The Unseen Library

I’m on a major Warhammer 40,000 review roll, so after checking out the awesome books Malleus and Hereticus by Dan Abnett, Sepulturum by Nick Kyme, For the Emperor by Sandy Mitchell and Kingsblade by Andy Clark, I’m moving on to the awesome Warhammer Crime book, Flesh and Steel by Guy Haley, which proved to be an exceptional read.

I have said this several times in the past, but one of the true strengths of Warhammer 40,000 fiction is that the franchise can cover so many different types of stories or genres and still result in some epic reads. A particularly good example of this is the Warhammer Crime subseries that melds intriguing and classic crime fiction concepts with a grim Warhammer 40,000 setting. I have deeply enjoyed the previous Warhammer Crime books I have read, including the twisty and fast-paced crime thrillers Dredge Runners and The Wraithbone Phoenix by Alec Worley, and the noir inspired psychological thriller Grim Repast by Marc Collins. As such, I just had to read another fantastic entry from this series with the intriguing Flesh and Steel by Guy Haley which saw a classic odd-couple police story meet a unique thriller from the Warhammer universe in glorious fashion.

The vast continent-sprawling city of Varangantua on the planet of Alecto is home to many vile and heartless crimes, most of which are ignored by the over-taxed enforcers of the Lex Alecto. However, some murders are so spectacular that they cannot be ignored, especially when they threaten the stability of the city’s entire economy.

Probator Symeon Noctis is a man who knows all about the obscene wealth that Varangantua can produce. A scion of one of the city’s richest houses, Noctis has fled from his cruel family and his tragic past by joining the enforcers and attempting to help the downtrodden inhabitants of the Nearsteel district. However, even someone as jaded and cynical as Noctis is unprepared for the strangeness of his next case when a bisected corpse is discovered in a neutral zone between Nearsteel and the Adeptus Mechanicus enclave of Steelmound, the two halves of the body neatly left on either side of the border.

Forced to cooperate with the Adeptus Mechnanicus, Noctis is partnered with Procurator Rho-1 Lux of the Collegiate Extremis to investigate the crime. But when all evidence suggests that the murder was committed by a mindless servitor, Noctis is dragged into a terrible conspiracy inside the Adeptus Mechanicus. Faced with tech-heresy, illegal modifications to servitors and even more bodies littering the streets, Noctis and Lux need to work together to solve this insidious crime before both their organisations are dragged down. But with more and more people gunning for them, can this unlikely duo survive to crack the case?

Now this was an awesome Warhammer Crime book. Loaded with great, complex characters, a compelling case, and some impressive Warhammer 40,000 elements, Flesh and Steel grabs your attention from the very start and refuses to let go. A fantastic novel that shows off just how incredible and inventive a tie-in to the Warhammer universe can be.

Flesh and Steel has a brilliant and deeply addictive narrative that I had an amazing time getting through. Told primarily from the perspective of protagonist Probator Symeon Noctis, the plot of Flesh and Steel revolves around an intriguing murder, where two halves of the same body have been placed on either side of the border between the main city and an Adaptus Mechanicus manufacturing enclave. With two competing jurisdictions, Noctis is forced to work with the Mechanicus investigator Rho-1 Lux, especially after the murder weapon is determined to be the victim’s servitor and additional victims are discovered. What follows is an intriguing buddy cop romp of a unique series of murders, as certain figures throughout the city are involved in crimes involving the always terrifying mindless man/machine hybrids, servitors. Forced to work together despite their differences, Noctis and Lux prove to be a skilled team, investigating both the Mechanicus and the businesses in the city. At the same time, Noctis is forced to deal with other concerns, such as an impossible missing person’s case, the machinations of his wealthy family, and his own intense personal issues as he tries to reconcile his complex life and the mistakes from his past. The result is a fantastic and moving tale that has the right blend of crime fiction, Warhammer 40,000 and character elements to it. While the mystery surrounding the various crimes isn’t too complex, especially as the perpetrators are obvious from the outset, the resulting conspiracy, and the impacts it has on the protagonists more than makes up for it, as you are drawn into a crime story that could only occur in the Warhammer universe. Haley ends the book on an interesting note that not only highlights the full extent of the protagonist’s personal issues but hints at future adventures and tragedies to come.

I really liked the cool setup-up surrounding this story, as well as the distinctive writing elements that Haley utilised, and I was particularly impressed with how the author was able to utilise some classic crime fiction scenarios in this unique Warhammer setting. The concept of a bisected body left across a border forcing a joint investigation between two agencies is reminiscent of The Bridge (or The Tunnel), and I liked the intriguing spin that Haley does on this by bringing in the Adeptus Mechanicus, who most humans have a very hard time relating to. This leads to the unique partnership between Noctis and Lux, which I felt Haley utilised to its full effect, especially as he does a remarkable job diving into each of their intriguing lives. While I mentioned that the mystery isn’t as complex as you would hope, Haley more than makes up for it by featuring some deeply compelling character elements, as well as perfectly fitting it into the already fantastic setting of Varangantua and the wider Warhammer 40,000 universe. I also really enjoyed the excellent way Haley told his story through the lens of Noctis’s journals. Not only does this provide some compelling and tragic hints at what is to come but it also paints the story through Noctis’s cynical viewpoint, which I quite enjoyed, especially as his infectious humour and sarcasm helped to make this one of the more light-hearted Warhammer Crime books at times. This distinctive and compelling read had me hooked the entire way through, and I felt that Haley came up with something extremely special for Flesh and Steel.

I was really impressed by the excellent Warhammer 40,000 elements featured, especially as some of the more distinctive elements of this universe were used to full effect to create a gripping and powerful read. Now, as with most of the Warhammer Crime books, I felt that Flesh and Steel stood well on its own and no prior reading is needed to fully understand this book, not even the preceding short story Haley published in the No Good Men anthology. Indeed, due to the great use of crime fiction elements, the strong focus on characters, and Haley’s attention to detail, readers unfamiliar with the franchise can easily jump into Flesh and Steel and have a good time, and it would serve as a good bridging novel for readers more familiar with crime fiction than anything else.

However, both new and established fans will deeply appreciate Haley’s compelling and all-encompassing examination of some very interesting elements of Warhammer lore that are cleverly and expertly utilised throughout the story. I was particularly impressed with the deep dive into the Adeptus Mechanicus, the inhuman tech-worshippers of the Imperium, who play a big role in the plot. This was honestly one of the more intriguing novels I have so far read that deals with the Adeptus Mechanicus, and I loved the author’s depictions of their elaborate and occasionally nightmarish settlement within the wider city of Varangantua. The protagonist spends quite a bit of time diving into their society, and I loved his cynical, if accurate, descriptions of them, as well as the apparently hypocritical role they serve in the wider Imperium. One of the most intriguing aspects of the Adeptus Mechanicus featured in Flesh and Steel involve servitors, the cyborgs who act as mindless manual labour machines throughout the Imperium. The creation and use of servitors, who are a common, if terrifying, background feature of the universe, becomes quite a key part of the plot, as they are end up being the murder weapons. This helps to shape Flesh and Steel into a particularly unique mystery story, one which could only occur within the Warhammer universe, and I loved the I-Robot homages (book and the movie) that resulted from them. Haley also treats us to several scenes that depict the creation of servitors, a process which involves lobotomising condemned criminals and turning them into barely human creations. These scenes honestly turn Flesh and Steel into one of the most horrifying Warhammer 40,000 books out there, and these gruesome inclusions work wonders to shock both the reader and the protagonist, while also deeply enhancing the complex murder case.

In addition, Haley also spends a good amount of time expanding on the already epic setting of Varangantua, which has been such an amazing background for the rest of the Warhammer Crime novels. There are many distinctive districts and areas to the vast city of Varangantua, and this great book introduces us to even more of them with new district of Nearsteel, which borders the Adeptus Mechanicus enclave and has its own range of issues and features. In particular, the area is slowly dying thanks to the actions of the Mechanicus, who are killing of the industries contained within, and you get to see the decay and degradation that follows. Haley keeps up the cool background of neon signs, dark bars, and corrupt police, that are a key feature of the wider Varangantua, and I loved the impressive Blade Runner resemblances that result. Haley further enhances the effect of these poorer districts by also visiting the high spires and estates of Varangantua uber-wealthy, as the protagonist, a former rich boy himself, makes several visits there. The elaborate manors, parties, and hang-outs of the gilded make for a fun and compelling comparison to the slums and desolate industrial areas of the rest of the novel, and I deeply appreciated how Haley used this multifaceted city to mirror the complex main protagonist and help show that he doesn’t really fit in anywhere. I always have a ton of fun exploring these new areas of Varangantua, and Haley really did a great job showcasing the city, and other key Warhammer 40,000 elements throughout Flesh and Steel’s narrative. I cannot wait to see what other crazy areas that Haley explores in some of his future books and stories, and I know I am going to love it.

While the story, the writing style, the dark setting and the cool Warhammer elements all made this book really stand out, I personally felt that the main strength of Flesh and Steel was the exceptional central characters, Probator Symeon Noctis and tech-priest Rho-1 Lux. Haley did a remarkable job with both these complex and damaged characters and both of them carry the main story extremely well. The combination of dramatic and tragic character arcs, combined with a fun overarching theme of them both being outsiders, is an essential part of the book’s narrative and you grow deeply connected to both the characters, and the book, as a result.

Most of the focus is on Noctis, who serves as the primary narrator, due to his personal journal (which is also an extended note to his lost daughter), being read out. Noctis is a very fun and cocky character, who seems to treat many of the events that he encounters in an inconsequential way. However, this is a major façade, as deep down Noctis is probably one of the most damaged and guilt-ridden characters you are likely to see in Warhammer fiction. A member of one of the richest families on the planet, Noctis was already pretty messed up before he became a cop, due to the terrible family dynamics and his controlling father. Further traumatic events, which are explored later in the novel, nearly break him, and he decides to escape some of his father’s control by joining the enforcers to help others. However, his family influence and wealth still follow him and he is considered an outsider by most of his colleagues. Despite this, Noctis doggedly continues and proves to be a very competent and capable investigator, even if he breaks all the rules and pisses off his boss to do so. His eye for the inequity of the city and the wealthy gives the story a bit of a preachy anti-capitalist vibe, but I felt that this fit his character arc perfectly, especially as he knows better than most just how badly the lower classes are being exploited. I also quite enjoyed how, despite Noctis’s dislike for his family’s intense wealth and intense hatred for all the nobility, he still uses their money to buy nice things for himself, including a fancy car and secure apartment. This apparent inconsistency between what he preaches and what he does, is addressed several times by both the protagonist and other characters, and his eventual and simple explanation of, “I never said I was perfect,” is a recurring theme of this character’s existence. Watching this conflicted and troubled figure attempt to reconcile his past and guilt with the current investigation and the people he meets is a powerful part of Flesh and Steel’s appeal, and the story would not be as strong without it.

The other major character is Procurator Rho-1 Lux, an Adeptus Mechanicus Tech Priest who acts as a detective and law enforcement officer who investigates crimes committed by or against the Mechanicus. Lux is a great character for a number of reasons, especially as the whole idea of a Adeptus Mechanicus cop is a pretty damn cool one. Initially shown to be an unflappable and rigid figure, you soon find a deeper layer underneath her augmentation as she proves to be just as emotionally unsure and determined for justice as Noctis. A member of an obscure order, Lux is a rare individual who converted to the machine cult rather than being born into it. This also makes her a bit of an outsider as she is not fully accepted by the Adeptus Mechanicus and is no longer fully human. This forces her to accept one of the few jobs that none of the other tech priests want, and it is interesting to see her views on humanity, the Mechanicus, and the law, which surprisingly often mirror Noctis’ cynical thoughts. Lux served as an interesting bridge between the human characters and the mysterious cyborgs of the Mechanicus, and it is fascinating to see how she changes her persona depending on who she talks to. Haley does a wonderful job of portraying Lux’s dual persona throughout the course of Flesh and Steel, and he even shows a couple of chapters from her perspective as extracts from her data core. These chapters have a more sterile and mechanical feel, and you see her data-laden observations in these compelling scenes. Probably the best part of her character arc though revolves around her interactions with Noctis, as the two form a very unusual team. Lux serves as straight person for much of Noctis’s antics, especially when it comes to their interactions with other Mechanicus figures, and usually tries to maintain her mechanical indifference. However, the two soon form an intriguing relationship, which forces Lux to examine some of her long-hidden emotions. I felt that the two played off each-other perfectly throughout the course of the book, and the joint explorations of their various pains and dark histories makes for quite a gripping read. I look forward to seeing more from this distinctive and surprisingly fun duo in the future, even if Noctic’s journals hint at more tragedies to come.

