Top Ten Tuesday – Favourite Animated Comic Book Movies

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  For this week’s Top Ten Tuesday, participants get come up with a list around Non-Bookish Hobbies, in order for the various participants to get to know each other.  This is a rather interesting idea from The Artsy Reader Girl, and I thought that I would use this topic to talk about something I am quite passionate about, animated movies that are based on comic books.

I am a major fan of both animated television shows and of comic books, so naturally the combination of these two genres is something I am quite keen on.  Over the years there have been a huge number of animated comic book adaptions made and I have gone out of my way to watch as many as possible.  Most of these are pretty good, although several really shine through as the cream of the crop.  Surprisingly, this is one of the few areas where DC Comics really has the advantage over Marvel.  While there are a few good Marvel Comics animated adaptions, DC has more of a monopoly over animated movies, producing a huge range of high-quality and compelling films, mostly as part of their DC Universe Animated Original Movies range.  That being said, I have included a few Marvel movies into my list below, as they have done several good movies.  I am particularly keen to do this list this year as I actually reviewed one of these movies, Justice League Dark: Apokolips War, on my blog earlier this year in what was my first film review.  I had a lot of fun reviewing this animated film and it might be something I will continue to do in the future for some of the better upcoming releases.

In order to appear on this list, the film had to be an adaption of a comic book or be based upon a character or characters who originated in comic book format.  I spent a substantial amount of time going through all the various animated movies that were out there, and I have to admit that my original list was pretty substantial.  I was able to cull it down a little, although I still had way more than 10 entries that I wanted to feature.  In the end I decided to make this a Top Twenty List, which made me a lot happier and allows me to feature several more out-there entries.  I am extremely happy with how this list turned out as every single movie below is well worth checking out for a variety of reasons.

Top Twenty List:

Spider-Man: Into the Spider-Verse

Spider-Verse Poster

After talking smack about the Marvel animated films above, it does feel a little silly putting Into the Spider-Verse first on this list.  However, this is without a doubt one of the best, if not the best, animated comic book adaptation ever done, and is probably the one most people have actually seen.  This was an ultra-cool and clever movie that successfully brought the Miles Morales Spider-Man to the big screen, while also featuring an impressive voice cast, a unique animation style and an exceptionally well-written and entertaining story.  A must-watch for any comic book fan out there.

Batman: Under the Red Hood

Under the Red Hood Cover

This second entry is probably one of my absolute favourite animated comic book movies.  An adaptation of the Under the Hood storyline, this movie pits Batman against the Red Hood, a masked vigilante who has a dark connection with his past.  Despite lacking a lot of the surprise about the eventual reveal of Red Hood’s identity that most comic readers had when it was first released, this is still an extremely strong and captivating movie with a number of action-packed and emotionally charged sequences.  Anchored by an especially good voice cast, including Bruce Greenwood as Batman, Jensen Ackles as Red Hood, John DiMaggio as a delightfully evil Joker and Neil Patrick Harris as Nightwing, this is an exceptional movie, especially the end scene which sees Batman have his final dramatic confrontation with Red Hood.

Justice League Dark: Apokolips War

Apokolips War Poster

As I mentioned above, Apokolips War is a more recent release that I reviewed earlier this year.  This was another top-rate comic book movie that served as the epic final entry in the DC Animated Movie Universe, an extended collection of connected animated films all set within the same shared universe.  Containing a dark storyline and a massive cast, this movie successfully concluded the multitude of plot lines featured in the other DC Animated Movie Universe films while also providing the viewer with a number of amazing and moving scenes.  A really awesome animated film to check out.

The Lego Batman Movie

Lego Batman Poster

I could not do a list about animated comic movies without featuring The Lego Batman Movie.  While I could potentially have also used The Lego Movie or its sequel, The Lego Batman Movie is a pure superhero movie that brings a number of iconic Batman characters to life in a fun Lego way.  This is definitely the most comedic movie on this list and features a huge number of excellent jokes and send-ups of the Batman universe.  From the opening line about DC being “the house that Batman built”, to a cheeky takedown at Batman’s weird extended rogues gallery, you’ll be hard pressed not to laugh like crazy the entire way through.

The Death of Superman

Death of Superman Poster

The 1992-1993 comic book storyline The Death of Superman is one of the best-selling and iconic comics in history, and naturally several movies have attempted to adapt it before, such as the 2007 animated film Superman: Doomsday and Batman v Superman: Dawn of Justice.  However, the best adaption is the 2018 animated film, The Death of Superman, which absolutely blew me away when it came out.  Featuring an extremely brutal fight between Doomsday and Superman (after Doomsday takes down the entire Justice League by himself), and the extremely powerful Superman death sequence (I dare you not to tear up for it!), this movie is easily one of the best animated films ever done.

Batman: Assault on Arkham

Assault on Arkham Poster

This is the Suicide Squad movie we actually needed.  Set in the same universe as the bestselling Batman: Arkham games, Assault on Arkham was released two years before the live action Suicide Squad movie and is substantially better.  While it lacks the all-star cast of the live-action film, Assault on Arkham has an extremely well-written story that effectively captures the heart of the comic book and shows the villains at their worst as they attempt to break into the worst place in the world, Arkham Asylum.  Loaded up with bloody action, great characters and humour that is frankly more adult than its live-action counterpart, you will have an amazing time watching this film.

Justice League vs. Teen Titans

Justice League vs Teen Titans Poster

To me, the DC Animated Movie Universe only started to get really good when Justice League vs. Teen Titans was released.  While there were some good entries in the early going of this shared universe, this one was leaps and bounds above most of them.  Not only does Justice League vs. Teen Titans do a great job introducing my favourite superhero team, the Teen Titans, to this universe but it also presents a really good version of the Trigon/Raven storyline from the Teen Titans comics in a short amount of time.  In addition, this proved to be a key entry in the DC Animated Movie Universe, as it successfully ties into several of the other movies in the series.  An exciting and impressive movie that was great to watch multiple times.

Superman/Batman: Apocalypse

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While I was tempted to add Superman/Batman: Public Enemies to this list, I have more of a preference for the sequel, ApocalypseApocalypse is an excellent adaption of the Superman/Batman comic book arc, The Supergirl from Krypton, which reintroduced the Kara Zor-El version of Supergirl into the DC Comics universe (which eventually led to her current use in popular culture).  Apocalypse features an amazing storyline that sees Supergirl come to Earth, only to be captured by Darkseid, forcing Superman, Batman, Wonder Woman and Big Barda to travel to Apokolips to rescue her.  Not only are there several epic scenes, such as Batman’s badass showdown with Darkseid, or the massive extended fight between Darkseid and the Super cousins that decimates the Kent farm, but this movie features an impressive voice cast.  This includes the dream team of returning Justice League voice actors Kevin Conroy, Tim Daly and Susan Eisenberg (the definitive voices of Batman, Superman and Wonder Woman respectively), as well as Summer Glau as Supergirl and Andre Braugher as Darkseid.  I particularly loved Braugher’s work in this movie and I felt he gave one of the best Darkseid portrayals of all time.  An overall awesome movie, I have a lot of love for this film.

Justice League Dark

Justice League Dark Poster

This is an excellent movie that sees Batman forced to work with a mismatched team of magicians and magical creatures to stop a world-ending threat.  This was an amazing and fast-paced movie that not only serves as a key part of the DC Animated Movie Universe (the final film in the whole series was a sequel to this one), but which contains an outstanding original storyline of its own.  There are so many cool elements to this film, including the excellent reintroduction of Matt Ryan as John Constantine, the original rogue magician and world-class bastard, and it was an incredible film to enjoy.

Teen Titans: The Judas Contract

Teen Titans The Judas Contract Poster

The second Teen Titans movie set in the DC Animated Movie Universe, this film serves as a unique adaptation of the classic Teen Titans storyline, The Judas Contract.  This film sees the Teen Titans under attack from within as the master assassin Deathstroke returns to destroy the team once and for all.  Expertly tying the established comic storyline in with the version of the Teen Titans introduced in Justice League vs. Teen Titans, this was an impressive film that has a lot going for it.  You have to particularly love the complex storyline written around the character of Terra, and Beast Boy shines as not only the comic relief (the way he gets captured is just hilarious), but also as a tragic romantic figure.  Work in a fun Kevin Smith cameo, and The Judas Contract is an absolute must-see film.

Suicide Squad: Hell to Pay

Suicide Squad Hell to Pay Poster

Another exceptional Suicide Squad movie, Hell to Pay sees the titular squad compete with some of DC’s deadliest villains to obtain a “Get out of Hell Free” card.  This is wildly entertaining and surprisingly adult film that has some intriguing connections to some of the previous animated DC films.  One of the film’s advantages is that it does not take itself too seriously and at times it comes across as a gritty grindhouse action movie.  This movie has a very high death count, even amongst its main characters, and viewers are in for a bloody and exciting time.

Batman: Year One

Batman Year One Poster

This next entry was a perfect adaptation of Frank Miller’s iconic comic of the same name, which not only formed the definitive introduction to the modern Batman but which also served as the inspiration for much of Batman Begins.  This film does an outstanding job bringing this story to life, and it is anchored by its two excellent narrators, Bryan Cranston as James Gordon and Ben McKenzie as Bruce Wayne.  Cranston is of course perfect in this, and I love the fact that McKenzie voiced Batman in a movie only a few years before he was cast as James Gordon in Gotham.

Justice League: Crisis on Two Earths

Justice League Crisis on Two Earths Poster

This is another great Justice League animated movie that was originally going to be set between the Justice League and Justice League Unlimited television shows (although it ended up being separate from them).  This is an impressive movie that sees the Justice League follow a heroic Lex Luthor to an alternate Earth (Earth-Three), which is ruled over by evil versions of the Leaguers.  Not only is this a great take on a classic Justice League comic storyline, but it also contains a lot of cool moments.  I particularly liked the sociopathic Batman double, Owlman (voiced by James Woods), as he has one of the best death scenes in an animated comic book movie.

Batman: The Dark Knight Returns

The Dark Knights Return Part 2 Poster

For this entry I am combining two films into one, The Dark Knight Returns: Part One and Part Two.  These two films serve as a close adaptation of the iconic comic book by Frank Miller and feature all the best elements from the comics.  Not only does it contain a great version of the iconic battle between Batman and Superman but it has one of the most disturbing and memorable encounters between Batman and the Joker.  A truly impressive movie in both scope and delivery, it is a great way to check out one of the most revered Batman comics of all time.

Justice League: The Flashpoint Paradox

The Flashpoint Paradox Poster

This animated film is an adaption of the key DC Comics storyline, Flashpoint.  While I am not a major fan of what the Flashpoint comic did to the DC Universe (damn you New 52!), the story itself was pretty good and its adaption is also really fun to watch.  Featuring an intriguing time-travel storyline that sees the Flash trapped in a dark alternate timeline, this is a clever and compelling film, especially when some revelations come to light towards the end of the story.  The Flashpoint Paradox is a very close adaption to the comics, although there are a few clever twists here and there.  I was also really impressed in how the events of this film were reutilised in several preceding movies in the DC Animated Movie Universe, and it suggests a lot of pre-planning from the writers of this film.

Batman vs. Teenage Mutant Ninja Turtles

Batman vs Teenage Mutant Ninja Turtles Poster

While I was tempted to include the 2007 TMNT film, I ended up going with last year’s Batman vs. Teenage Mutant Ninja Turtles.  Based on the very successful Batman/Teenage Mutant Ninja Turtles comic, this is a fun and more light-hearted film that sees Batman team up with the Ninja Turtles to save Gotham from an alliance between Shredder and Ra’s al Ghul.  I really love the way this film blends together elements and characters from these two iconic franchises and there are some great moments throughout, from Batman absolutely spanking the Turtles the first time they meet, to a wild romp through Arkham Asylum as the heroes encounter mutated versions of Batman’s rogue gallery.  A very funny entry on this list, fans of both franchises are guaranteed to have a good laugh throughout this film.

Justice League: War

Justice League War Poster

The second entry in the DC Animated Movie Universe following The Flashpoint Paradox, Justice League: War is the movie this introduces the details of this new timeline.  Based off the Justice League: Origin storyline from The New 52, Justice League: War showcases the formation of the Justice League as they go from hunted vigilantes to national heroes by facing down Darkseid’s first invasion.  Not only does it do a good job introducing all seven members of the League in this timeline (with Shazam replacing Aquaman from the comics), but it lives up to its title, with a massive war sequence taking place throughout, as all seven members of the League engage in a brutal fight with Darkseid and his minions.

Big Hero 6

Big Hero 6 Poster

While this is more of a Disney movie than anything else, Big Hero 6 is still an adaption of a comic book, as Big Hero 6 are a Marvel Comics superhero team.  While not the greatest Disney animated film of all time, it is a lot of fun to watch and only someone with a heart of stone would fail to fall in love with Baymax.  Also, it has a fun Stan Lee cameo in the end, which carries a lot of weight with me.

Justice League: Doom

Justice League Doom Poster

Justice League: Doom is a sequel to Crisis on Two Earths which sees the Justice League fight another dangerous threat from both within and without.  Loosely based on the JLA: Tower of Babel comic, the Justice League is attacked by Vandal Savage and a cadre of supervillains who are determined to take the League off the board.  However, in order to achieve their goals, they utilise contingency plans originally created by Batman to take down his teammates.  A very smartly written movie with some epic sequences, I personally thought Doom was a little stronger than Crisis on Two Earths, and it is really worth checking out.

Hulk vs.

Hulk Vs Poster

The final entry on this list is a fun entry from Marvel that was released back in 2009.  Hulk vs. is actually a double feature film featuring two shorter movies, Hulk vs. Wolverine and Hulk vs. Thor.  Both these films are pretty much as described, with Wolverine and Thor forced to go up against a maddened Hulk who is lured into their path by their respective enemies.  One of the more brutal animated films from the 2000s, highlights include an entertaining Deadpool and the Hulk smashing through the entirety of Asgard’s armies to get to Thor.

Well, that is my list.  As you can see, I am quite passionate about these animated movies and I clearly have watched them too many times.  I hope the above notes encourage you to check some of them out as each of them are a lot of fun to watch and contain a lot of hidden depth.  Let me know which animated comic book films are your favourites in the comments below and keep an eye out for any future reviews I do of some of these movies.

Throwback Thursday: Usagi Yojimbo: Volume 10: The Brink of Life and Death by Stan Sakai

Usagi Yojimbo - The Brink of Life and Death

Publisher: Dark Horse Books (Paperback – 1998)

Series: Usagi Yojimbo – Book 10

Length: 215 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Another week, another Throwback Thursday review of an early volume of one of my all-time favourite comic book series, Usagi Yojimbo, by legendary author and artist Stan Sakai.  This week I will look at the epic 10th volume in the series, The Brink of Life and Death, which proved to be another amazing and exciting five-star read.

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The Brink of Life and Death continues the adventures of the rabbit ronin, Miyamoto Usagi, as he travels throughout the lands encountering all manner people and dangers.  This 10th volume is a fantastic addition to the series, featuring a great mixture of stories, from the tragic to the supernatural, and utilising some iconic recurring characters.  This volume is the third that has been collected by Dark Horse Books, and it features a mixture of issues from two separate publishers.  This includes the final issues of the Mirage Comics run on the Usagi Yojimbo series, with Issues #15 and 16, as well a story taken from Issue #13 (the rest of Issue #13 was used in the last volume, Daisho).  It also contains the first six issues of the Dark Horse Books publication run of Usagi Yojimbo and serves as the starting point to Dark Horse’s lengthy connection to the series.  As a result, the volume starts off with a quick recap of the series (titled Origin Tale), containing some very broad strokes and ensuring that new readers could start on this volume if they wanted (although Sakai does make most of his comics fairly accessible to unfamiliar readers).  This volume also contains Dark Horse’s trademark story notes at the end of the volume, which proved to be a particularly intriguing companion to the excellent stories contained within The Brink of Life and Death.

