Hollow Empire by Sam Hawke

Hollow Empire Cover 2

Publisher: Bantam Press (Trade Paperback – 1 December 2020)

Series: Poison War – Book Two

Length: 560 pages

My Rating: 5 out of 5 stars

After a two-year wait, we finally get to see the epic sequel to Australian author Sam Hawke’s impressive debut novel, City of Lies, with her blockbuster new novel, Hollow Empire.

Two years after the siege of the city of Silasta, where the oppressed Darfri minority were manipulated into attacking the capital by an unknown outside force, the city has started to recover.  While the city focuses on rebuilding and reconciliation with their former besiegers, the poison-eating siblings Jovana and Kalina Oromani, secret protectors of the Chancellor, continue their efforts to work out who was truly behind the attack on their city.  However, to their frustration, no-one else in the city shares their concerns; instead they have grown complacent with the returned peace.

But no peace lasts forever, especially as Silastra celebrates the karodee, a grand festival, to which representatives of all the nations surrounding the city state have been invited.  While the focus is on peace and forging ties between nations, the siblings begin to suspect that their unknown enemy is using it as an opportunity to launch a new attack against Silastra.  In order to determine what is happening, Jovana attempts to hunt down a dangerous and deadly killer that only he seems to have noticed, while Kalina navigates the treacherous world of politics and diplomacy as she works to determine which of their neighbours may have been involved in the prior attack on their city.

Working together with the Chancellor Tain and the Darfri mystic Hadrea, the Oromani siblings get closer to finding some of the answers that they desire.  However, both siblings find themselves under attack from all sides as their opponents attempt not only to kill them but to discredit their entire family.  Determined to protect Silasta no matter what, Jovana and Kalina will risk everything to find out the truth, even if the answers are too much for either of them to bear.

Hollow Empire was another awesome novel from fellow Canberran Sam Hawke, which serves as the compelling and enjoyable second entry in her Poison War series, which follows on from her 2018 debut, City of Lies.  I am a big fan of Hawke’s first novel; not only was it one of my favourite books of 2018 but it is also one of my top debuts of all time.  As a result, I have been looking forward to seeing how the story continues for some time now and I was incredibly happy to receive my copy of Hollow Empire several weeks ago.  The wait was definitely worth it, as Hawke has come up with another impressive and clever novel that not only serves as an excellent sequel to City of Lies but which takes the reader on an intrigue laden journey into the heart of an exciting fantasy city filled with great characters.

Hawke has come up with an excellent narrative for this latest novel which takes the protagonists on a wild journey throughout their city and beyond as they attempt to uncover a dangerous conspiracy threatening to destroy everything they love.  Told from alternating perspectives of the two main characters, Jovana and Kalina, Hollow Empire’s story was a clever and exciting thrill-ride of intrigue, lies, politics, crime and treachery, as the protagonists attempt to find out who is targeting them and plotting to destroy their city.  This proved to be a fun and captivating narrative, and I liked how Hollow Empire felt a lot more like a fantasy thriller than the first book, which focused a bit more on the siege of the city.  The protagonists must dig through quite a few layers of lies, hidden history and alternate suspects to find out what is happening in Silasta, and while there was a little less focus on the fun poison aspects that made the first novel such a treat, I really enjoyed how the story unfolded.  Hawke comes up with several great twists and reveals throughout the book, some of which really surprised me, although I was able to guess a couple of key ones.  I did think that the eventual reveal of the ultimate villain of the story was a tad rushed, but it resulted in an intense and fast-paced conclusion to the novel which also opens some intriguing avenues for any future entries in this series.  Readers may benefit from rereading City of Lies in advance of Hollow Empire, especially as there has been a bit of gap between the first and second novels’ releases.  However, for those wanting to jump right in, Hawke did include a fun recap at the start of the book, which sees the protagonists watching a theatrical recreation of the events of City of Lies.  Not only is this a rather entertaining inclusion (mainly due to how Jovana is portrayed) but it also serves as a good summary of some of the book’s key events, and readers should be able to follow through this second book without any trouble, even if they have not had a chance to read City of Lies.  Overall, this was an epic and impressive story, and I really enjoyed seeing how the Poison Wars continued in Hollow Empire.

I really enjoyed some of the cool writing elements that Hawke featured in Hollow Empire which added a lot to my overall enjoyment of the book and its great story.  The most noticeable of this is the use of the split perspectives, with the main protagonists, Jovana and Kalina, each getting alternating chapters shown from their point of view.  These split chapters worked extremely well in City of Lies, and I am really glad that Hawke decided to use them once again in her second book.  While the primary use of these alternate chapters was to show the different angles of investigation that the siblings were following, it does result in some additional benefits to the narrative.  I particularly liked the way in which the author uses the split perspectives to create tension and suspense throughout the novel, such as by one protagonist lacking information that the other character (and the reader) has knowledge of, or by leaving one protagonist’s fate uncertain.  It was also interesting to see the different opinions that the protagonists had on various characters and the specific relationships and friendships that they formed.  I also liked the way in which Hawke placed some intriguing in-universe poison proofing notes before each chapter, which recounted various poisonings that Oromani family has prevented or investigated over the years.  These notes were quite fun to check out and it really helped to highlight the importance the main characters place on protecting the Chancellor and their city from poison attacks.  These clever elements enhanced an already compelling narrative, and I imagine that Hawke will continue to utilise them in some of her future novels.

One of the major highlights of this book was the return to the author’s great fantasy setting that is the city of Silasta and its surrounding countryside.  Silasta is an extremely woke city full of artists, inventors and scholars who believe in equality between genders and acceptance of all sexualities and gender identities (for example, Hawke introduces a non-binary character in Hollow Empire).  While this was a fun city to explore in the first novel, especially as it was besieged for most of the book, I quite like how the author has altered the setting for Hollow Empire.  There is a significant focus on how Silasta has changed since the ending of the siege two years previously, especially on the attempted reconciliation efforts between the somewhat elitist citizens of Silasta and the Darfri, who were previously treated as second-class citizens doing the menial jobs.  While there have been changes to this relationship since the end of the first book, much is still the same and the difficulties in reconciling these two groups becomes a major and intriguing plot point within Hollow Empire.  Hawke also adds in an intriguing crime element to the novel, as several criminal gangs have used the chaos following the siege to build power within the city, peddling new drugs to the populace.  These new elements make for a different city than what the reader has previously seen, and I really liked how Hawke explored the negative elements of the aftermath of the first book and implemented them in Hollow Empire’s narrative, creating a fantastic and intriguing story.

In addition to focusing on the changes to the main city setting, I also really enjoyed the way in which Hawke decided to expand out her fantasy world.  This is mainly done by introducing emissaries from several of the nation’s neighbouring Silasta and bringing them to the city, resulting in the protagonists learning more about their respective histories and cultures, especially as they are convinced that one of them is responsible for the attack against them.  The story also explores the history of Silasta itself, with several storylines exploring how the city came into existence and its hidden past.  The author also worked to expand the magical system present within her universe by examining the spirit magic that was introduced in City of Lies and exploring more of its rules and limitations.  This results in several intriguing scenes, especially when one of the major characters, Hadrea, finds new ways to manipulate her magic.  In addition, some new forms of magic are introduced within the book.  These new magics have an origin in some of the new realms that are further explored in Hollow Empire and included an interesting and deadly form of witchcraft that differs wildly from the magical abilities that the characters utilised in the first book.  Not only are these new and inventive world-building elements quite fun to explore, but their inclusion becomes a key inclusion to the narrative.  All of this results in an enjoyable expanded universe, and it looks like Hawke has plans to introduce further lands and histories in the next Poison Wars book.

Another great part of Hollow Empire is the complexity of the characters, all of whom have evolved in some distinctive and compelling manner since the first novel.  As mentioned above, the main protagonists are the Oromani siblings, Jovana and Kalina, who serve as the book’s point-of-view characters.  Jovana is the Chancellor’s poison proofer, his secretive bodyguard who prepares his food and ensures that everything he eats is poison-free.  However, since the events of City of Lies, Jovan has become a lot more well-known throughout the city due to the role he played during the siege.  This requires him to adjust his role in society, especially as many people are now questioning how he and his family gained such prominence.  Jovan is also a lot more cautious when it comes to the Chancellor’s security after several near misses in the first novel, so that he appears almost paranoid at points throughout Hollow Empire.  This paranoia serves him well as he is forced to fight against an assassin who is using some clever means to attack his family and allies.  Jovan has also entered into a mentoring role within this book as he takes his young niece, Dija, as his new apprentice, teaching her the ways of proofing and ensuring that she has an immunity to toxins by poisoning her himself, in a similar way to how his uncle raised and taught him.  All of these add some intriguing new dynamics to Jovan’s character, and I really enjoyed seeing how he has changed since the first book.  Kalina also proves to be an excellent character throughout Hollow Empire, and I quite enjoyed reading her chapters.  Like her brother, Kalina has become a much more public figure in Silasta, although she is seen more as a hero than a suspicious poisoner like her brother.  Kalina’s chapters mainly focus on her attempts at finding out the truth through diplomacy as she interacts with the foreign delegations visiting the city.  Her investigations are just as dangerous as Jovan’s, and I really enjoyed seeing how her distinctive narrative unfolded, as well as how her character has also evolved, including with a fantastic new romance.  Both protagonists serve as excellent centres for the story and I look forward to seeing how they progress in later books in the series.

Hollow Empire also boasts a raft of fantastic side characters, many of whom have some exceptional arcs throughout the book.  The main two supporting characters are probably Chancellor Tain and Hadrea, both of whom were significant figures in City of Lies.  Like the main protagonists, Tain has also changed a lot since City of Lies, where he was the young and bold ruler thrust into a chaotic position.  Now he is a much more measured and cautious man, especially after narrowly avoiding death by poisoning in the first novel.  Tain continues to be the focus of the protagonist’s advice and protection throughout the novel, and the friendship he has with Jovana and Kalina becomes a major part of the book’s plot, resulting in some dramatic and powerful moments.  Hadrea, the young Speaker whose spirit magic saved the city in the first novel, also gets a lot of focus throughout Hollow Empire and is quite a major character.  In addition to being Jovan’s love interest, Hadrea also serves as the protagonist’s magic expert as they attempt to understand some of the mystical elements attacking them.  Hadrea’s magical power ends up becoming a major story element of Hollow Empire as she attempts to find new ways to use her magic while also chafing under the instruction of her superiors.  It looks like Hawke has some major plans for Hadrea in the future books, and I am curious to see what happens to her next.  These characters, and more, end up adding a lot to the story, and I quite enjoyed the way that Hawke portrayed them.

