Throwback Thursday – Moving Pictures by Terry Pratchett

Moving PIcture Cover.jpg

Publishers: Corgi and ISIS Audiobooks (14 November 1991)

Series: Discworld – Book 10

Length: 332 pages or 10 hours and 8 minutes

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Because my blog shares the name of a building featured in Terry Pratchett’s Discworld series, some people might have assumed that I am a fan.  You would be right, so very, very right.  I have loved Discworld since I was a small child, and my appreciation and respect for the complex writings of the late, great genius, Sir Terry Pratchett, has grown with me.  The Discworld series represents one of my ultimate comfort series of books.  It’s the series that I go back to at any time when I want something fun and familiar to enjoy.  I have read all of the adult books set in Discworld multiple times (I have yet to read all of the young adult ones), and it is an unusual year when I do not listen or read some of these books in my spare time.  Pretty much every single book in this series deserves five out of five stars or higher (with one or two exceptions that I may mark down to a 4.75 with a heavy, heavy heart), and you are unlikely to find any real criticisms about this book below.  After nearly a year of running this blog, the continued exclusion of a review of any of Pratchett’s Discworld is a travesty, and one that I seek to rectify in this somewhat late Throwback Thursday with a review of the 10th book in the series, Moving Pictures.

Before I review Moving Pictures, here is some quick context of the Discworld series for those people unfamiliar with these books.  Discworld is the main series of Sir Terry Pratchett, set upon the Discworld, world and mirror of worlds.  The Discworld, or the Disc, is a flat world that rests on the backs of four massive elephants, who themselves stand on the back of a gigantic turtle swimming in space, Great A’Tuin.  The Discworld itself features a huge range of different nations and continents that bear striking similarities to real-world locations.  This series is, without a doubt, the best series that utilises a combination of fantasy and satire in the entire world.  The seamless blend of the two elements is just incredible, and both elements do an unbelievable job at enhancing each other.  Before his death, Pratchett wrote 41 books in the Discworld series, six of which are considered young adult books.  While the books can be read in any real order, the series were mostly written in chronological order (with the exception of Small Gods), and events from earlier books in the series are often referenced.  Although most of the Discworld stories are self-contained, a number of the books are linked together by a recurring main character and are subsequently grouped together into subseries.  These include the Rincewind, Witches, City Watch, Death, Tiffany Arching and Moist von Lipwig subseries, in addition to a few standalone books that fall outside of any of the subseries.  Characters often appear in other Discworld books outside of their subseries, and there are a string of side or secondary characters who appear in multiple subseries and standalone books.

The book I am reviewing, Moving Pictures, is a standalone book that does not really fall within any of the main subseries.  It is sometimes considered part of minor subseries, called the Industrial Revolution subseries, with The Truth and Monstrous Regiment, but I am not a big fan of that distinction.  As it is the first Discworld book I am reviewing, you might think that it is my favourite book in the entire series, which is not true; although it does get five out of five stars from me and I have enjoyed it an amazing number of times, it is not my absolute favourite Discworld book, although it is high on the list.  It is, however, an easier one for me to review as there is a lot I can say about it.

Goodreads Synopsis:

‘Holy wood is a different sort of place. People act differently here. Everywhere else the most important things are gods or money or cattle. Here, the most important thing is to be important.’

People might say that reality is a quality that things possess in the same way that they possess weight. Sadly alchemists never really held with such a quaint notion. They think that they can change reality, shape it to their own purpose. Imagine then the damage that could be wrought if they get their hands on the ultimate alchemy: the invention of motion pictures, the greatest making of illusions. It may be a triumph of universe-shaking proportions. It’s either that or they’re about to unlock the dark terrible secret of the Holy Wood hills – by mistake…

The blurb above is a bit vague on the details of what is actually happening in Moving Pictures.  Essentially, the alchemists of Ankh-Morpork, the largest city on the Discworld (and a central location for many of the books), suddenly develop filmmaking, which they call moving pictures, and set up a filming base at the ancient and abandoned Holy Wood.  The moving pictures issue a weird siren call to the inhabitants of the Discworld, dragging all manners of people and creatures from across the lands and infecting them with their magic (not a metaphor).

Among those drawn to Holy Wood are Victor Tugelbend, a former student wizard, and Theda “Ginger” Withel, a small-town girl with big dreams.  Thanks to the magical on-screen chemistry between them, Victor and Ginger quickly become the superstars of the fledgling moving pictures industry, especially when the Discworld’s most infamous salesman, Cut-Me-Own-Throat Dibbler, comes to town and takes over the studios.

However, reality on the Discworld is always a bit thin, and Lovecraftian monsters (a favourite recurring antagonist of Pratchett’s early Discworld novels) are revealed to be the ones who planted the idea of moving pictures and Holy Wood in the alchemists’ heads.  Using the new sort of magic created by Holy Wood, the creatures start to break through.  With the wizards of Unseen University, the people who are supposed to guard against these sorts of incursions, distracted by the arrival of an unconventional new Archchancellor, it is up to Victor, Ginger and a ragtag band of other Holy Wood characters to save the day.

This book has so many moving parts to it that it’s hard to know where to begin when reviewing it.  While the main story is concerned with the introduction of moving pictures into the Discworld, there are a number of other entertaining storylines going on throughout the book, each one complementing the main story and creating an amazing overall narrative.  The major appeal of this book is its sharp and intelligent satire of the movie business, which also examines the nature of a film industry in a world as crazy as the Discworld.  I also quite like all the amazing characters, either introduced or built up in this book, many of whom appear in later books in the series.

This book is absolutely hilarious and filled with a huge number of clever and outrageous jokes and observations about the film industry, all of which lie on top of Pratchett’s usual humour about day-to-day life in the Discworld and his random observations, many of which are perfectly introduced in the book’s footnotes.  The main storyline is an amazing portrayal of the hectic early days of the film industry, placed in a fantasy setting.  The cameras are powered by miniature demons (who paint the pictures really, really fast), the lighting is done by salamanders, actors of all species make up the cast, the audience eat ‘banged grains’ while watching the ‘clicks’ and the film’s monsters and villains are all trolls in crude costumes.  However, literal movie magic is making people do strange things (strange even for Discworld folk), talking animals are showing up looking for work, Dwarfs are singing “Hihohihohiho” as they work, characters routinely burst into song and dance in the rain, and one producer keeps threatening to turn people into stars, all while the book’s few straight-characters look on in bemusement.  All of this is amazing, and the sheer number of fantasy-assisted jokes throughout the book is pretty unbelievable.

At its heart, Moving Pictures is a satire and a critique about the film industry as a whole.  Quite a large amount of the story is dedicated to parodying the real-life the crazy effect that movies can have on audiences and the people who make them, as the book shows some ridiculous events.  The story also reflects the insubstantial nature of fame and the fragility of dreams surrounding the movie industry.  The fast-moving world of the film industry is also shown, although sped up even more for comedic and story value, as they film creators are constantly searching and finding new advancements in their field.  A great example of this is shown when Cut-My-Own-Throat Dibbler invents and then continually advances the art of advertisement, so that, within a few short weeks, the film industry goes from ineffective text advertisements to eye-catching posters and explorations of product placement and subliminal messages.  Pratchett handles these critiques very skilfully, and you cannot help but laugh aloud as he skewers the film industry quite cleverly throughout Moving Pictures.

Pratchett also filled Moving Pictures with a ton of references to iconic films and elements of the film industry.  Many of the characters involved with the films are caricatures of famous movie actors, with Victor playing all the typical romantic or manly male heroes of the day, and Ginger is essentially Marilyn Monroe.  Several films are parodied throughout the book, such as Gone With The Wind, which becomes Blown Away, an epic love story set around a famous Ankh-Morpork Civil War.  There is a rather good King Kong parody, in which a gigantic woman kidnaps a poor defenceless Ape (the Librarian) and drags him to the roof of the tallest tower in Ankh-Morpork, all while two wizards on a broomstick shoot at it with a crossbow, with one shouting “If it bleeds, we can kill it!”  That is only scratching the surface of the references featured within this book.  A golden figure with a name starting with O plays a big part in the story, the various studios are all parodies of real-life studios, and there a huge number of funny and subtle references to various famous films.  Examples of these include Wizard of Oz, Lassie, Lawrence of Arabia, Indiana Jones, Looney Tunes, Blues Brothers, Casablanca, Tarzan and Star Trek just to name a few.  Readers can go through this book multiple times and not pick up every detail, which is a testament to the cleverness of Pratchett and his ability to come up with some hilarious references.

