Tag: Crime Fiction

Feet of Clay by Terry Pratchett

On By The Unseen LibraryIn Audiobook, Comedy/Satire, Extended Universe, Fantasy, Five-Star Books, Murder Mystery, Throwback ThursdayLeave a comment

Publisher: Gollancz/Penguin Random (Audiobook – 6 June 1996)

Series: Discworld – Book 19/City Watch – Book Three

Length: 12 hours and 20 minutes

My Rating: 5 out of 5 stars

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Even after many, many re-reads, the awesome fantasy satire novel Feet of Clay remains one of my favourite Discworld novels by the late, great Terry Pratchett, with its intricate crime fiction narrative, compelling characters, and even a cool new audiobook version.

I’ve done a lot of Discworld re-reading recently as I have been checking out several of the best books in the series on their new audiobook formats, which featured cool new narrators.  This new format has proven particularly awesome for books like Mort, Pyramids, Moving Pictures and Small Gods, as well as for entries in my favourite Discworld subseries, the City Watch books.

While I have a lot of love for all the books in Terry Pratchett’s Discworld, my absolute favourites come from the City Watch subseries.  Following the unlikely members of the Ankh-Morpork City Watch, a rag-tag team of guards who go from losers to an effective police force, the City Watch books features an exceptional combination of fantasy and crime fiction elements, wrapped up in Pratchett’s usual satirical humour.  The first two books in this series, Guards! Guards! and Men at Arms are quite exceptional, and it was a very easy decision to also check out the epic third novel in the series, Feet of Clay.

After several unlikely but successful investigations, things are looking up for the Ankh-Morpork City Watch.  No longer a home for the dregs of society, the City Watch is now a respected crime-fighting unit.  Led by Commander Sam Vimes, the Watch’s enthusiastic, if unusual, members are determined to bring some law and order to the city of Ankh-Morpork, whether it wants it or not.

However, even with their new resources and members, the Watch find themselves troubled by a series of brutal murders occurring throughout the city.  All the victims were bludgeoned to death, but there is no evidence of anyone alive, or undead, having been at the crime scene.  At the same time, the Patrician of Ankh-Morpork has been poisoned by unknown methods and is only barely clinging to life.  If the Patrician dies, sanity in the city will be the next to fall.

To solve both cases, Vimes and his watchmen will need to investigate an overlooked underclass in the city, the golems, whose ancient secrets and desires may lie at the heart of the killings.  But with desperate conspiracies, unlikely noble heirs and a new deranged king coming to light, can the City Watch uncover the figures pulling the strings in the darkness of Ankh-Morpork before it’s too late?

Wow, how is this book still so damn good?  Feet of Clay was another outstanding read from Terry Pratchett, who once again deeply impresses with his exceptional writing, unmatched humour, and deeply relatable characters.  This third City Watch book is probably some of Pratchett’s very best work, and it gets an extremely easy five-star rating from me.

I absolutely love the great narrative that Pratchett came up with for Feet of Clay, which I personally thinks has one of the author’s best crime fiction narratives behind it, as the complex characters humorously manoeuvre around the gritty streets of Ankh-Morpork.  This book features a fun start that perfectly sets the scene for several of the key characters, including protagonist Sam Vimes’s daily routine of assassins and high society.  You are also quickly thrust into the Watch’s new case involving two elderly academics bludgeoned to death.  These initial investigations, as well as some other great sequences, set the scene for much of the rest of the book, with the narrative becoming even more hectic when Vimes discovers that the Patrician has been poisoned by unknown conspirators.

Afte the initial set-up, the rest of the story flows by extremely fast, with several character-driven storylines that flow together perfectly.  The primary focus is on the two seemingly separate investigations into the murders and the poisonings, with Captain Carrot and Vimes taking control of each case.  Both these major storylines go in some very interesting directions, with Vimes desperately trying to work out how the poisonings happened, while Carrot and Angua begin investigating the city’s golems, one of whom seems responsible for the murders.  At the same time, Pratchett also provides some fantastic character-based storylines around several of the supporting Watch characters. This includes the unusual proclivities of the Watch’s new dwarf officer Corporal Cheery Littlebottom, Corporal Nobby Nobbs’s unbelievable reveal as a potential noble, one golem’s journey towards self-determination, and Angua’s continued feelings of alienation at being a werewolf.

All these storylines cross over perfectly in the final third of Feet of Clay, as the protagonists finally put together the subtle clues for the main two cases.  While the reveal about who or what is behind the murders is fantastic in its own way, I must highlight the extremely well-hidden poisoning method that Pratchett devised for this plot, which is just so damn devious and cleverly set-up by the author.  This leads to an excellent, action-focused collection of sequences that eventually pull together into an intense confrontation.

Pratchett wraps this up perfectly, with some amazing final reveals about who was ultimately pulling all the strings.  While the mastermind of the conspiracy isn’t too surprising (especially if you listen to one of the audiobook versions), the way that Vimes works out their identity is so much fun thanks to some ironically hidden clues, and I love the big reveal scene between Vimes and the main antagonist.  Pratchett also wraps up the remaining storylines perfectly, providing some great final touches to each of the characters’ respective arcs, and ensuring that the readers come away extremely satisfied.  I honestly cannot emphasise enough just how addictive and clever this narrative was, and every single aspect of this plot was perfectly set up and utilised by Pratchett as he wove his fantasy, crime fiction magic.

I’ve always felt that Feet of Clay was one of Pratchett’s best-written novels, as he manages to expertly balance a range of competing storylines inside this highly entertaining, hybrid novel.  As with all his City Watch books, the way that Pratchett manages to blend fantasy and crime fiction elements with his usual brilliant humour is just incredible, and I love how well this mixture of elements works to tell an effective narrative.  I must particularly commend the great mystery in Feet of Clay, which is just so damn intricate with all its clues and mixture of compelling character storylines.  Feet of Clay easily has some of Pratchett’s best mystery writing in its plot, and there is an outstanding amount of complexity built into both cases, with the truly elaborate poisoning arc being a particular highlight.  The sheer amount of cleverly crafted and often humorous clues that the author scatters throughout the book is so damn awesome, and it is so much fun to pull them all together.

