Category: Australian

Headcase by Jack Heath

On By The Unseen LibraryIn Australian, Five-Star Books, Thriller1 Comment

Headcase Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 29 November 2022)

Series: Timothy Blake – Book Four

Length: 416 pages

My Rating: 5 out of 5 stars

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One of Australia’s leading and most diabolical thriller writers, the exceedingly talented Jack Heath, returns with another twisted and immensely clever mystery, Headcase, which sees the return of his cannibalistic protagonist, Timothy Blake.

While Australia has quite a few outstanding crime fiction authors, Jack Heath is a particular favourite of mine.  Coming from my hometown of Canberra, Heath has been writing for years, producing a range of different series and standalone novels.  I have really enjoyed some of his recent books, including the 2021 standalone novel, Kill Your Brother, an ultra-intense and amazing five-star read that saw a young woman with a complex past forced to make a terrible decision: kill her imprisoned brother or die herself.  This was one of my favourite Australian novels of 2021, and it is a must-read for anyone keen for a powerful and thrilling story.  However, Heath is probably best known for his Timothy Blake books (also known as the Hangman series), which are particularly fun and gruesome.  Following the titular Timothy Blake, a brilliant investigator with cannibalistic tendencies, this epic series are set around a unique but highly entertaining series of mysteries that really draw the reader in.  I have had an amazing time with this series, including the third entry in the series, Hideout (one of my favourite Australian books of 2020), and I have been very excited to see how this series continues for a while.  Heath did not disappoint as the fourth and latest entry in the series, Headcase, proved to be an exceptional and gripping read.

Following his previous harrowing adventure, which cost him his arm and burned all the trust he had with his former FBI partner, freelance investigator and full-time cannibal Timothy ‘Hangman’ Blake’s future seemed in doubt, until he was given an offer he couldn’t refuse.  Recruited by a CIA agent nearly as insane as he is, Blake now works freelance for the agency, investigating odd occurrences throughout the country in exchange for occasionally being able to indulge in his cannibalistic habit.

His latest case sees him and his CIA partner, Zara, journey to Houston, where something unexplainable has occurred at the NASA training complex.  A fully suited Chinese astronaut has been discovered on the grounds of the facility and no one can explain how he got there.  Did he fall out of the sky, or was he murdered elsewhere and somehow dragged into the middle of a secure United States facility?  As a diplomatic catastrophe seems imminent, Blake is drafted by the CIA to unofficially investigate one of the facility’s employees, a former kidnapper who Blake helped put away seven years ago, who may hold the secret of the dead astronaut.

As Blake starts digging, he uncovers a series of surprising and unusual clues that seemed design to confuse any investigation.  The evidence seems to point to the victim falling out of a Chinese spacecraft surveilling the United States, however, all Blake’s investigative senses and knowledge of human flesh seem to tell him differently.  But with Chinese hit squads following them, the CIA attempting to forestall their investigation, several suspicious individuals working in the facility attempting to misdirect him, and Blake’s own ravenous hunger driving him crazy, this case seems near impossible to solve.  Can the Hangman crack the impossible one more time, or will he finally end up in the cage that he deserves?

Wow, I just cannot get over how good Jack Heath is an author as he produces another outstanding and captivating read with a diabolical story behind it.  This amazing thriller has everything you need to enjoy yourself, including a clever mystery and some truly insane characters, and I absolutely powered through it trying to see how everything came together.  This is an easy five-star read from me and I have already featured Headcase on my Top Australian Books of 2022 list a few weeks ago.

Headcase has a brilliant story to it that takes the reader on a very wild ride into some very gruesome murders.  Told from the perspective of main character Timothy Blake, you are soon shown the compelling murder through the eyes of a crazed cannibal who is attempting to simultaneously solve a murder and please the CIA while not revealing that they are looking into the death and sate his own hunger for dead human flesh.  Heath provides a great set-up to this entire story with the mysterious Chinese astronaut discovered in the centre of the NASA facility, which is a very good hook to drag the reader in.  As Blake tries to investigate this case, the reader is treated to several flashback chapters to when Blake was working for the FBI and helped to put away one of the NASA technicians for kidnapping, a crime Blake never believed he committed.  Heath also mixes things up by also including several chapters set a short while into the future in which Blake is incarcerated in a mental institution and is recounting the current story to his psychologist.  This three-way split storyline works extremely well for the first half the book as all three timelines support the others extremely well, and the blend of different periods and focuses helps to create a very interesting read.  The storyline focusing on the dead astronaut remains at the centre of the narrative, with the other two plotlines tying into it, and this is where the magic truly happens.  Heath sets up a particularly interesting mystery around the dead astronaut, with the protagonist forced to dive through a ton of clues, overly dodgy suspects, and government secrets to try and get to the truth.  At the same time, Blake and his partner find themselves under attack from several sources, such as Chinese hit squads, the police, a mysterious serial killer, and their own very dark inner demons.

The story advances at a quick clip the entire way through as the characters power through a range of deadly and dark scenarios.  Heath loads up the clues and the complicated supporting characters and it proves very interesting to see Blake attempt to work out who may be responsible and their very complex motivations.  Much of the story has a bit more of a spy thriller taste to it, thanks to Blake’s association with the CIA and this really helps to make Headcase standout a little from the previous Timothy Blake books.  The NASA and Chinese space surveillance proves to be a very fascinating inclusion that Heath cleverly works into the plot, and I loved that the author was able to write a whole story about mysterious Chinese surveillance craft before the current balloon crisis.  While these spy elements, which include brutal encounters with hit teams from various agencies, are a great new inclusion, some of the best parts of the book still revolve around the deeper character moments of the story, especially when it comes to the protagonist.  I deeply enjoyed how Heath utilises his protagonist’s disturbing cannibalistic insights as an investigative tool, while other insights into his mind, especially when he is in a mental institution, increase the tension and make you wonder just how reliable a narrator Heath truly is.

Everything comes together perfectly in the second half, especially when Blake is desperately trying to solve everything, not only to get to the truth but to save lives.  All the previous story elements are brought together in a big way, and it was outstanding how the clues that Heath had cleverly laid throughout the story came together.  The time split perspectives are resolved in a great way, and it is a lot of fun to see how Blake ended up in the mental hospital.  Everything leads up to several big reveals at the end of the book, not just surrounding the main murder, but other curious events that have been explored as Headcase continues, and reader will not be disappointed in what comes to light, nor how the protagonist deals with it.  The full details about the compelling and unique motivations for the main murder makes for a very interesting read, and the diabolical method of murder is something that I won’t be forgetting in a hurry.  While I did find that the use of a certain McGuffin was somewhat unrealistic, even for this crazy series, I was generally extremely happy with how the entire novel came together.  The complex mystery is resolved in a very captivating way, and the character arcs that sit at the centre of the story go in some very interesting direction which should result in some fantastic books in the future.  I personally came away from Headcase extremely elated and deeply impressed with just how clever an author Heath is.

