Publisher: Raven Books
Publication Date – 28 June 2018
From Lynne Truss, one of England’s most creative minds, comes A Shot in the Dark, a hilarious take on the historical murder mystery that sets three fantastic and exaggerated police characters against a sinister and surprising criminal mastermind.
Brighton, 1957. Following a terrible massacre that saw the death of every member of two rival gangs some years before, the city of Brighton is now clear of all crime. At least, that’s what Inspector Steine believes, and, as he is the famous and inspirational police detective whose actions allowed the eradication of these vicious gangs, that’s what the rest of the Brighton Constabulary believe as well. Unfortunately for everyone, Inspector Steine is nowhere near as smart as he thinks he is. Despite all the evidence, he simply refuses to believe the theory of his long suffering ‘bagman’ Sergeant Brunswick that a mysterious third crime boss organised the massacre and is currently running crime in Brighton.
So when the young, keen and exceedingly annoying Constable Twitten arrives in Brighton and starts investigating a series of burglaries, Steine is particularly aggrieved. Despite Steine’s insistence that Brighton’s criminal element is no more, Twitten seems determined to find criminal activity – and he does. The opening night of a new controversial play is unfortunately ruined when the opinionated and unpleasant film critic that Twitten is sitting next to is shot in the head. Finally a crime that even Steine can’t ignore.
Who could have wanted the critic dead? Is his death due to the multiple plays and productions that his reviews have destroyed? Or is it perhaps related to a bank robbery that the critic witnessed many years ago, and that Steine failed to solve. As Twitten and Brunswick start their investigation and Steine provides his own special brand of ‘help’, a second body is found. As the case continues, Brighton’s newest constable is about to uncover a dark secret about his city and the sinister figure manipulating everything behind the scenes.
Truss is a highly talented writer, author and radio personality who has produced a huge range of different works, including the non-fiction book Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation. Truss has also created several other fictional and non-fictional books, as well as a number of popular radio series. A Shot in the Dark is Truss’s fifth fiction novel and is the first book in her Constable Twitten Mystery series.
One of the most interesting features of A Shot in the Dark is that it is actually a novelisation of Truss’s popular radio comedy drama series, Inspector Steine, which ran between 2007 and 2013 and starred the inimitable Michael Fenton-Stevens. This is a great introduction to the franchise that will have a massive amount of appeal both to fans of the radio show and people who are unfamiliar with this great comedy series. Rather than being a simple write-up of one of the Inspector Steine episodes, A Shot in the Dark is a combination of several different episodes, containing plot elements from various seasons of the show’s run. In particular, it contains components borrowed from the series one episodes While the Sun Shines, Separate Tales and The Deep Blue Sea, the series two episode The Entertainer, and the series three episode While the Sun Shines. As a result of this combination, people unfamiliar with this series get to experience several of the radio show’s best stories and plot points in their first outing. On the other hand, fans of the radio series get a completely new adventure that re-imagines Constable Twitten’s early days at Brighton. Storylines listeners may be familiar with have been altered in some new and substantial ways to create a fun and excellent combination of some key stories in the series.
In the original Inspector Steine series, Truss created some amazing characters who are not only terrific by themselves but who played off each other extremely well. The author has done an amazing job transplanting these characters into a completely different format. The three main characters are Inspector Steine, Constable Twitten and Sergeant Brunswick. Inspector Steine is your classic self-important senior management figure who thinks they are so much smarter than they actually are. Steine is extremely self-absorbed and very easily manipulated, but ultimately well meaning, given he is completely convinced that all the crime in Brighton was erased years ago as a result of his brilliant actions. Twitten, on the other hand, is actually as smart as he thinks and has no trouble letting everyone he meets know it. His clever investigative work is capable of solving the crime, but his cleverdick attitude ensures that no-one, especially Inspector Steine, will actually listen to him. Sergeant Brunswick plays straight man to both of his colleagues, and seems to be the middle ground between these two extreme personalities. However, while he is a competent investigator, he is also easily manipulated, and fails to see that his brilliant plans to go undercover on every case are hampered by the fact that all of Brighton’s criminals already know who his is. These three are all extreme examples of some of the classic police characters. In a normal piece of crime fiction, these three characters work well together (think Endeavour for example), but in A Shot in the Dark they bring out the worst in each other and combine together for great comedic value.
