Warhammer 40,000 – Ghazghkull Thraka: Prophet of the Waaagh! by Nate Crowley

Ghazghkull Thraka - Prophet of the Waaagh! Cover

Publisher: Black Library (Audiobook – 15 March 2022)

Series: Warhammer 40,000

Length: 7 hours and 30 minutes

My Rating: 5 out of 5 stars

Prepare to read one of the most amusing and downright entertaining recent additions to the Warhammer 40,000 canon with the hilarious and brilliant Ghazghkull Thraka: Prophet of the Waaagh! by outstanding author Nate Crowley.

I have been having an immense amount of fun really diving into the massive wealth of tie-in fiction surrounding the Warhammer 40,000 tabletop game this year.  Books like Steel Tread by Andy Clarke, Krieg by Steve Lyons, The Bookkeeper’s Skull by Justin D. Hill and Day of Ascension by Adrian Tchaikovsky, have really highlighted just how diverse and intense this extended universe can be.  However, the latest tie-in novel I checked out may prove to be one of my absolute favourites, as I got to learn all about one of the most iconic ork characters in this universe with Ghazghkull Thraka: Prophet of the Waaagh!

Orks are the most notorious and dangerous creatures that roam the galaxy of the 41st millennium.  Billions upon billions of the powerful, war-loving creatures can be found throughout every sector of space, fighting anyone and anything they can find, especially each other.  However, out of all these monsters, none are more feared, respected or hated than the warlord Ghazghkull Mag Uruk Thraka, chosen of the ork gods Gork and Mork and proclaimed prophet of the Waaagh!

Throughout his legendary life, Ghazghkull has done what no other ork has been able to achieve.  Bringing together innumerable warbands into one massive horde of green, Ghazghkull has warred with every faction in the cosmos, while his infamous invasions of the Imperial planet of Armageddon are the stuff of bloody legend.  Everyone knows of his epic and rivalry with his indomitable foe, Commissar Yarrick, which turned Armageddon into a perpetual warzone, but does anyone know the true story of Ghazghkull and the events that made him?

Rogue Lord Inquisitor Tytonida Falx has long attempted to discover what lurks in the minds of the xenos her order faces.  When an opportunity to find out more about Ghazghkull presents itself, she eagerly jumps at the opportunity, bringing a unique prisoner aboard her heretical ship, Ghazghkull’s banner bearer, the grot Makari.  Interrogating him, Inquisitor Falx and her team soon discover that Makari might just be the only being in the universe who knows the full truth about who, or what, Ghazghkull is, and what he plans to do next.  But, as she listens to Makari’s tale, the Inquisitor soon discovers that the shadow of Ghazghkull’s rage and desire for violence far eclipses anything that the Imperium has ever believed.

Wow, now that was a really fun and captivating read.  I knew going into Ghazghkull Thraka: Prophet of the Waaagh! that I was going to have a great time, especially after enjoying author Nate Crowley’s The Twice-Dead King novels, Ruin and Reign, but I was blown away by how awesome Ghazghkull Thraka was.  Featuring a clever and wildly entertaining story, perfectly told through various unique eyes, as well as some deeply enjoyable characters, I quickly became absorbed in the impressive story and powered through it in a couple of days.  Not only was this my favourite book from Crowley but it also probably overtakes Kal Jerico: Sinner’s Bounty as the most amusing Warhammer novel I have ever read.

I had an absolute blast with the incredible story that Crowley whipped up for Ghazghkull Thraka, as it ended up being an inventive and entertaining way to showcase an iconic Warhammer figure.  Due to his prominence within the game and the extended fiction, Ghazghkull is probably one of the most utilised non-human characters in the canon, with many different novels, game books and comics already diving into his life.  As such, Crowley needed to come up with a completely new way to examine this great character that didn’t tread on any prior works.  I think his solution to this problem was exceedingly clever, as he chose to tell the story through the eyes of the most unlikely narrator and chronicler, the grot Makari, whose unique insights and worldview turned this already known backstory into something truly special.

The story starts off in the current timeline of the Warhammer 40,000 universe and shows Inquisitor Falx obtaining Makari and interrogating him about Ghazghkull.  This causes the book to dive back into the early days of Ghazghkull as Makari chronicle his master’s existence as he saw it.  As such, you get a very specific examination of Ghazghkull’s life, with a focus on his early trials, some of his pivotal moments, and more specifically his interactions with Makari.  At the same time, the story keeps jumping back to the present, with the Inquisitor and her followers interrupting to ask specific questions and discussing whether there is any truth in what he says.  The book keeps jumping between these different perspectives, and you end up with two distinctive storylines as Makari’s presence brings some big woes for the Inquisitor in the present day.  The chronicle storyline goes at a brisk pace, especially as Makari’s interrogators get him to skip or shorten specific sections, but there is a clever and impressive logic into what parts of Ghazghkull’s life are featured or ignored.  Not only are the past and present storylines exceedingly intriguing and entertaining in their own rights, but they also come together perfectly as well, with Makari’s insights into Ghazghkull and himself impacting the actions of Falx.  While the ending was slightly too metaphysical, it served as a brilliant and powerful conclusion to this great story, and I loved seeing the entire tale come full circle in some hilarious ways.

I deeply appreciated the way that Crowley put Ghazghkull Thraka’s story together, as its distinctive and clever style really helped to enhance the chronicle contained within.  The plot device of an interrogation of an alien prisoner works extremely well to set up the main narrative, and the constant interruptions, debates and revelations that occur whenever it snaps back to the present adds to the sense of mystery and mysticism surrounding the titular figure.  While Crowley takes the story in some interesting and complex directions at times, the entire novel is paced beautifully, and there is never a single boring or slow moment within the entire thing.  I particularly liked the near constant humour that was injected into the story, a fantastic side-effect of basing the book around the funny ork species, and I laughed out loud several times as I powered through this impressively amusing read.  Like many Warhammer novels, Ghazghkull Thraka can be enjoyed as a standalone read, and the author makes sure that it features a great self-contained narrative that anyone can enjoy, even those unfamiliar with the universe and the canon.  Indeed, this would be a decent introduction to the Warhammer 40,000 canon and associated extended universe, especially as it perfectly presents one of the key factions of the universe.  Most of the unique universe elements and wider history are explained sufficiently for new readers to follow along without any issues, although some could potentially get confused by the deliberate exclusion of events previously covered in other books.  Still, Ghazghkull Thraka should turn out to be an easy and entertaining read for any science fiction fan, and I thought that this Warhammer 40,000 novel was very well written and extremely clever.

One of the things I love the most about Nate Crowley’s Warhammer novels is his brilliant ability to dive into the unique alien races of the universe and then perfectly showcase their culture and mindsets.  This was the case again in Ghazghkull Thraka, where Crowley expertly dives into the heads of the various ork and grot characters.  No matter whose perspective is shown, every scene of this book features some excellent and often highly amusing depiction of greenskin culture, as Makari attempts to explain the ork perspective as well as his place in the society as a grot.  As such, you get some incredibly detailed and compelling insights into this crude and warlike race, including their brutal hierarchy, need for violence, insane technology, and very unique worldview, which generally results in most of the book’s fantastic humour.  However, rather than the dumb, brutal and one-note figures that most authors depict, Crowley really goes out his way to show that there is a lot more to orks than you realise.  Not only do you get some excellent insights into their various clans and organisations but the various ork characters are shown to be complex beings with unique needs and the ability to formulate some very cunning plans.  There is a particularly intriguing look at the ork religion that follows the gods Gork and Mork, and this novel ends up with a spiritual edge, especially as Crowley shows the orks being extremely successful because they choose to strongly believe in themselves.  As such, you see quite a unique and compelling side to the ork race in this book, and I loved how incredibly Crowley portrayed them.

Naturally, a big part of this examination of ork culture comes from the in-depth look at the life of Ghazghkull himself.  As I mentioned before, Ghazghkull is one of the best-known characters in the entire Warhammer 40,000 canon, so most veteran readers would already be quite familiar with him and his actions.  However, Crowley does an excellent job of examining a completely new side to this character, and mostly ignores his wars at Armageddon and his intense rivalry with Commissar Yarrick, both of which have been done to death in other books.  While certain parts of his history are revisited in this novel, Crowley completely changes their implications and causes, instead focusing on Ghazghkull’s unique orkish mindset and his role as the prophet of his gods.  This new take on Ghazghkull proves to be quite unique and very captivating, as he is shown to be an overburdened being, constantly pressured by his own visions and the influence of the gods to succeed and be a uniting force for his people.  While he still retains the casual violence of his race, you really see Ghazghkull as a deep thinker, and it is fascinating to see his inner ork face off against his grand ambitions and desires.  Crowley also adds some compelling supernatural elements to his character, as Ghazghkull, as seen by Makari, bears a direct connection to the gods which he can use to alter his fellows and himself.  While this isn’t too overpowered or strange, it adds a great extra layer of menace to the character, especially for the humans, and I loved seeing the Inquisitors trying to wrap their heads around the strange occurrences.  I had a lot of fun seeing this other side of Ghazghkull, and this novel ended up being a great analysis of who they are and what they represent to their race.

I also really enjoyed the inclusion of Makari as one of the central characters, and his use as the main witness to Ghazghkull’s life worked incredibly well.  While Makari has always been associated with the character of Ghazghkull, accompanying him in his battles and waving his banner as a source of luck, Crowley really changes him in this novel and paints him as an essential part of Ghazghkull’s success and relationship with the gods.  Shown to be there the moment that Ghazghkull became the prophet, Makari follows Ghazghkull through some of his big moments and it is hilarious to see his snide view on the subject, especially as, like most grots, he a massive coward who doesn’t want to be there.  A lot of this novel’s humour is derived from Makari’s observations and responses, and I loved some of the jokes set up around it.  Crowley does an awful lot with this character, and I particularly liked how the story explained certain aspects of his previous portrayals, such as the apparent multiple versions and his surprising luck.  These are worked into the story extremely well, but it’s the relationship with Ghazghkull that becomes the most fascinating.  Just like with Ghazghkull, there is a major spiritual edge to Makari, who appears to be just as chosen and important to the plan as his master.  Makari’s mystical and religious bond enables him to have a far bigger insight into Ghazghkull’s actions than anybody else, and this really enhanced the analysis of the titular character.  However, it is in Makari’s attempts to serve and help his master achieve his destiny that we see the best Makari scenes, especially when faced with Ghazghkull’s apparent depression, the manipulation of his other followers, and his own stubbornness.  While Ghazghkull does have the inherent ork reluctance to rely on a grot, and indeed he is extremely likely to kill Makari if he starts giving advice, the moments where Makari get through to him are powerful, and I really appreciated the character work surrounding them.  There are some rocky moments between them, especially when Ghazghkull becomes dismissive of his lucky grot, and Makari’s subsequent reactions is very funny and incredibly over the top, which was so very cool.  Overall, this ended up being an excellent and surprisingly compelling portrayal of Makari, and I am exceedingly glad that Crowley featured him in this novel the way he did.

Aside from the greenskin characters, a large amount of plot revolves around the team interrogating Makari.  Crowley really went out his way to create a particularly unique group of Imperial agents who bear surprising insights into the mind of the xenos.  This team is led by Inquistor Falx, a rogue Inquisitor who bears a dangerous obsession with the alien creatures.  Falx is desperate to learn everything she can about the aliens attacking the Imperium to help defeat them and finds herself stymied by the Imperium’s controlling and non-progressive government and religion.  As such, she takes some major risks in this book to understand Makari and Ghazghkull and has some unique and dangerous methods for achieving her goals that borders on the insane/heretical.  I quite liked Falx, despite her obsessive qualities, and she proved to be a great central figure for half the novels plot, especially as her frustrations, concerns and thoughts about the evils of the Imperium, are extremely understandable.

Falx also employs a unique team of interrogators to help her with Makari, including Brother Hendriksen, a Space Wolves rune priest assigned to Deathwatch who has also fallen out of favour with the Imperium thanks to his work with Falx.  Hendriksen serves as a beastly and powerful presence on Falx’s team, and he often provides a great counterpoint to the inquisitor in both technique and common sense, often despairing at her more dangerous choices.  Crowley’s diverse cast gets even larger with the truly unique character of Cassia, a female ogryn psyker who has grown as smart as a human.  This was a fantastic and extremely distinctive addition to the cast, and her surprisingly calm demeanour, which contrasts beautifully with her immense ogryn strength, works perfectly against Hendriksen’s impatience and anger.  The final member of the team is probably the most enjoyable, with the ork character, Biter (Bites-Faces-Of-The-Face-Biter-Before-It-Can-Bite).  Biter is a member of a Blood Axes mercenary band who have dealings with Falx and who sell Makari to her, remaining behind to interpret Makari’s testimony to the humans.  Due to being a member of the Blood Axes, a group who idolise human military culture, Biter is a very distinctive figure, wearing an approximation of a military uniform and appreciating complex tactics and strategy.  However, Biter is even more intelligent and cunning than most Blood Axes, and his near human tendencies really stand out, as it is pretty unexpected from an orc.  His fantastic reactions, comedic impressions of human behaviour, and determination to antagonise the Inquisitor really make him stand out, and he was an absolute joy to behold.  These four interrogators play off each other perfectly during the present-day scenes, and their arguments, discussions and interpretations of Makari’s story give it added depth, humour and impact, especially once they start realising just how valuable their prisoner is.  This entire cast was put together extremely well, and I had an incredible time with this unique and enjoyable collection of characters.

Like most Warhammer novels I check out, I chose to grab the audiobook version of Ghazghkull Thraka, which turned out to be such a wonderful and incredible listening experience.  Not only did the story absolutely fly by in this format, allowing me to get through its seven and a half hour runtime extremely quickly, but I found that the narrative and descriptions of ork life really popped when read out.  However, the best part about the Ghazghkull Thraka audiobook is the outstanding use of narrators.  This audiobook has three separate narrators, Kelly Hotten, Paul Putner and Jon Rand, each of whom have some experience narrating other Warhammer audio productions.  Not only are each of these narrators quite talented but the way they were featured in this audiobook is extremely clever, with the voice actor changing depending on who is witnessing or telling the events of the book.  For example, Kelly Hotten serves as the narrator for the various scenes and interludes where Inquisitor Falx is witnessing Makari’s interrogation, and Hotten does a brilliant job capturing the various players of these scenes, including the Inquisitor, her unique companions, and their orkish interpreter.  Paul Putner narrates the various scenes shown directly from Makari’s perspective, and he has a lot of fun in this role, not only capturing the cowardly and sneaky mannerisms of the grot protagonist, but also providing some amusing and deep voices for the ork characters.  Finally, Jon Rand has a memorable sequence voicing Brother Hendriksen when he psychically jumps into Makari’s mind and views some of the events occurring, and he gives the character a notable accent and internal growl that fit him extremely well.  The jumps between the voice actors were done perfectly and I really loved how it changed up depending on the perspective.  All three voice actors did an amazing job with their narration, and their work, plus some fun sound effects here and there, helped to turn this into such an impressive production.  Easily the best way to enjoy Ghazghkull Thraka, you will have an incredible time listening to this audiobook.

Nate Crowley continues to shine with another entry in the Warhammer 40,000 universe, with the unbelievably entertaining Ghazghkull Thraka: Prophet of the Waaagh!  Featuring a unique and deeply amusing story that re-examines on of the canon’s most iconic alien characters, Ghazghkull Thraka has a tight and cleverly written story, loaded with action, great characters and whole mess of outstanding humour.  Not only that, but this is without a doubt one of the best portrayals of the Warhammer 40,000 orks I have seen as Crowley obviously had a ton of fun bringing them to life.  Easily one of the best (and definitely the funniest) Warhammer 40,000 novels I have been lucky enough to enjoy, Ghazghkull Thraka comes extremely highly recommended, especially in its audiobook format, and is a must read for all fans of this wonderful fandom.

World of Warcraft: Sylvanas by Christie Golden

World of Warcraft - Sylvanas Cover

Publisher: Penguin Random House Audio (Audiobook – 29 March 2022)

Series: World of Warcraft

Length: 15 hours and 38 minutes

My rating: 4.5 out of 5 stars

Prepare to find out everything you every wanted to know about one of Warcraft’s most complex characters with the brilliant Sylvanas by the always impressive Christie Golden.

