Throwback Thursday – Kill Switch by Jonathan Maberry

Kill Switch Cover

Publisher: Macmillan Audio (Audiobook – 26 April 2016)

Series: Joe Ledger – Book Eight

Length: 17 hours and 56 minutes

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

I recently found myself in the mood for another intense and crazy thriller novel, and luckily I knew exactly the book to check out, as I ended up listening to the eighth entry in the fantastic Joe Ledger series by Jonathan Maberry, Kill Switch.

People familiar with my blog will know that I have been really getting into Maberry’s writing over the last couple of years.  In particular, I have been making my way through the Joe Ledger series, which follows the titular agent as he investigates all manner of weird science and world-ending plots.  This has swiftly become one of my favourite series of all time thanks to the incredible stories that Maberry has come up with, and my intention is to finish off all the Joe Ledger books before the end of the year.  As a result, I knew far in advance that I was going to enjoy Kill Switch and I ended having an amazing time reading it.

In this eighth novel, Joe Ledger, agent for the clandestine Department of Military Sciences (DMS), is investigating a strange anomaly down in the Antarctic.  A secret military research facility has gone offline, and Ledger and his team need to find out why.  However, what at first appears to be a routine mission quickly devolves into an unnatural horror show as the DMS agents uncover a mysterious facility deep beneath the ice.  The things that Ledger and his team see will haunt them for the rest of their lives, and by the time they escape all three are infected with a deadly disease that places them into a coma.

Awakening several days later, Ledger discovers that much has happened in his absence.  America has been targeted by a ruthless terrorist organisation that apparently has access to an advanced EMP weapon that can turn off all power and technology in a certain area with devastating effects.  Worse, thanks to the consequences of the mission down in Antarctica and other recent failures, the DMS no longer has the confidence of the President, who refuses to give them the case.

Frustrated at being left out in the cold, Ledger and the DMS investigate where they can and soon come across several strange and seemingly unconnected events.  Able to piece together a pattern that no one else can see, Ledger soon finds himself in the heart of a vast conspiracy that aims to launch a shocking attack on the American people.  However, before they can intervene, Ledger and his team find themselves under attack from the most unlikely of places.  Can even the legendary Joe Ledger defeat an opponent who can attack him in his own mind, or will America face a wave of death and destruction the like of which they have never seen before?

Kill Switch was another fantastic and amazing novel from Maberry that continues the amazing Joe Ledger series.  This eighth book contains a captivating story that combines several different genres together to create an exciting and fast-paced read with some rather enjoyable elements to it.  I had an awesome time listening to this book, and while it is not my absolute favourite entry in the Joe Ledger series (I would have to give that honour either to The Dragon Factory or Code Zero), it was still a very impressive book that gets a full five-star rating from me.

In this eighth Joe Ledger novel, Maberry once again uses his distinctive style to tell another impressive and intriguing story that draws the reader in and ensures that they cannot turn away until it is finished.  Kill Switch contains a rather clever thriller storyline that deals with the protagonist attempting to stop another terrible terrorist plot utilising advanced technology.  While some of the elements to Kill Switch’s story are familiar, Maberry really gives this book a distinctive dark horror tint, as the novel deals with a number of Lovecraftian horror elements.  While this genre is not something that I have ever really gone out of my way to check out, I did enjoy its use in Kill Switch, especially as it sent its already unstable protagonist through some particular vivid and trippy vision sequences.  The various horror, science fiction and thriller aspects of the book’s narrative work together extremely well and it is a testament to Maberry’s skill as an author that the plot did not get too convoluted or hard to follow.  Instead, Kill Switch has an extremely elegant and fast-paced story with some great flashes of humour, enhanced by the author’s trademark use of multiple perspectives and interludes set before the main plot.  Maberry rounds this out with the return of the series enjoyable and long-running cast of characters, including protagonist Joe Ledger, who provides a first-person narration for around half the story.  Ledger’s warped and eccentric view of all the events going on around him adds so much enjoyment to the plot, resulting in much of the book’s humour.  This all ensures that Kill Switch contains another top-notch story that was an absolute pleasure to read.

The key parts of any Joe Ledger novel are the complex and memorable antagonists and the elaborate and destructive plots that they weave.  Maberry does another great job of this in Kill Switch, introducing some compelling villains and associated side characters who have some fascinating motivations for initiating the events of this book.  Thanks to a series of interludes and short chapters that are told from the perspective of the antagonist and their puppets, you get a full sense of why these characters are doing what they are doing, especially when you get a glimpse into several key moments of their lives.  Seeing so much of the antagonist’s past and the formation of their plans adds quite a lot of depth and tension to the story, and I always really appreciate the way that Maberry tries to expand these character’s narratives.  I was also quite enraptured by the complex and detailed plan that the antagonist set in motion, especially as it required using some unique technology in some novel ways.  I especially enjoyed the cunning way in which the villains went after Ledger and the DMS, including by destroyed their image and their influence, and I appreciated the way in which it was easier for them to achieve this due to an inadvertent backlash at the organisations prior extreme successes and advanced technology.

Kill Switch ended up being a major part of the overall series with some big moments occurring and some interesting connections to the prior novels, ensuring that this is a must-read for established Joe Ledger fans.  This book ended up continuing a bunch of key storylines that were introduced in the fifth novel, The Extinction Machine, with several plot points from that story revisited, as well as some antagonists.  In addition, several of the story elements introduced in Kill Switch are heavily utilised in future novels, such as in the tenth book, Deep Silence, which also matches its Lovecraftian horror vibes and story.  In addition, readers might also really appreciate the cameo appearance of Maberry’s alternate zombie-filled universe that is used as a setting for several of his other series, such as the Dead of Night books and his iconic Rot & Ruin/Broken Lands young adult novels, all of which feature a different version of Joe Ledger as a character.  There were also a couple of references to the town of Pinedeep, which served as the setting for Maberry’s first series, and which Ledger visited in the short story Material Witness.

While Kill Switch does have some intriguing connections to some of Maberry’s other works, this novel is incredibly accessible for those readers unfamiliar with the Joe Ledger books.  Like all the novels in this series, Kill Switch’s narrative is mostly self-contained, and you can start reading this book without any issues.  While there are a number of references to the events of the prior books, Maberry also makes sure to cover the relevant backstory, expertly inserting anecdotes about prior books and description of key plot points into the story often in a great entertaining manner (mainly because the protagonists still cannot believe that these previous events actually occurred).  This ensures that readers have more than enough background information to follow the story and understand who all the various characters are and what their personalities are like.

While it is extremely possible to read Kill Switch out of order, I would strongly suggest that readers read this series from the first novel, Patient Zero, rather than starting at the eighth book.  Not only does this allow you to see the various characters develop and progress throughout the course of the series, but it also enhances the emotional attachment that readers will have to the events of this book, including a couple of key character deaths.  Reading the series in order also helps to cut down on spoilers for some of the prior books.  This was something that I particularly noticed while reading Kill Switch, due to the fact that I have already read the sequel novels Deep Silence and Rage.  Both of these books make several references to the events of Kill Switch, so I had an idea of some of the events that were going to occur, as well as the identity of who the main antagonist was going to be.  While this did not derail my enjoyment of Kill Switch by too much, it did slightly reduce the suspense, which was not ideal.

I cannot review a Joe Ledger novel without commenting on the impressive and graphic action sequences that occurred throughout the course of the plot.  Maberry always does such a fantastic job writing his action scenes and the various close combat fights and shoot outs that occur throughout these novels feel extremely realistic as the protagonist and the narrator provide detailed explanations of what is occurring and its destructive impacts.  Kill Switch contains some very impressive action sequences as Ledger and his comrades are placed in some unique fight situations.  While there are the usual swift and one-sided fights against nameless goons, the characters often find themselves facing off against unexpected opponents who visit surprising violence upon them.  This makes for some truly shocking scenes, especially as Maberry’s excellent writing ensures that the reader fully understands the various characters’ surprise and despair.  You also have a unique situation where Ledger, generally considered to be one of the deadliest killers on the planet, finds himself severely handicapped in several fights due to the machinations of the antagonists.  This adds a whole new element to the typical fight sequences from this series, and it is nice to see the protagonist have some new challenges.  All this action helps to pump the reader up as they enjoy the excellent story and it is an amazing part of the overall book.

It should come as no surprise to anyone who has read my prior Joe Ledger reviews that I ended up listening to the audiobook version of Kill Switch, which in my opinion is the best format for enjoying these fantastic novels.  The Kill Switch audiobook has a run time of just under 18 hours, which I was able to get through incredibly quickly, and it was once again narrated by Ray Porter, whose voice work is easily my favourite thing about this format.  I have extolled the virtues of Porter’s narration in several of my other reviews due to his impressive vocal skills and his ability to move the story along at a swift and exciting pace.  Very few narrators are as in touch with the characters that they voice than Porter especially when it comes to the series’ titular protagonist, Joe Ledger.  Porter always does such an outstanding job capturing Ledger’s intense emotions and sweeping personality, and this enhances the listener’s experience when it comes to these books.  Porter also does amazing and consistent personifications for all the other characters in these books and it was great to hear all the familiar voices of the series’ recurring characters again.  This first-rate narration from Porter makes the audiobook format of these novels, including Kill Switch, an absolute treat to listen to and the audiobook format remains my preferred format for enjoying this series.

Kill Switch by Jonathan Maberry is an excellent and impressive thriller novel that served as a great eighth entry in the incredible Joe Ledger series.  I had an absolute blast going back and reading this book, and I really enjoyed the clever and intriguing story that Maberry cooked up for Kill Switch, especially as it contained an outstanding blend of different genres.  This was a fantastic read and it comes very highly recommended.  At this point in time I only have one more Joe Ledger novel to check out, Dogs of War, which I am really hoping to read before the end of the year, and I am also looking forward to checking out Maberry’s new upcoming novel, Ink.

Throwback Thursday: Usagi Yojimbo: Volume 10: The Brink of Life and Death by Stan Sakai

Usagi Yojimbo - The Brink of Life and Death

Publisher: Dark Horse Books (Paperback – 1998)

Series: Usagi Yojimbo – Book 10

Length: 215 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Another week, another Throwback Thursday review of an early volume of one of my all-time favourite comic book series, Usagi Yojimbo, by legendary author and artist Stan Sakai.  This week I will look at the epic 10th volume in the series, The Brink of Life and Death, which proved to be another amazing and exciting five-star read.

Usagi Yojimbo Mirage 15

The Brink of Life and Death continues the adventures of the rabbit ronin, Miyamoto Usagi, as he travels throughout the lands encountering all manner people and dangers.  This 10th volume is a fantastic addition to the series, featuring a great mixture of stories, from the tragic to the supernatural, and utilising some iconic recurring characters.  This volume is the third that has been collected by Dark Horse Books, and it features a mixture of issues from two separate publishers.  This includes the final issues of the Mirage Comics run on the Usagi Yojimbo series, with Issues #15 and 16, as well a story taken from Issue #13 (the rest of Issue #13 was used in the last volume, Daisho).  It also contains the first six issues of the Dark Horse Books publication run of Usagi Yojimbo and serves as the starting point to Dark Horse’s lengthy connection to the series.  As a result, the volume starts off with a quick recap of the series (titled Origin Tale), containing some very broad strokes and ensuring that new readers could start on this volume if they wanted (although Sakai does make most of his comics fairly accessible to unfamiliar readers).  This volume also contains Dark Horse’s trademark story notes at the end of the volume, which proved to be a particularly intriguing companion to the excellent stories contained within The Brink of Life and Death.

The first story contained within this volume is the intriguing and exciting Kaiso.  In Kaiso, Usagi encounters a local peasant, Kichiro, while wandering on the coast, and travels with him to his village.  There, Usagi becomes familiar with Kichiro’s family and begins to learn more about the village’s main trade, seaweed (kaiso) farming.  While Usagi enjoys the seemingly simple life of the villagers, he soon finds himself involved in a feud with a neighbouring village, who Kichiro believes are poaching their seaweed fields.  However, not everything is as it seems, and Usagi manages to uncover a conspiracy that threatens to destroy his new friends.

Usagi Yojimbo Mirage - 16

Kaiso is a fantastic and compelling story that once again highlights a traditional Japanese industry, in this case, seaweed farming.  Sakai does a fantastic job exploring seaweed farming in this story, as he introduces and portrays a number of key tools, concepts and techniques involved with the production of edible seaweed, all the way from harvesting it from the ocean to turning it into its dried form, nori.  This examination of seaweed farming serves as a surprisingly good centre for this story, and it is a testament to Sakai’s skill as a writer that he was able to produce an exciting and intrigue filled narrative around this industry in just 20 pages.  There are some great action sequences throughout this story, and it was cool to see Usagi fighting off a bunch of attackers whilst on a small fishing boat, utilising traditional farming tools as weapons.  There are also several impressive drawings throughout this story, as Sakai seeks to capture the beauty of the Japanese coastline as well as the complexities of the seaweed trade.  Kaiso proved to be an awesome first entry in this volume, and its intriguing story content and premise really helps to draw the reader in right off the bat.

The next story within The Brink of Life and Death is a great entry titled A Meeting of Strangers.  While enjoying a quiet lunch at an inn, Usagi watches as a striking swordswoman, later revealed to be called Inazuma, enters the inn.  Wary of this mysterious woman, Usagi bears witness to her skill and ferocity in combat as she takes down a band of bounty hunters who attack her, before departing into the wilds.  However, Inazuma is not the only person being hunted, and soon Usagi finds himself under attack from a group of killers who have been hired to end him.

Usagi Yojimbo Dark Horse #1

This is a really good story that showcases Sakai’s ability to quickly introduce an intriguing new character.  Inazuma goes on to become a major figure in the Usagi Yojimbo series for the next 14 volumes, and she gets an amazing introduction in this story, instantly coming across as something new, due to her striking appearance and her tough mannerisms.  Sakai shows early in the story that she is pretty damn dangerous, as Usagi casually reaches for his sword the moment he sees her, a completely new action from the character, which clearly identifies Inazuma as a major threat.  She quickly backs this up with her impressive swordplay, including slicing up the clothes of a local creep, and then taking out a band of bounty hunters.  She has a brutal fighting style as shown in this comic, and I loved her trademark finishing manoeuvre of completely cleaning the blood off her blade with one deft swish through the air.  In addition to the introduction of this great character, other fun elements of the story include the return of the Snitch (who was introduced in the last volume), who facilitates the hit on Usagi.  The Snitch is such a fantastic minor antagonist, and it is really entertaining seeing him running around doing his thing: “money, money, money!”  There is also a particularly impressive fight sequence in the last half of the story between Usagi and the assassins in the woods.  This scene sees Usagi take on over 20 guys in quick succession and is a real showcase of his ability.  There is a particularly fun panel in this sequence which sees Usagi kill several people at the same time, with his defeated opponents arranged in a semi-circle, all of them dying in dramatic fashion while making a different death rattle (including one guy who goes: “Trout, Trout!” for some reason).  All of this was over-the-top and helped show off just how crazy and action-packed this series can be.

