The Dark by Jeremy Robinson

The Dark Cover

Publisher: Podium Audio (Audiobook – 13 July 2021)

Series: Infinite Timeline

Length: 10 hours and 25 minutes

My Rating: 5 out of 5 stars

Prepare for a literal journey into darkness with one of the most unique and insanely entertaining horror novels of 2021, The Dark by Jeremy Robinson.

Jeremy Robinson is a bestselling author of science fiction and horror who has been producing some amazing novels of the last few years.  Since his debut in the early 2000s, Robinson has written a massive number of novels, including several fantastic sounding series, such as his Nemesis Saga, as well as a big collection of compelling standalone novels.  I have been meaning to read some of Robinson’s books for a while, especially as one of his series, the Chess Team novels, are part of a somewhat shared universe with Jonathan Maberry’s Joe Ledger novels.  After seeing several mentions of Chess Team in Maberry’s novels, I got curious and had to have a look at Robinson’s catalogue of work.  I really love the sound of some of Robinson’s books, especially his Chess Team novels, which follow a special forces team at work against mythical threats, and the Nemesis Saga, which presents a new look at the Kaiju genre.  Before diving into these series, I thought it might be good to get an idea of Robinson’s writing style, and so I decided to read his latest standalone novel, The Dark.  I am extremely glad that I decided to check this out, as The Dark ended up being an incredible horror read that I deeply enjoyed.

Miah Gray is a messed up former army soldier, struggling with PTSD and other symptoms after his time in Afghanistan.  Now living with his mother, sister and stepfather in an upscale New Hampshire neighbourhood, Miah spends most of his time being the neighbourhood’s resident weirdo, avoiding his troubles with prescribed cannabis and holding out hopes that his crush, Jen, will notice him.  Managing to convince Jen to get high and watch a meteor shower on his roof one night, Miah thinks that his life is finally turning around.  However, nothing in his wildest dreams could prepare him for what is to come next.

Awakening the next morning, Miah and Jen are shocked to discover that the sun has been blotted out and the entire neighbourhood has been plunged into darkness.  With no communications, limited power, and no working artificial lights, Miah and his family attempt to adjust to the crazy events occurring around them.  All available evidence suggests that an obscure religious doomsday prophecy about three days and three nights of darkness is coming true, with the lore indicating that the only way to survive is to barricade yourself in your home and cover the windows.  Despite the blacked-out sun, Miah is dubious about this being a religious event, until a bright light from the heavens brands his forehead with an old Norse rune and an unholy army of demons invades.

Dark shapes are twisting their way through the neighbourhood, luring people outside and brutally dragging them away to an unknown fate, while even more terrifying figures lurk in the shadow.  Attempting to ride out the storm at home, Miah is forced into action when his parents are taken.  Leading a small group of survivors through the horrors outside, Miah attempts to save who he can while also trying to find a way to rescue those who were taken.  But as Miah and his friends flee through the surrounding demons and devils, a far more dangerous threat is waiting to assail them.  The rune on Miah’s head is starting to change him into something angry and inhuman.  Now forced to resist his own mind, Miah will need to dig deep than ever before if he wants to survive what is coming, even as it drags him straight to the gates of Hell.

Wow, now that was awesome.  When I started this novel, I strongly suspected I was going to love it, especially as it had a fantastic sounding plot, but I was unprepared for how much fun The Dark turned out to be.  Robinson has created an exceptional and dark horror novel that keeps you on the edge of your toes from the very start all the way to the finish.  I had an outstanding time listening to this book and there was no way I could give anything less than a five-star rating.

Robinson has come up with a pretty awesome story for The Dark, and I loved this unique horror tale.  The Dark has a great start to it, and the author manages to do a lot in a very short amount of time, thoroughly introducing the main character, Miah, while also setting up several of the other major supporting characters.  The novel’s big change from normal times to darkness occurs early in the novel, as soon as all groundwork has been established, so the protagonist can run right into the craziness.  It does not take long for events to go sideways, with danger and despair all around as everything goes to hell, literally.  The centre of the novel is extremely entertaining, as the protagonist meets a range of different people hunkering down through the apocalypse and slowly builds up a fun group of survivors.  At the same time, some of the characters, including Miah, are forced to face an inner evil that has been brought on by these dark events.  This internal battle for control and the elements that introduce it are very cleverly established, and it adds a fantastic new edge to the plot, especially as at times it seems like the only point-of-view protagonist is about to irrevocably snap.  All this leads up to an epic conclusion as the protagonist journeys to a very evil place and comes face to face with some startling revelations and immense horrors, as well as some interesting story threads for the future.

I felt that this was an exceptional story, and I deeply enjoyed the outstanding combination of action, horror and comedy that was expertly bundled throughout the novel.  It is rare to find a story that can alternately thrill, traumatise, and entertain in short succession, but The Dark does that in spades.  It was gloriously entertaining and there was honestly not a single moment in this book that failed to keep my attention.  The action sequences are crisp and fantastic, and you get a real sense of the intense violence happening all around the protagonist.  I also really loved the horror feel that this novel had, especially as Robinson is a master of building up tension and suspense.  Readers should be aware that there are a quite a few extremely gory scenes throughout the book, and Robinson does not hold back on the gruesome descriptions.  I liked how the author switched the tone of the novel around two-thirds of the way through, with the horror focus moving away from fear of the unknown to a more extreme and science fiction based narrative.  I did think that the sudden appearance of certain groups in the big finale were a bit coincidental and could have been telegraphed slightly better, but this really did not cut down on my enjoyment of the story, and I was still blown away with the cool action sequences that were featured in this part of the book.  This was a really good standalone horror story, and I was deeply impressed with the exceptional narrative that Robinson featured in this book.

One of the things that I really appreciated about The Dark were the cool monsters and horror elements that Robinson came up with.  The entire concept of the novel revolves around dangerous creatures who come out during an eclipse of the sun that covers the entire setting in darkness, while also wreaking havoc on human technology.  Not only are these monsters pretty freaky and deadly, but Robinson builds up an intriguing mythology around them.  Because the protagonists have no idea what they are facing, the entire phenomenon is attributed to a religious event, especially as there is a coincidental Christian prophecy about three days and three nights of darkness which will purge those who leave their house.  Once the monsters appear, the characters initially identify them as demons, due to their unique look, ability to replicate voices and their dark and disturbing laughter.  I found these attempts by the protagonists to understand what is happening to them to be really fascinating, and it involves some fun looks at mythology and ancient lore.  The character’s understanding of these creatures evolves and changes over time, as there are some new freaky bits of context, and I thought it was pretty cool the way that Robinson was able to adapt these horror elements.  I also must highlight the terrifying setting of Hell, where the protagonists eventually end up.  There are some pretty dark and excessively gruesome aspects to this location, and it was a very fitting location for the big finale.  Overall, I really liked the cool creatures and mythology that Robinson brings to The Dark and it was so much fun to see these monsters tear through a typical suburban neighbourhood.

Easily one of the best things about The Dark were the complex and impressive characters that the narrative was set around.  The most prominent of these was central protagonist and point-of-view character, Miah, a former soldier who returned from the war even more messed up then before.  Initially a bit of a weirdo loner, Miah soon evolves into a more heroic figure, especially as he takes the lead during the demonic invasion, saving several people he comes across and leading the survivors to either safety or battle.  Miah is a very deep protagonist, and I really enjoyed the impressive and powerful examination of his inner trauma and the mental burdens he carries after his time in the army.  Robinson really tries to make Miah as complex as possible, and he even works some of his own personal experiences with trauma into his protagonist’s psyche.  It was great to see him evolve throughout the course of the book, especially once he has the fate of several other people on his hands, and these events help him grow and overcome his previous experiences.  Miah is also an extremely entertaining protagonist to follow, especially as he has a great sense of humour, is constantly high and initially does not take anything seriously, even when all the lights go out.  This combination results in Miah doing some unusual things, including wearing one of his sister’s skirts for the first third of the novel (it’s weird, but it works).  Most of the book’s humour comes from his flippant narration of the weird events occurring around him, and even once stuff gets really serious, he still has plenty of fun jokes or odd observations about what he encounters.  I loved his outrageous outlook on the world, and I ended up really appreciating Robinson’s fantastic choice of protagonist.

Aside from Miah, Robinson also comes up with some other fantastic characters who go through these apocalyptic events with him.  All these characters are set up extremely well when they are introduced, and Robinson does a great job quickly examining their personalities and expanding on them throughout the course of the book.  There are several fun characters featured throughout The Dark, although my favourite two are probably Bree and Emma, two younger girls who end up part of Miah’s group.  Despite their youth, these two characters are extremely capable and quickly adapt to the weird new world that they live in.  This is in part due to them being branded like Miah, which slowly changes their personalities, turning them into something different.  Both characters react to their branding in different ways, with the eight-year-old Bree more swiftly losing her humanity.  It was pretty fun to see this young kid become more and more bloodthirsty as the novel progresses, and there are some great moments where Miah tries to control her.  It looks likes Robinson has some plans for both Miah and Bree in the future (Demon Dog and Laser Chicken for the win), and I look forward to them turning up again.

While I was checking out some of Robinson’s novels, one of the things that stood out to me was that all his novels have been converted to my favourite format, the audiobook, and that a good proportion of these were narrated by R. C. Bray.  Bray is a very talented and entertaining narrator, whose work I have previously enjoyed in some of Michael Mammay’s science fiction novels, Planetside and Colonyside (the latter being one of the better audiobooks I have listened to so far this year).  After seeing Bray’s name attached to The Dark, there was no way that I was not going to grab it on audiobook, which proved to be a very, very smart decision.

The Dark audiobook has a runtime of just under ten and a half hours, although I found myself absolutely powering through it, especially once I got into the story.  I felt that the audiobook format worked extremely well with The Dark’s first-person perspective, and the audiobook was able to progress at a really quick pace.  Bray really shined as a narrator in The Dark, and I loved the way that he presented the horrifying and intense events occurring around the characters.  Bray does an excellent job voicing the various characters in The Dark, and I particularly liked the way that he dove into voicing central protagonist Miah.  While I was initially a little dubious that Bray, who I have only previously heard voicing tough military characters, would manage with a more immature character like Miah, it ended up working really well.  Bray expertly gets inside the head of the main character voicing, and he quickly portrays Miah in all his doped-up, entertaining glory.  I think that Bray had a lot of fun voicing Miah (despite certain comments that the character makes about fancy audiobook narrators), and he did a great job presenting both the goofy side of the character and his more serious nature.  This ability to dive into Miah’s personality really enhanced the character and the overall story and I really enjoyed all the emotion that Bray threw into him.  I also liked some of the other voices that he did for The Dark, with all the characters ending up with some distinctive and fitting voices, even the younger ones.  This excellent voice work really helps to turn The Dark into an outstanding audiobook production, and I would strongly recommend this format to anyone interested in checking out The Dark.  Also, it has bloopers at the end, which were pretty damn fun.

While The Dark is a standalone novel that can be read with no prior knowledge of Robinson’s other works, it does have interesting connections that I need to mention.  There is a big reveal at the end of the book which ties The Dark together with a previous standalone novel that was a released a couple of years ago.  While I have not read this previous novel, it was a fun connection, and, after deeply enjoying The Dark, it got me in the mood to check out some of Robinson’s other books.  I also looked at Robinson’s website after finishing The Dark and there was a very interesting post about this that has made me appreciate this novel a little more.  Apparently The Dark is an entry in a wider joint universe, known as the Infinite Timeline, which already features several novels that Robinson has released in recent years.  The Dark is part of a sub-series within this universe, and it is linked together with the above-mentioned previous novel and an upcoming novel, Mind Bullet.  This sub-series will continue to become even more linked, eventually leading to another novel, Khaos, before it, and two other sub-series, made up of 11 novels in total, will have a big crossover in the 2023 novel, Singularity.  While this does not impact who can check out The Dark, I think it is pretty awesome that Robinson is attempting to create this massive joint universe, and it has really got me intrigued.  I am now extremely tempted to try and check out the rest of the entries in this joint universe before Singularity is released, and it should be a very interesting couple of years if I do.

Overall, The Dark by Jeremy Robinson was an epic and relentlessly exciting horror novel that I had an incredible time reading.  Thanks to its captivating story, complex characters and unique horror elements, The Dark was an outstanding book and it ended up being one of the most entertaining and compelling audiobooks I have enjoyed all year.  A definite must-read for anyone in the mood for a fun and intense horror novel, The Dark comes highly recommended and gets a full five stars from me.  I think I will end up trying some more of Robinson’s novels in the future, especially in their audiobook format, and I cannot wait to see what other crazy adventures and outrageous events he features in his books.

Star Wars: The High Republic: Out of the Shadows by Justina Ireland

Star Wars - Out of the Shadows Cover

Publisher: Disney Lucasfilm Press (Audiobook – 27 July 2021)

Series: Star Wars – The High Republic

Length: 10 hours and 50 minutes

My Rating: 4 out of 5 stars

The marvels and terrors of the High Republic era of Star Wars history continues with the latest fantastic and exciting young adult tie-in novel, Star Wars: Out of the Shadows by Justina Ireland.

The High Republic is an interconnected collection of novels, comics, audio dramas and other pieces of media produced by top Star Wars authors, set hundreds of years before the films.  Starting in January 2021, this compelling multimedia project features several great pieces of fiction, including the awesome introductory novel Light of the Jedi by Charles Soule, the impressive The Rising Storm by Cavan Scott, and the entertaining young adult novel Into the Dark by Claudia Gray.  The latest High Republic novel, Out of the Shadows, is another compelling young adult novel that continues several key storylines from previous High Republic novels.  This was the second Star Wars book from author Justina Ireland, who previously wrote the High Republic junior novel, A Test of Courage.

