The Evening and the Morning by Ken Follett

The Evening and the Morning Cover

Publisher: Macmillan (Hardcover – 15 September 2020)

Series: Kingsbridge – Book 0

Length: 819 pages

My Rating: 5 out of 5 stars

Following three long years of waiting, one of the best authors of historical fiction in the world today (and one of my all-time favourite authors), Ken Follett, returns with another historical epic, The Evening and the Morning.

Follett is a highly acclaimed author who has written a number of impressive bestsellers over his 45+ year writing career.  After starting off with thriller novels, Follett really hit his literary stride when he moved on to massive historical fiction novels.  After experiencing great success with the iconic The Pillars of the Earth, he has gone on to produce several other epic books, including two sequels to The Pillars of the Earth and the outstanding The Century trilogy.  I have been a major fan of Follett for years ever since I had the great pleasure of reading The Century trilogy.  This was followed up with the second sequel to The Pillars of the Earth, A Column of Fire, which was easily one of my favourite books of 2017.  Thanks to how overwhelmingly compelling each of these previous novels were, I have been eagerly waiting to read his latest novel, The Evening and the Morning, for a while now, and it has been one of my most anticipated novels for the second half of 2020.

The Evening and the Morning is a character driven historical fiction novel that is set near the end of the Dark Ages of England.  The novel actually serves as a prequel to Follett’s bestselling The Pillars of the Earth and is part of Follett’s Kingsbridge series.  The Kingsbridge novels are all set within the fictional town of Kingsbridge, which each novel exploring a different period of English history (for example The Pillars of the Earth is set between 1123 CE and 1174 CE, while its sequel, World Without End, starts in 1327 CE).  This prequel is once again set in the same area, with the novel running between 997 CE and 1007 CE.

At the end of the 10th century, England is far from settled and faces attack from external threats.  One particularly vicious Viking raid causes untold damage at the town of Combe, near the city of Shiring, and sets off a chain of events that will change the area forever.

Following the raid, one of the survivors, a young boat builder named Edgar is forced to abandon his home and follow his family to the small hamlet of Dreng’s Ferry.  Living amongst the unwelcoming locals and corrupt landlord, the brilliant Edgar chafes and tries to find a new way to provide for his family.  At the same time, a Norman noblewoman, Ragna, falls in love with the ealdorman of Shiring and travels to England to marry him.  However, she soon discovers herself engulfed in a brutal battle for power with her husband’s family, and any misstep could cost her everything.  These characters are joined by Aldred, a young and ambitious monk who wishes to turn the abbey at Stirling into an academic hub.  However, his strong sense of right and wrong gets him into trouble as he searches for justice in all the wrong places.

As all three of these characters try to survive the troubles of the location, they find themselves drawn into each other’s lives.  Together they have the power to solve each of their problems and prosper together.  However, each of them has run afoul of the area’s corrupt Bishop, who is determined to gain power and influence no matter the cost.

Unsurprisingly, I absolutely loved this new novel from Follett, who has once again composed an outstanding historical epic.  The Evening and the Morning is another exceptional book that takes the reader on a powerful and captivating ride through an exciting period of English history with an addictive story told through the eyes of several great characters.  I had an outstanding time reading this book, and despite its length (at 800+ pages, it is one of the longest novels I have ever read), I powered through this book in relatively short order as I found the compelling narrative that Follett produced to be deeply addictive and hard to put down.  This was a fantastic read, and it gets a full five-star rating from me.

The Evening and the Morning contains an impressive and addictive character driven narrative that sees three distinctive protagonists attempt to change their destiny and the destiny of the people they love over a period of 10 years.  Set during a turbulent period of England’s history, The Evening and the Morning follows these characters as they attempt to survive Vikings, hunger, bandits and the machinations of a dangerous bishop.  The scope of this book’s story is truly epic as Follett ensures that his protagonists are forced to contend with all manner of challenges and tragedies, from political intrigue, direct attacks, imprisonment and so much more.  The resulting story is deeply compelling, extremely intelligent and wildly entertaining, especially as Follett comes up with a ton of unique and intriguing scenarios for his characters to work around.  I had an incredible time reading The Evening and the Morning’s story and it proved extremely hard to put down.

As I mentioned above, The Evening and the Morning is part of the Kingsbridge series and serves as a prequel to the first book in the series, The Pillars of the Earth.  Despite this, I would say that readers really do not need to have any prior knowledge of the rest of the Kingsbridge books to enjoy The Evening and the Morning.  This latest novel from Follett is extremely accessible, and as it is set more than 100 years before the events of The Pillars of the Earth, readers really should consider this a standalone novel that any historical fiction fan can easily enjoy (that is true for every entry in this series).  That being said, long-term fans of Follett and the Kingsbridge series will no doubt really appreciate seeing this early version of this iconic fiction setting, especially as the author includes a number of clever connections to the future novels in the series.  I particularly liked seeing how the titular Kingsbridge of the series was created, and you also get more of a look at how important the clergy were to the early inhabitants of the town, which is fascinating if you consider how the relationship between the church and the townspeople changes over the course of the series.  As a result, I would say that The Evening and the Morning is a book that most readers will be able to enjoy, while also serving as an intriguing entry in the Kingsbridge series.

The Evening and the Morning’s story follows three major point-of-view characters, Edgar, Ragna and Aldred, and shows the reader 10 key years of their lives.  These three characters form the heart of this story, and it does not take long for you to get really drawn into their individual stories.  Each of these characters has their own intriguing and emotionally charged story arcs, such as the creative Edgar’s attempts to rebuild his life in a hostile new village after experiencing a series of terrible losses, Ragna’s marriage and the subsequent battle to gain power and influence, and Aldred’s bid for justice and knowledge.  I really enjoyed each of these character’s individual arcs, but their real strength lies in the way that their stories and lives tie into one and other.  All three major characters becoming incredibly entwined as the book continues, as they form a strong friendship between themselves and attempt to help each other come the various struggles they encounter.  These separate character storylines come together extremely well into one powerful and cohesive narrative which sees the reader become deeply engrossed in all their lives.  You really grow to care for all three of these characters as the story progresses, becoming deeply invested in their wellbeing and happiness.  While this is evidence of some outstanding writing on Follett’s behalf, it is a little unfortunate as a lot of bad things happen to each of these characters (especially Ragna), and it makes for some emotionally hard reading at times.  There is also a rather intriguing love triangle between these three characters with some interesting LGTB+ elements attached, which adds an additional level of drama to the story.  I ended up being quite satisfied with how these character arcs unfolded, and readers are going to have an incredible time seeing how they turn out.

In addition to the main three characters, there is also another major point-of-view character, Wynstan, the Bishop of Shiring.  Wynstan is the book’s main antagonist, a cunning and ruthless manipulator who is desperate to gain power and influence at the expense of others.  Wynstan is the half-brother of Ragna’s husband, who uses his familiar connections and his corrupted followers to control much of Shiring and the surrounding area.  Follett has created an extremely despicable and aggravating villain with Wynstan, who comes into conflict with all three major protagonists, as each of them cross him in some way or another.  Wynstan is an extremely vengeful and dangerous opponent, who manages to do some fairly evil deeds throughout the book, while avoiding too many repercussions.  I found myself really growing to hate Wynstan and his followers as the book progressed, becoming fairly aggravated whenever he managed to weasel his way out of trouble.  This emotional response to Wynstan is exactly what you want when you write an antagonistic character, and I think that he helped add a lot to the overall narrative.

Follett has also loaded up his story with a ton of side characters who the point-of-view characters interact with throughout their lives.  There are quite a substantial number of side characters in this book, but thanks to Follett’s excellent writing the reader is able to keep track of each of them; at no point during this book did I become lost working out who someone was.  Many of these supporting characters have their own minor story arcs throughout the book, and it is interesting to see how they evolve and change over the years.  While quite a few of them are fairly despicable (indeed, at times it seems like the three main characters are the only decent or sensible people in the story), you do grow attached to them and become wrapped up in what happens to them.  That being said, readers are advised not to get too attached to them, as they have a much higher mortality rate, although there are a few happy endings in there which are guaranteed to satisfy.  Overall, Follett does an exceptional job with all the characters in this novel, and watching their lives unfold was a real emotional rollercoaster.

I also quite enjoyed the author’s fascinating depiction of England (with a bit of Normandy thrown in for good measure) during the late 10th and early 11th century.  While the setting of this book, Shiring and its surrounding environs, are fictional, they come across as period-appropriate settlements and the reader gets a real sense of what life in the various villages and towns would have been like.  Due to the broad scope of the story and what the characters witness, the reader gets a look at a huge range of different people who would have existed during this period, including the nobility, the various members of the clergy, the common people and even slaves.  Follett does an amazing job of highlighting how these various characters would have lived, what their professions or stations were like and the problems they would have typically experienced.  The author really replicates the hard nature of the times, allowing the reader a fascinating glimpse into the harsh and dangerous lives of our ancestors.  Follett also works in some broader historical elements, such as the increased attacks from the Vikings and the political situation at the time.  A lot of these historical inclusions, such as having King Ethelred the Unready appear as a minor character, proved to be really intriguing, and I loved how the author dived back into history to enhance his tale.

With The Evening and the Morning, Ken Follett has once again shown why he is one of the top historical fiction authors in the world today.  This latest novel presents the reader with an exceptional and captivating tale of love, connection and triumph over adversity at the end of England’s dark ages.  Serving as a prequel to Follett’s bestselling The Pillars of the Earth, The Evening and the Morning contains an amazing story that follows some driven and likeable protagonists during this dark period.  The end result is an epic and incredibly addictive read that comes highly recommended and is easily one of the best books of 2020.  There is a reason why Follett is one of my favourite authors of all time, and I cannot wait to see what elaborate novel he comes up with next time.

Battle Ground by Jim Butcher

Battle Ground Cover

Publisher: Orbit/Penguin Random House Audio (Audiobook – 29 September 2020)

Series: The Dresden Files – Book 17

Length: 15 hours and 43 minutes

My Rating: 5 out of 5 stars

One of the leading authors of the urban fantasy novel, Jim Butcher, returns with the next entry in his world-acclaimed Harry Dresden series, Battle Ground, an awesome novel that was one of the most anticipated releases of 2020.

Jim Butcher is a highly acclaimed fantasy author who has been dominating the market since his debut novel in 2000.  Butcher has written a number of books throughout his career, including his Codex Alera series, the first book of his planned Cinder Spires series, The Aeronaut’s Windlass and even a Spider-Man tie-in novel, Spider-Man: The Darkest Hours.  However, the body of work that Butcher is best known for is his long-running urban fantasy series, the Dresden Files.  The Dresden Files started back in 2000 with Storm Front and follow the adventures of Harry Dresden, a wizard who works as a private investigator in Chicago, solving supernatural crimes and protecting humans from dangerous magical creatures.  This series proved to be incredibly popular and is widely considered to be the gold standard of urban fantasy novels.  The Dresden Files currently consists of 17 books, with the universe expanded out with short stories, novellas and even some graphic novels.

While I have always heard incredible things about the Dresden Files books, I have not previously had the pleasure of reading any of them yet.  This is an admittedly massive gap in my fantasy reading knowledge, and it is one that I have been meaning to fill for a while.  So when I recently received a copy of the latest novel in the series, Battle Ground, I figured that this would be a perfect opportunity to finally break into the series.

For years, Harry Dresden, rogue wizard and general smartass, has defended the city of Chicago from all manner of supernatural threats and each time he has managed to keep it safe, until now!  War is coming to Chicago as a being of unbelievable power, the Last Titan, Ethniu, marches towards it, determined to have her revenge.  To achieve her goal, she has assembled a vast supernatural army and is in possession of a magical superweapon of unbelievable destructive power.  With these forces at her command, Ethniu has sworn to wipe out the entirety of Chicago in one night and kill all eight million of its inhabitants.

In order to combat this terrible threat, Dresden must rally together every friend, former enemy and magical ally he can find in order to face down the opposing army and stop Ethniu.  However, this will be no easy task.  Not only must he deal with the conflicting politics of the rival magical factions but dangerous monsters are also loose in the city, determined to take advantage of the destructive circumstances.  Worse, thanks to Ethniu’s superweapon, every electronic piece of technology in Chicago has been knocked out and the entire population is now helpless and unable to flee from the oncoming chaos.

As Dresden and his allies attempt drive back the enemies coming towards them, they face an uphill battle.  Ethniu is one of the most powerful beings in existence, and not even the combined might of Chicago’s magical elite may be enough to stop her.  Throughout this night Dresden will face terrible losses and be forced to make some of the hardest decisions in his life.  But even Dresden’s most desperate tricks may not be enough to turn the tide and save the city.  One thing is clear: no matter who wins, Dresden and the entire city of Chicago will never be the same again!

Well damn, Jim Butcher really went all out with Battle Ground and has produced one heck of an impressive novel.  This was a spectacular read, filled with a lot of huge, epic moments, smart storytelling, extremely likeable characters and clever fantasy inclusions, all wrapped up with a fun sense of humour and excitement.  Battle Ground is the 17th Dresden Files book, quickly following up the 16th book, Peace Talks (where several storylines explored in the novel originated).  I had an absolute blast reading Battle Ground, and I do have to admit that I am currently feeling a lot of regret for not getting into this series a heck of a lot sooner, as this latest entry is easily one of my favourite books of 2020.

At the heart of this outstanding novel is an extremely powerful story that sees beloved series protagonist Harry Dresden attempt to save his city from all-out destruction as a magical army invades, intent on killing everyone.  This results in an intense and action-packed novel that is a bit of a change of pace from some of the previous novels in the series, which usually read more like fantasy detective fiction.  Battle Ground is a war story, with the protagonist engaged in the battle of his life throughout the entirety of the novel.  Butcher starts Battle Ground off quickly with the protagonist having to face off against a kraken, which easily draws the reader in off the bat (I know I was pretty darn impressed with that introduction).  From there he sets up the start of the war perfectly, with a number of characters introduced as their roles in the coming fight are established, as well as an exploration of the various magical political entities in the city and why they are supporting Dresden in his fight.  It does not take long for the actual war for Chicago to start, and once it does the story does not slow down again until the battle reaches its brutal climax.  There are some truly epic and captivating battle sequences throughout the course of this book as Dresden and his allies face all manner of dangers and turmoil, including a range of distinctive adversaries from the previous entries in the series.  There are so many memorable and exciting moments that featured in this part of the book and I found myself going through an emotional ringer as everything unfolded, from feeling saddened at some critical scenes, to being inspired as a beloved character led an impassioned charge against the foe.  I was on the edge of my seat as I listened to Battle Ground’s story, and it honestly did not take me long to get completely and utterly addicted to the narrative as I desperately waited to see how the story would conclude.  When it did, I found myself completely satisfied with the ending and it left me with a deep longing to see where Butcher takes the series next.  Overall, this was an incredibly well-written and wildly exciting narrative which will stick in the readers mind as they wait for the next Dresden Files book to be released.

