The Trouble with Peace by Joe Abercrombie

The Trouble with Peace Cover

Publisher: Orion Audio (Audiobook – 15 September 2020)

Series: The Age of Madness – Book Two

Length: 21 hours and 56 minutes

My Rating: 5 out of 5 stars

The master of dark fantasy fiction, Joe Abercrombie, returns with another masterful and incredible novel, The Trouble with Peace, the second entry in The Age of Madness trilogy, which is easily one of the best novels of 2020.

Abercrombie is an extremely talented author who has written several impressive dark fantasy novels over the years.  His most distinctive works are the books in The First Law universe, which started back in 2006 with the author’s debut novel, The Blade ItselfThe First Law trilogy (which I really need to review) was an amazing and captivating series that followed a motley collection of broken characters and bastards as they found themselves caught up in the chaos of a dark and brutal fantasy universe.  The author has revisited this universe several times, first with three standalone novels set after the events of The First Law trilogy, and then with The Age of Madness trilogy, of which this latest book is a part.  The Age of Madness novels serve as a sequel series to The First Law trilogy, and follow several of the children of the original protagonists (as well as some other new characters), as they engage in a whole new level of chaos and destruction.  The first entry in this trilogy, last year’s A Little Hatred, was an exceptional novel that not only got a full five-star rating from me but which was one of my favourite books (and audiobooks) of 2019.  As a result, I was extremely excited when I got my copy of The Trouble with Peace, and it was one of my most anticipated releases of 2020.

The age of madness rolls on!  Following the death of his father, Crown Prince Orso has taken the throne of the Union and is now king, a role he never wanted.  What he inherits is a nation riven with discord and disharmony, with enemies within and without waiting to cut him down and take power for themselves.  Forced to deal with the machinations of the lords of the Open Council, the revolutionary Breakers, the anarchist Burners and the rival Kingdom of Styrians attempting to take his kingdom from him piece by piece, Orso soon begins to learn that even as king, he is just as powerless as always.

As chaos begins to descend on the Union and the North, the great and the powerful attempt to find their place in the new world order.  For Savine dan Glokta, formerly Adua’s most powerful investor, she finds herself in a vulnerable position with her judgement and reputation ruined.  However, her ambition remains unchecked and an unlikely alliance may help to secure the future she has always desired.  In the North, peace temporarily reigns and the governor of Angland, Leo dan Brock, chafes at the lack of action and finds himself drawn into the political turmoil surrounding the rulership of The Union.  As a famous war hero, he now wields great influence in the Open Council and many seek to use him for their own ends.  This chaos leads to him making deals he never expected, including with his former enemy, the new King of the Northmen, Stour Nightfall.  At the same time, the Dogman’s daughter, Rikke, attempts to control her dangerous gift of prophecy and heads along a new path of blood and violence.

As order and peace unravel across the Union, discord and rebellion raise their ugly heads.  With the old leaders of the world dead and the new generation taking their place, war seems inevitable.  Those who remain must decide who they are loyal to and who they can trust.  However, no alliances, no peace and no friendships last forever, and when the dust settles the Union will be changed forever!

Well damn, that was a good read!!  The Trouble with Peace is another exceptional and captivating novel that takes the reader on a dark thrill ride that proves impossible to escape.  The author once again comes up with an impressive and clever story of war and betrayal, which is anchored by a series of complex point-of-view characters, each of whom is damaged in some unique and compelling manner.  This results in a truly incredible book that was an absolute joy to read and which I flew through in a relatively short period of time.  I absolutely loved this latest book from Abercrombie, and The Trouble with Peace gets an easy five-star rating from me as a result.

At the centre of this awesome novel is an extraordinary and fast-paced narrative that sees various diverse characters and factions attempt to manipulate and outwit each other in order to gain ultimate power in the world.  The plot of The Trouble with Peace continues immediately after the shocking conclusion of A Little Hatred and sees each of the characters introduced in the previous book continue along their established storylines.  Of course, as this is a The First Law novel, it really does not take long for events to take a downward turn and soon the characters find themselves on opposite sides of a growing, major conflict.  There is a real focus on political intrigue, personal relationships and revolution in this novel, all of which proves to be deeply captivating and a lot of fun to read.  On top of that, Abercrombie throws in his usual blend of high-adrenaline action, extreme humour and wild personalities, resulting in an impressive and addictive story that readers will lap up and try to finish off as soon as possible.  Abercrombie does a great job of making this story accessible to new readers and those people unfamiliar with the universe could easily jump in here and have a great time.  However, this is definitely a novel for those readers familiar with the other entries in The First Law series, especially the preceding novel, A Little Hatred, and fans of the series will love the clever directions Abercrombie goes in The Trouble with Peace.  This is a first-class story, and I cannot recommend it enough.

Abercrombie backs up this amazing narrative with a powerful and distinct writing style that helps to turn The Trouble with Peace into a first-class read.  Like all the novels in The First Law series, The Trouble with Peace is told from some different and unique perspectives, as several captivating characters show the events of the novel occurring in front of them.  This results in an impressive and far-reaching story as the reader gets to see a bunch of different points of the same story.  This allows you to witness the various political, tactical and personal manoeuvrings on each side of the conflict, enhancing the overall narrative and driving certain key plot points home.  Abercrombie uses these multiple perspectives to great effect throughout the novel and some of the best sequences in the book are the result of some quick changes of perspective.  This includes an amazing succession of scenes in which two rival characters are disguised in a casino and have subsequent meetings with the same person in quick succession.  It proved remarkably entertaining to see the different approaches both characters took to the same situation, and served to highlight the similarities and differences between them.  Other scenes showed how the major point-of-view characters deal with each other when they meet, and it was fun to see the various mental gambits from both sides of the conflict, especially as Abercrombie ensures that all these characters are competing to be the most manipulative person in the room.  There are also two extended sequences where a single event is witnessed not only by a main character but also by a series of side characters and minor one-off characters to really showcase the chaotic nature of some scenes and the wide range of people they impact.  The use of various perspectives also really helps to set the brutal and dark tone for the entire novel, as the characters they follow are usually right in the centre of a series of different messes that they are either the cause of or they are trying to avoid.  I also really enjoyed the unique outlooks of each character as their fun reactions to the outrageous events occurring around them provide a great deal of the book’s impressive and entertaining humour.

As with all of Abercrombie’s books, the true highlight of The Trouble with Peace is easily the fantastic selection of damaged and deranged characters that make up the main cast of the series.  Like the first entry in The Age of Madness trilogy, The Trouble with Peace is primarily told throughout the eyes of seven separate point-of-view characters, each of whom has their own unique and captivating character through the novel.  These characters include:

  • King Orso – son of King Jezal, who has taken the throne after the sudden death of his father. Orso has inherited a fractured kingdom, essentially made up of people who all hate him.  Orso has a lot of growing up to do in this novel as he soon discovers all the troubles that relate to being king and the limited power he truly has.  I really liked Orso’s storyline in this book, mainly because he comes into his own and starts to demonstrate some backbone and leadership abilities.  His unique way of dealing with problems, many of which relate to his background as a wastrel and a coward, are surprisingly effective and often very entertaining.  Orso proves to be a very enjoyable protagonist throughout this book, and I personally found myself really getting behind him and hoping that he comes out on top.
  • Savine dan Glokta – the adoptive daughter of Arch Lector Glokta and the foremost businesswomen in the Union. Savine has gone through some substantial changes since the last book.  Rather than the confident and crafty women we were introduced to, this Savine is a mess, still reeling from the horrors she experienced in Valbeck and the revelation that her former lover, Orso, is her half-brother.  However, Savine soon manages to find a way back on top, thanks to a profitable marriage, and sets her sights on a particularly tempting target.  Savine is a rather despicable character in this book, and the readers are going to have a hard time feeling too sympathetic for her.  Still, Abercrombie does an amazing job exploring her trauma damaged psyche and she ends up being a very compelling character to follow.
  • Leo dan Brock – the new governor of Angland and the son of two of the protagonists of the standalone novel, The Heroes. After securing the North and bringing Stour Nightfall to heel, Leo has gained much influence and celebrity in the Union.  However, even after the events of the first book, Leo is still as hot-headed as ever and finds himself easily led into a number of conflicts.  Despite his apparent heroism and charisma, Leo is a very hard character to like, mainly due to how stupid he is.  Essentially anyone with half a brain can manipulate him in some way, and it becomes quite tiring to see him do something stupid and destructive merely because he has been told it is the noble thing to do.  Despite this, Leo forms a very fascinating counter point to his rival, Orso, as Leo has many of the things that Orso desires, such as heroism, martial prowess and the love of the people.  I also quite enjoyed the author’s exploration of Leo’s sexuality and love interests, and I look forward to seeing how that progresses in future books.
  • Rikke – a Northern girl and the daughter of The First Law trilogy point-of-view character the Dogman. Rikke is a troubled waif who is regretting her decision to force open her Long Eye in order to increase her prophetic abilities.  Rikke has to make some hard choices in this novel, but her eventual storyline sees her take up a leadership role in the North that sees her face off against the vicious new king of the Northmen, Stour Nightfall.  Rikke is another character that really comes into her own in this book, as she is forced to grow up quick and do hard things to survive.  There are some interesting story elements involved with this character, especially thanks to her magical Long Eye, which allows her to see into the future, and which also results in some very trippy chapters shown from her perspective.  I really enjoyed Rikke’s storyline and character arc through this book, and there are some excellent scenes that show just how devious she has become.
  • Vick dan Teufel – a Union inquisitor who works for Arch Lector Glokta and is loyal only to him. Vic spends a good part of the book working throughout the Union and attempting to identify the King’s enemies, as well as trying to find out who is behind the Breakers and the Burners.  Vick is a really interesting character and I like how much of her storyline seems to mimic Glokta’s from the original trilogy.  For example, in The Trouble with Peace, she is sent to a far-off Union city and must find a way to hold it against a rival kingdom.  However, she soon starts to discover the truth about who really runs the Union and the extent of their power.  Vick is a great character to follow, especially as her chapters tend to focus on the hidden political intrigue and manipulation that infests the Union.  Abercrombie also spends a bit of time continuing to explore the traumatic childhood of Vick, and it was interesting to see how her damaged and dangerous personality came to be.
  • Gunnar Broad – a former Union soldier with a perchance for extreme violence. After the events of Valbeck, Gunnar, a former breaker, now finds himself in the employ of Savine, and works as her brutal enforcer.  Gunnar is another fascinating character, who attempts to escape from the violence that he has known his entire life.  However, this is easier said than done, and his chapters feature some fantastic examination of self and philosophical thoughts on personality and the events of the past.
  • Jonas Clover – an old and experienced Northern warrior who works as an advisor for Stour Nightfall. Clover, who remains my absolute favourite character in this new trilogy, is an exceedingly entertaining person, thanks to his unique sense of humour and jaded personality.  Clover really stands out as a character, mainly because he is so different to the other Northern characters in the book.  While most of the people he surrounds himself with are eager for combat or glory, Clover is the only one extolling the virtues of patience and self-restraint, much to the other character’s annoyance.  However, he is usually right, and he has developed a habit of surviving as a result.  I really love this character, especially because he has some of the best lines and insults in the entire book.  It was really entertaining to see him work under the brash and arrogant Stour Nightfall, as Clover is constantly forced to try and reign in his new king, with little effect.  Despite not being used as much as I would have liked, Clover is still a standout character in this novel, and he has some very memorable moments as a result.

I really enjoyed all these excellent character arcs, and I thought that each of them was incredible and enjoyable in their own rights.  However, thanks to how the narrative progressed, many of these character arcs crossed over a lot more than in the previous novel, and you get to see the various storylines proceed side-by-side as a result.  Because of how they were connected, Orso, Savine and Leo tended to get the most focus throughout the book, and some of the other point-of-view characters (Vic, Broad and Clover in particular), did not get as many chapters told from their perspective.  While I would have loved more scenes from some of the other characters (more Clover would have been awesome), I felt that this was a good character balance and I liked how the various arcs progressed.  All the character arcs worked together exceedingly well, and I really liked how together they formed an exceptional and addictive plot.  The protagonists of The Trouble with Peace go through a lot in this book, and I enjoyed seeing how each of them progressed through their latest trials and dangers.  I look forward to seeing what happens to them in the final book of the trilogy and I imagine some dark things are in store for most of them.

In addition to all the outstanding and complex main characters, Abercrombie also has a great swathe of supporting characters throughout the novel and are extremely entertaining or memorable in their own right (I was a particular fan of the wild hillwomen, Isern-i-Phail).  Abercrombie does an excellent job building these characters up through the course of the book, and there are some amazing and entertaining personalities featured as a result.  However, readers should be extremely cautious about getting too attached to some of these characters, as their life expectancy is a little less certain than the main cast.  The Trouble with Peace also saw the return of several characters featured in the original The First Law books, including a couple of former point-of-view characters.  It was great to see how their stories continued years after the heydays of their adventures, and it adds an interesting aspect to the novel.  Fans of the original trilogy will no doubt enjoy seeing these characters return but should prepare to have their hearts broken.  I really liked the various storylines associated with these characters, and I was also impressed by several twists Abercrombie threw in around them, including one particularly good twist about who the ultimate antagonist of this latest trilogy really is.  Several of the scenes that utilise a ton of separate perspectives to show a single event are often briefly shown from the perspective of some of these side characters, as well as a few additional minor characters who only appear for that scene.  The author really makes the most of these scenes, introducing the character and setting up their personality and history in short order, and then showing how that event affects them (usually in a terribly negative way).