On top of the outstanding and fantastically compelling story, I have a lot of love for Heath’s writing style, which deeply enhances each of his books.  The quick pace, the fantastic dives to both the past and future, and the intense blend of mystery and insane personal issues surrounding the main characters, makes for some outstanding reading, and there honestly isn’t a single part of Headcase that wasn’t extremely fascinating or fun.  Understandably, due to the story content, this is a pretty gruesome series, and Heath doesn’t hold back on the detailed depictions of dead bodies, nor the terrible things that his protagonist does to them.  However, he never goes way too over-the-top, and the gore and cannibalism always serves a vital purpose, either to provide clues to the mystery or to highlight the protagonist’s complex nature.  It also helps to make the series particularly distinctive, even amongst other impactful thrillers, and you must love just how obsessed and focused the main character/narrator is about dead bodies. Like most of the books in this series, Headcase can be very easily read as a standalone novel, and Heath is very careful to concisely fill in any relevant details that the reader might need.  However, as with most ongoing series, those people who have read the earlier books in the series will probably get a lot more out of Headcase emotionally, especially when it comes to seeing the progression of the protagonist.  I wouldn’t hesitate to recommend Headcase to a new reader, as they are guaranteed to have a fun and unique time with this outstanding read.

I must highlight Heath’s captivating and complex central protagonist, Timothy Blake, who is once again one of the best things about this entire book.  I really love the character of Blake in this series as he is such an intriguing and damaged character due to his deranged cannibalistic tendencies, which often drive him to do terrible things in the name of obtaining human flesh.  There are so many great scenes where Blake feels his desire and hunger for human meat start controlling his actions and the character is constantly fighting for some measure of self-control.  Despite this, he is a relatively good person and a skilled investigator whose keen observation skills, canny insights, intense survival instincts, and intimate knowledge of human bodies give him some intriguing edges during a case.  While he often likes to pretend that he is only helping the case to get fresh meat, he is also obsessed with finding the truth and getting justice, which, when combined with his romantic desires for his former FBI partner Reese Thistle make him occasionally seem like a good, if highly damaged, person.  These seemingly incompatible parts of his personality are so damn effective, and it is always quite fascinating to see what part of his personality actually wins: the feral hungry beast or the surprisingly heroic detective.

The version of Blake in Headcase is particularly interesting as Heath comes up with some new range of issues and problems for him to overcome on top of his all-consuming hunger.  After managing to survive his particularly desperate situation in Hideout, he has a somewhat different lease on life which goes with his new job.  However, he is still in love with Thistle, even after their confrontations in the last two books, and this is encouraging him to be a better person.  This desire to be a better person somewhat goes against the desires of his new masters in the CIA, especially his partner Zara, who try to use his fractured mind to their advantage and his desire to change for Thistle puts both her and Blake at risk.  He also undergoes therapy for the first time in his life, albeit somewhat against his will.  These scenes with the psychologist are particularly fascinating as they discuss his cannibalistic desires and his general sanity.  While the psychologist doesn’t believe he is a cannibal, her insights give Blake a lot to think about, especially when he comes to the revelation that he might be able to overcome these life-long issues if he sought treatment.  This really alters Blake’s perspective of his entire life, and it, as well as some insights he gets from viewing other patients at the mental hospital he is locked in, proved to be a very interesting tipping point for the character growth we have witnessed throughout the series.  It will be very interesting to see how Heath continues to explore and highlight Blake in the future and I have a feeling we are only on the start of a particularly dark and emotionally rich journey.

In addition to Blake, Heath has loaded Headcase with an intriguing array of unstable and entertaining supporting characters who add some awesome value to the entire novel.  The most prominent of these is Blake’s CIA partner in this case, Zara.  Zara was introduced in the previous novel, Hideout, when she managed to infiltrate a group of psychotic killers extremely successfully, before recruiting Blake with the promise of bodies to eat.  While Zara serves as an effective agent and partner to Blake, she is ultra-violent and has some major mental issues and might even be crazier than Blake (which is saying something).  Zara ends up forming a toxic relationship with Blake in this book, especially as she utilises his addiction and leads him into to some deadly and dark situations.  She proves to be a fantastic addition to the plot and I love how intense and threatening Heath made her at times.  There are some great reveals around her, as well as a certain incident that matches her with Blake, and I loved all the awesome stuff Heath set up around her.  Heath also makes sure to bring back Blake’s former FBI partner and love interest, Reese Thistle, who has another interesting run in Headcase.  Blake and Thistle have had a very compelling relationship throughout the series, which got even more complicated when Reese found Blake’s fridge full of corpses.  Still keeping his secret after he saved her life, Reese is very awkward with Blake, which adds to Headcase’s dramatic tension.  Despite this, the two do work together to try and solve the murder and it was nice to see them teaming up again.  Of course, this leads to more danger and despair for both of them, but Heath is taking their relationship in some interesting directions, and I look forward to seeing how that turns out.  Throw in a compelling group of potential suspects, foreign agents and mental patients that the protagonist has to work his way through to solve this complex case and you have an outstanding group of characters that I had a lot of fun with.

With his latest Timothy Blake novel, Headcase, Jack Heath continues to impress with his epic and captivating take on murder and complex characters.  This incredible novel takes the reader on an awesome journey through insanity, obsession, and desperation, all centred around an impossible and very clever mystery.  I had a brilliant time powering through Headcase, and I have so much appreciation for Heath’s scary wit and ability to dive into the head of a killer.  Headcase is an exceptional book that comes highly recommended, I cannot wait to see what outstanding mysteries and thrillers he produces in the future.

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Quick Review – Red Dirt Road by S. R. White

On By The Unseen LibraryIn Australian, Murder Mystery, Quick Review1 Comment

Red Dirt Road Cover

Publisher: Headline (Trade Paperback – 10 January 2023)

Series: Detective Dana Russo – Book Three

Length: 307 pages

My Rating: 4.5 out of 5 stars

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Impressive author S. R. White continues to lead the Australian outback murder mystery scene with his new and compelling release, Red Dirt Road, the third book in his Detective Dana Russo series.  I had the great pleasure of reading the second book in this series, Prisoner, back in 2021 and I really enjoyed his unique take on the outback detective novel.  As such, I have been rather excited to read his new book, Red Dirt Road, especially as it featured a particularly enthralling mystery.

Plot synopsis:

One outback town. Two puzzling murders. Fifty suspects.

In Unamurra, a drought-scarred, one-pub town deep in the outback, two men are savagely murdered a month apart – their bodies elaborately arranged like angels.

With no witnesses, no obvious motives and no apparent connections between the killings, how can lone police officer Detective Dana Russo – flown in from hundreds of kilometres away – possibly solve such a baffling, brutal case?

Met with silence and suspicion from locals who live by their own set of rules, Dana must take over a stalled investigation with only a week to make progress.

But with a murderer hiding in plain sight, and the parched days rapidly passing, Dana is determined to uncover the shocking secrets of this forgotten town – a place where anyone could be a killer.


Red Dirt Road ended up being a very fun and captivating murder mystery novel and one I had a wonderful time getting through.  I really enjoyed White’s cool and clever plot scenario and the entire concept of a cop attempting to solve a mystery in a small town with limited suspects is a fun idea that harkens back to classic whodunits.

