Originally published in the Canberra Weekly on 27 June 2019.
I managed to get a pretty interesting haul of books in the last week and a half, and figured it was time to share before I get too distracted by the next batch of books I’m hoping to get. The latest haul is a really cool mixture of books, and I am really keen to check them all out when I get a chance.
I have been looking forward to this one for a few months and it is the only book on this list I spent some money on. Given how much I loved Pandora’s Boy though, I know I’m going to enjoy this latest book in the Flavia Albia series.
One of the more unusual books I got this week, it sounds like the story looks at alternate realities which could be cool.
This one sounds like a pretty awesome historical fiction novel and it pretty high up on my to-read list at the moment.
I was really happy to get a copy of the upcoming Jeffrey Archer book Nothing Ventured. His last book, Heads You Win, was a great read and this new book looks really interesting.
That title alone should explain why I want to read this book.
Set during a chaotic period of history, this looks like it will be a powerful historical drama and could be a great read.
I only just got this book today, but I am really keen to check it out. It sounds like a pretty cool young adult fantasy novel and I am very much looking forward to reading it.
Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy. Stay tuned to see reviews of these books when I get a copy of them.
As a massive fan of Firefly I have been absolutely enjoying the recent spate of fiction that has been based on this awesome television show in the last year. I have already read and reviewed the first two books in this new series of Firefly novels, Big Damn Hero and The Magnificent Nine, and I also recently picked up the first volume of the Firefly comic book series, The Unification War: Part One, which I intend to review soon. I have loved all these recent pieces of Firefly fiction, which is why I am so eager for the subject of this week’s Waiting on Wednesday, Firefly: Generations by Tim Lebbon.
I recently featured Firefly: Generations on my Top Ten Most Anticipated July-December 2019 Releases list, but I have decided to go into a little more detail about it in this post. Generations will be the third book in Titan Books’ new series of Firefly books and is set for release on 15 October 2019. A plot synopsis of Generations has already been released, and it sounds pretty epic.
Mal wins an old map in a card game. Ancient and written in impenetrable symbols, the former owner insists it’s worthless. Yet River Tam can read it, and says it leads to one of the Arks, legendary ships that brought humans from Earth-that-was to the ‘Verse. The salvage potential alone is staggering. But the closer they get to the ancient ship, the more agitated River becomes. She says something is waiting inside, something powerful, and very angry…
There are some really cool details in the synopsis above that make me extremely keen for this book, including the character that is likely to be at the centre of the plot. While the first two books in the series focused on Mal and Jayne respectfully, it looks like Generations is going to focus on River Tam. River was one of the most intriguing characters in the Firefly television show, as she was a young prodigy who was turned by an evil government into a half-crazed psychic assassin. Hunted by the government because of the secrets she holds in her head, River spends her time on Serenity suffering intense mental breakdowns, making physic examinations of the people she meets, and acting as the ship’s ultimate killing machine, saving the crew on multiple occasions with her lethal skills. While River is likely to be a hard character to capture in book form, I am really looking forward to a story that focuses on her, and it will be interesting to see how far into her fractured psyche the author delves.
While the potential focus on River is going to be cool, I also really like the sound of the rest of the plot synopsis. A story set around a dangerous salvage in wild space has so much potential, and I am pretty darn curious to find out what is lying in wait for them aboard that ancient generation ship. I’m hoping that some Reavers show up in this book, although I doubt that the characters aboard Serenity share my sentiments there. I am also keen to learn more about the early days of the universe that Firefly is set in, especially about the generation ships that took humanity away from Earth.
I have not read any of Tim Lebbon’s books before, but it appears he has some significant experience writing media tie-in novels. In addition to his original series, some of Lebbon’s previous works include the Hellboy books Unnatural Selection and The Fire, two 30 Days of Night novelisations, Alien: Out of the Shadows, Star Wars: Dawn of the Jedi – Into the Void and the Kong: Skull Island novelisation. Firefly: Generations will actually not be the first piece of Joss Whedon’s work that Lebbon has adapted into a book before, as he previously did a novelisation of The Cabin in the Woods back in 2011. I think that this novel is in safe hands and I am looking forward to seeing what Lebbon can do with the Firefly universe.
To be honest, I was always going to grab this upcoming Firefly book when it came out, but I am actually really intrigued by the cool-sounding story and the focus on the character of River Tam. Firefly: Generations sounds incredibly awesome, and I know I am really going to love it. What will the crew of Serenity find in the generation ship? I am going to have a hard time waiting till October to find out.