Death, destruction, pirates, and plant monsters!  The Republic may be at the height of its culture and influence, but it is in some major trouble.  Following the devastation that occurred during the Republic Fair at Valo, the Republic are at war with the marauders known as the Nihil, with the Jedi leading the efforts to hunt them down.  But in the far corners of space, the Nihil are planning something new, something that could change the very fabric of the galaxy.

Sylvestri Yarrow is a young pilot and captain of a dilapidated ship, who is doing the best she can to keep her crew above water after the death of her mother.  However, when her ship is suddenly pulled out of hyperspace in a remote area of space with a boarding party of Nihil raiders waiting for her, she has no choice but to abandon her home.  Determined to get some form of justice, Sylvestri heads to Coruscant to convince someone of the dangers, but no one is willing to listen to a teenage pilot from the frontier until the unscrupulous and ultra-wealthy Xylan Graf appears and makes her an offer she cannot refuse.

In exchange for a new ship and a substantial number of credits, Sylvestri will accompany Xylan to the area of space where she lost her ship to help him disprove rumours of a dangerous Nihil weapon and to convince a senator into giving his family access to valuable hyperspace lanes.  Despite her misgivings about the plan, and the trustworthiness of Xylan, Sylvestri agrees to accompany him.  However, the Senator has a caveat: Xylan must take along some unimpeachable observers of her choosing, Jedi.  Now accompanied by young Jedi Knight Vernestra Rwoh, her Padawan Imri Cantaros, Master Cohmac Vitus, his apprentice Reath Silas, and, awkwardly, Sylvestri’s ex-girlfriend Jordanna Sparkburn, the team heads out to the wilds of space.  But the Nihil are always watching and waiting from the shadows, and their plans could spell doom for everyone.  Can Sylvestri and her new Jedi friends survive the dangers ahead of them, or will terrible secrets from her past threaten to overwhelm everyone once they are dragged out of the shadows.

Out of the Shadows proved to be a fun and compelling entry in this great new Star Wars series that I had a fantastic time listening to.  Featuring a great story and some excellent characters, this novel continues several key storylines from the previous High Republic novels and presents a strong and action-packed adventure.

Ireland has come up with a pretty good story for Out of the Shadows, resulting in a very exciting read.  Set around a year after Ireland’s last novel, A Test of Courage, and a short period after the events of the last major High Republic novel The Rising Storm, Out of the Shadows ties together several intriguing story threads set around some compelling characters.  The book starts out quick, with each major characters introduced in short order through a series of separate point-of-view chapters.  These early introductions do a good job of establishing the characters’ histories, personalities and motivations, and sending them on their various story paths.  The first third of the novel moves quickly, with each character getting some compelling moments, such as Sylvestri getting involved with unscrupulous businessman Xylan Graf, while Jedi Vernestra and her friends get a taste of the dangerous frontier life on their way to Coruscant.  This results in a fun mixture of plot inclusions, from some captivating political intrigue in Sylvestri’s storyline to some more action in Vernestra’s story combined with some interesting examinations of the Jedi and the Force.

These storylines combine around halfway through the book, with the key characters (except for one point-of-view antagonist) coming together and working as a team.  While it did have some good moments, I felt the middle part of the novel dragged a little, and there was not a great deal of excitement there.  However, it did set up the conclusion nicely, with Sylvestri and the Jedi coming face to face with the Nihil in less-than-ideal circumstances.  After a short confrontation, the story goes into overdrive, with the characters racing through several events all the way up to the end, including one event that might have some major ramifications for the High Republic storylines.  Strangely enough, while the second act was a little slow, the final part of the novel was way too quick, with a lot happening in a very short amount of time.  Still there were some great moments in these end scenes, including a couple of good twists, and it also sets up some further adventures extremely well.  All the key characters get gratifying conclusions to their various storylines, and readers are left feeling pretty satisfied with how events turned out.  Ireland makes sure to layer her story with some great action sequences, and there are some entertaining moments spread throughout the book.  I had a wonderful time reading this cool story, and it ended up being a rather good Star Wars book.

This latest Star Wars novel is marketed towards a young adult audience, and I felt that it was a particularly good read for teenagers.  Not only does it feature several teenage characters kicking ass, including a girl who became a Jedi Knight at age 15, but it also contains a clever and enjoyable story that does not pander to the younger age group or shy away from violence or controversial topics.  Ireland did a great job diving into the teenage mindset, and I felt that the various teenage characters featured in this novel were well portrayed as competent and complex figures.  I also liked the strong LGBT+ elements that Ireland featured throughout the novel, especially between Sylvestri and Jordanna Sparkburn, and it is cool that it is being shown so prominently in these novels.  Like many young adult Star Wars novels, this book is can be easily enjoyed by older Star Wars fans, who will appreciate the intriguing story and fascinating developments to the wider High Republic universe.  Younger readers will also probably have a good time with this novel, especially as Ireland does not go too over the top with the violence and romance, and as such I felt that this was an accessible novel to fans of all ages.

Out of the Shadows’ narrative is a continuation of several previous High Republic novels, which readers may need a bit of pre-knowledge about to fully enjoy.  Not only does this novel continue to expand the High Republic series and make frequent references to characters and events primarily featured in Light of the Jedi or The Rising Storm; it also serves as a direct continuation of two previous books.  This includes Ireland’s first Star Wars novel, A Test of Courage, as well as earlier 2021 release, Into the Dark, with key characters and storylines continued in Out of the Shadows.  Readers unfamiliar with these previous novels might also have a hard time following what is happening in Out of the Shadows, although I did think Ireland had a good go at making this novel accessible to readers, no matter their knowledge base.  Some key events of previous novels are explored in some detail, and I had no trouble following what was happening or who the characters were, even though I haven’t read A Test of Courage.  Ireland also blended the various existing storylines together extremely well, and this helped to turn Out of the Shadow into a key entry in the overall High Republic series, especially as it continues to show the galactic machinations of the Nihil.  It also looks like several storylines, mainly surrounding Ireland’s primary protagonist Vernestra Rwoh, will be continued in some future novels and I will have to try to read Ireland’s next novel, Mission of Disaster, even though I have avoided the junior High Republic novels in the past.

One of the things that particularly impressed me about Out of the Shadows was the excellent collection of characters that Ireland fit into her narrative.  There is a substantial central cast in this book, including some new additions and some characters who have appeared in previous High Republic novels.  The author does a good job of introducing and exploring these key characters throughout the novel, and you get some interesting and intense character development occurring, which really adds to the narrative.

These characters include Sylvestri Yarrow, a young pilot who finds herself dragged into the middle of this adventure.  Sylvestri is a tough frontier girl with a big independent streak and a massive chip on her shoulder when it comes to both the Nihil and the Jedi, and she goes through a lot in this novel.  Serving as one of the main point-of-view characters, Sylvestri offers a very interesting view on the events occurring and has some deep connections to the Nihil plot without even realising it.  She also forms an intense and fantastic relationship with Jordanna Sparkburn, her ex-girlfriend, who suddenly re-enters her life.  Jordanna is a frontier deputy responsible for defending her planet from Nihil raiders, which has seen her fight in quite a few battles.  Brought into the story after the Jedi help her to defend her home, Jordanna accompanies them to Coruscant and then gets wrapped up the main story.  Mainly introduced as the tough girl still interested in Sylvestri, Jordanna gains a lot of depth as a character as the story progresses, especially as she has experienced a lot of trauma after being forced into multiple battles.  A lot of this comes out when Sylvestri is in trouble, and Jordanna goes on a bit of a killing spree with a unique Nihil weapon she has obtained.  This scene really adds a lot to how the reader sees her, and it proves to be quite fascinating.  I was also a big fan of Jordanna’s giant alien cat, Remy, a dangerous creature who is just a big kitten at heart, especially when she bonds with some of the other characters.

I also enjoyed the great Jedi characters featured in Out of the Shadows.  These include Jedi Knight Vernestra Rwoh and her Padawan Imri Cantaros, who were the main characters of A Test of Courage and are now Ireland’s go-to Star Wars protagonists.  These two Jedi make for a unique pairing, as Vernestra is a brilliant Jedi prodigy, becoming a Knight at a very young age, while Imri is only slightly younger and has a unique ability to perceive emotions.  Vern is a particularly striking character, particularly with her lightwhip (a lightsaber modified to also be used as a whip) and I enjoyed seeing the challenges that a very young Knight would face.  Her unique connection to the force also connects her to another interesting character in the High Republic canon, and it sets her up for some big storylines in the future.  The other major Jedi characters are Jedi Master Cohmac Vitus and his apprentice Reath Silas.  Cohmac and Reath were previously heavily featured in a previous young adult novel, Into the Dark, and it was great to see them again.  Despite being the apprentice, Reath is the more prominent character, with several point-of-view chapters to himself.  While it was great to see more of Reath and Cohmac, they are a little underutilised, and I would have liked to see more about them, especially with Reath’s unique connection to one of the antagonists.

The other two characters who were a lot of fun in this book are Nan and Xylan Graf, two complex figures who are playing their own games.  Nan is a young Nihil spy and infiltrator who previously encountered Reath while the two were trapped on a space station together.  Serving as one of Marchion Ro’s most loyal soldiers, Nan is entrusted with an important treasure and is subsequently forced to navigate the Nihil’s internal feuding and plotting to survive.  Nan provides a fantastic alternate perspective for much of the events of the novel as she is used to show what is happening in the Nihil camp.  I liked her use in this book, and while I would have enjoyed a much more intense confrontation with Reath when they are inevitably reunited, I did enjoy how Nan’s story arc dramatically changed towards the end of the novel, which should be interesting for future High Republic novels.  The other character is Xylan Graf, the ultimate rich-kid master manipulator.  Xylan is the scion to the exceedingly powerful and rich Graf family, who organises the entire expedition, seemingly to gain rights to a valuable sector of space.  Xylan is an extremely flashy and stylish figure, and it is quite entertaining to see the other characters react to his eccentricities.  He is also quite a sly operator, cooking up plans and spinning tales to keep everyone happy.  He is so slippery that you honestly don’t know what he is planning for most of the novel, and I felt that he was a very compelling and fun addition to the cast.  All of the above characters were really fun and I hope they reappear in some of the future High Republic entries.

I made sure to grab a copy of Out of the Shadows’ audiobook format, which proved to be an interesting experience.  While I tend to really enjoy Star Wars audiobooks due to the cool production inclusions they usually feature, I ended up being a little disappointed with Out of the Shadow’s audiobook.  This was mainly because it lacked the iconic Star Wars musical score or background sound effects that all the other Star Wars audiobooks have, which made for a more subdued listening experience.  While this didn’t make Out of the Shadows impossible to enjoy, it was a very noticeable departure from the typical fun I have with Star Wars audiobooks, and several scenes could have benefited from being enhanced by some emotional music.  Still, I enjoyed the production, mainly because narrator Keylor Leigh does a really good job telling the story.  Leigh, who previously narrated Ireland’s A Test of Courage, has a great voice for teenage characters.  I felt that Leigh gave each of the key protagonists a unique and fitting voice, and she also ensured that the narrative moved along at a quick and exciting pace.  In addition, with a runtime of just under 11 hours, this is a relatively quick listen, which dedicated listeners can power through in no time at all.  As a result, this is a good format to enjoy Out of the Shadows on, although I really do wish that it had featured the usual strong Star Wars production values.

Star Wars: Out of the Shadows by Justina Ireland is an awesome and captivating High Republic tie-in novel, which continues to explore this unique period in Star Wars history.  Containing a fun story and some great characters, this novel serves as a key entry in the High Republic series, following several fascinating plot threads from some previous novels.  Readers are in for an excellent time with this novel, and Out of the Shadows proves to be an exciting and compelling experience.

Throwback Thursday – The Death of Superman

Death of Superman Poster

Studio: Warner Bros. Animation and DC Entertainment

Series: DC Universe Animated Original Movies – Film 32 / DC Animated Movie Universe – Film 11

Directors: Sam Liu and Jake Castorena

Writer: Peter J. Tomasi

Producers: Sam Liu and Amy McKenna

Length: 81 Minutes

My Rating: 5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review content I have enjoyed before or review older books I have only just had a chance to read.  This week, after the fun I’ve had recently reviewing Batman: Assault on Arkham and Batman: Under the Red Hood, I continue to check out some awesome DC comic book animated features, with the impressive and powerful The Death of Superman.

Easily one of the most iconic comic book arcs of all time is the 1992/1993 storyline, The Death of Superman, which (spoiler alert) saw Superman die at the hands of new villain Doomsday.  Not only did the act of actually killing off Superman shock the world but the series was a massive financial success, becoming one of the bestselling comics of all time.  Due to its popularity, DC have attempted to adapt the storyline multiple times, with Smallville, the animated Justice League show, and Batman v Superman: Dawn of Justice, all using elements of it in one form or another.  There has even been another direct animated attempt at recreating the storyline, with the 2007 release, Superman: Doomsday, the very first film of the DC Universe Animated Original Movies.  However, in my opinion, none of them successfully conveyed the tone or the fantastic story as well as the 2018 animated film, The Death of Superman.

Directed by Sam Liu and Jake Castorena and written by Peter J. Tomasi, The Death of Superman is an incredible and amazing film that really gets to grips with the original comic, while also adding in some unique details to create a memorable and deeply moving experience.  As the 32nd instalment in the DC Universe Animated Original Movies, it also sat in the joint DC Animated Movie Universe, and was a major instalment in this series, setting up several storylines that would later be utilised in later entries, such as the final film, Justice League Dark: Apokolips War.  Featuring an awesome story, a fantastic voice cast and some exceptional animation, The Death of Superman is easily one of the best films in the entire DC Animated Movie Universe and is one of my all-time favourite animated comic book adaptions.

After saving the world multiple times, both by himself and with the Justice League, Superman reigns as one of the planet’s most popular superheros, inspiring the world with his spirit and determination to do good.  His latest act of heroics saved the mayor of Metropolis from the notorious Intergang, who made use of a large arsenal of advanced weaponry, likely supplied by an apparently incarcerated Lex Luthor.  However, despite his larger-than-life personality, Superman is also Clark Kent, a down-to-earth man from small-town America, trying to make his new relationship with fellow reporter Lois Lane work.  As Clark finally opens himself up to Lois and reveals his biggest secret to her, a brand-new threat arrives on Earth, bringing with it only death and destruction.

