The Trouble with Peace by Joe Abercrombie

The Trouble with Peace Cover

Publisher: Orion Audio (Audiobook – 15 September 2020)

Series: The Age of Madness – Book Two

Length: 21 hours and 56 minutes

My Rating: 5 out of 5 stars

The master of dark fantasy fiction, Joe Abercrombie, returns with another masterful and incredible novel, The Trouble with Peace, the second entry in The Age of Madness trilogy, which is easily one of the best novels of 2020.

Abercrombie is an extremely talented author who has written several impressive dark fantasy novels over the years.  His most distinctive works are the books in The First Law universe, which started back in 2006 with the author’s debut novel, The Blade ItselfThe First Law trilogy (which I really need to review) was an amazing and captivating series that followed a motley collection of broken characters and bastards as they found themselves caught up in the chaos of a dark and brutal fantasy universe.  The author has revisited this universe several times, first with three standalone novels set after the events of The First Law trilogy, and then with The Age of Madness trilogy, of which this latest book is a part.  The Age of Madness novels serve as a sequel series to The First Law trilogy, and follow several of the children of the original protagonists (as well as some other new characters), as they engage in a whole new level of chaos and destruction.  The first entry in this trilogy, last year’s A Little Hatred, was an exceptional novel that not only got a full five-star rating from me but which was one of my favourite books (and audiobooks) of 2019.  As a result, I was extremely excited when I got my copy of The Trouble with Peace, and it was one of my most anticipated releases of 2020.

The age of madness rolls on!  Following the death of his father, Crown Prince Orso has taken the throne of the Union and is now king, a role he never wanted.  What he inherits is a nation riven with discord and disharmony, with enemies within and without waiting to cut him down and take power for themselves.  Forced to deal with the machinations of the lords of the Open Council, the revolutionary Breakers, the anarchist Burners and the rival Kingdom of Styrians attempting to take his kingdom from him piece by piece, Orso soon begins to learn that even as king, he is just as powerless as always.

As chaos begins to descend on the Union and the North, the great and the powerful attempt to find their place in the new world order.  For Savine dan Glokta, formerly Adua’s most powerful investor, she finds herself in a vulnerable position with her judgement and reputation ruined.  However, her ambition remains unchecked and an unlikely alliance may help to secure the future she has always desired.  In the North, peace temporarily reigns and the governor of Angland, Leo dan Brock, chafes at the lack of action and finds himself drawn into the political turmoil surrounding the rulership of The Union.  As a famous war hero, he now wields great influence in the Open Council and many seek to use him for their own ends.  This chaos leads to him making deals he never expected, including with his former enemy, the new King of the Northmen, Stour Nightfall.  At the same time, the Dogman’s daughter, Rikke, attempts to control her dangerous gift of prophecy and heads along a new path of blood and violence.

As order and peace unravel across the Union, discord and rebellion raise their ugly heads.  With the old leaders of the world dead and the new generation taking their place, war seems inevitable.  Those who remain must decide who they are loyal to and who they can trust.  However, no alliances, no peace and no friendships last forever, and when the dust settles the Union will be changed forever!

Well damn, that was a good read!!  The Trouble with Peace is another exceptional and captivating novel that takes the reader on a dark thrill ride that proves impossible to escape.  The author once again comes up with an impressive and clever story of war and betrayal, which is anchored by a series of complex point-of-view characters, each of whom is damaged in some unique and compelling manner.  This results in a truly incredible book that was an absolute joy to read and which I flew through in a relatively short period of time.  I absolutely loved this latest book from Abercrombie, and The Trouble with Peace gets an easy five-star rating from me as a result.

At the centre of this awesome novel is an extraordinary and fast-paced narrative that sees various diverse characters and factions attempt to manipulate and outwit each other in order to gain ultimate power in the world.  The plot of The Trouble with Peace continues immediately after the shocking conclusion of A Little Hatred and sees each of the characters introduced in the previous book continue along their established storylines.  Of course, as this is a The First Law novel, it really does not take long for events to take a downward turn and soon the characters find themselves on opposite sides of a growing, major conflict.  There is a real focus on political intrigue, personal relationships and revolution in this novel, all of which proves to be deeply captivating and a lot of fun to read.  On top of that, Abercrombie throws in his usual blend of high-adrenaline action, extreme humour and wild personalities, resulting in an impressive and addictive story that readers will lap up and try to finish off as soon as possible.  Abercrombie does a great job of making this story accessible to new readers and those people unfamiliar with the universe could easily jump in here and have a great time.  However, this is definitely a novel for those readers familiar with the other entries in The First Law series, especially the preceding novel, A Little Hatred, and fans of the series will love the clever directions Abercrombie goes in The Trouble with Peace.  This is a first-class story, and I cannot recommend it enough.

Abercrombie backs up this amazing narrative with a powerful and distinct writing style that helps to turn The Trouble with Peace into a first-class read.  Like all the novels in The First Law series, The Trouble with Peace is told from some different and unique perspectives, as several captivating characters show the events of the novel occurring in front of them.  This results in an impressive and far-reaching story as the reader gets to see a bunch of different points of the same story.  This allows you to witness the various political, tactical and personal manoeuvrings on each side of the conflict, enhancing the overall narrative and driving certain key plot points home.  Abercrombie uses these multiple perspectives to great effect throughout the novel and some of the best sequences in the book are the result of some quick changes of perspective.  This includes an amazing succession of scenes in which two rival characters are disguised in a casino and have subsequent meetings with the same person in quick succession.  It proved remarkably entertaining to see the different approaches both characters took to the same situation, and served to highlight the similarities and differences between them.  Other scenes showed how the major point-of-view characters deal with each other when they meet, and it was fun to see the various mental gambits from both sides of the conflict, especially as Abercrombie ensures that all these characters are competing to be the most manipulative person in the room.  There are also two extended sequences where a single event is witnessed not only by a main character but also by a series of side characters and minor one-off characters to really showcase the chaotic nature of some scenes and the wide range of people they impact.  The use of various perspectives also really helps to set the brutal and dark tone for the entire novel, as the characters they follow are usually right in the centre of a series of different messes that they are either the cause of or they are trying to avoid.  I also really enjoyed the unique outlooks of each character as their fun reactions to the outrageous events occurring around them provide a great deal of the book’s impressive and entertaining humour.

As with all of Abercrombie’s books, the true highlight of The Trouble with Peace is easily the fantastic selection of damaged and deranged characters that make up the main cast of the series.  Like the first entry in The Age of Madness trilogy, The Trouble with Peace is primarily told throughout the eyes of seven separate point-of-view characters, each of whom has their own unique and captivating character through the novel.  These characters include:

  • King Orso – son of King Jezal, who has taken the throne after the sudden death of his father. Orso has inherited a fractured kingdom, essentially made up of people who all hate him.  Orso has a lot of growing up to do in this novel as he soon discovers all the troubles that relate to being king and the limited power he truly has.  I really liked Orso’s storyline in this book, mainly because he comes into his own and starts to demonstrate some backbone and leadership abilities.  His unique way of dealing with problems, many of which relate to his background as a wastrel and a coward, are surprisingly effective and often very entertaining.  Orso proves to be a very enjoyable protagonist throughout this book, and I personally found myself really getting behind him and hoping that he comes out on top.
  • Savine dan Glokta – the adoptive daughter of Arch Lector Glokta and the foremost businesswomen in the Union. Savine has gone through some substantial changes since the last book.  Rather than the confident and crafty women we were introduced to, this Savine is a mess, still reeling from the horrors she experienced in Valbeck and the revelation that her former lover, Orso, is her half-brother.  However, Savine soon manages to find a way back on top, thanks to a profitable marriage, and sets her sights on a particularly tempting target.  Savine is a rather despicable character in this book, and the readers are going to have a hard time feeling too sympathetic for her.  Still, Abercrombie does an amazing job exploring her trauma damaged psyche and she ends up being a very compelling character to follow.
  • Leo dan Brock – the new governor of Angland and the son of two of the protagonists of the standalone novel, The Heroes. After securing the North and bringing Stour Nightfall to heel, Leo has gained much influence and celebrity in the Union.  However, even after the events of the first book, Leo is still as hot-headed as ever and finds himself easily led into a number of conflicts.  Despite his apparent heroism and charisma, Leo is a very hard character to like, mainly due to how stupid he is.  Essentially anyone with half a brain can manipulate him in some way, and it becomes quite tiring to see him do something stupid and destructive merely because he has been told it is the noble thing to do.  Despite this, Leo forms a very fascinating counter point to his rival, Orso, as Leo has many of the things that Orso desires, such as heroism, martial prowess and the love of the people.  I also quite enjoyed the author’s exploration of Leo’s sexuality and love interests, and I look forward to seeing how that progresses in future books.
  • Rikke – a Northern girl and the daughter of The First Law trilogy point-of-view character the Dogman. Rikke is a troubled waif who is regretting her decision to force open her Long Eye in order to increase her prophetic abilities.  Rikke has to make some hard choices in this novel, but her eventual storyline sees her take up a leadership role in the North that sees her face off against the vicious new king of the Northmen, Stour Nightfall.  Rikke is another character that really comes into her own in this book, as she is forced to grow up quick and do hard things to survive.  There are some interesting story elements involved with this character, especially thanks to her magical Long Eye, which allows her to see into the future, and which also results in some very trippy chapters shown from her perspective.  I really enjoyed Rikke’s storyline and character arc through this book, and there are some excellent scenes that show just how devious she has become.
  • Vick dan Teufel – a Union inquisitor who works for Arch Lector Glokta and is loyal only to him. Vic spends a good part of the book working throughout the Union and attempting to identify the King’s enemies, as well as trying to find out who is behind the Breakers and the Burners.  Vick is a really interesting character and I like how much of her storyline seems to mimic Glokta’s from the original trilogy.  For example, in The Trouble with Peace, she is sent to a far-off Union city and must find a way to hold it against a rival kingdom.  However, she soon starts to discover the truth about who really runs the Union and the extent of their power.  Vick is a great character to follow, especially as her chapters tend to focus on the hidden political intrigue and manipulation that infests the Union.  Abercrombie also spends a bit of time continuing to explore the traumatic childhood of Vick, and it was interesting to see how her damaged and dangerous personality came to be.
  • Gunnar Broad – a former Union soldier with a perchance for extreme violence. After the events of Valbeck, Gunnar, a former breaker, now finds himself in the employ of Savine, and works as her brutal enforcer.  Gunnar is another fascinating character, who attempts to escape from the violence that he has known his entire life.  However, this is easier said than done, and his chapters feature some fantastic examination of self and philosophical thoughts on personality and the events of the past.
  • Jonas Clover – an old and experienced Northern warrior who works as an advisor for Stour Nightfall. Clover, who remains my absolute favourite character in this new trilogy, is an exceedingly entertaining person, thanks to his unique sense of humour and jaded personality.  Clover really stands out as a character, mainly because he is so different to the other Northern characters in the book.  While most of the people he surrounds himself with are eager for combat or glory, Clover is the only one extolling the virtues of patience and self-restraint, much to the other character’s annoyance.  However, he is usually right, and he has developed a habit of surviving as a result.  I really love this character, especially because he has some of the best lines and insults in the entire book.  It was really entertaining to see him work under the brash and arrogant Stour Nightfall, as Clover is constantly forced to try and reign in his new king, with little effect.  Despite not being used as much as I would have liked, Clover is still a standout character in this novel, and he has some very memorable moments as a result.

