Quick Review – Red Dirt Road by S. R. White

Red Dirt Road Cover

Publisher: Headline (Trade Paperback – 10 January 2023)

Series: Detective Dana Russo – Book Three

Length: 307 pages

My Rating: 4.5 out of 5 stars

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Impressive author S. R. White continues to lead the Australian outback murder mystery scene with his new and compelling release, Red Dirt Road, the third book in his Detective Dana Russo series.  I had the great pleasure of reading the second book in this series, Prisoner, back in 2021 and I really enjoyed his unique take on the outback detective novel.  As such, I have been rather excited to read his new book, Red Dirt Road, especially as it featured a particularly enthralling mystery.

Plot synopsis:

One outback town. Two puzzling murders. Fifty suspects.

In Unamurra, a drought-scarred, one-pub town deep in the outback, two men are savagely murdered a month apart – their bodies elaborately arranged like angels.

With no witnesses, no obvious motives and no apparent connections between the killings, how can lone police officer Detective Dana Russo – flown in from hundreds of kilometres away – possibly solve such a baffling, brutal case?

Met with silence and suspicion from locals who live by their own set of rules, Dana must take over a stalled investigation with only a week to make progress.

But with a murderer hiding in plain sight, and the parched days rapidly passing, Dana is determined to uncover the shocking secrets of this forgotten town – a place where anyone could be a killer.


Red Dirt Road
ended up being a very fun and captivating murder mystery novel and one I had a wonderful time getting through.  I really enjoyed White’s cool and clever plot scenario and the entire concept of a cop attempting to solve a mystery in a small town with limited suspects is a fun idea that harkens back to classic whodunits.

Red Dirt Road’s story itself hits the ground running quickly, as complex protagonist Dana Russo is forced to travel to the small town for the investigation and soon becomes wrapped up in its many foibles.  This includes the sheer isolation, the lack of modern comforts and the unusual locals, many of whom are hiding from the outside world.  There is also a set of creepy angel-themed statues that mysteriously move around town, the work of a guerrilla artist who has remained hidden since the murders began.  With time restrictions on her investigation and with minimal help from the local police, Dana initiates an unconventional investigation that focuses on understanding Unamurra’s society and its people to solve the crime.  After getting to grips with the various people living there, as well examining other clues and evidence, she is able to figure out which one of the town’s residents is the most likely killer and confronts them in a particularly fascinating reveal sequence.  The full explanation for why the crime was committed, as well as the ingenious and very distinctive motivation of the murderer, was exceedingly clever, and I felt that White set everything up perfectly.  While certain elements of the conclusion were a bit over-the-top, (a very unrealistic elite government SWAT team comes to town), I felt that the story was pretty damn impressive and I was absolutely blown away with the elaborate motivation that the author came up with.  The plot of Red Dirt Road also simultaneously continues some of the series’ ongoing storylines, such as Dana’s personal relationship with her co-worker and the internal police politics that are impacting her career, and this ended up being quite a gripping read as a result.

One of the most noticeable things about Red Dirt Road was the unique, society-orientated investigation method that the protagonist used to understand the people of Unamurra and find out who the killer was.  I personally thought that this was a very smart and intriguing way to frame a murder investigation that worked extremely well in the context of the setting and the series.  When I reviewed Prisoner I noted that White likes to highlight the interrogation side of policing with his writing and this was once again in full display when it came to how Dana gathers information in Unamurra.  The flurry of casual conversation she engages in ensures she picks up all the knowledge about the town and people she needs, while also putting the potential suspects at ease as they don’t understand her style or the subtle reasons behind her lines of inquiry.  This information, when combined with some observations and additional background she gets from headquarters, allows her to pull together a full mental picture of the town and by understanding them and their needs she finally gets the insight she needs to understand the entire situation.  This results in a very unique case, and I found myself getting really wrapped up in both the characters and the setting while trying to wrap the clues together in my head.  While this style of investigation probably isn’t going to fit every murder mystery fan’s taste, I felt that it worked extremely well and I loved how the elaborate motivation was teased out through these discussions.  The final confrontation with the killer and the various revelations it contained really ties all these previous discussions together perfectly and you quickly realise just how cleverly White structured his entire mystery.

On top of the cool investigation method, I also deeply enjoyed the dusty and desolate setting of Unamurra that served as the backdrop to the murders.  White really tries to show the reader the full experience of such a lonely and decaying town, and thanks to the excellent descriptive writing you can absolutely picture every cloud of dust, quiet night, and the lack of movement.  At the same time, the protagonist begins talking to each of the residents of Unamurra and you really get to understand the sort of people that would live in such a place, whether they are desperate, trapped, or have their own strange motivations.  This excellent use of setting and compelling supporting characters greatly enhances the book’s already complex murder investigation, and I felt that White did an amazing job of working it into the larger narrative and mystery.  The sheer isolation impacts every decision and insight that Dana has and you really come away trying to imagine what life in such a location would be like.  While White does overgeneralise some areas of rural Australia in his book, especially as he makes the location of these crimes geographically vague, this setting added a great deal to the impact of Red Dirt Road and I deeply enjoyed my time in the elaborate setting of Unamurra.

Overall, Red Dirt Road was an outstanding new book from S. R. White that perfectly highlighted his distinctive take on a murder mystery investigation.  Combining another outstanding outback setting with a unique case, Red Dirt Road will have you hooked all the way to the fantastic finale.  I cannot wait to see what complex stories White comes up with in the future, but if they are anywhere near as clever and enthralling as Red Dirt Road, I know I am going to love them.

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How to Kill a Client by Joanna Jenkins

How to Kill a Client Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 31 January 2023)

Series: Standalone

Length: 384 pages

My Rating: 4.5 out of 5 stars

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Australian lawyer and debuting author Joanna Jenkins introduces herself in a big way with her fantastic first novel, the legal thriller How to Kill a Client, which takes the reader on a fascinating journey to the dark side of Australia’s legal profession.

As the in-house lawyer at a powerful international mining company, Gavin Jones oversees millions of dollars’ worth of legal contracts each year, including to the Brisbane office of the Australian legal firm Howard Green.  Using them to negotiate lucrative contracts throughout Australia, Jones has become one of Howard Green’s biggest clients and the money he controls ensures that everyone at the law firm treats him like a god.

But while everyone fawns over Jones and his power, no-one actually likes him.  A cruel, petty and vindicative man, Jones has messed with the careers and lives of everyone in his orbit, especially women, who he reserves a particular disdain for.  His actions ensured the suffering of everyone he has power over, including his wife, his employees, and the female partners at Howard Green, as he seeks to wreck lives, destroy careers and give himself the lifestyle he feels he deserves.

So when Jones dies suddenly and suspiciously, everyone he knew is a potential suspect; thanks to his dodgy dealings and underhanded tactics, they all had a motive to kill him.  As the police begin their investigation and the lawyers at Howard Green close ranks, it falls to partner Ruth Dawson, one of the few people without a motive, to protect her firm and its secrets.  However, when her investigation reveals proof of who killed Jones and other dark secrets her firm is hiding, will Ruth reveal the truth or will she bury it to protect her firm?

How to Kill a Client is a clever and tricky novel that really showcases Jenkins’s skill as a new writer.  Blending a fantastic and compelling crime fiction narrative with intense looks at the lifestyle of members of a successful law firm, How to Kill a Client was a gripping and interesting read that is really worth checking out.

I loved the cool story contained within this book which came across as part legal thriller, part personal drama surrounding high-level professionals, and part intriguing murder mystery.  The story dives into the chaotic world surrounding the legal firm of Howard Green and its clients and effectively introduces all the key players in this drama, who have their own views on the troubles to come.  Each primary characters is connected to the eventual victim, Gavin Jones.  Jenkins spends the first half of the book showcasing Jones’s terrible nature and the various ways they are messing with everyone.  Cleverly utilising multiple character perspectives, you are soon drawn into the various main characters’ lives and soon see all the various reasons why each of them may have wanted to kill Jones, as well as some of the suspicious steps some of them took.  Jenkins perfectly sets up everything in the first part of How to Kill a Client, and by the time you reach the halfway point, you are firmly enthralled by the narrative and want to see how the rest of the book unfolds.

When the eventual death happens (a real high point) the reader is left wondering whether it was an accident, a mistake, or a deliberate action, with the evidence pointing towards a murder.  However, due to the sheer range of suspects and motives, the story produces a twisty and fun range of plotlines that you need to navigate to get to the final conclusion.  Jenkins really produces an emotional and captivating second half as you try to find out who killed Jones and why.  There are some brilliant revelations unfurled here, and I loved how some cunningly hidden clues in the first half of the book were utilised in the final mystery.  I was very impressed with the final reveals around how the killing was committed and why it happened, and you will come away from this story very satisfied, especially as Jenkins builds in some excellent character moments and ensures that all the remaining characters get a fitting end to their arcs.  I found myself getting really caught up in Jenkins’ powerful and amazing story and I honestly powered through the last half of the book very quickly to see how everything ended.

