Quick Review – OtherEarth by Jason Segel and Kirsten Miller

OtherEarth Cover.jpg

Publisher: Rock the Boat

Publication Date – 30 October 2018

 

From the superstar team of comedian Jason Segel and young adult author Kirsten Miller comes the second book in their Last Reality series, OtherEarth.

Goodreads Synopsis:

Simon saved his best friend, Kat, from the clutches of the Company and their high-tech VR gaming experience, Otherworld. But it was at a steep price. Now he, Kat, and their friend Busara are on the run. They know too much. About the Company’s dark secrets. About the real-life consequences of playing Otherworld. And about Kat’s stepfather’s involvement in everything. The group is headed to New Mexico to find Simon’s old roommate, who is a tech genius and possibly the only person who can help them reveal the truth about the Company before it’s too late and the line between what’s real and what’s fantasy is erased… forever.

Imagine a future in which you can leave reality behind and give in to your greatest desires. That future is now. And the future is terrifying.

Segel and Miller are an interesting team with some history, having previously written the Nightmares series together.  While Segel is best known for his film, television and comedy work, Miller is an established young adult author, having written two additional series.

I read the first book in this series, Otherworld, late last year, and it was one of the first young adult books I actually reviewed, as I had not professionally looked at this genre much before.  After reading and enjoying the first book a lot, I started checking out more young adult books in the last year, resulting in some really fun finds and some truly excellent reads.  As a result, I was very excited to check out the follow-up to this book and I was curious to see if I would enjoy OtherEarth the same way I enjoyed Otherworld.  I have to say that overall I had a lot of fun with this second book in the Last Reality series, and it had a lot of great and memorable elements to it.

OtherEarth follows on straight after the events of Otherworld, with the protagonists on the run from the Company.  During their previous adventure, the protagonists were able to determine that the Company had been experimenting on coma victims, installing them into their high-tech video game Otherworld, and killing anyone who learns about their secrets.  Simon, Kat, Busara and newcomer Elvis are now determined to expose the sinister actions of the Company while also saving the sentient programs that have come to life within the game.

One of the interesting things I liked about OtherEarth was the way that the authors split the story between the characters going on adventures within the Otherworld game and their attempts to evade and manipulate the company in the real world.  In order to solve their real-world problems, the protagonists are forced to venture into Otherworld in order to locate the consciences of people the Company have trapped within the game in order to obtain the information or resources to shut the Company down for good.  The blend between these in-game adventures and the subsequent real-world actions they take while evading and attacking the Company works really well and helps create an intriguing story.  Both parts of these stories have some great moments, and there are some fantastic twists throughout the book that will keep the reader keen to check out the final book in this series.

The focus on video games continues to be a major part of this book, and the authors offer up a bit of a critique of the future of this medium.  In OtherEarth, every player of Otherworld is a certifiable psychopath, as the world’s richest gamers buy up the extremely exclusive access to the game.  Watching the various players use the game to fulfil their violent desires and use the game to act as gods is quite eye opening, as is the protagonist’s growing addiction to the game and the combat mechanisms within it.  The programs within Otherworld who have gained sentience also offer a unique edge to the story and it is fascinating to watch them react against the players and creators they encounter.

There is a certain amount of humour and comedy throughout the book, although it is not as strictly comedic as other works by Jason Segel.  However, there are some pretty fun and amusing sequences throughout the novel.  The one that springs to mind the easiest is one particularly entertaining high-stakes sequence that suddenly devolves into a weird and comedic discussion about Dame Judi Dench in some very unusual contexts.  The combination of OtherEarth’s humour and the mostly serious nature of the story gives the book an unique flavour which comes together in a very enjoyable way.

From a young adult perspective, this book is probably best intended for an older teen audience as it contains some adult content.  While not as bad as the first book in the series, which contained a pretty inappropriate early scene in which the protagonist blackmails a couple of bitchy high school girls with their nudes, the intense action and some sexual content is probably not ideal for younger readers.  However, this book will be perfect for the older teen market, and most adult readers will have a good time reading this book.

