Supernova by Marissa Meyer

Supernova Cover

Publisher: Feiwel and Friends (Trade Paperback – 29 October 2019)

Series: Renegades – Book 3

Length: 552 pages

My Rating: 5 out of 5 stars

Lies, betrayal, anarchy! Acclaimed author Marissa Meyer brings her epic young adult series, the Renegades trilogy to an end with Supernova, an electrifying and outstanding book that I had an absolute blast reading.

Supernova is the third and final book in Meyer’s Renegades trilogy, which started in 2017 with Renegade and continued last year with the incredible Archenemies. Archenemies had to be one of my favourite young adult books of last year, so I was pretty eager to check out the final book in the series. For those of you unfamiliar with the series, the Renegades books follow the adventures of two teenagers, Nova and Adrian, in an alternate version of Earth where a number of people, known as prodigies, have superpowers. After a period of superpowered destruction and terror known as the Age of Anarchy, the world has entered a time of peace, thanks to the superhero collective known as the Renegades.

Nova is a member of the supervillain group known as Anarchists, the remnants of the followers of the world’s greatest supervillain, Ace Anarchy, who has been living in hiding since the end of the Age of Anarchy, close to death. Nova, or as she is known to the world, Nightmare, is Ace’s niece, and hates the Renegades with a passion, due to the role they played in the death of her parents, and because of the way her friends have been persecuted by the supposed heroes. In order to recover Ace’s helmet, the one item that can restore him to full power, Nova has taken on the persona of Insomnia in order to infiltrate the Renegades as a hero. However, her dedication to the Anarchists and her mission has been shaken thanks to the leader of her patrol team, Adrian.

Since joining the team, Nova has slowly fallen in love with Adrian, a romance complicated by the fact that Adrian is the son of the world’s greatest superhero, Captain Chromium, Ace Anarchy’s arch enemy and the man who Nova hates the most in the world. Adrian also has secrets of his own; while he spends his days as the Renegade Sketch, at night he is secretly the outlaw vigilante superhero known as the Sentinel, who acts outside the rules and codes of the Renegades. He is also pursuing a solo investigation into the murder of his mother, and his primary suspect is Nightmare.

Despite her steadily growing feelings for Adrian, Nova is still determined to take down the Renegades, especially after the announcement of their new secret weapon, the chemical Agent N, which can permanently depower a prodigy. Breaking into Renegade headquarters at the end of Archenemies, Nova was able to successfully recover Ace Anarchy’s helmet; however, her absence allowed Adrian and the rest of their patrol team to accidently find and capture Ace. Now with her uncle captured and awaiting execution and all her lies and deceptions coming apart, Nova must find a way to rescue Ace and bring the Renegades down. However, with new players on the board and old fears resurfacing, can Nova and Adrian survive when anarchy returns to Gatlon City, or will their combined secrets finally overwhelm the two young prodigies?

This was a pretty amazing way to end a trilogy, as Supernova is an excellent and highly addictive read that I powered through in around two days, despite its hefty 552-page length. This final book tells an exciting and compelling story in its own right, and Meyer has done an outstanding job of finishing off her series, producing an epic conclusion that ties together a number of the intriguing storylines that have been running since the first book. Those readers interested in Supernova who have not read the previous books in the series should be able to follow the plot without any issues, but in order to experience the full emotional impact of the various story elements that are concluding, it might be best to at least read Archenemies first. That being said, those readers who choose to read Supernova alone will still be in store for an incredible young adult superhero read that does a wonderful job blending together action, tragic backstory, likeable characters and a very complex and rewarding romance storyline.

One of the most enjoyable things about this series was the cool and unique world of superheros that Meyer has created. The whole background of a world that is slowly rebuilding after an extended period of anarchy is pretty darn fascinating, and it was really interesting seeing the ways that superheros are trying to maintain order in this world. Meyer has done an amazing job filling her world with a variety of memorable prodigy characters, and the sheer number of unique power sets that the author has come up with is truly impressive. All these cool and imaginative powers make for some pretty epic battle scenes when the prodigies end up fighting each other, and Meyer has come up with some thrilling large-scale battle sequences throughout her story. Overall, I found that this superhero filled world to be an excellent and creative setting for this great story, and it is one that I hope Meyer returns to in some of her future works.

Perhaps my favourite aspect of this cool superhero world is the significant amount of time spent examining the morality and motivations of the various superpowered characters. Rather than the classic superhero story where all the heroes are pure and good and all the villains are evil, the morality of the characters in the Renegades series is a lot more complex. For example, the Renegades, despite being the heroes, are willing to do anything to preserve the status quo and ensure that the Age of Anarchy never happens again, including some punishments that seem pretty extreme. They are also so strictly bound to the idea that their organisations and their codes of conduct that a vigilante like Adrian’s Sentinel persona is automatically seen as a villain, despite all the good he does, while the faults of certain Renegades who abuse the system for their own aims are overlooked. The Anarchists and other non-Renegade prodigy groups, on the other hand, despite being villains, can in many ways be seen as victims of the current system, especially as they believe that they are mostly fighting for their own personal freedoms.

This is a rather interesting dichotomy that has been fun to unwind throughout the course of the books, especially through the eyes of the series two point of view characters, Nova and Adrian. Nova, who is both an Anarchist and a Renegade, begins the series believing that the Anarchists are in the right, while the Renegades are corrupt and hypocritical. But throughout the course of the books, as she spends time with the Renegades, she begins to see that many of the heroes, especially the members of her patrol team, are good people who are mostly trying to help, and she finds herself drawn between family loyalties and her new friends. However, the heavy-handed actions of the Renegade Council, especially in this book, ensure that Nova’s loyalty to the Anarchists and her uncle remains intact. Adrian, on the other hand, was born into the Renegades and is a major supporter of them. However, when he begins to adventure as the Sentinel, he begins to see how restrictive and rigid the rules of the Renegades are and he begins to question a number of the Council’s decisions, especially when it comes to Nova. All of this leads the reader to have some very serious doubts about which characters are truly in the right, and this entire moral debate is a really fascinating overarching aspect of the book and the series as a whole.

Like the rest of the books in this series, Supernova is being marketed as a young adult novel. While this is a good book for younger readers, this novel is also easily enjoyed by older readers who will really like this clever and inventive take on the superhero genre. Due to the fact that the book contains a large amount of violence, which includes several deaths and even torture scene, Supernova is probably best left to a teenage audience, and might not be completely appropriate for younger readers.