I really enjoyed all these excellent character arcs, and I thought that each of them was incredible and enjoyable in their own rights.  However, thanks to how the narrative progressed, many of these character arcs crossed over a lot more than in the previous novel, and you get to see the various storylines proceed side-by-side as a result.  Because of how they were connected, Orso, Savine and Leo tended to get the most focus throughout the book, and some of the other point-of-view characters (Vic, Broad and Clover in particular), did not get as many chapters told from their perspective.  While I would have loved more scenes from some of the other characters (more Clover would have been awesome), I felt that this was a good character balance and I liked how the various arcs progressed.  All the character arcs worked together exceedingly well, and I really liked how together they formed an exceptional and addictive plot.  The protagonists of The Trouble with Peace go through a lot in this book, and I enjoyed seeing how each of them progressed through their latest trials and dangers.  I look forward to seeing what happens to them in the final book of the trilogy and I imagine some dark things are in store for most of them.

In addition to all the outstanding and complex main characters, Abercrombie also has a great swathe of supporting characters throughout the novel and are extremely entertaining or memorable in their own right (I was a particular fan of the wild hillwomen, Isern-i-Phail).  Abercrombie does an excellent job building these characters up through the course of the book, and there are some amazing and entertaining personalities featured as a result.  However, readers should be extremely cautious about getting too attached to some of these characters, as their life expectancy is a little less certain than the main cast.  The Trouble with Peace also saw the return of several characters featured in the original The First Law books, including a couple of former point-of-view characters.  It was great to see how their stories continued years after the heydays of their adventures, and it adds an interesting aspect to the novel.  Fans of the original trilogy will no doubt enjoy seeing these characters return but should prepare to have their hearts broken.  I really liked the various storylines associated with these characters, and I was also impressed by several twists Abercrombie threw in around them, including one particularly good twist about who the ultimate antagonist of this latest trilogy really is.  Several of the scenes that utilise a ton of separate perspectives to show a single event are often briefly shown from the perspective of some of these side characters, as well as a few additional minor characters who only appear for that scene.  The author really makes the most of these scenes, introducing the character and setting up their personality and history in short order, and then showing how that event affects them (usually in a terribly negative way).

The awesome and exciting action sequences really helped to enhance The Trouble with Peace.  Abercrombie’s books have always featured some brutal and graphic fights and examples of combat, and this latest book is no exception.  There are some very impressive fight sequences in The Trouble with Peace, and the reader is always guaranteed of some action just around the corner.  I really do have to highlight one particularly massive and well-done war sequence that occurs in the latter half of the book.  This battle is the culmination of much of the novel’s plot and has a lot of build up as a result.  Luckily, it did not disappoint in any way, as the reader is treated to a series of powerful sequences that really drag them into the midst of the fight.  Thanks to Abercrombie’s excellent writing, the reader gets an incredible sense of the chaos, the fear and the claustrophobic horrors of a battle.  I really got sucked into this major fight, especially as the author makes good use of multiple perspectives to showcase just how bad it could be in the midst of the fighting, and how destruction, death and despair can infect anyone on the battlefield.  These action scenes are exceptionally written and extremely memorable, and all I can really say is thank goodness pikes are no longer used in war.

In addition to the outstanding story, characters and action sequences, I was also quite impressed with the new elements introduced into the series’ dark fantasy world.  While part of The Trouble with Peace is set in the brutal North, most of the plot takes place in the Union, which has gone through some dark times recently.  This version of the Union is extremely different to the setting that was featured in The First Law trilogy, with a recent industrial revolution bringing both progress and problems, as the land moves away from agriculture to factories.  I really appreciate how Abercrombie has altered his primary fantasy nation since the last trilogy, and his portrayal of an early industrial nation which is on the brink of various revolutions proves to be an awesome setting for this brutal and creative novel.  The author really explores the essence and heart of the Union in this book, and there is a particular deep dive into the politics and social economics of the nation as a result.  I had a lot of fun seeing how the Union falls into war, and a lot of the elements are set up extremely well during this book and the preceding novel.  The resulting conflict has a real English Civil War feel to it at times, with the parliament-like Open Council facing off against the forces of the Crown.  All of this works extremely well as a setting, and I had an amazing time once again visiting this chaotic and dangerous fantasy world.

While I did receive a physical copy of The Trouble with Peace, I ended up listening to the excellent audiobook version which was narrated by Steven Pacey.  Pacey is a talented audiobook narrator who has lent his voice to all the previous The First Law novels.  Pacey does an outstanding job narrating this audiobook and the amazing story clips along at a substantial pace thanks to him.  The narrator also has an impressive repertoire of cool voices for the various characters featured in this book and he even utilises some of the voices of the returning characters from the original novels.  Each of these voices is distinctive and fits its respective character perfectly, which in turn enhances the book’s writing and helps to showcase the character’s personality.  All of this results in an enjoyable and deeply addictive listen and I can already tell you that The Trouble with Peace is going to be one of my top audiobooks for 2020.  Listeners should be aware that this is a substantial audiobook, which has a run time of just under 22 hours (it just cracks my top 20 longest audiobooks list).  However, I would say that it is worth the time investment to check this amazing book out in this format and listeners are guaranteed a superb listen.

Joe Abercrombie continues to cement his position as one of the best modern fantasy authors in the world today with the awesome second novel in his Age of Madness trilogy, The Trouble with Peace.  Serving as the latest instalment in the overarching The First Law series, The Trouble with Peace is a captivating and impressive novel, containing an outstanding plot, memorable multi-layered characters and intense action, all set in one of the best dark fantasy worlds in modern fiction.  The Trouble with Peace is one of the best novels of 2020 and I am so glad that I got the opportunity to read it.  Abercrombie has really knocked it out of the park again and I cannot wait to check out the final book in the trilogy next year (currently titled The Wisdom of Crowds).  You will love this book!

The Trouble with Peace Cover 2

The Black Hawks by David Wragg

The Black Hawks Cover

Publisher: Harper Collins (Audiobook – 3 October 2019)

Series: Articles of Faith – Book One

Length: 12 hours and 9 minutes

My Rating: 4.5 out of 5 stars

Prepare to join the roughest, toughest and most maladjusted mercenary band in the land with The Black Hawks by David Wragg, and excellent fantasy debut that was a lot of fun to read.

Vedren Chel is a minor noble struggling to adjust to his life as a knight and glorified servant to his lazy step-uncle.  Hoping to escape the meaningless existence that has been forced upon him, Chel suddenly finds himself thrust into a great adventure when a mysterious enemy force invades the city he is stuck in, causing panic and confusion all around.  Managing to flee from the chaos, Chel finds himself the inadvertent travelling companion to the useless and cowardly Prince Tarfel, the King’s son and second in line to the throne.

Accompanying Tarfel to safety, Chel hopes to be rewarded with his freedom and the chance to forge a new life.  Instead he finds himself swept up in the dangerous politics of the realm when he is chosen to become Tarfel’s protector and loyal servant.  Forced to accompany the prince back to the very city they just fled, Chel has very little hope for their survival.  His fears prove justified when a force of disguised men attempt to kill them the night they arrive.  Their lives are only saved when a mysterious band of warriors arrive, killing their attackers and then promptly kidnapping them.

Awakening, Chel and Tarfel find themselves under the dubious protection of the Black Hawk Company, a small group of elite mercenaries who have been hired to escort Tarfel to a mysterious destination.  Despite their unconventional tactics and makeup, the Black Hawks are a dangerous and clever collection of killers, which proves useful when several bands of assassins and fanatics associated with the kingdoms corrupt and all powerful church; converge upon the group, determined to kill Tarfel.  Deciding that their kidnappers are the only group with their best interests in minds, Chel and Tarfel accompany the Black Hawks off into the unknown.  Their journey will take them through dangers, both seen and unseen, and lead them into the very heart of the kingdom as they try to remove the corruption from within.  But dark secrets lie in store for all of them at the end of their journey and no one will be prepared for the dangers and betrayals in front of them.

The Black Hawks is an exciting and captivating dark fantasy novel that I had an absolute blast reading.  This debut novel from David Wragg was originally released about this time last year and it serves as the first entry in his planned Articles of Faith series.  I didn’t get a chance to read The Black Hawks last year, but I have been eyeing this novel off for several months now as I loved how fun its synopsis sounded.  I finally got the opportunity to read this book a couple of weeks ago and I am extremely glad that I did, as The Black Hawks proved to be an impressive and entertaining read that I ended up powering through in relatively short order.  Wragg has come up with an excellent novel that combines a compelling and slick story with some memorable characters and a dark fantasy landscape loaded with perils and betrayals.  These, combined with the book’s many intense action sequences, fun humour and several dark scenes, help to create an addictive and amazing read that I quickly fell in love with.

Wragg utilises a fun, fast-paced and compelling narrative to serve as the centre of this great book.  The entirety of The Black Hawks’ plot is told from the perspective of Chel, who is constantly falling into the midst of some world-changing events.  The plot starts off quickly, with Chel quickly finding himself in the company of Prince Tarfel and from there into the middle of a number of conspiracies and plot aimed at eliminating or manipulating the prince.  This ensures that the reader is quickly enveloped in a complex and entertaining plot which sees the protagonists surrounded on all sides by betrayals, conflicting agendas, mortal perils and all manner of conspiracies.  It was really fun and captivating to see how the various storylines turned out, and the author comes up with a number of intriguing surprises and twists to ensure that the story stays quite interesting and fresh.  There was one very major twist revealed at the end of the novel that I was particularly impressed with.  Wragg sets this twist up perfectly, with a number of hints towards it scattered throughout the book.  While I was able predict some of what was going to happen in advance, I was pleasantly surprised with some of the other revelations that came to light, and this beautifully cultivated twist was one of the high spots of the book.  I was also expecting a completely different ending to the novel, perhaps something a tad more light-hearted, but I liked the direction that Wragg took it instead, especially as it means that I will be grabbing the eventual sequel to this novel as soon as possible to see what happens next.  Overall, The Black Hawks contains a really enjoyable and smartly written narrative, and I had an outstanding time getting through it.