The first story contained within this volume is the intriguing and exciting Kaiso.  In Kaiso, Usagi encounters a local peasant, Kichiro, while wandering on the coast, and travels with him to his village.  There, Usagi becomes familiar with Kichiro’s family and begins to learn more about the village’s main trade, seaweed (kaiso) farming.  While Usagi enjoys the seemingly simple life of the villagers, he soon finds himself involved in a feud with a neighbouring village, who Kichiro believes are poaching their seaweed fields.  However, not everything is as it seems, and Usagi manages to uncover a conspiracy that threatens to destroy his new friends.

Usagi Yojimbo Mirage - 16

Kaiso is a fantastic and compelling story that once again highlights a traditional Japanese industry, in this case, seaweed farming.  Sakai does a fantastic job exploring seaweed farming in this story, as he introduces and portrays a number of key tools, concepts and techniques involved with the production of edible seaweed, all the way from harvesting it from the ocean to turning it into its dried form, nori.  This examination of seaweed farming serves as a surprisingly good centre for this story, and it is a testament to Sakai’s skill as a writer that he was able to produce an exciting and intrigue filled narrative around this industry in just 20 pages.  There are some great action sequences throughout this story, and it was cool to see Usagi fighting off a bunch of attackers whilst on a small fishing boat, utilising traditional farming tools as weapons.  There are also several impressive drawings throughout this story, as Sakai seeks to capture the beauty of the Japanese coastline as well as the complexities of the seaweed trade.  Kaiso proved to be an awesome first entry in this volume, and its intriguing story content and premise really helps to draw the reader in right off the bat.

The next story within The Brink of Life and Death is a great entry titled A Meeting of Strangers.  While enjoying a quiet lunch at an inn, Usagi watches as a striking swordswoman, later revealed to be called Inazuma, enters the inn.  Wary of this mysterious woman, Usagi bears witness to her skill and ferocity in combat as she takes down a band of bounty hunters who attack her, before departing into the wilds.  However, Inazuma is not the only person being hunted, and soon Usagi finds himself under attack from a group of killers who have been hired to end him.

Usagi Yojimbo Dark Horse #1

This is a really good story that showcases Sakai’s ability to quickly introduce an intriguing new character.  Inazuma goes on to become a major figure in the Usagi Yojimbo series for the next 14 volumes, and she gets an amazing introduction in this story, instantly coming across as something new, due to her striking appearance and her tough mannerisms.  Sakai shows early in the story that she is pretty damn dangerous, as Usagi casually reaches for his sword the moment he sees her, a completely new action from the character, which clearly identifies Inazuma as a major threat.  She quickly backs this up with her impressive swordplay, including slicing up the clothes of a local creep, and then taking out a band of bounty hunters.  She has a brutal fighting style as shown in this comic, and I loved her trademark finishing manoeuvre of completely cleaning the blood off her blade with one deft swish through the air.  In addition to the introduction of this great character, other fun elements of the story include the return of the Snitch (who was introduced in the last volume), who facilitates the hit on Usagi.  The Snitch is such a fantastic minor antagonist, and it is really entertaining seeing him running around doing his thing: “money, money, money!”  There is also a particularly impressive fight sequence in the last half of the story between Usagi and the assassins in the woods.  This scene sees Usagi take on over 20 guys in quick succession and is a real showcase of his ability.  There is a particularly fun panel in this sequence which sees Usagi kill several people at the same time, with his defeated opponents arranged in a semi-circle, all of them dying in dramatic fashion while making a different death rattle (including one guy who goes: “Trout, Trout!” for some reason).  All of this was over-the-top and helped show off just how crazy and action-packed this series can be.

The third story in this volume is the short entry Black Soul, which continues to showcase the return of series antagonist, Jei.  During a stormy night, a young girl and her grandfather have their house invaded by three bandits who steal their food and kill the grandfather.  However, the bandits are far from the only predators out that night, as the mysterious and frightening Jei appears at the door.  This was a great story that added a lot of key elements to the character of Jei in only a few pages.  Jei’s sudden appearance is suitably dramatic, and it shows off how terrifying he can be.  I loved the way that Sakai portrayed Jei’s fight against the three bandits, as all you see is several drawings of the hut’s exterior while terrified screams run out.  The story then returns to the interior of the house, where the bandits’ corpses are strewn around the house, including one guy who is hanging upside-down from the rafters, dripping blood.  Not seeing what actually happened makes the reader imagine the very worst scenario, and it really amps up the dread that this antagonist emanates.  Sakai then continues to hint at Jei’s more supernatural abilities by having him ‘consecrate’ the spear of one of his fallen opponents, with the blade visibly turning black in his hands, matching the soul of the wielder.  Perhaps the most interesting part of the story is the young peasant girl, Keiko.  At first it appears that Jei is going to kill her; however, he stops after not sensing any evil in her.  This is the first time we have seen Jei show mercy, and it is a defining moment for the character, especially as Keiko starts following him as his companion.  Having Jei care for a young girl really adds to the complexity around Jei’s character, and in many ways it makes him seem even more evil, as he is corrupting this innocent with his dark crusade.  Overall, Dark Soul is a great and scary story which leaves the reader wanting to see more of this fantastic antagonist.

Usagi Yojimbo Dark Horse #2

Now we move on to Noodles, the only multi-issue entry in the volume which contains a powerful and impressive narrative that I really enjoyed.  In Noodles, Usagi enters a new town, only to be immediately accosted by the police, who are searching for a thief behind a recent crime wave.  Proving his innocence, Usagi swiftly finds out the source of the recent crimes is his friend Kitsune, who is up to her usual tricks.  Kitsune has a new companion, a soba noodle street vendor and mute giant known only as Noodles, who assists Kitsune to hide from the police.  However, Kitsune has underestimated the deviousness and corruption of the local police administrator who puts a deadly plan into place to save his own skin.

This was an incredible entry in this volume, and I have a lot of love for Noodles’s fantastic crime narrative.  Sakai crafts together a fantastic storyline that follows Usagi as he meets up once again with the entertaining side character Kitsune and intriguing new character Noodles.  Kitsune is her usual fun self, and the introduction of the mute gentle giant Noodle adds a lot of dimensions to her character.  Up to now, Kitsune has been shown to be a generally good person, although she is motivated by greed or a sense of mischief.  However, in this story, she is given someone to care for, and she is determined to protect him no matter what.  Unfortunately, this leads to some great tragedy for her, which I found to be extremely moving, and you cannot help but feel bad for her.  Luckily, this leads to a rather good revenge plot in the second part of the story, which gives Noodles a satisfying and enjoyable ending.  This entire story was extremely well written, combining together humour, intrigue, character interactions and some genuine tragedy to produce an epic and compelling read.  I also really enjoyed Sakai’s amazing depictions of life in a larger feudal Japanese town, and it is clear that he did a lot of research to show what day-to-day life would look like, as well as examining how the criminal justice system worked during this period.  There are some really impressive drawings throughout this story, from the multiple detailed street and crowd views filled with all manner of activities and people (there is a sneaky shot of Jei and Keiko walking through town at one point), to the amazing action sequences, including a great scene where the gigantic Noodles is attacked by the police.  However, I really must highlight a particularly gruesome execution sequence that was a key part of the story.  While this scene is sad and horrifying, it is extremely well drawn, very memorable and it does its job of producing a major emotional response from the reader.  Noodles is probably the best entry in this entire volume, and I cannot praise just how amazing its clever and captivating story is.

Usagi Yojimbo Dark Horse #3

The next story within this volume is the supernatural tale, Wrath of the Tangled Skein, which sees Usagi arrive at a local inn which is experiencing some trouble.  A rich merchant’s daughter has been taken mysteriously ill, and her entourage fear that it is the work of a demon or haunt, picked up from their travels through the dangerous forest known as The Tangled Skein.  Usagi, who has previously travelled through The Tangled Skein (back in Volume 7: Gen’s Story), offers his assistance and takes command of the merchant’s ronin while they wait for a priest to arrive.  It does not take long for events to come to a head, and Usagi finds himself facing off against dangerous and malicious terrors.

I really like it when Sakai does a supernatural tale in the Usagi Yojimbo series, and this one was particularly awesome as the author expertly utilises some fascinating creatures from Japanese mythology.  There are two separate monsters contained within this story.  First you have the nue, a terrifying chimeric creature with the head of a monkey, the body of a badger, the legs of a tiger and a snake for a tail.  Needless to say, this is a particularly weird creature, and Sakai does a fantastic job drawing it and then portraying a chaotic and dangerous fight around it as Usagi attempts to defeat it.  In addition to the nue there is also a tanuki, a shape-changing racoon dog, who manages to trick Usagi and almost costs him everything.  I really loved the designs of both these creatures within the comic, and it was extremely cool to see and learn more about these facets of Japanese culture and tradition.  This story is set up extremely well, and the author has a great blend of action, supernatural intrigue and fun character moments.  Wrath of the Tangled Skein also introduces the character of Sanshobo, a Bonze priest who goes onto become a key recurring character, helping to make this a significant and important entry in the Usagi Yojimbo series.

Up next we have another short character-driven tale, The Bonze’s Story.  In this entry, Usagi travels with the Bonze priest Sanshobo after the events of the previous story.  The two quickly find camaraderie with each other, especially when Usagi realises that his companion is a former samurai.  Sanshobo then relates the tragic tale of how he gave up his warrior ways, which occurred when the young son of his lord accidently died in his care.  This forced Sanshobo’s own son to take his own life to restore his family’s honour, an event that broke Sanshobo.  This was a rather fascinating tale that does a lot to cement interest in a new side character.  The origin tale for Sanshobo is really good, and the whole story of sacrificing a son to save honour is extremely captivating and memorable.  The entire background story is drawn amazingly, and the various expressions of horror, sorrow and pride on the face of participants as they attempt to survive in a storm are quite exceptional.  This was another amazing example of what sort of impressive story Sakai can tell in only a few short pages, and The Bonze’s Story definitely sticks in the mind.

Usagi Yojimbo Dark Horse #4

Following this shorter tale, we have the fun, action-packed Bats, the Cat and the Rabbit.  In this entry, Usagi seeks shelter in an old temple, but his quiet night is ruined when several Komori Ninja arrive, seeking a specific prey.  After they leave, Usagi discovers that the person they are hunting is an injured Chizu, the leader of the Neko Ninja.  Helping her, Usagi learns that she is carrying a valuable and dangerous scroll that the Komori Ninja are desperate to obtain.  Can Usagi and Chizu keep it out of their hands, or will a powerful new weapon be unleashed upon the lands?

Bats, the Cat and the Rabbit was an exciting and entertaining entry that sees Usagi reunited with one of his potential love interests Chizu, who we last saw back in Volume 8: Shades of Death.  This is a fast-paced story that focuses on the conflict between two rival ninja clans, Chizu’s Neko Ninja and the Komori Ninja.  The Komori Ninja, giant bats with blades on their wings who had an amazing introduction back in Volume 5: Lone Goat and Kid, are fantastic antagonists for this story, and it is always cool to see them in action, especially when Sakai draws them slicing through trees to get their prey.  The highlight of this story is the impressive ninja-on-ninja combat, as the more traditional ninja techniques of Chizu and the Neko Ninja go up against these flying opponents, all with Usagi in the middle.  This results in some epic fight sequences which end up being a lot of fun to see come to life.  I also really enjoyed the fantastic conclusion to this story, which not only has a great twist but which also adds a bit of tragedy to the life of Chizu, as she reflects on what constitutes duty for ninja.  An overall awesome and enjoyable story, this was another fantastic entry in this volume.

The penultimate entry in The Brink of Life and Death is the gripping story, The Chrysanthemum Pass.  After humiliating a group of thugs in a town, Usagi obtains a new travelling companion, Icho, a wandering medicine peddler.  The two become friendly as they wander around the mountains, but Icho is not what he seems.  Instead, he is secretly a member of the Koroshi, a notorious assassins’ guild, and is planning to take out a rich lord who is travelling through the Chrysanthemum Pass, and Usagi is also on his kill list.

Usagi Yojimbo Dark Horse #5

This was another outstanding story.  I loved the entire cleverly written narrative, which sees Usagi dragged into the middle of another devious plot.  Having his companion, Icho, turn out to be secretly evil was a fantastic choice by Sakai, and he sets it up perfectly, with only minor hints of his true intentions being revealed to the reader until about halfway through the story.  The rest of the story deals with Icho trying to subtly kill Usagi before his assassination mission and failing, allowing Usagi to be in the midst of the events in the pass.  This story then features a number of fantastic twists, including the fact that Usagi suspected that Icho was an assassin the entire time, implying that his reasons for travelling with him was to keep an eye on him and intervene if he was proven correct.  It was great to see the return of the Mogura Ninja, ninja moles with some really cool character designs who were introduced in the very first volume, The Ronin, and they once again proved to be surprisingly effective adversaries.  This story also serves to introduce a new group of antagonists for Usagi, with the first mention of the Koroshi assassins’ guild, whose various members tangle with Usagi multiple times throughout the rest of the series.  The Chrysanthemum Pass is therefore a fantastic and notable entry within this volume, and it ended up having quite an impressive story.

The final story in this volume is Lightning Strikes Twice, a powerful and captivating entry which provides new background for new character Inazuma.  In this story, Usagi once again runs into the mysterious Inazuma after finding several dead bodies on the road.  Encountering her within a temple, surrounded by other travellers, Usagi sits and listens to her tragic tale of love, loss and revenge as she recounts how she became so skilled with the sword, and the reasons why she is constantly being hunted throughout the lands.

Usagi Yojimbo Dark Horse #6

This was another epic story that really helps to build up Inazuma as an impressive and unique character within the series.  Her entire backstory as a girl who followed her heart and then lost everything is really emotional and humanising, adding layers of complexity to her rough exterior.  It was rather jarring to see such a strong woman stay with an abusive and uncaring partner, and it serves as an intriguing starting point for her road to exceptional warrior.  I enjoyed seeing her learning the way of the sword, and Sakai really builds her up as a natural prodigy with the blade.  Despite the humanising aspects of this story, Inazuma again comes across as a major badass within this story, thanks to the bloody fight sequence at the beginning, where she swiftly takes down a band of assassins with some very fancy moves, as well as the sequence at the end of the origin story, where she shows just how dangerous and cruel she can be.  I also absolutely loved the shocking reveal at the end of Lightning Strikes Twice where Usagi discovers that the people who have been quietly sitting through Inazuma’s story with him are all dead bounty hunters, which adds a real edge to Inazuma and her actions.  Lighting Strikes Twice proves to be a truly compelling and exciting tale, and I really liked learning more about this intriguing new character.  I also really appreciated how it tied into the previous Inazuma story and it ended up being a fantastic way to end the entire volume.

This 10th volume of the incredible Usagi Yojimbo series, The Brink of Life and Death, is another outstanding and addictive creation from Stan Sakai that features several impressive stories.  I loved this amazing combination of tales, and it was great seeing both standalone stories and entries that have deeper ties with the rest of the series.  Filled with awesome character moments, stunning artwork, and detailed depictions of feudal Japan, The Brink of Life and Death is a must read for fans of this series, and Sakai should be very proud of what he accomplished with this volume.

Throwback Thursday: Usagi Yojimbo: Volume 9: Daisho by Stan Sakai

Usagi Yojimbo Daisho Cover

Publisher: Dark Horse Books (Paperback – 1998)

Series: Usagi Yojimbo – Book 9

Length: 215 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Usagi Yojimbo Mirage - #7

It has been another good week of reading and reviewing for me, so I thought I would reward myself by doing a Throwback Thursday review of Daisho, the ninth volume in the outstanding, long-running Usagi Yojimbo series from one of my favourite authors, Stan Sakai.