Hollow Empire by Sam Hawke was an impressive and deeply enjoyable novel that serves as an excellent sequel to City of Lies.  Featuring a thrilling and clever main narrative, great characters and an inventive, if damaged, fantasy setting, Hollow Empire was an epic read from start to finish that proves exceedingly hard to put down.  I had a wonderful time reading Hollow Empire and it ended up being one of my favourite books of 2020.  A highly recommended read, I cannot wait to see how the series continues in the future.

Star Wars: Doctor Aphra written by Sarah Kuhn and performed by a full cast

Doctor Aphra Audio Cover

Publisher: Random House Audio (Audio Drama – 21 July 2020)

Series: Star Wars

Script: Sarah Kuhn

Cast: Emily Woo Zeller, Jonathan Davis, Sean Patrick Hopkins, Sean Kenin, Nicole Lewis, Carol Monda, Euan Morton, Catherine Taber and Marc Thompson

Length: 5 hours and 35 minutes

My Rating: 4.5 out of 5 stars

The most brilliant and conniving archaeologist in the entire Star Wars canon gets her own audio drama as author Sarah Kuhn and an exceedingly talented cast of audiobook narrators present Star Wars: Doctor Aphra, the audio drama.

Throughout the galaxy Doctor Chelli Lona Aphra is renowned as a criminal and bringer of chaos without peer, but in her own eyes she is simply an archaeologist and technology enthusiast, albeit one willing to sell her findings to the highest bidder.  However, her latest venture is about to get her into the worst type of trouble, the sort that will haunt her for the rest of her incredibly short life.  Attempting to steal a dangerous weapon from a restricted alien vault, Aphra finds herself surrounded and slated to die, that is until Darth Vader, Dark Lord of the Sith and overall badass suddenly appears and saves her. 

Vader is engaging in a high-risk power play against the Emperor and Aphra has just become his most useful pawn, whether she likes it or not.  Working as his agent, Aphra must utilise her skills as a con-woman, genius technician and criminal mastermind to help Vader achieve his goals: depose the Emperor and find his new obsession, the pilot who blew up the Death Star, Luke Skywalker.  Determined to stay on Vader’s good side, Aphra, with the help of her two friendly murder droids, Triple-Zero and BT-1, helps her new master engage in all manner of shenanigans across the universe, including kidnappings, torture and elaborate heists.  However, Aphra knows that all it will take is just one mistake or slip-up to earn her new employers’ deadly wrath.  To avoid her inevitable appointment with Vader’s crimson lightsaber, Aphra will need to pull out every trick in her impressive arsenal if she is to survive.  But can even the great Doctor Aphra outsmart Darth Vader and the entire Empire, or has the smartest woman in the galaxy finally met her match?

Well this is an exceedingly fun and entertaining entry in the Star Wars expanded universe which provides a new angle to the tale of Doctor Aphra.  Doctor Aphra is an incredible and complex character who has only been recently added into the canon.  Introduced in the opening issues the 2015 Darth Vader comic book series, Doctor Aphra served as a major supporting character for much of the series run, entertaining readers with her antics and ability to survive working for Darth Vader.  Aphra proved to be an extremely popular character, and this resulted in the character getting her own comic book series (which ironically lasted more issues than the Darth Vader series she was introduced in).  The Doctor Aphra series ended up being an amazing hit thanks to some exceptional writing and it is one of my favourite pieces of Star Wars tie-in fiction (make sure to check out my reviews for the last two volumes in the series, Unspeakable Rebel Superweapon and A Rogue’s End), and there is even a second Doctor Aphra series on its way.  It seems that Aphra’s popularity has continued to grow as earlier this year this Doctor Aphra audio drama was released, written by talented author Sarah Kuhn.  This proved to be an exceptionally impressive audio release that does an amazing job bringing this fantastic character into an entirely new format.  This audio drama has a run time of around five and a half hours, which listeners are able to breeze through in no time at all.

The Doctor Aphra audio drama contains an intriguing and captivating story that follows the character as she engages in all manner of adventures in service to Darth Vader and her own survival.  Told entirely from the perspective of Aphra as she makes a series of recordings to an unknown person, and set shortly after the events of Star Wars: A New Hope, this story follows Aphra through the entirety of her ill-fated association with Darth Vader.  This employment places her in all manner of danger, as she completes a series of tasks important to Vader, including an elaborate heist; gets in the middle of a deadly conflict between Vader, one of his rivals in the Empire, and the protagonists of The Original Trilogy; and finds herself a prisoner of the Rebel Alliance before eventually attempting to manipulate the Emperor for her own ends.  At the same time, Aphra is constantly balancing on a knife’s edge, as her beloved boss has made it abundantly clear that he will kill her the moment she displeases him.  This forces Aphra into a number of tense and dangerous situations as she needs to convince Vader to keep her alive throughout the entire book.  This struggle to stay alive adds a substantial amount of suspense to the audio drama, as the listener really wants this entertaining character to survive, and it eventually leads to an outstanding and epic conclusion.  All of this proves to be an exceedingly captivating adventure, and listeners are in for an exciting and hilarious time, especially with Aphra’s entertaining and over-exaggerated narration of the events occurring. 

While I did really enjoy the story contained within this audio drama, I do need to point out that it is not actually an original tale; instead it is an adaption of several canon comic book series, namely the comics that featured Aphra’s early adventures.  The first part of the audio drama adapts most of the first two volumes of the 2015 Darth Vader comic series, Volume One: Vader and Volume Two: Shadows and Secrets.  From there the story follows the course of the crossover limited series, Vader Down, before moving on to the events of the fourth volume of the 2015 Star Wars comic, Rebel Jail.  Finally, the story returns to the Darth Vader comic, utilising parts of the fourth and final volume, End of GamesDoctor Aphra proves to be an exceptional adaptation of these comics although they only show off the events that Aphra herself witnessed or was a part of.  I had an amazing time listening to this adaptation and I really enjoyed seeing several of the amazing events that originally occurred on the page being brought to life by this enjoyable performance. 

People interested in listening to this audio drama do not need to have read the adapted comics first, as Kuhn provides Aphra with a great deal of narration that explains her role in the story and all the events leading up to the comics.  As someone who has read the comics before listening to this audio drama, I found that there was a lot in this production for fans of the comic.  I personally really enjoyed seeing these events from Aphra’s perspective (as the original comics mostly followed main characters such as Vader, Luke, Leia, and Han), and it was extremely interesting to see her thoughts on the various events occurring.  The author also comes up with a lot of additional backstory that helps to enrich Aphra’s involvement in the narrative, which fans of the character will really appreciate.  While I had a great time listening to this audio drama, I did notice that several events were glossed over, mainly because Aphra did not witness them occur in the comics.  For example, you have no idea who is behind several of the battles or attacks that Aphra finds herself in the middle of, with Aphra herself giving limited explanations for them.  While I knew full well what was going on, people who haven’t read the comics are going to be full of questions and this may make the audio drama a little confusing at times.  That being said, this was still an outstanding and deeply enjoyable production, and perhaps it will encourage listeners to check out some of the adapted comics (trust me, they are awesome).

One of the best things about this audio drama was the way in which the narrative explored the complex and exceedingly likeable character of Doctor Chelli Aphra.  Aphra is a clever, impulsive and chaotic rogue archaeologist who is obsessed with ancient technology, particularly unusual droids and dangerous weapons.  Aphra is a wildly entertaining character who is essentially an amoral version of Indiana Jones that has no problems cheating or betraying people who she encounters, as long as she gets to hold onto the valuable antiques or can sell them for vast amounts of money (none of her loot belongs in a museum!).  Aphra appears to have a relentlessly positive personality, providing the listener with a string of continual jokes and funny observations with an infectious amount of enthusiasm.  However, deep down Aphra is actually a deeply damaged individual who has suffered a number of losses and betrayals that impact her current outlook on life and other people. 

Despite the fact that Aphra is the very definition of an unreliable narrator (she literally deletes or edits the parts of the story she does not like to suit her agenda), I felt that this audio drama does an amazing job exploring this wily protagonist.  Having Aphra’s inner monologue about the events occurring during this story proved to be not only entertaining but also very enlightening, and it showed some fascinating glimpses of her inner personality and emotional state.  While much of Aphra’s story was previously explored in the comics that Doctor Aphra is based on, this adaptation does go a little further, pulling in some backstory that was introduced in the later Doctor Aphra comics and expertly working it into this narrative.  Kuhn also comes up with some additional history that is unique to this production, including a number of scenes that explore her previous romantic relationship with Sana Starros.  While this relationship has been mentioned and discussed in several of the comics, this is probably the most in-depth examination of it in the canon and it becomes an important part of the overall plot.  I really enjoyed the way in which Doctor Aphra examined its titular protagonist and I felt that the story really captured her essence and outrageous personality.

This audio drama sports an amazing voice cast and each of them does a fantastic job in this production.  However, I really must highlight the performance of Emily Woo Zeller, who portrayed the titular character.  Zeller is an experienced and talented narrator who has contributed to a huge raft of audiobooks, including several I am quite interested in checking out, such as Cyber Shogun Revolution by Peter Tieryas.  Due to how the audio drama is written, Zeller’s voice is the one we hear the most throughout Doctor Aphra, as she recounts all of the characters dialogue and the overall narration of this book.  I really loved the way that Zeller portrayed the character of Aphra in this audio drama and I thought she got all the aspects of the character down perfectly.  Zeller gives a particularly energetic performance throughout this adaption, and listeners get a real sense of the mischievous and over confident outer shell that Doctor Aphra portrays to everyone she meets.  However, Zeller also captures the vulnerable nature of this complex protagonist, showing off the character’s full range of emotions when she is scared, angry or contemplating her many regrets.  This rich and amazing performance from Zeller really helps to make this audio drama something special, and I am really glad that she was able to bring Doctor Aphra to life in such an exceptional way.