One of the best parts of The Black Hawks is the enjoyable and distinctive characters that Wragg has come up with.  The book’s main protagonist is Vedren Chel, who serves as the story’s point-of-view character.  Chel starts off as a fairly typical fantasy character: a young, bored minor noble who finds himself suddenly involved with events outside of his understanding.  However, as the story progresses, he shows himself to be a much more complex character, mainly thanks to his dedication to Prince Tarfel, who he becomes sworn to.  Tarfel is a spectacularly naive and incompetent royal, who is usually completely unaware of the danger that he finds himself in, or the full scope of the conspiracies playing out around him.  Despite recognising how useless Tarfel is, Chel takes his oath seriously and does all he can to protect him, even though that essentially means he gets the crap kicked out of him every second chapter or so.  This dogged loyalty and determination to do the right thing makes him quite an appealing protagonist, and he proves to be a rather resourceful individual who starts to fit in with the members of the Black Hawk company who kidnap him.  This camaraderie with the Black Hawks, something that he has been missing for most of his life, results in several great scenes, especially as he finds himself conflicted in his loyalty to them and to Tarfel.  Overall, his character arc goes in some interesting directions, and it was great to see him grow as a person through the course of the book.  Tarfel also grows a little during the course of the novel, becoming slightly less boorish and a little more capable.  Some of the reveals at the end of the novel have some rather large impacts of Tarfel’s personality, as he completely re-evaluates his entire life, and it will be rather interesting to see what happens to him in the future novels.

While Chel and Tarfel are both great characters to anchor the main plot around, the most entertaining and memorable characters are easily the members of the titular Black Hawk company.  The Black Hawks are a small group of dangerous mercenaries who have banded together after failing to fit in with all the other companies.  Wragg has gone out of his way to create a distinctive band of mismatched rogues to fill the ranks of the Black Hawk company, and there are a number of fun characters introduced as a result.  These members include a grim and taciturn leader with a notorious hidden past seeking redemption, a shadowy archer who has had her tongue cut out, a beautiful but lethal swordswoman, the group’s dangerous and self-serving assassin who is probably going to betray everyone, and a philosophical giant.  While there are a few stereotypical fantasy roles in there, such as with the Black Hawk leader, this turned out to be a particularly fun group of characters.  My personal favourite was Lemon, a short, red-haired human woman with a crude personality, amazing sense of humour and a fascination with her arsenal of axes (essentially a classic fantasy dwarf character).  Lemon is a great entry in the book, especially as she serves as the story’s main comic relief and is generally the most likeable and entertaining character in the novel, especially when she regales the protagonist with her blunt and tasteless jokes.  I really liked the excellent group dynamic that Wragg came up with for the members of the Black Hawks, and while they work together and are friends, there is a real sense of how mismatched the group is as all of its members are more individualistic than a team player.  All of these characters are great and Wragg does an excellent job introducing each of them and ensuring that all of them get their moment to shine throughout the course of the story.  However, he makes sure to keep most of their backgrounds hidden from the protagonist and the reader, ensuring there is a certain amount of mystery and mystique around them.  While certain hints about their past are revealed, for the most part the reader is left in the dark about who these people are and what brought them to the Black Hawks.  I imagine that Wragg plans to reveal each of these character’s full backstories throughout the course of the series and now that I am somewhat invested in them, I look forward to finding out more about their pasts.

In addition to the fantastic story and amazing characters, The Black Hawks features an excellent new dark fantasy world that serves as an awesome setting to this book.  Wragg’s novel features a somewhat desolate fantasy kingdom, ruined by years of constant warfare and ruled over by a corrupted and militant religious order that is desperately clinging to power.  This proved to be a really cool and enjoyable setting for the novel, and readers quickly become intrigued by the chaotic events occurring throughout the landscape.  While Wragg does drop the reader into this setting with any preamble and gets the story going rather quickly, the reader is never really lost about what is going on in this setting, and the author provides the relevant details about the fantasy world when necessary.  This proved to be an excellent overall setting, and I really liked seeing how all the politics and religious strife worked out.  This world also has a lot of potential for expansion, with a number of different nations and regions mentioned throughout the course of The Black Hawks’ story.  I imagine that the series will eventually visit many of these locations in the future, which should result in some interesting and enjoyable storylines, and I look forward to seeing how that turns out.

I ended up listening to The Black Hawks through its audiobook format, which runs for just over 12 hours and is narrated by Colin Mace.  This proved to be an excellent way to enjoy The Black Hawks, and I was able to power through it in only a few days as it was a really easy novel to listen to.  Thanks to Mace’s enjoyable narration, readers will be able to fly through this exciting and fast-paced story without losing focus for a second.  Mace also does a number of excellent voices for the various characters in the novels, capturing the diverse personalities and over-the-top characters really well.  As a result, I felt that this format was an awesome way to enjoy The Black Hawks and the audiobook comes highly recommended.

The Black Hawks by David Wragg was a cool and impressive dark fantasy adventure that I am really glad I checked out.  Thanks to his captivating and action-packed story, distinctive characters and dark fantasy setting, Wragg knocked his debut out of the park, creating an awesome overall read.  I had an amazing time listening to this fantastic book and I am looking forward to seeing how the story continues in the second Articles of Faith novel.

Throwback Thursday: Dogs of War by Jonathan Maberry

Dogs of War Cover

Publisher: Macmillan Audio (Audiobook – 25 April 2017)

Series: Joe Ledger – Book Nine

Length: 17 hours and 45 minutes

My Rating: 5 out of 5 stars

For this week’s Throwback Thursday, I check out Dogs of War by Jonathan Maberry, the 9th novel in the action-packed, over-the-top Joe Ledger series.

People familiar with my blog will be aware that over the last year or so I have been making my way through Maberry’s Joe Ledger science fiction thriller novels.  I have been a little obsessed with these books ever since I first checked out the 10th novel in the series, Deep Silence, and then went all the way back to book one, Patient Zero, to see how the series started.  Ever since then I have worked my way through the rest of the Joe Ledger novels, each of which has proven to be a pretty top notch read.  I absolutely love the clever writing style, unique stories and distinctive characters that Maberry features in these novels, and I usually power through them in extremely short order.  Dogs of War is no exception, as I was able to get through this in less than a week and it did not take long for me to get addicted to its intriguing and exciting plot.

Following the disastrous events of Kill Switch, the Department of Military Sciences (DMS), a secret American counterterrorist unit that focuses on dangerous and unusual technology and science, is damaged and discredited.  However, they are still determined to do good throughout the world, and their main field agent, the legendary Joe Ledger, is always keen for a new case.  So when his brother calls him out of the blue with an unusual mystery, Ledger does not hesitate to head back to Baltimore in order to investigate.

Arriving in his former hometown, Ledger discovers a curious set of circumstances.  A young street worker went on a rampage, killing several people before dying herself.  The cause of her madness appears to be a new strain of rabies, which was apparently triggered by nanobots in her brain.  Attempting to investigate more into the case, Ledger finds himself and his family targeted by ruthless killers with advanced technology, determined to ward him off the case.  It soon becomes apparent that the death of the young girl in Baltimore is just the tip of the iceberg, as other mysterious events and attacks occur across America, many of them targeting members of the DMS.  A new enemy has risen from the ashes of the DMS’s old foes, and she is determined to bring about a new world order.  Worse, the DMS’s most dangerous enemy has returned, ready to rain chaos and destruction down on the entire world.  Can Ledger and his team defeat this ruthless team of villains before it is too late, or will Ledger face the greatest tragedy of his life?

So, after reading all 10 Joe Ledger novels (as well as the spinoff novel, Rage), I have come to the conclusion that is actually impossible for Maberry to write a bad Joe Ledger novel.  I was once again blown away while reading this ninth book as Dogs of War contained an epic and addictive story that I could not stop listening to.  Maberry continues to utilise his distinctive writing style in this book, setting up a captivating and clever story that is loaded with intense action, likeable characters, memorable antagonists and a devious plot to end the world.  This results in a very captivating read and Dogs of War gets an easy five stars from me.  This is actually one of my favourite novels in the series and is probably the best one I have read this year (by a very small margin; Predator One and Kill Switch are both really good).  Also he briefly mentions my Alma mater, ANU, so yay for that!

Dogs of War contains an absolutely fantastic story that sees the fun and complicated protagonist, Joe Ledger, face off against another world ending threat.  Just like in the rest of the series, Dogs of War’s narrative is cleverly constructed with about half the novel is told from the point of view of Ledger, as he encounters the antagonist’s plot in real time.  However, the rest of the novel features a large array of alternate perspectives and preceding time periods that expands the range of the story and helps to create a complex and captivating narrative which really grabs the reader’s attention and interest.  Maberry backs up this great storytelling with a thrilling and action-packed narrative that is fast-paced and delightfully over-the-top.  I really love the unique science fiction thriller storylines that Maberry features within Dogs of War and I appreciated all the cool connections that it has to previous novels in the series.  This cool story will appeal to a wide range of different readers and it is extremely accessible to people who are unfamiliar with the Joe Ledger series as Maberry goes to great lengths to explain all the various story elements and characters featured within the book.  That being said, I really need to emphasise just how truly over-the-top this story could be, as there are a number of scenes that some readers may find uncomfortable or hard to read.  This includes some very graphic fight sequences and some rather disturbing sexual content, some of which, if I am being honest, is way too excessive (one flashback scene features the underage antagonist getting deflowered by a literal demon right after her mother’s funeral, which happened to coincide with 9/11).  Still I have a lot of love for the way in which Maberry constructs a Joe Ledger story, and Dogs of War is a truly fun and thrilling story as a result.