The awesome and exciting action sequences really helped to enhance The Trouble with Peace.  Abercrombie’s books have always featured some brutal and graphic fights and examples of combat, and this latest book is no exception.  There are some very impressive fight sequences in The Trouble with Peace, and the reader is always guaranteed of some action just around the corner.  I really do have to highlight one particularly massive and well-done war sequence that occurs in the latter half of the book.  This battle is the culmination of much of the novel’s plot and has a lot of build up as a result.  Luckily, it did not disappoint in any way, as the reader is treated to a series of powerful sequences that really drag them into the midst of the fight.  Thanks to Abercrombie’s excellent writing, the reader gets an incredible sense of the chaos, the fear and the claustrophobic horrors of a battle.  I really got sucked into this major fight, especially as the author makes good use of multiple perspectives to showcase just how bad it could be in the midst of the fighting, and how destruction, death and despair can infect anyone on the battlefield.  These action scenes are exceptionally written and extremely memorable, and all I can really say is thank goodness pikes are no longer used in war.

In addition to the outstanding story, characters and action sequences, I was also quite impressed with the new elements introduced into the series’ dark fantasy world.  While part of The Trouble with Peace is set in the brutal North, most of the plot takes place in the Union, which has gone through some dark times recently.  This version of the Union is extremely different to the setting that was featured in The First Law trilogy, with a recent industrial revolution bringing both progress and problems, as the land moves away from agriculture to factories.  I really appreciate how Abercrombie has altered his primary fantasy nation since the last trilogy, and his portrayal of an early industrial nation which is on the brink of various revolutions proves to be an awesome setting for this brutal and creative novel.  The author really explores the essence and heart of the Union in this book, and there is a particular deep dive into the politics and social economics of the nation as a result.  I had a lot of fun seeing how the Union falls into war, and a lot of the elements are set up extremely well during this book and the preceding novel.  The resulting conflict has a real English Civil War feel to it at times, with the parliament-like Open Council facing off against the forces of the Crown.  All of this works extremely well as a setting, and I had an amazing time once again visiting this chaotic and dangerous fantasy world.

While I did receive a physical copy of The Trouble with Peace, I ended up listening to the excellent audiobook version which was narrated by Steven Pacey.  Pacey is a talented audiobook narrator who has lent his voice to all the previous The First Law novels.  Pacey does an outstanding job narrating this audiobook and the amazing story clips along at a substantial pace thanks to him.  The narrator also has an impressive repertoire of cool voices for the various characters featured in this book and he even utilises some of the voices of the returning characters from the original novels.  Each of these voices is distinctive and fits its respective character perfectly, which in turn enhances the book’s writing and helps to showcase the character’s personality.  All of this results in an enjoyable and deeply addictive listen and I can already tell you that The Trouble with Peace is going to be one of my top audiobooks for 2020.  Listeners should be aware that this is a substantial audiobook, which has a run time of just under 22 hours (it just cracks my top 20 longest audiobooks list).  However, I would say that it is worth the time investment to check this amazing book out in this format and listeners are guaranteed a superb listen.

Joe Abercrombie continues to cement his position as one of the best modern fantasy authors in the world today with the awesome second novel in his Age of Madness trilogy, The Trouble with Peace.  Serving as the latest instalment in the overarching The First Law series, The Trouble with Peace is a captivating and impressive novel, containing an outstanding plot, memorable multi-layered characters and intense action, all set in one of the best dark fantasy worlds in modern fiction.  The Trouble with Peace is one of the best novels of 2020 and I am so glad that I got the opportunity to read it.  Abercrombie has really knocked it out of the park again and I cannot wait to check out the final book in the trilogy next year (currently titled The Wisdom of Crowds).  You will love this book!

The Trouble with Peace Cover 2

Total Power by Kyle Mills (based on the series by Vince Flynn)

Total Power Cover

Publisher: Simon & Schuster Audio (Audiobook – 15 September 2020)

Series: Mitch Rapp – Book 19

Length: 9 hours and 27 minutes

My Rating: 4.25 out of 5 stars

Acclaimed thriller writer Kyle Mills returns with his latest entry in the long-running Mitch Rapp series, Total Power, a haunting and compelling new book that portrays a devastating and country-altering attack on America.

America’s top spy and assassin Mitch Rapp is back in action, and this time he’s racing to keep America from falling into the Dark Ages.  After eliminating his nemesis, Sayid Halabi, the head of ISIS, Mitch and his team have been working to clean up the remnants of Halabi’s operation before they can reorganise for another attack.  When the CIA manages to locate ISIS’s top technology expert, Mitch leads a team to intercept him and makes a disturbing discovery: the expert was on the way to meet someone who claims that they can turn out all the lights in the United States.

A rogue genius has discovered a way completely incapacitate America’s power grid and is now seeking help to make his dark dream a reality.  An attack of this magnitude has the capacity to severely incapacitate the entire country, bringing about anarchy, destruction and an unimaginable loss of life.  Desperately trying to find out who is behind this attack before it is too late, Mitch can only watch helpless as the plan is implemented and the country he loves falls dark.

As panic and confusion reigns across the country and the whole world reels from the sudden shift in power, the government desperately attempts to get the electricity flowing again.  However, due to the sheer scope of the attack and the chaotic nature of America’s power grid, repairs could take months or even years.  The only way to avoid the complete destruction of the United States is for Mitch to find the person responsible for the attack and convince him to reveal how to undo the damage and reroute power to the country.  However, this will be a search unlike anything he has done before, as he is stuck in the middle of a failing nation with no communications, no internet, no gas and with every single system he knows failing around him.  Can Mitch get the power back before it is too late and America collapses completely, or have the terrorists Mitch has spent his whole career fighting finally won?

This was another fun and addictive thriller from Kyle Mills, who continues to keep the Mitch Rapp books going strong after the passing of the series’ original writer, Vince Flynn.  Total Power is the sixth Mitch Rapp novel written by Mills and the 19th overall novel in the series, and it features the latest adventure from the titular character and his associates.  I have been really enjoying the Mitch Rapp novels over the last couple of years and I have had an amazing time reading the last two entries in the series, Red War and Lethal Agent.  This latest Mitch Rapp novel is another exciting and compelling book which makes use of an excellent concept and once again sets the series’ extremely dangerous protagonist on a destructive warpath.

Total Power is an excellent modern thriller novel that presents the reader with another exciting and action-packed narrative as American agent Mitch Rapp engages in another desperate manhunt for a new dangerous madman targeting America.  This was a really fun and compelling narrative, set around the fantastic story concept of all the power going out in the United States.  Total Power was a very fast-paced book, and the reader gets an excitement overload as they watch the protagonists attempt to stop the disaster and the subsequent frantic efforts to get the power back on.  The author makes good use of multiple point-of-view characters to tell his story, with most of the novel told from the perspective of Mitch Rapp and the main antagonist.  These two characters allow for a very interesting opposing view of the events occurring throughout America, and it is also fun to see the various moves and countermoves the two made in a bid to outsmart the other.  Other point-of-view characters were used a little more sparingly and presented a larger picture of the events occurring around the main narrative.  These disparate perspectives come together extremely well and help to create an overall captivating novel with a really fun story attached.  Mills makes sure to include all the typical Mitch Rapp hyper violence (with a few gnarly torture scenes that some readers will find a bit uncomfortable) and commentary on American politicians and foreign policy, and readers are in for an entertaining over-the-top novel as a result.

When I first heard that this book was coming out, the thing that really drew me to it was the awesome-sounding plot concept of all the power going out in America, which I thought would be a really cool basis for a thriller story.  Mills delivered in spades, and I was really happy to find out just how amazing a story concept it really was.  The author spends a substantial amount of time exploring how such a catastrophic blackout event could occur in America.  It was deeply fascinating, if a little troubling, to learn more about America’s power grid, as well as how potentially easy it could be for something like this to occur.  Indeed, Mills makes a note at the start of the audiobook that he actually had to invent very little of this concept and that a lot of the novel is based off historical events and public reports (although he does alter or fictionalise some details and locations).  Mills also makes sure to explore just how severe and deadly a sustained, nationwide power outage could be.  Spoiler alert: it would apparently get pretty damn bad.  There are some riveting and disturbing depictions of America completely devoid of power, with all manner of lawlessness, looting, and anarchy as the country quickly falls apart and people have no ability to keep themselves alive.  Mills does not pull punches in these depictions and I personally found them to be realistic, especially after seeing what happened in America in 2020, and a little terrifying.  Naturally, this fictionally powerless America proves to be an amazing setting for this thriller novel, and it was fantastic to see Mitch Rapp and the other characters attempt to navigate around the broken country.  All the subsequent barriers and issues that pop up add a lot of tension and excitement to an already action-packed narrative, especially as it’s entirely possible that Mitch could be taken out by citizens of the country he has long tried to protect.  All of this is an outstanding story concept and I am extremely glad that Mills ended up using it in one of his novels even if it did leave me a little paranoid (here’s hoping that our power grid is a little more stable down here in Australia).

If I had to level any real criticisms towards Total Power, it would probably be around the characters.  While I did enjoy seeing the various characters attempt to navigate their way through this latest crisis and the wasteland of a United States without power, most of the characters were really over-the-top and a bit unrealistic.  For example, Mitch Rapp is his usual ultra-violent, sociopathic self, hardly ever hesitating to kill someone, even a bunch of American citizens who are in his way.  While he is a fun action star to follow after, it was hard to root for him when he is constantly being a cold-hearted murderer the entire time.  I also was not the biggest fan of the main antagonist, the genius who shuts down the power.  Mills portrays him as a supremely arrogant man, completely high on himself and obsessed with becoming a major historical figure like Caesar or Genghis Khan (you know, history’s greatest role models).  While I can appreciate Mills wanting to make him an unlikeable villain for the sake of the reader he might have gone a tad overboard with this as pretty much every sentence or thought that the antagonist makes is either something extremely egotistical about himself or insulting towards the people he is seeing, often with sexist or racist overtones.  That being said, it was extremely satisfying to see this villain’s plans going up in smoke around him as Mitch closes in on him, especially since you do want to kill him yourself after listening to him for a few hours.  I did like the fun side character, Jed Jones, a survivalist who gains celebrity status in the post-blackout America thanks to his informative radio shows.  Jed was a rather entertaining figure and I liked the idea of a backwater doomsday prepper becoming the most famous person in the country thanks to his knowhow.  The book ended up featuring an interesting array of side characters who added some interesting diversity to the cast and showed some of the different experiences facing the American people.  Indeed, one of the few things that they had in common were similar opinions about America’s politicians and political elite, in that all of them are pretty much all useless parasites, something that gets mentioned multiple times.  Overall, the characters for this novel weren’t too bad and while some of these characterisations are a little distracting it did not really disrupt my enjoyment of Total Power, and I had a fantastic time seeing how they dealt with the problems in this setting.

Rather than grab a physical copy of this latest Mitch Rapp novel, I ended up enjoying the audiobook version of Total Power.  The Total Power audiobook has a run time of around nine and a half hours and is narrated by veteran audiobook narrator George Guidall, who is one of the most prolific audiobook narrators in the world.  This proved to be a rather easy audiobook to get through and I was able to finish it off in a short period of time.  It was fun to listen to listen to Total Power’s story and I felt myself getting drawn into the narrative as a result.  I do have to admit that Guidall is really not one of my favourite vocal talents.  Do not get me wrong, Guidall does a great job with this book, especially as his deep voice has a lot of gravitas to it which works well with thriller novels.  However, Guidall does sound a bit tired at times (to be fair, he is in his 80s), and his range of voices is a tad limited.  Despite this I still really enjoyed the Total Power audiobook and it is definitely an excellent way to check out this latest Mitch Rapp novel.

Total Power by Kyle Mills is a great new entry in Vince Flynn’s Mitch Rapp series that I ended up really enjoying.  Featuring an excellent thriller story set around an impressive and compelling plot concept, Mills presents the reader with an exciting and bloody adventure across an America without any power.  Total Power proved to be quite an exciting and awesome read, and I am really glad that I listened to it.

Star Trek: Agents of Influence by Dayton Ward

Agents of Influence Cover

Publisher: Simon & Schuster Audio (Audiobook – 9 June 2020)

Series: Star Trek: The Original Series

Length: 11 hours and 41 minutes

My Rating: 4 out of 5 stars

One of the leading figures in the Star Trek expanded universe, Dayton Ward, returns with another exciting and compelling novel about the Enterprise, Star Trek: Agents of Influence.

For years, the United Federation of Planets and the Klingon Empire have been engaged in a dangerous cold war, with each side trying to gain an advantage over the other through any means necessary.  Starfleet Intelligence has launched an ambitious secret plan to infiltrate the Klingons with surgically altered spies.  Thanks to radical surgery, advanced technology and intensive cultural and linguistic training, these undercover agents have managed to infiltrate the highest echelons of the Klingon government, obtaining some of the most sensitive intelligence about Klingon technology, military plans and political ploys.

However, Starfleet’s three most highly placed agents have somehow been discovered.  With their cover blown, the agents manage a daring escape from the Klingon home world and engage their emergency extraction procedure.  The agents successfully make their rendezvous with the USS Endeavour at the edge of Klingon space before everything goes terribly wrong.  A Klingon warship suddenly engages them in combat while mysterious energy fluctuations ensure that both ships are destroyed.

