Salvation by Peter F. Hamilton

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Publisher: Macmillan

Publication Date – 4 September 2018

 

From one of the modern masters of the space opera comes a rich and ambitious piece of science fiction that that examines an exciting potential future for Earth and the intriguing adventures that could come as a result.

In 2204 AD, humanity has advanced by leaps and bounds and spread out among the stars.  Utilising advanced teleportation technology, next-gen computers and cutting-edge biotech, humanity has created a number of new and varied societies controlled by a handful of powerful corporations.  However, everything is about to change.  Out in the furthest reaches of human expansion, explorers have found a crashed alien craft.  While this is not humanity’s first contact with an alien species, the sinister cargo found onboard the crashed ship reveals a dangerous alien agenda.  Determined to ensure humanity’s survival, the Connexion Corporation assembles a task force to examine the craft and assess the potential threat that it could cause.  Led by Feriton Kayne, the task force is made up of Kandara Martinez, Yuri Alster, Callum Hepburn, Alik Monday and their assistants.  While on paper this group are the perfect people to investigate this potential threat, there is one significant problem: one member of the team is a hostile alien infiltrator.  As the team gets closer to the alien ship, secrets from their past are revealed and the future of the human race hangs in the balance.

Hundreds of years later, Dellian and his team of genetically enhanced soldiers are born and raised on a planet, far away from Earth.  An alien threat has forced humanity into hiding among the stars and pushed them to the edge of extinction.  As the young soldiers grow up, they encounter lessons from the past and discuss the legendary Five Saints who first encountered the invaders.

This is an absolutely spectacular piece of science fiction from bestselling author Peter Hamilton, who has once again created an elaborate and captivating space opera.  Hamilton has written a number of large-scale science fiction novels since his 1993 debut.  He first gained prominence with the Greg Mandel trilogy, which followed the adventures of a psychic detective in a dystopian future.  Hamilton followed this up with his first epic space opera series, The Night’s Dawn trilogy, which focused on souls of the dead coming back and possessing multiple human planets in the far future.  He continued with additional space operas, such as the Commonwealth Saga, the Void Trilogy, The Chronicle of the Fallers and the standalone novel Fallen Dragon, as well as the children’s fantasy series, The Queen of DreamsSalvation is the first book in Hamilton’s brand new trilogy, The Salvation Sequence, with the adventure continuing in the future releases, Salvation Lost and Saints of Salvation.

Salvation is an impressive and compelling read that combines a powerful and well-written story with a brand new, large-scale science fiction universe.  This story is told from of variety of different time periods set throughout Earth’s future.  The central story of this book is set in 2204 AD and features the exploration crew from the Connexion Corporation examining the crashed alien ship.  This storyline is narrated from Feriton Kayne’s point of view and is the only first-person narration in the entire book, except for a short flashback chapter examining Feriton’s infiltration of a different alien spacecraft.  Salvation also features five additional storylines that are set across various time periods.  Four of these storylines are presented as tales from the other four main characters in the 2204 AD timeline, Kandara Martinez, Yuri Alster, Callum Hepburn and Alik Monday.  Each of these flashback narratives is given its own significant chapter; for example the first of these flashback chapters lasts for 140 of the books 526 total pages.  The fifth storyline is set far in the future, and features a different group of characters who are living in the aftermath of these past adventures and is told across several shorter chapters.  The author makes spectacular use of these multiple time periods and combines them together into an excellent overarching narrative.  A significant amount of detail and a huge number of supporting characters are packed into this book, which falls just short of overwhelming the reader but creates the feeling of a massive universe with quite a lot going on.

Each of Salvation’s separate plotlines offers the reader a drastically different story to enjoy, and presents them with several unique adventures in one novel.  The storyline in 2204 AD is an intriguing first contact and exploration story that works incredibly well as the overall narrative that ties all the other storylines together.  The first flashback storyline is set in 2092 AD and features the story of how Callum Hepburn and Yuri Alster gained their antagonism towards each other.  It also shows the earlier days of Connexion and the darker side of their newly formed technology and world influence.  This first story is told from the point of view of Callum, Yuri and Callum’s wife, Savi, and features a thrilling spy tale that also reveals the unique and extreme form of criminal punishment that resulted from the new technology.  The second of these storylines is set in 2167 AD and focuses completely on Yuri as he searches for a missing person taken by the new and shadowy underworld that has taken shape amongst the stars.  This is the first of the flashback storylines to hint that an alien species may have nefarious plans for humanity, and also features some cool examinations of the power and tactics that Yuri and Connexion use.

