Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.
Originally published in the Canberra Weekly on 8 June 2017.
Expert reviews of the latest and the best in Fantasy, Historical Fiction, Science Fiction and Crime Fiction from an Australian reviewer.
Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.
Originally published in the Canberra Weekly on 8 June 2017.
I’ve really enjoyed the Waiting on Wednesday feature that several other book blogs provide, so I decided to give it a try. Waiting on Wednesday features books that I am hoping to get and review in the future. Stay tuned to see reviews of these books the moment I get them.
For my first Waiting on Wednesday, one of the main books I am hoping get in 2019 is The Unbound Empire by Melissa Caruso. The Unbound Empire is the third book in the Swords and Fire series and will be released in April 2019. I have really enjoyed the previous two books in the series, The Tethered Mage and The Defiant Heir, which were some of the best fantasy books in the last two years. With a fun combination of humour, intense fantasy adventure, enjoyable characters and excellent world building, I have awarded both of these books five-star reviews when I read them.
Definitely one to watch out for in 2019, I am expecting great things from The Unbound Empire.
Legendary crime author Michael Connelly returns for another clever and technically detailed crime thriller that teams up his iconic and most utilised protagonist, Harry Bosch, with his recently created female protagonist, Renée Ballard.
In the chaotic world of the LAPD, Renée Ballard is an outsider who has found herself permanently on the graveyard shift of the Hollywood beat. Returning to the near-abandoned station after a callout, Ballard is surprised to find a stranger rifling through her unit’s filing cabinets. The intruder is maverick retired detective Harry Bosch, formally of the LAPD, now currently working as a contractor for the San Fernando police.
Bosch is working a cold case for personal reasons. The victim, a 15-year-old runaway, Daisy Clayton, was brutally murdered several years before and Bosch has gotten close to the girl’s devastated mother. Initially kicking him out the station, Ballard’s subsequent investigation of Bosch’s actions reveals the full details of the case to her and she finds herself drawn to Bosch’s hunt for justice. As the two outsider detectives join forces in order to solve the case, they are once again thrust into the grimy underworld of Hollywood. But as they attempt to find justice, a cornered killer, departmental politics and the dangerous suspects of the two detectives other investigations may cause the case to come crashing down around them.
Michael Connelly is a prolific and award-winning crime novelist who has been writing since 1992. During that period he has written over 30 books, all of which are set in the same shared universe. Connelly’s debut book, The Black Echo, introduced his most iconic character, Harry Bosch, who has been the protagonist of 21 of Connelly’s books, as well as being a supporting character in several other books. Due to the author’s focus on this character, Connelly’s extended crime universe is often referred to as the Harry Bosch universe. Connelly has also written a number of other thrillers in this universe, featuring several other protagonists, such as lawyer Mickey Haller, reporter Jack McEvoy and investigator Terry McCaleb. Many of the characters introduced in previous books often have small roles in later books, while Bosch has had interactions with most of Connelly’s other protagonists. The second protagonist in Dark Scared Night, Renée Ballard, is a more recent creation who was introduced in the 2017 novel The Late Show, and this is her first interaction with Bosch in Connelly’s wider universe.
Outside of the literary world, Connelly’s works have been adapted to film and screen. His Harry Bosch novels have been adapted into the current Bosch television series, which will air its fifth season in 2019. Two of his books have also been adapted into movies. His novel, Blood Work was adapted into film in 2002 with Clint Eastwood, while his first legal novel, The Lincoln Lawyer was adapted into film in 2011 with Matthew McConaughey.
Dark Sacred Night is an excellent piece of crime fiction that presents the reader with a series of interesting investigations, told from the perspectives of two fantastic police protagonists. I listened to this book in its audiobook format, which is jointly narrated by Christine Lakin and Titus Welliver, and runs for 10 hours and 39 minutes. Dark Sacred Night primarily focuses on the investigation into a cold case of a young runaway girl who was brutally killed nine years previously. This central case is massively intriguing and takes the reader deep into the sordid and disturbing criminal nightlife of Hollywood. The main case is a gritty and unique investigation as the protagonists are forced to rely on different methods than they would usually utilise to solve the case. Rather than having any recent evidence, the detectives are forced to rely on old interviews and pieces of police intelligence to identify any potential suspects or witnesses. This is an intriguing way to investigate an old crime, and I really enjoyed the way they were forced to utilise this less substantial evidence to find their killer. This method results in the protagonists identifying and investigating several distinctive suspects, and the reader is presented with a series of false leads and suggested possibilities. I was able to identify who the killer was quite early in the book, but I still had a lot of fun following the investigation to its conclusion.
I really enjoyed the way that Connelly seeded a large number of smaller cases throughout the novel for the protagonists to solve, as well as a number of examples of police work in action. There is an interesting split here as Ballard, the full-time detective, is given a series of more official and everyday crimes to solve, such as a suspicious death, a missing persons, a theft, trespassing and a kidnapping that she investigates to various degrees throughout the book. Bosch, on the other hand, only has one case, an old, unsolved gang execution that he is pursuing in San Fernando and which is the focus for a good portion of his chapters. The inclusion of these smaller cases is a clever move from Connelly as it breaks up the story from a pure focus on the main case and presents a wider viewpoint of crime and policing in the book’s setting. It also allows the author to showcase his protagonists’ divergent investigative skills and presents the readers with an additional number of compelling mysteries and adventures that they can sink their teeth into. Some of these additional cases tie into the main mystery in some surprising ways and clues or suspects may be revealed through this.
All of these mysteries do an amazing job showing of the author’s obvious knowledge of police procedures and law enforcement techniques. Connelly, a former crime reporter for the Los Angeles Times, has an amazing grasp of the minutiae of police work and he expertly inserts these details into his story. As a result his police characters mostly investigate crimes, examine evidence and file the paperwork in a way that feel extremely realistic and which adds a huge amount to the books authenticity. Connelly’s police characters even feel like real cops, as the way that they act or think feels like real life police would act. All of this combines with the amazing mysteries to create a first-rate piece of crime fiction.
Dark Sacred Night is the first time that Connelly’s main protagonist, Bosch, engages with the author’s newest protagonist, Ballard. There are some interesting similarities between the two characters, which makes for a great story. Both detectives have a similar maverick style when it comes to investigating crimes, and both have been screwed over by LAPD politics and had their careers impacted as a result. As a result, both characters are dogged in their pursuit of criminals, especially those guilty of sex crimes, and both are willing to bend the rules to get their suspects. However, the main difference between them is how far they will go to get justice. While Ballard is happy to bend rules, she doesn’t go too far over the line or deliberately hurt or damage her suspects. Bosch on the other hand has a much more flexible idea of where the line is and engages in some questionable behaviour that could be seeing as going too far. The two characters work well together during this book, and I hope that Connelly continues to use his latest protagonist in the future, especially as there are some interesting stories available when it comes to her complex police past.
