television series, the Jane Tennison novels follow a younger version of the show’s protagonist, the titular Jane Tennison, as she works her way up the ranks of the Metropolitan Police.  This series has so far contained several awesome and impressive novels, including Good Friday, Murder Mile, The Dirty Dozen and Blunt Force.  The latest entry in the series, Unholy Murder, contained another amazing mystery that sets the protagonist against the dangerous influence of the Catholic Church.

In 1982, Detective Sergeant Jane Tennison has recently been assigned to the Bromley CID, a quieter London beat where she can focus on her upcoming inspector’s exam.  However, her knack for attracting the most unusual and deadly murders once again surfaces when construction workers uncover a coffin at the back of a new housing development.  Based on the site of an old, deconsecrated convent, it is initially assumed that the coffin could be part of a forgotten graveyard, and the coffin is taken to the local morgue.  However, when opened, the coffin is revealed to contain the corpse of a brutally murdered nun.

With no idea who the deceased is or when they died, Tennison is initially unsure how to proceed.  With her superiors assuming that the coffin could be decades or even centuries old, there is little desire for the case to continue.  However, when Tennison is able to determine that the crime took place just before the convent shut down in the 1960s, she is given permission to investigate and attempts to find who the murdered nun is and how her death was left undiscovered for so long.

Digging into the past of the convent and its attached orphanage, Tennison and her team soon discover a sordid history or abuse, neglect and cover-ups.  Convinced that the murder may be related to these charges, the police attempt to find out more about the nuns who lived there.  However, the Catholic Church is uncooperative and all their files on the convent are missing or destroyed.  With the Pope’s historical visit to London only days away, Tennison is determined to get to the bottom of this terrible case, no matter what, Tennison follows every angle she can to get to the truth.  But with someone high up in the church’s hierarchy doing everything to cover up the crime, and with her own superior’s attempting to stop the investigation, can Tennison and her team unmask the killer, or will the secrets of the past came crashing back with unfortunate collateral damage?

This was another pretty awesome novel from La Plante, who has come up with a fantastic and captivating crime fiction story.  Unholy Murder has an impressive murder mystery to it, with the premise of a murdered, unknown nun secretly buried on the grounds of a former convent.  La Plante sets up this entire mystery perfectly, and the reader is soon invested in the plot.  There are some great aspects to the investigation, and I liked the usage of an older crime, with the protagonists forced to dive back nearly 20 years.  There are multiple potential suspects, twists and a range of interferences featured throughout the course of the investigation, and I had a wonderful time following through and trying to figure out who did it and who is trying to keep it quiet for their own reasons.  It all leads up to an intense and fast-paced conclusion, with a second killing seeming to occur, and several separate story threads coming together and adding in some intrigue and excitement.  I was really impressed with the final solutions to the story, and I appreciated the dark and cynical ending that it contained.  This was one of La Plante’s more captivating and clever mysteries and it was a lot of fun getting to the bottom of everything.

One of the more interesting aspects of the entire novel was the inclusion of the Catholic Church as a major force in the investigation.  While some of the lower-level clergy and staff are initially helpful, once the case is revealed to be a murder, potentially committed by someone working at the convent, senior church members work hard to halt the investigation and try to protect themselves and the reputation of the church.  This was a fascinating and intense part of the investigation, and it added in layers of complexities and difficulties that the protagonists are forced to overcome.  The case becomes even more complicated, with multiple allegations of abuse or brutality from the sisters at the convent coming to light.  I really appreciated the way La Plante worked this aspect into the novel, and it was fascinating to see this in a historical context as I am personally more used to hearing about these sorts of issues in the 21st century.  The impacts of the church and its members on the case are pretty fascinating, especially as it makes the solution a lot more clouded, and some resolutions a lot more controversial.  While some authors would use this to simply bash the church, La Plante paints a more complex and multifaceted story here, attempting to show that some of the clergy characters were really good people bound by rules, their oaths or the ambitions of others who abuse their roles and responsibilities for their own aims.  I felt that they author’s use and inclusion of the Catholic Church in this novel helped to make Unholy Murder a much better novel, and it ensured that the case was a lot more intense and complex.