The third storyline is a complex murder mystery storyline set in 2172 AD that focuses on the secretive FBI agent Alik Monday and presents another fantastic mystery with some unique science fiction elements.  The fourth storyline is set in 2194 AD and follows badass mercenary Kandara Martinez as she investigates corporate sabotage on the Utopial home planet.  This is a high-action thriller storyline that also examines the Utopials, a human society seeking to create a cultural utopia, while also going into genetic surgery in a big way.  The highlight of this storyline has to be the intense fight between Kandara and the mercenary Cancer, who had been a shadowy figure in some of the previous storylines.  The final prequel story follows the 2204 AD timeline narrator, Feriton Kayne, in 2199 as he infiltrates the large spaceship belonging to the Olyix, an alien race that humanity came in contact with some years before.  This is one of the shortest stories, but it contains the most detailed examination of the Olyix, who have appeared in several of the previous stories.

In addition to the stories set in and before 2204 AD there are also several chapters are set in the far future of humanity.  This timeline starts in 583 AA (After Arrival) and features the remnants of humanity as they prepare to fight back against the alien menace that pushed them away from Earth.  This is a rather intriguing storyline that examines children being turned into tight-knit teams of soldiers as they prepare for the war to come while also providing some hints about the events of the main storyline.  Each of the above stories are fairly self-contained and do an amazing job of showing off the sheer complexity of Hamilton’s new universe, while at the same time providing a series of unique and captivating tales across time.

Each of the prequel timelines has a storyline that could be considered either a murder mystery or thriller.  By themselves, each of these storylines is very well written and contains compelling mysteries and action packed sequences that are more than enough to keep the readers hooked to the book.  However, the real highlight of these prequel timelines is the way in which the play into Salvation’s larger mystery that is explored within the 2204 AD storyline, namely the identity of the alien race attacking humanity and which of the members of the research team is an infiltrator.  I really loved the way that these prequel stories hinted at the main mystery while also exploring the history of the main characters in an attempt to show their personality or a critical point in their lives.  The final twists in the 2204 AD storyline are very surprising and serve as a fantastic payoff for Salvation’s overall narrative.

The author has also included a significant amount of science fiction elements throughout the book that are presented in considerable detail.  It is fascinating to see Hamilton postulate how Earth may develop in the near future and the advanced technology that they would start to utilise.  The multiple timelines also come into play for this element of the book as they allow the reader to see the progression of technology over the years.  What is most interesting about this is that the main pieces of technology don’t change; instead the next generations of the same device are revealed throughout the book’s various stories before the technology eventually plateaus at its highest level.  The science fiction elements also come into play in several intriguing ways.  For example, they allow for some very creative mysteries, including a murder in a house containing teleportation gates that result in the victims being spread across multiple locations, including New York, the Moon, Mars and the Antarctic, creating a murder investigation with several unique complications.  The advent of space travel and other technology also allows the creation of some inventive new societies.  From futuristic utopias to desolate prison it is absolutely fascinating to watch these societies come together.  Overall the science fiction elements are a fantastic part of this book and add some intriguing elements to all of the book’s interconnected stories.

Peter Hamilton has produced another elaborate and powerful piece of science fiction space opera in Salvation.  With a new and unique universe that contains some fantastic and detailed new elements and multiple timelines that are combined together into an outstanding novel, this is an absolutely amazing read.  Epic science fiction at it’s very best, Salvation comes highly recommended and is a spectacular start to an exceptional new series.

My Rating:

Five Stars

Murder Mile by Lynda La Plante

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Publisher: Zaffre

Publication Date – 23 August 2018

 

One of English crime fiction’s most distinctive voices, Lynda La Plante, returns with her iconic female detective, Jane Tennison, for another dark and shocking case.

In February 1979, recently promoted Detective Sergeant Jane Tennison has been posted to Peckham CID, one of the toughest beats in all of London.  Previously known as the Golden Mile due to its well-to-do shopping areas, the area is now in decline, a fact not helped by the garbage strikes besetting the entire city, ensuring that the entire area is covered rubbish and filth.