Part of the reason why How to Kill a Client is such an effective read is that Jenkins introduces an excellent cast of intriguing and complex characters who are thrust into a variety of compelling situations throughout the course of the narrative.  Each of the main cast, who Jenkins effectively builds up and utilises in the plot, are quite damaged, desperate or concerned in their own unique way, while many of the supporting characters are notably selfish or manipulative for their own ends.  Characters like Ruth Dawson and Viv Harrison give some compelling and honest insights into how women are treated in this influential professional setting, while Anne Jones shows the harsh reality of a women trapped in an abusive relationship.  At the same time, there is a great collection of supporting lawyer characters who Jenkins uses to show off the range of people and personalities one is likely to experience in Australia’s legal services.

However, out of all the characters in this book, the one I must highlight the most is probably the murder victim, Gavin Jones, mainly because he is such a despicable figure.  Jenkins really goes out of her way to make Jones into one of the most unlikable and petty characters you are ever likely to find in fiction and boy does she succeed, perfectly capturing an insecure and manipulative narcissist who enjoys controlling people.  Not only does he go out of the way to try and ruin the careers of several characters just because they are women, but he also demands attention from the male characters to feed is ego, while also abusing and controlling his wife to make him feel good.  In a very short amount of time Jenkins builds Jones up into such an unlikable character that the reader finds themselves trying to reach into the book and kill him before the murderer does.  This naturally adds quite a lot to the mystery of the book, as his malicious professional actions, deceits, violence and puppy killing (seriously, that one really angered me), ensures that everyone he came in contact with had a reason to murder him.  The huge suspect pool around this unlikable character allows Jenkins to craft an impressive murder mystery and you’ll really get drawn into finding who finally snapped and killed this infuriating character.  This villainous figure, and other great characters, all added so much to the plot of How to Kill a Client and really got invested in their stories very quickly.

One of the other features of How to Kill a Client that I particularly enjoyed was the author’s detailed and intriguing examination of an Australian law firm.  Clearly utilising all her past experiences as a lawyer, Jenkins perfectly showcases how a firm would work and act in a variety of scenarios, and you really get the senses of the day-to-day chaos the individuals working there would experience, which adds a lot of authenticity to the story.  Jenkins also dives into the backroom drama and politics that surround such entities, as the various lawyers cut deals and fight for control over various projects or clients.  There is a particularly cynical edge to the book’s portrayal of legal firms in this novel, and Jenkins shows it to be a dark and unfulfilling practice at times, especially in some of the more elite firms.  The author really showcases just how bad these companies are when it comes to the treatment of women as two of the book’s central characters are female partners in Howard Green who have to constantly deal with their male colleagues’ condescension and manipulations, and there are several pointed scenes where the arrogant male managers fail to listen to the women even when they are right.  There is also a focus on the way law firms sycophantically woo potential clients, bending over backwards to get hired, and this adds some intriguing angles to the drama.  Finally, there is also quite a dark look at the demand for profits over people, as there is a constant fear of firings and layoffs, even for the best employees.  This critical presentation of a professional law firm is pretty striking and it results in some powerful scenes throughout the course of the book, especially as the people stuck in these firms often refuse to escape it, no matter how bad it gets.  I felt this examination of the profession in Australia added so much to the outstanding story and it helps to make How to Kill a Client really stand out.

Overall, How to Kill a Client was an outstanding and captivating debut from new Australian author Joanna Jenkins and one I had a wonderful time reading.  Blending compelling legal elements with a fascinating, character-driven mystery, How to Kill a Client has a brilliant story that takes the reader on a powerful and twisty journey.  Slick, emotionally rich, and filled with exceptional characters, How to Kill a Client is one of my favourite debuts of 2023 so far, and I cannot wait to see what epic reads Jenkins will release in the future.

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Warhammer 40,000: Flesh and Steel by Guy Haley

Flesh and Steel Cover

Publisher: Black Library (Audiobook – 3 October 2020)

Series: Warhammer Crime

Length: 9 hours and 23 minutes

My Rating: 4.75 out of 5 stars

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I’m on a major Warhammer 40,000 review roll, so after checking out the awesome books Malleus and Hereticus by Dan Abnett, Sepulturum by Nick Kyme, For the Emperor by Sandy Mitchell and Kingsblade by Andy Clark, I’m moving on to the awesome Warhammer Crime book, Flesh and Steel by Guy Haley, which proved to be an exceptional read.

I have said this several times in the past, but one of the true strengths of Warhammer 40,000 fiction is that the franchise can cover so many different types of stories or genres and still result in some epic reads.  A particularly good example of this is the Warhammer Crime subseries that melds intriguing and classic crime fiction concepts with a grim Warhammer 40,000 setting.  I have deeply enjoyed the previous Warhammer Crime books I have read, including the twisty and fast-paced crime thrillers Dredge Runners and The Wraithbone Phoenix by Alec Worley, and the noir inspired psychological thriller Grim Repast by Marc Collins.  As such, I just had to read another fantastic entry from this series with the intriguing Flesh and Steel by Guy Haley which saw a classic odd-couple police story meet a unique thriller from the Warhammer universe in glorious fashion.

The vast continent-sprawling city of Varangantua on the planet of Alecto is home to many vile and heartless crimes, most of which are ignored by the over-taxed enforcers of the Lex Alecto.  However, some murders are so spectacular that they cannot be ignored, especially when they threaten the stability of the city’s entire economy.

Probator Symeon Noctis is a man who knows all about the obscene wealth that Varangantua can produce.  A scion of one of the city’s richest houses, Noctis has fled from his cruel family and his tragic past by joining the enforcers and attempting to help the downtrodden inhabitants of the Nearsteel district.  However, even someone as jaded and cynical as Noctis is unprepared for the strangeness of his next case when a bisected corpse is discovered in a neutral zone between Nearsteel and the Adeptus Mechanicus enclave of Steelmound, the two halves of the body neatly left on either side of the border.

Forced to cooperate with the Adeptus Mechnanicus, Noctis is partnered with Procurator Rho-1 Lux of the Collegiate Extremis to investigate the crime.  But when all evidence suggests that the murder was committed by a mindless servitor, Noctis is dragged into a terrible conspiracy inside the Adeptus Mechanicus.  Faced with tech-heresy, illegal modifications to servitors and even more bodies littering the streets, Noctis and Lux need to work together to solve this insidious crime before both their organisations are dragged down.  But with more and more people gunning for them, can this unlikely duo survive to crack the case?

Now this was an awesome Warhammer Crime book.  Loaded with great, complex characters, a compelling case, and some impressive Warhammer 40,000 elements, Flesh and Steel grabs your attention from the very start and refuses to let go.  A fantastic novel that shows off just how incredible and inventive a tie-in to the Warhammer universe can be.

Flesh and Steel has a brilliant and deeply addictive narrative that I had an amazing time getting through.  Told primarily from the perspective of protagonist Probator Symeon Noctis, the plot of Flesh and Steel revolves around an intriguing murder, where two halves of the same body have been placed on either side of the border between the main city and an Adaptus Mechanicus manufacturing enclave.  With two competing jurisdictions, Noctis is forced to work with the Mechanicus investigator Rho-1 Lux, especially after the murder weapon is determined to be the victim’s servitor and additional victims are discovered.  What follows is an intriguing buddy cop romp of a unique series of murders, as certain figures throughout the city are involved in crimes involving the always terrifying mindless man/machine hybrids, servitors.  Forced to work together despite their differences, Noctis and Lux prove to be a skilled team, investigating both the Mechanicus and the businesses in the city.  At the same time, Noctis is forced to deal with other concerns, such as an impossible missing person’s case, the machinations of his wealthy family, and his own intense personal issues as he tries to reconcile his complex life and the mistakes from his past.  The result is a fantastic and moving tale that has the right blend of crime fiction, Warhammer 40,000 and character elements to it.  While the mystery surrounding the various crimes isn’t too complex, especially as the perpetrators are obvious from the outset, the resulting conspiracy, and the impacts it has on the protagonists more than makes up for it, as you are drawn into a crime story that could only occur in the Warhammer universe.  Haley ends the book on an interesting note that not only highlights the full extent of the protagonist’s personal issues but hints at future adventures and tragedies to come.