As is my usual practice with Warhammer 40,000 novels, I checked out Flesh and Steel on audiobook, which proved to be an epic and deeply enjoyable experience. Coming in at just under nine and a half hours, Flesh and Steel was a very easy audiobook to get lost in, and I felt that this amazing format really worked to enhance the exceptional story. The journal format of Haley’s storytelling, as well as the occasional jumps to other perspectives, is expertly portrayed on audiobook and I loved how some of the darker or grander elements of the book, especially the horrors surrounding the Adeptus Mechanicus workshops, became even more distinctive or sinister when listened to. It helps that the primary narration of Flesh and Steel was done by impressive voice actor, James Macnaughton, who really throws himself into the production. Each of his key characters are expertly showcased through his voice work and you really get a sense of their inner selves through his performance, whether it’s Noctis’s cockiness, disdain or self-loathing, or the strangeness of Lux, Macnaughton manages to encapsulate it all with his acting and this combines extremely well with Haley’s strong character-focused writing. A secondary voice is also utilised for the several chapters written from Lux’s perspective, and I liked how this different voice really helped to differentiate that the events were being shown from Lux’s internal processors. This performance, combined with the usual enticement of the audiobook format, ensures that this is the best way to enjoy Flesh and Steel, and I would strongly recommend it to anyone who wants to try this epic book out.

Overall, Flesh and Steel is a pretty remarkable novel from Guy Haley that has ensured my continued addiction to all things Warhammer 40,000 and Warhammer Crime. Featuring a complex and powerful story that simultaneously explores a compelling mystery and some brilliant characters, it is very easy to get hooked on Flesh and Steel and I had a wonderful time powering through it. I cannot rave about this book enough and I am really hoping that Haley produces a sequel to Flesh and Steel very soon.

The Boys from Biloxi by John Grisham

On November 21, 2022 By The Unseen LibraryIn Historical Fiction, Thriller2 Comments

The Boys from Biloxi Cover

Publisher: Hodder & Stoughton (Trade Paperback – 18 October 2022)

Series: Standalone

Length: 454 pages

My Rating: 4.5 out of 5 stars

Legendary crime fiction author John Grisham returns with another impressive read, this time combining a complex, multi-generation character narrative with some excellent legal thriller elements to create the amazing novel, The Boys from Biloxi.

As I have mentioned a few times on this blog, last year I finally got the chance to read something from renowned author John Grisham. The author of multiple iconic legal thrillers, Grisham was a major author whose work I had only consumed by way of film adaptations. Luckily, I was able to fix that by checking out his 2021 release, The Judge’s List, which followed a complex investigation into a dangerous serial killer who was also a successful judge. I had an outstanding time reading The Judge’s List, and it made me determined to check out some more of Grisham’s books, especially his new releases. This included the fantastic short-story collection he released earlier this year, Sparring Partners, and his latest book, The Boys from Biloxi. The Boys from Biloxi is an intriguing standalone novel that proved to be quite excellent, and I am very glad I got my hands on it.

In the heartlands of Mississippi, the city of Biloxi is notorious for its vice, lawlessness and general lack of morals. A successful fishing and tourism spot on the coast, over time Biloxi became known as a place where all manner of gambling, drinking, drugs, girls and every other vice could be found. However, the battle for the soul of Biloxi is about to begin as two families go to war.

Jesse Rudy and Lance Malco are both second-generation Americans. The sons of hardworking immigrants, Jesse and Lance grew up on the streets of Biloxi, learning the value of the American way and hoping to make something for themselves by choosing very different paths in life. While Jesse chose to become a lawyer, working himself tirelessly to get his degree, Lance used his father’s money to invest in the seedy clubs of Biloxi. Both are happy in their respective lives, but, despite the close friendship of their sons, Keith Rudy and Hugh Malco, the two families are about to go to war.

After years of watching the corruption of Biloxi reach new heights, Jesse Rudy embarks on a mission to clean up the coast and works to become the city’s district attorney. His first target is Lance Malco, whose has become Biloxi’s biggest crime lord, controlling multiple illegal night clubs and bringing a brutal gang war to the city. As the two men go head to head, their sons soon follow in their footsteps, with Keith going to school to become a crusading lawyer, while Hugh becomes a thug for his father. Before long it becomes clear that only one family can remain in Biloxi, and the loser will not survive their defeat.

Grisham continues to showcase why he is so highly regarded with another awesome and captivating read in The Boys from Biloxi. Making great use of historical Biloxi, this fascinating crime fiction novel told a wonderful tale of crime and legal shenanigans that turned two families against each other over the course of decades.

I got pretty hooked on this novel right away, especially as Grisham started everything off by painting a cool picture of Biloxi, which promised to be quite a unique setting. The author swiftly compounded my interest by quickly and effectively introducing the reader to the Rudy and Malco families and showcasing their history. The early chapters of the book seek to build up the four main characters of the story, Jesse Rudy and Lance Malco, and their sons, Keith and Hugh. Grisham paints a multi-generational tale around them, simultaneously diving into how each character grew into their destined roles, as well as the friendship that Keith and Hugh had as children. These key characters are built up extremely quickly at the start of the novel, and before long you are really invested in their narratives, especially as there are some interesting contrasts between the adults, with Lance becoming a vicious criminal, while Jesse works hard to find his calling as a lawyer.

After all this substantial but necessary character and setting development, Grisham starts diving into the meat of the story, the conflict between the two families, and the wider fate of Biloxi, all of which is shown from the perspective of an intriguing range of characters. This starts when Jesse Rudy decides to run for district attorney, promising to clean up Biloxi and shut down the illegal clubs owned by Lance Malco, leading to a protracted battle over many years. The two sides engage in all manner of endeavours, including political runs, criminal investigations, turf wars and more, all while the younger characters grow up and start getting interested in their respective father’s worlds. There are some great scenes spread out through this elaborate narrative, including several entertaining trials, where the lawyer characters battle it out in the courtroom. Grisham clearly has some fun with these courtroom scenes, not only because the legal thriller elements are his bread and butter, but because it gives him the opportunity to come up with some ridiculous and fun legal manoeuvres that the characters utilise to win their cases.

The battle between the two families soon becomes the primary focus of the book, eclipsing some of the other storylines and character arcs going on simultaneously. There are some key and memorable scenes chucked into the centre of the book that really change the nature of the story, and it helps to focus the plot onto the younger generation of the respective families as Keith and Hugh continue their father’s war. The pace really picks up in the second half, and Grisham does an amazing job of bringing all the various plot points together, with some key moments cleverly set up much earlier in the book. Everything wraps up extremely well towards the end, and the characters all end up in some interesting and emotionally heavy positions. While the conclusion is mostly satisfying, Grisham does end everything on a rather sorrowful note that will stick in the reader’s mind. An overall exceptional read, and you will find it extremely hard not to get swept into this powerful and captivating narrative.

One of the things that I felt really enhanced this already cool story was the great setting of Biloxi, Mississippi. Now, I must admit that I thought Biloxi was a fictional city while I was reading this book (I had honestly never heard of it before), especially as Grisham really built it as the vice capital of the south. However, I was pleasantly surprised to find that it was real, and I was really impressed with the way that Grisham utilised it as a background setting in this book. Grisham spends a substantial amount of time exploring and examining Biloxi throughout the book, and the early chapters of The Boys from Biloxi, contain a very in-depth and fascinating look at Biloxi’s history, culture, and the people who lived there. While the characters of this story are fictional, some of the key plot events are real, and I loved how Grisham was able to work historical events, such as hurricanes, the influence of the Dixie Mafia, and Biloxi’s changing society into his compelling narrative. The author really shows all sides of Biloxi throughout this book, including its position as a hub for immigration early in the 20^th century, its role during World War II, as well as how it became known for its clubs, casinos, and other areas of vice throughout its history. Due to how the story is structured, Grisham spends quite a lot of time examining various parts of Biloxi’s culture and position in Mississippi, and you really get to understand its heart and soul, even with some of the over-the-top story elements. I also appreciated seeing the characters interacting with the city throughout the lengthy course of the book’s plot, and it was great to see some of the characters grow from children to adults, all while living in Biloxi. This was an amazing setting for this very clever book, and I really appreciated the outstanding story that Grisham was able to wrap around Biloxi. I will certainly not be forgetting that Biloxi is a real city for a very long time, and it sounds like a very interesting place to visit.

Finally, I must highlight the many great characters featured throughout The Boys from Biloxi. Grisham writes a compelling cast for this impressive story, and I enjoyed getting to know the various fictional inhabitants of Biloxi, especially as the author decided to make most of them very big personalities. Most of the focus is on the key members of the Rudy and Malco families, particularly the family patriarchs and their eldest sons, around whom this war is fought. As such, Grisham spends quite a lot of time building these four characters up and showing the key events that turned them into the men who would fight over the soul of Biloxi. These characters proved to be very compelling to follow, and Grisham writes a compelling and heartfelt tale around them, filled with love, regrets and the powerful influences that change people. I did feel that, at times, Grisham did make the four main characters a little too perfect, as all of them tend to succeed and excel at everything they put their mind to, and frankly it did get a little tiring to see them be the very best at every sport, job and academic pursuit they tried out. However, you do really get close to these characters, especially once their war gets even more personal and dangerous. Throw in a massive group of distinctive and memorable supporting characters, most of whom have personalities and personas to match the outrageous city of Biloxi, and The Boys from Biloxi has an excellent cast who help to enhance this very entertaining read in so many fun ways.

John Grisham presents another exceptional and highly entertaining crime fiction read with the brilliant new book, The Boys from Biloxi. One-part historical fiction read, one-part character-driven tale, and one-part legal crime thriller, The Boys from Biloxi was an amazing read that follows a feud between two families that lasted generations. Deeply compelling and filled with some exciting and fun scenes, The Boys from Biloxi is a highly recommended novel that I had a wonderful time reading.

Warhammer 40,000: The Wraithbone Phoenix by Alec Worley

On November 6, 2022March 1, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Thriller, Tie-in Novel, Warhammer9 Comments

The Wraithbone Phoenix Cover

Publisher: Black Library (Audiobook – 30 August 2022)

Series: Warhammer Crime

Length: 11 hours and 6 minutes

My Rating: 4.75 out of 5 stars

The entertaining team of Baggit and Clodde return for another Warhammer Crime adventure in the rip-roaring and deeply exciting science fiction thriller romp, The Wraithbone Phoenix by the impressive Alec Worley.

Last week I presented a review that talked about the intriguing Warhammer Crime series that combined crime fiction narratives with elements of the iconic Warhammer universe to create some amazing reads. While some Warhammer novels already feature some intriguing crime fiction elements, such as in Necromunda novels like Kal Jericho: Sinner’s Bounty by Joshua Reynolds, the Warhammer Crime books are a much more complete melding, with cool thriller plots and complex mysteries. I was rather intrigued by this concept, especially as I love it when authors combine wildly different genres together, and I mentioned how I planned to try out one of those books next. Well, that book was The Wraithbone Phoenix by Alec Worley, an awesome and captivating read set in the Warhammer 40,000 universe. A follow-up to Worley’s 2020 full-cast audiobook, Dredge Runners, The Wraithbone Phoenix is a full-length novel that brings back the protagonists of the original audiobook and puts them in another unique and deadly situation.

In the far future of the universe, there are few places more corrupt and chaotic than the crime-ridden city of Varangantua. Life is cheap on the mean streets of Varangantua, and death waits around every corner, especially if you have a massive bounty on your head. Unfortunately, the most wanted in the city currently are the abhuman deserters turned criminals, Baggit and Clodde. Baggit, a tricky ratling always looking for the next score, and Clodde, his ogryn friend with a rare facility for thought, have made an enemy of one of the most dangerous men in the city, and now everyone is after their heads. Hiding out within one of the city’s industrial salvatoriums, Baggit and Clodde have taken on new identities until the heat dies down. However, the twos natural inclination for getting into trouble soon breaks their cover, and they are soon forced out into the open.

Desperate to find a way to pay off their debts, Baggit hears an interesting bit of news that could change all their fortunes. One of the nearby salvatoriums is dismantling the decommissioned Imperial Navy ship, Sunstriker, the reputed home of a long-lost treasure, a xenos artifact known as the Wraithbone Phoenix. Guided by the rumours he heard when previously served about the Sunstriker, Baggit believes that the Wraithbone Phoenix is still hidden aboard, and its value is more than enough to get rid of their bounty.

But no secrets every remain safe in Varangantua, and as Baggit and Clodde make their preparations to sneak into the Sunstriker, news of their location and their potential treasure leaks out. Soon every criminal, bounty hunter, treasure hunter and mercenary is on their way towards the Sunstriker, desperate to claim either the bounty on Baggit and Clodde’s head, or the Wraithbone Phoenix. Forced to face off against the very worst killers that Varangantua and its main criminal cesspool, the Dredge, has to offer, Baggit and Clodde attempt to do the impossible, recover the artefact from the ship and get out with their heads intact. But can even the clever Baggit and the indomitable Clodde escape the deadly wave about to crash down upon them?

Wow, now this was one of the most entertaining and thrilling Warhammer 40,000 novels I have read all year. Worley has produced an amazing novel in The Wraithbone Phoenix that did a wonderful job blending Warhammer elements with an impressive crime fiction narrative. Filled with a ton of action, some amazing humour, and so many outrageous characters, The Wraithbone Phoenix is an outstanding read that proves to be extremely addictive.