Now, was it a mistake coming into this series on the 17th book that serves as an epic conclusion to a number of key storylines?  Potentially.  But do I have any regrets about reading this latest Dresden Files novel?  Absolutely freaking not!  I had an incredible time with Battle Ground, especially as Butcher made sure to make this novel accessible to new readers, even with the book’s huge range of characters and massive stakes.  Pretty much every major character or event that is relevant to the main narrative of Battle Ground is explained in sufficient detail so that new readers coming to the series for the first time can follow what is happening and get a decent sense of the significance of a location, event from a prior book or the personal history that Dresden has with a character.  I do have to admit there were a few things I was a tad uncertain about, mainly because they would have been covered in Peace Talks.  For example, I did find the motivations of the book’s main antagonist, Ethniu, a little vague and there was a lack of build-up around her various allies and minions.  There is also a major twist towards the end of the book which did not hit me as significantly as it would have for a long-term reader of the series, as it is tied into several overarching plot threads from the previous books.  Despite this, I was able to follow the plot extremely closely, and my lack of prior knowledge in no way stopped me enjoying all the incredible action and wonderful characters that were part of the books plot.  As with any later addition to a series, Battle Ground is definitely intended to be enjoyed by established fans; however, I will recommend this to readers unfamiliar with the series as I know they will have an amazing time reading it.

One of the key things that I enjoyed about Battle Ground was the extremely likeable and entertaining series protagonist, Harry Dresden, who serves as the narrator of the entire story.  Dresden is a very fun and unique protagonist, and for most of the series he has worked outside of the established system of magical rule as a private investigator.  However, in this book he is part of the government, serving both the White Council of Wizards and as a member of Queen Mab’s court.  Despite this, he still retains his extreme anti-authoritarian streak and is constantly infuriating those people who are higher up on the magical hierarchy with his glib attitude.  I have a strong attachment to sarcastic and infuriating protagonists and Dresden is one of the more enjoyable ones I have seen in fiction.  Butcher really goes out of his way to make Dresden as likeable and entertaining as possible and most of the book’s brilliant humour is derived from Dresden’s comedic observations and statements about the events occurring around him and the outlandish people that he meets.  I also had to have a chuckle about the various pop-culture references that Dresden brought up throughout the course of the book, even in life threatening situations, such as the way he imitated Gandalf while holding off opponents on an iconic Chicago bridge.  Despite this carefree and entertaining exterior, Dresden is actually a very deep protagonist, weighed down by the responsibilities he faces and the constant desire not to be corrupted by the forces he encounters or bargains with.  Dresden goes through a lot of emotional damage in Battle Ground as he must not only contend with the guilt of letting this destruction reign down on his beloved hometown, but also with a series of losses that he faces along the way.  Butcher expertly captures Dresden’s emotional turmoil through his use of the first-person narrative, and the reader cannot help but be entranced by some of the darker moments this usually cheerful character experiences.  This excellent combination of characteristics really helps to turn Dresden into a relatable individual and an impressive protagonist and I cannot wait to see what happens to him in the future books of the series.

In addition to Dresden, Battle Ground features a veritable smorgasbord of cool side and supporting characters who the protagonist encounters throughout the course of the novel.  Due to the high stakes of the plot, this book contains a massive cast with a huge number of characters from all the previous books and novellas appearing in cameos or significant roles.  Most of these characters are really amazing, and Butcher does a fantastic job introducing them and ensuring that the reader knows who they are, what their connection to the protagonists is, as well as key elements of their history.  Due to my lack of familiarity with the series, I really appreciated the author’s dedication to reintroducing these characters and I felt fairly confident following who the various people were and what their role in the story was.  That being said, I was probably a little less emotionally impacted with some of the resultant twists and turns involving some of these characters, and I imagine long-time readers of the story are going to get a lot more out of their actions then a newcomer to the series.  These long-term readers should be warned that Butcher takes the stakes of this book particularly seriously and several characters are going to meet some dramatic fates.

I personally enjoyed many of the characters that were featured in the plot and I felt that each of these inventive personalities either added some real emotional depth to the novel or served as an entertaining additional to the story.  Some of my favourite characters in Battle Ground included River Shoulders (full name: Strength of a River in His Shoulders), a Sasquatch magician who wears Victorian era garb and who is one of the most likeable creatures in the book.  River Shoulders has a lot of fun moments throughout the story, although I have to highlight the quick scene which saw him make a pitch to improve race relations with an improvised ventriloquist act, as it made me laugh pretty hard.  I also really enjoyed Major General Toot-Toot Minimus, a small fairy who leads an army of Little Folk in defence of Dresden, all in the name of pizza.  Toot-Toot is one of the main comic reliefs of their entire novel and it was quite entertaining to see in action, especially when he manages to overcome the bigguns in defence of Za Lord.  However, the character I enjoyed the most aside from Dresden was Waldo Butters, Knight of the Cross.  Now, despite the fact that I would constantly think about the character of Butters from South Park whenever he appeared (in fairness, they have a lot of similarities with each other), Waldo Butters is probably the character who gets the most development and use throughout the course of Battle Ground.  Butters, who only recently took on the mantle of a Knight after spending most of the series as a defenceless sidekick, really comes into his own in Battle Ground, acting in a major defence role throughout the fight for the city.  Not only does he have some very inspiration fight sequences, but he also has a series of particularly emotional scenes with Dresden and adds a lot of heart to the narrative as a result.  I also really loved some of his scenes where he squares off against Battle Ground’s big bad, and you get a real Neville Longbottom vs Voldemort feel from it.  You can clearly see that Butcher has some big plans for Butters in the future, and I am personally cannot wait to see what they are.  I am honestly only scratching the surface of the various side characters who appeared throughout Battle Ground, but needless to say that they were all pretty exceptional and it was a real treat to meet them.

Battle Ground also served as my introduction to the magical version of Chicago that serves as the setting for this fantastic series.  This proved to be an excellent setting for this great book, and I really enjoyed the way that Butcher has melded together regular Chicago with some more subtle magical elements, such as a ruling magical council, hidden enclaves of power and mysterious creatures hiding just beneath the surface.  There are a lot of cool elements to this setting, and I think that the author did an amazing job reintroducing it for the context of this latest novel.  I was particularly impressed by the way Butcher brought a number of key city landmarks to life in this book, with several iconic pieces of Chicago used to great effect throughout the book as settings for epic scenes.  Unlike any previous book in the series, the events of Battle Ground ensure that Chicago goes through some massive changes as a magical army invades.  The destruction levelled upon Chicago is substantial, and there are several emotional sequences that see the citizens attempting to deal with these forces coming to kill them.  Naturally, this is going to have some major impacts in the future entries in the series, and I look forward to seeing what the long-term impacts of this book are going to be.

I also need to mention that, aside from Battle Ground’s main story, this novel and its associated audiobook format also contains the short story, Christmas EveChristmas Eve is a relatively tiny part of the novel, only made up of 15 pages (or around 25 minutes of the audiobook), and shows Dresden encountering several people on Christmas Eve.  This short story is set after the events of Battle Ground (despite being initially written and released in 2018) and contains a rather nice and emotionally rich narrative that examines Dresden’s emotional state as a father and friend.  Christmas Eve is a much more relaxed and lower-stakes story that Battle Ground, and I personally really enjoyed reading it after all the bloodshed, sacrifice and death of the main story.

While I did receive a nice hardcover copy of Battle Ground, I ended up listening to its audiobook format instead.  The Battle Ground audiobook runs for a little under 16 hours, which I powered through in only a few short days; it did not take me long to get addicted to this novel.  I deeply enjoyed the Battle Ground audiobook and I felt that it was an awesome way to enjoy this great book.  Not only did I find myself absorbing more of the story elements and getting drawn more into the plot but I also loved the top-shelf narrator they utilised for this audiobook.  Battle Ground was narrated by James Marsters, best known as Spike from Buffy the Vampire Slayer and Angel, who has also narrated all the previous books in the series as well as the short stories and other associated novels.  I am a major fan of Marsters, having watched a ton of the television shows he has appeared in, so I was very excited to listen to one of the audiobooks he narrated.  Unsurprisingly, Marsters proved to be an outstanding narrator, empowering this already impressive novel with his amazing vocal talents and moving the story along at a brisk and exciting pace.  Marsters did an awesome job providing each of the characters with their own unique and distinctive voice which fit the personality and depiction of each character perfectly.  I was also particularly impressed with how he brought the book’s protagonist to life.  Marsters really dove into the character of Harry Dresden, providing a perfect voice for the maverick wizard that effectively captured his various quirks and personality traits.  This excellent narration also explored the various raw emotions that Dresden experienced throughout the course of the novel and you get a fantastic sense of what the character is going through and how much he is struggling.  I really have to highlight the enthusiastic emphasis that Marsters utilises when reciting Dresden’s various spells and I could totally imagine the protagonist shouting out his incarnations in that way.  I also liked the humorously altered voices that were utilised for some of the supernatural creatures, such as Toot-Toot, which was not only widely entertaining but which fit the outrageous character extremely well.  All of this makes for an incredible audiobook experience and I fully intend to listen to the other entries in the series rather than seeking out a physical copy.

Battle Ground by Jim Butcher is an extraordinary and epic urban fantasy novel that serves as the latest novel in Butcher’s acclaimed Dresden Files series.  Butcher has done an incredible job with Battle Ground, presenting the reader with an awesome and captivating narrative, filled with a huge array of enjoyable characters and clever fantasy elements.  The result is an outstanding and deeply impressive novel that I had an amazing time reading.  Battle Ground gets an easy five-star rating from me and it was one of my favourite books (and audiobooks) of 2020.  I cannot praise this novel enough and it certainly served as a wonderful introduction to the Dresden Files.  I am intending to go back and start reading the series from book one and I have no doubt I will love each and every entry in the series.  I am especially keen to check them out in their audiobook format because James Marsters has narrated each of them and I know I will deeply enjoy hearing these clever stories read out.  Needless to say, this book comes highly recommended from me and I cannot wait to see what other extraordinary stories exist within Butcher’s extensive Dresden Files.

The Trouble with Peace by Joe Abercrombie

The Trouble with Peace Cover

Publisher: Orion Audio (Audiobook – 15 September 2020)

Series: The Age of Madness – Book Two

Length: 21 hours and 56 minutes

My Rating: 5 out of 5 stars

The master of dark fantasy fiction, Joe Abercrombie, returns with another masterful and incredible novel, The Trouble with Peace, the second entry in The Age of Madness trilogy, which is easily one of the best novels of 2020.

Abercrombie is an extremely talented author who has written several impressive dark fantasy novels over the years.  His most distinctive works are the books in The First Law universe, which started back in 2006 with the author’s debut novel, The Blade ItselfThe First Law trilogy (which I really need to review) was an amazing and captivating series that followed a motley collection of broken characters and bastards as they found themselves caught up in the chaos of a dark and brutal fantasy universe.  The author has revisited this universe several times, first with three standalone novels set after the events of The First Law trilogy, and then with The Age of Madness trilogy, of which this latest book is a part.  The Age of Madness novels serve as a sequel series to The First Law trilogy, and follow several of the children of the original protagonists (as well as some other new characters), as they engage in a whole new level of chaos and destruction.  The first entry in this trilogy, last year’s A Little Hatred, was an exceptional novel that not only got a full five-star rating from me but which was one of my favourite books (and audiobooks) of 2019.  As a result, I was extremely excited when I got my copy of The Trouble with Peace, and it was one of my most anticipated releases of 2020.

The age of madness rolls on!  Following the death of his father, Crown Prince Orso has taken the throne of the Union and is now king, a role he never wanted.  What he inherits is a nation riven with discord and disharmony, with enemies within and without waiting to cut him down and take power for themselves.  Forced to deal with the machinations of the lords of the Open Council, the revolutionary Breakers, the anarchist Burners and the rival Kingdom of Styrians attempting to take his kingdom from him piece by piece, Orso soon begins to learn that even as king, he is just as powerless as always.

As chaos begins to descend on the Union and the North, the great and the powerful attempt to find their place in the new world order.  For Savine dan Glokta, formerly Adua’s most powerful investor, she finds herself in a vulnerable position with her judgement and reputation ruined.  However, her ambition remains unchecked and an unlikely alliance may help to secure the future she has always desired.  In the North, peace temporarily reigns and the governor of Angland, Leo dan Brock, chafes at the lack of action and finds himself drawn into the political turmoil surrounding the rulership of The Union.  As a famous war hero, he now wields great influence in the Open Council and many seek to use him for their own ends.  This chaos leads to him making deals he never expected, including with his former enemy, the new King of the Northmen, Stour Nightfall.  At the same time, the Dogman’s daughter, Rikke, attempts to control her dangerous gift of prophecy and heads along a new path of blood and violence.

As order and peace unravel across the Union, discord and rebellion raise their ugly heads.  With the old leaders of the world dead and the new generation taking their place, war seems inevitable.  Those who remain must decide who they are loyal to and who they can trust.  However, no alliances, no peace and no friendships last forever, and when the dust settles the Union will be changed forever!

Well damn, that was a good read!!  The Trouble with Peace is another exceptional and captivating novel that takes the reader on a dark thrill ride that proves impossible to escape.  The author once again comes up with an impressive and clever story of war and betrayal, which is anchored by a series of complex point-of-view characters, each of whom is damaged in some unique and compelling manner.  This results in a truly incredible book that was an absolute joy to read and which I flew through in a relatively short period of time.  I absolutely loved this latest book from Abercrombie, and The Trouble with Peace gets an easy five-star rating from me as a result.