I have always found the way that Pratchett utilises or re-uses his characters to be extremely fascinating; while some characters appear in multiple books, a number of his main characters, especially from his earlier books, are only used once. There are several examples of this, including Mort from Mort, Pteppic from Pyramids and Esk from Equal Rites (who did appear in a later young adult novel, but there was a significant time gap between the writing of these two books).  While Pratchett may have simply had only one story in mind for these characters, I have a feeling that he simply did not like how they turned out and decided not to use them again under any circumstances.  Mort is probably the best example of this.  Despite being the protagonist of the first Death subseries book Mort, he never appears in any of the Death subseries books again (aside from one brief flashback), and is instead replaced by his own daughter, Susan.  It is interesting to note that most of the main characters who were never or rarely used again are somewhat similar to each other, being young heroes without too many obvious flaws to them.  On the other hand, the unique main characters Pratchett creates with notable flaws, such as Rincewind, the wizard who has turned cowardice into an art form, or the overly cynical and dangerous alcoholic Sam Vimes, helm multiple books.

If I have to make one criticism about this book, it is the weak and somewhat inconsistent main characters, Victor and Ginger.  Ginger is a generic female character, and while she is a good parody of Marilyn Monroe and other early screen actresses, she is pretty one-dimensional and unlikeable.  Victor starts out with some very interesting character traits, as he is described as an extremely lazy person, whose unique brand of laziness forces him to become a brilliant student wizard in order for him to succeed in his quest to fail every test he ever takes by a certain point margin to ensure he remains a student.  However, these character traits are pretty much thrown out the window a few chapters in and he becomes a typical male hero for the rest of the book.  While this sort of straight-man character was needed for this wacky adventure, it is surprising that the character never again really shows the slightest hint of some of these earlier established character traits.  It is interesting to note that neither Victor or Ginger appear in any of the subsequent Discworld novels, so I think there is a strong possibility that Pratchett might also have disliked how these characters turned out.

While one or two of his earlier main characters were somewhat unimpressive, Pratchett always managed to make up for this by creating a range of memorable and enjoyable side characters.  It was always interesting to see which of these side characters would appear in various later books, as you knew Pratchett had to like them as well.  For example, Granny Weatherwax was a supporting character in Equal Rites, but Pratchett must have liked writing her, as she became a major character in the Discworld series, even getting her own subseries with several other witch characters.  Moving Pictures is perhaps the best example of Pratchett’s love of side characters; while Victor and Ginger never appear in the Discworld again, many of the side characters introduced or developed in this book have major roles later in the series.

For example, I was always impressed with how this book turned two minor characters from Guards! Guards!, Cut-Me-Own-Throat Dibbler and Detritus the troll, and gave them more expanded roles in Moving Pictures.  Dibbler was an opportunistic merchant who got a couple of good, if minor, scenes in Guards! Guards!, but in Moving Pictures, Pratchett transformed him into a ruthless and extremely savvy salesman who gets in the front door of every major new opportunity inflicted on the Discworld, but is often forced by circumstances back to becoming a sausage-in-a-bun merchant.  Dibbler was absolutely fantastic as the stereotypical sleazy film producer, and it is unsurprising why he suddenly became a major recurring character throughout the Discworld books, not only appearing in nearly every book set in Ankh-Morpork but also having clones of him appear in the other nations and cities, all of whom sell disgusting local delicacies.  Detritus is another great example, as he goes from the simple bouncer introduced in previous books to a troll seeking love and a new way of life.  Pratchett comes up with a great personality for Detritus in this book, and it carries through to the City Watch subseries when he joins the Watch in Men at Arms and becomes a major recurring character in this subseries and other books set around Ankh-Morpork.  Other recurring characters, Death and the Librarian, are as awesome as ever, but Dibbler and Detritus are the real standout stars of this book.

Several new characters introduced in this story also make a number of reappearances throughout the rest of the Discworld series.  A good example of this is the talking dog, Gaspode, who is a fantastic and sarcastic character through the book.  He has some great scenes, with the highlight being his friendship with Laddie, a Lassie parody and idiot who Gaspode takes under his wing.  The idea of a clever, underappreciated and sarcastic talking dog side character apparently worked so well that Pratchett found a way to return his magical intelligence and ability to speak a few books later in Men at Arms (the same book Detritus reappeared in) and he then featured in several additional books.

You also have to love the new wizard characters that Pratchett also created for this book.  Before Moving Pictures, the faculty of Unseen University, with the exception of the Librarian and Rincewind, were replaced each book with a new group of senior wizards, thanks to the competitive nature of succession in the university.  However, this 10th book introduces a brand new and more permanent faculty of Unseen University, led by Archchancellor Mustrum Ridcully.  Ridcully is a fantastic character as he is big, loud and sporty man who is generally the complete opposite to any other wizard previously shown in the Discworld series.  I really enjoyed his storyline and found it to be one of the most entertaining in the entire book.  Pratchett must have agreed, as Ridcully became the only recurring Archchancellor in the Discworld series.  This also allowed for the creation and stabilisation of unique characters to make up the senior faculty of Unseen University, including the Bursar, the Dean, the Chair of Indefinite Studies and the Lecturer in Recent Runes.  While the other wizards have a fun romp breaking out to go see the moving pictures, the Bursar has a great story, as you get to see the first signs of madness that would afflict him throughout every other book he appears in, as he first encounters the stress associated with working under Ridcully.  I also liked the introduction of a young Ponder Stibbons, whose bad day while trying to escape from the university is pretty humorous, but also the complete departure from his later role as the only serious member of the faculty.  Thanks to their entertaining storylines, the wizards would appear in multiple books in the rest of the Discworld series, and while they never had their own specific subseries, they would get major inclusions in several other subseries, including substantial stories in The Last Continent, Soul Music, Lords and Ladies and The Hogfather, as well as their own novel, Unseen Academics.

While I have physically read most of the books in the Discworld series, including Moving Pictures, these days I tend to only listen to the audiobook formats of these books.  The Discworld audiobooks are pretty awesome, and the two narrators for the series, Nigel Planer and Stephen Briggs, both do an incredible job.  I find that the humour in the Discworld novels is massively enhanced by the narration, and I love listening to the stories this way.  At 10 hours and 8 minutes, this is not a long audiobook, and I always tend to power through these books really, really quickly.  Planer is a comedy veteran and has an awesome audiobook voice, and it is quite impressive the sheer range of different and distinctive voices he can come up with.  I also like his incredible consistency when it comes the multiple books in the Discworld series; for example, voices he creates for Moving Pictures are generally the same used for that character in later books he narrated.  The audiobook format of Moving Pictures is my preferred way to enjoy this book, and it is really worth trying out.

As you can see from my extremely long rant above, I absolutely love Moving Pictures and the Discworld series.  Pratchett created an incredibly complex and extremely funny novel that laughs right at the heart of the film industry.  The sheer range of references in this book is amazing, and the creation and enhancing of the various side characters featured in this book has massive ramifications for many of the later Discworld novels.  If you have yet to experience the joy of Terry Pratchett’s Discworld series, get on it as soon as you can.  It is well worth it, and Moving Pictures is a great place to start your Pratchett adventure.  I fully intend to review more books in this series in the future.

The Secret Runners of New York by Matthew Reilly

The Secret Runners of New York Cover

Publisher: Pan Macmillan Australia (Trade Paperback Format – 26 March 2019)

Series: Standalone/Book 1

Length: 328 pages

My Rating: 4.5 out of 5 stars

The end of the world has nothing on the horrors of high school in this fast-paced and widely entertaining new book from bestselling Australian author Matthew Reilly.

When Skye Rogers and her twin brother, Red, are forced to move to New York city, they are enrolled in the prestigious The Monmouth School, learning institute of choice for the city’s ultra-wealthy and social elite.  Even among the children of the rich and powerful there exists a well-established hierarchy, and in The Monmouth School, the top of the social ladder are the friends and cronies of the Collins sisters, Misty and Chastity.  Despite only wanting a quiet existence in her new school, Skye finds herself drawn into their orbit against her better judgement.