Doctor Aphra also makes use of several other impressive voice actors throughout this audio drama, each of whom are portraying major Star Wars characters who Aphra interacts with through the course of this adventure.  This audio drama features a who’s who of Star Wars audiobook narrators, many of whose works I have previously enjoyed in a range of productions including the previous Star Wars audio drama, Dooku: Jedi Lost.  These additional narrators include Jonathan Davis (who I previously enjoyed in Star Wars: Master and Apprentice and Lords of the Sith), Sean Kenin (Death Troopers), Euan Morton (Tarkin), Catherine Taber (Queen’s Peril and Queen’s Shadow), Marc Thompson (Thrawn, Thrawn: Chaos Rising, Dark Disciple and Scoundrels), Sean Patrick Hopkins, Nicole Lewis and Carol Monda.  Each of these voice actors did an exceptional job of bringing their various characters to life throughout Doctor Aphra.  I particularly enjoyed Marc Thompson’s Darth Vader and Euan Morton’s Emperor, as both voice actors brought some realistic menace to these iconic villains.  Catherine Taber, who is best known for her portrayal of Padme Amidala in The Clone Wars animated series, does an excellent Princess Leia in this production, and I really appreciated the choice to cast her.  Sean Patrick Hopkins does a really cool Luke Skywalker, and I was really struck by how close he got to a younger Mark Hamil’s voice.  I also really enjoyed Sean Kenin’s Triple-Zero, and I felt he really captured the essence of this crazy character.  Each of these side characters added a lot to the production as a whole and, while they were not as heavily featured as Aphra, each of them had their own entertaining moments and interactions.  I particularly loved the threatening aura that Darth Vader exhibited towards Aphra, and there is also a very entertaining interaction between Aphra and Han Solo that results in some of the best jokes in the entire production.  You also have to love the fact that Aphra ends up with a posse that essentially reflects the main characters from The Original Trilogy, with a protocol droid (Triple-Zero), an Astromech (BT-1) and a Wookie (Black Krrsantan).  Of course, Aphra’s friends are all dangerous killers, which makes for some extremely entertaining and deadly encounters.

In addition to featuring an impressive voice cast, Doctor Aphra also features the full range of iconic Star Wars sound effects and musical scores that were made famous in the movies.  Pretty much every action that occurs within the book is accompanied by a sound effect, whether it be blaster fire, the sound of engines or even a susurration from other people in a crowded room.  I always love how these sound effects helped to create an atmosphere throughout the course of a Star Wars novel, and I felt that they were particularly useful for this audio drama format due to the lack of narration that a standard audiobook would have.  I also have to talk up the excellent use of the incredible Star Wars musical score that features during several key scenes of the novel.  Hearing this music during some of the most pivotal, dramatic or action-packed sequences makes the narrative seem that much more epic, and I absolutely loved hearing this music throughout this production.  The use of the sound effects and music enhances the story in immeasurable ways, and it helps to turn this audio drama into an exceptional treat for the ears. 

Star Wars: Doctor Aphra is an impressive and deeply enjoyable audio production that brings fan-favourite character Chelli Aphra into a whole new light.  Cleverly adapting several amazing Star Wars comics, the Doctor Aphra audio drama features an interesting story from author Sarah Kuhn that shows the events from the perspective of the chaotic and duplicitous titular protagonist.  Featuring an exceptional voice cast, Doctor Aphra proves to be an extremely entertaining and exceedingly addictive listen that I had a very hard time turning off.  I personally think this was one of the best audio productions of 2020 and it comes highly recommended both to general Star Wars fans and to those who have read the adapted comics.  I had an amazing time listening to this audio drama and I hope that they think about adapting the later Doctor Aphra comic book series next as there are some impressive storylines featured in there.

The Law of Innocence by Michael Connelly

The Law of Innocence Cover

Publisher: Allen & Unwin (Trade Paperback – 10 November 2020)

Series: Mickey Haller – Book six

Length: 421 pages

My Rating: 4.75 out of 5 stars

The master of the modern-day crime fiction novel, Michael Connelly, presents his second release of 2020, The Law of Innocence, which sees the return of one of his most iconic protagonist, the Lincoln Lawyer, Mickey Haller, who is forced to defend his most important client yet: himself.

Defence lawyer Mickey Haller is flying high after a series of high-profile wins in court.  However, his life is about to come crashing down around him when he is pulled over by police and the body of a former client is found in the trunk of his Lincoln.  Haller is swiftly charged with murder and slapped with an unpayable $5 million bail that forces him to stay in the infamous Twin Towers Jail in downtown Los Angeles.

Determined to prove that he has been framed, Haller chooses to defend himself and starts to construct his case in prison.  With the help of his expert team, including his half-brother, Harry Bosch, Haller attempts to discover who is really behind the murder and why he is being targeted.  However, the answers and a viable alternate suspect seem elusive, and Haller soon finds himself the target of everyone in the criminal justice system that he has managed to alienate throughout his career.

With the trial quickly approaching and a vengeful prosecutor angling to get Haller the death sentence, the defence will need every trick at their disposal if they are to save Haller’s life.  However, this entire case sits at the centre of an elaborate conspiracy, one where anyone who knows anything is at risk.  Can Haller survive the case and his dangerous prison sentence, or will this be the last trial for the Lincoln Lawyer?

The Law of Innocence was an impressive and enjoyable book from Michael Connelly, who has once again written a top-notch crime fiction novel.  I have really been getting into Connelly’s work over the last couple of years and I have had an exceptional time reading his last three novels, Dark Sacred Night, The Night Fire and Fair Warning.  Due to this, and the fact that I really liked its plot synopsis, The Law of Innocence was one of my most anticipated reads for the year, and I have been looking forward to it for a while.  This is the sixth novel to feature Mickey Haller as its protagonist and point-of-view character, and the 35th overall novel to be set in Connelly’s overarching crime fiction universe.  I had an amazing time reading this book, another fantastic outing from Connelly.

Connelly has come up with an exceptional story for this excellent book, and it is one that I really enjoyed.  Indeed, I actually got so caught up in The Law of Innocence’s awesome narrative that I managed to read the entire book in just one day, not even realising that I had stayed up till 3am to finish it off (work the next day was not fun, but staying up was worth it).  The story that Connelly utilises in this novel is extremely compelling and intriguing, as it forces the protagonist to not only solve a murder but also prove to the court that he did not commit it.  This leads to an intense, emotional and clever story that combines a fantastic murder mystery plot with some excellent legal thriller elements, while also placing the protagonist in significant danger while being held in prison.  There were a number of amazing elements to this book, and the story flows at an extremely fast pace whilst following a crafty but likeable protagonist.  Connelly makes sure to continue to explore Haller’s personal issues at the same time, featuring the supporting characters and family members from the previous Mickey Haller novels, including an old flame with whom Haller finally gets some closure.  The Law of Innocence also featured Connelly’s most iconic protagonist, Harry Bosch, who attempts to help Haller clear his name.  While Bosch was a little underutilised, especially considering how much he was featured in some of the pre-publishing advertising, it was great to see him in another book and it was interesting to see more of the relationship between these estranged half-brothers.  The Law of Innocence also contains some interesting connections to previous Mickey Haller novels, and fans of this protagonist will be intrigued to see which characters make a return.  While I really enjoyed most of the story, I did feel that ending was a little weak.  The entire conclusion to the case occurs rather suddenly towards the end of the book and it feels a little forced and simplistic.  It also lacked the excitement of the rest of The Law of Innocence, and I would have much preferred something a little more shocking or some major courtroom shenanigans to really round out the book.  While this ending was a bit disappointing, I still think that The Law of Innocence’s story was still substantially strong, and I had an exceptional time getting through it.

One of the things that impress me about Connelly’s writing is his ability to create substantially different crime fiction novels based on the protagonist he is featuring.  For example, his Renee Ballard and Harry Bosch novels are excellent police procedurals, while his Jack McEvoy books feature clever investigations by a journalist.  The Law of Innocence, on the other hand, was written as a legal thriller, due to it being a Mickey Haller novel.  This proved to be an interesting change of pace from the previous Connelly novels I have read, but I really enjoyed it, mainly due to the sheer amount of legal detail that the author fits into the novel.  Connelly does an amazing job fitting an entire fascinating legal case into this book, going all the way from the arrest to the conclusion of trial.  Along the way, The Law of Innocence covers everything from case preparation, pre-trial hearings, bail, jury selections and the main trial, while also containing a lot of descriptions and discussions about the criminal justice system in Los Angeles.  Due to the fact the book is told solely from Haller’s point of view, there is a natural focus on the art of defending a client, with a number of the tricks of the trade being featured.  I found all of the legal aspects of The Law of Innocence to be extremely fascinating, and Connelly makes sure to explain all of these legal details in a comprehensive and easy to follow way.  I loved seeing Haller work his legal magic throughout the book, especially as the reader gets to see into Haller’s mind and find out what he was actually planning and how successful his various gambles actually are.  It was also particularly cool to see him forced to deal with the handicap of defending himself whilst being stuck in jail, especially as he was not able to investigate the crime himself or have access to his usual resources.  Overall, my first experience of one of Connelly’s legal thrillers turned out to be very enjoyable and I thought that the author wrote an awesome story around it.  I look forward to seeing what cool legal cases Connelly comes up with the next time he utilises Haller as a protagonist, and I am sure it will make for another fun read.