Red Dirt Road’s story itself hits the ground running quickly, as complex protagonist Dana Russo is forced to travel to the small town for the investigation and soon becomes wrapped up in its many foibles.  This includes the sheer isolation, the lack of modern comforts and the unusual locals, many of whom are hiding from the outside world.  There is also a set of creepy angel-themed statues that mysteriously move around town, the work of a guerrilla artist who has remained hidden since the murders began.  With time restrictions on her investigation and with minimal help from the local police, Dana initiates an unconventional investigation that focuses on understanding Unamurra’s society and its people to solve the crime.  After getting to grips with the various people living there, as well examining other clues and evidence, she is able to figure out which one of the town’s residents is the most likely killer and confronts them in a particularly fascinating reveal sequence.  The full explanation for why the crime was committed, as well as the ingenious and very distinctive motivation of the murderer, was exceedingly clever, and I felt that White set everything up perfectly.  While certain elements of the conclusion were a bit over-the-top, (a very unrealistic elite government SWAT team comes to town), I felt that the story was pretty damn impressive and I was absolutely blown away with the elaborate motivation that the author came up with.  The plot of Red Dirt Road also simultaneously continues some of the series’ ongoing storylines, such as Dana’s personal relationship with her co-worker and the internal police politics that are impacting her career, and this ended up being quite a gripping read as a result.

One of the most noticeable things about Red Dirt Road was the unique, society-orientated investigation method that the protagonist used to understand the people of Unamurra and find out who the killer was.  I personally thought that this was a very smart and intriguing way to frame a murder investigation that worked extremely well in the context of the setting and the series.  When I reviewed Prisoner I noted that White likes to highlight the interrogation side of policing with his writing and this was once again in full display when it came to how Dana gathers information in Unamurra.  The flurry of casual conversation she engages in ensures she picks up all the knowledge about the town and people she needs, while also putting the potential suspects at ease as they don’t understand her style or the subtle reasons behind her lines of inquiry.  This information, when combined with some observations and additional background she gets from headquarters, allows her to pull together a full mental picture of the town and by understanding them and their needs she finally gets the insight she needs to understand the entire situation.  This results in a very unique case, and I found myself getting really wrapped up in both the characters and the setting while trying to wrap the clues together in my head.  While this style of investigation probably isn’t going to fit every murder mystery fan’s taste, I felt that it worked extremely well and I loved how the elaborate motivation was teased out through these discussions.  The final confrontation with the killer and the various revelations it contained really ties all these previous discussions together perfectly and you quickly realise just how cleverly White structured his entire mystery.

On top of the cool investigation method, I also deeply enjoyed the dusty and desolate setting of Unamurra that served as the backdrop to the murders.  White really tries to show the reader the full experience of such a lonely and decaying town, and thanks to the excellent descriptive writing you can absolutely picture every cloud of dust, quiet night, and the lack of movement.  At the same time, the protagonist begins talking to each of the residents of Unamurra and you really get to understand the sort of people that would live in such a place, whether they are desperate, trapped, or have their own strange motivations.  This excellent use of setting and compelling supporting characters greatly enhances the book’s already complex murder investigation, and I felt that White did an amazing job of working it into the larger narrative and mystery.  The sheer isolation impacts every decision and insight that Dana has and you really come away trying to imagine what life in such a location would be like.  While White does overgeneralise some areas of rural Australia in his book, especially as he makes the location of these crimes geographically vague, this setting added a great deal to the impact of Red Dirt Road and I deeply enjoyed my time in the elaborate setting of Unamurra.

Overall, Red Dirt Road was an outstanding new book from S. R. White that perfectly highlighted his distinctive take on a murder mystery investigation.  Combining another outstanding outback setting with a unique case, Red Dirt Road will have you hooked all the way to the fantastic finale.  I cannot wait to see what complex stories White comes up with in the future, but if they are anywhere near as clever and enthralling as Red Dirt Road, I know I am going to love them.

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How to Kill a Client by Joanna Jenkins

On By The Unseen LibraryIn Australian, Murder Mystery, Thriller1 Comment

How to Kill a Client Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 31 January 2023)

Series: Standalone

Length: 384 pages

My Rating: 4.5 out of 5 stars

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Australian lawyer and debuting author Joanna Jenkins introduces herself in a big way with her fantastic first novel, the legal thriller How to Kill a Client, which takes the reader on a fascinating journey to the dark side of Australia’s legal profession.

As the in-house lawyer at a powerful international mining company, Gavin Jones oversees millions of dollars’ worth of legal contracts each year, including to the Brisbane office of the Australian legal firm Howard Green.  Using them to negotiate lucrative contracts throughout Australia, Jones has become one of Howard Green’s biggest clients and the money he controls ensures that everyone at the law firm treats him like a god.

But while everyone fawns over Jones and his power, no-one actually likes him.  A cruel, petty and vindicative man, Jones has messed with the careers and lives of everyone in his orbit, especially women, who he reserves a particular disdain for.  His actions ensured the suffering of everyone he has power over, including his wife, his employees, and the female partners at Howard Green, as he seeks to wreck lives, destroy careers and give himself the lifestyle he feels he deserves.

So when Jones dies suddenly and suspiciously, everyone he knew is a potential suspect; thanks to his dodgy dealings and underhanded tactics, they all had a motive to kill him.  As the police begin their investigation and the lawyers at Howard Green close ranks, it falls to partner Ruth Dawson, one of the few people without a motive, to protect her firm and its secrets.  However, when her investigation reveals proof of who killed Jones and other dark secrets her firm is hiding, will Ruth reveal the truth or will she bury it to protect her firm?

How to Kill a Client is a clever and tricky novel that really showcases Jenkins’s skill as a new writer.  Blending a fantastic and compelling crime fiction narrative with intense looks at the lifestyle of members of a successful law firm, How to Kill a Client was a gripping and interesting read that is really worth checking out.

I loved the cool story contained within this book which came across as part legal thriller, part personal drama surrounding high-level professionals, and part intriguing murder mystery.  The story dives into the chaotic world surrounding the legal firm of Howard Green and its clients and effectively introduces all the key players in this drama, who have their own views on the troubles to come.  Each primary characters is connected to the eventual victim, Gavin Jones.  Jenkins spends the first half of the book showcasing Jones’s terrible nature and the various ways they are messing with everyone.  Cleverly utilising multiple character perspectives, you are soon drawn into the various main characters’ lives and soon see all the various reasons why each of them may have wanted to kill Jones, as well as some of the suspicious steps some of them took.  Jenkins perfectly sets up everything in the first part of How to Kill a Client, and by the time you reach the halfway point, you are firmly enthralled by the narrative and want to see how the rest of the book unfolds.

When the eventual death happens (a real high point) the reader is left wondering whether it was an accident, a mistake, or a deliberate action, with the evidence pointing towards a murder.  However, due to the sheer range of suspects and motives, the story produces a twisty and fun range of plotlines that you need to navigate to get to the final conclusion.  Jenkins really produces an emotional and captivating second half as you try to find out who killed Jones and why.  There are some brilliant revelations unfurled here, and I loved how some cunningly hidden clues in the first half of the book were utilised in the final mystery.  I was very impressed with the final reveals around how the killing was committed and why it happened, and you will come away from this story very satisfied, especially as Jenkins builds in some excellent character moments and ensures that all the remaining characters get a fitting end to their arcs.  I found myself getting really caught up in Jenkins’ powerful and amazing story and I honestly powered through the last half of the book very quickly to see how everything ended.