The audiobook version of Long Dark Night is a great way to enjoy this crime novel and I found that I quickly powered through the book with this format. The audiobook format utilises two separate narrators to describe the adventure contained within, broken up by whichever protagonist is narrating that chapter. For example, Christine Lakin narrates the chapters told from Ballard’s point of view, while Titus Welliver narrates Bosch’s chapters. Both of these narrators have great voices for their central characters, and both of them fit in perfectly in this gritty crime drama. Lakin captures Ballard’s character perfectly, and you get a real sense of the no-nonsense and wary personality that is Ballard every time you hear Lakin’s voice. Welliver’s voice, on the other hand, is deep and gruff and really fits Bosch’s old school and veteran personality. Overall there is some fantastic voice work in the audiobook format of Dark Sacred Night, and I found that listening to this mystery really drew me into the middle of this investigation and helped me remember certain details and clues.
This latest book from veteran crime author Michael Connelly is a fantastic mystery thriller that draws the reader in with two outstanding protagonists and a series of captivating mysteries. Dark Sacred Night is written in a way that is very easy to get into and the reader can enjoy the full mystery without any details of the previous books in Connelly’s shared universe. As a result, despite it being such a late book in this long-running series, Dark Sacred Night is also the perfect place to start your investigation into the crime sensation that is Michael Connelly. First rate crime fiction at it’s very best, this is an outstanding release from Connelly that is guaranteed to draw the reader into the dark and intriguing world of mysteries.
Recently reunited and still coming to terms with being a family again, the adventures of Marvel Comics’ favourite group of misfit youths continues in Best Friends Forever, the second volume of young adult author Rainbow Rowell and artist Kris Anika’s run on Runaways.
The Runaways, Chase, Gert, Karolina, Nico, Victor, Molly and Old Lace are finally back together and living in one of their parents’ old hideouts. While most of the team have grown up since the last time they were all together, this does not mean that they have their lives together. Each of the Runaways has their issues to deal with, be it Gert’s recent return to life after several years of being dead, Karolina’s relationship problems or Victor’s current existence as a disembodied head. The only one who appears to have their life even remotely together is the team’s youngest and at times wisest member, Molly, who is enjoying her time in middle school. But even Molly is having problems, as she is faced with a hard choice and must consider whether she actually wants to grow up.
As Molly deliberates over the dilemma presented to her, a barrage of other arrivals impact on the Runaways. Karolina’s girlfriend, Julie Power of Power Pack fame, is in town, which causes significant drama for Karolina and Nico, while Dr Doom has apparently appeared on their doorstep, determined to find Victor. Can a team rife with squabbles, drama and internal strife come together to face the problems before them, or will their significant changes be too much to bear?
Runaways is still one of my favourite Marvel series. After the revamp earlier this year, previously reviewed here, these fantastic characters are still going strong. In this second volume, Rowell, Atkins and their creative team continue to produce some outstanding and emotional stories that are based more on the relationships between the main characters than the traditional crime-fighting storylines contained within other comics. While they do go up against a couple of superpowered opponents within this story, none of these antagonists is truly evil, and their motivations and history are a lot more morally ambiguous than some of the previous Runaways stories. The creative team do a fantastic job of blending highly emotional storylines with a bunch of fun and heart-warming sequences, filled with random and funny elements, such as an errant Doombot. This all comes together into one fantastic overall story that hits all the right buttons. This second volume contains issues #7 – #12 of this new run on Runaways.
One of the main aspects of this second volume of Runaways is the continued focus on the relationships between the series’ main characters. Most of these characters are still coming to terms with being back together after all of them attempted to live lives outside of their team. Quite a bit of Volume 2 involves the characters trying to determine what roles they have within this surrogate family, and the fact that they are not as close as they used to be. What I liked is the way that Chase, usually the most immature member of the team, attempts to become the father of the group, matching up with the traditional female leader of the team, Nico, as the team’s mother. This new parental role is highlighted in a funny couple of scenes where Chase and Nico use magic to become Molly’s legal guardians, a shortcut way that “seems totally legit and great”. A lot of this volume is also focused on the romantic relationships between several of the group’s characters, including the relationship between Gert and Victor and the new romantic feelings between Nico and Carolina. I thought the lead-in to both these relationships worked out very well and sets up some interesting potential in future volumes. I am also very curious to see how the friendship between Victor and Chase is going to be impacted as a result of this new relationship in future volumes of this series. I liked the way that the relationships and romantic considerations that featured between Carolina and Julie and Carolina and Nico were handled very well and with great sensitivity, and showed great representations of LGBT+ relationships.
I also appreciated the way that Rowell and Anika continued to focus on the emotional and mental damage that the team’s exploits have had on these characters over their entire comic book history. In this second volume, there is a significant focus on Victor, who was mentally and physically damaged during his previous appearances in Vision. Chase and Doombot’s attempts to rebuild Victor during this volume prove to be a particularly vivid trigger for Victor, and leads to some significant emotional moments. There is also a look at Victor’s fear of vibranium because of its addictive and mind-altering impact on him, which drove him to commit terrible acts in a previous series. The creative team also take a look at the life of old team member Klara, the young powered girl the team rescued from abuse back in 1907 during a time-travel adventure. It was previously revealed that Klara had been taken away from the team by the state and is now in a loving household. A brief section of this volume is dedicated to the team finding her and attempting to bring her back into the fold, but Klara refuses to come back, as she is happy in her new life. You have to appreciate Klara’s sound reasoning for not wanting to come back to the team, due to the death and multiple problems experienced in the previous adventures.
One of the most significant issues that the character’s experiences have had on them is based around their negative opinions of adults. Most of the truly terrible things in their lives have been the result of the plans of the adults they encounter, and their distrust of most adult characters has been a long-running aspect of the series. It is interesting to see that this carries through to the new series, even though several of the characters are now actually adults. This viewpoint is most prevalent in Gert, whose death during one of the previous run of this series means she still shares the beliefs these characters had while they were fugitives. However, the rest of the team also have a hard time trusting other adults, such as when they assume Klara’s new adopted parents have to be evil, as every adult they have previously dealt with in similar circumstances were also evil or abusive. This viewpoint has significant plot impacts in this second volume, as Molly, given the opportunity to stay young forever, talks to several of the other Runaways in an attempt to subtly work out their thoughts on growing up. Most of the characters, including non-team member Julie Powers, talk somewhat negatively about their current lives and regret growing up, which tempts Molly to accept the chance to stay young. The final message of this storyline strongly implies that growing up isn’t so bad, as even the antagonist, a young girl who has stayed 13 for 50 years, does not always want to be young. It was also interesting to see Klara try to correct the team when they say that no adults can be trusted; having had a loving family relationship, she no longer believes that.
The second volume of this run of Runaways continues to make use of some fun artwork throughout the various issues. The character designs continue to be fun, and it is interesting to see some new looks and some constantly changing character designs, especially for the trendy Nico. The art is often used for comedic affect. Victor has a fun use throughout the book, and it is pretty humorous to see the head floating around in a number of scenes, even in a middle of a fight scene. I also loved how throughout the course of the volume, he was given more and more advanced mobility upgrades in each scene that he appeared in, each more comedic than the last. For example, at the start of the volume he is mostly transported in other character’s hand, his own momentum or in a backpack. However, as the volume continues he is variously attached to a Roomba, a small tracked rover, several helium balloons (so he can get the feeling on flight back again) and eventually a new drone. All of these are slightly ridiculous and fun, but they do not take away from the emotional nature of several scenes, and I must point out some of the awesome drawings that hint at the issues Nico is having with her magic.