Publisher: Hyperion (Hardcover – 4 June 2019)
Series: Royal Bastards trilogy – Book 3/Final
Length: 392 pages
My Rating: 5 out of 5 stars
War, rebellion, magic and one hell of kickass story! Shvarts brings the outstanding Royal Bastards trilogy to an end with War of the Bastards, the relentlessly entertaining conclusion that rounds out the series with an epic bang. The Royal Bastards trilogy is the debut work of author Andrew Shvarts, who has produced an incredible young adult fantasy series that has been an absolute delight to read over the last three years. Set in the fantasy nation of Noveris, the series follows the adventures of its protagonist, Tilla, and her friends as they try to navigate the treachery and war that has engulfed their nation.
I had an absolute blast reading the second book in the trilogy, City of Bastards, last year. Not only did the book feature a compelling story style and an amazingly captivating plot, but it ended with an outstanding cliff hanger with the protagonist failing to stop the antagonist’s sinister plot, which results in the entire royal family being killed off and the enemy gaining control of the throne. This was such an epic ending, especially because the massacre of the entire royal family was just so unexpected (I really was expecting a last-minute rescue from the protagonists), and I have been extremely curious to see how this story ended for quite a while.
It has been a year since the destructive events that changed Noveris forever. After orchestrating the explosion that decimated the royal court of Noveris, killing the King and Queen and most of Noveris’s nobles, Lord Elric Kent has assumed the throne. With a huge number of powerful bloodmages under the command of his ruthless Inquisitor, Miles Hampstedt, Kent’s rule over Noveris looks to be nearly absolute. However, many are still fighting back against the despotic new rule, including Kent’s bastard daughter, Tilla.
Tilla is a member of the resistance group known as the Unbroken, which fights to return Tilla’s friend, the rightful Queen, Lyriana Volaris, back to the throne. With the help of her lover, Zell, and Lyriana’s cousin, Ellarion, Tilla and the Unbroken are engaged in a brutal guerrilla war against the new regime. However, the situation looks dire and victory near impossible to achieve, until a mission to rescue a major source of rebel intelligence reveals that their informant was none other than King Kent himself. Kent’s rule has been usurped by Miles, whose absolute control over the bloodmages has allowed him to take over Noveris without anyone noticing. While attempting to deal with the implications of capturing Tilla’s father, the Unbroken also free Syan Syee, a young woman from the Red Wastes with mysterious magical powers, who brings an urgent message to the people of Noveris. Syan warns of a coming apocalypse and believes that defeating Miles is the key to stopping it. Needing new allies, Tilla, Lyriana, Zell, Ellarion, Kent and Syan journey to the Red Wastes, hoping to recruit Syan’s people to their cause. However, what they discover in the Red Wastes will change everything. With this new knowledge, can Tilla and her friends save Noveris, or will Miles’s lust for power and control tear their world apart?
Before I started reading this book, I honestly thought that Shvarts was going to have an extremely hard time matching the awesomeness of City of Bastards. However, I am pleased to report that War of the Bastards is an incredible and massively compelling read that I enjoyed just as much as the second book in the series. While it may lack the shocking cliff hanger ending of City of Bastards, War of the Bastards has an excellent fast-paced story that proves extremely hard to put down once you start.
I really loved the story contained within War of the Bastards and felt that it was an amazing conclusion to the trilogy. The tale of an epic battle to free a kingdom is a classic, but the author has put some fantastic modern twists on it, and his entertaining writing style and dedication to bringing out huge moments, really turns this into something special. Shvarts has included a number of cool twists and turns throughout this book, and I really liked where the story went at times. There was also a slight turn away from fantasy towards another genre about two-thirds through the story that proved to be a bit surprising, but I found it to be an interesting addition to the story. Without giving too much away, I was very satisfied with the clever way that the antagonist was taken down at the end of the book, and it was a nice call-back to earlier events in the series. I really enjoyed how this story turned out, and it was an outstanding conclusion to the epic tale that had been told throughout the Royal Bastards trilogy.
In the previous books in the series, the author tended to only set the story in one general setting, such as the West for the first book and the Lightspire for the second book. In War of the Bastards, Shvarts continues to expand on his fantasy world, but this time he takes his characters to several new locations that had been alluded to in the other books. The story starts in the Heartlands and focuses on the characters fighting their guerrilla war there. This land has been transformed by the oppression of Kent and Miles, and it was intriguing to see how bad things had gotten under their rule. The protagonists also journey through the Southlands and the Red Wastes, both of which are pretty fascinating and distinctive locales. The Red Wastes was definitely the most unique location, ravaged by terrifying magical storms and featuring interesting new civilisation. Overall, these new locations are pretty cool, and readers will enjoy exploring more of this great fantasy world.