When the body of a young woman is found in the heart of Peckham, Jane and her team must investigate the suspicious circumstances surrounding her death.  But when another body is found nearby, the possibility of a serial killer raises all sorts of problems.  The media scrutinise the case and rename the area Murder Mile.  Even worse, the second victim’s son is well connected, and several important people want the matter dealt with quickly.

As more bodies are uncovered, Tennison must use all of her investigative ability to uncover this dark murderer, while also dealing with the police force’s inherent sexism and disregard for her talent that she has dealt with her entire career.  Can Tennison catch this killer, or will they find a terrible and unexpected way to win?

Lynda La Plante is a talented author and screenwriter responsible for several hit British crime series and movies.  She achieved early success with the 1983 television series, Widows, which has been adapted into a major motion picture set to be released in November this year.  Other successful shows that La Plante has created include Trial and Retribution and Above Suspicion, with nearly all of her books having been either adapted into screenplays or inspired by one of her televisions shows.  Murder Mile is the fourth book in her Jane Tennison series, which serves as a prequel series to one of La Plante’s most successful and iconic shows, Prime Suspect, which features Helen Mirren as an older Jane Tennison.  The first book in this prequel series, Tennison, also served as the basis for the short-lived prequel television series Prime Suspect 1973.

Murder Mile features a dark and disturbing mystery that serves as the central focus of this book.  The protagonist must investigate a series of murders spread out among the dilapidated Peckham area. La Plante has created an intriguing and compelling investigation storyline as Tennison and her team follow a series of promising leads across Peckham and the rest of London, finding clues in a variety of places, as well as several other bodies.  While the majority of the book leading up the conclusion of the story and the solution of the mystery is captivating in its own right, the best part of the book has to be its chilling conclusion.  Not only is the revealed antagonist a despicable creature, but the way in which they attempt to manipulate Jane and the rest of the police characters is just plain creepy.  The conclusion of the story and the ultimate reveal of the antagonist’s last actions are particularly shocking in their execution and extent.  Worse, both the reader and the protagonist can see that the villain is planning something, but you just cannot predict the terrible lengths they will go to win and spite the police.  This memorable conclusion serves as the perfect end to this dark and powerful story and represents some excellent writing from La Plante.

This story is set in 1970s London, and the author does a fantastic job bringing this iconic city to life during a period of economic downturn.  There is a certain gloom around the city, especially in Peckham, where the majority of the book’s investigation takes place.  The plot of Murder Mile is set during the infamous Winter of Discontent, a period of strikes and financial uncertainty that hit the country during 1978 and 1979.  There are several discussions about the situation from the characters and it is interesting to see a fictional perspective of this part of England’s recent history.  In addition, some of the physical effects of the ‘Winter of Discontent’ have some significant impacts on the case.  During January and February 1979, the waste collectors of London were on strike, resulting in a build-up of rubbish throughout the city.  As a result, many of the scenes set in the city feature streets strewn with garbage and littered with filth and rats.  La Plante also examines the parks that were filled with rubbish by London authorities as a stopgap measure for this situation.  This becomes particularly important in the story, as the police discover a dismembered body in one of these parks as the murderer attempted to utilise the situation for their own ends.  The author has also cleverly highlighted the police techniques and technologies that would have been available during the time.  Overall, La Plante has made full use of this chaotic period in Murder Mile, and readers will enjoy her vivid descriptions of these events.

In addition to the general descriptions of 1970s England, one of the key features of La Plante’s latest book is an examination of the inherent sexism in the London police force.  Jane as a Detective Sergeant must continue to fight to gain respect from her co-workers.  In Murder Mile she is constantly talked down to by her superiors, deals with disrespectful comments from the rank-and-file police, and must also deal with having her authority undercut by colleagues she considers to be her friends as they step in quickly to defend her.  It is infuriating to see how senior police ignore Tennison’s detective work and observations, especially as she is right most of the time.  This sexism also requires Tennison to act in a more maverick way, as her frustrations force her to work outside the main police investigation in order to prove herself – a decision that will have significant impacts on her life and career.