With hostilities between the Federation and the Klingons building, Starfleet dispatches Captain James T. Kirk and the crew of the USS Enterprise to the crash site in the hope of salvaging the situation.  Forced to comb through some of the most dangerous territory in the entire galaxy, Kirk hopes to find the remnants of the Endeavour and any survivors of their crash.  However, mysterious events are occurring within the border zone and the Enterprise soon encounters unnatural conditions, pirates, Klingon warships and a top-secret weapons experiment.  Kirk and his crew must navigate through all these dangers carefully if they are to avoid another destructive war.  However, it soon becomes clear that Starfleet are not the only ones with highly placed spies and Kirk must find a way to uncover an enemy agent if his crew are to survive.

Dayton Ward is a veteran science fiction author who is easily best known for his work on the Star Trek expanded universe.  Ward has written a significant number of Star Trek novels over the years, which tie-in to several of the different Star Trek television series and movies.  I have so far only read one of his books before, Star Trek: The Next Generation novel, Available Light, which I really enjoyed.  This new novel from Ward, Agents of Influence, is a brilliant standalone novel that follows the Enterprise during the period that Star Trek: The Original Series was set.

One of the things that I really like with Star Trek extended fiction is the amazing range of different stories that the authors can produce within the expanded universe.  Agents of Influence is a really good example of this, as Ward has come up with an excellent story that highlights a very interesting aspect of life in this universe: espionage between the various alien races.  This proves to be a really cool plot basis which the author utilises to his full advantage by producing an exciting and action-packed narrative.  This is a fast-paced book that sees the various characters involved in all manner of danger and intrigue as they attempt to extract the spies and thwart the efforts of their Klingon opponents.  There are several excellent action sequences designed to get the blood pumping, including a couple of fights between starships and one particularly cool pitched battle between two large opposing forces in spacesuits in the bowels of an asteroid.  There is also a really compelling storyline that sees the protagonists attempt to locate a spy aboard their ship, with a number of potential suspects adding in intrigue and drama as a result.  The author makes effective use of multiple narrators to tell his story and this ensures that the reader gets to see every side of this exciting and enjoyable narrative, including from several antagonist characters.  This helps to really pump up the intrigue and action, and I really appreciated seeing the different sides of the conflict, especially as you get to see rival plans go up against each other.  The various character perspectives also helps to build up all the major side characters present throughout the book, allowing the readers to get a good idea of who they are and what their stakes in the plot are.  All of this comes together into an exciting and compelling overall read that is very easy to enjoy.

Agents of Influence was also excellent piece of Star Trek fiction, set during the events of Star Trek: The Original Series.  Ward once again does an incredible job capturing the tone and feel of the original Star Trek television series into this book and it actually felt like I was watching an episode of the original show.  The author is really talented at bringing iconic Star Trek characters to life in his novel and each of The Original Series characters featured in this book gets their chance to shine throughout the narrative.  Like most novels that tie in to a particular media franchise, Agents of Influence is a book that will mainly appeal to dedicated Star Trek fans, who will appreciate Ward’s latest contributions to the extended universe.  There are a variety of fun references to various episodes of The Original Series, including some of the episodes that featured characters using plastic surgery to alter their appearance and disguise themselves as members of other species, such as the iconic episode The Trouble with Tribbles.  Ward also makes several references to some of the other novels in the Star Trek expanded universe, especially those featured in the Star Trek: Vanguard series of books.  This includes the USS Endeavour and its crew, who previously appeared in these novels, with some of their previous adventures and their interactions with the Enterprise explored throughout the course of the book.  However, all of these references are really well explained to the reader and even people who have less familiarity with Star Trek and some of the expanded fiction should still be able to enjoy this novel without any issues.

I ended up checking out the audiobook version of Agents of Influence, which turned out to be an extremely fun and easy way to enjoy this fantastic book.  The Agents of Influence audiobook has a run time of nearly 12 hours and is narrated by Robert Petkoff.  This is a fairly typical length for a Star Trek audiobook, and I found that I was able to power through this one’s intriguing narrative in rather short order while getting a feel for the plot and the characters.  One of the main reasons for this is the exceptional narration provided by Robert Petkoff, who is easily the most prominent narrator of Star Trek fiction.  Petkoff is an amazingly skilled narrator whose work I have really appreciated in a range of previous Star Trek audiobooks, including The Unsettling Stars, Picard: The Last Best Hope, The Captain’s Oath and The Antares Maelstrom.  Petkoff has the amazing ability to replicate the voices of the various cast members of The Original Series (as well as the cast members from The Next Generation), and this is on full display in the Agents of Influence audiobook.  Petkoff once again did an outstanding job bringing all the key Enterprise crew members to life, and at times you would be hard pressed to tell the difference between some of the voices he did and the original crew.  This, combined with the amazing species specific voices that Petkoff produces, really helps to bring the reader into the story, and I had an awesome time listening to the story unfold.

Star Trek: Agents of Influence is a compelling and clever standalone Star Trek tie-in novel that takes the reader on a bold new adventure back with the cast of The Original Series.  Dayton Ward has produced a slick and enjoyable Star Trek novel chock full of action, intrigue and references, that I had an amazing time listening to.  A highly recommend read for those fans of the Star Trek franchise which will also appeal to more casual viewers and science fiction readers.

The Black Hawks by David Wragg

The Black Hawks Cover

Publisher: Harper Collins (Audiobook – 3 October 2019)

Series: Articles of Faith – Book One

Length: 12 hours and 9 minutes

My Rating: 4.5 out of 5 stars

Prepare to join the roughest, toughest and most maladjusted mercenary band in the land with The Black Hawks by David Wragg, and excellent fantasy debut that was a lot of fun to read.

Vedren Chel is a minor noble struggling to adjust to his life as a knight and glorified servant to his lazy step-uncle.  Hoping to escape the meaningless existence that has been forced upon him, Chel suddenly finds himself thrust into a great adventure when a mysterious enemy force invades the city he is stuck in, causing panic and confusion all around.  Managing to flee from the chaos, Chel finds himself the inadvertent travelling companion to the useless and cowardly Prince Tarfel, the King’s son and second in line to the throne.

Accompanying Tarfel to safety, Chel hopes to be rewarded with his freedom and the chance to forge a new life.  Instead he finds himself swept up in the dangerous politics of the realm when he is chosen to become Tarfel’s protector and loyal servant.  Forced to accompany the prince back to the very city they just fled, Chel has very little hope for their survival.  His fears prove justified when a force of disguised men attempt to kill them the night they arrive.  Their lives are only saved when a mysterious band of warriors arrive, killing their attackers and then promptly kidnapping them.

Awakening, Chel and Tarfel find themselves under the dubious protection of the Black Hawk Company, a small group of elite mercenaries who have been hired to escort Tarfel to a mysterious destination.  Despite their unconventional tactics and makeup, the Black Hawks are a dangerous and clever collection of killers, which proves useful when several bands of assassins and fanatics associated with the kingdoms corrupt and all powerful church; converge upon the group, determined to kill Tarfel.  Deciding that their kidnappers are the only group with their best interests in minds, Chel and Tarfel accompany the Black Hawks off into the unknown.  Their journey will take them through dangers, both seen and unseen, and lead them into the very heart of the kingdom as they try to remove the corruption from within.  But dark secrets lie in store for all of them at the end of their journey and no one will be prepared for the dangers and betrayals in front of them.

The Black Hawks is an exciting and captivating dark fantasy novel that I had an absolute blast reading.  This debut novel from David Wragg was originally released about this time last year and it serves as the first entry in his planned Articles of Faith series.  I didn’t get a chance to read The Black Hawks last year, but I have been eyeing this novel off for several months now as I loved how fun its synopsis sounded.  I finally got the opportunity to read this book a couple of weeks ago and I am extremely glad that I did, as The Black Hawks proved to be an impressive and entertaining read that I ended up powering through in relatively short order.  Wragg has come up with an excellent novel that combines a compelling and slick story with some memorable characters and a dark fantasy landscape loaded with perils and betrayals.  These, combined with the book’s many intense action sequences, fun humour and several dark scenes, help to create an addictive and amazing read that I quickly fell in love with.

Wragg utilises a fun, fast-paced and compelling narrative to serve as the centre of this great book.  The entirety of The Black Hawks’ plot is told from the perspective of Chel, who is constantly falling into the midst of some world-changing events.  The plot starts off quickly, with Chel quickly finding himself in the company of Prince Tarfel and from there into the middle of a number of conspiracies and plot aimed at eliminating or manipulating the prince.  This ensures that the reader is quickly enveloped in a complex and entertaining plot which sees the protagonists surrounded on all sides by betrayals, conflicting agendas, mortal perils and all manner of conspiracies.  It was really fun and captivating to see how the various storylines turned out, and the author comes up with a number of intriguing surprises and twists to ensure that the story stays quite interesting and fresh.  There was one very major twist revealed at the end of the novel that I was particularly impressed with.  Wragg sets this twist up perfectly, with a number of hints towards it scattered throughout the book.  While I was able predict some of what was going to happen in advance, I was pleasantly surprised with some of the other revelations that came to light, and this beautifully cultivated twist was one of the high spots of the book.  I was also expecting a completely different ending to the novel, perhaps something a tad more light-hearted, but I liked the direction that Wragg took it instead, especially as it means that I will be grabbing the eventual sequel to this novel as soon as possible to see what happens next.  Overall, The Black Hawks contains a really enjoyable and smartly written narrative, and I had an outstanding time getting through it.

One of the best parts of The Black Hawks is the enjoyable and distinctive characters that Wragg has come up with.  The book’s main protagonist is Vedren Chel, who serves as the story’s point-of-view character.  Chel starts off as a fairly typical fantasy character: a young, bored minor noble who finds himself suddenly involved with events outside of his understanding.  However, as the story progresses, he shows himself to be a much more complex character, mainly thanks to his dedication to Prince Tarfel, who he becomes sworn to.  Tarfel is a spectacularly naive and incompetent royal, who is usually completely unaware of the danger that he finds himself in, or the full scope of the conspiracies playing out around him.  Despite recognising how useless Tarfel is, Chel takes his oath seriously and does all he can to protect him, even though that essentially means he gets the crap kicked out of him every second chapter or so.  This dogged loyalty and determination to do the right thing makes him quite an appealing protagonist, and he proves to be a rather resourceful individual who starts to fit in with the members of the Black Hawk company who kidnap him.  This camaraderie with the Black Hawks, something that he has been missing for most of his life, results in several great scenes, especially as he finds himself conflicted in his loyalty to them and to Tarfel.  Overall, his character arc goes in some interesting directions, and it was great to see him grow as a person through the course of the book.  Tarfel also grows a little during the course of the novel, becoming slightly less boorish and a little more capable.  Some of the reveals at the end of the novel have some rather large impacts of Tarfel’s personality, as he completely re-evaluates his entire life, and it will be rather interesting to see what happens to him in the future novels.

While Chel and Tarfel are both great characters to anchor the main plot around, the most entertaining and memorable characters are easily the members of the titular Black Hawk company.  The Black Hawks are a small group of dangerous mercenaries who have banded together after failing to fit in with all the other companies.  Wragg has gone out of his way to create a distinctive band of mismatched rogues to fill the ranks of the Black Hawk company, and there are a number of fun characters introduced as a result.  These members include a grim and taciturn leader with a notorious hidden past seeking redemption, a shadowy archer who has had her tongue cut out, a beautiful but lethal swordswoman, the group’s dangerous and self-serving assassin who is probably going to betray everyone, and a philosophical giant.  While there are a few stereotypical fantasy roles in there, such as with the Black Hawk leader, this turned out to be a particularly fun group of characters.  My personal favourite was Lemon, a short, red-haired human woman with a crude personality, amazing sense of humour and a fascination with her arsenal of axes (essentially a classic fantasy dwarf character).  Lemon is a great entry in the book, especially as she serves as the story’s main comic relief and is generally the most likeable and entertaining character in the novel, especially when she regales the protagonist with her blunt and tasteless jokes.  I really liked the excellent group dynamic that Wragg came up with for the members of the Black Hawks, and while they work together and are friends, there is a real sense of how mismatched the group is as all of its members are more individualistic than a team player.  All of these characters are great and Wragg does an excellent job introducing each of them and ensuring that all of them get their moment to shine throughout the course of the story.  However, he makes sure to keep most of their backgrounds hidden from the protagonist and the reader, ensuring there is a certain amount of mystery and mystique around them.  While certain hints about their past are revealed, for the most part the reader is left in the dark about who these people are and what brought them to the Black Hawks.  I imagine that Wragg plans to reveal each of these character’s full backstories throughout the course of the series and now that I am somewhat invested in them, I look forward to finding out more about their pasts.

In addition to the fantastic story and amazing characters, The Black Hawks features an excellent new dark fantasy world that serves as an awesome setting to this book.  Wragg’s novel features a somewhat desolate fantasy kingdom, ruined by years of constant warfare and ruled over by a corrupted and militant religious order that is desperately clinging to power.  This proved to be a really cool and enjoyable setting for the novel, and readers quickly become intrigued by the chaotic events occurring throughout the landscape.  While Wragg does drop the reader into this setting with any preamble and gets the story going rather quickly, the reader is never really lost about what is going on in this setting, and the author provides the relevant details about the fantasy world when necessary.  This proved to be an excellent overall setting, and I really liked seeing how all the politics and religious strife worked out.  This world also has a lot of potential for expansion, with a number of different nations and regions mentioned throughout the course of The Black Hawks’ story.  I imagine that the series will eventually visit many of these locations in the future, which should result in some interesting and enjoyable storylines, and I look forward to seeing how that turns out.