The book’s outstanding crime fiction elements are perfectly enhanced by the background fantasy elements of the setting, with the protagonists forced to investigate the crimes in the context of a chaotic city populated with different species.  Compared to previous books, the investigation in Feet of Clay is much more like a modern police procedural, with classic forensic concepts enhanced with fantasy elements like scent tracking done by a werewolf and crime scene photos drawn by imps.  The protagonists also need to deal with various fantasy creatures, such as golems, vampires, dwarfs and a very angry gnome, and understanding their motivations becomes a key part of the plot.  Pratchett also uses these fantasy elements to address and lightly satirise contemporary social trends.  For example, one dwarf’s attempt to find herself leads to a complex, nuanced and thought-provoking discussion on gender identity, which can still be readily applied to modern discourses on transgendered rights and modern gender norms.  Another storyline focusing on golems gaining free will is also highly relevant, especially when you consider artificial intelligence.  Throw in the general chaos and disorder of the city, which results in additional fun conflicts and incidents (Vimes’s one-sided battle against the Assassins Guild is particularly amusing), as well as a focus on the changes that have occurred to Ankh-Morpork thanks to the actions of the Patrician and the Watch, and you really have to appreciate just how fell the inherent fantasy elements of Feet of Clay enhances the plot.

While both the mystery and fantasy elements of Feet of Clay are very compelling, what really turns this into a five-star read is the clever humour that Pratchett adds to his books.  There are various layers to the humour in this novel, although much of it lies in classic fantasy or murder mystery scenarios going in particularly absurd directions, or being artfully dissected by self-aware protagonists who find the situation and its real-world historical precedent very absurd.  There are also the brilliant footnotes that seek to enhance the story and showcase just how ridiculous the Discworld is by providing additional details about the universe and the people within it.  Finally, you have humour driven by the outrageous characters scattered throughout the plot, with ultra-sarcastic figures rubbing shoulders with entertaining parodies of terrible people.  The more direct humour drawn from the storylines of several of these characters, such as Corporal Nobbs’s foray into the upper class, and Sergeant Colon unfortunate agricultural experiences, blends well with the rest of the complex novel, and ensures that there are entertaining moments, no matter where in Feet in Clay you are.

This great combination of humour, fantasy elements and a crime fiction narrative helps to make Feet of Clay one of the more appealing novels in all the Discworld series, and so many different readers will end up getting a lot out of it.  As such, Feet of Clay works incredibly well as a standalone novel, with new readers easily able to enjoy this book without any prior knowledge of the Discworld or previous City Watch books, especially as Pratchett covers any relevant history or characters quite effectively.  However, I do feel that to get the best experience with Feet of Clay, readers would benefit from checking out Guards! Guards! and Men at Arms first.  The continuing storylines, history of the city and character arcs all come into play extremely well in Feet of Clay and you get a much more complete experience viewing all City Watch novels in order.

As with all of Pratchett’s novels, one of the real joys of Feet of Clay is the complex and comedic characters the author weaved such incredible, entertaining, and often extremely heartwarming tales around.  Featuring a great combination of the well-established cast of the previous City Watch books, as well as a couple of awesome new figures, Pratchett did an exceptional job diving into the cast of his novel and the resulting depth to their characters was so damn impressive.

At the centre of Feet of Clay lies main character Commander Samuel Vimes, the recently ennobled and married commander of the City Watch.  Transformed from a drunken and hated figure to the leader of a respected police organisation, Vimes has been forced to up his game, especially as he now finds himself being targeted by the elites of the city which he does with some comedic vigour.  Feet of Clay is probably the book where Pratchett twists the focus of the City Watch fully towards Vimes.  The definite centre of the plot, Pratchett really dives into Vimes’s obsessive nature, his simmering anger at the upper classes, and his determination to bring justice to everyone equally.  Vimes dogged, yet cynical, approach to investigation and crime solving comes face to face with a particularly dastardly plot in Feet of Clay, and there are some wonderful sequences as he tries to puzzle out the poisoning.  Pratchett also provides some extra detail about Vimes’ poor upbringing and the history of his family, which really showcases his motivations to a great degree.  All this allows for a much more complicated figure then we saw in previous books, and it was an interesting change of pace for this central character that Pratchett would expand on in later books.

In addition to Vimes, there are some interesting focuses on Captain Carrot and Constable Angua, who led the investigation into the murders in the city, and Pratchett wraps some compelling elements around them.  Carrot remains the charismatic and skilled leader of men for much of the story, with a continued focus on his love for the city and ability to charm anyone he encounters.  However, Pratchett does attempt to break his seemingly perfect facade in this novel by having him struggle to come to terms with Cheery Littlebottom’s identity issues.  The author also continues to shift away from Carrot as a perspective character, instead allowing his many appearances to be mainly told from the view of other, more cynical members of the cast.  This gives his actions and motivations a little more mystery and allows the reader to wonder just how perfect he really is.  For Feet of Clay, most of this narration was done by Angua, the Watch’s werewolf officer and Carrot’s love interest.  Angua proves to be a very practical and sarcastic personality foil to the upbeat Carrot, which helps to humanise both to a degree.  Pratchett also adds in a compelling underlying storyline of Angua struggling with how others perceive her as a werewolf, and her certainty that her relationship with Carrot can’t last.

While Carrot and Angua represent the more serious side of the Watch, Pratchett continues to have fun by focusing on the always amusing and comedic duo of Sergeant Fred Colon and Corporal Nobby Nobbs.  Their narrative in Feet of Clay is particularly good, especially for Nobby, who finds himself elevated to nobility status when it is discovered he is the long-lost descendant of the Earl of Ankh.  Suddenly forced to hobnob with other nobs, Nobby has some fantastic reactions and interactions, especially going from despair at being a penniless noble, to trying to fit in with the city’s elite.  While this seems like a mostly comedic storyline to undercut the tension of Feet of Clay’s serious crimes it fits into the main narrative in some clever ways, although Nobby’s reaction when he finds this out is so damn funny and perfectly reflects his own mentality and his knowledge of Vimes’ reactions.

Sergeant Colon, on the other hand, is somewhat less used in Feet of Clay, although Pratchett has fun satirising the ‘policeman three days away from retirement’ trope through him.  Keen to get out of the Watch because his wife wants him to buy a farm (another subtle and fun joke from Pratchett), Colon inevitably runs into insane trouble in the second half of the book, and it was fun to see the craziness of the other storylines literally stampede over him.  I have loved these two characters since their first appearance in Guards! Guards! and this is one of their funniest books (although their next appearance in Jingo is also peak comedy).