While the portrayal of sexism mentioned above has been used in all of the books of the Jane Tennison series, in Murder Mile La Plante has chosen to also focus on police homophobia and how it affects the investigation.  The police homophobia is quite prevalent throughout the series, especially when one of the suspects is revealed to be gay.  The police response to this is extreme, as several of the characters are quite hostile to this suspect and his relatives, alienating potentially helpful people in the investigation.  In addition, there is the stupid assumption that all homosexual males were automatically paedophiles, and this sends the investigation into several biased directions.  Tennison and several of the other characters attempt to change the minds of their colleagues, often without much success.  In addition, one of the more approachable and capable members of the police team is revealed to be homosexual in this book, which serves as a good counterpoint to the more old school and homophobic cops.  Overall, this is an intense and important part of the story, and it is intriguing to see how these old biases would likely have affected cases in the past.

Crime legend Lynda La Plante returns in fantastic form with Murder Mile, an exciting continuation of her Prime Suspect prequel series.  Featuring some deep and powerful examinations of the 1970s London police force, this absorbing mystery takes its readers to the edge of darkness and beyond.  Featuring an incredibly dark and unforgettable ending, Murder Mile is another exceptional release from La Plante and a highly recommend piece of crime fiction.

My Rating:

Four and a half stars

Hit-Girl, Volume 1: Colombia by Mark Millar and Ricardo Lopez Ortiz

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Publisher: Image Comics

Publication Date – 26 June 2018

 

The baddest little vigilante in America goes international in this outrageous new series from comic book legend Mark Millar.

Hit-Girl is the moniker of Mindy McCready, a pre-teen vigilante killer who is the Kick-Ass universe’s most effective and terrifying hero.  Introduced early on in the first volume of the Kick-Ass comic, Mindy was a 10-year-old girl who had been indoctrinated by her father, Big Daddy, into becoming an expert killer and crime fighter.  Despite an attempt to live a normal life after the death of her father, Mindy has reverted to her vigilante ways with her trademark extreme violence and sassy attitude.

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Following the events of the Kick-Ass 3 comic, Hit-Girl has decided to take her vigilante gig international and bring her version of justice to criminals around the world.  However, with her partner, Dave Lizewski, the original Kick-Ass, retired, and his replacement (a young man Hit-Girl randomly recruited off the street) deciding to quit in the face of armed criminals, Hit-Girl is all on her own.  With a request for help in Colombia looking too big to handle by herself, Hit Girl decides to recruit a partner as deadly and deranged as herself.

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Enter Fabio ‘Mano’ Mendoza, the most ruthless and dangerous hitman in Palmira, Colombia.  Freeing him from imprisonment, Hit-Girl ‘convinces’ Mano to help her with her mission, utilising an explosive device to keep him in line.  Armed with an array of advanced and insanely destructive weapons, Mano helps Hit-Girl turn all of the city’s gangsters into corpses.  But what will happen when Hit-Girl forces Mano to target his own gang?

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Hit-Girl was created by author Mark Millar, one of the most impressive and recognisable names in modern comics.  Millar has worked with a number of different publishers throughout his career, including DC, where left his mark on titles including Swamp Thing, Superman and The Flash, and Marvel, where he wrote the iconic Civil War series and had significant input in Marvel’s Ultimate Universe, which serves as the inspiration for many recent comic book movies.  Millar has also created a number of the best alternate universe stories these two major comic book publishers have ever produced, from the inventive Superman: Red Son to the incredible Old Man Logan, which served as the basis for 2017’s best comic book movie, Logan.  Millar has also created a range of independent series, many of which are quite dark and brutal, such as Kingsman: The Secret Service, Jupiter’s Legacy, Superior and Wanted.  However, one of Millar’s most iconic works is his independent series, Kick-Ass, which was adapted into a fantastic movie in 2010 that helped dramatically increase the author’s general profile.  Kick-Ass ran for three volumes, and the final issue revealed that Kickass and the above independent series all exist in a shared universe, known as the Millarverse.  Readers may recognise several of the above comics from recent movies, with Kingsman and Wanted both having been adapted into big screen movies.  In addition to this current Hit-Girl series, Millar is currently working with Netflix to create a number of intriguing new comics, such as The Magic Order, and a range of movies and television series.