A mysterious meteorite has rapidly entered the solar system and crashed down on Earth, landing in the ocean.  When a team sent by Luthor and a group of Atlantean soldiers arrive, they find that the meteorite was a containment pod, and inside is something monstrous.  Killing everyone it encounters, the beast escapes the ocean and makes landfall, heading towards the largest population centre it can find, Metropolis.  With no-one able to slow it down, and even the Justice League powerless against it, it falls to Superman to engage it as Earth’s last standing defender.

Engaging in battle in the heart of Metropolis, Superman and the monster, Doomsday, begin a bloody battle that tears through the streets and levels buildings.  Superman may by the strongest person on the planet, but his new foe is a deranged and unstoppable killing machine, concerned with only death, destruction, and dominance.   Can Superman once again prevail and defeat his foe or has the Man of Steel finally met his match.  Whatever, happens, the world with never be the same again, and everyone who Superman has inspired may suddenly have to deal with the death of their greatest champion.

I must admit that when I first saw that they were doing yet another adaption of The Death of Superman comic, I was a little ambivalent, as I have not been too impressed by some of the other versions out there.  However, I still grabbed a copy as soon as it came out, and I was frankly blown away by how good it was.  This film has everything you could want in a brilliant animated feature, including an exceptional story and some amazing actors, but what this film has in abundance is heart.  Throughout its run time, you swiftly become attached to the great characters contained within, especially Superman and Lois, and then you are forced to watch as they suffer the most tragic moment of their lives.  This results in an extremely moving and powerful film, which became an instant classic in my book, and it is one that I have no problem awarding a full five-star rating.

When writing this film, Peter J. Tomasi had to do a lot with a limited amount of time.  Not only did he have to produce a pretty accurate adaption of the original Death of Superman comic, but he also had to work it into the wider DC Animated Movie Universe, which had already had its own unique history.  He easily succeeded on both fronts, as The Death of Superman contains an excellent and powerful story, that I have an extremely hard time faulting in any way whatsoever.  The story starts off with a shot of Superman saving the city and painting a pretty rosy picture of himself as Metropolis’s favourite son and defender.  After the title card, which contains the grim name of the film, the movie works to quickly introduce all the key characters, relationships, and settings, most of which had only been briefly touched on in the preceding DC Animated Movie Universe films.  This makes for a rather light-hearted start to the film; however, it also works to get you to know the characters and other key aspects of the Superman mythos and backstory, and all the setup is essential for you to get the full emotional and dramatic reactions during the second half of the film.  I also liked the way in which the film is tied into the other films of the universe, mostly using the Justice League, especially Batman and Wonder Woman, and it was great to see more of that version of the League.  All of this serves as a great set-up for the intense and action-packed second act, which is where all the action and mayhem begins.

About halfway through, the film really picks up the action with the Justice League, sans Superman, engaging Doomsday in a small town.  The action here is fast and furious, as the various members of the League get their best shots in and are then taken down in some quite brutal ways.  While this is happening, Clark is on a date with a frustrated Lois, where he finally reveals to her that his is Superman.  This date scene is done really well, and Lois’s reaction to the revelations runs the full range of emotions, especially once Superman, forced to leave to confront the threat reveals his other secret: that he loves her.  This is a great scene, and it is one that helps solidify the relationship and emotional bond between Superman and Lois while also making the viewer care for the characters just a little bit more.  However, the focus is quickly changed back to the fight with Doomsday, who has managed to take out the entire League, with only Wonder Woman hanging in.  As she falls, Superman steps in and begins a massive and brutal fight throughout Metropolis.  The creative team behind The Death of Superman really do not hold back here, as they present a knockdown brawl between the two, with Superman forced to also try and save civilians as they fight.  Their battle is a truly intense and amazing extended sequence, and there are some outstanding scenes featured throughout it.  You get some great reaction shots from the various supporting characters, and Lois and Lex Luthor have some outstanding moments as well, as they get involved for various reasons.  However, despite everything, it soon becomes clear just how indestructible and dangerous Doomsday is, and how even Superman doesn’t stand a chance.

The entire film leads up to the final climatic sequence, where the inevitable finally happens and Superman dies taking down Doomsday.  This entire scene is done perfectly, with a near-defeated Superman spurred on to make one final effort against Doomsday as the monster advances towards a seemingly hopeless Lois, who reveals to a downed Clark that she loves him too.  The blow itself is beautifully rendered with a powerful and lethal shot to Doomsday, but it is the aftermath that really turns this film into a five-star watch, as Superman is fatally impaled on a spike.  Watching a grieving Lois slowly release that the love of her life is dying in her arms is so hard to watch, and the creative team really turn up waterworks with Superman giving some touching last words: “what a lucky man I was”.  The eventual death is extremely moving, with the entire world witnessing his death and Lois’s grief, while standing in absolute shock.  Even the Justice League is moved to tears, with the usually taciturn Batman’s reaction being the most telling.  This entire sequence is deeply enhanced by a brilliant orchestral score that really plays up the emotion of the scene and strikes home every time you hear it.  This is such a powerful and impactful sequence, and it is swiftly followed by a moving funeral, with all the major characters in attendance, and then a final shot of several characters reacting in a post-funeral grief while Superman superfan Bibbo Bibbowski narrates a fitting final prayer for the character.  This entire sequence leaves me breathless, even after several re-watches, and it easily one of the most moving animated sequences I have watched.  The film then does a decent wrap-up, with several concluding sequences and post-credit scenes setting up the events of the sequel film.  However, it is the moving conclusion that will stick with you well past the films end, as it really brought everything about this movie together.

While I would be plenty happy with this film with only the outstanding story and amazing conclusion, The Death of Superman is also backed up with some incredible animation and a fantastic musical score which deeply enhance this fantastic film.  The animation is really great, and I loved the designs for the various characters, most of which hark back to their original comic book appearances.  The most impressive animation is reserved for the excellent and impactful action sequences involving Doomsday.  The animators show no hesitation in showing the blood and gore as Doomsday literally tears through everything in his way.  The initial fight with the Justice League is brilliant, especially as Doomsday brutally counters all their unique abilities and absolutely destroys them.  However, it is the giant fight with Superman which is the true highlight of The Death of Superman.  This fight is pretty extraordinary, and the animators really highlight the desperation and inspiration of the two participants.  Each of them is well and truly battered, and it is really shocking to see all the damage that Superman takes throughout the fight.  There is also some very dramatic damage to the city of Metropolis, with even the Hall of Justice being turned to a pile of rumble as these two duke it out.  I cannot emphasise how awesome this animation is, and it was so cool to see these battles unfold.

I also really need to highlight the fantastic use of music throughout this film, which works well in concert with the animated sequences.  The Death of Superman features an exceptional orchestral score, with the various tunes often harking back to classic Superman music.  This music is used perfectly throughout the various scenes in this film and help to really enhance the drama or emotion of the scene.  There are some great scenes with music throughout the film, although nothing tops the fantastic climatic sequence I mentioned above.  This animation and music are so very awesome, and it was an absolute joy to behold.

This film contains a pretty cool range of different characters, including iconic heroes, major Superman supporting characters and even a few more obscure characters.  This helps to turn The Death of Superman into quite a unique and fun film, and I really loved the range of reactions and character arcs that it contained.

Unsurprisingly, the most highlighted character in the film is Superman, who is voiced by Jerry O’Connell, who voiced the character in most of the DC Animated Movie Universe entries.  Up until this point, I felt that Superman was a bit underutilised.  Most of the previous films have focused on Superman’s relationship with Wonder Woman, while also featuring him as the League’s powerhouse.  However, this is easily Superman’s film, as the writers take substantial time to examine his history, relationships, inner personality and the duality between Superman and his Clark Kent persona.  You really get some intense insights into both versions of the same person, especially when you see his evolving relationship with Lois, and you swiftly grow to care for him in a way that some of the recent live-action films really didn’t make you.  His character really shines through during the battle with Doomsday, as he refuses to stay down, especially when people’s lives are on the line, and even risks himself to save his most hated enemy.  His sheer determination and intensity is really inspirational, and it starts to hurt a little inside to see him get beaten down by his opponent.  I felt that O’Connell does such a great job portraying Superman, and he really brings out the best of the character, showing his true heart and soul, and making him such a likeable character, who, despite his alien heritage, was still so very human.  I was really impressed and shocked by how much I grew to love Superman by the end of this film, which of course, ensures that you are so moved by the final scenes.  Seeing this character die in Lois’s arms in front of the world is just heartbreaking, and you guaranteed to be moved by his portrayal in this film.

While there is a natural focus on Superman, in many ways The Death of Superman is just as much a film about Lois Lane.  Voiced by the talented Rebecca Romijn, this version of Lois is bold and fearless in her career but also a little guarded in her personal life, especially as she senses that Clark is hiding something from her.  This film really builds up Lois extremely well in its short run-time, and you get a great sense of who she is and what she cares about.  I felt that the character had some amazing chemistry with Clark, which really isn’t surprising as Romijn is married to O’Connell in real life, so I’m sure they channelled a lot of that film.  I really was impressed by the way they showed Lois’s growing relationship with Clark as the film progresses, and the revelation about Superman’s true identity at the centre of the film really helps to solidify it, especially once Clark declares his love for her.  The subsequent battle sees Lois go through hell, as she chases the fight throughout Metropolis and has to watch Superman continuously get beaten up.  The scene where she tries to distract Doomsday and then gives up as he turns towards her is so dramatic, especially as she follows it up with her own declaration of love for Clark.  The final grief laden scene with Superman really moves me every time, and I felt that the sheer emotion coming off Lois was just amazing.  This might be one of my all-time favourite portrayals of Lois Lane, especially as Romijn does some exceptional follow ups in later DC Animated Movie Universe films.

The other major character I really want to highlight is Lex Luthor, who was voiced by the always entertaining Rainn Wilson.  Like Superman, Lex had been really underutilised in the DC Animated Movie Universe; his reveal in the Throne of Atlantis post-credit scene really did not pan out in a meaningful way in Justice League vs. Teen Titans.  However, this dramatically changed in The Death of Superman as they go out of their way to build up the showcase and show him as the maniacal yet brilliant businessman and criminal mastermind.  The creative team did a lot with Luthor in a short amount of time, and you get a really good idea of his genius, his various plans, and his unrelenting antagonism with Superman, born out of jealousy.  He proves to be a good secondary antagonist for the film, eventually turning into an erstwhile ally, abet for his own purposes, and he has some great scenes.  I was particularly impressed by Rainn Wilson’s voice work in this film, as he brings all the arrogance he can to the film, while also giving character a bit of a slimy edge.  I think he really captured Luthor’s various nuances, and ensures you see him lose his cool when faced with defeat.  I really liked the scene where Luthor can only watch in horror as Superman, despite being beat to hell, saves his life, and that results in some interesting changes in the later films.  I also liked how they captured a bunch of fun aspects of Luthor’s character from the 1990 comics, such as a nod to the Lex Luthor II persona that appeared in The Death of Superman comic.

I also need to highlight the main antagonist, Doomsday.  Despite not saying anything, Doomsday is a major presence, mainly due to his brutality and capability for destruction.  Doomsday is perfectly introduced and I loved the slow reveal of his true form, as the suit containing him is destroyed after several fights.  I must again really highlight how cool he looks in a fight, and the battles between the Justice League, Wonder Woman and Superman are just so damn impressive and pretty intense.  This was a really good portrayal of the character that perfectly harkens back to its comic origins, and it was a nice palate-cleanser after his cave-troll look in Batman v Superman: Dawn of Justice.

The Death of Superman also contains a pretty substantial supporting cast of characters, each of whom add a fair bit to the overarching narrative of the film.  Some of the most prominent of these are the various members of the Justice League, with most of the actors from the earlier DC Animated Movie Universe films reprising their roles.  Each of these characters and their actors have been perfectly introduced in the previous films, so they are inserted into The Death of Superman with minimal effort and form a fantastic cohort around Superman.  The leading two characters are probably Batman, voiced by Jason O’Mara, and Wonder Woman, voiced by Rosario Dawson.  Both characters have unique relationships with Superman, particularly Wonder Woman, and his death really impacts them both.  I also liked the combination of Green Lantern (Nathan Fillion) and Flash (Christopher Gorham), who form a fun comedic duo, while also having some great action moments.  I had a great laugh during the Justice League meeting scene where Flash does a good imitation of Batman joining the PTA of Damien’s school, and Batman’s glaring reaction is pretty funny.

I also loved the inclusion of a couple of unique Superman supporting characters.  Despite the role he played in the original comic, I was really surprised to see so much of Bibbo Bibbowski, Superman’s biggest fan, in this film.  Bibbo is a bit of a dated character, to be honest, but he slides into this film really well, and I loved the voice work done by Charles Halford.  His comedic interactions with both Superman and Clark Kent in the early parts of the film are pretty fun, and there is something amusing about a big, rough sailor type fanboying about a superhero.  It also proves to be quite heartbreaking to see this fan watch Superman die in front of him, and you can see it really breaks him.  I felt that Bibbo’s Hail Mary prayer at the end, which overscored some great visuals of people in mourning, and the subsequent breakdown on the dock was quite touching.  I also liked Erica Luttrell’s Mercy Graves, especially as she forms a great counterpoint to Luthor, especially as she calls him out on some of his more outrageous plans.  Overall, I think that this film was incredibly well cast, and I loved the fantastic group of characters that they brought together.