Jane Tennison is always an interesting character to follow, especially as she is one of the few senior female investigators in the MET during this prequel series.  While this is a crime fiction series, a large amount of the plot revolves around Tennison’s personal life, and La Plante has spent a lot of time showing Tennison’s growth as a character, as well as the events that turned her into the hard-edged investigator featured in Prime Suspect.  It has been really fascinating to see Tennison claw her way up the ranks over the last few books, and it was great to see her once again take a leading role in a murder investigation.  Due to some of her prior experiences with fellow officers, Tennison has a bit of a chip on her shoulder in this book, although she manages to mostly prove that she has what it takes.  I do wish that Tennison weren’t portrayed as someone who lets her personal life interfere with the job, especially as she once again gets involved with a person connected to the murder to her own detriment.  Still, I enjoyed Tennison in this novel, and she was a great central protagonist to follow.

This novel featured an interesting group of supporting characters, including police officers, suspects, and members of the church.  The author’s great use of multiple character perspectives in this novel was perfect to highlight these various side characters, and I liked how it also helped to make some of the people connected to the case seem more suspicious or guilty.  While there were several characters I liked, I mostly want to focus on the various police characters featured within Unholy Murder, as they were a major part of the plot.  Not only do you have several recurring police characters from the prior Jane Tennison novels but there are also some great new characters who were very fun to follow.  I quite liked rookie investigator DC Boon, a young officer that Tennison has taken under her wing.  While he initially appears a bit clumsy and clueless, he really starts to grow as a character as the novel progressed, becoming a much more competent investigator.  He also becomes a lot more serious, especially once he gets personally involved in the case, and there are some deep and emotional moments that occur around him as the novel progresses.

I also deeply appreciated the inclusion of DCS Barnes, Tennison’s new boss who heads up the investigation.  Barnes has previously dealt with cases of child abuse by members of the church whose crimes were covered up by his superiors and the church, and this memory drives him throughout the novel and ensures that he takes the cases extremely seriously.  Once it becomes apparent that the murder was likely committed by a member of the clergy, and that the priest he previously attempted to bring down is now a senior figure leading the latest cover-up, he becomes a bit obsessive and refuses to accept any alternate possibilities and suspects.  It was really quite intriguing to see an anti-Church police officer in the 1980s, and I really liked the complex and compelling portrayal around him.  All these side characters add a lot to the overall story, and La Plante did an excellent job of fitting these intense personal stories into the wider murder mystery.

Unholy Murder is an excellent new novel that continues the excellent Jane Tennison series by the amazing Lynda La Plante.  Featuring a clever mystery, some great characters and a really intriguing plot hook, Unholy Murder easily grabs the reader’s attention and ensures that they become deeply attached to the outcome of the story.  I had an outstanding time reading this latest book and I look forward to the next instalment of this fun series in 2022.

Serpentine by Jonathan Kellerman

Serpentine Cover

Publisher: Random House Audio (Audiobook – 2 February 2021)

Series: Alex Delaware – Book 36

Length: 12 hours and 10 minutes

My Rating: 4.5 out of 5 stars

One of the leading stars of the murder mystery genre, Jonathan Kellerman, returns with the latest entry in his long-running Alex Delaware series, Serpentine.

For years LAPD detective Lieutenant Milo Sturgis has tended to do things his own way in the department.  Thanks to his impressive solve rate and his unique and successful partnership with his best friend, psychologist Alex Delaware, Milo has been able to crack some of the toughest murder cases that the department has come up across while managing to avoid the lows of office politics.  However, not even Milo is able to withstand pressure from the very top of the LAPD, so when an extremely wealthy businesswoman wants help from the department’s best, Milo is forced to work an impossible case.

The businesswoman, young entrepreneur Eleanor Barker, wants closure over the death of her mother, a mysterious woman who was found dead decades ago in a torched Cadillac with a bullet in her head.  Despite their reservations over the way the case was assigned to them, Milo is determined to do the best job possible, and with Alex’s help he begins his investigation.  However, with no evidence, no case file, no witnesses and no real idea about their victim’s past or origins, their chances of success seem slim.

Forced to look for answers in some unusual places, Milo and Alex are slowly able to pull together a picture of the events surrounding the death of Eleanor’s mother.  However, the more they dig, the more unusual coincidences begin to arise as what they discover deviates massively from the established facts.  It soon becomes apparent that there is far more to this case than was initially believed and that someone out there is determined to stop any investigation into this brutal murder.  Can Milo and Alex solve their most difficult case yet, or will a cunning killer continue to remain free?