The third story in this volume is the short entry Black Soul, which continues to showcase the return of series antagonist, Jei.  During a stormy night, a young girl and her grandfather have their house invaded by three bandits who steal their food and kill the grandfather.  However, the bandits are far from the only predators out that night, as the mysterious and frightening Jei appears at the door.  This was a great story that added a lot of key elements to the character of Jei in only a few pages.  Jei’s sudden appearance is suitably dramatic, and it shows off how terrifying he can be.  I loved the way that Sakai portrayed Jei’s fight against the three bandits, as all you see is several drawings of the hut’s exterior while terrified screams run out.  The story then returns to the interior of the house, where the bandits’ corpses are strewn around the house, including one guy who is hanging upside-down from the rafters, dripping blood.  Not seeing what actually happened makes the reader imagine the very worst scenario, and it really amps up the dread that this antagonist emanates.  Sakai then continues to hint at Jei’s more supernatural abilities by having him ‘consecrate’ the spear of one of his fallen opponents, with the blade visibly turning black in his hands, matching the soul of the wielder.  Perhaps the most interesting part of the story is the young peasant girl, Keiko.  At first it appears that Jei is going to kill her; however, he stops after not sensing any evil in her.  This is the first time we have seen Jei show mercy, and it is a defining moment for the character, especially as Keiko starts following him as his companion.  Having Jei care for a young girl really adds to the complexity around Jei’s character, and in many ways it makes him seem even more evil, as he is corrupting this innocent with his dark crusade.  Overall, Dark Soul is a great and scary story which leaves the reader wanting to see more of this fantastic antagonist.

Usagi Yojimbo Dark Horse #2

Now we move on to Noodles, the only multi-issue entry in the volume which contains a powerful and impressive narrative that I really enjoyed.  In Noodles, Usagi enters a new town, only to be immediately accosted by the police, who are searching for a thief behind a recent crime wave.  Proving his innocence, Usagi swiftly finds out the source of the recent crimes is his friend Kitsune, who is up to her usual tricks.  Kitsune has a new companion, a soba noodle street vendor and mute giant known only as Noodles, who assists Kitsune to hide from the police.  However, Kitsune has underestimated the deviousness and corruption of the local police administrator who puts a deadly plan into place to save his own skin.

This was an incredible entry in this volume, and I have a lot of love for Noodles’s fantastic crime narrative.  Sakai crafts together a fantastic storyline that follows Usagi as he meets up once again with the entertaining side character Kitsune and intriguing new character Noodles.  Kitsune is her usual fun self, and the introduction of the mute gentle giant Noodle adds a lot of dimensions to her character.  Up to now, Kitsune has been shown to be a generally good person, although she is motivated by greed or a sense of mischief.  However, in this story, she is given someone to care for, and she is determined to protect him no matter what.  Unfortunately, this leads to some great tragedy for her, which I found to be extremely moving, and you cannot help but feel bad for her.  Luckily, this leads to a rather good revenge plot in the second part of the story, which gives Noodles a satisfying and enjoyable ending.  This entire story was extremely well written, combining together humour, intrigue, character interactions and some genuine tragedy to produce an epic and compelling read.  I also really enjoyed Sakai’s amazing depictions of life in a larger feudal Japanese town, and it is clear that he did a lot of research to show what day-to-day life would look like, as well as examining how the criminal justice system worked during this period.  There are some really impressive drawings throughout this story, from the multiple detailed street and crowd views filled with all manner of activities and people (there is a sneaky shot of Jei and Keiko walking through town at one point), to the amazing action sequences, including a great scene where the gigantic Noodles is attacked by the police.  However, I really must highlight a particularly gruesome execution sequence that was a key part of the story.  While this scene is sad and horrifying, it is extremely well drawn, very memorable and it does its job of producing a major emotional response from the reader.  Noodles is probably the best entry in this entire volume, and I cannot praise just how amazing its clever and captivating story is.

Usagi Yojimbo Dark Horse #3

The next story within this volume is the supernatural tale, Wrath of the Tangled Skein, which sees Usagi arrive at a local inn which is experiencing some trouble.  A rich merchant’s daughter has been taken mysteriously ill, and her entourage fear that it is the work of a demon or haunt, picked up from their travels through the dangerous forest known as The Tangled Skein.  Usagi, who has previously travelled through The Tangled Skein (back in Volume 7: Gen’s Story), offers his assistance and takes command of the merchant’s ronin while they wait for a priest to arrive.  It does not take long for events to come to a head, and Usagi finds himself facing off against dangerous and malicious terrors.

I really like it when Sakai does a supernatural tale in the Usagi Yojimbo series, and this one was particularly awesome as the author expertly utilises some fascinating creatures from Japanese mythology.  There are two separate monsters contained within this story.  First you have the nue, a terrifying chimeric creature with the head of a monkey, the body of a badger, the legs of a tiger and a snake for a tail.  Needless to say, this is a particularly weird creature, and Sakai does a fantastic job drawing it and then portraying a chaotic and dangerous fight around it as Usagi attempts to defeat it.  In addition to the nue there is also a tanuki, a shape-changing racoon dog, who manages to trick Usagi and almost costs him everything.  I really loved the designs of both these creatures within the comic, and it was extremely cool to see and learn more about these facets of Japanese culture and tradition.  This story is set up extremely well, and the author has a great blend of action, supernatural intrigue and fun character moments.  Wrath of the Tangled Skein also introduces the character of Sanshobo, a Bonze priest who goes onto become a key recurring character, helping to make this a significant and important entry in the Usagi Yojimbo series.

Up next we have another short character-driven tale, The Bonze’s Story.  In this entry, Usagi travels with the Bonze priest Sanshobo after the events of the previous story.  The two quickly find camaraderie with each other, especially when Usagi realises that his companion is a former samurai.  Sanshobo then relates the tragic tale of how he gave up his warrior ways, which occurred when the young son of his lord accidently died in his care.  This forced Sanshobo’s own son to take his own life to restore his family’s honour, an event that broke Sanshobo.  This was a rather fascinating tale that does a lot to cement interest in a new side character.  The origin tale for Sanshobo is really good, and the whole story of sacrificing a son to save honour is extremely captivating and memorable.  The entire background story is drawn amazingly, and the various expressions of horror, sorrow and pride on the face of participants as they attempt to survive in a storm are quite exceptional.  This was another amazing example of what sort of impressive story Sakai can tell in only a few short pages, and The Bonze’s Story definitely sticks in the mind.

Usagi Yojimbo Dark Horse #4

Following this shorter tale, we have the fun, action-packed Bats, the Cat and the Rabbit.  In this entry, Usagi seeks shelter in an old temple, but his quiet night is ruined when several Komori Ninja arrive, seeking a specific prey.  After they leave, Usagi discovers that the person they are hunting is an injured Chizu, the leader of the Neko Ninja.  Helping her, Usagi learns that she is carrying a valuable and dangerous scroll that the Komori Ninja are desperate to obtain.  Can Usagi and Chizu keep it out of their hands, or will a powerful new weapon be unleashed upon the lands?

Bats, the Cat and the Rabbit was an exciting and entertaining entry that sees Usagi reunited with one of his potential love interests Chizu, who we last saw back in Volume 8: Shades of Death.  This is a fast-paced story that focuses on the conflict between two rival ninja clans, Chizu’s Neko Ninja and the Komori Ninja.  The Komori Ninja, giant bats with blades on their wings who had an amazing introduction back in Volume 5: Lone Goat and Kid, are fantastic antagonists for this story, and it is always cool to see them in action, especially when Sakai draws them slicing through trees to get their prey.  The highlight of this story is the impressive ninja-on-ninja combat, as the more traditional ninja techniques of Chizu and the Neko Ninja go up against these flying opponents, all with Usagi in the middle.  This results in some epic fight sequences which end up being a lot of fun to see come to life.  I also really enjoyed the fantastic conclusion to this story, which not only has a great twist but which also adds a bit of tragedy to the life of Chizu, as she reflects on what constitutes duty for ninja.  An overall awesome and enjoyable story, this was another fantastic entry in this volume.

The penultimate entry in The Brink of Life and Death is the gripping story, The Chrysanthemum Pass.  After humiliating a group of thugs in a town, Usagi obtains a new travelling companion, Icho, a wandering medicine peddler.  The two become friendly as they wander around the mountains, but Icho is not what he seems.  Instead, he is secretly a member of the Koroshi, a notorious assassins’ guild, and is planning to take out a rich lord who is travelling through the Chrysanthemum Pass, and Usagi is also on his kill list.

Usagi Yojimbo Dark Horse #5

This was another outstanding story.  I loved the entire cleverly written narrative, which sees Usagi dragged into the middle of another devious plot.  Having his companion, Icho, turn out to be secretly evil was a fantastic choice by Sakai, and he sets it up perfectly, with only minor hints of his true intentions being revealed to the reader until about halfway through the story.  The rest of the story deals with Icho trying to subtly kill Usagi before his assassination mission and failing, allowing Usagi to be in the midst of the events in the pass.  This story then features a number of fantastic twists, including the fact that Usagi suspected that Icho was an assassin the entire time, implying that his reasons for travelling with him was to keep an eye on him and intervene if he was proven correct.  It was great to see the return of the Mogura Ninja, ninja moles with some really cool character designs who were introduced in the very first volume, The Ronin, and they once again proved to be surprisingly effective adversaries.  This story also serves to introduce a new group of antagonists for Usagi, with the first mention of the Koroshi assassins’ guild, whose various members tangle with Usagi multiple times throughout the rest of the series.  The Chrysanthemum Pass is therefore a fantastic and notable entry within this volume, and it ended up having quite an impressive story.

The final story in this volume is Lightning Strikes Twice, a powerful and captivating entry which provides new background for new character Inazuma.  In this story, Usagi once again runs into the mysterious Inazuma after finding several dead bodies on the road.  Encountering her within a temple, surrounded by other travellers, Usagi sits and listens to her tragic tale of love, loss and revenge as she recounts how she became so skilled with the sword, and the reasons why she is constantly being hunted throughout the lands.

Usagi Yojimbo Dark Horse #6

This was another epic story that really helps to build up Inazuma as an impressive and unique character within the series.  Her entire backstory as a girl who followed her heart and then lost everything is really emotional and humanising, adding layers of complexity to her rough exterior.  It was rather jarring to see such a strong woman stay with an abusive and uncaring partner, and it serves as an intriguing starting point for her road to exceptional warrior.  I enjoyed seeing her learning the way of the sword, and Sakai really builds her up as a natural prodigy with the blade.  Despite the humanising aspects of this story, Inazuma again comes across as a major badass within this story, thanks to the bloody fight sequence at the beginning, where she swiftly takes down a band of assassins with some very fancy moves, as well as the sequence at the end of the origin story, where she shows just how dangerous and cruel she can be.  I also absolutely loved the shocking reveal at the end of Lightning Strikes Twice where Usagi discovers that the people who have been quietly sitting through Inazuma’s story with him are all dead bounty hunters, which adds a real edge to Inazuma and her actions.  Lighting Strikes Twice proves to be a truly compelling and exciting tale, and I really liked learning more about this intriguing new character.  I also really appreciated how it tied into the previous Inazuma story and it ended up being a fantastic way to end the entire volume.

This 10th volume of the incredible Usagi Yojimbo series, The Brink of Life and Death, is another outstanding and addictive creation from Stan Sakai that features several impressive stories.  I loved this amazing combination of tales, and it was great seeing both standalone stories and entries that have deeper ties with the rest of the series.  Filled with awesome character moments, stunning artwork, and detailed depictions of feudal Japan, The Brink of Life and Death is a must read for fans of this series, and Sakai should be very proud of what he accomplished with this volume.

Throwback Thursday: Usagi Yojimbo: Volume 9: Daisho by Stan Sakai

Usagi Yojimbo Daisho Cover

Publisher: Dark Horse Books (Paperback – 1998)

Series: Usagi Yojimbo – Book 9

Length: 215 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Usagi Yojimbo Mirage - #7

It has been another good week of reading and reviewing for me, so I thought I would reward myself by doing a Throwback Thursday review of Daisho, the ninth volume in the outstanding, long-running Usagi Yojimbo series from one of my favourite authors, Stan Sakai.

Daisho is an impressive and exciting entry in the series, which unsurprisingly gets a five star rating out of me (full disclosure, every volume of this series is going to get five stars from me, it is just that damn good). This volume contains Issues #7-14 of the second run on the Usagi Yojimbo series, which was originally published by Mirage Comics (Issues #7 and #8 are only partially represented in Daisho as some stories from these issues were used in the prior volume, while a story from Issue #13 appears in the tenth volume that I will review next), and which has been collected into this volume by Dark Horse Books. This ninth Usagi Yojimbo volume is filled with several fantastic and creative stories that follow Usagi as he journeys across the land, getting into all manner of trouble and misadventures in this version of feudal Japan populated solely by anthropomorphic animals. Daisho serves as a significant inclusion in the overarching series, due to its connections to previous stories, and its introduction or resurrection of several key characters.

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This volume starts off with an inspiring and tragic story, The Music of Heavens, which once again sees Usagi traversing the wilderness. His solitude is broken when he encounters the pack of Tokage lizards who he unwittingly befriended in a previous story, The Lizards’ Tale (which was featured in Volume 8: Shades of Death). While Usagi is less than thrilled to see the Tokages, they end up leading him towards another traveller who is making their camp in the woods. The traveller, Omori Kazan, is a mendicant Buddhist priest and skilled musician, who invites Usagi into his camp and talks to him about the various forms of music he studies. However, someone is stalking their camp, determined to get revenge and unafraid to kill an innocent bystander to get it.

I really liked The Music of Heavens and it proved to be a compelling first entry in this volume. The story is based on Usagi’s encounter with a new character, Omori Kazan. Kazan is an intriguing person due to his position as a komuso monk (the monks of emptiness) of a particular sect of Buddhism, which lends him a very distinctive look thanks to the woven basket hat (tengai) he wears on his head disguising his features. Kazan has an amazing arc that delivers a lot in a short while, as he introduces himself to Usagi and the reader, discusses music and religion, and then simultaneously meets his end while also experiencing the divine for the first time. This entire character arc is both beautiful and tragic at the same time, and it provides both Usagi and the reader with some significant emotional moments, especially when it comes to Usagi’s farewell to the Tokages. I also liked how Sakai utilises an antagonist from a previous story, and the fight between Usagi and this character was swift and well-drawn. This was an excellent introductory entry for this volume, and it is a story that I really enjoyed.

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The second story in Daisho is the entertaining and clever entry, The Gambler, the Widow, and the Ronin. This story reintroduces the gambler from the previous story, The Duel (featured in Volume 6: Circles), who is up to his old tricks of organising deadly sword duels and cashing in on the bets of the local townsfolk. After the death of his previous samurai accomplice, Shubo, during a duel with Usagi, the gambler has been forced to find a new partner, the brutish and less skilled swordsman, Kedamono. However, Kedamono’s greed has convinced the gambler that it is time to end their partnership, and he quickly finds the ideal solution when Usagi arrives in town. However, as the gambler plots, he fails to realise that he is being stalked by Shubo’s widow, who is determined to get her revenge for the role he played in her husband’s death.

This was another amazing story that serves as a fantastic follow-up to a great prior Usagi Yojimbo story. I always get a real western vibe out of The Gambler, the Widow, and the Ronin, due to its title and the premise around a duel, it proves to be an excellent entry in this volume. Usagi is once again drawn into the plots of the gambler, and thanks to his humility, honour and good manners, which are mistaken as a weakness, both Kedamono and the local villagers are convinced that Usagi is a poor swordsman. However, the gambler, who has seen Usagi in action before, manipulates the odds so that he wins all the money when Usagi defeats his opponent, in a fun reversal of the events of The Duel. This was an incredibly entertaining scene as Usagi is again forced to deal with a bloodthirsty crowd, while the gambler feigns being saddened by the loss of his companion, despite being secretly delighted. However, the gambler ends up getting his comeuppance, and the widow, whose sad final scene was so memorable in The Duel, finally gets a small measure of justice. This was a very clever and enjoyable story, and I really loved how Sakai dived back to a prior standalone story to provide some closure and a fun continuation.

