Star Wars: Queen’s Peril by E. K. Johnston

Queen's Peril Cover

Publisher: Random House Audio (Audiobook – 2 June 2020)

Series: Star Wars

Length: 6 hours and 10 minutes

My Rating: 3.75 out of 5 stars

Prepare to dive back into a galaxy far, far away, as bestselling young adult author E. K. Johnston presents the very first Star Wars novel of 2020, Star Wars: Queen’s Peril.

Padmé Naberrie has always wanted to serve the people of her home planet of Naboo, and she knows that the best way to do that is to become Queen. Entering the competitive election, the 14-year-old politician is elected as ruler of Naboo. Casting aside her real identity for the protection of herself and her family, Padmé takes on a new name, Amidala, and moves into the royal palace, determined to bring change to Naboo. However, even a ruler as brilliant and diplomatic as Padmé is unable to do everything by herself, and she finds out that she is going to need help.

In order to keep her safe and to assist her with her needs, Padmé is introduced to a group of talented young women who will serve as her handmaidens. Acting as her assistants, confidantes, bodyguards and decoys, each of her handmaidens brings something different to the group, and it is up to Padmé to turn them into an effective team. Together, Padmé and her new friends seem capable of dealing with any challenge that may impact them.

However, there is a dark plot at work within the Republic, and its mastermind has Naboo in their sights. Soon Naboo is invaded by the armies of the Trade Federation, who seek to capture Queen Amidala and force her to sign away the planet. Forced to flee in disguise, Padmé sets out to reclaim her home and will do anything to free her planet. While Jedi, soldiers and a young chosen one may rally to their cause, the fate of Naboo ultimately rests on the shoulders of a young queen and her loyal handmaidens.

Queen’s Peril is an intriguing and enjoyable new addition to the Star Wars canon from bestselling author E. K. Johnston. I have been rather enjoying some of Johnston’s recent Star Wars releases, and I had a fun time reading her 2016 novel, Ahsoka, as well as last year’s fantastic release, Queen’s Shadow. Queen’s Peril is the first of several Star Wars books being released in 2020 (although some have been delayed), and I have been looking forward to seeing how this book turns out. This new novel acts as a prequel to Queen’s Shadow and is set both before and during the events of the first Star Wars prequel film, The Phantom Menace. This ended up being a fun and interesting read that explores some unique parts of Star Wars lore.

This latest Star Wars novel contains an intriguing tale that starts from the moment that Padmé is elected queen and takes on the Amidala persona. The first two thirds of this book follow the early days of Amidala’s reign, introducing Padmé and her handmaidens and showing how they became such a tight-knit team. There are a number of great moments during this first part of the story, and it was interesting to see the origin of a number of elements of the Amidala character that are shown in The Phantom Menace, such as her voice, the establishment of the decoy system, and a huge range of other compelling features. There are also several scenes that are dedicated to exploring why the Trade Federation decided to target Naboo and what the origins of their conflict were. I really enjoyed the first two thirds of this book, and I feel that the final third kind of let it down a little. The last part of the book focuses on the invasion of Naboo and follows the events of The Phantom Menace. While it was cool to see some different perspectives on the events of the film, this part of the book felt rather rushed, as the narrative jumped between a number of sequences from the movie in rather quick succession. Despite the problems with the ending, this was still a rather compelling story, and I did enjoy Johnston’s additions to the Star Wars universe.

While on the surface this book appears to be purely about Padmé, Queen’s Peril is actually about a number of different characters who made Padmé’s role as Queen Amidala possible. Padmé is naturally one of the main characters of the book, but all five of her handmaidens are just as important to the story. Johnston previously introduced each of these handmaidens in Queen’s Shadow, and briefly explored their unique skills and what they brought to the group. She does this again in Queen’s Peril, although this is done in greater detail, as this book shows each character’s history and how each of them became a handmaiden. Each of the handmaidens is given a distinctive personality, and all five get a number of scenes told from their point-of-view. I really enjoyed learning more about these characters, and it was great to see them come together as a group and work towards ensuring that Padmé was protected and an effective queen. While each of the characters are explored in some detailed, the biggest focus is on Sabé, Padmé’s first handmaiden and her main decoy (played by Keira Knightly in the film). The author spends time showing the unique relationship between Sabé and Padmé, and it was captivating to see the trust between them grow. Because she was so heavily focused on in the movie, Padmé does not get a lot of scenes in the last third of the book, so quite a bit this part of the story is told from the perspective of all the handmaidens. It was rather interesting to see how each of these characters went during the course of the film, and it was particularly cool to see some scenes with Sabé as she pretended to be the Queen.

In addition to Padmé and her handmaidens, Queen’s Peril also featured point-of-view chapters or scenes from pretty much all the key characters from The Phantom Menace film. The use of all these extra characters was an interesting choice from Johnston, and I liked how it expanded the story and showed some fresh perspectives and backstory for several major Star Wars protagonists. Most of these appearances are rather brief, with characters like Anakin, Obi-Wan Kenobi and Qui-Gon Jinn only getting a few minor scenes. However, other characters do get some extended sequences, especially Captain Panaka, the head of Amidala’s palace guards. Several chapters are told from Panaka’s perspective, and he becomes quite a key character within the book, mainly because he is the person who finds and recruits all of the handmaidens. Panaka is a major driving force of the plot, and it was interesting to see his role expanded from the films, especially as you get more insight into why he is so dedicated to the Queen. I also really liked how the book features several sequences told from the perspective of Senator Palpatine/Darth Sidious. These scenes were fun, as they showed a lot of Palpatine’s earliest manipulations, including how he was able to organise the invasion of Naboo. Overall, I rather appreciated how the author utilised all the characters within Queen’s Peril, and watching their development and interactions proved to be quite compelling.

Like the author’s other Star Wars novels, Queen’s Peril is intended for a young adult audience, and Johnston does a fantastic job tailoring it towards younger readers. This book has a lot of great young adult moments to it, especially as it focuses on a group of teen girls working together to outsmart a variety of adults and then eventually save their entire planet from an invasion. Queen’s Peril has some fantastic portrayals of these teen protagonists, and there are a number of sequences which show them stepping up or dealing with complicated issues that younger female readers will appreciate. While it is intended for younger readers, Queen’s Peril, like most young adult Star Wars novels, is also very accessible to all readers who are major fans of the franchise, and it is easy for older readers to get into and enjoy the plot of the book and its intriguing new additions to the Star Wars lore.

I did have a minor complaint about the release order of the books in Johnston’s series about Padmé. While I enjoyed both Queen’s Peril and Queen’s Shadow, I really do think that it was an odd decision to release Queen’s Shadow first, and then release a prequel novel a year later. It would have been better to release Queen’s Peril first to introduce the various handmaidens and help build up the emotional connection between them and Padmé, making their use and inclusion in Queen’s Shadow a bit more impactful. It might also have made a bit more sense to have Queen’s Peril only focus on events before The Phantom Menace, have another book focus exclusively on what was happening with the handmaidens and Padmé during the course of the film (which would have ensured that Queen’s Peril did not feel as rushed as it did towards the end), and then release Queen’s Shadow. While I am sure that there is some reason why the order for these books was a bit off, probably at the publisher level, I think they could have planned this out a little better.

I ended up grabbing the audiobook version of Queen’s Peril, and I had a great time listening to this book. Queen’s Peril has a short run time of just over six hours, so it is rather easy to get through this book quickly. Like all Star Wars audiobooks, this version of Queen’s Peril was a real auditory treat, due to the excellent use of the iconic Star Wars sound effects and scores from the movies, which are used to enhance each of the scenes. While it was great to once again hear all the fantastic music and intriguing background noises, Queen’s Peril’s greatest strength as an audiobook comes from its fantastic narrator, Catherine Taber. Taber is the actress who voiced Padmé in The Clones Wars animated television show, and, short of getting Natalie Portman in, is the perfect person to narrate a novel about the character. Taber also narrated the previous Johnston book about Padmé, Queen’s Shadow (indeed all of Johnston’s Star Wars books have featured the character’s voice actor as a narrator for their audiobook), and it was great to see her return. She naturally does a perfect voice for the character of Padmé, as well as for the handmaidens, who had similar speaking patterns due to their role as decoys. There are some great vocal scenes between these characters, especially when they are trying to perfect the Amidala voice, and they go through several variations throughout the book. In addition, because Queen’s Peril features nearly every major character from The Phantom Menace, Taber also had to voice several different people who were brought to life by some amazing actors in the original film. I felt that Taber did a fantastic job as imitating some of these voices, and it proved to be a real showcase for her skills as a voice actor. Overall, I had an amazing time listening to this audiobook, and I would strongly recommend this format to anyone interested in checking out Queen’s Peril.

Star Wars: Queen’s Peril is an intriguing and exciting new young adult Star Wars release from E. K. Johnson that acts as a sequel to her previous awesome novel, Queen’s Shadow. Johnston comes up with another compelling story that explores the early life of Padmé/Queen Amidala and her loyal handmaidens. While it does have some flaws, it is a very good book, and it should prove to be a fun read for established fans of the franchise and younger readers who are interested in breaking into the expanded universe. I had an amazing time listening to this book and I look forward to seeing what sort of Star Wars story Johnston produces next.

We are the Dead by Mike Shackle

We are the Dead Cover

Publisher: Orion (Audiobook – 8 August 2019)

Series: The Last War – Book One

Length: 18 hours and 6 minutes

My Rating: 4.75 out of 5 stars

Honour, loyalty, service and death! I finally get around to checking out one of last year’s hottest fantasy debuts with this review of We Are the Dead by Mike Shackle.

Generations ago, the nation of Jia was protected by powerful mages who wielded amazing magic that could shape the world around it. But when the magic faded, the people turned to the Shulka, their revered warrior caste, who held back the barbaric northern Egril tribes with their tactics, superior weapons and skills in combat. For hundreds of years the Shulka have successfully defeated the Egril raids, but their many victories have led to complacency.

During the latest raiding season, the Shulka are surprised when an organised and well-armed force marches upon them. Supported by demons and magic, the like of which has not been seen in an age, the Egril swiftly defeat the Shulka armies and conquer all of Jia in days. Their conquest is quick and brutal, and few are spared the bloody wrath of the Egril and their monsters. Those who do survive are forced in servitude and must worship the Egril’s terrible god or else suffer the consequences.

Now, six months after the invasion began, the country appears beaten, but there are always some heroes who are ready to fight back. In the capital city, Tinnstra, the disgraced, cowardly daughter of Jia’s greatest Shulka general finds herself drawn into a plot to save the royal family and soon finds the fate of the entire Kingdom resting in her hands. Elsewhere, a crippled Shulka warrior and his wheelchair-bound son attempts to lead an organised rebellion, but he soon finds that his greatest assets may be a young terrorist and a widowed mother who is trying to provide for her son. Can this unusual group of damaged heroes turn the tide against an all-powerful army or is it already too late to save their country from the control of a dark death god?

We Are the Dead is an intricate and impressive dark fantasy debut from talented new author Mike Shackle, which forms the first book in his The Last War series. This fantastic book came out last year, and it was one of the books I most regret not getting a chance to read in 2019, especially after I saw some of the very positive reviews being written about it. I really have been meaning to check this novel out for a while now, so I went out and grabbed the audiobook format of We Are the Dead a few weeks ago and started listening to it. I am extremely glad that I ended up reading this book, as I fell in love with this novel and its compelling character-driven story.

This novel contains an outstanding and exciting narrative that follows five unique and intriguing characters across eight days of rebellion and bloodshed in a conquered nation. We Are the Dead’s story starts off big; after a quick introduction to the world and a couple of the characters, everything soon blows apart as a destructive full-scale invasion occurs. The story than jumps forward six months and explores how the world has changed, and what has happened to the central group of characters. What follows is five intriguing and exciting separate storylines, each told from the perspective of a different character involved in various parts of the first major attempt from the Shulka resistance movement to strike back and restore their country. Each of these five storylines starts off by examining the unique adventures and experiences of that character and showing how they are brought into the latest round of fight. Each of the storylines starts off exclusively focusing on one point-of-view character, but they quickly start to connect as the plot of the book unfolds. All five separate storylines eventually come together exceedingly well into one extremely enjoyable and action-packed narrative that proves hard to put down. I really liked the way that all storylines all joined together, and it was fantastic to see the quicker narrative jumps between the various characters at the end of the book. I also enjoyed how the main story focused on eight days of conflict and adventure, with the various character arcs running concurrently with each other, as this allowed for a tight, powerful narrative. The various characters go through a lot of big and life-changing moments in the span of these eight days and there are some major cliff-hangers and surprising deaths that leave the reader in wild suspense. All of this makes for some great reading, and you will be on the edge of your seat for the entirety of this book.