Overall, OtherEarth is an excellent follow-up to Segel and Miller’s Otherworld, and continues their fun techno-thriller adventure.  With some great humour, an intriguing story and some interesting examinations of the gaming medium, OtherEarth is another exciting read for the older young adult audience.  This is a brilliant read that is well worth checking out.  I will personally am looking forward to the third book in the Last Reality series, OtherLife, which is coming out in October 2019.

My Rating:

Four stars

Quick Review – Death Notice by Zhou Haohui

Death Notice Cover.jpg

Publisher: Head of Zeus

English Edition Translated by Zac Haluza

Publication Date – 14 June 2018

 

This is a book I read earlier in the year, but I did not get a chance to write a review for it until now.  Death Notice is an intricate murder mystery thriller from bestselling Chinese author Zhou Haohui, originally written back in 2014.  The first English translation was released in June of 2018.

Goodreads Synopsis:

An elite police squad hunts a manipulative mastermind out to publically execute criminals the law cannot reach. A wild thriller and deadly game of cat-and-mouse from one of China’s most popular authors. For fans of Jo Nesbo, Se7en, and Hong Kong police cinema.

The brutal murder of respected police officer Sergeant Zheng Haoming sends shockwaves through Chengdu, a modern metropolis in the heart of China’s stunning Sichuan Province. He had been obsessed by an unsolved, eighteen-year-old murder case, until an entity calling themselves Eumenides (after the Greek goddess of vengeance and retribution) releases a terrifying manifesto. Is the manifesto a sick joke, or something more sinister? Soon, the public starts ‘nominating’ worthy targets for Eumenides to kill, and two days later, Sergeant Zheng is dead.

Eumenides’ cunning game is only getting started. The police receive a “death notice,” a chilling note announcing the the killer’s next target, the crimes they have committed, and the date of their execution. The note is both a challenge and a taunt to the police. When the first victim dies in public, under their complete protection, the police are left stunned. More death notices are coming. The chase is on.

Death Notice is an explosive, page-turning thriller filtered through a vibrant cultural lens. Zhou Haohui expertly adds an exhilarating new perspective to the twists and tropes of the genre all fans love, making for a uniquely propulsive and entertaining read.

I found Death Notice to be an extremely enjoyable piece of crime fiction that I was able to power through in a short amount of time.  The overall mystery of this book is quite complex, as the investigative team has to investigate this modern set of killings as well as the original murders which occurred some 18 years previously.  There are a lot of fantastic twists and turns throughout the book as various reveals about the characters in the book are brought to light.  I loved seeing how all the pieces of this mystery came together, and thoroughly enjoyed the overall conclusion about who was behind it, their motivation and their legacy.

While the overall mystery is really clever, I loved the intricate ways in which the antagonist was able to manipulate the police in order to kill the targets they were protecting.  Not only does the killer come up with some elaborate plans to take out his intended victims, he is often able to get the police to do his bidding.  There are some great scenes showcasing this throughout the book, as well as some great reveals about the police characters and why they are able to be manipulated.

The setting of this book is also pretty intriguing, especially as it is not a setting Western crime readers would likely be familiar with.  The book is set in the Chinese city of Chengdu, and I am willing to bet many Western readers have never even heard of that city before.  This provides the reader a unique setting where they do not know the rules or how the police investigate crimes.  The author’s interpretation of Chinese criminal investigation is quite fascinating and readers can enjoy the similarities or differences between this and Western crime fiction.  I also liked how the book was set back in 2002, in the early days of public internet technology.  It was interesting to see how different this recent time period was technology–wise, and it offered some intriguing elements to the story.

Overall, Death Notice is an outstanding piece of crime fiction, with an intricate story and a compelling setting.  This is an easy book for Western audiences to enjoy, and readers should find this piece of Chinese crime fiction quite intriguing.  I hope that we will get more translations of Zhou Haohui’s work in the future, especially ones that continue the captivating story started in this incredible book.