Skye soon discovers that hanging out with the Collins sisters is very different from the usual high school cliques.  The social group is probably the most exclusive in New York, and it comes with certain privileges.  Thanks to an ancient family secret, the Collins sisters are able to activate an ancient tunnel beneath Central Park that allows teenagers to run through an alternate version of New York: a post-apocalyptic nightmare littered with ruined buildings and filled with crazed survivors.

When Skye and her fellow runners find evidence that the New York they are visiting is actually a future version of their own timeline, they need to find a way to come to terms with the end of the world, especially as the apocalypse appears to be only days away.  As society starts to crumble and the poor rise up against the rich, Skye tries to find a way to use her knowledge of the future to save everyone she loves.  However, Skye is about to learn that her new friends are far more concerned with revenge and are planning to use the end of the world to take her down.

Matthew Reilly is a veteran author of weird and electrifying fiction, having written a number of intriguing books in the last 20 years, many of which fall within the techno-thriller or science fiction genres.  In addition to a number of fun sounding standalone novels, Reilly has also published two substantial series, the Shane Schofield series and the Jack West Jr series.  Matthew Reilly is one of those authors that I have been meaning to check out for some time, as a number of his novels sound absolutely bonkers and really creative.  I am particularly drawn to his 2014 release, The Great Zoo of China, which essentially sounds like Jurassic Park with dragons; his 2013 historical thriller The Tournament; and the books in the Jack West Jr series, which features secret organisations fighting for control of ancient artefacts with world-and universe-ending potential.

I was therefore very excited to get an advanced copy of The Secret Runners of New York, due to its intriguing time travel and armageddon concepts.  I actually really enjoyed The Secret Runners of New York and had a lot of fun reading it.  The book features a surprisingly entertaining use of over-the-top high school drama that actually combines really well with the interesting science fiction elements mentioned above.  The result is an unpredictable and amusing overall story that I had a very hard time putting down and which I powered through in very short order.

The book revolves around the students at The Monmouth School (you have to say the “The”; it’s that type of place), New York’s premier high school for the rich and snooty.  Please remind me to never send any of my theoretical children to any school thought up by Reilly, as the author creates a learning institution that is essentially a viper’s nest of bitchiness, enforced social hierarchy and petty revenge, all of which is enhanced by the fact that the characters are all ultra-rich or have massive superiority complexes.  The quote below from main character Skye, one of the few well-adjusted characters in the book, shows her experiences within the first few minutes at The Monmouth School:

“In the space of a few minutes I’d seen a taunt about sluttiness, a threatened punch to the uterus, some humble bragging by the Head Girl about the school’s social status and a dose of good old-fashioned mean-girl passive aggressiveness from Misty.  School, I reflected sadly, was school no matter how high the tuition fees were.”

I have to admit I did find Reilly’s portrayal of most of the rich teenage girls in this book to be a tad extreme and unrealistic (yes, in a book featuring time travel, that’s what I am finding unrealistic).  I have never been and never will be a teenage girl, but I hope that teenage girls in high school couldn’t possibly be as petty and vicious as the girls portrayed within this book, even if they are the daughters of the uber-privileged.  That being said, I found this over-the-top viewpoint of high school life to be extremely entertaining and it was a fantastic element throughout the book.  Watching the level-headed and somewhat cynical protagonist have to deal with this insanity was a lot of fun, especially when you would imagine most people would be more concerned with the end of the world than with who made out with which guy.  An unbelievably amusing part of the story, these high school elements are great, just try and avoid thinking about it too much.

In addition to the look at the mean girls of high school, I did quite enjoy Reilly’s critique of the ultra-rich and powerful in New York City.  The protagonist finds herself drawn into the world of debutant balls, society politics and the other classy responsibilities of being rich in New York.  Again, this is an interesting part of the story, and the rich characters with their extravagant lifestyles do offer a nice disconnect from reality.  I liked Reilly’s examination of how the rich would be targeted during apocalyptic events such as the one portrayed within this book, and it played nicely into some of the current protests and perceptions of the 1%.  it’s another glorious over-the-top element for this book that provides the reader with a lot of entertainment and a real dislike of most of the privileged characters.

The science fiction parts of this book are incredibly well done and are an excellent part of this book.  Not only is there a devastating cosmic storm that will wipe out most of humanity in hours, but there is an unrelated magical tunnel that the protagonists can use to visit the future.  Reilly does an amazing job creating a devastating and crazy post-apocalyptic New York City for the readers to explore.  I was really impressed with all the brutal descriptions of how the city was in ruins and had been dramatically reclaimed by nature as the infrastructure falls into disrepair, and the whole thing is an amazing setting that Reilly uses to full effect.  I really liked how the author uses the time travel elements within the book.  Watching the protagonists slowly work out that this world is a future version of their own timeline is amazing, and it was great seeing them see all the testimonials and letters from their families describing the events that are yet to happen in their future.  The various time travelling shenanigans used by both the protagonists and antagonists of this book helped enhance this already exciting story, and I loved the way that the characters are able to see the consequences of their actions in both timelines before they actually happen.

The author has also utilised some eye-catching visual elements throughout the book to enhance the story being told.  There are a number of maps used to show the key locations of the book, and there are even a couple of diagrams used to explain the potential time travel issues in this book.  I personally liked the way that the font changed to signify the characters going into a different timeline and thought it was a nice touch.  A range of other text techniques are used to signify angry or desperate messages on different locations, such as walls or the entirety of buildings, often conveying the emotion behind these messages.  All these visual treats are great, and they really make this book stand out.

The Secret Runners of New York is currently being marketed to the teen and young adult audiences, but this book is really on the edge of what young adult fiction is.  While it is focused on teenage characters in high school, there are a significant number of very adult inclusions throughout the book.  It is interesting to note that in an interview at the back of the book, Reilly himself indicates that he does not see this story as being as a piece of young adult fiction, and I think that is shown in the way that he wrote this over-the-top story.  There is a high level of violence, drug use, coarse language and sexual references featured throughout this book, and as a result, I would say it is not really appropriate for the younger audiences and is probably more suited for older teenage readers.  This is definitely one of those young adult marketed books that adult readers can really enjoy, and there is no upper limit on enjoying this crazy tale.

This was an incredibly entertaining and captivating book that I had a lot of fun with.  Matthew Reilly pulls no punches when it comes to portraying the book’s petty and vicious teenage rich girl antagonists, which turns an already intriguing science fiction book into a wild thrill ride of revenge, betrayal and insanity.  I have to say that I quite enjoyed my first taste of Matthew Reilly’s writing and I am extremely keen to check out some of his other works in the future.  At the moment The Secret Runners of New York is a standalone book, although the author leaves a number of storylines open for sequels or prequels, and I would be interested to see where he takes the story next.

Lies Sleeping by Ben Aaronovitch

Lies Sleeping Cover.jpg

Publishers: Gollancz and Orion Audio (Audiobook format – 15 November 2018)

Series: Rivers of London – Book 7

Length: 10 hours 25 minutes

My Rating: 5 out of 5 stars

Prepare to dive headfirst into one of the best urban fantasy series in the world today, with the seventh book in Ben Aaronovitch’s Rivers of London series, Lies Sleeping.

London is a magical place, especially for Peter Grant, Detective Constable and apprentice wizard.  Peter is a member of an elite unit of the London Metropolitan Police, known as the Folly, which is tasked with investigating magical crimes and protecting the city from all sorts of magical threats.  The person at the top of the Folly’s most wanted list is Martin Chorley, also known as the Faceless Man, a magical criminal mastermind who is determined to do whatever it takes to gain power.  However, despite the Met and the Folly’s considerable resources, Chorley is always able to stay one step ahead of those chasing him.

During a routine attempt to subtly panic several of Chorley’s known associates, a magical creature attacks a potential witness.  Peter’s investigation soon reveals that the witness had ordered the forging of a large and mysterious bell, which Chorley is desperate to get his hands on.  As Peter and his team dig deeper in the bell’s construction, they quickly begin to realise that Chorley is the final stages of his master plan, a plan tied deeply into the heart of London’s dark and bloody history, and one which could cause untold disaster for the entire city.