Marissa Meyer’s Supernova offers the reader an amazing and addictive young adult novel that also serves as an exceedingly satisfying conclusion to the author’s fantastic tale of superheroes and villains. In this third and final book in the outstanding Renegades trilogy, Meyer not only does a sensational job wrapping up her series, but she also produces another exceptional story filled with superpowered action, forbidden love, an inventive alternate Earth and some intriguing discussions about morality. A first-rate read, if you have not experienced Meyer’s Renegades series before you are in for a real treat. I really hope that the author returns to this universe at some point in the future, and I will be keeping a close eye out for Meyer’s next release.

Uncanny X-Men – Vol. 2: Wolverine and Cyclops

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Publisher: Marvel Comics (Trade Paperback – 2 July 2019)

Series: Uncanny X-Men (2018) – Volume 2

Writer: Matthew Rosenberg

Artists: Salvador Larroca

               John McCrea

               Juanan Ramirez

Colour Artist: Rachelle Rosenberg

Length: 136 pages

My Rating: 4.5 out of 5 stars

Prepare to enter a whole new era of X-Men comics as writer Matthew Rosenberg and artist Salvador Larroca bring forth a second volume in the new series of Uncanny X-Men and focus on the aftermath of the latest disaster to befall mutantkind.

No More X-Men!

For years, the X-Men have tried to fulfil Charles Xavier’s dream of unity between mutants and humans by being the shining examples of their species as superheroes, protecting even those people who hate and fear them. However, in one devastating moment, that dream has been smashed. The godlike mutant X-Man, in an attempt to remove all opposition to his messianic desires, combined his powers with that of the reality-bending mutant Legion in order to end all the X-Men who stood against him. In a single instant, nearly every mutant who had served as a member of the X-Men was gone, and the world reacted accordingly.

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In the aftermath of this loss, Mutantkind is on the brink of extinction. Already suffering from years of losses caused by the Genosha genocide, the M-Day Decimation, the Terrigen Mists and Disney’s wrath for being owned by Fox, the remaining Mutants are now left without their protectors. With public opinion firmly against them, government agencies hunting down and imprisoning any surviving mutants and the new mutant vaccine being made mandatory for the entire population, this looks like the end for the species. However, one mutant is desperate to change this: the original leader of the X-Men, Cyclops.

Having been recently returned from the dead, Cyclops attempts to find his way in the new world, where all his X-Men comrades have disappeared. After an encounter with the mysterious mutant Blindfold, whose cryptic visions now contain nothing but despair, Cyclops will try to do what he always does, attempt to save his species. However, with no allies willing to help and even the Avengers turning against them, Cyclops is finding it hard not to give in to despair. In a desperate move, he makes a televised plea for any remaining X-Men to join him at the remains of the X-Mansion. While at first it appears that only the X-Men’s enemies have turned up in order to kill him, one X-Man answers the call, the last person Cyclops expected to come to his aid, his long-time rival Wolverine.

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Having also just come back from the dead, Wolverine is reluctantly drawn back into Cyclops’s orbit. In their recent past these two legendary X-Men have fought, gone to war and nearly killed each other over their ideals, the future of mutantkind and the heart of Jean Grey, but now they can agree on one thing: the X-Men need to come back. Pulling together a rag tag team, including Magik, Wolfsbane, Havok, Dani Moonstar, Karma, Chamber and Jamie Madrox, Cyclops and plan to go after the biggest mutant threats they can find on order to stop additional escalations against mutants and to leave the world in a better place if this is truly the end of mutantkind. But what happens when they are forced to go up against old friends such as Banshee or Hope Summers, as they attempt to obtain their own form of justice leading a new version of the Mutant Liberation Front?

The second volume of this new series of Uncanny X-Men, Wolverine and Cyclops, is a fantastic and enjoyable comic that does a wonderful job introducing a cool new version of the X-Men following the major changes that occurred in the first volume of the series, X-Men Disassembled. Featuring issues #11-16 of the 2018 series of Uncanny X-Men, this volume does an excellent job of showcasing the new, darker version of the Marvel Universe following the disappearance of the X-Men.

Cyclops and Wolverine is written by Matthew Rosenberg, who has been working on a number of cool series for Marvel lately, including the extremely entertaining new Punisher series. In a nice sense of continuity, Rosenberg returns to write this second volume of Uncanny X-Men after completely changing everything with X-Men Disassembled. After setting up the cool story in that book, Rosenberg now puts his thoughts to exploring the aftermath of this tale, not only in this volume but in a number of future entries. For this second volume, Rosenberg is joined by artist Salvador Larroca, who provides the art for most of this book, while veteran artist Rachelle Rosenberg serves as the colourist for all the issues in this volume.

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After the previous entry in the series, the creative team was left with the interesting problem of how to run an X-Men series after you sent away all the X-Men (probably to the universe featured in the various Age of X-Man miniseries). What they came up with was a fantastic story that featured a new end of days for mutantkind and a new version of the iconic team. Since the events of the last volume, the whole world has dramatically changed for mutants. While they were never popular, now they are being actively hunted down, captured, experimented on or exterminated by government-sanctioned groups and there is no one able to stop them until this new team of X-Men come along. I really liked one of the ideas broached in the story that the X-Men, despite their attempts to be peacemakers, really only stopped this sort of government attack because they intimated the government, and now that the X-Men gone, there is nothing stopping them from ensuring there are no more mutants. As a result, this is a really interesting setting for a new X-Men series, and Rosenberg has come up with a really cool story. This is a much grimmer version of the classic X-Men story, as the team no longer has a high-tech base, matching uniforms or an advanced jet. Instead, they are a small team of rebels, hiding out in a bar and getting involved in fights for survival. This first volume contains a number of big plot moments, including the additional deaths of several mutant characters (which probably won’t last that long), noteworthy character developments (one character’s code-name gains a whole new level of significance) and the formation of an intriguing new team of X-Men.