Another interesting part of this book that I quite enjoyed was the clever inclusion of COVID-19 into the plot.  The plot of The Law of Innocence is set over the course of a couple of months, from late 2019 to March 2020, with the coronavirus slowly becoming more prevalent as the book proceeds.  This starts with some throwaway mentions of the virus and Wuhan in the parts of the book set in November, which the reader would initially attribute to a cute mention that was not going to go anywhere.  However, as the book progresses, the references to the virus become more and more numerous, until it actually becomes a major part of the plot, with the protagonist suddenly facing the reality of it when his legal team walk into prison wearing face masks.  I found it deeply fascinating to see the author utilise the coronavirus in his book and it was rather compelling to see the impacts it had on the central plot, with elements of the court case, such as jury selection, fast-tracked to ensure that the case could be held before everything got shut down.  Connelly was actually quite subtle with how he featured the coronavirus in his story, and I felt that the growing levels of concern that the characters show in this book realistically matched what people felt in real life, with excellent depictions of the shift from mild indifference to panic buying.  This was honestly one of the first books I have read that mentioned the coronavirus (although I imagine quite a few books next year will have it as a central plot point), and I felt that Connelly handled it extremely well, being an accurate and impactful part of the book, without overly distracting the reader from the central case or overwhelming them with details or experiences everyone is currently extremely familiar with.  This excellent inclusion of real-life elements into a great fictional story is one of the reasons I always enjoy Connelly’s writing, and I look forward to seeing how he addresses the coronavirus in some of his future books (for example, how it might impact murder investigations in a Renee Ballard or Harry Bosch novel).

The Law of Innocence by Michael Connelly is another captivating and awesome crime fiction novel that comes highly recommended.  Featuring the antics of defence lawyer Mickey Haller, The Law of Innocence is an amazing legal thriller that readers can really sink their teeth into.  Fun, exciting and compelling, The Law of Innocence is an excellent novel, and both established fans of Connelly and newcomers to his work will be able to dive into this book extremely easily.  I had an amazing time reading The Law of Innocence and I look forward to Connelly’s next exceptional read.

Hidden in Plain Sight by Jeffrey Archer

Hidden in Plain Sight Cover

Publisher: Macmillan (Hardcover – 27 October 2020)

Series: William Warwick – Book Two

Length: 304 pages

My Rating: 4.25 out of 5

Bestselling author Jeffrey Archer returns with the second book in his William Warwick historical crime fiction series, Hidden in Plain Sight.

London, 1986.  Following the failed attempt to put his nemesis, expert art thief Miles Faulkner, behind bars, William Warwick has been promoted to Detective Sergeant and now has a whole new focus: drugs.  William and his team have been assigned to take down a notorious drug kingpin, one who has all of South London in his pocket and who takes great pains to hide his identity and methods.  However, despite their focus on catching this mysterious drug lord, known only as the Viper, Warwick is still determined to take down Faulkner.

When William coincidently arrests an old acquaintance from his school days, Adrian Heath, it unexpectedly provides him with the opportunity that he has been looking for.  Not only does Adrian have information about the identity of the Viper, but he also has a connection to Faulkner that could be exploited to finally throw his adversary behind bars.  As William attempts to close the net around his targets, he must also counter the moves of his enemies, even when they attempt to ruin his life or his upcoming marriage to Beth.  However, it will take more than personal attacks and clever setbacks to discourage William, and he soon has Faulkner and the Viper exactly where he wants them.  But even in defeat, Miles Faulkner is a dangerous opponent, especially now that he has his vengeful eyes fully set on William and everyone he loves.

Hidden in Plain Sight was another exciting and clever novel from Jeffery Archer featuring a compelling historical crime drama set around the life of a fun fictional character.  The protagonist of this series, William Warwick, actually first came into existence in Archer’s iconic Clifton Chronicles series of historical fiction books, where he was introduced as the in-narrative fictional protagonist of a series of detective books written by the Clifton Chronicle’s main character, Harry Clifton.  After Archer concluded the Clifton Chronicles a couple of years ago, he decided to provide his fans with a more detailed exploration of this fictional detective, and this series is the result.  The William Warwick series looks set to be Archer’s next major long-running series and it will explore the entire career of Warwick, from eager young recruit to hardened and brilliant detective.  This is the second William Warwick novel following last year’s Nothing Ventured, and Archer has come up with an enjoyable new tale that proved really hard to put down.

This second entry in the William Warwick series contains another intriguing and exciting character driven narrative that sees the protagonists engage in a game of wits with some despicable criminals.  This proved to be an excellent historical crime fiction novel that not that not only continues the compelling narrative set up in the previous book in the series but which also sees the protagonist go after an entirely new foe.  Archer presents a great recreation of 1980s London and takes the story in an interesting new direction by having William attempt to combat the city’s crippling drug trade.  However, the story still has a fascinating focus on the world of art and antiquities and its associated criminal underbelly, thanks to the amazing returning antagonist from the first novel.  This story proved to be really exciting and fast-paced, and I enjoyed the variety of different crime fiction elements that Archer included in the plot, as the protagonists attempt to take down their quarry in a number of different manners.  Readers are treated to a range of great sequences, from pulse-pounding police raids, detailed investigations, cunning undercover operations and even a very entertaining courtroom sequence.  Archer has loaded Hidden in Plain Sight’s story with all manner of twists and turns, so much so that the reader is often left surprised at who ends up on top and where the story will go next.  This was a really enjoyable narrative that I found to be extremely addictive, resulting in me powering through the entirety of Hidden in Plain Sight in just over a day.  Fans of the previous entry in the series (as well as the Clifton Chronicles) will have a great time continuing the fun story started in Nothing Ventured, while new readers will also be able to quickly dive into this novel and become engrossed in the story.

Like all of Archer’s books, the narrative of Hidden in Plain Sight is strongly driven by the excellent characters that the plot follows.  Archer utilises a range of different character perspectives to tell his story, presenting a rich and multifaceted narrative that explores the lives of several intriguing protagonists, as well as a couple of great villains.  Most of the story focuses on the series’ titular character, William Warwick, the determined, ambitious and righteous police officer who has dedicated his life to fighting crime.  Warwick continues to grow as a detective throughout Hidden in Plain Sight, losing more of his “choir boy” personality and gradually becoming more addicted to the job and the danger.  Despite that he still maintains his strong moral code and proves to be a very likeable central character, especially as Archer spends a lot of time exploring his personal life and his various relationships.  In addition to Warwick, Archer also dedicates a large amount of the book to several key side characters including Warwick’s police colleagues, the major antagonists and members of Warwick’s family.  These various additional characters and perspectives really added a lot to the story’s flow, and it was a much more effective way to tell this narrative than through the eyes of Warwick alone.  Most of these characters are only featured for a small amount of time throughout the book, but I felt that Archer made the most of their appearances, showcasing their personalities and motivations in an excellent manner and making sure that the reader was concerned for their various story arcs.

While these books are mostly focused on the exploits of William and his crime fighting associates, the character I have the most love for is the villain, Miles Faulkner, who is a constant highlight of each book.  Faulkner is a debonair and brilliant criminal mastermind who specialises in elaborate art thefts and forgeries and who gained the attention of the protagonists in Nothing Ventured.  Faulkner serves as a brilliant foil to William and the other police, continually outsmarting them at every turn and thoroughly acting as the cocky master villain.  Faulkner pretty much steals every scene he appears in, and you cannot help but enjoy his antics, even when you are pulling for the protagonists to knock him off his pedestal.  Archer introduces a number of entertaining and clever twists around Faulkner throughout Hidden in Plain Sight, and it was extremely entertaining to see the various ways in which this antagonist manages to manipulate everyone around him and generally come up on top, even when it appears that he has lost.  I personally liked the more vindictive streak that appeared as part of Faulkner’s character in this book, following his various losing encounters with William and the other protagonists.  Not only does this result in a number of clever and elaborate revenge ploys but it also gives a harder edge to Faulkner as the overall antagonist of the series, and hints that he may have some diabolical plans for William in the future entries of this series.  I had a lot of fun with this excellent antagonist and I cannot wait to see what villainy he unleashes next.

Hidden in Plain Sight is another fun and clever novel from Jeffery Archer that comes highly recommended.  Archer has done an excellent job of continuing his William Warwick series, and readers are in for an exciting and enjoyable time with this book.  I really liked where Archer took the story in Hidden in Plain Sight and I am looking forward to seeing how the series will continue next year.

Blunt Force by Lynda La Plante

Blunt Force Cover

Publisher: Zaffre (Trade Paperback -25 August 2020)

Series: Tennison – Book Six

Length: 415 pages

My Rating: 4.25 out of 5 stars

The leading lady of crime fiction, Lynda La Plante, returns with another compelling entry in her excellent Tennison series, Blunt Force.

Lynda La Plante is a talented screenwriter and author who has been a leading figure in crime fiction since the 1980s with her combination of enjoyable novels and popular television shows and movies.  Some of her notable works include Widows, which has been alternatively a novel, a television series and a film, the Trial and Retribution television series, and several other novels that have been inspired by La Plante’s various television shows, specials or films.  Perhaps her most impressive piece of fiction is the iconic British television series, Prime Suspect, which ran in the early 1990s (with follow-up seasons running in 2003 and 2006), starring Helen Mirren as the lead character, Jane Tennison.  This show was immensely popular, and in recent years La Plante has started revisiting the character by doing a series of prequel novels that follow a young Jane Tennison in the 1970s and 80s, starting with 2015’s Tennison.  Not only did Tennison inspire the Prime Suspect 1973 television series but it was also resulted in several sequel novels.  I have been rather enjoying this series over the last couple of years (check out my reviews for Good Friday, Murder Mile and The Dirty Dozen), and I was excited when I recently received my copy of the sixth book in the series, Blunt ForceBlunt Force is set in the early 1980s and continues to follow Tennison on her journey to become the respected investigator we see in the original television show.

After being unfairly kicked out of the high-profile Flying Squad, Detective Sergeant Jane Tennison’s career is on a downward trajectory.  Assigned to the sleepy police station of Gerald Road in London’s affluent Knightsbridge area, Jane must content with working petty crimes and minor offenses.  However, a good murder is always just around the corner for Jane, as a gruesome and bloody crime scene is discovered on her beat containing a brutally disembowelled body.

The victim, Charlie Foxley, was a well-known celebrity agent, representing a multitude of the richest and most influential actors, models and writers on the planet.  However, he was also a cruel and vindictive man whose ruthless business practices, sordid personal life and complicated familiar bonds leaves behind a raft of potential suspects who each had a very real reason to kill him.  In order to catch this murderer, Jane and her colleagues will need to dive into the dazzling world of show business to find out more about their victim.  But not everything is as innocent or glamorous as it first appears, and Jane must get to the bottom of Foxley’s dodgy dealings if she is to solve the case.