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The next story is called Slavers, and it is a longer entry made up of two separate issues. In Slavers, Usagi encounters a young boy being pursued by bandits. Usagi defeats them and learns that the boy was attempting to get help for his village, which has been taken over by a gang of bandits who have enslaved the villagers as part of a destructive scam to steal their harvest and make a small fortune. Deciding to help the villagers, Usagi infiltrates the gang and attempts to rally the villagers to his cause. However, the gang’s leader, the villainous General Fujii, discovers the deception and captures Usagi, planning to kill all the villagers to make good his escape. Slavers is an amazing story that is not only intriguing in its own right but which also expertly sets up the series of follow-up stories that make up most of this volume. While the standalone narrative of Slavers gets a bit dark at times, due to an extended capture scene surrounding Usagi, it is a rather compelling story filled with action, deception and struggles against adversity.

Slavers is quickly followed up by three separate but distinct stories that can be combined together with Slavers into one large narrative that wraps up all the loose ends from the initial entry. The first one of these stories, Daisho Part One, sees Usagi in hot pursuit of General Fujii, who is in possession of Usagi’s precious swords. Due to the brutal actions of Fujii, Usagi loses his quarry and is forced into an extended hunt for him, eventually coming to a ransacked village. It turns out that the village had recently been raided by Fujii’s new gang, and Usagi must make a hard choice between recovering his soul or helping those in need.

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I have a lot of love for Daisho Part One; it is probably one of my favourite entries in this entire volume. The story starts out with a magnificent and beautifully drawn sequence that shows the various elaborate processes by which a samurai’s swords are created. This impressive opening sequence is one of my favourite pieces of Usagi Yojimbo art from the entire series, and its creation highlights not only Sakai’s skill as an artist but his ability to research and portray intriguing parts of Japan’s unique culture and heritage. This sequence also shows the important a samurai’s swords to their wielder, as they are reflections of that warrior’s soul. This key concept is then brought to life in the main story, as it sees a somewhat unhinged Usagi risking everything to reclaim his swords from Fujii. Sakai does an outstanding job showing off how frustrated and enraged Usagi is at having his swords stolen from him, and he comes across as being quite frightening several times through the story. Usagi’s anger comes to a head when he reaches the village and his initial decision is to abandon the villagers and immediately follow Fujii and his men. However, a local village girl is able to shame him into thinking of others, and the old Usagi returns, providing aid to the villagers. This was an extremely compelling story that does a wonderful job combining a powerful, character driven narrative, with some exquisite artwork and some intriguing aspects of history, into an exceptional entry in this volume.

The next story in this volume is Mongrels, a quick story about a recurring Usagi Yojimbo side character, the bounty hunter Gen, which occurs around the same time as Daisho Part One. In this story, Gen enters a village and starts asking questions about his current bounty, General Fujii. However, he is not the only bounty hunter in town, as he soon encounters the notorious hunter Stray Dog, who is also hunting for Fujii. After a tense conversation, the two-part ways; however, both are determined to capture Fujii and outsmart their competition. This was a fun story that not only brings Gen into this multi-issue narrative but also introduces a couple of great recurring characters. Stray Dog is a fantastic character in the Usagi Yojimbo universe, and he often appears as a compelling rival (and sometime partner) to Gen (such as in the latest Usagi Yojimbo volume, Bunraku and Other Stories). This story serves as a swift and clever introduction to the character, and it was fun to see the rivalry between Gen and Stray Dog form so quickly. Mongrels also introduces the extremely entertaining side character, the Snitch (also called Toady), a sneaky, greedy character who provides information to the highest bidder. While the Snitch has only a short appearance in this story, he is going to start appearing in a lot of follow up volumes, and it is always fun to see where a character starts out. Overall, this was a great story that fits a lot of significant introductions and events into a few short pages.

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The final story in this arc surrounding General Fujii is Daisho Part Two, in which Usagi and his guide meet up with Gen and Stray Dog right at the end of Mongrels. The three samurai decide to team up to raid General Fujii’s lair, and they engage in an all-out fight for money and honour. However, not everyone on the team is keen to work together, and betrayal is afoot. This was an excellent conclusion to the entire storyline, which I really enjoyed. This is a story chocked full of action, as the entire narrative sets up a massive fight between multiple combatants within an abandoned temple. There is some great character work within this story, not only from the protagonists, who bicker and fight amongst themselves, but also with the major antagonist, General Fujii. There some intriguing scenes that show Fujii’s efforts to lead and control a gang of bandits and cutthroats, and I also liked how Sakai shows him being haunted by thoughts of Usagi, whose swords he is holding onto. Usagi and Fujii finally get their showdown in this story, and it served as a fantastic end to this whole extended narrative. There are also some compelling moments surrounding Stray Dog, as he seeks to cheat the others out of the reward money for Fujii. While this initially paints him in a bad light, the source of his need for money is quickly shown, and it highlights just how complex and multifaceted this new side character is. I really liked how this entire story narrative ends, and Daisho Part Two is an excellent part of this volume.

The next story in this volume is the two-part entry, Runaways. In Runaways, Usagi journeys through a small town, when he finds himself in the path of a procession of the local noble lady. Hearing the lady’s name, Usagi is thrown back into the past as he remembers an adventure that occurred many years prior, when he was in the service of Lord Mifune. After finding out that the love of his life, Mariko, has married another man, Usagi is given a seemingly simple mission as a distraction. His task, to escort the young Princess Kinuko to the lands of her future husband, becomes infinitely more complicated, when their party is ambushed by a horde of Neko Ninja. Escaping with the princess, Usagi disguises Kinuko as a peasant in an attempt to hide her from their pursuers. However, the more time that Usagi and Kinuko spend together, the closer they become, until the lines of duty, honour and station become extremely blurred.

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This was another exceptional story within the volume, and I liked how it flashed back to an adventure during his pre-ronin life. Set during the period when Usagi served Lord Mifune (as shown in Volume 2: Samurai), Runaways contains a powerful and emotional narrative that is actually based on Roman Holiday (Sakai is a massive Audrey Hepburn fan), which sees a princess run away with a strong male protagonist and grow close to him, despite her responsibilities and their differences in station. This proves to be a fun, if extremely loose adaption of the movie, and Sakai builds up a complex relationship between Usagi and Kinuko, as the two characters, both tragic victims of circumstances when it comes to love, grow closer to each other. However, despite their feelings, this relationship is fated to never be, and it ends in heartbreak, with the memories of it haunting both Usagi and Kinuko years later. I really liked how this story played out, and it was interesting to see aspects of samurai honour folded into the narrative from Roman Holiday. Other fantastic highlights of this story include the multitude of impressive fight scenes between Usagi and the Neko Ninja, starting with a major battle between two large groups of samurai and ninja. I also liked the exploration of the traditional Tanabata Matsuri festival that the two characters find themselves attending, especially as Kinuko has fun experiencing local customs, foods and activities that someone of her station will never get to enjoy. It was also cool to see an early adventure from Usagi, especially as this entry foreshadows events that have occurred in other volumes, including the return of several now-dead characters, such as Shingen (future leader of the Neko Ninja, who was introduced in Volume 3: The Wanderer’s Road, and died in Volume 4: The Dragon Bellow Conspiracy). An overall exciting and impressive story, Runaways is an amazing highlight of this volume.

The final entry is the short story, The Nature of the Viper. In this tale, a local fisherman finds the badly injured body of Usagi’s recurring foe, Jei, after he was thrown from a cliff during the climatic events of Circles. Bringing him back to his hut, the fisherman tends to Jei and manages to save his life. When Jei awakens, he shows his gratitude to the farmer be recounting a tale of viper and a peasant (a version of the classic fable, The Farmer and the Viper), before killing him and resuming his hunt for Usagi. This is a good, short entry that shows the fate of Jei after his last appearance. Jei comes across just as villainous and creepy as ever, and it was fun seeing the fisherman slowly realise just how much trouble he is in as the story progresses. While having a villain recount The Farmer and the Viper as justification for why they are killing a person is somewhat cliched at this point (although to be fair, this story was written back in the 90s), it was still a fantastic sequence. I think that this was an excellent way to end the volume, especially as the reader is left knowing that Jei has returned and that Usagi will be encountering him once again in the future.

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Sakai has once again knocked it out of the park with the ninth volume in his series. Daisho contains several outstanding and memorable stories that are all wildly entertaining and contain some clever links to past and future entries in this series. I had an absolute blast reading this volume, and it is an extremely strong addition to the incredible Usagi Yojimbo series that comes highly recommend.

Throwback Thursday: Usagi Yojimbo: Volume 8: Shades of Death by Stan Sakai

Usagi Yojimbo Shades of Death

Publisher: Dark Horse Books (Paperback – 1997)

Series: Usagi Yojimbo – Book 8

Length: 200 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

It’s been a little while since I’ve done a Throwback Thursday article so I thought I would go back to the old faithful that is the incredible Usagi Yojimbo series and review the eighth volume, Shades of Death.

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Shades of Death follows on right after the events of the seventh Usagi Yojimbo volume, Gen’s Story, and continues to follow the adventures of the rabbit samurai, Miyamoto Usagi, in this alternate version of feudal Japan populated by anthropomorphic animals. This eighth volume of the series is particularly significant as it is the first volume to be published by Dark Horse Comics, who printed the series for over 22 years, and who were only recently replaced by IDW for the latest volume, Bunraku and Other Stories.  However, the issues within this volume were originally printed by Mirage Comics, who did the entire second run of the Usagi Yojimbo series.  The Dark Horse Comics/Mirage Comics printing style is similar to the style used by the previous publisher, Fantagraphics Books. The only major difference is that the Dark Horse Comics volumes come with a story notes section at the back, as well as copies of all the covers for the various issues. I’m actually a big fan of the story notes that they started including in these volumes, as they contain some fascinating background information about some of the stories, including details about the various legends or elements of Japanese culture that Sakai focuses on in his story. Shades of Death contains issues #1-6 of the second run of the Usagi Yojimbo series, as well as containing stories from #7-8, and is made up of two major storylines and several shorter entries.

The first story is Shades of Green, and it is probably the most distinctive entry in this entire volume. The story starts with Usagi and his frequent travelling companion, Gen, being ambushed out on the road by a horde of Neko Ninja, forcing them to dive into a river to avoid being killed. Usagi and Gen eventually wash up near a remote village and encounter the mysterious rat mystic, Kakera, who asks Usagi and Gen for his help. Kakera reveals that the Neko Ninja are after him, as they hope to use his abilities to help rebuild their clan’s power after the events of The Dragon Bellow Conspiracy (volume 4). To that end, they have surrounded the village and intend to kill everyone in order to get Kakera, and even the skilled Usagi and Gen will be unable to stand up to their numbers. With no other help on the way, Kakera is forced to use his magic to summon four very special warriors to stand by their sides, the Teenage Mutant Ninja Turtles.

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Shades of Green is a fantastic and clever story that also serves as an excellent crossover between two iconic comic book series. Pretty much the big thing about this story is the way that is introduces all four members of the Teenage Mutant Ninja Turtles in the Usagi Yojimbo universe. Fans of either Usagi Yojimbo or the Teenage Mutant Ninja Turtles franchise will be aware that these two comics have had numerous crossovers throughout the years, with Usagi appearing in three of the Teenage Mutant Ninja Turtles animated television shows. The Turtles who appear in Shades of Green are the original Mirage Comics versions of these characters, who were created by Kevin Eastman and Peter Laird, and who had their own long-running series during the time this volume was published. Usagi has actually encountered Leonardo from this version of the Turtles several times before, including back in the third volume of Usagi Yojimbo, The Wanderer’s Road, so the two groups of characters were able to team up rather quickly. I thought that this was an incredible crossover, and I especially loved the dynamic between the Turtles and Usagi and Gen. Not only do you get the mutual respect that Usagi and Leonardo have for each-other but there is a rather fun dynamic between Gen and the other Turtles. I particularly liked one scene where Michelangelo questions the logic of the Usagi Yojimbo universe, including why the horses aren’t sentient but rabbits and rhinos are (something I have always wondered), and even asking Gen if he has a tail, which it turns out is a rather personal question. There are also some really fun battle sequences throughout this book, and it was great to see the two samurai team up with the Turtles to fight a whole bunch of ninjas. I really liked this crossover between them, and I also think that Sakai did an amazing job drawing and portraying these characters.

In addition to the crossover elements, Shades of Green also contains a rather intriguing overall narrative, especially the parts of it that examine the leadership of the Neko Ninja clan. The Neko Ninja clan has been in a bit of decline since the fourth volume, when a large number of their ninjas, including their leader, Shingen, died. Much of the plot of this storyline revolves around two high-ranking members of the Neko Ninja, the ambitious Gunji and Shingen’s sister Chizu, fighting for control of the clan, with their battle centred on the hunt for Kakera. This proved to be really exciting, and it was cool to see the internal ninja feud, while the clan is facing off against the protagonists. This book also contained the first meeting between Usagi and Chizu, who goes on to become a major recurring character in the series as well as a potential love interest for Usagi. I quite enjoyed Shades of Green, and it definitely serves as a memorable entry in the Usagi Yojimbo series that showcases how cool a crossover with this series can be.

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The next entry is a short story called Jizo, which only runs for a few pages. Despite its shorter length, this is a rather inventive and surprisingly powerful story that I have a lot of love for. Jizo is set on the side of a road, and features a mother placing a dosojin, a roadside icon, of Jizo-sama, in order to help the soul of her deceased young son who was recently killed by bandits. According to Buddhist beliefs, her son’s soul is attempting to make its way into paradise by piling rocks to cross a river. By leaving the statue to Jizo, the patron and protector of children, by the side of the road, the mother is hoping that passing travellers will place a stone near it, which will help her dead son’s soul in his eternal task. The story than continues without dialogue, as the statue of Jizo watches the road, noting the various travellers who walk across it. This includes Usagi, who runs into the same bandits who killed the child, and his actions seem to provide the statue with a measure of peace. This was a clever and beautifully rendered story, and I loved that Sakai redrew the same stretch of road for every single panel. This was such a fantastic concept, and I loved how he told such a powerful story with a minimum of dialogue, only utilising some exposition from the mother at the start and end of the story. The shots of the same stretch or road were done extremely well, and it was fun to see the various people who walked past the statue during the course of the day. Not only were there some familiar faces but there were several intriguing and distinctive-looking people going about all manner of different activities. It was also cool to learn a little bit about the statues to Jizo-sama, something I saw several times when I went to Japan, and the story notes I mentioned above proved to be really useful and interesting in regards to this. I was really impressed with this entry, and I loved the compelling story that Sakai told with his fantastic drawings.

The third story in this volume is Shi, an action-packed and exciting tale that I really enjoyed. Shi sees a wandering Usagi come to a crossroad, where he lets fate and the gods choose his route (a homage to the start of the film Yojimbo). His chosen path takes him to a market town where he witnesses a peasant being bullied by a group of thugs. Intervening, Usagi chases the thugs off and is invited to the peasant’s village for dinner. However, it soon becomes clear that something strange is happening at the village, as the thugs arrive soon after and appear determined to scare all the villagers away. Investigating, Usagi soon finds himself in the midst of a conspiracy involving the local magistrate and his brother, who are determined to kill Usagi and his new friends. To that end they hire a group of four assassins, who call themselves Shi (a reworking of the Japanese character for Shi turns it into a character for death).