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A large amount of the success of Kick-Ass can be attributed to the character of Hit-Girl, a sensational addition to both the comics and the subsequent movie adaption.  Hit-Girl is easily the most popular character in the series due to the sheer craziness of having a 10-year-old girl tearing through groups of dangerous criminals while swearing her head off.  This cool character continued in the movie, where Chloë Grace Moretz brought Hit-Girl to life in all her foul-mouthed, murderous glory, albeit with an altered costume.  Hit-Girl appeared in all three volumes of Kick-Ass, and has already been the star of her own Hit-Girl miniseries comic, much of which was adapted into the Kick-Ass 2 movie.  This current series of Hit-Girl represents the first work that has been done on the Kick-Ass storyline since 2014.  The first volume of this new series is called Colombia and contains issues #1-4.  The second volume of this series will continue Hit-Girl’s international murder spree as she heads to Canada, and will be released in late October.

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This new Hit-Girl series contains pure insanity as the titular character goes on a rampage down in Colombia.  There are some fantastic sequences throughout this book as artist Ricardo Ortiz draws a series of demented murders and deaths as Hit-Girl and Mano attack and kill hundreds of gang members in Palmira.  These gang members suffer an insane amount of different gruesome deaths including being shredded by bullets, sliced by swords, shot with arrows, killed by a train, blown up into tiny pieces, vaporised by flesh-eating gas, and thrown off buildings.  Ortiz’s artwork pulls no punches during these scenes, with the highlight having to be the microwave gun that cooks one gang member from the inside out.  There are also a ton of great action sequences throughout this book, with the artist presenting some excellent battle artwork that really highlights the fast-paced and frenetic action portrayed within.  Some of these scenes are so wonderfully over the top that it is hard not to laugh, such as the sequences where Hit-Girl and Mano are forced to overcome a zoo of coked-up animals standing between them and their target.  This is some brilliant work from the artist and a real highlight of the volume.

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While all the superfluous violence is outstanding, this first volume of Hit-Girl is far more than just about the killing of criminals.  It is actually a complicated revenge plot, and Millar has created a fantastic overarching story for this entire volume.  Watching the full extent of Hit-Girl’s plan unfold is so much fun, especially when you realise just how much she is playing all the other characters in the book.  Hit-Girl revealing that her plan involves saving a kid who served as her patsy from joining a gang is pretty powerful, especially when the kid is left wondering about the origin of the ‘final message’ from his brother.  By the end of these four issues, all the characters get what they deserve, leaving the reader extremely satisfied with the result, while Hit-Girl is left determining where to go for her next rampage against crime.

Hit-Girl is once again a fantastic main character for this book, and Millar and Ortiz’s portrayal of her is absolutely amazing.  Placing murderous attitude and terrifying adult personality inside the body of a little girl is still spectacular to see, and it is quite jarring and very entertaining to see this little kid doing crazy stuff like jumping up and down in excitement while requesting that her associate perform a particularly gruesome murder.  Ortiz presents some incredible changes in facial expression throughout the book that really show off the dual personality of the character.  In some scenes, she looks quite innocent and childlike, while in others, she looks positively demonic, especially when she establishes control of a situation.  While she is mostly portrayed as destructive, adult and emotionless, there are times when she comes across as more human and acting her age.  She spends several scenes getting closer to Mano, and the two work out that they have some interesting similarities, including being manipulated by a controlling father figure for most of their lives.  In hindsight, it is quite horrifying that she spent time getting close to Mano, considering the multiple ways she was playing him and her eventual intentions for him, but it is still great to see her team up with someone who has the same killer instinct, as well as a similar moral compass.  I also love the scene at the end when Hit-Girl allows her ally, Camila to get a chance at revenge, but is not surprised when she does not take the shot, stating “you’re a good person”.  Hit-Girl’s facial expression while she says that is perfect, as it helps portray the fact that our protagonist knows she is not a good person and never will be.  Overall, this is some amazing character work and Hit-Girl is still an amazing protagonist.

Mark Millar is once again in top form as he brings in the first volume of his new Hit-Girl series.  Featuring some outstanding artwork from Ricardo Ortiz, Hit-Girl Volume 1: Colombia contains an insane amount of graphic and entertaining violence and death, while also containing a fun and satisfying story with an awesome main character.  I am already excited for the next volume of this new series, and I cannot wait to see what chaos Hit-Girl causes in Canada.