I ended up listening to The Black Hawks through its audiobook format, which runs for just over 12 hours and is narrated by Colin Mace.  This proved to be an excellent way to enjoy The Black Hawks, and I was able to power through it in only a few days as it was a really easy novel to listen to.  Thanks to Mace’s enjoyable narration, readers will be able to fly through this exciting and fast-paced story without losing focus for a second.  Mace also does a number of excellent voices for the various characters in the novels, capturing the diverse personalities and over-the-top characters really well.  As a result, I felt that this format was an awesome way to enjoy The Black Hawks and the audiobook comes highly recommended.

The Black Hawks by David Wragg was a cool and impressive dark fantasy adventure that I am really glad I checked out.  Thanks to his captivating and action-packed story, distinctive characters and dark fantasy setting, Wragg knocked his debut out of the park, creating an awesome overall read.  I had an amazing time listening to this fantastic book and I am looking forward to seeing how the story continues in the second Articles of Faith novel.

Throwback Thursday: Dogs of War by Jonathan Maberry

Dogs of War Cover

Publisher: Macmillan Audio (Audiobook – 25 April 2017)

Series: Joe Ledger – Book Nine

Length: 17 hours and 45 minutes

My Rating: 5 out of 5 stars

For this week’s Throwback Thursday, I check out Dogs of War by Jonathan Maberry, the 9th novel in the action-packed, over-the-top Joe Ledger series.

People familiar with my blog will be aware that over the last year or so I have been making my way through Maberry’s Joe Ledger science fiction thriller novels.  I have been a little obsessed with these books ever since I first checked out the 10th novel in the series, Deep Silence, and then went all the way back to book one, Patient Zero, to see how the series started.  Ever since then I have worked my way through the rest of the Joe Ledger novels, each of which has proven to be a pretty top notch read.  I absolutely love the clever writing style, unique stories and distinctive characters that Maberry features in these novels, and I usually power through them in extremely short order.  Dogs of War is no exception, as I was able to get through this in less than a week and it did not take long for me to get addicted to its intriguing and exciting plot.

Following the disastrous events of Kill Switch, the Department of Military Sciences (DMS), a secret American counterterrorist unit that focuses on dangerous and unusual technology and science, is damaged and discredited.  However, they are still determined to do good throughout the world, and their main field agent, the legendary Joe Ledger, is always keen for a new case.  So when his brother calls him out of the blue with an unusual mystery, Ledger does not hesitate to head back to Baltimore in order to investigate.

Arriving in his former hometown, Ledger discovers a curious set of circumstances.  A young street worker went on a rampage, killing several people before dying herself.  The cause of her madness appears to be a new strain of rabies, which was apparently triggered by nanobots in her brain.  Attempting to investigate more into the case, Ledger finds himself and his family targeted by ruthless killers with advanced technology, determined to ward him off the case.  It soon becomes apparent that the death of the young girl in Baltimore is just the tip of the iceberg, as other mysterious events and attacks occur across America, many of them targeting members of the DMS.  A new enemy has risen from the ashes of the DMS’s old foes, and she is determined to bring about a new world order.  Worse, the DMS’s most dangerous enemy has returned, ready to rain chaos and destruction down on the entire world.  Can Ledger and his team defeat this ruthless team of villains before it is too late, or will Ledger face the greatest tragedy of his life?

So, after reading all 10 Joe Ledger novels (as well as the spinoff novel, Rage), I have come to the conclusion that is actually impossible for Maberry to write a bad Joe Ledger novel.  I was once again blown away while reading this ninth book as Dogs of War contained an epic and addictive story that I could not stop listening to.  Maberry continues to utilise his distinctive writing style in this book, setting up a captivating and clever story that is loaded with intense action, likeable characters, memorable antagonists and a devious plot to end the world.  This results in a very captivating read and Dogs of War gets an easy five stars from me.  This is actually one of my favourite novels in the series and is probably the best one I have read this year (by a very small margin; Predator One and Kill Switch are both really good).  Also he briefly mentions my Alma mater, ANU, so yay for that!

Dogs of War contains an absolutely fantastic story that sees the fun and complicated protagonist, Joe Ledger, face off against another world ending threat.  Just like in the rest of the series, Dogs of War’s narrative is cleverly constructed with about half the novel is told from the point of view of Ledger, as he encounters the antagonist’s plot in real time.  However, the rest of the novel features a large array of alternate perspectives and preceding time periods that expands the range of the story and helps to create a complex and captivating narrative which really grabs the reader’s attention and interest.  Maberry backs up this great storytelling with a thrilling and action-packed narrative that is fast-paced and delightfully over-the-top.  I really love the unique science fiction thriller storylines that Maberry features within Dogs of War and I appreciated all the cool connections that it has to previous novels in the series.  This cool story will appeal to a wide range of different readers and it is extremely accessible to people who are unfamiliar with the Joe Ledger series as Maberry goes to great lengths to explain all the various story elements and characters featured within the book.  That being said, I really need to emphasise just how truly over-the-top this story could be, as there are a number of scenes that some readers may find uncomfortable or hard to read.  This includes some very graphic fight sequences and some rather disturbing sexual content, some of which, if I am being honest, is way too excessive (one flashback scene features the underage antagonist getting deflowered by a literal demon right after her mother’s funeral, which happened to coincide with 9/11).  Still I have a lot of love for the way in which Maberry constructs a Joe Ledger story, and Dogs of War is a truly fun and thrilling story as a result.

Just like with the previous novels in this series, Maberry has anchored his amazing story on a fantastic collection of characters who really help to enhance the narrative and turn this into a first-class read.  The main character is the series’ titular protagonist, Joe Ledger.  Ledger is an extremely complex character due to his fractured personalities and intense emotional range, and it is always incredible to see the story through his eyes, whether he is feeling each and every emotional blow that comes as way as a result of the case, or he is dishing out severe and brutal vengeance to those who have wronged him.  Ledger is also the cause of most of the book’s enjoyable humour, as he has an extremely flippant outer personality, including a hilarious and sarcastic inner monologue, which becomes especially funny when he encounters the various strange and over-the-top elements that this series is known for.

In addition to Ledger, Maberry also does an amazing job reintroducing and utilising the various recurring characters who have been featured in the previous entries in the series.  All of the side characters have their own distinctive and enjoyable personalities, and fans of the series will really appreciate seeing many of these characters return and continue their various individual storylines.  This includes the two surviving members of Ledger’s personal strike team, Top and Bunny, who serve as a great backup throughout the novel and get into some dangerous scrapes of their own.  I particularly appreciated the way in which the author examined and showcased the emotional damage that these two characters have been dealing with since the traumatic events of Kill Switch, and it added an amazing sense of realism to the story.  I also absolutely loved seeing more of Ledger’s attack dog, Ghost, the best and most lovable canine killing machine in all of fiction.  It is an absolute testament to Maberry’s writing ability that he is able to install such a fun and memorable personality into a fictional dog, and you can’t help but love it when Ghost is on the page doing his thing.  That being said, one of the best characters in the novel has to be the mysterious head of the DMS, Mr Church.  Church is a calm and measured figure throughout the novel, grounding the various main characters and providing stable leadership to them.  However, the main appeal of Church lies around his enigmatic nature and past.  Maberry has built up such an amazing amount of mystique around this character that anytime a little hint or mention of his past is presented the reader absolutely laps it up as they try to figure out who or what he is (is he an alien, an angel, some form of immortal hero from history? You just don’t know).  Dogs of War features several more tantalising hints and clues about this, and you get some very interesting glances into his past, although there is still so much mystery.  I really loved seeing all these great characters again, and it was fantastic to see how the story unwinds around them.

No Joe Ledger novel would be complete with a sensationally evil villain with a complicated past and an elaborate master plan, and Dogs of War features both in spades.  The main antagonist of this novel, Zephyr Bane, is a rather intriguing character with a unique view on the world and a range of connection to some of the villains previously featured in the series.  Maberry does an outstanding job building up this antagonist throughout the course of Dogs of War, including through a series of interludes that show key moments in Zephyr’s life, such as how she came up with her plans and how she was tutored in the art of villainy.  While Zephyr is a great antagonist, Maberry doubles down on the villainy in the novel by introducing another sinister opponent for the DMS to face.  This second antagonist is someone who has appeared in several of the past Joe Ledger novels, although his identity is hidden for a good part of the book (although fans of the series will work out who they are rather quickly).  This character is another particularly mysterious being, who spends most of the book manipulating events from the shadows, giving the reader hints at who they are and what they are capable of.  A major highlight of this novel is this villain’s long-awaited showdown with a major Joe Ledger character, and this fated interaction does not disappoint, even if it leaves the readers with more questions than answers.  Overall, these are some fantastic antagonists, and I absolutely love seeing the outrageously evil opponents that Maberry comes up with for these books.

I also have to highlight the extremely complex and intricate evil plot that these antagonists came up with for Dogs of War.  This was a great, high-stakes plan that contained a lot of different elements that are slowly revealed to the reader throughout the course of the book.  Not only does Maberry make great use of flashbacks and interludes to show how this plan came to pass and the various planning stages but he also spends time examining how the antagonists attempt to counter the inevitable interference from the DMS.  Both of the main antagonists have had interactions with the DMS before, and they know that any plan they implement will gain the attention of the DMS at some point.  As a result, they come up with a number of counters and tactics designed to directly target key elements of the DMS in order to take them off the board.  This was a really clever part of the story, as not only does it add an extra level of drama to the narrative, especially when Ledger is emotionally targeted, but it also represents a clever bit of continuity with the rest of the series.  A lot of the weaknesses that the antagonists attempt to exploit were previously introduced or discussed in some of the previous Joe Ledger novels.  The antagonists subsequently try to learn from the mistakes of their predecessors when they utilise these weaknesses, resulting in a lot of tension as some of the characters you are invested in are personally targeted.  I think this was one of the more inventive master plots that Maberry has come up with for the Joe Ledger series.

One of the most fascinating parts of Dogs of War was the author’s examination of certain real-world technologies.  Throughout the course of the book, the author examines all manner of technological marvels in great detail, including nanobots, advanced robots, drones, computer technology and artificial intelligence.  This results in a number of intriguing discussions as the various characters consider all the applications and impacts that such technology has on the world, these technologies are then cleverly worked into the plot of the book as the antagonists utilise them for their evil plans.  Not only is this immensely interesting and highlights the research that the author has obviously done, but all this technology adds a certain amount of real-world menace to the book.  As Maberry takes pains to explain at the very front of the book, all of the technologies that he features within Dogs of War is either in development, currently being tested or already exist in the real world.  As a result, the reader gets a little bit of dread at the thought that a lot of the terrible things that Maberry features within Dogs of War could happen in real life.  This of course helps to ratchet up the tension and suspense within the novel, and I really appreciated how the author used this to make the story even better.  Also, you get to see the protagonist go up against a bunch of robotic dogs, which is just awesome on so many levels.

In order to enjoy Dogs of War I checked out the audiobook format of the novel, which has a decent run time just short of 18 hours.  I absolutely love the Joe Ledger audiobooks and they are by far my preferred way to enjoy these fantastic novels.  The main reason for this is the awesome narrator, Ray Porter, who has lent his talent to every novel in the Joe Ledger series, including Dogs of War, and whose voice really enhances these books.  Porter, who is probably my favourite audiobook narrator at the moment, does an amazing job bringing the characters and the story to life, thanks to his memorable voices and the impressive way that he loads each word with so much emotion and personality.  You always get an incredible sense of the character’s emotions, as the anger, rage, fear or grief that they go through always comes through so clearly.  I particularly love the way that Porter brings the series’ main character, Joe Ledger, to life, as he perfectly captures Ledger’s diverse emotive range, including his boundless anger and his outrageous and sarcastic humour.  I also love the incredible voices he utilises for some other characters, such as the mysterious Mr Church, and his depiction of him contains all the necessary gravitas and power to match the character described in the text.  I also liked the way in which Porter loads one of the antagonist’s voices up with such pure menace and hatred, turning them into a very threatening figure in this format.  All of this made listening to Dogs of War an absolute treat, and I cannot recommend the Joe Ledger audiobooks enough.

Dogs of War was another excellent and addictive entry in Jonathan Maberry’s Joe Ledger series, and I had an amazing time listening to it.  Featuring an outstanding story, awesome characters and so many other fantastic elements, this was an incredible read and I am extremely glad that I checked it out.  I have to admit that I am actually a little sad to have finished off Dogs of War, as that was the last Joe Ledger novel that I had to read.  I have really enjoyed going back and checking out all of the wonderful novels in this superb series, and I will have to get my science fiction thriller fix somewhere else in the future.  Luckily, Maberry actually references several other great series in Dogs of War that could be worth checking out, including the Sigma Force, Seal Team 666 and Chess Team thriller novels, all of which apparently exist in a shared universe with the Joe Ledger books.  I will have to have a think about look at some of these in the future, especially as I wait for Maberry to write another entry in his spin-off Rogue Team International series.  In the meantime, Dogs of War is really worth reading and it comes very highly recommended from me.

Throwback Thursday – Redshirts by John Scalzi

Redshirts Cover

Publisher: Audible Frontiers (Audiobook – 5 June 2012)

Series: Standalone

Length: 7 hours and 41 minutes

My Rating: 4.5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Prepare to dive into one of the most meta and entertaining novels you will ever read with Redshirts by John Scalzi, a fun and clever Star Trek parody that explores what it must be like to be a background character in a science fiction series.