At the centre of this awesome novel is an extraordinary and fast-paced narrative that sees various diverse characters and factions attempt to manipulate and outwit each other in order to gain ultimate power in the world.  The plot of The Trouble with Peace continues immediately after the shocking conclusion of A Little Hatred and sees each of the characters introduced in the previous book continue along their established storylines.  Of course, as this is a The First Law novel, it really does not take long for events to take a downward turn and soon the characters find themselves on opposite sides of a growing, major conflict.  There is a real focus on political intrigue, personal relationships and revolution in this novel, all of which proves to be deeply captivating and a lot of fun to read.  On top of that, Abercrombie throws in his usual blend of high-adrenaline action, extreme humour and wild personalities, resulting in an impressive and addictive story that readers will lap up and try to finish off as soon as possible.  Abercrombie does a great job of making this story accessible to new readers and those people unfamiliar with the universe could easily jump in here and have a great time.  However, this is definitely a novel for those readers familiar with the other entries in The First Law series, especially the preceding novel, A Little Hatred, and fans of the series will love the clever directions Abercrombie goes in The Trouble with Peace.  This is a first-class story, and I cannot recommend it enough.

Abercrombie backs up this amazing narrative with a powerful and distinct writing style that helps to turn The Trouble with Peace into a first-class read.  Like all the novels in The First Law series, The Trouble with Peace is told from some different and unique perspectives, as several captivating characters show the events of the novel occurring in front of them.  This results in an impressive and far-reaching story as the reader gets to see a bunch of different points of the same story.  This allows you to witness the various political, tactical and personal manoeuvrings on each side of the conflict, enhancing the overall narrative and driving certain key plot points home.  Abercrombie uses these multiple perspectives to great effect throughout the novel and some of the best sequences in the book are the result of some quick changes of perspective.  This includes an amazing succession of scenes in which two rival characters are disguised in a casino and have subsequent meetings with the same person in quick succession.  It proved remarkably entertaining to see the different approaches both characters took to the same situation, and served to highlight the similarities and differences between them.  Other scenes showed how the major point-of-view characters deal with each other when they meet, and it was fun to see the various mental gambits from both sides of the conflict, especially as Abercrombie ensures that all these characters are competing to be the most manipulative person in the room.  There are also two extended sequences where a single event is witnessed not only by a main character but also by a series of side characters and minor one-off characters to really showcase the chaotic nature of some scenes and the wide range of people they impact.  The use of various perspectives also really helps to set the brutal and dark tone for the entire novel, as the characters they follow are usually right in the centre of a series of different messes that they are either the cause of or they are trying to avoid.  I also really enjoyed the unique outlooks of each character as their fun reactions to the outrageous events occurring around them provide a great deal of the book’s impressive and entertaining humour.

As with all of Abercrombie’s books, the true highlight of The Trouble with Peace is easily the fantastic selection of damaged and deranged characters that make up the main cast of the series.  Like the first entry in The Age of Madness trilogy, The Trouble with Peace is primarily told throughout the eyes of seven separate point-of-view characters, each of whom has their own unique and captivating character through the novel.  These characters include:

  • King Orso – son of King Jezal, who has taken the throne after the sudden death of his father. Orso has inherited a fractured kingdom, essentially made up of people who all hate him.  Orso has a lot of growing up to do in this novel as he soon discovers all the troubles that relate to being king and the limited power he truly has.  I really liked Orso’s storyline in this book, mainly because he comes into his own and starts to demonstrate some backbone and leadership abilities.  His unique way of dealing with problems, many of which relate to his background as a wastrel and a coward, are surprisingly effective and often very entertaining.  Orso proves to be a very enjoyable protagonist throughout this book, and I personally found myself really getting behind him and hoping that he comes out on top.
  • Savine dan Glokta – the adoptive daughter of Arch Lector Glokta and the foremost businesswomen in the Union. Savine has gone through some substantial changes since the last book.  Rather than the confident and crafty women we were introduced to, this Savine is a mess, still reeling from the horrors she experienced in Valbeck and the revelation that her former lover, Orso, is her half-brother.  However, Savine soon manages to find a way back on top, thanks to a profitable marriage, and sets her sights on a particularly tempting target.  Savine is a rather despicable character in this book, and the readers are going to have a hard time feeling too sympathetic for her.  Still, Abercrombie does an amazing job exploring her trauma damaged psyche and she ends up being a very compelling character to follow.
  • Leo dan Brock – the new governor of Angland and the son of two of the protagonists of the standalone novel, The Heroes. After securing the North and bringing Stour Nightfall to heel, Leo has gained much influence and celebrity in the Union.  However, even after the events of the first book, Leo is still as hot-headed as ever and finds himself easily led into a number of conflicts.  Despite his apparent heroism and charisma, Leo is a very hard character to like, mainly due to how stupid he is.  Essentially anyone with half a brain can manipulate him in some way, and it becomes quite tiring to see him do something stupid and destructive merely because he has been told it is the noble thing to do.  Despite this, Leo forms a very fascinating counter point to his rival, Orso, as Leo has many of the things that Orso desires, such as heroism, martial prowess and the love of the people.  I also quite enjoyed the author’s exploration of Leo’s sexuality and love interests, and I look forward to seeing how that progresses in future books.
  • Rikke – a Northern girl and the daughter of The First Law trilogy point-of-view character the Dogman. Rikke is a troubled waif who is regretting her decision to force open her Long Eye in order to increase her prophetic abilities.  Rikke has to make some hard choices in this novel, but her eventual storyline sees her take up a leadership role in the North that sees her face off against the vicious new king of the Northmen, Stour Nightfall.  Rikke is another character that really comes into her own in this book, as she is forced to grow up quick and do hard things to survive.  There are some interesting story elements involved with this character, especially thanks to her magical Long Eye, which allows her to see into the future, and which also results in some very trippy chapters shown from her perspective.  I really enjoyed Rikke’s storyline and character arc through this book, and there are some excellent scenes that show just how devious she has become.
  • Vick dan Teufel – a Union inquisitor who works for Arch Lector Glokta and is loyal only to him. Vic spends a good part of the book working throughout the Union and attempting to identify the King’s enemies, as well as trying to find out who is behind the Breakers and the Burners.  Vick is a really interesting character and I like how much of her storyline seems to mimic Glokta’s from the original trilogy.  For example, in The Trouble with Peace, she is sent to a far-off Union city and must find a way to hold it against a rival kingdom.  However, she soon starts to discover the truth about who really runs the Union and the extent of their power.  Vick is a great character to follow, especially as her chapters tend to focus on the hidden political intrigue and manipulation that infests the Union.  Abercrombie also spends a bit of time continuing to explore the traumatic childhood of Vick, and it was interesting to see how her damaged and dangerous personality came to be.
  • Gunnar Broad – a former Union soldier with a perchance for extreme violence. After the events of Valbeck, Gunnar, a former breaker, now finds himself in the employ of Savine, and works as her brutal enforcer.  Gunnar is another fascinating character, who attempts to escape from the violence that he has known his entire life.  However, this is easier said than done, and his chapters feature some fantastic examination of self and philosophical thoughts on personality and the events of the past.
  • Jonas Clover – an old and experienced Northern warrior who works as an advisor for Stour Nightfall. Clover, who remains my absolute favourite character in this new trilogy, is an exceedingly entertaining person, thanks to his unique sense of humour and jaded personality.  Clover really stands out as a character, mainly because he is so different to the other Northern characters in the book.  While most of the people he surrounds himself with are eager for combat or glory, Clover is the only one extolling the virtues of patience and self-restraint, much to the other character’s annoyance.  However, he is usually right, and he has developed a habit of surviving as a result.  I really love this character, especially because he has some of the best lines and insults in the entire book.  It was really entertaining to see him work under the brash and arrogant Stour Nightfall, as Clover is constantly forced to try and reign in his new king, with little effect.  Despite not being used as much as I would have liked, Clover is still a standout character in this novel, and he has some very memorable moments as a result.

I really enjoyed all these excellent character arcs, and I thought that each of them was incredible and enjoyable in their own rights.  However, thanks to how the narrative progressed, many of these character arcs crossed over a lot more than in the previous novel, and you get to see the various storylines proceed side-by-side as a result.  Because of how they were connected, Orso, Savine and Leo tended to get the most focus throughout the book, and some of the other point-of-view characters (Vic, Broad and Clover in particular), did not get as many chapters told from their perspective.  While I would have loved more scenes from some of the other characters (more Clover would have been awesome), I felt that this was a good character balance and I liked how the various arcs progressed.  All the character arcs worked together exceedingly well, and I really liked how together they formed an exceptional and addictive plot.  The protagonists of The Trouble with Peace go through a lot in this book, and I enjoyed seeing how each of them progressed through their latest trials and dangers.  I look forward to seeing what happens to them in the final book of the trilogy and I imagine some dark things are in store for most of them.

In addition to all the outstanding and complex main characters, Abercrombie also has a great swathe of supporting characters throughout the novel and are extremely entertaining or memorable in their own right (I was a particular fan of the wild hillwomen, Isern-i-Phail).  Abercrombie does an excellent job building these characters up through the course of the book, and there are some amazing and entertaining personalities featured as a result.  However, readers should be extremely cautious about getting too attached to some of these characters, as their life expectancy is a little less certain than the main cast.  The Trouble with Peace also saw the return of several characters featured in the original The First Law books, including a couple of former point-of-view characters.  It was great to see how their stories continued years after the heydays of their adventures, and it adds an interesting aspect to the novel.  Fans of the original trilogy will no doubt enjoy seeing these characters return but should prepare to have their hearts broken.  I really liked the various storylines associated with these characters, and I was also impressed by several twists Abercrombie threw in around them, including one particularly good twist about who the ultimate antagonist of this latest trilogy really is.  Several of the scenes that utilise a ton of separate perspectives to show a single event are often briefly shown from the perspective of some of these side characters, as well as a few additional minor characters who only appear for that scene.  The author really makes the most of these scenes, introducing the character and setting up their personality and history in short order, and then showing how that event affects them (usually in a terribly negative way).

The awesome and exciting action sequences really helped to enhance The Trouble with Peace.  Abercrombie’s books have always featured some brutal and graphic fights and examples of combat, and this latest book is no exception.  There are some very impressive fight sequences in The Trouble with Peace, and the reader is always guaranteed of some action just around the corner.  I really do have to highlight one particularly massive and well-done war sequence that occurs in the latter half of the book.  This battle is the culmination of much of the novel’s plot and has a lot of build up as a result.  Luckily, it did not disappoint in any way, as the reader is treated to a series of powerful sequences that really drag them into the midst of the fight.  Thanks to Abercrombie’s excellent writing, the reader gets an incredible sense of the chaos, the fear and the claustrophobic horrors of a battle.  I really got sucked into this major fight, especially as the author makes good use of multiple perspectives to showcase just how bad it could be in the midst of the fighting, and how destruction, death and despair can infect anyone on the battlefield.  These action scenes are exceptionally written and extremely memorable, and all I can really say is thank goodness pikes are no longer used in war.

In addition to the outstanding story, characters and action sequences, I was also quite impressed with the new elements introduced into the series’ dark fantasy world.  While part of The Trouble with Peace is set in the brutal North, most of the plot takes place in the Union, which has gone through some dark times recently.  This version of the Union is extremely different to the setting that was featured in The First Law trilogy, with a recent industrial revolution bringing both progress and problems, as the land moves away from agriculture to factories.  I really appreciate how Abercrombie has altered his primary fantasy nation since the last trilogy, and his portrayal of an early industrial nation which is on the brink of various revolutions proves to be an awesome setting for this brutal and creative novel.  The author really explores the essence and heart of the Union in this book, and there is a particular deep dive into the politics and social economics of the nation as a result.  I had a lot of fun seeing how the Union falls into war, and a lot of the elements are set up extremely well during this book and the preceding novel.  The resulting conflict has a real English Civil War feel to it at times, with the parliament-like Open Council facing off against the forces of the Crown.  All of this works extremely well as a setting, and I had an amazing time once again visiting this chaotic and dangerous fantasy world.

While I did receive a physical copy of The Trouble with Peace, I ended up listening to the excellent audiobook version which was narrated by Steven Pacey.  Pacey is a talented audiobook narrator who has lent his voice to all the previous The First Law novels.  Pacey does an outstanding job narrating this audiobook and the amazing story clips along at a substantial pace thanks to him.  The narrator also has an impressive repertoire of cool voices for the various characters featured in this book and he even utilises some of the voices of the returning characters from the original novels.  Each of these voices is distinctive and fits its respective character perfectly, which in turn enhances the book’s writing and helps to showcase the character’s personality.  All of this results in an enjoyable and deeply addictive listen and I can already tell you that The Trouble with Peace is going to be one of my top audiobooks for 2020.  Listeners should be aware that this is a substantial audiobook, which has a run time of just under 22 hours (it just cracks my top 20 longest audiobooks list).  However, I would say that it is worth the time investment to check this amazing book out in this format and listeners are guaranteed a superb listen.

Joe Abercrombie continues to cement his position as one of the best modern fantasy authors in the world today with the awesome second novel in his Age of Madness trilogy, The Trouble with Peace.  Serving as the latest instalment in the overarching The First Law series, The Trouble with Peace is a captivating and impressive novel, containing an outstanding plot, memorable multi-layered characters and intense action, all set in one of the best dark fantasy worlds in modern fiction.  The Trouble with Peace is one of the best novels of 2020 and I am so glad that I got the opportunity to read it.  Abercrombie has really knocked it out of the park again and I cannot wait to check out the final book in the trilogy next year (currently titled The Wisdom of Crowds).  You will love this book!

The Trouble with Peace Cover 2

Throwback Thursday: Dogs of War by Jonathan Maberry

Dogs of War Cover

Publisher: Macmillan Audio (Audiobook – 25 April 2017)

Series: Joe Ledger – Book Nine

Length: 17 hours and 45 minutes

My Rating: 5 out of 5 stars

For this week’s Throwback Thursday, I check out Dogs of War by Jonathan Maberry, the 9th novel in the action-packed, over-the-top Joe Ledger series.