I had such a brilliant time with The Wraithbone Phoenix, especially as Worley pulled together an extremely impressive and intense narrative that is very hard to put down. Set in a particularly crime-ridden and corrupt city, the novel sees the chaotic duo of the ratling (halfling/hobbit) Baggit and the ogryn (ogre) Clodde, get into all manner of trouble. Featuring a range of character perspectives, the first third of the book is pretty firmly focussed on the main duo, with some fun scenes from the contemptable villain Lemuel Scratchwick. Forced into hiding due to past mistakes, Baggit comes up with an ambitious plan to recover the Wraithbone Phoenix, a legendary xenos treasure that is rumoured to be hidden in a nearby ship being scrapped (the theft and hiding having been cleverly set up in some early interludes). However, after Lemuel overhears and spills the beans in a very public way, the entire city knowns what the two are planning, and a horde of killers and thieves head towards the ship. The book starts spreading its focus to several other outrageous figures, all of whom are interested in either the Wraithbone Phoenix or killing Baggit and Clodde. The author does a wonderful job introducing each of the characters, and you soon become invested in their hunt, as all of them are pretty amusing in their own way. The action ends up in the decommissioned ship, were everyone starts their search for the missing treasure, and it doesn’t take long for everyone to start fighting each other in a series of bloody battles. You honestly have no idea who is going to survive the various encounters, and it is very fun to see the distinctive characters dying in surprisingly and compelling ways. At the same time, the characters also attempt to solve the mystery of the hidden Wraithbone Phoenix, and the various hints about its initial disappearance are cleverly woven into the modern tale, requiring the protagonists to solve it. Eventually, only a few characters are left, and there is a great series of twists and turns that sees everyone get what they truly deserve. While I did think that Worley perhaps went one twist too far (the final one was a bit too metaphysical for my taste), the reader comes away extremely satisfied, and highly entertained.

I had a wonderful time with this awesome book, and I think that Worley did a great job setting the entire narrative out. The combination of crime fiction elements and the great and grim Warhammer 40,000 setting worked extremely well, and you ended up with a high-octane thriller that saw futuristic and half-crazed killers go against each other in a deadly contest for money and treasure. The use of various perspectives allows you to get to know the various outrageous killers and participants in a very short amount of time, and you are soon invested in them and their various personal struggles as they duke it out. I was getting a very cool and cinematic vibe from this story that put me in mind of films and books like Smoking Aces, Snatch or Bullet Train, with big casts all working against each other for the same goal. While you are generally rooting for the main two characters, it is also very fun to see the other players in action, and the multiple unique interactions all these crazy figures have results in an impressive and frenetic read. Worley backs this up with a ton of brilliantly written and highly detailed action sequences, and you really won’t believe the range of destruction and deliciously devious deaths that occurs. There are so many impressive and cleverly set up moments throughout this narrative, and the deaths of several characters are usually the result of some well-placed bit of trickery that occurred chapters ago. All this action, intrigue and character development is perfectly bound together by the book’s overarching humour, which helps to balance out the more intense elements of the novel, while also keeping everything darkly funny. There are so many good jokes or hilariously over-the-top moments scattered throughout the novel, and I had a lot of great laughs as I powered through it. Heck, even the title, The Wraithbone Phoenix, is a play on the classic noir book/film, The Maltese Falcon. Everything comes together so perfectly throughout the book, especially as Worley also includes several outstanding interludes, some brilliant flashbacks, and even some hilarious in-universe text excerpts and announcements, all of which add perfectly the funny, but grim, tone of the book. This was an incredibly well written and captivating read, and it proves quite impossible to put down at times.

While The Wraithbone Phoenix does have an outstanding crime fiction narrative, this book wouldn’t be anywhere near as good if it weren’t set in the grim future of Warhammer 40,000. Worley did a remarkable job setting the book in this futuristic world, and it was great to see the various technologies and factions from the game being utilised in a crime story. The author really works to explain many different elements from the Warhammer 40,000 lore here, and readers new to the franchise can easily dive into this book and start appreciating its clever story and settings. I particularly loved the primary location of the corrupt city of Varangantua. The author expands on this city a lot in this new book, giving more depth than it had in Dredge Runners, and you see more of the massive industries the planet supports, and the terrible conditions the people forced to work there endure. Worley continues to hammer home just how much of a dark, dystopian society Varangantua, and the larger Imperium, really is for ordinary human citizens, and that their supposedly enlightened rulers are in many ways just as bad, if not worse, than the various monsters and the forces of Chaos they fight against (at least Chaos worshippers are honest about their intentions). You can really sense the woe and control that Varangantua’s rulers have over the populace, and this is only enhanced by the various propaganda announcements that are played at various intervals throughout the book. The propaganda posts are very obviously biased in their attempted manipulations and exhalations for service and order, that they are all extremely funny, even as they show just how bad things are by denying them. However, Worley takes this even further by showing the darker, criminal side that surrounds the city, and it was really cool to see just how much worse things could get.

One of the most intriguing Warhammer 40,000 elements that Worley explores in The Wraithbone Phoenix is how the Imperial abhumans are treated. Abhumans are genetically diverse humans who come in many shapes and sizes, like the small and sneaky ratlings and the gigantic, but dumb, ogryn. Tolerated by the Imperium for their usefulness, these abhumans are treated as second-class citizens, looked down on by everyone just for the way they were born. While this has been explored in other books, Worley really hammers it home in The Wraithbone Phoenix, especially as the two main characters are both abhumans. You get a brilliant examination of how abhumans are regarded throughout the Imperium, both in the Astra Militarum and in general society, and the results are pretty damn grim. Not only do all the humans treat them terribly and generally tell them they are worthless (there is an entire litany they need to learn about them being abhorred, unclean, but forgiven), but there are multiple examples of abhumans being killed or maimed, just for what they are. Not only is this fascinating, while also enhancing the dark nature of the Imperium and the supposedly righteous humans, but it also becomes quite a key plot point throughout the book. There are multiple scenes that focus on the protagonists struggling to deal with the prejudice they have suffered throughout their life, which defines them and drives them. In addition, the plot around the hidden Wraithbone Phoenix is down to a mistreated ratling trying to get his revenge after being unfairly targeted and left filled with hate. This proves to be quite a fascinating and well-written aspect of The Wraithbone Phoenix, and I loved being able to see everything from the abhumans perspective.

I also have a lot of love for the excellent characters that Worley set his story around. There is such a great range of distinctive and captivating characters throughout The Wraithbone Phoenix, and you really get drawn into their individual tales and battles for survival and redemption. Most of the focus ends up going around the main characters of the book, Baggit and Clodde, abhuman Astra Militarum deserters turned criminal entrepreneurs who were introduced in Dredge Runners. Worley ensures that new readers can quickly pick up who Baggit and Clodde are, and it was so much fun to follow this ratling/ogryn combination, especially as they continued their chaotic lives of crime. Both protagonists have their own brilliant characteristics, including Baggit’s (I assume the name is a fun homage to Bilbo/Frodo Baggins) enjoyment of plans and schemes that never work out, and the surprisingly smart and philosophical nature of Clodde (that’s what happens when you get shot in the head). The two characters play off each other perfectly, with Baggit taking on the role of leader and carer for his big comrade, and Clodde letting him, while also not allowing him to get away with anything, thanks to the increased understanding he has. We get a bit more history surround these two characters, including their time in the army, and while it is not fully explored yet, you get to see the fantastic bond they have. Baggit ends up getting a bit more of a focus in this book than Clodde, mainly because the central plot point is so tightly tied to the fate of a mistreated ratling. Baggit, who suffered his own abuse from humans while serving, becomes obsessed with the fate of this long dead ratling, and he is determined to find out what happened to him and whether he got his revenge. Baggit really emphasises with him as the story continues, and his obsession for answers lead him to make some big mistakes, especially once he learns all the ancient ratling’s secrets. Both Baggit and Clodde are extremely likeable, and you can’t help but fall in love with the scheming ratling and the sweet, if brilliantly weird, ogryn.

Aside from Baggit and Clodde, Worley also fills The Wraithbone Phoenix with an eclectic mix of characters, with some very diverse storylines and characteristics to them. The most iconic and heavily featured are the various assassins, bounty hunters and other individuals who are flocking to the Sunstriker for various reasons, be it money, treasure, or a chance of redemption (sometimes all three at once). This list of crazy characters includes a genetically enhanced killing machine, a cult of phoenix-worshiping wackjobs, a team of elite mercenaries, an ageing bounty hunter trying to regain his reputation, a sadistic archaeologist with a love of whips, another ratling with a past connection to Baggit and Clodde, a disgraced and drunk Imperial Navy officer with a dream of finally impressing his dead mother, and the mysterious hooded assassin known only as Death. Worley did a really good job of introducing each of these unique figures, and you swiftly get drawn into their compelling personal stories and outrageous personalities, especially after witnessing several scenes from their perspective. While I could go on for ages about all of these dangerous people, I’m mainly just going to give a shoutout to the character of Lemuel Scratchwick, a steward at the plant Baggit and Clodde were working at, who really grows to hate the pair. Dragged down from his high perch by them, Lemuel spends the rest of the book trying to get even and comes across as the most arrogant and detestable villain. It is so amusing to see Lemuel in action, especially as his pride often gets the better of him and nothing goes his way, much to my delight. He forms quite an unhealthy rivalry with Baggit which draws them both into taking stupid risks. All these over-the-top, but deeply likeable characters, really enhanced my enjoyment of this book and I can’t wait to see what impressively outrageous figures appear in Worley’s next novel.

Unsurprisingly, I chose to listen to The Wraithbone Phoenix on audiobook, which is really one of the best ways to enjoy a great Warhammer book. This was a moderately long audiobook, coming in at just over 11 hours, and I found myself getting through it in a relatively short amount of time, including powering through the last several hours in a day trying to get to the conclusion. This was a very fun and entertaining audiobook, and I had a great time listening to the awesome humour and intense violence unfold, especially as the narration by Harry Myers painted quite an impressive picture. Myers, whose work I previously enjoyed in another recent Warhammer 40,000 novel, Day of Ascension by Adrian Tchaikovsky, does a pretty epic job in The Wraithbone Phoenix, and I loved his narrative take on the captivating story. Every character in this audiobook is given their own distinctive and fitting voice, which I deeply enjoyed, especially as it helps the listener to connect more to them and the story. Myers clearly had a lot of fun when it came to voicing all the outrageous figures and some of the voices he came up with were very amusing. I really appreciated the squeakier voice he used for the rattling characters, as wells as the deeper boom of Clodde, and the rest of the voices he came up with were not only distinctive and fun, but they also helped to enhance the inherent traits of the character it was associated with. For example, he really conveyed the deep arrogance and distain contained within the character of Lemuel Scrathwick, as well as he dramatic decline in sanity as the book unfolded, and I really appreciated the narrator’s attention to detail with that. Myers really impressed me as a narrator in The Wraithbone Phoenix, and I liked how some of his scenes, namely those depicting the in-universe propaganda, were enhanced with some serious and inspiration music and sound effects, which made the absurd declarations even more hilarious. This was such a good audiobook, and I cannot recommend it enough as a way to enjoy this epic Warhammer novel.

Overall, this was an outstanding first Warhammer Crime novel from me, and I had such an incredible time getting through this book. The Wraithbone Phoenix is an impressive and highly addictive Warhammer 40,000 read, and I loved the elaborate story that Alec Worley came up with for it. Containing some brilliant characters, a highly entertaining story, and a great combination of crime fiction and Warhammer elements, The Wraithbone Phoenix comes highly recommended, and you are guaranteed to have an exceptional time reading this witty and intense read.

Quick review – Warhammer 40,000: Dredge Runners by Alec Worley

On October 24, 2022March 1, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Quick Review, Science Fiction, Short Stories, Tie-in Novel, Warhammer8 Comments

Publisher: Black Library (Audiobook – 8 August 2020)

Series: Warhammer Crime

Length: 1 hour and 1 minute

My Rating: 5 out of 5 stars

Prepare to dive into the dark and fun world of the Warhammer Crime subseries with the short but incredible hilarious audio drama, Dredge Runners by Alec Worley.

Fans of this blog will be well aware of my current obsession with all things Warhammer fiction, as I have been making an effort to try out a range of their recently released books, all of which have been highly entertaining reads. One of the main things that I love about the tie-in fiction that surrounds the Warhammer tabletop games is the sheer range of different stories that can be told, especially as the various authors associated with this franchise often go out of their way to blend it with other genres and story types. As a result, there are several great Warhammer sub-series out there at the moment, including the Warhammer Crime books, which dive into the criminal underbelly of the Warhammer 40,000 universe and presents the readers with some intriguing and unique adventures.