La Plante has once again produced an exciting and compelling crime fiction novel that explores the earlier life of her long-running protagonist.  This a particularly great read that combines a fantastic and clever murder mystery with an intriguing historical period and La Plante’s trademark examination of sexism in the London police force.  Just like the prior books in the series, Blunt Force is an extremely accessible novel and readers who are unfamiliar with the previous Tennison novels or the Prime Suspect television series can easily dive into this story without any issues.  That being said, established La Plante/Prime Suspect fans will no doubt really enjoy seeing how Jane’s character continues to evolve throughout the course of the series as well as witnessing her investigate another significant case from earlier in her career.

Blunt Force mainly revolves around the brutal murder of a celebrity agent who is found butchered in his apartment.  This leads to quite an intense and elaborate murder investigation as Tennison and her colleagues dive into the life of the deceased agent and attempt to find out who killed him.  The case goes into some very interesting directions as La Plante loads up the book with a ton of plausible misleads, multiple potential suspects with compelling motives, conflicting police politics and a whole load of misdirects.  This includes a collection of duplicitous celebrities and rival agents, shady characters who the victim had dealings with and a particularly unhinged ex-wife who is definitely hiding something.  The story follows Tennison and several of her fellow detectives as they methodically examine each new lead that comes up.  I liked the realistic and evenly paced investigation storyline, with police slowly working their way through suspects by questioning them multiple times, collecting and analysing new evidence and looking for inconsistencies in stories and claims.  The eventual solution for the murder turned out to be quite clever, and I liked how it required Tennison to dive deep into the victim’s life and profession to come up with a hidden motivation.  The author ensures there is some decent foreshadowing about who the killer is, although I did not see the eventual reveal coming, and I was quite satisfied with the result.  Overall, this was a fantastic murder mystery storyline and I had an amazing time seeing it all come together.

As with the rest of the novels in the Tennison series, La Plante uses Blunt Force to explore and critique the historical institutional sexism that existed within the Metropolitan police.  This is always a fascinating and relevant element to the story, and La Plante does a fantastic job showing both overt and more subtle examples of what Tennison has to go through as one of the few female detectives in the force at this time.  There are several notable inclusions in this novel, from Jane being unfairly dismissed from the Flying Squad, the condescension of her peers, rumours of the reasons why she left the Flying Squad being spread around the office and some new superiors doubting her ability and observations as a result.  However, one of the most noticeable elements of this is the disconnect between Jane and her colleagues over investigating elements of the motive for the murder.  Through the course of her work, Jane is able to identify the real reason Foxley is killed and wants to further investigate that, as well as attempting to help/find another potential victim.  However, her male colleagues, more concerned with the big, glamorous murder, ignore this part of the case, leaving Jane frustrated and a little disenchanted with her colleagues.  I really appreciated these scenes within Blunt Force, especially as La Plante writes them extremely well and it was a distinctive and compelling part of the story.

In addition to this there is also a rather intriguing subplot that deals with Tennison getting involved with the infamous Operation Countryman.  Operation Countryman was an anti-police-corruption investigation that ran in the late 1970s and early 1980s, and featured members of rural police forces investigating the London police.  This investigation has been mentioned and discussed several times in the previous Tennison novels, especially in the prior book The Dirty Dozen, and it finally comes to a head in Blunt Force.  Throughout the course of this book Jane is approached and recruited by members of Operation Countryman due to her work with the Flying Squad and some of the corruption that was implied in the prior books.  This proves to be a really fascinating part of the story, especially as La Plante cleverly brings in events from previous Tennison adventures, revealing some fantastic forward planning on her part, as well as tying this storyline into some of the real-life targets of the operation.  I also liked how this tied into the rest of the narrative contained within Blunt Force, as much of the protagonist’s motivation to help remove a certain corrupt cop could be attributed to her frustrations with the main investigation.  This was a very interesting part of the story, and I look forward to seeing if La Plante features more of Operation Countryman in her future novels, perhaps showing what sort of backlash Tennison faces from her colleagues for assisting the operation take down a fellow cop.

The always impressive Lynda La Plante has once again delivered an exciting and captivating novel with Blunt Force.  This was a fantastic book that not only contains a gripping and clever murder mystery but which continues the dramatic and intriguing tale of one of La Plante’s most iconic protagonists, Jane Tennison.  This was an amazing entry in the Tennison series, and I look forward to seeing what crime the protagonist finds herself involved with next year.

The Night Swim by Megan Goldin

The Night Swim Cover

Publisher: Michael Joseph (Trade Paperback – 4 August 2020)

Series: Standalone/Book One

Length: 344 pages

My Rating: 4.5 out of 5 stars

Australian crime fiction sensation, Megan Goldin, returns with an impressive third novel, The Night Swim, an intense and heavy-hitting read that quickly drags the reader in with its captivating narrative that refuses to let go.

Following the success of the first season of her true crime podcast show, Guilty or Not Guilty, which set an innocent man free, Rachel Krall has become an overnight sensation and a beacon for people seeking justice or their freedom.  Determined to keep her momentum going, Rachel decides to set the latest season of her podcast around the most contentious trial in the country, a high-profile rape case in the small town of Neapolis.  The town’s golden boy, a famous swimmer with Olympic potential, has been accused of raping the popular granddaughter of the town’s legendary police chief.  The resultant case has divided both the town and the country, and many are eager to see how the hearing unfolds.

Arriving in Neapolis, Rachel begins her own investigation, interviewing people of interest and trying to provide an unbiased version of the case to her listeners.  But as she attempts to unwind the legal and moral complexities surrounding the case, Rachel finds herself distracted when she begins to receive a series of letters from a mysterious woman.  This woman, Hannah, is a former local who has returned to Neapolis because of the trial and is requesting Rachel’s help in getting long-overdue justice for her sister, Jenny Stills, who died 25 years earlier.

Officially, Jenny’s death was ruled as an accidental drowning and barely anyone remembers who she was or how she died.  However, Hannah’s letters reveal a far different story about a poor girl who was brutally murdered and whose memory and legacy was tarnished from beyond the grave.  As Rachel beings to investigate the death of Jenny, she soon finds parallels between this old case and the modern-day rape.  Something truly rotten occurred 25 years ago in Neapolis and now the past has come back to haunt those involved.  Can Rachel bring justice after all these years and how will her findings impact the current trial?

Now that was a powerful and compelling read from Goldin, who has once again produced an excellent and impressive read.  Megan Goldin is a talented Australian author who debuted back in 2017 with The Girl in Kellers Way.  I first became familiar with Goldin when I received a copy of her second book, The Escape Room, in 2018.  I really liked the curious synopsis of The Escape Room, and once I started it I found that I was unable to stop, resulting in me reading it entirely in one night.  As a result, I was quite eager to get my hands on Goldin’s third book, The Night Swim, and I was really glad that I got a chance to read it.  This new standalone crime fiction novel proved to be an extremely intriguing read with an outstanding story that expertly deals with some heavy and controversial issues and which takes the reader on an intense and memorable journey.

At the centre of this book is a complex and multi-layered narrative that is loaded with emotion, mystery and social commentary.  The main story follows Rachel as she arrives in Neapolis and attempts to uncover some background behind the events of the rape case she is covering.  This part of the story sees Rachel interview several key witnesses or associated individuals to get their side of the story, explores how the case is impacting the town, witnesses the details of the dramatic court case and then reports her finding and feelings in separate extended chapters made to represent a podcast episode.  Rachel also investigates the events that occurred 25 years ago to Jenny Stills.  Rachel is guided in this part of the story by Hannah’s mysterious letters, which paint a detailed picture of Hannah’s childhood and her memories of the events that occurred.  Rachel follows the clues left in the letters as well as her own investigations to attempt to uncover what really happened all those years ago and who the culprits are.

I really liked how Goldin split out the story, especially as it combined cold case elements with a modern legal thriller and investigation.  Both the present case and the historical crime had compelling, if dark, narrative threads, and I really appreciated where both storylines ended up.  Naturally both cases were connected in some way, especially as a number of key people associated with the modern-day rape, such as the police investigators, lawyers, the parents of both parties and several other characters, were in Neapolis 25 years earlier and are potential suspects in this previous crime.  While I was able to guess who the main perpetrator of the Jenny Stills case was about halfway through the story, I still found it extremely intriguing to see the rest of the story unfold and the joint conclusion of both narratives was rather satisfying.  Some of the key highlights of this story for me included the exciting and dramatic court scenes and I also enjoyed the use of the true crime podcast in the story.  Having the protagonist run a successful true crime podcast or television show is a story element that has been a little overused in recent years, but I still find it to be an intriguing inclusion, especially as Goldin utilised it well in this novel as both a plot device and a forum for the character/author’s social musings.  Overall, this was an excellent piece of crime fiction with an impressive narrative that will draw the reader in and ensure that they will stick around to see how it all unfolds.

One of the most distinctive aspects of The Night Swim is Goldin’s frank and comprehensive look at sexual assault crimes.  The book’s narrative focuses on two separate but similar sexual assault cases that occurred within 25 years of each other.  Goldin not only provides details of these crimes but also dives into other elements of rape and assault, such as how victims are impacted in the aftermath, how sexual assault crimes are viewed in society and very little has changed around this in recent years.  This novel paints a particularly grim picture on the entire legal process surrounding the process for investigating and prosecuting rape cases and there are some fascinating, if horrifying, examinations of how society still has trouble coming to a consensus when it comes to these crimes, and how cases like these can divide communities and nations.  There are a number of examples contained within the plot about the public perception of the crimes, with doubt and blame being placed on rape victims who are forced to relive their assaults in different ways and who face unfair and often malicious attacks on their reputations and psyches.  It was also interesting to see the author examine some of the fear that women experience all the time at the possibility of an attack, and the protagonist’s emotional podcast posts are particularly good for exploring her experiences and thoughts on the matter.  There is also a clever and apt bit of symbolism around this in the form of a caged mockingbird at the protagonist’s hotel who is bothered by several random men for not singing, which I thought was rather striking and memorable.  Goldin does a fantastic job diving into this subject and she really pulls no punches in showing what a terrible and mentally damaging crime this is, as well as the impacts that it has on the victims.  Because of this The Night Swim is a bit of tough book to read at times and some readers may find a lot of the content quite distressing.  However, I really appreciated that Goldin spent the time exploring this subject and it proved to be a captivating and memorable addition to the story.