People familiar with my blog will be aware that over the last year or so I have been making my way through Maberry’s Joe Ledger science fiction thriller novels.  I have been a little obsessed with these books ever since I first checked out the 10th novel in the series, Deep Silence, and then went all the way back to book one, Patient Zero, to see how the series started.  Ever since then I have worked my way through the rest of the Joe Ledger novels, each of which has proven to be a pretty top notch read.  I absolutely love the clever writing style, unique stories and distinctive characters that Maberry features in these novels, and I usually power through them in extremely short order.  Dogs of War is no exception, as I was able to get through this in less than a week and it did not take long for me to get addicted to its intriguing and exciting plot.

Following the disastrous events of Kill Switch, the Department of Military Sciences (DMS), a secret American counterterrorist unit that focuses on dangerous and unusual technology and science, is damaged and discredited.  However, they are still determined to do good throughout the world, and their main field agent, the legendary Joe Ledger, is always keen for a new case.  So when his brother calls him out of the blue with an unusual mystery, Ledger does not hesitate to head back to Baltimore in order to investigate.

Arriving in his former hometown, Ledger discovers a curious set of circumstances.  A young street worker went on a rampage, killing several people before dying herself.  The cause of her madness appears to be a new strain of rabies, which was apparently triggered by nanobots in her brain.  Attempting to investigate more into the case, Ledger finds himself and his family targeted by ruthless killers with advanced technology, determined to ward him off the case.  It soon becomes apparent that the death of the young girl in Baltimore is just the tip of the iceberg, as other mysterious events and attacks occur across America, many of them targeting members of the DMS.  A new enemy has risen from the ashes of the DMS’s old foes, and she is determined to bring about a new world order.  Worse, the DMS’s most dangerous enemy has returned, ready to rain chaos and destruction down on the entire world.  Can Ledger and his team defeat this ruthless team of villains before it is too late, or will Ledger face the greatest tragedy of his life?

So, after reading all 10 Joe Ledger novels (as well as the spinoff novel, Rage), I have come to the conclusion that is actually impossible for Maberry to write a bad Joe Ledger novel.  I was once again blown away while reading this ninth book as Dogs of War contained an epic and addictive story that I could not stop listening to.  Maberry continues to utilise his distinctive writing style in this book, setting up a captivating and clever story that is loaded with intense action, likeable characters, memorable antagonists and a devious plot to end the world.  This results in a very captivating read and Dogs of War gets an easy five stars from me.  This is actually one of my favourite novels in the series and is probably the best one I have read this year (by a very small margin; Predator One and Kill Switch are both really good).  Also he briefly mentions my Alma mater, ANU, so yay for that!

Dogs of War contains an absolutely fantastic story that sees the fun and complicated protagonist, Joe Ledger, face off against another world ending threat.  Just like in the rest of the series, Dogs of War’s narrative is cleverly constructed with about half the novel is told from the point of view of Ledger, as he encounters the antagonist’s plot in real time.  However, the rest of the novel features a large array of alternate perspectives and preceding time periods that expands the range of the story and helps to create a complex and captivating narrative which really grabs the reader’s attention and interest.  Maberry backs up this great storytelling with a thrilling and action-packed narrative that is fast-paced and delightfully over-the-top.  I really love the unique science fiction thriller storylines that Maberry features within Dogs of War and I appreciated all the cool connections that it has to previous novels in the series.  This cool story will appeal to a wide range of different readers and it is extremely accessible to people who are unfamiliar with the Joe Ledger series as Maberry goes to great lengths to explain all the various story elements and characters featured within the book.  That being said, I really need to emphasise just how truly over-the-top this story could be, as there are a number of scenes that some readers may find uncomfortable or hard to read.  This includes some very graphic fight sequences and some rather disturbing sexual content, some of which, if I am being honest, is way too excessive (one flashback scene features the underage antagonist getting deflowered by a literal demon right after her mother’s funeral, which happened to coincide with 9/11).  Still I have a lot of love for the way in which Maberry constructs a Joe Ledger story, and Dogs of War is a truly fun and thrilling story as a result.

Just like with the previous novels in this series, Maberry has anchored his amazing story on a fantastic collection of characters who really help to enhance the narrative and turn this into a first-class read.  The main character is the series’ titular protagonist, Joe Ledger.  Ledger is an extremely complex character due to his fractured personalities and intense emotional range, and it is always incredible to see the story through his eyes, whether he is feeling each and every emotional blow that comes as way as a result of the case, or he is dishing out severe and brutal vengeance to those who have wronged him.  Ledger is also the cause of most of the book’s enjoyable humour, as he has an extremely flippant outer personality, including a hilarious and sarcastic inner monologue, which becomes especially funny when he encounters the various strange and over-the-top elements that this series is known for.

In addition to Ledger, Maberry also does an amazing job reintroducing and utilising the various recurring characters who have been featured in the previous entries in the series.  All of the side characters have their own distinctive and enjoyable personalities, and fans of the series will really appreciate seeing many of these characters return and continue their various individual storylines.  This includes the two surviving members of Ledger’s personal strike team, Top and Bunny, who serve as a great backup throughout the novel and get into some dangerous scrapes of their own.  I particularly appreciated the way in which the author examined and showcased the emotional damage that these two characters have been dealing with since the traumatic events of Kill Switch, and it added an amazing sense of realism to the story.  I also absolutely loved seeing more of Ledger’s attack dog, Ghost, the best and most lovable canine killing machine in all of fiction.  It is an absolute testament to Maberry’s writing ability that he is able to install such a fun and memorable personality into a fictional dog, and you can’t help but love it when Ghost is on the page doing his thing.  That being said, one of the best characters in the novel has to be the mysterious head of the DMS, Mr Church.  Church is a calm and measured figure throughout the novel, grounding the various main characters and providing stable leadership to them.  However, the main appeal of Church lies around his enigmatic nature and past.  Maberry has built up such an amazing amount of mystique around this character that anytime a little hint or mention of his past is presented the reader absolutely laps it up as they try to figure out who or what he is (is he an alien, an angel, some form of immortal hero from history? You just don’t know).  Dogs of War features several more tantalising hints and clues about this, and you get some very interesting glances into his past, although there is still so much mystery.  I really loved seeing all these great characters again, and it was fantastic to see how the story unwinds around them.

No Joe Ledger novel would be complete with a sensationally evil villain with a complicated past and an elaborate master plan, and Dogs of War features both in spades.  The main antagonist of this novel, Zephyr Bane, is a rather intriguing character with a unique view on the world and a range of connection to some of the villains previously featured in the series.  Maberry does an outstanding job building up this antagonist throughout the course of Dogs of War, including through a series of interludes that show key moments in Zephyr’s life, such as how she came up with her plans and how she was tutored in the art of villainy.  While Zephyr is a great antagonist, Maberry doubles down on the villainy in the novel by introducing another sinister opponent for the DMS to face.  This second antagonist is someone who has appeared in several of the past Joe Ledger novels, although his identity is hidden for a good part of the book (although fans of the series will work out who they are rather quickly).  This character is another particularly mysterious being, who spends most of the book manipulating events from the shadows, giving the reader hints at who they are and what they are capable of.  A major highlight of this novel is this villain’s long-awaited showdown with a major Joe Ledger character, and this fated interaction does not disappoint, even if it leaves the readers with more questions than answers.  Overall, these are some fantastic antagonists, and I absolutely love seeing the outrageously evil opponents that Maberry comes up with for these books.

I also have to highlight the extremely complex and intricate evil plot that these antagonists came up with for Dogs of War.  This was a great, high-stakes plan that contained a lot of different elements that are slowly revealed to the reader throughout the course of the book.  Not only does Maberry make great use of flashbacks and interludes to show how this plan came to pass and the various planning stages but he also spends time examining how the antagonists attempt to counter the inevitable interference from the DMS.  Both of the main antagonists have had interactions with the DMS before, and they know that any plan they implement will gain the attention of the DMS at some point.  As a result, they come up with a number of counters and tactics designed to directly target key elements of the DMS in order to take them off the board.  This was a really clever part of the story, as not only does it add an extra level of drama to the narrative, especially when Ledger is emotionally targeted, but it also represents a clever bit of continuity with the rest of the series.  A lot of the weaknesses that the antagonists attempt to exploit were previously introduced or discussed in some of the previous Joe Ledger novels.  The antagonists subsequently try to learn from the mistakes of their predecessors when they utilise these weaknesses, resulting in a lot of tension as some of the characters you are invested in are personally targeted.  I think this was one of the more inventive master plots that Maberry has come up with for the Joe Ledger series.

One of the most fascinating parts of Dogs of War was the author’s examination of certain real-world technologies.  Throughout the course of the book, the author examines all manner of technological marvels in great detail, including nanobots, advanced robots, drones, computer technology and artificial intelligence.  This results in a number of intriguing discussions as the various characters consider all the applications and impacts that such technology has on the world, these technologies are then cleverly worked into the plot of the book as the antagonists utilise them for their evil plans.  Not only is this immensely interesting and highlights the research that the author has obviously done, but all this technology adds a certain amount of real-world menace to the book.  As Maberry takes pains to explain at the very front of the book, all of the technologies that he features within Dogs of War is either in development, currently being tested or already exist in the real world.  As a result, the reader gets a little bit of dread at the thought that a lot of the terrible things that Maberry features within Dogs of War could happen in real life.  This of course helps to ratchet up the tension and suspense within the novel, and I really appreciated how the author used this to make the story even better.  Also, you get to see the protagonist go up against a bunch of robotic dogs, which is just awesome on so many levels.

In order to enjoy Dogs of War I checked out the audiobook format of the novel, which has a decent run time just short of 18 hours.  I absolutely love the Joe Ledger audiobooks and they are by far my preferred way to enjoy these fantastic novels.  The main reason for this is the awesome narrator, Ray Porter, who has lent his talent to every novel in the Joe Ledger series, including Dogs of War, and whose voice really enhances these books.  Porter, who is probably my favourite audiobook narrator at the moment, does an amazing job bringing the characters and the story to life, thanks to his memorable voices and the impressive way that he loads each word with so much emotion and personality.  You always get an incredible sense of the character’s emotions, as the anger, rage, fear or grief that they go through always comes through so clearly.  I particularly love the way that Porter brings the series’ main character, Joe Ledger, to life, as he perfectly captures Ledger’s diverse emotive range, including his boundless anger and his outrageous and sarcastic humour.  I also love the incredible voices he utilises for some other characters, such as the mysterious Mr Church, and his depiction of him contains all the necessary gravitas and power to match the character described in the text.  I also liked the way in which Porter loads one of the antagonist’s voices up with such pure menace and hatred, turning them into a very threatening figure in this format.  All of this made listening to Dogs of War an absolute treat, and I cannot recommend the Joe Ledger audiobooks enough.

Dogs of War was another excellent and addictive entry in Jonathan Maberry’s Joe Ledger series, and I had an amazing time listening to it.  Featuring an outstanding story, awesome characters and so many other fantastic elements, this was an incredible read and I am extremely glad that I checked it out.  I have to admit that I am actually a little sad to have finished off Dogs of War, as that was the last Joe Ledger novel that I had to read.  I have really enjoyed going back and checking out all of the wonderful novels in this superb series, and I will have to get my science fiction thriller fix somewhere else in the future.  Luckily, Maberry actually references several other great series in Dogs of War that could be worth checking out, including the Sigma Force, Seal Team 666 and Chess Team thriller novels, all of which apparently exist in a shared universe with the Joe Ledger books.  I will have to have a think about look at some of these in the future, especially as I wait for Maberry to write another entry in his spin-off Rogue Team International series.  In the meantime, Dogs of War is really worth reading and it comes very highly recommended from me.

How to Rule an Empire and Get Away with It by K. J. Parker

How to Rule an Empire and Get Away With It

Publisher: Orbit (Trade Paperback – 18 August 2020)

Series: The Siege – Book Two

Length: 357 pages

My Rating: 5 out of 5 stars

Prepare to laugh like crazy with How to Rule an Empire and Get Away with It by K. J. Parker, an intensely funny and clever fantasy read that was one of my most anticipated releases of 2020.

Several years after their home fell under a brutal and prolonged siege, the inhabitants of the City have settled into a new way of life.  There may be a vast army camped on the plains outside and the occasional catapult shot may demolish a house or two, but that does not mean that people cannot make some money and get on with their lives.  This includes Notker, an acclaimed actor, skilled lookalike and mediocre playwright, who scrapes a living by impersonating the rich and powerful of the City at parties while trying to get someone to pay him money for his latest play.  However, what Notker does not know is that fame, opportunity, and a rather large boulder are about to land in his lap.

When the City’s greatest hero and nominal leader, Lysimachus, secretly dies, his followers/handlers, desperate to stay in power, recruit Notker to play the role of a lifetime.  Impersonating Lysimachus, Notker continues to act as the city’s figurehead, allowing life to go on, and he even begins to think he has a handle on this simple job, until someone tries to murder him.  Now he finds himself in the midst of a brutal and ongoing power struggle as the various power players in the city attempt to manipulate him for their own ends resulting in him being crowned as Emperor of the entire Robur Empire (or what is left of it).

As Notker attempts to find some sanity within his home, he begins to understand what a fragile position the City is in.  With enemies surrounding them and the besiegers slowly overcoming the City’s defences, Notker needs to choose between making a run for it or trying to save the City.  But what difference can one very good actor make in a war?  If Notker has anything to do with it, everything!

How to Rule an Empire and Get Away with It is another spectacular and extremely entertaining fantasy novel from legendary fantasy writer, K. J. Parker.  Parker, a pseudonym of bestselling author Tom Holt, has written a vast catalogue of books over the years, including a substantial collection of humorous and satirical fantasy novels.  I first really got into Parker’s work last year when I was lucky enough to receive a copy of the awesome Sixteen Ways to Defend a Walled City, a very funny novel that focused on a conniving engineer as he thwarted a massive army through guile, tricky and a substantial amount of BS.  Sixteen Ways to Defend a Walled City was an amazing read and it was easily one of my favourite books of 2019.  As a result, I have been eagerly keeping an eye out for any additional releases from Parker and was very excited when I saw that How to Rule an Empire and Get Away with It was coming out.  I was especially intrigued when I learnt that this latest Parker novel was some form of sequel to Sixteen Ways to Defend a Walled City, and I was very, very happy when I got my copy of this latest book.