I have been meaning to check out some Warhammer Crime novels for a while, especially as there are some quite fascinating sounding books already part of it. I love the idea of the grim and gothic Warhammer universe blending with a more traditional crime fiction read, and I know I am going to have a lot of fun with all of them. As such, when I saw that a new Warhammer Crime book, The Wraithbone Phoenix by Alec Worley, was coming out, I thought that it would be a good entry point to the wider Warhammer Crime sub-series. However, I noticed that The Wraithbone Phoenix was actually a follow-up to a previous short story by Worley, Dredge Runners, which was released in 2020 as a full-cast audio drama. Well, I am a reviewer who likes the get the complete picture and considering that Dredge Runners was just over an hour long I figured I would listen to it quickly to get some context before diving into The Wraithbone Phoenix. As such, I listened to the whole of Dredge Runners in one go this morning, and it proved to be quite an amazing and amusing listen.

Goodreads Synopsis:

A Warhammer Crime Audio Drama

Baggit the ratling and Clodde the ogryn fight to survive on the mean streets of Varangantua as powerful enemies close in from all sides.

LISTEN TO IT BECAUSE
Experience the sounds of a crime-ridden city and enjoy the twists and turns of a tale starring some of the more unusual inhabitants of the Imperium of Man.

THE STORY
Baggit is a fast-talking ratling sniper with a greedy eye and loose morals. Clodde is an ogryn, a brute with a core of decency and a desire for a better life. Two abhuman deserters turned thieves, at large in the monolithic city of Varangantua, where only the tough or the ruthless survive. Having landed in debt to a savage crime lord, Baggit and Clodde end up in the crosshairs of the meanest, most puritanical sanctioner in the city. Caught between two powerful enemies, and with innocent lives at stake, the unlikely companions must think fast and hustle hard before death points a las-pistol in their direction…

Unsurprisingly, Dredge Runners turned out to be just as amusing and fantastic as the plot synopsis suggested. I loved the idea of two abhumans, in this case a ratling (a futuristic halfling sniper) and an ogryn (ogre), getting involved in a series of disastrous criminal enterprises after getting caught between the city’s biggest crime lord and a puritanical sanctioner (law enforcement official). Despite its short runtime, Worley achieves a lot with Dredge Runners, perfectly introducing his excellent protagonists and taking them on a wild science fiction thriller adventure that includes hilarious exchanges, failed undercover operations and explosive heists.

Told completely through dialogue (with some sound effects giving off extra context), Dredge Runners’ story draws you in within the first few minutes as the author blends the more outrageous elements of the Warhammer 40,000 universe with a dark but amusing crime fiction narrative. Due to the length, you do not often get the full story of the events taking place, but the subsequent reaction by the characters allows you to imagine the full destructive scope of their actions, and it often proves funnier this way. There is a real focus on humour in this short production, and I was constantly left in stiches at some of the fantastic antics that the main characters get up to as a chaotic team. However, the story also has some real heart to it, especially towards the end when the protagonists are forced to make some tough decisions about their future, and they find their greed crashing up against their moral responsibility to other abhumans. Throw in some memorable and deeply cynical propaganda messages from the city authorities that shows just how corrupt and repressive the entirety of Imperial culture is in the Warhammer 40,000 universe (the one that concluded the story had me laughing hard), and this proves to be an outstanding Warhammer production that I had an absolute blast getting through.

One of the main things that Worley achieved with Dredge Runners is the successful introduction of protagonists Baggit and Clodde, who serve as a fantastic central duo. On the surface, Baggit is a thieving rattling who serves as the team’s leader and plan maker, while Clodde is the muscle, going along with Baggit’s plans and often messing them up by not understanding them. However, there is a lot more to both of them. Baggit is desperate to escape the dark life they currently have in Varagantua and feels a responsibility to Clodde due to their connected past. Clodde, on the other hand, is a rather unique and amusing ogryn character, who has an unusual intellectual side after getting shot in the head (by Baggit). As such, Clodde comes off as surprisingly deep and philosophical, and he is way smarter than he appears, especially when it comes to Baggit’s antics. These two play off each other perfectly, especially with Clodde acting as the group’s conscious, and their eventual attempts to get justice and do the right thing, paints them in a much different light that makes them even more likeable.

I really need to highlight the outstanding way that this audio drama was presented, as the fantastic production melded well with Worley’s great script. Acted out by a full cast of talented voice actors and narrators who tell the entire story through dialogue, this was a really fun Warhammer presentation to listen to, especially as the dialogue was also enhanced by some great sound effects and small bits of music. I was particularly impressed by the voice actors, as each of them gave it their all when it came to their specific character/characters, moulding their voices to fit their distinctive traits and personalities. The cast was led by Jon Rand (Baggit) and Paul Putner (Clodde), who I previously deeply enjoyed in Ghazghkull Thraka: Prophet of the Waaagh!. These two actors did an outstanding job with their abhuman characters in Dredge Runners, and they play these two humorous figures perfectly, showcasing their different natures while also slowly revealing their outstanding hidden hearts. These two are expertly matched by Emma Noakes and Kelly Hotten, who play the antagonistic crime lord and sanctioner respectively. Noakes and Hotten both bring some outstanding menace to their roles, and I loved hearing these more serious characters attempt to deal with the chaotic main characters. The voice cast is rounded out by veteran narrators, David Seddon and Andrew James Spooner, who narrate some of the fun supporting characters, and I loved some of the unique and compelling voices they brought to the table. This entire audio drama comes together extremely smoothly, and listeners are constantly aware of all the actions going on in the story, especially with the fantastic cacophony of explosions, gunshots and screams that often happen around Baggit and Clodde. I had a wonderful time listening to Dredge Runners in one go, and you will not be disappointed with this excellent audio production.

Overall, Dredge Runners was an awesome and highly impressive Warhammer 40,000 short, that is well worth checking out. Not only did Alec Worley come up with a captivating and deeply hilarious narrative and script for this production but it features an outstanding and talented voice cast who perfectly perform it. As such, Dredge Runners was a particularly epic introduction to the Warhammer Crime sub-series, and I had an outstanding time seeing just how amazing and unique crime fiction in the Warhammer 40,000 universe can be. I am really glad that I chose to check out Dredge Runners first, and I honestly was surprised at just how perfectly entertaining this short audio drama turned out to be. As such, I am giving it a five-star review and I am now extremely excited to see how the next adventure of Baggit and Clodde turns out in The Wraithbone Phoenix.

Wake by Shelley Burr

On July 4, 2022August 15, 2022 By The Unseen LibraryIn Australian, Murder Mystery, Thriller5 Comments

Wake Cover

Publisher: Hachette Australia (Trade Paperback – 27 April 2022)

Series: Standalone

Length: 360 pages

My Rating: 4.5 out of 5 stars

2022 is proving to be quite the year for Australian crime debuts, with several compelling and thrilling read already out. However, one of the more impressive recent debuts is probably the amazing release by new Canberran author Shelley Burr, Wake, a gripping and powerful crime thriller that takes the reader on a wild and emotionally charged ride.

Nannine is a small rural town in the harsh heart of New South Wales, punished by drought and slowly declining as the local agriculture industry starts to deteriorate. However, Nannine will always have one harrowing claim to fame: the unsolved disappearance of Evelyn McCreery. In 1999, young Evelyn disappeared from her rural house in the dead of night, right from the bedroom that she shared with her twin sister, Mina.

Now, 19 years after Evelyn’s disappearance, Mina lives a reclusive life on the destocked family farm, desperately seeking some shreds of normality. However, the shadow of the unsolved case and the subsequent massive media storm that bombarded her family still haunts her, especially as many question whether she had a role in the tragic events, while others constantly attempt to claim the massive reward the family posted. However, despite the time and her attempts to not get involved in the craziness again, Mina finds old wounds reopened when Lane Holland arrives in town.

Lane is a private investigator and failed Federal Police cadet who has made a living out of cracking cold cases involving missing girls. Interested in claiming the substantial reward, Lane begins his own in-depth investigation of Evelyn’s disappearance, and his determination and insights soon grab Mina’s attention and she finds herself drawn close to Lane. However, Lane has his own personal reasons for solving the case, and his dark ghosts could end up dragging Mina down with him.

This was an excellent and captivating debut novel from Shelley Burr, which is already gaining some major recognition, including some major Australian awards. While I knew I was likely to enjoy this amazing novel, I ended powering through Wake in a day as I got really hooked on its compelling and intense outback story.

I deeply enjoyed Wake’s awesome story, especially as Burr makes sure that it contains all the necessary elements to grab your attention. This novel starts in the modern day, 19 years after the disappearance that rocked Nannine, and sees newcomer Lane Holland arrive to attempt to solve the case. The introduction of this sleuth character helps to jumpstart the narrative, especially as his new investigation allows the reader to find out all the relevant details about the old case, while also revealing the lasting issues it had on the various protagonists, including the long-running infamy of being involved with such a major case. Most of the first half of the book revolves around Lane trying to find his feet in the investigation and get close to Mina, while also finding himself involved in a separate case involving another missing girl. At the same time you get to know Mina from her perspective, and find out just how messed up she is because of the disappearance and media scrutiny. All the key characters, major story elements, hints and settings are perfectly set up in the first half of Wake, and the captivating mystery and damaged characters really drag you in and ensure that you become deeply invested in seeing how the case unfolds.

After some big reveals about halfway through the novel, the story intensifies even further, especially once you fully understand Lane’s drive and get to know the characters even better. There are some compelling twists and turns in this second half of the book, with multiple theories and red herrings to cleverly distract the reader, while major personal moments hit all the key characters. This all perfectly sets up the big finale, as all the plot points, tragic backstories and hidden hints come together extremely well for the major reveal. I really liked how Wake’s story concluded, and I think both the solution to the mysteries and the resolution of all the character arcs was pretty ingenious, especially with how well it tied together the various character’s secrets, histories and regrets. Overall, the reader will come away very satisfied with how everything is tied up, and this ended up being a very impressive and compelling narrative that was well-paced and loaded with some great surprises, major moments, and a very intriguing central mystery.

There were many cool elements to Wake that I deeply enjoyed and which I felt helped to enhance the mystery-laden story. I liked the rural setting of Nannine, a fictional town that captures the heart of feel of many rural Australian communities, especially those that are suffering from many issues such as drought and the slow decline of the agricultural economy. This decaying agricultural town serves as the perfect backdrop to this amazing story, and you really get to see how the small-town vibes and attitudes affect the investigation of the case. I also appreciated the fantastic dive into the over-the-top press coverage that surrounds famous crime cases. The disappearance attracted a massive media focus, and Burr spends a lot of time exploring how it initially covered the case, how it morphed over the years, and the lasting impact that growing up as a media sensation had on both Mina and the other supporting characters from Nannine. I particularly enjoyed the examination of how the case became a favourite of true-crime fanatics, which is primarily shown through a series of posts on the murder forum that appears in front of multiple chapters. These posts highlight the attitudes, theories, mindsets and more of the true-crime internet community and serves as an intriguing weather vane for the wider Australian community. I loved these posts, not only because they were entertaining and realistic but because it proved to be a great way to provide the reader with some interesting context while also having some impacts on the main story. Throw in the great way that Burr utilised several flashback sequences, some hidden clues in character names, some clever insights into missing person cases, and other outstanding elements, and you have a really impressive book that will easily keep your attention.

I also need to highlight Wake’s awesome damaged characters that the plot focuses on. Burr has come up with some sensational and powerful story arcs for these great characters, and their various histories, connections and life events add some excellent emotional heft to the story that I really enjoyed. This includes Mina McCreery, who serves as a major point-of-view character for most of the plot. Mina is the twin of the disappeared Evelyn, and has spent the last 19 years living in her disappeared sister’s shadow. Not only did she have to deal with the emotional backlash of her sister being either killed or abducted but she also had to experience the intense media scrutiny and other issues associated with the major case, especially as her mother ended up becoming a media sensation to keep the focus on Evelyn’s case. Due to this, the strained relationship she had with her sorrowful mother, and certain suspicions from some that she had something to do with her sister’s disappearance, Mina now lives a solitary life, avoiding most people and not having many friends. This makes her rather standoffish, angry and a little paranoid (for good reason) for most of the novel, and she has a hard time connecting to anyone, especially Lane. The events of this book really shock her in some major ways, as the years of repressed trauma and emotional uncertainty come to the surface again, especially once secrets and long-hidden truths come to the surface. I felt that the author did an amazing job highlighting all the major issues contained within Mina’s psyche, and the subsequent emotional moments were a fantastic and powerful part of the book.