Well, that was a pretty cool murder mystery!  Serpentine is the 36th entry in Jonathan Kellerman’s amazing Alex Delaware series, which has been running since 1985.  I am a relative newcomer to Kellerman’s work, having only stumbled onto series when I read his 34th book, The Wedding Guest, back in 2019.  I had an excellent time reading The Wedding Guest and the loved the authors distinctive writing style and ability to weave together a great mystery.  I enjoyed it so much I ended up checking out Kellerman’s next book, the 2020 release The Museum of Desire, which contained an impressive murder case and ended up being another amazing read.  As a result, I have been very keen to check out Kellerman’s latest book for a while now and I have to say that I was very pleased with how awesome Serpentine turned out to be.

I ended up absolutely powering through this latest Alex Delaware novel, especially once I got hooked on its exceptional and impressive murder mystery narrative.  Kellerman came up with an amazing narrative for this novel that proved to be particularly captivating right off the bat as his two established protagonists become embroiled in a seemingly impossible-to-solve case.  Forced to dig around in the past, the protagonists slowly determine the events surrounding the old murder via odd bits of evidence and a range of interesting witnesses.  While the investigative process is quite fun to see, Kellerman has also thrown a ton of fantastic twists into the story, ensuring that the reader has no idea how the mystery is going to unfold.  I love some of the unique directions that the author took this compelling case and I was impressed with some of the clever reveals that he chucked in, especially as they were set up beautifully and added some fantastic surprises to the plot.  While I did think that the book concluded rather rapidly and some storylines could have been wrapped up a little better, this was still an exceptional narrative which I deeply enjoyed.

Easily my favourite thing about the Alex Delaware novels is the great way that the author portrays the ongoing investigation.  Kellerman always ensures that his investigations extremely realistic and as a result his protagonists always engage in a methodical examination of the sources, slowly gaining the information they need and building up connections and discovering any inconsistencies.  A lot of their evidence is obtained through discussions with potential witnesses, colleagues and experts, and there may be multiple conversations with various persons of interest to find out different nuggets of information.  This then results in the main characters throwing out theories about what potentially happened and basing their future investigative directions on the most promising clues.  This manner of investigation proves to be very different to other crime fiction novels I have read, and I really enjoy this more realistic portrayal of how police could solve a difficult case, especially as the author works in time delays for evidence analysis, unreliable witnesses and colleagues, and lack of resources.  I particularly enjoyed the investigation featured within Serpentine as it forces the protagonists to solve a murder that occurred over 30 years previously.  As a result, the characters lack any sort of evidence, useful witnesses, or previous investigations to help them find the killer, and they are forced to utilise more creative methods to find information or track down anyone who has the slightest idea of who the victim was or what happened to them.  This extremely cold case was a fantastic part of Serpentine’s plot and it proved to be deeply fascinating to see how he envisioned detectives solving this sort of investigation.  I loved this realistic and methodical portrayal of a murder investigation and it really made Serpentine stand out as a fantastic crime fiction novel.

I also must highlight the outstanding two lead characters who form the heart of Serpentine, and indeed the entire series, titular protagonist Alex Delaware and LAPD detective Milo Sturgis.  Alex and Milo are a fantastic pair of crime-fighting protagonists who have taken on some extremely tricky murders during their partnership.  Both characters bring a lot to the novel.  Alex is the more serious of the two.  As a clinical child psychologist with a head for mysteries, Alex can provide some intriguing insights into the minds of the victims, witnesses, and potential suspects, which provide new insight into their cases.  Milo on the other hand is the food-loving, cynical veteran cop who works the hard grind of a LAPD detective.  While I enjoy both characters, Milo is easily my favourite due to his constant wise cracks, the author’s tasteful portrayal of the character as a homosexual LAPD lieutenant, and his somewhat maverick cop persona.  Alex is also quite fun, especially as his psychological insights have a basis in the author’s own training as a psychologist, and I liked his constant clever quips about the situations they encounter.  The real joy of these two characters, however, is the way they work together.  These two make an amazing team, especially as they have become close best friends who are able to work together perfectly in sync.  I loved the way these two were able to work together to solve crimes, and their innate teamwork and friendship is a fantastic centre of the book’s story.  I also enjoyed the way the two characters play off each other throughout the story, as their personalities and unique sense of humour really gel together well and produce a lot of fun jokes and moments.  Overall, I had an amazing time following Alex and Milo through another excellent book, and I cannot wait to see what crazy case they encounter next time.