Shackle chooses to tell his exciting story through the eyes of five separate point-of-view characters, all of whom have their own viewpoint and adventures within We are the Dead. Each of these characters have a fascinating character arcs, especially as most of the characters grow through adversity as they experience the horrors of war and learn the necessities of sacrifice, duty and loyalty.

The character who got the most focus within this novel was Tinnstra, the daughter of a legendary Shulka warrior who has a lot of high expectations weighing on her shoulders. Despite her heritage and her skill with a blade, Tinnstra starts the book dropping out of the Shulka academy, because she is a blatant and obvious coward. Managing to flee from the invasion, Tinnstra attempts to forge a new life for herself in the conquered capital, but eventually finds herself in the midst of the Shulka rebellion, with a particularly important package that could change the course of the war. At the start of this book, I really did not like Tinnstra, mainly because every second sentence in her chapters involved her pathetically doubting herself or calling herself a coward. Thankfully, this led to a rather good storyline about finding one’s courage and stepping up in a big way, and she eventually came across as a real badass with some fantastic and enjoyable chapters towards the end of the book.

Another great character is Jax, a former Shulka general who, after losing his arm during the initial invasion, becomes a determined resistance leader with his wheelchair-bound son. Jax is probably the most consistent protagonist throughout most of the book, serving as a steady and wise figure who is forced to face the reality of failing his country. Jax is an extremely likeable character, which makes it really hard for the reader when he goes through some incredibly dark moments that have the potential to break him.

Next up we have Dren, a teen terrorist who, after witnessing his family dying during the invasion, becomes a rabid killer, brutally attempting to take out any Egrils (or Skulls, as they are known, due to their distinctive helmets), not matter the collateral damage. Dren is a pretty unlikeable kid at the start of the book due to his overwhelming anger towards the Egrils, any Jian who associates with them and the Shulka resistance, who he hates just as much as the Egrils due to the way that they treated the peasants before the invasion and because of their failure in stopping the slaughter. However, as the book progresses, the reader gets more and more invested in Dren’s compelling story, especially when he starts spending time with Jax. Jax is a terrific mentor figure for Dren, who eventually learns the error of his ways and starts to take more responsibility for himself and the band of child terrorists he has recruited.

The final Jian character who the book focuses on is Yas, a single mother who attempts to earn a living working as a maid for the invaders. Yas is recruited as a spy by the Skulka resistance and ends up becoming more and more involved in their plots and schemes. Yas’s storyline is another fantastic arc, and there are some interesting similarities to Tinnstra’s arc, in that she finds her courage to fight back and do what is right. However, Yas’s story is more tied into the love of her family and her son, and how she wants a better world for her child to grow up in.

In addition to Jian characters, Shackle also tells a portion of the book from the perspective of Darus, an Egril Chosen, an officer who has been granted a magical ability by their powerful leader. Darus is a psychotic torturer with severe sister issues, who delights in causing pain and torment and who is determined to win glory and power. Darus’s powers are ironically that of healing, meaning that he is essentially an immortal antagonist who can also heal people that he comes into contact with. He uses this power throughout the book to heal his victims, bringing them back from the brink of death, so that he can torture them again and again in order to break their spirits. As you can probably guess, Darus is a rather reprehensible and unredeemable character, but one who offers an intriguing counterpoint to the protagonists. It is always cool to see something from the villain’s point of view, and I felt that Darus was a perfect antagonist for this dark and twisted novel.

All five of these characters proved to be extremely interesting to follow, and I really liked where all of their arcs went. Shackle does an impressive job making their portrayals and emotions seem realistic, and you can almost feel the fear, anger and hatred that several of the characters exude. I appreciated how none of the protagonists were perfect heroes, and most of them are victims or products of the war and the circumstances they find themselves in. I found it rather interesting to see how the various characters saw each other throughout the course of the story, such as when some of the characters viewed Tinnstra for the first time and mistake her expressions of terror and apprehension for looks of determination and impatience to get towards the enemy. I also have to highlight the raft of cool and likeable side characters featured throughout the course of the story, many of whom steal several scenes from the point-of-view characters. These are a fun collection of side characters, although readers really should not get too attached to them, as they tend to have a rather short lifespan within the course of the book. Overall, We are the Dead contains some excellent and enjoyable characters, and I really appreciated the complicated and captivating storylines that Shackle wove around them.

In addition to the impressive story and excellent characters, Shackle has come up with an awesome new fantasy world for We are the Dead. The entirety of the story is set within the nation of Jia, a cultured land with a proud warrior tradition, which is somewhat reminiscent of feudal Japan. Shackle does a fantastic job of setting up this landscape in the initial couple of chapters, before everything changes thanks to the invasion. The new Jia, six months after the brutal conquest, is a vastly different place, filled with hunger, fear and desperation as the survivors are forced to adapt to their new way of life. Shackle did an amazing job portraying a nation completely under enemy occupation, and I was put in mind of Nazi-occupied France, due to the round up of civilians, the inclusion of collaborators and snitches, retaliations against the populace and the careful resistance movements relying on help from a nation across the sea to survive. The Egrils also proved to be a great antagonistic nation for the plot of this book, and I loved how they were able to fool the conceited Shulka warriors by pretending to be tribal savages for years, before invading with an organised and advanced army, utilising magical and demonic assets to perfection. There were some distinctive Nazi elements to the Egrils, such as the way that they swiftly conquered all of Jia in a few days with Blitzkrieg-like tactics, their absolute devotion to their anointed leader (who is totally going to turn out to be the lost brother of the mage Aasgod, right?), their stormtrooper-like appearance and tactics, as well as the fact that the narrator of the audiobook format gave all the Egril characters a distinctive Germanic accent. All of this proved to be an excellent background for We are the Dead and I loved seeing the story unfold in this recently conquered fantasy nation.

Those readers who like some action in their stories will be extremely satisfied with We are the Dead, as Shackle has loaded his book with all manner of fights, battles and gratuitous violence (the best type of violence). This is an extremely action-packed novel, and I personally enjoyed all the cool fight sequences, from the small-scale battles between trained warriors, the brutal hit-and-run tactics of Dren’s fighters, and several larger fight sequences between opposing forces. Shackle proved to be very adapt at bringing these action sequences to life, and I found myself quite pumped up as a result of reading this book. Readers should be warned however that We are the Dead does feature a number of vivid and disturbing torture sequences, which are made even worse by the fact that the torturer, Darus, can heal his victim and keep inflicting pain, over and over again. As a result, if intense torture scenes make you uncomfortable, then you are probably better off avoiding this book.

As I mentioned above, I chose to listen to an audiobook version of We are the Dead, rather than grabbing a physical copy. The audiobook format has a run time of just over 18 hours, and it is narrated by Nicola Bryant. This is a lengthy audiobook and it took me a little while to get through it. Part of this is because the story is a tad slow at the start of the book, although I did end up absolutely powering through the last six hours extremely quickly in comparison to the first two thirds of the novel. I really enjoyed the audiobook version, and I found it to be an incredible way to absorb We are the Dead’s clever and detailed narrative. I was also impressed with Bryant’s narration, as she brought some real passion to the audiobook. You could hear the intense emotions in Bryant’s voice as she narrated the story, and you can tell that she was trying to emulate what the characters were feeling with her narration. Bryant also utilised a fantastic and distinctive set of voices for the various characters featured within the novel, and I think that she had an excellent grasp of their personalities and emotions. This proved to be an exception audiobook, and I would definitely suggest checking out this format of We are the Dead.

We are the Dead is an outstanding and deeply enjoyable fantasy novel from Mike Shackle, who really hit it out of the park with his debut novel. I had an amazing time listening to this book, and I loved the blend of compelling story, fantastic setting, complex characters and intense action sequences. This book comes very highly recommended, and I am regretting not picking up a copy of this book last year. I will not be making the same mistake later this year when Shackle’s sequel book, A Fool’s Hope, comes out in December, and I am looking forward to seeing where the story goes next.

Race the Sands by Sarah Beth Durst

Race the Sands Cover

Publisher: HarperAudio (Audiobook – 21 April 2020)

Series: Standalone

Length: 15 hours and 45 minutes

My Rating: 5 out of 5 stars

Bestselling author Sarah Beth Durst returns with a pulse pounding and compelling new novel, Race the Sands, an excellent fantasy novel that has a really great story to it.

In the kingdom of Becar, the most important thing to a person is the state of their soul. Guided by the augurs, priests who can read people’s aura, the inhabitants of Becar do all they can to better themselves, as who you are in this life determines your future lives. The purest souls come back as humans or a great animal, while those more corrupt individuals come back as something lower, such as insects or vermin, a state that can only be redeemed after several lifetimes. However, for those truly evil beings, their punishment is to come back as a monster, as a kehok. Kehoks are chimera-like beasts who spawn out in the wilds and who live existences of pure anguish and pain. These monsters have no hope of redemption or salvation and each time they die they will come back as a different type of kehok. The only way that a kehok can break this hellish cycle of resurrection is to become grand champion of the Races, the favoured pastime of the Becaran people. The Races pit several kehoks and their riders against each other to find out not only who has the fastest kehok but which rider has the greatest mental control over their charge.

Tamra used to be an elite kehok rider, but now she scrapes a living as a professional trainer. After several setbacks, including a tragic accident at the previous year’s Races, Tamra is in need of a win, not only to get back on top but to get the prize money that will allow her to pay for her daughter’s expensive augur training. As none of the professional riders will trust her, Tamra is forced to take on and train an unknown street girl, Raia. Raia recently ran away from home to escape her terrible family and a potentially deadly arranged marriage, and she is desperate to find a way to make a living.

Together, Tamra and Raia make an unlikely pair, but with Tamra’s experience and Raia’s natural talent, they might stand a chance, especially as Tamra has managed to obtain a swift and unusual kehok. As Tamra, Raia and their new kehok all attempt to change their destinies, events from around Becar start to impact them. Chaos is engulfing the kingdom, as the former emperor’s reincarnated vessel has yet to be found. Without the vessel no new emperor can be crowned, and the kingdom is on the brink of collapse and invasion. Can this team succeed in the chaos, or will their success have unexpected consequences?

This was an extremely compelling and deeply enjoyable book from a very talented author, Sarah Beth Durst. Durst is a veteran author who has produced a number of young adult and adult fantasy fiction novels since her 2007 debut, Into the Wild. Durst is probably best known at the moment for her Queens of Renthia series, which started in 2016 with her highly acclaimed novel, The Queen of Blood. Durst is actually a new author to me, and I have not had the pleasure of reading any of her previous novels. I have to admit that checking out Race the Sands was a bit of an impulse choice for me; while I was aware that this interesting sounding book was coming out, it was not one that I was initially planning on reading. However, I heard some rather good things about it from a bunch of other reviewers and their glowing praise convinced me that it would be worth reading. I am extremely glad that I did read it, as it turned out to be an excellent read that I deeply enjoyed.

Race the Sands is a standalone fantasy novel that tells a complex and intriguing story completely separate from Durst’s previous works of fiction. Durst does an outstanding job coming up with a deeply compelling and exciting novel that combines a clever fantasy story about racing monsters with an inventive setting and a cast of great characters to create an overall fantastic read. Despite being a book primarily for the adult fantasy fiction crowd, Race the Sands reads a lot like a young adult fiction novel at times, and it has immense appeal for a huge group of different readers, no matter where your interest in fantasy fiction lies.

At the centre of Race the Sands lies an amazing story of action, intrigue and character growth, all based around the really cool concept of people racing monsters out in the desert for glory, money and redemption. This story starts off extremely strong, introducing the high-stakes world of kehok racing and the intriguing main characters, and I would have happily read a whole book based around the races. However, while all the race sequences are extremely exciting, the book ultimately morphs into a much larger narrative, that revolves around the fate of the entire kingdom of Becar. I really liked how the entire story unfolded, especially as all the political intrigue and overarching threats resulted in an epic and impressive conclusion, that was well presented and which showed the book’s protagonists in the most awesome light possible. This was a truly compelling and memorable story, and Durst does a fantastic job packing so much plot and action into a single, standalone novel.