There have been some great tie-in novels coming out this year across multiple franchises.  While I have mostly been sticking to Star Wars and Warhammer novels, I recently decided to dive back into the fiction surrounding a personal favourite franchise of mine, the Warcraft games.  It may surprise some people to know that the Warcraft games, which includes the absolute institution that is World of Warcraft (WOW), has a massive extended universe surrounding it, with multiple novels and comics working to enhance and support the game’s already impressively deep lore.  I have had a lot of fun with some of these over the years, but I was particularly intrigued when I managed to get a copy of the latest tie-in novel, Sylvanas by Christie Golden.  Not only did this book cover the life of one of the best characters in this franchise, Sylvanas Windrunner, but it was also written by the amazingly talented Christie Golden, an absolute master of tie-in fiction.  Golden has written some impressive Warcraft novels, including Before the Storm and the brilliant War Crimes, and she has also written tie-in novels to multiple other franchises, including one of my all-time favourite Star Wars novels, Dark Disciple.  As such, I am always really keen to check out any of Golden’s additions to this complex canon, and this turned out to be a particularly great book.

Few inhabitants of the world of Azeroth have had more of an impact on its recent history and the devastating events that have befallen it than the infamous Sylvanas Windrunner.  The Banshee Queen of the Forsaken, Sylvanas has held many titles, names and positions as she has witnessed and manipulated the entire realm for both her people and herself.  However, Sylvanas has a far deeper goal than power; she also seeks to realign the injustices of life and the meaninglessness of death, finally achieving the peace and happiness that she and the world deserve.  To that end, Sylvanas has aligned herself with the mysterious and otherworldly afterlife entity known as the Jailer.  Bound to his side and now a fugitive from both the Alliance and the Horde, Sylvanas seeks to bring his goals to fruition, no matter the cost.  However, her final task from the Jailer appears to be the most difficult, securing the fealty of imprisoned human king Anduin Wyrnn.

Reluctant to force service upon Anduin against his will, Sylvanas attempts to sway him to their side through subtler means.  To that end, she regales him with the story of her life, believing its lessons will convince Anduin of the necessity of her actions and help bind him to the Jailer’s cause.  With her captive audience listening close, Sylvanas reveals the key events from her life that shaped her, including her childhood and the tragedies of the Windrunner family, her death and damned resurrection at the hands of Arthas, and her eventual ascension to leadership of the Horde as Warchief.

However, amongst these tales of tragedy, triumph and a deep despair, Sylvanas also reveals her history with the Jailer and her first journey to the Maw.  Discovering a dark truth behind the veil of death, Sylvanas hopes to end the injustices and terrible consequences that awaits all souls, including her, by helping the Jailer achieve her goals.  But to achieve victory, Sylvanas was forced to become a force of destruction, bringing war to Azeroth and forcing another conflict between the Alliance and the Horde.  However, her worst actions may be yet to come as the Jailer’s plan for Anduin will require Sylvanas to become what she hates the most.  Daughter, sister, hero, unwitting pawn, rebel queen, Warchief, and monster, the truth of Sylvanas is revealed, and you’ll have to decide whether she is Azeroth’s greatest hero or worst villain.

Golden continues to add more and more depth to the Warcraft canon with this rich and clever novel that serves as the ultimate guide to one of the franchise’s best characters.  I had an absolute blast with this exceptional read that expertly turned the established history of Sylvanas Windrunner into a powerful and moving tale of family, tragedy and the consequences of choices.

Sylvanas contains a brilliant character-driven narrative that I think perfectly tells the tale of Sylvanas Windrunner, expanding out her life and providing details and insights about her that have never been shown in various other parts of the Warcraft fiction.  Starting during the events of the Shadowlands expansion, where Sylvanas is holding Anduin prisoner, the story soon morphs into a chronicle tale as the titular character recounts her entire life story to Anduin.  Starting off during her childhood, the first substantial part of the novel is focused on Sylvanas’s early life, the complex family relationships she had, her surprising rise to the rank of Ranger General, and her first encounter with tragedy.  This initial section of the novel, which covers most of Sylvanas’s life before her appearance in the games, is extremely detailed as Golden firmly establish this part of her life and show how her early relationships and losses would shape the rest of her life.  While this first part of the book is intriguing and vital to the story, it was a tad less exciting than I was hoping and ended up being one of the slowest parts of the novel, although once the first real tragedy occurs, it does speed up to an entertaining pace.

Following this substantial introduction, Sylvanas’s story starts to feature some major time skips, with the narrative jumping to her encounter with Arthas and subsequent death, which is shown a bit more theatrically and briefly than you would expect.  The rest of the story happens at a blistering pace, with many of the key moments of the character’s life briefly shown as the story powers through the events of the various games and expansions.  There are some fascinating moments and scenes in this second half of the book, and I had a great time seeing Sylvanas’s resurrection and enslavement to Arthas, her rebellion against her deathless master, her rise to become a leader of the Forsaken and her early days as a member of the Horde.  The story really skips along extremely quickly here, although it slows down at times to highlight Sylvanas’s interactions with the Jailer and the various things she did as his command.  These scenes are some of the most important parts of the book, as they try to highlight when and how Sylvanas started working with this villain, as well as her motivations for joining him.  These pivotal scenes are extremely interesting, and Golden masterfully works in the novel’s earlier character development into Sylvanas’s reasons for her actions.  The rest of the novel showcases Sylvanas’ more villainous turn, until she completely becomes the antagonist we encounter in Shadowlands and the end of Battle for Azeroth, which brings us full circle to the interludes between Sylvanas and Anduin.  The book ends on a fantastic and compelling note, recreating a scene from the game, and serving as a fitting conclusion to Sylvanas’s story, while also providing the reader with some much needed hope and satisfaction at a potential happy ending in the future.

Golden used some interesting storytelling techniques throughout Sylvanas, and most of them paid off extremely well to create an intense and exciting story.  While many Warcraft novels are more concerned with immediate action and intrigue, Sylvanas works well as a chronicle story which focuses on its protagonist’s complex and damaged psyche, as well as an intense portrayal of family and the difficulties and joys associated with it.  Through her reminiscing, the protagonist highlights her story extremely well, and I liked the clever use of several interludes to take the story back to the present for Sylvanas to debate her actions and choices with Anduin, whose pensive and compassionate insights add to the emotional weight of the narrative.  Both these past events and the storyline set in the present have some great moments, and I loved the novel’s overarching theme of the importance of free-will and choice, especially as the protagonist is a person who often found the events of her life and death, controlled by others.  There is an excellent balance of story elements featured throughout Sylvanas, with Golden featuring a great blend of intense character moments with cool action scenes, fun interactions and attempts to bring the novel into the established events of the wider Warcraft universe.  However, I did have some issues with the pacing of the novel.  While most of the novel flowed well, I really disliked how the author would spend a substantial amount of time going over some periods of the characters life in high detail, before quickly jumping through multiple years of subsequent events in extremely short order.  While I could see the author’s reasons for doing this, it did limit the impact of the narrative and there were multiple interesting events and characters that were only lightly featured.  Still, I had a great time getting through the plot elements that the author included, and they ended up resulting in an excellent and intense character driven story that featured some very powerful moments as the protagonist goes through absolute hell and back.

Sylvanas ended up being a particularly interesting inclusion in the wider Warcraft canon and it is one that I am extremely glad I decided to check out.  Due the multiple appearances and impacts that this titular character has had, the plot of Sylvanas encompasses the events of all the Warcraft games, including the entirety of WOW (at this point).  At the same time, the novel also ties into some of the other books, comics and other pieces of extended Warcraft fiction that are out there, particularly some that were written by Golden.  As a result, there are an awful lot of references, locations and iconic events going on in here, and Golden does an excellent job to bring all of these to life throughout the novel, with a focus on Sylvanas’s role in them.  I loved seeing so many key moments from the games and the other extended fiction re-featured or referenced throughout this novel and it was fascinating to see how they connected with the events of this book.  While Golden does really try to explain the context or importance of all of them, some readers unfamiliar with the games (or who may have stopped playing in recent years), may have difficulty at times following what is happening.  This is partially mitigated by the fact that Golden chooses to avoid or only lightly feature multiple events, especially those covered in the games, other novels and comics (several of Golden’s books are only lightly brushed on).  While I can understand Golden trying to avoid unnecessarily rehashing events that Warcraft fans would have seen before, it was one of the main reasons for the pacing issues, as it ensured that the events of the character’s childhood, which has not really been seen before, got so much focus early on.  It also requires readers to have a bit of an idea of what happened in many of the other novels and comics, especially if you wanted to get the full emotional impact.  Still, attentive readers generally should not have any issues following the book’s plot, and established fans of the franchise will really love the intriguing world building elements and revealed character histories, especially those that help to fill in several of the gaps surrounding the Jailer and their actions.

Unsurprisingly, Sylvanas also proves to be a major character study of its intriguing protagonist Sylvanas Windrunner who serves as the main point of view character as she recounts her life story.  This was one of the main things that drew me to Sylvanas, as I have been a big fan of this character ever since Warcraft III.  Golden does a brilliant job featuring this titular protagonist here, and Sylvanas ends up being both a great recreation of the characters life and an in-depth study of one particularly damaged person’s darkest emotions.  I was really impressed with how much additional depth Golden added to this already well-established character, and there are some fascinating details included here that help to explain so much about her and her actions in the latest expansions.  Thanks to the chronicle style of the novel, you get an intense look at her life, and find out all her pivotal moments and the emotions she experienced throughout them.  Golden provides a particularly impressive focus on the character’s mostly previously unseen childhood and family life, which serves as a good basis for much of the character-driven narrative.  Her earlier tragedies and heartbreaks have a great lasting impact on her and serve as some of her motivation for serving the Jailor.  From there the story covers most of her appearances in the various games, and it is fascinating to get the new Sylvanas-orientated perspectives of these events, which adds substantially to the novel’s drama as you see Sylvanas reacting to the various terrible events, including her murder and subsequent enforced enslavement by Arthas.  Golden does a brilliant job of highlighting the character’s despair, anguish and helplessness during this period, and the change into the life-long hatred that infected her was extremely powerful, and many of these moments tie into the book’s overall them of choice and free will.  However, some of the most fascinating moments occurred after the Lich King’s death (at the end of the second WOW expansion), when Sylvanas, cheated of her revenge, takes some drastic actions never seen in the games.  These actions lead her to first meet the Jailer and her eventual villainous actions, and I think that Golden was extremely successful in finally showcasing the character’s motivations, which were a little clouded in the actual game.  As such, Sylvanas ends up being show as a far more sympathetic character in this novel, which ties into her great redemption arc in the game, and you end up getting very attached to her story.  This novel really was the ultimate Sylvanas Windrunner experience and I loved learning even more about this brilliant character.

Aside from Sylvanas herself, this novel contains a massive cast of supporting characters who have varying degrees of impact on the overall story.  Due to the scope of the book’s plot, this supporting cast ends up encapsulating most of the major characters from the various Warcraft games, which is a bit excessive.  Many of these characters are only included for brief moments or are featured merely as mentions, and it can be a bit overwhelming to be bombarded with character names, especially from some more obscure figures.  However, I liked how the use of all these characters and the various interactions they had with Sylvanas helped to set up her place in the universe, and Golden does ensure that the reader is aware of the reason why the character is there and what role they play in Sylvanas’s life.

While there is a huge cast of supporting characters, several do shine through in the plot, and it was great seeing the various relationships they have with Sylvanas.  For example, all the members of Sylvanas’ family are featured throughout the book, particularly in the first half, and Golden really captures the impact, joys and struggles of family, and showcases how the extreme nature of these can really impact a character’s life.  The inclusion of the least famous Windrunner sibling, Lirath, really adds to the overall story, especially due to the unique relationship they had with Sylvanas.  I have to say that I really enjoyed how much Nathanos Marris (eventually becoming Nathanos Blightcaller) was featured in this novel, and Sylvanas contains an in-depth exploration of the unique relationship they had with the protagonist both in life and in death.  This adds some intriguing depth to the actions of this supporting character, and it was fascinating to see how the loyalties and attachments of this character were formed, as well as the unusual romance they formed which lasted lifetimes.  The brief scenes of iconic villain Arthas were pretty intense, and I appreciated the look at the torment he inflicted upon Sylvanas, especially as it becomes such a big part of her life story.  The use of Alliance leader King Anduin Wyrnn as Sylvanas’s audience for her story was extremely good as well, especially as the kind and hopeful Anduin serves as a great foil to the more cynical Sylvanas.  Watching these two jab at each other in the interludes was an excellent and emotional part of the novel, with Anduin trying to convince her back into the light at the same time she’s trying to bring him towards her side.  These scenes get even more intense and emotional when you realise that the entire reason for these conversations is that Sylvanas is trying to be merciful and give Anduin a choice to serve, something Sylvanas was never given.  All these characters, and more, really help to tell the full story of Sylvanas and are an impactful and powerful inclusion in the overall narrative.

Like most tie-in novels I enjoy, I chose to check out Sylvanas in its audiobook format, which was outstanding.  This was mainly because Sylvanas was narrated by legendary voice actor Patty Mattson, who voices Sylvanas Windrunner in WOW.  There was absolutely no way I was going to turn down listening to a story about Sylvanas that is narrated by the ultimate voice of the character, especially after her epic performances in some of the recent cinematics.  Unsurprisingly, Mattson did an incredible job with this audiobook, and hearing Sylvanas telling her own tale really helps to bring you into the narrative in a big way.  Mattson does some excellent alterations to her voice to portray a younger Sylvanas in some of the earlier scenes, and it was also extremely cool to have Mattson recreate some of the most awesome lines from the games and cinematics throughout the plot.  Thanks to this impressive narration, the Sylvanas audiobook has an amazing flow to it, and you will swiftly find yourself powering through it, even with its 15 hour and 38 minute long runtime.  The ultimate way to enjoy Sylvanas, the audiobook format comes extremely highly recommended as it really enhanced my enjoyment of this novel.

Overall, Sylvanas by Christie Golden is a brilliant and impressive novel that serves as an excellent tie-in to the Warcraft franchise.  Containing a powerful and entertaining character driven narrative, Sylvanas serves as a definitive study of the damaged and brilliant game character, Sylvanas Windrunner, and I had an outstanding time seeing their entire character arc come together here.  A must-read for all Warcraft fans, especially those enjoying the recent expansions, Sylvanas is an amazing read that I had so much fun with.

The Hunger of the Gods by John Gwynne

The Hunger of the Gods Cover

Publisher: Orbit (Audiobook – 14 April 2022)

Series: The Bloodsworn Saga – Book Two

Length: 22 hours and 57 minutes

My Rating: 5 out of 5 stars

Extremely talented dark fantasy John Gwynne returns with one of my most anticipated fantasy novels of 2022, The Hunger of the Gods, the epic second entry in The Bloodsworn Saga.

Last year, the fantasy world was aflame with discussion about a certain novel from acclaimed author John Gwynne, best known for his The Faithful and the Fallen series and its sequel Of Blood and Bone trilogy.  While I wasn’t initially intending to check this book out, the sheer amount of positive feedback and reviews convinced me that I was clearly missing out, so I grabbed a copy and ended up being deeply impressed by the elaborate fantasy saga it contained.  That novel was The Shadow of the Gods, a Norse inspired dark fantasy tale that saw three intriguing protagonists explore a deadly new fantasy world wrecked by the last battle of the dead gods, and filled with monsters, warbands and powered humans tainted by the divine ancestors.  I had an exceptional time with this great book, which really met all my expectations and ended up being one of my favourite books and audiobooks of 2021 (it also topped my favourite new-to-me authors list and best covers of 2021 list, it was just that damn awesome).  I deeply enjoyed the fantastic and elaborate tale this novel contained, and I could not wait to see how it would be continued.  As such, when I received a copy of the sequel, The Hunger of the Gods, which featured another awesome fantasy cover and plot synopsis, I immediately started reading it and was once again thrust into world of gods and heroes.

The dread dragon god, Lik-Rifa the soul-stealer, has been released from her ancient tomb and now all of Vigrid lies in peril.  Determined to unleash a new era of blood, death and conquest upon the lands, Lik-Rifa immediately begins to gather around her horde of Tainted warriors, including her own descendants, the dragon-born, terrible monsters and a cult of followers, all slaved to her will.  Hope looks bleak, especially as the warring human kingdoms remain unaware that Lik-Rifa is free and about to unleash fresh horrors upon them.