One of the major strengths of Shvarts’s previous books has been the excellent character work. Each of the major characters has gone through tremendous growth through the course of the first two books, and this growth has continued through the course of War of the Bastards. Tilla has gone from being two different types of social outcast (a bastard in the first book and a traitor’s daughter in the second) to a respected rebel warrior fighting the good fight. However, despite knowing she is fighting for what is right, Tilla is not natural killer and has to constantly deal with the guilt of her actions, keeping a running mental count of all those she has killed. She also has to finally come to terms with her strained relationship with her father once he joins them on their quest. Due to her status as a bastard, her father has always kept a certain distance with her. Now, with him joining their band, Tilla is forced to have several emotional confrontations with him over the terrible things he has done in previous books and how he treated her in the past. This results in some dramatic moments within the book, and the exploration of their relationship makes for great reading. Tilla still serves as the book’s narrator and point-of-view character, and it is through her eyes that we see the story unfold. This is extremely fortunate, as her sassy and sarcastic outlook on the events occurring around her leads to a lot of the book’s humour. All in all, I have always found Tilla to be a pretty awesome main character, and it was great to see how her story ended.
In addition to Tilla, the other three main characters from the previous Royal Bastards books all get great character arcs within this book. Lyriana spends this book as the Queen in exile of her people and is burdened with the responsibility of being a figurehead. However, she rises to the challenge and proves herself to be powerful badass and war leader thanks to her epic magical abilities. This was a massive change in her character from the second book, where she was devastated with loss and trauma, and it was great to see her at her full potential. Readers will also like the new relationship she finds herself in, and it was nice to see her finally get some emotional happiness. I would say that Zell is character least utilised in this book, but we do get to witness him trying to come to terms with guilt from the previous book thanks to the inadvertent role he had in facilitating the massacre. The character most impacted by the events of the previous book is Ellarion, Lyriana’s cousin and the most powerful magician in the lands. He lost his hands at the end of City of Bastards when defending his friends from the massive explosion and must now learn how to live without them and, more importantly, the magic they allowed him to perform. Shvarts did an amazing job portraying Ellarion’s despair at his situation and the longing he has for his lost magical arts. Some interesting things happen to him in this book and he has a major moment that readers will absolutely love.
Two new characters join the main characters in this book: Syan from the Red Wastes and Tilla’s father, Lord Kent. Syan is a pretty cool lesbian character who has some significant secrets in her past. Shvarts does a great job telling her entire story within this one book, and I found her to be quite an enjoyable character. Lord Kent was another fantastic addition to the main group of protagonists. While he has appeared in both of the previous books in the trilogy, we have never really gotten his side of the story before. In addition to all the drama surrounding his relationship with Tilla, we also get to see his motivations for his actions, as well as the regret for what he has brought about. I really liked the inclusion of Kent in War of the Bastards and thought it was a clever touch from Shvarts because of all the extra emotional complexities and drama he brings to the story.
I should quickly mention the main antagonist of this book, Miles. Miles has always been a pretty unlikeable character, especially after betraying the group in the first book due to his jealousy over Tilla choosing Zell. Shvarts really makes him even more despicable in War of the Bastards by showing him as the facilitator of all the worst things that have been done in Noveris in the last year. Later confrontations with him reveal that he has no remorse and really does not see himself as the bad guy. His continued obsession with Tilla is pretty messed up (cough, harem, cough), but I do like how that was used against him at times. Overall, Miles makes for an excellent series villain, and Shvarts did an amazing job utilising him in this final book.
The author has a very creative mind when it comes to the magic and fantasy elements contained within this series. The magical abilities and rules that govern the lands of Noveris are extremely interesting and have led to some impressive magical destruction and battles in the past. Shvarts continues to do this in the final book, and the exploration of the origins of magic and the devastating consequences of using it are really fascinating. Shvarts came up with some cool and unique new magical abilities in War of the Bastards, especially for the magic utilised by the people of the Red Wastes. The author has been really creative in this final book, and I am sure readers will like some of the ideas he comes up with.
Like the previous books in the series, War of the Bastards is being marketed towards the young adult audience. However, it should only really be read by the older teen audience, as it features a lot of adult content. While it does not have as much sex, drugs and drinking as City of Bastards did, it does feature a heck of a lot more violence, and some of the action scenes are pretty gruesome. This does mean the book is really easy for older readers to enjoy, and I would strongly recommend this to all adult fantasy readers.
While I am sad to see the Royal Bastards series end, War of the Bastards was such an incredible conclusion to the story that it does not seem too devastating. Due to its near perfect blend of electrifying story content, excellent characters and entertaining writing style, I found that it was near impossible to put War of the Bastards down, and I had an amazing time reading it. This is easily a five-star read, and I reckon this is my favourite young adult book of 2019 so far. With his debut trilogy, Andrew Shvarts has shown himself to be an extremely talented author, and I will be eagerly keeping an eye out for his next series.