I really enjoyed the way that the creative team set out this story in the first volume and I particularly enjoyed the first issue of the volume (Issue # 11). This issue does a wonderful job introducing the new Marvel Universe, and showing Cyclop’s difficulties coming back to such an altered world, bereft of hope for mutants. As the first issue continues, Cyclops meets several former friends and allies, such as Blindfold, Chamber, Ben Urich, Jamie Madox and Captain America, each of whom try to convince Cyclops that the X-Men are dead and that his mission is over. All of these encounters, including a second tragic meeting with Blindfold, drive Cyclops to his former home at the X-Mansion, where it appears he is truly the last X-Man, and only his enemies, such as the Reavers, the Purifiers and the Sapien League remain. However, at the last second, it is revealed that Wolverine was also on the scene and joins the fight, teaming up with Cyclops to defeat the mass of foes in the front of them in a particularly satisfying fight sequence to end the first issue. The volume then goes on to show two mini-stories, which show the reader that Wolverine had been following Cyclops for a while and had actually been helping him without the reader or Cyclops knowing it. Another story also shows why Blindfold had gotten involved and adds a whole new layer of tragedy to the story. The rest of the volume unfolds in a pretty logical way; without going into too much detail, Cyclops and Wolverine manage to form a team of X-Men, and in the following volumes they face a variety of different threats and find new allies, all of which will set up some interesting storylines for the next few volumes of the series. I liked where the story went towards the volume, and there were some really interesting developments that did a fantastic job following the strong opening issues.

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While this volume features a number of great characters, as the name suggests, the story is mostly focused around Cyclops and Wolverine, who team up again for the first time in years. These two are probably two of the most iconic X-Men ever created, and the longstanding rivalry and dislike between them has long been a recurring X-Men story arc. However, in recent years, this dislike has turned into direct antagonism, especially after the events of the 2011 miniseries, Schism, where a fight of their respective ideological differences saw them split off and lead two separate groups of X-Men. This antagonism continued through several major X-Men arcs, including Avengers vs X-Men, but it was ultimately left unresolved due to Wolverine’s death in 2014. As a result, this volume is the first time Wolverine and Cyclops have both been alive in nearly five years, and it was interesting to see the two of them finally come together again. I really enjoyed their reconciliation in this volume, especially as all it took for these two to get on the same page was two simultaneous resurrections, the complete destruction of the X-Men, one cathartic fight against a group of bigots, and a one-word greeting on the battle field.

The rest of the volume continued to build on their relationship as they work together to reform the X-Men. It is a fun return to the pre-Schism dynamic, as Wolverine once again follows Cyclops’s lead, and the two have a fun, banter-laden relationship built on mutual respect. However, Rosenberg does not ignore some of their prior conflict; rather he incorporates it into their relationship. Cyclops is fully aware that much of the X-Men’s current issues are due to his past actions, such as pushing for a more militant approach while he was the mutant leader, going to war with both the Avengers and Inhumans, and killing Professor X. As a result, he starts to rely on Logan’s opinion a lot more than some of the other X-Men, such as his brother Havok, as he knows that Wolverine won’t just agree with him if he is in the wrong again. This new era of cooperation between Cyclops and Wolverine forms a fantastic heart of this volume of Uncanny X-Men, and it was great to see these two characters back in action again after their lengthy absences.

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I rather enjoyed the artwork that was featured in Wolverine and Cyclops, and the artistic team of Larroca and the colourist Rosenberg do a good job producing an interesting art style for this volume. I personally liked the darker artistic tone quite a lot of the scenes had, which I felt reflected the tone of the series and which was also a result of the X-Men trying to remain hidden by doing their missions at night. I also liked the interesting character designs that featured in the book, as the team is forced to wear a mismatched bunch of scavenged uniforms from across the various X-Men eras, which really helped highlight the low resources and support they have. There are a number of detailed and exciting action sequences throughout the book that the artists do an amazing job bringing to life. I was particularly fond of the first major sequence, in which Cyclops and Wolverine took on the anti-mutant soldiers near the X-Mansion. It was a particularly brutal couple of pages, and I loved seeing the two main characters in action again. I also really liked the scene where Wolverine first reveals himself. The look of horror and resignation of several characters’ faces when they hear “snikt” was just beautiful. Extra art done by John McCrea and Juanan Ramirez for the two background stories, Wolverine Returns and The Last Blindfold Story, added an interesting new element to the volume, and it was cool to see their different art style in the middle of the book. Overall, this was some great artwork, and I cannot wait to see what this team produces in the future.

Wolverine and Cyclops is a bold new direction for Uncanny X-Men that I really enjoyed. With a darker universe, some interesting story directions and the return of two of the team’s most iconic characters, the X-Men have entered a brave new era, and I was glad to be there for the ride. This new creative team for Uncanny X-Men did a fantastic job reintroducing these two amazing characters, and they have proven that they have some intriguing ideas. The next volume of this series is out in October and is already one of my top comics to buy later in the year.

Quick Review – Texas Hold ‘Em edited by George R. R. Martin

Texas Hold 'Em Cover

Publisher: Harper Voyager (Trade Paperback – 6 November 2019)

Series: Wild Cards series – Book 27

              American Triad trilogy – Book 3

My Rating: 4 out of 5 stars

Texas Hold ’Em is the 27th book in the long-running Wild Cards series, which started in 1987. I read this book late last year but did not get a chance to review it until just now, so I’m just going to do a quick one.

The Wild Cards books make up one of the more interesting book series at the moment. Started by George R. R. Martin and his tabletop game friends (all of whom where fantasy and science fiction writers), this series has since expanded into a massive book franchise that has featured an impressive line-up of authors. There are a huge number of books, and the series is even currently being adapted into a couple of television series on Hulu.

Each of the Wild Cards books is made up of several short, interconnected stories written by a different author, with the entire novel edited together by Martin. Texas Hold ’Em, for example, features the talents of David Anthony Durham, Max Gladstone, Diana Rowland, Caroline Spector, Walton Simons, William F. Wu and the late Victor Milán. Melinda M. Snodgrass, who has contributed to a huge number of the previous Wild Cards books, also assisted in editing this book.

I came into this franchise fairly late and have only read the books which make up the most recent trilogy, The American Triad. I quite enjoyed the first two books in the trilogy, Mississippi Roll and Low Chicago, and was looking forward to the third and final book, Texas Hold ’Em.

Blurb:

In the aftermath of World War II, the Earth’s population was devastated by a terrifying alien virus. Those who survived changed forever. Some, known as jokers, were cursed with bizarre mental and physical mutations; others, granted superhuman abilities, became the lucky few known as aces.

San Antonio, home of the Alamo, is also host to the USA’s top high school jazz competition, and the musicians at Xavier Desmond High are excited to outplay their rivals. But they are also jokers; kids with super abilities and looks that make them stand out. On top of that, well, they are teenagers – prone to mischief, mishaps, and romantic misunderstandings.

Ace Michelle Pond, aka The Amazing Bubbles, thinks that her superhero know-how has prepared her to chaperone the event. But little does she know the true meaning of the saying, ‘Don’t mess with Texas’.