This new novel from Parker proved to be an extraordinary read and it was easily one of the funniest novels of 2020.  The author writes a clever, fast-paced and addictive story that utilises the author’s unique sense of humour to create a very entertaining piece of literature.  This is a very enjoyable read, and fans of Parker’s work will love that How to Rule an Empire and Get Away with It is a sequel to Sixteen Ways to Defend a Walled City, continuing some of the great storylines from the prior book.  I had an outstanding time reading this book and it gets an easy five-star review from me.

Parker presents another brilliant and witty story for How to Rule an Empire and Get Away with It that follows the adventures of another unlucky and jaded protagonist as he tries to survive the chaotic events unfolding around him.  Just like with Sixteen Ways to Defend a Walled City, this novel is written purely from the perspective of the protagonist as he chronicles his actions and personal history into a historical text.  This results in a very fast-paced and hilarious story, as the main character bounces from one bad situation to another, encountering plotters, ambitious politicians, angry crime bosses, dangerous invaders and one particular fierce actress who serves as Notker’s leading lady.  I absolutely loved the various outrageous and challenging situations that the protagonist finds himself in, and Parker does a fantastic job presenting them in a humorous way, showing how silly everything is and the various, clever and well-written solutions to these problems.  The entire story goes in some very fun and compelling directions and this ends up being an overall excellent narrative that is extremely well written.  I was able to predict the overall conclusion of the story somewhat in advance, but Parker did an amazing job setting it up and it resulted in a very entertaining and satisfying conclusion.  This was such an amazing story and I had an absolute blast getting through it, laughing my head off the entire time.

As part of this awesome and entertaining story, Parker sets up a whole new protagonist for this novel, Notker the liar.  Notker is another fun protagonist in a similar vein to the main character of Sixteen Ways to Defend a Walled City, in that he is a self-serving and opportunistic individual who is mostly looking out for his own wellbeing.  This changes once he takes on the assignment of impersonating the dim-witted but charismatic Lysimachus and soon finds himself responsible for the safety of the city.  While at first he is mostly trying to survive and find a way to escape from all the insanity and backstabbing that is his life, once he becomes more aware of the situation facing the City and the danger it is really in he begins to take on more responsibility, manipulating everyone so that they can start fighting a more effective war.  I really liked seeing this protagonist attempt to take control of the situation surrounding the City, especially as he appears to be one of the only sane people around.  Watching his various incredulous reactions to the problems presented to him and his various solutions, which are a combination of common-sense responses and brilliant but out-there tactics, is really entertaining.  I especially loved how Parker played up the actor/screenwriter aspect of the character as many of his greatest tricks are derived from theatre techniques, such as selling something to a crowd, misdirection or the value of good lighting.  There is also a great underlying aspect to the character as he pretends to be Lysimachus and he needs to strike a balance between responses that Lysimachus would have done and his own common sense and craftiness.  This compulsion to act like Lysimachus actually becomes a major problem for Notker as he enjoys being the heroic former gladiator and soon begins emulating him instead of acting in his usual manner of self-preservation.  All of this results in another complex and likeable central character who the reader cannot help but root for as he attempts to survive.  I really liked how Notker’s story progressed and it was a real joy to read about him from start to finish.

Another thing that I really enjoyed about this book was the way in which it acts as a fantastic and humorous follow-up to Sixteen Ways to Defend a Walled CityHow to Rule an Empire and Get Away with It is set in the same city as the author’s 2019 release, and the story begins a few years after the events of this proceeding novel.  This new novel mostly presents a new story, told from the perspective of a different protagonist, but it does have a lot of connections to the previous novel.  The individual Notker is impersonating, Lysimachus, was a side character in the first novel, serving as a bodyguard to the original protagonist.  In this book it is revealed that following Sixteen Ways to Defend a Walled City, Lysimachus, a champion gladiator and a revered public figure, was given all the credit for the original protagonist’s efforts following his death.  Parker does a fantastic job revealing this to the reader, and it is extremely fitting in the scope of the first novel as this original protagonist was always getting overshadowed and overestimated.  The author makes sure to really drive this point home by completely excluding the name of the previous protagonist throughout How to Rule an Empire and Get Away with It, just to emphasise how no one in the city truly remembers who he was or what he did, which is pretty darn hilarious.  The novel contains a number of fantastic references to the events that occurred with the previous book, including giving Notker a copy of the previous protagonist’s memoirs (which formed the basis of Sixteen Ways to Defend a Walled City).  Notker of course then provides his own witty two cents to this memoir, providing a writer’s critical analysis, including doubting some of the events that occurred, such as the coincidence around the protagonist being the childhood friend of the mastermind of the siege.  All of this definitely adds a lot to the book’s overall humour, and it is always entertaining to see an author make fun of his own work.

Despite these fun references and the continuation of some story elements from Parker’s previous book, How to Rule an Empire and Get Away with It is very much its own novel, taking the reader on a whole new fun adventure.  As a result, you really do not need to have read Sixteen Ways to Defend a Walled City first, although it is a lot of fun to see the previous book’s events lampooned in this novel.  Indeed, due to the fact that the protagonist and point-of-view character has no idea of the full events of the previous book, you get a good overview as everything is explained to him, which is fun.  Overall, this serves as a very entertaining sequel to this amazing previous book and I will be interested to see if Parker decides to continue the story in some way, which I have no doubt will be another incredible read.

How to Rule an Empire and Get Away with It is a truly awesome and enjoyable read, and author K. J. Parker lived up to all my expectations with this book.  Not only does it contain a captivating and addictive narrative anchored by a likeable and complex main character, but it is also intensely funny.  I loved every second that I spent reading How to Rule an Empire and Get Away with It, and this was without a doubt one of the best books that I have read this year.

Harrow the Ninth by Tamsyn Muir

Publisher: Recorded Books (Audiobook – 4 August 2020)

Series: The Locked Tomb – Book Two

Length: 19 hours and 51 minutes

My Rating: 5 out of 5 stars

Sensational author Tamsyn Muir follows up her incredible 2019 debut with another epic, complex and infinitely entertaining hybrid novel, Harrow the Ninth.

Tamsyn Muir burst onto the writing scene with a real vengeance last year with her debut novel, Gideon the Ninth, the first book in The Locked Tomb series.  Gideon the Ninth was an extremely clever and compelling novel that followed a group of spacefaring necromancers who were summoned to the house of their Emperor and god, and given an opportunity to learn from him and become Lyctors, immortal beings with immense necromantic power who are considered to be living saints.  What they instead found was a haunted manor filled with secrets, weird experiments and mysterious hints at the past.  The protagonist of this first novel was the titular Gideon, a smart assed, foul mouthed lesbian swordswoman who was reluctantly serving the necromantic lady of the Ninth House, Harrowhark Nonagesimus.  I absolutely loved Gideon the Ninth and it was easily one of my favourite debuts of 2019.  As a result, I was rather intrigued when I heard about its sequel, Harrow the Ninth (which, as you can see above, featured another intense and beautiful cover by the talented Tommy Arnold) and I eagerly grabbed an audiobook copy of it when it came out.  I have to say that I am extremely glad that I decided to do so as Harrow the Ninth turned out to be a truly outstanding book and I had an incredible time reading it.

Harrow the Ninth is set shortly after the dramatic conclusion to Gideon the Ninth and switches the focus of the novel over to Harrowhark, who has succeeded in becoming a Lyctor at great personal cost.  Now alone, mentally scarred and more powerful than ever, Harrow finds herself in the personal care of the Emperor of the Nine Houses, who is determined to use his new Lyctor in a deadly war against an ancient and powerful terror, a Resurrection Beast, the insane and vengeful ghost of a murdered planet.

Travelling to the Mithraeum, the Emperor’s isolated sanctum, Harrow finds herself trapped aboard a desolate space station with her god and her fellow Lyctors.  Each of her companions on the station has their own agenda and motive for being there, and all of them are seeking to use Harrow for their own ends.  Worse, as Harrow attempts to learn the full extent of her new powers and abilities, it becomes apparent that something has gone wrong with her transition to Lyctorhood.  Her body keeps failing her, her swordcraft is shoddy, her blade makes her nauseous and her mind keeps presenting her with impossible scenarios.

As the Resurrection Beast comes ever closer to the Mithraeum, Harrow desperately attempts to understand everything that is happening to her and learn how to survive the oncoming attack.  However, she finds herself distracted with the machinations and plots of her untrustworthy rival and the attitudes of her three ancient tutors, especially as at least one of them is trying to kill her.  Can Harrow unwrap all of the dark secrets that lie hidden on the Mithraeum before it is too late, or will the entire Empire fall into ruin before them?

Well damn, now that was a truly enjoyable and incredible read.  Harrow the Ninth is a complex, clever, entertaining and exceptionally well written novel that does an awesome job following on from Muir’s impressive first novel.  I had an absolutely amazing time reading this fantastic book, which I think in many ways is somewhat stronger than Gideon the Ninth.  Not only does Harrow the Ninth have a deeply captivating story that successfully utilises elements from a range of different genres, but it also features some memorable and compelling characters, excellent universe building and a magical system that really stands out thanks to its descriptive necromantic powers.  Harrow the Ninth also serves as a marvellous follow-up to Gideon the Ninth, continuing the clever story from the first book with the same distinctive tone and writing style, while also featuring an intriguing reimagining of prior events.  All of these makes for an epic read which gets a full five-star rating from me.

At the heart of this amazing novel is an intense and multilayered narrative that presents a compelling tale of love, tragedy, treachery and self-discovery.  The story is actually split into several distinct sections, with the main storyline focusing on Harrow after her transformation to Lyctorhood as she spends time in the Mithraeum with the Emperor and the other Lyctors.  This part of the book expertly jumps back and forth through time and is an extremely entertaining part of the book, detailing Harrow’s education under the Emperor and the other Lyctors and her attempts to survive the various internal politics, plots and personal chaos.  The other major part of the story shows a curious alternate version of the events of Gideon the Ninth, shown from Harrow’s point of view, made distinctive due to the complete lack of Gideon, who appears to be erased out of existence.  This alternate version of the prior book is a really intriguing part of Harrow the Ninth’s story, and while I was initially a little confused about why it was included and where Gideon had disappeared to, it proved to be an extremely clever and compelling part of the book, especially when everything becomes fully revealed.  Due to this reimagining of already existing narrative, as well as the continued references to the events of the first book, readers interested in checking out Harrow the Ninth really do need to have read Gideon the Ninth first, as the story gets a little confusing and significantly less impactful without this established knowledge.

These separate storylines complement each other is exceedingly cleverly.  This novel does start off a tad slow, but this is mainly because Muir is re-establishing the narrative from the previous book and loading up the front end of the story with hints and foreshadowing about the multitude or revelations that come throughout the course of the plot.  A lot of big events and reveals occur towards the end of Harrow the Ninth, including a few reveals that were hinted at in the previous novel, and I felt that the author set all of these up perfectly.  This results in an extremely epic conclusion to the novel and I was really impressed by how it all turned out.  This novel contains a unique blend of genres, as Harrow the Ninth features elements from the fantasy, science fiction, psychological thriller and murder mystery genres.  All of these disparate features work together extremely well in the story and it helps to produce a distinctive and entertaining narrative, especially as Muir adds on a rather good comedic edge.  The end result is a fascinating and exceedingly captivating overarching narrative, and I had an outstanding time getting pleasantly blindsided by the inventive twists and turns.

This excellent and unique story is expertly supported by a distinctive writing style that I felt did an amazing job enhancing the narrative.  Perhaps one of the most noticeable elements is the clever narration that accompanies the story.  While Harrow is the point of view character for most of the novel, she is not actually the one narrating the story.  Instead Harrow’s actions, emotions and thoughts are identified, summarised, and relayed back to Harrow by an unidentified second person narrator.  Naturally, this proved to be an interesting and unusual way to tell this story, although it works well in the context of the overall narrative, even if it takes a little to get used to.  This narrative format plays into certain character reveals and plot points of the novel and it makes a lot of sense once you get further into the book, with the style itself actually being a hint about what is happening with Harrow.  This narration style changes at a certain point towards the end of the book in accordance with certain plot developments and the subsequent deviation is clever and reminiscent of past events.  I also really must highlight the author’s extremely descriptive form of story writing, as every event, person or location is described in overly vivid detail.  Not only did this ensure that the reader got the full breadth of certain magical action and developments but it also helped to enhance the overall gothic feel of the book and ensure that reader was able to easily imagine the various locations the protagonist found themself in.  This really helped the story to shine and I have a lot of love for how Muir was able to work story elements into this style.

In addition to the great story that Muir has come up with for this book, Harrow the Ninth also boasts an impressive array of amazing characters.  The central protagonist is the titular Harrow, who takes over from Gideon as the main character after the first book.  Harrow is a vastly different character to Gideon as she has a much more subdued personality, less self-esteem, and a more restrained, subtler sense of humour.  Due to Gideon’s somewhat biased narration in the first novel Harrow was mostly viewed as an extremely arrogant, confident, and brilliant person, and this is how Harrow attempts to act throughout most of the novel.  However, certain vulnerabilities in Harrow’s character that were previously explored in Gideon the Ninth once again come to the fore in this second novel.  Harrow was already an extremely complex individual, having been birthed by dark magic, ended up being responsible for the death of her own parents and having an interesting love interest.  However, following her alteration into Lyctorhood, Harrow is a much more damaged person due to the absorption of her cavalier.  Harrow’s already fractured psyche is made even worse throughout the course of the book, as she sees all manner of things that are not there and has some very different ideas of the past or how she perceives the world.  In addition, Harrow bears an immense amount of guilt on her shoulders as a result of various events in her past and the many deaths on her conscience.  Harrow needs to work through all these issues throughout the course of the story if she has a chance to survive, and this becomes a major and dramatic part of the story that was really intriguing to explore.  I had an amazing time seeing the story primarily through Harrow’s eyes and it was a refreshing and compelling change of pace from the first book.