As the clock ticks down, Peter needs to work out the connection between London’s past and the mysterious magical events occurring all over the city.  Can Peter and his team once again save the day, or will their adversary finally obtain the power he has always desired?  Moreover, what will Peter do when he comes face to face with the woman who betrayed him to Chorley, his old partner in the Met, Lesley May?

Ben Aaronovitch is a highly regarded author with an interesting writing history to his name.  His writing career began back in the late 1980s and early 1990s, when he wrote a couple of Doctor Who television serials, including the highly regarded serial Remembrance of the Daleks, as well as three entries in the Virgin New Adventures series of Doctor Who books.  The Virgin New Adventure series chronicled the adventures of the Doctor after the television show’s hiatus in 1989.  Aaronovitch’s three entries in this book series sound incredibly interesting, although they were considered to be somewhat controversial at the time due to their more adult content.  Aaronovitch did not get around to writing his fantasy work until 2011, when he wrote the urban fantasy Rivers of London.  This was the first book in the author’s Rivers of London series of books (alternatively known as the Peter Grant series or the PC Grant series), for which the author is best known for.  The Rivers of London series is very highly regarded, and Aaronovitch has worked hard to expand on the story and universe of this series, writing a number of novellas, short stories and graphic novels on top of the series’ main seven books.

Before Lies Sleeping, I had never got around to reading any of Aaronovitch’s books, despite hearing good things about his main series.  As a result, I was very happy that I finally managed to check out the series earlier this year.  I did receive a trade paperback edition from Hachette Australia, but in the end, I chose to listen to the audiobook version of this book, narrated by Kobna Holdbrook-Smith.  I have to say that I was extremely impressed with this brilliant book and found that I really enjoyed the excellent and captivating story.  Lies Sleeping easily gets a full five-star rating from me, and I fully intend to go back and check out the other books in this series.  This book is an excellent blend of the fantasy and crime fiction genres, both of which come together perfectly to create an extremely compelling and complex read.

Lies Sleeping will prove to be extremely appealing to huge range of people; not only pre-existing fans of the series but also those readers who have not read any of the Rivers of London books before.  As a first-time Aaronovitch reader, I found that it was incredibly easy to step in and enjoy this series, as the author did a fantastic job making Lies Sleeping accessible to everyone.  While Aaronovitch has created a huge amount of lore around his series, including in his novellas and comics, the reader does not need to have any knowledge of these or the previous six books in the series to fully understand the entirety of Lies Sleeping’s story.  However, those readers who do have experience with this series will love how the story continues to development, as well as the massive and surprising twists that occur throughout the book.

At the core of this book lies a series of intriguing mysteries that take place throughout London.  In order to achieve his villainous goals, the antagonist has embarked on a series of seemingly random and chaotic crimes and ventures, all of which apparently form part of his master plan.  These various mysteries or criminal events were really interesting, and I liked trying to work out how they would all come together.  I particularly liked how various parts of these mysteries were deeply tied into the history of London, and the protagonist needed to gain a historical understanding of some of various myths and legends surrounding London.  Watching the protagonist attempt to unwind the complex plan of the book’s villains was extremely compelling, and I had a great time trying to work out what was happening myself.  One or two threads of these mysteries did go unsolved in this book, and I will be curious to see if they are picked up in any of the future entries in this franchise.

Aaronovitch is clearly a very creative writer, as he utilises a huge range of different and fairly unique fantasy elements throughout this book.  While there are a large number of wizards, spells and elvish beings throughout the book, the main focus is on the titular rivers of the series.  The more common magical beings encountered in this series are the personifications of the various rivers and waterways (current and historical) that flow through and around London.  These beings are similar to gods, although the term genius loci may be more appropriate, and have a huge range of powers.  These are a really intriguing addition to the book, and it was interesting to see the protagonist attempt to deal and interact with the various river characters, including his girlfriend, Beverly Brooke (yes, the main character of this series is dating a river).  There is also a huge range of other genius loci, or similar beings, that are featured within the story, including the mysterious and insane Mr Punch.  The magic that the human characters utilise is complex and slightly less ostentatious than some classic pieces of fantasy, but when the master wizards get to work it can be quite impressive.

One of the things I liked best about this book is how the author could create a realistic British police narrative and ensure magic became part of the procedure.  The Folly may be a special branch of the Metropolitan Police, but it is still part of the police force, and as such the characters are forced to follow standard procedure when investigating magical crimes.  Having these elite magical characters fill out paperwork and other various elements of day-to-day police life was deeply amusing.  I did like seeing how regular law enforcement tactics, anti-crime strategies and police combat techniques could be utilised against magical opponents.  The overall fantasy elements of this book are really enjoyable, but I really liked to see them be blended with a classic British police story.

Aaronovitch has done a fantastic job creating a huge and intriguing group of characters for this series.  The protagonist of Lies Sleeping and the Rivers of London series is Peter Grant, police officer and official wizard’s apprentice.  Peter is the sort of protagonist I really enjoy (sarcastic, funny and determined) so I quite enjoyed having him narrate the story, making a number of great jokes throughout.  The other police characters make up a great supporting and diverse cast, with a range of different abilities and characteristics.  I especially liked the classy and wise Detective Chief Inspector Thomas Nightingale, the last officially sanctioned English wizard and Peter’s mentor.  He is an extremely charming and old-fashioned character who has a huge amount of magical power at his fingertips and who can be quite intimidating if he puts his mind to it.  I also quite enjoyed the other magical characters that appeared throughout the book, as Aaronovitch has created a bevy of river gods and associated genius loci characters.  I liked how many of these ancient characters portrayed modern characteristics and ways of speaking, even when talking in a historical context.  Long-time readers of the series will also enjoy the further exploration of several recurring characters, including finally revealing the backstory of the mysterious Mr Punch.

While the protagonists and supporting cast are great characters, I really liked the antagonists in this story.  The main villain of the story is Martin Chorley, also known as the Faceless Man.  He is an excellent antagonist who is built up as a master planner, master magician and crazy villain before you even see him in the book.  His master plan was fairly complex, and the character’s overall arc in this book featured some massive twists that I did not see coming.  Lesley May is another really complex character who is a great addition to the series.  Her relationship with Peter is one of the best parts of the book, as even after her betrayals earlier in the series, he is still trying to save her from herself.  The way this works out in the end is quite dramatic, and it will be interesting to see where it goes from there.

While a large part of this book is set out more as a slow and steady police procedural, there are some fantastic action sequences within Lies Sleeping.  These come about when the protagonist attempts to stop the plans of the Faceless Man, and all manner of chaos erupts.  Nothing highlights this better than an extended action sequence which involves Peter chasing after a van on a bicycle, throwing fireballs, while all manner of debris is magically flung at him and several pursuing police vehicles.  The magical duels between some of the participants, mainly Nightingale and Martin Chorley, can be particularly impressive, but I personally liked how many of the confrontations devolved into fist fights as both sides attempt to distract the other and disrupt their castings.  Plus, where else are you likely to see British police with truncheons attempt to fight evil wizards?  These amazing action sequences really added to the story, and it was great to see all this magic in action, rather than being theorised the entire time.

While I would have already been tempted to give Lies Sleeping a five-star review, the thing that definitely clinches it for me is the amazing audiobook adaption of the novel, narrated by actor Kobna Holdbrook-Smith.  At nearly 10 hours and 30 minutes, this is a moderately easy audiobook to get through, and I had an absolute blast listening to it.  Holdbrook-Smith has an amazing voice and his work narrating this audiobook was just incredible.  His voice for protagonist and story narrator Peter perfectly encapsulated the character and got the full force of his witty and enjoyable personality across to the reader.  I really liked all the voices that Holdbrook-Smith created for the various characters featured throughout Lies Sleeping, especially for some of the magical creatures, who had an air of ancient wisdom in their voices.  However, without a doubt my favourite voice was the one for Nightingale.  The voice chosen for Nightingale is full of all sorts of old British class, and I thought it fit the character perfectly and was one of my favourite parts of this whole audiobook.  Aside from the outstanding voice work, I also quite liked the jazzy music that was played at the start of each chapter.  It gave the book a real noir private investigator feel, and I like how it added to the tone of the book as a whole.  The audiobook version of this book also helped me understand the story a bit better as an outsider to the series, and that, combined with Holdbrook-Smith’s brilliant voice work, makes me completely happy to recommend the audiobook format of Lies Sleeping.