I found Texas Hold ‘Em to be a fun addition to this fantastic series. However, unlike the other two Wild Cards books that I have read, this one seemed to be a bit more like a young adult fiction novel. This is mainly because many of the short stories focus on teenage characters as they encounter the many ups and downs of San Antonio and the jazz competition. The rest of the stories are a pretty interesting mix of mystery, thriller and other action adventure type stories, as the various adult characters encounter a range of situations, mostly associated with protecting or wrangling their young charges. There were some good stories within this book, and fans of the franchise will appreciate the return of several recurring characters who have appeared in some of the previous books.

The stories in this book are told in a different way to the previous Wild Cards books. Rather than having several short stories told to their full extent and then connected by one split short story that overlaps with each of them, Texas Hold ’Em is instead broken up by a period of several days. Each of the days contains multiple parts of the various short stories, featuring the events of that story that happens on that day. This is a much more fragmented way to tell each story, but the chronological consistency is an interesting narrative choice. The combined short stories do make for quite a good overall narrative, although it does seem a little lower stakes than some of the previous books in the series.

One of the most interesting parts of this book is the examination of prejudice and hatred that infects each of the stories. In this universe, many of the humans who were unaffected by the Wild Card virus discriminate against Jokers and Aces; Jokers because of their disfigurations and Aces because they are afraid of them. This appears to be particularly enhanced down in San Antonio, mainly due to the appearance of the Purity Baptist Church, this universe’s version of everyone’s favourite hate group, the Westboro Baptist Church. The various protests and prejudices of the fiction group against those affected by the Wild Card virus do reflect the Westboro Baptist Church, so it was definitely an accurate depiction, and it was cool to see how they would react when confronted with someone with superpowers. That being said, the writers really needed to come up with a better term than “God’s Weenies” to refer to this group, or least stop repeating it to the degree that they did. Many of the characters in the book also encounter other forms of discrimination aside from the protests occurring outside the event, most of which mirrored discrimination real-life minority groups experience every day. This was a pretty good look at discrimination, and I liked how the various authors attempted to examine this problem by putting it in the context of the Wild Cards universe, especially as it led to some curious scenarios and interesting story moments.

Overall, this was a great new addition to the Wild Cards series. If I’m going to be honest, this was probably my least favourite book in the American Triad trilogy, but I still had fun reading it. I am interested to see what the next book in the Wild Cards universe will be like, and I will be curious to see if the show I mentioned above actually comes into being.

Waiting of Wednesday – Loki: Where Mischief Lies by Mackenzi Lee

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.

I am a man that loves a good and complex anti-hero story, so for this week’s Waiting on Wednesday I check out an absolutely spectacular-sounding book that is set to be released in September 2019: Loki: Where Mischief Lies.

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Loki: Where Mischief Lies is the first of three young adult novels that acclaimed author Mackenzi Lee has been contracted to write by Marvel Comics. Each of these books will focus on a different Marvel anti-hero and will feature a historical setting. The first of these anti-heroes is the master of mischief himself, Loki, Prince of Asgard, who, thanks to the Marvel Cinematic Universe, has to be one of the most popular comic book villains at the moment.

Even before Tom Hiddleston brought him to life with some significant swagger in the MCU, the character of Loki has been a major figure in the Marvel Comics universe. A re-imagining of the Norse god of mischief, Loki is portrayed as a powerful magician who battles against his brother, the superhero Thor, out of jealousy or for control of Asgard or the world. He has been a recurring Marvel villain for over 60 years and is the villain responsible for the formation of the Avengers. Over the years, a large amount of complexity has been added to his character, with some significant developments to his motivations and history, and a number of notable shifts in his allegiance and relationship with Thor and the rest of Asgard. As a result, I am quite eager to see any sort of novel written about Loki, especially one that sounds as awesome as this one.

Goodreads Synopsis:
Before the days of going toe-to-toe with the Avengers, a younger Loki is desperate to prove himself heroic and capable, while it seems everyone around him suspects him of inevitable villainy and depravity . . . except for Amora. Asgard’s resident sorceress-in-training feels like a kindred spirit-someone who values magic and knowledge, who might even see the best in him.

But when Loki and Amora cause the destruction of one of Asgard’s most prized possessions, Amora is banished to Earth, where her powers will slowly and excruciatingly fade to nothing. Without the only person who ever looked at his magic as a gift instead of a threat, Loki slips further into anguish and the shadow of his universally adored brother, Thor.

When Asgardian magic is detected in relation to a string of mysterious murders on Earth, Odin sends Loki to investigate. As he descends upon nineteenth-century London, Loki embarks on a journey that leads him to more than just a murder suspect, putting him on a path to discover the source of his power-and who he’s meant to be.

There are so many amazing elements to unwrap in the plot synopsis, but the bottom line is I think I am going to like this. Not only do we have a comic book novelisation focusing on an amazing character, but we have Loki investigating murders in 19th century London. Historical fiction is one of my favourite genres, and a murder mystery in 19th century London is always a great basis for a good story. Combine that with comic book shenanigans and a young Loki investigating the crimes, and you have a book with insane amounts of potential.

I am also quite excited by the choice of author for this trilogy. Mackenzi Lee is a fantastic author known for her unique and powerful novels, most of which are set in 19th century England. I am very much looking forward to seeing her take on the character of Loki, and I cannot wait to see what sort of backstory and conflicted thought processes she attributes to this amazing character.

One of the things about Where Mischief Lies that is getting a lot of attention is the author’s apparent intention to make Loki a genderfluid and pansexual character. This is based on a tweet from December 2017, in which Lee responds to someone’s question about Loki being queer in her upcoming book. Lee correctly points out that Loki “is a canonically pansexual and gender fluid character” and then ends it with “So.”. Based on that, quite a lot of people are assuming she will explore this aspect of the character in her book. Loki’s gender identity and sexuality have been featured in many comics, with the character reincarnating as a female several times, and there are also some examples of Loki romancing members of various genders. I am quite interested in seeing how much of this is explored in Where Mischief Lies, and I am sure it will result in quite an intriguing part of the story.

I am uncertain whether I will grab a physical copy of this book or try to get it on audiobook. While I love the awesome cover for Where Mischief Lies and imagine it would look great on a hardcover book, I do love a good audiobook and I have had excellent experiences with comic book based audiobooks in the past. They have also gotten Marc Thompson, one of the best Star Wars audiobook narrators, to narrate this book. I have recently finished listening to one of his Star Wars audiobooks and would be really intrigued to see what voice he would attribute to Loki and the other iconic Marvel characters.