In addition to the excellent story, I was also really impressed with the clever setting and background that Durst came up with for Race the Sands. Becar is an intriguing nation with ancient Egyptian overtones to it, and its two most distinctive features are its obsession with racing monsters and its complex system of reincarnation. I have already mentioned the kehok races above, and they are a really great highlight of Race the Sands. Durst expertly introduces the races and the key concepts behind them early on in the novel, and every single aspect about them is an extremely cool part of the story. However, I really want to emphasise the story element of the Becaran reincarnation system and soul reading that dictates how the populace acts and behaves during their lifetime. This whole system of good and bad souls, which are read by the benevolent augurs, is an important part of the narrative, and is routinely examined by all of the major character throughout the course of the book. In essence the reincarnation system sounds simple: lead a pure life and you come back in a better form in your next reincarnation; be a bad person and come back as something worse. However, it soon becomes clear that there is something rotten at the heart of the whole system, and quite a lot of the story is dedicated to exploring what is wrong and who is behind it. It leads to some real metaphysical discussions about choices, ethics and corruption, which proves to be an excellent and clever part of the book. All of this makes for a great backdrop to this story, and it was a truly fascinating to see how the author explores and utilises these elements throughout the book.

Durst also spends a good amount of time setting up several great characters, who are the heart and soul of the novel, and who each add their own unique elements to the story. There are around five main characters, each of whom serves as a point-of-view character for much of the book, as well as several significant side characters, with one or two of these also serving as lesser point-of-view characters, and each of them add their own unique perspective to the story. At the top of this list is Tamra, the tough as nails, no-nonsense kehok trainer who is haunted by her mistakes and who is eager to redeem herself by training a new racer, which will also allow her to hold onto her daughter. Despite her rough and powerful exterior, Tamra is really a caring and motherly character, who is willing to compromise her own soul and beliefs if it ensures that the people she cares about are safe and happy. Tamra is a fantastic central character, and I loved her raw determination and notable cynicism about the world she lives in. I also have to mention the awesome part she plays in the outstanding conclusion, where she comes across as an amazing badass, completely changing everything in one of my favourite parts of the entire book.

In addition to Tamra, the next major character is the racer Raia, whom Tamra takes under her wing. Raia is introduced as a flighty and scared creature, a failed augur student who is fleeing from her terrible parents and her murderous future fiancé. Despite having no experience, Raia’s only option to survive and make a living is to get involved in kehok racing, and her natural connection to the lion kehok that Tamra buys, ensures that she is taken on as a student. Due to plot circumstances, Raia is given a crash course in kehok racing, and it is through her eyes that we see a lot of details about the Races and what it takes to become a successful rider, which is an exciting part of the book. Raia is also the character who goes through the most growth throughout the course of the book, as she attempts to leave the shadow cast over her by her terrible parents, and quickly gains confidence thanks to her success as a racer, her mentorship under Tamra, some new friendships and the connection she has with her kehok. I really liked seeing Raia’s growth, and she is one of the more inspiration characters within the book.

Another great character is augur Yorbel, the friend and confidant to the heir to the throne, who sets out to find the late king’s reincarnated host in the most unlikely of places. Yorbel, who starts off as a rather naive and sheltered character due to his upbringing in the temple as an augur, finds himself involved in secrecy and intrigue as he attempts to undertake his mission. However, throughout the course of the book, Yorbel finds himself learning more and more about the dark side of humanity, and the difficulties involved with keeping a pure soul. Despite being one of the nicest and most innocent characters, Yorbel has quite a few ethical dilemmas during this book, and the conclusion of his arc was somewhat shocking and intense. I also have to mention Lady Evara, the rich, noble sponsor of Tamra and Raia. I went into Race the Sands knowing to look out for Lady Evara, as several other reviewers identified her as their favourite character. I can definitely see why, as she was easily the most entertaining character in the entire book. Coming across as a snobbish, self-serving master manipulator, it was a lot of fun to see her interact with characters like the serious Tamra or the passive Yorbel. However, Evara also has a lot of depth to her character as well as some interesting backstory, and the parts of the book that featured her were a real treat. I really enjoyed all the main characters in this book, and this great cast of protagonists helped to turn Race the Sands into a first-class read.

I chose to listen to Race the Sands’ audiobook format, and I found it to be a fantastic way to enjoy this excellent book. The audiobook has a run time of 15 hours and 45 minutes and it is narrated by the talented Emily Ellet. I absolutely blew through this audiobook in only a few days, and it became harder and harder to turn it off the more I got engrossed in the story. I thought that the audiobook format really brought all the intense race scenes to life in all their glory, and I especially loved hearing some of the epic moments from the book’s conclusion. I really liked the various voices that Ellet came up with for the books various characters, and I felt that her portrayals of characters like Tamra, Raia and Yorbel were pretty perfect and really reflected how they were written. I also enjoyed the voice that the narrator provides to all of the book’s highborn women, including Lady Evara and the female augurs, put me a bit in mind of Inara from Firefly, i.e. very posh, confident and in complete control of every situation. That being said, all the highborn women do sound very similar to each other, although I didn’t find that to be too distracting. Overall, I had an outstanding time listening to Race the Sands, and it is an amazing format for any potential readers to utilise.

Race the Sands by Sarah Beth Durst is a deeply impressive and highly enjoyable fantasy read which comes highly recommended. This book contains an exciting and addictive narrative that makes great use of its complex characters and intriguing plot elements to tell a story full of action, adventure and brilliant character development. I had an awesome time reading this book, and it gets a full five stars from me. I am really glad that I decided to check this book out, and I will be definitely be checking out some of Durst’s other novels in the future.

Lionheart by Ben Kane

Lionheart Cover

Publisher: Orion (Trade Paperback – 14 May 2020)

Series: Lionheart – Book One

Length: 381 pages

My Rating: 4.5 out of 5 stars

Honour, glory, loyalty and war! Bestselling historical fiction author Ben Kane takes the reader on a medieval adventure alongside a young King Richard the Lionheart, with his latest epic novel, Lionheart.

I have been on a real roll with some great historical fiction novels in the last couple of weeks, having absolutely loved The Grove of the Caesars by Lindsey Davis and The Viennese Girl by Jenny Lecoat, so when I got a copy of Lionheart by Ben Kane I jumped at the chance to read it. Ben Kane is one of the top historical fiction authors at the moment, having produced a number of fantastic books set in ancient Rome, including The Forgotten Legion trilogy, the Hannibal series and the Eagles of Rome series. I have read several of Kane’s previous novels, and I have always found them to be exciting and compelling books with loads of historical detail. This latest release, Lionheart, is Kane’s first novel that does not involve Rome in any way whatsoever, and it acts as the start of a brand new series that will follow the life of one of England’s most iconic kings.

England, 1179. Henry II rules a vast empire, made up of England, Wales, Ireland, Normandy, Brittany and Aquitaine, controlling all with an iron fist, with his only blind spot being his four rebellious sons. Ferdia is minor Irish nobleman, taken as a hostage by the English to ensure his rebellious family’s cooperation and loyalty. Given the name Rufus by his captors, he spends years languishing in an English castle, before a chance encounter with Henry’s second oldest son, Richard, will change everything.

Managing to save Richard’s life, Rufus is taken in as his squire. Drawn to the prince’s natural charisma, bravery and dedication to his men, Rufus gladly swears his loyalty to Richard, and boldly follows him to war as he attempts to subdue the rebellious lords of Aquitaine. The battles and sieges that follow will make Richard’s reputation as a warrior and leader, and Rufus is able to prove his worth beside him, despite the actions of his bitter rival Robert FitzAldelm.

However, while Richard seeks honour and glory in Aquitaine, his ambitious brothers grow jealous of his success and begin to plot against him. Lending their support to the rebels, their actions lead to a crisis that could split the kingdom in two and deliver it to the King of France. As Richard finds himself surrounded by traitors and plotters, he makes his own bid for the throne. It is time for the Lionheart to rise?

Lionheart turned out to be an amazing and exhilarating book that combines intriguing moments from history with a compelling and action-packed tale of honour, loyalty and desire for power. Kane crafts together an impressive and exciting narrative that follows the early life of King Richard the Lionheart as he fights in some of his earliest battles and deals with the various members of his family. The story is primarily told from the point of view of the fictional character Rufus, as he follows Richard through his various adventures. Not only does this allow the reader to see some of the key events of Richard’s life, but it also provides an intriguing central narrative around Rufus, as he attempts to find his place in the world after being taken from his family, while also battling his ruthless opponent, Robert FitzAldelm, another fictional character, who serves as a wonderful foil to the protagonist. Lionheart’s story contained an excellent blend of action, intrigue, compelling historical elements and fantastic interactions between the various characters, which makes it extremely easy to get lost in this book.

The absolute highlight of this novel has to be the enjoyable historical backdrop of Richard’s life that the entire story is set to. Lionheart takes place between 1179 and 1189, which is a really intriguing period of history. The book does not examine Richard and his brothers’ joint rebellion against their father (although it is mentioned several times), but it does focus on the turbulent familiar battles between Richard and his family. During this period, Richard had to put down an extended rebellion in Aquitaine, fighting first against the plots of his brothers and later against the whims of his reluctant father as he attempts to win the throne. Kane does an outstanding job exploring all these chaotic historical events in great detail, and it was extremely fascinating to learn about all the battles and politics that occurred. It also ensures that the book’s plot, which was set all around these events, proved to be rather exciting, as the protagonist watches Richard weave through all the battles and political intrigue. I also have to say that I was impressed with the shear amount of historical detail that Kane installed into every aspect of the plot. Not only has the author made use of a vast cast of historical figures throughout the story (helpfully recorded in a character list at the front of the book), but every line of this book is filled with details about period culture, dress, day-to-day life, battle and the life of a squire and knight. Kane has clearly done an incredible amount of research for this book, and I really loved the authenticity that this added to the story, making for a story that is both captivating and enlightening, just like all great historical fiction novels should be.

Another great aspect of the story is the way that Kane also spent time exploring the life of William Marshal. Marshal, a real-life historical figure of some significance, serves as the book’s secondary point-of-view character, and a number of chapters are told from his perspective (in the third person, rather than the first-person perspective used for all of Rufus’s chapters). This proves to be a clever move on Kane’s part for a number of reasons; primarily because William Marshal is such an absolutely fascinating person. Marshal was a successful and well-known knight, famous for his loyalty, honour and martial prowess, and he was widely considered the pinnacle of knightly virtue in Europe at the time. Kane spends a lot of time exploring the character of Marshal and portrays him in a more ruthless and opportunistic light, which worked rather well for this realistic and compelling story. Marshal is also an incredible useful point-of-view character, as for the entirety of this book he was either in the service of one of Richard’s brothers or his father the king. This provided the reader with a viewpoint into the camp of Richard’s political opponents, which added to the tension of the story, as the reader became privy to information that the protagonists did not know. In addition, it also allowed for an intriguing contrast between Richard and the other members of his family, as Marshal considered the deficits of his lords against those of Richard, who he held a great respect for. Marshal also finds his loyalty tested several times, as his master’s plots threaten to weaken the kingdom, and he must decide whether it is more dishonourable to disobey his liege or to allow them to act unopposed in their own worst interests. I am extremely glad that Kane decided to use Marshal as a secondary protagonist, and I look forward to seeing more of him in the future books.

I also have to mention all the awesome action sequences that Kane fits in throughout Lionheart. Due to the historical circumstances in which this book is set, there are a large number of battles, fights and sieges, which our protagonist often finds himself in the middle of. I really enjoyed seeing all the cool fight sequences that occurred throughout the plot and Kane has a real flair for historical action scenes, bringing them to live in exciting detail. Definitely a great book for those lovers of medieval battles and fights, this book is guaranteed to slake anyone’s desire for action and adventure.

Lionheart is an excellent new novel from Ben Kane, who thrives in a non-Roman history setting by bring together an impressive story about a young Richard the Lionheart. I had an amazing time reading this book, and I loved the exciting narrative and the fascinating historical elements. Lionheart serves as an awesome first book in a new series from Kane, and the second novel, tentatively titled Lionheart: Crusade, should prove to be a brilliant read for next year. Until then, Lionheart comes highly recommended, and is really worth checking out.