I really liked the cool setup-up surrounding this story, as well as the distinctive writing elements that Haley utilised, and I was particularly impressed with how the author was able to utilise some classic crime fiction scenarios in this unique Warhammer setting.  The concept of a bisected body left across a border forcing a joint investigation between two agencies is reminiscent of The Bridge (or The Tunnel), and I liked the intriguing spin that Haley does on this by bringing in the Adeptus Mechanicus, who most humans have a very hard time relating to.  This leads to the unique partnership between Noctis and Lux, which I felt Haley utilised to its full effect, especially as he does a remarkable job diving into each of their intriguing lives.  While I mentioned that the mystery isn’t as complex as you would hope, Haley more than makes up for it by featuring some deeply compelling character elements, as well as perfectly fitting it into the already fantastic setting of Varangantua and the wider Warhammer 40,000 universe.  I also really enjoyed the excellent way Haley told his story through the lens of Noctis’s journals.  Not only does this provide some compelling and tragic hints at what is to come but it also paints the story through Noctis’s cynical viewpoint, which I quite enjoyed, especially as his infectious humour and sarcasm helped to make this one of the more light-hearted Warhammer Crime books at times.  This distinctive and compelling read had me hooked the entire way through, and I felt that Haley came up with something extremely special for Flesh and Steel.

I was really impressed by the excellent Warhammer 40,000 elements featured, especially as some of the more distinctive elements of this universe were used to full effect to create a gripping and powerful read.  Now, as with most of the Warhammer Crime books, I felt that Flesh and Steel stood well on its own and no prior reading is needed to fully understand this book, not even the preceding short story Haley published in the No Good Men anthology.  Indeed, due to the great use of crime fiction elements, the strong focus on characters, and Haley’s attention to detail, readers unfamiliar with the franchise can easily jump into Flesh and Steel and have a good time, and it would serve as a good bridging novel for readers more familiar with crime fiction than anything else.

However, both new and established fans will deeply appreciate Haley’s compelling and all-encompassing examination of some very interesting elements of Warhammer lore that are cleverly and expertly utilised throughout the story.  I was particularly impressed with the deep dive into the Adeptus Mechanicus, the inhuman tech-worshippers of the Imperium, who play a big role in the plot.  This was honestly one of the more intriguing novels I have so far read that deals with the Adeptus Mechanicus, and I loved the author’s depictions of their elaborate and occasionally nightmarish settlement within the wider city of Varangantua.  The protagonist spends quite a bit of time diving into their society, and I loved his cynical, if accurate, descriptions of them, as well as the apparently hypocritical role they serve in the wider Imperium.  One of the most intriguing aspects of the Adeptus Mechanicus featured in Flesh and Steel involve servitors, the cyborgs who act as mindless manual labour machines throughout the Imperium.  The creation and use of servitors, who are a common, if terrifying, background feature of the universe, becomes quite a key part of the plot, as they are end up being the murder weapons.  This helps to shape Flesh and Steel into a particularly unique mystery story, one which could only occur within the Warhammer universe, and I loved the I-Robot homages (book and the movie) that resulted from them.  Haley also treats us to several scenes that depict the creation of servitors, a process which involves lobotomising condemned criminals and turning them into barely human creations.  These scenes honestly turn Flesh and Steel into one of the most horrifying Warhammer 40,000 books out there, and these gruesome inclusions work wonders to shock both the reader and the protagonist, while also deeply enhancing the complex murder case.

In addition, Haley also spends a good amount of time expanding on the already epic setting of Varangantua, which has been such an amazing background for the rest of the Warhammer Crime novels.  There are many distinctive districts and areas to the vast city of Varangantua, and this great book introduces us to even more of them with new district of Nearsteel, which borders the Adeptus Mechanicus enclave and has its own range of issues and features.  In particular, the area is slowly dying thanks to the actions of the Mechanicus, who are killing of the industries contained within, and you get to see the decay and degradation that follows.  Haley keeps up the cool background of neon signs, dark bars, and corrupt police, that are a key feature of the wider Varangantua, and I loved the impressive Blade Runner resemblances that result.  Haley further enhances the effect of these poorer districts by also visiting the high spires and estates of Varangantua uber-wealthy, as the protagonist, a former rich boy himself, makes several visits there.  The elaborate manors, parties, and hang-outs of the gilded make for a fun and compelling comparison to the slums and desolate industrial areas of the rest of the novel, and I deeply appreciated how Haley used this multifaceted city to mirror the complex main protagonist and help show that he doesn’t really fit in anywhere.  I always have a ton of fun exploring these new areas of Varangantua, and Haley really did a great job showcasing the city, and other key Warhammer 40,000 elements throughout Flesh and Steel’s narrative.  I cannot wait to see what other crazy areas that Haley explores in some of his future books and stories, and I know I am going to love it.

While the story, the writing style, the dark setting and the cool Warhammer elements all made this book really stand out, I personally felt that the main strength of Flesh and Steel was the exceptional central characters, Probator Symeon Noctis and tech-priest Rho-1 Lux.  Haley did a remarkable job with both these complex and damaged characters and both of them carry the main story extremely well.  The combination of dramatic and tragic character arcs, combined with a fun overarching theme of them both being outsiders, is an essential part of the book’s narrative and you grow deeply connected to both the characters, and the book, as a result.

Most of the focus is on Noctis, who serves as the primary narrator, due to his personal journal (which is also an extended note to his lost daughter), being read out.  Noctis is a very fun and cocky character, who seems to treat many of the events that he encounters in an inconsequential way.  However, this is a major façade, as deep down Noctis is probably one of the most damaged and guilt-ridden characters you are likely to see in Warhammer fiction.  A member of one of the richest families on the planet, Noctis was already pretty messed up before he became a cop, due to the terrible family dynamics and his controlling father.  Further traumatic events, which are explored later in the novel, nearly break him, and he decides to escape some of his father’s control by joining the enforcers to help others.  However, his family influence and wealth still follow him and he is considered an outsider by most of his colleagues.  Despite this, Noctis doggedly continues and proves to be a very competent and capable investigator, even if he breaks all the rules and pisses off his boss to do so.  His eye for the inequity of the city and the wealthy gives the story a bit of a preachy anti-capitalist vibe, but I felt that this fit his character arc perfectly, especially as he knows better than most just how badly the lower classes are being exploited.  I also quite enjoyed how, despite Noctis’s dislike for his family’s intense wealth and intense hatred for all the nobility, he still uses their money to buy nice things for himself, including a fancy car and secure apartment.  This apparent inconsistency between what he preaches and what he does, is addressed several times by both the protagonist and other characters, and his eventual and simple explanation of, “I never said I was perfect,” is a recurring theme of this character’s existence.  Watching this conflicted and troubled figure attempt to reconcile his past and guilt with the current investigation and the people he meets is a powerful part of Flesh and Steel’s appeal, and the story would not be as strong without it.

The other major character is Procurator Rho-1 Lux, an Adeptus Mechanicus Tech Priest who acts as a detective and law enforcement officer who investigates crimes committed by or against the Mechanicus.  Lux is a great character for a number of reasons, especially as the whole idea of a Adeptus Mechanicus cop is a pretty damn cool one.  Initially shown to be an unflappable and rigid figure, you soon find a deeper layer underneath her augmentation as she proves to be just as emotionally unsure and determined for justice as Noctis.  A member of an obscure order, Lux is a rare individual who converted to the machine cult rather than being born into it.  This also makes her a bit of an outsider as she is not fully accepted by the Adeptus Mechanicus and is no longer fully human.  This forces her to accept one of the few jobs that none of the other tech priests want, and it is interesting to see her views on humanity, the Mechanicus, and the law, which surprisingly often mirror Noctis’ cynical thoughts.  Lux served as an interesting bridge between the human characters and the mysterious cyborgs of the Mechanicus, and it is fascinating to see how she changes her persona depending on who she talks to.  Haley does a wonderful job of portraying Lux’s dual persona throughout the course of Flesh and Steel, and he even shows a couple of chapters from her perspective as extracts from her data core.  These chapters have a more sterile and mechanical feel, and you see her data-laden observations in these compelling scenes.  Probably the best part of her character arc though revolves around her interactions with Noctis, as the two form a very unusual team.  Lux serves as straight person for much of Noctis’s antics, especially when it comes to their interactions with other Mechanicus figures, and usually tries to maintain her mechanical indifference.  However, the two soon form an intriguing relationship, which forces Lux to examine some of her long-hidden emotions.  I felt that the two played off each-other perfectly throughout the course of the book, and the joint explorations of their various pains and dark histories makes for quite a gripping read.  I look forward to seeing more from this distinctive and surprisingly fun duo in the future, even if Noctic’s journals hint at more tragedies to come.