Amongst this chaos, the deadly Orka continues her hunt for her stolen son, taken by Lik-Rifa’s followers.  Now revealed as the legendary and infamous warrior, the Skullsplitter, Orka will not rest until she has her son and her vengeance, no matter the obstacles.  While Orka continues her quest, her former warband of secretly Tainted warriors, the Bloodsworn, head south, determined to rescue one of their members, while their newest initiate, Varg, continues his attempts to find vengeance for his sister.  Meanwhile, Elvar is forced to fulfil the blood oath she took to rescue another child from the dragonborn, and needs to convince her now leaderless warband, the Battle-Grim, to follow her.

As these brave warriors each take their own steps to destiny, they will all face dangerous challenges and horrendous odds.  Orka will need to come to grips with the wolf lying deep in her heart as she attempts the impossible: defying a god.  Varg and the Bloodsworn will travel to a distant land to achieve their goals, only to meet tragedy and loss.  Elvar finally attempts to claim the responsibility of leadership that she has always desired.  However, despite all their bravery and skill in arms, none of these heroes are going to be capable of fighting Lik-Rifa directly.  Instead, Elvar and her company will attempt a desperate plan, using forbidden magic to bring a dead god to life and bind it to their will.

Wow oh wow, what an incredible and awesome read.  Gwynne continues to showcase why he is one of the best current authors of fantasy fiction with The Hunger of the Gods, which perfectly continues the impressive Bloodsworn Saga in a big way.  Featuring tons of bloody action, impressive new fantasy elements, complex characters, and a powerful and elaborate narrative that is the very definition of epic, The Hunger of the Gods was another five-star read from Gwynne that is easily one of the better books I have read so far this year.

The Hunger of the Gods has an outstanding and impressive story that instantly grabs the reader’s attention and ensures that they are unable to put the book down until the very last page.  This sequel kicks off right after the epic conclusion of The Shadow of the Gods and quickly follows up on all the big revelations and events that occurred there, especially the release of the giant dragon god, Lik-Rifa, who serves as a suitably sinister and epic main antagonist for the series.  Just like the first book, The Hunger of the Gods’ narrative is told from a series of split storylines, each one focused on a specific point-of-view character.  All three character-specific storylines from The Shadow of the Gods are continued here, following Orka, Varg and Elva.  These existing storylines go in some exciting and interesting directions in The Hunger of the Gods, and I loved how the author expanded on the character’s growth and individual journeys from the first novel, while also keeping some of the existing dynamics and elements.  Gwynne also adds in two new point-of-view characters, as antagonists Gudvarr and Biorr, who were good secondary characters from The Shadow of the Gods, get their own intriguing storylines here.  These new character arcs are impressively entertaining, providing great alternate perspectives to deepen the story, while also working into the existing storylines extremely well.  All five storylines go in some great directions throughout the course of the novel, and there are some absolutely brilliant moments, twists and revelations that occur throughout, especially as many of these storylines started to come together more.  I had an excellent time seeing where everything went, and Gwynne really did a great job taking all these character stories in some appropriate directions.  Every single storyline end on an amazing note and the conclusions are guaranteed to drag readers back for the third Bloodsworn novel.

This second book in The Bloodsworn Saga is written pretty damn perfectly as Gwynne continues his magic to produce an addictive and distinctive read.  The Hunger of the Gods retains the excellent tone introduced in the first novel, ensuring that everything comes across as a Norse adventure story set within a unique, dark fantasy realm.  Everything about this book is handled extremely well, from the exceptional pacing, which ensures that you fly through this massive novel, to the intense and brutal action that is installed in every section of the book, guaranteeing that readers get that much needed adrenalin rush.  Gwynne utilises an interesting writing style here that really emphasises repetition and unique dialogue to help to make the story feel more and more like an epic Norse saga.  Just like the preceding novel in The Bloodsworn Saga, I think that The Hunger of the Gods had just the right blend of action, humour, character growth, world building and darker elements to create an excellent and enticing read.  I also have to say that I was quite impressed with how Gwynne was able to avoid middle book syndrome here, as in many ways The Hunger of the Gods was even better than The Shadow of the Gods.  While the story does slow down in places to help build up certain settings or plot elements, there is always something interesting or compelling going on, and I can honestly say that I was not bored at any point in the book.  You could almost read The Hunger of the Gods by itself with no knowledge of the preceding book and still have a brilliant time with it, especially with the detailed synopsis of the prior novel at the start.

The best thing about how this story is written is the exceptional use of multiple character perspectives.  The story perfectly flits between the five separate characters arcs throughout the novel, with a different character being focused on with each new chapter.  Thanks to the inclusions of two new characters, readers of this sequel get to enjoy a much deeper story here, especially as the new characters are associated with some of the series’ antagonists, providing some fantastic new elements.  I think the additional characters worked really well, as while the existing three protagonists are great, their storylines needed to be spaced out more in this sequel.  All five separate character storylines play off each other perfectly as the novel continues, telling an immense narrative that, while connected, still contains a fair bit of individuality as you follow their specific adventure.

I liked finally being able to see some interactions between the various protagonists and I loved seeing these outstanding and well-written characters finally come together in some intense scenes, allowing the reader to see these distinctive characters viewed through the eyes of the other protagonists.  The author had a great sense of which perspectives needed to featured at certain times, and there were some amazing contrasts as certain exciting storylines were played off each other, especially when you were able to see two sides to certain major battles or events.  In addition, this is one of those rare multi-narrative fantasy novels where it is near impossible to choose a favourite storyline or character to follow.  Each of the five storylines offers the reader something different, from a bloody revenge story, to an intriguing look at the book’s main antagonists, and all of them work extremely well in the context of the wider story.  I will say that Orka’s brilliant quest for her son has some amazing action scenes and powerful character moments, while the camaraderie and excellent larger-scale battles of Varg’s storyline ensured that I was excited to hear from this character.  In addition, Gudvarr provides some great political intrigue from the perspective of a true weasel, which was so very fun to watch.  However, I honestly had a great time with every single character, and there was not a moment that their individual stories did not enhance the overall quality of The Hunger of the Gods.

I really must highlight the incredible dark fantasy setting of The Bloodsworn Saga that is expertly used again in The Hunger of the Gods after Gwynne took the time to set it up in the first novel.  The harsh land of Vigrid, with its warring Jarls, terrifying monsters, long-dead gods, glory-seeking warbands and the feared and exploited Tainted, works so well as a background to this epic story and it really helps to expand the bloody adventures featured within.  I loved how Gwynne uses classic Norse elements like shield walls, longboats, weaponry and mindsets, and I still really love seeing this in a fantasy context, especially when combined or used against the monsters and Tainted characters.  This is further enhanced with the continued use of Norse inspired terms and dialogue throughout the novel, and it helps to give this entire series such a distinctive feel (although I kind of wish that he would stop trying to continually make “thought cage” an alternative to a person’s skull).  While the author spends a bit of time continuing these elements from the first book, The Shadow of the Gods also features some brilliant world building as Gwynne provides intriguing enhancements to the existing gods, land and people, which were already extremely intriguing.  There are also some examinations of the neighbouring nation of Iskidan, which was mentioned a few times in the first book.  Iskidan, which has elements of historical China, the Middle East and the Byzantine Empire in its construction, serves as an intriguing counterpoint to Vigrid, and it was fascinating to learn more about it.  I also loved a couple of cool, if freaky new monsters, that were featured in this book, although the flesh burrowing insect monster and the nightmare inducing tongue eaters, are a bit on the gruesome side (readers who don’t like body modifying monsters are warned to stay away).  All these awesome elements are fitted in the book perfectly, and I loved this continued dive into the dark and gruesome world Gwynne has lovingly created.

While the awesome narrative, clever storytelling and dark fantasy setting are amazing parts of the book, I would be extremely remiss if I didn’t highlight the incredible character work that Gwynne did within The Hunger of the Gods.  Just like the first book in The Bloodsworn Saga, The Hunger of the Gods features an impressive and captivating cast of characters, each of whom are expertly featured and who add some fantastic elements to the overall story.  This is particularly true for the wonderful and memorable characters from whose perspective this epic tale unfolds.  Gwynne did an incredible job introducing these excellent characters in the first book, and it was great to see two previous supporting characters promoted up to the central cast.  All five main characters are exceptional and their unique personalities and goals ensure that every chapter is different from the last which helps to produce an awesome and expansive read.

The first of these characters is Orka, an incredibly dangerous warrior who is hunting for her lost son and vengeance for her murdered husband.  Orka is a brilliant and complex figure who is easily one of the most exciting and enjoyable characters in the entire series.  Due to her single-minded determination and bloodlust, pretty much all Orka’s chapters read like a bloody revenge trip that is essentially a dark fantasy version of Taken.  Gwynne continues this excellent trend with Orka in this second novel and it was great to see this implacable warrior travel across this land, killing everyone who gets in her way as she takes big risks.  However, Gwynne adds in some extra elements to Orka’s tale in The Hunger of the Gods, especially following the revelations made at the end of The Shadow of the Gods that Orka is both Tainted and the former leader of the Bloodsworn, the legendary killer known as the Skullsplitter.  Orka actually comes across as a lot more bestial in this second book, especially after the big massacre she created at the end of The Shadow of the Gods that unleashed her inner monster.  As such, there are more scenes of Orka trying to contain her rage and anger, and there were some fantastic and clever portrayals of her inner beast throughout the book.  We also see some of Orka’s guilt and regret as the novel explores how she left the Bloodsworn and the relationships she sacrificed for the sake of her unborn son.  I also quite enjoyed seeing her as a reluctant leader in this novel as she finds herself in charge of a small team of warriors and monsters.  This enhances her sense of guilt and remembrances of her previous time with the Bloodsworn, and it adds some fun drama and even a mentoring arc as continues her work with her young student, Lif.  Orka’s storyline goes in some great directions throughout The Hunger of the Gods, and you will be enthralled with her tale right up until the last line of this book.

I also had a lot of fun with Varg in this book.  Varg, or as his warband knows him, Varg No-Sense, was probably my favourite character in The Shadow of the Gods and he continues to be an excellent part of this sequel.  While he doesn’t develop as much as some of the other characters in The Hunger of the Gods, Varg still remains an enjoyable figure.  Most of the appeal revolves around his friendship and growing sense of acceptance with his fellow Bloodsworn, and I liked seeing him continue to develop as a warrior and a free person, especially as starts to create some meaningful relationships.  Like Orka, a lot of Varg’s personal storyline deals with his desire for vengeance, as well as his issues controlling his Tainted rage, and I liked seeing how this complemented and contrasted with Orka’s experiences.  This is particularly noticeable when it comes to how he deals with loss, something he is not good at, especially when some good friends fall throughout the story.  As a result, there are some great moments for Varg in this novel, and his chapters are filled with some of the funniest supporting characters and best battle sequences.  I did find it interesting that Varg didn’t have the biggest impact on the overall storyline in this novel, even during his own chapters, but Gwynne is clearly planning some big things for him in the future, which I am really looking forward to.

Elvar, also has a great storyline in The Hunger of the Gods, and I honestly think that out of all the characters, she has the most development in this book.  Due to where her story from The Shadow of the Gods ended up (dragon gods rising and all), I was extremely excited to see more from Elvar in this novel, and it really did not disappoint as she immediately gets into action, resurrecting gods and bending them to her will.  Quite a lot of major plot elements occur through Elvar’s eyes, and she proves to be an excellent focus for all these key storylines.  I liked how Elvar grew up quite a lot in this sequel, especially after the traumatic betrayals of the previous book, and she ends up with a very different mindset throughout this sequel, especially when it comes to leadership and her need for fame.  Watching her grow and take control of the Battle-Grim is a compelling part of this novel, and it was awesome to see her come to terms with her new responsibilities.  It was also great to see how a lot of Elvar’s story comes full circle in this novel, especially when it comes to her personal history and family, and her final chapters in this novel are some of the best in the book.  I am once again extremely keen to see how Elvar’s story continues in the rest of the series, and Gwynne has left her in an incredible spot for the future.

Like I mentioned above, I was really impressed with Gwynne’s decision to start utilising two additional point-of-view characters in The Hunger of the Gods, and it really helped to turn this sequel into a much more detailed and compelling read.  Part of the reason this works so well is that these two additional characters are both complex and excellent characters, and their chapters act as a great continuation of some of the minor storylines from the first book.  The first of these characters is Biorr, former member of the Battle-Grim who was revealed to be a spy planted by Lik-Rifa’s followers and who ended up betraying and killing the Battle-Grim’s leader.  While it would be easy to hate Biorr for his actions, he becomes quite a sympathetic character.  Not only does he spend most of the book feeling intense guilt for his actions, but he also paints a pretty grim picture of his previous life as a slave, showcasing the hardships he and his fellow Tainted have suffered.  As such, you can understand many of his reasons for why he is helping Lik-Rifa, especially as she is promising a new world order for people like him.  Despite this he is still quite conflicted, and he acts as a more moderate antagonist.  This changes towards the end of the book, especially after he meets a certain divine being, and he starts to become a bit colder and more determined to support Lik-Rifa.  Despite being one of the least action-packed storylines in the novel, Biorr’s chapters were an excellent and entertaining part of the novel.  I particularly enjoyed the intriguing alternate views they gave of the main group of antagonists, making them seem more reasonable and complex, and the inclusion of Biorr greatly enhanced the entire narrative for the best.

The other new point-of-view character is Gudvarr, the conceited lordling who hunted Orka in the last book and was a particularly annoying antagonist.  I must admit that I was initially surprised that out of all the great supporting characters, Gudvarr was the one who was upgraded to main cast.  However, it soon became apparent why he was used, as Gwynne had some real fun turning him into one of the entertainingly despicable characters in the entire novel.  Gudvarr is the absolute epitome of arrogance, petty cruelty and cowardice throughout this book, and it is near impossible to have any respect for him, as he lies, brownnoses and attempt anything to gain power and reputation, often with disastrous results.  Gwynne goes out of his way to make him seem as conceited and cowardly as possible throughout the novel, mainly through his inner monologue, where he constantly hides all his insults and most cowardly thoughts to avoid getting into trouble with actual warrior.  He is such a little arseling in this novel, and you can’t help but hate him, especially as he has the devil’s luck and frustratingly manages to wiggle out of every single disaster he finds himself in.  Despite this, or perhaps because of it, I grew to really enjoy Gudvarr’s chapters as everything he did was hilarious in a sneaky and spiteful way, and it is just so damn entertaining to see him get pushed around then overcome more powerful and confident characters.  The Gudvarr chapters also provide some fantastic insight into another group of antagonists, loaded with political intrigue and deceit from one of the main courts of Vigrid.  I had an absolute blast following Gudvarr throughout the novel, and the way that his storyline in this novel comes to an end is just so perfect and really showcases what an absolute cowardly snake he is.  I cannot wait to see him get his eventual just deserts (or maybe he’ll be the only survivor), and he ended up being on of my surprisingly favourites in The Hunger of the Gods.

Aside from these main five characters, The Hunger of the Gods is filled with a massive raft of supporting characters, with a distinctive cast associated with each of the point-of-view storylines.  Gwynne handles these supporting characters beautifully; despite the cast list going on for six pages, you get to know all of them and fully appreciate everything they bring to the story.  Most of these characters support their respective storylines incredibly well and many of the characters either stand on their own as distinctive figures or have some brilliant interactions with the main characters.  Many of my favourites were members of the Bloodsworn band, with the hilarious and witty Svik being the best example of this with his tall tales, love of cheese, and calming attitude towards Varg, while an additional storyline about his connection to Orka adding some intriguing depth to his character.  You really get to enjoy many of the key Bloodsworn members, although this does mean you become way too emotionally strained when they get hurt or killed.  I also really grew to enjoy returning character Lif in this book as he continues to grow as a warrior through Orka’s tutelage.  Watching him develop is a great part of the Orka chapters, and he proves to be an excellent foil to the brutal main character.  I loved the deeper look at many of the series’ main antagonists throughout The Hunger of Gods, especially with the two new character perspectives, and it was great to see a different side to their plans and motivations.  The multiple resurrected or freed god characters proved to be an excellent addition to this second novel, with the main characters brought into their renewed war one way or another.  These gods really changed the entire story, and it was fascinating to see their interactions with the main characters, as well impact they have on everyone’s psyches.  These great characters, and many more, all added a ton to the story, and I loved how their various arcs and storylines came together.  It will be fascinating to see if anybody else becomes a point-of-view protagonists in the future (my money is on Lif), and I can’t wait to see what happens to these brilliant characters in the future.