The Death of Superman is a truly great and powerful animated film that continues to reign as one of my absolute favourite animated comic book adaptions.  Featuring a near-perfect adaption of one of the most iconic comic stories of all time, The Death of Superman is intense, exciting, and downright heartbreaking, as it shows the greatest hero in his final battle.  I was moved to tears the first time I saw this film, and I have so much love and admiration for the work the creative team did to revitalise the character of Superman in one short film.  A highly recommend film to watch, this is one of the better Superman adaptations (live action or animated) I have ever seen.

Throwback Thursday – First and Only by Dan Abnett

First and Only Cover

Publisher: Black Library (Audiobook – 1999)

Series: Gaunt’s Ghosts – Book One

Length: 10 hours

My rating: 4.5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this week’s Throwback Thursday, I check out the first entry in the Gaunt’s Ghosts series, First and Only, by Dan Abnett, which proved to be a very impressive Warhammer 40,000 novel.

You only need to look through my recent Throwback Thursdays to see that I have been in a real Warhammer mood lately.  I recently got into the Gotrek and Felix series by William King, and quickly made my way through the first three books, Trollslayer, Skavenslayer and Daemonslayer, all of which were incredibly awesome.  While I have got the fourth book, Dragonslayer, ready and waiting, I decided to take a break from the fantasy Warhammer novels and dive back into the science fiction Warhammer 40,000 universe.  While I only used to play Warhammer Fantasy, I have a great appreciation for the Warhammer 40,000 lore, and I have recently enjoyed two great books in this massive franchise, Deathwatch: Shadowbreaker and Kal Jerico: Sinner’s Bounty.

While there are several intriguing Warhammer 40,000 novels on my radar, I decided to listen to the very first entry in the acclaimed Gaunt’s Ghosts series by Dan Abnett, First and Only.  Abnett is an impressive and prolific author and comic book writer who has done a lot of work across several franchises and companies, including Marvel and DC.  While he has a massive back catalogue, Abnett is best known for his input into the Warhammer extended universe.  Abnett has written an immense number of novels for the franchise, including Warhammer Fantasy books, such as the Malus Darkblade series (on my to-read list).  Most of his work is in the Warhammer 40,000 range, where he has written several major series, including the Eisenhorn and Ravenor series, as well as several major novels in the Horus Heresy extended series.  However, the most iconic of these is the Gaunt’s Ghosts series.

The long-running Gaunt’s Ghosts series follows a regiment of Imperial Guard, the basic foot-soldiers of the Imperium of Man, a major faction in the Warhammer 40,000 universe.  Starting back in 1999 with this novel, the Gaunt’s Ghost series featured 15 individual books, as well as several short stories, and only recently finished in 2019.  The Gaunt’s Ghosts series is one of the most iconic entries in the entire Warhammer 40,000 novel range, and I have heard many positive things about it over the years.  First and Only was one of the first books published by the Black Library, the Games Workshop publishing arm, and is a major feature of their catalogue.  So I felt that I was going to take the plunge and read more Warhammer novels, this would be a pretty good place to start, and boy was I glad that I did.

In the grim darkness of the far future, there is only war….

Throughout the entirety of space, the armies of the Imperium bring the fight to their enemies on every planet, battlefield and hellscape they can find.  One of the most deadly and destructive theatres of war is the massive Sabbat Worlds Crusade, where Imperial forces fight and die to defeat the armies of Chaos and bring an entire sector back into the Emperor’s light.  Many regiments of Imperial Guard have been recruited to battle in this war, but none have a background more steeped in blood and tragedy than the Tanith First and Only.

Formed to serve in the crusades from the once verdant world of Tanith, the first regiment of Tanith Imperial Guards could only watch in horror as their planet was destroyed by the forces of Chaos, with them the only survivors.  Now under the command of Colonel-Commissar Ibram Gaunt, the men of the Tanith First and Only have taken to calling themselves Gaunt’s Ghosts, due to their superior stealth skills and in recognition of the pain they feel at being the only remnants of their planet.

Fighting in the latest phase of the crusade, the Ghosts find themselves where the fighting is thickest, using their unique skills and experiences to confound the enemy and bring about impossible victories.  However, the Ghosts are about to discover that not all battles are fought on the field, and not all enemies are in front of them.  A power struggle is brewing in the upper ranks of the Crusade’s high-command, and the Ghosts have fallen right into the middle of it.  Entrusted with a mysterious encrypted data transmission by an old friend, Gaunt soon finds himself targeted by the agents of an ambitious general.  After several devastating attacks, Gaunt is forced to choose a side, especially after he uncovers a deadly secret that could destroy everything his men have fought for.  His mission will lead him to the most dangerous battlefield in the crusade, where the lines between friend and foe have never been blurrier.

Now this was a really incredible and exciting novel.  Abnett has produced an outstanding story in First and Only, and I loved how he perfectly translated the unique feel of the Warhammer 40,000 universe into a captivating narrative.  Featuring some great characters, a dark setting, and a fantastic look at this great franchise, First and Only is a captivating and explosive novel and I had an amazing time getting through it.

Abnett has produced a pretty epic story for First and Only that not only serves as an excellent introduction to the characters and wider narrative but is also full of excitement, intrigue and action.  At its core, First and Only is a tough and gritty military action adventure, that follows the Tanith First and Only through several gory fields of battle.  The narrative is broken up into several distinctive sections, set across three separate planets and one massive spaceship, as well as several shorter scenes and flashback sequences that add context and strengthen character development.  These separate sequences flow together extremely well and form a tight and compelling overarching narrative.  I loved the way in which Abnett combined his fantastic military story with treacherous and thrilling political intrigue, as the protagonists are forced to deal with treachery from their friends and attacks from their own commanders.  The author really does a great job setting up the key plot points at the start of the book, and the entire narrative seamlessly flows on after that.  I was deeply impressed by all the amazing action sequences, and I loved the author’s use of multiple character perspectives to tell a complex and powerful narrative.  The entire narrative comes together extremely well into a big, explosive conclusion.  I really enjoyed some of the great twists that were revealed in the lead-up to the conclusion and I was pleasantly surprised by several fun turns and reveals.  An overall exciting and terrific narrative, I had an absolute blast getting through this awesome novel.

One of the best things about this fun novel is the author’s great use of the dark and gothic Warhammer 40,000 setting.  Abnett obviously has a lot of love for this universe, and he painstakingly recreates it in his novel in all its fantastic and gritty glory.  As a result, the reader is treated to some outstandingly portrayed background settings of destroyed worlds, bombarded warzones, and overpopulated Imperial worlds.  This proves to be really impressive to see, and the author makes sure to use this setting to full effect, enhancing the cool narrative and making it an excellent backing for the various fight scenes.  This attention to detail also comes into play perfectly during the book’s various action sequences, and I felt that Abnett perfectly captured the unique and chaotic feel of a Warhammer 40,000 battle scene.  I have to say that I also deeply appreciated the way in which Abnett introduced the reader to the Warhammer 40,000 universe.  I personally found that very little pre-knowledge of this extended universe is needed to enjoy this book, and while those readers familiar with the game or other Warhammer novels will obviously get a lot more out of First and Only, this is actually a pretty good way to experience Warhammer 40,000 lore for the first time.

Another cool aspect of this novel was the insightful and intriguing focus on the Imperial Guard.  The Imperial Guard are the basic grunts of the Imperial faction and are often overshadowed by the flashier Space Marines in both the tabletop game and the wider extended universe.  As a result, it was cool to see a novel that focuses on a regiment of these troopers and shows them during a deadly and bloody war.  Abnett does an outstanding job capturing this faction in First and Only, diving into the psyche of the common soldier, while also showcasing their tactics, weapons, machines and motivations.  Thanks to the author’s excellent use of multiple character perspectives, you get to see various aspects of the regiment from commander down, and I loved the fascinating combination of perspectives from all the different types of soldiers and specialists.  I also really appreciated the way in which Abnett highlighted different regiments of Imperial Guard throughout the novel, which corresponds with the varied regiments and styles that can be fielded in the tabletop game.  While most of this novel focused on the Tanith First and Only, Abnett also strongly features two other regiments, the Vitrian Dragoons and the Jantine Patricians, who act as allies and rivals to the Ghosts respectfully.  It was extremely interesting to see the variations in mentality, uniforms, and tactics between these regiments, and I really enjoyed the way in which the author highlights their diverse backgrounds and planets.  This ended up being an incredible introduction to the Imperial Guard, and I imagine that quite a few Warhammer 40,000 players gained a new appreciation for this army after reading this novel.

First and Only features a fantastic collection of characters that serve as the heart and soul of the narrative.  This book follows the adventures of the Gaunt’s Ghosts regiment, and you get to see various members of this squad in action, as well as some antagonist characters.  Abnett ensures that each of the characters featured within the novel have intriguing and well-established backstories and traits, and you quickly understand their motivations.  Much of First and Only’s focus is on the leader of the Ghosts, Colonel-Commissar Ibram Gaunt, who serves as the main protagonist. Gaunt proves to be an excellent and enjoyable main character, who serves as both the regiment’s leader and its inspirational political officer.  Abnett really develops Gaunt’s personality and backstory, and all of the flashbacks focus on his past, setting up his relationship with several of the characters featured in the novel and showing how several rivalries were formed.  Other fascinating and complex characters included Colonel Corbec, who was the main secondary antagonist; Major Rawne, an officer with a hatred for Gaunt who has a pretty traumatic time in this novel; Brin Milo, Gaunt’s adjutant with extreme perception (they are obviously setting up something there); and Colonel Flense, a guardsman from a rival regiment who bears a great grudge against Gaunt.  All these characters, and more, are really fun to follow, but readers are advised not to get too attached, as this is a brutal war story.  I will admit that I initially had a little trouble connecting to several of the characters and I lost track of who the different protagonists were.  However, once I got a further into the story, I grew to know each of the distinctive characters, and I appreciated their fun characteristics and capacities.

As I have tended to do with all Warhammer recently, I grabbed the audiobook version of First and Only.  This proved to be a fantastic decision, as the First and Only audiobook was an excellent and fun production that I was able to power through quickly.  First and Only has a decent run time of 10 hours, and features some amazing voice work from veteran narrator Toby Longworth.  Longworth, who has previously narrated a swathe of Warhammer audiobooks, does an outstanding job with this novel, and he moves the narrative along at a swift and exciting pace.  I love the range of great voices Longworth brings to First and Only, and each character is given a distinctive voice that fits their personality and background perfectly.  There is a certain grim nature to the voices of many of the main characters, which reflects the dark, gothic nature of the Warhammer 40,000 universe.  He also utilises a series of different accents for some of the various Imperial Guard regiments, which helps to distinguish their divergent backgrounds and the influence of their home world.  This amazing narration turns the First and Only audiobook into an absolute treat, and this was an incredible way to enjoy this excellent book.  As Longworth provides the narration for the rest of the Gaunt’s Ghosts audiobooks, I will probably check out the rest of this series in this format, and I already know that I will have an awesome time doing so.

First and Only by Dan Arbnett is an outstanding and fantastic novel that takes the reader on an exciting journey to the heart of the Warhammer 40,000 universe.  Featuring an incredible and epic war story that makes full use of its dark setting and amazing characters, First and Only serves as a captivating first entry in the Gaunt’s Ghost series.  I had a wonderful time listening to this book, and this was one of the best Warhammer tie-in novels I have so far had the pleasure of reading.  This novel comes highly recommended, and I full intend to check out the other entries in this series in the next few years.

First and Only Cover

Waiting on Wednesday – Star Wars: The High Republic: Tempest Runner by Cavan Scott

Star Wars - Tempest Runner Cover

I also wanted to do a quick Waiting on Wednesday article on the upcoming Star Wars audio drama, Star Wars: The High Republic: Tempest RunnerTempest Runner, which will be written by the amazing Cavan Scott, will be the latest entry in the intriguing High Republic range of Star Wars fiction and will be released later this month.  I briefly mentioned this upcoming audio drama in another Waiting on Wednesday article, however, I was waiting to get some more details, such as the cool cover art above, before I discussed it.

For those unfamiliar with it, The High Republic is one of the most interesting and compelling current focuses of Star Wars fiction now.  Set around 200 years before the events of The Phantom Menace, High Republic media focus on a golden age of the Republic which is facing some major troubles, mainly in the form of the pirate group known as the Nihil.  Starting early this year with Light of the Jedi by Charles Soule, this era of Star Wars lore is proving to be a lot of fun, and there have been some great entries in the series, including Into the Dark by Claudia Gray and The Rising Storm by Cavan Scott, the later of which was particularly good.

Scott looks set to continue his awesome run of High Republic fiction with Tempest Runner, which appears to be a character specific sequel to The Rising StormTempest Runner will focus on one of the major High Republic antagonists, Lourna Dee, Tempest Runner of the Nihil, and has a very interesting story set around her.

Synopsis:


In this Star Wars audio original, delve into the cutthroat world of one of the High Republic’s greatest foes, the merciless Lourna Dee.

The Nihil storm has raged through the galaxy, leaving chaos and grief in its wake. Few of its raiders are as vicious as the Tempest Runner Lourna Dee. She stays one step ahead of the Jedi Order at the helm of a vessel named after one of the deadliest monsters in the galaxy: the Lourna Dee. But no one can outrun the defenders of the High Republic forever.

After the defeat of her crew, Lourna falls into the hands of the Jedi – but not before she hides her identity, becoming just another Nihil convict. Her captors fail to understand the beast they have cornered. Just like every fool she’s ever buried, their first mistake was keeping her alive.

Lourna is determined to make underestimating her their last.

Locked onto a Republic correctional ship, she’s dragged across the galaxy to repair the very damage she and her fellow Tempest Runners inflicted on it. But as Lourna plans her glorious escape, she makes alliances that grow dangerously close to friendships. Outside the Nihil – separated from her infamous ship, her terrifying arsenal, and her feared name – Lourna must carve her own path. But will it lead to redemption? Or will she emerge as a deadlier threat than ever before?