Harrow the Ninth also focuses on a great collection of supporting characters who add some intrigue and drama to the story.  Perhaps the most distinctive side characters in this novel are the five beings that Harrow finds herself trapped with aboard the Mithraeum, the Emperor of the Nine Houses and his four other Lyctors.  This is an extremely fascinating collection of people and much of the story revolves around Harrow’s unique interactions with them as each of them attempts to teach her, manipulate her or kill her at various points within the book.  These characters are really entertaining and distinctive, from the seemingly kind, patient, and infinitely calm Emperor, to the three ancient Lyctors, the cool and confident Augustine, the exceedingly self-involved Mercymorn and the ultra-focused and lethal Ortus.  In addition, we see the return of the manipulative Ianthe, who became a Lyctor at the same time as Harrow and who forms a very distinctive relationship with her throughout the course of the book.  I really enjoyed the complex interactions and relationships that forms between all of these characters (including some wild relationships between various participants), with the Emperor acting as the father figure, the three existing Lyctors portrayed as older siblings who have a complicated power dynamic with each other, while Ianthe and Harrow are the younger sisters learning the ropes from the others.

I also have to highlight the inclusion of several other characters who previously appeared in Gideon the Ninth.  It was rather intriguing to see many of these characters return, especially as most of them died or appeared to die in the prior novel.  Muir does a fantastic job working them into the fabric of this novel, such as by featuring some of them in the alternate version of the events of the first book, changing their roles and impacts on the story as a result.  I particularly enjoyed the extended role of Ortus, cavalier of the Ninth House.  Ortus, not to be confused with the Lyctor mentioned above (although the names are actually a clever clue to a big reveal), died early on in the events of Gideon the Ninth.  But in this book the dour Ortus serves as a fantastic yet reluctant companion to Harrow, with surprising hidden depths and an entertaining obsession with gloomy epic poems and verse.  He is also essentially the complete opposite to Gideon, resulting in a very different dynamic between necromancer and cavalier then we saw in the prior book.  Overall, I have to say that I was exceedingly impressed with the characters featured within this amazing novel.  Each of these complex and memorable characters added a heck of a lot to the story and it was deeply fascinating to see each of their storylines unravel and come to their compelling conclusions.

One of the major elements of this series that I love so much is the weird and wonderful necromantic magical system complements the science fiction of the book.  Pretty much all of the main characters in this book are powerful necromancers, specialising in a different form or style of necromantic magic.  All of this magic is extremely cool, and it was really awesome seeing it utilised in fight sequences and other scenes throughout the book.  Most of the magical elements revolve around Harrow’s bone magic, as she creates skeleton and bone constructs, manipulates her own bones to either enhance herself or detach them to make weapons or other creations, as well as elements of biological alteration.  Muir does an outstanding job explaining the full range of different powers that Harrow has, and there are some amazing scenes where the young necromancer does some really inventive and clever things with her bones.  There is one sequence in particular that sticks in the mind, and I’ll certainly remember it when eating soup in the future. 

In addition to Harrow’s abilities, Muir also showcases the creative and impactful abilities and magical powers that some of the other characters have.  These various abilities are all biological or spiritual in nature, and it was quite fun to see what the different necromancers can do, especially when they go up against Harrow’s bone magic.  All these magic scenes feature some rather vivid imagery and descriptions from Muir as she tries to show the full biological manipulations that are occurring, which really help to make these scenes pop.  The author also does a truly fascinating deep dive into the origins and mechanics of her unique magical system.  A lot of these new magical elements are explained to protagonist in some detail from one of her teachers, so the reader is able to understand these elements really well, and a lot of the lessons and explanations of magic have major impacts on the story down the line.  This proved to be an extremely interesting and enjoyable part of the book and I have a lot of love for Muir’s creativity when it comes to her version of necromantic magic.

I also have a lot of love for the distinctive gothic settings that Muir has imagined up for this series.  Each of the central story locations are filled up with all manner of dark and macabre trappings and features, which the author does a fantastic job bringing to life with her descriptive writing.  This includes the dreary and dark Mithraeum, a vast and mostly abandoned space station where most of the story takes place, as well as an alternate version of the First House that appeared in Gideon the Ninth.  All of these locations are described in great detail and each of these fun and distinctive settings helps to present a darker vibe to story and helps makes this series more unique and memorable as a result.  Harrow the Ninth also contains some rather captivating and inventive universe building expansions as the author attempts to introduce new things into her universe.  All of these extensions to this universe are really clever, playing into the story really well and I loved learning more about this fun fictional setting which does so much to enhance the story. 

I found that the audiobook format of Harrow the Ninth proved to be an excellent way to enjoy this amazing novel.  With a run length of just under 20 hours the Harrow the Ninth audiobook does require a bit of a commitment to get through it, although I felt that it was really worth the time investment.  I do have to admit that it took me a little while to finish this audiobook, especially at the start.  However, I absolutely flew through the second half of the novel once I became extremely invested in the story, and I managed to knock out the final six hours in rather short succession.  I have to highlight the fantastic narrator for this audiobook, Moria Quirk, who does an outstanding job telling the story and bringing the various characters to life.  I felt that Quirk utilised perfect voices for each of the main characters and you get a real sense of each character’s personalities and emotions from this vocal work, from the calm, composed tones of the Emperor to the exceedingly petulant voice of the Lyctor Mercymorn.  This excellent voice work really added a lot to this audiobook. I really think that Harrow the Ninth translates well into the audiobook format, and listening to it really added to my enjoyment of this second novel, especially as I absorbed a lot more of the detail and gothic atmosphere through the narration.

Harrow the Ninth by Tamsyn Muir was an epic and exceptional piece of fiction that I deeply enjoyed, and which comes highly recommended.  Not only did Muir present an impressive follow-up to her amazing debut novel, Gideon the Ninth, but she was able to turn out a complex and beautifully written sequel that proved extremely hard to stop listening to.  Powerful, cleverly written and just generally outrageous, Harrow the Ninth is an outstanding read and you have no discovered Tamysn Muir and her fantastic pieces of literature, you are really missing out. 

Demon in White by Christopher Ruocchio

Demon in White Cover 1

Publisher: Gollancz (Trade Paperback – 28 July 2020)

Series: Sun Eater Sequence – Book Three

Length: 776 pages

My Rating: 5 out of 5 stars

One of the most impressive new science fiction authors on the block, Christopher Ruocchio, returns with the third incredible novel in his epic Sun Eater series, Demon in White.

Far in the future, most of humanity is part of the Sollan Empire, which controls vast systems of space and countless people within them.  The Sollan Empire has long reigned supreme and unopposed in the galaxy, but now it faces its greatest threat, a protracted war against the vicious alien race known as the Cielcin.  While the Cielcins typically engage in random raids and attacks at the leisure of their various chieftains, now a series of coordinated strikes are crippling the borders of the Empire.  The mastermind of these attacks is a powerful new Cielcin ruler, Syriani Dorayaica, who has managed to forge together a mighty alliance with one purpose, the complete destruction of the Empire and every human within it.

As the Empire struggles to combat this threat, all eyes turn to an unlikely hero, the rogue nobleman, adventurer and former gladiator, Hadrian Marlowe.  Following his infamous exploits across the galaxy, Hadrian has been made a knight in service of the Emperor and now finds himself stationed on the Empire’s capital, Forum.  Thanks to a series of successful campaigns against the Cielcin, Hadrian’s popularity and fame has spread across the Empire and many view him as the best hope to defeat the alien menace.  In addition, rumours of his unnatural survival of a lethal wound from a Cielcin prince and his prophetic visions of the future have created a cult-like following around him, heralding him as a divine saviour of humanity.

However, fame and popularity have a price, and Hadrian must now contend with threatened and jealous lords, politicians, and members of the royal family as they plot to undermine and disgrace him.  After several attempts on his life, Hadrian leaves to pursue his true agenda, research into the mysterious celestial being known as the Quiet, who has been manipulating Hadrian’s life while showing him terrifying glimpses of the future.  Hadrian’s mission will take him to some new and dangerous places throughout the universe, until finally he comes face to face with Syriani Dorayaica, who is determined to destroy Hadrian no matter the cost.  Hadrian’s road to the future seems set, but will he truly become the man who commits the greatest act of slaughter in the galaxy, or does a darker fate lie in store for him?

Now that was one heck of an awesome and expansive piece of science fiction.  Ruocchio has been absolutely killing it over the last couple of years ever since he burst onto the scene in 2018 with his debut novel and the first book in his Sun Eater series, Empire of Silence.  I loved this incredible debut and I was especially impressed when he managed to follow it up with an amazing sequel, Howling Dark.  I have had a blast reading Ruocchio’s prior novels, and both of them have been amongst my favourite books of 2018 and 2019 respectfully.  As a result, I have been really looking forward to Demon in White, and Ruocchio certainly did not disappoint as he has produced an outstanding and intensely captivating third entry in this series.

Demon in White is the third act in an expansive and compelling space opera that chronicles the life of Hadrian Marlowe, a man destined to destroy a sun, which will make him both humanity’s greatest hero and its most reviled monster.  The story is told in chronicle form from the perspective of an older Hadrian as he writes the account of his life after the events of this book.  Just like with Howling Dark, the story within Demon in White is set many years after the events of the previous book and details the next major stage of Hadrian’s life.  Ruocchio does an amazing job of reintroducing the readers to his universe and also examining the events that occurred during the gap between the two books (some of which occurred during the 2019 novella, Demons of Arae).  Despite the year-long gap between reading the second and third novels and the substantial amount of detail and information that they contained, I was able to pick up and continue the story without too many issues, quickly remembering who the characters where and what events they had experienced with the protagonist.  I do think that reading the prior two novels in the series first is a must, as I could easily see readers unfamiliar with the Sun Eater books having hard time following the expansive plot of Demon in White at this late stage of the overall story.  Still, this book’s ambitious and exciting narrative might prove enough to keep them going, especially if they make use of the substantial index and character list contained in the rear of the novel.

I really can not speak highly enough of the intense and clever story of Demon in White, as Ruocchio produced an epic and addictive narrative that drew me in and refused to let go.  The author does a fantastic job of bringing together a ton of great elements, including the tale of a doomed protagonist, a galaxy-spanning war, a deep dive into the history of the universe and so much more, into one impressive narrative that I had an absolute blast reading.  One of the things I liked the most about the book was the fact that the first half of the novel is primarily set on the capital planet of the Sollan Empire, essentially a science fiction version of Rome, which results in the protagonist getting involved in all manner of plots and political intrigue.  Due to the protagonist’s popularity with the people, and the rumours that he is unkillable, Hadrian is targeted by politicians, lords, members of the Royal Family, military administrators and the Empires powerful religious organisation, and he has to deal with a number of tricky situations.  I really liked this more intrigue and politics laden part of the story, and it was an interesting change from some of the previous novels.  Ruocchio also dives into some more cosmic and action based inclusions as well and there are some explorations of the universe, examinations of the unknown and a several major and enjoyable battle sequences.  All of this comes together extremely well, and I found myself powering through this 700+ page book to find out how it ended.

Another fantastic part of Demon in White’s story that I really enjoyed was the continued examination of the fascinating and compelling protagonist, Hadrian.  Hadrian is a fantastic and intriguing protagonist for the series, since the reader knows far in advance his story is going to end in fire and death.  The chronicling of his life story that is contained within these novels is always quite enjoyable, especially as the older Hadrian compiling these tales adds in his own spin to the story, ensuring that the novel is filled with his regrets and revelations made in hindsight.  The protagonist also goes through some interesting character development throughout the course of the book.  Not only is he introduced to a number of key figures who will have substantial impacts on his future life but he also starts to come to grips with his eventual destiny.  The younger Hadrian is given some tantalising and terrifying glimpses into the future and he struggles to comprehend his potential fate as a result.

The Hadrian in this book is also a very different character than in the prior novels.  Rather than the idealistic dreamer who hopes to one day make peace with the alien Cielcin, Hadrian is far more mature and battle hardened, especially after the traumatic events at the end of Howling Dark.  This version of Hadrian is convinced that there is no hope of peace with his foe, and he has become more ruthless and determined as a result.  However, despite these revelations, there are still fragments of the old Hadrian scattered throughout the novel, which contrasted well with his newer persona.  The sense of wonder he got at seeing a group of alien auxiliaries was very reminiscent of the Hadrian we saw in the first book, especially as this wonder ended up getting him in trouble.  I also liked the scenes that showed Hadrian trying to come to terms with his own legend, as his deeds and adventures have given rise to a cult-like following, with many people convinced that he is some form of divine champion or immortal being.  This proved to be a fantastic aspect of Hadrian’s character throughout Demon in White, as he does not want this attention or praise, not only because it will result in conflict with the various factions in the Empire but also because he does not want to be anyone’s worshipped hero.  However, many of the events that are focus of this cults worship, such as surviving being beheaded or his visions of the future, are actually true (in a sense), and he ends up having to rely on these abilities to survive the events of this novel, which is going to result in some interesting consequences.

There are also some major and fantastic emotional moments for the protagonist scattered throughout the book, such as when a long-running side character leaves him, or when he encounters a major figure from his past again.  I also enjoyed seeing more of his relationship with his main love interest, Valka, and their unconventional romance has flourished over the centuries that this series has been set.  Valka serves as a fantastic grounding force for Hadrian, and it is quite nice seeing them together, although the reader’s joy at seeing them together is somewhat tempered by the narrator’s hints that something tragic is bound to happen between them.  All of this makes for a very intriguing protagonist, and I have enjoyed seeing him flourish and grow over the course of the first three books, moving towards his eventual destiny.  I look forward to seeing how his story continues in the next novel, especially after the major events that occurred at the end of Demon in White.