While I was lucky enough to receive a physical copy of The Hunger of the Gods, I ended up listening to the audiobook version of it instead, which was an extremely awesome experience.  With a runtime of just under 23 hours, this is a pretty lengthy audiobook (the 19th longest audiobook I’ve ever listened to) and requires a substantial investment of time.  However, this is more than worth it as hearing this epic tale read out to you is a brilliant experience.  Not only does it ensure that you become deeply trapped in the elaborate story and are able to absorb all the great detail, but it also fits with the book’s inherit theme of an oral saga.  One of the best features of this audiobook is impressive narrator Colin Mace, a man with a ton experience narrating elaborate fantasy and science fiction audiobooks (such as The Black Hawks by David Wragg).  Mace has a commanding and powerful voice that really fits the theme of this universe and perfectly conveys all the violence, grim settings and powerful elements of the dark fantasy world.  He does a particularly good job with the character voices as well, as every character has a distinctive tone that fits their personality and actions extremely well.  I loved some of the great voices that he comes up with, including deep-voiced warriors, snivelling cowards, strange creatures, ethereal gods and more, and it helped to turn The Hunger of the Gods audiobook into quite an experience.  As such, I would strongly recommend this audiobook format as the way to enjoy The Hunger of the Gods, and I fully intend to check out the rest of this series on audiobook when it comes out.

John Gwynne continues to dominate the fantasy genre with his incredible Bloodsworn Saga.  The amazing second entry, The Hunger of the Gods, is another exceptional read that takes you on a wild and deadly adventure through Gwynne’s impressively put together dark fantasy world.  Containing an epic and powerful story, chock full of action, Norse fantasy elements and impressive characters, The Hunger of the Gods was one of the best reads of 2022 so far and I had an outstanding time reading it.  In some ways The Hunger of the Gods ended up being a better novel than the first entry in the series and is an absolute must read for all fantasy fans.

Throwback Thursday: Star Wars: Kenobi by John Jackson Miller

Star Wars - Kenobi Cover

Publisher: Random House Audio (Audiobook – 27 August 2013)

Series: Star Wars Legends

Length: 13 hours and 36 minutes

My Rating: 4.5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this week’s Throwback Thursday I take another look awesome book from the Star Wars Legends range, Kenobi by John Jackson Miller.

As I mentioned last week, I have been going out of my way to read some of the older Star Wars Legends tie-in novels, especially after all the fun I had recently reading and reviewing Darth Plagueis.  Despite no longer being considered canon since the Disney buyout, the Star Wars Legends range contains some cracking reads, including the awesome horror read Death Troopers, the brutal prison novel Maul: Lockdown, and the fun heist novel Scoundrels.  I have been meaning to check out some other great Legends novel for a while, but the one that I have been particularly excited to read is the 2013 novel, Kenobi.

Kenobi, which was one of the last novels released as part of the Legends line, is an intriguing read that follows Obi-Wan Kenobi in the aftermath of Revenge of the Sith and follows his early adventures on Tatooine.  Not only does this book have an intriguing plot, but the upcoming release of the new Obi-Wan Kenobi television series has got me more curious about this novel and I really wanted to see what differences occur between it and the show.  I was also drawn to fact that Kenobi was written by the supremely talented tie-in author John Jackson Miller.  Miller is a great author, who has written not only some intriguing Star Wars books but also some fantastic Star Trek novels, including Die Standing, which was particularly awesome.  As such, I was pretty sure I was in for an outstanding time reading Kenobi, and I definitely wasn’t disappointed.

Star Wars - Kenobi Cover 2

These are dark days for the galaxy.  The Republic and the Jedi have fallen, and the Empire, along with its Sith masters, has risen in its place.  All hope looks lost, except for an orphaned baby boy, now living on Tatooine, and watched over by a solitary protector, former Jedi Master Obi-Wan Kenobi.  After failing to save his fallen apprentice, Obi-Wan has retreated to the wilds of Tatooine, determined to hone his abilities, protect his charge, and wait for the day that hope is ready to return to the galaxy.  Sticking to the outskirts of the planet, Obi-Wan has taken on a new persona of Ben, a mysterious bearded and robed stranger, living alone in the desert and hiding from his past.  However, despite all his attempts to blend in, Ben is still a Jedi, and trouble follows him wherever he goes.

A deadly conflict is brewing in the deserts of Tatooine as enterprising moisture farmers clash with desperate Tusken Raiders.  The settlers are terrified of a new and ruthless Tusken war chief who has leading raids against their farmsteads, resulting in series of brutal retaliatory attacks.  When the fight seeks to engulf some of Ben’s new friends, he is again dragged into a war he never asked for.  Discovering a grave injustice as innocents are killed for a matter of greed, Ben will once again call upon the powers of the Force to ensure justice is done.  But can he achieve his goals without revealing to the entire planet that he is a Jedi, or will his greatest secret be uncovered along with the galaxy’s last hope?

Wow, this was a pretty impressive and captivating Star Wars novel from Miller that does a wonderful job showing a unique period in an iconic character’s life.  Featuring a brilliant and surprising story, set in the iconic backdrop of Tatooine, Kenobi is an excellent read that I had an amazing time getting through.

I must admit that I was a little surprised with how this story turned out.  With a name like Kenobi, you would assume that the narrative would be primarily told by Obi-Wan as he tried to settle in and survive on Tatooine.  However, Obi-Wan isn’t even a point-of-view character in this book, instead the story revolves more around some of the local people of Tatooine as they encounter Obi-Wan (or Ben, as he is known to them).  While on paper this might sound weird, it actually works really well and Miller tells a taught, powerful and compelling narrative that perfectly utilises its titular character as a mysterious and somewhat unknown figure.  Focusing on a growing battle between Tatooine settlers and the Tusken Raiders, the story shows the impact of the arriving Ben on these long-standing communities.  Miller does a great job of introducing several excellent and impressive new characters who become connected to this early version of Ben Kenobi.  Their story soon devolves into a fast-paced, character-driven adventure as Ben finds himself caught between the opposing sides.  The growing war between them takes some interesting turns, including monsters, gangsters and hidden Jedi, and introduces a fantastic villain with some clever motivations.  Miller does a great job of working the desolate setting of Tatooine and the excellent characters into this story, and you soon become attached to both as they enhance the overall the story.  Everything comes together into a captivating and moving conclusion that is exciting, emotional, and a little dark in places, bringing everything together in a satisfying way.  This intriguing story proves to be exceeding addictive and I really love the distinctive tale that Miller came up with.

This proved to be a particularly good entry in the Star Wars Legends canon, and Miller does an outstanding job of tying this story into the wider universe.  Set right after the final scene of Revenge of the Sith, you get some intriguing views of the new galaxy under the Empire, as well as Kenobi’s early attempts to settle into obscurity on Tatooine (including the answer to the question: why did he keep the last name Kenobi? The answer may surprise you).  Thanks to Miller’s excellent writing and the close relationship to the third prequel film, Kenobi is an easy novel to get into for anyone who has seen the films, and most readers will really appreciate the cool story it contains.  There are multiple references to all three prequel films and A New Hope in this book, and I know a lot of people will appreciate seeing how several of these events impacted the wider Tatooine community in surprisingly ways.  Miller also makes sure to provide a ton of compelling references to some more obscure Star Wars Legends elements, including multiple characters and events from certain comics, such as Outlander arc of Star Wars: Republic and the Star Wars Legacy series.  Some references are pretty ingrained in certain part of the Tusken Raider character’s backstories and motivations, although readers can probably get away without knowing too much about them as Miller does summarise the most relevant details.  As such, there is a lot here for the hard-core Star Wars and Legends fans to enjoy with this book, and most readers will enjoy seeing how it ties into the former canon.

Star Wars - Kenobi Cover 3

I have to say that I was quite impressed with how Miller utilises the barren and desolate planet of Tatooine as a setting in Kenobi.  This book serves as a particularly good guide to Tatooine in the Legends canon, and you are soon immersed in the various cultures and landscapes of this deadly planet.  Not only are there multiple breathtaking and powerful depictions of the unforgiving desert landscape that the characters are forced to survive on but there are some fantastic looks at some of the creatures, monsters and threats that exist in the desert, most of which are encountered by the protagonists at some point.  The readers are also treated to an intensive look at some of the main groups of people living on Tatooine, particularly the moisture farmers and the Tusken Raiders.  I loved the depictions of these two different groups, with Miller amping up the resemblance to old West settlers and Native Americans in their cultures, disbursement, and conflict (the phrase “dancing with Tuskens” was used at one point).  I learnt a surprising amount about moisture farming in this novel, which was pretty fun, and it was really interesting to see some of the outcasts and settlers who take up the hard lifestyle.  However, the best depictions involve the Tuskens, who are featured pretty heavily thanks to the use of supporting character A’Yark.  You get some fascinating looks at the tough and often unexplained Tuskens throughout Kenobi and end up coming away with some compelling looks at their culture and lifestyles, as well as some mentions about their most distinctive members in the Legends canon.  I really appreciated the way that Miller portrayed them as a desperate people, thanks to several distinctive events from the films and the comics, and this becomes a major part of their motivations for fighting the settlers and coming into contact with Obi-Wan.  You really get a deep look at this entire setting and its people throughout the course of the story and I am extremely glad Miller featured them so heavily

Unsurprisingly, considering the title of this novel, the reader gets quite an intriguing look at the character of Obi-Wan Kenobi.  This version of Obi-Wan is recently arrived on Tatooine, only just removed from delivering baby Luke to his aunt and uncle, and now trying to find his place in the new, darker universe.  I really enjoyed how Obi-Wan was portrayed in this novel, especially as Miller made the interesting choice not to use him as a point-of-view character.  Instead, you see him purely through the eyes of the rest of the cast as the mysterious and weird hermit, Ben.  This actually works really well on many levels, providing at times a distant view of the protagonist that is reminiscent of Ben’s initial introductions in A New Hope.  I really enjoyed the other character’s impressions of Ben, especially as the character is trying to hide his Jedi abilities, and the fun reactions to his apparently odd actions are quite entertaining at times.

Despite Kenobi not being a point-of-view character, you do get some quite detailed impressions of his current state of mind, and it soon becomes apparent that Obi-Wan is emotionally raw after the events of Revenge of the Sith.  The other characters are quick to notice his apparent sadness, especially through certain noticeable reactions to particular topics, such as his past or the state of the galaxy.  While these other characters may not understand their significance, the reader certainly does, and Miller does a good job of showcasing his deep pain.  This troubled emotional state is also highlighted by several interludes that feature Obi-Wan’s attempted conversations with Qui-Gon Jinn in the Force, which summarise some of the recent events from Ben’s perspective while also examining his state of mind.  As the novel continues, certain events and revelations start to push Kenobi’s buttons, especially the actions of the book’s antagonist.  This eventually leads up to a big emotional outburst from Ben as he talks to one of the other characters about his failings in his past.  Watching him beat himself up for Anakin turning to the Dark Side, as well as the fall of the Jedi and the death of all his friends, is pretty heartbreaking, and it makes for the best scene in the entire novel.  I found it fascinating to see all these emotions unfurl as the plot continue, and the use of other character’s as the primary witnesses and interpreters of this, did a surprisingly good job of exploring the character’s mental state and showcasing just how alone and damaged he truly was.

While Obi-Wan does get a substantial amount of focus throughout Kenobi, the story is primarily told through the eyes of three separate point-of-view characters who Obi-Wan interacts with in different ways.  All three characters are pretty fascinating in their own right, and Miller sets up some brilliant and clever storylines around them.  My favourite of these is probably rancher and businessman Orrin Gault, who has an impressive and captivating character arc in Kenobi.  Initially portrayed as a compassionate, generous and ambitious moisture farmer who has set up the settler militia to oppose the Tusken Raids, Orrin appears to be a decent and noble figure.  However, Orrin has a dark side brought on by hidden motivations and dealings, and it soon becomes clear that many of the issues impacting the other characters are the result of his machinations.  Miller slowly reveals the full extent of Orrin’s misdeeds throughout the course of Kenobi, and he eventually turns into quite a conniving and distinctive antagonist.  The author provides some outstanding and powerful moments for Orrin throughout the book, and there are some interesting similarities between his fall and that of Anakin Skywalker.  I deeply enjoyed the full extent of his powerful arc in Kenobi, especially as Miller comes up with a particularly dark end to his story, and his inclusion really added to overall impact and strength of this book’s narrative.

The other major human character is Kallie Calwell, a store owner who runs the local watering hole and supply shop with her children and who has a close relationship with Orrin Gault.  Kallie ends up becoming one of the leading figures of the book after she and her daughter are the first settlers in the area to encounter the mysterious Ben and are instantly enthralled by his mysterious persona.  Kallie serves as a good narrator for a large portion of the novel and ends up being the central point of view figure for most of the interactions with Ben due to her romantic interest in him.  While I must admit I wasn’t the biggest fan of Kallie’s character (she was a bit too one-note and her constant family issues got tiring), she did have some intriguing scenes, especially when she interacted with Ben.  She ended up getting the most out of him emotionally, and her connection got him to open up at times to discuss his issues.

The other major point of view character was the deeply fascinating figure of A’Yark, the leader of the Tusken Raiders who have been raiding the local settlements.  Given the title of Plug Eye by the locals due to only having one mysterious red eye, A’Yark stands as a hard and uncompromising figure, determined to save their dying tribe without losing their traditions and sense of honour.  Thanks to A’Yark’s powerfully written scenes, you get a real sense of what it is to be a Tusken Raider, and they serve as captivating figure in comparison to the other characters in the book.  A’Yark has great story arc in this novel, and the intriguing growth, as well as their ability to adapt to certain situations, made them particularly fun to watch.  They also have some interesting connections to Obi-Wan and the Jedi Order, thanks to their former brother-in-law, and this results in some compelling scenes as A’Yark knows what Kenobi is and what he can do.  All these characters, and more, add some fascinating elements to the Kenobi novel, and I really appreciated the powerful and complex story that Miller wove around them.

Star Wars - Kenobi Cover 4

I doubt anyone would be surprised that I checked out Kenobi’s audiobook format, as I have a great love of the Star Wars audiobook format.  Naturally this worked out very well for me as the Kenobi audiobook was pretty damn awesome.  With a run time of just over 13 and a half hours, this was a relatively easy audiobook to get through and I managed to power through it over the course of several days.  Like most of the Star Wars audiobooks, Kenobi featured a great selection of iconic Star Wars sound effects and music with which the producers use to produce an atmosphere and help listeners visuals all the cool things going on.  Both were really good throughout Kenobi, with the sound effects in particularly being put to great use.  I did think that the use of John William’s epic score was a little more subtle here than in other books, but it still ended up enhancing some key scenes throughout the novel and giving them some extra emotional power.

I was also very impressed by the narration of the Kenobi audiobook, especially as the producers made excellent use of one of my favourite audiobook narrators, Jonathan Davis.  Davis is a brilliant narrator who has lent his epic voice out to multiple Star Wars productions over the years, including Master & Apprentice, Lords of the Sith and the Dooku: Jedi Lost audio drama.  He does another exceptional job with Kenobi, perfectly portraying all the characters of this novel with real aplomb.  He does a pretty good job with Obi-Wan, making himself sound as much like Ewan McGregor as possible, and I loved how intense he became during some of his more dramatic scenes.  Davis also provides distinctive voices for all the new characters in the novel, which I felt did a great job portraying their relevant personalities.  I particularly loved the scratchy and coarse voices of the various Tusken Raider characters, such as A’Yark, and you got a real sense of their rage and despair they have at their current situation.  This epic voice work really added to the quality of the Kenobi audiobook, and when combined with the usual awesome Star Wars sound effects and music, ensured that this was an absolute treat to listen to.

Overall, Kenobi by John Jackson Miller is a brilliant and powerful Star Wars novel that did an outstanding job of examining this complex and pivotal figure.  Perfectly examining the early days of Obi-Wan Kenobi’s life on Tatooine, this impressive Star Wars Legends novel contains an intriguing, character driven novel that provides an interesting perspective on this hidden Jedi master which I deeply enjoyed.  Making full use of some great new characters and the desolate desert setting, this was a compelling and addictive narrative that is really hard to put down.  Highly recommended, especially in its audiobook format, Kenobi is a great entry in the Star Wars Legends range and I look forward to seeing if any elements from it are used in the upcoming Obi-Wan Kenobi television show.