The small fictional town of Neapolis also proved to be a great setting for this novel, and I liked the way that Goldin utilised this location in The Night Swim.  I think that the author was able to produce an excellent approximation of classic small town America, complete with social power players, economic troubles, well-to-do former residents who have returned to face their past and old secrets and lies that are only now bubbling to the surface.  It was really intriguing to see the protagonist uncover all the secrets of the town, especially the ones told in Hannah’s cryptic letters and childhood musings.  It was also fascinating to see the impacts of family reputation and parental legacy on how crimes are investigated and covered up and this becomes a major factor in both of the cases being investigated.  I also liked how Goldin examined how a controversial sexual assault case could divide a small town like Neapolis, with all the resultant friction and disagreement obvious for an outsider like Rachel to observe.  Overall, this was a compelling setting, and I think that it really helped to enhance the intriguing narrative that Goldin produced.

With this third impressive novel, Megan Goldin has once again shown why she is such a rising star in the crime fiction genre.  The Night Swim is a powerful and captivating read that expertly examines a heavy, relevant and surprisingly divisive real-world topic and utilises it to create a clever crime fiction story set across 25 years.  This was a truly outstanding piece of fiction, and the combination of a great mystery, dramatic writing and an in-depth examination of crime and society proved to be rather compelling and memorable.  While The Night Swim is a standalone read, I think that the protagonist introduced in this novel has some potential as a repeat character, and it might be interesting to see her travel around the country, investigating crimes for her podcast.  In the meantime, The Night Swim comes highly recommended and I look forward to seeing what Goldin comes up with next.

Finding Eadie by Caroline Beecham

Finding Eadie Cover

Publisher: Allen & Unwin (Trade Paperback – 2 July 2020)

Series: Standalone

Length: 360 pages

My Rating: 4 out of 5 stars

Acclaimed Australian author Caroline Beecham is back with another moving and compelling World War II historical drama with Finding Eadie.

London, 1943.  As the war rages across the world, there is a demand for new books to not only distract the public from the grim realities of the war but to also entertain the troops as they fight.  However, despite this increased need for books, the London branch of the Partridge Press publishing house is struggling due to wartime restrictions on resources and the damage done to their former offices.  In order to survive, Partridge Press need a new bestseller and young staff member, Alice Cotton, has an idea for a book that will both appeal to the public and help lift their spirits.  But before work can begin on this project, Alice suddenly leaves.

Alice’s absence is due to her secret pregnancy to an unnamed father.  Determined to keep the baby, Eadie, Alice comes up with a plan to give birth in secret and then raise the baby with her mother, pretending it is a wartime orphan.  However, Alice is unprepared for the ultimate betrayal by her mother, who steals the baby from her and gives it away in order to save her daughter’s reputation.  Devastated, Alice searches for her daughter, and soon finds out that her mother gave the baby to baby farmers, people who make a semi-legal profit by taking unwanted babies and selling them to the highest bidder.  Desperate to get Eadie back no matter the cost, Alice returns to Partridge Press and uses her book as a cover to get more information on the baby farmers.  At the same time, she finds solace in an American, Theo Booth, who has been sent from the American office of Partridge to help salvage the failing British office.  Can Alice find her daughter before it is too late, or will she lose Eadie forever?

Beecham is a talented and impressive author who is making a real impact on the historical drama scene due to her touching storylines that focus on fascinating aspects of the World War II experience.  For example, her 2016 debut novel, Maggie’s Kitchen, focused on the struggles of opening a restaurant during the blitz, while her second novel, 2018’s Eleanor’s Secret focused on a young woman who was employed by the War Artist Advisory Committee.  Finding Eadie is another powerful war drama that focuses on some intriguing aspects of the war.

At the centre of this book is an excellent dramatic storyline that focuses on two people trying to do their best in difficult circumstances.  This story employs two separate point-of-view characters, Alice Cotton and Theo Booth, each of whom have their own intriguing and dramatic storylines.  While Theo’s narrative of a young, conflicted, book-loving man who finds his true calling in war-torn London is very enjoyable, I really have to highlight the excellent story surrounding the character of Alice.  At the start of the book, Alice has her baby, the titular Eadie, stolen from her by her mother and she spends the rest of the novel trying to find her.  This is an incredibly powerful and emotional story thread which I found to be extremely moving.  Beecham does an incredible job portraying Alice’s pain and distress throughout the course of the novel and the resultant raw emotion is heartbreaking and mesmerising in equal measures.  This search for Eadie has a number of notable elements to it, including emotional confrontations between Alice and her mother, the continued strain impacting the protagonist the longer she is separated from Eadie, a compelling investigative narrative, and a dangerous dive into London’s criminal underbelly.  The reader gets really drawn into the story as a result, as they eagerly wait to see if Alice will get a happy ending or if she will become another victim of the tragic circumstances surrounding the war.

On top of this compelling and dramatic storyline there is also a well-written, if somewhat understated, romantic angle between Alice and Theo.  While it is quite obvious that the two are going to end up together (it is a historical drama with a male and female as the main characters, of course they are going to end up together), Beecham builds it up rather well, and while there are significant obstacles to their romance, such as Theo’s engagement to another woman and the fact that Alice is rightly more concerned with finding her baby, the two slowly realise their feelings for each other.  Overall, the entire story comes together extremely well, and I found myself quite drawn to this excellent narrative which allowed me to read this book in remarkably short order.

While this book has an amazing story, I also really enjoyed Beecham’s examination of certain unique aspects of life during the war, which proves to be rather fascinating.  I particularly enjoyed the exploration of the publishing world during the war, and this goes on to become a major and compelling part of the book’s plot.  Beecham does a fantastic job highlighting what was going on during the publishing industry during the period in both England and America.  This includes an impressive deep dive into the industry, exploring the importance of books during the period, the troubles involved with publishing during a war such as the lack of supplies, as well as also examining the sort of books that were popular at the time.  I absolutely loved all this amazing detail about publishing during the war, and it was an outstanding highlight of the book.  I also liked how well it tied into the rest of the book’s narrative as their love of books was not only a key element of both Alice and Theo’s personal storylines but also a major part of the characters, and it was something that made both of them more relatable and likeable to the reader, ensuring that they are more emotionally invested in the story.

In addition to the focus on the publishing world Beecham also explores other intriguing aspects of London during the war.  Probably the most important one relating to the plot was the shocking practice of baby farming, where babies were bought and sold for profit.  This was a remarkably horrifying aspect of history that I wasn’t too familiar with, but Beecham does a great job explaining it throughout her story, going into the history, the impacts, the surrounding social issues and the sort of the people that were involved.  While most aspects of this are a tad disturbing, especially as it is based on some true historical stories, I found this entire inclusion to be really fascinating and it proved to be a compelling story element.  I also quite liked Beecham’s examination of the London Zoo and how it survived during the war, and it was intriguing to see this small bubble of normality amongst the chaos of the blitz and the rest of the story.  All of these incredible historical elements were really interesting parts of Finding Eadie’s story, and I had an amazing time learning more about London life during the war.

Finding Eadie by Caroline Beecham is a great and compelling historical drama that proved to be an excellent read.  Containing a strong, emotional charged story, and featuring a clever look at some unique historical elements, this is a very easy book to enjoy which is worth checking out.

Fair Warning by Michael Connelly

Fair Warning Cover

Publisher: Allen & Unwin (Trade Paperback – 26 May 2020)

Series: Jack McEvoy – Book Three

Length: 404 pages

My Rating: 4.5 out of 5 stars

Prepare for another incredible murder mystery from leading crime fiction author, Michael Connelly, as he brings back one of his more intriguing protagonists, reporter Jack McEvoy, for another fantastic novel, Fair Warning.

Following several of his past misadventures, veteran reporter Jack McEvoy is now working for the independent reporting website, Fair Warning, investigating scams and consumer issues. However, McEvoy’s true passion is the murder beat, which he once again finds himself dragged into when LAPD detectives accost him one night, asking him questions about a woman he had a one-night stand with several months ago. The woman has been murdered in a particularly brutal manner, and McEvoy is seen as a key suspect in the case.

Against the wishes of the police and his editor, McEvoy begins to dissect the case on his own, and discovers that several women across the country have died in a similar manner. Investigating each of these deaths, he manages to find a unique connection between the victims that points to a serial killer that has been operating unnoticed for years and who has a disturbing way of finding his next kill.

Determined to hunt down this murderer and bring him to justice, McEvoy recruits his old flame, former FBI agent Rachel Walling, to help his investigation. However, this is no ordinary killer they are hunting. Calling himself the Shrike, their prey is brilliant, meticulous and utterly devoid of any compassion. Can McEvoy and Walling bring him to justice, or have they just painted a target on their back?

Wow, Connelly really knocks it out of the park again with Fair Warning, another excellent and captivating piece of crime fiction. I have been really getting into Connelly’s books over the last couple of years, ever since I read his 2018 release, Dark Sacred Night, which was followed up by one of my favourite books of 2019, The Night Fire. Fair Warning is the 34th book in Connelly’s shared universe of crime fiction (which includes his Harry Bosch and Mickey Haller novels), and it is the third book to feature Jack McEvoy as a protagonist. This latest release proved to be an exceptional read, and I was able to power through it in a short period of time. I loved the fantastic mystery that was featured within it, and Connelly has included several unique features that make it stand out from his main police investigation novels, resulting in an amazing and enjoyable read.

At the heart of this amazing novel lies an impressive and clever murder mystery storyline that proved to be a lot of fun to explore. The book focuses on a hunt for a wicked and terrifying serial killer who has been hunting women across the country and getting away with it. The subsequent investigation into the killer is a compelling and multilayered affair, as the protagonist becomes obsessed with solving the case. The entire mystery storyline is an epic and intriguing affair, and Connelly lays it out in a methodical manner that helps to draw the reader right into the middle of the investigation. I really liked where the investigation goes, and it contains some interesting leads, opposition from law enforcement agencies who do not want a report snooping around and several other unique challenges. Just like with the other Jack McEvoy books, Connelly has come up with a distinctive and driven serial killer for the protagonist to pursue. This killer is a ruthless and intelligent hunter with a terrifying method of eliminating his prey, which he parlays into his disturbing but apt moniker the Shrike. He serves as a worthy antagonist for this excellent mystery, and it proved to be really intriguing to fully investigate and unwind all his actions and intent, although there is still some mystery around this antagonist towards the end of the book. I personally liked the occasional glimpse into the killer’s mind that Connelly provided, as there were a few short chapters told from his perspective, which proved to be rather intriguing. An additional chapter from a third character’s point-of-view also introduced the reader to a couple of witnesses, who, while not directly involved with the killings, had their hands in their case in an interesting but messed up way, which added compelling wrinkles to the entire mystery, and also ensured that the reader had additional villains to wish some comeuppance upon. Overall, this was an excellent and enjoyable murder mystery storyline, and I had an amazing time following it from one end to the next.