Publisher: Macmillan (Trade Paperback – 25 June 2019)
Series: Benedict Hitchens series – Book 2
Length: 404 pages
My Rating: 4 out of 5 stars
It’s time for another exciting archaeological adventure in the turbulent 1950s as Meaghan Wilson Anastasios returns with the second book in her Benedict Hitchens series, The Emerald Tablet.
Anastasios is an Australian academic who started writing fiction back in 2014 when she co-wrote her first historical fiction novel, The Water Diviner, with her husband, Andrew Anastasios. This first book was fairly successful and was loosely adapted into a film of the same name featuring Russel Crowe. Last year, Meaghan Anastasios wrote her first solo novel, The Honourable Thief. The Honourable Thief serves as the first book in the Benedict Hitchens series, which follows the adventures of the series’ titular protagonist, Benedict Hitchens, an ambitious American archaeologist living in Turkey.
In The Honourable Thief, Hitchens, a respected academic and war hero, was seduced by the beautiful Eris, who showed him a fabulous collection of artefacts she had apparently recovered. The seduction and the artefacts were revealed to be part of an elaborate con which ended up ruining Hitchens’s academic reputation and forced him to live a life of exile in Istanbul. The incident also provided Hitchens with a series of clues which eventually leads him to the hidden tomb of Achilles. However, this was revealed to be part of a further con: while he was able to find the tomb, Eris and her employer, Garvé, a man who Hitchens had significant history with during World War II, subsequently stole the tomb’s greatest treasure, the Shield of Achilles.
Now, a year later in 1956, Hitchens’s excavation of Achilles’s tomb has helped restore his academic reputation, and his life is back on track. However, he has never forgotten Eris, who still has a hold on his heart even after she betrayed him. When he finds out that Eris, now calling herself Essie, is in Istanbul researching a rare and ancient document, he decides to investigate what she is up to. He quickly discovers that she and Garvé are searching for the Emerald Tablet, a legendary artefact rumoured to hold powerful alchemical secrets that could alter the world.
Determined to keep the Emerald Tablet out of Garvé’s hands, Hitchens begins his own hunt for the tablet. With his friend the crooked antiques dealer Ilhan Aslan at his side, Hitchens follows a series of clues deep into the Middle East. However, this is a dangerous time, as tensions between Egypt, Israel and the European powers are at an all-time high. Hitchens and Aslan soon find that the Emerald Tablet’s trail leads them right into the middle of the chaotic Suez Canal crisis. With agents of the various world powers also searching for the tablet and a murderous assassin following Hitchens’s every move, can he recover the tablet before it is too late, or will Garvé once again outsmart him? And what will happen when Hitchens once again comes face-to-face with the woman who stole his heart?
This was a fantastic follow-up to Anastasios’s first solo novel, and the author has done a great job continuing the story from the first Benedict Hitchens book. The Emerald Tablet has a fast-paced and exciting story focused on the search for an intriguing artefact and featuring an interesting look at a major historical event of the 1950s. In addition, Anastasios tries out some new storytelling methods and a focus on one of the villains from the first novel, which work well to create a fascinating overall narrative. All of this results in an amazing book which I had a fun time reading.
While the first book in the series, The Honourable Thief, employed several separate timelines spread out through the book, Anastasios chose a different format for The Emerald Tablet. This second book is told in a linear way, with the events occurring in a chronological order. This time, however, the story is told from the perspectives of Hitchens and Eris/Essie, who show two different sides of the hunt for the Emerald Tablet.
I really enjoyed the central hunt for the Emerald Tablet that formed the main part of the book. Not only has Anastasios chosen an absolutely fascinating artefact for all the characters to chase but she has created a compelling archaeological and historical mystery surrounding its hidden location. The point-of-view characters are forced to follow a series of elaborate historical clues, many of which can be interpreted in different ways thanks to historical context or locations. Having the two-separate point-of-view characters works incredibly well for this part of the story, as both Hitchens and Eris receive different hints or have conflicting interpretations of the same historical clues, which results in them searching in different locations. This central story is filled with a number of great twists and betrayals, and I quite liked how the protagonists had to contend with agents of the various world powers who have an interest in the tablet for their own ends. Agents of the American, Soviet, British, Israeli and Turkish governments all have a role to play in the adventure, as well as agents of the central antagonist, Garvé. Not only does this increase the action and intrigue of the book but it also raises the stakes of the hunt for the artefact. The reader is constantly left guessing about the location and nature of the artefact Hitchens is hunting for. This was an excellent central narrative for this book, and I had a great time exploring this new archaeological mystery.