This has the potential to be an outstanding novel, and I am really looking forward to seeing how Lee tackles the character of Loki. The plot of this book sounds like a huge amount of fun, and I am sure there will be some amazing story and character developments throughout the book. I think this is going to be one of the best tie-in novels of the year and I plan to get it as soon as it comes out.

Superman: Dawnbreaker by Matt de la Peña

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Publisher: Penguin Books (Trade Paperback – 5 March 2019)

Series: DC Icons – Book 4

Length: 290 pages

My Rating: 4 out of 5 stars

Bestselling young adult fiction author Matt de la Peña attempts to put his own spin on the classic origins of one of DC Comics’ most iconic superheroes, Superman, in the fourth and final instalment of the DC Icons book series.

The DC Icons series is made up of four young adult books that present new and modernised origin stories for four of DC Comics’ most iconic and recognisable characters.  Written by some of the world’s best young adult fiction authors, this series has so far looked at Wonder Woman, Batman and Catwoman, and this final book, Dawnbreaker, takes a look at Superman.  Each of the stories in the DC Icons series stands alone and does not connect to either the main DC comic universe or the other DC Icons books.  I have so far only had the opportunity to read one of the previous books in the DC Icons series, Soulstealer by Sarah J. Maas, which presented an imaginative and captivating new version of Catwoman’s origin story.  I really liked Soulstealer when I read it late last year, and I have been looking forward to Superman: Dawnbreaker for a while.

In Dawnbreaker, the reader is taken to the sleepy Kanas town of Smallville, home to awkward high school student Clark Kent.  Clark has always been different to the other young people around him, as he is gifted with abilities that make him stronger, faster and resistant to injury.  Afraid of these powers and the potential reactions of the people around him if they found out, Clark tries to live a more ordinary life, hiding his abilities and only confiding in his parents.  However, Clark is finding it harder and harder to disguise what he can really do, especially when he has the power to help those around him.

However, Clark is not the only person with secrets in Smallville.  When Clark finds fellow student Gloria Alvarez crying one day after school, he begins to see that there is something dark at the heart of the town he loves.  People are disappearing; men are skulking around the Kent farm attempting to enter a barn that his father always keeps locked, a large corporation is buying up land around town, and several wealthy young people, including the mysterious Lex Luthor, are suddenly taking an interest in both Smallville and Clark.

Teaming up with his best friend, Lana Lang, Clark attempts to uncover what is really happening in his town.  But the further down the rabbit hole they go, the more Clark begins to realise that only his abilities will be able to stop the terrible events occurring around them.  Can Clark become the hero that his town and the world needs?

De la Peña is an award winning young adult author who has written a number of intriguing and thought-provoking books which often look at young people from disadvantaged or ethnic backgrounds.  De la Peña debuted in 2005 with Ball Don’t Lie, which was later developed into a motion picture of the same name.  Some of his other notable works include We Were Here, I Will Save You and the highly acclaimed children’s book, Last Stop on Market Street.  His most famous book is probably his second novel, Mexican WhiteBoy, which was actually banned in Tucson for five years due to its “critical race theory”.  Dawnbreaker is de la Peña’s first foray into comic book fiction.  While he has previously written some science fiction books, such as The Living and his instalment of the Infinity Ring series, Curse of the Ancients, I was interested to see how he went writing in this new genre.

I personally think that de la Peña did a great job with this book, as he was able to craft together a compelling and exciting novel that contains an excellent combination of mystery, superhero origin story and teen drama.  The mystery and young adult storylines are particularly good, and I quite enjoyed seeing where those parts of the story went.  However, I did have some minor issues with the Superman origin story part of the book, namely because I had seen this origin story so many times before.  I honestly found parts of Dawnbreaker to be very similar to some of the previous versions of Superman that I have seen in both comics or screen adaptions like the Smallville television show (which I may mention again a few times, as I was a massive fan of the show).  Of course, readers who have not already been exposed to so many iterations of Superman’s origin story will not have the same problem.

I fully recognise that this was always going to be a problem for any author attempting to write this sort of book.  For the last 81 years, Superman has been one of the most, if not the most, iconic and recognisable comic book superheros in the world.  As a result of the commercial appeal of the character, there have been so many different versions of Superman over the years, nearly all of which at some point have shown him as a younger Clark Kent living in Smallville.  Because of all of these comics, novels, movies, television shows, games and animated features, the character’s origin story has really been done to death.

Still, de la Peña does do a great job portraying the character of Clark Kent and presenting a more modern version of the hero.  In particular, he did an outstanding job of capturing the character’s identity issues.  An important part of Clark Kent/Superman’s character has always been his fear of hurting anyone with his power or exposing his family to danger.  De la Peña’s take on this character aspect is fantastic, as his version of Clark is extremely vary of using his powers anymore after he previously lost control and hurt someone.  As a result, he finds himself somewhat socially isolated in this book, as he attempts to distance himself from others to make sure they do not realise that he is different and subsequently reject or fear him.  However, events keep conspiring against him, as he keeps finding himself drawn into situations where his powers could help or save people and he has to decide what to do.  I felt that de la Peña covered this part extremely well, and the emotional and ethical internal debates that occur within the protagonist during these events were spot on and some of the best writing in the entire book.  The eventual creation of the Superman identity later in the book is a great result of some of these events, and it is shown to be a natural progression for the character.

Another issue I had with this book was how compacted the origin story felt.  While some origin stories would build up to Clark becoming Superman and an alien saviour over an extended period (although perhaps Smallville’s 10 seasons were a bit over the top), Dawnbreaker covers all of this rather quickly.  At the start of the book, Clark is a teenager with powers (mostly strength and invulnerability at that point), but he has no idea where they come from or what their full extent is.  Within a few days, he finds out that his an alien, he learns all his additional abilities (x-ray vision, heat vision, artic breath and the ability to fly) and he takes on the Superman identity for the first time.  While I certainly understand de la Peña’s desire to portray all these iconic Superman elements in this book, it did make Dawnbreaker’s story feel a bit rushed.