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Shi proved to be an compelling entry that serves as one of the main two stories for this volume (indeed, if you combine the names of the first story, Shades of Green, with the title of this story, Shi, which in this case means death, you get the volume’s overall title, Shades of Death). There are some great elements to this action-packed story: the intriguing conspiracy, Usagi’s mixed encounters with the villagers that he is trying to save, and some funny moments as Usagi effortlessly deals with the initial group of thugs. However, the best part of the book has to be the extended fight sequence at the end as Usagi takes on the four members of Shi, each of whom is master of a different type of weapon (sword, spear, bow and the sickle-and-chain). This was a brutal and exhausting fight for Usagi, and it serves as an impressive main set piece for the entire story. It also results in a rather confronting and memorable sequence where, in the aftermath of the fight, Usagi is challenged by a local peasant who is jealous of the attention Usagi is receiving from his betrothed. The peasant gamely steps up to fight Usagi, claiming not to be afraid, only to be faced by an enraged samurai who is worked up into a blood rage after his battle. The look of anger and hate on Usagi’s face is surprisingly terrifying, and I love how demonic Sakai made him look, showing off a darker side to his complex protagonist. I also really enjoyed the entry’s two shady antagonists in the magistrate and his brother. These two duplicitous siblings make for a murderous team, especially when each of them attempts to betray the other in a fantastic conclusion that showcases the consequences of greed. Overall, Shi was an exceptional story that I had an awesome time reading.

The next story in Shades of Death is a fun entry titled The Lizards’ Tale, which focuses on a group of Tokages, the dinosaur-like lizard critters that infest the Usagi Yojimbo universe. In this story, a group of chilly Tokages attempt to warm themselves up one snowy night by snuggling together in the warmest place they can find, around the sleeping body of Usagi. Awakening the next morning, Usagi finds himself surrounded by the potentially vicious creatures, and only manages to flee by throwing them a bag of food and running for it. However, the Tokages are not that easily escaped, and they continue to follow Usagi hoping to get more food out of him. Despite his comical efforts to get rid of them, Usagi soon grows attached the Tokage pack, especially after they help him out of a sticky situation with some bandits. The Lizards’ Tale is a very fun and humorous story that provides some light-hearted moments in this volume after some of the preceding darker stories. I really liked how Sakai told the story without any dialogue whatsoever, relying on only the exaggerated movements and facial expressions of the various characters and the Tokage to tell the story. This was an incredibly entertaining entry, and I had a great laugh as I went through it.

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The final three stories are a bunch of shorter entries that focus on a younger Usagi as he trains with his sword master, Katsuichi. These three stories include Usagi’s Garden, Autumn and Battlefield, and feature some character-building moments for the protagonist. Each of these three stories is rather good, and it is always interesting to see a younger Usagi when he is a rash trainee, rather than the wiser, battle-hardened warrior that he is in the rest of the series. These three short stories contain a fun mix of narratives, including one about Usagi learning patience and honesty by attempting to grow plants, another where he frees the spirit of Autumn, Aki-Onna (Autumn Women) from a monster, and a final story where he sees his first battlefield and learns that there is rarely glory or honour in the midst of war. These were a great collection of stories, and I liked the moral based narratives that each of them contained. Reading these three shorter stories proved to be a good way to end the volume and it was nice to have some low-stakes entries to wrap everything up with.

As usual, Sakai’s artwork for this volume was deeply impressive for every story, and I loved every aspect of his drawings throughout Shades of Death. While I have already mentioned his fantastic fight sequences, the cool character designs and amazing use of facial expressions while talking about some of the stories above, I also have to highlight the detailed background sequences and depictions of the beautiful, multi-seasonal Japanese landscapes. Every panel of this book is loaded with incredible detail, and I loved examining all the different backgrounds, especially as I see something new and different in this volume every time I read it. Sakai did some outstanding artwork in this volume, and it was a real treat to see his drawings and characters come to life.

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Shades of Death is another incredible volume in the exception Usagi Yojimbo comic book series from the legendary Stan Sakai. Featuring some top-notch narratives, impressive character inclusions and some eye-popping artwork, Shades of Death was an exciting and captivating read. I loved every second that I spend reading this volume, and this eighth volume gets another five-star rating from me.

Throwback Thursday: Usagi Yojimbo: Volume 7: Gen’s Story by Stan Sakai

Usagi Yojimbo Gen's Story

Publisher: Fantagraphics Books (Paperback – 1996)

Series: Usagi Yojimbo – Book Seven

Length: 187 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this week’s Throwback Thursday, I once again dive into the wonderful world of Usagi Yojimbo and review the seventh volume of this incredible ongoing comic series, Gen’s Story. I have been really enjoying going back and reviewing the older volumes of this fantastic comic by legendary writer and artist Stan Sakai, and this seventh volume is another excellent addition to the series that I always have a terrific time reading.

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Gen’s Story is an amazing example of a Usagi Yojimbo volume, which contains several short stories, each of which shows a unique tale set within the series’ clever version of feudal Japan populated with anthropomorphised animals. Each of the individual stories in this volume is rather good, and together they form a fantastic volume that not only introduces a recurring side-character but which also explores the backstory of another key character and serves as a perfect end note for one of the series’ best character arcs. This volume is made up of issues #32-38 of the Fantagraphics Books run on Usagi Yojimbo, as well as a story from Critters #38, which makes Gen’s Story a tad longer than a typical volume. All of these issues make for an awesome read, and Gen’s Story is another excellent addition to the Usagi Yojimbo series.

The first story contained within this volume is the fun and enjoyable tale, Kitsune. In this story Usagi encounters a talented street performer, Kitsune, who entertains the crowd with the tricks she can perform with her koma (spinning tops). However, Kitsune is much more than a simple entertainer; she is also an extremely skilled thief and pickpocket who manages to take Usagi’s purse without him realising it. This forces Usagi to stay late at an inn, washing dishes to pay for his meal, which results in him witnessing and intervening in an altercation between a notorious gambler and some local gangsters. Deciding to help the gambler under the mistaken belief that he is an innocent merchant, Usagi attempts to escort him out of town, where the two encounter Kitsune again just before the gangsters attack, leading to a fight in the streets.

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Kitsune is an entertaining story that works well as a suitably light-hearted start to the entire volume (get a fun story in before the feels start). The whole of this story is really amusing from the very start, and it contains some great comedy elements, from Usagi getting taken advantage of by Kitsune and the way he doesn’t initially realise that the person he is helping out is the same gambler who previously led a mob against him in A Kite Story, which was part of the fifth volume, Lone Goat and Kid. This leads to a great scenario where the gambler is forced to rely on Usagi for protection, while silently hoping that he will not remember who he is or what he previously did. Of course, Usagi eventually figures out who he is, thanks to the gambler’s boasting, and this results in a great end to the whole farcical tale. This issue also serves as an excellent introduction to the character of Kitsune, who goes on to become a major recurring figure within the Usagi Yojimbo stories. Sakai does a fantastic job showing off Kitsune’s personality and skills as a thief throughout this story, and I also love all the cool drawings he does of Kitsune’s various tricks with the spinning tops. Kitsune’s entire arc throughout this story is great, and I love how Usagi was able to get even with her at the very end, which is a fun prequel to all their future encounters. The combination of an entertaining plot, a great character introduction and an enjoyable call-back to a previous story helps to make Kitsune an excellent first entry in this volume, and I had an amazing time reading it.

The second story in this volume is the short entry Gaki. Gaki is quick and amusing story that follows a young Usagi back when he was a student under the tutelage of his sword master Katsuichi. After one of Katsuichi’s typical lessons, which sees Usagi receive a smack to the head, Usagi attempts to retaliate, striking a blow that seemingly kills his master and causes his ghost to start haunting Usagi. Of course, it ends up being a whole big misdirection, but it results in a fun sequence in which young Usagi is chased by a vengeful spirit, which all leads to a humorous conclusion. The highlight of this quick tale has to be the amazing drawings of the vengeful spirit and the pure terror that appears on the face of the young Usagi, all of which are way out of proportion to Gaki’s rather innocent story. All of this makes for an entertaining second inclusion in Gen’s Story, and it, together with the first story, provides readers with a fun start to this volume.

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The third story is where we start getting to the heavier narratives of this volume, as the reader is treated to the supernatural tale, Broken Ritual. This story sees Usagi walking late at night through a small village filled with an unnatural amount of fear, especially after a loud and terrifying wail breaks the silence. Talking to the townsfolk, Usagi learns that the village, which is located close to the site of the battle of Adachi Plain, is haunted by one of Usagi’s old comrades, General Tadaoka, who died following the battle in the midst of an incomplete seppuku ritual. Now, due to the shame of having a dishonourable death at the hands of an unworthy and unnamed enemy, Tadaoka’s spectre appears in the spot where he died each full moon, letting out a wail of anguish. Upon hearing this tale, Usagi decided to try and help end the suffering of his former comrade and manages to help the spirt pass peacefully by successfully performing the seppuku ritual on the ghost.

Broken Ritual is an impressive and gripping story of honour and duty which is easily one of the best inclusions in this volume. This is one of those stories that really sticks in the reader’s mind, and the whole concept of samurai honour, even from beyond the grave, is a really fascinating central plot aspect. I loved the exploration of the seppuku ritual, and the supernatural elements of this story play into this really well, as it highlights just how important an honourable death is to a samurai like Tadaoka, so much so that he came back from the grave to ensure it was done properly. Sakai’s art is in top form for this volume, and his outstanding depiction of a wartime seppuku ritual is absolutely incredible. The intense facial expressions of Tadaoka during the seppuku scenes are particularly enthralling, and Sakai does a fantastic job of showing the pain and concentration that would have been on such a person’s face. All of this leads to a deeply captivating story, and it is amazing the sort of gripping tale Sakai can spin together in single issue.

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The fourth story in this volume is the shorter story, The Tangled Skein, which is the story that was originally featured in Critters #38. This is a creepy, quick story that follows Usagi in the immediate aftermath of the battle of Adachi Plain. Fleeing from the victorious troops of Lord Hikiji, Usagi attempts to hide in a dark forest known as The Tangled Skein, which is rumoured to be filled with all manner of haunts. Naturally, Usagi runs into one of these haunts, a demon disguised as a helpful old lady, and he must try to escape her clutches with help from the most unlikely of sources. This was an awesome supernatural storyline that I quite enjoyed, especially as the story once again highlights some of the philosophies surrounding samurai honour and what duties a samurai has to his lord, and vice versa. Fast-paced, exciting and with a surprisingly poignant moral to its story, The Tangled Skein is great entry to the volume, and I am glad that Sakai included it.

The next story in this volume is simply call Gen, and it is the major storyline contained within Gen’s Story. Made up of three Usagi Yojimbo issues, this is an excellent story of revenge and obsession that also continues the theme of the last few stories by looking at samurai honour and obligation. This story also reveals the full backstory of the always amusing and enjoyable recurring side character Gen and shows how he came to be a bounty hunter. The story is broken into three separate parts by issue, with the first part called Lady Asano’s Story, the second part called Sins of the Father and the third and final part titled Lady Asano’s Revenge.

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Naturally, Gen revolves around the character Gen, who Usagi once again meets out in the wilds, and helps him claim his latest bounty. Recovering from this fight in a nearby town, Usagi shares a meal with a destitute noblewoman and her retainer. The noblewomen, Lady Asano, is on the hunt for her husband’s murderer, a former advisor who betrayed him for great reward, and her exhaustive 20-year long quest has left her poor and on her own. The story is interrupted by the arrival of Gen, who is revealed to be the son of the great General Murakami, the most revered retainer of the Asano clan, and whose family owes allegiance to Lady Asano. Gen, bitter at the years his hard and disciplined father spent dragging him and his mother around the countryside hunting the murderer, an event that led to the death of Gen’s mother and Gen becoming a bounty hunter, refuses to help Lady Asano. However, once Lady Asano and Usagi are captured by the murderous advisor, revealed to be the town’s magistrate, Gen attempts to help, leading to an emotional and violent confrontation.

This was another excellent story that had a number of fantastic elements to it. It was great to finally get Gen’s backstory revealed, as Gen promised to tell his story all the way back in the second volume, Samurai. This was actually a rather tragic backstory for Gen, and I really liked seeing it, especially as it fits in really well with Gen’s character, not only explaining why he is so eager to fight for money but also why he is so dismissive and distrustful of honourable samurai, who must remind him of his father. Sakai makes sure to wrap up Gen’s personal history rather well within this story, as Gen gets some closure with his father towards the end of the story in one of the few instances that we see a really serious and emotionally wrought Gen. I also liked how Sakai continued to explore the concept of samurai honour within this story, especially the obsession and hurt that it can cause. We got to see the negative impacts that having an extremely loyal and honourable samurai as a father had on Gen, and Sakai also focused on the obsession for revenge and redemption that existed within Lady Asano, which not only drove her into poverty but also gave her the strength to finally get her revenge. The sequence where the dying Lady Asano slowly advanced towards the target of her wrath was pretty intense, and she almost appeared demonic as she slowly moved to get her revenge. Other cool highlights of the story include the huge pitched battle that occurred between the protagonists and their opponents’ retainers in the magistrate’s compound, and the continued fun banter between Usagi and Gen, which adds some much needed humour into this heavier story. Overall, this is an impressive and addictive expanded story, that achieves a lot of fantastic character development and which serves as an excellent focus of this entire volume.

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The next story contained within this volume is another lighter story, The Return of Kitsune. In this story, Usagi, who is accompanied by Gen, once again encounters Kitsune, who is up to her usual tricks of street performances and pickpocketing. This time, however, she accidently steals a valuable letter meant for a corrupt local merchant, and she is subsequently hunted through the streets until she runs into Usagi and Gen. Usagi and Gen was work together to save Kitsune from the merchant, even if they cannot agree on what the best course of action is.

The Return of Kitsune is probably one of the funniest inclusions in this volume. The highlight of this entry has to be the first meeting between the two fun side characters, Kitsune and Gen. These two characters play off each other extremely well, and you cannot help but chuckle at the exasperated expression on Usagi’s face as the Gen and Kitsune begin to flirt with each other. I also enjoyed seeing the opposing philosophies of Usagi and Gen clash throughout this story, as Usagi wants to intervene to save lives, while Gen wants to stay out of the whole thing and claims that Usagi is too nosey. This whole argument proves to be a rather entertaining part of the story, and it results in some excellent scenes towards the end of the story, especially when Usagi takes Gen’s advice about minding his own business and fails to tell his friend that Kitsune stole his purse.

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The final entry in this volume is the outstanding narrative, The Last Ino Story, which serves as the last appearance of one of the best recurring characters to appear in the earlier volumes of this series. In The Last Ino Story, Usagi and Gen are taking one of Gen’s infamous shortcuts late at night and find themselves ambushed by bandits while traversing a narrow path along the side of a cliff. Managing to outsmart their attackers, Usagi and Gen seek shelter in a nearby abandoned hut, where they find themselves confronted by a young woman who is attempting to defend her wounded husband. Able to make their way inside, they find that the woman’s husband is none other than the Zato Ino, who has settled down and abandoned his violent ways after his last encounter with Usagi and Gen. Gravely wounded by the same bandits Usagi and Gen encountered, Ino appears close to death and the two samurai must work quickly if they are to save him and ensure he gets to live the life he rightly deserves.