My Rating:

Five Stars

Greenlight by Benjamin Stevenson

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Publisher: Michael Joseph

Publication Date – 3 September 2018

 

From debuting Australian author Benjamin Stevenson comes this chilling and intelligent murder mystery that builds a thrilling case with some sensational twists around an intriguing true crime documentary plot device.

Four years ago, in the small Australian country town of Birravale, Curtis Wade was arrested and tried for the murder of young woman Eliza Dacey.  Hated by the entire town and viewed as an outsider, Curtis was quickly found guilty of the crime with very little evidence presented at the trial.  Everyone was convinced of Curtis’ guilt until podcaster and documentarian Jack Quick decided to get involved.

Noting some inconsistencies in the case and sensing an opportunity for fame, Jack decided to make a true crime documentary series, presenting the local police as incompetent and biased.  His series becomes an overnight hit across Australia, and his edited footage convinces many in the country of Curtis’s innocence.  But the night before the finale is due to air, Jack notices a piece of crucial evidence near the murder scene that could prove that Curtis is guilty after all.  Determined not to ruin his series, and convinced that no matter what happens Curtis will never see the light of day again, he disposes of the evidence.  However, thanks to his series, Curtis is released on retrial, and then a second murder is committed, with several grisly details of the first case replicated.  Has Jack just let a murderer go free?

Returning to Birravale, Jack must once again dive into the secrets of a town that hates him for the way his show portrayed them.  As Jack attempts to solve this crime, he must overcome his own past while also dealing with the guilt of the situation.  But did Curtis commit this new crime, or is he being framed by the real killer?  Whoever the murderer is, Jack is wrapped up in their game and for once he needs to reveal the whole truth.

Greenlight is the first novel from Australian comedian and author Benjamin Stevenson and represents a brilliant and exhilarating debut.  This book has an amazing central storyline with a massively intriguing mystery that focuses on the innocence or guilt of the man who has already been both convicted and found innocent of the same murder.  The protagonist must look at whether the person he released from jail committed the murder he was originally convicted of, as well as a second, similar murder that occurred after the suspect has been released.  The reader is constantly left guessing about whether the prime suspect, Curtis, has committed either or both of the crimes, or whether he is actually innocent.  At the same time, the reader is presented with a series of plausible alternative suspects who have motive for either of the murders or, in some cases, the same motive for both of the killings, and this creates some exciting doubt about the original suspect’s guilt.  The final reveals and twists of this case are rather shocking and will definitely provide the readers with some excellent surprises.  Stevenson does a good job providing a lot of hints and foreshadowing in his text, and readers will enjoy seeing how these cleverly scattered clues are brought together in the end.  Overall, this is a hell of a mystery and the author does a fantastic job tying the investigation into the book’s other elements.

One of the most noticeable and outstanding parts of Greenlight is its true crime elements and how this affects both the story and the way that the book is written.  Ever since the dramatic popularity of the 2015 Netflix true crime show, Making a Murderer, various books and shows have attempted to emulate the documentary setting in their works.  What I liked about Stevenson’s book was that, rather than dealing with the creation of the documentary, it is mostly set some months after the television series was released and instead takes a look at the consequences that the show has had.  Not only is a potential murderer released, but various lives and careers have been ruined as a result of the protagonist’s actions.  It is absolutely fascinating to see the various ways that the reaction and follow-up of the true crime television series comes into play through the story.  The protagonist has to deal with a series of characters who are annoyed or angry about their portrayal in the series, which informs the help, assistance or compassion that these characters give.  The success of the series also affects the police response, leaving the protagonist much more open to investigate the crime.  It is also intriguing to see a television show being used as a motive for murder throughout the book, as the second murder could potentially be tied into righting the wrongs that the show caused.  Stevenson covers all these elements incredibly well, and the examination of the consequences and damages of a successful true crime documentary series turns out to be the perfect backdrop for this captivating murder story.