Daisho is an impressive and exciting entry in the series, which unsurprisingly gets a five star rating out of me (full disclosure, every volume of this series is going to get five stars from me, it is just that damn good). This volume contains Issues #7-14 of the second run on the Usagi Yojimbo series, which was originally published by Mirage Comics (Issues #7 and #8 are only partially represented in Daisho as some stories from these issues were used in the prior volume, while a story from Issue #13 appears in the tenth volume that I will review next), and which has been collected into this volume by Dark Horse Books. This ninth Usagi Yojimbo volume is filled with several fantastic and creative stories that follow Usagi as he journeys across the land, getting into all manner of trouble and misadventures in this version of feudal Japan populated solely by anthropomorphic animals. Daisho serves as a significant inclusion in the overarching series, due to its connections to previous stories, and its introduction or resurrection of several key characters.

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This volume starts off with an inspiring and tragic story, The Music of Heavens, which once again sees Usagi traversing the wilderness. His solitude is broken when he encounters the pack of Tokage lizards who he unwittingly befriended in a previous story, The Lizards’ Tale (which was featured in Volume 8: Shades of Death). While Usagi is less than thrilled to see the Tokages, they end up leading him towards another traveller who is making their camp in the woods. The traveller, Omori Kazan, is a mendicant Buddhist priest and skilled musician, who invites Usagi into his camp and talks to him about the various forms of music he studies. However, someone is stalking their camp, determined to get revenge and unafraid to kill an innocent bystander to get it.

I really liked The Music of Heavens and it proved to be a compelling first entry in this volume. The story is based on Usagi’s encounter with a new character, Omori Kazan. Kazan is an intriguing person due to his position as a komuso monk (the monks of emptiness) of a particular sect of Buddhism, which lends him a very distinctive look thanks to the woven basket hat (tengai) he wears on his head disguising his features. Kazan has an amazing arc that delivers a lot in a short while, as he introduces himself to Usagi and the reader, discusses music and religion, and then simultaneously meets his end while also experiencing the divine for the first time. This entire character arc is both beautiful and tragic at the same time, and it provides both Usagi and the reader with some significant emotional moments, especially when it comes to Usagi’s farewell to the Tokages. I also liked how Sakai utilises an antagonist from a previous story, and the fight between Usagi and this character was swift and well-drawn. This was an excellent introductory entry for this volume, and it is a story that I really enjoyed.

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The second story in Daisho is the entertaining and clever entry, The Gambler, the Widow, and the Ronin. This story reintroduces the gambler from the previous story, The Duel (featured in Volume 6: Circles), who is up to his old tricks of organising deadly sword duels and cashing in on the bets of the local townsfolk. After the death of his previous samurai accomplice, Shubo, during a duel with Usagi, the gambler has been forced to find a new partner, the brutish and less skilled swordsman, Kedamono. However, Kedamono’s greed has convinced the gambler that it is time to end their partnership, and he quickly finds the ideal solution when Usagi arrives in town. However, as the gambler plots, he fails to realise that he is being stalked by Shubo’s widow, who is determined to get her revenge for the role he played in her husband’s death.

This was another amazing story that serves as a fantastic follow-up to a great prior Usagi Yojimbo story. I always get a real western vibe out of The Gambler, the Widow, and the Ronin, due to its title and the premise around a duel, it proves to be an excellent entry in this volume. Usagi is once again drawn into the plots of the gambler, and thanks to his humility, honour and good manners, which are mistaken as a weakness, both Kedamono and the local villagers are convinced that Usagi is a poor swordsman. However, the gambler, who has seen Usagi in action before, manipulates the odds so that he wins all the money when Usagi defeats his opponent, in a fun reversal of the events of The Duel. This was an incredibly entertaining scene as Usagi is again forced to deal with a bloodthirsty crowd, while the gambler feigns being saddened by the loss of his companion, despite being secretly delighted. However, the gambler ends up getting his comeuppance, and the widow, whose sad final scene was so memorable in The Duel, finally gets a small measure of justice. This was a very clever and enjoyable story, and I really loved how Sakai dived back to a prior standalone story to provide some closure and a fun continuation.

Usagi Yojimbo Mirage - 10

The next story is called Slavers, and it is a longer entry made up of two separate issues. In Slavers, Usagi encounters a young boy being pursued by bandits. Usagi defeats them and learns that the boy was attempting to get help for his village, which has been taken over by a gang of bandits who have enslaved the villagers as part of a destructive scam to steal their harvest and make a small fortune. Deciding to help the villagers, Usagi infiltrates the gang and attempts to rally the villagers to his cause. However, the gang’s leader, the villainous General Fujii, discovers the deception and captures Usagi, planning to kill all the villagers to make good his escape. Slavers is an amazing story that is not only intriguing in its own right but which also expertly sets up the series of follow-up stories that make up most of this volume. While the standalone narrative of Slavers gets a bit dark at times, due to an extended capture scene surrounding Usagi, it is a rather compelling story filled with action, deception and struggles against adversity.

Slavers is quickly followed up by three separate but distinct stories that can be combined together with Slavers into one large narrative that wraps up all the loose ends from the initial entry. The first one of these stories, Daisho Part One, sees Usagi in hot pursuit of General Fujii, who is in possession of Usagi’s precious swords. Due to the brutal actions of Fujii, Usagi loses his quarry and is forced into an extended hunt for him, eventually coming to a ransacked village. It turns out that the village had recently been raided by Fujii’s new gang, and Usagi must make a hard choice between recovering his soul or helping those in need.

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I have a lot of love for Daisho Part One; it is probably one of my favourite entries in this entire volume. The story starts out with a magnificent and beautifully drawn sequence that shows the various elaborate processes by which a samurai’s swords are created. This impressive opening sequence is one of my favourite pieces of Usagi Yojimbo art from the entire series, and its creation highlights not only Sakai’s skill as an artist but his ability to research and portray intriguing parts of Japan’s unique culture and heritage. This sequence also shows the important a samurai’s swords to their wielder, as they are reflections of that warrior’s soul. This key concept is then brought to life in the main story, as it sees a somewhat unhinged Usagi risking everything to reclaim his swords from Fujii. Sakai does an outstanding job showing off how frustrated and enraged Usagi is at having his swords stolen from him, and he comes across as being quite frightening several times through the story. Usagi’s anger comes to a head when he reaches the village and his initial decision is to abandon the villagers and immediately follow Fujii and his men. However, a local village girl is able to shame him into thinking of others, and the old Usagi returns, providing aid to the villagers. This was an extremely compelling story that does a wonderful job combining a powerful, character driven narrative, with some exquisite artwork and some intriguing aspects of history, into an exceptional entry in this volume.

The next story in this volume is Mongrels, a quick story about a recurring Usagi Yojimbo side character, the bounty hunter Gen, which occurs around the same time as Daisho Part One. In this story, Gen enters a village and starts asking questions about his current bounty, General Fujii. However, he is not the only bounty hunter in town, as he soon encounters the notorious hunter Stray Dog, who is also hunting for Fujii. After a tense conversation, the two-part ways; however, both are determined to capture Fujii and outsmart their competition. This was a fun story that not only brings Gen into this multi-issue narrative but also introduces a couple of great recurring characters. Stray Dog is a fantastic character in the Usagi Yojimbo universe, and he often appears as a compelling rival (and sometime partner) to Gen (such as in the latest Usagi Yojimbo volume, Bunraku and Other Stories). This story serves as a swift and clever introduction to the character, and it was fun to see the rivalry between Gen and Stray Dog form so quickly. Mongrels also introduces the extremely entertaining side character, the Snitch (also called Toady), a sneaky, greedy character who provides information to the highest bidder. While the Snitch has only a short appearance in this story, he is going to start appearing in a lot of follow up volumes, and it is always fun to see where a character starts out. Overall, this was a great story that fits a lot of significant introductions and events into a few short pages.

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The final story in this arc surrounding General Fujii is Daisho Part Two, in which Usagi and his guide meet up with Gen and Stray Dog right at the end of Mongrels. The three samurai decide to team up to raid General Fujii’s lair, and they engage in an all-out fight for money and honour. However, not everyone on the team is keen to work together, and betrayal is afoot. This was an excellent conclusion to the entire storyline, which I really enjoyed. This is a story chocked full of action, as the entire narrative sets up a massive fight between multiple combatants within an abandoned temple. There is some great character work within this story, not only from the protagonists, who bicker and fight amongst themselves, but also with the major antagonist, General Fujii. There some intriguing scenes that show Fujii’s efforts to lead and control a gang of bandits and cutthroats, and I also liked how Sakai shows him being haunted by thoughts of Usagi, whose swords he is holding onto. Usagi and Fujii finally get their showdown in this story, and it served as a fantastic end to this whole extended narrative. There are also some compelling moments surrounding Stray Dog, as he seeks to cheat the others out of the reward money for Fujii. While this initially paints him in a bad light, the source of his need for money is quickly shown, and it highlights just how complex and multifaceted this new side character is. I really liked how this entire story narrative ends, and Daisho Part Two is an excellent part of this volume.

The next story in this volume is the two-part entry, Runaways. In Runaways, Usagi journeys through a small town, when he finds himself in the path of a procession of the local noble lady. Hearing the lady’s name, Usagi is thrown back into the past as he remembers an adventure that occurred many years prior, when he was in the service of Lord Mifune. After finding out that the love of his life, Mariko, has married another man, Usagi is given a seemingly simple mission as a distraction. His task, to escort the young Princess Kinuko to the lands of her future husband, becomes infinitely more complicated, when their party is ambushed by a horde of Neko Ninja. Escaping with the princess, Usagi disguises Kinuko as a peasant in an attempt to hide her from their pursuers. However, the more time that Usagi and Kinuko spend together, the closer they become, until the lines of duty, honour and station become extremely blurred.

Usagi Yojimbo Mirage - 13

This was another exceptional story within the volume, and I liked how it flashed back to an adventure during his pre-ronin life. Set during the period when Usagi served Lord Mifune (as shown in Volume 2: Samurai), Runaways contains a powerful and emotional narrative that is actually based on Roman Holiday (Sakai is a massive Audrey Hepburn fan), which sees a princess run away with a strong male protagonist and grow close to him, despite her responsibilities and their differences in station. This proves to be a fun, if extremely loose adaption of the movie, and Sakai builds up a complex relationship between Usagi and Kinuko, as the two characters, both tragic victims of circumstances when it comes to love, grow closer to each other. However, despite their feelings, this relationship is fated to never be, and it ends in heartbreak, with the memories of it haunting both Usagi and Kinuko years later. I really liked how this story played out, and it was interesting to see aspects of samurai honour folded into the narrative from Roman Holiday. Other fantastic highlights of this story include the multitude of impressive fight scenes between Usagi and the Neko Ninja, starting with a major battle between two large groups of samurai and ninja. I also liked the exploration of the traditional Tanabata Matsuri festival that the two characters find themselves attending, especially as Kinuko has fun experiencing local customs, foods and activities that someone of her station will never get to enjoy. It was also cool to see an early adventure from Usagi, especially as this entry foreshadows events that have occurred in other volumes, including the return of several now-dead characters, such as Shingen (future leader of the Neko Ninja, who was introduced in Volume 3: The Wanderer’s Road, and died in Volume 4: The Dragon Bellow Conspiracy). An overall exciting and impressive story, Runaways is an amazing highlight of this volume.

The final entry is the short story, The Nature of the Viper. In this tale, a local fisherman finds the badly injured body of Usagi’s recurring foe, Jei, after he was thrown from a cliff during the climatic events of Circles. Bringing him back to his hut, the fisherman tends to Jei and manages to save his life. When Jei awakens, he shows his gratitude to the farmer be recounting a tale of viper and a peasant (a version of the classic fable, The Farmer and the Viper), before killing him and resuming his hunt for Usagi. This is a good, short entry that shows the fate of Jei after his last appearance. Jei comes across just as villainous and creepy as ever, and it was fun seeing the fisherman slowly realise just how much trouble he is in as the story progresses. While having a villain recount The Farmer and the Viper as justification for why they are killing a person is somewhat cliched at this point (although to be fair, this story was written back in the 90s), it was still a fantastic sequence. I think that this was an excellent way to end the volume, especially as the reader is left knowing that Jei has returned and that Usagi will be encountering him once again in the future.

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Sakai has once again knocked it out of the park with the ninth volume in his series. Daisho contains several outstanding and memorable stories that are all wildly entertaining and contain some clever links to past and future entries in this series. I had an absolute blast reading this volume, and it is an extremely strong addition to the incredible Usagi Yojimbo series that comes highly recommend.

Film Review – Justice League Dark: Apokolips War

Justice League Dark - Apokolips War

Studio: Warner Bros. Animation and DC Entertainment

Series: DC Universe Animated Original Movies – Film 38, DC Animated Movie Universe – Film 15

Director: Matt Peters and Christina Sotta

Producer: James Tucker

Screenplay: Mairghread Scott

Writers: Christina Sotta and Ernie Altbacker

Length: 90 minutes

My Rating: 5 out of 5 stars

For this review I am going to go a little outside my wheelhouse by reviewing the latest animated comic book adaption from DC comics, Justice League Dark: Apokolips War. Fair warning: this is going to be a rather in-depth analysis, so those people who have not seen this film yet might be better served watching it first and then coming back. I will also have a spoiler alert for a key part of the movie towards the end of the review, so keep an eye out for that.

Over the last 13 years, DC Comics have been leading the way over Marvel Comics in the distinctive field of animated movie adaptations of their comic books. While Marvel have produced a couple of decent animated films, such as Planet Hulk and Hulk Vs., the DC adaptations have been leaps and bounds ahead of them. Most of these epic DC animated films have been part of the DC Universe Animated Original Movies project, which has produced 38 distinctive animated films since 2007. There have been some rather impressive and enjoyable releases as part of this project, and I have watched each one of them as soon as they have come out.

While a lot of the DC Universe Animated Original Movies stand alone, 15 films were set within a shared universe, with the same group of voice actors reprising their roles multiple times. This shared universe, known as the DC Animated Movie Universe, started in 2013 with Justice League: The Flashpoint Paradox, and examines an alternate universe inadvertently created by the Flash. This new universe is very heavily influenced by The New 52 continuity of comics (but don’t hold that against it), and features an interesting collection of films featuring a range of different DC characters, although there is a noticeable and understandable focus on Batman and the Justice League. Justice League Dark: Apokolips War is the 15th entry in the DC Animated Movie Universe and serves as the conclusion to most of the storylines that were featured within the preceding 14 movies. This film was directed by Matt Peters and Christina Sotta, and features a story written by Christina Sotta and Ernie Altbacker, with the screenplay written by Mairghread Scott.

Following two previous attempts to conquer Earth by intergalactic tyrant and New God Darkseid, the Justice League is determined to safeguard the planet no matter what. Led by a vengeful Superman, the League launches a pre-emptive attack against Darkseid’s fortress planet of Apokolips, when it becomes clear that he intends to invade Earth again. However, the League’s attack fails miserably as they fly into a trap set by Darkseid, who uses his new troops, the Paradooms, to swiftly defeating the entire Justice League, killing or capturing most of its members.

Now, two years later, Earth has been brutally conquered by Darkseid, who has devastated the planet, and intends to drain it of its magma in order to fuel his future designs of conquest. With nearly all of Earth’s heroes killed during Darkseid’s assault, only a scattered few remain to oppose his plans. At the fore is Clark Kent, the former Superman, who has been stripped of his powers by Darkseid, and who now leads a resistance movement with his wife, Lois Lane. Determined to save the Earth no matter the cost, Clark recruits the surviving members of the League and the Teen Titans: Raven, Damian Wayne and John Constantine for one final mission.