There is some great utilisation of characters within this book.  As I mentioned above, the examinations of Clark’s inner self are done perfectly and really cover important aspects of the character.  I also felt that de la Peña made good use of several classic Superman comic characters, specifically Lana Lang and Ma and Pa Kent, and there were a few clever references to other major characters associated with Superman.  I was a tad disappointed in the portrayal of perennial Superman villain, Lex Luthor.  While he is a key character with his own agenda, there are no real signs of the super scientist and utterly ruthless businessman he is in the comics, nor was there the close friendship that devolved into antagonism that features in some comics, as well as the excellent version that appeared in Smallville.  Still the new, original characters that appear in this book are really well done and offer some unique new inspirations for Superman that I quite enjoyed.

I also quite liked the way that de la Peña attempted to introduce relevant and divisive political and social issues into Dawnbreaker, such as racism and immigration.  This can be mainly seen in treatment of Mexican immigrants (both legal and illegal) in Smallville.  Not only have several of these immigrants gone missing without the police caring, but also people in the town are harassing some of the remaining immigrants, and there are attempts to pass a targeted stop-and-search law.  I thought this was an intriguing and thought provoking inclusion for this book, and it was interesting to see such issues discussed in a comic book tie-in novel.  A Superman book is a great place for this sort of storyline to be explored, as the character is probably the most famous illegal alien in fiction, and Clark’s empathy for these immigrants once he finds out the truth of his past is an interesting inclusion.

Like the other books in the DC Icons series, Dawnbreaker is targeted at a young adult audience.  This is quite a good book for younger audiences, as not only does it present an exciting and fun adventure at an American high school, but it would also serve as an excellent introduction of this iconic character’s origins for this younger cohort.  Younger readers will no doubt appreciate the author’s more modern take on this beloved superhero and be intrigued by how his story starts.  There is also quite a lot for older readers in this book, especially fans of comic books and Superman, and an adult audience can easily enjoy Dawnbreaker.

Superman: Dawnbreaker by Matt de la Peña is a compelling and exciting story that attempts to present an updated origin of one of comic’s most iconic superheros.  Featuring some new takes on the character of Clark Kent, as well as bringing some more contemporary issues to bear in the story, this is an fantastic and enjoyable book and one a wide range of readers can appreciate.  Dawnbreaker is an excellent conclusion to the DC Icons series, and I still fully intend to check out the first two instalments in this series in the near future.

Throwback Thursday – Teen Titans Volume 1: A Kid’s Game

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Publisher: DC Comics (Paperback Edition – 1 April 2004)

Series: Teen Titans (2003)

My Rating: 5 out of 5 stars

Writer: Geoff Johns

 Artists:  Mike McKone

                Tom Grummett

                Marlo Alquiza

                Nelson

                Jeromy Cox

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Ever since I mentioned Geoff Johns’ 2003 Teen Titans series in one of my Top Ten lists last week, I have wanted to revisit the series.  I have always loved this run of Teen Titans the most.  Something about the combination of storylines, characters and this version of the artwork always spoke to me.  It was also one of the first comic series that I read and subsequently went out of my way to get every collected edition.  Even years later I still love dusting this series off, so I figured this would be a good time to go back and have a try at reviewing parts of this series.  That is why for this Throwback Thursday I will be looking at the first collected volume of the series, Teen Titans: A Kid’s Game.

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The Teen Titans are a team of teenaged heroes in the DC universe, usually the sidekicks of the universe’s adult heroes, but also featuring several characters without mentors.  The first formation of the Teen Titans occurred in 1964 and featured the original Kid Flash (Wally West), Robin (Dick Grayson) and Aqualad (Garth).  After a short while the original Wonder Girl (Donna Troy) joined their ranks and the team started calling itself the Teen Titans before it was given its own series.  Teen Titans was DC’s attempt to appeal to the younger generation of comic book fans, and it proved to be an extremely successful series, featuring a number of DC’s younger characters, including Green Arrow’s sidekick, the original Speedy (Roy Harper), who is considered a founding member of the team.  Teen Titans went through a number of different relaunches, with probably their most famous one occurring in 1980 with the launch of the New Teen Titans series, which brought back most of the original Titans, revamped Changeling to Beast Boy and introduced a number of iconic characters, including Cyborg, Starfire and Raven.  It also introduced several of the team’s most famous villains, including Deathstroke and Trigon.  The Teen Titans are one of DC’s most iconic superhero teams and have been featured in a number of media platforms, including the amazing Teen Titans animated show, Teen Titans Go (the less said the better), the dark and surprisingly good live action Titans and a number of key story and character elements have been included in the awesome Young Justice animated show.

Teen Titans went through a number of relaunches throughout the 1980s and 1990s, but the one most relevant to the 2003 Teen Titans comic series is the 1999 Titans comic series, which followed the adventures of adult versions of the original Teen Titans, most of whom had new superhero personas.  At the same time, DC launched the Young Justice comic book series (which I have talked about before) incorporating the younger generation of sidekicks (for example a new and younger Robin and Wonder Girl).  Both these series ended after the 2003 crossover limited series, Titans/Young Justice: Graduation DayGraduation Day featured a number of important events, including the sudden death of longstanding Titans member Omen; however, the most significant event was the death of the original Wonder Girl, Donna Troy.  The resultant despair and guilt following the death of this significant character led to both the Titans and Young Justice dissolving in what was to be conclusion of both these series.

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However, shortly after this, Geoff Johns started this specific run on Teen Titans, which combined elements of the cancelled Young Justice and Titans series, with the main four characters from Young Justice teaming up with some of the classic Teen Titans.  Another new series of Outsiders started around the same time and was heavily linked to this run of Teen Titans and featured Dick Grayson and Roy Harper.  This specific run of Teen Titans lasted until 2011, when DC initiated their New 52 relaunch (which I may or may not have some issues with).  Geoff Johns was the principle writer of this series until the 2005-06 Infinite Crisis limited series, which was a significant story point for all of DC’s titles at that point.  Due to the fact that Johns was the principle writer of the Infinite Crisis series, several of the younger Teen Titans (Superboy and Wonder Girl in particular) played a key part in this big crossover event, and several storylines from the 2003 Teen Titans turned out to be heavily linked to the crossover event.

Following the tragic events of Graduation Day, the young heroes that made up the superhero team Young Justice are lost.  Tim Drake (Robin), Conner Kent (Superboy) Bart Allen (Impulse) and Cassandra Sandermark (Wonder Girl) dissolved the team in their grief over losing the original Wonder Girl, Donna Troy, and have been avoiding each other since her funeral.  They may be the sidekicks of the greatest heroes in the world, but they are all missing their friends.  Despite their reluctance to team up again, each of them accepts an invitation from Victor Stone (Cyborg) to form a new version of the Teen Titans.  With a new base in San Francisco and other veteran Titans members Starfire and Beast Boy to help as mentors, Cyborg wants to bring these young heroes together again and forge an effective team.