As is my usual practice with Warhammer 40,000 novels, I checked out Flesh and Steel on audiobook, which proved to be an epic and deeply enjoyable experience.  Coming in at just under nine and a half hours, Flesh and Steel was a very easy audiobook to get lost in, and I felt that this amazing format really worked to enhance the exceptional story.  The journal format of Haley’s storytelling, as well as the occasional jumps to other perspectives, is expertly portrayed on audiobook and I loved how some of the darker or grander elements of the book, especially the horrors surrounding the Adeptus Mechanicus workshops, became even more distinctive or sinister when listened to.  It helps that the primary narration of Flesh and Steel was done by impressive voice actor, James Macnaughton, who really throws himself into the production.  Each of his key characters are expertly showcased through his voice work and you really get a sense of their inner selves through his performance, whether it’s Noctis’s cockiness, disdain or self-loathing, or the strangeness of Lux, Macnaughton manages to encapsulate it all with his acting and this combines extremely well with Haley’s strong character-focused writing.  A secondary voice is also utilised for the several chapters written from Lux’s perspective, and I liked how this different voice really helped to differentiate that the events were being shown from Lux’s internal processors.  This performance, combined with the usual enticement of the audiobook format, ensures that this is the best way to enjoy Flesh and Steel, and I would strongly recommend it to anyone who wants to try this epic book out.

Overall, Flesh and Steel is a pretty remarkable novel from Guy Haley that has ensured my continued addiction to all things Warhammer 40,000 and Warhammer Crime.  Featuring a complex and powerful story that simultaneously explores a compelling mystery and some brilliant characters, it is very easy to get hooked on Flesh and Steel and I had a wonderful time powering through it.  I cannot rave about this book enough and I am really hoping that Haley produces a sequel to Flesh and Steel very soon.

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Quick Review – Everyone in My Family Has Killed Someone by Benjamin Stevenson

Everyone in My Family Has Killed Someone Cover

Publisher: Michael Joseph (Trade Paperback – 29 March 2022)

Series: Ernest Cunningham – Book One

Length: 384 pages

My Rating: 5 out of 5 stars

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One of Australia’s fastest rising crime fiction stars, comedian turned mystery writer Benjamin Stevenson, returns with an outstanding standalone book that might be one of the best Australian crime fiction reads of 2022, Everyone in My Family Has Killed Someone.

One of my favourite Australian crime fiction authors now is the exceedingly talented Benjamin Stevenson, who has written some amazing works over the last couple of years.  Stevenson’s writing career began in 2018 when he released the amazing murder mystery Greenlight (which was subsequently released as Trust Me When I Lie and She Lies in the Vines outside of Australia).  A fantastic Australian crime fiction book with true crime elements to it, Greenlight followed a successful television producer who reinvestigates a murderer who was freed thanks to his show.  Stevenson followed Greenlight up in 2020 with the epic sequel, Either Side of Midnight, which saw the same protagonist investigate an impossible murder in what was one of my favourite Australian books of 2020.  Both these readers were pretty damn impressive, but Stevenson has saved his best work for the 2022 release, Everyone in My Family Has Killed Someone, which luckily has an outstanding story that matches the very cool title.

Plot Synopsis:

Everyone in my family has killed someone. Some of us, the high achievers, have killed more than once. I’m not trying to be dramatic, but it is the truth. Some of us are good, others are bad, and some just unfortunate.

I’m Ernest Cunningham. Call me Ern or Ernie. I wish I’d killed whoever decided our family reunion should be at a ski resort, but it’s a little more complicated than that.

Have I killed someone? Yes. I have.

Who was it?

Let’s get started.

EVERYONE IN MY FAMILY HAS KILLED SOMEONE

My brother

My stepsister

My wife

My father

My mother

My sister-in-law

My uncle

My stepfather

My aunt

Me

As the title and the intriguing plot synopsis above suggests, Everyone in My Family Has Killed Someone is an awesome read that sees Stevenson serve up an addictive narrative that is one part insane family drama and one part homage to classic detective novels.  I had an incredible time reading this book early on in 2022 and I honestly should have written a review for it well before now.

The plot of Everyone in My Family Has Killed Someone is pretty bonkers as it follows a very damaged protagonist, teacher and crime fiction mega-fan Ernest Cunningham, as he attends one of the most awkward family reunions in history.  Written from Ernest’s perspective as part of an in-universe book, Everyone in My Family Has Killed Someone sees Ernest reunite with the fellow members of the infamous Cunningham family at an isolated ski resort.  The black sheep of a dark family with criminal connections, Ernest has been invited to attend a special event: the release of his brother Michael from jail after Ernest testified against him.  However, once his brother arrives, a series of murders start to strike the resort, killing off several people.  With the ski resort cut off from the outside by the snow, it falls to Ernest to discover who is killing the remaining guests at the lodge.  However, everyone in his family is a suspect, as all of them have killed someone before, including Ernest, who has just as much motive as the rest.  As the book continues, it becomes very clear that someone in the Cunningham family has killed again, it’s just a matter of finding out which one did it.

I have to admit that I was pretty in love with this book from the opening pages, especially as it becomes clear early on that Stevenson planned to blend the book’s mystery with some great humour and brilliant homages to classic murder mysteries.  Stevenson lays out this story in a fun way that simultaneously focuses on the infamous main family, their complex past and relationships, while also presenting a compelling murder investigation that intentionally steals a lot of cues from classic whodunnits.  Stevenson introduces an outrageous cast of complex characters for the story, and they were very intriguing to follow, especially as they all have deeper issues brought on by the deaths they are responsible for.  The story at time transforms into a very moving and entertaining family drama, which helps to make the story richer and even more amusing.  The mystery itself is very clever, and I loved the multiple compelling twists and reveals that accompanied it as the protagonist is forced to dive back into every terrible event his family has been involved in, including murder, robbery, police corruption and kidnapping, all of which leads to final, devastating solution.  While the identity of the killer is a tad obvious, the reveal of why they are committing their crimes more than makes up for it, and Stevenson came up with one doozy of a motive.  However, the real highlight of the book is the way in which Stevenson sets out Everyone in My Family Has Killed Someone in the manner of an in-story chronicle written by the protagonist, which simultaneously takes on every established trope and rule of old-school detective novels and moulds it into itself.

As I mentioned a few times above, Everyone in My Family Has Killed Someone also acts as a homage to classic crime fiction novels, as Stevenson goes out of his way to simultaneously parody and revere the iconic detective genre.  The book starts with two intriguing elements: the membership oath of the Detectives Club (a secret society of classic crime fiction writers), and Ronald Knox’s ’10 Commandments of Detective Fiction’.  Both of these inclusions acknowledge the general tropes and rules of golden-age detective fiction, and they actually end up being used by the protagonist, and by extension Stevenson, as the main guideline for the mystery.  The author continuously refers back to this list as the novel continues (he even suggests folding this page down so you can revisit it when needed), and I loved how this mystery came together as the author tried to avoid breaking any of these rules.  The author also cheekily informs the reader in advance when in the book someone is going to die with an accompanying page number, ostensibly to allow the reader to jump ahead if needed.  However, as most people will continue through at the normal pace, it heightens the suspense a little as you get closer and closer to the page on which you know a death is going to occur.  Various elements like this, as well as a ton of self-referential internal monologues and discussions about the rules of whodunnits, gives this book an incredible meta feel, which Stevenson uses to full effect to tell a particularly hilarious story.  The author’s background as a comedian is on full display here as he creates an incredibly funny book, even with the continued murders and human tragedy.  These clever references are a great love letter to the classic detective novels, especially as he addresses them in such a satirical way, and all mystery lovers will get a real kick out this book as a result.

Overall, Everyone in My Family Has Killed Someone is an absolutely outstanding book that I cannot recommend enough.  While I have enjoyed Benjamin Stevenson’s mystery novels in the past, I think that Everyone in My Family Has Killed Someone is where he finally reveals his full potential.  Not only is the mystery itself brilliant, loaded as it is with compelling characters and a dark family history, but Stevenson finally showcases his impressive comedy skills and uses them to produce a truly delightful and incredibly addictive novel.  The combination of mystery, humour and a clever homage to the classics, is an intoxicating mixture, and it was near impossible to put this book down once you started reading it.  As such, I must give Everyone in My Family Has Killed Someone a full five-star rating, and it was one of the most entertaining books I read in all of 2022.  I have so much love for this book and I was very excited when I heard that Stevenson is releasing a sequel in October titled Everyone On This Train Is A Suspect.