Just like with the previous novels in this series, Maberry has anchored his amazing story on a fantastic collection of characters who really help to enhance the narrative and turn this into a first-class read.  The main character is the series’ titular protagonist, Joe Ledger.  Ledger is an extremely complex character due to his fractured personalities and intense emotional range, and it is always incredible to see the story through his eyes, whether he is feeling each and every emotional blow that comes as way as a result of the case, or he is dishing out severe and brutal vengeance to those who have wronged him.  Ledger is also the cause of most of the book’s enjoyable humour, as he has an extremely flippant outer personality, including a hilarious and sarcastic inner monologue, which becomes especially funny when he encounters the various strange and over-the-top elements that this series is known for.

In addition to Ledger, Maberry also does an amazing job reintroducing and utilising the various recurring characters who have been featured in the previous entries in the series.  All of the side characters have their own distinctive and enjoyable personalities, and fans of the series will really appreciate seeing many of these characters return and continue their various individual storylines.  This includes the two surviving members of Ledger’s personal strike team, Top and Bunny, who serve as a great backup throughout the novel and get into some dangerous scrapes of their own.  I particularly appreciated the way in which the author examined and showcased the emotional damage that these two characters have been dealing with since the traumatic events of Kill Switch, and it added an amazing sense of realism to the story.  I also absolutely loved seeing more of Ledger’s attack dog, Ghost, the best and most lovable canine killing machine in all of fiction.  It is an absolute testament to Maberry’s writing ability that he is able to install such a fun and memorable personality into a fictional dog, and you can’t help but love it when Ghost is on the page doing his thing.  That being said, one of the best characters in the novel has to be the mysterious head of the DMS, Mr Church.  Church is a calm and measured figure throughout the novel, grounding the various main characters and providing stable leadership to them.  However, the main appeal of Church lies around his enigmatic nature and past.  Maberry has built up such an amazing amount of mystique around this character that anytime a little hint or mention of his past is presented the reader absolutely laps it up as they try to figure out who or what he is (is he an alien, an angel, some form of immortal hero from history? You just don’t know).  Dogs of War features several more tantalising hints and clues about this, and you get some very interesting glances into his past, although there is still so much mystery.  I really loved seeing all these great characters again, and it was fantastic to see how the story unwinds around them.

No Joe Ledger novel would be complete with a sensationally evil villain with a complicated past and an elaborate master plan, and Dogs of War features both in spades.  The main antagonist of this novel, Zephyr Bane, is a rather intriguing character with a unique view on the world and a range of connection to some of the villains previously featured in the series.  Maberry does an outstanding job building up this antagonist throughout the course of Dogs of War, including through a series of interludes that show key moments in Zephyr’s life, such as how she came up with her plans and how she was tutored in the art of villainy.  While Zephyr is a great antagonist, Maberry doubles down on the villainy in the novel by introducing another sinister opponent for the DMS to face.  This second antagonist is someone who has appeared in several of the past Joe Ledger novels, although his identity is hidden for a good part of the book (although fans of the series will work out who they are rather quickly).  This character is another particularly mysterious being, who spends most of the book manipulating events from the shadows, giving the reader hints at who they are and what they are capable of.  A major highlight of this novel is this villain’s long-awaited showdown with a major Joe Ledger character, and this fated interaction does not disappoint, even if it leaves the readers with more questions than answers.  Overall, these are some fantastic antagonists, and I absolutely love seeing the outrageously evil opponents that Maberry comes up with for these books.

I also have to highlight the extremely complex and intricate evil plot that these antagonists came up with for Dogs of War.  This was a great, high-stakes plan that contained a lot of different elements that are slowly revealed to the reader throughout the course of the book.  Not only does Maberry make great use of flashbacks and interludes to show how this plan came to pass and the various planning stages but he also spends time examining how the antagonists attempt to counter the inevitable interference from the DMS.  Both of the main antagonists have had interactions with the DMS before, and they know that any plan they implement will gain the attention of the DMS at some point.  As a result, they come up with a number of counters and tactics designed to directly target key elements of the DMS in order to take them off the board.  This was a really clever part of the story, as not only does it add an extra level of drama to the narrative, especially when Ledger is emotionally targeted, but it also represents a clever bit of continuity with the rest of the series.  A lot of the weaknesses that the antagonists attempt to exploit were previously introduced or discussed in some of the previous Joe Ledger novels.  The antagonists subsequently try to learn from the mistakes of their predecessors when they utilise these weaknesses, resulting in a lot of tension as some of the characters you are invested in are personally targeted.  I think this was one of the more inventive master plots that Maberry has come up with for the Joe Ledger series.

One of the most fascinating parts of Dogs of War was the author’s examination of certain real-world technologies.  Throughout the course of the book, the author examines all manner of technological marvels in great detail, including nanobots, advanced robots, drones, computer technology and artificial intelligence.  This results in a number of intriguing discussions as the various characters consider all the applications and impacts that such technology has on the world, these technologies are then cleverly worked into the plot of the book as the antagonists utilise them for their evil plans.  Not only is this immensely interesting and highlights the research that the author has obviously done, but all this technology adds a certain amount of real-world menace to the book.  As Maberry takes pains to explain at the very front of the book, all of the technologies that he features within Dogs of War is either in development, currently being tested or already exist in the real world.  As a result, the reader gets a little bit of dread at the thought that a lot of the terrible things that Maberry features within Dogs of War could happen in real life.  This of course helps to ratchet up the tension and suspense within the novel, and I really appreciated how the author used this to make the story even better.  Also, you get to see the protagonist go up against a bunch of robotic dogs, which is just awesome on so many levels.

In order to enjoy Dogs of War I checked out the audiobook format of the novel, which has a decent run time just short of 18 hours.  I absolutely love the Joe Ledger audiobooks and they are by far my preferred way to enjoy these fantastic novels.  The main reason for this is the awesome narrator, Ray Porter, who has lent his talent to every novel in the Joe Ledger series, including Dogs of War, and whose voice really enhances these books.  Porter, who is probably my favourite audiobook narrator at the moment, does an amazing job bringing the characters and the story to life, thanks to his memorable voices and the impressive way that he loads each word with so much emotion and personality.  You always get an incredible sense of the character’s emotions, as the anger, rage, fear or grief that they go through always comes through so clearly.  I particularly love the way that Porter brings the series’ main character, Joe Ledger, to life, as he perfectly captures Ledger’s diverse emotive range, including his boundless anger and his outrageous and sarcastic humour.  I also love the incredible voices he utilises for some other characters, such as the mysterious Mr Church, and his depiction of him contains all the necessary gravitas and power to match the character described in the text.  I also liked the way in which Porter loads one of the antagonist’s voices up with such pure menace and hatred, turning them into a very threatening figure in this format.  All of this made listening to Dogs of War an absolute treat, and I cannot recommend the Joe Ledger audiobooks enough.

Dogs of War was another excellent and addictive entry in Jonathan Maberry’s Joe Ledger series, and I had an amazing time listening to it.  Featuring an outstanding story, awesome characters and so many other fantastic elements, this was an incredible read and I am extremely glad that I checked it out.  I have to admit that I am actually a little sad to have finished off Dogs of War, as that was the last Joe Ledger novel that I had to read.  I have really enjoyed going back and checking out all of the wonderful novels in this superb series, and I will have to get my science fiction thriller fix somewhere else in the future.  Luckily, Maberry actually references several other great series in Dogs of War that could be worth checking out, including the Sigma Force, Seal Team 666 and Chess Team thriller novels, all of which apparently exist in a shared universe with the Joe Ledger books.  I will have to have a think about look at some of these in the future, especially as I wait for Maberry to write another entry in his spin-off Rogue Team International series.  In the meantime, Dogs of War is really worth reading and it comes very highly recommended from me.

How to Rule an Empire and Get Away with It by K. J. Parker

How to Rule an Empire and Get Away With It

Publisher: Orbit (Trade Paperback – 18 August 2020)

Series: The Siege – Book Two

Length: 357 pages

My Rating: 5 out of 5 stars

Prepare to laugh like crazy with How to Rule an Empire and Get Away with It by K. J. Parker, an intensely funny and clever fantasy read that was one of my most anticipated releases of 2020.

Several years after their home fell under a brutal and prolonged siege, the inhabitants of the City have settled into a new way of life.  There may be a vast army camped on the plains outside and the occasional catapult shot may demolish a house or two, but that does not mean that people cannot make some money and get on with their lives.  This includes Notker, an acclaimed actor, skilled lookalike and mediocre playwright, who scrapes a living by impersonating the rich and powerful of the City at parties while trying to get someone to pay him money for his latest play.  However, what Notker does not know is that fame, opportunity, and a rather large boulder are about to land in his lap.

When the City’s greatest hero and nominal leader, Lysimachus, secretly dies, his followers/handlers, desperate to stay in power, recruit Notker to play the role of a lifetime.  Impersonating Lysimachus, Notker continues to act as the city’s figurehead, allowing life to go on, and he even begins to think he has a handle on this simple job, until someone tries to murder him.  Now he finds himself in the midst of a brutal and ongoing power struggle as the various power players in the city attempt to manipulate him for their own ends resulting in him being crowned as Emperor of the entire Robur Empire (or what is left of it).

As Notker attempts to find some sanity within his home, he begins to understand what a fragile position the City is in.  With enemies surrounding them and the besiegers slowly overcoming the City’s defences, Notker needs to choose between making a run for it or trying to save the City.  But what difference can one very good actor make in a war?  If Notker has anything to do with it, everything!

How to Rule an Empire and Get Away with It is another spectacular and extremely entertaining fantasy novel from legendary fantasy writer, K. J. Parker.  Parker, a pseudonym of bestselling author Tom Holt, has written a vast catalogue of books over the years, including a substantial collection of humorous and satirical fantasy novels.  I first really got into Parker’s work last year when I was lucky enough to receive a copy of the awesome Sixteen Ways to Defend a Walled City, a very funny novel that focused on a conniving engineer as he thwarted a massive army through guile, tricky and a substantial amount of BS.  Sixteen Ways to Defend a Walled City was an amazing read and it was easily one of my favourite books of 2019.  As a result, I have been eagerly keeping an eye out for any additional releases from Parker and was very excited when I saw that How to Rule an Empire and Get Away with It was coming out.  I was especially intrigued when I learnt that this latest Parker novel was some form of sequel to Sixteen Ways to Defend a Walled City, and I was very, very happy when I got my copy of this latest book.

This new novel from Parker proved to be an extraordinary read and it was easily one of the funniest novels of 2020.  The author writes a clever, fast-paced and addictive story that utilises the author’s unique sense of humour to create a very entertaining piece of literature.  This is a very enjoyable read, and fans of Parker’s work will love that How to Rule an Empire and Get Away with It is a sequel to Sixteen Ways to Defend a Walled City, continuing some of the great storylines from the prior book.  I had an outstanding time reading this book and it gets an easy five-star review from me.