Firefly: The Ghost Machine by James Lovegrove

Firefly The Ghost Machine Cover

Publisher: Titan Books (Hardcover – 28 April 2020)

Series: Firefly – Book three

Length: 335 pages

My Rating: 4.5 out of 5 stars

Get ready to dive into the minds of chaotic crew of Serenity as bestselling author James Lovegrove presents the third original tie-in novel to Joss Whedon’s epic science fiction television show, Firefly, The Ghost Machine.

Since the end of 2018, Titan Books have been publishing an exciting series of Firefly novels, which follow the exploits of the infamous crew both during and after the events of the original show. Since the planned third novel, Generations, was delayed towards the end of last year, all of the released Firefly novels have been written by author James Lovegrove, who is probably best known for his Pantheon series, as well as his various Sherlock Holmes novels (which feature some intriguing and unique stories around the iconic character). I have been really enjoying these recent Firefly novels, due to my love of the franchise and the excellent quality of the books involved, and I had an amazing time reading the first two entries in this series, Big Damn Hero and The Magnificent Nine. Due to how much I have enjoyed the prior books and the franchise as a whole, I was rather excited to read The Ghost Machine, and I was not disappointed. Lovegrove (with Whedon credited as a consulting editor), has produced a fantastic and compelling novel, with a really intriguing central plot premise.

Set between the events of the television show and the film, Serenity, this novel focuses on the crew of the Firefly class spaceship, Serenity, as they tour the verse looking for work, legal, illegal and all shades in between. This time, Captain Malcolm Reynolds has accepted a contract from crooked businessman Badger to pick up package on a remote planet and bring it back to him. However, Mal is less than thrilled when he discovers that the cargo is a flightcase stolen from the notorious Blue Sun Corporation, which likely contains advanced tech designed for the Alliance military.

Refusing to let such a potentially problematic cargo aboard his ship, Mal, Zoe and Jayne are forced to kill the sellers in order to leave. However, what Mal does not realise is that Jayne has snuck the package aboard Serenity without telling anyone. As Serenity leaves the planet, each member of the crew suddenly begins to live out their biggest fantasy. Mal finds himself living a peaceful family life with Inara, Jayne is back on his family’s ranch with his little brother’s damplung cured, Wash imagines that he is the owner of a vast shipping empire, and Zoe dreams that the Independence won the battle of Serenity Valley and defeated the Alliance in the Unification War.

What the crew does not realise is that the flightcase contained an experimental urban pacification device known as The Ghost Machine. This machine causes people to fall into a fugue state while imagining their greatest desires, but the tech is dangerously faulty. Soon the crew’s visions of riches, rewards and happy lives become distorted and turned into terrible nightmares that threaten to tear apart their psyches. Worse, with Wash out of commission and not steering the ship, Serenity is on a collision course with a nearby moon. The only person not affected by the machine is River Tamm, whose own mind is dangerously askew at the best of times. But with River sedated and unconscious, can she do anything to help her friends and save the ship, or will The Ghost Machine claim its next victims?

Well, that was shiny! The Ghost Machine is an excellent and enthralling Firefly tie-in novel which was a real pleasure to read. Lovegrove has pulled together one hell of a character-driven narrative which presents the reader with a perilous situation, while also diving deep into the hearts and minds of the iconic crew members. This a clever and compelling story which would have honestly made a spectacular episode of the television show, which I think is high praise in itself. The entire book is extremely slick and captivating, and once I got into it I could not stop reading it, managing to polish off the last 300 pages in a single night. Lovegrove has honestly outdone himself with this book, and I think that The Ghost Machine is my favourite of all the current Firefly books.

As I mentioned above, The Ghost Machine is the third Firefly tie-in novel that has been released, although it was initially intended to be the fourth. Each of these Firefly novels, including The Ghost Machine, are standalone novels, and you do not need to have read any of the prior tie-in books before reading this latest release, nor are there any issues involved with Generations being released out of sequence. I found that The Ghost Machine was very accessible to all readers, and even those people who are not as familiar with the events of the television show should be able to follow and enjoy what is going on within this book. That being said, this novel, like all tie-in books, is specifically designed to be enjoyed by major fans of the franchise, and Lovegrove has filled The Ghost Machine with a number of fun references and callbacks. In particular, quite a number of minor characters from the television show are referred to or appear throughout the book, either within the various dream sequences or back in the real world, and there were even a couple of mentions of characters who only appeared in Lovegrove’s prior novel. There is also a fantastic sequence that replays the opening events of the very first Firefly episode, except with a twist, and some of the plot elements of this book have some interesting connections to the Serenity film set after the events of The Ghost Machine. As a result, fans of the show are going to have a great time reading this novel, although more casual science fiction fans will probably enjoy it as well.

Just like the television show it ties into, The Ghost Machine’s story is very character driven, and focuses on the members of Serenity’s crew. In this story, Lovegrove focuses on all seven remaining characters (as this is set between Firefly and Serenity, Inara and Shepherd Book have both left the ship) equally, and each of them serves as a point-of-view character for several chapters in the book, with one or two chapters also told from the perspective of a non-crewmember like Badger. As the story revolves around each character living out their own unique fantasy, this proved to be the best way to tell the story. I was quite impressed by the way that Lovegrove was able to create distinctive and compelling storylines for each of these main characters in the few chapters each of them had, and all of their character arcs came together extremely well to make an excellent overall narrative. I also think that Lovegrove did a fantastic job portraying all the crew members, and each of them came to live in a similar manner to how they were in the show. This excellent character work added quite a lot to the narrative, and it was great to see some more of these beloved characters.

One of the most intriguing aspects of this book is the visions that each member of the crew experiences because of the titular Ghost Machine. All the characters, with the exception of River, find themselves living a dream version of their life, where their deepest desires have come to pass. It was deeply interesting to see what each member of the crew’s desires where, and it says a lot about each of their personalities and mindsets, while also showing what some of them think about their fellow crew members. For example, Mal’s vision of a happy life with Inara speaks volumes about his true feelings for her after she left Serenity, especially as in this dream he would be willing to live on an Alliance planet just to make her happy. Jayne’s vision of a peaceful life on the family ranch with his brother cured of his terminal illness seems quite at odds with his usual gruff exterior, and it was nice to see that there is more to his character than his desire for violence and money. Simon, who misses the family life and medical career he left behind, imagines a seemingly nice sequence in which he and River are back home safe, but which also includes a relationship with Kaylee. I personally really enjoyed seeing Zoe’s vision of the Independence winning the battle for Serenity Valley and the Unification War, which made for some fascinating alternate history scenes, and which shows that she still is not over how the war ended. I also had to laugh at Wash owning a company called Pteranodon Incorporated in his dreams, due to his love of dinosaurs.

While it was really intriguing to see what each of the characters deepest desires were, it was also cool to see these desires get turned into nightmarish scenarios. The second part of the novel becomes significantly darker as each of these scenarios dissolve into truly terrible situations that play into the characters fears. Lovegrove comes up with some compelling and at times horrifying alterations to each character’s desires, and it was interesting to see each of them unfold. For example, you have a Reaver ship coming down near Mal’s new family home, Wash getting his company taken away by an unlikely source, and Simon finding himself being literally hunted by his family for pursuing a relationship with a mechanic rather than a rich, socially acceptable woman. Each of these changes in scenarios made for some great reading, and I also liked how they also revealed some more details about each character’s inner psyches, such as Simon assuming that his formal family would approve of his budding romance with Kaylee, or the fact that Zoe was always cautious of the mysterious Shepherd Book, and had suspicions about what his past could of have been. Even River, who is the only person who realises that what she is seeing is a dream, is affected by what she and the others think, which limits her ability to save the ship, adding a whole new layer of suspense to the story. Actually, the whole River character arc is actually really exciting, as she ends up bouncing around each of the other character’s nightmares. It was intriguing to see the various ways that she communicated with these characters, especially as she is significantly more mentally intact in these interconnected dreams. The inclusion of all these compelling visions and nightmares really enhances the entirety of The Ghost Machine’s narrative, and it was a fantastic and clever story element.

Overall, The Ghost Machine is an outstanding and wildly entertaining Firefly tie-in novel that was an amazing treat to read. James Lovegrove has come up with an imaginative story, full of action and excitement that also gets right to the heart of several key characters from the television show. I really loved the multiple creative dream sequences that made up most of the book, and it made for an extremely fascinating story. This was an awesome and addictive novel, and it is a must-read book for all fans of the Firefly franchise.

Song of the Risen God by R. A. Salvatore

Song of the Risen God Cover

Publisher: Audible Studios (Audiobook – 28 January 2020)

Series: Coven trilogy – Book Three

Length: 17 hours and 3 minutes

My Rating: 5 out of 5 stars

Legendary fantasy author R. A. Salvatore brings his Coven trilogy to an explosive and enthralling end with the third and final novel, Song of the Risen God.

The Coven trilogy is an exciting series that Salvatore has been writing over the last three years, which is set in the world of Corona, the setting of his previous series, The DemonWars Saga. This new trilogy follows the adventures of an interesting group of characters in the lands surrounding Loch Beag, including the imposing mountain, Fireach Speuer. The first two novels in this series, Child of a Mad God and Reckoning of Fallen Gods, have both been extremely good, and I have been enjoying reading some of Salvatore’s non-Forgotten Realms fantasy work. I am a massive fan of Salvatore’s writing and I have been looking forward to finishing this series off for some time now. Salvatore certainly did not disappoint with the final entry in this trilogy, as this final novel is potentially my favourite book in the entire series.

War has once again come to the world of Corona, as a new evil leads its forces on a mission of conquest and destruction. The wild lands surrounding Loch Beag and Fireach Speuer have never been peaceful, but now a massive army of invaders is marching across them, determined to conquer and kill all before them. These mysterious invaders are the Xoconai, a lost race of humanoids from the other side of Fireach Speaur. Now, with their reborn god leading the charge on his mighty dragon, the Xoconai are commanded to expand their empire to the opposing coast.

With no hope of defeating the vast host that has suddenly appeared above them, the few surviving inhabitants of the villages surrounding Loch Beag flee through the wilds to find sanctuary. Led by the powerful witch Aoelyn, the frontiersman Talmadge and the ranger Aydrian Wyndon, the villagers move towards the apparent safety of Honce-the-Bear, the most powerful human kingdom in Corona. There they hope to warn the people of Honce-the-Bear of the approaching danger and gather a force that can push back the Xoconai.

However, the dark ambition of the Xoconai god, Scathmizzane, knows no limit, and his magical powers are as vast as they are terrifying in their origin. Using these powers, Scathmizzane is able to accelerate the Xoconai invasion at a tremendous pace, striking right at the heart of Honce-the-Bear, and managing to overpower both their armies and the magic of the Abellican monks. As the Xoconai horde advances, it falls to Aoelyn, Aydrian and their companions to stop them by any means necessary. But can even the most powerful magic user on the continent and a fallen king be able to throw back the invading armies, or will Scathmizzane’s dark power fall across all the lands?

Song of the Risen God is a really impressive and captivating read that provides the reader with an entertaining adventure in one of Salvatore’s detailed and expansive fantasy universe. This final book in the Coven trilogy is a cool addition to the trilogy that not only acts as a satisfactory conclusion to this new series but which also ties it even more firmly into the wider world of Corona.

This book contains an epic and wide-ranging narrative that showcases the dramatic aftermath of the second novel in the series, Reckoning of the Fallen Gods, which saw a massive army and a dragon-riding god descend on the isolated setting of the first two novels. In this third novel, the protagonists are chased all the way to one of this world’s key settings, the kingdom of Honce-the-Bear, where they must fight to save the world from the invading horde. This turned out to be a rather interesting departure from the previous novels in the Coven trilogy, which were much smaller in their scope, tending to focus on a handful of closely related villages in a single location. I actually liked this change of pace, as it made for a much more impressive conclusion, and I quite enjoyed seeing the characters interact with the wider world. This turned out to be an extremely exciting and fast-paced novel that contained a lot of entertaining action and large-scale battle sequences, although the author does not skimp on the intriguing dialogue, creative world building or compelling character development. Salvatore utilises a host of point-of-view characters to tell this story from a variety of different angles, which leads to a rich and comprehensive overall narrative. I am also glad that the author continues to feature in-world texts at the beginning of each part of the novel, which provides some fascinating insights into some characters, and contains some clues about a big twist towards the end of Song of the Risen God. Overall, this was an extremely captivating story with a great blend of elements, and I had a fantastic time reading it.