John Scalzi is a well-established and highly regarded science fiction author responsible for a number of impressive and expansive series.  Some of his best-known works include his Old Man’s War series, his Lock In novels and his The Interdependency series, the last of which I have been eying off for a couple of years now and have been meaning to check out.  Each of these series sounds really exciting and have received a lot of positive praise from readers and reviewers.  In addition, Scalzi has also written three standalone novels, each of which has a very fun concept behind it, including the focus of this review, Redshirts.  While I am extremely interested in some of Scalzi’s other works, the moment I found out that he had written a Star Trek parody novel told from the perspective of a redshirt, I grabbed myself a copy of its audiobook format and I have been looking for a chance to listen to it.  Last weekend I had a long car trip with my wife/editor Alex, and we decided that listening to Redshirts would be the perfect entertainment for the drive.

Redshirts takes place in humanity’s far future, aboard the flagship of the Universal Union, the starship Intrepid.  The Intrepid is the pinnacle of human ingenuity and exploration, containing only the most talented crew and scientists that humanity has to offer.  In all respects it seems like the perfect posting for newly commissioned Ensign Andrew Dahl, but it does not take long for Dahl to suspect that there is something seriously wrong aboard the Intrepid.  Not only does the lab that Dahl is assigned to have a magical box which solves every major problem that the ship runs into (with only seconds to spare, without fail), but the entire crew is terrified of the captain and his senior officers, actively trying to avoid them and the near constant away missions.  The crew has come to realise that the away missions are guaranteed to be lethal, with any crew member who joins likely to die while the senior officers constantly walk away without a scratch (with the exception of the unlucky Lieutenant Kerensky).  Now a great deal of energy is place into avoiding an away mission at all cost, with new transfers to the ship kept in the dark until it is too late.

As Dahl and his friends begin to realise the full extent of the terror that has engulfed the ship they attempt to find some sort of answers for what is going on.  However, the more deadly adventures that they go on the more obvious it becomes that some mysterious force is controlling their actions and causing their deaths.  With the lives of every crewmember aboard the Intrepid at stake, Dahl and his friends are left with only one crazy plan, to hunt down the beings controlling them and convince them to stop no matter the cost.  However, what happens when these expendable redshirts end up meeting their own creators?

I am going to say right of the bat that both Alex and I absolutely loved this book and we had an incredible time listening to it.  A good indication of how much we enjoyed it can be seen in the fact that we easily and eagerly powered through it during the two halves of our car trip without any breaks, laughing our asses off the entire time.  Redshirts is an extremely funny and clever novel that acts as both a parody of and a love letter to the Star Trek television show.  Scalzi has come up with a truly awesome and enjoyable novel that combines an amazing amount of humour and parody with a clever and heartfelt story.  This results in a memorable and addictive tale which you cannot help but enjoy, especially if you are a major fan of Star Trek.

For this great novel, Scalzi has come up with a very compelling and enjoyable story that acts in many ways like a unique combination of Galaxy Quest, The Cabin in the Woods and The French Mistake episode of Supernatural.  The story focuses on Ensign Dahl and his friends as they begin to work out the issues aboard the Intrepid.  This is a very fast-paced narrative and the reader is soon introduced to all the mysterious events occurring on the ship, from the terrified crew, the weird science, the exceedingly dangerous and improbable away missions and the strange characters who seem to have the answers.  All of this is shown to the reader in a very clever way, and while you are expecting many of these events occur, especially if you are familiar with Star Trek, seeing these characters react to the various odd occurrences with realistic shock and scepticism is a great source of entertainment.  Following the initial introduction, you get several chapters of the protagonists humorously traversing a chaotic ship full of self-aware redshirts desperately trying to avoid their fates.  The various attempts by the characters to understand what is going on and change their fates are amazing, if a little tragic in places, and this is a very comedic part of the book loaded with some of the best jokes at Star Trek’s expense.  The story then takes a very interesting change of direction as the protagonists undertake a desperate plan (inspired by a classic Star Trek film) to save the ship and prevent their upcoming deaths.  This third part of the book is exceedingly meta, and fans of both Star Trek and surreal, self-referential fiction will love where the story goes and various clever character interactions that occur.  These distinctive parts of the book come together extremely well and form an intricate and captivating overall narrative that fits a lot of story elements into a relatively short novel.  I had an amazing time listening to this complex story, as not only did it make me laugh, but it also made me care about the various characters who are introduced throughout the course of the book (something which the author is aware of and sadistically exploits at times, especially with that last joke at the end of the main story).

In addition to the main story, Scalzi also features three substantial codas at the end of the novel.  These codas are essentially short stories that follow side characters the protagonist meets during the course of the main narrative.  While I would normally be a little concerned about some concluding material taking up so much space from an already shortish novel, these codas are extremely well written and contribute a great deal to the book.  Titled Coda 1, 2 and 3, the codas are told in the first, second and third person narrative respectively, and contain some truly impressive and touching character-driven narratives.  These extremely clever codas really dive down into the psyches and emotions of their respective characters, showing their own complex histories and how their encounter with the protagonist had such a major impact on them.  Of the three, my favourite is probably Coda 1, which is easily the funniest, containing a very humorous series of blog posts, although Codas 2 and 3 are both emotionally rich and heart-warming.  While some readers may be tempted to skip these codas after the main story is finished, I would very strongly recommend checking each of these out as you are guaranteed to come away being extremely attached to each of these great side characters and also feeling a lot better after hearing each coda’s happy ending.

While Redshirts also has its own unique and captivating story at its heart it is an extremely funny parody of the iconic Star Trek television show.  Scalzi is clearly a fan of the series as he expertly works all manner of fun jokes and references to the show into the novel.  The Intrepid and its bridge crew are clear parodies of the Enterprise and the main characters of The Original Series, and Scalzi does an amazing job working his narrative around them, emphasising all their iconic character traits and showing just how ridiculous they and their actions are to the eyes of a normal person.  This includes the captain’s dramatic tone and way of over exaggerating events, and the poor junior officer with a Russian accent who gets the crap kicked out of him every single episode and yet is fully recovered by the next adventure without a hint of injury or PTSD.  Redshirts contains all manner of references or parodies to the over-the-top, badly written or ridiculous elements of the show, and Scalzi lovingly features and critiques them in an amazingly funny way; everything from the evolutionarily questionable alien monsters, the repetitive space battles (those poor people on decks six to twelve!) and the high death toll of the normal crew.  The highlight of the book has to be the terrified and disbelieving reactions that each member of the crew has to the events going on around them, and the fun and exaggerated attempts to survive them.  I also really loved the comedic metafiction elements of the book, which allowed Scalzi to take some humorous shots at the writers and creators of shows like Star Trek.  While this humour is obviously geared towards Star Trek fans, you really do not need to have a lot of in-depth knowledge of the series to appreciate the humour.  Anyone who has a passing knowledge of Star Trek and its tropes will find this book deeply amusing and hilarious and you are guaranteed to have a fun time getting through it.

While I absolutely loved Redshirts’ story, I did find that the dialogue was a little clunky in places.  While most of the conversation is quite fun and snappy, the overabundance of dialogue tags and the extreme overuse of the word “said” gets repetitive and distracting, especially in scenes where the conversations fly thick and fast.  In some heavy dialogue scenes, “character 1 said”, “character 2 said”, “character 3 said” repeats about 20 times in a minute, which is really distracting.  If Scalzi had used more variety in indicating which character said what, this book would have been pretty damn perfect.  But the story and the comedy were strong enough to overcome most of these issues, and I chose to focus on them instead.  However, I can easily see other readers getting a little frustrated with this, which would be a real shame as this is a very fun book.

The audiobook format of Redshirts ran for 7 hours and 41 minutes, although it is a closer to six hours if you decide to skip the codas at the end of the book.  This was an extremely easy audiobook to listen to quickly and we absolutely flew through it.  One of the main reasons that we were so interested in this book is because the audiobook is narrated by Wil Wheaton.  Now, there is obviously a lot of appeal to Wil Wheaton, or any cast member of a Star Trek television show, getting involved in a parody like this, but Wheaton did a pretty good job narrating this audiobook.  Wheaton had a great voice for this novel, and he was able to keep the audience’s attention through the entirety of the story.  While he did not really change his voice from character to character, the listener was generally able to tell when someone new was talking (ironically thanks to the author’s overuse of “said”).  Wheaton was, however, extremely adept at expressing the relevant emotions of the characters through his voice, and the fear, anger, frustration and sheer disbelief of the protagonist and the people he encounters really shines through.  I also really enjoyed his portrayal of the Intrepid’s senior crewmembers, each of whom is a parody of the main characters from Star Trek: The Original Series.  I particularly had a lot of love for the Captain’s “dramatic voice” that Wheaton did, which really captured the over-the-top tone Kirk had when he was excited or animated.  Overall, the audiobook format is a fantastic way to enjoy Redshirts and I would definitely recommend it to anyone interested in checking this novel out.

Redshirts by John Scalzi is a masterful and hilarious novel that presents the reader with a wonderful and clever parody to the classic Star Trek television series.  While there are some style issues associated with the dialogue, the story is loaded to the brim with all manner of great jokes, interesting characters, compelling plot elements and a whole lot of meta comedy.  An absolutely fantastic read that will appeal to all manner of Star Trek fans or people in need of a good laugh, Redshirts comes highly recommended and I can guarantee that Wil Wheaton’s audiobook format will serve as a great form of entertainment for a long road trip.

Harrow the Ninth by Tamsyn Muir

Publisher: Recorded Books (Audiobook – 4 August 2020)

Series: The Locked Tomb – Book Two

Length: 19 hours and 51 minutes

My Rating: 5 out of 5 stars

Sensational author Tamsyn Muir follows up her incredible 2019 debut with another epic, complex and infinitely entertaining hybrid novel, Harrow the Ninth.

Tamsyn Muir burst onto the writing scene with a real vengeance last year with her debut novel, Gideon the Ninth, the first book in The Locked Tomb series.  Gideon the Ninth was an extremely clever and compelling novel that followed a group of spacefaring necromancers who were summoned to the house of their Emperor and god, and given an opportunity to learn from him and become Lyctors, immortal beings with immense necromantic power who are considered to be living saints.  What they instead found was a haunted manor filled with secrets, weird experiments and mysterious hints at the past.  The protagonist of this first novel was the titular Gideon, a smart assed, foul mouthed lesbian swordswoman who was reluctantly serving the necromantic lady of the Ninth House, Harrowhark Nonagesimus.  I absolutely loved Gideon the Ninth and it was easily one of my favourite debuts of 2019.  As a result, I was rather intrigued when I heard about its sequel, Harrow the Ninth (which, as you can see above, featured another intense and beautiful cover by the talented Tommy Arnold) and I eagerly grabbed an audiobook copy of it when it came out.  I have to say that I am extremely glad that I decided to do so as Harrow the Ninth turned out to be a truly outstanding book and I had an incredible time reading it.

Harrow the Ninth is set shortly after the dramatic conclusion to Gideon the Ninth and switches the focus of the novel over to Harrowhark, who has succeeded in becoming a Lyctor at great personal cost.  Now alone, mentally scarred and more powerful than ever, Harrow finds herself in the personal care of the Emperor of the Nine Houses, who is determined to use his new Lyctor in a deadly war against an ancient and powerful terror, a Resurrection Beast, the insane and vengeful ghost of a murdered planet.

Travelling to the Mithraeum, the Emperor’s isolated sanctum, Harrow finds herself trapped aboard a desolate space station with her god and her fellow Lyctors.  Each of her companions on the station has their own agenda and motive for being there, and all of them are seeking to use Harrow for their own ends.  Worse, as Harrow attempts to learn the full extent of her new powers and abilities, it becomes apparent that something has gone wrong with her transition to Lyctorhood.  Her body keeps failing her, her swordcraft is shoddy, her blade makes her nauseous and her mind keeps presenting her with impossible scenarios.

As the Resurrection Beast comes ever closer to the Mithraeum, Harrow desperately attempts to understand everything that is happening to her and learn how to survive the oncoming attack.  However, she finds herself distracted with the machinations and plots of her untrustworthy rival and the attitudes of her three ancient tutors, especially as at least one of them is trying to kill her.  Can Harrow unwrap all of the dark secrets that lie hidden on the Mithraeum before it is too late, or will the entire Empire fall into ruin before them?

Well damn, now that was a truly enjoyable and incredible read.  Harrow the Ninth is a complex, clever, entertaining and exceptionally well written novel that does an awesome job following on from Muir’s impressive first novel.  I had an absolutely amazing time reading this fantastic book, which I think in many ways is somewhat stronger than Gideon the Ninth.  Not only does Harrow the Ninth have a deeply captivating story that successfully utilises elements from a range of different genres, but it also features some memorable and compelling characters, excellent universe building and a magical system that really stands out thanks to its descriptive necromantic powers.  Harrow the Ninth also serves as a marvellous follow-up to Gideon the Ninth, continuing the clever story from the first book with the same distinctive tone and writing style, while also featuring an intriguing reimagining of prior events.  All of these makes for an epic read which gets a full five-star rating from me.