To check out Serpentine I grabbed a copy of its audiobook format, which was narrated by John Rubinstein.  This audiobook, which has a run time of just over 12 hours, ended up being an amazing way to enjoy this fantastic book and I powered through it in no time at all, especially once I got caught up in the outstanding mystery.  Rubinstein, whose has previously lent his voice to a great collection of crime fiction novels, including previous Alex Delaware audiobooks, did an outstanding job narrating this novel, and I felt that he moved the story along at a fast and enjoyable pace which really captured the audience’s attention.  I also rather enjoyed the various voices that he utilised throughout Serpentine, as each character was given their own unique voice, which I felt fit their respective personality perfectly.  I really loved the voice that Rubinstein uses for Milo in particular, as it just screams veteran cop, and it really helped enhance how much I enjoyed this already awesome character.  As a result, I would strongly recommended Serpentine’s audiobook to anyone interested in checking out this book and listeners are in for a good time with this format.

Serpentine by Jonathan Kellerman is another impressive and clever addition to the great Alex Delaware series.  This latest book features a complex and captivating murder mystery investigation which forces Kellerman’s fantastic and lovable protagonists to dive back into the past and solve an intriguing cold case.  Full of several outstanding twists around Kellerman’s latest compelling case, Serpentine has an incredible story and readers are going to have an amazing time unwinding this great mystery.  I deeply enjoyed this fantastic novel, and this might be the best Alex Delaware novel I have read so far.  Highly recommended.

The Night Fire by Michael Connelly

The Night Fire Cover

Publisher: Hachette Audio (Audiobook – 22 October 2019)

Series: Ballard and Bosch – Book 2

Length: 10 hours and 4 minutes

My Rating: 5 out of 5 stars

One of the masters of modern crime fiction, Michael Connelly, returns with another book in his bestselling interconnected crime universe. In The Night Fire, Connelly once again brings together the outstanding team of Ballard and Bosch for another exceptional murder mystery.

Back when he was a rookie detective, Harry Bosch was mentored by one of the LAPD’s best homicide detectives, John Jack Thompson, who helped stoke his internal fires of justice to ensure that no case ever goes unsolved. Now, years later, Thompson is dead, and at his funeral, the now retired Bosch is given a gift from his widow: a murder book for an unsolved crime. The case revolved around the murder of a young man in a gang-controlled alley nearly 30 years before, and it appeared that Thompson secretly took the book when he retired from the force. What was Thompson’s connection to the case, why was this one murder so important to him and why did he keep the murder book a secret for so long?

Determined to get answers, but already committed to helping his lawyer half-brother Mickey Haller defend his client in a tricky murder case, Bosch takes the book to Detective Renée Ballard for help. Ballard, Hollywood Division’s resident detective on the night shift (known as the Late Show), and Bosch have recently formed an unofficial partnership in order to work on some of Bosch’s old, unsolved cases. Identifying several inconsistencies in the cold case, Ballard decides to start digging deeper, while also investigating a suspicious death by fire that occurred on her beat.

Together Bosch and Ballard are an effective investigative team, and it does not take them long to identify a potential killer. However, the more they dig, the more they begin to realise that Thompson might not have taken the murder book to solve the murder, but to ensure that nobody ever tried to investigate it. Can these two detectives get to the truth, and what happens when their various investigations put them in the line of fire of some very dangerous people?

The Night Fire is the latest book in Connelly’s shared crime universe, which features the various adventures and investigations of several of his iconic protagonists. This new novel is a fantastic piece of crime fiction that once again combines together two of Michael Connelly’s most intriguing characters, Bosch and Ballard, after their outstanding first team-up in 2018’s Dark Sacred Night. This is the 22nd book featuring Bosch, Connelly’s original and most utilised protagonist, while Ballard has so far appeared in two prior novels. This book also briefly sees the return of Mickey Haller, another one of Connelly’s protagonists, who has appeared in several legal thrillers within the universe such as The Lincoln Lawyer (which was adapted into a film of the same name).