Aside from Mina, the other major character in Wake that I need to discuss is private investigator Lane Holland, who arrives in Nannine to investigate the case. Burr created something really impressive in Lane, a former police cadet turned private investigator, as he ends up having one of the more intense and memorable character arcs in the entire novel. Initially seen as an unwelcome outsider by most of the other characters, apparently interested in only the reward money, Lane is able to prove himself to Mina and other characters and manages to gain their trust. However, everything you think you know about Lane is blown out the water when you find out his surprising connection to the case, as well as his motivations for investigating it. Burr sets up the connections extremely well in the early parts of the novel, putting in several clever hints and suggestions, while also doling out useful flashbacks to Lane’s past that explain everything. These revelations, as well as some insights into Lane’s personal history and motivations, help to both intensifies the story, while also dragging you closer to Lane as a character, hoping that he will succeed for everyone’s goods. Burr takes Lane’s character arc into some very dark, by captivating, directions, and his entire story comes together in a brilliant and powerful way, especially with some major decisions made towards the end of the book. These two excellent, intense, and very damaged central characters, really acted as the heart-and-soul of Wake, and I was really drawn into the outstanding narrative Burr wove around them.

With her excellent debut novel, Wake, Shelley Burr has successfully entered the world of Australian crime fiction in a big way. Featuring a captivating and distinctively dark murder mystery narrative that sees damaged characters bring a notorious cold case into the light, Wake was a gripping and deeply thrilling read that I had a fantastic time reading. A moving and enthralling novel, Wake was an exceptional Australian crime debut and I am extremely excited to read more stories from Burr in the future.

Wake Cover 2

Among Thieves by M. J. Kuhn

On December 5, 2021May 30, 2023 By The Unseen LibraryIn Fantasy, LGBT+5 Comments

Among Thieves Cover

Publisher: Gollancz (Trade Paperback – 14 September 2021)

Series: Standalone/Book One

Length: 343 pages

My Rating: 4.5 out of 5 stars

Magic, betrayal and the ultimate fantasy heist await in Among Thieves by M. J. Kuhn, one of the most exciting and compelling debuts of 2021.

Welcome to the city of Carrowwick, where life is cheap and three powerful gangs fight for supremacy and control of its notorious underground. Out of all the thieves, rogues and assassins found within Carrowwick, no one is more feared than Ryia Cautella. Better known as ‘the Butcher’, thanks to her uncanny skill with her twin hatchets, Ryia is sworn to notorious gang-leader Callum Clem, and is the chief enforcer and hidden blade of his Saints gang. But while she seems content to spend her time fighting, drinking, and womanizing, deep down Ryia harbours a dark secret and a hidden past.

Thanks to an incredibly rough childhood, Ryia is in hiding from the most dangerous person in the entire realm, the Guildmaster, the powerful magic user who serves as the de facto ruler of the continent of Thamorr. The Guildmaster runs a continent-spanning organisation whose operatives locate, capture and bind every child with magical potential in order to sell them to the highest bidder. Forced to flee from city to city, constantly changing her identity, Ryia has no chance at a future while the Guildmaster is after her, and there is only so long that she can avoid her fate. However, a chance encounter soon reveals a potential way out of her desperate situation, although it will mean journeying to the most dangerous place in the world, the Guildmaster’s Island, to steal a powerful magical artefact.

Determined to gain her freedom, Ryia prepares to attempt the impossible and infiltrate the Guildmaster’s Island during the annual auction where the bound and brainwashed magic users are sold. However, not even the mighty Butcher can break into this impenetrable fortress alone. Reluctantly forced to work with a team, Ryia sets out with a motley crew of rogues and miscreants, including a forger, a conman, a fallen soldier, and a smuggler. But can this disparate crew pull off their impossible job, or are they all marching towards their deaths? Worse, who among the crew can really be trusted, as every member has their own reason for being there, and none of them would hesitate to stab the others in the back to achieve their goals. Let the heist begin!

This was a brilliant and outstandingly entertaining debut from M. J. Kuhn, who has done a remarkable job with her first book. Among Thieves has a fun and clever story that takes its fantastically motley group of protagonists on an intense and thrilling adventure. I loved the great blend of enthralling characters, an interesting new fantasy setting and an outstanding narrative, and this ended up being one of the best debut novels I have read in 2021.

Among Thieves has a really awesome narrative that I had an absolute blast getting through. Frankly, I was very keen to read this novel the moment I saw it was a fantasy heist novel, as I love it when dark magical settings combine with classic crime fiction heist storylines. Kuhn really did not disappoint as Among Thieves’ narrative is extremely well set out and does a great job bringing together its disparate genre threads. The world, the various characters, and the dark tone of the book are set out quickly in an entertaining and easy-to-follow manner in the first 100 pages. The reader gets a great sense of all the key players of this book, especially as the author makes excellent use of a multiple-perspective storytelling device, with all five members of the heist crew narrating several chapters within the book.

Once the scenario and the characters are established, Kuhn quickly moves into the exciting centre of the novel, which sees the protagonists infiltrating the Guildmaster’s island to find the treasure they seek and steal it. The characters face some major adversity here, from betrayals within and without, as well as the unfortunate attention of rivals, law enforcement and the forces of their target. This leads to several intense and entertaining scenes as the protagonists attempt to overcome these obstacles while their own personal demons and ambitions come to the surface. There is a major twist about two-thirds through Among Thieves that is not only fun and a little unexpected but which also sets up the final arc of the novel extremely well. This final third of the book sees the various characters make their final plays for the prize (if they still want it), while several revelations and twists are brought to the surface. I deeply enjoyed the way that the story turned out, especially the reveal of the book’s real winner, and Kuhn chucks in some great surprises towards the end. The entire story is an amazing blend of intrigue, action, thievery and relatable character interactions, which helps to produce a fast-paced and captivating narrative that I had a really hard time setting down. Kuhn also makes sure to leave a few storylines wide open, which would translate into a sequel extremely well. I really hope that the author continues this storyline in the future as I cannot wait to see how this awesome narrative finishes up.

Easily one of the best things about this amazing novel was the great mixture of unique and entertaining characters. As I mentioned above, Among Thieves’ story features five central protagonists, the members of the heist crew, each of whom has their perspective shown at various points of the book. This includes:

Ryia, a hardnosed and incredibly powerful killer who parties hard, flirts mercilessly with every female character and kicks ass in some incredibly violent ways. While Ryia appears to be a fun and entertaining character most of the time, she has a very dark past, filled with regret, betrayal, and the shocking actions of her father. Thanks to her tendency to use humour and crassness as a distraction to hide deeper pain, Ryia proves to be both an entertaining and tragic figure, and it was deeply compelling to see her storyline unfold. I loved the focus on her twisted loyalties, especially as she initially plans to betray her crew for her own ends. However, she goes through some major development as the book continues, and slowly establishes some emotional connections she has been missing throughout most of her life. A brilliant and fun central character, you will fall in love with this axe-wielding maniac.
Tristan, the youngest member of the group and their resident sleight of hand expert, specialising in gambling, cheating and pickpocketing. Tristan is bit of a dandy who was forced into the Saints after incurring a substantial debt, later sticking around due to his unrequited love with Ryia. Like Ryia, Tristan has a lot of secrets from his past and is also a bit of a fugitive. Tristan ends up being forced into some very unfortunate positions as the book continues due to various betrayals (his and other peoples), and he ends up being quite a major figure in the story. I deeply enjoyed some of the great twists surrounding him, and it looks like Kuhn has some intriguing plans for him in the future.
Nash, the smuggler, a ship captain of great skill and cunning who transports the gang to the Guildmaster’s Island and helps them pull off their heist. Nash is a fun character who has some interesting storylines surrounding her inconvenient relationship with gang leader Callum Clem. While I quite liked her as a protagonist, she was one of the least developed characters in the novel, mainly because she is the only one who didn’t have a plan to betray the gang. Kuhn does add some interesting details to her arc towards the end of Among Thieves, as she is forced to deal with her growing attraction to Ivan, her conflicted loyalty to the insane Callum, and her own ambitions and survival instincts.
Ivan, the forger who serves as another entertaining character with a compelling storyline around him. Ivan is ultra-talented master of all sorts of forgery, including documents, tattoos, disguises, and everything in between. A natural charmer and brilliant actor, Ivan manages to win the hearts of many, including Nash and the reader. However, he also has a secret past as a freedom fighter, and he sees this job as an opportunity to free his imprisoned brother and re-start his revolution. I found Ivan to be a funny and charming figure, and like I did with Ryia and Tristan, I deeply appreciated the inclusion of a hidden past which motivates his potential betrayal. Ivan ends up in an interesting place at the end of the novel, and it will be fascinating to see how his gamble will play out.
Evelyn, the former city guard of Carrowwick and Among Thieves’ final point-of-view character. Evelyn is a complex and intense figure, a former honourable officer who is dishonoured and disinherited partially thanks to Ryia’s actions. After a massive bender, she is convinced to join the heist crew by Callum Clem in exchange for being allowed to capture Ryia, whose imprisonment would restore her honour and position. Evelyn has one of the best character arcs in the entire novel, especially as she plays a fish-out-of-water character, as the former cop trapped among a group of thieves. This allows her to serve as an excellent foil to Ryia, and the two have a very adversarial relationship, which naturally develops some romantic overtones as the book progresses. I liked how Evelyn slowly became more devious and criminally minded as the book progresses, and she was an excellent addition to the story, bring some great humour, drama and integrity (briefly) to the narrative.

Overall, I felt that Kuhn did an amazing job establishing all these main characters, and each of them brings something unique and fun to the story. There was a pretty good balance between each of these characters, and it was very enjoyable getting to know all five of them. That being said, having five separate motivations/planned betrayals was a bit much on top of the heist storyline, and it muddied the main plot just a little. Still, I think that Kuhn made it work and it wasn’t too overwhelming. All five characters have great chemistry with each other, and their distinctive perspectives helped to highlight the various mad plans and ideas in a very entertaining light. I had an amazing time following these five rogues, and I look forward to seeing what happens to them in any future novels Kuhn writes. I am also very curious about the side character who was cleverly given a point-of-view chapter at the end of the book, and I am sure it will result in a brilliant and villainous performance in the next book.

In addition to the awesome story and complex characters, I also was quite taken by the intriguing new fantasy world that Kuhn came up with. Among Thieves is set in the continent of Thamorr, which is made up of five kingdoms who all pay homage to the Guildmaster, who controls the supply and demand of the magically powered supersoldiers each nation relies on. Kuhn does a great job of introducing and setting up this new fantasy world, and the reader is soon dragged into the great crime-riddled city of Carrowwick, with its warring gangs, and the eventual travel to the Guidmaster’s island, a grim and hopeless magical fortress. The interplay of the rival gangs, the political upheaval of several kingdoms, and the creation of obedient magical beings are all fantastic and add some great depth and background to the story. I also loved the cool magical system Kuhn works into the narrative really well, ensuring that the control of people with magical potential becomes a major plot point. This amazing setting serves as the perfect backdrop to the fast-paced and clever narrative, and it was quite fascinating to see the characters explore every compelling aspect of it. It looks like this fantasy world will be massively expanded in the future novels, and I cannot wait to what cool new elements Kuhn introduces next.

With her debut novel, Among Thieves, new author M. J. Kuhn has shown herself to be an outstanding and impressive new talent on the fantasy fiction stage. Among Thieves has an awesome and captivating heist-centric storyline, and I loved the cool combination of intense fantasy and thrilling crime fiction elements. This all results in a powerful and intense narrative based on five brilliant and complex characters, which proves to be exceedingly addictive and thrilling. I had an excellent time reading Among Thieves and this was easily one of the best debut novels of 2021.

The Honour of Rome by Simon Scarrow

On November 10, 2021August 20, 2022 By The Unseen LibraryIn Historical Fiction6 Comments

The Honour of Rome Cover

Publisher: Headline (Trade Paperback – 9 November 2021)

Series: Eagles of the Empire – Book 20

Length: 431 pages

My Rating: 4.5 out of 5 stars

One of the best authors of Roman historical fiction, Simon Scarrow, returns with another exceptional adventure back in time with The Honour of Rome.

2021 has been a particularly good year for Simon Scarrow readers, as this acclaimed historical fiction author has released two fantastic novels. The first of these, Blackout, was a clever historical murder mystery novel set in pre-war Nazi Germany, which contained a fantastic and impressive story. While I deeply enjoyed Blackout, I was a little more excited for the next awesome entry in Scarrow’s long-running Eagles of the Empire series. The Eagles of the Empire books follow two officers in the Roman army, Centurion Marco and Prefect Cato, as they fight in multiple battle fields across the Roman Empire. I have been a major fan of this series for years and have had the pleasure of reading every prior entry in it, while also reviewing some of the latest entries, including The Blood of Rome, Traitors of Rome and The Emperor’s Exile. As such, I was very excited when I received the latest entry in this series, The Honour of Rome, a couple of days ago, and instantly started reading it. The Honour of Rome is the 20^th novel in this series and takes its great protagonists on another intense adventure.

Britannia, 59 AD. After retiring from the Roman Legions, former Centurion Marco has travelled back to Britannia 15 years after he helped conquer it. Now a married man, Marco is hoping for a quiet life, enjoying the fruits of the successful inn in Londinium that he half-owns with his mother. However, not everything is as calm as he hoped. There are rumours about the tribes being restless once again, and the streets of Londinium are alive with criminal gangs.