Warhammer 40,000: The Bookkeeper’s Skull by Justin D. Hill

The Bookkeeper's Skull Cover

Publisher: Black Library (Audiobook – 18 January 2022)

Series: Warhammer 40,000/Warhammer Horror

Length: 4 hours and 32 minutes

My Rating: 4.5 out of 5 stars

Get ready to dive back into the crazy and terrifying Warhammer 40,000 universe with the clever and exciting read, The Bookkeeper’s Skull by acclaimed author Justin D. Hill, which serves as a great entry in the Warhammer Horror sub-series.

Despite not being even halfway done yet, 2022 has already produced some epic new entries in the Warhammer 40,000 universe, including Steel Tread by Andy Clark, Reign by Nate Crowley, Day of Ascension by Adrian Tchaikovsky and Krieg by Steve Lyons, just to name a few.  After these awesome reads, there was no way I wasn’t going to check out The Bookkeeper’s Skull, especially when it had such an intriguing name.  The Bookkeeper’s Skull is an awesome book that forms part of a sub-series of Warhammer tie-in fiction known as Warhammer Horror.  This series unsurprisingly presents the reader with horror-based stories in its various universes and has already produced some very cool sounding reads.  The Bookkeeper’s Skull is my first brush with this horror series, and I was very excited to read one, especially as it was written by Justin D. Hill, a fantastic author who has been impressing recently with several great novels, including his Cadia series.  I loved the unique and clever story that Hill came up with for The Bookkeeper’s Skull.

Throughout the Imperium of Man, many planets serve the God Emperor in different ways.  For the agri-world of Potence, its only duty is to meet the iron-firm food quotas levied upon it by Imperial hierarchy, ensuring that the armies of the Imperium are supplied with all the food they need to fight the aliens and the heretics.  The enforcers, implacable lawmen with the ability to deal out death on an arbitrary basis, roam the planet and the farms of Potence, ensuring that the populace and serfs do all there is to produce the appropriate amounts.

Rudgard Howe is a new enforcer recruit who has just reported to duty.  The son of the planet’s chief enforcer, Rudgard faces a deadly future which will eventually force him to kill his older brothers to claim his dying father’s position.  But before he faces his family, he must learn the ropes by journeying out to the farmsteads of the planet and ensuring they can meet their quotas.  Travelling with a veteran enforcer, Rudgard learns the hard truths about life in the Imperium and the necessities of justice in keeping the planet running.  However, no lessons will prepare Rudgard for the horrors awaiting the enforcers at their final destination, the far-flung farmstead of Thorsarbour.

Located out in an ancient and unknown region of the planet, Thorsarbour is a cursed settlement, with its overseers poorly led and its serfs living in terror of the strange presences they claim to feel.  Finding the settlement far behind its quotas, the enforcers attempt to whip the farm into shape, but between the unnatural feeling of the land surrounding Thorsarbour and the dangerous presence of a bloody sanguinary cult amongst the serfs, they have their work cut out for them.  Worse, a series of unexplained and brutal murders are occurring around Thorsarbour, each one accompanied by mysterious strawman placed near the body.  As Rudgard tries to uncover the cause of these mysterious deaths before they destabilise their work, the enforcers begin to discover something unnatural behind them.  Can they discover the culprit before it is too late, or will the horrors of Thorsarbour consume them all?

This was a really interesting first dive into the Warhammer Horror series for me and it is one that I am very glad that I undertook.  The Bookkeeper’s Skull is an excellent novel that very quickly grabbed my attention with its clever storytelling and fantastic, fast-paced plot.  Hill manages to do a lot with this story in a very short amount of time as The Bookkeeper’s Skull has a pretty short run time.  Despite this, the reader is quickly and succinctly introduced to the main character and narrator, Rudgard, and the world of Potence, in a great couple of opening chapters, before dropping them right into the horror of Thorsarbour.  Once the narrator arrives then you are quickly struck by the unnatural and freaky nature of the location, as they encounter several of the unusual issues surrounding the farmstead.  Following the initial discovery of a multitude of bodies and death, the protagonists encounter one dangerous situation after another, as they contend with religious fanatics, terrified serfs and overseers, monstrous farm animals, mysterious strawmen, a strange and prophetic girl, and a mysterious force brutally killing off everyone in the compound.  Even with so much happening, the pace of this novel never slackens, and there is a very high death count as everything goes wrong in some very brutal way.  I was pretty hooked on this novel from the very start, and I loved where the story went, even if it did get a little predictable towards the end.  I had a fairly good idea of who was going to live and die from the start, as well as who the killer was likely to be (the title is very suggestive).  I do think that the novel slightly fell apart at the very end, as Hill chooses to leave a little too much mystery behind what sort of force might be ultimately responsible for the events of the book, but this was still an amazing story that I had a lot of fun with.

The Bookkeeper’s Skull turned out to be a pretty good Warhammer 40,000 novel, and I liked how it fit into the wider universe.  This novel is closely related to one of Hill’s other novels, Cadian Honour, which is also set on the world of Potence and features an older version of the protagonist.  I love it when a novel provides an interesting connection to an author’s previous work, especially one that provides some exciting context and personal history, and this was a great example of that.  Despite this, people interested in checking out The Bookkeeper’s Skull don’t need to have any pre-knowledge of Hill’s writing or any other Warhammer 40,000 novels to enjoy this excellent book.  Indeed, this is a fantastic introduction to both Hill’s writing and the wider Warhammer universe and could be an interesting first book to readers curious about either.

I was very impressed with how the author was able to meld horror elements into this Warhammer 40,000 novel to create a unique and impressive story.  Hill did a beautiful job of creating a powerful and creepy atmosphere for this novel right off the bat, especially as the opening chapter features a sinister and freaky toy/companion that the protagonist had as a child (seriously, WTF).  This dark atmosphere only increases as the book continues, especially once the characters arrive at Thorsarbour.  Between the brutal conditions imposed upon the serfs, the unsettling atmosphere, the undercurrent of fear, the crazed religious cult of self-mutilating fanatics, the graphic murders and the haunting presence of several otherworldly characters, you have all the elements you need for a truly impressive and memorable horror tale.  The pacing of the killings is excellent, and the reader finds themselves drawn in by their cruel and bloody nature as the bodies keep dropping in even more elaborate ways.  These killings also work well with the presence of the cult and the appearance of all the strawmen and other agricultural elements, and the book ends up with vibes reminiscent of films like The Wicker Man or Children of the Corn, especially with a pale and potentially psychic child talking about a supernatural figure responsible for the killings.  This ended up being an awesome horror read, and I find myself getting really drawn into the creepy story thanks to some of the freaky elements it contained.

This proved to be a particularly good Warhammer 40,000 novel due to the distinctive setting.  The Bookkeeper’s Skull takes place on a seemingly peaceful agri-world, which gives the reader some intriguing insights into this wider universe.  I loved the cool look at the various archaic ways that this spacefaring civilisation gets food and other resources.  The entire agri-world acts in a mostly feudalistic manner, with practically enslaved serfs doing much of the work on farmsteads.  The blend of gothic science fiction with modern and ancient agriculture elements works really well and it serves as a brilliant background for this darker tale.  Indeed, many of the book’s horror elements are derived from just how bleak and harsh the Imperium of Man truly is and just how badly they treat their own citizens (and they’re the good guys, apparently).  Hill paints some truly shocking pictures of the conditions on this world, including some very gruesome depictions of a rabid self-mutilating cult and some brutal scenes of violence that the enforcers inflict upon the people.  However, the most disturbing part of this world is Gambol, a being who is revealed to be a former criminal who had their arms and legs amputated, his mind modified by technology, and then dressed as a clown to become the protagonist’s childhood toy.  This disturbing figure, equipped with his festering flesh-plugs (shudder!), is sprung on you in the first few pages of the book and really helps to set the horror mood for the reader, as well as just how dark and horrific the Imperium can get (they do this sort of thing to a lot of people).  I loved how grim and dark Hill made this Warhammer story and you really get a sense of just how messed up everything is.

I quite enjoyed the character of Rudgard, who serves as the central protagonist and narrator.  The Bookkeeper’s Skull is told from Rudgard’s point of view in a chronicle format, so you get a real sense of this excellent character both as an experienced enforcer and the young rookie he is in this novel.  This version of Rudgard is a young and inexperienced man who is trying to live up to his family’s legacy, which includes a cruel father, two murderous brothers and an insane mother.  Sent out on routine mission with veteran enforcer Tarrini, Rudgard quickly learns all the terrible truths about his job as he essentially becomes an executioner.  Because of his past and the terrible events of this book, you get to see Rudgard turn into the no-nonsense figure from Hill’s previous novels, and I liked the continued change in his character.  I enjoyed the excellent mentor/mentee relationship he forms with Tarrini, as well as the narrators continued comments attempting or excusing some of his actions.  These considered and compelling notations from the older Rudgard give some interesting context to both the younger and older versions of the character, and it is interesting to see how much he has changed and developed over the years.  While I did think that parts of his backstory were wrapped up a little too quickly, this was still a fantastic examination of a great character and I look forward to seeing more of him in some of Hill’s other works.

I made sure to grab the audiobook version of The Bookkeeper’s Skull, which proved to be an incredible way to enjoy this brilliant novel.  Due to the shorter length of the story, this is a relatively quick audiobook with a rough run time of four and a half hours, which can be powered through extremely quickly.  I found that the audiobook format was highly conducive to the powerful horror mood of the novel and I personally felt that it really enhanced the tension and fear that the story produced.  A lot of the reason why I enjoyed this audiobook was the excellent voice work from narrator Matthew Hunt.  Hunt, who has lent his voice to several Warhammer audio productions in the past, had an excellent voice for this audiobook, and I felt that he captured both the main character and the overall tension of this novel extremely well.  Hunt moved this audiobook along at a swift and compelling pace that really grabs the attention and ensures that you keep listening as events get darker and darker.  Throw in some fantastic and fitting voices (Gambol’s near childlike voice is pretty damn freaky, and I loved the sly and manipulative voice given to the cult leader), and you have an outstanding audiobook that is really worth checking out.

Overall, The Bookkeeper’s Skull by Justin D. Hill is an outstanding and epic Warhammer Horror novel that I had a brilliant time reading.  Hill came up with a clever and captivating story that does an excellent job combining freaky horror elements with the expansive and fun Warhammer 40,000 universe.  I loved my first taste of the Warhammer Horror brand and I look forward to checking out more of it in the future, as well as some more exceptional writing from Hill.

Throwback Thursday: Star Wars: Darth Plagueis by James Luceno

Star Wars - Darth Plagueis Cover

Publisher: Random House Audio (Audiobook – 10 January 2012)

Series: Star Wars Legends

Length: 14 hours and 45 minutes

My Rating: 4.75 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  In my latest Throwback Thursday I look at one of the more interesting novels from the Star Wars Legends universe, Darth Plagueis by James Luceno.

With Star Wars day on the horizon, I have decided to go back and check out some of the key books in the now defunct Star Wars Legends universe.  While no longer canon, there are still some amazing books in the Legends range, including some that will no doubt serve as an inspiration for some future shows or movies.  I have already enjoyed several Legends books, such as Maul: Lockdown, Scoundrels and Death Troopers, but there are still more epic reads that I really want to check out.  Probably the one I was most interested in reading was the epic Darth Plagueis by James Luceno.  Luceno, who also wrote the fantastic novel Tarkin in the current Disney canon, is a very talented author, and I was very excited in checking out his take on the elusive and mysterious Darth Plagueis.

“Did you ever hear the tragedy of Darth Plagueis the Wise?”

Throughout the long and bloody history of the Republic, many Sith lords have risen to threaten the peace and order maintained by their hated rivals, the Jedi.  While some have put complex and deadly plans into effect, few have reached the pinnacle of power, influence or mastery of the Dark Side of the Force as the mysterious Darth Plagueis, whose malign guidance shaped the galaxy in terrible ways and introduced a great darkness.

Upon killing his master and obtaining all the power he ever desired, Darth Plagueis set out to continue his order’s greatest goal: destroying the Jedi and claiming the Republic as his own.  Using his position as a powerful member of the Banking Clan, Darth Plagueis worked to manipulate the Republic into chaos and slowly lead the Jedi to a war they had no hope of winning.  However, even a Sith as powerful as Darth Plagueis is unable to do everything on his own, and he soon seeks out a powerful Force user to take on as his apprentice, a talented politician from Naboo known only as Palpatine.

Renaming Palpatine Darth Sidious, Plagueis begins manipulating events to ensure that his apprentice becomes a major power in the Senate, planning to elevate him to the role of Supreme Chancellor while also destroying those opponents who threaten their plans.  However, despite the importance of their plan, Plagueis’s main desire is not the defeat of the Jedi but of a far older enemy, death itself.  Diving into the mysteries of the Force, Plagueis will explore avenues of power not seen for millennia as he attempts to become the immortal master of the galaxy.  But his obsession with endless life could yet be his greatest undoing.

Wow, Luceno did not disappoint with this fantastic Star Wars novel.  Darth Plagueis is an impressive and captivating read that perfectly tells the story of a particularly elusive figure.  Bringing in some heavy Star Wars elements from the extended lore, Luceno has crafted a brilliant character-driven story that I had an extraordinary time listening to.

Luceno has come up with an interesting story for the Darth Plagueis novel that achieves several goals at once.  Not only does it tell the complete story of this legendary Sith Lord but it provides some interesting context for other pieces of Star Wars fiction, while also containing a powerful story of intrigue, betrayal and darkness.  Set over a period of roughly 35 years and told from the perspectives of Darth Plagueis and Darth Sidious (with a few scenes seen from other characters, like Darth Maul), this brilliant novel does an excellent job of exploring the primary characters while also showing their malicious actions across various theatres of the Star Wars universe.  While the novel starts off a little slow, you soon become engrossed in the story as you encounter multiple layers of manipulation and politics as Plagueis attempts to control the galaxy and make his major plans.  The story is broken into three distinct periods, the first showing some of Plagueis’s early movements as a Sith Master and his initial meeting and recruitment of Sidious.  The second part of the book, set 20 years before the events of The Phantom Menace, showcases Sidious as he becomes established as a Senator as Plagueis contends with some dangerous opponents and plots as he sets up the earliest stages of his master plan.  The final third of the novel is set in the lead-up/during the events of The Phantom Menace, where you see many of the storylines come together, as well as the final chapters of the relationship between Plagueis and Sidious.

I had a really great time with this compelling story, and it is one that I feel will appeal to a lot of Star Wars fans.  While I was a little surprised at the suddenness of some of the time skips, I felt that all three major parts of the novel were really good, and I loved how well they flowed together to create one coherent and fantastic read.  The three separate time periods allow for a massive story, while also featuring some of the key moments of the main character’s lives.  Featuring a ton of intriguing and heavy bits of Star Wars lore, parts of the story do drag a little in places, especially as there is a little less action than your typical Star Wars novel.  However, I found all the politics, machinations and expansions of the Star Wars lore to be extremely fascinating, and there is a brilliant story hidden in there.  The story is also not completely bereft of action, and there are some pretty cool fight sequences scattered throughout the book, including some that show off Plagueis’s full, terrifying abilities.  This story had an excellent tone and pace to it, and I feel that everything came together extremely well and I was pretty enraptured by every damn moment of it.

Star Wars - Darth Plagueis Cover 2

This was a really good Star Wars novel, and it is one that will appeal to a wide range of fans, especially those who enjoyed the Legends range.  While Darth Plagueis is technically no longer canon, Luceno really went out of his way to connect it to the wider Star Wars canon, which is something I really appreciated about this book.  In many ways, Darth Plagueis serves as the ultimate companion to the prequel films as Luceno attempted to fill in some plot holes and unexplained bits of the movies, by exploring the entirety of the Sith’s rise to power.  Bringing in a ton of obscure lore, you get an unparalleled view of how Plagueis and Sidious manipulated events in the Legends canon to lead to the events of the films, and this really helps to fill in some gaps.  Luceno also includes multiple moments from The Phantom Menace film throughout the story, and it was pretty fascinating to see why parts of the antagonist’s plot came together like they did, as well as some excellent alternate views of certain key scenes.  I also deeply enjoyed how Darth Plagueis tied into a ton of other pieces of Star Wars Legends fiction, including books, comics and games.  Multiple prior novels are mentioned or connected to this novel in some way, and I felt that Luceno did a really good job of inserting elements from the already massive extended universe into his book and connecting the stories together and giving all of them more context and interest.  All these connections helped to create a novel that is particularly compelling and intriguing to dedicated Star Wars fans, who will love seeing the events of this book unfold.  While those fans who have only seen the movies will probably be able to enjoy this book easily enough (with only some minor confusion to some of the more obscure parts of the lore), this is a novel best enjoyed by readers who have checked out some other Star Wars Legends books and will appreciate how it fits into that wider version of the canon.