The second volume of this new series of Runaways, Best Friends Forever, is another strong and emotional addition to this new version of this young adult superhero comic. I really appreciated the creative teams continued focus on the character relationships and the emotional aspects of the characters’ lives. Best Friends Forever is another fantastic addition to this powerful new run of Runaways, and I am excited to see what happens to this great group of characters next.
Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.
In the midst of the 2008 DC Comic crossover event Final Crisis lies this often overlooked and foolishly underappreciated miniseries, Final Crisis: Rogues’ Revenge, which focuses on the Flash’s most enduring villains, the Rogues.
Final Crisis was the big DC comic event of 2008, and is memorable for a number of key events, such as the apparent death of Batman, the death of the Martian Manhunter and the return of the original Flash, Barry Allen. In addition to this main series, DC also released a number of miniseries and one-shots that served as tie-ins to the main Final Crisis storyline and which are often forgotten in light of Final Crisis big events. I have to admit that I have never been a particularly big fan of the Final Crisis series, mainly because of the over-the-top and unnecessarily complicated storyline (you know, typical Grant Morrison writing). However, I did really enjoy the tie-in miniseries, including the dark comic Revelations, which focuses on the Spectre and contains the horrifying image of Dr Light being turned into a candle, and the massive Legion of 3 Worlds miniseries, which saw the return of two great characters. However, my favourite of all these miniseries has to be the subject of this review, Rogues’ Revenge, by iconic The Flash contributors Geoff Johns and Scott Kolins.
The Rogues are a group of iconic dangerous criminals in the twin cities of Central City and Keystone City who have banded together in opposition to the Flash. Different from the usual supervillains that inhabit the DC Universe, the Rogues have a sense of honour and mostly commit thefts rather than seeking world domination or pointless destruction. Usually led by Captain Cold, the Rogues have featured most of the Flash’s villains at one point or another, including Heatwave, Mirror Master, Captain Boomerang, the Trickster, Weather Wizard and even Gorilla Grodd. These characters have been recurring villains of the Flash for over 60 years and continue to be regular features of the various The Flash comics. The Rogues are also very well represented in other media, appearing in several animated shows and movies. One member, Captain Boomerang, appeared in the 2016 movie Suicide Squad, while the rest of the characters, especially Captain Cold and Heatwave, are major fixtures of the Arrowverse television series.
In Rogues’ Revenge, the core remaining Rogues, Captain Cold, Heatwave, Weather Wizard and the second Mirror Master, have been having one hell of a year after breaking their number one rule: never kill a speedster. Tricked by the young psychopathic speedster Inertia, the Rogues attacked the Flash when he lost his powers and actually managed to kill him, which they never wanted to do. Worst, the Flash that they killed was only a kid, Bart Allen, the former Impulse and Kid Flash, who had been aged up by his time in the Speed Force. As the most wanted criminals in the world, the Rogues have spent the year being hunted by as fugitives by the collected superheroes. Briefly imprisoned on an alien planet with the rest of the world’s supervillains, the Rogues escaped and have returned to Keystone City, once again fugitives.
The Rogues are planning to permanently retire after their terrible mistake. However, when Inertia escapes from his imprisonment, the Rogues decide to go on one last mission and seek revenge for Inertia’s trickery. Joining forces with the new young and immature Trickster, the Rogues set out to break their number one rule just one more time.
However, their revenge is going to get far more complicated than they anticipated. The supervillain prophet, Libra, is uniting the other villains for the Final Crisis and wants the Rogues by his side in his new Secret Society. Their emphatic refusal does not go down well, and Libra sets about recruiting them by any means necessary, even if that means killing every member of the Rogues’ family to get their attention. The former Rogue, Pied Piper, is also hunting down his former cohorts, determined to repent for the role he played in Bart Allen’s death, while powerful anti-speedster Zoom has taken Inertia under his protection and tutelage. Against all these forces, this misfit group of killers and thieves seem incredibly outmatched, but never count the Rogues out of the fight. Can the Rogues get their revenge, and how will they react to the return of their greatest foe, the original Flash, Barry Allen?
This fantastic miniseries is the brainchild of legendary DC writer Geoff Johns and artist Scott Kolins, who previously did a joint run in The Flash Vol 2. Rogues’ Revenge is collected in a single volume and consists of the miniseries’ three issues, as well as two issues from Johns and Kolins’s run on The Flash Vol 2 issues #182 and #197, which focus on the origins of Captain Cold and Zoom respectfully. Rogues’ Revenge is an excellent series that puts the focus onto an incredibly intriguing and very different group of villains. Containing a superb story, some amazing artwork and some subtle, but interesting tie-ins to Final Crisis and other parts of the DC Universe, this is a really fun miniseries that is worth checking out.
One of the things that I like the most about this miniseries is the way that Johns and Kolins really dive into their complex main characters and show what set them apart from all the other supervillains. The reader is given a look into the psyche of each of the Rogues, and shows the deep and dark troubles that hide within their minds. Alone, they are incredibly damaged individuals with advanced weapons, but together they are a functioning unit able to hang with the most powerful godlike beings in the universe. Each of the Rogues is a complex and intriguing character, and the creative team do a great job highlighting this succinctly in the miniseries. Heatwave is a pyromaniac whose life has been consumed by fire, Weather Wizard is still haunted by the fact that he murdered his brother, Mirror Master is fighting his baser instincts and his drug habit, while Trickster is a young punk who is desperately trying to join up with the other Rogues he idolises.
Captain Cold is the most complex of them all, and his life is shown in both the miniseries and in one of the issues of The Flash Vol 2, which I have to give the producers of this volume props for including. Captain Cold is the team’s leader and the definer of their moral code. Because of him, the Rogues try to avoid killing where possible, do not touch drugs and have a high standard when it comes to its members, which is why they have yet to fully accept Trickster into their ranks. Throughout Rogues’ Revenge, Captain Cold is able to control and anticipate the moods and needs of his team. At the same time, he is able to lean on his team when it comes to his intense personal matters and the history with his family. Issue #182 of The Flash Vol 2 does an amazing job of humanizing this character further, especially after you see him in action in the three issues of the Rogues’ Revenge miniseries. Overall, the creative team are able showcase the close relationship the Rogues have with each other, as well as how strong they are together.
I also enjoyed how Johnson explores the complex relationship that the Rogues have with the Flash. Despite him being the main superhero who has been opposing them for years, the Rogues make it quite clear that they never actually wanted to kill him, mainly because they knew how much trouble they would be in if they ever succeeded in finishing him off. The anger at how they were duped into attacking the Flash without his powers is pretty clear early in the miniseries, and there is a certain sense of regret as they describe how their attacks usually would not have killed a speedster. They also show some remorse that the Flash that they killed was so young, as they did not realise they were really attacking Kid Flash. While this initial examination of their relationship with the Flash is fascinating, the discussion that occurs at the end of the third Rogues’ Revenge issue is particularly interesting, as they talk about their relationship with the original Flash, Barry Allen, and how he was different from all the other Flashes. It is a great tie-in to the other comics focusing on this character’s return, and it also brings the Rogues’ story full circle as they decide to postpone their retirement in light of the relentless pursuit that they know is coming from their original Flash. You have also got to love the present they send to the returning Flash in order to appease his wrath for their role in Bart Allen’s death.