While these recurring characters are awesome, special mention needs to go to the new members of the Watch that Pratchett introduces in Feet of Clay, who have major impacts on the plot.  The most significant of this is the new dwarf forensic officer, Corporal Cheery Littlebottom (a very traditional dwarf name).  Cheery serves as a compelling outsider figure, with Pratchett moving her across both investigations.  However, it’s her characterisation as a female dwarf who wants to acknowledge her gender rather than act like a male dwarf, as is tradition, that really sets Cheery up as a standout character.  Naturally working in aspects of identity and overcoming established mindsets are a big part of Cheery’s character, and it was wonderful to see her gain confidence and skill as a Watch officer.  Pratchett did such an excellent job of handling these complex cultural elements through Cheery, and it’s amazing how significant Cheery’s actions are in the larger Discworld narrative, as well as how relevant they are today.

Other characters I need to mention as I finally wrap up this section include the mysterious golem Dorfl.  A voiceless and dutiful figure that is part of the city’s exploited golem underclass, Dorfl has a compelling connection to the murders in Feet of Clay and serves as an unlikely witness and suspect.  Pratchett writes a particularly compelling motivation around Dorfl’s actions in this novel, which cleverly ties into discussion about self-determination and artificial intelligence.  I also had a lot of fun with Dorfl’s later scenes, especially as he becomes the city’s most unexpected and dramatic revolutionary.  Other highlights for me include Lord Vetinari, who takes his role as a poison victim with his usual special interest.  Throw in an ancient vampire with a love of terrible puns, an extremely angry gnome, and other compelling characters dragged into the narrative’s web, and the cast of Feet of Clay was one of Pratchett’s strongest, especially with all the emotional impact they add to the plot.

As with all the other Discworld novels I have reviewed, I have enjoyed Feet of Clay on various formats over the years, but my favourite is once again its audiobook version.  The various audiobook releases are always the absolute best ways to enjoy a Discworld novel, and the fantastic humour, compelling characters and entertaining locations that Pratchett comes up with, always come across in impressive fashion when read out.  This is especially true for Feet of Clay, which, like many of the series, has had several different audiobook versions over the years.  This includes the classic version released back in 1997, featuring narration by one of my favourite audiobook narrators, the legendary Nigel Planer.  I have raved about Planer in several previous reviews, including for Guards! Guards! and Men at Arms, and few narrators can capture Pratchett’s style and comedic charm with their voices like Planer did.  His work narrating Feet of Clay was particularly impressive, especially with his portrayal of all the cool characters, including an over-the-top vampire, the new dwarf member of the watch, and more.  The Planer narration of this novel is probably the definitive Feet of Clay audiobook, and I have been in love with this version since I was a child.

I also need to highlight the new audiobook released a couple of years ago.  Featuring the very impressive cast of Jon Culshaw, Peter Serafinowicz and Bill Nighy, this more recent Feet of Clay release was also very exceptional, building off the great work these three narrators did with their Guards! Guards! and Men at Arms audiobooks.  Coming in with a runtime of 12 hours and 20 minutes, this Feet of Clay audiobook is a bit longer than the Planer release (which had a runtime of 9 hours and 38 minutes), although listeners are still in for an exceptional time.  Much of this is down to British radio and television personality Jon Culshaw, who once again made this audiobook his own with his take on the story and his characters.  His gritty and entertaining voices for the cast are very fitting, and like Planer, he excels at showcasing their complicated personalities, as well as the overall humour of the book.  I am once again very impressed with just how excellent Culshaw was for the City Watch books, and he is my favourite narrator from these new Discworld audiobooks.

As with all books in this new collection of Discworld audiobook’s, Culshaw’s main narration was perfectly backed up by recuring voices of Bill Nighy and Peter Serafinowicz.  These performances were once again perfect, and I especially loved Nighy’s excellent work with the vital, comedic footnotes. Serafinowicz’s role in Feet of Clay is also very fun, as he brings the fan-favourite character of Death to life.  While Death only has a few scenes in Feet of Clay, Serafinowicz makes the most of his appearances, and hearing the actor’s deep Death voice suddenly appear amongst the general narration really increases the impact of the character.  Both Bill Nighy and Peter Serafinowicz’s inclusions were extremely fun, and I felt that they were combined with Culshaw’s main narration in a very impressive way.  These three brilliant British talents ensured that the new version of Feet of Clay was particularly impressive and while my heart will always belong to the original audiobook with Nigel Planer, this new multi-cast audiobook will likely inspire a new generation of Discworld fans.

With an incredible and winning combination of charm, mystery and comedic brilliance, Feet of Clay was another exceptional and classic read in Terry Pratchett’s Discworld.  Providing an ultra-addictive story that also perfectly adds in some great new characters, Feet of Clay is one of the very best Discworld books, and one of my personal favourites.  An exceptional read I will recommend until the day I die!

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Waiting on Wednesday – Shot by Shelley Burr

On By The Unseen LibraryIn Australian, Murder Mystery, Waiting on WednesdayLeave a comment

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  For this latest Waiting on Wednesday, I highlight an outstanding upcoming piece of Australian crime fiction with Shot by Shelley Burr.

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For the last few years, one of my favourite authors of Australian crime fiction has been the very impressive Shelley Burr.  A rising and talented writer who experiments with new styles and writing ideas with each novel, Burr appeared on the scene back in 2022 with her debut novel, Wake.  An excellent and addictive outback mystery about a historical disappearance, Wake was an outstanding novel, which served as the first book of her Lane Holland series.  Followed up by the amazing novels, Ripper (also released as Murder Town), and last year’s release Vanish, each book in this series told its own unique and narrative, while also further exploring the complex life of its recurring protagonist.  I had an incredible time with these books, and I’ve been keen to see what Burr would write next, especially as she seemed to wrap up her first series with Vanish.

It looks like Australian crime fiction fans don’t have long to wait until they’re lucky enough to get another Shelley Burr novel, as the author has an interesting new release coming out in October.  This new book, Shot, will tell a distinctive new tale of murder, regret and hidden secrets, as a new investigative protagonist dives into the past to uncover the truth behind an infamous killing.