Just like she did with The Honourable Thief, Anastasios has chosen a fascinating treasure that the book’s various characters are trying to locate. The Emerald Tablet is an intriguing item out of history and mythology, which is rumoured to hold the secrets to transmutation. The author does a fantastic job of exploring the various myths and theories about the origins and nature of the tablet and the reader gets a great idea of its potential and why it has been hidden. It was a great summary of such an intriguing and unique item from history, especially as the author plays up the mystical side of the whole artefact. There are also outright hints that magic or alchemy, especially the alchemical transmutation of the Emerald Tablet, are real in this universe, which not only makes this story just that little more entertaining, but it could result in some fun adventures in the future. The whole mystical angle also allowed the author to explore some of the occultist groups of the early 20th century, such as the followers of Aleister Crowley, who was quite a peculiar historical figure. Readers will find all of this incredibly riveting, and I felt that these curious subjects added a lot of interest to the overall story.
Anastasios’s use of historical Turkey and Crete was one of the highlights of The Honourable Thief, and I loved that she has once again chosen another captivating historical setting to use as the backdrop for this sequel. While the author does set a bit of The Emerald Tablet in Turkey, this book also explores the Suez Crisis of 1956, as the point-of-view characters spend time in Egypt and Israel and witness some of the crisis firsthand. Most of the course of the war is shown through the excellent use of realistic newspaper clippings set at the front several chapters that showcase how the situation between Egypt, Israel, France, England, the United States and other nations broke down and led to conflict. However, the accounts from Hitchens and Eris reveal that parts of the crisis where instigated as a cover for some of the sides to attempt to seize the Emerald Tablet. This makes for a fun tweak to history which fits the rest of the story quite well. The use of two separate point-of-view characters also allowed for a broader vision of the crisis, as one character mostly viewed it from Egypt, while the other saw it from within Israel, and both characters interacted with members of the country who had opinions about the upcoming conflict. I once again really enjoyed Anastasios’s use of 1950s historical settings, especially the Suez Crisis, and I feel it is one of the best parts of her Benedict Hitchens books.
There is a lot of good character work included in The Emerald Tablet. Not only do we finally get a close look at the mysterious character from the first book, Eris, but we get to further explore the psyche of Hitchens following the traumatic events of the previous book. Eris’s background is revealed in this book and it is a pretty interesting tale. I really enjoyed seeing her side of the story in this book. Not only does it allow the author to showcase this character’s past and her association with the villainous Garvé but we also get to see her motivations for the actions in this book and The Honourable Thief, including her feelings for Hitchen’s following her betrayal of him. Hitchens was already a fairly emotionally damaged character in the first book due to the death of his wife during World War II. However, Eris’s betrayal in the previous book has also had a marked impact on him, and he is obsessed with finding her again. This becomes one of his main motivations in The Emerald Thief, and he goes to extreme lengths to try and claim the tablet before she does, partially to frustrate her and partially in case it leads him to her. Their eventual meeting is an excellent part of the book, and we finally get to see how their relationship might be without the manipulations of Garvé. Certain complications will likely make this relationship an intriguing part of any future books in the series, and I look forward to them reuniting again. Can I also say: thank goodness that Hitchens wised up a little in this book. After some serious blunders from the genius archaeologist in the first book, I was glad that it took a little more to fool him this time.
I feel the need to comment on some of the rather racy scenes that Anastasios included in this book which may prove to be a bit surprising for some readers. Not only is there a rather disturbing ritualistic orgy as part of the story but there was a rather explicit scene in the first few pages of the book that nearly threw me off right at the start. I personally thought that these scenes were a bit unnecessary and somewhat distracting from the main story, but there were some plot reasons for them, and the rest of the story is really enjoyable.
Overall, The Emerald Tablet is an extremely entertaining novel, which does a superb job building on the foundations of the first book in the series. Anastasios has done an outstanding job combining together a fascinating archaeological mystery with emotional character work and an excellent historical setting. The Emerald Tablet is an amazing read, and I look forward to seeing what crazy artefact Benedict Hitchens attempts to find in his next book.
Publisher: Marvel COmics
Writer: Kieron Gillen
Artist: Salvador Larroca
Colourist: Edgar Delgado
Publication Date: 20 October 2015
My Rating: 5 out of 5 stars
Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.
For this week’s Throwback Thursday, I check out the fun and exciting first volume of the Darth Vader comic book series, Vader, which features the destructive adventures of the Star Wars trilogy’s greatest villain, Darth Vader, and presents a new story for Disney’s extended universe.
When I previously reviewed two volumes of the Darth Vader: Dark Lord of the Sith comic book series (Legacy’s End and The Burning Seas), I mentioned how much I love the classic Star Wars movie villain Darth Vader. This current series is pretty epic and does an amazing job of telling the story of Darth Vader’s early adventures following the fall of the Jedi and the rise of the Empire. However, another Darth Vader series, helmed by writer Kieron Gillen and artist Salvador Larroca, commenced in 2015 off the heels of the Star Wars comic book series.