The Last Ino Story is an outstanding and emotionally rich story which is an amazing way to finish this entire volume off. This last entry in this volume contains a great story in its own right, especially as it serves as a fantastic conclusion to one of the best character arcs in the series, that of Zato Ino. Ino was introduced all the way back in the first volume, The Ronin, as a blind outlaw who was trying to find a quiet place to settle down and rid himself of his life of violence, but whose efforts were constantly disrupted by his large bounty and the hunters chasing him. However, as the series progressed and Usagi kept meeting him, he grew as a character, from him gaining his first true friend in the third volume, The Wanderer’s Road, to him finally finding a home and family after the events of the fourth volume, The Dragon Bellow Conspiracy. This final appearance from him (and it is indeed the last time that you see him), serves as a perfect send off to him, as Usagi and Gen, the only two people who knew his past and gave him a chance, find out that he ended up having a the peaceful life he always wanted and has even more happiness on the way. As a result, this is a perfect story for those readers who got attached to the character of Ino through the first volumes of the series, and it was great to see his story come to a satisfying end.

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I also liked Gen’s character arc throughout this story, especially once he finds out that Ino was the injured man in the barn. Gen and Ino have a complicated past, as Gen was initially trying to hunt Ino down for his bounty during their first encounter, and Ino ended up saving his life. In order to repay him, Gen dragged the injured Ino out of the castle before it exploded and told everyone, including Usagi, that Ino had died, in order to ensure that the blind pig would no longer be hunted and could settle down. In this story, Gen, upon seeing the man he saved once again dying, loses his cool and begins to take his rage out on an owl that has been stalking him throughout the course of the book, which he sees as an omen of death. Watching Gen constantly run out into the rain to chase away an owl is amusing on the surface, but it also reveals his deeper feelings that he usually keeps hidden: “The one decent thing I did was give him his peace, and you won’t take it away!” His determination to keep Ino alive because of this is a real change from his usual behaviour, and it helps underline that deep down Gen is a good character, even if he reverts to his usual gruff self the moment he knows Ino is fine. I also liked how the whole saga with the owl ended up, and it was a fun little turn around on the bird being an omen of death. Other highlights of this story include the cool battle sequence towards the front when Usagi and Gen manage to climb up the cliff and face the bandits trying to kill them. The five panels which show this fight are really cool, from the way that the grim faced Usagi and Gen are framed in the moonlight, the close-up of the bandits faces as they charge, the shot of Usagi’s bloody sword, and the way the fight is only alluded to by the sound effects that have been written in, makes for a great sequence that I really liked. All in all, The Last Ino Story is a first-rate inclusion, and it leaves the reader with a memorable and emotionally substantial ending to this volume.

The seventh Usagi Yojimbo volume, Gen’s Story, is another incredible addition to this awesome and deeply enjoyable series. Each of the entries within this excellent volume are outstanding reads, containing complex characters, fantastic narrative arcs and Sakai’s impressive artwork. Gen’s Story gets another five-star review from me, and Stan Sakai has once again shown why he is one of my favourite creative minds.

Throwback Thursday: Star Wars: Vader Down

Vader Down Cover

Publisher: Marvel Comics (Paperback – 19 April 2016)

Series: Crossover – Featuring Issues from Star Wars (2015) and Darth Vader (2015)

Writers: Jason Aaron (Star Wars: Vader Down #1, Star Wars #13-14) and Kieron Gillen (Darth Vader #13 – 15)

Artists: Mike Deodato (Star Wars: Vader Down #1, Star Wars #13-14) and Salvador Larroca (Darth Vader #13 – 15)

Colourists: Frank Martin Jr (Star Wars: Vader Down #1, Star Wars #13-14) and Edgar Delgado (Darth Vader #13 – 15)

Letterers: VC’s Joe Caramagna (Star Wars: Vader Down #1, Darth Vader #13 – 15) and Chris Eliopoulos (Star Wars #13-14)

Length: 152 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

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For this latest Throwback Thursday I go back and look at the epic and deeply enjoyable Star Wars comic book crossover extravaganza, Star Wars: Vader Down.

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Vader Down was a crossover, published in late 2015 and early 2016, of two of the best Star Wars comic series at the time, Star Wars (2015) and Darth Vader (2015). These two series ran side by side during this period and were set between the events of A New Hope and Empire Strikes Back and expanded the new Disney Star Wars canon. Both of these series were extremely good in their own right, with some very impressive comics during their early run (check out my reviews for some of these earlier volumes, Skywalker Strikes, Vader and Shadows and Secrets, all three of which got five-star reviews from me). These two comics ended up converging during the events of this crossover, with both series’ creative teams pooling their efforts to tell an exciting and action-packed tale. Vader Down is made up of a single introductory issue (Star Wars: Vader Down #1), two issues of Star Wars (2015) (issues #13-14) and three issues of Darth Vader (issues #13-15)

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Darth Vader is a man on a mission. Ever since he discovered that the Rebel Alliance pilot who destroyed the Death Star was Luke Skywalker, the son he never knew he had, Vader has been scouring the galaxy for him, determined to claim Luke and use him to take control of the Empire. It finally appears that his patience has been rewarded, as his sources have revealed that Luke is visiting an abandoned Jedi temple on the planet of Vrogas Vas. However, Vader is unaware that he is falling into a trap set by one of his rivals, the Mon Calamari cyborg Commander Karbin. Instead of finding Luke by himself, he discovers an entire Rebel fleet orbiting a planet housing a secret Rebel facility. Despite being outnumbered, Vader is able to fight off the Rebel pilots trying to kill him, until Luke, in a desperate move, smashes his fighter into Vader’s ship, sending them both crashing down to the planet’s surface.

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Now on foot, Vader sets out across the desolate planet to find his wayward son and turn him to the Dark Side of the force. However, the Rebels send a significant force to Vrogas Vas to capture or kill Vader. But even surrounded and outnumbered, Vader is more than a match for anything the Rebels can throw at him, and it seems only a matter of time before he finds his son. Luke’s only hope to survive lies in his friends, as Princess Leia, Han Solo, Chewbacca, C-3PO and R2-D2 all set out to save him. However, Luke is not the only one with friends on the way, as Vader’s reluctant agent, Doctor Aphra, also sets course to Vrogas Vas in order to save herself from being murdered by her employer for this debacle. By her side are three of the most dangerous beings in the galaxy, the murderous droids Triple-Zero and BT-1, and the vicious Wookie bounty hunter Black Krrsantan.

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As the two sides engage in all-out war across the planet’s surface, neither is aware of the danger coming for both of them. Imperial forces under the command of Commander Karbin have come to Vrogas Vas in the aftermath of the conflict not only to capture Luke but to also kill Vader so that Karbin can take his place by the Emperor’s side. Can Vader and the Rebels survive the onslaught of Karbin and achieve their desires, or is this the end of all of them?

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Wow, wow and wow!! This crossover is just plain incredible as the two talented creative teams of the Star Wars and Darth Vader comic book series come together to create an action-soaked masterpiece. I absolutely loved this fantastic and inventive story, which not only contains a substantial standalone adventure but which advances both series in some rather interesting ways, especially when it comes to separating the character of Dr Aphra and moving her briefly into the Star Wars comic series. The story contained within this volume is really amazing, as it sets a rampaging Darth Vader against a swath of enemies while the great characters from both series face off in a rather entertaining battle of their own. All of this is set to some incredible artwork from the two series’ respective artistic teams, which brings the phenomenal action to life in all its destructive glory. Unsurprisingly, this comic gets a full five-star rating from me, and it is easily one of the best crossover comics that I have ever read.

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Vader Down features six separate comic book issues, including an introductory issue, three issues from the Darth Vader series and two issues from the Star Wars series. Each of these comics has been written and drawn by the creative team of their respective series, with the Star Wars issues written by Jason Aaron and featuring the art of Mike Deodato, Frank Martin Jr and Chris Eliopoulos, while the entries from the Darth Vader comics are written by Kieron Gillen and contain the art of Salvador Larroca, Edgar Delgado and Joe Caramagna. The introductory issue, Star Wars: Vader Down #1, was also written by Aaron and drawn by the Star Wars artistic team (although with Caramagna doing the lettering rather than Eliopoulos), and this allows both creative teams to contribute three separate issues to this crossover. The story is set out in an alternate fashion, with the narrative beginning in Star Wars: Vader Down #1 and then continuing in Darth Vader #13, than going to Star Wars #13 and so on and so forth all the way till the volume’s end at Darth Vader #15. This proved to be quite an interesting way to set out the volume, and I think that it really speaks to the coordination and discussions that must have occurred between the two separate creative teams.

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Like most pieces of Star Wars tie-in fiction, Vader Down is naturally geared more towards those established fans of the franchise, especially those who have some history and knowledge of the extended universe. However, I would say that this is definitely a comic that can be enjoyed by casual fans of the Star Wars franchise, especially as the story is very easy to enjoy and appreciate. Readers do not need a massive amount of knowledge about the comic series that are crossing over in order to enjoy Vader Down. I myself had not read any of the Star Wars (2015) comics when I first enjoyed this volume, and I experienced no problems whatsoever following the plot. That being said, it might prove useful to read the first two volumes of the Darth Vader series first, as that serves to introduce several supporting characters in the volume, as well as the main antagonist.

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I felt that one of the biggest strengths of this comic is the way that it utilised and portrayed several iconic Star Wars characters, and I particularly loved how Darth Vader is featured in this crossover. I am a massive fan of the character of Darth Vader, and I am really enjoying how all the current pieces of Star Wars extended fiction portray him as a destructive powerhouse, perhaps as a way to rehabilitate him after the prequel films. However, Vader Down really takes this into overdrive as Vader finds himself alone on a planet surrounded by a vast army of enemies who are hunting him. While on paper it would seem that Vader is at a disadvantage, this really does not prove to be the case, as Vader tears through everyone who stands between him and Luke, often in some particularly devastating manners. Vader comes across as a massive badass in this comic, and I loved every second of it. From the way that he nearly takes out an entire fleet of Rebel fighters right at the beginning (only being stopped by a Kamikaze attack from Luke), to the continuous and effortless destruction of every Rebel he comes across (note to self: never wear grenades anywhere near a Force user), nothing seems to stop Vader, and it is pretty darn impressive.

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I also love how Vader has some of the best lines in this volume as well, from his response to a request from Aphra to run: “I am a lord of the Sith. They are the ones who should be running”, to his fun response to a Rebel leader who tells him that he is surrounded (shown in the midst of a great full double page spread, just to show how surrounded he is): “All I am surrounded by is fear. And dead men.” However, his best line occurs later in the volume when he engages Commander Karbin in a particularly cool looking lightsaber duel. Karbin, whose enhancements make him resemble General Grievous, is gloating about how much better he is than Vader as he can wield four lightsabers to Vader’s one. However Vader, after throwing a massive statue at him simply responds with: “When you wield the power of the Dark Side one lightsaber is all you need”, which I thought was a pretty badass line, which also reveals why you never see Vader bothering with something more fancy like his Inquisitors do. Needless to say, I thought this portrayal of Vader was very epic and awesome, and it definitely is one of my favourite appearances of this character.

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In addition to the amazing use of Darth Vader in this comic, I thought that the creative teams did a great job including the supporting characters from the Darth Vader series, namely Dr Aphra, Triple-Zero, BT-1, and Black Krrsantan. These four characters are, in manner different ways, all rather fun and evil doppelgangers of some of the key characters from the original trilogy. Black Krrsantan is an ultra-violent Wookie bounty hunter, more concerned with killing and money than saving lives like Chewbacca. Triple-Zero is pretty much a snarkier version of C-3PO who delights in torture and mutilation and has the inbuilt tools to back it up. BT-1 is an astromech like R2-D2, except he is loaded up with all manner of firepower and he has a nasty habit of melting anyone he dislikes, and BT-1 dislikes pretty much everything and everyone. Finally, you have Dr Aphra, who is a notorious rogue and thief like Han Solo, except rather more successful. She is also a fully trained archaeologist who uses that ability to rob tombs for valuable artefacts, essentially making her a cross between Han Solo and Indiana Jones. Vader Down is the first time that the supporting characters from the Darth Vader series actually meet their more iconic counterparts, and the results are extremely entertaining.

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There are quite a few great moments throughout this volume where these two groups of characters come together, and they are all pretty fun. Some of my favourites include an extended brawl between the two Wookies, Chewbacca and Black Krrsantan, as they fight to achieve their opposing goals. This turned into quite a brutal matchup and it definitely does not end in the way that most people would expect. There is another cool scene where BT-1 faces off against R2-D2, who is trying to defend Luke from the evil droids. The two get into a vicious argument of beeps (apparently) and R2-D2 pulls out his built-in taser to fight off his opponents. However, BT-1 is rather better armed, and the sudden appearance of a mass of blasters, missiles, a flamethrower and other assorted weapons from BT-1’s chassis is enough to make R2 run off rather quickly, although he gets a measure of revenge later in the volume. Triple-Zero has a fun time imitating C-3PO at one point in the comic (all it takes is a coat of gold paint) and the subsequent meeting between the two protocol droids does not go well for Threepio (let us just say he gets disarmed).

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My favourite out of all these interactions between the classic Star Wars characters and the new ones established in the Darth Vader series has to be the fun meeting between Han Solo and Aphra. Aphra is probably one of my favourite new characters in the current Star Wars canon (make sure to check out my recent review for A Rogue’s End, the seventh volume of her spinoff series), and her fun sense of humour really shines through in this encounter. There is a pretty funny scene towards the front of the book, when Aphra, researching the members of the main Star Wars cast, sees Han Solo and responds with an uber sarcastic: “Han Solo. The Han Solo. Oh me, oh my. What are we going to do facing Han Solo?” When they subsequently meet, Aphra continues to be unimpressed by Solo, deflating his ego over his apparently insubstantial reputation and managing to scare him with her own name. They two share some rather good verbal barbs before the shooting starts, and I think that the writers came up with the best resolution to this fight, which can only be described as an unintentional and funny draw. Overall, I really loved seeing all these fantastic characters coming together in this volume, and it is an impressive and entertaining highlight.

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While most of the character arcs in this book lean more toward either humour or pure destruction, the writers also did a rather good emotional storyline around Princess Leia. Leia arrives on Vrogas Vas to lead the hunt for Vader, and eventually ends up coming face to face with him. As this is the first time Leia has seen Vader since he stood by and watched the destruction of Alderaan, this proves to be a rather hostile meeting, and Leia is overcome with a desire for revenge and is willing to sacrifice herself and her friends to see Vader taken out. There are some great moments throughout Leia’s scenes in the book as she presents her righteous indignation towards Vader, whose response is less than repentant: “This is not a war, Princess. Wars are for lesser men than the Emperor and myself. This is a series of executions. And yours is long overdue.” All of this gets pretty intense, and Leia actually tries to commit suicide at one point in an attempt to take Vader with her. She is eventually broken out of her mission for revenge thanks to an urgent plea for help from C-3PO, who is watching the rest of their group getting attacked and captured. All of this proved to be a rather powerful and emotional storyline within this volume, and I think its inclusion helped to enhance and elevate the entirely of the comic’s plot.