One of the more distinctive parts of Song of the Risen God is how it connects with some of the previous books set in the world of Corona. Corona is a unique fantasy world created by Salvatore, which has previously served as the setting for 13 novels, including the previous two Coven books. The first seven of these books are all part of the same series, known as The DemonWars Saga, which established many elements of this world, including the kingdom of Honce-the-Bear, the Abellican order of monks and the world’s gem based magical system. The Coven series has always been set in Corona, but the first novel in this trilogy, Child of a Mad God, had very little to do with these prior books. More of a connection was established in Reckoning of Fallen Gods, especially with the appearance of Aydrian, who was a major figure in the later DemonWars books. However, in Song of the Risen God, Salvatore fully combines this trilogy with his prior series, by bringing the protagonists and antagonists of the previous Coven books into the main location of The DemonWars Saga and having them interact with these established characters and settings.

Immersing this series more fully into the wider fantasy world was an interesting choice from Salvatore, and it one of the major things that distinguishes Song of the Risen God from the previous books in the trilogy. This was not a sudden or random decision from Salvatore, as there have been hints that this was going to happen in the previous two books, especially once Aydrian was introduced as a major character. I rather enjoyed the way that Salvatore so dramatically expanded the setting and started using elements from The DemonWars Saga in this novel, as it made for a much more expansive and fascinating story. I never actually read any of the books in The DemonWars Saga (a regrettable gap in my Salvatore knowledge), and before reading Song of the Risen God, I had no real idea what happened in this series, aside from what was discussed in the second Coven novel. However, I found that you really didn’t need any pre-existing knowledge of these earlier books, as Salvatore spends a good amount of time explaining some of the major story events that occurred during these novels and how they impact the current plot. As a result, at no point while reading Song of the Risen God was I in anyway confused by what was going on, and I always had a good idea how the plot was tied into the wider universe. I really appreciated being able to enjoy the entirety of the plot without having to read The DemonWar Saga first (which admittedly sounds pretty awesome, and I might have to check them out at some point), and I think that Salvatore did a fantastic job recapping the events of this prior series in text. Fans of The DemonWars Saga will no doubt like the fact that Salvatore is once again exploring this world, and many will be interested in seeing how much the universe has changed in the intervening years, as well as the major developments that occur as part of Song of the Risen God.

As I mentioned above, Song of the Risen God is the third and final book in the Coven trilogy, which does mean that this book might be a bit harder to follow for those readers who try to jump into the series at the very end (although that would be true for any trilogy). Salvatore does do a good job of recapping and exploring some of the key events of the first two novels, so most readers should be able to follow it well enough. I think that Song of the Risen God proved to be a great conclusion to the entire trilogy, as all of the major storylines were wrapped up rather well. The ending of the book also suggests that Salvatore is planning an additional Corona based series in the future, and if so, it is likely to focus on some of the major characters from the Coven trilogy. I personally would be extremely interested in a follow up series to these books, especially after all the major events that occurred in this novel, and I look forward to seeing what Salvatore cooks up next.

One of the major highlights of Song of the Risen God was the incredible raft of characters. This book had a massive and diverse group of characters featured within it, including the protagonists of the previous two books, characters from The DemonWars Saga and original characters who appeared for the first time within this book. Salvatore did a fantastic job diving down into several of these protagonists, and there was some rather intriguing character development that occurred throughout Song of the Risen God, most of which has some interesting roots in some of Salvatore’s previous novels.

A good portion of the book focuses on Aoelyn, who has served as the main protagonist for the first two Coven novels. Aoelyn is a witch who has spent the previous books trying to escape the clutches of her vicious tribe, the Usgar. In this novel, Aoelyn finally has her freedom, and finds herself in a brand new world, although she still seems to be dealing with some of the same prejudices and problems that occurred amongst the Usgar. Aoelyn spends a good portion of this book continuing to come to terms with her magical powers, which both define her and frighten her, as she has seen how magic can corrupt individuals, and she also attempts to take responsibility for the Xoconai invasion, which she inadvertently caused by killing a demon in the first Coven novel. I felt that Salvatore covered her character arc rather well, and there were quite a few intriguing moments, including Aoelyn making new friends and finding closure with some of the antagonists from the first two novels. I also liked some of the interesting developments that occurred towards the end of the novel with Aoelyn, which not only impact her outlook on life, but which may have some major impacts on any future Corona novels that feature her.

In addition to Aoelyn, quite a few other characters have some fantastic moments within Song of the Risen God. Bahdlahn, the former Usgar slave and Aoelyn’s childhood friend, probably had the most dramatic character development of all within this novel, as he grew and grew with every new encounter and experience within the plot. You cannot help but get attached to Bahdlahn, especially as he goes from wide-eyed former slave who had barely seen anything of the world, all the way up to an elite knight and resistance fighter in Honce-the-Bear. Bahdlahn is another character who has some interesting developments towards the end of this novel, and it looks like Salvatore has some big plans for him in the future. The former Usgar witch Connebragh also has a rather fascinating, if shorter, storyline within this book, as she befriends two former inhabitants of the lakeside villages, despite the long hostility between her tribe and theirs, and helps them survive the Xoconai invasion. The frontier explorers Talmadge and Khotai are also well utilised towards the front of the book, and there are some great moments with them, especially as Khotai regains her mobility in a rather unique way, although both disappear for the last third of the book. Salvatore also invests time in showing the viewpoint of a couple of key Xoconai characters, which I think really adds a lot to the story. Rather than having the Xoconai solely being mindless followers of Scathmizzane, these character perspectives help show them as being rather similar to humans, and two characters in particular have some very interesting viewpoints that lead them to question the word of their god as they attempt to fight his holy war.

All of these character arcs are great, but my personal favourite has to be the one surrounding Aydrian Wyndon. Aydrian is a major character within The DemonWars Saga, as the son of the original protagonists, who eventually became the main antagonist of the series after being possessed by a demon. Freed from his corruption at the end of the series and banished from Honce-the-Bear, which he ruled for a brief time, Aydrian has taken up the role of a ranger, which led to him meeting and helping the protagonists of the Coven series in the previous novel. In this book, he finds the threat of the Xoconai so great that he is forced to return to Honce-the-Bear, despite his banishment, to warn his former people. This leads to several outstanding scenes where he revisits the hurt and despair that he previously caused as a despotic and murderous king, and it serves as a fantastic defining characteristic as he searches for redemption. Aydrian has an absolutely incredible storyline throughout this novel, and his inclusion really added a whole lot to the overall narrative.

In addition to the fantastic story and amazing characters, I also have to once again highlight some of the enjoyable fantasy elements that Salvatore includes in this novel. At the fore of this is the cool gem-based magic that is one of the defining features of the stories set in Corona. This gem magic is an excellent concept, and it proved to be particularly fascinating in this novel as Aoelyn, a self-taught magical gem user, encounters members of the Abellican Church, who also use this form of magic, although in an apparently lesser way. Salvatore makes full use of all this cool magic throughout Song of the Risen God, and there are some rather impressive and destructive examples of the universe’s various magics, which were a lot of fun to see. I really enjoyed some of the cool and unique fantasy elements contained within this book, and it was a rather exciting addition to the story.

I ended up listening to the audiobook format of Song of the Risen God rather than grabbing a physical copy. This audiobook runs for just over 17 hours and is narrated by Tim Gerald Reynolds, who has provided narration for several of Salvatore’s previous books, including the other Coven books. I really enjoyed the audiobook version, and it proved to be a fantastic way to absorb and experience the cool story and the intriguing settings and characters. This is a bit of a longer audiobook and it took me over a week to fully listen to it, although my audiobook listening schedule has been a bit messed up lately. I felt that Reynolds did a really good job narrating this audiobook, and his fantastic voice really helped me get sucked into this fun story. Reynolds had a great handle on all the characters featured within Song of the Risen God, and I liked all the voices that he came up with for them. I ended up having an amazing time listening to this audiobook, and this is a truly excellent format to enjoy this novel in.

Song of the Risen God is a very impressive and deeply enjoyable fantasy novel that comes highly recommended. R. A. Salvatore once again shows why he is one of my favourite authors as he produces a slick and captivating read which is not only fantastic in its own right but which concludes an epic trilogy and ties it into a wider fantasy universe. This proved to be an absolutely amazing read, and I think I have to award it a full five-star rating based on how much fun I had listening to it. Salvatore has done it once again, and I look forward to checking out his next book in a few months.

To the Strongest by Robert Fabbri

To the Strongest Cover

Publisher: Corvus (Trade Paperback – 2 January 2020)

Series: Alexander’s Legacy – Book One

Length: 415 pages

My Rating: 4.5 out of 5 stars

War and chaos are about to be unleashed following the death of history’s greatest conqueror in the new epic historical fiction novel from amazing author Robert Fabbri, To the Strongest, the first book in his new Alexander’s Legacy series.

This is a clever and compelling new novel from Robert Fabbri, who has successfully moved away from historical Rome to ancient Greece and Macedonia. I am a massive fan of Fabbri’s writing, and he is probably one of my favourite historical fiction authors at the moment due to his work on the incredibly entertaining Vespasian series. His last several novels have all been rather top notch (check out my reviews for the eighth and ninth book in the series, Rome’s Sacred Flame and Emperor of Rome, as well as the associated short story collection, Magnus and the Crossroads Brotherhood), and I have been really looking forward to reading To the Strongest for a while now. I actually read this book a few months ago, but I am only just getting around to writing a review for it now. This is not because I didn’t enjoy the book; on the contrary, I absolutely loved it, I just got a little distracted after reading this book and kept forgetting to come back to it (to be fair, it’s been a rather hectic year). Now that I have a little time, I thought I would go back and review this great book, contains a clever and intriguing story concept.

“I foresee great struggles at my funeral games.”

Babylon, 323 BC. After bringing together one of the largest and most expansive empires the world has ever seen, Alexander the Great lies dying at a young age, and no one is truly prepared for his passing. With no legitimate heir yet born, and no obvious frontrunner to succeed Alexander as ruler of the conquered lands that make up the Macedonian empire, his loyal followers assemble at his death bed and beg him to reveal who he will leave the empire to. Alexander’s answer is simple: “To the strongest.”

Now the entire empire is up for grabs, and it does not take long for the prediction laden within Alexander’s final words to come to pass. As the news of the king’s death travel throughout the land, many seek to take advantage, either to take control themselves, or to better their own personal situation. The empire soon dissolves into a ruthless battle for the throne, as the various parties scramble for power, with shifting alliances, devious betrayals and far-ranging schemes becoming the new norm.

But in the end, only one will emerge victorious. Will it be Perdikkas, the loyal bodyguard who Alexander seeming left this ring to (the Half-Chosen); Roxanna, Alexander’s wife who bears his unborn heir (the wildcat); Antipatros, the man left behind to govern Macedonia (the Regent); his most capable warriors Krateros (the General) or Antigonos (the One-Eyed); the devious Olympias (the Mother); the clever Ptolemy (the Bastard); or the sneaky Greek advisor Eumenes (the Sly). Which man or woman has the cunning or ruthlessness to outlast the others and survive? Let the struggles begin!

What a fun and fascinating piece of historical fiction. Fabbri has crafted together an epic and clever novel that tells the outrageous true story of the aftermath of Alexander the Great’s life. Told from the perspective of a number of major figures who fought or schemed throughout this period of history, Fabbri turns all these events into an outstanding and enjoyable story that proves extremely hard to put down at times. Containing a compelling writing style, several excellent battle sequences and numerous betrayals, manipulations and shifting loyalties, this is an impressive first entry in the Alexander’s Legacy series, which does an excellent job setting up all the initial conflicts that were caused in the initial aftermath of Alexander’s death while also leaving a lot of room for the series to advance into the future.