Aaronovitch once again delivers a spectacular read that expertly combines amazing fantasy and crime fiction elements into one widely outstanding narrative.  There are so many excellent elements to this book, and I had absolutely loved my first foray into the Rivers of London series.  I strongly recommend listening to the Lies Sleeping audiobook, narrated by the very talented Kobna Holdbrook-Smith, but those readers who prefer to read their books will also find much to enjoy about this fantastic book.  This is one of the best urban fantasy books I have ever had the pleasure of reading.  I fully intend to go back and check out all the preceding books in this series, and I can’t wait to see where the series goes next.  Five stars all the way.

Quick Review – OtherEarth by Jason Segel and Kirsten Miller

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Publisher: Rock the Boat

Publication Date – 30 October 2018

 

From the superstar team of comedian Jason Segel and young adult author Kirsten Miller comes the second book in their Last Reality series, OtherEarth.

Goodreads Synopsis:

Simon saved his best friend, Kat, from the clutches of the Company and their high-tech VR gaming experience, Otherworld. But it was at a steep price. Now he, Kat, and their friend Busara are on the run. They know too much. About the Company’s dark secrets. About the real-life consequences of playing Otherworld. And about Kat’s stepfather’s involvement in everything. The group is headed to New Mexico to find Simon’s old roommate, who is a tech genius and possibly the only person who can help them reveal the truth about the Company before it’s too late and the line between what’s real and what’s fantasy is erased… forever.

Imagine a future in which you can leave reality behind and give in to your greatest desires. That future is now. And the future is terrifying.

Segel and Miller are an interesting team with some history, having previously written the Nightmares series together.  While Segel is best known for his film, television and comedy work, Miller is an established young adult author, having written two additional series.

I read the first book in this series, Otherworld, late last year, and it was one of the first young adult books I actually reviewed, as I had not professionally looked at this genre much before.  After reading and enjoying the first book a lot, I started checking out more young adult books in the last year, resulting in some really fun finds and some truly excellent reads.  As a result, I was very excited to check out the follow-up to this book and I was curious to see if I would enjoy OtherEarth the same way I enjoyed Otherworld.  I have to say that overall I had a lot of fun with this second book in the Last Reality series, and it had a lot of great and memorable elements to it.

OtherEarth follows on straight after the events of Otherworld, with the protagonists on the run from the Company.  During their previous adventure, the protagonists were able to determine that the Company had been experimenting on coma victims, installing them into their high-tech video game Otherworld, and killing anyone who learns about their secrets.  Simon, Kat, Busara and newcomer Elvis are now determined to expose the sinister actions of the Company while also saving the sentient programs that have come to life within the game.

One of the interesting things I liked about OtherEarth was the way that the authors split the story between the characters going on adventures within the Otherworld game and their attempts to evade and manipulate the company in the real world.  In order to solve their real-world problems, the protagonists are forced to venture into Otherworld in order to locate the consciences of people the Company have trapped within the game in order to obtain the information or resources to shut the Company down for good.  The blend between these in-game adventures and the subsequent real-world actions they take while evading and attacking the Company works really well and helps create an intriguing story.  Both parts of these stories have some great moments, and there are some fantastic twists throughout the book that will keep the reader keen to check out the final book in this series.

The focus on video games continues to be a major part of this book, and the authors offer up a bit of a critique of the future of this medium.  In OtherEarth, every player of Otherworld is a certifiable psychopath, as the world’s richest gamers buy up the extremely exclusive access to the game.  Watching the various players use the game to fulfil their violent desires and use the game to act as gods is quite eye opening, as is the protagonist’s growing addiction to the game and the combat mechanisms within it.  The programs within Otherworld who have gained sentience also offer a unique edge to the story and it is fascinating to watch them react against the players and creators they encounter.

There is a certain amount of humour and comedy throughout the book, although it is not as strictly comedic as other works by Jason Segel.  However, there are some pretty fun and amusing sequences throughout the novel.  The one that springs to mind the easiest is one particularly entertaining high-stakes sequence that suddenly devolves into a weird and comedic discussion about Dame Judi Dench in some very unusual contexts.  The combination of OtherEarth’s humour and the mostly serious nature of the story gives the book an unique flavour which comes together in a very enjoyable way.

From a young adult perspective, this book is probably best intended for an older teen audience as it contains some adult content.  While not as bad as the first book in the series, which contained a pretty inappropriate early scene in which the protagonist blackmails a couple of bitchy high school girls with their nudes, the intense action and some sexual content is probably not ideal for younger readers.  However, this book will be perfect for the older teen market, and most adult readers will have a good time reading this book.

Overall, OtherEarth is an excellent follow-up to Segel and Miller’s Otherworld, and continues their fun techno-thriller adventure.  With some great humour, an intriguing story and some interesting examinations of the gaming medium, OtherEarth is another exciting read for the older young adult audience.  This is a brilliant read that is well worth checking out.  I will personally am looking forward to the third book in the Last Reality series, OtherLife, which is coming out in October 2019.

My Rating:

Four stars

Throwback Thursday: Patient Zero by Jonathan Maberry

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Publishers: St. Martin’s Griffin

                       Blackstone Audiobooks

Publication Date – 3 March 2009

 

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

A couple of weeks ago I listened to and reviewed the latest book in Jonathan Maberry’s Joe Ledger series, Deep Silence, and found myself hooked on the insane, mad science based thriller adventure.  After enjoying Deep Silence and giving it a five-star review, I started checking out some of the previous books in the Joe Ledger series that I had not had a chance to read before, and found myself enjoying the plot concepts of the other books in the series.  The moment I finished listening to Deep Silence, I immediately jumped back to the first book in the series, Patient Zero, to review as part of my Throwback Thursday series.

When Baltimore detective Joe Ledger is assigned to a joint terrorism taskforce, he thinks it is an opportunity to fight back against the people responsible for 9/11.  What he was not expecting was to have a crazed man try to bite him on his first raid with the taskforce after discovering a warehouse filled with terrorists.  His elation about a job well done is destroyed when he encounters one of the terrorists again later that week.  There is just one problem: Ledger knows that he killed him during the first raid.  Someone has created a terrifying bio-weapon that can turn ordinary people into zombies, and worse, they have supplied this virus to a destructive terrorist organisation that plans to release it within the United States.

As the full extent of the horror being unleashed against them is revealed, Ledger finds himself recruited into a newly created covert organisation that was set up to handle extraordinary threats such as this.  Known as the Department of Military Sciences (DMS), this organisation wields the latest technology and the country’s brightest scientists under the command of the mysterious Mr Church.  As a member of the DMS, Ledger leads an elite team of combat specialists in the field in an attempt to contain any attempts to unleash the virus on the population and to destroy those who have already been infected.  As Ledger’s investigation progresses, he uncovers an elaborate conspiracy that will have devastating impacts for all of humanity.  But with the fate of the world in the balance, it soon becomes clear that there is a traitor within the DMS who has no qualms about unleashing a zombie apocalypse.

I have to admit that after absolutely loving Deep Silence, I had very high expectations when I started reading Patient Zero.  Luckily I was not disappointed and found that Patient Zero had a fantastic action based storyline that makes good use of its mad science elements to create an intense and very enjoyable novel that sets up all the elements for this future series.  I also chose to check out the first book in this series in its audiobook format, which, at just under 15 hours, is a great way to enjoy this high-octane story.

Hands down, the best thing about this novel has to be the zombies and the way that Maberry has created a compelling and intricate thriller story around this classic horror story concept.  The thriller aspect of this is really clever.  Rather than being the central antagonists themselves, the zombies are a tool being utilised in a wide-reaching conspiracy that the protagonists have to unravel in order to figure out the origins and endgames of the book’s true antagonists.  These thriller elements are quite detailed, and Maberry utilises a number of chapters told from the antagonists’ point of view to add some depth to the conspiracy and showcase the extent of their plot, as well the problems these groups have.  The protagonists also have to deal with potential traitors in their ranks, advanced science that they do not understand and a surprisingly organised, devious and well-equipped terrorist organisation.  All of this is an extremely captivating thriller storyline, and I love how Maberry has managed to utilise the book’s zombie element to help flesh this out.