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Quick Review – Stay Awake by Megan Goldin

Stay Awake Cover 2

Publisher: Michael Joseph (Trade Paperback – 16 August 2022)

Series: Standalone

Length: 352 pages

My Rating: 4.5 out of 5 stars

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One of Australia’s most talented crime fiction writers, Megan Goldin, returns with another powerful and captivating read, Stay Awake, a unique and gripping novel that deals with memory, murder and a ton of traumatic suspense.

Over the last few years, crime fiction fans have been getting more and more impressed with the outstanding writings of Australian author Megan Goldin.  Goldin has so far written several epic and clever thrillers, and I have had a lot of fun reading two of her most recent books, The Escape Room (one of the best Australian books of 2018) and The Night Swim (one of the best Australian books of 2020).  Both of these books had outstanding plots, whether it was The Escape Room’s twisty tale of revenge or The Night Swim’s deep and emotionally charged story of justice for women, and I cannot recommend them enough.  After having such an epic time with her previous novels, I was very excited when I received a copy of Goldin’s latest book, Stay Awake, last year.  Featuring an outstanding story with an awesome hook to it, Stay Awake was an epic read that lived up to all my expectations.

Plot Synopsis:

Liv Reese wakes up in the back of a taxi with no idea where she is or how she got there. When she’s dropped off at the door of her brownstone, a stranger answers―a stranger who now lives in her apartment and forces her out in the cold. She reaches for her phone to call for help, only to discover it’s missing, and in its place is a bloodstained knife. That’s when she sees that her hands are covered in black pen, scribbled messages like graffiti on her skin: STAY AWAKE.

Two years ago, Liv was living with her best friend, dating a new man, and thriving as a successful writer for a trendy magazine. Now, she’s lost and disoriented in a New York City that looks nothing like what she remembers. Catching a glimpse of the local news, she’s horrified to see reports of a crime scene where the victim’s blood has been used to scrawl a message across a window, the same message that’s inked on her hands. What did she do last night? And why does she remember nothing from the past two years? Liv finds herself on the run for a crime she doesn’t remember committing as she tries to piece together the fragments of her life. But there’s someone who does know exactly what she did, and they’ll do anything to make her forget―permanently.

In the vein of SJ Watson’s Before I Go to Sleep and Christopher Nolan’s cult classic Memento, Megan Goldin’s Stay Awake is an electrifying novel that plays with memory and murder.

This was a fantastic and captivating read by Goldin that really highlights her amazing ability as an author.  Stay Awake is a fast-paced and exceedingly addictive novel that grabs your attention early on and refuses to let go thanks to its very clever story.  Starting off with the main character, Liv Reese, finding herself covered in blood and with everything she thought she knew gone or altered around her, Goldin sets up an incredible introduction that sets up an amazing follow up story.

The book gets even more interesting once the author introduces Liv’s peculiar situation: thanks to a past trauma, her mind resets itself each time she goes to sleep and she cannot remember anything from the past two years.  This results in a brilliant story, which features three separate intriguing perspectives of events.  Not only do you get the exciting main story of a confused Liv running through New York City, attempting to get to grips with her lost life, but you also see events from two years in the past which led up to the trauma that claimed her memory.  At the same time, the book also follows Detective Darcy Halliday, who is assigned to investigate a dead body connected to Liv, and soon becomes obsessed with finding the amnesiac protagonist.  These three major plot lines are expertly weaved together as the book continues and you soon find yourself drawn into the exciting mystery of who Liv is and whether she committed the murder that Darcy is investigating.  Goldin also amps up the story by having Liv being chased by a mysterious figure who is intent on finding and killing her to protect their secret.

However, the real highlight of Stay Awake’s story has to be the continued memory lapses experienced by the protagonist throughout the course of her chapters in the present.  Due to her condition, Liv actually loses her memory several times throughout the course of her storyline, causing her mind to completely reset to two years in the past.  This is a very fascinating character element, and I felt the author used it extremely well.  It is very compelling and a little scary to watch Liv make the same mistakes and visit the same people repeatedly, especially as she has no knowledge of the last two years, such as certain deaths or relationships.  Watching her come to grips with her chaotic life, only to lose it again in the next chapter, is simultaneously heartbreaking and fascinating, and you honestly cannot tear yourself away from this gripping book.  Thanks to the killer using Liv’s condition against her, the story further devolves into a dark and unique game of cat and mouse, with Liv forced to find answers about her life while avoiding a danger that she unaware exists.  Everything comes together extremely well as the book concludes, and I loved the clever solution to the main mystery of Liv and the various murders, especially as the hints to it are subtly laid down in the three alternate plot lines, even if the protagonists doesn’t remember them.  A truly awesome crime fiction narrative that is expertly written by its talented author, who has produced another very unique crime story.

Overall, I was once again deeply impressed with Goldin, and I felt that Stay Awake was a particularly great novel from her.  Goldin really pulls together a distinctive crime fiction story in this standalone thriller, and I was really glad that the amnesia angle of her plot paid out so effectively.  Stay Awake really helps to cement Goldin as one of Australia’s, and the world’s, most inventive new authors, and I cannot wait to read her next book, Dark Corners, which is set for release later this year.

Stay Awake Cover

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Warhammer 40,000: Grim Repast by Marc Collins

Warhammer 40,000 - Grim Repast Cover

Publisher: Black Library (Audiobook – 25 September 2021)

Series: Warhammer Crime

Length: 9 hours and 52 minutes

My Rating: 4.5 out of 5 stars

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Prepare for a gruesome and dark murder mystery novel in the gritty Warhammer 40,000 universe with the incredible and awesome Warhammer Crime novel, Grim Repast by Marc Collins.

I have made no secret of the fact that I am currently in the middle of a big Warhammer reading frenzy, having recently reviewed several awesome books, including two novels in my last Throwback Thursday posts (Xenos by Dan Abnett and Deus Encarmine by James Swallow).  However, I am still not done with the tie-in books in this very cool franchise as I have just finished another outstanding read, this time a book which is part of the Warhammer Crime sub-series.

The Warhammer Crime books are a fantastic and captivating series which, as the name suggests, blends crime fiction storylines with the epic Warhammer 40,000 universe.  All set within the tortured and sprawling human city of Varangantua, these great novels tell a range of entertaining and complex crime stories, including dark murder mysteries and elaborate thrillers, which make great use of the gothic futuristic setting.  I have so far enjoyed two Warhammer Crime entries, Dredge Runners and The Wraithbone Phoenix by Alec Worley, both of which were pretty epic reads.  These initial awesome reads really sold the Warhammer Crime series to me, and I have been interested in enjoying another entry.  I ended up choosing the great sounding read, Grim Repast, by rising Warhammer author Marc Collins.  One of Collins’s first full-length novels, Grim Repast is an exceptional read with one of the darkest crime narratives I have ever had the pleasure of reading.

“This city eats men….”

Veteran probator Quillon Drask thinks that he has seen all the dangers, depravities and villains that Varangantua has to offer, but he is about to discover a whole new level of horror.  Already traumatised and ostracised after his last lethal case and the betrayal that accompanied it, Drask’s first new investigation is not the simple job he was hoping for, as a body has been found in the dying district of Polaris.  The victim, a businessman on the wrong side of town, has been gruesomely mutilated, the implications of his injuries have frightening implications.

As more bodies are discovered, Drask finds himself chasing after a deadly killer who murders and dismembers without compunction and who has a sudden obsession with tormenting Drask.  Forced to play a deadly game that uncovers the corruption of his own organisation and sets him against the city’s elite, Drask finds himself alone and afraid against an enemy he doesn’t understand.  Only his twisted insights into the criminal mind, as well as the lessons of his career and devious dead mentor, offer the answers that he needs to solve the case and stop the killer.  However, not even Drask’s dark mind can comprehend the true horrors that lie beneath his city, one that connects to Varangantua’s past and a dangerous hunger that has always controlled people like him.

Wow, Marc Collins really came out swinging with this epic and outstanding Warhammer Crime entry.  Grim Repast is probably one of the best pure mystery novels set in the Warhammer universe that I have so far read, and I loved how seamlessly Collins was able to blend a dark, psychological crime fiction narrative with the grim and repressive atmosphere of a Warhammer 40,000 city.

Collins has cooked up a pretty wicked story for Grim Repast, which brings together multiple elements from across the genres to really highlight just how epic and complex a Warhammer story can be.  Following the compelling and damaged protagonist and narrator Probator Quillon Drask through the deadly streets of Varangantua as he chases after a lethal serial killer, Grim Repast is first and foremost a crime novel, and one that really grabs the reader’s attention.  Coming off as a dark psychological thriller with classic noir detective elements to it, the protagonist is forced to delve into the darkest heart of his massive, gothic city when he investigates several connected murders whose victims have been butchered in inventive and dark ways.