While the three police characters are excellently used and a whole lot of fun by themselves, special mention needs to be given to the brilliant antagonist of this story. Whiles fans of the radio series will not be surprised about their identity, I will try to avoid revealing too much in order not to ruin the surprise for any new readers. That being said, this character is an excellent villain who is able to manipulate the three police characters in some suitably comedic ways. The various and often quite unsubtle ways in which this villain manoeuvres the protagonists in A Shot in the Dark is absolutely hilarious, especially when their ridiculous plots actually work. New readers will have a fantastic time finding out who this character is and how they’ve gotten away with their crimes, while fans of the radio series will love seeing this outstanding antagonist in all their criminal glory once again.
A Shot in the Dark contains a fantastic story that expertly combines a clever murder mystery with hilarious comedy elements. As mentioned above, due to main characters’ various shortcomings and the devious nature of the villain, this is not your standard criminal investigation. The protagonists have to deal with some absurd situations as well as various unusual plans to stop them solving the case. That being said, the police do perform an investigation and the truth of the various crimes are eventually uncovered, although again without the standard solution crime fiction readers would be used to. The crime elements are compelling and there is a really interesting mystery contained within this book, with some imaginative twists leading up to the conclusion. In addition, the two murders are connected together in some clever ways, and the overarching conspiracy about Brighton is particularly intriguing. While the book contains some gripping mystery elements, it is a comedy at heart; there are some really amazing comedy elements, including some great sequences that really cracked me up. In addition to the shenanigans of the main characters, there are a range of other eccentric characters throughout the book that provide some fun moments of comic relief with their antics. These elements come together perfectly, and it is incredibly fun watching all attempts at a serious investigation get disrupted in various silly ways.
Truss set the Inspector Steine series within Brighton in the early 1950s. While this would already be an interesting setting, the author has amped this up by using elements from the classic crime novel and movie, Brighton Rock. Truss has stated that her series is based on captions at the start of the 1948 movie which declared that Brighton went from a crime hub between the two World Wars to an area completely free of criminals and corruption by the 1950s. While many people would be somewhat suspicious of such a statement, the Inspector Steine series is based on the idea that a member of the police actually believed this and acted accordingly. As a result, the whole city has, on the surface, a wholesome family atmosphere. That makes the crime hiding underneath a lot more fun to see, especially as the criminals really don’t need to do too much to disguise their activities, secure in Steine’s blissful ignorance. In addition, fans of the crime classic may be interested to know that there are a number of elements from Brighton Rock that play a key part in the story. As both the book and the movie exist within the Inspector Steine universe, Inspector Steine actually blames the events of this book on Graham Greene, the original author of Brighton Rock (a sentiment shared by Truss). In addition, various characters within A Shot in the Dark are obsessed with the events of the classic crime book, and many locations from the Brighton Rock book and movie become major plot settings in the story. In particular, there are several sequences based around one certain murder from the movie that results in some very entertaining scenes. Overall, this is a great setting for this excellent comedy-mystery hybrid, which also has some fantastic tie-ins to a classic post-war crime novel.
Lynne Truss delivers an extremely fun and very entertaining adaption of her popular Inspector Steine radio series with A Shot in the Dark. Featuring all of the exceptional characters that were a standout feature of the original series, A Shot in the Dark is an excellent piece of comedy that also contains some intriguing mystery elements and a unique settings with ties to the crime classic Brighton Rock. This five-star book comes highly recommended and is guaranteed to leave you laughing for hours. I am already looking forward to the next Constable Twitten Mystery.
Special thanks need to be given to my partner, Alex, who, on top of her usual editorial expertise for my reviews, happens to be a geek for BBC Radio 4 comedies and was able to help me properly analyse A Shot in the Dark without spoiling the identity of Brighton’s greatest criminal mastermind.
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