I really love the cool synopsis above.  It looks like Scott has a pretty fantastic story in place for this audio drama and I am pretty keen to see a villain-centric story, especially one that focuses on Lourna Dee, who has been particularly fun in some of the High Republic novels.  A prison drama in space has a lot of potential, especially in the Star Wars universe (Death Troopers and Maul: Lockdown are great examples of this), and I am very keen to see what compelling narrative Scott has planned.

I am also really keen to check out another full-cast Star Wars audio drama.  There have been two previous audio dramas in this current canon, Dooku: Jedi Lost, which was also written by Scott, and Doctor Aphra.  Both audio dramas have been particularly fun, and I have deeply enjoyed hearing the outstanding array of narrators and voice actors featured in them.  This latest audio drama has another particularly good cast, which includes some of my favourite Star Wars audiobook narrators.


Narrated by a Full Cast:

Jessica Almasy as Lourna Dee
Dan Bittner as Councilor Wittick
Orlagh Cassidy as Ola Hest
Sullivan Jones as Bala
January LaVoy as Tasia
Kathleen McInerney as Councilor Fry
Tara Sands as Sestin
Vikas Adam as H7-09 and Raleigh
Jonathan Davis as Andrik Keller and Asgar Ro
Neil Hellegers as Kassav, Yudiah Dee, and Jano
Saskia Maarleveld as Parr and Avar Kriss
Soneela Nankani as Muglan and Keeve Trennis
Marc Thompson as Pan Eyta, Sskeer, and Marchion Ro
Shannon Tyo as Quin and Nib Assek

The above cast sounds pretty impressive and I am very keen to see how they perform together.  It looks like Jessica Almasy is going to be the feature performer of this audio drama, and it will be great to see her take on Lourna Dee.  I am also very excited to hear more of January LaVoy (who did an amazing job narrating Star Wars: Victory’s Price earlier this year), Jonathan Davis (Master and Apprentice, Lords of the Sith) and Marc Thompson (Thrawn, Chaos Rising, Greater Good, Dark Disciple, Scoundrels), all of whom have done some great work recently.  There is also a very fun combination of characters there, and it will be interesting to see how they are worked into the plot.

Overall, Tempest Runner looks set to be a very exciting and compelling new addition to the Star Wars canon.  I am extremely keen to listen to this upcoming audio drama, especially as it features an exceptional cast, and it will probably be one of the standout pieces of Star Wars fiction in 2021.  I look forward to hearing this cool story unfold later this month, and I think this audio drama has an immense amount of potential.

Star Wars: The High Republic: The Rising Storm by Cavan Scott

Star Wars - The Rising Storm Cover

Publisher: Penguin Random House Audio (Audiobook – 6 July 2021)

Series: Star Wars – The High Republic

Length: 15 hours and 32 minutes

My Rating: 4.75 out of 5 stars

Prepare to dive back down into one of the most unique parts of the current Star Wars canon, as bestselling author Cavan Scott presents the next exciting adventure in The High Republic era, The Rising Storm.

The High Republic is a massive collaborative multimedia Star Wars project that started earlier this year and which represents a new area of focus for the Star Wars franchise.  Set in the Golden Age of the Republic, hundreds of years before the events of the Skywalker Saga, The High Republic currently contains several amazing pieces of tie-in fiction, with unique tales making up an overarching storyline.  I have so far read two entries in this series, the introductory novel Light of the Jedi by Charles Soule and the great young adult book Into the Dark by Claudia Gray.  The next major entry in this series is the fantastic and exciting The Rising Storm by Cavan Scott, which continues several storylines from Light of the Jedi.  Scott, who previously wrote the fantastic Dooku: Jedi Lost audio drama, has come up with a fascinating and compelling novel that I really enjoyed.

Two hundred years before the events of The Phantom Menace, the Republic was at its zenith, with the Jedi leading the expansion outwards to the Outer Rim.  However, following the Great Hyperspace Disaster, the Republic’s safety and security looks uncertain.  Even after the creation of Starlight Beacon, the Outer Rim is still a dangerous place, especially with the machinations of the notorious pirate group, the Nihil, as well as the spreading attacks from the plant monsters known as Drengir.

Determined to show that the Republic and the principles that govern it are still strong, Chancellor Lina Soh has organised the Republic Fair on the planet of Valo.  The fair will bring together cultural displays, new technology, Jedi artifacts and other wonders of the galaxy in a massive celebration to demonstrate the possibilities that an expanding Republic will have on the entire galaxy.  Attended by high-ranking Republic dignitaries, visiting diplomats, celebrities, leading scientists and prominent Jedi, all eyes in the galaxy will be on the fair and its participants.  However, some of these watching eyes have far more hostile intent and are determined to see the Republic Fair fail at all costs.

The most dangerous of these is Marchion Ro, the mysterious and unpredictable Eye of the Nihil.  Under his leadership, the Nihil have achieved much infamy and caused inordinate destruction throughout the Outer Rim, and Ro is determined to keep the Republic and the hated Jedi out of his territory.  As the fair begins, Ro orders a devastating attack that will shake the very galaxy to its core.  As Jedi such as Stellan Gios, Bell Zettifar and Elzar Mann attempt to hold back to the tide of evil descending on Valo, they are about to discover that there is something far more dangerous afoot in the galaxy.  Marchion Ro has uncovered an ancient evil and the entire galaxy, and every Jedi in it, is about to fear his wrath.

Now this was an awesome book, and one that is really starting to make me fall in love with The High Republic.  Scott has produced an intense and powerful story that continues to develop some of the best The High Republic characters, while also advancing some great storylines established in the previous novels and comics.  I had a wonderful time getting through this book, and this may be one of my favourite The High Republic novels so far.

This book has an awesome and captivating narrative to it.  Set about a year after the events of the first High Republic novel, The Rising Storm quickly introduces several intriguing storylines that each follow a different key character.  This includes a great storyline surrounding Elzar Mann as he attempts to decipher a warning given to him by the Force, as well as the tale of the conflicted and distracted Jedi apprentice Bell Zettifar.  There is also great storyline that follows a new character, mercenary Force user Ty Yorrick, as she takes on a new contract, and several storylines that follow key characters in the Nihil.  All these initially separated storylines are quite fun and do a good job setting up the various main characters, as well as establishing the current relevant events occurring in the galaxy.  While these individual storylines are quite fun and feature a mixture of intriguing characters, they swiftly come together into one combined narrative, when all the participants arrive at Valo for the Republic Fair.  Based on the book’s synopsis and the initial planning by the Nihil, you know that the fair is going to be attacked in some way, and Scott makes sure to ramp up anticipation for the upcoming carnage, showing multiple scenes that could lead into it.  However, even after all that, I was still not quite prepared for how amazing the main part of the novel turned out to be.

The eventual raid on the fair ended up lasting for quite a substantial part of the novel, as a coordinated attack separates the key characters.  With communications down and chaos reigning all around them, the protagonists are on their own, with each of their separate storylines focusing on their own encounters with the Nihil.  The entire raid is utter bedlam and proves to be a hotbed of action, intense moments, and dangerous character development.  I was honestly surprised at how dark parts of this book got, and readers are guaranteed a thrilling experience as there are several outstanding and intense action sequences.  Each of the main characters is effectively highlighted during this period, and readers will quickly become engrossed in their storylines and their attempts to navigate the dangers they encountered.  The entire raid sequence comes to an end with a decent part of the novel still left, which I initially thought was a bit of a mistake, as Scott could have ended the novel perfectly in the attack’s aftermath.  Instead, he constructed an incredible final sequence that really tied the entire narrative together, resulting in a memorable conclusion that sets up the next wave of novels perfectly.  While I did feel the story could have used a little bit of trimming, this was an overall excellent narrative, which I think was stronger than the preceding Light of the Jedi, mainly because it did not require the universe setup that Soule was required to chuck in.

While I deeply enjoyed The Rising Storm’s addictive story, this novel is a bit of a niche read and is mostly going to appeal to established fans of the franchise.  The Star Wars extended universe is an interesting and enjoyable place to explore, but it can be easy to get a little lost while checking out these books.  This is especially true with the new High Republic range, which takes the reader to a fictional period that has not been introduced to a wider universe either in a film or television series.  Due to its position as a second wave High Republic novel, you really need to check out some of the earlier works in the series before you try this one out, especially Light of the Jedi, which sets up most of the storylines and characters featured in this novel.  It is also important to add that this novel ties into several of the other High Republic comics and novels.  Events from these books and comics are referenced throughout The Rising Storm as Scott’s key characters interact with the protagonists of these other works, such as the junior novel, Race to Crashpoint Tower.  Knowledge of some of these contemporaneous pieces of fiction is not 100 per cent necessary, although several plot points and references become a lot clearance once you recognise the connection.  While Scott did do his best to make story accessible to new readers, I think that most High Republic newcomers would be better served reading Light of the Jedi first, which will make it so much easier to enjoy this awesome novel.

One of the more difficult things about reading a High Republic novel is the lack of any recognisable characters from the Star Wars films or television shows, as the only character from them alive at this point is Yoda (who keeps disappearing).  However, I found myself getting really invested in the complex and intriguing characters featured in The Rising Storm, as Scott makes use of both original characters and characters introduced in previous pieces of High Republic fiction.  This novel focuses on a huge selection of supporting characters, each of whom have their own adventures and stories.  One of my favourites was damaged Jedi Elzar Mann.  Mann is a troubled being who spends most of this novel haunted by both a dark vision from the Force and his unrequited and forbidden love to his friend and fellow Jedi Avar Kriss.  Because of this, Mann spends most of the novel walking the very edge of the Jedi code, breaking nearly every rule he can, including that major one about not falling in love or having a physical relationship with someone.  This sets him on a knife’s edge, and when the Nihil come, he is pushed dangerously close to the Dark Side (which mirrors Anakin’s fall in several ways) with some spectacular results.  This portrayal of Mann is one of the most compelling and exciting in the entire novel, and I appreciated the inclusion of a rogue Jedi.  Another complex Jedi character that I enjoyed was apprentice Bell Zettifar, who was a major point-of-view character in Light of the Jedi.  Bell is still reeling from the events of the first book where his master was apparently killed by the Nihil.  Because of this and other traumatic events, Bell spends much of the novel doubting the Force and his place in it.  I found myself really drawn to this character, and I appreciated the tough journey he was going on.  Unfortunately, it looks like Bell is going to go into some very dark places in the future, which should make for some excellent and moving storylines.

Aside from Mann and Bell, another great character I liked was Stellan Gios, a Jedi recently elevated to the Jedi Council.  Stellan, who had a minor role in previous pieces of High Republic fiction gets a lot more focus in this novel and proves to be a fantastic point of view character.  He is another complex figure, especially as he also has doubts and regrets, despite his position as a Council member.  I saw Stellan as the Obi-Wan Kenobi of the High Republic (partially because of the voice used by the audiobook narrator) and I liked his mostly calm demeanour, unrelenting friendship with the wilder Elzar Mann and the way he acts as straight man to several unusual Jedi characters.  Stellan goes through a lot in The Rising Storm, and it was fantastic to see him continuously overcoming adversity as he becomes more use to his place on the Council.  I also deeply enjoyed the character of Ty Yorrick, who was probably the best original character in this novel.  Ty is a former Jedi apprentice turned rogue mercenary who uses her Force abilities and spiked purple lightsaber to hunt monsters.  Despite her aversion for getting mixed up with the Jedi, Ty finds herself at the Republic Fair and must contend with both Jedi and Nihil.  While Ty was not the most developed character in this novel, I really liked her unique style and the fantastic mentor-student bond she eventually forms with Elzar Mann.  She has a lot of potential as a character, and I can see her becoming a major figure in the High Republic novels.

Some of the final characters I need to mention include Rhil Dairo, a spunky reporter who finds herself in the middle of all the key events of the book, recording with her cam droid.  Rhil is a fantastic and fun reporter character, much in the vein of Lois Lane, who can kick ass and get the scoop at the same time.  I also loved the scenes that featured Orbalin, a Jedi archivist and history buff.  Despite his more academic inclinations, Orbalin is quite a fun character who proves to be a real badass, especially as he manages to hold off several Nihil characters, including the lethal Lourna Dee, while giving a history lesson.  Finally, it was also great to see more of Wookie Jedi Burryaga, the cuddliest and nicest Jedi of all time, who everyone loves and who the reader feels inordinately protective of.  All these protagonists and more add so much to The Rising Storm’s narrative, and it was absolutely great to see all of their storylines unfold.

I am also deeply enjoying the villains of The High Republic, the Nihil.  The Nihil are a collection of murderous and self-centred pirates, who use their unique technology and tactics to bedevil the Republic and the Jedi.  With their own unique look and style, which is a mixture of spacefaring Vikings and Mad Max villains, the Nihil are a pretty fun group of characters to follow.  After a very strong introduction in Light of the Jedi, they have another amazing showing in The Rising Storm, achieving some major acts of destruction.  Thanks to their weird weapons, violent attitude and being constantly high on a cocktail of drugs and stimulants, the Nihil prove to be pretty dangerous opponents, even to the Jedi.  This makes for some very unique fight sequences, and it was fascinating to see the Jedi overwhelmed by these criminals.  At the same time, there is also an intriguing focus on the leadership of the Nihil, as the top commanders, the Tempest Runners, fight for dominance against each other and Marchion Ro.  Ro is proving to be a particularly intense and fascinating villain and Scott really builds on the character in this novel, showing more of his flaws, his motivations and his abilities to deceive and destroy.  There are several amazing storylines following Ro throughout this novel, including one where he obtains a mysterious evil item from the past.  The eventual partial reveal of this plot device results in The Rising Storm’s memorable conclusion and the High Republic creative team clearly has some fantastic plans for Ro in the future and they are turning him into one of the more complex and dastardly villains in the entire Star Wars canon.