On top of the powerful mystery and the terrific plot focus, Stevenson has also created an interesting central protagonist who serves as the point of view character for most of the book.  The main character, Jack, is the documentarian who makes the show that gets the mystery’s main suspect freed from jail.  Watching the guilt and shame that this character experiences as a result of his various actions, such as the creation of the show, tampering with evidence and editing the videos to tell a specific story, is a great part of this story, and it serves as a perfect motivation for this character’s continued and at times frantic investigation.  Watching the character understand the full extent of his questionable actions, especially after the second murder, is an outstanding part of this book that highlights Stevenson’s strong writing ability.  It is also interesting to see how his experiences creating a documentary have affected his judgement and the way he perceives the world.  The protagonist now sees the slanted way many of the characters talk when it comes to case, and he is constantly trying to determine what role the people who are involved in the case would have in a television show, such as a main character or a supporting cast member.  The author also creates some interesting character background for Jack that works well with this story, as guilt and trauma from his childhood combines with the current extreme blame and he is currently feeling.  Stevenson also produces an accurate and powerful description of an eating disorder that Jack is suffering from, and not only is this description respectful done and informative, but it adds another level to this excellent main character.

A large amount of Greenlight’s plot is set in the fictional small, winegrowing country town of Birravale in the Hunter Valley of New South Wales.  This serves as a great background setting for the murder investigation as the small town secrets and attitudes play a huge role in the overall mystery.  Stevenson does an amazing job portraying a winegrowing community, and provides some interesting details that come into play in a number of ways and often result in a number of potential murder motives.  The small-town setting also works well with the post true crime series plot element, as the protagonist encounters an entire town that has been portrayed in a negative light throughout this series and is viewed in a different way by the rest of the country.  Seeing these resultant attitudes and the impacts his series has had on the town works wonders for the main character and is a great part of this book.

In his debuting novel, Australian author Benjamin Stevenson has created an incredibly captivating mystery storyline.  Greenlight contains a number of outstanding elements, from shocking plot twists and reveals, an excellent central character and an utterly fascinating central plot device, all of which come together into one amazing novel.  This is an exceptional first book from Stevenson which highlights both his fantastic ability and his huge potential as a crime writer.

My Rating:

Four and a half stars

Absolute Proof by Peter James

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Publisher: Macmillan

Publication Date – 25 September 2018

 

From one of the most pre-eminent authors of thrillers and murder mysteries comes this deeply spiritual book that spins a dangerous hunt for secrets around a strong and intriguing story of human belief and the search for religious proof.

Investigative reporter Ross Hunter has covered many world events and news items in his storied career, from warzones to crooked politicians.  But perhaps his most dangerous story might be his most bizarre.  Picking up the phone one day, he is brought into contact with Dr Harry Cook, who has a remarkable tale.  Cook believes that he has received a communication directly from God and has been gifted with three sets of coordinates that will provide the world with absolute proof of God’s existence.  This message has also instructed Cook to contact Ross and utilise his skills to spread Cook’s discoveries to the world.

Ross is naturally sceptical of this story, but certain facts that Cook knows convince him to dig a little deeper into the man’s claims and read the elaborate religious writings that he has created and left with him.  Unconvinced of the validity of Cook’s claims and about to drop his inquiries, Ross is stunned when he finds that the old man has been brutally murdered.  Could there be more to this story than Ross originally thought?

Travelling across the world to follow the coordinates, Ross finds hidden artefacts and relics which could reveal the second coming.  Still not convinced of the validity of these claims but unwilling to let go of this story, Ross investigates further and makes some startling discoveries that could shake the very foundations of the world’s collective faiths.  But Ross isn’t the only person interested in what Cook’s coordinates may uncover.  As various religious and spiritual organisations contact Ross about his findings, a powerful pharmaceutical company and a rich television evangelist have despicable plans for whatever Ross uncovers, and they are willing to kill anyone to get it.

James is one of the United Kingdom’s most experienced and prolific authors of crime fiction, with significant works in both the movie and book worlds.  In his career as a novelist, he has published nearly 35 novels since his 1981 debut.  Of particular note is his Roy Grace series of books, which focuses on the investigations of the titular Brighton based detective.  James has written 14 Roy Grace novels since 2005, including the May 2018 release, Dead if you Don’tAbsolute Proof is an intriguing piece of literature from James, as it combines an exciting and captivating thriller with an in-depth story of religion.  This is a standalone book from James, and is apparently based on a real phone conversation the author had back in 1989.