Just like in Dark Sacred Night, the plot of the book is shown from both Bosch’s and Ballard’s perspectives, as each of them gets a number of separate point-of-view chapters (about half each) to tell their respective stories. While there is a lot of crossover between the two characters, especially when they are working together on their joint cold case, both of them do their own independent investigations and have several chapters where they deal with their various personal issues without the other character being present. However, they also both appear in a number of chapters together, allowing the reader to not only get an interior view of the character but to see each of them through the other’s eyes.

One of the main things that I love about the Michael Connelly books I have read are the multiple cases that the protagonists investigate simultaneously, many of which may or may not be connected in some way. In The Night Fire for example, the story features one cold case that brings Ballard and Bosch together at the start of the book and which they work together on, while both characters have separate cases to work on. Bosch becomes involved in the legal defence of one of Mickey Haller’s clients who is on trial for murder, and this then evolves into the hunt for the murderer of a judge. Ballard on the other hand does most of the investigative work on the cold case, mainly because she is the one with access to the LAPD’s resources. At the same time, she is also investigating several other crimes that come across her desk during her night shifts at Hollywood Division. These include a homeless man who was burnt alive in their tent, the apparent suicide of a young girl and the discovery of a truckload of illegal immigrants. While some of these cases do not go anywhere or are investigated by a different part of the LAPD, Ballard does find herself fully investigating several different cases and getting some rather interesting results. I really enjoyed this cool combination of varied cases and examples of police work, especially as it combines together a decades-old murder with several recent crimes. There are some really complex and compelling mysteries involved with these cases, and I found myself getting drawn into each of them, as they all featured some clever police work and an intriguing bunch of potential suspects. The cold case in particular was great, as the reader not only needed to figure out who the killer was but also why Bosch’s mentor was so concerned with the murder. While it was a little disappointing not to get some follow-through on a couple of Ballard’s cases, I thought that all of these mysteries come together into an excellent overall narrative that does an outstanding job keeping the reader’s attention. I also loved how two of the cases eventually come together in an unexpected way, resulting in an explosive conclusion, while the results of another murder investigation had a very emotional impact on one of the protagonists.

In addition to the great mysteries and fictional examples of police work, one of The Night Fire’s biggest strengths is its two protagonists, Ballard and Bosch. Both of these protagonists are excellent characters with strong backstories, and I really enjoyed how the two of them played off each other. In this novel, both Ballard and Bosch are outsiders to the LAPD. Ballard has been banished to the night shift for reporting a sexual assault by a superior officer, and now has serious trust issues when it comes to many of her male counterparts. Bosch on the other hand, after a long career with the police, is now retired, and thanks to some of his actions that forced him out the LAPD, many of the police no longer see him as one of them, a point reinforced when Bosch helps Mickey Haller free a murder suspect. This outsider viewpoint makes the team-up between both of them a lot more interesting, as both characters are still learning to trust the other, even after the success of their first case. I really liked how the relationship between the two of them grew throughout this book, and their different viewpoints and experiences turn them into an effective duo. Both characters go through some big moments in this book, including some medical issues with Bosch, Ballard standing up to her attacker and the various emotional impacts of the case, and it was great to see how they helped each other out. This is definitely a team-up I want to see again in the future, and I really hope that Connelly continues more of these adventures with Ballard and Bosch.

Just as I did with Michael Connelly’s previous book, Dark Sacred Night, I ended up listening to the audiobook version of The Night Fire. This audiobook runs for just over 10 hours, and features the vocal talents of Titus Welliver and Christine Lakin. I quite enjoyed the audiobook version of The Night Fire, as not only did it allow me to power through this book is short order (I think it only took me three days to finish it off) but its use of two separate narrators was done really well. Throughout the course of the book, Welliver is the voice of Bosch (which is a good fit as Welliver actually plays this character in the Bosch television show), while Lakin is the voice of Ballard, and they each narrate the chapters for their respective characters, including most of the dialogue. Welliver and Lakin are exceptional vocal talents, who did an outstanding job of bringing Bosch and Ballard to life. Both of these narrators really get to grips with the characters and are able to capture a lot of their various nuances in their performances.