As is becoming my recurring habit, I ended up listening to an audiobook version of this Star Wars novel.  This of course was a wonderful experience, as the team behind these books ensured that this latest Star Wars audiobook was the usual audio treat that I have come to love.  Featuring a decent run time of just over 15 and a half hours, The Rising Storm audiobook was an exceptional listen that I managed to power through in just over a week and which proved to be an exceptional way to enjoy this Star Wars adventure.  The entire narrative of The Rising Storm is enhanced and supported by a range of awesome and iconic Star Wars sound effects and music, which are intended to draw the listener into the story.  Both the sound effects and music are used to incredible effect throughout, and I think that they both added so much to my overall enjoyment of The Rising Storm.  The sound effects do a remarkable job presenting the ambient noise of every single scene, with crowd noises, the hum of a lightsaber, the engine noises of a ship or the sounds of blaster fire, constantly played in the background.  I was particularly impressed by the chaotic sound effects used during the Nihil attack on the fair, as you are treated to background noises of terror and destruction for several hours, which helps to highlight just how devastating the entire affair is.  In addition, the always impressive John Williams musical score is so much fun to hear, and it was put to particular good use in several significant scenes to enhance dramatic impacts.  I was extremely moved when I heard some of this music, as it either pumped me up during key action scenes (Duel of the Fates always gets me hyped), or to be deeply saddened when the more tragic musical cords struck up.

In addition to the exceptional use of sound effects and music, I also was deeply impressed with the incredible voice work featured in this audiobook.  Leading Star Wars narrator Marc Thompson once again lends his voice to this audiobook, continuing the work that he did in the Light of the Jedi.  Thompson has previously narrated some of my favourite Star Wars audiobooks, including Thrawn, Chaos Rising, Greater Good, Scoundrels, Dark Disciple, and the Doctor Aphra audio drama.  I also really enjoyed the awesome work he did in The Rising Storm, as Thompson not only revises the many voices that he introduced in Light of the Jedi but also adds in several new ones for the new characters.  I felt that various voices that Thompson did fit each of the characters extremely well, and he was able to perfectly personify their personality and written nature using a variety of fun accents.  I also found that Thompson was able to highlight the various emotions that the characters were feeling, giving the listeners a great sense of what they were feeling through his tone.  It was also cool to hear the combination of sound effect and Thompson’s voice when it comes to several alien characters featured within the audiobook, especially those whose voices were altered by technology.  All this outstanding voice work, combined with the awesome sound effects and music, helps to turn The Rising Storm into an absolutely incredible and addictive audiobook, and this is easily the best way to enjoy this fantastic Star Wars book.

The High Republic continues to expand as the amazing Cavan Scott adds his own unique spin on events with the exciting and memorable Star Wars: The Rising Storm.  This latest addition in the intriguing High Republic range does a fantastic job introducing the next stage of this unique Star Wars time period, complete with a devastating event, some major changes and some outstanding new characters.  I had an incredible time reading this great novel, and The Rising Storm is a must read for all fans of the Star Wars franchise, especially in its audiobook format.  If you have not gotten into the High Republic yet, you are missing out, and I cannot wait to see what happens next.  I will also have to make sure to grab a copy of Cavan Scott’s next Star Wars audio drama, Tempest Runner, a High Republic entry which is set for release in a couple of months and which will tell the tale of one of the more intriguing Nihil characters, Lourna Dee.

Star Wars - The Rising Storm Cover 2

Throwback Thursday – Daemonslayer by William King

Daemonslayer Cover

Publisher: Black Library (Audiobook – October 2000)

Series: Gotrek and Felix – Book Three

Length: 9 hours and 38 minutes

My rating: 4.75 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this Throwback Thursday, I am doing a bit of a double feature by reviewing two of the outstanding entries from the iconic Warhammer Fantasy franchise’s Gotrek and Felix series by the brilliant William King.  I have just published a review for the second book in the series, Skavenslayer, and, after some rapid audiobook listening, I have also pulled together a review for the third book, Daemonslayer.

After the epic conclusion of the battle of Nuln in Skavenslayer, Dwarf Slayer Gotrek Gurnisson receives a mysterious message and immediately sets out on the road, convinced that this missive may be the key to finding his much desired glorious death.  Accompanied as always by his companion, the former poet turned reluctant adventurer Felix Jaeger, Gotrek marches to the northern parts of the Empire to meet his destiny.

Arriving at their destination, Gotrek and Felix learn that a group of dwarfs are planning an expedition to find the lost dwarf stronghold of Karag Dum, and they want Gotrek to accompany them.  Destroyed in ages past, Karag Dum now lies in the middle of the Chaos Wastes, the most dangerous place in the entire world.  Wracked by the shifting winds of magic, marauding war bands, mutating warpstone and the foul essence of Chaos, no one can cross the Chaos Wastes and survive, and only death, madness or mutation awaits those who try.  However, expedition leader Borek Forkbeard has come up with an ambitious plan to fly over the Chaos Wastes in a giant, experimental airship, designed by an unstable engineer turned Slayer.

Determined to make up for previous failed attempt to reach Karag Dum, Gotrek agrees to accompany the expedition, with an inspired Felix accompanying him.  However, even with all the advantages that the airship provides, this will still be a perilous journey.  Many dangerous things lurk in the Chaos Wastes that will not hesitate to destroy the dwarven company for their dark gods.  At the same time, Gotrek and Felix’s old foe, Grey Seer Thanquol, plots from the shadows, determined to claim the airship for the Skaven cause.  But the very worst dangers will be found at Karag Dum.  A terrible foe lies within, waiting for revenge and determined to destroy all before him.  Can even the legendary Gotrek and Felix stand up to the wrath of a deadly Bloodthirster of Khorne, especially one who appears destined to kill Gotrek and destroy all who stand with him?

I am having so much fun getting through this cool series and I really wish I had checked it out many years ago.  Daemonslayer is another incredible read that continues the fantastic Gotrek and Felix adventures that started in Trollslayer and were continued in Skavenslayer.  William King has come up with a pretty intense story for this third entry in the series, and I loved the change in writing style featured within it.  An exciting and character-driven tale, this was easily the best entry in the series so far, and I deeply enjoyed the time I spent getting through it.

Daemonslayer contains an impressive and intense narrative that proves to be extremely addictive and a lot of fun to read.  Unlike the previous novels in the series, which featured a collection of short stories, Daemonslayer is actually a complete story with one continuous narrative.  This is an interesting change of pace, and one that I think works extremely well, especially as it cut down on some of the repetition that was an issue in Trollslayer and to a lesser extent in Skavenslayer.  King writes a fantastic story that quickly gets into the action and adventure as the protagonists embark on an epic and potentially lethal quest.  While not a collection of short stories, King does break the book up into several distinctive sections, each filled some unique plot points and antagonists.  These sections are pretty linear and flow into each other extremely well, resulting in a very cohesive and entertaining narrative.  Like the rest of the novels in the Gotrek and Felix series, readers do not need a lot of background knowledge about the Warhammer Fantasy world to enjoy this book.  While I would probably suggest reading Skavenslayer first, Daemonslayer can be read as a standalone book, and all readers are generally in for a good time with this novel.

The action and adventure flies pretty fast and thick throughout Daemonslayer, with highlights including a lengthy battle against an army of Skaven towards the start of the novel, exploration in the dark tunnels of Karag Dum and the final epic fight sequence against the hordes of Chaos.  King is particularly skilled at writing exciting and powerful battle sequences, and I loved how he managed to bring the uniqueness of a large-scale Warhammer battle to life.  Part of this is because the author makes great use of multiple character perspectives throughout Daemonslayer, which allows for a richer narrative as you get to see many different angles of the same story.  This works particularly well in the first battle against the Skaven, as you get to see Grey Seer Thanquol controlling his forces, as he desperately tries to kill Gotrek and Felix.  I did think that some of the Thanquol scenes in the second half of the novel were a bit weak, especially as they were more concerned with setting up his appearance in the next novel, Dragonslayer, than influencing the plot of Daemonslayer.  Still, these scenes were great, and you are always guaranteed a laugh when dealing with this ruthless Skaven.  While there is a noticeable focus on action and death, King also works in some fantastic comedy and humour, which makes this book an absolute treat to read.  I also appreciated how dark and emotional several scenes became, especially when the protagonists are faced with the grim realities of certain terrible situation.  All of this is worked into quite an impressive adventure story, which ends up being extremely addictive and enthralling to get through.

I loved the great use of setting throughout Daemonslayer, especially as King features some of the darkest and most dangerous locations in the entire Warhammer Fantasy canon.  The most notable of these is the notorious Chaos Wastes, a dark and dangerous wasteland, completely corrupted by the Chaos gods and filled with all manner of mutants, monsters, beastmen, worshipers of Chaos and Daemons, who gather and fight throughout the wastes.  While the Chaos Wastes are primarily shown from above, King makes sure to produce some gruesome and disturbing depictions of the landscape and its inhabitants, and it proves to be a pretty horrific backdrop for a good part of the story.  I do wish that a little more of the story had been spent on the ground within the Wastes, but it was probably a wise choice to avoid, as the story could easily become bogged down there.  I also really enjoyed the lost dwarf hold of Karag Dum, where the last third of the book takes place.  King was clearly drawing some inspirations from Tolkein’s Mines of Moria when he came up with this location (Moria is also known as Khazad-dûm), with hidden doors, ancient treasures, despoiling opponent, and a giant fiery demon boss.  The scenes set within this hold are pretty claustrophobic, and King makes sure to use the dark location to its full advantage during fight scenes.  You really get a sense of the decay and destruction that has occurred within this setting over the years, and it is pretty easy to feel the despair of the various dwarf characters.  Both these major settings are really impressive, and they prove to be an excellent and fitting backdrop to a very fun and intense story.

A major strength of this book is its characters, as King continues to produce a range of complex and distinctive figures to populate his tales.  This includes protagonists Gotrek and Felix, who find themselves on their most dangerous mission yet.  Felix continues to be used as the novel’s primary point-of-view character, and it is fascinating to see his continued evolution from cowardly fop to dangerous warrior.  Despite his continued caution and reluctance to engage in fights, Felix is now regarded by everyone as a heroic figure, and he accompanies Gotrek on this latest quest with only a minimum of forbearance, despite being given an out by his friend.  King has really hit his groove when it comes to portraying Felix, and the character reigns supreme as a sarcastic, but loyal friend.  I have really grown to like Felix, and readers will become pretty invested in his tale.

After being overlooked a bit in Skavenslayer, Gotrek has a lot more focus on him in Daemonslayer, as he re-visits one of his old failures and reunites with some of his dwarf kin.  For most of the novel, Gotrek is his usual gruff and battle-hardened self, still searching for his doom while managing to kill anything that he comes across.  While this is always a lot of fun, King makes sure to feature some deeper character elements in this novel, by highlighting some of his inner feelings and giving hints at his past.  There are several compelling mentions of Gotrek’s pre-Slayer life in this book, as well as some early hints at the character’s true destiny and the dark fate surrounding him.  King also shows a surprising amount of emotion in the character for this book, and Gotrek has some moving scenes with Felix as he contemplates the mistakes of his past and his many regrets.  I really enjoyed seeing how the character’s friendship with Felix has developed over the course of the last few books, and there is even a scene where Gotrek admits he is apprehensive about journeying to the Chaos Wastes and even lets Felix know he does not have to follow him.  While all this character development is great, King also makes sure to continue to portray Gotrek as an absolute badass in Daemonslayer, as he goes up against a ton of different enemies and opponents.  The various fight scenes with Gotrek are so much fun, although I do worry that King is perhaps making Gotrek a little too overpowered, especially as he manages to defeat a Bloodthirster, literally the most dangerous creature in the entire Warhammer canon (admittedly Felix helps a lot).  I still really love this great character and I cannot wait to see what other crazy adventures he goes on in the future.

Just like his previous books, King loads Daemonslayer up with a great range of supporting characters, and several of the characters introduced in this novel end up becoming major recurring figures in the Gotrek and Felix series.  Probably my favourite was Snorri Nosebiter, a fellow dwarf Slayer, who has had way too many blows to the head.  Snorri proves to be a fun companion to Gotrek and it was interesting to see a character who makes the titular protagonist seem sane in comparison.  There was also a fun character in Varek Varigsson, who is essentially the dwarf version of Felix, except with a range of explosive devices.  In addition, you cannot overlook the dwarf engineer turned Slayer, Malakai Makaisson, and I had a good chuckle when the characters discuss the fates of his previous, unfortunately named ships.  I also really liked that King reused two of his most entertaining characters from the previous novel, the Skavens Grey Seer Thanquol and Lurk Snitchtongue.  Both serve as secondary antagonists in the story, and prove to be excellent comic reliefs, especially as their schemes constantly go against them.  It looks like King has some fun plans for Snitchtonuge in the future, and I liked the fun changes he went through.

As I did for Skavenslayer, I really need to point out the extreme lack of female characters in this book.  Daemonslayer literally had only one named female character, Ulrika Magdova, who naturally falls in love with Felix the first time they lay eyes on each other.  While this is pretty lazy writing on King’s part, at least Ulrika is a much better written character than the females featured in Skavenslayer.  Ulrika is a badass Kislev fighter, who proves to be a dangerous fighter (of course, Felix has to be just a little bit better).  Still, I have a feeling she is going to be a bit of a damsel in distress in some of the future novels, and I hope that King balances it out with some additional female characters in the future.  Overall, there are some great characters featured throughout Daemonslayer and I look forward to seeing the ones who survive in some of the other Gotrek and Felix novels.