Rogues’ Revenge has an impressive and well-written story that is not only a lot of fun to read but ties in nicely with the major Final Crisis crossover event that was occurring at the same time. The central story of the tired and weary Rogues as they plan to engage in one last mission before their retirement is amazing as it allows for a deeper look at their methods, equipment and skills at defeating speedsters. The tie-ins with Final Crisis aren’t too over-the-top and mostly relate to the return of Barry Allen and Libra’s attempts at creating a new society of supervillains. Libra’s scheme to bring the Rogues on board is particularly fun, as he sends the team of knock-off Rogues to face them, utilising stolen copies of their weaponry. This is a great battle scene which helps show off how the Rogues are so much more than the weapons that they wield, as they utilise their skills and experience to eliminate their opponents in short order. The devastating and inventive uses of their weapons are very impressive, from Captain Cold’s wide beam cold field, to Weather Wizard growing a tornado inside of one of his opponents. The Rogues’ extreme violence in this scene is explained as the characters protecting their reputation, as there have been many copycats before, which fits these old veterans perfectly. I also really liked the reasons the Rogues give to refuse Libra’s request for them to join the Secret Society, having been burned by joining them before, and it was fun to see them predict exactly how the new Secret Society was going to come crashing down.
The artwork within this miniseries is very impressive, and it was great to see Kolins back in The Flash saddle. I was really impressed by the character designs Kolins used during this miniseries, as the four veteran Rogues all have their iconic costumes, but there is a beat-up and ragged look to them. This perfectly encapsulates the terrible year the characters have been happening, and each of these characters have a tired and weary look to them after so many years of fighting. I also cannot speak highly enough of the impressive fight sequences throughout the miniseries. The full and at times gruesome effects of the Rogues’ weapons are in full display throughout Rogues’ Revenge, as the titular characters unleash fire, ice, weather, tricks and mirror insanity on their opponents. The duelling walls of fire that occur between Heatwave and newcomer Burn are just gorgeous, and Weather Wizard’s various creations, such as lighting and fog, are drawn amazingly well. I also cannot get past how impressively well Captain Cold’s ice devastation is drawn, especially when it comes to the effect the freeze ray has the human body. This is an amazing bit of work from Kolins and the rest of the miniseries’ artistic team, and the art really helps to turn Rogues’ Revenge into a first-rate graphic novel.
Overall, Rogues’ Revenge is an outstanding tie-in miniseries that does so much to stand out from its overarching crossover event. The focus on the Rogues, who make up one of DC’s most complex group of supervillains, is a compelling choice from the creative team, who do an incredible job showcasing these amazing characters. Featuring an intriguing storyline and some first-rate artwork, this is a fantastic miniseries to check out, and one of my favourite underappreciated gems in the DC Universe.
In the aftermath of the devastating battlemage war, magic became mistrusted and feared by the common population of all the lands. However, the mysterious Akosh managed to turn this mistrust into outright hatred, and her manipulations and minions led the populace to attack and destroy the Red Tower, the seat of all magical learning. While the tower was destroyed, many of its students and teachers managed to escape and the outcast mages must now find a new path for their magic and abilities.
While the powerful and disturbed former instructor of the Red Tower, Garvey, leads several of his former students on a murderous rampage through the countryside, three other refugees from the Red Tower attempt to change the public perception of magic. Wren and Danoph have started their own community of mages in the abandoned fringes of Shael, and attempt to protect the local villages from a murderous band of bandits. At the same time, their friend Tianne returns home to Zecorria in order to take advantage of the regent’s amnesty for mages. But as she begins to work in an official capacity for the regent, she is forced to become more involved in his despotic policies.
Elsewhere, Akosh continues to manipulate events across the lands, attempting to gain even more influence and control. However, her actions have not gone unnoticed, and several individuals are rallying to counter her bid for power. The new head of the Guardians, Tammy, moves to shatter Akosh’s influence in the country of Shael, but how far will she go to win this fight, and what will the consequences be? Old friends Balfruss and Vargus attempt to counter both Garvey and Akosh, while Munroe, the most powerful mage in existence, embarks on deadly rampage to find Akosh and get her revenge. But Akosh is far more powerful than anyone believes possible, and what will happen when a mage goes up against a god?
Magefall is an intriguing and enjoyable book from talented fantasy author Stephen Aryan and one that I had a lot of fun reading. Magefall is the second book in Aryan’s Age of Dread trilogy, which followed on from his initial The Age of Darkness trilogy. I have to admit that I have not had a chance to read any of Aryan’s previous books before, and as a result, I had a bit of a harder time getting into this story initially, due to the author’s assumption of his readers’ knowledge of the four previous books’ established plot and lore. While I was eventually given a clearer picture of some of the previous events, the initial confusion and uncertainty when it came to certain plot points did slightly colour my assessment of this book. As a result, I have knocked my rating down to four stars, rather than the four and a half stars I probably would have given to it if I were more familiar with the previous books in this universe. That being said, Magefall is still an amazing piece of fantasy fiction that I really enjoyed, and I am intending to check out some of Aryan’s previous novels at a later date.
The book is made up of a series of semi-separated storylines that take place across various locations in Aryan’s fantasy landscape. Each of the storylines is very exciting and incredibly captivating, resulting in some great moments of action and intrigue. I rather enjoyed the story that focused on the former student Wren as she starts her own community of mages out in the wilderness, as it contained a great examination of a responsible group of mages who actually wanted to protect and help the people around them. Their battles against a merciless group of bandits are particularly intriguing, especially as the bandits are actually able to cause the very powerful young mages significant issues and problems. The various intrigue based storylines that highlighted the manipulative and wide-reaching schemes of the villainess Akosh are also done really well, and some of the best parts of the book showcase the various moves and countermoves as the protagonists seek to thwart Akosh and her goals. There is not a single dull moment during this entire book as every single one of these fantastic stories come together in an amazing overall narrative.
One of the other things that I also really enjoyed about Aryan’s latest book is the devastating magical sequences that take place throughout the various storylines. The magical characters engage in a number of high-octane battles in a variety of creative scenarios throughout the book. Not only do these characters engage in battles with normal non-magical people but several mages fight each other in sequences that see buildings and scenery blown apart around them. It is great to see the tactics of some of the non-magic characters, as well as the difference in power levels between the former students and the really powerful mages who previously taught them. The highlight of the book has to be the fight between the uber-powerful mage Munroe and Akosh, as the two engage in an all-out power brawl. This is magical action at its very best, and readers will have a terrific time enjoying all the carnage.
Magefall is an excellent piece of fantasy fiction from a rising star in the genre. Making full use of his multiple-storyline format, Aryan has combined a series of enjoyable, fast-paced and electrifying adventures with some outstanding uses of magic. While I would strongly advise reading some of the previous books in this universe before attempting to dive into Magefall, this is still a fun book to read and it serves as a mostly great introduction to this intriguing series.
Uhtred of Bebbanburg returns in another rich historical adventure set in the heart of post-Roman Britain in this incredible and first-rate story from historical fiction legend Bernard Cornwell.