Maberry has also created a unique and intriguing zombie origin for this book that is based on potential real-life science.  The zombies in this book are the result of a disease rather than a supernatural calamity.  They have been created by some advanced science and extreme mutations of existing diseases and viruses, such as prion diseases.  As a result, Maberry and his characters spend a lot of time examining the potential science behind this zombie virus, which pulls the reader in as they consider how close something this crazy could be to a reality.  I was really struck by the way that Maberry tried to show the horror that these creatures would inflict on the people who encounter them, and the sheer terror that they inflect on normal humans.  The point-of-view protagonists spend significant time explaining how terrifying and emotionally damaging it is to have to encounter and fight these infected people, as well as how guilty they feel about having to kill them.  There are quite a few parts of the book where the characters discuss how damaging these events are to them, and it really adds some emotional gravitas to this story.  Maberry is a prominent author of zombie fiction, so it is no surprise that he is able to create quite a number of awesome and terrifying scenes featuring the zombies as they attack and kill all around them.  There are also some interesting zombie deviations that appear and offer some unique elements to the story.  Overall this is an incredible and memorable addition to this story and one that will really appeal to fans of zombies and the horror genre.

Action is a major part of the Joe Ledger series, as the protagonist leads an elite special forces unit against all these elite scientific threats.  As a result, there are a huge number of action sequences throughout this novel and the reader is constantly left with a racing pulse.  There are so many great fast-paced elements throughout Patient Zero for action junkies to enjoy.  Maberry is always great at describing special forces tactics in his stories, and I enjoyed seeing them used against the unique threats in this book.  There are a number of excellent firefights throughout the story, and the author has a great mind to examining the psychology of a gun battle.  Maberry’s love of martial arts and close-combat fighting once again shines through in Patient Zero, as his protagonist is an expert fighter who has innumerable hand-to-hand fights with a number of different opponents.  While the above actions scenes are all extremely awesome, the best scenes have to revolve around the desperate fight between these elite soldiers and the horde of zombies that they encounter.  These scenes are really fantastic and watching the special forces characters fight tooth and nail against a horde of zombies becomes a captivating and powerful part of this book.  There are quite a few crazy action scenes throughout Patient Zero for the reader to look out for and which are defiantly a highlight of the book.  I personally found that listening to these scenes in the audiobook format really brought me into the centre of the action, and it was an excellent way to enjoy this element.

Patient Zero is an excellent introduction to the Joe Ledger series and contains a number of elements that will continue into the rest of the series.  I came to this book having first read the 10th and latest book in the series, Deep Silence.  As a result, I was really intrigued to see what characters were introduced in the first book and which ones do not appear in the final book of the series.  There are some interesting differences between Patient Zero and Deep Silence that I found quite fascinating.  For example, the opponents and technology in this first book are a lot more realistic, as Maberry has yet to start utilising the Lovecraft-inspired aliens which feature in some of the later Joe Ledger novels.  The head of the DMS, the mysterious Mr Church, also comes across as a much colder character in this first book, as well as someone who is more comfortable with civilian deaths and sacrifice if it results in the survival of the rest of the world.  That being said, there are some familiar elements.  Ledger is still an incredibly sarcastic and funny protagonist, and the author tries to highlight a huge range of varied viewpoints to show the whole range of the plot the DMS is trying to unravel.  Patient Zero serves as a great introduction to the DMS, and I really enjoyed seeing the early days of this organisation.  I also love how everyone is quite confused about what this organisation is and the mystery around Mr Church, who appears to have an incredible amount of influence and power in Washington.  For example, at one point he actually tells the president of the United States that he is wasting his time and hangs up on him in, an action an incredulous Ledger describes as “bitch-slapping the president”.

Patient Zero is an incredible first novel in Jonathan Maberry’s incredible Joe Ledger series and one that serves as a fantastic introduction for readers unfamiliar with this series.  Featuring all sorts of mad science, impressive action sequences, a five-star thriller storyline and a ton of amazing zombies, this is an outstanding novel and one that proves very hard to put down.  After loving this book, as well as the latest book in this series, Deep Silence, I am now fully determined to read the rest of the books in the Joe Ledger series.  Fully expect to see a review for The Dragon Factory very soon; I have no doubt that I will really enjoy that book as well.

My Rating:

Five Stars

Runaways Volume 2: Best Friends Forever by Rainbow Rowell and Kris Anka

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Publisher: Marvel Comics

Publication Date – 30 October 2018

 

Recently reunited and still coming to terms with being a family again, the adventures of Marvel Comics’ favourite group of misfit youths continues in Best Friends Forever, the second volume of young adult author Rainbow Rowell and artist Kris Anika’s run on Runaways.

The Runaways, Chase, Gert, Karolina, Nico, Victor, Molly and Old Lace are finally back together and living in one of their parents’ old hideouts.  While most of the team have grown up since the last time they were all together, this does not mean that they have their lives together.  Each of the Runaways has their issues to deal with, be it Gert’s recent return to life after several years of being dead, Karolina’s relationship problems or Victor’s current existence as a disembodied head.  The only one who appears to have their life even remotely together is the team’s youngest and at times wisest member, Molly, who is enjoying her time in middle school.  But even Molly is having problems, as she is faced with a hard choice and must consider whether she actually wants to grow up.

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As Molly deliberates over the dilemma presented to her, a barrage of other arrivals impact on the Runaways.  Karolina’s girlfriend, Julie Power of Power Pack fame, is in town, which causes significant drama for Karolina and Nico, while Dr Doom has apparently appeared on their doorstep, determined to find Victor.  Can a team rife with squabbles, drama and internal strife come together to face the problems before them, or will their significant changes be too much to bear?

Runaways is still one of my favourite Marvel series.  After the revamp earlier this year, previously reviewed here, these fantastic characters are still going strong.  In this second volume, Rowell, Atkins and their creative team continue to produce some outstanding and emotional stories that are based more on the relationships between the main characters than the traditional crime-fighting storylines contained within other comics.  While they do go up against a couple of superpowered opponents within this story, none of these antagonists is truly evil, and their motivations and history are a lot more morally ambiguous than some of the previous Runaways stories.  The creative team do a fantastic job of blending highly emotional storylines with a bunch of fun and heart-warming sequences, filled with random and funny elements, such as an errant Doombot.  This all comes together into one fantastic overall story that hits all the right buttons.  This second volume contains issues #7 – #12 of this new run on Runaways.

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One of the main aspects of this second volume of Runaways is the continued focus on the relationships between the series’ main characters.  Most of these characters are still coming to terms with being back together after all of them attempted to live lives outside of their team.  Quite a bit of Volume 2 involves the characters trying to determine what roles they have within this surrogate family, and the fact that they are not as close as they used to be.  What I liked is the way that Chase, usually the most immature member of the team, attempts to become the father of the group, matching up with the traditional female leader of the team, Nico, as the team’s mother.  This new parental role is highlighted in a funny couple of scenes where Chase and Nico use magic to become Molly’s legal guardians, a shortcut way that “seems totally legit and great”.  A lot of this volume is also focused on the romantic relationships between several of the group’s characters, including the relationship between Gert and Victor and the new romantic feelings between Nico and Carolina.  I thought the lead-in to both these relationships worked out very well and sets up some interesting potential in future volumes.  I am also very curious to see how the friendship between Victor and Chase is going to be impacted as a result of this new relationship in future volumes of this series.  I liked the way that the relationships and romantic considerations that featured between Carolina and Julie and Carolina and Nico were handled very well and with great sensitivity, and showed great representations of LGBT+ relationships.