Collins sets up the case extremely well and then adds some intriguing complications to it where Drask is forced to investigate against the opposition of his bosses and their corporate controllers.  Bringing together a ton of character growth, disturbing developments in the murder case, as well as some fun action as Drask comes face-to-face with the killer in disguise, the plot moves quickly, and you are soon very hooked on finding the killer and the people pulling the strings behind them.  Forced to contend with the interference of a giant corporation, the protagonist finds himself in the middle of a dark conspiracy and, after the typical cop requirement of being suspended without his gun or badge, investigates on his own.  The mystery itself is well-set out and slowly unfolds, even if the overall culprit behind it isn’t too surprising.  However, the obvious suspect isn’t a narrative weakness, as the power of the story revolves around the protagonist fighting through the corruption and the insanity to confront his suspect, as well as the wider implications and horrors his investigation reveal.  The last third of the story is particularly brutal and grim as the protagonist uncovers some pretty horrendous crimes tied into the dark past of Varangantua, and is forced to face them by himself.  Everything ends in a pretty bloody manner, and I had a wonderful time seeing how this entire awesome crime narrative came together.  I loved the cool conclusion of this book, and the hints at some potential adventures for this character is something I would be extremely keen for.

This was a very well written book, and I really appreciated how Collins was able to tell such an effective and powerful story.  Featuring a quick pace and a brilliant focus on a very damaged protagonist, Grim Repast keeps you on your toes the entire time, and I loved how well it blended multiple crime fiction elements for the story while also making full use of the grim Warhammer setting.  The crime itself has some outstanding elements to it, and I was getting some major Jack the Ripper vibes from the plot as Drask receives several taunting notes from the killer.  Collins really brings about a dark and desperate tone around the characters and the city itself, and this lends itself perfectly to the complex crimes, especially as the murders have far deeper meaning and consequences than are initially seen.  The use of corruption and dangerous corporations helped to ensure that the character had even more mysteries and obstacles to overcome, which I thought was an outstanding bonus hook to the story.  The fantastic focus on murder and mystery rather than on wider universe elements ensures that Grim Repast also serves as a pretty good entry into Warhammer 40,000 fiction, especially for crime fiction lovers.  While some elements of the story hint or briefly discuss larger events or bits of the universe’s wider lore, you really don’t need to understand it to enjoy this book, and anybody who loves a complex and gloomy crime fiction can easily have their first taste of Warhammer fiction here without any issues.

Perhaps one of the best elements of Grim Repast that Collins featured was the setting of Varangantua itself.  While the continent-spanning city of Varangantua has appeared in the other Warhammer Crime books, I don’t think I fully appreciated just how good a setting it is until reading Grim Repast.  Collins sets out to make the city as dreary, deadly and dark as possible, and you find yourself getting lost amongst its constricting streets, compelling people and many hidden dangers.  The author honestly sets the city up as a character in itself, and it is quite powerful to see the protagonist move amongst its streets as Varangantua works to consume him, mind, body and soul.  To just make things a little grimmer, Collins chooses to set most of the story in the section of the city known as Polaris, an icy, desolate part of town that is slowly dying due to a lack of commerce.  I love how Polaris’s fortunes seem to match that of the protagonist himself, and Collins really amps up the noir vibes of Polaris with a ton of neon signs, dingy apartments and corrupt cops, making it feel that little bit more like a classic police story.

However, no matter how dingy and gothic Varangantua may be, it is still a futuristic city, so the universe’s advanced technology and other wider Warhammer elements are integrated into the city as well.  There are some great scenes where the city’s law enforcement utilises interesting investigation methods to solve the brutal murders, and I liked seeing the set up of a police force within the Warhammer 40,000 setting, especially as it is as corrupt or degraded as most things within the Imperium of Man.  I also really enjoyed how Collins was able to tie the mystery into the history of the city itself, with key parts of Varangantua’s past coming to the surface during the course of Grim Repast.  This gives the book a lot more substance when it is fully revealed, especially as it increases the overall stakes of the book, and I really appreciated and enjoyed how Collin’s utilised this brilliant setting throughout his book.

I also have to highlight the outstanding central protagonist and point-of-view character, Quillon Drask.  Collins created a wonderful character in Drask, a beaten down and emotionally damaged cop, reminiscent of classic pulp or noir detectives and investigators.  Still emotionally traumatised by the betrayal of his mentor during the last case, Drask attempts to find some normalcy in his work.  However, Drask is now isolated from the rest of his force, not just because of his propensity for finding the weirdest cases, but because of the taint surrounding his mentor.  Drask channels much of his anger and trauma into the new case, but he soon confronts forces that even he can’t fight through.  His obsession with this new case, his well-founded hatred of the aristocracy, and his desire for redemption, lead him to continue his investigation despite his boss’s orders, which leads him into all manner of trouble.  Collins did an outstanding job showcasing this character’s intense mental trauma throughout Grim Repast, and he really comes across as a complex and dark individual.  Despite being a troubled soul, you can’t help but like Drask, as his grim stubbornness just keeps forcing him towards the abyss, and nothing he does in the book, not even solving the murders, brings him any real comfort.  I loved how Collins also explored his penchant for getting into the darkest parts of the human mind and empathising with killers, and he reminded me a bit of Will Graham from the Hannibal Lector franchise, which isn’t too surprising considering that there are some major Thomas Harris influences in this book.  Drask gives a great running commentary on his dark observations of the city around him, and Collins really dives into the mind of his character throughout the course of the book.  This really adds to the book’s overall tone and quality, and I absolutely loved how Collins set out his central protagonist.

If I were to make one major complaint about Grim Repast, it would be that Collins relied a little too much on people reading his short story, Cold Cases, first.  Appearing in the Warhammer Crime anthology book, No Good Men, Cold Cases was the previous (and first) appearance of Quillon Drask, in which he hunted down another notorious killer.  Collins brought up Cold Cases multiple times throughout the course of Grim Repast, as the events helped form the protagonist and led to his mental/profession state in Grim Repast.  While I appreciate that Collins was trying to tie his new book back into this introductory story, I found it a bit confusing and irritating at times, mainly because I haven’t read Cold Cases.  I kind of got a little tired of the continued references to Cold Cases throughout Grim Repast, as it messed with the initial flow and enjoyment of this novel.  While you can pick up the events of Cold Cases through context as Grim Repast continues, I felt that Collins could have either eased up on the references a little or featured a better summary of this short story at the start, especially as it was such a big part of the protagonist’s motivations.  While this wasn’t a massive issue in my enjoyment of Grim Repast, it bugged me the entire way through, and it is something readers interested in Grim Repast should be aware of.  Overall, though, this was a pretty epic read, and I would recommend it, even with this issue.

To no-one’s surprise I ended up listening to the Grim Repast audiobook, which was pretty damn awesome.  I have so much love for Warhammer 40,000 audiobooks, especially as they are always so successful at capturing the dark tone of the settings as well as the complex stories.  I felt that Grim Repast was a particularly good example of this, as its audiobook really drew the reader into the cold surrounds of Varangantua and refused to let you leave.  It helped that Grim Repast was narrated by the highly talented Richard Reed, who previously impressed me with his narration of Nate Crowley’s The Twice-Dead King books, Ruin and Reign.  Reed has a naturally tough and rugged voice that does Grim Repast’s story a lot of justice, as his tones perfectly fit the noir-esque city of Varangantua.  I especially enjoyed how he portrayed Quillon Drask throughout the book, giving him a very gravelly tone that showcased his gruff exterior, while also expertly conveying the protagonist’s inner turmoil and pain.  You really get the full sense of who Drask is through Reed’s great voice work, and I really cannot emphasise how much value Reed’s narration added to this awesome audiobook.  With a runtime of just under 10 hours, Grim Repast is an easy audiobook to quickly power through, and you will really find yourself getting dragged into this elaborate and powerful tale in this format.

Fans of crime fiction, Warhammer fiction and everything in between should look no further than Grim Repast by Marc Collins for their next epic read.  Bringing together a complex and twisted murder mystery with the iconic setting of Varangantua in the Warhammer 40,000 universe, Grim Repast is an outstanding amalgamation of mystery, a dark psychological thriller, and the madness of the grim Warhammer 40,000 future, all of which makes for one hell of a dark and emotionally charged story.  I had an amazing time reading this powerful read, and it comes very highly recommended.