Another great thing about this audiobook was the amazing way they utilised the two separate narrators. I really liked how the book was split between them, and it ensured that both sets of chapters had a great distinctive feel throughout the book, and the reader was never left in doubt who was narrating the chapter. The only exception to this is any dialogue the other point-of-view character has in that chapter, as that character’s narrator will then speak instead. This means for example, while Welliver is the primary narrator during Bosch’s chapters, whenever Ballard speaks during these chapters you get Lakin’s voice. While it was a tad disconcerting at times to suddenly hear the other narrator’s voice in the middle of a lot of dialogue in the primary vocal talent’s chapter, it did save the reader from getting confused by having to listen to two different versions of the protagonist’s voices. Overall, I would strongly recommend the audiobook version of The Night Fire to anyone interested in checking out this book, and I know that I will be utilising this format again in the future for Connelly’s next book.

In his latest crime fiction masterpiece, Michael Connelly once again knocks it out of the park with this fantastic new addition to his connected crime universe. The Night Fire is an exceptional murder mystery that makes excellent use of its two main protagonists to tell a rich and exciting narrative, filled with a number of intriguing investigations and cases. This is probably my favourite Michael Connelly book that I have read so far, and it gets a full five stars from me. A fantastic new entry from the king of crime fiction, this is a must read for all fans of the genre.

Dark Sacred Night by Michael Connelly

Dark Sacred Night.jpg

Publishers: Orion

                       Hachette Audio

Publication Date – 30 October 2018

 

Legendary crime author Michael Connelly returns for another clever and technically detailed crime thriller that teams up his iconic and most utilised protagonist, Harry Bosch, with his recently created female protagonist, Renée Ballard.

In the chaotic world of the LAPD, Renée Ballard is an outsider who has found herself permanently on the graveyard shift of the Hollywood beat.  Returning to the near-abandoned station after a callout, Ballard is surprised to find a stranger rifling through her unit’s filing cabinets.  The intruder is maverick retired detective Harry Bosch, formally of the LAPD, now currently working as a contractor for the San Fernando police.

Bosch is working a cold case for personal reasons.  The victim, a 15-year-old runaway, Daisy Clayton, was brutally murdered several years before and Bosch has gotten close to the girl’s devastated mother.  Initially kicking him out the station, Ballard’s subsequent investigation of Bosch’s actions reveals the full details of the case to her and she finds herself drawn to Bosch’s hunt for justice.  As the two outsider detectives join forces in order to solve the case, they are once again thrust into the grimy underworld of Hollywood.  But as they attempt to find justice, a cornered killer, departmental politics and the dangerous suspects of the two detectives other investigations may cause the case to come crashing down around them.

Michael Connelly is a prolific and award-winning crime novelist who has been writing since 1992.  During that period he has written over 30 books, all of which are set in the same shared universe.  Connelly’s debut book, The Black Echo, introduced his most iconic character, Harry Bosch, who has been the protagonist of 21 of Connelly’s books, as well as being a supporting character in several other books.  Due to the author’s focus on this character, Connelly’s extended crime universe is often referred to as the Harry Bosch universe.  Connelly has also written a number of other thrillers in this universe, featuring several other protagonists, such as lawyer Mickey Haller, reporter Jack McEvoy and investigator Terry McCaleb.  Many of the characters introduced in previous books often have small roles in later books, while Bosch has had interactions with most of Connelly’s other protagonists.  The second protagonist in Dark Scared Night, Renée Ballard, is a more recent creation who was introduced in the 2017 novel The Late Show, and this is her first interaction with Bosch in Connelly’s wider universe.

Outside of the literary world, Connelly’s works have been adapted to film and screen.  His Harry Bosch novels have been adapted into the current Bosch television series, which will air its fifth season in 2019.  Two of his books have also been adapted into movies.  His novel, Blood Work was adapted into film in 2002 with Clint Eastwood, while his first legal novel, The Lincoln Lawyer was adapted into film in 2011 with Matthew McConaughey.

Dark Sacred Night is an excellent piece of crime fiction that presents the reader with a series of interesting investigations, told from the perspectives of two fantastic police protagonists.  I listened to this book in its audiobook format, which is jointly narrated by Christine Lakin and Titus Welliver, and runs for 10 hours and 39 minutes.  Dark Sacred Night primarily focuses on the investigation into a cold case of a young runaway girl who was brutally killed nine years previously.  This central case is massively intriguing and takes the reader deep into the sordid and disturbing criminal nightlife of Hollywood.  The main case is a gritty and unique investigation as the protagonists are forced to rely on different methods than they would usually utilise to solve the case.  Rather than having any recent evidence, the detectives are forced to rely on old interviews and pieces of police intelligence to identify any potential suspects or witnesses.  This is an intriguing way to investigate an old crime, and I really enjoyed the way they were forced to utilise this less substantial evidence to find their killer.  This method results in the protagonists identifying and investigating several distinctive suspects, and the reader is presented with a series of false leads and suggested possibilities.  I was able to identify who the killer was quite early in the book, but I still had a lot of fun following the investigation to its conclusion.