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I also appreciated the way that Rowell and Anika continued to focus on the emotional and mental damage that the team’s exploits have had on these characters over their entire comic book history.  In this second volume, there is a significant focus on Victor, who was mentally and physically damaged during his previous appearances in Vision.  Chase and Doombot’s attempts to rebuild Victor during this volume prove to be a particularly vivid trigger for Victor, and leads to some significant emotional moments.  There is also a look at Victor’s fear of vibranium because of its addictive and mind-altering impact on him, which drove him to commit terrible acts in a previous series.  The creative team also take a look at the life of old team member Klara, the young powered girl the team rescued from abuse back in 1907 during a time-travel adventure.  It was previously revealed that Klara had been taken away from the team by the state and is now in a loving household.  A brief section of this volume is dedicated to the team finding her and attempting to bring her back into the fold, but Klara refuses to come back, as she is happy in her new life.  You have to appreciate Klara’s sound reasoning for not wanting to come back to the team, due to the death and multiple problems experienced in the previous adventures.
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One of the most significant issues that the character’s experiences have had on them is based around their negative opinions of adults.  Most of the truly terrible things in their lives have been the result of the plans of the adults they encounter, and their distrust of most adult characters has been a long-running aspect of the series.  It is interesting to see that this carries through to the new series, even though several of the characters are now actually adults.  This viewpoint is most prevalent in Gert, whose death during one of the previous run of this series means she still shares the beliefs these characters had while they were fugitives.  However, the rest of the team also have a hard time trusting other adults, such as when they assume Klara’s new adopted parents have to be evil, as every adult they have previously dealt with in similar circumstances were also evil or abusive.  This viewpoint has significant plot impacts in this second volume, as Molly, given the opportunity to stay young forever, talks to several of the other Runaways in an attempt to subtly work out their thoughts on growing up.  Most of the characters, including non-team member Julie Powers, talk somewhat negatively about their current lives and regret growing up, which tempts Molly to accept the chance to stay young.  The final message of this storyline strongly implies that growing up isn’t so bad, as even the antagonist, a young girl who has stayed 13 for 50 years, does not always want to be young.  It was also interesting to see Klara try to correct the team when they say that no adults can be trusted; having had a loving family relationship, she no longer believes that.

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The second volume of this run of Runaways continues to make use of some fun artwork throughout the various issues.  The character designs continue to be fun, and it is interesting to see some new looks and some constantly changing character designs, especially for the trendy Nico.  The art is often used for comedic affect.  Victor has a fun use throughout the book, and it is pretty humorous to see the head floating around in a number of scenes, even in a middle of a fight scene.  I also loved how throughout the course of the volume, he was given more and more advanced mobility upgrades in each scene that he appeared in, each more comedic than the last.  For example, at the start of the volume he is mostly transported in other character’s hand, his own momentum or in a backpack.  However, as the volume continues he is variously attached to a Roomba, a small tracked rover, several helium balloons (so he can get the feeling on flight back again) and eventually a new drone.  All of these are slightly ridiculous and fun, but they do not take away from the emotional nature of several scenes, and I must point out some of the awesome drawings that hint at the issues Nico is having with her magic.

The second volume of this new series of Runaways, Best Friends Forever, is another strong and emotional addition to this new version of this young adult superhero comic.  I really appreciated the creative teams continued focus on the character relationships and the emotional aspects of the characters’ lives.  Best Friends Forever is another fantastic addition to this powerful new run of Runaways, and I am excited to see what happens to this great group of characters next.

My Rating:

Four and a half stars

Deep Silence by Jonathan Maberry

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Publishers: St. Martins Griffin

                        Macmillan Audio

Publication Date – 30 October 2018

 

From horror legend Jonathan Maberry comes the 10th book in his weird-science based horror, thriller, science fiction Joe Ledger series, which takes the reader on a wild joyride through a world gone mad in this five-star adventure.

I have to admit that Maberry is not an author that I have had much experience with before.  The only work of his I have previously read was a fun short story that was featured in a volume of zombie short stories he jointly edited with George A. Romero in 2017 that I previously reviewed here.  However, I am extremely happy that I decided to check out this latest book as it exposed me to this incredible series, which I enjoyed immensely.  I can think of no greater praise for this novel then to say that upon finishing it, I immediately dropped everything and started reading the first book in the series, Patient Zero, which I will be reviewing in the next few weeks as part of my Throwback Thursday series.

I chose to listen to Deep Silence on audiobook rather than read a physical copy.  The audiobook format of this book is just under 16½ hours long and is narrated by Ray Porter, who has worked on several other books in the series.

In this latest book, a Russian splinter group have developed a powerful weapon with pieces of alien crystal seeded throughout the planet.  This new weapon can cause devastating earthquakes on a level never before seen and has the potential to destroy the entirety of the United States.  The weapon also has a chilling side effect: it causes people around the epicentre of the quake to engage in violent acts of madness, from suicide to ferocious attacks on others.  The first attack targets Washington, with mass violence erupting around the Capitol building.

America’s only hope may be the top-secret rapid response organisation, the Department of Military Sciences (DMS).  For years, the DMS has been the only line of defence against the insane science America’s enemies are utilising and developing in this new age of wonders.  From deadly diseases, ancient forbidden technologies, extreme acts of genetic manipulation, the latest forms of cyber and electronic attack, and even weaponised zombies, the DMS, led in the field by Captain Joe Ledger, has managed to stop all these threats and more.  Utilising the latest military and espionage equipment and the best and brightest soldiers and scientists America has to offer, the DMS operates just outside the government and can go further than any other agency can.

However, while the DMS attempts to combat this latest threat, they find themselves hindered by a megalomaniac President whose stupidity and paranoia make him more afraid of the DMS than the group unleashing earthquakes across his country.  As Joe and his team attempt to hunt down the origins of this attack they must contend not only with a dangerous Russian force but also with agents of their own Government and devices that can drive even the most dedicated DMS agent insane.  But as the Russians attempt to force the eruption of the Yellowstone caldera, the greatest threat may come from the creatures the technology was stolen from.

Deep Silence is the 10th book in Maberry’s Joe Ledger series, which started in 2009 with Patient Zero.  Maberry has been writing since 2006, with his debut book Ghost Road Blues forming the first book in the Pine Deep Trilogy.  Since then, Maberry has written a huge number of books, most of which have a horror theme or focus.  Apart from his Joe Ledger series, Maberry is probably best known for his Rot & Ruin series, a young adult zombie apocalypse series.  Aside from his fictional novels, Maberry has also written several comics for Marvel as well of a number of non-fiction books, which tend to focus on Maberry’s passions for martial arts and the supernatural.

Deep Silence is an exceptional book that combines together a number of genres, including science fiction, thriller, horror, military fiction and spy thrillers into one very captivating narrative.  The end result is a non-stop thrill ride that perfectly utilises the series’s bizarre nature and advanced science to create a devastating threat and a larger-than-life protagonist to face it.  There are so many amazing elements to this book, from its continuation of an enjoyable series, to the very weird elements that come into play, to the excellent writing style and enjoyable characters.  Once I started reading this book I just could not stop, and it is easily one of my favourite books of this year.

From what I understand, the Joe Ledger series started off mostly focusing on the mad sciences that humans are able to create and use against each other.  However, in recent books, the series has taken on a more Lovecraftian vibe, with unknown aliens, space demons and incredibly insane technology.  Deep Silence in particular seems to relate back to several of these previous alien technology based novels, as the devices, technology and motives that the book’s antagonists utilise are closely related to the adventures that occurred in previous books.  That being said, there is still the continuous use of more advanced human technologies utilised by many of the book’s characters, especially those working for the DMS.  All the crazy gadgets that they use are pretty impressive, but none (with one or two major exceptions) are outside the realm of possibility and reflect technologies that could potentially exist.  Indeed, in the introduction to Patient Zero, Maberry actually confirms that most of the technology he describes in his books is currently used or could soon be used by intelligence organisations around the world today.

One of the challenges of coming into a series late is the reader’s lack of knowledge about the universe’s background information, lore and the development of its main characters and the extent of their relationships.  Maberry does an incredible job bridging this gap throughout Deep Silence, providing the reader with descriptions of previous events, recaps of character descriptions and history and making use of a number of references to previous missions and adventures captured in the other books in the Joe Ledger series.  There are also a number of scenes that appeared to be callbacks to previous books, although the author was able to describe the pertinent details of these events.  As a result, I was never lost at any point and really appreciated the recaps and detailed descriptions the book’s various point-of-view characters provided throughout the novel.  It also made me very curious about some of the previous books in the franchise, and I am now very interested in checking out some of these insane and fun-sounding adventures.  As a result, Deep Silence is an excellent book if you want to get an idea of what the Joe Ledger series is all about.  At the same time, established fans of this long-running series will be interested to see the significant changes that occur to the book’s main characters, as well as the scenes detailing where the series will potentially be going in the future.