With the help of an odd and violent group of villains, including Lex Luthor, Etrigan the Demon and Harley Quinn’s Suicide Squad, Superman and small team attempt the impossible, a second assault on Apokolips. However, even if they succeed in reaching Apokolips, they will face terrible opposition. Former members of the Justice League, including Batman and Wonder Women, have been converted into loyal soldiers for Darkseid, and they will do everything in their power to defend him. Can Superman and his team defeat Darkseid once and for all, or are these Earth’s final days?

Well damn, now that was one hell of an animated film. As I mentioned above, I have watched a ton of animated comic book adaptations but Justice League Dark: Apokolips War might just be one of the finest and most impressive animated adaptations that DC comics has ever created. This outstanding, five-star film is just plain amazing, and I had an incredible time watching it (multiple times). Apokolips War contains an intense story, pulse-pounding action, an amazing voice cast and a superb connection to prior films and comics, which helps create an epic and powerful animated movie experience. The creative team behind this movie did an exceptional job on this film, turning it into an intense and addictive viewing treat that I absolutely loved. Viewers should be warned, this is not a film for kids, as it has a well-deserved R-rating (MA15+ in Australia), which it earns very quickly and very explicitly.

At the heart of the excellent movie is an exciting and clever story that pits the broken remainder of Earth’s heroes against the ultimate villain in the DC canon. Apokolips War has such a cool concept, starting off with the entire Justice League getting taken out in the first few minutes and then abruptly jumping two years into the future, showing a world devastated by an evil alien invasion. This perfectly sets the scene for a character-driven narrative that follows the last desperate attempt of a handful of mixed protagonists, as they attempt an all-or-nothing mission with extremely high stakes. This results in all manner of character development, tragedy, intense action, and a fantastic smattering of witty humour, which all comes together into a compelling and utterly memorable overall narrative. I was deeply impressed with where the writers took this fantastic story, and I really appreciated all the existing storylines and the substantial character arcs that they were able to explore, expand on and finalise within the movie’s hour and a half run time. This was such a great story, and it worked exceedingly well with the enjoyable characters, eye-catching animation and the awesome team of voice actors to create an amazing overall film.

One of the things that I think I should address first is about whether or not you need to see the other entries in the DC Animated Movie Universe before watching Apokolips War. Due to its cool action and well-written plot, this is a film that is rather easy for viewers unfamiliar with the franchise to follow and enjoy, although a lot of the story elements will make a lot more sense if you are familiar with the DC Comics universe and characters. While you can probably get away without watching any of the previous movies, this is the 15th and final entry in an interconnected universe, so there are obviously going to be some advantages to watching these other films first. For example, you get a much better understanding of the characters, their relationships and their personalities in this universe, and having this knowledge about the characters beforehand can really increase the dramatic punch that a bunch of their actions have. I also personally enjoyed the continued storylines of this film universe, and I liked seeing how this movie wraps up a lot of character arcs and answers some interesting questions. As a result, I would strongly recommend watching some of the other movies first: The Flashpoint Paradox, Justice League: War, Justice League vs. Teen Titans, Justice League Dark, Suicide Squad: Hell to Pay, The Death of Superman and Reign of the Supermen as a bare minimum (yes, I know that calling seven movies a minimum is a bit much, but that just goes to show how intricate this animated universe was).

The creators of this movie utilise an intriguing and unique cast of characters, continuing many of the character arcs established in the prior animated movies. Fair warning: quite a few major comic book characters, including some characters who have been key additions to this animated universe, die in the opening moments of the movie, while some others only get a few scenes, often without any dialogue, before they are also killed. While this movie has quite a huge death toll, I think most of the killings do serve a purpose by motivating the surviving characters, highlighting the brutal nature of the film and its antagonist, or providing a real emotional punch to the viewer. While a large number of characters from the DC universe only get small roles, Apokolips War does contain a rather intriguing and diverse group of central characters who are extremely interesting to follow.

The main character of Apokolips War is John Constantine, the rogue magician last seen in Justice League Dark. Ever since his live action television series a few years ago, Constantine has been popping up in all manner of DC Comic adaptions. Constantine is a fantastic central protagonist, constantly moving the plot along and providing entertaining commentary and witty remarks about the events occurring around him. He also has a rather tragic storyline, which sees him full of regret and shame after he let down his love interest, Zatanna. Not only does this result in a conflict with Superman, but it also serves as a driving force throughout the movie as he tries to redeem himself. Constantine also serves as the heart of the entire movie, acting as a confidant to several characters and providing inspiration during key moments, including one impressive speech at the very end. While he is an amazing character, he was a bit overused when it came to solving problems, as he seemed to have a magical solution for nearly every obstacle that the protagonists came up against. While it does show off his resourcefulness, and his jack-of-all-trades approach to magic, I thought that it was a bit of a crutch for the story at times. Still, I loved Constantine as a protagonist, and I cannot think of anyone better to be the main character for this film.

Another character that I really appreciated throughout this movie was Superman/Clark Kent. If the recent live-action DC movies have shown us one thing, it is that Superman is a very hard character to write or portray at times, due to his powerset, his iconic nature and his somewhat dated ideals. However, the DC Animated Movie Universe is one of the few projects which has covered the character perfectly and allowed the viewer to care about him. His use in The Death of Superman and its sequel Reign of the Supermen was particularly impressive, and the creative team have followed that up extremely well with Apokolips War. In the opening scenes, he is an angry and vengeful character, recklessly determined to take the fight to Darkseid and finish him off for good. However, following his defeat, he is cast back down to Earth without his powers and with a painful liquid Kryptonite tattoo to remind him of his failure and to demoralise those people he encounters. Despite this, Superman shows his usual spirit and determination, rallying the remaining heroes to Apokolips, and is a generally fun and inspirational character. The best thing about his character, however, is his relationship with Lois Lane throughout the film. Lois is a major badass in Apokolips War, reverting to the resistance leader persona that she had in The Flashpoint Paradox and leading the various heroes and villains (whom she brings to her side after a boxing match with Harley Quinn in a very fun scene). The relationship between Lois and Clark is one of the major emotional centres of Apokolips War, and it serves as a great continuation of their entire joint character arc from their previous movies. It also leads to the most powerful and emotionally charged scene of the entire movie, which was an extremely touching and memorable moment.

The other major protagonists are the two surviving Teen Titans, Robin and Raven, who both add a lot to the plot. The Robin in this movie is the Damian Wayne version of the character, who has been a focal protagonist of several films in the DC Animated Movie Universe. While Damian Wayne is not my favourite Robin (Tim Drake for the win), he has been a solid part of this shared universe, especially in the two Teen Titans movies. In Apokolips War, Damian is his usual arrogant self, although he has grown and matured since his introduction. However, the events at the start of the film turn him to a darker path, and he ends up leading the League of Shadows like his grandfather before him. While at first reluctant, he is convinced to help their mission by Raven, to whom he had grown close in Justice League vs. Teen Titans and Teen Titans: The Judas Contract. Damian’s major scene is the eventual encounter he has with a Darkseid controlled Batman, and their emotionally charged fight sequence is a great part of the movie. Raven is also a fantastic character as she spends most of the film fighting her literal inner demon, her father, Trigon, whom she has imprisoned in the gem in her forehead. The emotional turmoil of the film and the constant conflict against her father has drained Raven, and she is a shell of herself throughout Apokolips War. Raven has some rather dark moments in this film, and her continued inner conflict is an excellent part of the plot. I really liked that the writers chose to focus on Raven, and it turned out to be an exceedingly interesting continuation of her storyline from the excellent Justice League vs. Teen Titans film. I also really enjoyed seeing the extension of the relationship between Robin and Raven. There had been some hints of a connection between the two in their previous entries in the universe, but the writing team took the time to explore it in more detail in this film. There are some rather nice moments as a result, as well as some heartbreaking sequences (this is a pretty traumatic film after all), and overall, both of them proved to be a great addition to the movie.

While the above main characters are great, I really need to highlight the inclusion of the entertaining side characters, who add an incredible amount of fun and excitement to the movie. At the top of this list is Etrigan the Demon, last seen in Justice League Dark. Etrigan was easily the most amusing character in the entire film, mainly because he is comically depressed following the death of the human he was bonded to, Jason Blood, in his previous appearance. Because of this, he spends most of the film following Constantine, looking for something to break him out of his stupor, and being too apathetic to take anything seriously or even to rhyme (which is a big problem for a rhyming demon). His antics are very entertaining, and every appearance he has is designed to make you laugh, right up to the end. I also loved the fantastic use of the Suicide Squad characters in this film. Harley Quinn is her usual, exceedingly violent and over-the-top self in this film, and it was fun to see her lead the Suicide Squad: “Best boss ever”. Next up you have the always dependable Captain Boomerang, who is at his sleaziest right of the bat. Boomerang is another fun addition to the team, due to his funny jabs towards the other members of the Squad, and he has some great moments, including starting an Australian/British rivalry with Constantine. However, the best member of the Suicide Squad has to be King Shark, who stands out right from his start when Constantine hilariously identifies him as one of his exes (which is a great nod to Constantine’s bisexual orientation in the comics). Unlike the pacifist King Shark we see in the Harley Quinn animated show, this version of the character is a bloodthirsty killing machine who gleefully eats several people. He also appears to only be able to only able to say one phrase: “King Shark is a shark!” which I thought was a nice homage to Groot. Pretty much every scene with King Shark is just great, and you will surprised how much fun his constant declarations of “King Shark is a shark!” becomes, especially as it leads up to an amazing joke with Captain Boomerang. I loved all four of these characters, and their inclusion was a masterstroke from the creators, due to how much heart and humour they add to the film.

No superhero movie would be complete without a great antagonist, and Apokolips War features the biggest bad in the entire DC universe, Darkseid. Darkseid has been the major villain for the entire DC Animated Movie Universe, from his destructive introduction in the Justice League: War, to his manipulations in The Death of Superman and Reign of the Supermen. As a result, Darkseid is an amazing antagonist for this movie, as you get to wrap up his storyline and see how he has been building up to this battle for the entire length of the DC Animated Movie Universe. Darkseid is exceedingly ruthless and destructive in this movie, more than living up to his reputation by brutally taking out the Justice League and killing so many protagonists and heroes. I loved his portrayal as a cold uber-tyrant, and he has some awesome scenes, such as taking out the entire Green Lantern Corp by himself, or facing off against a raft of powerful opponents (including one massive brawl against another major DC antagonist). Of course, his most evil acts revolve around his treatment of the heroes that he captures in the opening acts of the film. I have already mentioned his depowering of Superman, but that is nothing compared to what he does to other members of the League, as he turns them into twisted cybernetic monstrosities, slaved to his will. I was particularly impressed with how he managed to twist Batman’s mind, turning him into his chief enforcer and strategist. Having the ultimate hero become as ruthless as the Batman in this film is a little jarring, and I felt that it was a rather intriguing character arc to explore. I also have to mention Darkseid’s new foot soldiers, the Paradooms. Paradooms are the traditional Apokolipian soldier’s, the Parademons, who have been enhanced with the DNA of Doomsday, making them more than a match for most of the heroes in the Justice League. While the name ‘Paradooms’ is a little uninspired, they do add an exciting new element to the story, especially after the thrashing that the Justice League gave the Parademons in Justice League: War. I did think that their power levels were a little inconsistent at times, as one minute they are killing the entire Justice League, the next they are getting taken out rather easily by the Suicide Squad, but overall they were a destructive addition to the universe. I really liked this collection of antagonists, and I think that having such impressive baddies, really amped up the stakes and my enjoyment of the film.

Apokolips War has a truly impressive voice cast, with most voice actors returning after prior appearances in the DC Animated Movie Universe. At the forefront is Matt Ryan, who once again voices Constantine to perfection in this film. Anyone who has seen any live action or animated feature where Ryan portrays Constantine will know how awesome his work is, and in Apokolips War he once again shines, bringing his brand of charm and roguish appeal to the character. I also must highlight Jerry O’Connell voicing Superman in this movie. O’Connell has been killing it as Superman throughout this shared universe, and Apokolips War is some of his best work. He brings a great deal of passion to the role, and I think that his voice expertly captures all of Superman’s attributes, from his inherent positivity, to his anger at Darkseid and everything that he has done. O’Connell’s Superman also has an amazing amount of chemistry with the film’s Lois Lane, although this is not surprising, considering that Lois is voiced by O’Connell’s real-life wife, Rebecca Romijn. Romijn also does a fantastic job with Lois, and I really like her take on the character, showing of Lois’s boundless confidence and deep love for Clark. Romijn also touches on Lois’s vulnerabilities and doubts in this film, and this helps her produce one of the best and most heartfelt sequences in the entire movie.

I am also a major fan of young voice actor Stuart Allan and his take on Damian Wayne. Allan has been voicing Damian since 2014, and he has always perfectly captured the character’s arrogance and reckless personality. I like how Allan has grown up in step with the character, and his portrayal of Damian in this film adds some more restraint, uncertainty and vulnerability to the character after the opening events. Another impressive young voice actor in this movie is Taissa Farmiga, who returns to voice Raven for the third time. Farmiga has a much younger and more vulnerable take on the character of Raven than Teen Titans fans would be used to, and I think it works extremely well, showing off how scared Raven is of herself and her inherent darkness.

There is also a fantastic group of voice actors voicing the many side characters and antagonists in this movie. Candyman himself, Tony Todd, voices Darkseid, and his deep and callous take on the character, really helps to make the antagonist seem even more menacing and evil. Jason O’Mara does another amazing job as Batman in this film, and I like his more calculating take on the character, especially when he is under Darkseid’s control. Rainn Wilson is also entertaining as Lex Luthor, and he brings a real cowardly, slimy air to his parts of the film. Rosario Dawson is once again cast perfectly as Wonder Woman, and I loved her strong and confident voice for this character. John DiMaggio, Hyden Walch and Liam McIntyre all return to voice members of the Suicide Squad they have portrayed before, and they are all rather entertaining. I have already mentioned how much I loved DiMaggio’s King Shark, and it was fun to see him provide a new voice to the character after portraying him in Assault of Arkham. Walch provides another excellent turn as Harley Quinn, bringing some great energy to the character, and I think I prefer her portrayal to that of her Teen Titans co-star Tara Strong. McIntyre also does an excellent Captain Boomerang, and I personally liked it when they cast an Australian in the role, even if the character is a bit of a silly Australian caricature. While there are a couple of actors who I haven’t discussed, I think I have done enough to show how this movie has an exceedingly strong voice cast, and there was not a single miscast in the entire film.

I also have to praise the amazing animation quality featured within this movie. The animators behind Apokolips War have helped produce an incredibly slick movie with some impressive backgrounds and some fantastic and eye-popping action sequences, some of which were quite brutal and over-the-top at times. Apokolips War also features some cool and unique character designs, as many of the character had new and distinctive looks as a result of the harsh plot of the movie. This includes the depowered Superman with the Kryptonite S on his chest, half-dead cybernetic Justice League members and a whole new evil costume motif for Batman. I also have a lot of love for how the musical elements of this movie fit in with the visuals, and some of the instrumental scores that were featured really helped some key events pop out and stick in the mind, especially when combined with some of the impressive animation. For example, there is a great scene about two-thirds in where the music helps really enhances a major moment around one of the key characters, there is also a bit right at the end of the movie where the score plays extremely well with a really visually impressive moment, creating a fantastic ending for the entire movie. This helps turn Apokolips War in a visual and audible treat, and I thought that the fantastic combination of these elements helped to create an excellent movie.

 

The next paragraph gets extremely plot heavy in its discussion, so I am issuing a SPOILER ALERT.