Upon arriving at his mother’s inn, Marco discovers that she is being extorted for protection money by a ruthless gang. Determined to stop this, Marco attempts to resist the gangsters, only to find himself outmatched and a potential pawn into the middle of a vicious gang war. At the same time, Marco finds himself drawn into the defence of the colony, especially when one of the local tribes refuses to pay any more taxes.

After a bloody punitive raid with a group of veteran reserve soldiers, Marco returns to Londinium, only to face the consequences for his defiance. Beaten and bloodied, Marco is unsure how to fight back until his old friend Cato appears. Cato, who has left Rome without leave to hide Nero’s exiled mistress, is always willing to back Marco up in any sort of fight, and he has an ambitious plan to end the gang problem once and for all. Will the team of Marco, Cato, and their veteran allies be enough to overcome the city’s vicious gangs, or have these proud war heroes finally met their match?

This was another awesome novel from Scarrow, who has once again produced an exciting and fast-paced historical fiction read that perfectly envisions the landscape of Roman-occupied England. The Honour of Rome is a great read, and I loved the cool combination of historical and crime fiction elements throughout it. I ended up reading this book in only a few short days and loved every second of it.

Scarrow has come up with another amazing and entertaining story for this compelling book, which takes his long-running protagonists on another intense and bloody adventure. One of the things that I have always enjoyed about the Eagles of the Empire series is the range of different subgenres that can be blended with its historical fiction elements. The Honour of Rome is a great example of this as Scarrow utilises a crime fiction based storyline that blends with the overarching historical elements extremely well. The protagonist is swiftly drawn into a vicious confrontation with two warring gangs of criminals upon his arrival in Londinium, which proves to be an outstanding basis for the main storyline. At the same time, he once again becomes involved in the Roman garrison’s ongoing conflicts with the local Britons. This combination of crime and military elements is very effective throughout the novel, and I liked seeing the conflicts with both gangsters and rebellious natives. This also allows Scarrow to bring in several solider characters into the main crime-fiction storyline as backup as the story progresses, and it was pretty fun to see a bunch of retired soldiers taking on the antagonists. The author really sets up everything extremely well in this book, and there isn’t a moment of calm or quiet throughout the entire novel, as the protagonist gets involved in several intense and well-written fights and battle sequences. I found the last third of the novel to be particularly exciting, especially as the protagonists attempt an ambitious and risky strategy. This results in the predictable satisfying, if bloody, conclusion, and Scarrow has made sure to set up some cool new storylines that will no doubt be the basis for the next few books. An enjoyable and action-packed thrill-ride from start to finish, I had a fantastic time reading this latest historical adventure.

One of the more interesting things about The Honour of Rome was the noticeable change in character focus that helped set it apart from the other Eagles of the Empire books, namely that it spent most of the narrative focusing on only one of the series’ protagonists. This is not too surprising, especially as the previous book in the series, The Emperor’s Exile, focused on Cato to such a degree that I kind of assumed that Scarrow was planning to permanently retire Marco. However, I’m pleased to say I was wrong about this, as two-thirds of this latest book is exclusively told from Marco’s perspective. I had a great time following Marco in this novel, and it is always a lot of fun to see the gruff and hard-headed Centurion in action. There are some great moments surrounding Marco in this novel, from being out of his depth when it comes to combating criminals rather than enemy soldiers, to his great camaraderie with the fellow veterans in the colony. You also have to love the fun interactions that occur around him as he finds himself stuck between his strong-willed wife and his equally strong-willed mother. This ended up being a really good Marco novel, and I deeply enjoyed it. Of course, Cato does show up towards the end of the book, and the novel is soon back to its typical dynamic, with Cato taking tactical lead. There are also some interesting long-term storylines surrounding Cato, especially as he has fled from Rome with the Emperor’s exiled mistress. It was great to see this team in action once again, especially as they enact another madcap scheme, and I had another fun time following them.

I also rather enjoyed the cool historical setting featured within this great novel, as the protagonists once again return to Britannia. Historical Britannia is a well-utilised setting in the Eagles of the Empire books, having been the location of several of the earlier novels, including the first five entries in the series. It made me a little nostalgic to see this damp and gloomy setting once again, especially as it proves to be just as chaotic and violent as ever. This book makes full use of its clever move from the more traditional battlefields of Britannia to the city of Londinium, and I loved the inclusion of a crime-ridden, early London, especially as Scarrow tries his best to show it in all its dark and rapidly expanding glory. I also enjoyed the inclusion of the veterans’ colony that was a major secondary setting for much of the book. It proved to be fascinating to follow these characters who have chosen to settle in this harsh country and spending time conquering it, and I liked their inclusion in the novel. It was pretty cool to see these retired soldiers in reserve taking on enemies, both on a proper battlefield and against the criminal element, and I thought it was a fun and compelling inclusion to the story. I also appreciated that, after several books, we finally get a continuation of the Boudica storylines that were set up in some of the earlier novels. Scarrow is also clearly setting up Boudica’s rebellion for later in the series, and I cannot wait to see how our protagonists, with their established history with Boudica and her people, will fit into it.

With this awesome 20^th entry in his amazing Eagles of the Empire series, Simon Scarrow continues to highlight why he is one of the absolute best authors of historical fiction in the world today. The Honour of Rome has a brilliant and compelling story that perfectly blends historical and crime fiction elements together into one thrilling tale. I had a wonderful time reading this great book, and I deeply appreciated the way in which Scarrow continues the adventures of his compelling characters by once again returning them to the familiar setting of occupied Britannia. The Honour of Rome is another highly recommended historical read, and I cannot wait to see what happens next in this series.

The Housemate by Sarah Bailey

On October 14, 2021August 13, 2022 By The Unseen LibraryIn Australian, Five-Star Books, Murder Mystery, Thriller5 Comments

Publisher: Allen & Unwin (Trade Paperback – 31 August 2021)

Series: Standalone

Length: 454 pages

My Rating: 5 out of 5 stars

Impressive Australian author Sarah Bailey returns with The Housemate, an outstanding and intense murder mystery that takes a complex protagonist through a dark journey as they attempt to solve an infamous murder.

It was the crime that shocked all of Australia: one night, after a fractious party in the suburbs of Melbourne, three female housemates would become infamous for all the wrong reasons. In the morning, one of the housemates is found brutally murdered, another is found covered in her blood, while the third goes missing and her body is never found. Dubbed the Housemate Homicide, the unexplained murder, the mysterious disappearance, and the subsequent controversial court case has baffled and enthralled the country for years. This includes Olive Groves, a journalist who got her first big break covering the murder and who then became obsessed with cracking the case.

Nine years later, the body of the missing housemate is found in a remote property in the Victorian countryside. Despite dealing with her own dark personal issues, Olive is assigned to cover the story, and soon finds herself once again dragged into her deepest obsession. Teamed up with millennial podcaster Cooper Ng, Olive begins to immerse herself in the details of the murder, reigniting her fiery obsession.

As Olive and Cooper work to uncover new details about the case and the three women at the heart of it, they start to make some startling discoveries. None of the housemates were what they seemed, and all had dark and terrible secrets that have remained hidden for years. What really happened to these three friends, and what secret was so terrible that they would kill to protect it? Olive is about to discover that there is a dark conspiracy at work throughout this case, one whose roots may lay far closer to home than she ever imagined, and whose discovery may end up breaking her.

This was an incredible and extremely clever dark murder mystery from Sarah Bailey, who has previously produced some impressive and compelling pieces of Australian fiction. The Housemate was pretty exceptional read and I quickly found myself getting really caught up in this remarkable and well-written piece of crime fiction. The author weaved together a dark and compelling tale of betrayal, murder and tainted love, featuring an extremely damaged protagonist and multiple epic twists.

The Housemate has a pretty amazing and memorable murder mystery narrative that follows a reporter as she attempts to uncover the truth behind an infamous cold case. Bailey does a great job setting up the plot of this book in the early pages, showing the protagonist’s involvement in reporting the initial discovery of the murder, before initiating a time skip nine years in the future. Once there, the author spends a little time exploring how the protagonist’s life has changed in the intervening years, before swiftly starting the next stage of the mystery, with the discovery of a body out in the Victorian countryside that has connections to the murders. The rest of the book flows by at a quick pace after this, as the reader gets stuck into the re-opened investigation. Bailey starts the various twists flying early, and the reader is soon struck with a series of theories, leads, potential suspects and connected side characters, all of which add to the overall tapestry of the mystery, while also serving to keep you guessing about who is responsible for the murder, and that isn’t even mentioning the compelling flashbacks from the surviving housemate.

As the investigation continues, The Housemate’s story continues to get even more complex, as the personal life of the protagonist, Olive, gets dragged into the plot, especially as Olive is in a complex relationship with the widower of the primary police investigator of the original case. This results in some extremely intense moments as Olive begins to suspect everyone, which has a major impact on her grip on reality. I deeply appreciated the psychological thriller aspects that were worked in, as the reader starts to really question Olive’s grip on her sanity, and it helped to make the story even darker and more unpredictable. Everything really kicks off in the final third of the novel, especially after the case becomes even more potentially convoluted and connected to a wider conspiracy. There were some great reveals in this final third of the novel, and a pretty major and surprising event that really changes everything. I found myself absolutely glued to this book in the final stages, as I couldn’t wait to see what happened. While I did think that the author was a little too heavy handed when it came to suggesting that one particular character was the murderer, I thought the eventual reveal of who was behind everything was extremely clever. The solution to the historic murder was very impressive, especially as some of the elements were set up extremely early in the novel and you didn’t even realise it. I really loved the impressive way the case was wrapped up, although the end of the final confrontation was a tad too coincidental for my taste. Still, it was a really great way to finish the novel, and I was well and truly hooked by this awesome and dark tale of murder.

You can’t talk about The Housemate without mentioning the author’s great characters, especially protagonist, Olive Groves (a fun name). Olive is a complex and damaged woman, who has been obsessed with the novel’s central case ever since she saw the suspected killer and the various family members emerging from the house during the initial media coverage. Years later, Olive now has a complex life, as she is living with the controlling widower of the cop who was originally investigating the crimes, something she is immensely guilty and conflicted about. Her already fragile mental state is put at risk when she starts working on the latest developments in the Housemate Homicides case, which reawakens her long-dormant obsession. This obsession drives her to investigate the case by any means and takes her to some dark spaces as she tries to get into the head of the three housemates and figure out what happened to them. Olive slowly goes downhill as the novel progresses thanks to a combination of stress, obsession, anger, and multiple personal reasons, such as the actions of her emotionally abusive partner and her own massive guilt for sleeping with him while his wife was still alive. Olive has a big breakdown towards the end of the novel, especially after a major surprise event, and it was fascinating to see such a dramatic and powerful burst of emotion. This compelling personal crisis is perfectly worked into the plot of the book, and it really helped to enhance the main murder mystery storyline, especially as you become really concerned for Olive’s mental and physical safety. I appreciated the way in which Bailey wrapped up Olive’s character arc by the end of the novel, and I cannot emphasise what an impressive bit of character work Bailey did around her.

Aside from Olive, there is a great collection of complex side characters throughout the novel, each of whom play a vital role in the case. The main one is Cooper Ng, the socially shy tech expert and social media whiz who is assigned to help Olive investigate, with the two required to develop a new podcast for their paper. Cooper is a fun and energetic figure who stands as the complete opposite to Olive’s gruffer and irritable personality. Cooper and Olive make for an interesting partnership throughout the book, and it was fun to see them combine their vastly different skills and experiences. The author also spends a bit of time examining each of the three housemates who were at the centre of the book’s mystery. It initially appears that all three were bright and optimistic students when the fateful night occurred. However, as the book progresses you begin to see that they are a lot more complex than that, with all three involved in something dodgy. Seeing how they were driven to the events that occurred the night of the killing is pretty fascinating, and I really appreciated the dark and intense storyline that Bailey weaved around them. All these characters, and more, added a lot to the story, and I loved the fantastic and realistic interactions that occurred within.

The final thing that I wanted to highlight about The Housemate was its interesting examination of Australian journalism. I have always rather liked journalist protagonists in fiction, due to their less formal way of investigating crimes, and this worked very well in the context of The Housemate, with Olive employing some interesting methods to get answers. The focus on obtaining information for a story rather than attempting to bring someone to justice is very compelling and I loved seeing the protagonists setting up stories and podcasts. I also quite enjoyed the interesting examination of the evolving form of journalism that was represented by the two main characters, Olive and Cooper. Olive is the more old-school reporter, who just wants to do good journalism without resorting to popular gimmicks. Cooper, on the other hand, is the flash new kid, focusing on social media and podcasting, which he sees as the future of journalism. This fun comparison between reporting styles formed an interesting basis for their partnership, especially as they are brought together to do a podcast on the murders, and I felt that this was a great inclusion to an already exciting and entertaining narrative.