To the Strongest is a fantastic and entertaining novelisation of some rather intriguing events from ancient history that do not get a lot of coverage in modern fiction. I think the thing that I liked the most about this book is the fact that most of the crazy events that Fabbri features within it actually happened in one shape or form, or are recorded as such in the historical record. The period of history post-Alexander the Great is not one that I am massively familiar with, and so I did a bit of reading into it after I finished To the Strongest, mainly because I was rather curious to see how much of this actually happened. It turns out that nearly all of the craziest events that occurred, such as the brutal murder of several of Alexander’s wives, the theft of his corpse by one of the characters, and a particularly disastrous river crossing with a troupe of war elephants, really did occur, and required very little literary embellishment on Fabbri’s part to make this any more exciting and compelling. I really loved learning about all these cool moments from history, and I think that Fabbri did an amazing job converting these myriad events into a cohesive and enjoyable narrative. From what I understand, there are plenty more battles and betrayals to go, and I am rather looking forward to seeing the full scope of these events unfold in future books.

In order to tell his story, Fabbri utilises a number of different character perspectives from a large roster of unique historical figures. There are 11 point-of-view characters featured within this novel, each of whom narrate multiple chapters within the book. Fabbri has provided each of these characters with their own nickname and symbol, both of which help to distinguish the character and to highlight certain character elements or parts of their history. The use of these multiple character perspectives makes for quite an interesting novel, as it allows the reader to see a much wider viewpoint of the conflicts occurring around the entire empire, as well as the multiple sides involved in it. This mixture of character-specific chapters also allows the reader to get something different out of each chapter, as chapters that follow a warrior will feature more battle sequences, while other chapters are geared more towards political fights or intrigue. This mixture works really well, and it helps to produce a diverse novel with various compelling story elements to it. The chapters are not evenly distributed between the characters, with some getting multiple chapters throughout the course of the book, while others only get a few chapters here in there. Two characters in particular only appear in one half of the book each, with one getting killed off about halfway through, while another only appears a while after. Most of this is due to the fact that some characters were not as prominent in history until a later date, and I imagine that some of these characters will be utilised more significantly in later books.

I liked Fabbri’s take on all the characters contained within the novel, and he came up with a great group of historical people to centre this story on. I thought that he did a fantastic job portraying the sort of vicious and manipulative sort of people who would have tried to take advantage of the situation, and these are the sort the sort of characters that Fabbri excelled at creating in his previous Vespasian series. There are some truly enjoyable characters amongst the main 11 point-of-view historical figures, although I personally enjoyed the parts of the book that featured the Greek advisor Eumenes (the Sly). Eumenes is an exceedingly clever individual who is generally looked down upon within Alexander’s Macedonian empire due to his Greek heritage. Despite this, Eumenes is able to gain quite a bit of power and influence in the post-Alexander era by advising and working with some of the other characters, and is generally the most politically capable out of all of them. As a result, you see quite a bit of him, as not only does he has a large number of his own chapters but he also appears in a number of other characters’ point-of-view chapters, attempting to negotiate or advise these characters to a beneficial course of action. Watching him try and deal with all the other characters is pretty entertaining, especially as they are all rather dismissive of him at times, while he is clearly exasperated by their behaviours and desires, especially with one particular character who he sides with but who completely ignores some of his better suggestions.

Aside from the 11 point-of-view characters, Fabbri has also included a huge group of interesting side characters, most of whom were real-life historical figures. These side characters do a good job of bolstering the story set around the point-of-view characters, and it was intriguing to see how their arcs played out through the course of the story. Fair warning, there are a quite a few side characters utilised throughout the story, which can get a little confusing at times. Fabbri did however include a useful character list in the back of the novel which I did find myself occasionally referencing to keep track of who was who, and which proved to be rather helpful. Overall, I thought that this turned out to be a great group of diverse characters, and I am looking forward to seeing how the surviving members of the cast progress in future books.

I did have a slight criticism with how the book was set out, particularly relating to the spacing between paragraphs. Now, I would usually say that complaining about how a paragraph is formatted is rather nit-picky, but in this case, it was a bit of a legitimate problem. In the version of To the Strongest that I had, there were no breaks between any of the paragraphs, and usually this was not too much of a problem (even if it did make the pages a tad blocky). However, there was also a complete lack of spacing between two paragraphs that are parts of two separate scenes within the same chapter. This means that there are no obvious breaks between certain scenes within the novel, as the next paragraph could be the same scene or a whole new scene altogether, and this had a bit of an impact of how the story flowed throughout. For example, there are a number of places where you have some of the characters talking about one thing, and the next paragraph could either be a continuation of that same scene, or a completely new sequence set several days or weeks in the future. Several times throughout his book, I would get completely lost about what is happening when I started reading the next paragraph without realising that it had jumped to a whole new scene in the future. While it was fine, and I was able to get back into the flow of things once I realised what had happened, it did lead to several moments of confusion, which I think could have been avoided by placing a line break to indicate when a certain scene had ended. While this is a rather minor issue, it did keep recurring throughout the book, and I felt that it should have been avoided. Still, the epic story more than made up for it, and this formatting only had a minor impact on my overall enjoyment of To The Strongest.

To the Strongest by Robert Fabbri is an amazing and exciting historical fiction novel that I had a fantastic time reading. Fabbri has chosen an extremely intriguing historical period to explore within this novel, and his excellent portrayal of the chaos that followed the death of Alexander the Great makes for an outstanding story. I loved how the author used his vast array of historical characters to showcase all the potential battles and manipulation that occurred during this time, and it helped to create a fun and unique read. This is a first-rate read from Fabbri, and I cannot wait to read all the future books in this cool historical fiction series.

Star Trek: The Unsettling Stars by Alan Dean Foster

The Unsettling Stars Cover

Publisher: Simon & Schuster Audio (Audiobook – 14 April 2020)

Series: Star Trek: Kelvin Timeline – Book One

Length: 8 hours and 5 minutes

My Rating: 4 out of 5 stars

My continued exploration of the fun and entertaining genre that is Star Trek fiction continues, as I check out the latest tie-in novel, Star Trek: The Unsettling Stars by Alan Dean Foster, an intriguing read which serves as a tie-in to the alternate Kelvin timeline, the spinoff timeline that occurred during the 2009 Star Trek film.

The Unsettling Stars is a rather interesting Star Trek read that is the first original novel set in the Kelvin timeline, except for official film novelisations and the Star Trek: Starfleet Academy young adult miniseries. This book was originally set for release back in 2010 under the title Refugees, but it was pulled from publication along with three other proposed novels that tied in to the most recent Star Trek movies. Another one of these books, More Beautiful Than Death by David Mack, is set for release later this year, and no doubt the other two proposed novels from 2010 will be published at some point as well. The Unsettling Stars is the third Star Trek novel released this year (behind The Last Best Hope and The High Frontier), and it is the first one in a series of Star Trek novels I identified in a recent Waiting on Wednesday article. As a result, I was rather pleased to get a copy of the audiobook format of this novel, especially as this book was written by the acclaimed author Alan Dean Foster.

Foster is a veteran science fiction and fantasy author who has been writing since the 1970s. He has written a multitude of novels over the years, including books set in his long-running Humanx Commonwealth Universe, The Damned trilogy, the Spellsinger series, The Taken trilogy, The Tipping Point trilogy and a huge range of standalone novels. Foster also has a large amount of experience writing tie-in novels to popular franchises, having written the official novelisations to several series, including the Alien movies, the Transformers movies, Terminator Salvation and The Chronicles of Riddick. Foster also has a deep connection with the Star Wars franchise, having ghost-written the official novelisation for the original Star Wars movie. He also wrote Splinter of the Mind’s Eye, which was intended to be a low-budget spinoff from Star Wars if the first movie did badly in the box office. Seeing that Star Wars was a major success, Splinter of the Mind’s Eye was released as the first official Star Wars novel, meaning that Foster started the Star Wars expanded universe (which has become a major staple for this blog). Foster has since gone on to write a second Star Wars novel, The Approaching Storm, and he recently wrote the official novelisation to Star Wars: The Force Awakens, nearly 40 years after he first got involved with the franchise.

Foster also has some rather interesting connections to the Star Trek franchise. While The Unsettling Stars is the first original novel that he has written for Star Trek, he has produced some official novelisations of several shows and movies over his career. Back in the 1970s, he wrote the official novelisations for Star Trek: The Animated Series, contained in 10 separate books. He also wrote the official novelisations for the 2009 Star Trek film, as well as for its sequel, Star Trek Into Darkness. However, his most significant contribution to the Star Trek universe has to be the fact that he wrote the story for the original Star Trek film, 1979’s Star Trek: The Motion Picture. As a result, Foster is definitely an interesting author to check out, and while I have not had the pleasure of reading any of his stuff previously, I was rather intrigued to see how this novel would turn out.

Years ago, a time travelling Romulan ship attacked and destroyed the Federation starship the U.S.S. Kelvin, killing the father of James T. Kirk. The changes which occurred following the destruction of this ship resulted in a whole new timeline, similar to the main Star Trek universe in most ways, but with a number of key differences. In this new timeline, Kirk, with the help of his young crew aboard the U.S.S. Enterprise, was eventually able to defeat this powerful Romulan ship, but not before it destroyed the Vulcan home planet. Now, after being promoted to captain of the Enterprise, Kirk and his crew embark on their first mission together.

With their ship repaired after the battle with the Romulan ship, the crew of the Enterprise take it out of spacedock in what is seen as a simple shakedown cruise. However, not long after they set out, they receive a distress signal from a ship just outside of Federation space. Arriving at the source of the signal, they find a single colony ship belonging to an alien race known as the Perenorean. Appearing to be peaceful refugees, the Perenorean request help as they have sustained damaged and are lacking the resources to travel to their original destination. But within moments of contact between the two ships, a second group of unknown alien ships arrive, determined to wipe out the Perenoreans. Despite not knowing the full history of this conflict, Kirk eventually comes to the aid of the Perenoreans, sending their attackers running, although not before they give the crew of the Enterprise a cryptic warning about the people they just saved.

Meeting with the Perenoreans, Kirk and his comrades discover that their new acquaintances are an extremely advanced group of beings whose capacity to learn and innovate seems limitless. Extremely grateful and determined to repay those who have helped them, the Perenoreans endear themselves to the Enterprise’s crew, who decide to help them relocate to a nearby planet. However, not everything is as it seems with the Perenoreans, whose desire to help and improve everything around them comes with its own unique set of issues. Can the crew of the Enterprise find a solution to the problems their new friends are causing or have they unwittingly unleased a terrible scourge on the Federation?

The Unsettling Stars proved to be a compelling and exciting Star Trek novel that I was able to get through quite quickly. Foster comes up with a rather clever and entertaining central story, set in the unique Kelvin alternate timeline, that revolves around a classic Star Trek first contact mission, with some interesting twists to it. The author crafts together a great story that spends a good amount of time with the key members of the Enterprise crew, with a particular focus on Kirk, Spock, McCoy, Uhura and Scott, as well as introducing several other new members of the crew, who each have a couple of scenes. The Unsettling Stars comes across like a typical Star Trek adventure, featuring a good blend of action, adventure, diplomacy and scientific discussion, similar to an episode of one of the shows. No real prior knowledge about the greater Star Trek universe is needed to enjoy this book, although it is geared more towards those readers who have a greater appreciation for the franchise, and who have at least watched the 2009 Star Trek film. Overall, The Unsettling Stars is a gripping and enjoyable Star Trek novel with a great story that I had a fantastic time listening to.

One of my favourite elements of this book was Foster’s inclusion of the new alien race, the Perenoreans. The Perenoreans are a group of extremely friendly aliens that the Enterprise rescue and help relocate to a new colony planet. The Perenoreans are an interesting new alien species in the Star Trek canon, characterised by their great intelligence, ability to adapt and evolve to any situation, and their desire to help anyone they come across. While it is also intriguing to see a new fictional alien species, a large amount of this book’s narrative lies around the crew discovering the true intentions and motivations of this species. While they seem friendly, you just know that they are going to turn out to be sinister or problematic in some way or another. The way that they genuflect is way over the top, and there is no way a whole race of people is that friendly. Also, there would not be much of story if they did not turn out to be problematic in some way. Foster does an excellent job of slowly hinting at their true nature, and it helps build up a good amount of tension throughout the course of the book. The eventual reveal of their secrets is rather fascinating and makes for a great payoff after all the build-up. I also really liked the conclusion to their whole arc, especially as it made use of a fun, but seemingly unimportant story element to wrap the whole thing up. These aliens are an amazing part of this book’s story, and it was one that made me enjoy The Unsettling Stars a whole lot more.