I need to discuss how the entire movie concludes, mainly because I am in two minds about it. The film essentially ends with the entire DC Animated Movie Universe being erased out of existence, when Constantine talks the Flash into creating another Flashpoint once it becomes clear that the Earth is doomed. While it was an amazing scene, especially with the monologue that Constantine gives to convince Flash to do it and the fade to white that heralded the end of the movie, I thought it was a controversial way to end the film. Not only was it a rather predictable move thanks to several discussions about the alternative Flashpoint universe made earlier in the film (and the fact that time travel was the only obvious way to fix everything), but it also seems to do the rest of the amazing film a disservice by instantly erasing it, and it reminded me of those television episodes where major events turned out to be dream sequences or simulations. That being said, I did think it was a great way to conclude the entire DC Animated Movie Universe, which was created as a result of a Flashpoint in the very first movie, and it keeps the entire plot of this shared universe rather contained. It will be interesting to see what happens next in the DC Universe Animated Original Movies range, and whether they create a new animated shared universe in the future. I also would love if they maybe set another movie in this universe post-Apokolips War, because seeing what happened in the crumbling ruins of Earth with a depleted Justice League has a lot of story potential

SPOILERS END

 

Justice League Dark: Apokolips War is an incredible and highly recommended animated comic book adaptation, which serves as an epic and memorable conclusion to the DC Animated Movie Universe. I had an exceptional time watching this movie, especially as it blended a dark and clever story with amazing characters, impressive animation and a top-notch team of voice actors. This was an overall great film, and it might be one of the best new movies of 2020 so far (which to be fair, might be due to most films getting pushed back this year). I had a great time reviewing this animated film, and I might spend a bit of time reviewing more animated comic book movies in the future. As most of them are adaptions of existing comic books, I think this is close enough to my current focus as a reviewer to fit on this blog, and I look forward to examining some of my favourite animated comic book movies in the future.

Throwback Thursday: Usagi Yojimbo: Volume 8: Shades of Death by Stan Sakai

Usagi Yojimbo Shades of Death

Publisher: Dark Horse Books (Paperback – 1997)

Series: Usagi Yojimbo – Book 8

Length: 200 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

It’s been a little while since I’ve done a Throwback Thursday article so I thought I would go back to the old faithful that is the incredible Usagi Yojimbo series and review the eighth volume, Shades of Death.

Usagi Vol 2 Issue 1

Shades of Death follows on right after the events of the seventh Usagi Yojimbo volume, Gen’s Story, and continues to follow the adventures of the rabbit samurai, Miyamoto Usagi, in this alternate version of feudal Japan populated by anthropomorphic animals. This eighth volume of the series is particularly significant as it is the first volume to be published by Dark Horse Comics, who printed the series for over 22 years, and who were only recently replaced by IDW for the latest volume, Bunraku and Other Stories.  However, the issues within this volume were originally printed by Mirage Comics, who did the entire second run of the Usagi Yojimbo series.  The Dark Horse Comics/Mirage Comics printing style is similar to the style used by the previous publisher, Fantagraphics Books. The only major difference is that the Dark Horse Comics volumes come with a story notes section at the back, as well as copies of all the covers for the various issues. I’m actually a big fan of the story notes that they started including in these volumes, as they contain some fascinating background information about some of the stories, including details about the various legends or elements of Japanese culture that Sakai focuses on in his story. Shades of Death contains issues #1-6 of the second run of the Usagi Yojimbo series, as well as containing stories from #7-8, and is made up of two major storylines and several shorter entries.

The first story is Shades of Green, and it is probably the most distinctive entry in this entire volume. The story starts with Usagi and his frequent travelling companion, Gen, being ambushed out on the road by a horde of Neko Ninja, forcing them to dive into a river to avoid being killed. Usagi and Gen eventually wash up near a remote village and encounter the mysterious rat mystic, Kakera, who asks Usagi and Gen for his help. Kakera reveals that the Neko Ninja are after him, as they hope to use his abilities to help rebuild their clan’s power after the events of The Dragon Bellow Conspiracy (volume 4). To that end, they have surrounded the village and intend to kill everyone in order to get Kakera, and even the skilled Usagi and Gen will be unable to stand up to their numbers. With no other help on the way, Kakera is forced to use his magic to summon four very special warriors to stand by their sides, the Teenage Mutant Ninja Turtles.

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Shades of Green is a fantastic and clever story that also serves as an excellent crossover between two iconic comic book series. Pretty much the big thing about this story is the way that is introduces all four members of the Teenage Mutant Ninja Turtles in the Usagi Yojimbo universe. Fans of either Usagi Yojimbo or the Teenage Mutant Ninja Turtles franchise will be aware that these two comics have had numerous crossovers throughout the years, with Usagi appearing in three of the Teenage Mutant Ninja Turtles animated television shows. The Turtles who appear in Shades of Green are the original Mirage Comics versions of these characters, who were created by Kevin Eastman and Peter Laird, and who had their own long-running series during the time this volume was published. Usagi has actually encountered Leonardo from this version of the Turtles several times before, including back in the third volume of Usagi Yojimbo, The Wanderer’s Road, so the two groups of characters were able to team up rather quickly. I thought that this was an incredible crossover, and I especially loved the dynamic between the Turtles and Usagi and Gen. Not only do you get the mutual respect that Usagi and Leonardo have for each-other but there is a rather fun dynamic between Gen and the other Turtles. I particularly liked one scene where Michelangelo questions the logic of the Usagi Yojimbo universe, including why the horses aren’t sentient but rabbits and rhinos are (something I have always wondered), and even asking Gen if he has a tail, which it turns out is a rather personal question. There are also some really fun battle sequences throughout this book, and it was great to see the two samurai team up with the Turtles to fight a whole bunch of ninjas. I really liked this crossover between them, and I also think that Sakai did an amazing job drawing and portraying these characters.

In addition to the crossover elements, Shades of Green also contains a rather intriguing overall narrative, especially the parts of it that examine the leadership of the Neko Ninja clan. The Neko Ninja clan has been in a bit of decline since the fourth volume, when a large number of their ninjas, including their leader, Shingen, died. Much of the plot of this storyline revolves around two high-ranking members of the Neko Ninja, the ambitious Gunji and Shingen’s sister Chizu, fighting for control of the clan, with their battle centred on the hunt for Kakera. This proved to be really exciting, and it was cool to see the internal ninja feud, while the clan is facing off against the protagonists. This book also contained the first meeting between Usagi and Chizu, who goes on to become a major recurring character in the series as well as a potential love interest for Usagi. I quite enjoyed Shades of Green, and it definitely serves as a memorable entry in the Usagi Yojimbo series that showcases how cool a crossover with this series can be.

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The next entry is a short story called Jizo, which only runs for a few pages. Despite its shorter length, this is a rather inventive and surprisingly powerful story that I have a lot of love for. Jizo is set on the side of a road, and features a mother placing a dosojin, a roadside icon, of Jizo-sama, in order to help the soul of her deceased young son who was recently killed by bandits. According to Buddhist beliefs, her son’s soul is attempting to make its way into paradise by piling rocks to cross a river. By leaving the statue to Jizo, the patron and protector of children, by the side of the road, the mother is hoping that passing travellers will place a stone near it, which will help her dead son’s soul in his eternal task. The story than continues without dialogue, as the statue of Jizo watches the road, noting the various travellers who walk across it. This includes Usagi, who runs into the same bandits who killed the child, and his actions seem to provide the statue with a measure of peace. This was a clever and beautifully rendered story, and I loved that Sakai redrew the same stretch of road for every single panel. This was such a fantastic concept, and I loved how he told such a powerful story with a minimum of dialogue, only utilising some exposition from the mother at the start and end of the story. The shots of the same stretch or road were done extremely well, and it was fun to see the various people who walked past the statue during the course of the day. Not only were there some familiar faces but there were several intriguing and distinctive-looking people going about all manner of different activities. It was also cool to learn a little bit about the statues to Jizo-sama, something I saw several times when I went to Japan, and the story notes I mentioned above proved to be really useful and interesting in regards to this. I was really impressed with this entry, and I loved the compelling story that Sakai told with his fantastic drawings.

The third story in this volume is Shi, an action-packed and exciting tale that I really enjoyed. Shi sees a wandering Usagi come to a crossroad, where he lets fate and the gods choose his route (a homage to the start of the film Yojimbo). His chosen path takes him to a market town where he witnesses a peasant being bullied by a group of thugs. Intervening, Usagi chases the thugs off and is invited to the peasant’s village for dinner. However, it soon becomes clear that something strange is happening at the village, as the thugs arrive soon after and appear determined to scare all the villagers away. Investigating, Usagi soon finds himself in the midst of a conspiracy involving the local magistrate and his brother, who are determined to kill Usagi and his new friends. To that end they hire a group of four assassins, who call themselves Shi (a reworking of the Japanese character for Shi turns it into a character for death).

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Shi proved to be an compelling entry that serves as one of the main two stories for this volume (indeed, if you combine the names of the first story, Shades of Green, with the title of this story, Shi, which in this case means death, you get the volume’s overall title, Shades of Death). There are some great elements to this action-packed story: the intriguing conspiracy, Usagi’s mixed encounters with the villagers that he is trying to save, and some funny moments as Usagi effortlessly deals with the initial group of thugs. However, the best part of the book has to be the extended fight sequence at the end as Usagi takes on the four members of Shi, each of whom is master of a different type of weapon (sword, spear, bow and the sickle-and-chain). This was a brutal and exhausting fight for Usagi, and it serves as an impressive main set piece for the entire story. It also results in a rather confronting and memorable sequence where, in the aftermath of the fight, Usagi is challenged by a local peasant who is jealous of the attention Usagi is receiving from his betrothed. The peasant gamely steps up to fight Usagi, claiming not to be afraid, only to be faced by an enraged samurai who is worked up into a blood rage after his battle. The look of anger and hate on Usagi’s face is surprisingly terrifying, and I love how demonic Sakai made him look, showing off a darker side to his complex protagonist. I also really enjoyed the entry’s two shady antagonists in the magistrate and his brother. These two duplicitous siblings make for a murderous team, especially when each of them attempts to betray the other in a fantastic conclusion that showcases the consequences of greed. Overall, Shi was an exceptional story that I had an awesome time reading.

The next story in Shades of Death is a fun entry titled The Lizards’ Tale, which focuses on a group of Tokages, the dinosaur-like lizard critters that infest the Usagi Yojimbo universe. In this story, a group of chilly Tokages attempt to warm themselves up one snowy night by snuggling together in the warmest place they can find, around the sleeping body of Usagi. Awakening the next morning, Usagi finds himself surrounded by the potentially vicious creatures, and only manages to flee by throwing them a bag of food and running for it. However, the Tokages are not that easily escaped, and they continue to follow Usagi hoping to get more food out of him. Despite his comical efforts to get rid of them, Usagi soon grows attached the Tokage pack, especially after they help him out of a sticky situation with some bandits. The Lizards’ Tale is a very fun and humorous story that provides some light-hearted moments in this volume after some of the preceding darker stories. I really liked how Sakai told the story without any dialogue whatsoever, relying on only the exaggerated movements and facial expressions of the various characters and the Tokage to tell the story. This was an incredibly entertaining entry, and I had a great laugh as I went through it.

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The final three stories are a bunch of shorter entries that focus on a younger Usagi as he trains with his sword master, Katsuichi. These three stories include Usagi’s Garden, Autumn and Battlefield, and feature some character-building moments for the protagonist. Each of these three stories is rather good, and it is always interesting to see a younger Usagi when he is a rash trainee, rather than the wiser, battle-hardened warrior that he is in the rest of the series. These three short stories contain a fun mix of narratives, including one about Usagi learning patience and honesty by attempting to grow plants, another where he frees the spirit of Autumn, Aki-Onna (Autumn Women) from a monster, and a final story where he sees his first battlefield and learns that there is rarely glory or honour in the midst of war. These were a great collection of stories, and I liked the moral based narratives that each of them contained. Reading these three shorter stories proved to be a good way to end the volume and it was nice to have some low-stakes entries to wrap everything up with.

As usual, Sakai’s artwork for this volume was deeply impressive for every story, and I loved every aspect of his drawings throughout Shades of Death. While I have already mentioned his fantastic fight sequences, the cool character designs and amazing use of facial expressions while talking about some of the stories above, I also have to highlight the detailed background sequences and depictions of the beautiful, multi-seasonal Japanese landscapes. Every panel of this book is loaded with incredible detail, and I loved examining all the different backgrounds, especially as I see something new and different in this volume every time I read it. Sakai did some outstanding artwork in this volume, and it was a real treat to see his drawings and characters come to life.

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Shades of Death is another incredible volume in the exception Usagi Yojimbo comic book series from the legendary Stan Sakai. Featuring some top-notch narratives, impressive character inclusions and some eye-popping artwork, Shades of Death was an exciting and captivating read. I loved every second that I spend reading this volume, and this eighth volume gets another five-star rating from me.

Usagi Yojimbo: Volume 34: Bunraku and Other Stories by Stan Sakai

Usagi Yojimbo Bunraku and Other Stories Cover

Publisher: IDW Publishing (Paperback – 21 April 2020)

Writer, Artist and Letterer: Stan Sakai

Colourist: Tom Luth

Series: Usagi Yojimbo – Book 34

Length: 178 pages

My Rating: 5 out of 5 stars

It is once again that wonderful time of the year when the brand-new volume of the ongoing comic series, Usagi Yojimbo, comes out. Legendary comic creator Stan Sakai returns with the 34th volume in this series, Bunraku and Other Stories, which contains four epic and entertaining stories taking place in the unique setting of a version of feudal Japan inhabited by anthropomorphic animals.

Usagi Yojimbo #1

Those who are familiar with my blog will know that I am a massive fan of the Usagi Yojimbo series, having read all of the comics that have been released, and this is easily one of my favourite series at the moment. I have been eagerly reading these comics for years, and since starting this blog I have been enjoying reviewing entries in the series, such as the prior two volumes, Mysteries and The Hidden (Mysteries was actually the first comic I ever reviewed on this blog), as well as some of the older volumes of the comic. As a result, I was extremely keen to get a copy of the new volume, and Bunraku and Other Stories was one of the top books I wanted to check out this autumn.

This latest volume is a rather special one, as it contains the first Usagi Yojimbo issues that Sakai has written for IDW Publishing. This series has been published by Dark Horse Comics since 1997, and their style was similar to that of the publisher before them, Fantagraphics Books. This move to IDW Publishing brings with it some very intriguing stylistic changes, namely that fact that each issue is now completely in colour. This is a massive departure from the previous entries in the series, each of which were originally released in black and white, and it brings the stories to life in a whole new manner. In order to do this, the series now employs a colourist, Tom Luth, who previously worked on Groo the Wanderer with Sakai. In addition, this latest volume is also physically different from all the previous volumes, as Bunraku and Other Stories is noticeably taller, which surprised me a bit when I saw it the first time, and which is seriously going to mess up aesthetics of my bookshelf. However, having the taller volume allows for slightly bigger panels than were typically featured in the previous Usagi Yojimbo stories, which I quite enjoyed.

Usagi Yojimbo #2

However, even with some of these physical changes, this is still the same old Usagi Yojimbo. Sakai has once again produced some outstanding and deeply enjoyable stories, equipped with his trademark art style and his fantastic and loveable characters. Bunraku and Other Stories contains Issues #1-7 of the new, IDW Publishing, run on the series, and is made up of four separate stories.

The first of these stories is titled Bunraku, and it is the main story of this entire volume, made up of the first three issues. In this story, Usagi is enjoying a bunraku, a traditional Japanese puppet play, when he encounters an old acquaintance, Sasuke, the Demon Queller. Sasuke’s endless hunt for demons and monsters has led him to the bunraku theatre, where he senses that a new evil has taken hold. Despite his reluctance to get involved in another one of Sasuke’s dangerous missions, Usagi agrees to help, especially after they find a corpse that has been supernaturally drained of its life energy. Together, Usagi and Sasuke find that a dangerous and malevolent being has infected the bunraku theatre, and they must do everything in their power to end it.