I did like a lot of the universe-building that Luceno did in this novel, as the author explored some fascinating parts of the Legends universe.  Not only does the reader get to experience a lot of obscure elements of Star Wars lore, including aliens, technology, locations and other cool things, but this also serves as one of the most impressive looks at the Sith and the Dark Side of the Force.  Due to the deep examinations of the Sith and its history by Plagueis, as well as other elements contained in the training of Palpatine, the reader is flooded with knowledge about these Dark Side users and their ways, which proves to be quite intriguing.  I had a brilliant time learning more about these deep elements of lore, especially as the characters talk about practicalities as well as history.  The difference between various forms of the Dark Side are very cool, as you see some comparisons between Plagueis’s more scientific based usage of the Force and the Dark Side sorcery preferred by Sidious.  I also found the characters’ own description and assessment of the Sith and the Force to be surprisingly deep, as the characters see themselves as more of a necessary force there to save the galaxy and the Republic from the Jedi.  Darth Plagueis also contains some fantastic detail about the history of the planet Naboo, which I also found really fascinating.  Darth Plagueis goes out of its way to explore the history of the planet and the reasons why it became a political and economic factor in the Republic in the lead-up to The Phantom Menace, and I loved seeing the political strife and manipulation that led to this initial war, as well as the rise of characters like Palpatine and Amidala.  These brilliant pieces of lore are so much fun to learn about, and I had an incredible time finding out more about the Sith in this canon.

Of course, one of the best bits of the lore that Luceno examines in this novel is the role that Darth Plagueis had in the Star Wars universe.  First mentioned in that iconic monologue in Revenge of the Sith, Plagueis remained a mostly shadowy and unknown figure until the release of this book, which serves as the ultimate guide to the character and his history.  Luceno, who at this point had been planning a Darth Plagueis story for years, does a brilliant job of telling the full story of this great character, and you get an outstanding focus on his entire life, especially his time as a Sith Master.  Plagueis, a Muun also known as Hego Damask, is portrayed as a thoughtful, powerful and manipulative being with a surprising nobility and dignity to him.  Fitted with an intriguing backstory and motivations, you see him grow into an extremely powerful Sith Lord throughout the course of the book, and it was fascinating to see all his plans and machinations.   The most significant part of the character’s motivations is his hunt for immortality through the force.  As such, you get a fantastic look at his obsessive experiments and research, as he tries to uncover this ultimate secret.  I felt that Luceno did an incredible job of working this mysterious character into the wider Star Wars canon.  There are some great moments throughout this book that show this shadowy figure manipulating key events from the shadows to bring about the events of the prequel films.  I particularly loved how Luceno fit Plagueis into some scenes from The Phantom Menace, and it is very fun to imagine him watching these moments from just outside camera shot.  This really was an incredible examination and exploration of this character, and I had so much fun finally finding out who Darth Plagueis was and how he was connected to the wider story.  Despite this story no longer being canon, this novel is really the only guide to Darth Plagueis, and it wouldn’t surprise me if it is used as the primary source material for anyone wanting to introduce him in a future film or television series.

While this book does tell the story of Darth Plagueis, in many ways it is just as much about Palpatine as it provides readers with an outstanding look at his early history.  Essentially set during the time he was Darth Plagueis’s apprentice, you get some amazing insights into who Palpatine is and how he turned to the Dark Side of the Force.  Portrayed as manipulative and insidious since birth, you get to see Palpatine at his most evil and dangerous as he learns about the Force and the Sith.  I loved how you get to see various stages of Palpatine’s early life, from his teenage years where he first learns about his powers, to his middle age where he becomes a young ambitious senator and apprentice, to his time as an experienced manipulator and Force user just before coming Supreme Chancellor.  I had a brilliant time seeing Palpatine grow as both a Sith and a politician throughout this book, and you get some fantastic views of his early interactions with key players in the Star Wars canon.  I also deeply enjoyed seeing his intriguing dynamic with Darth Plagueis.  In pretty much all his other appearances, Star Wars fans only ever see the confident and controlling Palpatine who has no-one above him.  However, in Darth Plagueis, you see a somewhat more subservient Palpatine who is forced to bow to the will of one more powerful.  Watching working under another is an interesting change of pace, although some reveals towards the end of the book (and in some other novels, such as Maul: Lockdown), show that he is never as loyal as Plagueis believes.  This truly was an outstanding depiction of Palpatine and it was so awesome to see more about our favourite soon-to-be emperor.

Aside from Plagueis and Palpatine, the Darth Plagueis novel is loaded with a ton of interesting supporting characters, many of whom had roles in the films, animated series or other pieces of Legends fiction.  These intriguing characters help to create the novel’s rich tapestry of politics, intrigue and betrayals, and all of them served some fantastic roles in the book.  I particularly enjoyed seeing the inclusion of other Sith characters like Count Dooku and Darth Maul, especially as this novel serves as a bit of an origin story for both, as you see Palpatine obtaining and training Maul as well as Plagueis and Palpatine manipulating Dooku to leave the Jedi.  I also enjoyed the intriguing look at Plagueis’s own master, Darth Tenebrous, whose brief role showed a whole other aspect to the Sith as he had his own distinctive style.  I did think that the crowd of supporting figures with their own story elements slowed the pace of the novel down a little in the middle of the book, but I ended up having a brilliant time enjoying the story set around the awesome main characters.

Unsurprisingly, I chose to listen to Darth Plagueis on audiobook rather than seeking out a physical copy of this excellent novel.  I naturally had a very fun time listening to this version of the book, which not only featured a brilliant narrator but also made excellent use of the typical Star Wars audiobook production elements.  Darth Plagueis is loaded with cool sound effects and awesome Star Wars music, all of which add to the ambiance of the story in various ways.  I particularly liked the use of John Williams’s iconic scores throughout this audiobook, which did a great job of enhancing several scenes and increasing their emotional impact.  This was particularly true for some of the darker moments in the book, as some of the music associated with the Sith, the Dark Side and death/destruction, are blasted at full volume during some key moments, such as Palpatine discovering his destructive abilities for the first time, or during a couple of massacres.  This awesome music was so cool to hear during these scenes, and you really got an increased sense of the powerful emotions and dark deeds that were going on.

I also deeply enjoyed the epic narration, as this fantastic audiobook features the vocal talents of actor Daniel Davis (whom audiences of taste will recognise as Niles from The Nanny).  Davis gives a powerful and commanding performance here, bringing some major gravitas to the role and the characters.  His voice work for the titular character, Darth Plagueis, is really good, and you get a fantastic sense of the character’s power and wisdom as the novel continues.  Davis also does a brilliant job of voicing multiple characters and species from the Star Wars films, sounding quite close to their original actors.  I loved the voice work for Palpatine, capturing much of the villain’s iconic voice, while also giving it a youthful tilt for the earlier parts of the book.  Other characters, such as Count Dooku and Darth Maul, are also expertly portrayed here, and I particularly liked Davis’s take on Christopher Lee’s amazing voice.  This outstanding voice work, combined with the sound effects and music, helped to turn this into an exceptional listen that I deeply enjoyed.  With a run time just under 15 hours, this is a descent sized Star Wars audiobook, but listeners can power through it in no time at all.  This format comes highly recommended and you will have an outstanding time listening to the Darth Plagueis audiobook.

Overall, Darth Plagueis is an impressive and addictive Star Wars Legends novel that I had an incredible time reading.  James Luceno really excels at telling complex narratives that examine character origins, and Darth Plagueis did a wonderful and comprehensive job of expanding on a mostly unknown figure.  I loved learning everything about this awesome Star Wars figure, and Luceno wove an outstanding tale of intrigue and power around him and his apprentice.  An absolute must read for all fans of the Star Wars extended universe, I cannot wait until they finally introduce this complex figure into the current canon.

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Sierra Six by Mark Greaney

Sierra Six Cover

Publisher: Sphere/Audible Audio (Audiobook – 15 February 2022)

Series: Gray Man – Book 11

Length: 15 hours and 58 minutes

My Rating: 5 out of 5 stars

Epic thriller author Mark Greaney returns with the latest entry in his incredible Gray Man series with Sierra Six, an intense and captivating spy thriller that will grab your attention and refuse to let go until the final explosion.

Over the last few years, I have been absolutely hooked on the incredible thrillers of Mark Greaney, who is easily one of the best authors of spy fiction in the world today.  Not only did he cowrite a very cool military thriller, Red Metal (one of my favourite books and audiobooks of 2019), but he has continued his exceptional Gray Man series.  The Gray Man books follow Court Gentry, the titular Gray Man, an elite assassin and undercover operator who has worked both for and against the CIA.  This series has been so very cool, from the first novel The Gray Man (set to become a Netflix movie later this year), to the last three awesome entries, Mission Critical, One Minute Out (one of my favourite books and audiobooks of 2020) and Relentless (one of my favourite books and audiobooks of 2021).  Due to how impressive this series has been, I have been really excited to read the next book, Sierra Six, and it was one of my most anticipated releases of 2022, especially as it had a very cool plot to it.

Court Gentry, the Gray Man, is once again the world’s most wanted spy, hunted by his former employers, the CIA, and every other intelligence agency on the planet.  Looking for work, Gentry accepts an easy infiltration mission in Algeria to spy on a delegation from Pakistan.  However, the mission goes sideways when Gentry recognises one of the Pakistanis and his rookie technical officer is captured.  Chasing after the kidnappers, Gentry follows their trail to India and must relive one of the darkest moments from his past.

12 years ago, long before he became the Gray Man, Court Gentry was a talented young agent for the CIA.  Specialising in solo operations, Gentry is suddenly reassigned to Ground Branch and must work as the junior member of veteran CIA action team, Golf Sierra.  Given a new designation, Sierra Six, Gentry is forced to adapt to a new way of fighting as he and his team attempt to hunt down a dangerous terrorist leader in Pakistan.  However, their mission resulted in a high body count and a great personal loss that has haunted Gentry ever since.

Now, as Gentry works his way through Mumbai, he must face the realisation that the target of his original Sierra Six mission is still alive and active after all these years.  Determined to finish the job once and for all, Gentry works with a small team of rogue operators to find his target.  However, his old foe has initiated a bold new plan that could have devastating consequences for all of India.  Can Gentry get his revenge before it is too late, or will the ghosts of his past finally finish him off?

Greaney is in fine form with Sierra Six as he has written another excellent and intense spy thriller that I deeply enjoyed.  Containing an action-packed and multilayered narrative loaded with major set pieces, exciting spy elements and some complex characters, this was another awesome Gray Man novel from Greaney.

Sierra Six was an absolutely thrilling read and I had an outstanding time getting through the impressive and addictive narrative.  Greaney does something a little different for this book and features an excellent and intricate split timeline narrative, with the book divided between the events of the past when Gentry was part of Golf Sierra, and the current events in Mumbai which see Gentry again contending with the target of this original mission.  The narrative switches between the two timelines every chapter or two and you get a great sense of what is happening in both well-established storylines.  These two plot lines advance at a great pace throughout the entire novel and feature their own range of distinctive and fun supporting characters, some of whom appear in both the contemporary and past storylines.  I had a lot of fun with the two separate periods, and I loved how they both made excellent use of interesting characters, fantastic developments and a ton of high-octane action sequences.

The timelines support each other extremely well, with certain hints about the events of the past contained in the contemporary storyline increasing anticipation for the historical storyline, while revealed details about the villain and the young Court Gentry from 12 years ago enhance the protagonist’s current adventure.  In both cases, Gentry and his allies embark on a methodical hunt for their quarry, with a high body count accumulating as they follow various leads and respond to their opponent’s counter plays.  While primarily told from Gentry’s perspective, both timelines utilise distinctive side characters to great effect, and you see intriguing supporting perspectives, including from the antagonist, that help to widen the picture and enhance the richness of the story.  Both timelines eventually lead up to an awesome final sequence, comprised of two near-suicidal missions that the protagonist is engaged in.  This final section of the novel is extremely fast paced, especially as Greaney shortens the chapters and introduces more frequent jumps between the timelines to make everything seem even more frenetic.  Both timelines end with some incredible and awesome major set pieces, and I loved how Greaney used the end of the past storyline to set up the antagonist’s eventual return.  The novel ends on a great note, with the two separate storylines coming together perfectly, and the reader is left very satisfied, if a little moved, at the tragic ending of the events from 12 years ago.  I was extremely impressed with how this fantastic story came together, and this ended up being an addictive read with so many awesome moments in it.

Sierra Six was a particularly good entry in this already awesome series, and I loved how Greaney was able to create a book that both stands on its own as a thriller, while also serving as an amazing entry in the wider series.  This novel is structured to be very accessible to new readers, and anyone can easily pick up this book and start reading it without any knowledge of the prior entries in the series, especially as certain key elements are carefully explained when necessary.  There is also a lot for established Gray Man fans to enjoy here, as Greaney provides a bit of an origin story for his long-running protagonist.  Not only do we get to see Court Gentry do some of his earliest work for the CIA, but you also get to see his first interactions with key supporting characters, including Matthew Hanley and Zack Hightower.  I also loved a couple of fun little cameo appearances and throwaway lines that reference some of the earlier books, including the quick but enjoyable inclusion of the antagonist from the original novel.  While there is are no major continuations of some of the established storylines this is still a key and intriguing Gray Man novel, and it is one that people familiar with this series will deeply enjoy.

I was very impressed with some of the unique elements of this book, particularly those involving tradecraft, espionage work and covert combat teams.  There is a real focus on tradecraft throughout Sierra Six, and the author ensures that everything feels exceedingly realistic and gritty as the characters play their spy games.  Not only do you get to see some of the usual undercover work that Gentry excels in but you also get a great look at paramilitary combat, as the protagonist learns from scratch the rules of fighting as part of a combat team.  All this tradecraft really adds to the authenticity of the story, although it did make parts of the book a little clunky in places, especially when the narrator or the characters explain certain espionage or military elements multiple times in overly descriptive ways.

I also rather enjoyed the exciting settings of the various timelines, as Greaney takes the reader to wartime Afghanistan, Pakistan and modern-day India.  This is an interesting change of pace from most of the Gray Man novels I have read, which have been primarily set in Europe, and I liked seeing the various descriptive landscapes and unique people.  Mumbai proved to be a great setting for most of the contemporary storyline, and it was very fun to see Gentry manoeuvre his way through the crowded districts and locals.  I also really enjoyed the focus on Pakistani intelligence and the Indian underworld, which proved to be very fascinating.  For example, the fiction criminal group B-Company are clearly based on the infamous real-life D-Company, and it was quite intriguing to see them worked into the story, while also examining their origin and goals of their leadership.  All these cool tradecraft elements and intriguing settings deeply enhanced the overall story, and it made for quite a fascinating and distinctive read.

There was some rather interesting character work going on in Sierra Six as Greaney takes his fantastic protagonist to some very dark places at various points in his timeline.  I really appreciated the dive back into the period before Court Gentry became the Gray Man, and Greaney paints a compelling figure of a habitual loner with no personal attachments only at the beginning of his espionage career.  Watching Gentry join a team and try to play nice with others was a captivating part of the book, and it was fascinating to see the rookie Gentry get rattled by stuff he’ll become much more used to in the future.  Greaney also enhances Gentry’s development by including a curious, but touching, relationship in the earlier timeline, which helped to humanise Gentry a lot.  However, certain tragic elements from this help mould him into the killer we all know and love, and Greaney subtly introduced the ripples from this into the contemporary storyline.  The reader leaves Sierra Six with a much better understanding of this cool character, and I had a great time seeing more of the Gray Man’s past.