Part of the reason why How to Kill a Client is such an effective read is that Jenkins introduces an excellent cast of intriguing and complex characters who are thrust into a variety of compelling situations throughout the course of the narrative.  Each of the main cast, who Jenkins effectively builds up and utilises in the plot, are quite damaged, desperate or concerned in their own unique way, while many of the supporting characters are notably selfish or manipulative for their own ends.  Characters like Ruth Dawson and Viv Harrison give some compelling and honest insights into how women are treated in this influential professional setting, while Anne Jones shows the harsh reality of a women trapped in an abusive relationship.  At the same time, there is a great collection of supporting lawyer characters who Jenkins uses to show off the range of people and personalities one is likely to experience in Australia’s legal services.

However, out of all the characters in this book, the one I must highlight the most is probably the murder victim, Gavin Jones, mainly because he is such a despicable figure.  Jenkins really goes out of her way to make Jones into one of the most unlikable and petty characters you are ever likely to find in fiction and boy does she succeed, perfectly capturing an insecure and manipulative narcissist who enjoys controlling people.  Not only does he go out of the way to try and ruin the careers of several characters just because they are women, but he also demands attention from the male characters to feed is ego, while also abusing and controlling his wife to make him feel good.  In a very short amount of time Jenkins builds Jones up into such an unlikable character that the reader finds themselves trying to reach into the book and kill him before the murderer does.  This naturally adds quite a lot to the mystery of the book, as his malicious professional actions, deceits, violence and puppy killing (seriously, that one really angered me), ensures that everyone he came in contact with had a reason to murder him.  The huge suspect pool around this unlikable character allows Jenkins to craft an impressive murder mystery and you’ll really get drawn into finding who finally snapped and killed this infuriating character.  This villainous figure, and other great characters, all added so much to the plot of How to Kill a Client and really got invested in their stories very quickly.

One of the other features of How to Kill a Client that I particularly enjoyed was the author’s detailed and intriguing examination of an Australian law firm.  Clearly utilising all her past experiences as a lawyer, Jenkins perfectly showcases how a firm would work and act in a variety of scenarios, and you really get the senses of the day-to-day chaos the individuals working there would experience, which adds a lot of authenticity to the story.  Jenkins also dives into the backroom drama and politics that surround such entities, as the various lawyers cut deals and fight for control over various projects or clients.  There is a particularly cynical edge to the book’s portrayal of legal firms in this novel, and Jenkins shows it to be a dark and unfulfilling practice at times, especially in some of the more elite firms.  The author really showcases just how bad these companies are when it comes to the treatment of women as two of the book’s central characters are female partners in Howard Green who have to constantly deal with their male colleagues’ condescension and manipulations, and there are several pointed scenes where the arrogant male managers fail to listen to the women even when they are right.  There is also a focus on the way law firms sycophantically woo potential clients, bending over backwards to get hired, and this adds some intriguing angles to the drama.  Finally, there is also quite a dark look at the demand for profits over people, as there is a constant fear of firings and layoffs, even for the best employees.  This critical presentation of a professional law firm is pretty striking and it results in some powerful scenes throughout the course of the book, especially as the people stuck in these firms often refuse to escape it, no matter how bad it gets.  I felt this examination of the profession in Australia added so much to the outstanding story and it helps to make How to Kill a Client really stand out.

Overall, How to Kill a Client was an outstanding and captivating debut from new Australian author Joanna Jenkins and one I had a wonderful time reading.  Blending compelling legal elements with a fascinating, character-driven mystery, How to Kill a Client has a brilliant story that takes the reader on a powerful and twisty journey.  Slick, emotionally rich, and filled with exceptional characters, How to Kill a Client is one of my favourite debuts of 2023 so far, and I cannot wait to see what epic reads Jenkins will release in the future.

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Waiting on Wednesday – Dark Corners by Megan Goldin

On By The Unseen LibraryIn Australian, Murder Mystery, Waiting on WednesdayLeave a comment

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings.  Stay tuned to see reviews of these books when I get a copy of them.  In this week’s Waiting on Wednesday I check out a cool upcoming crime fiction reader from acclaimed Australian author Megan Goldin, Dark Corners.

Dark Corners Cover

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Readers of this blog will probably be familiar with my habit of supporting and highlighting Australian authors in my various reviews and posts.  This is primarily because, as a book reviewer living in Australia, a lot of this local fiction gets sent to me by publishers.  However, I also like supporting my fellow countrymen, especially when they are killing it across a variety of genres, and it is always fun to see an Australian representing the rest of us international markets.  As such, the subject of this Waiting on Wednesday article is perhaps one of the most impressive and well-known Australian authors now, compelling crime fiction writer Megan Goldin.

Goldin has been writing for a few years now and has so far produced several amazing and highly regarded bestselling novels.  I personally first became familiar with Goldin back in 2018 when I was lucky enough to get a copy of her epic thriller, The Escape Room, which I powered through in a single night.  I had an amazing time with its fantastic narrative, especially as it detailed the corrupt dealings of Wall Street, and it ended up being one of my favourite pieces of Australian fiction at the time.  However, Megan was far from done and she has since produced two more outstanding reads.  This includes her heartbreaking and dramatic novel, The Night Swim (one of my favourite Australian novels of 2020) and the impressive thriller from last year, Stay Awake (one of my favourite Australian novels of 2022).  All her books have had great concepts, backed up with excellent writing, and I would strongly recommend each and everyone of her previous books.

Unsurprisingly, I am always excited when I see that Goldin has another book on the horizon, and it looks like we will only have to wait till August 2023 for her next novel, Dark Corners.  A sequel to The Night Swim, Dark Corners will bring back Goldin’s excellent pod-casting protagonist Rachel Krall, who is recruited by the FBI for an investigation.  Thrust further into the deep end than ever before, Rachel will have to uncover the dark world of influencers and social media celebrities to find a deadly killer.

I have to say that I love the sound of this cool upcoming book, not just because Goldin is apparently going to unleash a serial killer on convention full of influencers.  Goldin is always such an exceptional writer, and this book sounds like it will have some excellent murder mystery elements to it, which I am excited to see.  I am deeply intrigued to see how this elaborate and fun sounding story unfolds, and I am particularly keen to see Goldin’s take on the influencer/social media scene.  I have no doubt that Dark Corners is going to be one of the top novels by an Australian author in 2023 and I full plan to dive into this novel the second I have my hands on it.

Plot Synopsis:

 Rachel Krall, the true crime podcaster star of Megan Goldin’s acclaimed The Night Swim, returns to search for a popular influencer who disappears after visiting a suspected serial killer.

Terence Bailey is about to be released from prison for breaking and entering, though investigators have long suspected him in the murders of six women. As his release date approaches, Bailey gets a surprise visit from Maddison Logan, a hot, young influencer with a huge social media following. Hours later, Maddison disappears, and police suspect she’s been kidnapped―or worse. Is Maddison’s disappearance connected to her visit to Bailey? And why was she visiting him in the first place?

When they hit a wall in the investigation, the FBI reluctantly asks for Rachel Krall’s help in finding the missing influencer. Maddison seems to only exist on social media; she has no family, no friends, and other than in her posts, most people have never seen her. Who is she, really? Using a fake Instagram account, Rachel goes undercover to BuzzCon, a popular influencer conference, where she discovers a world of fierce rivalry that may have turned lethal.

When police find the body of a woman with a tattoo of a snake eating its tail―identical to a tattoo Rachel had seen on Bailey’s hand―the FBI must consider a chilling possibility: Bailey has an accomplice on the outside and a dangerous obsession with influencers, including Rachel Krall herself. Suddenly the target of a monster hiding in plain sight, Rachel is forced to confront the very real dangers that lurk in the dark corners of the internet.