Connelly has the rare ability to keep coming up with great and distinctive protagonists for his crime novels, and Jack McEvoy is one of his more intriguing characters. McEvoy is a bit of an autobiographical character for Connelly, as both the author and his creation were crime journalists for the Las Angeles Times. He has been utilised as the main character of two previous novels, The Poet and The Scarecrow, and has also had appearances in some other Connelly books, such as A Darkness More Than Night and The Brass verdict. Long-term fans of Connelly’s writing will enjoy learning about how his life has progressed in the intervening years, and about his current journalistic endeavours. It was great to see him once again involved in a murder investigation, especially another one where he has an emotional attachment to the case, having briefly known the first victim. McEvoy is portrayed as a somewhat reckless and impassioned investigator throughout the book, and he ends up riding some moral lines as he attempts to work out what is more important, the story or catching the killer. It was also great to see the return of Rachel Walling, who has served as the main supporting character and love interest of the previous Jack McEvoy books. McEvoy and Walling’s complex relationship is once again a central piece of this story, and the two of them struggle to work together with their romantic entanglements and complicated past. After all this time the reader cannot help but hope that the two of them will end up together, although there are significant barriers to this happening, such as McEvoy’s suspicious and cynical personality, and their often-opposing viewpoints. Both characters are fantastic additions to the story, and their personal issues serve as pleasant emotional backdrop to the murder mystery angles of the book. I really liked their complicated partnership and it looks like Connelly may have some plans for them in the future.

I was also a big fan of the reporting angle that Fair Warning had. The protagonist is not cop, instead he is a reporter who finds himself involved with the story. As a result, while the protagonist does want to bring the killer to justice, he is also interested in writing the story behind it. This leads to several distinctive differences between this investigation and the more traditional police inquiry, including different ways of obtaining information, being less bound by legal procedures and a different way of dealing with potential witnesses or sources. The book also features several faux journalistic articles (which must have brought Connelly back to his reporting days) that cover key events of the book, and there are some great discussions about the techniques behind writing a newspaper article.

One of the most interesting parts of this reporting element, is the fact that the McEvoy is employed at the reporting website, Fair Warning. Fair Warning is an actual real-life website that provides independent watchdog reporting on consumer issues, which features Connelly as a member of the website’s board of directors. The website’s real-life founder and editor, Myron Levin, appears as a character within the book, and I think that it was a fun inclusion from Connelly that did a great job of showing the current state of journalism in the world today. This is the first Jack McEvoy book written in the era of ‘fake news’, and Connelly spends some time exploring how traditional newspapers are suffering and how the role and status of reporters is changing. This proves to be an intriguing background element to the story, and I am glad that Connelly spent the time raising it within the novel, as well as highlighting the importance of an impartial and observant journalists. Other great parts of the reporting aspect of the book include several fun reporting anecdotes (I really, really hope that the story about one of Levin’s articles distressing a grifter so much that he sued the paper claiming the article caused him rectal bleeding, is true), as well as the examination of other parts of other parts of journalism, such as the emergence of podcasts as a source of media.

Another fantastic element to the story was the author’s examination of the massive industry that has formed around DNA testing for criminal, scientific and personal reasons. Through the course of his investigation, McEvoy discovers that the connection between several of the victims is due to DNA testing. This prompts him to investigate the DNA testing from a consumer watchdog perspective, which allows Connelly to examine a number of potential issues behind the current craze of DNA testing, and he shows it to be an extremely unregulated industry where a lot of unethical actions and behaviours can occur. This proves to be an extremely fascinating part of the book’s plot, especially as Connelly puts forth several different ways that such an industry could be abused for personal or criminal purposes, some of which are rather disturbing in their implications. Connelly did an amazing job exploring the downsides of DNA testing in this book, and it was both extremely fascinating and little scary (it made me glad that I’ve never sent my DNA in for testing, that’s all I’m saying), especially in the way that it was tied into Fair Warning’s mystery.

Michael Connelly has once again showed why he is one of the world’s preeminent authors of crime fiction as he has written another outstanding and highly addictive novel. Fair Warning contains an excellent and captivating story that I could not get enough of. I had an incredible time reading this amazing and clever novel and it comes highly recommended. It has also got me extremely excited for Connelly’s next novel, The Law of Innocence, which comes out later this year.

Star Wars: Target Vader

Star Wars - Target Vader

Publisher: Marvel Comics (Paperback – 11 February 2020)

Series: Standalone

Writer: Robbie Thompson.

Artists: Marc Laming (#1), Cris Bolson (#1, #5), Stefano Landini (#2-4, #6), Marco Failla (#5), Roberto Di Salvo (#5-6) and Georges Duarte (#6)

Colour Artists: Neeraj Menon (#1-4, #6) and Rachelle Rosenberg (#5-6), with Jordan Boyd (#1), Andres Mossa (#1), Federico Blee (#1, #4), Erick Arciniega (#1) and Giada Marchisio (#4).

Letterers: VC’s Clayton Cowles (#1) and Joe Caramagna (#2 – 6)

Length: 136 pages

My Rating: 4.25 out of 5 stars

Have you ever wondered what would happen if a bunch of crazy bounty hunters went after Darth Vader? Wonder no more, as writer Robbie Thompson and a massive artistic team present Star Wars: Target Vader, a fun and action-packed adventure comic that sets a dangerous team of bounty hunters against the Dark Lord of the Sith.

TargetVader-1

There is a new criminal organisation dominating the known galaxy, calling itself The Hidden Hand. This nefarious and secretive group smuggles and sells weapons across all of Imperial Space, and while this might ordinarily be tolerated or barely noticed by the Empire, one of The Hidden Hand’s biggest clients is the Rebel Alliance, and this has attracted the worst kind of attention, in the form of Darth Vader. Vader has made it his mission to wipe out any trace of The Hidden Hand, and he has started scouring the galaxy for them, brutally destroying anyone who has had any contact or dealings with them.

Desperate to save themselves from a violent and painful death at the hands of Vader, The Hidden Hand attempt to turn the hunter into the hunted by hiring a group of bounty hunters to go after the evil Sith Lord. The man they choose to lead this suicidal mission is the notorious Beilert Valance, a former dedicated imperial soldier turned unscrupulous bounty hunter. Valance has a long and complicated history with the Empire, and he eagerly jumps at the chance to take a shot at Vader.

TargetVader-2

Valance finds himself in command of a crack team of bounty hunters, each of whom bears a grudge against Vader or the Empire and is willing to do anything to get their target. However, Vader is no ordinary quarry, and it will take far more than brute strength and firepower to take him down. Valance will need to make use of every ounce of skill and determination he has if the team is to succeed in their mission and kill the unkillable. But everyone involved on this mission has a secret. Who can really be trusted, and can a divided team truly bring down the most feared and dangerous man in the known galaxy?

This comic was written by Robbie Thompson, who is probably best known as a screenwriter for Supernatural, having written several excellent episodes between season 7 and 11 (including the 200th episode, which was an awesome meta musical). Thompson has moved to comic book writing in recent years, having written several series for Marvel Comics including Silk, Spidey, Dr Strange, the Solo comic adaption and Han Solo – Imperial Cadet. Target Vader also features a substantial team of artists, colour artists and letterers who helped this fun story jump off the page. The Target Vader collected edition contains issues #1 – 6 of the Target Vader limited series, which is set just before the events of The Empire Strikes Back.

TargetVader-3

Target Vader is a fantastic and enjoyable comic that I had an excellent time reading. Pretty much the moment I heard that this series was going to feature a group of bounty hunters going after Darth Vader, I knew that I had to grab it and check it out (I mean frankly, who could possibly resist such a cool concept). The creative team behind this great comic did an amazing job bringing this exciting concept together and turning it into such an awesome read, with some impressive action sequences, an intriguing look at the criminal underbelly of the Star Wars universe and a great overall story.

This was an excellent standalone comic book series, which most fans of Star Wars fiction are going to enjoy. No real familiarity with the extended Star Wars universe is required to appreciate this story; all you really need to know is that Darth Vader is a badass, the Empire is evil, bounty hunters are crazy scum, and you are going to have an entertaining time watching Vader go up against some dangerous criminals. That being said, those readers who are familiar with the expanded universe are going to get a lot more out of this comic than more causal fans, especially as it presents the reader with a great look at the bounty hunters and criminals that inhabited the galaxy during the events of the original trilogy. This will also be an interesting lead-in comic to the new ongoing Star Wars comic series, Bounty Hunters, which will also feature Valance as a lead character, and which will be set after the events of Target Vader (the Bounty Hunters series is going to be set between The Empire Strikes Back and Return of the Jedi).

TargetVader4-CoverArt

I have to say that I really enjoyed the cool story that Thompson came up with for Target Vader. As I have mentioned above, the entire scenario for this comic is pretty awesome, and it ended up producing a compelling tale of betrayal, revenge and redemption, as the various main characters each try to achieve their own goals. I liked the places this story went, and there are some fun double-crosses and betrayals set throughout this colourful landscape of the Star Wars universe. Aside from the central characters of Valance and Vader, the creative team filled this comic with a great array of side characters, including a primitive tracker; a crazed, four gun wielding slicer; a Tusken Raider sniper; and of course Dengar, the turban-wearing bounty hunter who was part of the group Vader hired in The Empire Strikes Back, and who has featured heavily in both expanded universes after the film. This diverse group of bounty hunters come together as an intriguing and entertaining team, and they nearly succeed in their mission with their unique skills. Vader of course comes across as a total badass in this comic, which is always fun to see, and I really enjoy comics that showcase this iconic villain. There is so much to love about this amazing story, and readers are guaranteed an exciting team exploring the cool narrative within this comic.