I ended up grabbing the audiobook format of Daemonslayer, narrated by Jonathan Keeble.  With a relatively short runtime of 9 hours and 38 minutes, the Daemonslayer audiobook is an easy audiobook to get through, and I managed to finish it off quickly.  The audiobook format proves to be a great way to enjoy this excellent book, especially as it allows the fantastic and chaotic landscape and characters to come to life in all their ghastly glory.  Keeble continues to impress as the narrator of this series, and I love the amazing array of voices he brings to the table.  Daemonslayer really highlights just how varied his voice can be as Keeble produces a substantial number of different accents and vocal tones to capture the rich and unique cast.  This includes Scottish-sounding dwarfs, Russian-esque Kislev lancers, humans with cultured British accents and the mad, loud voice of Snorri Nosebiter.  Keeble also has to voice the various inhuman monsters that the protagonists encounter, from the great Skaven characters, to the monstrous daemons and warriors of Chaos, all of which prove very fitting and amusing.  He also brings an immense amount of passion to his narration that deeply enhances the experience of anyone listening to the book.  The way in which he gets into the various fight sequences is amazing, and you can hear the sheer excitement in his voice as he reads.  This is especially true in the final epic fight scene, and the listener soon finds themselves on the edge of their seat as Keeble works his way up to the conclusion.  This is really an impressive and amazing format to enjoy Daemonslayer in, and I cannot recommend this audiobook enough.

Daemonslayer by William King is an exceptional and amazing entry in the fantastic Gotrek and Felix tie-in series.  This awesome novel contains an epic and intense story, as its two iconic protagonists continue to explore the dark and deadly Warhammer Fantasy world.  Filled with action, adventure, comedy and some dramatic character moments, Daemonslayer is an outstanding novel that comes highly recommended for all Warhammer fans.  I look forward to seeing how the rest of the series turns out and I am really enjoying my current jaunt into the world of Warhammer tie-in fiction.

Daemonslayer 2 Cover

Throwback Thursday – Skavenslayer by William King

Skavenslayer Cover

Publisher: Black Library (Audiobook – December 1999)

Series: Gotrek and Felix – Book Two

Length: 10 hours and 30 minutes

My rating: 4.5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  The adventures of my two favourite Warhammer Fantasy protagonists, Gotrek and Felix, continues, with the second incredible and extremely fun entry in their series, Skavenslayer.

After their previous escapades throughout the Empire and beyond, wandering adventurer, outlaw, and writer Felix Jaeger is still reluctantly following the Dwarf Slayer Gotrek Gurnisson on his quest to find a glorious death.  After travelling to the Imperial city of Nuln, the two heroes attempt to make some money to support their travels.  However, danger is always around the corner, as the heroes find themselves thrust into the middle of a vast conspiracy when they take on a menial job.  The chittering and evil hordes of the Skaven are amassing beneath Nuln, determined to conquer the city by any means necessary.  Led by a dangerous and ambitious leader, the rat-men have several sinister plots to kill all the humans above and appropriate their city and technology for their own glorious purposes.  The only chance the city has to survive this chaos appears to be Gotrek and Felix, who are constantly dragged into the middle of the Skavens’ plots, thanks to fate, Skaven pettiness or terrible bad luck (both Felix’s and the Skaven’s).  Can the two heroes save Nuln from the Skaven hordes, or will Gotrek finally find the death he always seeks?

Wow, this is such a fun and entertaining series.  Skavenslayer is the second entry in the Gotrek and Felix series, which follows the two titular heroes as they journey throughout the Warhammer Fantasy world, battling all manner of monsters, demons and creatures.  After enjoying some of the excellent Warhammer 40,000 fiction out there (Deathwatch: Shadowbreaker and Kal Jerico: Sinner’s Bounty), I recently dove into the first Gotrek and Felix novel, Trollslayer, which contained several exciting and compelling short stories.  I loved the fantastic mixture of action, world-building and fun characters featured within Trollslayer, and within a couple of weeks I had started listening to SkavenslayerSkavenslayer proved to be another excellent novel, and I honestly think it was a slightly stronger novel than Trollslayer, thanks to its much more connected plot.  This was an outstanding read that has many amazing elements to it.

Skavenslayer contains an outstanding and deeply addictive narrative that follows Gotrek and Felix as they attempt to stop the Skaven plot to destroy the city of Nuln.  Skavenslayer is made up of several short stories linked together by Felix’s journal entries.  Unlike the previous novel, all six stories and the epilogue are linked, forming one continuous narrative and resulting in a tighter and more comprehensive read.

Skavenslayer’s first short story is Skaven’s Claw, which sees Gotrek and Felix employed as sewerjacks, guards who patrol the vast catacombs underneath Nuln.  On patrol, they chance upon a clandestine meeting between a Skaven and a human noble, placing Gotrek and Felix in the middle of a conspiracy involving the head of Nuln’s secret police.  Skaven’s Claw is an excellent first story that does a wonderful job establishing most of Skavenslayer’s plot details and introducing several key characters, including recurring antagonist Grey Seer Thanquol.  I loved the combination of action, world building and intrigue that was contained within Skaven’s Claw, and it results in an awesome, fast-paced story.  The Nuln sewers prove to be a claustrophobic and memorable setting for most of the battles.  I also enjoyed the use of secondary antagonist Fritz von Halstadt, a fanatical human who has been manipulated by the Skaven, as his story arc was very well established and quite compelling.  This is an awesome entry that gets Skavenslayer off to an impressive start.

Next up we have Gutter Runners, which sees the Clan Eshin assassin, Chang Squik, lead a group of Skaven Gutter Runners on a mission to kill Gotrek and Felix at the inn where they are working as bouncers.  This was a quick and action-packed story which proved to be a lot of compelling fun.  The action is swift and deadly, as the protagonists are attacked on multiple fronts, and there are several great battle scenes throughout.  This is a fun story that you can easily power through in one short sitting, and I felt that it did a great job keeping the reader’s attention after the fantastic introductory story.

The third entry is the fantastic and funny Night Raid, which focuses on the members of Clan Skyre, the insane Skaven engineers and weapon designers.  The leader of the Clan Skyre contingent, Heskit One-Eye, plans a raid on the Nuln College of Engineering to appropriate the latest human weapons and technology and obtain glory.  However, the jealous Grey Seer Thanquol organises a significant roadblock in the form of Gotrek and Felix.  This is another outstanding entry in the novel, and I consider it to be the most comedic and entertaining of the bunch.  Not only do you get to see amazing examples of Skaven backstabbing and betrayal but you also have an extremely funny and exciting sequence at the college, where all hell breaks loose when a Skaven gets stuck in a Steam Tank.  This story also serves as an excellent introduction to the various Skaven side-characters, and a lot of elements from Night Raid have major impacts on the rest of Skavenslayer’s story.

Up next, we have the disgusting and captivating story, Plague Monks of Pestilens.  In this story, a brewing plague strikes quick with deadly consequences.  However, this is no ordinary plague; it is a deadly concoction dreamt up by the demented plague monks of Clan Pestilens, led by the terrible Vilebroth Null.  Warned again by Thanquol, Gotrek and Felix attempt to stop the plague monks before it is too late.  Plague Monks of Pestilens is an amazing middle story that is pretty memorable.  Rather than the pure hack-and-slash narrative of the previous story, King works in an interesting mystery element, as Felix tries to work out where the plague monks are attacking from.  Once battle is joined, you are in for a dangerous and gruesome fight, especially as the author goes into full horror mode when describing the grotesque plague monks and their malformed, diseased bodies.  This is an extremely intense and disturbing story which really enhances Skavenslayer’s overall narrative and gives it the more serious edge it needed.

The penultimate story of Skavenslayer is Beasts of Moulder, which sees Gotrek and Felix attempt to stop the master mutators of Clan Moulder, led by Izak Grottle, try to unleash their latest creation.  This was a decent addition, although if I am being honest, it was probably the weakest entry in the entire book.  Not only are the stakes a little lower, but it repeats the pattern of the previous two entries.  I did quite enjoy the scene where Felix visits the palace, especially as everyone there assumes he is some sort of master monster hunter, but the rest of the story fell a little flat, especially the Elissa subplot.  Still, it fits into Skavenslayer’s narrative well and does a good job setting up the final story.

The last entry in Skavenslayer is the major concluding storyline, The Battle of Nuln.  In this story, both the citizens of Nuln and the Skaven army hiding beneath the streets have been afflicted by plague and famine.  In order to achieve victory, Thanquol leads a daring raid on the Countess’s palace during a ball, while the rest of the Skaven army attacks the city.  With Gotrek and Felix stuck in the middle of several Skaven plots, can they save the city before it is overwhelmed by rats, disease and vile Skaven magic?  The Battle of Nuln is an incredible and captivating entry that serves as the action-packed conclusion to the entire book.  King brings together all his fantastic storylines, and the readers are rewarded with an intense and extended war sequence, as the full wrath of the Skaven force is unleashed.  I deeply enjoyed this final story, and it did an outstanding job of providing satisfying, if occasionally lethal, conclusions to all the character arcs and storylines.  There is so much action going on in The Battle of Nuln, and I loved seeing the consequences of all the previous short stories finally come to the fore for both sides in the war.  An excellent and exciting conclusion that will put you in the mood for even more Gotrek and Felix.

I had an outstanding time getting through each of the short stories above, and not only are they fantastic reads on their own but together they form an impressive and intense overarching narrative.  King did a wonderful job crafting together all six stories, and I felt that the use of a single location and overarching antagonists worked extremely well, especially once you are introduced to the four iconic Skaven clans.  While some of the middle stories do suffer from plot repetition, this is still a great book which is extremely fun to read.  King ensures each story has a great combination of action, character development and humour, and each of the stories can easily be read on their own without a lot of context from the others.  This is also a very good Warhammer Fantasy novel, and readers only need minimal prior knowledge of the franchise, especially as King provides a great amount of detail and self-contained lore.  I felt that it came together perfectly, and readers are in for an exceptional time when they check this novel out.

One of the more entertaining and fun parts of this novel was King’s use of the Skaven as the villains of the story.  The giant rat-men known as Skaven are chaotic beings who, thanks to their spiteful nature, massive ambitions and weird array of abilities, weapons, magic and fighting techniques, are one of the most entertaining and recognisable races in the Warhammer Fantasy canon.  I think that King did a particularly good job bringing the Skaven to life in Skavenslayer, and they proved to be a very intriguing and memorable group of antagonists.  Not only does the author showcase several unique Skaven clans (each of them is covered in a short story), but he also captures the Skavens’ treacherous nature, speech pattern and insane pettiness.  While the Skaven have an elaborate plan, their own paranoia and self-serving mindset gets in the way of its success, and it is wonderful to see the various backstabbing, betrayals and plots that occur throughout the course of the book.  Despite this, they still prove to be a dangerous group of enemies, and they manage to hit the protagonists and the rest of the humans in Nuln in a big way.  I really enjoyed the way that King utilised the Skaven throughout this novel, especially as their duplicitous or cowardly actions are the catalyst for most of the book’s humour, and Skavenslayer is a fantastic and detailed introduction to this impressive Warhammer Fantasy faction.  That being said, there are only so many times you can hear a scared Skaven getting ready to “squirt the musk of fear”, and some different wording might have been better.

Another highlight of this book is its complex characters.  The most notable and prominent of these are titular protagonists, Gotrek and Felix, and it is still incredibly fun to see the unusual partnership of a doomed Dwarf Slayer and a former wealthy poet turned notorious adventurer.  Due to his position as the book’s main point of view character, much of Skavenslayer’s focus lies on Felix.  While there are still hints at his somewhat cowardly past, especially as he seems apprehensive before every single fight, Felix has become a much more fearless and dangerous being in this book, and he leads the way in several battles throughout Skavenslayer, proving himself a fantastic hero.  There are some interesting character moments for Felix throughout this book, especially as he encounters his brother, Otto, the first member of his family to reach out to him since his banishment.  There are some great comparisons between the wealthy Otto and the more adventurous Felix in Skavenslayer, and it was intriguing to see what Felix might have turned into if he was not bound to Gotrek.  I also liked how Felix developed more into his role as the sane straight man to Gotrek, and his dry humour really adds a lot of comedy to the books.  Overall, Skavenslayer is quite a strong outing for Felix, and he proves to be an outstanding central character.

Aside from Felix, the other main character is Gotrek, the mad, death-hungry Dwarf Slayer, who is constantly denied his desired doom in glorious combat due to his own unnatural skill.  Gotrek is his usual crude and disrespectful self throughout Skavenslayer, and it is an absolute joy to see him in battle, even if his portrayed as way too overpowered.  While he is a great character, Gotrek was underutilised in Skavenslayer, and he was mainly just a supporting player in the Felix-based stories, only appearing when there is a need for fighting.  Still, it was great to see him, and he does get a lot more attention in the next novel.

While Gotrek was a bit overlooked, King does a wonderful compromise by introducing an exceptional primary antagonist in the form of Grey Seer Thanquol, a powerful Skaven sorcerer who goes on to be a major recurring figure within the Gotrek and Felix novels and the wider Warhammer Fantasy universe.  Thanquol is an impressively entertaining character who represents the absolute best (or worst, depending on your point of view) of Skaven society.  He is insanely ambitious, arrogant, power-hungry and dangerous, and rose to power thanks to an unfortunate “accident” involving his predecessor, a loaded crossbow and an exploding donkey.  Due to his ambition and an unwillingness to share any glory, Thanquol spends just as much time plotting against his equally aspiring subordinates as he does attempting to conquer Nuln or kill Gotrek and Felix.  Indeed, several conflicts with the Skaven are due to Thanquol himself informing the protagonists about his rival’s plots, often through some hilarious letters which are clearly written by a Skaven (despite Thanquol’s own belief that they are masterful forgeries).  The sheer overconfidence, deluded self-belief and inability to take responsibility for his failings make Thanquol a particularly nasty antagonist, however, it is just so entertaining to see him strive and then fail, that you end up wanting him to live and succeed against his Skaven opponents.  Thanquol proves to be an excellent antagonist, and I really enjoyed seeing his alternative point-of-view which highlights the Skaven plans.  King really outdid himself coming up with this villainous rat-man, and he is one of the best things about Skavenslayer and the overall Gotrek and Felix series.