At the heart of this amazing novel is an intense and multilayered narrative that presents a compelling tale of love, tragedy, treachery and self-discovery.  The story is actually split into several distinct sections, with the main storyline focusing on Harrow after her transformation to Lyctorhood as she spends time in the Mithraeum with the Emperor and the other Lyctors.  This part of the book expertly jumps back and forth through time and is an extremely entertaining part of the book, detailing Harrow’s education under the Emperor and the other Lyctors and her attempts to survive the various internal politics, plots and personal chaos.  The other major part of the story shows a curious alternate version of the events of Gideon the Ninth, shown from Harrow’s point of view, made distinctive due to the complete lack of Gideon, who appears to be erased out of existence.  This alternate version of the prior book is a really intriguing part of Harrow the Ninth’s story, and while I was initially a little confused about why it was included and where Gideon had disappeared to, it proved to be an extremely clever and compelling part of the book, especially when everything becomes fully revealed.  Due to this reimagining of already existing narrative, as well as the continued references to the events of the first book, readers interested in checking out Harrow the Ninth really do need to have read Gideon the Ninth first, as the story gets a little confusing and significantly less impactful without this established knowledge.

These separate storylines complement each other is exceedingly cleverly.  This novel does start off a tad slow, but this is mainly because Muir is re-establishing the narrative from the previous book and loading up the front end of the story with hints and foreshadowing about the multitude or revelations that come throughout the course of the plot.  A lot of big events and reveals occur towards the end of Harrow the Ninth, including a few reveals that were hinted at in the previous novel, and I felt that the author set all of these up perfectly.  This results in an extremely epic conclusion to the novel and I was really impressed by how it all turned out.  This novel contains a unique blend of genres, as Harrow the Ninth features elements from the fantasy, science fiction, psychological thriller and murder mystery genres.  All of these disparate features work together extremely well in the story and it helps to produce a distinctive and entertaining narrative, especially as Muir adds on a rather good comedic edge.  The end result is a fascinating and exceedingly captivating overarching narrative, and I had an outstanding time getting pleasantly blindsided by the inventive twists and turns.

This excellent and unique story is expertly supported by a distinctive writing style that I felt did an amazing job enhancing the narrative.  Perhaps one of the most noticeable elements is the clever narration that accompanies the story.  While Harrow is the point of view character for most of the novel, she is not actually the one narrating the story.  Instead Harrow’s actions, emotions and thoughts are identified, summarised, and relayed back to Harrow by an unidentified second person narrator.  Naturally, this proved to be an interesting and unusual way to tell this story, although it works well in the context of the overall narrative, even if it takes a little to get used to.  This narrative format plays into certain character reveals and plot points of the novel and it makes a lot of sense once you get further into the book, with the style itself actually being a hint about what is happening with Harrow.  This narration style changes at a certain point towards the end of the book in accordance with certain plot developments and the subsequent deviation is clever and reminiscent of past events.  I also really must highlight the author’s extremely descriptive form of story writing, as every event, person or location is described in overly vivid detail.  Not only did this ensure that the reader got the full breadth of certain magical action and developments but it also helped to enhance the overall gothic feel of the book and ensure that reader was able to easily imagine the various locations the protagonist found themself in.  This really helped the story to shine and I have a lot of love for how Muir was able to work story elements into this style.

In addition to the great story that Muir has come up with for this book, Harrow the Ninth also boasts an impressive array of amazing characters.  The central protagonist is the titular Harrow, who takes over from Gideon as the main character after the first book.  Harrow is a vastly different character to Gideon as she has a much more subdued personality, less self-esteem, and a more restrained, subtler sense of humour.  Due to Gideon’s somewhat biased narration in the first novel Harrow was mostly viewed as an extremely arrogant, confident, and brilliant person, and this is how Harrow attempts to act throughout most of the novel.  However, certain vulnerabilities in Harrow’s character that were previously explored in Gideon the Ninth once again come to the fore in this second novel.  Harrow was already an extremely complex individual, having been birthed by dark magic, ended up being responsible for the death of her own parents and having an interesting love interest.  However, following her alteration into Lyctorhood, Harrow is a much more damaged person due to the absorption of her cavalier.  Harrow’s already fractured psyche is made even worse throughout the course of the book, as she sees all manner of things that are not there and has some very different ideas of the past or how she perceives the world.  In addition, Harrow bears an immense amount of guilt on her shoulders as a result of various events in her past and the many deaths on her conscience.  Harrow needs to work through all these issues throughout the course of the story if she has a chance to survive, and this becomes a major and dramatic part of the story that was really intriguing to explore.  I had an amazing time seeing the story primarily through Harrow’s eyes and it was a refreshing and compelling change of pace from the first book.

Harrow the Ninth also focuses on a great collection of supporting characters who add some intrigue and drama to the story.  Perhaps the most distinctive side characters in this novel are the five beings that Harrow finds herself trapped with aboard the Mithraeum, the Emperor of the Nine Houses and his four other Lyctors.  This is an extremely fascinating collection of people and much of the story revolves around Harrow’s unique interactions with them as each of them attempts to teach her, manipulate her or kill her at various points within the book.  These characters are really entertaining and distinctive, from the seemingly kind, patient, and infinitely calm Emperor, to the three ancient Lyctors, the cool and confident Augustine, the exceedingly self-involved Mercymorn and the ultra-focused and lethal Ortus.  In addition, we see the return of the manipulative Ianthe, who became a Lyctor at the same time as Harrow and who forms a very distinctive relationship with her throughout the course of the book.  I really enjoyed the complex interactions and relationships that forms between all of these characters (including some wild relationships between various participants), with the Emperor acting as the father figure, the three existing Lyctors portrayed as older siblings who have a complicated power dynamic with each other, while Ianthe and Harrow are the younger sisters learning the ropes from the others.

I also have to highlight the inclusion of several other characters who previously appeared in Gideon the Ninth.  It was rather intriguing to see many of these characters return, especially as most of them died or appeared to die in the prior novel.  Muir does a fantastic job working them into the fabric of this novel, such as by featuring some of them in the alternate version of the events of the first book, changing their roles and impacts on the story as a result.  I particularly enjoyed the extended role of Ortus, cavalier of the Ninth House.  Ortus, not to be confused with the Lyctor mentioned above (although the names are actually a clever clue to a big reveal), died early on in the events of Gideon the Ninth.  But in this book the dour Ortus serves as a fantastic yet reluctant companion to Harrow, with surprising hidden depths and an entertaining obsession with gloomy epic poems and verse.  He is also essentially the complete opposite to Gideon, resulting in a very different dynamic between necromancer and cavalier then we saw in the prior book.  Overall, I have to say that I was exceedingly impressed with the characters featured within this amazing novel.  Each of these complex and memorable characters added a heck of a lot to the story and it was deeply fascinating to see each of their storylines unravel and come to their compelling conclusions.

One of the major elements of this series that I love so much is the weird and wonderful necromantic magical system complements the science fiction of the book.  Pretty much all of the main characters in this book are powerful necromancers, specialising in a different form or style of necromantic magic.  All of this magic is extremely cool, and it was really awesome seeing it utilised in fight sequences and other scenes throughout the book.  Most of the magical elements revolve around Harrow’s bone magic, as she creates skeleton and bone constructs, manipulates her own bones to either enhance herself or detach them to make weapons or other creations, as well as elements of biological alteration.  Muir does an outstanding job explaining the full range of different powers that Harrow has, and there are some amazing scenes where the young necromancer does some really inventive and clever things with her bones.  There is one sequence in particular that sticks in the mind, and I’ll certainly remember it when eating soup in the future. 

In addition to Harrow’s abilities, Muir also showcases the creative and impactful abilities and magical powers that some of the other characters have.  These various abilities are all biological or spiritual in nature, and it was quite fun to see what the different necromancers can do, especially when they go up against Harrow’s bone magic.  All these magic scenes feature some rather vivid imagery and descriptions from Muir as she tries to show the full biological manipulations that are occurring, which really help to make these scenes pop.  The author also does a truly fascinating deep dive into the origins and mechanics of her unique magical system.  A lot of these new magical elements are explained to protagonist in some detail from one of her teachers, so the reader is able to understand these elements really well, and a lot of the lessons and explanations of magic have major impacts on the story down the line.  This proved to be an extremely interesting and enjoyable part of the book and I have a lot of love for Muir’s creativity when it comes to her version of necromantic magic.

I also have a lot of love for the distinctive gothic settings that Muir has imagined up for this series.  Each of the central story locations are filled up with all manner of dark and macabre trappings and features, which the author does a fantastic job bringing to life with her descriptive writing.  This includes the dreary and dark Mithraeum, a vast and mostly abandoned space station where most of the story takes place, as well as an alternate version of the First House that appeared in Gideon the Ninth.  All of these locations are described in great detail and each of these fun and distinctive settings helps to present a darker vibe to story and helps makes this series more unique and memorable as a result.  Harrow the Ninth also contains some rather captivating and inventive universe building expansions as the author attempts to introduce new things into her universe.  All of these extensions to this universe are really clever, playing into the story really well and I loved learning more about this fun fictional setting which does so much to enhance the story. 

I found that the audiobook format of Harrow the Ninth proved to be an excellent way to enjoy this amazing novel.  With a run length of just under 20 hours the Harrow the Ninth audiobook does require a bit of a commitment to get through it, although I felt that it was really worth the time investment.  I do have to admit that it took me a little while to finish this audiobook, especially at the start.  However, I absolutely flew through the second half of the novel once I became extremely invested in the story, and I managed to knock out the final six hours in rather short succession.  I have to highlight the fantastic narrator for this audiobook, Moria Quirk, who does an outstanding job telling the story and bringing the various characters to life.  I felt that Quirk utilised perfect voices for each of the main characters and you get a real sense of each character’s personalities and emotions from this vocal work, from the calm, composed tones of the Emperor to the exceedingly petulant voice of the Lyctor Mercymorn.  This excellent voice work really added a lot to this audiobook. I really think that Harrow the Ninth translates well into the audiobook format, and listening to it really added to my enjoyment of this second novel, especially as I absorbed a lot more of the detail and gothic atmosphere through the narration.

Harrow the Ninth by Tamsyn Muir was an epic and exceptional piece of fiction that I deeply enjoyed, and which comes highly recommended.  Not only did Muir present an impressive follow-up to her amazing debut novel, Gideon the Ninth, but she was able to turn out a complex and beautifully written sequel that proved extremely hard to stop listening to.  Powerful, cleverly written and just generally outrageous, Harrow the Ninth is an outstanding read and you have no discovered Tamysn Muir and her fantastic pieces of literature, you are really missing out. 

Throwback Thursday – Kill Switch by Jonathan Maberry

Kill Switch Cover

Publisher: Macmillan Audio (Audiobook – 26 April 2016)

Series: Joe Ledger – Book Eight

Length: 17 hours and 56 minutes

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

I recently found myself in the mood for another intense and crazy thriller novel, and luckily I knew exactly the book to check out, as I ended up listening to the eighth entry in the fantastic Joe Ledger series by Jonathan Maberry, Kill Switch.

People familiar with my blog will know that I have been really getting into Maberry’s writing over the last couple of years.  In particular, I have been making my way through the Joe Ledger series, which follows the titular agent as he investigates all manner of weird science and world-ending plots.  This has swiftly become one of my favourite series of all time thanks to the incredible stories that Maberry has come up with, and my intention is to finish off all the Joe Ledger books before the end of the year.  As a result, I knew far in advance that I was going to enjoy Kill Switch and I ended having an amazing time reading it.

In this eighth novel, Joe Ledger, agent for the clandestine Department of Military Sciences (DMS), is investigating a strange anomaly down in the Antarctic.  A secret military research facility has gone offline, and Ledger and his team need to find out why.  However, what at first appears to be a routine mission quickly devolves into an unnatural horror show as the DMS agents uncover a mysterious facility deep beneath the ice.  The things that Ledger and his team see will haunt them for the rest of their lives, and by the time they escape all three are infected with a deadly disease that places them into a coma.

Awakening several days later, Ledger discovers that much has happened in his absence.  America has been targeted by a ruthless terrorist organisation that apparently has access to an advanced EMP weapon that can turn off all power and technology in a certain area with devastating effects.  Worse, thanks to the consequences of the mission down in Antarctica and other recent failures, the DMS no longer has the confidence of the President, who refuses to give them the case.

Frustrated at being left out in the cold, Ledger and the DMS investigate where they can and soon come across several strange and seemingly unconnected events.  Able to piece together a pattern that no one else can see, Ledger soon finds himself in the heart of a vast conspiracy that aims to launch a shocking attack on the American people.  However, before they can intervene, Ledger and his team find themselves under attack from the most unlikely of places.  Can even the legendary Joe Ledger defeat an opponent who can attack him in his own mind, or will America face a wave of death and destruction the like of which they have never seen before?

Kill Switch was another fantastic and amazing novel from Maberry that continues the amazing Joe Ledger series.  This eighth book contains a captivating story that combines several different genres together to create an exciting and fast-paced read with some rather enjoyable elements to it.  I had an awesome time listening to this book, and while it is not my absolute favourite entry in the Joe Ledger series (I would have to give that honour either to The Dragon Factory or Code Zero), it was still a very impressive book that gets a full five-star rating from me.

In this eighth Joe Ledger novel, Maberry once again uses his distinctive style to tell another impressive and intriguing story that draws the reader in and ensures that they cannot turn away until it is finished.  Kill Switch contains a rather clever thriller storyline that deals with the protagonist attempting to stop another terrible terrorist plot utilising advanced technology.  While some of the elements to Kill Switch’s story are familiar, Maberry really gives this book a distinctive dark horror tint, as the novel deals with a number of Lovecraftian horror elements.  While this genre is not something that I have ever really gone out of my way to check out, I did enjoy its use in Kill Switch, especially as it sent its already unstable protagonist through some particular vivid and trippy vision sequences.  The various horror, science fiction and thriller aspects of the book’s narrative work together extremely well and it is a testament to Maberry’s skill as an author that the plot did not get too convoluted or hard to follow.  Instead, Kill Switch has an extremely elegant and fast-paced story with some great flashes of humour, enhanced by the author’s trademark use of multiple perspectives and interludes set before the main plot.  Maberry rounds this out with the return of the series enjoyable and long-running cast of characters, including protagonist Joe Ledger, who provides a first-person narration for around half the story.  Ledger’s warped and eccentric view of all the events going on around him adds so much enjoyment to the plot, resulting in much of the book’s humour.  This all ensures that Kill Switch contains another top-notch story that was an absolute pleasure to read.