Both timelines are filled with an excellent and comprehensive cast of side characters, each of whom add a great deal to the narrative and Gentry’s development in their own way.  While there are a few recurring characters from the previous Gray Man novels, most of the focus are on newer figures, who Greaney provides with compelling and interesting backstories.  I liked how the past and modern-day storylines both featured great female side characters who helped move the story along in their own distinctive ways.  This includes the socially awkward intelligence officer Julie Marquez, from the original Golf Sierra mission, and Indian tech guru Priyanka Bandari, who Gentry is forced to work with after saving her from kidnappers.  Both female characters add to the plot a great deal, and it is fascinating to see events unfold from their eyes, especially as they have diverse life experiences and are also seeing very different versions of the protagonist.  The storylines around both women are written extremely well, and I really appreciated where both went, especially as they both included tragedy, regret and definitive action.  I also must really highlight the use of long-running supporting character Zack Hightower, who was an excellent inclusion in the historical storyline.  Zack is always a great foil to Gentry, and I really enjoyed seeing him interact with the younger, cockier version here, especially as it shows some of the earlier dynamics between them.  Watching Gentry meet his mentor and friend for the first time was great, and I really enjoyed the cool storyline that developed between them and the other members of the Golf Sierra kill team.  All these characters were extremely impressive and I had a brilliant time getting to know them throughout the course of Sierra Six.

While I did receive a paperback version of Sierra Six, I went out of my way to also get this novel on audiobook as I have had some awesome experiences with the Gray Man books in this format before.  This proved to be an excellent decision as the Sierra Six audiobook was amazing, perfectly telling the cool story while enhancing the intriguing tradecraft and action elements.  The Sierra Six audiobook has a run time just short of 16 hours and so requires a bit of a time investment to get through it, although I think this was more than worth it and dedicated listeners should be able to get through rather quickly.  I was also very happy to see that this audiobook once again featured the vocal talents of Jay Snyder, who is one of my favourite audiobook narrators at the moment.  Snyder has a gruff and distinctive voice that fits the harder spy thriller feel of this novel perfectly and drags the listener into the intense tale.  Snyder does a brilliant voice with all the characters featured within, and you get a good sense of their various emotions and feelings, especially during some of the more action-packed sequences.  I had an outstanding time listening to this audiobook and it is an excellent format for anyone interested in trying out this latest Gray Man novel.

The always impressive Mark Greaney has done it again, producing an incredible and exciting new Gray Man novel.  Sierra Six, features a bold and captivating story that cleverly utilises two distinctive timelines to tell its intense and moving tale.  Loaded with fun character, brutal action sequences, and some intriguing espionage moments, this was another outstanding book I had a brilliant time reading.  Sierra Six comes highly recommended from me and I cannot wait to get my hands on the next Greaney book.

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Warhammer 40,000: Krieg by Steve Lyons

Warhammer 40,000 - Krieg Cover

Publisher: Black Library (Audiobook – 29 January 2022)

Series: Warhammer 40,000

Length: 9 hours and 33 minutes

My Rating: 4.5 out of 5 stars

Death, dishonour and duty all collide as impressive author Steve Lyons returns to the epic Warhammer 40,000 universe with Krieg, which dives into the origins of one the most iconic regiments of Imperial Guard out there, the Death Korps of Krieg.

Damn this has been a good year for Warhammer fiction so far.  We may only be in March, but 2022 has already produced a great collection of awesome Warhammer novels, including Steel Tread, The Twice-Dead King: Reign and Day of Ascension.  I have deeply enjoyed all these cool books, and when another awesome sounding tie-in novel was released on audiobook, I just had to grab it.

This latest book is Krieg by veteran science fiction author Steve Lyons.  Lyons is a new author to me, but he comes with an impressive pedigree in tie-in fiction, having written several Warhammer novels and short stories, a ton of Doctor Who novels and audio dramas, and several other intriguing novels.  I knew that I was probably going to love Krieg and I turned out to be right, as this fantastic and dark Warhammer 40,000 novel contains an intense and captivating tale of a legendary regiment.

In the grim future of the universe, there is only bloodshed and death, especially near the system-spanning Octarius War, where two brutal alien races battle for supremacy, and Imperial forces fight to stop their conflict spilling out into the greater Imperium.  However, the latest round of fighting sees a massive orc ship break through Imperial lines and crash into the massive city of Hive Arathron.  As the desperate Imperial forces fail to contain the invading orcs, all hope looks lost until a new set of deadly reinforcements arrive: the Death Korps of Krieg.

The Death Korps of Krieg are a legendary unit of peerless soldiers who are utterly fearless in battle, fanatically loyal to the Emperor, and who seem to harbour an unnatural desire to die in battle.  But who are the men of Krieg under their gasmasks and coats, and why do they fight so hard to regain their lost honour?  The answer lies thousands of years ago when Krieg attempted to cede from the Imperium, thrusting the planet into a brutal civil war.  In the end, one man stepped forward to end the fighting, and his decision doomed Krieg to become a blasted wasteland where only soldiers are grown.

As the fighting around Hive Arathron continues, many of their fellow soldiers and inquisitorial observers begin to doubt the loyalty and sanity of the Death Korps, especially when their unusual habits and creeds keep them apart from the other members of the Astra Militarium.  However, a deadly discovery deep inside the Hive will show the Imperium just how invaluable the men of Krieg are, especially when history seeks to repeat itself.  Can the Death Korps succeed against the xenos, or will Hive Arathron and its planet soon share a similar fate to Krieg?

The Warhammer 40,000 hits just keep on coming as Krieg turned out to be a truly awesome read.  Steve Lyons has produced an epic and intense novel here, and I loved the brilliant story that not only showcased a dangerous alien threat but which also examined the past of an iconic and captivating faction.

I thought that Lyons came up with an exceptional and captivating narrative for Krieg, which takes the reader on several parallel journeys throughout the history of the Warhammer 40,000 universe.  I have said multiple times before that I think some of the best Warhammer stories out there focus on the common troops, and I was proved right again as Lyons does a brilliant dive into the mind of the average solider when they experience the very worst of circumstances.  The primary storyline is set in the modern era of the canon and shows a regiment of Krieg Imperial Guard dropped into the battle for Hive Arathron to fight the orcs.  This section, which is told entirely from the perspective of supporting non-Krieg characters, shows the Death Korps in battle, with a specific highlight on their unusual appearance and practices.  At the same time, another storyline dives back into the past and shows the civil war that occurred on Krieg and the events that led up to the destruction of the planet and the formation of the modern Death Korps.  Both these storylines take up about half the book and they present the reader with two unique and interesting tales which work to complement the story from the other timeline while also depicting their own brutal military actions.  The stories start to come together towards the end when the protagonists of the contemporary storyline discover nuclear weapons in Hive Arathron, which they need to recover.  This leads to an interesting conclusion that results in some clever parallels between the historical events and the current storyline.  All this leads to a satisfying, if grim, conclusion that reveals the various fates of the supporting characters and wraps up the remaining story elements.

I was really impressed with how Krieg was written, and I think that Lyon did a really good job here.  The story ended up perfectly toeing the line between examining the lore and history of the universe and providing the reader with all the necessary excitement and adventure.  I think the decision to split the book between the two separate timelines was pretty clever, and I had a brilliant time reading the unique storylines it produced.  Both timelines were really good, and I loved the grim and powerful plot points they contained, especially as the protagonists within both suffered defeats, setbacks and brutal character realisations.  If I had to choose a favourite it would probably be the historical storyline set on Krieg, mainly because it shows the more desperate situation and substantially more character development and tragedy.  The twin storylines also did a wonderful job complementing each other, ensuring that the reader gets two separate sides of the titular regiment.  It also results in a series of different battle sequences, and I loved the interesting comparisons between a protracted civil war and a short and brutal fight against orcs.  Krieg ended up being a good standalone read, with a concise, well-paced and beautifully set-up narrative that is pretty easy to get addicted to, especially once both storylines descend into the hell of battle.  This also proved to be an extremely accessible tie-in to the Warhammer 40,000 universe, with Lyons ensuring that newer readers can easily follow what is happening with a minimal of explanation about the universe.  As such I would strongly recommend this book to a wide range of readers, and both experienced Warhammer fans and general science fiction readers will really appreciate the powerful and action-packed story contained within.

Unsurprisingly for a novel named Krieg, there is an extensive and fascinating examination of the Death Korps of Krieg in this book.  Lyons does a brilliant job of diving into this distinctive Warhammer faction, and this novel ended up being a very detailed and impressive love letter towards the infamous regiment.  Every aspect of the modern regiment is shown in exquisite detail, and you get an extremely powerful look at their design, uniform (which is based on the uniforms of World War I German trench fighters), fighting style, equipment, unique regiments, and more, including the iconic Death Riders (I was so very happy they were included, especially as you get several great fight scenes with them, including against orc bikers).  However, the real focus is on their unusual behaviour, including their determination to die in combat, their complete resolve and the fact that they never remove their masks.  Lyons really hammers home the unusualness of this regiment by only showing the modern Krieg soldiers through the eyes of regular soldiers or member of the Inquisition, all of whom are at a loss about what the Krieg are or why they fight so hard.

However, while these outsider characters are left wondering about many of these events, the readers get multiple insights thanks to the chapters that explore the historical civil war on Krieg.  Lyons does an incredible job of portraying this conflict, and it is fascinating to see the events that led up to it and the lengthy and costly war that followed.  Watching the opposing mentalities on Krieg during this time is really fascinating, and you soon get caught up in the dramatic battle that follows, especially as the situation continues to deteriorate over time.  I loved how the origins of the Krieg’s many idiosyncrasies are featured here, and you soon see what necessitated the use of certain equipment or behaviours.  The real highlight is the eventual destruction of Krieg and the subsequent formation of the modern version of the Death Korps.  The scenes that cover this destruction are pretty damn brutal, and watching the slow transition from typical soldiers to the eventual shrouded figures is extremely compelling and awesome.  I really appreciated the way in which Lyons showed off the various stages of the Krieg regiments, and the use of both the historical version of the regiment and its current formation really helped to highlight just how distinctive and cool they are.  While there are still a few secrets left hidden (what’s under the mask??), the reader leaves this book with an impressive appreciation for this awesome regiment, and it wouldn’t surprise me if it convinces several Warhammer 40,000 players to start using the Death Korps in their games.

A quick shoutout also needs to go to the fantastic characters featured throughout Krieg.  Lyons makes use of a large cast to tell this interesting story, and I liked the excellent mixture that this novel contained.  The characters featured in the contemporary line are primarily made up of non-Krieg fighters who serve as an interesting counterpoint to the nameless, faceless Death Korp soldiers.  This includes Inquisitor Ven Bruin, an older witch hunter who leads the search for the hidden weapons in Hive Arathron.  Ven Bruin is a lot gentler and less cynical that a typical Imperial Inquisitor, and he has some intriguing viewpoints on the situation, with his decisions tempered by experience and weariness.  Ven Bruin ends up holding multiple secrets throughout Krieg, and it is emotional to see him impacted by his multiple hard decisions and the lives they cost.  You also get the compelling viewpoint of Sergeant Renick, a Cadian soldier who fights alongside the Krieg.  Renick, who is a surprisingly good female character for a Warhammer novel, gives the common soldier’s viewpoint of events, and I loved seeing her slow opinion change of the Death Korps after seeing them in action against the orcs.

While there are some great characters in the Hive Arathron storyline, Lyons saves his best character work for the historical storyline on Krieg, which highlights the key people in the deadly civil war that destroyed the planet.  While there are several intriguing figures here, most of the focus is given to Colonel Jurten, the Imperial Guard commander who fights to keep Krieg in the Imperium.  Jurten is a weary veteran character who borders on the fanatical, especially when it comes to saving his home from himself.  Throughout the course of the book, you see Jurten fight a desperate war for his believes that culminates in him making a terrible decision that will impact his people for generations.  Watching Jurten’s substantial resolve slowly chip away throughout the book is very intense, and Lyon really shows the weight his beliefs and determination bear on him, especially after he makes the very worst of choices.  The other characters in this past storyline serve as an excellent support cast, and it was great to see their concerns and opinions about the battles being fought, especially compared to the resilient Jurten.  My favourite is probably the mysterious Adeptus Mechanicus tech-priest, Greel, who acts as the devil on Jurten’s shoulder, convincing him to make the tough decision about the future of Krieg.  I am still a little uncertain whether Greel was a hero or a villain (probably both; it is Warhammer), and I would be curious to find out more about him and his motivations in the future.  An excellent group of characters, I would be interested to see more of some of them in the future.

Unsurprisingly, I made sure to grab the audiobook version of Krieg, which ended up being another excellent and enjoyable experience.  I deeply enjoy Warhammer audiobooks, especially as they tend to enhance the grim and brutal stories, while also highlighting all the cool details about the Warhammer universe.  I had amazing time with the Krieg audiobook, and with a runtime of only 9 hours and 33 minutes, this was a pretty easy audiobook to get through.  The audiobook did an excellent job capturing the grim battles and blasted warzones featured throughout this awesome novel, and I could easily envisage every fight and every brutal decision.  I was also really impressed with the voice work of narrator Timothy Watson, who brought a ton of gravitas and intensity to this book.  Watson’s voice fit perfectly into this grim universe, and he did an outstanding job of capturing the various larger-than-life characters featured within, while also providing great Germanic accents to all the characters who originated from Krieg.  You really get a brilliant range of voices throughout Krieg, and I loved Watson’s ability to showcase the devotion, despair and weariness of all these great figures.  Another brilliant and wonderful Warhammer audiobook, this is easily the best way to enjoy this amazing tie-in book.

Overall, Krieg by Steven Lyons was another awesome Warhammer 40,000 novel that did a wonderful job of examining one of the game’s more unique and enjoyable faction.  Containing an action-packed narrative that highlighted the fantastic Death Korps of Krieg and showcased the events that made the soldiers they are today; Krieg was an addictive and clever read.  I loved the excellent use of a split timeline narrative, especially when it dove back into the civil war on Krieg, and the result was a grim and haunting tale of regret, duty and honour.  Highly recommended to all fans of Warhammer 40,000, you will love this beautiful and moving love letter to the iconic Death Korps and their tragic origins.

Top Ten Tuesday – Longest Audiobooks That I Have Listened To – Part III

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  For this week’s Top Ten Tuesday, I’m veering away from the official topic (this week it was Top Ten Books with your Favourite Trope/Theme), and instead I chose to revisit and update a fun post I last looked at nearly two years ago.

As readers of this blog will be aware, I am a massive fan of audiobooks, and it is often the best way to enjoy a good book.  I have been lucky enough to listen to an impressive collection of audiobooks over the years, with some of them being extremely long, often taking me weeks to get through.  Back in 2019, I got curious about all the audiobooks I had listened to, and I wanted to know which were the longest ones that I had ever listened to.  As a result, I sat down and worked out which ones had the longest run time.  This turned into such an interesting endeavour that I ended up posting on my blog here, with the longest 20 books featured.  I had such an amazing time doing this that a year later I had a go at updating it, adding in a few additional reads.

Well, it has been nearly two years since I last updated this list and I always intended to keep coming back to this list to see how the recent long audiobooks I have listened to stacked up against the books already on this list.  Since the last update in 2020 I have managed to listen to quite a few new audiobooks, several of which had an excellent run time.  As I just reviewed one of these yesterday, I thought this would be a good time to update the list again and see what differences have been made in the last year.  The list below is similar to the list I posted a couple of years ago, with several new additions added in (see the highlighted posts).  I ended up extending the list to 25 entries, mainly to fit a couple of extra recent audiobooks in, so prepare for even more awesome covers.