Parker presents another brilliant and witty story for How to Rule an Empire and Get Away with It that follows the adventures of another unlucky and jaded protagonist as he tries to survive the chaotic events unfolding around him.  Just like with Sixteen Ways to Defend a Walled City, this novel is written purely from the perspective of the protagonist as he chronicles his actions and personal history into a historical text.  This results in a very fast-paced and hilarious story, as the main character bounces from one bad situation to another, encountering plotters, ambitious politicians, angry crime bosses, dangerous invaders and one particular fierce actress who serves as Notker’s leading lady.  I absolutely loved the various outrageous and challenging situations that the protagonist finds himself in, and Parker does a fantastic job presenting them in a humorous way, showing how silly everything is and the various, clever and well-written solutions to these problems.  The entire story goes in some very fun and compelling directions and this ends up being an overall excellent narrative that is extremely well written.  I was able to predict the overall conclusion of the story somewhat in advance, but Parker did an amazing job setting it up and it resulted in a very entertaining and satisfying conclusion.  This was such an amazing story and I had an absolute blast getting through it, laughing my head off the entire time.

As part of this awesome and entertaining story, Parker sets up a whole new protagonist for this novel, Notker the liar.  Notker is another fun protagonist in a similar vein to the main character of Sixteen Ways to Defend a Walled City, in that he is a self-serving and opportunistic individual who is mostly looking out for his own wellbeing.  This changes once he takes on the assignment of impersonating the dim-witted but charismatic Lysimachus and soon finds himself responsible for the safety of the city.  While at first he is mostly trying to survive and find a way to escape from all the insanity and backstabbing that is his life, once he becomes more aware of the situation facing the City and the danger it is really in he begins to take on more responsibility, manipulating everyone so that they can start fighting a more effective war.  I really liked seeing this protagonist attempt to take control of the situation surrounding the City, especially as he appears to be one of the only sane people around.  Watching his various incredulous reactions to the problems presented to him and his various solutions, which are a combination of common-sense responses and brilliant but out-there tactics, is really entertaining.  I especially loved how Parker played up the actor/screenwriter aspect of the character as many of his greatest tricks are derived from theatre techniques, such as selling something to a crowd, misdirection or the value of good lighting.  There is also a great underlying aspect to the character as he pretends to be Lysimachus and he needs to strike a balance between responses that Lysimachus would have done and his own common sense and craftiness.  This compulsion to act like Lysimachus actually becomes a major problem for Notker as he enjoys being the heroic former gladiator and soon begins emulating him instead of acting in his usual manner of self-preservation.  All of this results in another complex and likeable central character who the reader cannot help but root for as he attempts to survive.  I really liked how Notker’s story progressed and it was a real joy to read about him from start to finish.

Another thing that I really enjoyed about this book was the way in which it acts as a fantastic and humorous follow-up to Sixteen Ways to Defend a Walled CityHow to Rule an Empire and Get Away with It is set in the same city as the author’s 2019 release, and the story begins a few years after the events of this proceeding novel.  This new novel mostly presents a new story, told from the perspective of a different protagonist, but it does have a lot of connections to the previous novel.  The individual Notker is impersonating, Lysimachus, was a side character in the first novel, serving as a bodyguard to the original protagonist.  In this book it is revealed that following Sixteen Ways to Defend a Walled City, Lysimachus, a champion gladiator and a revered public figure, was given all the credit for the original protagonist’s efforts following his death.  Parker does a fantastic job revealing this to the reader, and it is extremely fitting in the scope of the first novel as this original protagonist was always getting overshadowed and overestimated.  The author makes sure to really drive this point home by completely excluding the name of the previous protagonist throughout How to Rule an Empire and Get Away with It, just to emphasise how no one in the city truly remembers who he was or what he did, which is pretty darn hilarious.  The novel contains a number of fantastic references to the events that occurred with the previous book, including giving Notker a copy of the previous protagonist’s memoirs (which formed the basis of Sixteen Ways to Defend a Walled City).  Notker of course then provides his own witty two cents to this memoir, providing a writer’s critical analysis, including doubting some of the events that occurred, such as the coincidence around the protagonist being the childhood friend of the mastermind of the siege.  All of this definitely adds a lot to the book’s overall humour, and it is always entertaining to see an author make fun of his own work.

Despite these fun references and the continuation of some story elements from Parker’s previous book, How to Rule an Empire and Get Away with It is very much its own novel, taking the reader on a whole new fun adventure.  As a result, you really do not need to have read Sixteen Ways to Defend a Walled City first, although it is a lot of fun to see the previous book’s events lampooned in this novel.  Indeed, due to the fact that the protagonist and point-of-view character has no idea of the full events of the previous book, you get a good overview as everything is explained to him, which is fun.  Overall, this serves as a very entertaining sequel to this amazing previous book and I will be interested to see if Parker decides to continue the story in some way, which I have no doubt will be another incredible read.

How to Rule an Empire and Get Away with It is a truly awesome and enjoyable read, and author K. J. Parker lived up to all my expectations with this book.  Not only does it contain a captivating and addictive narrative anchored by a likeable and complex main character, but it is also intensely funny.  I loved every second that I spent reading How to Rule an Empire and Get Away with It, and this was without a doubt one of the best books that I have read this year.

Throwback Thursday – Redshirts by John Scalzi

Redshirts Cover

Publisher: Audible Frontiers (Audiobook – 5 June 2012)

Series: Standalone

Length: 7 hours and 41 minutes

My Rating: 4.5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Prepare to dive into one of the most meta and entertaining novels you will ever read with Redshirts by John Scalzi, a fun and clever Star Trek parody that explores what it must be like to be a background character in a science fiction series.

John Scalzi is a well-established and highly regarded science fiction author responsible for a number of impressive and expansive series.  Some of his best-known works include his Old Man’s War series, his Lock In novels and his The Interdependency series, the last of which I have been eying off for a couple of years now and have been meaning to check out.  Each of these series sounds really exciting and have received a lot of positive praise from readers and reviewers.  In addition, Scalzi has also written three standalone novels, each of which has a very fun concept behind it, including the focus of this review, Redshirts.  While I am extremely interested in some of Scalzi’s other works, the moment I found out that he had written a Star Trek parody novel told from the perspective of a redshirt, I grabbed myself a copy of its audiobook format and I have been looking for a chance to listen to it.  Last weekend I had a long car trip with my wife/editor Alex, and we decided that listening to Redshirts would be the perfect entertainment for the drive.

Redshirts takes place in humanity’s far future, aboard the flagship of the Universal Union, the starship Intrepid.  The Intrepid is the pinnacle of human ingenuity and exploration, containing only the most talented crew and scientists that humanity has to offer.  In all respects it seems like the perfect posting for newly commissioned Ensign Andrew Dahl, but it does not take long for Dahl to suspect that there is something seriously wrong aboard the Intrepid.  Not only does the lab that Dahl is assigned to have a magical box which solves every major problem that the ship runs into (with only seconds to spare, without fail), but the entire crew is terrified of the captain and his senior officers, actively trying to avoid them and the near constant away missions.  The crew has come to realise that the away missions are guaranteed to be lethal, with any crew member who joins likely to die while the senior officers constantly walk away without a scratch (with the exception of the unlucky Lieutenant Kerensky).  Now a great deal of energy is place into avoiding an away mission at all cost, with new transfers to the ship kept in the dark until it is too late.

As Dahl and his friends begin to realise the full extent of the terror that has engulfed the ship they attempt to find some sort of answers for what is going on.  However, the more deadly adventures that they go on the more obvious it becomes that some mysterious force is controlling their actions and causing their deaths.  With the lives of every crewmember aboard the Intrepid at stake, Dahl and his friends are left with only one crazy plan, to hunt down the beings controlling them and convince them to stop no matter the cost.  However, what happens when these expendable redshirts end up meeting their own creators?

I am going to say right of the bat that both Alex and I absolutely loved this book and we had an incredible time listening to it.  A good indication of how much we enjoyed it can be seen in the fact that we easily and eagerly powered through it during the two halves of our car trip without any breaks, laughing our asses off the entire time.  Redshirts is an extremely funny and clever novel that acts as both a parody of and a love letter to the Star Trek television show.  Scalzi has come up with a truly awesome and enjoyable novel that combines an amazing amount of humour and parody with a clever and heartfelt story.  This results in a memorable and addictive tale which you cannot help but enjoy, especially if you are a major fan of Star Trek.

For this great novel, Scalzi has come up with a very compelling and enjoyable story that acts in many ways like a unique combination of Galaxy Quest, The Cabin in the Woods and The French Mistake episode of Supernatural.  The story focuses on Ensign Dahl and his friends as they begin to work out the issues aboard the Intrepid.  This is a very fast-paced narrative and the reader is soon introduced to all the mysterious events occurring on the ship, from the terrified crew, the weird science, the exceedingly dangerous and improbable away missions and the strange characters who seem to have the answers.  All of this is shown to the reader in a very clever way, and while you are expecting many of these events occur, especially if you are familiar with Star Trek, seeing these characters react to the various odd occurrences with realistic shock and scepticism is a great source of entertainment.  Following the initial introduction, you get several chapters of the protagonists humorously traversing a chaotic ship full of self-aware redshirts desperately trying to avoid their fates.  The various attempts by the characters to understand what is going on and change their fates are amazing, if a little tragic in places, and this is a very comedic part of the book loaded with some of the best jokes at Star Trek’s expense.  The story then takes a very interesting change of direction as the protagonists undertake a desperate plan (inspired by a classic Star Trek film) to save the ship and prevent their upcoming deaths.  This third part of the book is exceedingly meta, and fans of both Star Trek and surreal, self-referential fiction will love where the story goes and various clever character interactions that occur.  These distinctive parts of the book come together extremely well and form an intricate and captivating overall narrative that fits a lot of story elements into a relatively short novel.  I had an amazing time listening to this complex story, as not only did it make me laugh, but it also made me care about the various characters who are introduced throughout the course of the book (something which the author is aware of and sadistically exploits at times, especially with that last joke at the end of the main story).