In the early 10th century, after many years of trials and tribulations, Uhtred has at last achieved his lifelong goal of reclaiming his ancestral fortress of Bebbanburg. Finally able to claim his independence from Wessex and the Saxon Christians who have always treated him with scorn and hostility for his pagan beliefs, Uhtred seeks to move away from the politics, battles and backstabbing that has been his life for so long. However, his new peaceful life is about to be interrupted by the interventions of enemies new and old.
In the outside world, King Edward of Wessex has made his move on the kingdom of Mercia, and has finally achieved his father’s dream of uniting the Christian kingdoms of Britain into one nation. The only remaining country outside of his control is the Kingdom of Northumbria, ruled by Uhtred’s son in law, Sigtryggr. These events have led to dangerous changes and new alliances for the remaining factions living outside of Edward’s control.
When a mysterious priest sends Uhtred on a mission to save Edward’s maligned firstborn son and Uhtred’s former ward, Æthelstan, from a Mercian siege, he finds himself outmanoeuvred by a new army of Danes who have come to claim Northumbria for themselves. Faced with great loss, Uhtred finds himself in a brutal fight against an opponent who seems to have mystical powers at his command. At the same time, the politics of the Wessex court threaten to start a war on another front, as the various contenders for the fading Edward’s throne seek to gain position, and many of the potential heirs want Uhtred dead. With enemies all around and not enough men at his back, the odds look grim for Uhtred. But, despite years of brutal battles and the ravages of age, Uhtred is still the most feared warrior in all of Britain, and he’s about to show everyone why he is always a force to be reckoned with.
War of the Wolf is the 11th book in The Last Kingdom series of historical fiction books from Bernard Cornwell. To my mind, Bernard Cornwell has to be considered one of the greatest authors of historical fiction in the world today, both in the quantity of books he has written and the quality of their content. Cornwell has been writing since 1981 and has produced more than 55 novels in his career, the vast majority of which are either set in England or focus on English characters out in the world. The sheer scope of Cornwell’s work is incredible, as he has covered vast tracts of world history, including several more obscure eras not regularly covered by other historical fiction authors. He is possibly best known for his long-running Richard Sharpe series, which followed the adventures of a British soldier and commander during and around the time of the Napoleonic Wars. The Richard Sharpe series featured 24 books and was adapted into the British television series, Sharpe, featuring Sean Bean as the titular character. Other series that Cornwell has published include the American Civil War series The Starbuck Chronicles, the Arthurian legends series The Warlord Chronicles and the Grail Quest novels, which are set during the early years of the Hundred Years’ War. Cornwell has also produced a number of standalone novels, including several sailing based modern thrillers and a number of intriguing individual historical novels. These standalone novels cover a huge range of different topics, from the prehistoric English story in Stonehenge, to the war novel Azincourt, the excellent examination of one of the more interesting battles of the American Revolutionary War in The Fort and the thriller set among Shakespeare’s theatre company in Fools and Mortals, which I have previously reviewed here.
The Last Kingdom series, alternatively known as the Saxon Stories, the Saxon Tales, the Warrior Chronicles or the Saxon Chronicles, started in 2004 and is Cornwell’s second–longest-running series, with 11 books currently written, and more set for the future. The Last Kingdom series is the second of Cornwell’s series to be adapted for television, with a third season of The Last Kingdom television just starting yesterday. I have always been a massive fan of this series, especially as one of the books in the series, Sword Song, was one of the first pieces of historical fiction I ever read and which helped get me into the genre. This is a fantastic series, as each of the books contains an electrifying adventure set during a period of history often overlooked or underutilised by other historical fiction authors. I have routinely reviewed several books in this series over the years, many of which will appear in future additions of my Throwback Thursday series of reviews.
War of the Wolf is another incredible outing from Cornwell that once again focuses on the life of his grizzled and battle-tested protagonist, Uhtred of Bebbanburg. Uhtred is a superb series protagonist who has witnessed the changing political and religious landscape of this period of post-Roman Britain. Originally a Christian Saxon, he is captured by pagan Danes as a child after the death of his father and the theft of his Uhtred’s ancestral fortress of Bebbanburg (modern day Bamburgh Castle in Northeast England) by his uncle. Raised by the Danes, Uhtred gains an appreciation for their culture and even starts practicing their religion. Uhtred is eventually forced into the service of the last remaining Christian kingdom of Wessex and its pious King Alfred (Alfred the Great). Even with several falling outs between the two, Uhtred serves Alfred and his family for many years as his most ferocious warrior and war leader, participating in several of the defining battles of the era. Throughout the series, Uhtred is constantly torn between the Christian Saxons and the invading pagan Danes. Despite being born as a Christian in a formerly Christian kingdom, Uhtred finds more in common with the Danes after being raised by one of their noble families and taking on their religion. While he’d rather fight alongside the Danes, circumstances force Uhtred to swear oaths of loyalty to various Saxon kings, especially Alfred, despite the hatred and disdain they show towards him for retaining his pagan faith. These dual loyalties are a key part of the character, and often result in much internal and external conflict for Uhtred and form the basis of a number of excellent storylines. Cornwell uses the character of Uhtred extremely well to highlight the differences between the Danes and the Saxons, as well as the importance of religion to these warring groups, especially when it comes to the somewhat insidious spread of Christianity to the Danes.
These storylines continue in War of the Wolf, as one of Uhtred’s oaths sends him into battle once again. This sets up the main story of the new book perfectly, as Uhtred is forced to deal with the politics and betrayals of the Saxons, while also fighting against a dangerous pagan opponent. I liked how Cornwell has continued to focus on Uhtred’s ties to the warring factions of Britain, and his attempts to reconcile his loyalties with his sense of honour and right and wrong. I also really enjoyed the way that Cornwell has aged up his protagonists throughout the series. Many authors will try to fit a number of adventures in to a short period of time in order to keep their protagonists in the same age range. Cornwell, who has based many of the key occurrences of his books on real-life historical events, has instead chosen to age up his protagonist as he outlives several historical figures. As a result, in War of the Wolf, Uhtred is no longer the young warrior he was at the start of the series, but is now an old sword in his 60s. This is an intriguing narrative element from Cornwell, who has been slowly building up to this over the last few books in the series. Not only has Cornwell been slowly ageing him but he’s been making him a more canny and crafty individual, able to rely on his brains and experiences more than his sword arm, although he still finds himself in the middle of every battle. In the latest book, this leads Uhtred to think more about the future of the people he cares about than his own future, as he realises he is getting closer to death. This is another fantastic outing featuring one of Cornwell’s best protagonists, and I am excited to see that he has left the series open for several additional stories in the future.