Set to follow a disgraced true-crime vlogger (Burr likes her damaged protagonists), as she does a feature on a double killing that occurred in the middle of a livestream, Shot sounds extremely intriguing, and I love the cool and unique elements to its proposed plot.  Sure to bring the drama and dive into modern audience’s obsessions with glamourous streaming families and famous murders, Shot has a ton of potential, especially if Burr weaves her typical storytelling magic.  Based on how good Burr’s previous novels were, Shot is now one of my most anticipated crime fiction novels coming out in the second half of 2026, and I have no doubt that this will be a top piece of Australian fiction.

Plot Synopsis:

A murder is witnessed by thousands, but who pulled the trigger?

Dahlia and Duncan Crews are rich, famous, glamorous – they share their lifestyle and picture-perfect family with hundreds of thousands of online subscribers. The Crews have it all – until they don’t. Shot dead in the middle of a livestream, the couple’s teenage daughter, Karma, is the sole survivor. And the prime suspect.

Years later, disgraced true-crime vlogger Jennifer Benedetta is hired to film a cold-case documentary on the unsolved Crews family murders. It’s the chance she needs to salvage her reputation, but there’s a catch: prove Karma Crews innocent. But something – or someone – is lurking just off camera, and the closer Jennifer gets to the truth, the further she is from safety.

Who is watching? And how far will they go to remain unseen?

Quick Review – We Saw What You Started by Carla Salmon

On By The Unseen LibraryIn Australian, Quick Review, Thriller, Young AdultLeave a comment

Publisher: Pan Australia (Trade Paperback – 1 July 2025)

Series: Standalone 

Length: 336 pages

My Rating: 4.25 out of 5 stars

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Prepare for some troubled fun in the sun with the fantastic 2025 Australian young adult fiction debut, We Saw What You Started by new author Carla Salmon.

Plot Synopsis:

Three deadly fires. One suspect. A thriller of surf and sea.

Otto was a star surfer back in California, but now he just wants a fresh start. When fires break out in Red Sands, the locals are suspicious. It’s no coincidence that Otto’s at the scene every time. Is it?

Milly isn’t so sure. Small town talk isn’t always right – especially when it comes to her ‘perfect’ brother, who doesn’t deserve to become captain of the surf lifesaving club. What if the new boy is innocent?

Can Otto and Milly trust each other to find the truth behind the fires? And what happens when you do the wrong things for the right reasons?

We Saw What You Started was a compelling and exciting debut from Salmon, who provides a cool thriller narrative amongst youthful hijinks on a rural Australian coastline.  Starting off with some immediate peril as the protagonist of the story, Otto, gets caught up in an apparently deliberate bushfire, you are quickly introduced to the small-town setting of Red Sands, as well as the dramas surrounding Otto and Milly.

Salmon effectively splits the narrative of We Saw What You Started between the perspectives of Otto and Milly, who grow close as the story progresses.  However, with an important swimming and lifesaving contest on the horizon, things become complicated for both as a series of arsons take place around town, often when Otto is nearby.  This naturally increases the drama of the plot, as Otto deals with suspicion from the Red Sands townsfolk, especially when his troubled past in America becomes known.  At the same time, Milly, driven by her own desire for independence and respect from her father, becomes one of Otto’s only allies.  The two start teaming up to investigate the arsons, resulting in some interesting moments of investigation, conflict and teenage rebellion, that play into the main plot extremely well.

The author does an exceptional job pulling together a great young adult crime fiction story in the second half of We Saw What You Started, loaded with high stakes and powerful dives into the protagonist’s traumatic past.  The revelation of who is responsible for the arsons, and the big confrontation at the end, are nicely set up, and Salmon loaded up a ton of fun hints throughout the book that really pay off.  Everything wraps up nicely, with the ongoing character struggles resolved and everyone getting their happy ending, allowing for a fantastic and heartfelt standalone read that did an excellent job of blending its crime fiction elements with the various personal problems of its intriguing young cast.

Overall, I felt that We Saw What You Started was an excellent debut novel that helped to showcase the Carla Salmon’s ability as a writer.  Expertly combining an intriguing crime fiction narrative with some fantastic young characters and a striking Australian setting, We Saw What You Started that will appeal to a wide range of readers, especially it’s intended young adult audience, who can relate to Salmon’s protagonists and their struggles.  This was a wonderful Australian novel and a great introduction to Carla Salmon, who looks set to continue her writing adventures in 2026.

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Redbelly Crossing by Candice Fox

On By The Unseen LibraryIn Australian, Murder Mystery, ThrillerLeave a comment

Publisher: Penguin (ebook– 31 March 2026)

Series: Standalone

Length: 432 pages

My Rating: 4.5 out of 5 stars

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One of Australia’s best-known thriller writers, Candice Fox, returns with another brilliant and complex outback crime fiction read that sees two estranged brothers get caught up in an intense and dark murder, Redbelly Crossing.

Candice Fox is a very impressive author whose compelling work I have been deeply enjoying in recent years, especially as she has some interesting range with her varied crime fiction releases.  This includes complex American thrillers like The Chase, Devil’s Kitchen and Fire With Fire, to unique Australian outback thrillers such as High Wire.  She has also continued her exciting partnership with the legendary James Patterson, with some recent releases including 2 Sisters Detective Agency, 2 Sisters Murder Investigations and The Murder Inn.  All these books have been a ton of fun to get through, and I always make sure to keep an eye out for anything new from Fox, especially as it’s likely to be a guaranteed hit.  As such, I made sure to read her next book, Redbelly Crossing, as soon as I could, and boy was it something special.

Plot Synopsis:

Blood is thicker than water. But too much leaves a trail . . .

Russell and Evan Powder are cops.

The brothers haven’t spoken for five years, since a violent confrontation tore their family apart.

Now they are both assigned to the murder of a young journalist, Chloe Lutz, in the small town of Redbelly Crossing (population 205).

It’s the last thing Russell wants. This is supposed to be the week he repairs things with his teenage daughter Bridie. Now he’s had to drag her on a murderous ride-along to the middle of snake-infested nowhere.

But a big case like this is just what Evan needs after a terrible mistake nearly tanked his career.