This first volume of this Darth Vader series is set after the events of A New Hope and deals with the fallout of the destruction of the Death Star. It is also deeply connected with the Marvel 2015 Star Wars comic series that started around the same time, especially the first volume of this series, Skywalker Strikes. Issue #1 of the Darth Vader comic, for example, starts just after the events that occurred in first three issues featured in the Skywalker Strikes, and both Star Wars #6 and Darth Vader #6, which close out each series’ respective first volume, end at the exact same moment of time.
For nearly 20 years, Darth Vader has been the most feared being in the Empire, loyally serving under the Emperor as his most effective enforcer and most trusted subordinate. However, recent failures have damaged his relationship with his master. The destruction of the Death Star on his watch has left the Empire vulnerable, and his failure to stop the recent Rebel assault on Cymoon (as seen in Star Wars issues #1- #3) has made them look weak. The Emperor, displeased with his apprentice’s failures, has placed Grand General Tagge in command of Vader and is keeping secrets that could prove deadly to him. At the same time, Vader finds himself intrigued by the young, unnamed Rebel who is responsible for the destruction of the Death Star, especially after their encounter on Cymoon, where he discovered that his old master, Obi-Wan Kenobi, gifted the boy the lightsabre Vader once wielded as Anakin Skywalker.
Concerned with the events occurring around him, Vader decides it is time to start operating outside of the Emperor’s orders. Not only does he send the bounty hunter Bobba Fett to capture the mysterious Rebel pilot and bring him directly to Vader; he also recruits the rogue archaeologist, Doctor Aphra, as his agent. Using Aphra’s knowledge and contacts and the two murderous droids she has assembled, Vader amasses the resources needed to investigate the Emperor’s hidden agenda. However, his investigation reveals that the Emperor has commissioned research into a series of deadly individuals meant to take Vader’s place at the Emperor’s side. As he attempts to deal with this new competition, Vader finds himself rocked by another revelation: the pilot who destroyed the Death Star is named Skywalker!
Darth Vader: Volume 1: Vader features issues #1-6 of this series, and features the writing of Kieron Gillian and the artistic talents of Salvador Larroca. Gillian and Larroca are veteran comic book talents with a variety of different titles under their belts, although both are probably best known for their work with Marvel Comics. The two of them have formed an effective creative team in the last few years, as they have worked together on a number of Star Wars comic book titles, including all 25 issues of this Darth Vader series. The two have also produced the last 30 or so issues of the amazing Star Wars series, creating several of the series best moments, and have worked together on the entertaining Doctor Aphra title, which follows the adventures of the popular character, Doctor Aphra, who is introduced in this volume of Darth Vader. I think at this point I actually have a copy of every Star Wars comic this pair have created together, and it is almost guaranteed that I will feature more of their work in the future.
I started getting into the 2015 Darth Vader series late last year after I was blown away by the Darth Vader: Dark Lord of the Sith comics. I am extremely happy that I decided to check out the 2015 Darth Vader series, because I absolutely loved this first volume of the series, Vader, and had an amazing time reading it. Not only was this one of the first comic book volumes in the new Star Wars canon that showed what an absolute badass Darth Vader is but it features a captivating story, some major Star Wars moments, incredible artwork and iconic new characters.
This first volume of Darth Vader contains some epic sequences that really highlight how awesome and destructive the character of Vader really is. I loved the opening scene in particular, which features Vader having a covert meeting with Jabba the Hutt at Jabba’s palace on Tatooine. This meeting is in some ways very similar to the meeting Luke has with Jabba at the start of Return of the Jedi, with Vader entering alone to stand before Jabba in his audience chamber. However, some key alterations really show how different Vader’s style is compared to his son’s. Rather than attempting to negotiate like a Jedi, Vader slaughters his way in, deliberately avoids standing on Jabba’s hidden trap door, kills every minion that Jabba ambushes him with and then proceeds to force choke Jabba until he gets his way. It makes for one hell of an introduction to the series, and does an incredibly successful job of setting up Vader as a major badass. This first issue #1 also has a great ending, showing Vader nonchalantly having a conversation over a smoking pile of Tusken Raiders that he spent the day killing. This is a nice call-back to his past as Anakin Skywalker and it also shows how much more causal he now is around death and destruction, especially as he leaves simply saying, “All my present business is concluded.”
I also liked how this volume showed a completely different side to Vader’s relationship with the Emperor. The series is set in some unique circumstances, as it occurs right after the destruction of the Death Star, and the Emperor’s displeasure at Vader for allowing it to happen is vast. Vader in turn is suspicious of the Emperor’s secrets, and actively starts working behind the Emperor’s back for the first time. The sequences featuring Vader assembling his own private resources and working against the benefits of the Empire are quite fascinating, and results in some interesting missions. I also really liked the part of the book when Vader and the Emperor eventually find out each other’s secrets, especially as it results in an interesting discussion. While the Emperor is actually impressed with Vader showing initiative and working outside the system, Vader is outraged that the Emperor has been creating abominations to replace him for the last 20 years. The Emperor reveals that he has been disappointed with Vader ever since he was defeated at the end of Revenge of the Sith, and that he needs to prove himself worthy of the Emperor again.