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However, before Cyborg can attempt to work with the four new Titans and convince them to stay on the team, a massive explosion rips through Alcatraz, endangering tourist lives.  As the Teen Titans mount a rescue, one of them is ambushed by the team’s oldest and most dangerous adversary, the world’s best assassin, Deathstroke the Terminator.  Deathstroke has long had a complicated relationship with the Teen Titans, but this time it looks like he wants to put the team down for good.  Claiming that kids should not wear costumes, he attempts to take out each member of the team, but what is the real reason behind his attack?  Can this new version of the Teen Titans survive the ruthless assassin?  What role will recently reborn Titan Raven play? Moreover, what will happen when the Justice League arrives to shut them down?

As I mentioned above, I am a huge fan in general of this entire run of Teen Titans, but this has to be one of the best instalments in the entire series.  Geoff Johns and his creative team came out of the gate swinging with this one and started the series off with a bang.  Not only does A Kid’s Game feature a fantastic storyline and contain some excellent character work, but it also serves as an outstanding first instalment of what turned out to be one of DC’s most consistent and captivating comic book series between 2003 and 2011.  The A Kids Games collected edition is made up of Teen Titans (2003) #1 – 7 and also features parts from Teen Titans/Outsiders Secret Files 2003, which can be useful for those readers unfamiliar with the characters, or at least that incarnation of them.

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The storyline contained within A Kid’s Game has a lot of fantastic elements to enjoy within it.  The initial formation of the team is handled very well, as each of them is shown to be lonely or unsatisfied with their lives without their friends, and despite their misgivings decide to join up.  The follow-up battle between the team and Deathstroke is really good, and the team learning how to fight together while uncovering their antagonist’s motivations is very exciting.  Deathstroke has a hell of an entrance in this volume when he kneecaps Impulse at the end of the second issue in what is a pretty shocking and memorable moment.  I personally loved the storyline that occurred right after this in Teen Titans 2003 #6, when the Justice League, including the mentors of each of the younger Teen Titans’ members, show up and try to meddle with how the team is run.  This results in some chaotic action and a huge amount of amazing comic book drama, as the sidekicks fight and vent their well-justified frustrations to their mentors while also coming to terms with the guilt they feel over Donna Troy’s death.  I really cannot speak highly enough about this part of the volume, and I think this was what made me initially fall in love with the series.  The final storyline shows each of the characters during the school week, when it really helps to highlight the issues that being a part of the Teen Titans is helping them face.

One of the things that I really like about this volume is that each issue contains a shocking reveal at the end.  I know that some comics overuse this, but I felt that Johns and his team were pretty justified in doing this, as they were trying to up the stakes during these first comics in their new series.  A lot of significant and surprising things are revealed during each of these issues, many of which would have ground-shaking impacts not just for the Teen Titan, but for the DC universe as a whole (Spoilers ahead).  This happens right in the first issue, with the reveal that half of Superboy’s DNA comes from Lex Luthor.  Other big events occurring at the end of each issue are the kneecapping of Impulse, the revelation that Jericho was still alive inside Deathstroke, Bart’s first appearance as Kid Flash, Wonder Woman showing up to start the brawl between the League and the team and the reveal that Lex Luthor is the person leaking information about Superboy’s genetics to Robin.  Even the quiet, final issue of this volume has a big reveal at the end, with the revelation that Rose Wilson is now working with her father Deathstroke.

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The creative team behind this original run obviously had a great appreciation for some of the preceding Teen Titans series, as they utilise a number of key characters from these earlier series.  I personally thought that the issues contained with A Kid’s Game did a fantastic job of blending these old school Teen Titans storylines and character together with the former Young Justice characters, creating an excellent new dichotomy for the team.  This blend of the old and new helped create an excellent new series and was one of the best features of John’s run, and I also enjoyed the respect he showed towards the old Young Justice series.  I was also really impressed in hindsight with how well Johns and his team set up or hinted at a number of future storylines or character developments in these initial issues.  Many of these storylines (such as Superboy being a mixture of Superman and Lex Luthor’s DNA, Wonder Girl being related to Ares, Rose Wilson joining with Deathstroke, the resurrection of Raven and Jericho and the new Brother Blood) would have impacts for years to come and some are even utilised in comic series, television shows and animated movies to this day.  The creators of A Kid’s Game did an incredible job including them this early in the series, and they were really good introductions.

One of the best things about the entire 2003 run of Teen Titans is the focus on the characters and their development throughout the series.  While other volumes of this series feature some great character moments, nowhere is this more prevalent than within the issues that make up A Kid’s Game.  Most of the focus within this book is on the four characters, Robin, Superboy, Impulse and Wonder Girl, who are moving over from Young Justice to the Teen Titans.  The creators take a significant look at each of them and really work to develop each of them as substantial characters and develop them deeper than what they were within Young Justice.  With this impressive focus on developing and utilising these characters to their full potential, it is no wonder that they were utilised as such major characters during the Infinite Crisis storyline and beyond.  I also like how the older members of the team had to step up and assume a leadership role that readers had not seen before.  As a result, Cyborg and Starfire attempted to fill these leadership roles, while the slightly younger and less mature Beast Boy acts as the bridge between the two generations.  I thought that these new roles were really clever and added some new dynamics to the team.  I was also really impressed with how the creators focused on the trauma that all of the team members were feeling in the wake of Donna Troy’s death.  Each of them was racked with guilt after they were unable to help stop her death, and the anger and grief that each of them was feeling was extremely evident throughout the volume.

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Another incredible part of this initial volume was the strong look at the relationship between the sidekicks and their mentors.  Despite the high regard each of their mentors holds in the superhero world, each of these sidekicks has issues that stem from how they perceive or are treated by their mentor.  The creative team really go out of their way to highlight these issues, and many are quite clever.  For example, Superboy, who is living as Conner Kent, appears to be frustrated at living a quiet life in Smallville, but as the story progresses it becomes clear that he is having trouble living up to the legacy of not only Superman but Clark Kent as well.  Robin is stuck wondering what his future holds and it soon becomes clear that he is reluctant to become like Batman, despite the fact that his is more like him than any of the Robins that came before him.  Wonder Girl is extremely angry and rebellious throughout this volume and is beginning to doubt her mentor Wonder Woman.  This is revealed to be a side effect of her trauma at the death of Donna Troy, and it soon becomes clear that she is one most impacted by the former Wonder Girl’s death.  Finally, Bart is sick of being considered not good enough to be part of the Flash legacy, as his own mentor does not think he is responsible enough to bear the Flash name (which is ironic, considering he is the only one of these young heroes whoever takes up their mentor’s mantle).  As a result, he acts like he does not care, while deep down he craves approval and Flash’s respect.  Bart easily shows the most growth within this volume, as he takes the Kid Flash mantle for himself, dedicates himself to learning all he needs to be a hero and vows to leave the Flash in his shadow.  All of these character issues come to a head perfectly when the Justice League arrives unannounced at Titan’s Tower and they try to meddle with their sidekicks lives and there are some amazing and cathartic moments between the younger heroes and their mentors.  His is comic book character work at its very best.