The Housemate by Sarah Bailey was an exceptional and captivating read that I had an outstanding time reading. Featuring a dark and thrilling mystery storyline, this Australian murder mystery was incredibly addictive, especially once you get caught up in the unique investigation and complex personal life of the protagonist. I really enjoyed seeing this fantastic story come together, and I was really impressed with how Bailey tied her brilliant mystery together. Easily one of the best pieces of Australian fiction I have read all year, The Housemate gets a full five-star rating from me and is a very highly recommended read.

Throwback Thursday – Batman: Under the Red Hood

On August 20, 2021 By The Unseen LibraryIn Animation, Comics/Manga, Five-Star Books, Superhero, Throwback Thursday1 Comment

Studio: Warner Bros. Animation and DC Entertainment

Series: DC Universe Animated Original Movies – Film Eight

Director: Brandon Vietti

Writer: Judd Winick

Producers: Bruce Timm and Bobbie Page

My Rating: 5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review content I have enjoyed before or review older books I have only just had a chance to read. For this latest Throwback Thursday, I am going to keep following a recent trend of looking at animated movies and review Batman: Under the Red Hood.

Ever since I reviewed Justice League Dark: Apokolips War last year, I have been focusing a little more on one of my favourite forms of entertainment, animated films based on comic books. Not only did I have a great time listing my favourite comic book based animated films and television shows, but I have also done some cool reviews for Batman: Soul of the Dragon and Batman: Assault on Arkham. After I got some positive responses to my review for Assault on Arkham last week, I thought I would use this Throwback Thursday to highlight the incredibly awesome Batman: Under the Red Hood, which is probably my absolute favourite DC Comics inspired animated film.

Released in 2010, Under the Red Hood was an early entry in the DC Animated Originals Movies range, and it remains one of the best that they have ever done. Directed by Brandon Vietti and written by Judd Winick, this film is an adaptation of the iconic Batman comics storyline Under the Hood, which was also written by Winick. Not only does this film contain an excellent story that does an amazing job capturing the original comic but it also features an all-star voice cast and some excellent animation, resulting in a dark and exciting film that is also rich in emotion and tragedy.

Years ago, Batman suffered the greatest defeat in his entire crime-fighting career when the Joker did the unthinkable by brutally killing his sidekick, Jason Todd, the second Robin. Despite this terrible loss, Batman left the Joker alive and continued his non-lethal mission for justice, fighting from the shadows to save Gotham City from its criminal element.

In the present, Gotham is controlled by the ruthless crime boss, Black Mask, who has managed to take over the entire criminal underworld. But a new player in town, the mysterious Red Hood, is making moves to disrupt Black Mask’s interests and take control of the city. With some incredible skills, brilliant manoeuvring and intense violence, Red Hood soon becomes a major thorn in Black Mask’s side, taking parts of the city from him. At the same time, Red Hood has placed himself right in the path of Batman and his former sidekick, Nightwing, determined to test his abilities against those of the Dark Knight.

As Batman attempts to stop the latest wave of violence sweeping the city, he notices something disturbingly familiar about the Red Hood. His skills and training are too familiar, and even more shocking, he knows that Batman is Bruce Wayne. With Black Mask on the warpath, the mysterious Ra’s al Ghul watching from the shadows, and the Joker always a menacing presence in Arkham, Batman gets closer to finding out the terrible truth about who Red Hood truly is. But is he prepared for the darkness and tragedy he will find under the hood, or will the ghosts of his past finally push Batman over the edge?

Under the Red Hood is a dramatic, exciting, and overall tragic animated feature, which is brought together beautifully to produce an epic and powerful film, anchored by an exceptional narrative. The film starts in a very dark place, with a malicious and hilarious Joker brutally killing Robin just before Batman can save him. This perfectly sets the tone for the entire film, as the story advances to modern times and shows a new brutal crime war between the Black Mask and newcomer the Red Hood. At the same time, Batman becomes embroiled in their war, when he interrupts a ploy by the Red Hood to steal an Amazo superweapon. This leads to an action-packed middle section of the film, as Batman and Nightwing attempt to capture Red Hood, who is also dealing with assassins sent by Black Mask. After several impressive fight sequences, Batman learns the shocking truth about Red Hood’s identity (which is as a tad obvious, even for those unfamiliar with the comics), resulting in some extreme drama, as Batman is forced to confront the dangerous ghosts of his past. As Batman attempts to come to terms with his discovery, Red Hood forces his opponents to make some dramatic moves, which work into his plans. What follows is a fantastically powerful and intense final act, as Batman confronts Red Hood and finds out the tragic and touching reasons behind his motivations. What follows is emotional blow after emotional blow, as Batman, Red Hood and the Joker have their final confrontation. The aftermath of this is absolutely heartbreaking and will leave you breathless and utterly moved: “This doesn’t change anything; this doesn’t change anything at all!” This is an epic and exceptional narrative that I have so much love for.

Under the Red Hood serves as an exceptional adaptation of the Under the Hood Batman comic storyline, although as the film and the comic share the same writer, that’s pretty understandable. This film does a great job fitting all the key points of the comic into its 75-minute runtime, and you get the full enjoyable story, as well as some useful backstory, especially around Jason Todd’s death. This is mostly a pretty straight adaption, although there are a few noticeable changes designed to make the movie flow a little better. I think these changes work extremely well, and Winick adds several great new scenes into this film that make for a different and, in some ways, better experience than the comic source material. This is mainly because the Under the Hood comic was set amid several other ongoing Batman storylines, as well as the major crossover event, Infinite Crisis, which impacted Under the Hood’s overall narrative. As it would have been too confusing to include some of these elements in the film, their removal resulted in a few notable changes. While this did result in a few fun parts from the comics being removed, such as having the opponents in the Batman/Red Hood team-up fight change from members of the Secret Society of Supervillains, such as Captain Nazi and Count Vertigo, to a group of mechanised martial artists (it’s still a great fight though), some of the other changes worked really well. I loved the alterations to the Joker’s story, as it was clever to have the Red Hood orchestrate Joker’s release to kidnap him. It also results in some amazing scenes, including that great cell scene with Black Mask, and the fantastic scene with the truck on the bridge.

One disadvantage that I felt the film version had was that the big reveal over Red Hood’s identity is a lot less impactful. When the Under the Hood comic first came out, it was a major revelation and there were some great surprise elements to it. However, by the time the film came out, every comic fan knew who Red Hood really was, so that really cut down on the surprise factor of the reveal. In addition, even if you were unfamiliar with the Under the Hood comic, the Jason Todd death scene at the start of the film ensured that most viewers would be easily able to figure out this twist as soon as the mysterious Red Hood appeared. This was kind of unavoidable though, as the rest of the film wouldn’t have made sense without the establishing scene. I did think that the reason behind Robin’s resurrection was handled a lot better in the film. The original story, in which he is brought back to life due to Superboy-Prime punching a dimensional barrier, never really worked for me, so having it purely be the result of a Lazarus Pit resurrection was a lot neater and simpler (well, as simple as a magical resurrection pit can be). Overall, I think that Under the Red Hood proved to be a really good adaption of the original comic, and in many ways I felt that in enhanced the source material while also compensating for the changed canons.

I am always deeply impressed by the fantastic and well-crafted animation of Under the Red Hood. This entire film features a constant stream of beautiful and amazing sequences that are an absolute joy to behold. The action is seamless throughout, and the creative team make sure to feature several sequences that show off the various skills of the main characters, while also bringing some iconic scenes from the comics to life. I really must call out the two excellent extended chase sequences, as Red Hood flees from Batman and Nightwing. These scenes are full of excitement and major moments, and the fantastic running sequences, equipped with all the players using their various gadgets and tricks, are so cool, and they are just animated perfectly. However, these chase scenes pale in comparison to some of the epic fight sequences featured throughout the film. While I do deeply enjoy the Amazo fight sequences at the start of the film, which expertly highlights the way Batman and Nightwing work together as a team, the best ones are the two fights involving Batman and Red Hood. The first of these, which sees the two former partners team up against the anime-inspired team of assassins, the Fearsome Hand of Four, is so deeply cool, especially as the amazingly drawn martial arts techniques are beautifully paired with the over-the-top gadgets (one guy gets thrown through the air with explosives several times). The animators save the best for last, with a brutal brawl between Batman and Red Hood near the end of the film. This impressive and dramatic fight sequence is teased throughout the entire film, and when it goes down it does not disappoint. The two heroes go to war with each other, each of them bringing lethal fighting abilities and an entire arsenal of toys and gadgets against each other for some incredible action. The fight goes from the alley where the two first met, to the rooftops, all the way to a dilapidated apartment bathroom, where bodies are brutally thrown through fixtures and walls. There is so much intensity in this sequence, and the animators outdid themselves bringing this major and spectacular fight to the screen. You will be so impressed by this terrific animation.

You cannot talk about Under the Red Hood without out mentioning the incredible collection of characters and the outstanding voice cast that perfectly portrayed each of them. Unsurprisingly for a Batman film, the cast is anchored by the Dark Knight himself, who is voiced by the talented Bruce Greenwood. This is a great portrayal of Batman and the writer really captured the complexities of the veteran version of this superhero. This Batman has been fighting crime for a very long time, and has been struck by tragedy after tragedy, especially the death of Jason Todd. This comes into play throughout the film, and there are some major emotional moments, especially in the final climatic scene with the Red Hood. Watching this film, it is impossible not to see Batman as a tragic figure, always destined to experience heartbreak and trauma as the result of his relentless crusade. I did love the amazing animation featured around Batman’s various fight scenes, and it contrasts nicely with some of the other characters, such as Red Hood, with more of a focus on his experience and placing the right move at the right time. I also really enjoyed Bruce Greenwood’s portrayal of Batman, who brings a gruff and determined depiction of the character which really works. Greenwood delivers several great dialogue sequences which show the depth and complexity of this iconic character, and I had a fantastic time following him in this film.

Another major character is the character of Jason Todd/Red Hood (I would add a spoiler alert, but after all these years it’s kind of redundant), voiced by Jensen Ackles. The Red Hood featured in this film is an amazing and outstanding version of the character, and you run the entire emotional gambit with him. I loved the fantastic and clever introduction of the character, where he manages to take over a large criminal organisation with just a bag and a machine gun. This evolves into a very fun game of cat and mouse between Red Hood and Batman, while he also works to take over from Black Mask. The eventual reveal about Red Hood works extremely well: “You haven’t lost your touch, Bruce,” and I loved the various chase scenes between the two, as well as their joint fight sequence against the Fearsome Hand of Four. All this perfectly leads up to the great final confrontation with Batman, with a big elaborate fight scene and that extremely dramatic sequence opposite Batman. Ackles adds some real cockiness to the character, and his various interactions with the supporting characters are pretty funny and really fun. However, it is his sequences with Batman that are the best, as Ackles adds all the appropriate drama of a murdered child when encountering his former mentor. The revelation of Red Hood’s motive is deeply captivating, and the entire scene where he, Batman and the Joker are reunited is so very tense and powerful. You also have to love how the final scene in the film features the younger version of Robin on his first night of crime-fighting, as his innocence and childlike joy at being a hero stands in such contrast to his eventual fate: “This is the best day of my life.” This is an outstanding portrayal of one of the most complex characters in the DC canon.

I also really must highlight the incredible version of the Joker that is featured in this film, who is voiced by the always entertaining John DiMaggio. This is a great interpretation of the Joker, and you get to see just how vicious and ruthless he can be. I love how the writers and actor did a great job capturing his insane mentality when it comes to the Batman, especially as his greatest ambition is to drive Batman insane enough to kill him. I was honestly surprised at how awesome John DiMaggio was in this role, especially as the purely evil Joker is very different from the comedic characters he is best known for portraying. However, he brings some very excellent menace to this character, and while there are a lot of humorous undertones to his actions, the sheer insanity and joy he has at other people’s suffering is more than evident. Joker has some incredible scenes throughout this movie, which DiMaggio really enhances with his unique take on the character. The opening sequence in which he beats Jason Todd half to death with a crowbar is pretty dark, despite the constant jokes, and his later confrontation with Batman in Arkham really captures his overall insanity. However, his best sequences occur later in the film. The first of these is the cell scene with Black Mask, where he accepts a job offer in the most boss way possible (never hand the Joker a cup of any variety). The follow sequence on the bridge, where he attempts to draw the Red Hood out with a truck, some guys and some gasoline is really great, especially when it is revealed that the Black Mask is also amongst his hostages. However, DiMaggio shines best in the final sequence where Batman and Red Hood finally have their dramatic showdown with the Joker in the middle. The Joker revels in all the drama and emotion in the room, especially when Red Hood attempts to force Batman to kill Joker: “This is turning out even better than I hoped!” The final bit of the confrontation where Joker, realising that Red Hood’s bomb will kill them all, joyfully attempts stop Batman, “This is perfect…. I’m the only one who’s going to get what they want tonight,” really captures the character’s chaotic mentality and is a great conclusion to his story arc.