List:

1. The Way of Kings by Brandon Sanderson, narrated by Michael Kramer and Kate Reading – 45 hours and 48 minutes

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2. The Wise Man’s Fear by Patrick Rothfuss, narrated by Nick Podehl – 42 hours and 55 minutes

The Wise Mans Fear Cover

 

3. Magician by Raymond E. Feist, narrated by Peter Joyce – 36 hours and 14 minutes

Magician Cover

 

4. A Game of Thrones by George R. R. Martin, narrated by Roy Dotrice – 33 hours and 45 minutes

A Game of Thrones Cover

 

5. Mistress of the Empire by Raymond E. Feist and Janny Wurst, narrated by Tania Rodrigues – 32 hours and 1 minutes

Mistress of the Empire Cover

 

6. Inheritance by Christopher Paolini, narrated by Gerrard Doyle – 31 hours and 29 minutes

Inheritance Cover

 

7. Servant of the Empire by Raymond E. Feist and Janny Wurst, narrated by Tania Rodrigues – 30 hours and 42 minutes

Servant of the Empire Cover

 

8. The Ember Blade by Chris Wooding, narrated by Simon Bubb – 30 hours and 40 minutes

the ember blade cover

 

9. Brisingr by Christopher Paolini, narrated by Gerrard Doyle – 29 hours and 34 minutes

Brisingr Cover

 

10. Howling Dark by Christopher Ruocchio, narrated by Samuel Roukin – 28 hours and 3 minutes

Howling Dark Cover

 

11. The Name of the Wind by Patrick Rothfuss, narrated by Nick Podehl – 27 hours and 55 minutes

The Name of the Wind Cover

 

12. House of Earth and Blood by Sarah J. Maas, narrated by Elizabeth Evans – 27 hours and 50 minutes

House of Earth and Blood Cover

 

13. Harry Potter and the Order of the Phoenix by J. K. Rowling, narrated by Jim Dale – 27 hours and 2 minutes

The Order of the Phoenix Cover

 

14. Red Seas under Red Skies by Scott Lynch, narrated by Michael Page – 25 hours and 34 minutes

Red Seas Under Red Skies

 

15. The Republic of Thieves by Scott Lynch, narrated by Michael Page – 23 hours and 43 minutes

The Republic of Thieves Cover

 

16. The Wisdom of Crowds by Joe Abercrombie, narrated by Steven Pacey – 23 hours and 36 minutes

The Wisdom of Crowds Cover

The longest book I am adding to this list is the epic dark fantasy novel, The Wisdom of Crowds by Joe Abercrombie.  This incredible book, which was one of the best novels and audiobooks of 2021, ends Abercrombie’s Age of Madness trilogy on a very high note.  Containing a brilliant story, some incredible characters, and some major twists, this is an essential read for all fantasy fans.  At nearly 24 hours in length, this is a pretty hefty audiobook, although once you get caught up in the epic story, you will power through it.

 

17. Eldest by Christopher Paolini, narrated by Gerrard Doyle – 23 hours and 29 minutes

Eldest Cover

 

18. Star Wars: Thrawn Ascendancy: Lesser Evil by Timothy Zahn, narrated by Marc Thompson and The Mask of Mirrors by M. A. Carrick, narrated by Nikki Massoud, 23 hours and 13 minutes

Lesser Evil and The Mask of Mirrors Covers

I was very surprised to find myself with a tie for the number 18 position, especially as both were audiobooks I only recently listened to.  These two awesome audiobooks, which come in at 23 hours and 13 minutes each, are the third book in the epic Thrawn Ascendancy Star Wars trilogy, Lesser Evil by Timothy Zahn, and the excellent fantasy epic The Mask of Mirrors by M. A. Carrick.  Both novels were impressive 2021 releases, with Lesser Evil perfectly wrapping up the Thrawn Ascendancy trilogy (which included Chaos Rising and Greater Good), while The Mask of Mirror ended up being one of the best debuts of 2021.  Both audiobooks were very good, with Lesser Evil featuring legendary narrator Marc Thompson, while The Mask of Mirrors was expertly told by Nikki Massoud (loved her various accents).  Both outstanding performances really helped me to enjoy these great books and I powered through them in no time.

 

19. Before They Are Hanged by Joe Abercrombie, narrated by Steven Pacey – 22 hours and 38 minutes

Before they are Hanged Cover

 

20. The Blade Itself by Joe Abercrombie, narrated by Steven Pacey – 22 hours and 15 minutes

The Blade Itself

 

21. Engines of Empire by R. S. Ford, narrated by various – 22 hours and 3 minutes

Engines of Empire Cover

The most recent book on this list that I have listened to, Engines of Empire was an epic fantasy novel that introduced readers to an excellent new world.  Filled with intrigue, action and magic, I had a lot of fun with this audiobook, and I particularly liked how it featured several separate narrators.  This impressive team of narrators ensured that Engines of Empire turned out to be a pretty awesome audiobook, and it was one that I had a lot fun getting through.

 

22. The Trouble With Peace by Joe Abercrombie, narrated by Steven Pacey– 21 hours and 56 minutes

The Trouble with Peace Cover

Wow, this list is just loaded with Joe Abercrombie’s epic novels, as another book from his Age of Madness trilogy is featured here.  The Trouble with Peace is the second entry in the series, and it perfectly follows up the first book, A Little Hatred.  I deeply enjoyed this cool book, especially as it once again featured the cool narration of Steven Pacey, and this was easily one of the best books and audiobooks of 2020.  Easy to power through thanks to the incredible story and brilliant characters, this near 22-hour long audiobook will just fly by.

 

23. The Lies of Locke Lamora by Scott Lynch, narrated by Michael Page – 21 hours and 59 minutes

The Lies of Locke Lamora Cover

 

24. Harry Potter and the Deathly Hallows by J. K. Rowling, narrated by Jim Dale – 21 hours and 36 minutes

Harry Potter and the Deathly Hallows Cover

 

25. Altered Realms: Ascension by B. F. Rockriver, narrated by Maximillian Breed – 21 Hours and 26 minutes

Altered Realms Cover 2

The final new audiobook on this list is the interesting novel, Altered Realms: Ascension by B. F. Rockriver.  An intense and clever LITRPG novel, Ascension featured an NPC who is given the powers of a player and must adventure through his world with a whole new set of eyes.  Not only was this a great novel (one of the best debuts of 2020), but the audiobook version of it was a lot of fun, especially as narrator Maximillian Breed perfectly captures the computer-generated voice anyone who has played an RPG will be familiar with.  A cool audiobook that is worth the substantial time investment.

 

Well, those are some pretty cool new additions to this list.  I am probably being a little over generous moving it up to 25 entries, but I think it turned out alright.  I am a little disappointed that none of my recent books got anywhere the top ten, so I think I will have to work on listening to some longer audiobooks this year.  I will hopefully have another go at updating this list in a year or so, but in the meantime let me know what the longest audiobook you have listened to is in the comments below.

 

 

 

 

Engines of Empire by R. S. Ford

Engines of Empire Cover

Publisher: Hachette Audio (Audiobook – 18 January 2022)

Series: The Age of Uprising – Book One

Length: 22 hours and 3 minutes

My Rating: 4.25 out of 5 stars

Bestselling fantasy author R. S. Ford starts off an intriguing and compelling new epic fantasy series with the powerful Engines of Empire, a great read that I had a wonderful time reading.

Ford is an author who has been writing some interesting books in the last few years.  His big works include the Steelhaven and War of the Archons series, both of which have some very intriguing plots.  While I have not had the pleasure of reading any of his previous work, I have heard some great things about his War of the Archons books, and I might have to go back and check it out at some point.  After reading some early positive reviews of Ford’s latest novel, Engines of Empire, I decided to check it out, grabbing an audiobook version, which proved to be extremely good.  This cool book serves as the first entry in Ford’s new The Age of Uprising series and sets the scene for a captivating and exciting new trilogy.

For generations, the nation of Torwyn has been ruled by the Guilds, industrial powerhouses who provide the nation its food, weapons, transportation and invaluable devices that fuse magic with technology.  One of the most prominent Guilds is the Hawkspurs, an ancient and powerful family who have long held the empire together and ensured its position in the world.  However, the current generation of Hawkspurs are about to find that everything they thought they knew is about to change.

As the matriarch of the family, Rosomon Hawkspur, attempts to maintain her family’s status and standing in Torwyn’s capital, the Anvil, her children each head off to find their own destinies.  The oldest son, Conall, departs to the empire’s distant frontier to prove his worth as a military commander.  The rebellious and magical Hawkspur daughter, Tyreta, is sent to an important imperial holding to facilitate her training as the future head of the family business.  The youngest son, Fulren, a talented artificer, finds himself involved in foreign politics when he is tasked with guiding an emissary from a powerful rival nation.

However, forces of chaos, fanaticism and destruction are all around them, and soon all the Hawkspurs are placed in mortal danger.  At the frontier, Conall attempts to prove himself, but only finds rejection and hints at a rising evil.  Tyreta’s reckless actions place her in mortal danger, and her only path to salvation lies in understanding the people her nation has hurt the most.  Back in the Anvil, Fulren is framed for murder and is soon banished to a hostile foreign nation ruled by dark gods.  Rosomon, desperate to save her fractured family, finds herself thrust into the middle treachery and dark revolution, as unseen hands plot against the guilds.  As the entirety of the world changes all around them and dangerous forces reveal themselves, can the Hawkspurs endure, or will they, and the entirety of Torwyn, come to utter ruin?

Engines of Empire was a captivating and entertaining fantasy epic that transports the reader to intricate new world, filled with interesting characters, political intrigue, and intense action, and makes for an excellent and exciting read.

At the centre of Engines of Empire is a massive and complex narrative that fully explores the various main characters while also plunging the intriguing new setting into chaos and anarchy.  Ford utilises a great multiple perspective storytelling device that splits the overall book into some compelling, separate chunks.  The story initially has four distinctive storylines that follow the Hawkspur family members as they go off on their own separate adventures.  This results in an interesting blend of plotlines as you have a more military story with Conall, a survival/adventure storyline with Tyreta, Rosomon’s political intrigue narrative, and Fulren’s life-or-death struggle in a foreign land.  These storylines are mostly unconnected to each other and not only allow the point of view protagonists to grow and develop independently with their own group of supporting characters, but it also ensures that the reader gets to explore various aspects of the new fantasy realm and see the range of different problems affecting it.  These four storylines develop at a reasonable and compelling pace, and the reader soon is drawn into their individual storylines, as well as some of the overlapping conspiracies that are featured throughout.  A fifth point-of-view character is introduced about halfway through the novel, which mainly acts to bolster one of the existing storylines and proves to be an excellent feature filled with action and espionage.  This leads to the final stretch of the novel, where several big events and twists occur that shake the foundation of the novel and take it in an excellent new direction.  Several of the separate plot lines start to come together more closely towards the end, and there are some excellent moments as the characters reunite to face a common foe.  This leads to an exciting and intense conclusion that takes several of the character storylines in interesting direction and sets up the rest of the trilogy extremely well.

I really liked how Engines of Empire came together as Ford wrote an excellent fantasy tale that made sure to cover a vast range of people and places.  The entirety of Engines of Empire has a great combination of story elements that ensures there is something for all sorts of readers here, including massive world building, great action, clever political intrigue, dangerous adventures or interesting characters.  I particularly enjoyed the great use of five character driven storylines centred on different point-of-view protagonists.  Not only did they come together well to produce a great overall narrative but they also provided the reader with several unique adventures with their own appeal.  I particularly enjoyed Fulren’s story, as it featured an excellent blend of interesting world building in a rival nation ruled by dark magic and impressive character moments.  Tyreta’s jungle-based survival mission was also really cool, especially with the intriguing side characters and brutal combat, while the fifth storyline introduced halfway through the book was filled with some amazing sequences and intriguing international espionage.  Unfortunately, the remaining two storylines surrounding Rosomon and Conall were a little slower and I didn’t have as much fun reading them, even with their respective political intrigue and desert action elements.  I struggled a little to get through these specific storylines at times, especially towards the centre of the novel, and it slowed down my overall reading of Engines of Empire.  Still, both storylines end on interesting notes, and I think they might have more potential in the sequel.

Due to the narrative being focused on five specific central characters, Ford spends a lot of time in Engines of Empire exploring and building up some of the characters.  The main protagonists are the four members of the Hawkspur family, Rosomon, Conall, Tyreta and Fulren, each of whom have their own skill.  Due to certain tragedies in their past, the family is a bit dysfunctional, and there is a noticeable distance between them.  I liked seeing each of them go on their own distinctive journey throughout the book, and each of them does develop to a degree, especially Fulren and Tyreta.  However, I did find myself getting rather frustrated with some of the protagonists as the book continued, especially as there is a lot of narrative stupidity and inconsistent character work.  This is particularly true for Conall, who comes across as a whiney idiot for most of the novel, while Rosomon, who is supposed to be a brilliant leader and tactician, is soundly outsmarted at every turn and can’t even see the most obvious of traps.  I felt these negative character traits deeply impacted their individual storylines, and it made them harder to care for.  On the other hand, I felt the fifth point-of-view character, Lancelin Jagdor, rounded out the main cast extremely well.  Lancelin is a master swordsman who has a very complicated relationship with the Hawkspurs.  He finds himself getting dragged into their issues about halfway through the book, and I think his interesting outlook and unique experiences help to balance out the less enjoyable protagonists and produce a better story.

Aside from these five main protagonists, Ford has also included a great collection of supporting characters.  These supporting characters are usually unique to one of the main protagonists’ storylines and are primarily shown through their eyes.  Many of these characters prove to be allies or friends of the protagonist, although there are a few good antagonists thrown in there as well.  Some of my favourites include Sted, Conall’s hard-drinking second in command, whose fun, no nonsense personality helps to enhance Conall’s storyline to a degree.  I also had fun with Kosma Khonos, a ruthless Torwyn spy in the kingdom of Nyrakkis, Saranor the Bleeder, an over-the-top barbarian war chief, and Wenis, a foreign witch who becomes both a jailor and love interest to Fulren, which ends up being one of the more interesting relationships in the entire novel.  This huge web of supporting characters really helps to enhance the overall story and I look forward to seeing some of these elaborate and distinctive figures again in the future.

I was deeply impressed with the amazing new fantasy world featured in Engines of Empire, and it appears that Ford spent a significant amount of time developing it.  The main setting for the novel is the fascinating nation of Torwyn, a former religious nation that has been taken over by the Guilds, industrial powerhouses who now hold sway over the various industries.  Torwyn is built up beautifully by Ford, and you soon get the full sense of it, including its intriguing industrial aspects, magic-powered technology, dragon-based religion, and ruthless politics.  The arrangement of Torwyn leads to an intense civil war that looks set to shape the future of much of the novel and serves as a brutal and fantastic central setting for several storylines.  While Torwyn proves to be an exceptional area to explore, Ford goes above and beyond and takes the reader to several other intriguing locations within and without it.  Thanks to the adventurous characters, you see some of the more desolate and dangerous locations in the lands, such as the jungle-covered Sundered Isles, the war riven frontier, the snow-covered, barbarian-infested Huntan Reach, and the magical controlled nation of Nyrakkis.  While all these locations were pretty cool, I particularly loved the dive into Nyrakkis, which proved to be a very intricate location filled with intrigue and demonic magic.  The jungles of the Sundered Isles were also extremely awesome, and Ford provides an interesting examination of the tribes who were displaced by the Torwyn settlers, especially as Tyreta spends time amongst them and getting to know their culture.  Throw in an interesting blend of different magical practices and technologies, as well as a few fun creatures (giant war eagles and beast men for the win), and you have an extremely awesome world that I can’t wait to return to in the future books.

I ended up grabbing the audiobook version of Engines of Empire, which ended up being a very enjoyable experience.  With a run time of just over 22 hours, this is a pretty substantial audiobook (it would have come in at number 18 on my Top Ten Longest Audiobooks list), and it did take a fair bit of effort to get through, especially in some of the slower parts of the story.  Despite its length, I think that it is worth the time to get through this audiobook, especially as it proves to be an excellent way to absorb Engines of Empire’s story.  I always find myself really connecting more to new fantasy settings and characters in this format, and this happened again with Engines of Empire, as I really found myself absorbing all the interesting details about this world.  I also loved how the Engines of Empire audiobook had several different narrators including Alison Campbell, Ciaran Saward, Phoebe McIntosh, Ewan Goddard, Andrew Kingston, Martin Reeve and Stephen Perry.  These narrators provide a rich and powerful audible tapestry, with one narrator assigned to voice all the chapters told from the perspective of a specific point-of-view character.  Not only do the narrators do a good job capturing the personalities of the main characters they are portraying but they also provide some fun voices for the various supporting figures and antagonists.  While it is occasionally odd to hear a narrator start voicing a character who had appeared in other chapters, this ended being a great collection of voices and I loved how well they all brought the characters to life.  An overall excellent audiobook, I would strongly recommend this format to anyone who wants to check out Engines of Empire and I had a brilliant time listening to it.

I have to say that I was quite impressed with my first book from R. S. Ford.  Engines of Empire was an excellent read that takes the reader on an epic fantasy adventure.  Making awesome use of a big cast of characters, Ford transports his audience to a brilliant and elaborate fantasy realm filled with adventure, intrigue and betrayal.  I had an amazing time getting throughout Ford’s captivating narrative, and I loved the exception world building that he did.  While I didn’t enjoy all of the characters, Engines of Empire ended up being an outstanding read that does a wonderful job setting up his next The Age of Uprising novel.  A great fantasy novel that is really worth checking out, especially in its audiobook format.