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Friends Like These by Jennifer Lynn Alvarez

Friends Like These Cover 2

Publisher: Penguin Books (Trade Paperback – 15 November 2022)

Series: Standalone

Length: 377 pages

My Rating: 4.75 out of 5 stars

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Hot off her impressive debut in the world of young adult thrillers, outstanding author Jennifer Lynn Alvarez presents another intense and deeply addictive read with Friends Like These, a compelling and twisty novel about secrets, lies, and teenage mistakes.

In 2021 I was lucky enough to receive a copy of Lies Like Wildfire by Jennifer Lynn Alvarez, which I instantly fell in love with.  The author’s first foray into the young adult fiction genre, Lies Like Wildfire told the story of a close group of teenage friends whose lives are torn apart when they accidently start a fire that destroys their hometown.  Desperate to avoid the consequences of their actions, the group tries to keep their involvement secret, but they soon turn on each other with tragic consequences.  I loved Alvarez’s powerful and relatable story and Lies Like Wildfire was one of the best debuts I read in 2021.  Due to her strong first young adult novel, I was very eager to see how Alvarez would follow it up, and I was very happy when I received a copy of Friends Like These.

For the teenage residents of Crystal Cove, California, the annual end of summer beach party is the social event of the year, the party that heralds the upcoming start of the senior year.  However, for three young people, this party will be the most pivotal event of their lives, which they will never recover from.

Jessica Sanchez has never been a fan of big parties and really has no desire to attend this latest big bash, especially as it is being hosted by her nemesis, Tegan Sheffield, the ex of her current boyfriend, Jake Healy.  However, Jake is always keen for a drunken bash and manages to convince Jessica and their friends to attend.  While Jessica girds herself for confrontation and awkwardness, nothing will prepare her for a terrible video prank that breaks her heart and destroys any trust she has in the man she thought she loved.

However, the worst is yet to come, as the video prank goes viral and everyone is dragged into the resultant chaos.  Not only are the police and the FBI looking into the video but they are investigating the disappearance of Tegan, who hasn’t been seen since the party.  As the case gains media attention and the whole nation is transfixed by their plight, Jessica and Jake attempt to weather the storm surrounding them, which only worsens when a body is found in the water.  However, both teenagers are hiding dark secrets, and as the investigation continues, the truth will be unleashed, and nothing will be the same again.

Alvarez continues to shine as a brilliant new voice in the young adult thriller genre, with another exceptional read.  Loaded with intrigue, drama and powerful characters, Friends Like These is an epic and powerful read that will leave you hanging until the very end as you grow deeply attached to its dark and personal tale of teenage woe and bad decisions.

I was deeply transfixed by the epic and captivating story in Friends Like These as Alvarez has woven together another complex tale of betrayal, murder and the loss of teenage innocence.  Alvarez cleverly tells the story from three separate perspectives based on her three main characters, Jessica, Jake and Tegan.  Jessica and Jake’s chapters are told in the present and follow the events of the party and its tragic consequences from their perspectives.  Both experience very different events and consequences as a result of the party and the subsequent disappearance of Tegan, which completely destroys their lives and places them in a terrible situation.  At the same time, Alvarez alternates some chapters from Tegan’s perspective in the weeks leading up to the party.  These prequel chapters give some compelling extra context to the main story and help to provide deeper meaning behind the motivations and actions of all the characters as you get a better look at the relationship the missing Tegan had with everyone.

The story proceeds at a pretty quick pace after the party, and Alvarez loads in a good combination of mystery, suspense and emotionally charged scenes as you try to unwrap everyone’s actions.  Jessica and Jake are both forced to deal with the consequences of the video prank and Tegan’s disappearance in their own ways, especially as their lives are being effectively destroyed as a result.  While Jessica attempts to discover what really happened to Tegan, while also hiding her own involvement in the events, Jake finds himself breaking down as he finds himself the main suspect in Tegan’s disappearance.  The story goes in some intriguing and dramatic directions, and Alvarez loads in a ton of compelling and well-executed twists and reveals that constantly shock the reader and completely throw them off the scent.  While I was able to predict a few of the reveals, I honestly did not see every twist coming, and I was constantly wondering what was going to happen next.  The intriguing mystery, the excellent use of alternating timelines, and the complex and emotionally charged characters really served to keep me hooked the entire way through and I honestly could not put the novel down in places.  The entire book ends on a fantastic, if dark, note as the final reveals about who was behind both the infamous prank and the subsequent disappearances and murders really leave you shocked.  None of the characters come out unscathed, and you will come away from Friends Like These extremely thoughtful as you contemplate the character’s actions, as well as your own teenage mistakes.

One of the things I most liked about Friends Like These was how Alvarez wrote a complex and captivating read that will really appeal to a wide range of readers, especially its intended teenage audience.  Just like with Lies Like Wildfire, Alvarez attempts to dive into the mindset of a group of teenage characters with a dark cautionary tale about the lifelong impacts of bad decisions.  Alvarez presents the reader with a plausible, terrible scenario that could potentially happen to modern teenagers, and shows both the events that led up to it, and destructive impacts that follow.  Alvarez covers a huge range of heavy topics in this book, including drinking, grief, obsession, drugs, abusive relationships, online videos, teenage sex, rape, and more.  It also prominently covers the malicious sharing of intimate videos, and showcases the many different ways it can impact people involved, whether it’s the emotional damage or the legal troubles the participants can find themselves in.  The author pulls no punches when it comes to these terrible topics and shows all the different ways that the characters attempt to deal with the consequences.  I really appreciate how Alvarez really doesn’t talk down to the young adult audience this book is targeted at and instead she tries to engage her audience and really hammer home how things you think might be harmless can actually destroy lives.  This is really highlighted in the way that all the characters are severely impacted by events they originally think are harmless, and it isn’t until the full impacts of their actions emerge that they realise just how much trouble they are in and panic as a result.  Not only does this ensure that the young adult audience are going to strongly engage with the story, but it also helps older readers connect as it brings them back to their own turbulent teenage years and the many mistakes they no-doubt made there.  Alvarez really has a gift when it comes to portraying complex teenage issues and it is definitely one of the things that makes her such an incredible young adult author.

Finally, I must highlight the outstanding characters that Alvarez wove such an amazing and heartfelt story around, especially the three central point of view protagonists, Jessica, Jake and Tegan.  Alvarez came up with some amazing character arcs for these three protagonists, as each of them are far more complex than initial impressions would let you believe.  Just like any real-life teenagers, all three come into the book with some emotional baggage and relatable damage, which are fully explored and become a major part of the plot as Friends Like These continues.  Jake, for example, is highly traumatised by the recent death of his father.  Despite the help of his family, friends and girlfriend, Jake has turned to alcohol as a coping mechanism, and this leaves him wide open to the terrible events of the party.  While initially shown to be a bit of a cad, Jake is actually a victim, especially as he is forced to suffer all the consequences of a terrible video prank.  Even though he is a major suspect in the subsequent murders, you can’t help but feel for Jake the entire way through, and Alvarez wrote a particularly captivating and emotionally rich narrative around him.

One of the other major characters is Tegan, who is initially shown as the villain of the story and Jake’s bitter ex.  However, as the book progresses and you see more and more preceding chapters from Tegan’s perspective, you begin to realise that Tegan isn’t as mean or as manipulative as you are initially led to believe.  Instead, she is a loyal friend who has been emotionally abused by her mother her entire life and one of the few good things she had, Jake, was taken away from her by circumstance.  Bitter over that and egged on by her peers and rivals, Tegan impulsively initiates the events of the party without fully knowing how everything would unfold.  Her entire arc was an outstanding part of the overall plot of the book, especially as it paints her in a much more flattering light, and I am very glad that Alvarez ended up featuring them here.

The final character is Jessica, who in some ways is the main protagonist.  A seemingly normal girl who is caught up in terrible circumstances, her story revolves around her trying to escape the events of the party while also making big mistakes due to her conflicted feelings for Jake.  While she initially appears to be a suitable and stable protagonist, Alvarez eventually reveals some hidden secrets about Jessica that completely change your view of her and make the reader question everything you’ve seen her do up until that point.  I deeply enjoyed how Alvarez would continually change your expectations about her protagonists as the book proceeded and the resultant development and portrayals helped to turn Friends Like These into quite an exceptional read.

Jennifer Lynn Alvarez continues to shine as one of the most complex and talented authors of young adult fiction.  Her latest novel, Friends Like These, is another clever and captivating thriller that explores the powerful consequences of teenage choices.  Loaded with outstanding characters, a highly relevant plot, and a compelling mystery, Friends Like These was one of the best young adult reads of 2022 and I cannot recommend it enough.  I look forward to seeing what brilliant and relatable story Alvarez features in her next gripping novel, and I already know it is going to be quite impressive.