I have to note the great job the artistic team does throughout these first seven issues.  There are some great new character designs, such as Superboy’s iconic new look of jeans and a superman t-shirt, something that is still utilised within the Young Justice television show.  I also liked the way that Bart looked in the Kid Flash outfit.  The artwork on the action sequences is also pretty awesome, and there are a huge number of eyepopping scenes throughout this volume.  That shot of Kid Flash getting kneecapped is very impressive and really sticks with you.  Overall, there is some fantastic artwork, which works really well with the outstanding story and character work to create an excellent first volume.

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Teen Titans: A Kid’s Game is an amazing first volume in the 2003 Teen Titans series.  I cannot speak highly enough about the storylines and the way that the creative team handle the complex young heroes.  A spectacular start to an incredible run one of DC’s most iconic series.  I fully intend to review some other volumes in this Teen Titans in the future so stay tuned for them.

Waiting on Wednesday – Queen’s Shadow and Superman: Dawnbreaker

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.

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I have never made any secret about the fact that I love novels that tie-in to movies, televisions shows, video games and comic books, with multiple examples featured on my blog and Goodreads page.  Therefore, it should come as no surprise that a huge number of tie-in novels are going to appear on my must-read list for the future.  This week I am taking a look at two intriguing young adult tie-in novels that are going to be released in early March 2019: the latest Star Wars novel, Queen’s Shadow, by E. K. Johnston and the fourth book in the DC Icons series, Superman: Dawnbreaker, by Matt de le Pena.

I am a massive fan of both the Star Wars and DC Comics universes, and generally go out of my way to watch, read or play anything associated with these franchises and extended universe.  Honestly, I am going to get both of these books no matter what, but I may as well try and discuss what about these books I am most excited about.

Both of these books have some pretty awesome-sounding story premises.  Queen’s Shadow will apparently follow a young Padmé Amidala immediately after the events of The Phantom Menace, as she transitions from Naboo’s queen to its representative in the Galactic Senate.  I think it is a story with some potential, as this book is likely to become a bit of a political thriller/espionage hybrid, and will explore the politics of the Republic leading up to the Clone Wars.  No doubt Padmé will see some forms of corruption and intrigue, as well as the future Emperor’s devious plots.  I am also looking forward to Padmé getting a story to herself.  While Padmé started off as a badass ruler in the movies, most of her appearances were overshadowed by that frankly terrible romance with Anakin (he’s an angry, stalking man-child who attempted to hit on her by talking about sand, and the whole age gap is pretty darn creepy).  Therefore I will be extremely happy to get a story which will hopefully have no appearances from Anakin, and which will allow the character of Padmé to live up to her own potential (although I will not be surprised if creeper teenage Darth Vader makes some sort of appearance in this book).

While Queen’s Shadow has an interesting-sound story premise, I am actually a bit more intrigued about the proposed story in Dawnbreaker.  It sounds like it will focus on a young Clark Kent still living in Smallville as he learns to control his powers and find his calling as a hero.  Clark will find some dark secrets in the heart of his small town and be forced to investigate.  I have no doubt that this will be an intriguing re-imagination of Superman’s origin, and I am eager to see what sort of mystery or villain will be behind these terrible events.  Just from the synopsis alone, I think this book has potential, and I am looking forward to uncovering all of the story’s hidden secrets.

Another reason why I am hoping to get copies of both of these books is due to my previous experiences with these authors or franchises.  I have been in a real Star Wars expanded universe mood for the last few years now, but I am also excited to get another entry from E. K. Jackson.  I previously read her last entry in the Star Wars universe, Ahsoka, and I was struck by the author’s understanding of the character and the intriguing young adult storyline she was able to create.  As a result, I am eager to see this author’s treatment of another strong female Star Wars character, and I hope she will craft another great story.  I have not previously read anything from Dawnbreaker author Matt de le Pena before, but I have read some of the previous books in the DC Icons series before, such as the last book, Catwoman: Soulstealer.  I really enjoyed the unique ways the author of that book was able to alter the established origin story of Catwoman, so I am very eager to see the new and different story DC will allow in Dawnbreaker.

While I will be very happy with physical copies of both these books, there is a very strong chance that I will seek out audiobook copies.  Both Queen’s Shadow and Dawnbreaker will have their audiobook formats released at the same time as their paperback formats, and neither audiobook sounds like it will be too long, with Dawnbreaker apparently clocking in at around eight hours, while Queen’s Shadow is only a little longer, at 10 hours.  After listening to the audiobook version of the previous DC Icons book, Catwoman: Soulstealer, I know that they will do a good job with it and produce an enjoyable and easy-to-listen-to book.  I am really excited about the audiobook version of Queen’s Shadow.  Not only is it likely to have the same high-quality production value, music and sound effects that the previous Star Wars audiobooks have all featured, but it will also be narrated by Catherine Taber, the voice of Padmé in the Star Wars: The Clone Wars animated movie and television series.  With Natalie Portman extremely unlikely to narrate an audiobook, Taber is the perfect voice to get for this book.  Not only does she have a perfect Padmé voice, but fans of extended Star Wars universe cartoon shows will love to see her jump back into the character, especially as she is likely to voice the character again in the recently announced new season of The Clone Wars television show.  With the producers going all out for Queen’s Shadow’s audiobook format, it will be a hard target for me to miss and will no doubt be an incredible way to enjoy this book.

These two books will be among the first two tie-in books of 2019 that I seek out, so I am really hoping that I will enjoy them.  I think both of them have intriguing sounding stories, and I have had some great experiences with their respective franchises and their specific authors or series.  I am very likely to get the audiobook version of Queen’s Shadow, but I will have to see how I go with Dawnbreaker.  I have no doubt that I will really love both of these books, and I am definitely going to get copies of both.