I also think that Foster did a good job of writing this book like it was set in the Kelvin timeline. The Kelvin timeline is filled with all manner of intriguing differences to the main Star Trek timeline, and the author spent a bit of time incorporating these differences into The Unsettling Stars. While at times the book did a feel a little like a tie-in to The Original Series, Foster was always quick to showcase some key elements of the Kelvin universe. Kirk is a little more arrogant and eager for glory in this book, and there are several discussions about his rapid promotion to captain, which results in a bit more scrutiny from Starfleet. McCoy is a bit more of a grump in this novel, and he has a bit more of an antagonistic relationship with Spock. There is also a bit of time spent exploring the new relationship between Spock and Uhura, and there are several mentions about Spock’s new dynamic as a member of a refugee species. I liked seeing the return of Simon Pegg’s fun version of Scotty, whose inclusion makes for several entertaining and enjoyable scenes. I also have to highlight the excellent reference to Star Trek: The Motion Picture that occurred in this book, as the crew of this version of the Enterprise come across a key item from this film well before it becomes a problem. It’s not often that a writer gets to erase the entirety of a film they scripted over 40 years previously, and I quite liked how this event turned out as part of the larger story. I had a fantastic time exploring the Kelvin timeline in this book, and I look forward seeing more of it in the future novels set in this timeline.

As I mentioned above, I ended up checking out The Unsettling Stars in its audiobook format, which was narrated by Robert Petkoff. This is a rather short audiobook, which runs for just over eight hours. While it took me a few days to get through (mainly due to lack of listening time than anything else), most readers should be able to listen to the whole book rather quickly, especially once they get engrossed in the intriguing story. Like every other Star Trek book I have so far listened to, The Unsettling Stars audiobook featured the vocal talents of Robert Petkoff, who seems to be the primary narrator for Star Trek audiobooks. Petkoff is an amazingly talented narrator who has come up with some incredibly realistic voices for key members of the various Star Trek television shows. In particular, he has come up with some fantastic voices for the members of The Original Series, which he uses throughout The Unsettling Stars to great effect, bringing the main crew of the Enterprise to life, while also coming up with great voices for some of the additional members of the crew and the various aliens that they encounter. All of this is really cool, and hearing these similar voices helps bring the reader into the Star Trek zone. If I had one criticism, though, it would be that Petkoff uses the same voices here that he uses for all the other audiobooks based around The Original Series. While I appreciate that the characters in the Kelvin timeline are supposed to be versions of the cast from The Original Series, hearing the Kelvin timeline characters speak in the same voice as their counterparts was a tad disjointing, and it made me forgot at times that this book is supposed to be set in an alternate timeline. A little bit of variation from Petkoff could have potentially helped this, although I am uncertain about what exactly he could have done to set this apart. Despite this minor criticism, I still really enjoyed listening to the audiobook version of this book, and I would recommend this format to anyone who wanted to check out The Unsettling Stars.

The Unsettling Stars is an excellent and exciting new Star Trek novel from the legendary author Alan Dean Foster. I had a great time unwrapping the cool mystery around the new race of aliens that Foster came up with for this novel, and it was fun to see a story in the Kelvin universe. This was a fantastic addition to the Star Trek canon, and I would recommend this to any fans of the franchise who want a clever new read.

Throwback Thursday: Stars Wars: Lords of the Sith by Paul S. Kemp

Lords of the Sith Cover

Publisher: Penguin Random House Audio (Audiobook – 28 April 2015)

Series: Star Wars

Length: 10 hours and 56 minutes

My Rating: 4.5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For my second Throwback Thursday article of this week (what can I say, I was in the zone for reviewing older content) I check out a fast-paced and addictive Star Wars novel that was released a couple of years ago, with Star Wars: Lords of the Sith by Paul S. Kemp.

It is the early days of the Galactic Empire. Under the reign of Emperor Palpatine, few openly oppose imperial rule, and those that do are swiftly dealt with by Palpatine’s ruthless apprentice, Darth Vader. But as the power and influence of the Emperor and Vader grow, so does their desire to rule and oppress every planet in the galaxy, and with that comes the first sparks of rebellion.

The planet Ryloth knows all about oppression and invasion. Following a brutal occupation during the Clone Wars, Ryloth now finds itself under the control of the Empire, which strips the planet of its natural resources while using the people for slave labour. In opposition to this occupation, an aggressive resistance moment has arisen, led by idealistic leader Cham Syndulla and his comrade Isval, a vengeful former slave. Thanks to their excellently placed sources, Syndulla’s resistance has been able to launch some substantial attacks against the Empire, but their actions have gained the attention of the Emperor and Vader. In a bid to assert his dominance on Ryloth, the Emperor sets out on a rare mission to the planet, accompanied by Vader. However, this is the opportunity that Syndulla has been waiting for.

Upon the Imperial’s arrival above Ryloth, the resistance fighters are able to do the impossible and blow up their Star Destroyer. Forced to abandon ship, the two Sith lords find themselves trapped on the dangerous surface of Ryloth with no means to communicate with Imperial command and no reinforcements on the horizon. In a bid to liberate the galaxy from their dark rule, Syndulla and Isval gather all their forces and resources to hunt the Emperor and Vader down. Surrounded by enemies, inhospitable terrain and terrible native fauna, the two Sith Lords appear to be at their most vulnerable. However, what Syndulla and his team fail to realise is that their prey are two of most dangerous beings in the galaxy, and together they are a force of unnatural destruction. Can the resistance fighters take on Emperor and Vader, and what happens when the two Sith lords work out that their biggest threat is each other?

Now this is a rather fantastic and captivating Star Wars novel that I have been wanting to check out for a while now due to the book’s cool concept. This is the first book that I have read by Paul S. Kemp, a fantasy author who has been writing since the early 2000s. His first novel, Twilight Falling debuted in 2003, after the author released several pieces of short fiction. Kemp then went on to write several fantasy series and standalone novels, including The Erevis Cale trilogy, The Twilight War trilogy and the Egil and Nix books, most of which fell within the Forgotten Realms shared fantasy fiction universe. Kemp has also written a few Star Wars novels, including Crosscurrent, The Old Republic: Deceived and Riptide, which were part of the old Star Wars Legends canon. Lords of the Sith is Kemp’s first novel in the new Star Wars canon, and he presents the reader with a fun and fast-paced novel that has some intriguing elements to it.

Kemp pulls together an excellent Star Wars novel that has a great story, is full of breathtaking action scenes and features compelling dives into some iconic Star Wars characters and elements of the universe. While I came for all the fun action that was bound to feature in a story surrounding the Emperor and Vader fighting against overwhelming odds, I stayed for the intriguing story that is full of betrayal and manipulations. The author does a fantastic job of utilising multiple character perspectives to tell a fuller story, which showed the perspectives of not only Vader and Syndulla’s resistance but also two Imperial officers stationed on Ryloth: one who is loyal to the Emperor and one who has been working for the resistance. This helped produce a really clever narrative, and it was interesting to see where Kemp took the story throughout Lords of the Sith.

The story is set five years after the events of Revenge of the Sith and focuses on the Emperor and Vader encountering some of the earliest forms of rebellion against the Empire. There are some strong elements from the extended Star Wars universe in this book, most notably with the inclusion of Cham Syndulla, a character who appeared in two Star Wars animated series, The Clone Wars and Star Wars Rebels, and is the father of Hera Syndulla, one of the main characters from Rebels (who is featuring in a lot of other pieces of Star Wars fiction at the moment). However, this is definitely a novel that can be enjoyed by the more casual Star Wars fan, and no real knowledge of the extended universe is needed to follow the plot. As always, though, those readers who are fans of some of the extended universe fiction are probably going to enjoy this book a little more. I myself enjoyed seeing the exploration of the early days of the Empire, an examination of Cham Syndulla’s history between the two animated shows and some exploration of the planet of Ryloth.

Without a doubt, the highlight of this book has to be the amazing action sequences featuring Darth Vader and the Emperor. Kemp went out of his way to show off just how badass these two characters can be, and he did not hold back any punches. Vader and the Emperor get into some major scrapes throughout the book, as they hunt or are hunted by members of the Ryloth resistance or some of the deadly creatures that reside on the planet’s surface. Needless to say, these two characters use all of their deadly Force abilities to take down swathes of opponents, and they come across as pretty impressive characters, especially in the eyes of some of the other point-of-view characters. I loved the reactions from characters like Syndulla or Isval, especially as it becomes more and more apparent to them that their opponents are something too much for them. I have always loved comics and books that showed off how badass Vader and the Emperor can be, and this is one of the better examples of this. Kemp started this book off strong by having Vader crash his fighter onto a ship to board it, before systematically taking down the crew one by one, while Syndulla and Isval are forced to listen from another ship (accompanied by Vader breathing heavily into a comms unit to freak everyone out). This is then followed by a plethora of other cool sequences, which includes Vader and the Emperor decimating a massive swarm of Ryloth’s apex predators and a particularly cool sequence where Vader started force choking several characters aboard a separate spaceship while he was flying upside down above them. All of this was exceedingly cool, and I loved Kemp’s amazing imagination when it comes to these two characters.

I also quite liked the intriguing examination of the unique relationship between Darth Vader and the Emperor that became an interesting central focus of the plot. While the story doesn’t show the Emperor’s point of view, you get Vader’s take on the situation, and through his eyes you see his perceptions of the Emperor, his thoughts on the partnership they have formed, and the knowledge that it will eventually end with Vader attempting to kill Palpatine to take his place. Palpatine, for his part, spends most of the story devising tests and challenges to get into Vader’s head and to ensure that his apprentice is loyal and has no thoughts of overthrowing him at the moment. I liked the compelling and clever examination of these two characters’ mindsets that Kemp pulled together, and I felt that he had a great handle on the personalities of these iconic Star Wars characters. I also rather enjoyed Kemp’s portrayal of the Emperor’s manipulative and purely evil nature, as it is revealed that everything that happens throughout the book is due to his design, and he threw away thousands of Imperial lives to achieve his goals. The revelation of this to some of key characters in this book makes for a great scene and I think that it really encapsulated just how evil the Emperor could be, which was pretty awesome.

Like with most Star Wars books that I read, I ended up checking out the audiobook format of Lords of the Sith, which was narrated by Jonathan Davis. This audiobook runs for just under 11 hours, and can be powered through quite quickly, especially once the listener hears the opening action sequence read out to them. I have to once again highlight that use of the cool music and sound effects that are included in all Star Wars audiobooks in order to enhance the story. Lords of the Sith had some great sound inclusions throughout its run time, and I felt that these definitely had a major impact on my enjoyment of this book. This audiobook features the audio talents of skilled narrator Jonathan Davis, whose work I have previously enjoyed in Star Wars books such as Master & Apprentice and Dooku: Jedi Lost. Davis does an incredible job narrating this book and he comes up with some impressive voices for the various characters featured throughout it. I particularly liked the great voices he came up for key characters like the Emperor and Darth Vader (with the help of some appropriate sound effects) and Cham Syndulla, and they sounded a lot like their appearances in the movies and animated shows. As a result, I really powered through this excellent audiobook, and I would strongly recommend this format to anyone who wants to check out Lords of the Sith.

Lords of the Sith is a fun and exceedingly entertainingly Star Wars novel that I had an outstanding time listening to. Kemp comes up with an exciting and action-packed story that not only explores some intriguing aspects of the expanded Star Wars universe, but which also contains some over-the-top action sequences that shows just how awesome a Star Wars novel can be. Lords of the Sith comes highly recommended to anyone looking for a fantastic and enjoyable read, and I hope that Kemp writes some more Star Wars novels in the future.

House of Earth and Blood by Sarah J. Maas

House of Earth and Blood Cover

Publisher: Bloomsbury/Audible Studios (Audiobook – 3 March 2020)

Series: Crescent City – Book One

Lenght: 27 hours and 50 minutes

My Rating: 5 out of 5 stars

Prepare to meet your new obsession! One of the world’s top young adult fantasy fiction authors, Sarah J. Maas, breaks into the adult fantasy fiction genre in a big way with the first book in her brand-new Crescent City series.