My Rating:

Four and a half stars

Quick Review – Adrift by Rob Boffard

Adrift Cover

Publishers: Orbit

                       Audible Studios

Publication Date – 5 June 2018

 

For this review I will be looking at Adrift by Rob Boffard, a book I listened to a few months ago, but which I did not get a chance to review at the time.  With the end of 2018 fast approaching, I decided to do a quick review for this book in order to clear my review schedule for the new year.

Goodreads Synopsis:

In the far reaches of space, a group of tourists board a small vessel for what will be the trip of a lifetime – in more ways than one…

They are embarking on a tour around Sigma Station – a remote mining facility and luxury hotel with stunning views of the Horsehead Nebula.

During the course of the trip, a mysterious ship with devastating advanced technology attacks the Station. Their pilot’s quick evasive action means that the tour group escape with their lives – but as the dust settles, they realize they may be the only survivors . . .

Adrift in outer space, out of contact with civilization, and on a vastly under-equipped ship, these passengers are out of their depth. Their chances of getting home are close to none, and with the threat of another attack looming they must act soon – or risk perishing in the endless void of space.

What initially drew me to this book was the pretty cool-sounding synopsis above.  I had not read anything from author Rob Boffard before, but a story featuring a group of mismatched passengers attempting to survive out in space with only a small, poorly equipped ship sounded like an intriguing read.  After enjoying Adrift, I think I might check out Boffard’s Outer Earth series in the future.

Adrift turned out to be a pretty compelling read, featuring a great story in space.  While the action was a little lighter than your standard science fiction read, this is more than made up for by some powerful drama as the characters deal with the stresses of their situation.  There are also some thrilling intrigue elements as the protagonists attempt to unwrap the difficult situations inside and outside of the ship, as well as one particularly shocking and unexpected moment in the middle of the book.  There were a few good action sequences as well, including several epic flight scenes, and a memorable spaceflight featuring a little old lady.

This book is primarily a character-driven story, as the story mainly focuses on the passengers aboard the tourist ship.  Each of the various characters gets decent coverage in this book, with a particular focus on the three main point-of-view characters and the two secondary point-of-view characters.  After the first few chapters, my initial impression of all the characters in the ship was, ‘What a bunch of losers and arseholes!’  The passengers of the ship are made up of several abrasive characters who initially seemed to overshadow most of the other characters, including two timid main point-of-view characters.  However, as the book is explored further, the background of all of the characters is explored in some detail, and the reader gets an idea of why some of the characters are the way they are.  The events of the story help develop these characters further, and by the end the surviving characters are all much more likeable.  I was impressed by the emotional range that Boffard was able to write, and the various reactions to the situations about the tourist ship came across as quite realistic.

I ended up listening to Adrift in its audiobook format, which was narrated by Katie Scarfe.  The audiobook runs for a little bit over 15 hours, so readers need to invest a bit of time in getting through this book.  I thought that Scarfe did a good job with her narration, coming up with a number of good voices for her distinctive characters, and moving the story along quickly.  Scarfe had a bit of work to do with the primary cast of characters, as not only did she have to do Russian, Irish and British accents, as well as several random accents the ship’s computer system blurted out through the course of the book, but she also had to do a range of ages across both genders, from a young male child to an elderly lady.  Fortunately, Scarfe was able to produce pretty good accents for each of these characters, and it was possible to get an idea of gender and age with the various narrations.  I also thought she did a good job capturing the range of emotion that flowed from her characters, from despair to anger at their situation.  Overall, the audiobook format is a great way to enjoy Adrift, and I would recommend it for those who prefer to listen to their books.

Adrift by Rob Boffard is a clever and fairly captivating read that makes great use of its character-driven storyline.  This was a good standalone novel, and readers will find a lot to enjoy with this intense science fiction read.

My Rating:

Four stars