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I also must highlight how impressive the two separate artistic teams were, as both groups of artists come up with some fantastic sequences in Vader Down. As I mentioned above, the issues alternate throughout the volume, and as a result the artistic style of the comic changes with each new issue. There is a rather distinctive difference in the designs and illustrations of the two separate teams, and it proved interesting to jump between these styles each issue. I liked both unique art designs and colourations (with perhaps a slight preference towards the Darth Vader comics style), and I think that they all did an excellent job of portraying the epic story. It actually proved to be rather intriguing to see the separate teams have a go at drawing some of the characters who usually appeared in their counterparts’ comics, and it was also cool to see sequences that lasted more than one issue (such as the lightsaber duel between Vader and Karbin) go through some stylistic changes with each changing issue. There are a huge number of amazingly drawn scenes throughout this comic, although I think the best highlights had to include the extremely impressive starfighter battle in the first issue, with all the blaster bolts and explosions occurring out in space. Other cool scenes included a sudden spaceship crash in the final issue and a series of explosions and lightsaber work in the front of the volume’s second issue. I also liked how both teams of artists utilised the desert landscape of Vrogas Vas in their drawings; the constantly swirly dust really helped to enhance some of the battle scenes in this book and bring a sense of movement and a planet disturbed by violence and death. As a result, I think that both teams of artists did an outstanding job throughout the comics that made up Vader Down, and it certainly helped to enhance the epic experience I had reading this crossover volume.

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Vader Down is an immensely cool and exhilarating Star Wars comic that serves as an impressive crossover between two excellent comic book series. This combination of the Star Wars (2015) and the Darth Vader comics proved to be deeply entertaining and it is a clear example of how awesome the Star Wars extended universe can truly be. An absolute blast from start to finish, with non-stop action, eye-catching artwork and some clever character work, Star Wars: Vader Down is a must-read comic for all Star Wars fans and I cannot recommend it highly enough.

Throwback Thursday: Usagi Yojimbo: Volume 6: Circles by Stan Sakai

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Publisher: Fantagraphics Books (Paperback – 1994)

Series: Usagi Yojimbo – Book Six

Length: 164 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this latest Throwback Thursday, after reviewing Lone Goat and Kid a couple of weeks ago, I am still in a Usagi Yojimbo mood, so I thought I would check out the sixth volume of this fantastic comic book series, Circles.

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Circles is another fun and exciting addition to this excellent series which I honestly cannot praise enough (although I have been trying very hard in my last several Throwback Thursday articles). This sixth volume once again presents the reader with several outstanding and inventive stories that chronicle the adventures of the rabbit samurai, Miyamoto Usagi, as he journeys around a unique version of historical Japan. This volume contains five separate stories, derived from issues #25 – 31 of the Fantagraphics Books run on the Usagi Yojimbo series, as well as a short story taken from Critters number #50 (a comic magazine that had some early Usagi Yojimbo appearances). There are some rather amazing stories featured within this volume, and I had an incredible time reading them.

The first story contained within this sixth volume is called The Bridge, which sees Usagi encountering a demon out of Japanese folklore. During a dark a stormy night, Usagi is entering a village from across a bridge when suddenly he lashes out with his sword behind him, convinced something is sneaking up on him. When he finds nothing there, Usagi shrugs it off and enters the nearest inn, only to learn from the villagers that the bridge he just crossed has been possessed by a demon, and Usagi’s back now bears the claw marks of the demon. Awaking next morning, the villagers find a severed monstrous hand on the bridge, which Usagi appeared to have cut off the night before. Taking the hand into the inn, Usagi and villagers wait for a priest to arrive in order to perform an exorcism on the severed limb, but the demon of the bridge has other plans.

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This was a rather good supernatural story that sees Usagi go up against one of Japan’s many demons and monsters. Several significant elements from this story are taken from the story of the demon of Rashomon Gate, including the severing of the arm and the demon disguising itself as an old woman to recover its severed limb (although unlike the samurai in the legend, Usagi doesn’t fall for it). The demonic antagonist of this story is rather sinister in its drawing style and methods of attack, and it proves to be a dangerous opponent for Usagi. I love the extended fight on the bridge, and I especially enjoyed the way that the whole event ended, providing a side-character in the story their moment of vengeance. Overall, this was a tight, well-written story that was a lot of fun to read.

The next story in this volume is titled The Duel, and, as the name suggests, it features some duels between samurai. Usagi arrives in a village and is challenged to a public duel by the local champion while the watching villagers place bets with a travelling bookmaker, a duel that eventually results in Usagi’s opponent’s death. Completing the duel, Usagi meets and has lunch with a fellow unemployed samurai, Shubo, who subtly takes his measure. It is revealed that Shubo, who is a talented swordsman, is in league with the bookmaker who manipulates the odds of Shubo’s duels in order to make money off the betters. Shubo, who needs the money to provide for his wife and child, believes that he can beat Usagi, and the bookmaker inflates the odds in Usagi’s favour so that they can clean up when Shubo wins. Forcing Usagi into a duel, the two engage in a quick fight to death, with tragic results.

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This was a really clever and captivating single story that Sakai did an incredible job writing. The whole story concept is just brilliant, and Sakai sets it up and executes the plot brilliantly. There are some amazing scenes throughout The Duel, and the story features an excellent mix of comedy and tragedy which work together amazingly to produce a gripping narrative. Usagi, as the reluctant participant of this duel, is pissed at the entire affair, and his outraged reaction to the town people cheering his victory is rather good, especially as the peasants show over-the-top fake remorse in order to get him to go away so they can collect their winnings: “We are lower than the scum at the bottom of a stagnant pool!” While there is some fun and well-deserved karma coming down onto the bookkeeper who overextends himself and tries to escape, nothing quite takes away from the tragedy of Shubo’s wife and young child. The final panel of this story is incredibly heartbreaking, as it shows the wife and child waiting just outside the village for him to return. But as the light in the sky gets darker and darker, you can see the worry start to work its way onto the wife’s face, until she breaks down completely in the final panel, fully realising that her husband is dead. The wife comes across as a massively tragic character in this story, and the major impact that this final page has is a testament to how amazing Sakai’s storytelling and illustrations are.

The third story in the volume is the rather short entry, Yurei, which is the story that appeared in Critters. In this tale, Usagi, who is camping at the edge of a river, awakens to find a Yurei, a ghost, floating before him. The ghost imparts her tragic story to Usagi; she was betrayed and murdered by her husband, and she now seeks justice. Usagi then awakens and finds a woman’s hairpin on the ground next to him. Thinking his encounter with the ghost was just a dream, he travels to a nearby inn and attempts to trade the pin for a meal. What he does not realise is that the innkeeper is the murderous husband from the ghost’s tale, and his discovery of the pin leads to a series of deadly events. This was a good, fast-paced story which tells a compact and intriguing tale. I loved the supernatural elements in this story, and it was interesting to see Usagi portrayed as a tool of fate, who wonders into some ghostly revenge without even realising it. This was a fantastic short entry in this volume and was great to check out.

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The next entry in Circles is an entertaining and over-the-top tale titled My Lord’s Daughter. In this story, Usagi, who is telling a bedtime tale to children, is shown as the classic hero from Japanese legend, fighting through vast hordes of demons, monsters, and obstacles to rescue a beautiful princess from an Oni. This was a fun take on some of the traditional Japanese heroic legends, and it was cool to see Sakai draw a classic tale with Usagi as the protagonist. Sakai has some obvious fun setting the Usagi hero fearlessly against armies of demons and monsters, and he comes up with some clever fight sequences and scenes in this book, from a brutal duel with an Oni, to an underwater battle between Usagi, a shark and a giant octopus wielding several swords in its tentacles. This is an entertaining and exciting story, and I had a good laugh at the end reference to Sakai’s old comic, Groo the Wanderer.

Now let us get to the fifth story of this book, which is kind of the main event of the entire volume. This is a big story, told across four issues, titled Circles. This story follows Usagi as he returns home for the first time since the events of volume one, The Ronin. There are actually a couple of distinctive parts to this story, especially the first issue, which is somewhat separate from the rest of the story (with the exception of some build-up at the end). For this first part, Usagi, on his way back home, decides to stop at his old master’s house to pay his respects to the grave marker of Katsuichi, the man who taught him how to wield a blade. The story then shows a flashback, which serves as a continuation to part of the origin story Usagi told in the second Usagi Yojimbo volume, Samurai, about Usagi’s past. In the flashback, it is shown that Usagi’s master was ambushed and seemingly killed by members of the Dogora Fencing School after Usagi beat their students in a tournament. However, upon arriving at Katsuichi’s old house, he discovers that his master is still alive, having survived the ambush, and has taken on a new student. I liked this revisit of Usagi’s origin story with Katsuichi, although the whole death scene in the flashback comes a little bit out of nowhere. Still, it was interesting to see how much Usagi has matured since he was learning the way of the sword, and it was nice to see the teacher and student reuniting. The flashback sequence is also top quality, and Sakai illustrates up a storm in this one, showing a fierce battle and some intense emotions from Usagi, who goes from a full-on berserker rage as he gets his revenge on his master’s killer to an intense grief in just a few scenes.

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The story then continues as Usagi journeys back to his village, only to be confronted by his old childhood rival, Kenichi. It turns out that Jotaro, Kenichi’s son with Usagi’s former love, Mariko, has gone missing, and bandits are roaming the area. While Usagi and Kenichi are able to defend their town from a raiding party, the attackers reveal that Jotaro has been kidnapped by the bandits and are holding him hostage. Leading an army of local peasants against the bandit’s hideout, Kenichi and Usagi hope to rescue Jotaro and end the raids that have been plaguing them. However, what they do not realise is that the bandits are being led by the deranged and dangerous former adversary of Usagi, Jei, a mysterious and seemingly unkillable murder with a black blade, who hopes to use Jotaro to get his revenge on Usagi. But even Jei is not the most dangerous thing that lies ahead, as old resentments between Usagi and Kenichi, their shared love for Mariko and certain revelations may tear everything apart.

Wow, I have to say that the final three issues of Circles are just incredible. There is so much to unpack from them, as Sakai brings together a brilliant and powerful story. First of all, it was great to see Jei return as a villain once again. Jei, who was introduced in volume 3, The Wanderer’s Road, is an outstanding antagonist, and his continued feud with Usagi is just brilliant. The two engage in a fantastic and extended duel in this story, and Sakai did a fantastic job showing off each combatant’s skill and martial ability through his drawings. I also love the extensive battle between Kenichi’s peasant army and the bandits, which proved to be rather eye-catching. Not only is there a beautifully drawn sequence in the misty forest before the big battle in which Usagi does a great Jei impersonation to scare a bandit sentry, but Sakai illustrates a massive battle between the two forces. The massive single panel that shows the pitched battle is just impressive, and I love the detailed and entertaining scene that the author produced here.

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While all of the above is pretty amazing, what really makes this captivating story is the complex relationship between Usagi, Kenichi and Mariko. There are so many great layers plastered into this relationship. Usagi and Mariko were deeply in love when they were younger, and they still have great feelings for each other. However, Mariko ended up marrying Kenichi, and she is bound by duty, and her child, to him, no matter how she feels about Usagi. Kenichi, on the other hand, has always borne antagonism towards Usagi, which has been compounded over the years by their differences in skill and the fact that Usagi was chosen to serve Lord Mifune and left the village. However, Kenichi’s resentment towards Usagi is even greater, as he knows that Usagi is in love with his wife, and that these feelings are reciprocated by Mariko.

This leads to some outstanding scenes throughout this story, as these three try to come to terms with their complicated emotions. I particularly loved one scene in the middle of the story, where Usagi and Mariko discuss their feelings and reveal that they still both love each other, although Mariko makes it clear that they can never be together. The scene ends when Kenichi interrupts them, and while the look of heartbreak and shame on Mariko’s face is notable, what really gets me is the way that Kenichi’s usual stern/angry look is replaced with one of sad resignation in the last panel once he realises how Mariko still feels about Usagi. Despite this, Kenichi comes across in this story as a surprisingly honourable and well-intentioned character who puts aside his negative feelings for Usagi for the greater good, and it is a fantastic examination of a character who has mostly been antagonistic in the previous volumes. Sakai also drops a massive bombshell at the end of this story, when he reveals that Jotaro is actually Usagi’s son, and that Kenichi has known this and raised him as his own. Because of this, Mariko asks Usagi to leave and not try to settle down in their home village, as she fears it will put a wedge between Jotaro and Kenichi, who she sees as Jotaro’s true father. Usagi regretfully accepts this in another dramatic and captivating scene, although Mariko arranges for Usagi to see Jotaro as he leaves, and Usagi has a heartfelt time with his son, noting the similarities between them, and even suggesting Jotaro seek out Katsuichi as a teacher in later years. All of this is some first-rate storytelling and character development, and cannot praise Sakai enough for this amazing, emotional storyline. This is actually the last book that Kenichi and Mariko appear in (so far), and I think that Sakai did a fantastic job tying their love triangle together. All in all, Circles is easily my favourite story in this entire volume (The Duel comes close), and it is worth grabbing this volume just to check this key story out.

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It should come as no surprise to anyone considering all the praise I elicited above that I am giving this sixth volume of Usagi Yojimbo a full five star rating. This was another incredible comic book that features Sakai’s outstanding blend of powerful stories, memorable characters, intense action, fun references and depictions of traditional Japanese culture and history and some truly impressive artwork. I absolutely loved this volume, and this entire awesome series, comes highly recommended and is an unquestionable must-read.

Throwback Thursday: Usagi Yojimbo: Volume 5: Lone Goat and Kid by Stan Sakai

Usagi Yojimbo Lone Goat and Kid Cover

Publisher: Fantagraphics Books (Paperback – January 1992)

Series: Usagi Yojimbo – Book Five

Length: 142 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

In this latest Throwback Thursday I once again check out another early volume of the excellent Usagi Yojimbo series, which I have been reviewing over the last couple of weeks. For this review, I am looking at the fifth volume, Lone Goat and Kid. Lone Goat and Kid was first released in 1992 by Fantagraphics Books and contains issues #19-24 of the Usagi Yojimbo series.

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This fifth volume of Usagi Yojimbo once again sees series protagonist, the rabbit ronin Miyamoto Usagi, traverse a feudal Japanese landscape populated solely with anthropomorphised animals. This volume follows on right after the chaotic events of the fourth volume, The Dragon Bellow Conspiracy, and contains five new stories across six issues. This is an interesting entry in the series, particularly as it is the first volume to barely feature any of the previously introduced recurring characters aside from Usagi (a huge departure from the last volume, which contained a number of recurring characters coming together and teaming up). Instead, Sakai takes the time to introduce a bunch of new characters and scenarios across the volume’s five separate stories. Unsurprisingly, I really liked this fifth volume of Usagi Yojimbo, especially as Sakai manages come up with some fantastic and exceedingly enjoyable tales.

The first story featured within this volume is titled Frost & Fire, and it is a tragic story with undertones of forbidden love and class struggle. In this story, Usagi is hired by the cold and proper widow of a samurai to travel to the place of her husband’s death and retrieve his swords. Upon arriving at the small village where the samurai died, Usagi discovers that the swords are in the possession of the dead man’s lover, a poor peasant girl, who wishes to keep them as a remembrance of the man she loved. Unwilling to take the swords by force, Usagi leaves, but the peasant girl’s greedy brother has other plans for the swords.