I have always been impressed with the detailed and massive science fiction universe in which Ruochhio has set his series, and each of the Sun Eater books have added some new depth and unique features to this overarching setting.  Unlike the prior book, Howling Dark, which was set out in the wilds of space and alien planets, Demon in White returns to the confines of the Sollan Empire, a repressive, technophobic and tradition bound galactic kingdom that is stylistically based on ancient Rome.  I really enjoyed this creative science fiction setting, as it is a very dark and gothic location which clashes well with the mostly good-natured protagonist and narrator.  Demon in White adds a huge amount of detail to this universe, especially as the first two thirds are primarily set on new Imperial worlds, including the capital planet Forum.  As a result, there are a ton of intriguing new details and discussions about the politics, history and administration of the Sollan Empire, as well as the introduction of many significant characters, including the Emperor who Hadrian is destined to kill.  The later part of the book also contains some terrific new detail, and we get a really intriguing view about how this dark Empire was founded, including more details about the war against the machines created by the precursor empire, the Mericannii (Americans).  I really liked some of these dives into the past, especially as Ruocchio does a fantastic job of portraying a historical timeline that has been altered or hidden by war, destruction and political or religious censorship.  As a result, the protagonists believe in a very different version of history, and wildly incorrect discussions about historical events are often quite amusing, especially their ideas about American history.  Ruocchio also provides the clearest view of the origins and nature of the cosmic entity, the Quiet, who has been an overarching influence over the prior two books.  This was a rather intriguing, and at times metaphysical, examination of this being, and some of the revelations in this book, including about the connection the Quiet has with Hadrian, the Sollan Empire and the Cieclin, are rather major, and will have significant impacts in the next few books.  All of this proves to be exceedingly fascinating and I cannot wait to see how the author will expand on this setting in his future novels.

I also really have to highlight some of the incredible action sequences that occurred throughout Demon in White.  While a substantial amount of the plot is dedicated to the political intrigue that the protagonist finds himself involved with, there are some great action sequences in this book, including a major war sequence against the Cieclin in the last quarter of the book.  Ruocchio has done an amazing job building the Cieclin up as a major threat and the various bloody battle sequences against them help to reinforce this.  I particularly enjoyed the great scenes where the protagonist faces off against his foe in tight and confined spaces, such as on a ship or in the depths of a city, and the author ensures that the reader gets to enjoy them in all their claustrophobic glory.  Ruocchio adds to the horror by introducing a new form of antagonists in the form of giant Cieclin warriors who are cyborg hybrids enhanced with Extrasolarian (rogue human scientist) technology.  These terrifying hybrids act as very dangerous opponents for Hadrian and his allies, resulting in some dramatic and high-stakes battles.  Hadrian also gets some new combat abilities in this book, which add some intriguing new elements to the fight scenes and are generally quite fun to check out.  Overall, those readers who are interested in seeing some intense science fiction action will not be disappointed with this book as Demon in White delivers some impressive and memorable fight sequences that really help to get the heart pumping.

In this latest novel, Christopher Ruocchio has delivered another extraordinary and captivating science fiction epic that does a terrific job expanding on his fantastic Sun Eater series.  Demon in White contains an incredible and exciting story that sends its complex protagonist on a series of intriguing adventures throughout this rich and unique science fiction universe.  I had an awesome time reading Demon in White and I cannot recommend it highly enough.  This outstanding book gets a full five-star rating from me and if you are not already reading the Sun Eater series you need to start now!

Demon in White Cover 2

The Constant Rabbit by Jasper Fforde

The Constant Rabbit Cover

Publisher: Hodder & Stoughton (Trade Paperback – 2 July 2020)

Series: Standalone

Length: 307 pages

My Rating: 5 out of 5 stars

From the insanely creative mind of one of fiction’s cleverest authors, Jasper Fforde, comes The Constant Rabbit, an incredible comedic satire featuring human-sized anthropomorphic rabbits in an alternate version of modern-day England.

Jasper Fforde is an awesome and fantastically inventive author who has a very distinctive and enjoyable writing style.  I have been a fan of Fforde’s work for years, and his Thursday Next books were a favourite series of mine when I was growing up (I should really go back and reread those).  I was also lucky enough to receive a copy of his 2018 standalone novel, Early Riser, which was certainly one of the more unique and entertaining books that I read that year.  While I do love Fforde’s writing, I have to admit that I was initially a little wary when I heard that his new book was going to be about rabbits as I assumed it was going to be a kids’ book.  However, once I realised that it was going to be another crazy adult standalone novel, I made sure to get a copy, especially once I found out it was a satire on UK politics.  I am extremely glad that I got a copy of this book as The Constant Rabbit turned out to be a truly remarkable novel with a complex and enjoyable story.

In the year 2020 there are over a million anthropomorphic rabbits living in the UK thanks to a mysterious event 55 years previously.  These rabbits can walk, talk, think and have developed their own unique culture and society.  While the rabbits on the whole are a polite and peaceful group, many in England, including the ruling United Kingdom Anti-Rabbit Party (UKARP), fear them and are planning to forcibly rehome them to a new Mega-Warren in Wales.  Before the planned rehoming occurs, one rabbit family moves into the quiet and cosy village of Much Hemlock, much to the concern of the villagers.  Convinced that this rabbit family will cost them their chance at the Best Kept Village award, the citizens of Much Hemlock attempt to force them out, but the family matriarch, Mrs Constance Rabbit, is having none of that and resolves to stay in the village.

Surprisingly, the rabbits soon find support from their neighbours, Peter Knox and his daughter, Pippa.  Peter, an employer at the Rabbit Compliance Taskforce, the organisation tasked with policing and controlling the rabbit population, quickly becomes infatuated with Constance and begins to question everything that he thinks he knows about rabbits.  However, with plans for the upcoming rehoming accelerating, Peter soon finds himself in the midst of a complex battle for freedom and control, and his actions will have surprising impacts on the entire future of the country.

Wow!  Just wow!  Now this was one hell of a fun read.  Fforde has absolutely outdone himself with this latest book which proved to be an exceptional and amazingly clever piece of fiction.  The Constant Rabbit is a captivating and widely entertaining novel that drags the reader in with its creativity and humour until they become enthralled with the unique story that it contains.  I had an incredible time reading this book and I ended up laughing myself silly throughout it due to Fforde’s clever and distinctive style of humour.  This book gets a full five stars from me and it truly was a thumping good tale.

The Constant Rabbit is told from the first-person perspective of human Peter Knox as he recounts some of the historical events he witnessed.  This was a truly remarkable story that follows a mostly blameless and ordinary small-village inhabitant as he navigates a complex and controversial world of rabbits and rabbit-hating humans.  This turns into quite a compelling tale about a battle for freedom, recognition and human stupidity, as the protagonist witnesses both sides of the struggle.  There are some great moments of drama, excitement, action, and romance throughout the book, which come together extremely well in a compelling and entertaining manner.  Fforde features some unique story elements throughout this book and introduces the reader to a series of enjoyable characters who are caught up in these crazy events.  These memorable characters include Constance Rabbit, a resourceful and clever rabbit who serves as a major moving part of the plot and the protagonist’s main love interest.  There is also a Lugless, an outcast rabbit who, after having his ears cut off in a ceremonial fashion, has turned against his own kind and now works for the Rabbit Compliance Taskforce, and Mr Ffoxe, an anthropomorphised fox, who serves as the book’s vicious main antagonist and the head of the taskforce.  However, most of the character development is reserved for main protagonist Peter Knox, who goes through some serious redemption throughout the course of the story following some troubling events in his past.  His association with his rabbit neighbours really changes him, especially once he starts to see how crooked and petty humans are in comparison, resulting in him making some surprising decisions.  This is a gripping narrative and I really enjoyed all the wonderful and weird directions that the author took it.

Another fantastic aspect of The Constant Rabbit is the distinctive and intelligent sense of humour that permeates every page of this book.  I personally found this novel to be deeply funny, and I ended up laughing myself silly at several awesome jokes.  Much of the humour revolves around the ridiculous situations, the outrageous personalities, and the clever parodies of life in modern day England, all of which are considered normal in this version by the characters.  Seeing these various events or people occur in the novel is itself entertaining, but when combined with the witty and dry observations of the protagonist, the rabbit characters or the narrator through his footnotes, it becomes an absolute riot of fun and comedy.  There are some amazingly funny jokes and sequences throughout this book, although the part I laughed the hardest at had to be a farcical murder trial in which a man’s innocence or guilt was determined by whether they had brought an owl with them to the murder scene.  Other great jokes included lines about the rabbits’ inability to tell humans apart (most rabbits apparently cannot tell the difference between Brian Blessed and a gorilla), fun observations about rabbits in popular culture (spoilers, the rabbits are unimpressed) and the inclusion of rabbit versions of films and books.  I also had to have a laugh at the author’s description of a potential anthropomorphic event occurring at the city of Goulbourn in Australia (which is quite near to me), and all I have to say about that is I very much doubt my government could organise a secret massacre of a group of drunken wombats, much less hunt down a whistleblowing sheep.  That being said, the Big Merino statue in Goulbourn does totally exist and it is the town’s defining feature (which tells you quite a lot about what life in Goulbourn must be like).

One of the things that I most like about Fforde’s books is the way that he comes up with a whole new alternate universe for each of his works.  All his works are set in alternate versions of England that is specific to that series, all with a number of noticeable differences between the fictional and real worlds.  The version of England that The Constant Rabbit is set in was altered by an unexplained event 55 years earlier that turned a group of rabbits (as well as some other animals) into human-sized sentient beings who have gone on to create a large society of over one million rabbits which has its own culture and ideals.  This in turn has led to a much different version of the UK, with significant social and political differences as humanity tries to come up with new ways to adapt to the rabbits.  This is such a fantastic and out-there concept, but it works surprisingly well as a setting for this amazing and clever story.  There are so many intricate details associated with this new, rabbit inhabited England, and Fforde does an outstanding job welding together this new universe and showcasing all of its features.  While several key elements of this new world were introduced right at the start of the book, many were not identified until later, when they became relevant to the plot of the story.  I felt that this was a great way of presenting all the major aspects of this world, as it ensured that the reader was not overwhelmed right off the bat.  Fforde also includes a number of footnotes and short, out of narrative paragraphs at the start of each chapter, to provide intriguing and often hilarious anecdotes and descriptions of parts of rabbit culture or other inclusions from this world.  All the clever inclusions and distinctive variations from the real world prove to be a fascinating and entertaining part of the book and I had a wonderful time seeing what wacky and inventive things Fforde would come up with next.

Another thing that I really appreciated about this book was the way that Fforde used his overly ridiculous story and setting to successfully satirise racist politics in modern day England.  Anyone even vaguely familiar with some of the political and cultural issues in the UK will really appreciate what Fforde is trying to achieve with his story, and there are some great parables throughout it.  The whole ‘us vs them’ mentality surrounding the issues of rabbit rights is a clear send-up of racism and anti-immigration policies and mentalities that have infected the country.  Having peaceful, hardworking and tolerant rabbits and their supporters be targeted by bigoted idiots is very relevant and you cannot help but think of real-world examples of such behaviour.  The ruling UK political party, UKARP, is an obvious parody of the right-wing party UKIP, equipped with its own version of Nigel Farage.  Fforde really does not pull any punches and portrays them as an incompetent, intolerant, and power-hungry political party who are determined to forcibly rehome and contain all the rabbits as their main political ideal.  This book contains some terrifying, if probably accurate, depictions about how a ruling party like UKARP would act when it came to people it did not like, such as putting the ultimate anti-rabbit group (in this case anthropomorphised foxes) in charge of control and monitoring the rabbits.  There are some other great elements of satire throughout this book, and English readers in particular will probably get the most out of The Constant Rabbit as a result.  Overall, I thought it was a great piece of satirical fiction and I had a blast seeing the author highlight all these social issues in his own special way.

The Constant Rabbit is an outstanding and incredible novel that proves to be boundlessly entertaining and deeply funny.  Jasper Fforde did an incredible job writing this novel and readers are in for an awesome and memorable read that will have them laughing for hours.  This is such an impressive and inventive novel, and I am highly recommending it to anyone who is after a boundlessly entertaining read that contains a real sense of comedic fun and some excellent satirical observations.

Throwback Thursday – Kill Switch by Jonathan Maberry

Kill Switch Cover

Publisher: Macmillan Audio (Audiobook – 26 April 2016)

Series: Joe Ledger – Book Eight

Length: 17 hours and 56 minutes

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

I recently found myself in the mood for another intense and crazy thriller novel, and luckily I knew exactly the book to check out, as I ended up listening to the eighth entry in the fantastic Joe Ledger series by Jonathan Maberry, Kill Switch.

People familiar with my blog will know that I have been really getting into Maberry’s writing over the last couple of years.  In particular, I have been making my way through the Joe Ledger series, which follows the titular agent as he investigates all manner of weird science and world-ending plots.  This has swiftly become one of my favourite series of all time thanks to the incredible stories that Maberry has come up with, and my intention is to finish off all the Joe Ledger books before the end of the year.  As a result, I knew far in advance that I was going to enjoy Kill Switch and I ended having an amazing time reading it.

In this eighth novel, Joe Ledger, agent for the clandestine Department of Military Sciences (DMS), is investigating a strange anomaly down in the Antarctic.  A secret military research facility has gone offline, and Ledger and his team need to find out why.  However, what at first appears to be a routine mission quickly devolves into an unnatural horror show as the DMS agents uncover a mysterious facility deep beneath the ice.  The things that Ledger and his team see will haunt them for the rest of their lives, and by the time they escape all three are infected with a deadly disease that places them into a coma.

Awakening several days later, Ledger discovers that much has happened in his absence.  America has been targeted by a ruthless terrorist organisation that apparently has access to an advanced EMP weapon that can turn off all power and technology in a certain area with devastating effects.  Worse, thanks to the consequences of the mission down in Antarctica and other recent failures, the DMS no longer has the confidence of the President, who refuses to give them the case.

Frustrated at being left out in the cold, Ledger and the DMS investigate where they can and soon come across several strange and seemingly unconnected events.  Able to piece together a pattern that no one else can see, Ledger soon finds himself in the heart of a vast conspiracy that aims to launch a shocking attack on the American people.  However, before they can intervene, Ledger and his team find themselves under attack from the most unlikely of places.  Can even the legendary Joe Ledger defeat an opponent who can attack him in his own mind, or will America face a wave of death and destruction the like of which they have never seen before?

Kill Switch was another fantastic and amazing novel from Maberry that continues the amazing Joe Ledger series.  This eighth book contains a captivating story that combines several different genres together to create an exciting and fast-paced read with some rather enjoyable elements to it.  I had an awesome time listening to this book, and while it is not my absolute favourite entry in the Joe Ledger series (I would have to give that honour either to The Dragon Factory or Code Zero), it was still a very impressive book that gets a full five-star rating from me.