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Top Ten Tuesday – My Favourite Australian Books of 2022

On By The Unseen LibraryIn Australian, List3 Comments

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  For this week’s Top Ten Tuesday, participants were supposed to list their top new-to-me authors that they read in 2022, however, I am going to do something differently here at The Unseen Library.  I already completed and published this list last week as I knew in advance that I would be doing an alternate list today.  The reason for this, and the reason I delayed putting this list up by a day, is because tomorrow, 26 January, is Australia Day, so I thought I would take this opportunity to once again highlight some of the top pieces of fiction written by Australian authors that I read in 2022.

Each year, a ton of talented Australian authors produce an impressive and exciting range of fiction from across the various genres, many of which I am lucky enough to get copies of from the local publishers.  I tend to read and review a lot of novels by Australian authors, most of which turn out to be some outstanding reads that I deeply enjoy.  As such, for the last few years on Australia Day I have taken to highlighting my favourite pieces of Australian fiction for the last few years (check out my 2019, 2020 and 2021 lists).  I really love how much awesome Australian fiction there is now, and this list is the perfect way to highlight some of the best recent Australian authors.

Now I tend to take a bit of a different approach to Australian fiction than some other bloggers, as I focus on books written by Australian authors rather than novels purely set in Australia or featuring Australian casts.  To qualify for this list, a novel had to be released in 2022 and written by an Australian author, which I am defining as anyone born in Australia or who currently lives here (Australia is very good at adopting talented people as our own).  This resulted in a long list, including several novels that I considered to be some of the best reads of last year.  I was eventually able to whittle this novel down to the absolute cream of the crop and came up with a fantastic top ten list (with my typical generous honourable mentions).  I really enjoyed how this list turned out, especially as it features novels from a range of different genres, all of which were very awesome Australian books.

Honourable Mentions:

Retribution by Sarah Barrie

Retribution Cover

Following on from her brilliant 2021 thriller, Unforgiven, Sarah Barrie continued to impress with her dark and compelling new release, Retribution, which follows an unconventional rookie cop as she takes on the worst of Sydney’s underworld.

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The Justice of Kings by Richard Swan

The Justice of Kings Cover

One of the hottest fantasy debuts of 2022, The Justice of Kings, was written by English expat turned Australian author Richard Swan.  An excellent blend of fantasy fiction, political intrigue and crime fiction, The Justice of Kings lives up to its hype and comes highly recommended.

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36 Streets by T. R. Napper

36 Streets Cover

A gripping and truly unique cyberpunk thriller set in futuristic Hanoi, 36 Streets is a great read from an awesome Australian talent.

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The Crimson Thread by Kate Forsyth

The Crimson Thread Cover

Kate Forsyth continued her dominance of the historical drama world with an amazing novel set on Crete during World War II.  Providing a compelling examination of the Nazi occupation of Crete while following two Australian soldiers who both fall for the same woman, The Crimson Thread was an outstanding and powerful read that is really worth checking out.

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Top Ten List:

Headcase by Jack Heath

Headcase Cover

Let’s start this list off with one of the best crime fiction books of 2022, the grizzly and deeply entertaining novel Headcase by the always impressive Jack Heath.  Heath is swiftly becoming one of my absolute favourite authors, and his amazing books, Hideout and Kill Your Brother have appeared on my 2020 and 2021 top Australian book lists respectfully.  His latest novel, Headcase, might be one of his best and while I still need to write a review for it, it is an exceptional read.  Following Heath’s cannibalistic protagonist as he investigates the mysterious death of an apparent Chinese astronaut in the NASA facility in Houston, Headcase is a brilliant and shocking read that is an absolute blast from start to finish.  I had so much wicked fun with this book, and it is a very worthy addition to this list.

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Call of Empire by Peter Watt

Call of Empire Cover

The latest book from one of my favourite historical fiction authors, Peter Watt, is another easy inclusion on this list as he continues his outstanding Colonial series with Call of Empire.  The fifth book in the Colonial series (which has previously featured The Queen’s Colonial, The Queen’s Tiger, The Queen’s Captain and The Colonial’s Son), Call of Empire continues to follow an intriguing Australian family whose members are drafted into several major wars towards the end of the 19th century.  Providing an intriguing view at Australia’s earliest military actions, Call of Empire was another awesome action-adventure novel from Watt that is a ton of fun to read.

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Stay Awake by Megan Goldin

Stay Awake Cover 2

Talented Australian thriller writer Megan Goldin continued to impress in 2022 with another complex and powerful read, Stay Awake.  Building on the success of such books as The Escape Room and The Night Swim, Stay Awake featured a unique story of a woman who awakens in New York covered in blood and with no memory of the last two years.  Hunted by a killer and unsure of what has happened to her life, the protagonist must uncover who is behind the murders before she falls asleep and loses her memories once again.  Clever, powerful and deeply intense, Stay Awake was another exceptional read from Goldin and I cannot wait to read her next book later this year.

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One Foot in the Fade by Luke Arnold

One Foot in the Fade Cover

Actor turned fantasy author Luke Arnold returned in 2022 with a particularly awesome urban fantasy novel, One Foot in the Fade.  The third book in his Fetch Phillips series, One Foot in the Fade perfectly continues the story started in Arnold’s previous books The Last Smile in Sunder City and Dead Man in a Ditch.  Set in a dark fantasy world where all the magic has been destroyed, One Foot in the Fade continues to follow Arnold’s damaged and obsessed protagonist, Fetch Phillips, as he tries to bring back the magic and save the former magical creatures he doomed.  Taking the character on a deadly adventure where he battles monsters, greedy humans and his own dark determination, One Foot in the Fade was one of Arnold’s best books yet and I cannot wait to see how he continues to grow as an author.

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The Unbelieved by Vikki Petraitis

The Unbelieved Cover

Next up we have The Unbelieved by Vikki Petraitis, which was a very easy choice to include on this list.  An extremely powerful and captivating read, The Unbelieved follows a tired detective who investigates a series of sexual assaults in a quiet Victorian town, only to come up against sexism, corruption, and a long-established code of silence.  Petraitis did something really special with The Unbelieved and I was instantly hooked by its complex story and intense examinations of how sexual crimes are perceived by rural Australians.  Not only was this one of the best debuts of 2022, but it also appeared on my top books of 2022 list as well.  A highly recommended read from an exceptional new talent.

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The German Wife by Kelly Rimmer

The German Wife Cover

Another book by an Australian author that appeared on my top books of 2022 list was The German Wife by Kelly Rimmer.  Rimmer, who deeply impressed me in 2021 with her outstanding novel, The Warsaw Orphan, once again dove into the darkness of Nazi Germany with The German Wife.  Following the struggles of a German family transported to America as part of Operation Paperclip, The German Wife explores their complex life, from the prejudice they suffer in America for being former Nazis, to the terrible truth about how their country betrayed them and forced them to become monsters.  One of the best historical dramas of 2022, The German Wife is such a great book, and I cannot wait to find out how Rimmer’s next book will break my heart in 2023.