Absolute Proof contains an amazing and exciting thriller storyline that follows its protagonist, Ross Hunter, as he attempts to uncover one of the greatest mysteries of all time: whether God actually exists.  Following a series of vague clues that are mostly made up of geographical coordinates, Ross must uncover three specific items or locations that could combine into definitive proof of the divine.  The various investigative techniques and problem-solving that the protagonist utilises to uncover the clues left to him and solve the overall mystery are well written, very clever and result in a very unique and thought-provoking conclusion.  The protagonist’s quest for answers is complicated by the various groups and individuals that are attempting to hamper, compromise or misappropriate the results of his investigation and are targeting Ross and the other people associated with this case.  As a result, there is quite a lot action and excitement as these various groups attempt to attack or steal from Ross and he finds ways to get out these situations.  There are several intense and action-packed scenes where Ross must escape from thugs wielding guns from a helicopter, physical attackers and several vans attempting to run him off the road.  In addition to all these direct attacks, Ross is also being constantly tracked through a variety of electronic and physical techniques and must find ways to try and avoid them.  There is an interesting look at some DYI anti-espionage techniques as Ross attempts to outwit these various professionals with some limited success.  All of this comes together into quite the captivating narrative with lots to keep the reader glued to the page.

The overall story of Absolute Proof is mostly focussed around this massive religious mystery and the attempt to undermine it.  James has provided the reader with a lot of backstory and motivations for several of the book’s characters.  Much of these personal histories are intriguing and provide the reader with explanations about why the protagonist and antagonists have an interest or obsession with the results of the central investigation.  It also goes into some detail attempting to explain why the protagonist is so determined to find out the truth and why he refuses to drop the story for any reason.  The deeper examination of the antagonist’s motivations is particularly absorbing.  While both groups come to be involved with the cases by different means, it is curious to see how their main focus becomes profiting from the possible existence of God.  Split perspectives also allow the reader to see the antagonist’s various plans and the myriad ways that they are attempting to control or corrupt Ross’s investigation and the results he is uncovering.  This is useful because for much of the book Ross is unaware of the identity of the groups opposing him, so the use of these multiple perspectives works well with the book’s overall narrative.

Due to the focus on the search for proof of God’s existence, the author has included a substantial look into the world’s religions and beliefs.  This is a significant part of the book, and the various in-text theological discussions are deeply fascinating.  The protagonist has a numerous discussions with various religious individuals and attempts to work out what would constitute definitive and absolute proof of God’s existence in the modern era and how people from a variety of religions would react to someone uncovering this proof.  All of this proves to be a fantastic part of the book and it ensures that both the protagonist and the readers deeply consider the possible consequences of the central investigation of this story.  The author also examines the religious conviction or beliefs of many of the book’s main characters, including the main two antagonists.  This ties in nicely with the background motivations mentioned above, and it is fascinating to see how various people’s upbringings can impact their beliefs and future careers.  Overall, this in-depth and compelling discussion around religion and the focus on belief is an essential part of the story that works well with the book’s thriller storyline and creates an incredibly gripping narrative.

An interesting part of this book is the lack of really sympathetic characters in the story.  Most of the Absolute Proof’s main characters, including the antagonists and the protagonist’s wife, are fairly despicable characters that you can’t help but dislike.  However, the protagonist, Ross, isn’t too much better, as he becomes obsessed with the cases.  He dismisses all the concerns of his friends and families to follow his story no matter what, although he does have the time to get distracted by a cute girl he just met.  This does make it a bit hard to care about what happens to Ross at times, but luckily you tend to dislike the other characters a lot more.  The book’s antagonists’ stories do go in some interesting directions throughout the book, including a very surprising conclusion for one set of antagonists.

Peter James has delivered a deeply captivating and powerful mystery that sets his protagonist on an exhilarating journey around the world for the ultimate answer.  The narrative of people receiving and investigating coordinates that lead to definitive proof of God’s existence is really memorable and results in a very unique and interesting story.  The various religious discussions contained within this book turns into a surprisingly intriguing part of the story, and it is particularly fascinating to see James’s examinations of some of the world’s key religious beliefs.  Absolute Proof is a powerful and exciting book that expertly combines its thriller storyline with its deep and absorbing religious background to create a marvellous read that will leave you thinking about what you believe in.

My Rating:

Four stars