In this eighth Joe Ledger novel, Maberry once again uses his distinctive style to tell another impressive and intriguing story that draws the reader in and ensures that they cannot turn away until it is finished.  Kill Switch contains a rather clever thriller storyline that deals with the protagonist attempting to stop another terrible terrorist plot utilising advanced technology.  While some of the elements to Kill Switch’s story are familiar, Maberry really gives this book a distinctive dark horror tint, as the novel deals with a number of Lovecraftian horror elements.  While this genre is not something that I have ever really gone out of my way to check out, I did enjoy its use in Kill Switch, especially as it sent its already unstable protagonist through some particular vivid and trippy vision sequences.  The various horror, science fiction and thriller aspects of the book’s narrative work together extremely well and it is a testament to Maberry’s skill as an author that the plot did not get too convoluted or hard to follow.  Instead, Kill Switch has an extremely elegant and fast-paced story with some great flashes of humour, enhanced by the author’s trademark use of multiple perspectives and interludes set before the main plot.  Maberry rounds this out with the return of the series enjoyable and long-running cast of characters, including protagonist Joe Ledger, who provides a first-person narration for around half the story.  Ledger’s warped and eccentric view of all the events going on around him adds so much enjoyment to the plot, resulting in much of the book’s humour.  This all ensures that Kill Switch contains another top-notch story that was an absolute pleasure to read.

The key parts of any Joe Ledger novel are the complex and memorable antagonists and the elaborate and destructive plots that they weave.  Maberry does another great job of this in Kill Switch, introducing some compelling villains and associated side characters who have some fascinating motivations for initiating the events of this book.  Thanks to a series of interludes and short chapters that are told from the perspective of the antagonist and their puppets, you get a full sense of why these characters are doing what they are doing, especially when you get a glimpse into several key moments of their lives.  Seeing so much of the antagonist’s past and the formation of their plans adds quite a lot of depth and tension to the story, and I always really appreciate the way that Maberry tries to expand these character’s narratives.  I was also quite enraptured by the complex and detailed plan that the antagonist set in motion, especially as it required using some unique technology in some novel ways.  I especially enjoyed the cunning way in which the villains went after Ledger and the DMS, including by destroyed their image and their influence, and I appreciated the way in which it was easier for them to achieve this due to an inadvertent backlash at the organisations prior extreme successes and advanced technology.

Kill Switch ended up being a major part of the overall series with some big moments occurring and some interesting connections to the prior novels, ensuring that this is a must-read for established Joe Ledger fans.  This book ended up continuing a bunch of key storylines that were introduced in the fifth novel, The Extinction Machine, with several plot points from that story revisited, as well as some antagonists.  In addition, several of the story elements introduced in Kill Switch are heavily utilised in future novels, such as in the tenth book, Deep Silence, which also matches its Lovecraftian horror vibes and story.  In addition, readers might also really appreciate the cameo appearance of Maberry’s alternate zombie-filled universe that is used as a setting for several of his other series, such as the Dead of Night books and his iconic Rot & Ruin/Broken Lands young adult novels, all of which feature a different version of Joe Ledger as a character.  There were also a couple of references to the town of Pinedeep, which served as the setting for Maberry’s first series, and which Ledger visited in the short story Material Witness.

While Kill Switch does have some intriguing connections to some of Maberry’s other works, this novel is incredibly accessible for those readers unfamiliar with the Joe Ledger books.  Like all the novels in this series, Kill Switch’s narrative is mostly self-contained, and you can start reading this book without any issues.  While there are a number of references to the events of the prior books, Maberry also makes sure to cover the relevant backstory, expertly inserting anecdotes about prior books and description of key plot points into the story often in a great entertaining manner (mainly because the protagonists still cannot believe that these previous events actually occurred).  This ensures that readers have more than enough background information to follow the story and understand who all the various characters are and what their personalities are like.

While it is extremely possible to read Kill Switch out of order, I would strongly suggest that readers read this series from the first novel, Patient Zero, rather than starting at the eighth book.  Not only does this allow you to see the various characters develop and progress throughout the course of the series, but it also enhances the emotional attachment that readers will have to the events of this book, including a couple of key character deaths.  Reading the series in order also helps to cut down on spoilers for some of the prior books.  This was something that I particularly noticed while reading Kill Switch, due to the fact that I have already read the sequel novels Deep Silence and Rage.  Both of these books make several references to the events of Kill Switch, so I had an idea of some of the events that were going to occur, as well as the identity of who the main antagonist was going to be.  While this did not derail my enjoyment of Kill Switch by too much, it did slightly reduce the suspense, which was not ideal.

I cannot review a Joe Ledger novel without commenting on the impressive and graphic action sequences that occurred throughout the course of the plot.  Maberry always does such a fantastic job writing his action scenes and the various close combat fights and shoot outs that occur throughout these novels feel extremely realistic as the protagonist and the narrator provide detailed explanations of what is occurring and its destructive impacts.  Kill Switch contains some very impressive action sequences as Ledger and his comrades are placed in some unique fight situations.  While there are the usual swift and one-sided fights against nameless goons, the characters often find themselves facing off against unexpected opponents who visit surprising violence upon them.  This makes for some truly shocking scenes, especially as Maberry’s excellent writing ensures that the reader fully understands the various characters’ surprise and despair.  You also have a unique situation where Ledger, generally considered to be one of the deadliest killers on the planet, finds himself severely handicapped in several fights due to the machinations of the antagonists.  This adds a whole new element to the typical fight sequences from this series, and it is nice to see the protagonist have some new challenges.  All this action helps to pump the reader up as they enjoy the excellent story and it is an amazing part of the overall book.

It should come as no surprise to anyone who has read my prior Joe Ledger reviews that I ended up listening to the audiobook version of Kill Switch, which in my opinion is the best format for enjoying these fantastic novels.  The Kill Switch audiobook has a run time of just under 18 hours, which I was able to get through incredibly quickly, and it was once again narrated by Ray Porter, whose voice work is easily my favourite thing about this format.  I have extolled the virtues of Porter’s narration in several of my other reviews due to his impressive vocal skills and his ability to move the story along at a swift and exciting pace.  Very few narrators are as in touch with the characters that they voice than Porter especially when it comes to the series’ titular protagonist, Joe Ledger.  Porter always does such an outstanding job capturing Ledger’s intense emotions and sweeping personality, and this enhances the listener’s experience when it comes to these books.  Porter also does amazing and consistent personifications for all the other characters in these books and it was great to hear all the familiar voices of the series’ recurring characters again.  This first-rate narration from Porter makes the audiobook format of these novels, including Kill Switch, an absolute treat to listen to and the audiobook format remains my preferred format for enjoying this series.

Kill Switch by Jonathan Maberry is an excellent and impressive thriller novel that served as a great eighth entry in the incredible Joe Ledger series.  I had an absolute blast going back and reading this book, and I really enjoyed the clever and intriguing story that Maberry cooked up for Kill Switch, especially as it contained an outstanding blend of different genres.  This was a fantastic read and it comes very highly recommended.  At this point in time I only have one more Joe Ledger novel to check out, Dogs of War, which I am really hoping to read before the end of the year, and I am also looking forward to checking out Maberry’s new upcoming novel, Ink.

The Gates of Athens by Conn Iggulden

The Gates of Athens Cover

Publisher: Michael Joseph (Trade Paperback – 4 August 2020)

Series: Athenian – Book One

Length: 443 pages

My Rating: 5 out of 5 stars

One of the top authors of historical fiction in the world today, Conn Iggulden, returns with an exciting and deeply impressive novel that chronicles the chaotic formative years of the birthplace of democracy in The Gates of Athens.

In 490 BC, Darius, King of Persia, rules a vast and powerful empire of millions.  None dare oppose him except the city states of Greece who openly defy him and refuse his demands to bow to his authority.  Determined to conquer them, Darius leads a powerful fleet across the sea towards the city of Athens.  However, the people of Athens are unlike any opponent that Darius has faced before.  Having only recently overthrown their own tyrants, they will never again bow down to a single man, no matter the cost.

As Darius’s army lands near the city on the plains of Marathon he finds a host of Athenian hoplites waiting for him ready to defend their home.  This fierce battle will set of a series of events that will not only change the life of everyone in Greece but also serve as the defining moment for several citizens of Athens, including the charismatic and scheming Themistocles, the clever and honest Aristides and the mighty warrior Xanthippus, father of Pericles.

As these leaders of Athens battle for the future of their city the choices they make will have far reaching impacts as, years later, another king of Persia, Xerxes, will lead an immense invasion of Greece in order to satisfy his father’s honour.  However, despite his vast armies and navies, Xerxes will face surprising opposition as a small force of determined Greeks decides to hold against him on both land and at sea at a place called Thermopylae.  Will the bravery of few be enough to save many or will freedom and democracy be crushed before it can truly begin?

Well damn, now that was an epic book.  I have been saying for a while that I thought that The Gates of Athens was going to be one of the best historical fiction books of 2020.  Well, just like the oracle of Delphi when she prophesised the fate of Leonidas, it turns out that I was right, as this new novel turned out to be an exceptional historical tale that proved extremely hard to stop reading.  Mind you, the awesomeness of this prediction is rather tempered by the fact that this was a historical fiction book written by Conn Iggulden, so it was a bit of a given that it was going to be damn good novel.  I am a major fan of Iggulden, having read several of his prior books including entries in both his incredible Emperor and War of the Roses series, as well as his standalone novel, The Falcon of Sparta.  This latest book from Iggulden serves as the first entry in his Athenian series, which is set to be a fantastic series over the next couple of years.

The Gates of Athens contains an extremely impressive and sprawling historical storyline that showcases and recreates some of the early defining moments of ancient Athens.  The story starts off with the battle of Marathon and then explores the aftermath of the war and its many consequences.  This results in a great multi-character narrative which shows how the various decisions of the protagonists impacted the events of the second half of the book, which is set several years later and examines the battle of Thermopylae.  Iggulden utilises a number of different character perspectives throughout the course of the plot, allowing the reader a larger view of the events occurring, while also providing some alternate viewpoints about the same events.  While there is an obvious focus on the major battles against the Persians, The Gates of Athens has a lot of different elements to it and at many points this awesome novel changes focus to examine political intrigue, social struggles, personal relationships and intense character development.  Iggulden does an outstanding job writing all of these different elements and it really comes together into an amazing overarching historical narrative.

In addition to The Gates of Athens’s fantastic story I also have to highlight the book’s detailed and intriguing historical setting.  As the title suggests, The Gates of Athens is primarily set within the ancient city of Athens, and Iggulden has done an incredible job bringing this iconic historical location to life.  The author spends significant time examining several different aspects of the city.  This includes an in-depth look at its history, its recently introduced democratic political structure, its military defences, its economic status and its layout, and an exploration of the day-to-day lives of its citizens.  Iggulden also attempts to dive into the mindset of the people of Athens, showing their collective feelings and opinions, including the immense pride that they had in being a unique and unprecedented society that extols the values of democracy and freedom (you know, except for all the slaves).  All of this comes together into a rich tapestry of culture and society that acts as a love letter to ancient Athens and everything it represented.  All of this proves to be an excellent setting for the story, and I really appreciated the lengths that Iggulden went to in order to show the reader what being an Athenian was all about.

Another fantastic part of this book was the compelling people that the author set the complex story around.  All the major characters in this novel are real-life historical figures who had a significant hand in the history of Athens, including Xanthippus, Aristides and Themistocles.  Each of these three people are extremely fascinating individuals who achieved many great things, and Iggulden does a fantastic job exploring some of the major events that occurred to them during the years that The Gates of Athens was set, including the roles they played in battles and political gambits, their impact on the city and their various rises and falls in fortunes.  I had an amazing time seeing each of their individual stories unfold.  I particularly enjoyed the way that Iggulden portrayed each of these characters, showing Themistocles (a person Iggulden praises very heavily in his Historical Notes sections) as a self-made political climber with limitless ambition, Aristides as a relentless honest person, and Xanthippus as a honourable but hot-headed individual.  Each of these main characters engage in various political battles against each other, adding significant drama and intrigue to the story, although it proved to be rather heartening to see them come together for the good of Athens and its people at various points in the book.

I also have to highlight the use of Xerxes, King of Persia, who acts as the book’s main antagonist.  Iggulden spends a good amount of time exploring this fascinating figure and examines his various motivations for invading Greece in the way that he did.  Xerxes serves as intriguing counterpoint view to the major Greek characters, and I liked this more grounded portrayal of him as a man who has inherited unlimited power and does not quite know what to do when he encounters Greeks who refuse to bow down before him.  Overall, Iggulden did an outstanding job with each of these characters, and I also really appreciated how he started setting up several other secondary characters, such as Pericles, who will probably be the protagonists of future books.

This book also has plenty for those readers who love some historical action as The Gates of Athens contains a number of major battle sequences, which showcases the fights between the Greeks and the Persians, including the battle at Marathon, and the conflicts that took place around Thermopylae.  These battle sequences are written extremely well and provide excellent and detailed reconstructions of how these battles are played out.  Iggulden has obviously done his research when it comes to these ancient battles, as each of them are chocked full of historical detail, providing the reader with immense amounts of information.  I really liked all the tactics, equipment, disposition and manoeuvres that featured and the actions of various participants during each of these fights, all of which really helps to paint a picture for the reader.  While the various land battles are very impressive, including great depiction of the Spartans’ stand against the Persians at Thermopylae (with a historically accurate number of combatants), I really have to highlight the fights that occur at sea.  As this is a book about Athens there is a major focus on the Athenian navy and their allies and the combat that they saw at Thermopylae.  Iggulden really dives into all the aspects around these naval battles, including showing all the preparation and training that the Greek sailors did before the invasion, as well as the various tactics and naval combat techniques that were developed.  The eventual fight against the Persian armada is really impressive with some amazing action sequences that show the rival fleets against each other.  These depictions of ancient combat and classic battles were extremely awesome, and they were a key part of why I had such a great time reading this book.

The Gates of Athens by Conn Iggulden is an impressive and expansive piece of historical fiction that proved to be a fantastic book to get lost in.  Iggulden once again shows why he is one of the most talented writers of historical fiction in the world today with this outstanding epic that combines masterful storytelling with compelling historical elements, great characters and some exciting action sequences.  This is easily one of the best historical fiction books of 2020 and it gets a full five-star rating from me.