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Wake by Shelley Burr

Wake Cover

While there were quite a few good Australian crime debuts in 2022, one of my favourites was the awesome and captivating Wake by Shelley Burr.  Set in a dying rural town, Wake sees a private investigator and a damaged survivor attempt to solve an infamous mystery of a missing girl who disappeared from her bedroom years ago without anyone noticing.  However, nothing is as it seems, and the characters are dragged through an emotional roller coaster as they attempt to discover the truth.  An insanely great debut, Wake was an epic read with a very clever mystery to it.

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Only a Monster by Vanessa Len

Only a Monster Cover

Another hot debut of 2022 from an awesome new Australian author was the powerful and complex young adult fantasy book, Only a Monster by Vanessa Len.  Following a teen protagonist who discovers she is really a monster who can travel through time, Only a Monster is a powerful and surprisingly dark read which I could not get enough of. 

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Daughters of Eve by Nina D. Campbell

Daughters of Eve Cover

Few Australian crime fiction reads of 2022 contained as many shocks and intriguing examinations of gender as Daughters of Eve by debuting author Nina D. Campbell.  A series of murders in Sydney quickly turns into a nation-wide crisis once it becomes known that violently abusive men are being killed off by a women’s movement known as the Daughters of Eve.  Sharp, fast-paced, and featuring a cynical, if accurate, examination of how men would react in this situation, Daughters of Eve was an outstanding book from an amazing new talent.

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Everyone in My Family Has Killed Someone by Benjamin Stevenson

Everyone in My Family Has Killed Someone Cover

The final Australian book on this list is the very fun and utterly hilarious murder mystery book, Everyone in My Family Has Killed Someone by Benjamin Stevenson.  Set at a very hostile family reunion in an isolated Australian ski resort, Everyone in My Family Has Killed Someone is clever and addictive homage to classic whodunnits, only this time every suspect is already a killer in some way.  Stevenson really taps into his comedy background to produce an amazingly entertaining novel that perfectly combines mystery, humour, and awesome references to the golden age of crime fiction.  A masterful novel that perfectly showcases Stevenson’s talents as a rising Australian author.

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Well, that is the end of this latest list and I am really happy that I got a chance to highlight some of the cool Australian releases of 2022.  The above books represent an outstanding collection of fiction from talented Australian authors, and each of them comes highly recommended by me.  I had a lot of fun coming up with this list and I cannot wait to find out what the best Australian books of 2023 are going to be.  Until then, stay tuned for more epic reviews and lists, and make sure you let me know who your favourite Australian authors are in the comments below.

Quick Review – Everyone in My Family Has Killed Someone by Benjamin Stevenson

On By The Unseen LibraryIn Australian, Comedy/Satire, Five-Star Books, Murder Mystery, Quick Review3 Comments

Everyone in My Family Has Killed Someone Cover

Publisher: Michael Joseph (Trade Paperback – 29 March 2022)

Series: Ernest Cunningham – Book One

Length: 384 pages

My Rating: 5 out of 5 stars

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One of Australia’s fastest rising crime fiction stars, comedian turned mystery writer Benjamin Stevenson, returns with an outstanding standalone book that might be one of the best Australian crime fiction reads of 2022, Everyone in My Family Has Killed Someone.

One of my favourite Australian crime fiction authors now is the exceedingly talented Benjamin Stevenson, who has written some amazing works over the last couple of years.  Stevenson’s writing career began in 2018 when he released the amazing murder mystery Greenlight (which was subsequently released as Trust Me When I Lie and She Lies in the Vines outside of Australia).  A fantastic Australian crime fiction book with true crime elements to it, Greenlight followed a successful television producer who reinvestigates a murderer who was freed thanks to his show.  Stevenson followed Greenlight up in 2020 with the epic sequel, Either Side of Midnight, which saw the same protagonist investigate an impossible murder in what was one of my favourite Australian books of 2020.  Both these readers were pretty damn impressive, but Stevenson has saved his best work for the 2022 release, Everyone in My Family Has Killed Someone, which luckily has an outstanding story that matches the very cool title.

Plot Synopsis:

Everyone in my family has killed someone. Some of us, the high achievers, have killed more than once. I’m not trying to be dramatic, but it is the truth. Some of us are good, others are bad, and some just unfortunate.

I’m Ernest Cunningham. Call me Ern or Ernie. I wish I’d killed whoever decided our family reunion should be at a ski resort, but it’s a little more complicated than that.

Have I killed someone? Yes. I have.

Who was it?

Let’s get started.

EVERYONE IN MY FAMILY HAS KILLED SOMEONE

My brother

My stepsister

My wife

My father

My mother

My sister-in-law

My uncle

My stepfather

My aunt

Me

As the title and the intriguing plot synopsis above suggests, Everyone in My Family Has Killed Someone is an awesome read that sees Stevenson serve up an addictive narrative that is one part insane family drama and one part homage to classic detective novels.  I had an incredible time reading this book early on in 2022 and I honestly should have written a review for it well before now.

The plot of Everyone in My Family Has Killed Someone is pretty bonkers as it follows a very damaged protagonist, teacher and crime fiction mega-fan Ernest Cunningham, as he attends one of the most awkward family reunions in history.  Written from Ernest’s perspective as part of an in-universe book, Everyone in My Family Has Killed Someone sees Ernest reunite with the fellow members of the infamous Cunningham family at an isolated ski resort.  The black sheep of a dark family with criminal connections, Ernest has been invited to attend a special event: the release of his brother Michael from jail after Ernest testified against him.  However, once his brother arrives, a series of murders start to strike the resort, killing off several people.  With the ski resort cut off from the outside by the snow, it falls to Ernest to discover who is killing the remaining guests at the lodge.  However, everyone in his family is a suspect, as all of them have killed someone before, including Ernest, who has just as much motive as the rest.  As the book continues, it becomes very clear that someone in the Cunningham family has killed again, it’s just a matter of finding out which one did it.

I have to admit that I was pretty in love with this book from the opening pages, especially as it becomes clear early on that Stevenson planned to blend the book’s mystery with some great humour and brilliant homages to classic murder mysteries.  Stevenson lays out this story in a fun way that simultaneously focuses on the infamous main family, their complex past and relationships, while also presenting a compelling murder investigation that intentionally steals a lot of cues from classic whodunnits.  Stevenson introduces an outrageous cast of complex characters for the story, and they were very intriguing to follow, especially as they all have deeper issues brought on by the deaths they are responsible for.  The story at time transforms into a very moving and entertaining family drama, which helps to make the story richer and even more amusing.  The mystery itself is very clever, and I loved the multiple compelling twists and reveals that accompanied it as the protagonist is forced to dive back into every terrible event his family has been involved in, including murder, robbery, police corruption and kidnapping, all of which leads to final, devastating solution.  While the identity of the killer is a tad obvious, the reveal of why they are committing their crimes more than makes up for it, and Stevenson came up with one doozy of a motive.  However, the real highlight of the book is the way in which Stevenson sets out Everyone in My Family Has Killed Someone in the manner of an in-story chronicle written by the protagonist, which simultaneously takes on every established trope and rule of old-school detective novels and moulds it into itself.