TargetVader-5

Target Vader also features a rather intriguing central character in Beilert Valance, the cyborg bounty hunter who leads the team against Vader. Valance is a character with an interesting past in Star Wars lore as he originally appeared many years ago in a Star Wars Legends comic, where had an excellent character arc. He has the distinction of being one of the few expanded universe characters from the Legends era who has been reintroduced into the new Disney Star Wars canon. Thompson is actually the writer who brought this character into the current canon, as he was first shown in the comic adaption of Solo: A Star Wars Story, and subsequently formally identified and strongly featured as a character in Han Solo – Imperial Cadet. In his latest appearance, Thompson does a deeper dive into his character, showing off a past full of fire, combat and death, as well as examining his motivations and his drive to keep on fighting no matter what. There are some interesting surprises involved with his actions in this limited series, I liked seeing his complex history with Vader, the Empire and other organisations featured within the comic. Valance is also shown to be a crafty and skilled individual who is actually a threat to Vader. His whole plan to assassinate Vader is rather clever, and the way that he is eventually able to outsmart everyone is pretty cool. Overall, Valance served as an excellent central character for this book, and I look forward to seeing more of him in the upcoming Bounty Hunters comic (Valance and Boba Fett should be a fun combination).

I also enjoyed the fantastic artwork that is shown throughout Target Vader. As you can see from the breakdown of contributors at the top of this review, this comic features the talents of a huge range of different artists, and there are some varied collaborations on each separate comic issue. Now I have to admit that I’m not the biggest fan of having so many artists contributing to one single series and I personally like a bit of consistency, but this great team (some of whose work I have seen before in comics such as Doctor Aphra, Vader: Dark Visions and Uncanny X-Men – Wolverine and Cyclops), did some amazing work in Target Vader, illustrating some awesome and action-packed sequences. There are some great explosive scenes featured within this volume, and these artists did an outstanding job showcasing all the intense action that occurred as part of the story. The artistic highlight of Target Vader has to be the massive and exciting fight between Vader and the bounty hunters, which was really cool to see. I also really enjoyed all the character designs featured within the volumes, and this team made sure to feature a number of the distinctive Star Wars alien races throughout the comic. All of this amazing artwork really enhances the enjoyable story, and readers are in for an intense visual treat with this comic.

TargetVader-6

Target Vader is an awesome and deeply exciting limited series which I had a really fun time reading. This fantastic comic features an excellent story, some impressive artwork and a bunch of great characters, all of which comes together for a captivating and enjoyable piece of Star Wars fiction. I look forward to seeing more Star Wars bounty hunter adventures in the future, and this is a wonderful and recommended read for those Star Wars fans looking for something fast-paced and very entertaining.

Rules for Perfect Murders by Peter Swanson

Rules for Perfect Murders Cover

Publisher: Faber & Faber (Trade Paperback – 3 March 2020)

Series: Standalone

Length: 272 pages

My Rating: 4.5 out of 5 stars

In a mood for a complex and rather clever murder mystery? Make sure to check out Rules for Perfect Murders, the curious latest release from bestselling crime fiction author Peter Swanson.

Across the greater Boston area a series of unsolved murders have been committed. None of the deaths appear to have anything in common, except for the fact that each one bears a similarity to a famous literary murder. However, there is one other tenuous link that could tie the murders together, and FBI agent Gwen Mulvey is curious enough to meet with the owner of the Old Devils mystery bookshop, Malcolm Kershaw, to test her theory.

Years ago, Malcolm posted an article on his bookshop’s blog titled Eight Perfect Murders, detailing the eight homicides in literary fiction that he thought were the cleverest ways to kill someone and get away with it. This list features some of the most devious cases ever conceived by some of the history’s greatest mystery writers, from Agatha Christie’s The ABC Murders to Strangers on a Train by Patricia Highsmith. Now it appears that several of the killings match the unique selection of books that Malcolm listed all those years ago. Is the killer using his post as a guide for his gruesome work?

Working with Agent Mulvey, Malcolm soon discovers a link between himself and the killings, as one of the victims was a former customer of his store. Convinced that the killer is someone he knows, Malcolm attempts to find them before they finish off his list. However, not everything is as it seems, and Malcolm must come to terms with some of his darkest secrets if he is to find the killer stalking him from the shadows.

This is the sixth novel from Swanson, who debuted back in 2014 with The Girl with a Clock for a Heart. I have not previously had the pleasure of reading any of Swanson’s books before; however, I really loved the concept behind this novel, and thought it would be a fun one to check out. Rules for Perfect Murders, which was also released as Eight Perfect Murders, is an intriguing and compelling novel that presents the reader with a fantastic murder mystery while also acting as a love letter to the murder mystery genre. This turned out to be an excellent read, which I was able to power through in just over a day.

I rather enjoyed the way that Swanson wrote Rules for Perfect Murders, mainly because he emulated some of the classic murder mystery novels which he clearly loves throughout the story. The book is told in first person, from the point of view of the protagonist, Malcolm Kershaw, and it is made to represent a manuscript, recalling the events that he experienced. The story than details the investigation into the murders that are occurring in the present day, while also diving back into the protagonist’s past, while also featuring a number of examinations about elements of the protagonist’s world, including his opinion about certain mystery novels. This first-person perspective really fits the tone of the book extremely well, and Swanson did an excellent job winding the various elements of the story, including the protagonist’s flashbacks, into a tight and captivating read. The various writing methods that Swanson employs throughout the book are direct references to a number of famous mystery novels, as the fictional author of the book is inspired by them as he writes. It was really fun to see the protagonist discussing the pros and cons of things like unreliable narrators, red herrings and other elements, right when he was utilising them in his manuscript. At the same time, the way that parts of the story go down, are very similar to some classic mystery stories. All of this helps create a very unique tale, and I think that Swanson did an amazing job bringing this clever concept together.

In the midst of Swanson’s homages and descriptions of classic and great mystery novels lies a rather good murder mystery storyline, as the protagonist attempts to find out who using his blog post as a basis for the killing spree. Swanson is able to produce a thrilling and clever mystery, full of twists, false leads and intriguing motive that tie into the protagonist’s complex past. It was also rather interesting to see the killer craft modern murders out of the classic scenarios featured in the fictional Eight Perfect Murders list, especially as these elements served as a complicating factor in the investigation. I thought that the end result of the mystery was pretty satisfying, and while I was able to make some guesses about parts of the protagonist’s past, the identity of the murderer was a bit of a surprise for me. I had a fantastic time getting to the bottom of this mystery, and the compelling murders that Swanson painted did an amazing job catching my attention and interest, which ensured that I powered through Rules for Perfect Murders in short order.

In addition to utilising a number of classic murder mystery tropes and techniques in Rules for Perfect Murders, Swanson also spends considerable time discussing or analysing a number of classic and iconic murder mystery novels. Swanson really dives in and does several mini reviews of a swath of great murder mystery novels, providing what I assume are his own opinions, while also examining the book’s featured murders, the strengths and weakness of their stories, the cultural impact that they had and so much more. The main focus is on the books that appeared on the fictional Eight Perfect Murders list which is made up of such classics as The Red House Mystery by A. A. Milne, Malice Aforethought by Anthony Berkeley Cox, The A.B.C. Murders by Agatha Christie, Double Indemnity by James M. Cain, Strangers on a Train by Patricia Highsmith, The Drowner by John D. MacDonald, Deathtrap by Ira Levin and The Secret History by Donna Tartt. However, Swanson also references and discusses a bunch of other mystery novels, the plots of which or the lessons they contained often having some impact or bearing on the story. I loved this dive into each of these mystery novels, and I found it really cool that Swanson was able to insert his own opinions and obvious love from each of these books into this story.

Due to the author’s examination of all these classic novels, Rules for Perfect Murders is highly recommended for those hardcore murder mystery fans who are familiar with the books featured on the list, who will really love all the references and discussions that Swanson features throughout his novel. Those who are particularly knowledgeable about murder mystery stories will be able to guess where the story is going based on the literary clues the author leaves throughout the narrative. At the same time, Rules for Perfect Murders is also a great book for readers who are less familiar with these mystery novels. I personally have not read any of the eight books on the fictional list, although I was familiar with how some of the plots went. However, despite this lack of knowledge, I was in no way disadvantaged while reading Rules for Perfect Murders, as Swanson gives concise and knowledgeable summaries of each of the relevant books, which allowed me to follow the plot without any issues. I was able to appreciate most of the references that the author included throughout the book, and I am tempted to go out and read some of the featured books, as most of them sounded extremely interesting. I think that this examination and utilisation of classic murder mysteries works well with story Swanson came up with, and I honestly had fun learning more about these books and seeing the impact that they can have on a modern story.

It was kind of cool to read this novel from the perspective of a blogger and book reviewer, as this is novel written by a book lover, about a book lover. I found myself relating to the protagonist in a number of ways, and his observations about the joy books can bring really resonated with me. His habit of analysing the various books he reads is something many reviewers are going to appreciate, and I really liked that this novel is based around a best-of list. As someone who regularly produces top ten lists, I had a fun time with this concept, and I couldn’t help imagining what I would do in a similar situation (gasp, what if someone used my one of my lists to commit some crimes? Think about all the Star Wars themed murders that would happen!). I also had a good chuckle when the protagonist starting reminiscing about all the troubles he had creating his lists, such as leaving key books off, going back and reconsidering his choices and troubles with including entries that technically don’t belong on the list, as I have been there multiple times. This was a fun part of the book, which I rather enjoyed, although it didn’t take away from the darker tone of the book’s murder mystery and character elements.

Rules for Perfect Murders by Peter Swanson was a rather interesting and unique read that I am glad I decided to check out. Swanson crafts a fascinating and captivating tale, that not only contains a fantastic central whodunnit, but which acts as an amazing homage to the murder mystery genre. Filled with some excellent and entertaining elements, this is an outstanding read which I had a great time reading. This is a book perfect for all murder mystery fans, Swanson is definitely on my radar from now on, and I look forward to seeing what he writes next.