King has also filled Skavenslayer with an interesting collection of side characters who add a lot to the plot.  The author does a good job of introducing these major side characters throughout the various stories, and he manages to build them up and flesh out their personalities in a short amount of time.  There are great human supporting characters, such as Heinz and Doctor Drexler, and several fun and amusing Skaven.  The majority of these Skaven characters are leading members of the main clans who not only serve as secondary antagonists for the novel, but who are also cast as rivals to Thanquol’s rise to power.  I had a fantastic time seeing each of these Skaven characters in all their treacherous, self-serving glory, although my favourite had to be the aptly named Lurk Snitchtongue, who is a very fun and cowardly character.

If I had to make one major criticism, it would be about the complete lack of any decent female supporting characters.  While you can forgive some older fantasy books for their lack of gender diversity, it is a painfully obvious problem in Skavenslayer.  There are literally only two female characters of note within the novel, and both are badly written.  The first is Felix’s romantic partner, Elissa, who quickly becomes a major burden to the story by forming conflicts with Felix.  Their romance is thankfully over before the end of the book, and you cannot feel anything but relief as she leaves.  The other character is the ruler of Nuln, Countess Emmanuelle, who gets only a couple of lines at the end of the novel.  While her one scene does shine her in a good light, the rest of the novel hints that she is a vapid, lustful and incompetent ruler.  The underuse of female characters is probably going to be a major feature of Gotrek and Felix series in the future (for example, Daemonslayer only has one female character), however, I really hope that any who feature are written a lot better than the ones featured in Skavenslayer.

Just like I did with Trollslayer before it, I chose to listen to Skavenslayer on audiobook rather than grab a physical copy of the book.  I have a lot of love for the Warhammer Fantasy audiobooks, especially as they always perfectly capture the excitement, grim horror and elaborate fantasy of this franchise.  Skavenslayer was another great example of this, and I had a wonderful and thrilling time listening to this amazing novel in this format.  Much of the reason for this was the excellent narration by Jonathan Keeble, a brilliant narrator who has lent his voice to most of the Gotrek and Felix novels.  Keeble has an outstanding voice for dark fantasy stories such as this, and I loved the grim tone he gives to several of the characters, particularly Gotrek, as well as the sheer excitement that infects his tone whenever there is a fight sequence or dangerous scene.  Keeble also a lot of fun voicing the various Skaven characters, and he expertly mimics their high-pitched, whiney tones, which helps highlight their fickle and cowardly nature.  This excellent voice work helps turn the Skavenslayer audiobook into an absolute treat to listen to, and with a runtime of only 10 and a half hours, listeners will power through this in no time at all.

William King’s second Gotrek and Felix novel, Skavenslayer, was another outstanding and wildly enjoyable novel that I had an incredible time listening to.  Featuring a compelling connected narrative filled with intense action and fun villains, this is an amazing fantasy tale that is perfect for all Warhammer Fantasy fans.  I can think of no higher compliment for this book than to reveal that the moment I finished Skavenslayer, I immediately grabbed the next novel in the series, Daemonslayer, which proved to be just as much fun.

Skavenslayer 2

Waiting on Wednesday – Star Wars: Visions: Ronin by Emma Meiko Candon

This week I am also going to do a quick Waiting on Wednesday article highlighting a cool upcoming Star Wars novel which I previously mentioned a few weeks ago.  This novel is Ronin by Emma Mieko Candon, an intriguing and distinctive entry in the Star Wars universe that will tie into the upcoming anime series, Star Wars Visions

Star Wars Visions - Ronin Cover

Star Wars Visions is one of the more unique upcoming inclusions in the Star Wars canon, and one that looks set to contain some very distinctive stories.  This new series, which streams on 22 September 2021, will feature nine original short films, done in the anime style by different Japanese animation studios.  This is going to be quite an ambitious and distinctive series, and I personally am quite keen to see the franchise brought back to its Japanese-inspired roots.

There are several fascinating stories currently planned within this series, although one of the most intense and distinctive ones is The Duel, produced by the Kamikaze Douga company.  The Duel will feature an alternate history of the Jedi and the Sith, inspired by Feudal Japan, and will focus on a duel between members of these two sides.  The clips I have seen about The Duel look pretty badass, and I love how the Jedi and Sith are modelled on historical wandering samurai.

In addition to being a cool sounding animated feature, The Duel will have one other thing that sets it apart from the other Star Wars Visions films, a tie-in novel.  This tie-in novel, Ronin by Emma Meiko Candon, which is currently set for release in October, will expand on the unique universe created in The Duel by focusing on the film’s wandering Sith duellist.  They have only just recently released the full synopsis for Ronin, and it looks like it is going to be a fun and compelling novel.  I also must highlight the novel’s unique and visually impressive cover, which combines cool Star Wars iconography with a classic Japanese design to create something that is beautiful and awesome.

Synopsis:

A mysterious former Sith wanders the galaxy in this stunning Star Wars tale. An original novel inspired by the world of The Duel from the Star Wars Visions animated anthology.

A mysterious former Sith wanders the galaxy in this stunning Star Wars tale. An original novel inspired by the world of The Duel from the Star Wars Visions animated anthology.

The Jedi are the most loyal servants of the Empire.

Two decades ago, Jedi clans clashed in service to feuding lords. Sickened by this endless cycle, a sect of Jedi rebelled, seeking to control their own destiny and claim power in service of no master. They called themselves Sith.

The Sith rebellion failed, succumbing to infighting and betrayal, and the once rival lords unified to create an Empire . . . but even an Empire at peace is not free from violence.

Far on the edge of the Outer Rim, one former Sith wanders, accompanied only by a faithful droid and the ghost of a less civilized age. He carries a lightsaber, but claims lineage to no Jedi clan, and pledges allegiance to no lord. Little is known about him, including his name, for he never speaks of his past, nor his regrets. His history is as guarded as the red blade of destruction he carries sheathed at his side.

As the galaxy’s perpetual cycle of violence continues to interrupt his self-imposed exile, and he is forced to duel an enigmatic bandit claiming the title of Sith, it becomes clear that no amount of wandering will ever let him outpace the specters of his former life.


All the above sounds extremely interesting and cool and I am rather looking forward to seeing what sort of unique narrative that Candon comes up with.  Ronin has a lot of potential to be one of the more distinctive and innovative Star Wars novels released in 2021, and I am quite keen for its alternate universe samurai story, especially if it enhances the tale told in The Duel.  I also cannot get over the incredible cover above, and I look forward to having that prominently on my shelf.

Quick Review: Black Canary: Breaking Silence by Alexandra Monir

Black Canary - Breaking Silence Cover

Publisher: Listening Library (Audiobook – 29 December 2020)

Series: DC Icons – Book Five

Length: 8 hours and 29 minutes

My Rating: 4 out of 5 stars

Prepare for a bold new story featuring the iconic DC Comics character Black Canary in Black Canary: Breaking Silence by Alexandra Monir, the fifth compelling book in the DC Icons range.  The DC Icons books are a fantastic collection of unconnected young adult tie-in novels that show unique and entertaining new non-canon teenage origin stories of some of your favourite DC Comics characters, including Wonder Woman and Batman.  I have previously read a couple of the books in this fun series, such as Catwoman: Soulstealer by Sarah J. Maas and Superman: Dawnbreaker by Matt de la Pena, both of which were great reads that did an amazing job bringing their characters to life.  I actually thought that this series finished after four books, so I was very surprised when Breaking Silence came out late last year.  However, the moment I saw it was out, I made sure to grab a copy and had an interesting time reading it a little while ago.

Synopsis:

THE HANDMAID’S TALE meets the DC universe in this breathtaking, thrilling origin story of Black Canary. Her voice is her weapon, and in a near future world where women have no rights, she won’t hesitate to use everything she has to fight back.

Dinah Lance was seven years old when she overheard the impossible: the sound of a girl singing. It was something she was never meant to hear—not in her lifetime, and not in Gotham City, taken over by the Court of Owls. The sinister organization rules Gotham as a patriarchal dictatorship, all the while spreading their influence like a virus across the globe.

Now seventeen, Dinah can’t forget that haunting sound, and she’s beginning to discover that her own voice is just as powerful. But singing is forbidden—a one-way stop to a certain death sentence. Can she balance her father’s desire to keep her safe, a blossoming romance with mysterious new student Oliver Queen, and her own desire to help other women and girls rise up and finally be heard? And will her voice be powerful enough to destroy the Court of Owls once and for all? 


Breaking Silence
turned out to be an excellent tie-in novel that did a fantastic job capturing the character of Black Canary and placing her in a unique situation.  This was the first novel that I have read from author Alexandra Monir, an Iranian-American author who has written several intriguing young adult novels, including her Timeless and The Final Six series.  I ended up getting through this novel very quickly and I had an amazing time listening to its clever and enjoyable tale.

This book’s story starts off quick and fast, establishing the new setting of a futuristic, dystopian Gotham city, where the villains have won and the population, particularly the women, are oppressed and terrified.  Into this setting is inserted a teenage Dinah Lance, who has lived her entire life in the Court of Owls dark and tyrannical shadow.  Desperate to rebel, especially after seeing friends and family victimised by the Court, Dinah finds her inner strength, as well as some mysterious vocal powers, which allow her to fight back in her own way.  This results in an intense and exciting central part of the novel, as Dinah tries to hide her rebellious streak from the Court’s followers, while slowly coming to terms with who she is.  At the same time, she enters into a risky relationship with the glamorous new student at her high school, Oliver Queen, whose family are heavily connected to the Court of Owls.  This all leads up to a thrilling conclusion when Dinah and her friends need to find a way to stop the Court’s most despicable plans and find a way to stop them for good.

I quite enjoyed the cool story contained within Breaking Silence and it was very easy to get addicted to.  I loved the excellent blend of established DC lore with a patriarchal dystopian dictatorship, and it resulted in an excellent tale of resistance and rebellion against a cruel authority.  Monir does a lot within this one novel, not only introducing a unique and compelling new period of DC lore but also setting up a great heroic origin tale that showcases the protagonist’s defining adventure.  The pace of Breaking Silence is very fast, and readers end up moving through the narrative extremely quickly.  The author has set up an intriguing blend of action, suspense, and teen drama, which results in a compelling and moving narrative.  There are several great twists scattered throughout the book, as well as clever references to the main DC comics, although anyone familiar with the DC canon in any way will know that Oliver Queen is no threat to Dinah, despite the constant hints to the contrary.  I did find the ending a little sudden and underwhelming, which slightly tanked my overall opinion of the book, but this was still a great and enjoyable novel that will appeal to a wide base of readers, including both the young adult market and older established fans.

I have to say that I was rather impressed with how Monir took the background of the Black Canary character and adapted it to a completely new setting.  While some substantial character elements are changed to fit the dystopian setting, the author still utilises or alludes to many key details from the comics to great effect.  As a result, you get a fantastic version of the martial arts using, canary cry wielding, strong-willed hero, who is damaged and withdrawn after years of oppression due to her gender.  I loved how Monir managed to rework several other iconic DC characters to fit around the younger Black Canary, and you get to see several different versions of characters essential to the Dinah Lance Black Canary mythos, including Oracle, the original Black Canary, and Lady Shiva.  I also liked the clever rework of the Black Canary/Green Arrow relationship into a typical teen romance storyline which fit the young adult nature of this book perfectly.  Monir makes sure to highlight the importance of music to the character, something that is particularly emphasised in some of the more recent Black Canary comics where she is a bit of a punk rocker, and which is re-worked here to help the character sing some anti-Court propaganda songs.  Fans of Black Canary and DC Comics are going to have fun seeing all the clever references and unique alterations to the hero and her associates, and I really liked Monir’s version of the character.

Easily one of the most intriguing and distinguishing features of Breaking Silence is the extra dark and sinister version of Gotham City that the story is set in.  This is a futuristic Gotham City where Batman is long dead and the ruthless Court of Owls, have taken control and have instituted a fascist, patriarchal regime.  There are some many amazing and horrifying elements to this setting, and it was clear that Monir was trying to combine a The Handmaid’s Tale inspired society with the iconic and dark comic setting of Gotham.  I think that this unique combination worked extremely well, as this dystopian Gotham is a pretty sinister place, with a disturbing and horrifying anti-female agenda.  Monir masterfully crafts together several great scenes and sequences that highlight how women are oppressed, including one shudder-inducing scene where a school doctor gets his kicks “examining” the female students to see if one of them is the Black Canary.  I felt it was interesting that one of the tyrannies that much of the plot revolved around was a forced biological ban of women singing, to limit their ability to raise their voices in protest.  Monir covers this oppression extremely well, and cleverly examines the psychological and emotional impact that the removal of singing could have on already oppressed women.

I very much liked the author’s use of the Court of Owls as the main antagonists.  The Court of Owls are a fantastic group of villains who are a relatively recent addition to the Batman canon (introduced in the Batman comics in 2011, frankly one of the few good things to come out of the New 52).  The Court are a secret society made up of the wealthy elite of Gotham who secretly control the city from shadows and fight to keep the wealthy in power and the poor oppressed.  Monir transitions this group perfectly into a patriarchal organisation who take power after Batman’s death, killing all the other heroes with their ruthless powered enforcers, the Talons.  There are some great parallels between the Court of Owls and right-wing groups like the Nazi Party, and I think that the author did a great job reutilising them for her story.  The Talons also prove to be a particularly dangerous group of opponents for the protagonist and her allies, and it was a lot of fun to see Black Canary attempt to take them down with her fighting skills alone.

Black Canary: Breaking Silence is an excellent fifth novel in the DC Icons range, producing an amazing story that did the Black Canary proud.  Alexandra Monir’s tie-in novel presents a unique and powerful tale that places a teenage version of the character into a dangerous and oppressive version of Gotham City.  With a very intriguing setting and fantastic narrative loaded with revolution and inner-strength, Breaking Silence is a fantastic read with some real heart to it.  A strongly recommended read, especially in its great audiobook format which is narrated by Kathleen McInerney (who did a great job inhabiting the central role of Black Canary), Breaking Silence is your new young adult superhero obsession.