Then a dark discovery leaves Evan with only one way out; to bury the truth Russell is so determined to uncover …

Redbelly Crossing was an outstanding piece of Australian crime fiction from Fox, who effortlessly creates an elaborate and twisty read with some real-life emotional heft attached to it.  One of the best Australian mysteries so far released in 2026, Redbelly Crossing is a brilliant standalone novel that had me hooked from start to finish.

Fox pulls together one of her more complex and compelling narratives for Redbelly Crossing, as she goes back to her outback thriller roots with an emotionally charged, character-driven story.  Primarily told through the alternating perspectives of the Powder brothers, volatile Russell and the disgraced Evan, you are quickly drawn into both the murder and their chaotic lives, as they inadvertently reunite for the first time in years to solve a crime.  Fox does an excellent job setting the scene for the main case, which presents an intriguing murder mystery on its own, and the reader is soon quite curious about who killed Chloe Lutz.  This great early interest in the mystery is then further enhanced by the drama around this central plot point with the family turmoil represented by the two protagonists, which only becomes even more intense when Evan makes a discovery that change his motivations around investigating the case.

The rest of the book sees both Powder brothers working at cross purposes, with Russell doggedly trying to get at the truth, with Evan attempts to hide certain facts from him to ensure certain evidence don’t come up.  This adds quite an interesting angle to the investigation, as the reader has access to all the information about the murder, while both protagonists only have fragments of it.  The resulting convoluted investigation is well matched by the dive into each of the protagonists’ troubled pasts, as Fox carefully doles out the full history of the brothers and their relationship, as well as the events that led to where they currently are.  Things seem to come to head with a cool action sequence in the second half of the book; however, Fox is only just starting with the twists, as the case goes in some dangerous and extremely personal directions.  There is a great reveal closer to the end of the book that really changes everything, especially with how it drives one of the brothers, and the resulting carnage, emotional turmoil, and conflict will leave everyone reeling one way or another.  Fox brings Redbelly Crossing to a captivating ending that readers will find bittersweet and a little heartbreaking, but which is a fitting end to such a compelling and powerful tale.

I really enjoyed how Fox pulled Redbelly Crossing together, and I felt that this was one of her better books, especially as she drew a compelling line between family drama and murder mystery.  Making great use of the narrative’s dual perspectives, Fox effectively drags the reader back into her classic outback setting, while also diving deep into two protagonist brothers and the events that formed them and tore them apart.  The character work around the two Powder brothers, Russell and Evan, is particularly good, as Fox paints them as two highly damaged figures, broken apart by their mistakes and the trauma caused by their abusive father, who is still a dark presence in their lives.  Fox really explores their trauma and how it impacts their current personalities, with Russell a highly competent investigator who acts overly aggressive to compensate for his past weaknesses and his homosexuality, whereas Evan attempts to do the right thing, but his mistakes allow him to be dominated by his father, who keeps corrupting him.  Their competing desires, and the family drama around them, drives both Russell and Evan on separate courses for much of the book, and while their attempts to do right by their family should make them better, it often leads to new conflicts and deeper sorrow down the line.

I really appreciate just how well Fox balanced this family turmoil and character uncertainty with the larger mystery of the plot, especially as a lot of secrets lie with the characters’ pasts.  This focus on history and generational trauma was a big recurring theme of Redbelly Crossing, and Fox covers it extremely well.  The author also did an amazing job diving into the lasting trauma and uncertainty surrounding murder and those it leaves behind, especially when it comes to these older cases.  Much of this was because Fox was carefully referencing two real-life unsolved Australian murders in her plot, with many of the key details of these historic cases brought across into Redbelly Crossing.  This was a bold decision from Fox, but one which pays off, as it increases the impact of Redbelly Crossing’s narrative, especially after you finish the book and read in Fox’s words why she decided to use these details.  This inherent drama, when combined with the author’s twisty writing style and her ability to create powerful characters, shaped by their past and their personal troubles, helps to turn Redbelly Crossing into something extremely special that you won’t be able to turn away from.

Candice Fox continues to showcase why she is one of Australia’s most talented and versatile authors of crime fiction with her latest exceptional read.  Redbelly Crossing was a complex and layered read that combined a great crime fiction story with powerful character moments, all wrapped up with a striking outback setting and some intense elements taken from real-life.  A captivating and impressive read, Redbelly Crossing was a particularly strong novel from Fox, who really pours her heart into this latest novel.  Highly recommended with a story guaranteed to stick in your mind.

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Waiting on Wednesday – 138 Main Street by Gavin Bell

On By The Unseen LibraryIn Thriller, Waiting on WednesdayLeave a comment

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  For this latest Waiting on Wednesday, I highlight a cool upcoming thriller with the awesome sounding 138 Main Street by Gavin Bell.

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I like to think that over the years I have more than proven my love for unique thrillers with intriguing or distinct plot ideas that are near guaranteed to produce amazing and highly entertaining reads.  As such, I always keep an eye out for these sorts of books, and few upcoming novels fit the bill more than the epic 2026 release 138 Main Street, the debut novel of new author Gavin Bell.

Set for release in May 2026, 138 Main Street features a very fun crime fiction concept, when a serial killer starts targeting people around the United States who live at a specific address, the titular 138 Main Street.  However, because of the sheer quantity of main streets in America, the FBI are unable to predict where the killer will strike next, resulting in nationwide panic, vigilante violence and more, as the killer plots a revolution.

I love this fantastic plot idea, which is honestly extremely brilliant and entertaining.  If Bell can back up this cool concept with an equally outrageous narrative and some great writing, then I think that 138 Main Street has the potential to be one of the more memorable and impressive crime fiction debuts of the year.  I cannot wait to see how this interesting new book unfolds, and 138 Main Street is sure to be an outstanding read.

Plot Synopsis:

138 MAIN

AN ADDRESS TO DIE FOR…

There’s a killer on the loose. And he’s targeting one specific address—138 Main Street. The problem? There are over 7,000 Main Streets in the USA. And the police and FBI have no clue which one will be next.

For FBI Special Agent Ben Walker and his rookie colleague, Officer Zoe Hill, the pressure to solve the case is unimaginable. There aren’t enough police officers to cover every house, and vigilante residents are attacking anyone who rings their doorbell. Main Street might be one of America’s most popular addresses, but for those living at number 138, it comes down to fight or flight.