Usagi Yojimbo #3

Bunraku serves as an exciting and compelling first story in this volume, and I quite enjoyed its supernatural storyline. The Usagi Yojimbo series has a rich history of featuring Japan’s various supernatural monsters and demons in its narratives, and this is easily one of the better ones they have done. The antagonists of this story are rather creepy, and they serve as extremely deadly opponents to Usagi, who finds himself dramatically outclassed at several points throughout the story. I also liked the return of Sasuke, who has shown up in several supernatural storylines since his first appearance back in volume 14. Sasuke is a rather distinctive and intriguing character in this series, as he has dedicated his life to hunting and destroying demons and monsters, many of whom are opponents far beyond normal samurai like Usagi. Despite his tremendous magical powers, Sasuke often finds himself severely drained after each fight, but his drive to complete his mission spurs him on, despite how weary or physically weakened he becomes. Usagi and Sasuke have some interesting interactions throughout this story, as Usagi has become more wary of Sasuke after their last several encounters. Sasuke insists that Usagi helps him once again, and even guilts Usagi into working with him, which makes for a very unusual team dynamic. I thought it made sense that Usagi would be reluctant to get involved, as he or someone he loves has nearly died each time Sasuke has appeared so far. There was also a rather interesting moment when their antagonist asks Sasuke if Usagi was being groomed to replace him, a question that Sasuke does not provide an answer to, and which makes me think we will be seeing a lot more of this character in the future.

One of the more intriguing aspects of the story of Bunraku is the fascinating examination and depiction of the bunraku puppet shows. I always love it when Sakai highlights cool aspects of Japanese history, culture or industry in his stories, and this entry was really amazing. The whole concept of a life-size puppet theatre was really intriguing, and Sakai did a great job examining it, showing what sort of stories they produced and how elaborate their performances could be. This unique art form also turned out to be an awesome basis for this horror adventure story, and I really liked how Sakai worked it into the plot. I also really enjoyed the artwork contained within this first story, and Sakai has come up with some rather impressive sequences and scenes that not only do a fantastic job conveying the action that is occurring but which really highlight the horror aspect of the narrative. The various supernatural opponents in this book are shown to be quite scary and threatening, and I loved the way that Usagi’s face looked absolutely terrified as he fought against them. The use of colour in this first story is also extremely cool, and I loved how it helped bring the whole story to life. I particularly liked the way that the colour really enhanced all of Sasuke’s magical abilities and made them look that much more distinctive and mystical. There is one amazing sequence in which Sasuke turns his sword into flames, which looked so damn awesome and it put me in mind of that one iconic scene from the recent Demon Slayer anime. All in all, this was an outstanding and enjoyable first story in this volume, and readers are in for a real treat right of the bat.

Usagi Yojimbo #4

The next story that is featured within this volume is the two-issue tale, The Hero. In this entry, Usagi, still journeying across the countryside, has encountered an interesting fellow traveller, a famed author who is journeying to her father’s house. The author, Lady Mura, has written several novels, including a tragic tale of heroism that she lets Usagi read. As the two travel together, Usagi learns that Mura is the wife of a high-ranking samurai who is jealous of his wife’s writing ability, as the fame she gains from that far exceeds his reputation as a warrior. While Usagi is able to protect Mura from many of the dangers on the road, including bandits, how will he react when he encounters her husband, especially as the strict rules of honour that bind all samurai forbids him from interfering?

This is a rather heavy and clever story that I think is potentially the best entry in the entire volume. Sakai has crafted together an excellently written and well-thought out narrative that cuts deep into the reader’s emotional core before the end. The character of Lady Mura is an extremely tragic figure, as even after all Usagi does to protect her, her story still ends in heartbreak, just like all her novels. Despite how her story ends, she is able to pass on some inspiration to Usagi about the true nature of a hero, which is how she sees Usagi. There are some really intriguing discussions about the code of the samurai that binds all the major characters within this story, and the problems and compromises that occur because of it are in full display throughout The Hero. I also think that Sakai came up with a perfect ending for the entire story, which felt extremely satisfying, considering what had happened throughout the course of the narrative. The artwork in this story is also really cool, as not only do you have some of the most impressive depictions of the varied and beautiful feudal Japanese landscape (which look so impressive in colour) but you also have some amazing scenes that show fragments of Lady Mura’s novels. These scenes place Usagi in the role of the hero of the classic story (Sakai has done something similar in prior stories like My Lord’s Daughter in the sixth volume, Circles) and show him taking on an undead horde and their evil master, and they are some amazing drawn sequences. The Hero is a truly great story, and I think that Sakai has done an outstanding job coming up with this tragic and heartfelt tale.

Usagi Yojimbo #5

The next story, Adachi, is one of the more interesting entries in this volume, and it was one that I was curious to check out. This story was actually written in commemoration of the 35th anniversary of the series and features a fresh take on the very first Usagi Yojimbo story, The Goblin of Adachigahara, which I previously reviewed in the first volume, The Ronin. In this new version of the story, Usagi returns to the scene of one of his greatest personal tragedies, the battle of Adachigahara Plain (or Adachi Plain in later Usagi Yojimbo stories), where his lord, Mifune, died after one of his generals betrayed him. In the course of this battle, Usagi, who served as Lord Mifune’s bodyguard, was able to perform an essential service by fleeing the battlefield with Mifune’s head, keeping it out of the hands of the treacherous general and the evil Lord Hikiji. Usagi has journeyed back to this place to pay respects to the place he buried his late lord’s head, which only he knows the location of. However, he senses that he is being watched and continues his journey, eventually seeking shelter at the hut of an old lady, who warns him of a goblin that haunts the mountain. Later that night, the goblin attacks the house, trying to kill Usagi, but Usagi is able to trick him and engage him in a fair fight. The goblin is revealed to be the general who betrayed Mifune, who was disgraced and banished by Lord Hikiji due to Usagi’s actions in denying Hikiji his lord’s head. Now determined to claim Mifune’s head and claim what is owed to him, the goblin seeks to kill Usagi, who manages to win, thanks to the help of the old lady, revealed to be the general’s wife, who has remained in exile with him.

This is a really interesting updated version of the story, which I quite enjoyed reading. The whole story is actually a combination of three prior Usagi Yojimbo stories, with some new elements thrown in. The first part of the story, which shows Usagi reliving the events of Adachi Plain, utilises parts from two stories, including Samurai (which appeared in the second volume, Samurai) and Return to Adachi Plain (which appeared in the 11th volume, Seasons). This combination provided a much richer examination of the battle, especially Usagi’s role within it, and I think the two separate sequences merged together well, while also looking even more impressive in colour. The story then continues to focus on the events that previously occurred within The Goblin of Adachigahara, although there are some interesting additions. This includes the goblin deliberately targeting Usagi, due to his role in his dishonour, and Usagi finding out the identity of his attacker before killing him. Knowing that this is the general who betrayed his beloved lord adds a whole new emotional element to the story for Usagi, and their fight is a lot more vicious and elaborate. I also liked the way that Sakai spent time enhancing the visuals surrounding the goblin. While he looked rather cool in the original story, in Adachi, Sakai has made him look even more awesome and intimidating, especially in colour. I also found it interesting that Sakai has turned this whole event into a more recent story in Usagi’s timeline, rather than being an event that occurred quite early in his adventures. The change in the chronology is intriguing, especially as there is a rather great scene in the middle where Usagi, upon visiting the grave his former lord, begs to be released from his vow of service, perhaps so that he can pledge fealty to his friend, Lord Noriyuki of the Geishu Clan. Overall, I thought that this was a clever new take on a classic Usagi Yojimbo story, and fans of this series will appreciate this anniversary special.

Usagi Yojimbo #6

The fourth and final story in this volume is The Swords of the Higashi, which serves as a light-hearted and entertaining conclusion to this volume. The Swords of the Higashi sees the always amusing Usagi Yojimbo side character, Gen, involved in a whole new batch of trouble. This time, Gen and his occasional partner Stray Dog are attempting to recover two extremely valuable stolen swords from a group of bandits. Killing the bandits, the two bounty hunters run into Usagi, who decides to accompany them back to the sword’s owners, the Higashi clan. However, the three ronin make the mistake of leaving one of the bandits alive, and they must contend with a continued flurry of attacks as they make their way back to town.

Now this was a fun and enjoyable story that I found to be extremely hilarious. There are several great elements to this story that I really enjoyed, including the fantastic use of the three main characters, Usagi, Gen and Stray Dog, and their banter as they wander the wilderness is rather entertaining. There is also the really funny extended sequence which sees the characters come under constant attack from bandits and bounty hunters as they attempt to return the blades. Each of these attacks is led by the same bandit, who finds the three companions, gets his cohorts to attack them, and then runs away in a panic when the protagonists win, only to return with a new group of bandits and repeat the cycle a short time later. This repeated turn of events is extremely funny, mainly due to the ridiculousness of the situation and because of the way that Usagi and his friends get more and more exhausted and exasperated with each new cycle. Sakai does an amazing job of making all three protagonists look scruffier and more dispirited with each new attack, and their reactions each time are deeply entertaining, from the way that Stray Dog keeps yelling at Gen for it being his fault, Gen’s growing resentment and frustration at the bandit whose life he saved, and the usual stoic Usagi getting more and more exhausted with each fight: “I’ve been through battles less tiring than today!”. Sakai wraps this whole amusing episode up with a rather clever conclusion to the story, which sees another classic Usagi Yojimbo side character get the best of everyone, and which makes all of Usagi, Gen and Stray Dog’s effort be for nought, which is just so mean considering all they went through. This was an outstanding story that had me laughing the entire way through, and I thought it was the perfect way to end this entire volume.

Usagi Yojimbo #7

The latest Usagi Yojimbo volume, Bunraku and Other Stories, is another incredible comic from Stan Sakai that I absolutely loved. Sakai has once again produced several exciting and clever stories, filled with great characters, powerful emotional moments, clever examinations of classic Japanese culture and a number of visually stunning sequences, which are so much fun to read. With the comics now in full and glorious colour, this was an outstanding new entry in the series, and is a must read for all Usagi Yojimbo fans. It gets a full five-star rating from me and comes highly recommended.

Book Haul – Comics – 18 May 2020

For this latest Book Haul post, I am going to do something a little different and exclusively look at the comics that I have recently gotten copies of.  Like many people at the moment, I have been stuck at home for the last few weeks, and it is starting to drive me a little crazy.  In order to alleviate the boredom, I have ordered a few comics to keep me sane, and all of them started showing up over the last week or so.  I actually have a large pile of new comics on the dining room table at the moment (it goes well with the multiple piles of books I also have), and all of them are pretty cool.  I am actually planning to review most of these comics at some point at the future, so I thought I would take the time to highlight what I have gotten and what some of my early impressions about them are.

Usagi Yojimbo: Volume 34: Bunraku and Other Stories by Stan Sakai

Usagi Yojimbo Bunraku and Other Stories Cover

The first entry in this post is the latest Usagi Yojimbo volume, Bunraku and Other Stories.  I am a massive fan of this series and Sakai is easily one of my favourite authors at the moment.  I have been looking forward to this latest volume for a whole year and it really did not disappoint, containing some amazing stories, intense artwork and interesting concepts.  I am working on a review for it now, and should hopefully get it up in the next few days.

Hit-Girl: Volume 4: In Hollywood by Kevin Smith and Pernille Ørum

Hit-Girl in Hollywood Volume 4

The next comic is the fourth volume in the Hit-Girl series, Hit-Girl in Hollywood.  I have already reviewed this interesting entry in the series and it is a fun book to read, even if it is a tad extreme in places.

Firefly: The Sting by Delilah S. Dawson

Firefly - The Sting Cover

This is a fun one that I have been meaning to grab for a while.  The Sting is a cool Firefly limited series which sees the return of the murderous antagonist Saffron, who needs the female crew members of Serenity to pull off her latest heist.  This was an exciting and clever comic, written by Delilah S. Dawson (check out my review for her 2019 book, Star Wars: Black Spire), and I look forward to writing a review for it in the future.

Star Wars (2015): Volume 13: Rogues and Rebels by Greg Pak and Phil Noto

Star Wars Rogues and Rebels

The next comic is Rogues and Rebels the final volume in the excellent Star Wars comic series.  I have been loving this series ever since reading the first volume, Skywalker Strikes, and I think that Rogues and Rebels ends this current series rather well.
In addition to the four recent releases I detailed above, I also ordered in the first four volumes of the 2016 Batman series by Tom King, as well as its crossover with The Flash series, The Button.  I recently read a couple of later volumes on this run of Batman and I really enjoyed them, so I thought I would got out and grab the whole series.  I am extremely happy I made this decision, as each of the four Batman volumes are pretty damn epic, and I am planning to do Throwback Thursday reviews for each of them at some point in the future.  I haven’t had a chance to read The Button yet, but I sounds rather cool, especially as it ties into the Flashpoint and Doomsday Clock limited series.

I also have to point out the fantastic parcel that I ended up getting the Batman comics in.  Unlike the four volumes above, which I got from Book Depository, I got all the Batman comics from my local comic store, Impact Comics, who have been organising deliveries for the last two months.  When I got it, I was rather amused to find the following sketch of Batman drawn onto the packaging.  I love that the team at the comic book shop are managing to have fun during this time, and I am rather curious to see if anything will be drawn onto the next package that I order from them.

Batman Parcel

Batman: Volume 1: I am Gotham by Tom King and David Finch

Batman I am Gotham Cover

Batman: Volume 2: I am Suicide by Tom King, Mikel Janin, Mitch Gerads and Hugo Petrus

Batman I am Suicide Cover

Batman: Volume 3: I am Bane by Tom King, David Finch and Danny Miki

Batman I am Bane Cover

 

Batman: Volume 4: The War of Jokes and Riddles by Tom King, Mikel Janin, June Chung and Clay Mann

Batman The War of Jokes and Riddles

 

Batman/The Flash: The Button by Joshua Williamson, Tom King, Jason Fabok and Howard Porter

Batman, The Flash - The Button Cover

 

That’s the end of this latest Book Haul post and I hope you find this comic themed entry interesting.  Make sure to keep an eye out for my reviews of these comics in the future, and good luck with finding your own way to stay sane at the moment.

Throwback Thursday: Usagi Yojimbo: Volume 7: Gen’s Story by Stan Sakai

Usagi Yojimbo Gen's Story

Publisher: Fantagraphics Books (Paperback – 1996)

Series: Usagi Yojimbo – Book Seven

Length: 187 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this week’s Throwback Thursday, I once again dive into the wonderful world of Usagi Yojimbo and review the seventh volume of this incredible ongoing comic series, Gen’s Story. I have been really enjoying going back and reviewing the older volumes of this fantastic comic by legendary writer and artist Stan Sakai, and this seventh volume is another excellent addition to the series that I always have a terrific time reading.

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Gen’s Story is an amazing example of a Usagi Yojimbo volume, which contains several short stories, each of which shows a unique tale set within the series’ clever version of feudal Japan populated with anthropomorphised animals. Each of the individual stories in this volume is rather good, and together they form a fantastic volume that not only introduces a recurring side-character but which also explores the backstory of another key character and serves as a perfect end note for one of the series’ best character arcs. This volume is made up of issues #32-38 of the Fantagraphics Books run on Usagi Yojimbo, as well as a story from Critters #38, which makes Gen’s Story a tad longer than a typical volume. All of these issues make for an awesome read, and Gen’s Story is another excellent addition to the Usagi Yojimbo series.