In addition to the main story, Scalzi also features three substantial codas at the end of the novel.  These codas are essentially short stories that follow side characters the protagonist meets during the course of the main narrative.  While I would normally be a little concerned about some concluding material taking up so much space from an already shortish novel, these codas are extremely well written and contribute a great deal to the book.  Titled Coda 1, 2 and 3, the codas are told in the first, second and third person narrative respectively, and contain some truly impressive and touching character-driven narratives.  These extremely clever codas really dive down into the psyches and emotions of their respective characters, showing their own complex histories and how their encounter with the protagonist had such a major impact on them.  Of the three, my favourite is probably Coda 1, which is easily the funniest, containing a very humorous series of blog posts, although Codas 2 and 3 are both emotionally rich and heart-warming.  While some readers may be tempted to skip these codas after the main story is finished, I would very strongly recommend checking each of these out as you are guaranteed to come away being extremely attached to each of these great side characters and also feeling a lot better after hearing each coda’s happy ending.

While Redshirts also has its own unique and captivating story at its heart it is an extremely funny parody of the iconic Star Trek television show.  Scalzi is clearly a fan of the series as he expertly works all manner of fun jokes and references to the show into the novel.  The Intrepid and its bridge crew are clear parodies of the Enterprise and the main characters of The Original Series, and Scalzi does an amazing job working his narrative around them, emphasising all their iconic character traits and showing just how ridiculous they and their actions are to the eyes of a normal person.  This includes the captain’s dramatic tone and way of over exaggerating events, and the poor junior officer with a Russian accent who gets the crap kicked out of him every single episode and yet is fully recovered by the next adventure without a hint of injury or PTSD.  Redshirts contains all manner of references or parodies to the over-the-top, badly written or ridiculous elements of the show, and Scalzi lovingly features and critiques them in an amazingly funny way; everything from the evolutionarily questionable alien monsters, the repetitive space battles (those poor people on decks six to twelve!) and the high death toll of the normal crew.  The highlight of the book has to be the terrified and disbelieving reactions that each member of the crew has to the events going on around them, and the fun and exaggerated attempts to survive them.  I also really loved the comedic metafiction elements of the book, which allowed Scalzi to take some humorous shots at the writers and creators of shows like Star Trek.  While this humour is obviously geared towards Star Trek fans, you really do not need to have a lot of in-depth knowledge of the series to appreciate the humour.  Anyone who has a passing knowledge of Star Trek and its tropes will find this book deeply amusing and hilarious and you are guaranteed to have a fun time getting through it.

While I absolutely loved Redshirts’ story, I did find that the dialogue was a little clunky in places.  While most of the conversation is quite fun and snappy, the overabundance of dialogue tags and the extreme overuse of the word “said” gets repetitive and distracting, especially in scenes where the conversations fly thick and fast.  In some heavy dialogue scenes, “character 1 said”, “character 2 said”, “character 3 said” repeats about 20 times in a minute, which is really distracting.  If Scalzi had used more variety in indicating which character said what, this book would have been pretty damn perfect.  But the story and the comedy were strong enough to overcome most of these issues, and I chose to focus on them instead.  However, I can easily see other readers getting a little frustrated with this, which would be a real shame as this is a very fun book.

The audiobook format of Redshirts ran for 7 hours and 41 minutes, although it is a closer to six hours if you decide to skip the codas at the end of the book.  This was an extremely easy audiobook to listen to quickly and we absolutely flew through it.  One of the main reasons that we were so interested in this book is because the audiobook is narrated by Wil Wheaton.  Now, there is obviously a lot of appeal to Wil Wheaton, or any cast member of a Star Trek television show, getting involved in a parody like this, but Wheaton did a pretty good job narrating this audiobook.  Wheaton had a great voice for this novel, and he was able to keep the audience’s attention through the entirety of the story.  While he did not really change his voice from character to character, the listener was generally able to tell when someone new was talking (ironically thanks to the author’s overuse of “said”).  Wheaton was, however, extremely adept at expressing the relevant emotions of the characters through his voice, and the fear, anger, frustration and sheer disbelief of the protagonist and the people he encounters really shines through.  I also really enjoyed his portrayal of the Intrepid’s senior crewmembers, each of whom is a parody of the main characters from Star Trek: The Original Series.  I particularly had a lot of love for the Captain’s “dramatic voice” that Wheaton did, which really captured the over-the-top tone Kirk had when he was excited or animated.  Overall, the audiobook format is a fantastic way to enjoy Redshirts and I would definitely recommend it to anyone interested in checking this novel out.

Redshirts by John Scalzi is a masterful and hilarious novel that presents the reader with a wonderful and clever parody to the classic Star Trek television series.  While there are some style issues associated with the dialogue, the story is loaded to the brim with all manner of great jokes, interesting characters, compelling plot elements and a whole lot of meta comedy.  An absolutely fantastic read that will appeal to all manner of Star Trek fans or people in need of a good laugh, Redshirts comes highly recommended and I can guarantee that Wil Wheaton’s audiobook format will serve as a great form of entertainment for a long road trip.

Harrow the Ninth by Tamsyn Muir

Publisher: Recorded Books (Audiobook – 4 August 2020)

Series: The Locked Tomb – Book Two

Length: 19 hours and 51 minutes

My Rating: 5 out of 5 stars

Sensational author Tamsyn Muir follows up her incredible 2019 debut with another epic, complex and infinitely entertaining hybrid novel, Harrow the Ninth.

Tamsyn Muir burst onto the writing scene with a real vengeance last year with her debut novel, Gideon the Ninth, the first book in The Locked Tomb series.  Gideon the Ninth was an extremely clever and compelling novel that followed a group of spacefaring necromancers who were summoned to the house of their Emperor and god, and given an opportunity to learn from him and become Lyctors, immortal beings with immense necromantic power who are considered to be living saints.  What they instead found was a haunted manor filled with secrets, weird experiments and mysterious hints at the past.  The protagonist of this first novel was the titular Gideon, a smart assed, foul mouthed lesbian swordswoman who was reluctantly serving the necromantic lady of the Ninth House, Harrowhark Nonagesimus.  I absolutely loved Gideon the Ninth and it was easily one of my favourite debuts of 2019.  As a result, I was rather intrigued when I heard about its sequel, Harrow the Ninth (which, as you can see above, featured another intense and beautiful cover by the talented Tommy Arnold) and I eagerly grabbed an audiobook copy of it when it came out.  I have to say that I am extremely glad that I decided to do so as Harrow the Ninth turned out to be a truly outstanding book and I had an incredible time reading it.

Harrow the Ninth is set shortly after the dramatic conclusion to Gideon the Ninth and switches the focus of the novel over to Harrowhark, who has succeeded in becoming a Lyctor at great personal cost.  Now alone, mentally scarred and more powerful than ever, Harrow finds herself in the personal care of the Emperor of the Nine Houses, who is determined to use his new Lyctor in a deadly war against an ancient and powerful terror, a Resurrection Beast, the insane and vengeful ghost of a murdered planet.

Travelling to the Mithraeum, the Emperor’s isolated sanctum, Harrow finds herself trapped aboard a desolate space station with her god and her fellow Lyctors.  Each of her companions on the station has their own agenda and motive for being there, and all of them are seeking to use Harrow for their own ends.  Worse, as Harrow attempts to learn the full extent of her new powers and abilities, it becomes apparent that something has gone wrong with her transition to Lyctorhood.  Her body keeps failing her, her swordcraft is shoddy, her blade makes her nauseous and her mind keeps presenting her with impossible scenarios.

As the Resurrection Beast comes ever closer to the Mithraeum, Harrow desperately attempts to understand everything that is happening to her and learn how to survive the oncoming attack.  However, she finds herself distracted with the machinations and plots of her untrustworthy rival and the attitudes of her three ancient tutors, especially as at least one of them is trying to kill her.  Can Harrow unwrap all of the dark secrets that lie hidden on the Mithraeum before it is too late, or will the entire Empire fall into ruin before them?

Well damn, now that was a truly enjoyable and incredible read.  Harrow the Ninth is a complex, clever, entertaining and exceptionally well written novel that does an awesome job following on from Muir’s impressive first novel.  I had an absolutely amazing time reading this fantastic book, which I think in many ways is somewhat stronger than Gideon the Ninth.  Not only does Harrow the Ninth have a deeply captivating story that successfully utilises elements from a range of different genres, but it also features some memorable and compelling characters, excellent universe building and a magical system that really stands out thanks to its descriptive necromantic powers.  Harrow the Ninth also serves as a marvellous follow-up to Gideon the Ninth, continuing the clever story from the first book with the same distinctive tone and writing style, while also featuring an intriguing reimagining of prior events.  All of these makes for an epic read which gets a full five-star rating from me.

At the heart of this amazing novel is an intense and multilayered narrative that presents a compelling tale of love, tragedy, treachery and self-discovery.  The story is actually split into several distinct sections, with the main storyline focusing on Harrow after her transformation to Lyctorhood as she spends time in the Mithraeum with the Emperor and the other Lyctors.  This part of the book expertly jumps back and forth through time and is an extremely entertaining part of the book, detailing Harrow’s education under the Emperor and the other Lyctors and her attempts to survive the various internal politics, plots and personal chaos.  The other major part of the story shows a curious alternate version of the events of Gideon the Ninth, shown from Harrow’s point of view, made distinctive due to the complete lack of Gideon, who appears to be erased out of existence.  This alternate version of the prior book is a really intriguing part of Harrow the Ninth’s story, and while I was initially a little confused about why it was included and where Gideon had disappeared to, it proved to be an extremely clever and compelling part of the book, especially when everything becomes fully revealed.  Due to this reimagining of already existing narrative, as well as the continued references to the events of the first book, readers interested in checking out Harrow the Ninth really do need to have read Gideon the Ninth first, as the story gets a little confusing and significantly less impactful without this established knowledge.

These separate storylines complement each other is exceedingly cleverly.  This novel does start off a tad slow, but this is mainly because Muir is re-establishing the narrative from the previous book and loading up the front end of the story with hints and foreshadowing about the multitude or revelations that come throughout the course of the plot.  A lot of big events and reveals occur towards the end of Harrow the Ninth, including a few reveals that were hinted at in the previous novel, and I felt that the author set all of these up perfectly.  This results in an extremely epic conclusion to the novel and I was really impressed by how it all turned out.  This novel contains a unique blend of genres, as Harrow the Ninth features elements from the fantasy, science fiction, psychological thriller and murder mystery genres.  All of these disparate features work together extremely well in the story and it helps to produce a distinctive and entertaining narrative, especially as Muir adds on a rather good comedic edge.  The end result is a fascinating and exceedingly captivating overarching narrative, and I had an outstanding time getting pleasantly blindsided by the inventive twists and turns.