While all the above scenes are pretty awesome, the best part of this volume is the incredible conclusion of the volume in issue #6. Vader, already enraged after his talk with the Emperor, finds out that the young Jedi he encountered is named Skywalker. The building anger within Vader as he finds out is palpable as he flashes back to the events of Revenge of the Sith and realises that the Emperor lied to him; he did not actually kill Padmé before she gave birth to their child. The switch between Vader’s reaction in the present and the scenes from the past is done perfectly, building up the tension around Vader and making for some amazing pages. The scene then continues with Vader calling up the Emperor to confront him, in a nice continuation of the storyline I mentioned above. However, rather than revealing that he knows the Emperor lied to him all those years ago, he instead keeps it secret and indicates he understands his place with the Emperor. The final pages reveal Vader staring off into space and stating, “I have a son. He will be mine. It will all be mine”, referring to the Empire and the galaxy with the last part. There is so much in this scene to love. Not only do we actually get to see the moment where Vader finds out Luke is his son, a major moment in Star Wars history that ties together parts of the prequel series with the original trilogy, but we also get a look into Vader’s mind when he finds out the truth after all these years. This whole sequence is just incredible and has to be one of my favourite moments in this entire series. It also cleverly matches the end of the first volume of the related Star Wars comic book series and actually expands on that original comic for fans who were curious about it.
While the focus on Darth Vader is amazing, this volume also features the introduction of several outstanding new characters in the Star Wars canon, Doctor Aphra and her droids. Dr Aphra is an awesome character, as she is essentially an anti-Indiana Jones living in the Star Wars universe. Aphra recovers valuable (and often extremely dangerous) artefacts from across the galaxy, either for her own use or to sell for a profit. However, in this first volume, Aphra is forced into Vader’s employ and must help him obtain the means to act outside the Emperor’s notice. Aphra story arc in the first volume is pretty darn compelling. While Aphra is willing to help Vader, and even thinks of it as a cool opportunity, she is under no illusions about the fact that Vader will kill her at some point in the future and is a constant mess of emotions as a result. There is a fantastic scene in this volume where Aphra makes it clear to Vader that she knows he is eventually going to kill her and begs him to show some mercy when the time comes and use his lightsabre rather than worse methods, such as chucking her out of an airlock (this actually comes into play later in quite a clever way). I also liked that the creative team really played up the Indian Jones aspects of her character at times, such as her introductory sequence, where she is forced to escape a series of booby traps, including a spherical droid, similar to the boulder sequence in Raiders of the Lost Ark. Humour like that really makes Aphra an excellent addition to this volume, and I love how the creative team are able to get some dark moments out of her relationship with Darth Vader.
In addition to Aphra, we are introduced to her droids 0-0-0 (Triple Zero) and BT-1, who are fun parodies of C-3PO and R2-D2. Like C-3PO and R2-D2, Triple Zero and BT-1 are a protocol droid and astromech duo, but with a few key differences. Triple Zero has been programmed with a number of languages and human protocols, but he has also been programmed for torture and is equipped with a number of syringes and other torture implements. BT-1, on the other hand, is actually a lethal assassin droid disguised as an astromech in order to appear harmless, and is loaded with multiple weapons, including a massive cannon and a flamethrower. Both of them had been decommissioned by the Empire for being too dangerous (which tells you a lot), but are brought back online by Aphra and Vader. These two droids are an extremely fun duo, acting a lot like the iconic C-3PO and R2-D2, except with a complete disregard for human life and a desire for as much destruction and death as possible. The discussion the two have in this first volume about killing the various creatures they come into contact with are very funny: “Hahaha! You are on fire and also dead.” I also found it amusing that, even though they are remorseless killers, the two droids get along better than C-3PO and R2-D2 ever did, with Triple Zero actually complimenting BT-1 and appreciating everything he does, especially all the murder. These two are an extremely entertaining couple of characters, and it was fun to see them parody the classic Star Wars droids in such a clever way.