One of the more interesting parts of The Last Kingdom series is Cornwell’s outstanding research and his focus on historical details and events that are often not part of the public consciousness. I can think of no better way to highlight this then to mention that while I was doing a post-Roman Britain archaeology course at university, my lecturer actually included several books from The Last Kingdom series on his suggested reading list among the usual textbooks and scholarly articles. The previous books have all featured major battles or political events that helped decide the future of England, and his fictional point-of-view character often finds himself discussing the events with significant historical figures. Smaller details, such as the traditional names and spellings of historical people and places, give all of these books an incredibly authentic feel and really make the reader think they are back in this time period. As a result, these books are extremely intriguing for those fans of history and I cannot speak highly enough of the level of historical detail or insight Cornwell shows in his work. Cornwell continues his trend of interesting historical features in War of the Wolf, as he examines several key events during this period. This includes the annexation of the Kingdom of Mercia by King Edward of Wessex following the death of his sister Æthelflæd, the Queen of Mercia, and the subsequent rebellion by the Mercians. There is also focus on the submission of King Sigtryggr of Northumbria to King Edward, and focuses on the events that led up to it. Uhtred also finds himself embroiled in the politics around who would rule Sussex following the future death of Edward. All of this is incredibly fascinating and form an amazing background for the rest of the book’s story.
Intense action sequences have always been a major part of this series, with the large-scale fight scenes between the various warring factions battling around the British countryside. Cornwell does an excellent job replicating the battle tactics and techniques of the Saxons and the Danes, especially the standard technique of the shield wall, where the two opposing sides line up their shields and advance at each other. The battles are always incredibly detailed and pull no punches when it comes to the gruesome realities of war and combat. War of the Wolf in particular has quite a few great battle sequences, including one extended siege sequence towards the end of the book at an old Roman fort. I also loved the inclusion of the úlfhéðnar, the fabled wolf berserkers, who become a major part of the story, as Uhtred and his soldiers must find a way to overcome these dangerous opponents. It was quite interesting to see how these sorts of legendary historical fighters would actually fare in battle, and the author presents both the advantages and disadvantages of using them. Special mention should also be given to the dual between the two opposing ‘sorcerers’ during the climactic battle that was extremely entertaining and one of the more amusing parts of the entire book.
Cornwell has once again delivered a five-star classic piece of historical fiction with the latest book in his bestselling The Last Kingdom series. Filled with fantastic action, amazing historical context and focusing on a well-established and amazingly fleshed and complex protagonist, War of the Wolf is an incredible read that comes highly recommended. Even after 11 books, this is still one of my favourite series and I’m very excited to get the next edition.
In the dark and cold realm of Vorseland, life is hard and death is easy. This is especially the case for young women Frey, Ovie, Juniper and Runa, who eke out a living as Boneless Mercies. Mercies are those people who travel the land exchanging mercy killings for coin in order to alleviate suffering, both mental and physical, in those living in the harsh land. Only women can become Boneless Mercies, as men cannot do this dark and sad work.
While their roles as Mercies have provided this group of young women with an escape from the horrors or uncertainties of their previous lives, each of them, as well as their young male companion Trigve, seeks something different from this depressing routine of death dealing. Runa dreams of joining the Quicks, the bands of forest-dwelling hunters and revellers with mastery of the bow; the former Sea Witch Juniper wants to return to her sisters; while Ovie seeks companionship after the trials of her previous life. But their leader, Frey, wants something very different: fame and glory.
Hearing of a dangerous monster roaming in a far-off land, killing all the men and terrorising the landscape, the girls decide to change their fate and become heroes. In order to reach their destination, they first have to engage on a dangerous journey through a harsh countryside. First finding themselves caught up in the middle of a war between rival factions of witches, the Mercies find acceptance and camaraderie in the land they have come to save. But as the monster they’ve come to face makes an appearance, the girls must finally face up to their destinies. Will they be able to defeat a creature that so many have already died facing?
The Boneless Mercies is the fourth and latest book from dark fantasy young adult author April Genevieve Tucholke, whose previous works include the two books of the Between series, Between the Devil and the Deep Blue Sea and Between the Spark and the Burn, as well as her 2016 standalone novel, Wink Poppy Midnight. All three of these previous novels dealt with a young adult supernatural romance set in a modern-day location. The Boneless Mercies is Tucholke’s first foray into her own fantasy world, and it is the first book that is not as focused on a major romantic subplot. The Boneless Mercies serves as a great standalone novel, although it has potential as the first book in a new series that either follows the characters introduced in this volume or that utilises Tucholke’s fantasy landscape.
The overall story of The Boneless Mercies is an interesting creation from Tucholke, as it is a good combination of character development, world building and searches for glory. The premise of this story is unique. Four professional mercy killers seeking better lives for themselves through fighting monsters is a fantastic pitch from the author that really drove me to read this story. The author has made a clear attempt to emulate the sagas of old, and it is easy to note its similarities to Beowulf, especially when it comes to the monster. The book’s central characters helped reinforce this by reciting several sagas that exist within their fantasy world, even coming up with a few verses for their own adventure. I was a bit surprised about how only the last third of the book focused on the protagonists’ hunt for the monster; the antagonist that was such a focus of the book’s blurb and publication material, and instead a lot more of the book was spent focusing on the adventure getting there.
This actually works out really well, with the characters’ involvement with the various witch characters serving as the centre of the book. The protagonists find themselves recruited to fight in a war between two rival factions of witches, which leads to some tough and damaging choices for Frey while the also allowing Tucholke to create a harrowing extended sequence in deadly marsh landscape. The reversal of gender roles within the story is another great part of the story, and it is intriguing to see women in a more central role of these saga storylines in both the protagonists and antagonist roles. The Boneless Mercies contains a unique and memorable central story that will prove to be appealing to a huge audience. With several exciting romps through Tucholke’s new fantasy landscape, the book has an excellent conclusion, as well as several plot threads that could lead to intriguing future stories in the same universe.
Tucholke has woven some wonderful character dynamics into this story and introduced several intriguing protagonists for the reader to enjoy. The book’s five main characters, Frey, Ovie, Juniper, Runa and Trigve, have all found an escape from their terrible past lives by coming together and following each other down the destructive path of the mercy killing trade. Each of the characters has their own distinctive traits. Frey is the big sister and reluctant leader of the group, and must struggle to balance her own desires with the needs of the people under her care. Runa is the rebellious and free-spirited member of the group, eager to live the carefree life of a Quick in order to escape the horrors of her past. Juniper is the dreamer, and her minor magical abilities and connection with the Sea Witches are essential to the plot in the middle of the book. Ovie is the tough, no-nonsense member of the group, and is the group’s main warrior, teaching the others how to fight. Despite some insights into her past, Ovie is the character who is explored the least out of each of the characters, although she does serve as a bit of a moral compass for Frey’s decision.
The main male character, Trigve is also an interesting inclusion, as he fills the role of the assistant and bastion of knowledge that the girls, especially Frey, go out of the way to protect. This is a noticeable and intriguing change in the traditional gender roles within an adventurer group, and it is interesting to note that Trigve is usually sent away by the girls before any of the big action scenes. His relationship with Frey is also one of the book’s main romantic subplots, and I liked the complex and mostly unspoken relationship these two characters had. Overall, all of these main characters are great additions to the book, and Tucholoke spends considerable time exploring how these characters, all of whom have been forced to sever their previous connections, have come together into a surrogate family. I really appreciated watching the characters’ relationships with each other build, as that worked really well to make the reader connect with each of them and become concerned with their fates. The slow reveal of each character’s previous lives and the events that drove them to the other Boneless Mercies was also handled wonderfully and worked with the other story elements to create a powerful overarching narrative.