This was a rather heartfelt first story for the volume, and it contains some great underlying elements to it. Much of the story revolves around a forbidden romance between a samurai and a peasant girl who wanted to be together but were unable to due to class differences. This was a rather intriguing central element for this story, and you can’t help but feel for the poor peasant girl, especially after meeting the samurai’s harsh and honourable widow in the opening pages. There is also examination of the evils of greed and avarice, as several of the side characters attempt to deceive and murder in order to get a quick payday. Luckily, their greed proves to be their undoing, as karma quickly strikes throughout the course of the story. There are some great scenes in this story, including one sequence where Usagi stares down the peasant girl when she refuses to give up the swords, “You know I can just take them from you”, before ultimately backing down and refusing to force her to give them up. I also liked a scene later in the book where the brother’s greed proves to be his undoing, as not only does Usagi appear behind him at one point like a vengeful spirit, but he is then ironically attacked by his “friends”, who are jealous of the wealth he achieved because of his bad actions, and whose mindset mirrors that of the brother. All of this makes for a great first entry for this volume, and I really enjoyed the amazing and captivating story that Sakai came up with.

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The next story is a rather unique entry called A Kite Story, which I have a particular love for. A Kite Story is actually broken up into four distinctive parts, each of which focuses on a different character participating in a famous kite festival. The first part, called The Kite Maker’s Story, follows a kite maker, Tatsusaburo, in the lead up to the festival. This part of the story contains no dialogue, but instead features a first-person narration from Tatsusaburo that overlays the drawings. This narration explains how he gathers the resources for his kites and the various processes he goes through to craft them together. It particularly focuses on the work he puts into creating an odako, a giant kite that he and a team of handlers hope to fly. The story then jumps to its second distinctive part, called The Gambler’s Tale, which follows the crook Hatsu and his gang of itinerant gamblers as they work the crowds gathering for the kite festival. This part starts off with some first-person narration from Hatsu and explores how he and his gang set up a rigged game of dice. This part ends its narration on the second page, when Usagi arrives on the scene and it becomes purely dialogue driven after that. Usagi, upon noticing the game, gets involved and is able to prove the gamblers are cheating (thanks to some fancy sword work), which sees not only the crooked gamblers run out of town but also those gamblers who were running fair games, and who are none too pleased with how they have been treated. This then moves to the third part of the story, called The Ronin’s Tale, which is nearly entirely dialogue driven, with only a small bit of narration at the front. Usagi deals with some of the players from the first two parts of the book, as he is unfairly blamed by the cheating gamblers in The Gambler’s Tale as the source of all the trouble to the honest gamblers. This sees Usagi have to make a rather quick and unconventional exit from the festival, which quickly breaks down into chaos. The story then concludes with a quick two-page final part, called The Kite Maker’s Tale II, which follows Tatsusaburo again and serves as an epilogue to the whole story.

I really liked A Kite Story, as Sakai did a really good job blending together a couple of distinctive narratives into one fantastic story. I particularly enjoyed the fascinating first part of this story and I always love it when Sakai uses his stories to explore certain unique Japanese cultural elements and industries. For this one, the author presents the reader with an amazing examination of the traditional kite-making process, and I loved seeing the process explained by the titular kite maker. This part of the story blends in surprisingly well with the other sections of A Kite Story, and I was impressed with how Sakai was able to turn these seeming separate and disparate tales into a complete narrative that is both entertaining and informative. Sakai also produces some amazing artwork in this story, from the giant kite to the visually impressive and detailed crowd scenes, and this is easily one of the more innovative stories that Sakai has come up with.

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The third story is the action-packed spectacular, Blood Wings, which Sakai tells over two issues. Late one night, Usagi is wandering along the road when he comes upon a dying peasant. The peasant’s last words are a mysterious warning about whatever killed him, “wings of blood”. Travelling to a nearby village, he finds a settlement living in terror, completely cut off from the outside world. They are being kept prisoner by a new and dangerous group of ninja, the Komori Ninja Clan, killer flying bats. The Komori Ninja were accidently discovered by the villagers as they prepared to ambush a shipment from a nearby goldmine and the ninja are now keeping them prisoner while they execute their attack. Knowing that the ninja will not leave the villagers alive as witnesses after the heist, Usagi attempts to break out and warn the goldmine, and when that fails, he leads the villagers in a spirited defence of their home.

Blood Wings was a fantastic and exciting story that serves as an excellent set piece for the middle of this volume. This third story is an impressive read that not only introduces a notable new group of antagonists, but it also contains some rather good action sequences. The Komori Ninja prove to be a great group of villains, and I really liked the character design that Sakai came up for them, as they fly around with sword blades attached to their wings, cutting through anyone and anything they encounter. The highlight of this story has to be the thrilling action sequences between Usagi and this new foe, who are able to outmatch the protagonist with their unique combat style. This all culminates in an extended battle sequence which sees a swordless Usagi defending the village with a force of farmers. This is probably the fastest-paced story in the volume, and Sakai comes up with an awesome narrative for it. This is also the entry in this volume that is most tied into the overarching Usagi Yojimbo world, as the Komori Ninja are revealed to be working for Lord Hikiji and are seeking to replace the Neko Ninja. This story also contains my favourite joke in the whole volume, as only Saki would have a guard yell out, “Holy flying furball! It’s Bats, man!” as the Komori Ninja descend.

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The fourth story is an elaborate and compelling entry titled The Way of the Samurai. This story sees Usagi intervene when a gang of bandits (including a very cool-looking walrus samurai), attack a messenger, and is directed to seek out the magistrate of the local town. Arriving at the town, Usagi is amazed to discover that the magistrate is a famed former general Oyaneko, whose battles and tactics Usagi idolises. Staying in the general’s house for a night, he learns that Oyaneko was a loyal retainer to the land’s former lord but was cast aside when the lord’s brash young son came to power. Now regulated to the role as a simple administrator and slowly dying of a disease, Oyaneko is discontent with his life, and, after meeting an honourable and skilled Usagi, challenges him to a duel to the death, “The way of the Samurai is found in death”.

This fourth entry in the volume is a moving tale that the author uses to explore the complexity of the samurai code of duty, loyalty and service. I really liked the intricate story that Sakai weaved around the characters of Usagi and Oyaneko, and Oyaneko’s story is particularly tragic and fascinating. This entire story is set up really well, with Usagi encountering Oyankeo, the two gaining a mutual respect for the other, learning about Oyankeo’s past and motivations, before the emotionally charged duel at the end. Sakai did a fantastic job illustrating the stress and emotion surrounding this final duel with his epic drawings, and the end result was really touching. I think this is one of the best written stories in the entire volume, and it becomes quite an emotional ride for the reader in the end.

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That leaves us with the fifth and final story in this volume, which shares the same name as the overall volume, Lone Goat and Kid. This story focuses on the characters of Yagi and Gorogoro, the titular Lone Goat and Kid. Years ago, Yagi served the same lord as Oyaneko. However, when their old lord died, Yagi was falsely accused of a crime by the new lord’s corrupt advisors and forced out of his service. Yagi and his son Gorogoro now work as Lone Goat and Kid, assassins for hire who many believe now travel the road to hell. The two assassins are also constantly targeted by their former lords’ samurai and bounty hunters sent after them by the corrupt advisors who framed them. As part of their latest attempt to kill Yagi and Gorogoro, these advisors use a proxy to hire the Lone Goat and Kid to assassinate Usagi, who they believe may be able to defeat the infamous assassin. When they meet, Yagi and Usagi engage in a brutal fight to the death, with the corrupt lord’s forces waiting to ambush the winner.

This was another awesome story filled with epic duels, a massive battle sequence, some superb artwork featuring Japan’s exquisite landscape, and a fun narrative packed full of deceit and conspiracy. The titular Lone Goat and Kid are a rather cool adaptation of the iconic Japanese fiction duo, Lone Wolf and Cub. Lone Wolf and Cub was a manga series back in the 1970s that followed a samurai assassin and his child as they travel feudal Japan searching for vengeance. This series has inspired several movies and a television show, and many different pieces of fiction have paid homage to them over the years, from The Mandalorian to Bob’s Burgers. Heck, Rick and Morty literally just did an anime homage to them last week on YouTube. Sakai’s versions of the characters are rather good, and they become fun recurring characters within the Usagi Yojimbo series. I loved how Sakai came up with some fantastic and unique character designs for the two assassins, turning them into goats rather than wolves (which was a nice touch, especially as the name “kid” has that fun double meaning), and providing them with a different backstory. However, there are some excellent similarities, such as the father’s skill with the blade, the desire to take down conspirators who wronged them and the baby carriage the son travels in, equipped with all manner of hidden weapons and blades. The character of Yagi, the Lone Goat, is particularly intense, and is almost demonic in his attitudes and persona, while still maintaining a samurai’s sense of honour. I was also really impressed with the battle sequences that featured in the last half of this story, and I liked how Sakai went from an elaborate one-on-one duel, to a mass fight against multiple opponents. All of this leads to another excellent story in this volume, which I really enjoyed reading.

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This fifth volume of Usagi Yojimbo, Lone Goat and Kid, was another incredible and powerful addition to the series, and I think Stan Sakai did another amazing job with this volume. Featuring five fantastic stories that contained Sakai’s usual complex narratives, iconic artwork and compelling underlying themes, Lone Goat and Kid gets another five-star rating from me, and it is really worth checking out.

Throwback Thursday – Predator One by Jonathan Maberry

Predator One Cover

Publisher: Macmillan Audio (Audiobook – 7 April 2015)

Series: Joe Ledger series – Book Seven

Length: 16 hours and 55 minutes

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this latest Throwback Thursday, I decided to I wanted something fast-paced and action-packed, so I went and checked out another book in Jonathan Maberry’s dark and thrilling Joe Ledger series with the seventh book, Predator One.

Those familiar with my blog will be aware of my recent love affair with the Joe Ledger series. I first encountered this series back in late 2018, and after massively enjoying the tenth book, Deep Silence, I have been slowly reading and reviewing my way through the entire series from start to finish. There are so many different things that I enjoy about these novels, including the outstanding action, gripping stories, fantastic characters and the crazy scenarios each book is set around. When combined, these elements help produce some truly incredible books, and I had an amazing time reading several Joe Ledger novels last year. I also read the first book in Maberry’s Rogue Team International series, Rage, which was one of my top books (and audiobooks) of 2019. I am hoping to finish off all the remaining books in the Joe Ledger series this year, and Predator One is the first one that I have so far checked out in 2020. I have to say that I was once again blown away with Maberry’s writing ability, as Predator One is another epic and remarkable read which gets a full five-star rating from me.

It is the opening day of the new baseball season, and Joe Ledger, point-agent for the high-tech counter terrorist organisation, the Department of Military Sciences (DMS), is enjoying a well-earned day off. Everything seems to be going well, the sun is shining, the beers are flowing, and a decorated military pilot is about to throw out the first ball. Then a model airplane flies out onto the field, a replica of the one flown by the war hero. Everyone assumes it’s a harmless prank, everyone except Ledger, who can only watch in horror as the toy plane explodes. Within seconds, a swarm of bomb-laden drones appears, devastating the crowd and leaving Ledger injured in the wreckage of the stadium.

As Ledger attempts to process what has happened, a series of coordinated attacks are taking place across America. While some of the attacks appear random, several are deliberately targeting the friends and family of key members of the DMS, attempting to distract the agency and take them off the board. It soon becomes clear that an old enemy has risen from the flames, determined to get revenge on those that they believe have wronged them in the past, including Ledger and everyone he loves. Worse, they have teamed up with a force of pure evil whose deepest wish is to torment and destroy the head of the DMS, the mysterious Mr Church.

Diving back into the action, Ledger and his team attempt to find and neutralise the source of this new threat. But at every turn, they find themselves outmatched, outmanoeuvred and severely outgunned, as the enemy has access to advanced technology that allows them to take control of America’s military vehicles, aircraft, ships and drones. As the attacks against America worsen, their opponents even gain control of Air Force One, with the President aboard, and start to fly it towards New York City. Can Ledger save the day one more time or have the DMS finally come up against an enemy even they can’t outsmart?

Wow, just wow. Predator One is another impressive and extremely captivating thriller novel that I had an outstanding time listening to. Maberry has come up with another incredible, action-packed story which utilises his trademark writing style to present a first-rate novel. Readers are treated to a multi-layered story, which cleverly features multiple character viewpoints, flashbacks and deep examinations of a several major characters’ pasts and motives. All of this allows Maberry to tell a complex and intriguing thriller story that never lets up on the excitement. The various storylines flow together perfectly thanks to the short chapters and constant dancing between different character perspectives, and all the storylines lead up to an epic and memorable conclusion. Maberry really knows how to ramp up the tension and the excitement throughout the book, and the final couple of hours are exceedingly thrilling, as several exhilarating scenarios come into effect at the same time. All of this results in a deeply exciting read, which I really loved and is another perfect Joe Ledger story.

Just like so many books in this series, amongst the best things about Predator One are the fantastic antagonists and their over-the-top plot against America, Joe Ledger and the DMS. For the main antagonist, Maberry goes back to some of the earlier books in the series, and brings back the Seven Kings organisation, which is being led by an old, established opponent of the DMS. While a new, complex villain for this book could have been fun, I really loved the author’s use of the historical antagonist, especially as they have been substantially transformed since the last book, and they are now aiming for a destructive end. This older antagonist is paired with the mysterious, evil character, Nicodemus, and together they form quite a partnership. Nicodemus is a character that has been hinted at and featured in the shadows of several previous books, so it was really cool to see him in a more substantial role. The key to Nicodemus is his extremely enigmatic persona and history, as no one quite knows who or, more importantly, what he is. He seems to have some sort of mystical abilities, and it is hinted in this book that he is some form of demon or devil, although it is never fully revealed. This mystery and mystique make for a quite an intriguing addition to the series, and the two main antagonists work together quite well as an evil, villainous pairing. On top of them, Maberry also throws in a good secondary antagonist who acts as a crooked assistant to the leader of the Seven Kings and who serves as a useful narrator, as well as the standard sexually depraved henchmen. Combined, these excellent antagonists make for a fun and exciting opposition for the main characters and they help produce some extremely interesting storylines.

I was also a major fan of the fantastic and complex master plan that Maberry envisioned for the antagonists of this book, which served as a fantastic basis of much of the story. Maberry crafted a sinister and exceedingly destructive campaign of terror and destruction that culminated in the takeover of Air Force One with the President and other key characters on board, sending it on a kamikaze mission. This proved to be a rather fun villainous storyline to follow, and I enjoyed seeing it unfold from both the protagonists’ and antagonists’ points of view, as these different perspectives led to some very intriguing scenes. I also liked the way that that the origins of the plot were explored in a series of interludes, allowing the reader to become familiar with the key players of the scheme, and get hints of the full extent of the planned destruction. It was also rather cool to see these antagonists land some real blows against the DMS. Maberry has never been shy about killing off key side characters (for example, he killed off the main secondary character and primary love interest in the second book, The Dragon Factory), and he ensures that some real damage is done to some DMS characters in Predator One. This helps add a real emotional edge to the story, and I liked the way that it upped the stakes, as well as the obvious emotional and psychological impacts that it had on some of the series’s well established, long-running protagonists.