Then a manuscript is sent to the New York Times, purporting to be the manifesto of the “Main Street Killer” and demanding radical social change. As the effect of the terror campaign takes hold across the nation, Walker and Hill find themselves in a race against time to stop the killer. But with their target always several steps ahead, and almost 3,800,000 square miles of ground to cover, they’ll have to find him first…

Vanish by Shelley Burr

On By The Unseen LibraryIn Australian, Murder Mystery2 Comments

Publisher: Hachette Australia (Trade Paperback – 30 April 2025)

Series: Lane Holland – Book 3

Length: 360 pages

My Rating: 4.5 out of 5 stars

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One of Australia’s most talented new crime fiction authors, Shelley Burr, provides another complex and deep read with the compelling 2025 novel Vanish.

Over the last couple of years, I have been having an outstanding time with the fantastic writings of new Australian author Shelley Burr, who has produced some fantastic and compelling murder mysteries.  Burr’s debut novel, Wake, followed a damaged private investigator, Lane Holland, as he attempted to solve an infamous missing persons case for his own selfish reasons.  A complex and moving small-town story about loss and the scars it leaves behind, Wake was an outstanding novel from Burr, which ended up being one of my favourite debuts and Australian novels of 2022.  Burr continued this series in a fascinating way the following year, with the amazing novel Ripper (also released as Murder Town), which saw returning protagonist Lane Holland attempt to solve another historical crime from behind bars.  Ripper, which was one of my favourite Australian reads of 2023, was an excellent follow-up to Burr’s first novel that helped to present the Lane Holland books as one of the more unique ongoing Australian series.  As such, I made sure to read the third entry in the series, Vanish, last year as soon as I could, and it proved to be an outstanding and compelling read.

Plot Synopsis:

People go to the isolated Karpathy farm looking for a new life – and are never seen again. A chilling thriller from the award-winning and bestselling author of Australian noir, Shelley Burr.

Lane Holland’s crime-solving career ended the day he went to prison. With his parole hearing approaching, he faces the grim reality that an ex-con can never work as a private eye. Yet one unsolved case continues to haunt the disappearance of Matilda Carver two decades ago.

Never one to follow the rules, Lane finds a lead – a mysterious farm community led by the enigmatic Samuel Karpathy. His farm attracts lost souls. People who want a more meaningful life. People who are hiding from their pasts. People with nowhere else to go.

But those who go to the farm seem to vanish without a trace.

Is it a commune? Is it a cult? Is it something even more dangerous? Lane goes undercover at the farm to find its dark secret – but could he too find himself intoxicated by the prospect of a new life on the land?

Vanish was an impressive third entry from Shelley Burr, who tried some interesting new techniques and narrative threads in this book to create a fantastic read.  Following on from the events of the previous two books, this third book sees protagonist Lane Holland continue to investigate several missing persons cases from prison, including Matilda Carver, the daughter of his prison warden.  Able to convince the warden to help him investigate the disappearance in person, Lane is transferred to the Karpathy farm as part of a work-release program, the last place where Matilda was seen and the location where many other people seem to disappear from.

Arriving at the farm, Lane discovers an unusual community of outsiders who have found an unlikely home at the Karpathy property.  However, the more Lane digs, the more secrets he uncovers as he attempts to work out the supposedly sinister truth behind the farm and its owners, as well as the people who have gone missing from it.  This central mystery is made even more complicated when Lane discovers the secondary protagonist of Vanish, Mina McCreery, secretly living at the farm.  The woman who Lane went to prison to protect, Mina was a great addition, especially as there are a lot of unresolved issues and drama between the two.  Forced to work together to investigate separate missing persons cases at the same location, Lane and Mina once again form an unlikely and chaotic team that was a real joy to follow.

The resulting second half of Vanish was awesome, with a range of compelling twists, red herrings and near-death experiences for the protagonist.  Burr produced a particularly emotional heavy narrative for Vanish, which focused more on Lane as a character, while also providing a more subtle mystery related to perceptions and people’s choices.  The reader is constantly left guessing about whether the residents of the Karpathy Farm are a dangerous cult, which helps to cloud who the actual villain of the story is.  There was also a great, slow build of tension through the plot, which comes to a fantastic and thrilling head near the conclusion of the book.  The various final reveals of Vanish were quite clever, and this ended up being a very satisfying standalone mystery that way.  Burr also expertly resolved several ongoing storylines from the rest of the series, and it was great to get some closure between Lane and Mina, especially after the dramatic ending of the first book.  There was a certain finality to Vanish that made me feel that this was going to be the last entry in this series, and if this is the case I’d be fine with that, especially as the protagonist finally got a happy ending.

I felt this third Lane Holland book came together extremely well, especially as Burr has continued to experiment with her different writing styles.  This included telling most of the book from Lane’s perspective, rather than splitting focus between another side character, which allowed the reader to get closer to the protagonist, while also being influenced by his take on events.  I liked how this change in perspective allowed for a much more emotionally rich narrative, and there is a certain uncertainty at times about whether a crime has taken place, as Lane keeps finding hidden secrets and dead-ends.  However, thanks to a series of short inclusions from a mystery character in distress, the reader is slyly aware that there is more going on, and I really appreciated Burr’s subtlety, as well as the clever explanation behind this hidden figure.  I also enjoyed how well Burr tied Vanish’s narrative back to the events of the first book, and fans of the series get some excellent closure here, while still allowing Vanish to be a mostly standalone book.  All this leads to a pretty excellent read, and it was one I was glad I checked out.

With another clever and powerful mystery, Vanish continues to showcase Shelly Burr’s fantastic skill as a rising Australian mystery writer.  A wonderful third entry in a truly compelling series, Vanish was an excellent read I had a great time getting through.  Highly recommended for both existing fans of Burr, and those readers looking for a unique Australian mystery.

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Quick Review – Barren Cape by Michelle Prak

On By The Unseen LibraryIn Australian, Quick Review, ThrillerLeave a comment

Publisher: Simon & Schuster Australia (ebook – 2 April 2025)

Series: Standalone

Length: 352 pages

My Rating: 4 out of 5 stars

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Australian author Michelle Prak takes aim at a serious issue in Australian society, with her intriguing standalone thriller, Barren Cape, a great book I had the pleasure of reading in early 2025.

Plot Synopsis:

An abandoned resort seems the perfect place to hide, but is Barren Cape a refuge or a trap?