As I mentioned a few times above, Everyone in My Family Has Killed Someone also acts as a homage to classic crime fiction novels, as Stevenson goes out of his way to simultaneously parody and revere the iconic detective genre.  The book starts with two intriguing elements: the membership oath of the Detectives Club (a secret society of classic crime fiction writers), and Ronald Knox’s ’10 Commandments of Detective Fiction’.  Both of these inclusions acknowledge the general tropes and rules of golden-age detective fiction, and they actually end up being used by the protagonist, and by extension Stevenson, as the main guideline for the mystery.  The author continuously refers back to this list as the novel continues (he even suggests folding this page down so you can revisit it when needed), and I loved how this mystery came together as the author tried to avoid breaking any of these rules.  The author also cheekily informs the reader in advance when in the book someone is going to die with an accompanying page number, ostensibly to allow the reader to jump ahead if needed.  However, as most people will continue through at the normal pace, it heightens the suspense a little as you get closer and closer to the page on which you know a death is going to occur.  Various elements like this, as well as a ton of self-referential internal monologues and discussions about the rules of whodunnits, gives this book an incredible meta feel, which Stevenson uses to full effect to tell a particularly hilarious story.  The author’s background as a comedian is on full display here as he creates an incredibly funny book, even with the continued murders and human tragedy.  These clever references are a great love letter to the classic detective novels, especially as he addresses them in such a satirical way, and all mystery lovers will get a real kick out this book as a result.

Overall, Everyone in My Family Has Killed Someone is an absolutely outstanding book that I cannot recommend enough.  While I have enjoyed Benjamin Stevenson’s mystery novels in the past, I think that Everyone in My Family Has Killed Someone is where he finally reveals his full potential.  Not only is the mystery itself brilliant, loaded as it is with compelling characters and a dark family history, but Stevenson finally showcases his impressive comedy skills and uses them to produce a truly delightful and incredibly addictive novel.  The combination of mystery, humour and a clever homage to the classics, is an intoxicating mixture, and it was near impossible to put this book down once you started reading it.  As such, I must give Everyone in My Family Has Killed Someone a full five-star rating, and it was one of the most entertaining books I read in all of 2022.  I have so much love for this book and I was very excited when I heard that Stevenson is releasing a sequel in October titled Everyone On This Train Is A Suspect.

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Quick Review – Only a Monster by Vanessa Len

On By The Unseen LibraryIn Australian, Fantasy, Quick Review, Young Adult2 Comments

Only a Monster Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 1 February 2022)

Series: Monsters – Book One

Length: 410 pages

My Rating: 4.5 out of 5 stars

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Only a Monster by Australian author Vanessa Len is a particularly wonderful debut highlight of last year that I have been meaning to talk about for some time.  A brilliant and awesome young adult fantasy read, Only a Monster is an impressive novel that sees a shocked girl realise that everything she thought she knew about her family was a lie and that deep down she really is a monster.  Intense, incredibly clever, and beautifully inventive, Only a Monster was pretty damn epic and proved to be one of the best debuts of 2022.

Plot Synopsis:

With the sweeping romance of Passenger and the dark fantasy edge of This Savage Song, this standout YA contemporary fantasy debut from Vanessa Len, is the first in a planned trilogy.

It should have been the perfect summer. Sent to stay with her late mother’s eccentric family in London, sixteen-year-old Joan is determined to enjoy herself. She loves her nerdy job at the historic Holland House, and when her super cute co-worker Nick asks her on a date, it feels like everything is falling into place.

But she soon learns the truth. Her family aren’t just eccentric: they’re monsters, with terrifying, hidden powers. And Nick isn’t just a cute boy: he’s a legendary monster slayer, who will do anything to bring them down.

As she battles Nick, Joan is forced to work with the beautiful and ruthless Aaron Oliver, heir to a monster family that hates her own. She’ll have to embrace her own monstrousness if she is to save herself, and her family. Because in this story . . .

. . . she is not the hero.


Only a Monster has an awesome story that takes a teenage girl on a dark journey of self-discovery and magical adventure as she tries to figure out who she is and what lies within her.  Len starts this book quickly, with a good introduction to central protagonist and point-of-view character Joan Chang-Hunt, who is part of the unusual Hunt family.  A shuddering moment of unreality reveals that she is really half monster, someone who has the ability to steal time from humans to power their time-travelling abilities.  Though Joan initially tries to avoid this revelation and enjoy time with her crush, Nick, an encounter with the malevolent Oliver family of monsters forces her further into their hidden world, especially when it is revealed that Nick is secretly a monster slayer destined to kill every monster in existence, including Joan.  After a brutal series of events that sees most of her family and the other monsters of London killed in a single, coordinated massacre, Joan flees into the past with her surviving cousin Ruth and the youngest member of the Oliver family, Aaron, hoping to find a way to save their families.  Their quest leads them to try and recover a legendary artifact that will allow them to rewrite time.  But to do so, they will need to go up against the mysterious King of the Monsters and his dangerous plot to control reality.  Caught between monsters and monster slayers, the characters are forced into a series of deadly encounters which will force Joan to choose whether to retain her humanity or embrace her inner monster.

Len really came up with something special in Only a Monster, and I personally loved how this outstanding debut unfolded.  The author keeps a pretty fast pace throughout the entire book, and you are constantly thrown from intense moment to intense moment as the protagonist and her companions attempt to stay ahead of their enemies and find a way to bring back their families.  I felt that Len did a great job introducing her compelling world, fantastic characters and unique magical elements, and you quickly learn to appreciate the author’s inventive ideas.  This is actually a pretty dark read, especially as it starts with a massacre and focuses on a group of magical beings who can suck the life force out of normal humans to power their abilities.  I personally deeply enjoyed this darker tone, as Len balances it well with her unique creative ideas and the emotional character development to create an intense and addictive read.  The magical time travel elements of this book are very well done, and the darker ideas behind the absorption of people’s time span helped to make it a malevolent gift that the protagonist is forced to use by necessity.  Despite this, it does produce some fun time travel jokes, and I had a laugh at some of the pop culture references that were utilised in the identification of the period.  Len also lays down a series of interesting twists throughout the story which are revealed at perfect moments and which help to produce a pretty amazing story.  However, the absolute highlight of this book had to be the epic ending that Len decided to traumatise her readers with.  While I’m not going to give away anything here, let’s just say it is pretty insane, and I was deeply impressed with how Len set it up and executed it.

The final thing I really need to gush about when it comes to Only a Monster is the deeply complex and damaged characters featured within.  Only a Monster features a fun crew of central protagonists, each of whom are going through their own epic journeys.  The primary focus is on central character Joan Chang-Hunt, a sweet and nerdy character who, in the course of a day, finds out she is a half-monster with life-sucking time travel abilities, and then witnesses her entire extended family getting massacred.  This naturally causes her to experience a lot of emotions and trauma as she constantly tries to come to terms with how her life has unravelled and changed forever.  The main focus of her character arc is the examination of her inner monster as Joan tries to get to grips on whether she wants her abilities, especially as they force her to drain away people’s time.  She is also dealing with intense guilt over her role in the massacre that destroyed her family, partially thanks to her relationship with Nick, and this clashes hard with her own concerns about being a monster.  All this, and more, ensures that Joan is forced to grow up a lot throughout the course of Only a Monster, and she must keep making harder and harder decision as she gets closer to crossing lines she doesn’t want to.  Her final actions in this book bring all these deep feelings close to the surface as she is forced to make a terrible decision in a heartbreaking and powerful scene.  Len did an outstanding job when it came to Joan in this book, and I look forward to seeing how she continues to develop in future entries in this series.