I also enjoyed the great new fantasy world that Tucholke created for this novel. The author really gets to grips with the harsh, cold and unforgiving scenery of her Norse-inspired landscape of Vorseland, and the reader gets a real idea of why many inhabitants are tempted to employ the Boneless Mercies. There are also a number of fantastic elements included throughout this world that really help make it an amazing location for this intriguing adventure. The various bands of different fantasy professionals, such as the Boneless Mercies or the Quicks, give it an interesting flair. The various groups of witches, including Marsh Witches, Sea Witches and even a group of pig mystics, become deeply entangled in the main story, and will also be significant players in any future books set in this universe. This is an excellent and creative new fantasy world from Tucholke that works incredibly well for this book’s story.
April Tucholke has created an exciting and intense piece of young adult fiction in her latest novel, The Boneless Mercies. Creating an intriguing narrative around a group of female former mercy killers embarking on a quest for glory in a dark and saga-rich fantasy landscape is a masterstroke from Tucholke, especially when she combines it with a fantastic story and close-knit and likeable group of protagonists. The strong female characters make this an excellent one for a young adult audience, and I enjoyed the story’s darker background and storylines. Special appreciation goes to the book’s great covers as well; the copy I had an iridescent feather design which was cool, but I also really enjoyed the excellent cover with the red wolf and the protagonist’s shadows. Overall, The Boneless Mercies is a great piece of young adult fiction which presents the reader with something enjoyably different from the classic fantasy adventure.
From horror legend Jonathan Maberry comes the 10th book in his weird-science based horror, thriller, science fiction Joe Ledger series, which takes the reader on a wild joyride through a world gone mad in this five-star adventure.
I have to admit that Maberry is not an author that I have had much experience with before. The only work of his I have previously read was a fun short story that was featured in a volume of zombie short stories he jointly edited with George A. Romero in 2017 that I previously reviewed here. However, I am extremely happy that I decided to check out this latest book as it exposed me to this incredible series, which I enjoyed immensely. I can think of no greater praise for this novel then to say that upon finishing it, I immediately dropped everything and started reading the first book in the series, Patient Zero, which I will be reviewing in the next few weeks as part of my Throwback Thursday series.
I chose to listen to Deep Silence on audiobook rather than read a physical copy. The audiobook format of this book is just under 16½ hours long and is narrated by Ray Porter, who has worked on several other books in the series.
In this latest book, a Russian splinter group have developed a powerful weapon with pieces of alien crystal seeded throughout the planet. This new weapon can cause devastating earthquakes on a level never before seen and has the potential to destroy the entirety of the United States. The weapon also has a chilling side effect: it causes people around the epicentre of the quake to engage in violent acts of madness, from suicide to ferocious attacks on others. The first attack targets Washington, with mass violence erupting around the Capitol building.
America’s only hope may be the top-secret rapid response organisation, the Department of Military Sciences (DMS). For years, the DMS has been the only line of defence against the insane science America’s enemies are utilising and developing in this new age of wonders. From deadly diseases, ancient forbidden technologies, extreme acts of genetic manipulation, the latest forms of cyber and electronic attack, and even weaponised zombies, the DMS, led in the field by Captain Joe Ledger, has managed to stop all these threats and more. Utilising the latest military and espionage equipment and the best and brightest soldiers and scientists America has to offer, the DMS operates just outside the government and can go further than any other agency can.
However, while the DMS attempts to combat this latest threat, they find themselves hindered by a megalomaniac President whose stupidity and paranoia make him more afraid of the DMS than the group unleashing earthquakes across his country. As Joe and his team attempt to hunt down the origins of this attack they must contend not only with a dangerous Russian force but also with agents of their own Government and devices that can drive even the most dedicated DMS agent insane. But as the Russians attempt to force the eruption of the Yellowstone caldera, the greatest threat may come from the creatures the technology was stolen from.
Deep Silence is the 10th book in Maberry’s Joe Ledger series, which started in 2009 with Patient Zero. Maberry has been writing since 2006, with his debut book Ghost Road Blues forming the first book in the Pine Deep Trilogy. Since then, Maberry has written a huge number of books, most of which have a horror theme or focus. Apart from his Joe Ledger series, Maberry is probably best known for his Rot & Ruin series, a young adult zombie apocalypse series. Aside from his fictional novels, Maberry has also written several comics for Marvel as well of a number of non-fiction books, which tend to focus on Maberry’s passions for martial arts and the supernatural.
Deep Silence is an exceptional book that combines together a number of genres, including science fiction, thriller, horror, military fiction and spy thrillers into one very captivating narrative. The end result is a non-stop thrill ride that perfectly utilises the series’s bizarre nature and advanced science to create a devastating threat and a larger-than-life protagonist to face it. There are so many amazing elements to this book, from its continuation of an enjoyable series, to the very weird elements that come into play, to the excellent writing style and enjoyable characters. Once I started reading this book I just could not stop, and it is easily one of my favourite books of this year.
From what I understand, the Joe Ledger series started off mostly focusing on the mad sciences that humans are able to create and use against each other. However, in recent books, the series has taken on a more Lovecraftian vibe, with unknown aliens, space demons and incredibly insane technology. Deep Silence in particular seems to relate back to several of these previous alien technology based novels, as the devices, technology and motives that the book’s antagonists utilise are closely related to the adventures that occurred in previous books. That being said, there is still the continuous use of more advanced human technologies utilised by many of the book’s characters, especially those working for the DMS. All the crazy gadgets that they use are pretty impressive, but none (with one or two major exceptions) are outside the realm of possibility and reflect technologies that could potentially exist. Indeed, in the introduction to Patient Zero, Maberry actually confirms that most of the technology he describes in his books is currently used or could soon be used by intelligence organisations around the world today.
One of the challenges of coming into a series late is the reader’s lack of knowledge about the universe’s background information, lore and the development of its main characters and the extent of their relationships. Maberry does an incredible job bridging this gap throughout Deep Silence, providing the reader with descriptions of previous events, recaps of character descriptions and history and making use of a number of references to previous missions and adventures captured in the other books in the Joe Ledger series. There are also a number of scenes that appeared to be callbacks to previous books, although the author was able to describe the pertinent details of these events. As a result, I was never lost at any point and really appreciated the recaps and detailed descriptions the book’s various point-of-view characters provided throughout the novel. It also made me very curious about some of the previous books in the franchise, and I am now very interested in checking out some of these insane and fun-sounding adventures. As a result, Deep Silence is an excellent book if you want to get an idea of what the Joe Ledger series is all about. At the same time, established fans of this long-running series will be interested to see the significant changes that occur to the book’s main characters, as well as the scenes detailing where the series will potentially be going in the future.
One of the things that I really enjoyed about Deep Silence was the way that Maberry presents the book’s narrative from multiple perspectives and across a range of different time periods. Because of this, the reader is given a far wider view of the overall narrative. Not only do they get to see the protagonists attempting to investigate and stop what is going on, but they get to see the antagonists coming up with their plans, discovering and researching their doomsday device over a period of years and then implementing their mission. This also allows the reader to get a far deeper understanding of the antagonist’s objectives and mindscapes in committing these acts and what it costs them mentally and emotionally. Nearly all the fun and eccentric characters working in the DMS get a few scenes told from their point of view. This provides the reader with some high level, but easy to follow, scientific discussions, hacking sequences and the utilisation of incredibly exciting-sounding advanced espionage technology. There is also a focus within Deep Silence of the politics around and behind the DMS, and how the organisation’s leader, the mysterious Mr Church (who is totally an alien, right?), deals with these situations.