This excellent and unique story is expertly supported by a distinctive writing style that I felt did an amazing job enhancing the narrative.  Perhaps one of the most noticeable elements is the clever narration that accompanies the story.  While Harrow is the point of view character for most of the novel, she is not actually the one narrating the story.  Instead Harrow’s actions, emotions and thoughts are identified, summarised, and relayed back to Harrow by an unidentified second person narrator.  Naturally, this proved to be an interesting and unusual way to tell this story, although it works well in the context of the overall narrative, even if it takes a little to get used to.  This narrative format plays into certain character reveals and plot points of the novel and it makes a lot of sense once you get further into the book, with the style itself actually being a hint about what is happening with Harrow.  This narration style changes at a certain point towards the end of the book in accordance with certain plot developments and the subsequent deviation is clever and reminiscent of past events.  I also really must highlight the author’s extremely descriptive form of story writing, as every event, person or location is described in overly vivid detail.  Not only did this ensure that the reader got the full breadth of certain magical action and developments but it also helped to enhance the overall gothic feel of the book and ensure that reader was able to easily imagine the various locations the protagonist found themself in.  This really helped the story to shine and I have a lot of love for how Muir was able to work story elements into this style.

In addition to the great story that Muir has come up with for this book, Harrow the Ninth also boasts an impressive array of amazing characters.  The central protagonist is the titular Harrow, who takes over from Gideon as the main character after the first book.  Harrow is a vastly different character to Gideon as she has a much more subdued personality, less self-esteem, and a more restrained, subtler sense of humour.  Due to Gideon’s somewhat biased narration in the first novel Harrow was mostly viewed as an extremely arrogant, confident, and brilliant person, and this is how Harrow attempts to act throughout most of the novel.  However, certain vulnerabilities in Harrow’s character that were previously explored in Gideon the Ninth once again come to the fore in this second novel.  Harrow was already an extremely complex individual, having been birthed by dark magic, ended up being responsible for the death of her own parents and having an interesting love interest.  However, following her alteration into Lyctorhood, Harrow is a much more damaged person due to the absorption of her cavalier.  Harrow’s already fractured psyche is made even worse throughout the course of the book, as she sees all manner of things that are not there and has some very different ideas of the past or how she perceives the world.  In addition, Harrow bears an immense amount of guilt on her shoulders as a result of various events in her past and the many deaths on her conscience.  Harrow needs to work through all these issues throughout the course of the story if she has a chance to survive, and this becomes a major and dramatic part of the story that was really intriguing to explore.  I had an amazing time seeing the story primarily through Harrow’s eyes and it was a refreshing and compelling change of pace from the first book.

Harrow the Ninth also focuses on a great collection of supporting characters who add some intrigue and drama to the story.  Perhaps the most distinctive side characters in this novel are the five beings that Harrow finds herself trapped with aboard the Mithraeum, the Emperor of the Nine Houses and his four other Lyctors.  This is an extremely fascinating collection of people and much of the story revolves around Harrow’s unique interactions with them as each of them attempts to teach her, manipulate her or kill her at various points within the book.  These characters are really entertaining and distinctive, from the seemingly kind, patient, and infinitely calm Emperor, to the three ancient Lyctors, the cool and confident Augustine, the exceedingly self-involved Mercymorn and the ultra-focused and lethal Ortus.  In addition, we see the return of the manipulative Ianthe, who became a Lyctor at the same time as Harrow and who forms a very distinctive relationship with her throughout the course of the book.  I really enjoyed the complex interactions and relationships that forms between all of these characters (including some wild relationships between various participants), with the Emperor acting as the father figure, the three existing Lyctors portrayed as older siblings who have a complicated power dynamic with each other, while Ianthe and Harrow are the younger sisters learning the ropes from the others.

I also have to highlight the inclusion of several other characters who previously appeared in Gideon the Ninth.  It was rather intriguing to see many of these characters return, especially as most of them died or appeared to die in the prior novel.  Muir does a fantastic job working them into the fabric of this novel, such as by featuring some of them in the alternate version of the events of the first book, changing their roles and impacts on the story as a result.  I particularly enjoyed the extended role of Ortus, cavalier of the Ninth House.  Ortus, not to be confused with the Lyctor mentioned above (although the names are actually a clever clue to a big reveal), died early on in the events of Gideon the Ninth.  But in this book the dour Ortus serves as a fantastic yet reluctant companion to Harrow, with surprising hidden depths and an entertaining obsession with gloomy epic poems and verse.  He is also essentially the complete opposite to Gideon, resulting in a very different dynamic between necromancer and cavalier then we saw in the prior book.  Overall, I have to say that I was exceedingly impressed with the characters featured within this amazing novel.  Each of these complex and memorable characters added a heck of a lot to the story and it was deeply fascinating to see each of their storylines unravel and come to their compelling conclusions.

One of the major elements of this series that I love so much is the weird and wonderful necromantic magical system complements the science fiction of the book.  Pretty much all of the main characters in this book are powerful necromancers, specialising in a different form or style of necromantic magic.  All of this magic is extremely cool, and it was really awesome seeing it utilised in fight sequences and other scenes throughout the book.  Most of the magical elements revolve around Harrow’s bone magic, as she creates skeleton and bone constructs, manipulates her own bones to either enhance herself or detach them to make weapons or other creations, as well as elements of biological alteration.  Muir does an outstanding job explaining the full range of different powers that Harrow has, and there are some amazing scenes where the young necromancer does some really inventive and clever things with her bones.  There is one sequence in particular that sticks in the mind, and I’ll certainly remember it when eating soup in the future. 

In addition to Harrow’s abilities, Muir also showcases the creative and impactful abilities and magical powers that some of the other characters have.  These various abilities are all biological or spiritual in nature, and it was quite fun to see what the different necromancers can do, especially when they go up against Harrow’s bone magic.  All these magic scenes feature some rather vivid imagery and descriptions from Muir as she tries to show the full biological manipulations that are occurring, which really help to make these scenes pop.  The author also does a truly fascinating deep dive into the origins and mechanics of her unique magical system.  A lot of these new magical elements are explained to protagonist in some detail from one of her teachers, so the reader is able to understand these elements really well, and a lot of the lessons and explanations of magic have major impacts on the story down the line.  This proved to be an extremely interesting and enjoyable part of the book and I have a lot of love for Muir’s creativity when it comes to her version of necromantic magic.

I also have a lot of love for the distinctive gothic settings that Muir has imagined up for this series.  Each of the central story locations are filled up with all manner of dark and macabre trappings and features, which the author does a fantastic job bringing to life with her descriptive writing.  This includes the dreary and dark Mithraeum, a vast and mostly abandoned space station where most of the story takes place, as well as an alternate version of the First House that appeared in Gideon the Ninth.  All of these locations are described in great detail and each of these fun and distinctive settings helps to present a darker vibe to story and helps makes this series more unique and memorable as a result.  Harrow the Ninth also contains some rather captivating and inventive universe building expansions as the author attempts to introduce new things into her universe.  All of these extensions to this universe are really clever, playing into the story really well and I loved learning more about this fun fictional setting which does so much to enhance the story. 

I found that the audiobook format of Harrow the Ninth proved to be an excellent way to enjoy this amazing novel.  With a run length of just under 20 hours the Harrow the Ninth audiobook does require a bit of a commitment to get through it, although I felt that it was really worth the time investment.  I do have to admit that it took me a little while to finish this audiobook, especially at the start.  However, I absolutely flew through the second half of the novel once I became extremely invested in the story, and I managed to knock out the final six hours in rather short succession.  I have to highlight the fantastic narrator for this audiobook, Moria Quirk, who does an outstanding job telling the story and bringing the various characters to life.  I felt that Quirk utilised perfect voices for each of the main characters and you get a real sense of each character’s personalities and emotions from this vocal work, from the calm, composed tones of the Emperor to the exceedingly petulant voice of the Lyctor Mercymorn.  This excellent voice work really added a lot to this audiobook. I really think that Harrow the Ninth translates well into the audiobook format, and listening to it really added to my enjoyment of this second novel, especially as I absorbed a lot more of the detail and gothic atmosphere through the narration.

Harrow the Ninth by Tamsyn Muir was an epic and exceptional piece of fiction that I deeply enjoyed, and which comes highly recommended.  Not only did Muir present an impressive follow-up to her amazing debut novel, Gideon the Ninth, but she was able to turn out a complex and beautifully written sequel that proved extremely hard to stop listening to.  Powerful, cleverly written and just generally outrageous, Harrow the Ninth is an outstanding read and you have no discovered Tamysn Muir and her fantastic pieces of literature, you are really missing out. 

Aurora Burning by Amie Kaufman by Jay Kristoff

Aurora Burning Cover

Publisher: Allen & Unwin (Trade Paperback – 5 May 2020)

Series: Aurora Cycle – Book Two

Length: 497 pages

My Rating: 4.5 out of 5 stars

The powerhouse writing team of Amie Kaufman and Jay Kristoff, two of Australia’s best authors, return with the second book in their epic young adult science fiction series, the Aurora Cycle, with Aurora Burning.

Far in the future, and the universe has never been in more trouble.  A sinister new threat has emerged in the galaxy, the ancient menace known as the Ra’haam, plant-like parasites that wish to incorporate all life in the universe into their hivemind.  In order to facilitate their goals, the Ra’haam have taken over humanity’s premier intelligence organisation, the GIA, and are using them to manipulate everyone towards war.  Luckily, a squad of the intergalactic peacekeeping organisation, the Aurora Legion, is on the case, desperate to stop the Ra’haam at any cost.  Unfortunately for us, the scrappy and mismatched Squad 312 are a bunch of hormonal teenagers with some serious personal issues.

Following the tragic events that occurred on Octavia III, which saw one of their members fall, Squad 312 needs to regroup and rethink their strategy.  Already disowned by the Aurora Legion and hunted by GIA, their task becomes infinitely harder when they are framed for a terrible crime and become the most wanted beings in the galaxy.  Worse, the squad’s Syldrathi tank Kal’s long lost sister is also on their trail, determined to achieve a fatal family reunion, and she has a small army of genocidal Syldrathi warriors backing her up.

As the Squad flees from those hunting them, they attempt to work out a plan to save everyone.  Their only hope is to get their resident psychic girl out of time, Auri, to the Trigger, a powerful weapon left behind by an ancient enemy of the Ra’haam, which Auri can use to wipe the plant parasites out and save everyone else.  However, they have no idea where it is, and their only clue is the salvaged remains of the colony ship Auri was trapped on for hundreds of years.  Attempting to recover the ship’s black box, the Squad soon find themselves in a whole new world of trouble.  Can they overcome their various problems and opponents before it is too late, or is the whole universe doomed?