Two other major characters I need to highlight are Joan’s accidental companion, Aaron Oliver, and her crush/personal nightmare, Nick.  Both characters have pretty dark introductions to the story, especially as they end up trying to kill Joan in the starting chapters, but Len develops them separately as the book continues.  Aaron ends up working with Joan as they try to stay alive and find a way to save their families, and they become an intriguing and combative duo throughout the book.  While Aaron is initially arrogant and antagonistic, you soon see that this is a façade, as Aaron is also incredibly damaged due to the actions of his cruel family.  Len does a wonderful job of slowly uncovering this deeper side of Aaron throughout the course of Only a Monster, and the eventual bond he forms with Joan is a touching and moving part of the book, even if it isn’t destined to last.  Nick, on the other hand, is an outstanding villain for this story, especially when it is revealed that he is an unflinching and implacable monster hunter.  Despite the connection he had formed with Joan before the events of this book, mainly because he sees her as more human than monster, Nick soon starts fanatically hunting her throughout time and becomes determined to stop her at all costs.  Clever and dark reveals about Nick come to light as the book continues, painting him in a somewhat sympathetic light, but this doesn’t stop him from hunting Joan, which leads to an exceptional and shocking confrontation towards the end of Only a Monster that perfectly changes everything.  The powerful character work contained in these central characters, as well as the intense bonds they form with Joan, are such a key part of Only a Monster, and you will come away heartbroken and moved with how their storylines unfold.

Overall, I had an incredible time with Vanessa Len’s Only a Monster, and not only was it one of the best debuts of 2022 but one of the best young adult books of the year as well.  This brilliant and powerful fantasy read had an amazing story and you will be impressed and excited by the complex characters and deeply inventive fantasy elements that are worked into this compelling narrative.  Intense, dark, and full of hope, Only a Monster is an incredible read that comes highly recommended to anyone interested in seeing the start of an extremely promising career in fantasy fiction.  I am very excited to check out the sequel, Never a Hero, later this year, and if Len keeps up the amazing writing from Only a Monster, it is going to be particularly epic and exceptional.

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Quick Review – Stay Awake by Megan Goldin

On By The Unseen LibraryIn Australian, Thriller3 Comments

Stay Awake Cover 2

Publisher: Michael Joseph (Trade Paperback – 16 August 2022)

Series: Standalone

Length: 352 pages

My Rating: 4.5 out of 5 stars

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One of Australia’s most talented crime fiction writers, Megan Goldin, returns with another powerful and captivating read, Stay Awake, a unique and gripping novel that deals with memory, murder and a ton of traumatic suspense.

Over the last few years, crime fiction fans have been getting more and more impressed with the outstanding writings of Australian author Megan Goldin.  Goldin has so far written several epic and clever thrillers, and I have had a lot of fun reading two of her most recent books, The Escape Room (one of the best Australian books of 2018) and The Night Swim (one of the best Australian books of 2020).  Both of these books had outstanding plots, whether it was The Escape Room’s twisty tale of revenge or The Night Swim’s deep and emotionally charged story of justice for women, and I cannot recommend them enough.  After having such an epic time with her previous novels, I was very excited when I received a copy of Goldin’s latest book, Stay Awake, last year.  Featuring an outstanding story with an awesome hook to it, Stay Awake was an epic read that lived up to all my expectations.

Plot Synopsis:

Liv Reese wakes up in the back of a taxi with no idea where she is or how she got there. When she’s dropped off at the door of her brownstone, a stranger answers―a stranger who now lives in her apartment and forces her out in the cold. She reaches for her phone to call for help, only to discover it’s missing, and in its place is a bloodstained knife. That’s when she sees that her hands are covered in black pen, scribbled messages like graffiti on her skin: STAY AWAKE.

Two years ago, Liv was living with her best friend, dating a new man, and thriving as a successful writer for a trendy magazine. Now, she’s lost and disoriented in a New York City that looks nothing like what she remembers. Catching a glimpse of the local news, she’s horrified to see reports of a crime scene where the victim’s blood has been used to scrawl a message across a window, the same message that’s inked on her hands. What did she do last night? And why does she remember nothing from the past two years? Liv finds herself on the run for a crime she doesn’t remember committing as she tries to piece together the fragments of her life. But there’s someone who does know exactly what she did, and they’ll do anything to make her forget―permanently.

In the vein of SJ Watson’s Before I Go to Sleep and Christopher Nolan’s cult classic Memento, Megan Goldin’s Stay Awake is an electrifying novel that plays with memory and murder.

This was a fantastic and captivating read by Goldin that really highlights her amazing ability as an author.  Stay Awake is a fast-paced and exceedingly addictive novel that grabs your attention early on and refuses to let go thanks to its very clever story.  Starting off with the main character, Liv Reese, finding herself covered in blood and with everything she thought she knew gone or altered around her, Goldin sets up an incredible introduction that sets up an amazing follow up story.

The book gets even more interesting once the author introduces Liv’s peculiar situation: thanks to a past trauma, her mind resets itself each time she goes to sleep and she cannot remember anything from the past two years.  This results in a brilliant story, which features three separate intriguing perspectives of events.  Not only do you get the exciting main story of a confused Liv running through New York City, attempting to get to grips with her lost life, but you also see events from two years in the past which led up to the trauma that claimed her memory.  At the same time, the book also follows Detective Darcy Halliday, who is assigned to investigate a dead body connected to Liv, and soon becomes obsessed with finding the amnesiac protagonist.  These three major plot lines are expertly weaved together as the book continues and you soon find yourself drawn into the exciting mystery of who Liv is and whether she committed the murder that Darcy is investigating.  Goldin also amps up the story by having Liv being chased by a mysterious figure who is intent on finding and killing her to protect their secret.

However, the real highlight of Stay Awake’s story has to be the continued memory lapses experienced by the protagonist throughout the course of her chapters in the present.  Due to her condition, Liv actually loses her memory several times throughout the course of her storyline, causing her mind to completely reset to two years in the past.  This is a very fascinating character element, and I felt the author used it extremely well.  It is very compelling and a little scary to watch Liv make the same mistakes and visit the same people repeatedly, especially as she has no knowledge of the last two years, such as certain deaths or relationships.  Watching her come to grips with her chaotic life, only to lose it again in the next chapter, is simultaneously heartbreaking and fascinating, and you honestly cannot tear yourself away from this gripping book.  Thanks to the killer using Liv’s condition against her, the story further devolves into a dark and unique game of cat and mouse, with Liv forced to find answers about her life while avoiding a danger that she unaware exists.  Everything comes together extremely well as the book concludes, and I loved the clever solution to the main mystery of Liv and the various murders, especially as the hints to it are subtly laid down in the three alternate plot lines, even if the protagonists doesn’t remember them.  A truly awesome crime fiction narrative that is expertly written by its talented author, who has produced another very unique crime story.

Overall, I was once again deeply impressed with Goldin, and I felt that Stay Awake was a particularly great novel from her.  Goldin really pulls together a distinctive crime fiction story in this standalone thriller, and I was really glad that the amnesia angle of her plot paid out so effectively.  Stay Awake really helps to cement Goldin as one of Australia’s, and the world’s, most inventive new authors, and I cannot wait to read her next book, Dark Corners, which is set for release later this year.

Stay Awake Cover

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