While all of the other point-of-view characters are entertaining and it is intriguing to view their sides of the story, the best character has to be the series’s main protagonist, Joe Ledger. Ledger is the extremely dangerous and slightly disturbed leader of the DMS field team, and has been at the forefront of all the adventures in this series. It is interesting to note that Ledger is the only character in this book whose story is told from the first person perspective, which is fortunate because Ledger is one of the biggest smartasses in fiction, especially within the privacy of his head. Nearly every single piece of the book told from Ledger’s point of view is filled with jokes, wisecracks, and exaggerated or sarcastic thoughts. Ledger has some incredibly humorous observations about the world around him, especially the eccentric characters he encounters, and his thoughts are just as likely to be self-deprecating as they are to be insulting about the people he has to deal with. He is also an eccentric being who does some incredibly funny things, from having fun with his opponents to humming the Mission Impossible theme as he breaks into a safe. However, beneath this humorous exterior there is a deeply damaged character who is severely impacted by events that have occurred before and during this series. Maberry spends significant time diving into this character’s history and psyche, which quickly gives the reader, even readers previously unfamiliar with the series, a good understanding of his life and the events that define him. His deep and fractured mind becomes a key part of this story, especially when it encounters mind-altering alien crystal and events beyond the realm of human comprehension. All of this helps create an amazing and incredibly relatable central character whom the reader becomes incredibly drawn to, and as a result, Ledger is one of the best things about this book. Special mention should also be given to Ledger’s combat dog Ghost, who appears in nearly all the same scenes as Ledger and is just as much of an enjoyable character as his owner.
While the mad science elements and characters are great, Maberry has also ensured that this is the perfect book for those action junkies looking for fast-paced thrills. Ledger is an absolute beast throughout this book and engages in a number of fantastic fights in a variety of different scenarios. Maberry channels his love of martial arts through this character and includes a number of detailed and very quick fight scenes as Ledger dismantles his opponents with efficient skill. The other characters are no slouches and there are number of great action sequences I enjoyed. Two of my favourites have to be two separate and extended sequences which see Ledger and DMS’s Echo Team engage in massive fire fights with a range of opponents. These scenes are absolutely incredible and make the reader feel like they are really in the middle of a gun battle. The author takes pains to try and highlight how methodical and calm professional teams can be during battles while also highlighting the various strategies and combat advantages used. The multiple perspectives come into play here perfectly, as the different members of Echo Team engage in various encounters around the main battle, really highlighting what an effective special ops team can accomplish in the field. Maberry enhances the fun and the action to a crazy degree by also utilising the advanced technology available to the DMS agents. This not only includes some insane and deadly weaponry, which is very cool in action, but also other pieces of advanced technology such as drones, body armour, goggles, and enhancements for Ghost that help turn the battles into massive and enjoyable set pieces.
Nothing, however, can top the sheer insanity that unfolds when the book’s antagonists unleash their super weapon against the world. Maberry’s descriptive and skilled writing really brings these scenes to life. The sheer devastation of the earthquakes that he describes is just incredible and very disturbing. But nothing is more crazy or electrifying then the scenes where the people who are affected by the strange energy given off by the weapon go insane and start participating in a violent rampage against themselves or against each other. Maberry pulls no punches here and all the violence is on full display, from terrible acts of violence against anyone around them to disturbing suicides or episodes of self-harm. In many of these scenes the author attempts to get into the head of these characters and watch them slowly unfold from within. This mostly prevalent with his protagonist, Joe Ledger, but other characters’ thoughts are shown. Let’s just say you’ll never look at the Beatles song Revolution 9 the same again. The biggest example of this insanity happens around the Capitol building in Washington DC, and quite frankly it reminded me of the church scene in Kingsman: The Secret Service, with the protagonists stuck in the middle of a crazy mob.
One of the more intriguing parts of Deep Silence is the side character of the President of the United States of America. While this character is never explicitly named in the book, he is clearly supposed to be a Trump analogue. The character is an easily manipulated, short-tempered, Twitter-obsessed moron who puts his own needs far above those of the country he is governing. The resemblance to Trump is uncanny, and Maberry does an incredible job mirroring his arrogance and personality throughout the book. While this character is a great addition by itself, Maberry spends a lot of time exploring how a character like this would deal with the advanced technology and extreme catastrophes that are a major part of this series. The results are frustrating for the reader as they are forced to sit there and watch this character make all the wrong decisions and serve his own agenda or self-interest. It was also very intriguing watching this President go up against the DMS as he routinely targets the department out of fear and ignorance. The new political reality of Washington becomes a major factor throughout Deep Silence, and Maberry is understandably critical about how things are being run and the insanity currently gripping Washington. It was very interesting to see Maberry incorporate the current unpredictable political reality of America into his new book, and readers will be very intrigued to see how this might impact the future of his long-running series.
I listened to the audiobook version of Deep Silence, narrated by Ray Porter. The audiobook version does go for over 16 hours, so it’s one of the longer ones I have listened to lately. That being said, due to its exceptional content, I found myself making a variety of excuses just to keep listening to this audiobook, and got through it very quickly. The audiobook is an incredible way to experience this book, and I would highly recommend it, mainly because of Ray Porter’s narration. Porter absolutely nails all of the characters and provides a number of amazing voices to fully capture the diverse accents and attitudes of this eccentric group of characters. I was particularly enthralled with the calm, cool voice he gifted to the DMS Director, Mr Church, which really reminded me of Tom Hanks’s voice. Special mention should also be given to his narration of the President. The narrator created a fantastic Trump-like voice that fully conveyed the character’s high opinion of himself, as well as his dismissive and arrogant nature. I actually had a visceral reaction when I heard that voice the first time, it was that good. Porter’s narration for Joe Ledger was also perfect, as he does an incredible job portraying Ledger’s high-energy musings and the full tone of his personality. Porter’s voice peaks and rises to meet the full intent of any of Ledger’s sentences, and he is a master at conveying Ledger’s innate sarcasm. At the same time, he is also able to make his voice more serious and subdued during the darker scenes in which Ledger is deep within his head or his memories. This is sterling work from Porter, and one of the best audiobook narrations I have ever listened to. As a result, I highly recommend that the audiobook version of Deep Silence as the best way to experience this novel.
Bestselling author Jonathan Maberry once again takes his audience on a captivating thrill ride in the Joe Ledger Series. Deep Silence provides the reader with an extraordinary and very engrossing story that proves extremely hard to put down. Equally enjoyable for established fans of this long-running series and new readers who have yet to experience Maberry’s work, readers can and will have an incredible amount of fun with this book. Best enjoyed in audiobook format, Deep Silence is guaranteed to make you a dedicated fan of the author and easily gets a five-star rating from me.
Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.
Originally published in the Canberra Weekly on 14 December 2017.