Former housemates Mac and Erika are homeless.

Well, Erika is fine, she just has to live with her parents until she can find another rental. Mac’s situation is much worse – family isn’t an option and she’s surfing the couches of her increasingly exasperated friends.

Driving around one lonely afternoon, Mac discovers Barren Cape. Once destined to be a luxury escape, now it’s just wire fence and grey cement. It’s stark, but quiet. There’s no harm in staying here a little while …

From the bestselling author of The Rush, this is the chilling result of people pushed to the fringes of society and forced to make unthinkable choices.

Barren Cape was a very compelling read from Prak that combines a cool thriller narrative with an interesting look at the current dire housing situation in Australia.  Set around the city of Adelaide, Barren Cape follows three separate protagonists, including roommates Mac and Erika who find themselves homeless after losing their rental, and young teen Brex, whose family life forces her to leave home and try to find alternate accommodation.

All three point-of-view characters are eventually drawn towards the abandoned building development of Barren Cape, whose cement rooms appear to be the perfect place to hang out while the protagonists try to find their separate ways in life.  However, the interactions between the three protagonists leads to a great layer of drama within the plot, which is thrown into overdrive when another resident of Barren Cape is discovered.  This leads to a dark, conflict laden second half of Barren Cape, which only gets worse with every single mistake and bad decision the protagonists make.  Prak constantly twists the story around, ensuring that you don’t know what’s going to happen next, and resulting in a complicated ending, where the characters try to move on to better things after experiencing some trauma.

I felt that Barren Cape came together extremely well, especially when it came to the author’s compelling examination of Australia’s housing crisis and its impacts.  Showcasing various levels of the struggle in one city, Prak paints a pretty desperate picture around the lack of accommodation for vulnerable people, enough so that camping out an isolated and abandoned building site seems like a reasonable option.  I really appreciated how Prak explored the characters’ desperation around this key issue, and the lengths they will go to maintain even this level of housing security.  The drama that flows from this desperation, which includes some characters even overlooking murder, is intense, and its connection to a real issue ensures that all the character’s struggles are quite relatable.

One issue I had with Barren Cape was that parts of this narrative weren’t as exciting as I had hoped, with the plot mostly resolving around interactions between relatively normal characters.  However, I think that this perceived lack of excitement was more on me as I was expecting a horror/slasher story, with some dangerous figures stalking the protagonists.  It did feel that Prak was setting that up at times, especially with a scene around a dangerous group on the beach and a stalker for one of the characters, two story elements that never really went anywhere.  One scene where a female character, who spends most of the book bodybuilding at the gym, was wrestled down by children, also took me out of the plot a little, although it led to some interesting follow-up moments.  Still, the rest of the book with its complex interactions and clever take on a major modern issue helped to balance these issues out, and I ended up having a good time with this compelling novel.

Overall, Barren Cape was an excellent Australian novel from Michelle Prak, who produced an interesting and thought-provoking read.  Moving, intense and diving into something that is causing a lot of concern in modern Australia, Barren Cape is well worth a read, and I’ll be curious to see what Prak writes next.

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A Sociopath’s Guide to a Successful Marriage by M. K. Oliver

On By The Unseen LibraryIn ThrillerLeave a comment

Publisher: Hemlock Press (ebook – 31 December 2025)

Series: Standalone/Book One

Length: 384 pages

Rating: 4.75 out of 5 stars

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Brillant new author M. K. Oliver presents one of the more entertaining novels of early 2026, with the wonderfully devious and captivating book, A Sociopath’s Guide to a Successful Marriage.

Plot Synopsis:

There’s a dead body in my living room.

I’ve not called the police because it was I who stabbed him. Seven times in all. The truth is, it’s surprisingly difficult to dispatch someone with a vegetable knife.

In case you’re wondering, the dead man is not my husband. I do resent our pitiful sex life and his woeful lack of ambition, but I wouldn’t murder him for it. Not yet, anyway.

Right now, I have far more pressing scheming to get my daughter into the perfect school; buying my dream home in Hampstead; and disposing of a corpse.

A woman’s work is never done. I’ve created the perfect life – and I’ll kill to keep it.

A Sociopath’s Guide to a Successful Marriage was a fantastic and very amusing crime fiction thriller that I honestly couldn’t get enough of.  The debut novel of M. K. Oliver, A Sociopath’s Guide to a Successful Marriage perfectly utilised it’s delightfully deceitful and pragmatic protagonist to tell an outstanding story.

Oliver pulls together an awesome and insane narrative for A Sociopath’s Guide to a Successful Marriage, which follows a particularly compelling protagonist in Lalla Rook, a busy wife, mother and relentless sociopath, with dreams of a bigger home and getting her daughter into the perfect private school.  However, Lalla’s plans threaten to come crashing down around her when she brutally murders an intruder who breaks into her home before her child’s birthday party.  What follows is a deeply entertaining romp of secrets, lies and ambition, as Lalla tries to balance achieving her goals for the future with disposing of the dead body currently hidden in the house.  Oliver builds a very amusing and fast-paced story around this, as Lalla soon encounters problems with inconvenient witnesses, prying police, and a whole second murder.  These problems brought on by the inopportune murder blend with the protagonist’s other issues, including with her disinterested husband not working hard enough to achieve the career goals Lalla set for him, her controlling mother-in-law trying to destroy her marriage, her daughter is starting to showcase similar sociopathic tendencies that are ruining her chances at an elite academic institution, and the constant issues of her social-climbing friends.

These fun elements come together into a very entertaining story, and it is a ton of fun to watch A Sociopath’s Guide to a Successful Marriage’s ruthlessly pragmatic protagonist deal with each of these issues in her own manipulative and intense way.  Of course, things continue to get further out of hand for Lalla as the narrative continues, with the mysterious dead man who started her recent misadventures having a connection to dark secrets from her past.  Worse, Lalla soon finds her carefully constructed life starting to come crashing down as her plans hit annoying snags as those closest to her are plotting against her.  I love how well Oliver showcases the protagonist losing control in the last third of this book, and it really ups the stakes of A Sociopath’s Guide to a Successful Marriage, especially as you have no idea just how far his protagonist is going to go to achieve her goals.  The final part of this book came together extremely well, as the protagonist’s various schemes and problems blend into a series of manipulations and deadly encounters, which results in a highly entertaining and chaotic conclusion.  The result was pretty damn perfect, as nearly every character gets exactly what they deserve thanks to some hilarious and insightful carnage.