The first story contained within this volume is the fun and enjoyable tale, Kitsune. In this story Usagi encounters a talented street performer, Kitsune, who entertains the crowd with the tricks she can perform with her koma (spinning tops). However, Kitsune is much more than a simple entertainer; she is also an extremely skilled thief and pickpocket who manages to take Usagi’s purse without him realising it. This forces Usagi to stay late at an inn, washing dishes to pay for his meal, which results in him witnessing and intervening in an altercation between a notorious gambler and some local gangsters. Deciding to help the gambler under the mistaken belief that he is an innocent merchant, Usagi attempts to escort him out of town, where the two encounter Kitsune again just before the gangsters attack, leading to a fight in the streets.

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Kitsune is an entertaining story that works well as a suitably light-hearted start to the entire volume (get a fun story in before the feels start). The whole of this story is really amusing from the very start, and it contains some great comedy elements, from Usagi getting taken advantage of by Kitsune and the way he doesn’t initially realise that the person he is helping out is the same gambler who previously led a mob against him in A Kite Story, which was part of the fifth volume, Lone Goat and Kid. This leads to a great scenario where the gambler is forced to rely on Usagi for protection, while silently hoping that he will not remember who he is or what he previously did. Of course, Usagi eventually figures out who he is, thanks to the gambler’s boasting, and this results in a great end to the whole farcical tale. This issue also serves as an excellent introduction to the character of Kitsune, who goes on to become a major recurring figure within the Usagi Yojimbo stories. Sakai does a fantastic job showing off Kitsune’s personality and skills as a thief throughout this story, and I also love all the cool drawings he does of Kitsune’s various tricks with the spinning tops. Kitsune’s entire arc throughout this story is great, and I love how Usagi was able to get even with her at the very end, which is a fun prequel to all their future encounters. The combination of an entertaining plot, a great character introduction and an enjoyable call-back to a previous story helps to make Kitsune an excellent first entry in this volume, and I had an amazing time reading it.

The second story in this volume is the short entry Gaki. Gaki is quick and amusing story that follows a young Usagi back when he was a student under the tutelage of his sword master Katsuichi. After one of Katsuichi’s typical lessons, which sees Usagi receive a smack to the head, Usagi attempts to retaliate, striking a blow that seemingly kills his master and causes his ghost to start haunting Usagi. Of course, it ends up being a whole big misdirection, but it results in a fun sequence in which young Usagi is chased by a vengeful spirit, which all leads to a humorous conclusion. The highlight of this quick tale has to be the amazing drawings of the vengeful spirit and the pure terror that appears on the face of the young Usagi, all of which are way out of proportion to Gaki’s rather innocent story. All of this makes for an entertaining second inclusion in Gen’s Story, and it, together with the first story, provides readers with a fun start to this volume.

Critters 38

The third story is where we start getting to the heavier narratives of this volume, as the reader is treated to the supernatural tale, Broken Ritual. This story sees Usagi walking late at night through a small village filled with an unnatural amount of fear, especially after a loud and terrifying wail breaks the silence. Talking to the townsfolk, Usagi learns that the village, which is located close to the site of the battle of Adachi Plain, is haunted by one of Usagi’s old comrades, General Tadaoka, who died following the battle in the midst of an incomplete seppuku ritual. Now, due to the shame of having a dishonourable death at the hands of an unworthy and unnamed enemy, Tadaoka’s spectre appears in the spot where he died each full moon, letting out a wail of anguish. Upon hearing this tale, Usagi decided to try and help end the suffering of his former comrade and manages to help the spirt pass peacefully by successfully performing the seppuku ritual on the ghost.

Broken Ritual is an impressive and gripping story of honour and duty which is easily one of the best inclusions in this volume. This is one of those stories that really sticks in the reader’s mind, and the whole concept of samurai honour, even from beyond the grave, is a really fascinating central plot aspect. I loved the exploration of the seppuku ritual, and the supernatural elements of this story play into this really well, as it highlights just how important an honourable death is to a samurai like Tadaoka, so much so that he came back from the grave to ensure it was done properly. Sakai’s art is in top form for this volume, and his outstanding depiction of a wartime seppuku ritual is absolutely incredible. The intense facial expressions of Tadaoka during the seppuku scenes are particularly enthralling, and Sakai does a fantastic job of showing the pain and concentration that would have been on such a person’s face. All of this leads to a deeply captivating story, and it is amazing the sort of gripping tale Sakai can spin together in single issue.

Usagi 34

The fourth story in this volume is the shorter story, The Tangled Skein, which is the story that was originally featured in Critters #38. This is a creepy, quick story that follows Usagi in the immediate aftermath of the battle of Adachi Plain. Fleeing from the victorious troops of Lord Hikiji, Usagi attempts to hide in a dark forest known as The Tangled Skein, which is rumoured to be filled with all manner of haunts. Naturally, Usagi runs into one of these haunts, a demon disguised as a helpful old lady, and he must try to escape her clutches with help from the most unlikely of sources. This was an awesome supernatural storyline that I quite enjoyed, especially as the story once again highlights some of the philosophies surrounding samurai honour and what duties a samurai has to his lord, and vice versa. Fast-paced, exciting and with a surprisingly poignant moral to its story, The Tangled Skein is great entry to the volume, and I am glad that Sakai included it.

The next story in this volume is simply call Gen, and it is the major storyline contained within Gen’s Story. Made up of three Usagi Yojimbo issues, this is an excellent story of revenge and obsession that also continues the theme of the last few stories by looking at samurai honour and obligation. This story also reveals the full backstory of the always amusing and enjoyable recurring side character Gen and shows how he came to be a bounty hunter. The story is broken into three separate parts by issue, with the first part called Lady Asano’s Story, the second part called Sins of the Father and the third and final part titled Lady Asano’s Revenge.

Usagi 35

Naturally, Gen revolves around the character Gen, who Usagi once again meets out in the wilds, and helps him claim his latest bounty. Recovering from this fight in a nearby town, Usagi shares a meal with a destitute noblewoman and her retainer. The noblewomen, Lady Asano, is on the hunt for her husband’s murderer, a former advisor who betrayed him for great reward, and her exhaustive 20-year long quest has left her poor and on her own. The story is interrupted by the arrival of Gen, who is revealed to be the son of the great General Murakami, the most revered retainer of the Asano clan, and whose family owes allegiance to Lady Asano. Gen, bitter at the years his hard and disciplined father spent dragging him and his mother around the countryside hunting the murderer, an event that led to the death of Gen’s mother and Gen becoming a bounty hunter, refuses to help Lady Asano. However, once Lady Asano and Usagi are captured by the murderous advisor, revealed to be the town’s magistrate, Gen attempts to help, leading to an emotional and violent confrontation.

This was another excellent story that had a number of fantastic elements to it. It was great to finally get Gen’s backstory revealed, as Gen promised to tell his story all the way back in the second volume, Samurai. This was actually a rather tragic backstory for Gen, and I really liked seeing it, especially as it fits in really well with Gen’s character, not only explaining why he is so eager to fight for money but also why he is so dismissive and distrustful of honourable samurai, who must remind him of his father. Sakai makes sure to wrap up Gen’s personal history rather well within this story, as Gen gets some closure with his father towards the end of the story in one of the few instances that we see a really serious and emotionally wrought Gen. I also liked how Sakai continued to explore the concept of samurai honour within this story, especially the obsession and hurt that it can cause. We got to see the negative impacts that having an extremely loyal and honourable samurai as a father had on Gen, and Sakai also focused on the obsession for revenge and redemption that existed within Lady Asano, which not only drove her into poverty but also gave her the strength to finally get her revenge. The sequence where the dying Lady Asano slowly advanced towards the target of her wrath was pretty intense, and she almost appeared demonic as she slowly moved to get her revenge. Other cool highlights of the story include the huge pitched battle that occurred between the protagonists and their opponents’ retainers in the magistrate’s compound, and the continued fun banter between Usagi and Gen, which adds some much needed humour into this heavier story. Overall, this is an impressive and addictive expanded story, that achieves a lot of fantastic character development and which serves as an excellent focus of this entire volume.

Usagi 36

The next story contained within this volume is another lighter story, The Return of Kitsune. In this story, Usagi, who is accompanied by Gen, once again encounters Kitsune, who is up to her usual tricks of street performances and pickpocketing. This time, however, she accidently steals a valuable letter meant for a corrupt local merchant, and she is subsequently hunted through the streets until she runs into Usagi and Gen. Usagi and Gen was work together to save Kitsune from the merchant, even if they cannot agree on what the best course of action is.

The Return of Kitsune is probably one of the funniest inclusions in this volume. The highlight of this entry has to be the first meeting between the two fun side characters, Kitsune and Gen. These two characters play off each other extremely well, and you cannot help but chuckle at the exasperated expression on Usagi’s face as the Gen and Kitsune begin to flirt with each other. I also enjoyed seeing the opposing philosophies of Usagi and Gen clash throughout this story, as Usagi wants to intervene to save lives, while Gen wants to stay out of the whole thing and claims that Usagi is too nosey. This whole argument proves to be a rather entertaining part of the story, and it results in some excellent scenes towards the end of the story, especially when Usagi takes Gen’s advice about minding his own business and fails to tell his friend that Kitsune stole his purse.

Usagi 37

The final entry in this volume is the outstanding narrative, The Last Ino Story, which serves as the last appearance of one of the best recurring characters to appear in the earlier volumes of this series. In The Last Ino Story, Usagi and Gen are taking one of Gen’s infamous shortcuts late at night and find themselves ambushed by bandits while traversing a narrow path along the side of a cliff. Managing to outsmart their attackers, Usagi and Gen seek shelter in a nearby abandoned hut, where they find themselves confronted by a young woman who is attempting to defend her wounded husband. Able to make their way inside, they find that the woman’s husband is none other than the Zato Ino, who has settled down and abandoned his violent ways after his last encounter with Usagi and Gen. Gravely wounded by the same bandits Usagi and Gen encountered, Ino appears close to death and the two samurai must work quickly if they are to save him and ensure he gets to live the life he rightly deserves.

The Last Ino Story is an outstanding and emotionally rich story which is an amazing way to finish this entire volume off. This last entry in this volume contains a great story in its own right, especially as it serves as a fantastic conclusion to one of the best character arcs in the series, that of Zato Ino. Ino was introduced all the way back in the first volume, The Ronin, as a blind outlaw who was trying to find a quiet place to settle down and rid himself of his life of violence, but whose efforts were constantly disrupted by his large bounty and the hunters chasing him. However, as the series progressed and Usagi kept meeting him, he grew as a character, from him gaining his first true friend in the third volume, The Wanderer’s Road, to him finally finding a home and family after the events of the fourth volume, The Dragon Bellow Conspiracy. This final appearance from him (and it is indeed the last time that you see him), serves as a perfect send off to him, as Usagi and Gen, the only two people who knew his past and gave him a chance, find out that he ended up having a the peaceful life he always wanted and has even more happiness on the way. As a result, this is a perfect story for those readers who got attached to the character of Ino through the first volumes of the series, and it was great to see his story come to a satisfying end.

Usagi 38

I also liked Gen’s character arc throughout this story, especially once he finds out that Ino was the injured man in the barn. Gen and Ino have a complicated past, as Gen was initially trying to hunt Ino down for his bounty during their first encounter, and Ino ended up saving his life. In order to repay him, Gen dragged the injured Ino out of the castle before it exploded and told everyone, including Usagi, that Ino had died, in order to ensure that the blind pig would no longer be hunted and could settle down. In this story, Gen, upon seeing the man he saved once again dying, loses his cool and begins to take his rage out on an owl that has been stalking him throughout the course of the book, which he sees as an omen of death. Watching Gen constantly run out into the rain to chase away an owl is amusing on the surface, but it also reveals his deeper feelings that he usually keeps hidden: “The one decent thing I did was give him his peace, and you won’t take it away!” His determination to keep Ino alive because of this is a real change from his usual behaviour, and it helps underline that deep down Gen is a good character, even if he reverts to his usual gruff self the moment he knows Ino is fine. I also liked how the whole saga with the owl ended up, and it was a fun little turn around on the bird being an omen of death. Other highlights of this story include the cool battle sequence towards the front when Usagi and Gen manage to climb up the cliff and face the bandits trying to kill them. The five panels which show this fight are really cool, from the way that the grim faced Usagi and Gen are framed in the moonlight, the close-up of the bandits faces as they charge, the shot of Usagi’s bloody sword, and the way the fight is only alluded to by the sound effects that have been written in, makes for a great sequence that I really liked. All in all, The Last Ino Story is a first-rate inclusion, and it leaves the reader with a memorable and emotionally substantial ending to this volume.

The seventh Usagi Yojimbo volume, Gen’s Story, is another incredible addition to this awesome and deeply enjoyable series. Each of the entries within this excellent volume are outstanding reads, containing complex characters, fantastic narrative arcs and Sakai’s impressive artwork. Gen’s Story gets another five-star review from me, and Stan Sakai has once again shown why he is one of my favourite creative minds.

Waiting on Wednesday – Upcoming Star Wars Comics

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. For this week’s Waiting on Wednesday, I am still in a massive Star Wars mood after listing my favourite pieces of Star Wars fiction for last week’s Top Ten Tuesday, so I thought I would use this article to highlight some of the amazing upcoming Star Wars comics that I will be purchasing later this year.

If the fact that I wrote a massive and detailed list last week to celebrate May the Fourth wasn’t a hint, then I’ll flat out say it: I love Star Wars. I am an avid consumer of all things Star Wars, and for the last couple of years I have gone out of my way to watch all the movies, read all of the new Star Wars tie-in novels and absorb all of the associated animated shows. However, in my opinion, some of the best examples of Star Wars fiction that are being created at the moment are the franchise’s excellent comic books.

Marvel Comics have released some truly terrific Star Wars comics over the last couple of years, from ongoing series like Darth Vader: Dark Lord of the Sith (check out my reviews for volumes Two and Three) and Poe Dameron, cool crossovers like Vader Down, and even some exceptional limited series, such as Vader: Dark Visions. These examples are just a taste of what is available, and there have been several other great comics released over the last few years, including some incredible ongoing series. Pretty much all the current Star Wars comics are outstanding reads, featuring impressive stories, fantastic portrayals of characters from movies, cool new characters and eye-catching artwork.

2020 is shaping up to be an awesome year for fans of these Star Wars comics, as four new ongoing series have just recently started up, all of which sound really cool. I am particularly excited for three of them, as they will follow on from some of my favourite Star Wars comics that have only just recently finished in the last few months. All four series will be set between the events of The Empire Strikes Back and Return of the Jedi, and each of them will follow a different group of Star Wars characters throughout the turbulent times between these movies. Each of these series will feature a new creative team, which should help produce some cool, fresh storylines and perspectives. If the previous run of Star Wars comics is anything to go by then these four series are all going to be heavily linked with each other, and there will probably be some storyline connections later down the line. Heck, it would not surprise me if all four of these comics have a massive crossover at some point, which would be beyond awesome. While all four of these series have actually already started, I am going to feature them in this Waiting on Wednesday article because it will take several months for me to get copies of all of them, due to my preference for collected editions over individual issues. I am also going to have to wait a little longer than usual to get these comics, as Marvel Comics were forced to temporarily postpone their publishing line in response to the COVID-19 pandemic, although this is not something that I am going to complain about.

Star_Wars_2020_1_cover

The first of these new series is Star Wars (2020), which will no doubt serve as the central post for this entire new run of Star Wars ongoing comics. This new Star Wars (2020) ongoing series is written by Charles Soule and drawn by Jesús Saiz, and will follow the adventures of the Rebel Alliance, with the focus on the protagonists from the Original Trilogy, namely Luke Skywalker, Leia Organa, Chewbacca, C-3PO, R2-D2 and Lando Calrissian. This series has a lot of storyline potential, as it will deal with all the fallout from the events of The Empire Strikes Back. In addition, it will probably also follow on some of the events that were explored in the previous long-running Star Wars comic series, which started in 2015 (check out my review for the first volume). The first upcoming volume is currently set for release on 21 July 2020, and it sounds like this comic is going to focus on quite a few intriguing story threads.