The key parts of any Joe Ledger novel are the complex and memorable antagonists and the elaborate and destructive plots that they weave.  Maberry does another great job of this in Kill Switch, introducing some compelling villains and associated side characters who have some fascinating motivations for initiating the events of this book.  Thanks to a series of interludes and short chapters that are told from the perspective of the antagonist and their puppets, you get a full sense of why these characters are doing what they are doing, especially when you get a glimpse into several key moments of their lives.  Seeing so much of the antagonist’s past and the formation of their plans adds quite a lot of depth and tension to the story, and I always really appreciate the way that Maberry tries to expand these character’s narratives.  I was also quite enraptured by the complex and detailed plan that the antagonist set in motion, especially as it required using some unique technology in some novel ways.  I especially enjoyed the cunning way in which the villains went after Ledger and the DMS, including by destroyed their image and their influence, and I appreciated the way in which it was easier for them to achieve this due to an inadvertent backlash at the organisations prior extreme successes and advanced technology.

Kill Switch ended up being a major part of the overall series with some big moments occurring and some interesting connections to the prior novels, ensuring that this is a must-read for established Joe Ledger fans.  This book ended up continuing a bunch of key storylines that were introduced in the fifth novel, The Extinction Machine, with several plot points from that story revisited, as well as some antagonists.  In addition, several of the story elements introduced in Kill Switch are heavily utilised in future novels, such as in the tenth book, Deep Silence, which also matches its Lovecraftian horror vibes and story.  In addition, readers might also really appreciate the cameo appearance of Maberry’s alternate zombie-filled universe that is used as a setting for several of his other series, such as the Dead of Night books and his iconic Rot & Ruin/Broken Lands young adult novels, all of which feature a different version of Joe Ledger as a character.  There were also a couple of references to the town of Pinedeep, which served as the setting for Maberry’s first series, and which Ledger visited in the short story Material Witness.

While Kill Switch does have some intriguing connections to some of Maberry’s other works, this novel is incredibly accessible for those readers unfamiliar with the Joe Ledger books.  Like all the novels in this series, Kill Switch’s narrative is mostly self-contained, and you can start reading this book without any issues.  While there are a number of references to the events of the prior books, Maberry also makes sure to cover the relevant backstory, expertly inserting anecdotes about prior books and description of key plot points into the story often in a great entertaining manner (mainly because the protagonists still cannot believe that these previous events actually occurred).  This ensures that readers have more than enough background information to follow the story and understand who all the various characters are and what their personalities are like.

While it is extremely possible to read Kill Switch out of order, I would strongly suggest that readers read this series from the first novel, Patient Zero, rather than starting at the eighth book.  Not only does this allow you to see the various characters develop and progress throughout the course of the series, but it also enhances the emotional attachment that readers will have to the events of this book, including a couple of key character deaths.  Reading the series in order also helps to cut down on spoilers for some of the prior books.  This was something that I particularly noticed while reading Kill Switch, due to the fact that I have already read the sequel novels Deep Silence and Rage.  Both of these books make several references to the events of Kill Switch, so I had an idea of some of the events that were going to occur, as well as the identity of who the main antagonist was going to be.  While this did not derail my enjoyment of Kill Switch by too much, it did slightly reduce the suspense, which was not ideal.

I cannot review a Joe Ledger novel without commenting on the impressive and graphic action sequences that occurred throughout the course of the plot.  Maberry always does such a fantastic job writing his action scenes and the various close combat fights and shoot outs that occur throughout these novels feel extremely realistic as the protagonist and the narrator provide detailed explanations of what is occurring and its destructive impacts.  Kill Switch contains some very impressive action sequences as Ledger and his comrades are placed in some unique fight situations.  While there are the usual swift and one-sided fights against nameless goons, the characters often find themselves facing off against unexpected opponents who visit surprising violence upon them.  This makes for some truly shocking scenes, especially as Maberry’s excellent writing ensures that the reader fully understands the various characters’ surprise and despair.  You also have a unique situation where Ledger, generally considered to be one of the deadliest killers on the planet, finds himself severely handicapped in several fights due to the machinations of the antagonists.  This adds a whole new element to the typical fight sequences from this series, and it is nice to see the protagonist have some new challenges.  All this action helps to pump the reader up as they enjoy the excellent story and it is an amazing part of the overall book.

It should come as no surprise to anyone who has read my prior Joe Ledger reviews that I ended up listening to the audiobook version of Kill Switch, which in my opinion is the best format for enjoying these fantastic novels.  The Kill Switch audiobook has a run time of just under 18 hours, which I was able to get through incredibly quickly, and it was once again narrated by Ray Porter, whose voice work is easily my favourite thing about this format.  I have extolled the virtues of Porter’s narration in several of my other reviews due to his impressive vocal skills and his ability to move the story along at a swift and exciting pace.  Very few narrators are as in touch with the characters that they voice than Porter especially when it comes to the series’ titular protagonist, Joe Ledger.  Porter always does such an outstanding job capturing Ledger’s intense emotions and sweeping personality, and this enhances the listener’s experience when it comes to these books.  Porter also does amazing and consistent personifications for all the other characters in these books and it was great to hear all the familiar voices of the series’ recurring characters again.  This first-rate narration from Porter makes the audiobook format of these novels, including Kill Switch, an absolute treat to listen to and the audiobook format remains my preferred format for enjoying this series.

Kill Switch by Jonathan Maberry is an excellent and impressive thriller novel that served as a great eighth entry in the incredible Joe Ledger series.  I had an absolute blast going back and reading this book, and I really enjoyed the clever and intriguing story that Maberry cooked up for Kill Switch, especially as it contained an outstanding blend of different genres.  This was a fantastic read and it comes very highly recommended.  At this point in time I only have one more Joe Ledger novel to check out, Dogs of War, which I am really hoping to read before the end of the year, and I am also looking forward to checking out Maberry’s new upcoming novel, Ink.

Star Wars: Queen’s Peril by E. K. Johnston

Queen's Peril Cover

Publisher: Random House Audio (Audiobook – 2 June 2020)

Series: Star Wars

Length: 6 hours and 10 minutes

My Rating: 3.75 out of 5 stars

Prepare to dive back into a galaxy far, far away, as bestselling young adult author E. K. Johnston presents the very first Star Wars novel of 2020, Star Wars: Queen’s Peril.

Padmé Naberrie has always wanted to serve the people of her home planet of Naboo, and she knows that the best way to do that is to become Queen. Entering the competitive election, the 14-year-old politician is elected as ruler of Naboo. Casting aside her real identity for the protection of herself and her family, Padmé takes on a new name, Amidala, and moves into the royal palace, determined to bring change to Naboo. However, even a ruler as brilliant and diplomatic as Padmé is unable to do everything by herself, and she finds out that she is going to need help.

In order to keep her safe and to assist her with her needs, Padmé is introduced to a group of talented young women who will serve as her handmaidens. Acting as her assistants, confidantes, bodyguards and decoys, each of her handmaidens brings something different to the group, and it is up to Padmé to turn them into an effective team. Together, Padmé and her new friends seem capable of dealing with any challenge that may impact them.

However, there is a dark plot at work within the Republic, and its mastermind has Naboo in their sights. Soon Naboo is invaded by the armies of the Trade Federation, who seek to capture Queen Amidala and force her to sign away the planet. Forced to flee in disguise, Padmé sets out to reclaim her home and will do anything to free her planet. While Jedi, soldiers and a young chosen one may rally to their cause, the fate of Naboo ultimately rests on the shoulders of a young queen and her loyal handmaidens.

Queen’s Peril is an intriguing and enjoyable new addition to the Star Wars canon from bestselling author E. K. Johnston. I have been rather enjoying some of Johnston’s recent Star Wars releases, and I had a fun time reading her 2016 novel, Ahsoka, as well as last year’s fantastic release, Queen’s Shadow. Queen’s Peril is the first of several Star Wars books being released in 2020 (although some have been delayed), and I have been looking forward to seeing how this book turns out. This new novel acts as a prequel to Queen’s Shadow and is set both before and during the events of the first Star Wars prequel film, The Phantom Menace. This ended up being a fun and interesting read that explores some unique parts of Star Wars lore.

This latest Star Wars novel contains an intriguing tale that starts from the moment that Padmé is elected queen and takes on the Amidala persona. The first two thirds of this book follow the early days of Amidala’s reign, introducing Padmé and her handmaidens and showing how they became such a tight-knit team. There are a number of great moments during this first part of the story, and it was interesting to see the origin of a number of elements of the Amidala character that are shown in The Phantom Menace, such as her voice, the establishment of the decoy system, and a huge range of other compelling features. There are also several scenes that are dedicated to exploring why the Trade Federation decided to target Naboo and what the origins of their conflict were. I really enjoyed the first two thirds of this book, and I feel that the final third kind of let it down a little. The last part of the book focuses on the invasion of Naboo and follows the events of The Phantom Menace. While it was cool to see some different perspectives on the events of the film, this part of the book felt rather rushed, as the narrative jumped between a number of sequences from the movie in rather quick succession. Despite the problems with the ending, this was still a rather compelling story, and I did enjoy Johnston’s additions to the Star Wars universe.

While on the surface this book appears to be purely about Padmé, Queen’s Peril is actually about a number of different characters who made Padmé’s role as Queen Amidala possible. Padmé is naturally one of the main characters of the book, but all five of her handmaidens are just as important to the story. Johnston previously introduced each of these handmaidens in Queen’s Shadow, and briefly explored their unique skills and what they brought to the group. She does this again in Queen’s Peril, although this is done in greater detail, as this book shows each character’s history and how each of them became a handmaiden. Each of the handmaidens is given a distinctive personality, and all five get a number of scenes told from their point-of-view. I really enjoyed learning more about these characters, and it was great to see them come together as a group and work towards ensuring that Padmé was protected and an effective queen. While each of the characters are explored in some detailed, the biggest focus is on Sabé, Padmé’s first handmaiden and her main decoy (played by Keira Knightly in the film). The author spends time showing the unique relationship between Sabé and Padmé, and it was captivating to see the trust between them grow. Because she was so heavily focused on in the movie, Padmé does not get a lot of scenes in the last third of the book, so quite a bit this part of the story is told from the perspective of all the handmaidens. It was rather interesting to see how each of these characters went during the course of the film, and it was particularly cool to see some scenes with Sabé as she pretended to be the Queen.

In addition to Padmé and her handmaidens, Queen’s Peril also featured point-of-view chapters or scenes from pretty much all the key characters from The Phantom Menace film. The use of all these extra characters was an interesting choice from Johnston, and I liked how it expanded the story and showed some fresh perspectives and backstory for several major Star Wars protagonists. Most of these appearances are rather brief, with characters like Anakin, Obi-Wan Kenobi and Qui-Gon Jinn only getting a few minor scenes. However, other characters do get some extended sequences, especially Captain Panaka, the head of Amidala’s palace guards. Several chapters are told from Panaka’s perspective, and he becomes quite a key character within the book, mainly because he is the person who finds and recruits all of the handmaidens. Panaka is a major driving force of the plot, and it was interesting to see his role expanded from the films, especially as you get more insight into why he is so dedicated to the Queen. I also really liked how the book features several sequences told from the perspective of Senator Palpatine/Darth Sidious. These scenes were fun, as they showed a lot of Palpatine’s earliest manipulations, including how he was able to organise the invasion of Naboo. Overall, I rather appreciated how the author utilised all the characters within Queen’s Peril, and watching their development and interactions proved to be quite compelling.

Like the author’s other Star Wars novels, Queen’s Peril is intended for a young adult audience, and Johnston does a fantastic job tailoring it towards younger readers. This book has a lot of great young adult moments to it, especially as it focuses on a group of teen girls working together to outsmart a variety of adults and then eventually save their entire planet from an invasion. Queen’s Peril has some fantastic portrayals of these teen protagonists, and there are a number of sequences which show them stepping up or dealing with complicated issues that younger female readers will appreciate. While it is intended for younger readers, Queen’s Peril, like most young adult Star Wars novels, is also very accessible to all readers who are major fans of the franchise, and it is easy for older readers to get into and enjoy the plot of the book and its intriguing new additions to the Star Wars lore.

I did have a minor complaint about the release order of the books in Johnston’s series about Padmé. While I enjoyed both Queen’s Peril and Queen’s Shadow, I really do think that it was an odd decision to release Queen’s Shadow first, and then release a prequel novel a year later. It would have been better to release Queen’s Peril first to introduce the various handmaidens and help build up the emotional connection between them and Padmé, making their use and inclusion in Queen’s Shadow a bit more impactful. It might also have made a bit more sense to have Queen’s Peril only focus on events before The Phantom Menace, have another book focus exclusively on what was happening with the handmaidens and Padmé during the course of the film (which would have ensured that Queen’s Peril did not feel as rushed as it did towards the end), and then release Queen’s Shadow. While I am sure that there is some reason why the order for these books was a bit off, probably at the publisher level, I think they could have planned this out a little better.