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Waiting on Wednesday – Seven Faceless Saints by M. K. Lobb

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings.  Stay tuned to see reviews of these books when I get a copy of them.  In this week’s Waiting on Wednesday, I look at an intriguing upcoming fantasy novel that I think has a lot of potential with Seven Faceless Saints by M. K. Lobb.

Seven Faceless Saints Cover

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We are just around the corner from 2023 and already the new year is starting to look very promising in terms of awesome books.  I am already quite excited for the next novels from some of my favourite writers, but I am also keeping an eye out for new authors who are going to be making their debut in 2023.  One debuting author who has already caught my attention is M. K. Lobb, who is set to release her first novel in a few months’ time with Seven Faceless Saints.

Seven Faceless Saints, which currently has a release date for February 2023, is a fantasy novel with some excellent thriller and murder mystery elements to it.  Set in a new fantasy city, the book will follow two protagonists on opposite ends of the cities corrupt ruling class, with one acting as a rebel seeking revenge, while the other serves as the head of the government’s security.  However, both are dragged into a murder investigation when a dangerous serial killer stalks the streets, forcing them to dive deep into the dark heart of their city.  I already really love the sound of this awesome book and I think that it could turn out to be an excellent and highly enjoyable read.  Blending murder mystery, rebellion and two fantastic sounding characters in a new fantasy setting is a great starting point for an amazing read and I have a strong feeling that Seven Faceless Saints is going to be one of the top debuts of 2023.

Plot Synopsis:

 In the city of Ombrazia, saints and their disciples rule with terrifying and unjust power, playing favorites while the unfavored struggle to survive.

After her father’s murder at the hands of the Ombrazian military, Rossana Lacertosa is willing to do whatever it takes to dismantle the corrupt system—tapping into her powers as a disciple of Patience, joining the rebellion, and facing the boy who broke her heart. As the youngest captain in the history of Palazzo security, Damian Venturi is expected to be ruthless and strong, and to serve the saints with unquestioning devotion. But three years spent fighting in a never-ending war have left him with deeper scars than he wants to admit… and a fear of confronting the girl he left behind.

Now a murderer stalks Ombrazia’s citizens. As the body count climbs, the Palazzo is all too happy to look the other way—that is, until a disciple becomes the newest victim. With every lead turning into a dead end, Damian and Roz must team up to find the killer, even if it means digging up buried emotions. As they dive into the underbelly of Ombrazia, the pair will discover something more sinister—and far less holy. With darkness closing in and time running out, will they be able to save the city from an evil so powerful that it threatens to destroy everything in its path?

Discover what’s lurking in the shadows in this dark fantasy debut with a murder-mystery twist, perfect for fans of Leigh Bardugo and Kerri Maniscalco.

Quick Review – Retribution by Sarah Barrie

Retribution Cover

Publisher: HQ (Trade Paperback – 30 November 2022)

Series: Lexi Winter – Book Two

Length: 349 pages

My Rating: 4.25 out of 5 stars

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Australian author Sarah Barrie brings back her awesome vigilante protagonist, Lexi Winter, for another intense and dark crime fiction read in Retribution.

Earlier this year I was lucky enough to receive a copy of the 2021 Australian crime release, Unforgiven.  An amazing novel by a talented Australian author, Unforgiven told the story of a former child abuse victim turned effective vigilante, Lexi Winter, who used her skills as a hacker to hunt down abusers online and bring them to justice.  Initially keen to do her own thing, Lexi is forced to work with the police detective who failed her as a child when evidence at a series of murders suggests that the monster who ruined her childhood might still be out there.  Unforgiven ended up being a shocking and captivating read that made great use of its darker subject matter to produce an addictive narrative.  Unforgiven ended up being one of my favourite Australian fiction releases of 2021, and I have been keen to see how Barrie would follow this book up.  Luckily, I received a copy of her sequel, Retribution, a few weeks ago, and it proved to be an outstanding read and a worthy sequel to Unforgiven.

Plot Synopsis:

Once a vigilante, she’s now a cop … but she still plays by her own rules. A fast-paced, suspenseful thriller for readers of Candice Fox and Sarah Bailey.

Ace hacker, ex-prostitute, Jack Daniels drinker and part-time vigilante Lexi Winter returns, now working with the police – mostly – with a new enemy in the target and an old foe at the back of her mind.

Most probationary constables would baulk at chasing a drug dealer into a train tunnel in the dead of night. Not Lexi Winter. She emerges injured but alive, to face the wrath of her boss. Lexi may now be in uniform, but she has as much trouble with authority as ever, and is quietly using her hacking skills to investigate a notorious drug-dealing Sydney crime family with links to her old prey, the paedophile Damon Vaughn.

Meanwhile, Detective Sergeant Finn Carson investigates a death on a Sydney building site … which oddly enough, leads him to the picturesque Wondabyne station on the Hawkesbury River, and Inspector Rachael Langley oversees an investigation that could tie it all together. Lexi holds the key … if only she’ll toe the line …


Retribution
is an excellent follow-up to Unforgiven that provides the reader with an interesting continuation of the main character’s journey.  Starting out about a year after the events of the first book, Barrie immediately introduces a new element to the story by having Lexi now an official member of the New South Wales police.  However, despite her position, Lexi is the same reckless rebel who is using her spare time and hacker skills to mess with members of the infamous Hamill crime family, who are actively hiding her nemesis, the paedophile Damon Vaughn and his former police officer accomplice, Debbie Reynolds.  Her efforts soon tie into the work of her friends, Detective Sergeant Finn Carson and Inspector Rachael Langley, who are not only involved with the official search for Vaughn and Reynolds but are investigating the murder of a successful businessman in a Sydney building site that has connections to the main case.

Barrie features a ton of distinctive plotlines in Retribution, and I really appreciated how she was able to keep up the darker tone that was such a distinctive feature of the previous book.  The central focus on Lexi’s attempt to take down a notorious crime family was an awesome part of the book’s plot, and I felt that Barrie did a good job tying them into the previous book and making them a sensible continuation target for the protagonist.  While they weren’t as despicable as the original antagonists of this series, they proved to be just as dangerous, and Barrie did an amazing job building them up quickly and making them a major threat.  At the same time, the murder investigation that the other characters are involved in adds some fantastic mystery elements to the book.  Not only does this result in a very compelling investigation with additional bodies, but it also ties into the rest of the story extremely well, especially when it is revealed that the murders have connections to the Hamill family.  These two major storylines, as well as some interesting character development, blend well as the story continues and then end up becoming a fantastic joint case.  The Hamills prove to be extremely impressive villains with some deadly plots they unleash against the police, and I loved seeing the protagonist take on a family, rather than a single potential threat.  At the same time, the murder investigation slowly reveals a fantastically dark motivation that results in some great and memorable twists that I particularly enjoyed.  Everything pulls together for an explosive conclusion which not only wraps up this narrative extremely well but also sets up a great potential sequel that I am quite excited for.

There was some good character work in Retribution as Barrie carries over all the major characters from the first book and keeps developing her central protagonist.  As I mentioned before, the main character, Lexi Winter, goes through some major changes in this book as she moves from being a lone investigator to a member of the New South Wales police force.  However, she still maintains her rebel attitude and her determination to solve everything herself.  This, and her own deep trauma and desire for revenge, sees her attempt her own rogue mission against the Hamills, with some deadly consequences.  I felt that this was a good natural progression of Lexi’s character, especially as she finds herself relying on other people especially after experiencing even more trauma in this second book.  While I feel that Barrie is making some progress with Lexi, she still maintains a lot of rough edges, which I am sure will get addressed in the future.  I did think that the repetitive reckless actions did get a little tiring as the book continued, but it generally results in some excellent storylines.  The rest of the characters form an amazing supporting cast to Lexi, and there are a few interesting new characters that I really enjoyed.  I must admit though that I didn’t massively care about Finn’s personal issues regarding his ex-wife, and I felt it was a bit of a distracting story element.  I’m also not sure why Barrie introduced a hostile rivalry between Lexi and the new female member of the main police team, especially as it didn’t result in any major revelation or come to a good conclusion.  Apart from that, I had a great time with the characters in Retribution and I look forward to seeing what happens to them in the next book.

Sarah Barrie’s excellent dark Australian crime fiction series gets an outstanding second book in Retribution.  Combining some of the fantastic thriller elements from Unforgiven with a very clever murder mystery, Retribution continues the Barrie’s compelling narrative and results in a captivating and powerful read that will keep you hooked right up until the end.  I had an incredible time with Retribution and I can’t wait to see how this intense series continues in the future.

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