Volume Synopsis:

“No…I am your father.”

In the wake of the events following The Empire Strikes Back, it is a dark time for the heroes of the Rebellion. The Rebel fleet…scattered following a disastrous defeat at the Battle of Hoth. Han Solo…lost to the bounty hunter Boba Fett after being frozen in carbonite. And after being lured into a trap on Cloud City and bested in a vicious lightsaber duel against the evil Darth Vader, Luke Skywalker…learned the horrible truth about his past. Vader did not kill Luke’s father, Anakin – Vader is Luke’s father! Now, after narrowly escaping the dark lord’s clutches, and wounded and reeling from the revelation, Luke, Princess Leia, Lando Calrissian, the Wookiee Chewbacca and the droids C-3PO and R2-D2 must fight their way back to the Rebel Alliance – for the fate of the entire galaxy is at stake! After so many losses, is victory still possible? But, what Leia, Luke and their ragtag band of freedom fighters do not realize is that they have only traded one Imperial trap for another! Enter the cunning and vengeful Imperial Commander Ellian Zahra, at the helm of the Tarkin’s Will! Writer Charles Soule (DARTH VADER) and artist Jesús Saiz (DOCTOR STRANGE) are taking us all to the galaxy far, far away!

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The next series that I am looking forward to is the Darth Vader (2020) series of comics. There have been some incredibly cool comics focused around Darth Vader released in the last few years, from The Dark Lord of the Sith series that I mentioned above (which focused on the early days of Darth Vader after the events Revenge of the Sith), to Darth Vader (2015), which was strongly connected to the events of the Star Wars (2015) series. This was an amazing comic that not only introduced a barrage of awesome and distinctive new characters but which showed a number of extremely captivating moments in Darth Vader’s new history, such as the moment he realised that Luke was his son. I massively enjoyed this series when it came out, and I have recently reviewed Volumes One and Two of the series, giving them both five-star ratings.

As the Darth Vader (2020) is a bit of a direct successor to two excellent prior series that focused on the character, I have extremely high hopes for this new series, which will be written by Greg Pak and features the artistic talents of Raffaele Ienco. This new series has already caught my attention as the first issue apparently ends with Vader coming face-to-face with the most significant person from his past. I also really like that the series as a whole is going to focus on Vader as he comes to terms with the fact that Luke refused to join him and turn to the Dark Side of the Force, something which apparently has an interesting impact on Vader’s psyche. This first volume of this series is set for release on 25 August 2020, and I am deeply invested in checking this volume out as soon as possible.

Volume Synopsis:

“JOIN ME, AND TOGETHER, WE CAN RULE THE GALAXY AS FATHER AND SON!”

In the shattering climax of The Empire Strikes Back, DARTH VADER infamously reveals his true relationship to LUKE SKYWALKER and invites his son to rule the galaxy with him. But Luke refuses – plunging into the abyss beneath Cloud City rather than turn to the Dark Side. We all remember Luke’s utter horror in this life-altering moment. But what about Vader? In this new epic chapter in the Darth Vader saga, the dark lord grapples with Luke’s unthinkable refusal and embarks on a bloody mission of rage-filled revenge.

Writer Greg Pak and artist Raffaele Ienco unleash Darth Vader on his dark quest of vengeance and discovery!

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The third series that I am going to check out later this year is Doctor Aphra (2020). This is a series that I am really looking forward to, as it features one of the best new Star Wars characters of the last few years, the titular Dr Aphra. Aphra was originally introduced in the Darth Vader (2015) series, and is a rogue archaeologist, tomb raider, con artist, thief and adventurer, who is essentially a combination of Han Solo and Indiana Jones, but without any morals. She proved to be an extremely popular character who not only survived the events of the Darth Vader series (despite Vader’s best efforts) but was eventually given her own ongoing series. I am a massive fan of the previous Dr Aphra series, and in my opinion, it was one of the best comics of the last few years, featuring some extremely clever stories, excellent character work and an outstanding sense of humour. I have recently reviewed the last two volumes of this series, Unspeakable Rebel Superweapon and A Rogue’s End, both of which got a full five stars from me. Due to how much I loved the previous versions of Dr Aphra, I am extremely keen to check out this series, and I cannot wait to see what happens to this cool character next.

This new Doctor Aphra comic features the creative team of Alyssa Wong and Marika Cresta, neither of whom I am very familiar with. I am, however, rather curious to see their take on this amazing character, and I cannot wait to grab this comic later this year. Unfortunately, this series is facing some major delays due to the aforementioned publication cessation, so it might be a while before I get to check out the collected volume. The first issue was only just released, but it sounds like it has a fun story to it, and it should prove to be a good basis for the rest of the issues in the first volume. The premise certainly sounds very Dr Aphra, as the protagonist and her allies (a combination of new and old characters) attempt to find a legendary cursed item.

Issue #1 Synopsis:

NEW CREW, NEW MISSION! With the Rebel Alliance back on the run after their defeat at the Battle of Hoth, it’s never been a more dangerous time for outlaws, scoundrels and the errant rogue archaeologist to make their way in the galaxy. But after a string of bad luck and near escapes, DOCTOR APHRA is back on the job! She’s been keeping a low profile – jobs are scarce and credits scarcer. But the promise of the score of a lifetime is a chance too good for her to pass up. And to find the cursed RINGS OF VAALE, Aphra will need a crew of treasure hunters the likes of which the galaxy has never seen before! But RONEN TAGGE, heir to the powerful Tagge family, also has his eyes on the prize. Do Aphra and her team stand a chance at fortune and glory?

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The final series starting up in 2020 that I am going to look at in this Waiting on Wednesday is Bounty Hunters, written by Ethan Sacks and illustrated by Paolo Villanelli. As the name suggests, this series will focus on several of the Star Wars universe’s iconic bounty hunters, including Beilert Valance, Boba Fett and Bossk. This is the only series in this article that is not a sequel to an existing series, although backstory elements of the main character, Beilert Valance, were recently set out in the Target Vader limited series.

As Bounty Hunters is not a direct sequel to an established series that I have gotten into, I do not have quite the same emotional attachment to it that I do with the other three series mentioned in this article. Despite this, I am planning to grab this series when it comes out, and I am actually rather looking forward to it. Bounty hunters such as Boba Fett, Cad Bane and the protagonist of The Mandalorian are amongst some of the coolest characters in the Star Wars canon, and they have some the best stories in the franchise. A whole comic series set around some of these characters sounds like a lot of fun, and the central story of the first volume is apparently going to focus on Valance, Fett and Bossk all hunting for a fellow bounty hunter who betrayed them years ago. I am rather curious to see where this series ends up going, and I am also glad that there is a finally an ongoing comic series that features Boba Fett as a recurring character (particularly as he is going to appear in The Mandalorian later this year). Bounty Hunters is another series that has been significantly impacted by the Marvel Comics shutdown, with only the first two issues currently released, and the third not scheduled to come out until June. This probably means the first collected edition will take a while to come out, but I can wait, especially as the first issues sounds rather cool already.

Issue #1 Synopsis:

NEVER BETRAY A BOUNTY HUNTER – ESPECIALLY IF IT’S BOBA FETT!

Years ago, VALANCE and fellow bounty hunters BOSSK and BOBA FETT took on a mission that went sideways in a bad way after Valance’s mentor, NAKANO LASH, violently betrayed them. Valance’s team barely escaped with their lives. He never thought he’d face his old mentor ever again-until Lash finally resurfaces under mysterious circumstances. Every bounty hunter in the galaxy wants a piece and Valance is hell-bent on getting to the prize first. He has score to settle-but so does Boba Fett! ETHAN SACKS (OLD MAN HAWKEYE and GALAXY’S EDGE) and PAOLO VILLANELLI (VADER: DARK VISIONS and JEDI FALLEN ORDER – DARK TEMPLE) are teaming up to bring you the bounty hunter adventure you’ve been waiting for this March!

As you can see, there are some truly awesome-sounding Star Wars comics coming out later this year, and I am deeply excited for all of them. Each of these new ongoing series has a lot of potential, and I honestly think that I am going to love all four of these series once I get my hands on their first collected edition. Let me know which of these comics you are most excited for in the comments below. In the meantime, make sure to check out one of my previous Waiting on Wednesday articles where I look at the next three Star Wars novels that are set for release.

Hit-Girl, Vol 4: In Hollywood by Kevin Smith and Pernille Ørum

Hit-Girl in Hollywood Volume 4

Publisher: Image Comics (Paperback – 19 June 2019)

Series: Hit-Girl – Volume 4

Writer: Kevin Smith

Artist: Pernille Ørum

Colourist: Sunny Gho

Letterer: Clem Robins

Lenght: 112 pages

My Rating: 3.5 out of 5 stars

Lights, camera, bloodshed and mayhem! The world’s most dangerous pre-teen assassin, Hit-Girl, travels to Hollywood in the fourth instalment of the brilliant and exciting Hit-Girl series.

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This current Hit-Girl series has been a lot of fun, as it follows Hit-Girl on her world tour of destruction and vigilante justice, with a new creative team at the helm of each volume (which are each made up of four issues). I have been really getting into this series, and I loved the first three volumes, having previously reviewed the first and third volumes, Hit-Girl in Columbia and Hit-Girl in Rome. This fourth volume, Hit-Girl in Hollywood, is another interesting addition to the series, featuring the intriguing creative team of Hollywood screenwriter Kevin Smith and artist Pernille Ørum, and contains Season 2, Issues #1-4 of the Hit-Girl series.

I have to say that I was rather looking forward to this fourth volume. Not only does it have a cool-sounding premise but it also features the writing talents of Kevin Smith, who has written and directed some rather entertaining and distinctive comedy movies (my favourite is Dogma). Smith has also written several comics over the years, which have ranged from the good to the controversial. I am a massive fan of several of his comics, including the incredible Daredevil: Guardian Devil, and his run on Green Arrow back in the early 2000s, which brought back the titular character and set up one of my favourite comic book series of all time. Some of his other work has been a little less well received, such as Batman: The Widening Gyre (which featured the infamous “bladder” spasm incident), but Smith has always been able to create an entertaining story. As a result, I was rather intrigued to see his take on the character of Hit-Girl, and the result was a rather unique and memorable tale.

Hit Girl S2 #2

Mindy McCready, the pre-teen vigilante known as Hit-Girl, is living her best life, killing bad guys and distributing her lethal brand of justice across the world. However, during her most recent mission she becomes aware of something truly terrible: someone is making a big Hollywood movie of her life and it is going to feature a dramatic re-enactment of her father’s death. Determined to stop the movie from being made, Mindy travels to Hollywood to crack some heads and put the fear of Hit-Girl into the movie makers. Deciding to strike at the very top, Mindy breaks into the set to have a “talk” with the studio boss, however, she instead comes across a rather disturbing scene that she was not expecting.

It turns out that there is another vigilante running around Hollywood, and she has in her sights the most evil and vicious predators there are: Hollywood executives who prey on young women. Her latest vicious attack on the studio boss behind the Hit-Girl movie has garnered a large amount of attention, and Hit-Girl is now the main suspect. Hit-Girl needs to find this new vigilante and get out of town fast. But with both the FBI and the remnants of the Genovese mob family gunning for her, can Hit-Girl survive, and what happens when she meets up with a vigilante who has even more issues than she does?

Hit GIrl S2 #2b

Wow, now that was something! I have to admit that I did have a suspicion that Hit-Girl in Hollywood was going to be a rather weird entry in the series, but I was not expecting just how crazy Smith and the artistic team ended up making it. I honestly think the best way to describe this comic is with the phrase “over-the-top”, as this comic features some rather extreme examples of violence and vengeance that a lot of people are going to find rather uncomfortable. I personally found the comic to be quite entertaining, and I liked seeing the crazy character of Hit-Girl in a whole new setting, especially one that makes fun of the Hollywood elite and dramatic method actors who fall deep for their beloved craft. However, even I had to admit that this comic had some issues which made it just a little too insane to completely enjoy.

Hit GIrl S2 #3

The comic actually starts by displaying a graphic and somewhat unexplained school shooting, which is probably going to turn away a bunch of potential readers right off the bat. Hit-Girl brutally intervenes to stop the shooting (graphically killing the two teen killers), but becomes more concerned when she discovers she has an unauthorised biography which is being adapted into a movie, and she travels to Hollywood to put an end to it. Once there she discovers that another teen girl is running around town in a Hit-Girl inspired costume, castrating predatorial Hollywood executives as “Dick-Taker”, whose introduction made me crack up and stop taking this comic seriously. While I could maybe overlook the portrayal of a school shooting at the start of the comic, Dick-Taker officially made this story way too over-the-top for me, especially as Dick-Taker wears a very disturbing and artistic cape that appears to made up of the stitched together skins of the male extremities she has removed (I kid you not!).

Hit Girl S2 #3b

All of this is way too crazy, and it does not help that Hit-Girl in Hollywood’s story is a bit weak in places. The big shoot-out in the fourth issue is cool, but it all happens rather suddenly, and all the key players are in the same place at the same time, prompting Hit-Girl and Dick-Taker to team up, which happened just a little too easily for my taste. I wasn’t a big fan of seeing Hit-Girl fighting the FBI either, as she has a “no killing cops” mindset which was a big part of the end of Kick-Ass 2: Balls to the Wall. I also thought that it was a bit of a waste to use the remnants of the Genovese mob in this story, and the manner in which the final member of the family that has been the main antagonists of Hit-Girl and Kick-Ass was taken down is a tad odd.

Hit Girl S2 #4

Now, despite the flaws and over-the-top extreme nature of much of the comic, I did like parts of Hit-Girl in Hollywood, which made it a mostly fun read. This comic is chock full of gratuitous violence, expertly brought to life by the artistic team, which, let us be honest, is one of the main reasons that you would buy a Hit-Girl comic. I also really liked how the entire first issue was told completely without any dialogue, except for in the final scene. This first issue turns out to be rather cool, as watching Hit-Girl’s outrage grow as she finds out that not only did someone write a book about her but it’s being turned into a movie is pretty entertaining, and showing her sitting on the Hollywood sign saying “I see dead people” in the very last panel is a great way to foreshadow the death and destruction that is bound to follow. I also liked Smith’s take on the crazy, fake town of Hollywood, and it definitely made for an interesting setting, filled with several entertaining characters, quotes from popular movies and a relevant storyline about sexual predators in Hollywood getting what’s coming to them. The whole storyline around the origin story of Dick-Taker is also a rather intriguing version of extreme method actors, and I thought it was interesting to see how inspiring someone like Hit-Girl could potentially be to other disenfranchised young women. My favourite part of this comic had to be the emotional scenes where Hit-Girl visits the set of the Hit-Girl movie and sees them recreate the moment her father died. The combination of anger, fear, regret and sadness that is shown on Hit-Girl’s face and in her thoughts is pretty intense, and it makes for a rather great scene.

Hit Girl S2 #4b

Overall, I’d say that Hit-Girl in Hollywood is an interesting addition to the series that dials up the action and excitement but which is probably not going to be everyone’s cup of tea. I personally liked most of it, but I have to admit that parts of it were off-putting and the whole comic is a bit too crazy for its own good. Still, people looking for an extreme and explosive comic with some memorable moments to it could do a lot worse than Hit-Girl in Hollywood, and you are guaranteed to have a few laughs with this one. I am giving it 3.5 out of 5 stars, although I can imagine that a lot of other people will not be as generous with their ratings as I am. I am looking forward to seeing where the next volumes of this series go, and I cannot wait to get my next Hit-Girl fix.