I ended up grabbing the audiobook version of Queen’s Peril, and I had a great time listening to this book. Queen’s Peril has a short run time of just over six hours, so it is rather easy to get through this book quickly. Like all Star Wars audiobooks, this version of Queen’s Peril was a real auditory treat, due to the excellent use of the iconic Star Wars sound effects and scores from the movies, which are used to enhance each of the scenes. While it was great to once again hear all the fantastic music and intriguing background noises, Queen’s Peril’s greatest strength as an audiobook comes from its fantastic narrator, Catherine Taber. Taber is the actress who voiced Padmé in The Clones Wars animated television show, and, short of getting Natalie Portman in, is the perfect person to narrate a novel about the character. Taber also narrated the previous Johnston book about Padmé, Queen’s Shadow (indeed all of Johnston’s Star Wars books have featured the character’s voice actor as a narrator for their audiobook), and it was great to see her return. She naturally does a perfect voice for the character of Padmé, as well as for the handmaidens, who had similar speaking patterns due to their role as decoys. There are some great vocal scenes between these characters, especially when they are trying to perfect the Amidala voice, and they go through several variations throughout the book. In addition, because Queen’s Peril features nearly every major character from The Phantom Menace, Taber also had to voice several different people who were brought to life by some amazing actors in the original film. I felt that Taber did a fantastic job as imitating some of these voices, and it proved to be a real showcase for her skills as a voice actor. Overall, I had an amazing time listening to this audiobook, and I would strongly recommend this format to anyone interested in checking out Queen’s Peril.

Star Wars: Queen’s Peril is an intriguing and exciting new young adult Star Wars release from E. K. Johnson that acts as a sequel to her previous awesome novel, Queen’s Shadow. Johnston comes up with another compelling story that explores the early life of Padmé/Queen Amidala and her loyal handmaidens. While it does have some flaws, it is a very good book, and it should prove to be a fun read for established fans of the franchise and younger readers who are interested in breaking into the expanded universe. I had an amazing time listening to this book and I look forward to seeing what sort of Star Wars story Johnston produces next.

We are the Dead by Mike Shackle

We are the Dead Cover

Publisher: Orion (Audiobook – 8 August 2019)

Series: The Last War – Book One

Length: 18 hours and 6 minutes

My Rating: 4.75 out of 5 stars

Honour, loyalty, service and death! I finally get around to checking out one of last year’s hottest fantasy debuts with this review of We Are the Dead by Mike Shackle.

Generations ago, the nation of Jia was protected by powerful mages who wielded amazing magic that could shape the world around it. But when the magic faded, the people turned to the Shulka, their revered warrior caste, who held back the barbaric northern Egril tribes with their tactics, superior weapons and skills in combat. For hundreds of years the Shulka have successfully defeated the Egril raids, but their many victories have led to complacency.

During the latest raiding season, the Shulka are surprised when an organised and well-armed force marches upon them. Supported by demons and magic, the like of which has not been seen in an age, the Egril swiftly defeat the Shulka armies and conquer all of Jia in days. Their conquest is quick and brutal, and few are spared the bloody wrath of the Egril and their monsters. Those who do survive are forced in servitude and must worship the Egril’s terrible god or else suffer the consequences.

Now, six months after the invasion began, the country appears beaten, but there are always some heroes who are ready to fight back. In the capital city, Tinnstra, the disgraced, cowardly daughter of Jia’s greatest Shulka general finds herself drawn into a plot to save the royal family and soon finds the fate of the entire Kingdom resting in her hands. Elsewhere, a crippled Shulka warrior and his wheelchair-bound son attempts to lead an organised rebellion, but he soon finds that his greatest assets may be a young terrorist and a widowed mother who is trying to provide for her son. Can this unusual group of damaged heroes turn the tide against an all-powerful army or is it already too late to save their country from the control of a dark death god?

We Are the Dead is an intricate and impressive dark fantasy debut from talented new author Mike Shackle, which forms the first book in his The Last War series. This fantastic book came out last year, and it was one of the books I most regret not getting a chance to read in 2019, especially after I saw some of the very positive reviews being written about it. I really have been meaning to check this novel out for a while now, so I went out and grabbed the audiobook format of We Are the Dead a few weeks ago and started listening to it. I am extremely glad that I ended up reading this book, as I fell in love with this novel and its compelling character-driven story.

This novel contains an outstanding and exciting narrative that follows five unique and intriguing characters across eight days of rebellion and bloodshed in a conquered nation. We Are the Dead’s story starts off big; after a quick introduction to the world and a couple of the characters, everything soon blows apart as a destructive full-scale invasion occurs. The story than jumps forward six months and explores how the world has changed, and what has happened to the central group of characters. What follows is five intriguing and exciting separate storylines, each told from the perspective of a different character involved in various parts of the first major attempt from the Shulka resistance movement to strike back and restore their country. Each of these five storylines starts off by examining the unique adventures and experiences of that character and showing how they are brought into the latest round of fight. Each of the storylines starts off exclusively focusing on one point-of-view character, but they quickly start to connect as the plot of the book unfolds. All five separate storylines eventually come together exceedingly well into one extremely enjoyable and action-packed narrative that proves hard to put down. I really liked the way that all storylines all joined together, and it was fantastic to see the quicker narrative jumps between the various characters at the end of the book. I also enjoyed how the main story focused on eight days of conflict and adventure, with the various character arcs running concurrently with each other, as this allowed for a tight, powerful narrative. The various characters go through a lot of big and life-changing moments in the span of these eight days and there are some major cliff-hangers and surprising deaths that leave the reader in wild suspense. All of this makes for some great reading, and you will be on the edge of your seat for the entirety of this book.

Shackle chooses to tell his exciting story through the eyes of five separate point-of-view characters, all of whom have their own viewpoint and adventures within We are the Dead. Each of these characters have a fascinating character arcs, especially as most of the characters grow through adversity as they experience the horrors of war and learn the necessities of sacrifice, duty and loyalty.

The character who got the most focus within this novel was Tinnstra, the daughter of a legendary Shulka warrior who has a lot of high expectations weighing on her shoulders. Despite her heritage and her skill with a blade, Tinnstra starts the book dropping out of the Shulka academy, because she is a blatant and obvious coward. Managing to flee from the invasion, Tinnstra attempts to forge a new life for herself in the conquered capital, but eventually finds herself in the midst of the Shulka rebellion, with a particularly important package that could change the course of the war. At the start of this book, I really did not like Tinnstra, mainly because every second sentence in her chapters involved her pathetically doubting herself or calling herself a coward. Thankfully, this led to a rather good storyline about finding one’s courage and stepping up in a big way, and she eventually came across as a real badass with some fantastic and enjoyable chapters towards the end of the book.

Another great character is Jax, a former Shulka general who, after losing his arm during the initial invasion, becomes a determined resistance leader with his wheelchair-bound son. Jax is probably the most consistent protagonist throughout most of the book, serving as a steady and wise figure who is forced to face the reality of failing his country. Jax is an extremely likeable character, which makes it really hard for the reader when he goes through some incredibly dark moments that have the potential to break him.

Next up we have Dren, a teen terrorist who, after witnessing his family dying during the invasion, becomes a rabid killer, brutally attempting to take out any Egrils (or Skulls, as they are known, due to their distinctive helmets), not matter the collateral damage. Dren is a pretty unlikeable kid at the start of the book due to his overwhelming anger towards the Egrils, any Jian who associates with them and the Shulka resistance, who he hates just as much as the Egrils due to the way that they treated the peasants before the invasion and because of their failure in stopping the slaughter. However, as the book progresses, the reader gets more and more invested in Dren’s compelling story, especially when he starts spending time with Jax. Jax is a terrific mentor figure for Dren, who eventually learns the error of his ways and starts to take more responsibility for himself and the band of child terrorists he has recruited.

The final Jian character who the book focuses on is Yas, a single mother who attempts to earn a living working as a maid for the invaders. Yas is recruited as a spy by the Skulka resistance and ends up becoming more and more involved in their plots and schemes. Yas’s storyline is another fantastic arc, and there are some interesting similarities to Tinnstra’s arc, in that she finds her courage to fight back and do what is right. However, Yas’s story is more tied into the love of her family and her son, and how she wants a better world for her child to grow up in.

In addition to Jian characters, Shackle also tells a portion of the book from the perspective of Darus, an Egril Chosen, an officer who has been granted a magical ability by their powerful leader. Darus is a psychotic torturer with severe sister issues, who delights in causing pain and torment and who is determined to win glory and power. Darus’s powers are ironically that of healing, meaning that he is essentially an immortal antagonist who can also heal people that he comes into contact with. He uses this power throughout the book to heal his victims, bringing them back from the brink of death, so that he can torture them again and again in order to break their spirits. As you can probably guess, Darus is a rather reprehensible and unredeemable character, but one who offers an intriguing counterpoint to the protagonists. It is always cool to see something from the villain’s point of view, and I felt that Darus was a perfect antagonist for this dark and twisted novel.

All five of these characters proved to be extremely interesting to follow, and I really liked where all of their arcs went. Shackle does an impressive job making their portrayals and emotions seem realistic, and you can almost feel the fear, anger and hatred that several of the characters exude. I appreciated how none of the protagonists were perfect heroes, and most of them are victims or products of the war and the circumstances they find themselves in. I found it rather interesting to see how the various characters saw each other throughout the course of the story, such as when some of the characters viewed Tinnstra for the first time and mistake her expressions of terror and apprehension for looks of determination and impatience to get towards the enemy. I also have to highlight the raft of cool and likeable side characters featured throughout the course of the story, many of whom steal several scenes from the point-of-view characters. These are a fun collection of side characters, although readers really should not get too attached to them, as they tend to have a rather short lifespan within the course of the book. Overall, We are the Dead contains some excellent and enjoyable characters, and I really appreciated the complicated and captivating storylines that Shackle wove around them.

In addition to the impressive story and excellent characters, Shackle has come up with an awesome new fantasy world for We are the Dead. The entirety of the story is set within the nation of Jia, a cultured land with a proud warrior tradition, which is somewhat reminiscent of feudal Japan. Shackle does a fantastic job of setting up this landscape in the initial couple of chapters, before everything changes thanks to the invasion. The new Jia, six months after the brutal conquest, is a vastly different place, filled with hunger, fear and desperation as the survivors are forced to adapt to their new way of life. Shackle did an amazing job portraying a nation completely under enemy occupation, and I was put in mind of Nazi-occupied France, due to the round up of civilians, the inclusion of collaborators and snitches, retaliations against the populace and the careful resistance movements relying on help from a nation across the sea to survive. The Egrils also proved to be a great antagonistic nation for the plot of this book, and I loved how they were able to fool the conceited Shulka warriors by pretending to be tribal savages for years, before invading with an organised and advanced army, utilising magical and demonic assets to perfection. There were some distinctive Nazi elements to the Egrils, such as the way that they swiftly conquered all of Jia in a few days with Blitzkrieg-like tactics, their absolute devotion to their anointed leader (who is totally going to turn out to be the lost brother of the mage Aasgod, right?), their stormtrooper-like appearance and tactics, as well as the fact that the narrator of the audiobook format gave all the Egril characters a distinctive Germanic accent. All of this proved to be an excellent background for We are the Dead and I loved seeing the story unfold in this recently conquered fantasy nation.

Those readers who like some action in their stories will be extremely satisfied with We are the Dead, as Shackle has loaded his book with all manner of fights, battles and gratuitous violence (the best type of violence). This is an extremely action-packed novel, and I personally enjoyed all the cool fight sequences, from the small-scale battles between trained warriors, the brutal hit-and-run tactics of Dren’s fighters, and several larger fight sequences between opposing forces. Shackle proved to be very adapt at bringing these action sequences to life, and I found myself quite pumped up as a result of reading this book. Readers should be warned however that We are the Dead does feature a number of vivid and disturbing torture sequences, which are made even worse by the fact that the torturer, Darus, can heal his victim and keep inflicting pain, over and over again. As a result, if intense torture scenes make you uncomfortable, then you are probably better off avoiding this book.

As I mentioned above, I chose to listen to an audiobook version of We are the Dead, rather than grabbing a physical copy. The audiobook format has a run time of just over 18 hours, and it is narrated by Nicola Bryant. This is a lengthy audiobook and it took me a little while to get through it. Part of this is because the story is a tad slow at the start of the book, although I did end up absolutely powering through the last six hours extremely quickly in comparison to the first two thirds of the novel. I really enjoyed the audiobook version, and I found it to be an incredible way to absorb We are the Dead’s clever and detailed narrative. I was also impressed with Bryant’s narration, as she brought some real passion to the audiobook. You could hear the intense emotions in Bryant’s voice as she narrated the story, and you can tell that she was trying to emulate what the characters were feeling with her narration. Bryant also utilised a fantastic and distinctive set of voices for the various characters featured within the novel, and I think that she had an excellent grasp of their personalities and emotions. This proved to be an exception audiobook, and I would definitely suggest checking out this format of We are the Dead.

We are the Dead is an outstanding and deeply enjoyable fantasy novel from Mike Shackle, who really hit it out of the park with his debut novel. I had an amazing time listening to this book, and I loved the blend of compelling story, fantastic setting, complex characters and intense action sequences. This book comes very highly recommended, and I am regretting not picking up a copy of this book last year. I will not be making the same mistake later this year when Shackle’s sequel book, A Fool’s Hope, comes out in December, and I am looking forward to seeing where the story goes next.