Sarah J. Maas is an author that needs very little introduction. She is one of the most highly regarded young adult fantasy authors in the world today, having written two major bestselling series and a couple of standalone young adult novels. Maas debuted in 2012 with Throne of Glass, the first novel in her acclaimed seven-book long Throne of Glass series, and she has since gone on to write a second major series, A Court of Thorns and Roses. I have been meaning to check out some of Maas’s main series for a while now, especially Throne of Glass, as I have heard some very good things about them. Unfortunately, the only book of Maas’s that I have so far read was her DC Comics tie-in novel, Catwoman: Soulstealer, which I really enjoyed, especially as Maas had an amazing understanding of some iconic comic characters. As a result, I was interested when I heard about her new book, House of Earth and Blood, and I was curious to see how her first adult fiction novel would turn out. This is the first book in the Crescent City series, which presumably will be the author’s main body of work for the next few years. I received a physical copy of this book to review, although I eventually decided to listen to the audiobook format to fit it into my reading schedule, and I have to say I was rather impressed.

Welcome to Crescent City, a bustling metropolis where magic and technology meet in a world ruled over by all-powerful godlike creatures. Bryce Quinlan is a half-Fae, half-human, party girl at the low end of her world’s magical hierarchy, content to live her days clubbing and celebrating with her best friend, the powerful werewolf Alpha Danika Fendyr. All that changes the night Danika and her entire wolf pack are brutally slaughtered while Bryce is out partying. Bryce arrives home just in time to encounter the demon that committed the act, chasing it out into the streets before it escapes, never to be seen again.

Two years later, Bryce is a shell of her former self. Still reeling from the death of the closest person in her life, Bryce finds herself without direction or purpose. However, the revelation that a fresh wave of killings that mirror the bloody way Danika and her pack were taken out quickly changes that. Due to her experiences with the unknown species of demon and her intimate knowledge of Danika’s movements and history, Bryce is tasked by the governor of Crescent City to find who or what is summoning the destructive demons and unleashing them upon seemingly random members of the populace. However, Bryce will not be working on this case alone, as she finds herself teamed up with the governor’s personal assassin, the brooding, dangerous and surprisingly attractive fallen angel, Hunt Athalar.

Begrudgingly agreeing to work together, Bryce and Hunt start to scour the dark underbelly of their city, attempting to find any leads to who summoned the demon. However, they soon run afoul of many of Crescent City’s inhabitants, some of whom do not want the pair to uncover the truth. As they dig further, they begin to uncover a terrible conspiracy with terrible connections to Bryce’s traumatic past and which threatens all of Crescent City. However, the closer they come to the truth, the more pain and torment the two damaged souls uncover, especially as both of them try to fight the intense feelings blooming between them. With the fate of Crescent City hanging in the balance, can Bryce and Hunt get to the bottom of these killings, or will they be overwhelmed by all the hurt that is about to come their way?

Well damn, that turned out to be one hell of a book. I do have to admit that I’m not usually a fan of major romantic subplots in the novels I read (I know, typical male, Bryce would probably be calling me an Alphahole), and I was a little apprehensive that the romantic angles described in the book’s synopsis would overwhelm the fantasy story. However, any doubts I had about whether I was going to enjoy House of Earth and Blood were quickly blown away in the early stages of the story, especially once I hit the major plot development about 70 pages in. From there I was absolutely hooked on the story, as Maas kept piling on revelations, shocking moments, character development and an impressive murder mystery. I ended up really loving this amazing novel, and I ended up giving it a five-star rating.

I really enjoyed the way that Maas told this story, and this book contained an expansive and deeply addictive narrative that proved hard to put down at times. House of Earth and Blood is told from several character perspectives, most notably Bryce and Hunt, although quite a bit of the story is shown from the perspective of Bryce’s half-brother, Ruhn Danaan. Having these three main point-of-view characters results in a much more expansive story, as each of them has their own contributions to the plot, although there is a huge amount of crossover between each of their storylines. While Mass tends to focus most of her character development and storylines around Bryce, Hunt and Ruhn, there are a number of additional supporting characters, some of whom have some rather interesting roles throughout the book. Maas also includes a huge amount of foreshadowing throughout the book, hinting at several things that are to come further along in the narrative. While it is obvious where some of this foreshadowing is going, some of it was only noticeable in hindsight, and some of these more subtle inclusions made me really appreciate the author’s clever writing style.

One of the best things about this book was the incredible and intriguing new fantasy world. The Crescent City series is set on a version of Earth called Midgard, which was invaded thousands of years ago by vast armies of various magical creatures, ending humankind’s dominance of the planet. The modern world of Midgard is a chaotic and fascinating place, filled will all manner of magic and creatures who live in a hierarchal system, with all-powerful beings at the top and humans at the very bottom. There are so many cool elements to this world, from the unique magical systems, the different factions and organisations, and a vast multitude of different magical creatures with their own traits and characteristics. Maas dedicates a substantial amount of time exploring all these different elements of her new world, and the result is an impressive and vast setting which serves as a fantastic backdrop to this exciting story. I also liked the rather fun similarities between this fantasy world and the modern world, and it was interesting to see fantasy creatures running around with modern technology such as phones and guns. I also had a rather good laugh at some of the television shows that the author featured in the book, including a rather trashy-sounding True Blood inspired television show, which was made fun of relentlessly for its sexual content (which is kind of ironic considering how much sex was in this novel). Maas is clearly a master of universe building, and she has come up with a really great fantasy world that holds a lot of potential for future novels in the series, as well as opening up the possibilities of spin-off stories around some of the fantastic side characters introduced. I personally would love to see a novel based around the character of Fury Axtar, the mysterious assassin friend of Bryce, who has a minor role in the book.

In addition, Maas has also come up with a rather clever murder mystery storyline that I had an outstanding time unwrapping. The vast majority of House of Earth and Blood’s plot revolves around the murder of Danika Fendyr and her pack, as well as the similar murders that are occurring in the modern day. The subsequent investigation by Bryce and Hunt turned into a rather captivating storyline, as they explored the underbelly of their fascinating city, trying to find leads and uncover who had a motive to kill Danika. This whole mystery storyline goes to some very interesting places, and Maas comes up with a number of red herrings, alternate suspects, potential leads and side mysteries (a missing magical horn and a new street drug), all of which come together into a pretty incredible and clever narrative. I was actually rather surprised about who the culprit turned out to be, although Maas does set up the reveal rather well, and there are some rather clever hints in hindsight. That being said, while I didn’t know who the culprit was in advance, I totally knew where the final showdown with them was going to take place, and how the whole confrontation was bound to go down (there was a literal Chekov’s gun there). Still, it turned into quite a good confrontation scene, and I had a good laugh at the over-the-top way that the villain was taken down for good. This was a rather impressive element of the story, and I hope that Maas includes some more clever mysteries in her future books.

While I really loved the fantastic story, incredible world building and captivating mystery, the true centre of this book are the two compelling and exceedingly damaged main characters who Maas sets the story around, Bryce Quinlan and Hunt Athalar. Maas does some outstanding work setting these characters up, exploring their pasts and developing their personalities and emotions throughout the book. Bryce starts House of Earth and Blood as a seemingly carefree party girl with major daddy issues. However, the loss of Danika in the book’s first act severely changes her, as she has to deal with an extreme amount of guilt, isolation and social hatred in the following two years. This really alters her as a character and turns her into an extremely vulnerable person with a real emotional investment in the case, who hides all her true feelings behind a sassy and angry façade. Hunt, on the other hand, is a powerful fallen angel who lost his freedom and the love of his life in a failed rebellion against the ruling gods of the planet, and has spent the last several decades being tortured and used by the victorious archangels, and is now the personal assassin of the governor of Crescent City. Now known throughout the city as the Umbra Mortis, the Shadow of Death, Hunt is a simmering pot of anger who is resentful of how he has been treated all his life, and who is determined to be set free. Like Bryce, he is deeply invested in solving the case, as its resolution will allow him to take a serious step towards freedom, and on the surface he is the more serious of the duo. However, also like Bryce, Hunt has some major vulnerabilities and he is hurting deep inside. Both Bryce and Hunt are incredibly interesting protagonists, and I am really impressed with the layers that Maas was able bring to their characters, which added a significant amount to the story.

While Bryce and Hunt are amazing characters in their own right, the real magic comes when they are paired together. It is obvious from the start that these two are going to hook up at some point, but the journey to get there was written extremely well. The combination of these two exceedingly vulnerable and complex characters in the story is great, and it makes for some incredible and dramatic story moments, as Bryce and Hunt slowly work out all their issues and history. The way they slowly go from dislike to mutual respect to lust/romance is accompanied with a slow exchange of secrets, facts and personality reveals, and I had an amazing time seeing them come together as a couple. This turned into quite a good romantic subplot, although the two of them have some major bumps and betrayals along the way. Still, there are some rather nice moments in their relationship, from the way that they take care of each other after traumatic events, to funny reveals and mutual moments of protecting one and other. Bryce and Hunt make for a great pair, and I am really impressed with the way that Maas portrayed them and the complex story she wove around them. It looks like there are more secrets and backgrounds about both coming up in the future books, and I am looking forward to seeing where Maas takes them in the future.

While this book had some amazing elements, I did find this novel to be a tad trashy at times. As I mentioned above, this is Maas’s first foray into non-young adult fiction, and she certainly did not shy away from adding all manner of adult content into her book. While I can certainly appreciate Maas wanting to differentiate this book from some of her young-adult fiction work, I honestly think she overcompensated. This book is filled with a huge amount of adult language and sexual content, as pretty much every character in this book is crude, rude, oversexed and incredibly thirsty. While some of this served a purpose, such as showing what sort of party-girl character Bryce was before the traumatic incident, the sheer amount of stuff that Maas included was a bit over the top, and I found it to be somewhat distracting at times. This book also introduced me to the brand-new term, Alphahole. In the context of this book, an Alphahole is the term that Bryce gives to any magical male who thinks that their abilities and power give them the right to control women and run their lives, especially those women with less magical power than them (i.e. humans and half-humans like Bryce). Unfortunately, in this book pretty much every male that Bryce encounters is an Alphahole in her opinion; even the more redeemable characters like Hunt or Ruhn are deemed Alphaholes at the start of the novel, especially once they venture an opinion about her behaviour or actions. While I appreciate that this dislike for domineering men is part of Bryce’s character due to her father, and controlling guys really aren’t that cool in either fiction or real life, I do think that Maas kind of overdid their inclusion just a bit and I was honestly getting sick of hearing Alphahole as a descriptive term by the end of the book (although it became less apparent as the story progressed).

As I mentioned above, I ended up listening to the audiobook version of House of Earth and Blood. This audiobook has a runtime of 27 hours and 50 minutes and is narrated by Elizabeth Evans. I am rather glad that I decided to check out this format of the book. While I probably would have finished it off faster if I had read a physical copy (it took me a few weeks to get through the audiobook), I always feel that I absorb more of the novel when I listen to it, especially with longer books. This proved to be really useful when listening to House of Earth and Blood, as Maas packed so much plot and world building into this immense novel, and I think I ended up getting more out of this book by utilising this format. I have to say that I was also immensely impressed with Elizabeth Evans’s narration. Evans did an incredible job bringing the story to life, and her steady and emotional dictation of the story really helped me get to the end. I really loved the cool voices that Evans was able to come up with for all the characters, and I think that each of them matched the distinctive personalities of each character. Evans produced a huge range of different voices for these characters, and I really liked how she was able to alter them to reflect the ethereal or magical nature of some of the characters featured in the book, as well as hint at how powerful some of these creatures were by modulating her tone and adding a commanding quality to it. This was an impressive and deeply enjoyable audiobook adaptation, and I would strongly recommend it to anyone interested in enjoying House of Earth and Blood. That being said, be careful where you listen to this book, as it can be a little awkward to hear some of the steamy sex scenes when you are out in public. I somehow managed to be out shopping during two separate and particularly graphic scenes, and it proved very hard to keep a straight face while I was trying to grab groceries.

House of Earth and Blood is an incredible adult fiction debut from Sarah J. Maas, who has produced another outstanding and captivating read. There are so many excellent and enjoyable story elements in this book, and I absolutely loved every second I spend listening to it, even though some parts were a little over the top at times. This was an awesome start to Maas’s new Crescent City series, and I cannot wait to see what impressive and addictive story the author comes up with next. This novel comes highly recommended, and it gets a full five-star rating from me.