I really enjoyed the way that Connelly seeded a large number of smaller cases throughout the novel for the protagonists to solve, as well as a number of examples of police work in action.  There is an interesting split here as Ballard, the full-time detective, is given a series of more official and everyday crimes to solve, such as a suspicious death, a missing persons, a theft, trespassing and a kidnapping that she investigates to various degrees throughout the book.  Bosch, on the other hand, only has one case, an old, unsolved gang execution that he is pursuing in San Fernando and which is the focus for a good portion of his chapters.  The inclusion of these smaller cases is a clever move from Connelly as it breaks up the story from a pure focus on the main case and presents a wider viewpoint of crime and policing in the book’s setting.  It also allows the author to showcase his protagonists’ divergent investigative skills and presents the readers with an additional number of compelling mysteries and adventures that they can sink their teeth into.  Some of these additional cases tie into the main mystery in some surprising ways and clues or suspects may be revealed through this.

All of these mysteries do an amazing job showing of the author’s obvious knowledge of police procedures and law enforcement techniques.  Connelly, a former crime reporter for the Los Angeles Times, has an amazing grasp of the minutiae of police work and he expertly inserts these details into his story.  As a result his police characters mostly investigate crimes, examine evidence and file the paperwork in a way that feel extremely realistic and which adds a huge amount to the books authenticity.  Connelly’s police characters even feel like real cops, as the way that they act or think feels like real life police would act.  All of this combines with the amazing mysteries to create a first-rate piece of crime fiction.

Dark Sacred Night is the first time that Connelly’s main protagonist, Bosch, engages with the author’s newest protagonist, Ballard.  There are some interesting similarities between the two characters, which makes for a great story.  Both detectives have a similar maverick style when it comes to investigating crimes, and both have been screwed over by LAPD politics and had their careers impacted as a result.  As a result, both characters are dogged in their pursuit of criminals, especially those guilty of sex crimes, and both are willing to bend the rules to get their suspects.  However, the main difference between them is how far they will go to get justice.  While Ballard is happy to bend rules, she doesn’t go too far over the line or deliberately hurt or damage her suspects.  Bosch on the other hand has a much more flexible idea of where the line is and engages in some questionable behaviour that could be seeing as going too far. The two characters work well together during this book, and I hope that Connelly continues to use his latest protagonist in the future, especially as there are some interesting stories available when it comes to her complex police past.

The audiobook version of Long Dark Night is a great way to enjoy this crime novel and I found that I quickly powered through the book with this format.  The audiobook format utilises two separate narrators to describe the adventure contained within, broken up by whichever protagonist is narrating that chapter.  For example, Christine Lakin narrates the chapters told from Ballard’s point of view, while Titus Welliver narrates Bosch’s chapters.  Both of these narrators have great voices for their central characters, and both of them fit in perfectly in this gritty crime drama.  Lakin captures Ballard’s character perfectly, and you get a real sense of the no-nonsense and wary personality that is Ballard every time you hear Lakin’s voice.  Welliver’s voice, on the other hand, is deep and gruff and really fits Bosch’s old school and veteran personality.  Overall there is some fantastic voice work in the audiobook format of Dark Sacred Night, and I found that listening to this mystery really drew me into the middle of this investigation and helped me remember certain details and clues.

This latest book from veteran crime author Michael Connelly is a fantastic mystery thriller that draws the reader in with two outstanding protagonists and a series of captivating mysteries.  Dark Sacred Night is written in a way that is very easy to get into and the reader can enjoy the full mystery without any details of the previous books in Connelly’s shared universe.  As a result, despite it being such a late book in this long-running series, Dark Sacred Night is also the perfect place to start your investigation into the crime sensation that is Michael Connelly.  First rate crime fiction at it’s very best, this is an outstanding release from Connelly that is guaranteed to draw the reader into the dark and intriguing world of mysteries.

My Rating:

Four and a half stars