The other major character in the film is Nightwing, former Robin Dick Grayson, who is portrayed by the legendary Neil Patrick Harris. Mostly featured in the first half of the film, Nightwing serves as the traditional sidekick role, bringing a lighter comedic role to the dynamic duo and playing off the ultra-serious Batman perfectly. I loved the fantastic coordination in the action sequences between these two, and the animators do an outstanding job showing how their fighting styles complement each other and they instantly know what the other one is doing. Harris’s voice work is great, hyping up the characters comedic, banter-laden fight style, and while it didn’t fit as well as some other versions of Nightwing I have seen, this was still a pretty epic bit of casting.

Aside from these above four main characters, I deeply appreciated Jason Issacs and Wade Williams as Ra’s al Ghul and Black Mask respectfully. Issacs does an outstanding job bringing the enigmatic and ruthless al Ghul to life, and it was great to see the respect and personal code this version of the character has, especially once his actions result in Jason Todd’s death. Williams’s unhinged version of Black Mask is also incredibly good, and I loved the ultra-anger he brings to the role, especially as he slowly becomes more and more targeted by Red Hood and Batman. His reactions to the crazy antics of the other characters is pretty fun, and you’ve got to love the look on his face when he sees Red Hood targeting him with a giant rocket launcher. I also want to call out Kelly Hu as Black Mask’s assistant, Ms Li, a gender-swapped version of the assistant character in the comic. Ms Li serves a pretty cool counterpart to Black Mask and is a constant calm presence in his chaotic administration, barely batting an eye at any of his angry or violent outbursts. These great supporting characters compliment the main cast perfectly, and I felt the film’s entire collection of characters and actors helped to turn Under the Red Hood into something incredibly special.

While there have been some incredible DC animated movies out there, none have eclipsed the exceptional and awesome Batman: Under the Red Hood. Featuring an impressive adaption of an iconic and cool comic story arc, this amazing film contains a fantastic narrative loaded with action, excitement, and intensity, as the characters engage in a dramatic and tragic battle. With a perfect voice cast and some outstanding animation, Under the Red Hood is a must-watch animated film that I have seen and deeply enjoyed so many times. An easy five-star watch that is highly recommended; if you love Batman, you need to see this film.

The Mask of Mirrors by M. A. Carrick

On July 27, 2021August 15, 2022 By The Unseen LibraryIn Audiobook, Fantasy, LGBT+7 Comments

The Mask of Mirrors Cover

Publisher: Orbit (Audiobook – 19 January 2021)

Series: Rook & Rose – Book One

Length: 23 hours and 13 minutes

My Rating: 4.5 out of 5 stars

Magic and masquerade combine into one of the most creative fantasy releases from the first half of 2021 with The Mask of Mirrors by M. A. Carrick, the first book in the Rook & Rose trilogy.

The Mask of Mirrors was a fantastic novel that caught a lot of buzz earlier in the year. This book was written by M. A. Carrick, the joint pen name of Marie Brennan and Alyc Helms, two established fantasy authors who are teaming together for their first novel. This debut novel was pretty impressive and the two talented authors ended up producing an exciting and complex fantasy tale that sees a young con artist attempt to change her fate.

Welcome to Nadežra, a city of iniquity and greed that forms the gateway between two warring cultures. Many people call Nadežra home, although few truly prosper, with only the great noble houses and their supporters gaining any true wealth. However, one young woman is about to change everything. Ren is a former street rat of Nadežra who escaped the city years ago to seek her fortune. Returning after several years, Ren has taken on an entirely new persona: Renata Viraudax, a mysterious and seemingly wealthy noblewoman from the capital, come calling on her long-lost relatives. Ren hopes to con her way into the once great noble family of House Traementis and use their name and legacy to make her fortune and ensure a comfortable life for herself and her sister. But as she begins to worm her way into the family, she soon finds that the life of a noble in Nadežra is far more complex than she ever imagined.

Despite their noble standing, House Traementis is in poor shape, and if Ren is going to make money off them, she first needs to ensure their success. However, a powerful rival family is seeking to destroy House Traementis, and they will do anything in their power to get their way. Forced to work with criminals and shadows to achieve her goal, Ren will find just how ugly the glittering nobles of Nadežra can be. Unbeknownst to Ren, a far more insidious presence is lurking within the city, killing children and unleashing corrupt magic for their own goals. Worse, this evil has a deadly connection to Ren’s past and wants to use her to destroy everything she holds dear. Can Ren overcome this evil while maintaining her cover, or will the nobility of Nadežra eat her whole?

This was an extremely captivating first outing from this new writing team, and I deeply enjoyed the cool and compelling story that they came up with. The Mask of Mirrors is a complex tale that expertly combines intriguing and clever fantasy elements with a thrilling confidence trick, as the protagonist attempts to work her way into high society. Of course, nothing works out that simply, as the protagonist soon finds herself embroiled in all manner of scandals, plots and deadly feuds, producing an excellent story.

While I did enjoy the overall narrative, the book did start off a little slow and it took me a while to get really excited about it. I personally only got hooked when the character of the Rook was added in. The Rook is a mysterious, Zorro-esque (perhaps more Tuxedo Mask than Zorro) character who haunts the streets of Nadežra, fighting oppression and tyranny while thumbing his nose at authority. Following a great duel sequence, the mystery of the Rook’s identity becomes a major part of the plot, and I found myself really getting into this and the other interesting storylines. The rest of the novel flows at a fantastic pace, especially after the authors set up so many fascinating and compelling plot points at the start of the book that slowly come to fruition. There are some amazing moments throughout the novel, and I was really impressed by a particularly tragic moment that occurred around two-thirds of the way through, which was shocking and surprising. The entire narrative comes together in an excellent conclusion, providing a satisfying and moving ending, while also setting up some excellent moments for the next two entries in the series. I did think that the novel could maybe have benefited from either finishing at the big moment I mentioned above, or by trimming around 100 pages out of the middle of the book. Some of the twists at the end of The Mask of Mirrors were also a little predictable, especially around the identity of the antagonists (it literally could not have been anyone else). However, I think that the eventual reveal about who was under the Rook mask was handled beautifully, and I honestly did not know which direction they were going to go in for much of the plot. I had a really amazing time getting through this story, and I look forward to seeing how these two talented authors continue it in the next two entries in the series.

The Mask of Mirrors contains a fantastic collection of characters who offer up a range of different perspectives and vantage points to tell a massive and complete narrative. The authors behind this book spent a lot of time building up the various characters, ensuring that they had intriguing and tragic backstories, which leads to some fantastic development throughout the course of the novel and the entire series. The most prominent character is Ren, a former local who attempts to pull off and ambitious con. Ren is a confident, talented, haunted figure, who experienced great tragedy at an early age and is still trying to pull herself together. She is forced to return to the city that she fled from years before to achieve greatness and make money and ends up connecting to her heritage as well as being forced to relive her greatest mistakes and traumas. I loved the fantastic storylines surrounding Ren, and she proves to be quite a complex character. Rather than being obsessed with money and dislike of the noble class in Nadežra, Ren grows to care for her marks and works to save them and the entire city when the antagonist makes their move. Ren proves to be an exceptional central character to follow, especially as she provides the most insight into one of the main magical disciplines featured in the book, and it will be very interesting to see how her storyline continues later in the series, especially after she gains a mask of her own.

Other great characters contained within this novel include ruthless rising crime boss Derossi Vargo, a man with great ambition who is willing to risk anything and anyone to achieve his goal. Vargo, a seemingly self-made man, proves to be one of the most entertaining and enthralling figures in the entire novel, and I deeply enjoyed seeing him work with Ren while enhancing his own plans. It looks like Carrick has some major plans for Vargo, and he could be an amazing overarching antagonistic figure. Another excellent character is Grey Serrado, a police officer and friend of the Traementis who finds himself investigating some of the major activities occurring the city. Grey is a conflicted and damaged character, constantly torn between his duty as an officer and his heritage. He goes through some major events throughout this novel and looks set to be a major figure throughout the rest of the series. I also enjoyed Ren’s adopted siblings Tess and Sedge, who act as fantastic supporting figures to Ren and her plans. Carrick develops them quite nicely and they prove to be entertaining figures who have a long and caring relationship with Ren. I also appreciated the focus on the members of House Traementis, the people that Ren is trying to con. The Traementis are a once great house who have fallen on hard times and are slowly falling into oblivion due to a rumoured curse. While you initially aren’t too concerned with these characters, due to their status as patsies, the three surviving members swiftly grow on you, enough that you eventually start to judge Ren’s continued attempts to con them. Finally, I have to say that the masked Rook was a particularly awesome character, and I deeply loved his inclusion in the plot. It was so much fun trying to figure out who he was, and the authors utilised him to perfection to create an outstanding narrative.

You cannot talk about The Mask of Mirrors without discussing the complex and distinctive setting that is the city of Nadežra. Nadežra is a sprawling, independent city state resting on a delta, filled with palaces, slums, massive buildings and all manner of different people. Due to its unique history, Nadežra is home to several distinct ethnic groups, the local Vraszenians underclass and the Liganti upper class. The two ethnic groups are opposites, and there is substantial friction between them, especially as the Vraszenians feel like second-class citizens in their own historical city. While most of the novel shows the two groups living mostly in harmony, the lingering tension between the two groups becomes a major plot point as the novel, and I think that the authors did an outstanding job highlighting this and using it as part of the story. Carrick provides detailed explorations of the different cultures between the two groups, and it was interesting to see how it partially paralleled some real-life political situations. It was also quite interesting to see that, despite the cultural differences and clashes, Nadežra proves to extremely woke and tolerant when it comes to issues of gender and LGTB+ issues. Not only are there several prominent female figures within the city but there also several homosexual, nonbinary and transgender characters. I love the way in which most modern fantasy novels are featuring more and more of these aspects in their settings, and this was a great example of that. The city of Nadežra proves to be a very magical place, and there is so much detail, backstory and culture contained within that the reader will feel like they are actually walking the streets.

Carrick also comes up with several distinctive forms of magic, which are as diverse and different as the various cultures contained within the city. There are three major forms of magic shown in the book, although I had to say that I found all three of them to be a little less dramatic than you would expect in a fantasy book. The first one of these is numinata, which is sort of a combination of geometry and astronomy, often using complex glyphs or geometric patterns. Numinata is generally used by the Liganti and is considered a more cultured and precise form of magic. The Vraszenian magic, on the other hand, is based on patterns and dreams, and is mostly shown through the protagonist’s pattern reading, a form of tarot card reading which gives glimpses into the past, the present and the future. The final form of magic is imbuing, which allows the user to put a little bit of their essence into an item or product to enhance its effect. All three magics are featured fairly prominently within The Mask of Mirrors and prove to give the novel a unique feel, while also highlighting the cultural and social differences between the ethnic groups. While I did think that much of the magic was a little undefined in the novel, it becomes a key part of the plot, and it was interesting to see how the combination of magics could create some nightmarish results. Overall, I deeply enjoyed the extraordinary and detailed setting that Carrick came up for The Mask of Mirrors and I found myself getting really lost in its spectacle and details. While I would have preferred just a little more info about the universe’s magical rules, I felt that Carrick did a wonderful job pulling this together, and it was a definite highlight of this great book.

I ended up listening to the audiobook version of The Mask of Mirrors, narrated by Nikki Massoud, who has done several interesting audiobooks in the last year. While this is a pretty long audiobook (at 23 hours and 13 minutes, it is the 17^th longest audiobook I have ever listened to) I am actually incredibly glad that I ended up checking out the audiobook format of this book. The complex narrative and immensely detailed setting really came to life, and I found myself absorbing a whole lot more of the story and the beauty of the background. However, the real advantage of this format was the outstanding narration by Massoud. Massoud did an exquisite job portraying the various characters featured within The Mask of Mirrors, capturing each figure perfectly and providing them with an outstanding and wildly fitting voice. To achieve this, Massoud utilises a wide array of different voices and accents, which really help you differentiate the various characters, and which help to show their nationality or social status. I was particularly impressed at how Massoud was able to showcase the various personas of the main character, Ren. This was achieved by seamlessly changing accents depending on which character Ren was playing at the time. For example, when Ren was with her sister or pretending to be a local, Massoud would use the rougher, more exotic accent that all the Vraszenian characters have. However, when the character changed back into the persona of Alta Renata, her voice would become a lot more cultured, mimicking the nobility. This seamless change between the various voices was perfectly done, and I really appreciated the narrator’s determination to capture the separate halves of the character. This was some truly impressive voice work, and I think that listening to the audiobook format ended up adding to my overall rating for the novel.

The Mask of Mirrors by M. A. Carrick is an outstanding and moving fantasy novel that I had a wonderful time reading. Featuring an excellent narrative, some complex characters and a detailed and memorable fantasy setting, this debut novel from the writing team of Marie Brennan and Alyc Helms was an immense amount of fun and I really got into this fantastic story. The Rook & Rose trilogy looks set to a spectacular series and I am quite excited to see how all the books turn out. The next entry, The Liar’s Knot, is set for release in December, and I look forward to continuing this great series into the New Year.