I must admit I was quite surprised when I found out that A Sociopath’s Guide to a Successful Marriage was Oliver’s very first novel, as it was impressively well written.  Featuring a fast-paced narrative perfectly told from the first-person perspective of a particularly captivating protagonist, A Sociopath’s Guide to a Successful Marriage blends a thriller narrative, loaded with personal tales of deceit and murder, with some fantastic humour set around an amazing protagonist.  This protagonist, Lalla, allows for much of the book’s comedic charm, as you watch her casually manipulate those around her to get what she wants.  Oliver does such a good job of capturing Lalla’s sociopathic nature with his writing, and I loved his take on this amazing female character.  The way this protagonist goes after what she wants with no shame or regret, while being completely aware and uncaring of the impact she is having on those around her, is very refreshing and entertaining, and while you know she is evil, you can’t help rooting for her.

It helps that even though Lalla is a murderous and manipulative figure, she honestly isn’t the most selfish character in the book, and it proves quite fun to see the resourceful Lalla go up against the spoiled upper-class housewives, corrupt businessmen and other elites in her quest to get what she wants.  This great character-driven humour is further enhanced by some amusing examinations of ambition and avarice in various forms, especially as some characters get exactly what they are looking for in some very unlikely ways.  This all deeply enhances Oliver’s very impressive story, and I really enjoyed just how hilarious and thrilling this story could be in equal measures.

Overall, A Sociopath’s Guide to a Successful Marriage was an outrageous and hilarious debut thriller that I cannot recommend enough. M. K. Oliver did a remarkable job with this first book, and I loved the wildly entertaining scenario he created and the brilliant story he wrote around it.  Clever and funny in equal measure, A Sociopath’s Guide to a Successful Marriage was an incredible read and I cannot wait to see what amazing books Oliver writes in the future.

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Waiting on Wednesday – A Trade of Blood by Robert Jackson Bennett

On By The Unseen LibraryIn Fantasy, Murder Mystery, Waiting on Wednesday1 Comment

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  In this latest Waiting on Wednesday post, I highlight an exceptional upcoming fantasy crime novel I already know is going to be one of the top books of the year with A Trade of Blood by Robert Jackson Bennett.

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Over the last couple of years, few authors have impressed me as much as the incredible Robert Jackson Bennett.  An established fantasy author with some outstanding series under his belt, Bennett has been wowing readers for years with his complex and elaborate stories.  However, it is Bennett’s latest series that has really showed the world just how good he is, with the incredible Shadow of the Leviathan series.

Set in a fantasy empire constantly besieged by giant sea monsters, the Shadow of the Leviathan series feature exceptionally clever fantasy crime novels that see an unnaturally gifted investigator and her troubled assistant solve impossible murders that threaten to sabotage the safety of the nation.  The series started with The Tainted Cup that perfectly introduced the characters and the setting, while also featuring a great story of murder, deceit and intrigue.  Thanks to its clever fantasy elements out outstanding mystery, The Tainted Cup ended up being one of my favourite books of 2024, and I had such a great time getting through this incredible read.  Due to how awesome the first book in the series was, I ended up reading the sequel, A Drop of Corruption as soon as I could last year.  This sequel ended up being just as good, if not better, than the first book in the series, and I loved the new elaborate mystery and scenario that Bennett came up with.  A Drop of Corruption ended up getting another five-star rating from me, as well as being one of my favourite books of 2025.

After having such an incredible time with the first two Shadow of the Leviathan books, I’ve made sure to keep an eye out for the next book in the series, and I am very happy that a third entry is coming out soon.  This next entry is the very promisingly titled A Trade of Blood, which is currently set for release in August 2026.  Featuring another awesome fantasy crime narrative, A Trade of Blood has a ton of potential, and I really love the sound of this cool upcoming novel.

Plot Synopsis:

In the canton of Sapirdad, two of the Empire’s most powerful families are moments away from going to war with each other, their hundreds of retainers gathered with swords drawn. If blood is spilled, the whole of the empire may be plunged into starvation and chaos.

To deescalate matters, someone must do the impossible: prove that one family’s eldest son is innocent of a gruesome and unforgivable murder, despite the incontrovertible evidence against him.

It is with this undertaking that the great detective Ana Dolabra is tasked, her assistant Din at her side—and the two find themselves racing with great speed and little dignity to the scene.

As ever, the impossible proves little obstacle for the deadly combination of Ana’s intellect and Din’s keen eye, and mere hours after riding into the dusty town, Ana glimpses the greater pattern behind the crime. A deeper, subtler web of death is being woven in plain sight, by a mastermind with an ancient magical technology at his disposal.

But even Ana’s uncanny insight is of little use when each new suspect she uncovers ends up dead–with each new killing calculated to bring tensions between the two rival clans past the boiling point. And as Din pursues their adversary through the canton’s wild ranges, sprawling ranches, and reeking slaughterhouses, he finds his loyalties divided in unexpected ways.

I already love the sound of A Trade of Blood, and it looks like Bennett has another outstanding fantasy murder mystery in store for us.  This upcoming novel has a great synopsis behind it, and I am very curious to see both the initial crime that the protagonists need to uncover to avoid a civil war, as well as the resulting killings that intend to stoke the conflict even further.  It will be very interesting to see the protagonists, Ana and Din, try to solve this case while dealing with their own issues at the same time, and I am very curious to see how Bennett will test this unlikely pairing going forward.  The inclusion of another extremely devious villain for this book, seems particularly promising, and I look forward to seeing the resulting battle of wits between the antagonist and the unstable but brilliant Ana, which will no doubt be entertaining and clever.

Based on how damn good the last two Shadow of the Leviathan novels turned out to be, there is no way in hell I am missing out on A Trade of Blood later this year.  Robert Jackson Bennett has been on an absolute roll with this series, which I have no doubt he will easily continue with this third book.  I will be grabbing A Trade of Blood no matter what this year, but after reading the exceptional synopsis above, I am even more excited for this epic upcoming novel.  I have no doubt at all that A Trade of Blood is going to be one of the very best novels of 2026, and it is one of the books I am most looking forward to this year.