Maberry makes sure to bring back the full and unique bevy of good-guy characters for this seventh book, most of whom have appeared in multiple books before. At the fore is the series’s titular protagonist, Joe Ledger, who is the sole first-person narrator in the book, with around a third of the story told from his point of view. Ledger is his usual witty and damaged self in this book, infecting his parts of the story with his wicked humour and sarcasm, while also unleashing his barely hidden rage and special brand of hyper-violence. Ledger goes to some dark places in Predator One, especially after his friends and allies are attacked, and the way he ends the villain is particularly gruesome and memorable. In addition to the usual examination of Ledger’s complex psyche, I really liked the way that a number of other side characters got some substantial sequences in this book. Joe Ledger series stand-out character Mr Church gets quite a lot to do in this book, and it was excellent to not only see him calmly lead his people in a severe crisis, but also react to some substantially personal attacks from the shadowy Nicodemus, who he has some obvious history with. The DMS’s psychiatrist, Rudy Sanchez, also gets quite a few scenes in this book, as he and his family come under substantial attack from the antagonists. It was really intriguing to see Rudy, whose usual role is to calm and centre the rest of the protagonists, come apart a bit in this novel, and it was quite stirring to see him pull himself together in a major way. I have to say that I also really enjoyed the inclusion of Toys as well, especially as Maberry has written a rather good redemption arc for him in this book. Thanks to the author’s use of multiple viewpoints, each of these characters, and more, get multiple moments to shine in this novel, and this helped create a full and captivating thriller tale, especially as the reader inevitably becomes invested in these characters’ survival.

I can’t go past a Joe Ledger novel without commenting on the exquisite and ultra-violent action sequences that are heavily featured throughout the book. Maberry is an expert at writing detailed and explosive action scenes, and Predator One is filled with a substantial amount of battles and fights, with all manner of armed and unarmed combat. These scenes are an absolute delight to behold, and it is always cool to see these well-crafted fights come to life. There are a number of large-scale battle sequences throughout this book, and Maberry did an amazing job switching between several fights that were happening simultaneously towards the end of the book, resulting in some extremely action-packed and exciting sections of Predator One. I really enjoy the way that the author breaks down the fight, and it is interesting to hear about the tactical reasons or destructive capabilities for certain moves or weaponry. All of this makes for a really cool book, although readers should be warned that there is a lot of extreme violence in this book that might not be for everyone, especially the graphic torture scenes.

Just like the previous Joe Ledger novels I have been lucky enough to enjoy, I chose to check out Predator One’s audiobook format, which was narrated by the exceedingly talented Ray Porter. Running at 16 hours and 55 minutes, this is one of the longer Joe Ledger audiobooks (not by much), but I found myself able to power through it in only a few days, and the audiobook format remains my favourite way to enjoy a Joe Ledger book. Porter’s outstanding narration is the highlight of this format, and I will never get tired of praising his vocal work in this format. The voices that Porter comes up with for these productions are pretty damn awesome, and he has perfected some amazing voices for the characters featured in this series. I once again have to highlight Porter’s take on Mr Church, as his version of the character has some real presences, authority and gravitas. I also liked some of the voices that he did for the villainous Nicodemus, especially as the script called for a change of accent and voice mid-sentence, something which Porter pulled off perfectly, and which made the character sound pretty sinister in this format. However, nothing can top the amazing work that Porter puts into the series’s titular protagonist, Joe Ledger, as the narrator is scarily in sync with this character, and expertly portrays all his emotion, personality and raw sarcasm. I cannot emphasise enough how impressive the Joe Ledger audiobooks are, and if you are keen to check them out, this is the format to do it in.

Predator One by Jonathan Maberry is an outstanding and captivating tale of revenge, destruction, action and war, as the author’s team of elite warriors go face to face with an army of pure evil. This was an intense and thrilling read, which I once again completely failed to put down multiple times. Filled with amazing characters, including some very well-crafted evil antagonists, a fun story, violent action sequences and some outrageous story elements, this book is relentlessly entertaining and it proved to be an impressive addition to the Joe Ledger series. Predator One comes highly recommended, especially in audiobook format, and I look forward to finishing off the final two books in the series later this year.

Throwback Thursday: Usagi Yojimbo: Volume 4: The Dragon Bellow Conspiracy by Stan Sakai

Usagi Yojimbo The Dragon Bellow Conspiracy

Publisher: Fantagraphics Books (Paperback – September 1991)

Series: Usagi Yojimbo – Book Four

Length: 179 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this slightly belated Throwback Thursday, I continue my trend of the last couple of weeks by checking out another volume of Stan Sakai’s ground-breaking and utterly addictive Usagi Yojimbo series with the fourth volume, The Dragon Bellow Conspiracy. Reviewing all these Usagi Yojimbo books has proven to be a lot of fun, and I am really glad that I have been able to show off my love for this series (make sure to check out my reviews for volumes One, Two and Three). The Dragon Bellow Conspiracy is another excellent early volume in this long-running series, which features a fantastic full-volume-length story.

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A storm is brewing throughout feudal Japan, as war and revolution against the Shogun lie just beyond the horizon. In his fortress, the ambitious and dastardly Lord Tamakuro has been plotting. Despite appearing to be a loyal supporter of the powerful Lord Hikiji, Tamakuro has his own plans to take control of the country and rule as Shogun, utilising an army of ronin armed with teppo, black powder guns imported from the barbarian lands outside of Japan.

However, despite his best attempts at discretion, Lord Tamakuro’s actions have not gone unnoticed. His neighbour, Lord Noriyuki, has sent his trusted advisor and bodyguard, Tomoe, to investigate Tamakuro’s castle, where she discovers the hidden armaments he is planning to use in his upcoming revolution. At the same time, Lord Hikiji, suspicious of Tamakuro’s true loyalties, has sent the notorious Neko Ninja clan to infiltrate his castle. When both Tomoe and the Neko Ninja are discovered, Tamakuro makes ready for war against all his opponents.

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Into this vast conspiracy walks the wandering ronin Miyamoto Usagi. A friend to Lord Noriyuki and Tomoe, Usagi witnesses Tomoe being captured and rushes to Tamakuro’s castle to save her. Despite his best efforts, Usagi finds himself outmatched by the powerful forces Tamakuro has pulled together. His only chance at saving his friend and averting a civil war is to team up with the Neko Ninja, a group he his fought many times in the past. Can Usagi and his new allies succeed, or will Tamakuro’s greed engulf the entire country? And what role will blind swordspig Zato-Ino and the bounty hunter Gennosuke play in the final battle?

Usagi Yojimbo: Volume 4: The Dragon Bellow Conspiracy is an outstanding and highly enjoyable comic that I have a huge amount of love for. Containing issues #13-18 of the Fantagraphics Books run of the Usagi Yojimbo series, this fourth volume is broken down into seven separate chapters. It is a major early edition in the series, as it contains a massive and wide-reaching story. This is the first storyline that takes up an entire volume (several notable stories do this later, such as the two Grasscutter volumes and the 33rd volume, The Hidden), and it presents the reader with an epic tale of war, friendship, honour, loyalty and uneasy alliances, while featuring a number of the best Usagi Yojimbo characters.

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The entire story contained within this fourth volume is quite spectacular and comes with minimal build-up from the Usagi Yojimbo issues that preceded this volume. Sakai does an amazing job introducing the relevant plot and new key players surrounding this storyline, and then telling a complex and detailed narrative within the confines of this one volume. In addition to the main conspiracy storyline, the story follows several different character-based storylines, all of which come together for one big epic confrontation. I really enjoyed where Sakai took the plot of this volume, and I liked how the story was broken up into several distinctive chunks defined by the respective chapter (the chapter names, which refer to parts of a storm, identify the intensity and importance of each chapter). The entire story is rather self-contained, and I think that the author did a great job wrapping it up and giving it several satisfying conclusions.

Like many of the Usagi Yojimbo issues out there, the true heart of The Dragon Bellow Conspiracy’s story is the outstanding characters, many of whom have appeared in prior issues in the series. Usagi once again accidently finds himself in the midst of a vast conspiracy and must risk everything to save his friend and stop a war. If I am going to be honest, Usagi has one of the weaker arcs in this volume, with several of the side characters getting much more interesting storylines and more development. That being said, parts of Usagi’s story are fairly intriguing, such as when he manages to infiltrate Lord Tamakuro’s castle as a new retainer in order to rescue Tomoe, or his guilt-ridden dream sequence where his regret over his perceived failure manifests itself as a series of ghosts and monsters. Usagi also has the fun job of recruiting reluctant and unusual allies to his cause, such as the Neko Ninja or his old foe Zato-Ino. Indeed, his whole storyline is similar to classic Japanese films such as The Seven Samurai (the inspiration for The Magnificent Seven) or The Hidden Fortress (which served as an inspiration for the first Star Wars movie), as he recruits or forms alliances with various people in order to take down an evil opponent (in a castle, no less, for The Hidden Fortress fans). He also has some rather fantastic interactions with several different characters throughout the volume, and it results in some major developments in his relationships with them.

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While Usagi’s storyline is quite enjoyable, several returning supporting characters also have some substantial and impressive arcs throughout this book, and I really loved the way in which Sakai brings back a number of key characters from earlier issues in the series. The best character in this entire volume is the blind swordspig, Zato-Ino. Both of Ino’s previous storylines have been extremely impressive, so it was great to see him return again for another volume. Ino, who had already found some measure of peace thanks to his new companion, the tokage lizard Spot, finds some major redemption in The Dragon Bellow Conspiracy, and he easily has the most character development. An entire chapter of this volume is dedicated to the eventual fate of Ino, and it was fantastic to see him finally find what he has been desperately searching for, even if he has to lose his only friend along the way. The rhino bounty hunter, Gennosuke, once again proves himself to be a fun and endearing character throughout this volume. Initially involved in a rather humorous hunt for Ino’s bounty, he finds himself working with him to fight Lord Tamakuro’s forces, although he always intends to betray him. However, Ino’s heroic actions end up changing his mind, and he once again reveals his hidden good nature by secretly assisting Ino and selflessly helping him. This is also the volume where Gen loses his horn, with all future versions of him appearing with just a small stump on his nose. His cut-off horn is quite an iconic look for the character, and after seeing him without out for all these years in later volumes, his earlier horned appearance just looks odd.

Recurring female samurai, Tomoe, also has an extremely strong appearance in The Dragon Bellow Conspiracy, as she finds herself captured within Lord Tamakuro’s castle quite early in the volume and is forced to resist his abuses. Tomoe has some great dialogue with Usagi about how her mission and her loyalty to Lord Noriyuki are more important than her own life, and she has to talk Usagi into abandoning her for the greater good. She also has a rather fantastic sequence where she manages to remain hidden in the fortress, right after she rides through various parts of the interior on a horse. I also really liked Shingen, the Neko Ninja chief who Usagi teams up within this volume. Shingen previously appeared in the Volume 3 story, The Shogun’s Gift, where he formed a great rivalry with Usagi. While the two clash in this volume, they eventually reach a level of mutual respect and work together for the greater good. Shingen gains multiple dimensions as a character in this volume, and it was interesting to see his discussion with Usagi about honour, and how even ninja have a code of duty. His story comes to a fantastic close towards the end of the volume, but Sakai really made him one of the standout characters of the volume: “A ninja’s duty in life is death!”

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In addition to the excellent inclusion of several amazing returning characters, The Dragon Bellow Conspiracy also featured a couple of terrific new characters, who really helped bring this story together. The evil Lord Tamakuro was a really good villain for this volume, and Sakai did a fantastic job of showing of his greed, brutality and utter disregard for anything except his own power. Needless to say, he was a rather vile character who the reader cannot help but dislike, making his eventual comeuppance all the sweeter. The best new character in this volume has to be the leader of Tamakuro’s samurai army, Captain Torame. Torame is a loyal and capable warrior, who is forced to serve an evil lord who takes him for granted. He forms a bond with Usagi when the protagonist infiltrates the fortress under the guise of a mercenary ronin, and they have several discussions about bushido, loyalty and the ways in which a samurai must serve his lord. Usagi’s subsequent betrayal in order to rescue Tomoe enrages Torame, who takes it as a personal afront. This leads to a fantastic duel later in the volume, although not before Usagi and Torame have one final discussion, in which Usagi attempts to talk Torame into abandoning Tamakuro. Torame however refuses, as his strict adherence to the samurai code forbids him betraying his lord, even if it is clear he disagrees with Tamakuro’s plans:

“is samurai honour so important?”

“Yes”.

The result of the quick and brutal duel that follows visibly saddens Usagi, who was once again forced to fight a man he respected. This volume also sees the brief introduction of the Neko Ninja Chizu, a major recurring character in later volumes of the series, whose one scene in this book was rather fun.

The Dragon Bellow Conspiracy is an extremely action-packed volume that actually features some of the best action scenes in the entire Usagi Yojimbo series. I absolutely loved all the action sequences in this book, as Sakai did an incredible job illustrating them and bringing the fights to life. The main action set piece of this volume has to be the assault on Lord Tamakuro’s fortress by Usagi, Ino, Gen, Shingen and a force of Neko Ninja armed with explosives, as they attempt to rescue Tomoe and put an end to Tamakuro’s ambitions. This entire extended action sequence is exceedingly impressive, and it was really cool to see all the characters engage in a massive battle throughout a castle complex. I also have to say how incredibly awesome it was to see a force of ninja face off against an army of samurai, predominately armed with European muskets. This made for some incredible fight scenes, all of which I really and truly loved. I also have to highlight a couple of duel sequences that occurred earlier in the volume. The first of this was a great fight between Usagi and Shingen, as the two face off against each other in a quick fight to the death. This duel focuses on the extreme clash of styles between the two, as Usagi had to contend with all manner of traps and ambushes before he got anywhere near this foe. However, this duel pales in comparison to the awesome fight between Ino and Gen that occurred towards the middle of the volume. This two engage in an incredible and beautifully drawn fight that lasted several pages. This fight did a fantastic job showing of their respective skills with the sword, and this fight helps feed into Sakai’s love for classic Japanese films, as this duel was essentially Zatoichi vs Yojimbo. This volume featured some first-rate action, which is really worth checking out.

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In addition to the extremely well-drawn action sequences, Sakai has filled this volume with some truly incredibly examples of his artistic style. This volume features so many impressive and iconic Japanese buildings, landscapes, traditional outfits and other aspects of the country, that the reader can’t help but feel they have been transported back to feudal Japan. I particularly loved the way he included a number of stormy backgrounds throughout this volume. The continued artistic rendering of rain, clouds, mud, wind and storms throughout the entirety of The Dragon Bellow Conspiracy really helped to set the mood of the entire volume, and I loved how the intensity of the storm seemed to match the volume’s story. I really enjoyed how a number of pages were streaked with massive bolts of lightning across cloudy or darkened skies, and several scenes, particularly the duel between Ino and Gen, were majorly enhanced by this artistic inclusion. As usual, this art does an amazing job backing up the volume’s fantastic stories, and I was once again left stunned by Sakai’s obvious and incredible artistic talent.

Usagi Yojimbo: Volume 4: The Dragon Bellow Conspiracy, is another exceptional and captivating comic which I am awarding a full five-star rating. Sakai is a truly incredible writer and artist, and this fourth volume did a fantastic job highlighting his talents for both. Not only does this volume feature some amazing and distinctive drawings, but it also contains an outstanding and enjoyable story backed up by some awesome characters. Sakai did an awesome job bringing together several key recurring characters into a compelling and well-written narrative, which I once again fell in love with. The Dragon Bellow Conspiracy is really worth checking out, and is a must read for fans of the masterpiece that is the Usagi Yojimbo series.

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