I loved the artwork in this volume, and some of the cool details that were included in the various scenes added so much to the story. For example, the fantastic closing sequence where Vader finds out his son is still alive is superbly enhanced by the cracks that appear on all the glass around Vader as he comes to his realisations. This looks so cool and really highlights how angry he is feeling. The art also showcases all the awesome action contained within this book, especially when it comes to all the destruction Vader and his cohorts unleash to achieve their goals. There are so many explosions and so much destruction laced throughout the book, and the artists who contributed to this first volume make them look pretty darn spectacular. I also loved the close-up action when Vader gets to work with the force and his lightsabre. The artists do an impressive job showcasing all the destruction he is capable of, and the reader is constantly reminded of that amazing Darth Vader scene at the end of Rogue One. The artists also do an amazing job conveying character emotion through the subtleties of their facial expressions. You get a real idea of what the characters are feeling thanks to the artwork, whether it is Doctor Aphra’s fear whenever she has to deal with a pissed of Vader, or the constant anger Vader is feeling throughout this volume. I am particularly impressed with how they were able to compensate for the helmet Vader is always wearing in order to show off Vader’s various emotions. Subtle things like the tilt or shape of the mask and the character’s body language seemed to speak volumes at times, and I think that they captured Vader’s emotions perfectly every time. Vader featured some very clever and very impressive artwork, which not only stand on its own, but which enhances the book’s story substantially.
The first volume of the 2015 Darth Vader series was an outstanding example of Star Wars fiction which really modernises one of the most iconic Star Wars characters of all times. Darth Vader is masterfully reborn here as a being of pure destruction, as this first volume places him in some extremely compelling situations. I loved where the story went in this first volume, and the creative team have come up with some amazing scenarios and several excellent new characters who are so unique and creative they manage to escape Vader’s sizeable shadow. Overall, this first volume did a fantastic job setting the stage for the rest of the series, and I had an incredible time reading this comic.
Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy. Stay tuned to see reviews of these books when I get a copy of them.
For my latest Waiting on Wednesday segment, I look at a book that promises to be quite entertaining and features an incredibly eye-catching cover, Grave Importance by Vivan Shaw.
For the last two years I have had the pleasure of enjoying Vivian Shaw’s debut series, the Dr. Greta Helsing series: Strange Practice in 2017 and Dreadful Company in 2018. This has been a fun and intriguing series that combines intriguing mysteries and supernatural adventures with fascinating monster medicine. The titular series protagonist, Dr. Greta Helsing, is a London doctor whose unique practice caters to the city’s hidden creatures who go bump in the night, including vampires, mummies, ghouls and demons. Helsing and her monster companions also find themselves wrapped up in a series of magical or demonic incidences which require their intervention.
I have really enjoyed the first two books in the series and have been keeping an eye out for the third book, Grave Importance, for a few months now. I am quite excited by this third book, as it has an awesome-sounding synopsis and I think that it has a lot of promise.
A charmingly witty fantasy adventure in the world of Strange Practice, starring Dr. Greta Helsing, doctor to the undead, who must solve a dangerous medical mystery at a secret French spa for mummies.
Oasis Natrun: a private, exclusive, highly secret luxury health spa for mummies, high in the hills above Marseille, equipped with the very latest in therapeutic innovations both magical and medical. To Dr. Greta Helsing, London’s de facto mummy specialist, it sounds like paradise. But when Greta is invited to spend four months there as the interim clinical director, it isn’t long before she finds herself faced with a medical mystery that will take all her diagnostic skill to solve.
A peculiar complaint is spreading among her mummy patients, one she’s never seen before. With help from her friends and colleagues — including Dr. Faust (yes, that Dr. Faust), remedial psychopomps, a sleepy scribe-god, witches, demons, a British Museum curator, and the inimitable vampyre Sir Francis Varney — Greta must put a stop to this mysterious illness before anybody else crumbles to irreparable dust…
…and before the fabric of reality itself can undergo any more structural damage.
There are a number of great plot elements contained within the synopsis above that have me excited for Grave Importance. In particular, the continued use of monster medicine and the inclusion of a great troupe of supporting characters should make for an awesome read.
The focus on monster medicine in the previous books was probably one of my favourite things about the Dr. Greta Helsing series. The plot synopsis seems to strongly indicate that this book will be featuring a lot more monster medicine, as Helsing is investigating a unique medical malady among the mummies she is tending. That sounds perfect to me, and I hope that Shaw spends quite a large part of the book examining this medical mystery.
It also sounds like Shaw will be featuring some cool characters in her latest book. The first two novels have both featured a fun group of supporting characters, most of whom are monstrous or magical in origin. The synopsis above features references to several of these existing characters, and I will be very happy to see them come back. It also looks like Shaw has created a few new characters for this third novel, and several of their descriptions make them sound like fun inclusions. I think that this combination of existing and new characters will add a lot to the story and should make for an entertaining read.
Grave Importance is shaping up to be another great entry in the enjoyable Dr. Greta Helsing series. It sounds like Shaw is stacking the plot with some excellent story elements, and it should prove to be a lot of fun. Grave Importance is coming out in late August 2019, and I look forward to reading and reviewing it.