One of the things that I really enjoyed about Deep Silence was the way that Maberry presents the book’s narrative from multiple perspectives and across a range of different time periods.  Because of this, the reader is given a far wider view of the overall narrative.  Not only do they get to see the protagonists attempting to investigate and stop what is going on, but they get to see the antagonists coming up with their plans, discovering and researching their doomsday device over a period of years and then implementing their mission.  This also allows the reader to get a far deeper understanding of the antagonist’s objectives and mindscapes in committing these acts and what it costs them mentally and emotionally.  Nearly all the fun and eccentric characters working in the DMS get a few scenes told from their point of view.  This provides the reader with some high level, but easy to follow, scientific discussions, hacking sequences and the utilisation of incredibly exciting-sounding advanced espionage technology.  There is also a focus within Deep Silence of the politics around and behind the DMS, and how the organisation’s leader, the mysterious Mr Church (who is totally an alien, right?), deals with these situations.

While all of the other point-of-view characters are entertaining and it is intriguing to view their sides of the story, the best character has to be the series’s main protagonist, Joe Ledger.  Ledger is the extremely dangerous and slightly disturbed leader of the DMS field team, and has been at the forefront of all the adventures in this series.  It is interesting to note that Ledger is the only character in this book whose story is told from the first person perspective, which is fortunate because Ledger is one of the biggest smartasses in fiction, especially within the privacy of his head.  Nearly every single piece of the book told from Ledger’s point of view is filled with jokes, wisecracks, and exaggerated or sarcastic thoughts.  Ledger has some incredibly humorous observations about the world around him, especially the eccentric characters he encounters, and his thoughts are just as likely to be self-deprecating as they are to be insulting about the people he has to deal with.  He is also an eccentric being who does some incredibly funny things, from having fun with his opponents to humming the Mission Impossible theme as he breaks into a safe.  However, beneath this humorous exterior there is a deeply damaged character who is severely impacted by events that have occurred before and during this series.  Maberry spends significant time diving into this character’s history and psyche, which quickly gives the reader, even readers previously unfamiliar with the series, a good understanding of his life and the events that define him.  His deep and fractured mind becomes a key part of this story, especially when it encounters mind-altering alien crystal and events beyond the realm of human comprehension.  All of this helps create an amazing and incredibly relatable central character whom the reader becomes incredibly drawn to, and as a result, Ledger is one of the best things about this book.  Special mention should also be given to Ledger’s combat dog Ghost, who appears in nearly all the same scenes as Ledger and is just as much of an enjoyable character as his owner.

While the mad science elements and characters are great, Maberry has also ensured that this is the perfect book for those action junkies looking for fast-paced thrills.  Ledger is an absolute beast throughout this book and engages in a number of fantastic fights in a variety of different scenarios.  Maberry channels his love of martial arts through this character and includes a number of detailed and very quick fight scenes as Ledger dismantles his opponents with efficient skill.  The other characters are no slouches and there are number of great action sequences I enjoyed.  Two of my favourites have to be two separate and extended sequences which see Ledger and DMS’s Echo Team engage in massive fire fights with a range of opponents.  These scenes are absolutely incredible and make the reader feel like they are really in the middle of a gun battle.  The author takes pains to try and highlight how methodical and calm professional teams can be during battles while also highlighting the various strategies and combat advantages used.  The multiple perspectives come into play here perfectly, as the different members of Echo Team engage in various encounters around the main battle, really highlighting what an effective special ops team can accomplish in the field.  Maberry enhances the fun and the action to a crazy degree by also utilising the advanced technology available to the DMS agents.  This not only includes some insane and deadly weaponry, which is very cool in action, but also other pieces of advanced technology such as drones, body armour, goggles, and enhancements for Ghost that help turn the battles into massive and enjoyable set pieces.

Nothing, however, can top the sheer insanity that unfolds when the book’s antagonists unleash their super weapon against the world.  Maberry’s descriptive and skilled writing really brings these scenes to life.  The sheer devastation of the earthquakes that he describes is just incredible and very disturbing.  But nothing is more crazy or electrifying then the scenes where the people who are affected by the strange energy given off by the weapon go insane and start participating in a violent rampage against themselves or against each other.  Maberry pulls no punches here and all the violence is on full display, from terrible acts of violence against anyone around them to disturbing suicides or episodes of self-harm.  In many of these scenes the author attempts to get into the head of these characters and watch them slowly unfold from within.  This mostly prevalent with his protagonist, Joe Ledger, but other characters’ thoughts are shown.  Let’s just say you’ll never look at the Beatles song Revolution 9 the same again.  The biggest example of this insanity happens around the Capitol building in Washington DC, and quite frankly it reminded me of the church scene in Kingsman: The Secret Service, with the protagonists stuck in the middle of a crazy mob.

One of the more intriguing parts of Deep Silence is the side character of the President of the United States of America.  While this character is never explicitly named in the book, he is clearly supposed to be a Trump analogue.  The character is an easily manipulated, short-tempered, Twitter-obsessed moron who puts his own needs far above those of the country he is governing.  The resemblance to Trump is uncanny, and Maberry does an incredible job mirroring his arrogance and personality throughout the book.  While this character is a great addition by itself, Maberry spends a lot of time exploring how a character like this would deal with the advanced technology and extreme catastrophes that are a major part of this series.  The results are frustrating for the reader as they are forced to sit there and watch this character make all the wrong decisions and serve his own agenda or self-interest.  It was also very intriguing watching this President go up against the DMS as he routinely targets the department out of fear and ignorance.  The new political reality of Washington becomes a major factor throughout Deep Silence, and Maberry is understandably critical about how things are being run and the insanity currently gripping Washington.  It was very interesting to see Maberry incorporate the current unpredictable political reality of America into his new book, and readers will be very intrigued to see how this might impact the future of his long-running series.

I listened to the audiobook version of Deep Silence, narrated by Ray Porter.  The audiobook version does go for over 16 hours, so it’s one of the longer ones I have listened to lately.  That being said, due to its exceptional content, I found myself making a variety of excuses just to keep listening to this audiobook, and got through it very quickly.  The audiobook is an incredible way to experience this book, and I would highly recommend it, mainly because of Ray Porter’s narration.  Porter absolutely nails all of the characters and provides a number of amazing voices to fully capture the diverse accents and attitudes of this eccentric group of characters.  I was particularly enthralled with the calm, cool voice he gifted to the DMS Director, Mr Church, which really reminded me of Tom Hanks’s voice.  Special mention should also be given to his narration of the President.  The narrator created a fantastic Trump-like voice that fully conveyed the character’s high opinion of himself, as well as his dismissive and arrogant nature.  I actually had a visceral reaction when I heard that voice the first time, it was that good.  Porter’s narration for Joe Ledger was also perfect, as he does an incredible job portraying Ledger’s high-energy musings and the full tone of his personality.  Porter’s voice peaks and rises to meet the full intent of any of Ledger’s sentences, and he is a master at conveying Ledger’s innate sarcasm.  At the same time, he is also able to make his voice more serious and subdued during the darker scenes in which Ledger is deep within his head or his memories.  This is sterling work from Porter, and one of the best audiobook narrations I have ever listened to.  As a result, I highly recommend that the audiobook version of Deep Silence as the best way to experience this novel.

Bestselling author Jonathan Maberry once again takes his audience on a captivating thrill ride in the Joe Ledger Series.  Deep Silence provides the reader with an extraordinary and very engrossing story that proves extremely hard to put down.  Equally enjoyable for established fans of this long-running series and new readers who have yet to experience Maberry’s work, readers can and will have an incredible amount of fun with this book.  Best enjoyed in audiobook format, Deep Silence is guaranteed to make you a dedicated fan of the author and easily gets a five-star rating from me.

My Rating:

Five Stars