I actually read this book a little while ago, and while I did do a short review of it in the Canberra Weekly I have been meaning to do a longer review for a while as I did have a great time reading this book.  Aurora Burning is another fun and fast-paced novel from Kaufman and Kristoff that serves as an amazing follow up to the epic first entry in the Aurora Cycle, 2019’s Aurora Rising.  This was an absolutely fantastic book that features an amazing young adult science fiction story based around several excellent characters.  Readers are guaranteed an awesome read with Aurora Burning, and it was an absolute treat to read.

At the centre of this book is a fast-paced, action-packed, character-driven narrative that follows the adventures of a mismatched and entertaining group of protagonists as they attempt to save the universe.  The story is deeply enjoyable and very addictive, allowing readers to power through this exciting novel in a remarkably short amount of time.  The story starts off extremely strong, and readers are quickly catapulted into all the fun and excitement as the team encounter all manner of problems and obstacles that they need to overcome in their own special and chaotic way.  The plot is also extremely accessible to those people who have not had the chance to read Aurora Rising first, especially with the exceptionally detailed character synopsis and history contained at the start of the book and the succinct plot replays from the various characters.  I loved the excellent science fiction adventure story that Kaufman and Kristoff have come up with for Aurora Burning, especially as it contains a great blend of action, adventure, drama and romance, all wrapped up with the series’ unique of sense humour.  I also really liked where the story went throughout the course of the book.  The authors drop in some big twists and reveals throughout Aurora Burning which have significant impacts on the plot and ensure some rather dramatic moments in the story.  All of this proves to be extremely compelling, especially as the plot leads up to some high stakes and memorable cliff-hangers at the end of the book, with the fate of many of the characters left to chance.  This pretty much ensures that I am going to have to get the next entry in the series when it comes out next year, and if the authors keep up the amazing writing that they did in Aurora Burning, I really do not have a problem with that.

Just like in the first book, Aurora Burning’s story is told from multiple perspectives, as all of the surviving members of Squad 312 serve as point-of-view characters throughout the course of the novel.  There are currently six members of the squad, including Aurora (Auri), the physic girl who the squad rescued in the first book, Tyler the team’s Alpha (leader), Kalis (Kal) the Tank (fighter extraordinaire), Scarlett the Face (team diplomat), Finian the squad’s Gearhead (mechanic) and Zila the Science Officer.  These protagonists are an eclectic and damaged group of characters, and I liked how each of them represented different young adult fiction character archetypes.  For example, Auri is the powerful chosen one, Tyler is the charismatic leader trying to live up to his heroic father’s legacy, Kal is the broody outsider with secrets, Scarlett is the team’s voice of reason and overconfident heartbreaker, Finian is the insecure one who overcompensates with sarcasm, while Zila is the brilliant but socially awkward one.  Each of these protagonists narrates several chapters throughout the book, which allows the authors to dive into their history and feelings, showing their opinions and thoughts on the events that occur throughout the course of the book.

I personally really enjoyed each of these central characters as individuals as each of them have their own unique personalities and idiosyncrasies which the authors highlight in each character’s various point-of-view chapters.  It was interesting to see how each of them has developed since the first books, with the squad coming together as a team and working together and supporting each other, as well as how the revelations and tragedies that occurred at the end of Aurora Rising have impacted them.  Each of these protagonists have their own specific story arc in Aurora Burning, and the story sees several of the characters get separated from the rest of the group and embarking on their own adventures.  There are some really interesting developments that occur throughout the book, with some characters having more of their backstory revealed, while others have major revelations about themselves be made public.  While the focus of the book is generally split rather fairly between the members of Squad 312, Auri and Tyler did rather stand out in the first novel as the main characters.  This continues in Aurora Burning, although Kal also gets a substantial amount of focus, not only due to his romance with Auri, but because his sister is introduced as a determined antagonist, resulting in secrets from his past coming out.  This does mean that Scarlett, Finian and Zila do get a little less focus, although substantial time is spent on exploring them and their personalities, such as Zila’s previously hidden past, or certain hinted relationships or personal revelations.  These entertaining and neurotic point-of-view characters are one of the main reasons this book was such a fantastic read and I really liked where the authors took their various relationships and story arcs.  It will be really interesting to see where they end up in the third book, and I am looking forward to finding out their final fates.

As a result of where the story goes, the authors continue to explore and expand on the fun and compelling universe that Aurora Burning is set in.  There are a number of interesting new elements to this book as a result, including some great new side characters, such as Kal’s murderous family, more alien races, a dive into the history of this universe and an examination of the Ra’haam and their ancient, long-dead enemies the Eshvaren.  I rather enjoyed learning more about this universe, and I particularly liked how the authors use Aurora’s defective uniglass Magellan (think an advanced iPad with an annoying and snarky AI personality), to explore extra details.  Not only does Magellan act as a sort of seventh protagonist for the book, but he also provides in-universe information summaries at the start of several chapters, as well as providing the readers with the detailed character bios at the start of the novel.  These information summaries are rich in historical and social details about several elements of this universe, and they really help to expand on the information provided throughout the story.  Naturally, Magellan provides entries that are a little more personalised and different that a standard history or encyclopedia record would be, and it was often quite amusing to see the humorous and light-hearted changes that are added in.  Overall, the novel features some rather big and dramatic reveals about the universe and what has been happening in it, resulting in some major story moments with significant and captivating consequences.

Aurora Burning is marketed towards the young adult fiction crowd, and in many ways it is a great book for a younger audience, featuring a group of diverse teens rebelling against authority and doing things their own way.  However, due to the mild sexual content, which includes quite a bit of innuendo, this is probably best suited to older teenagers who will no doubt enjoy the exciting narrative and dynamic characters.  Like many young adult fiction novels, Aurora Burning is also quite a good book for older readers who are interested in the story.  Indeed, this is one of the easiest young adult fiction novels for adult readers to get into, as the story is quite well written and exceedingly entertaining.  As result, this second book in the Aurora Cycle is a great read to check and I think that it will appeal to a wide and diverse audience of readers.

I have to say that I had an incredible time reading Aurora Burning and it turned out to be quite an excellent read.  Kaufman and Kristoff do an outstanding job of continuing the fun and action packed narrative that started in Aurora Rising and I loved the blend of fast-paced storytelling, universe building, humour, all told through the eyes of six distinctive and fantastic point-of-view characters.  This book comes highly recommended and I cannot wait to see how these awesome Australian authors finish off this series next year.

The Constant Rabbit by Jasper Fforde

The Constant Rabbit Cover

Publisher: Hodder & Stoughton (Trade Paperback – 2 July 2020)

Series: Standalone

Length: 307 pages

My Rating: 5 out of 5 stars

From the insanely creative mind of one of fiction’s cleverest authors, Jasper Fforde, comes The Constant Rabbit, an incredible comedic satire featuring human-sized anthropomorphic rabbits in an alternate version of modern-day England.

Jasper Fforde is an awesome and fantastically inventive author who has a very distinctive and enjoyable writing style.  I have been a fan of Fforde’s work for years, and his Thursday Next books were a favourite series of mine when I was growing up (I should really go back and reread those).  I was also lucky enough to receive a copy of his 2018 standalone novel, Early Riser, which was certainly one of the more unique and entertaining books that I read that year.  While I do love Fforde’s writing, I have to admit that I was initially a little wary when I heard that his new book was going to be about rabbits as I assumed it was going to be a kids’ book.  However, once I realised that it was going to be another crazy adult standalone novel, I made sure to get a copy, especially once I found out it was a satire on UK politics.  I am extremely glad that I got a copy of this book as The Constant Rabbit turned out to be a truly remarkable novel with a complex and enjoyable story.

In the year 2020 there are over a million anthropomorphic rabbits living in the UK thanks to a mysterious event 55 years previously.  These rabbits can walk, talk, think and have developed their own unique culture and society.  While the rabbits on the whole are a polite and peaceful group, many in England, including the ruling United Kingdom Anti-Rabbit Party (UKARP), fear them and are planning to forcibly rehome them to a new Mega-Warren in Wales.  Before the planned rehoming occurs, one rabbit family moves into the quiet and cosy village of Much Hemlock, much to the concern of the villagers.  Convinced that this rabbit family will cost them their chance at the Best Kept Village award, the citizens of Much Hemlock attempt to force them out, but the family matriarch, Mrs Constance Rabbit, is having none of that and resolves to stay in the village.

Surprisingly, the rabbits soon find support from their neighbours, Peter Knox and his daughter, Pippa.  Peter, an employer at the Rabbit Compliance Taskforce, the organisation tasked with policing and controlling the rabbit population, quickly becomes infatuated with Constance and begins to question everything that he thinks he knows about rabbits.  However, with plans for the upcoming rehoming accelerating, Peter soon finds himself in the midst of a complex battle for freedom and control, and his actions will have surprising impacts on the entire future of the country.

Wow!  Just wow!  Now this was one hell of a fun read.  Fforde has absolutely outdone himself with this latest book which proved to be an exceptional and amazingly clever piece of fiction.  The Constant Rabbit is a captivating and widely entertaining novel that drags the reader in with its creativity and humour until they become enthralled with the unique story that it contains.  I had an incredible time reading this book and I ended up laughing myself silly throughout it due to Fforde’s clever and distinctive style of humour.  This book gets a full five stars from me and it truly was a thumping good tale.

The Constant Rabbit is told from the first-person perspective of human Peter Knox as he recounts some of the historical events he witnessed.  This was a truly remarkable story that follows a mostly blameless and ordinary small-village inhabitant as he navigates a complex and controversial world of rabbits and rabbit-hating humans.  This turns into quite a compelling tale about a battle for freedom, recognition and human stupidity, as the protagonist witnesses both sides of the struggle.  There are some great moments of drama, excitement, action, and romance throughout the book, which come together extremely well in a compelling and entertaining manner.  Fforde features some unique story elements throughout this book and introduces the reader to a series of enjoyable characters who are caught up in these crazy events.  These memorable characters include Constance Rabbit, a resourceful and clever rabbit who serves as a major moving part of the plot and the protagonist’s main love interest.  There is also a Lugless, an outcast rabbit who, after having his ears cut off in a ceremonial fashion, has turned against his own kind and now works for the Rabbit Compliance Taskforce, and Mr Ffoxe, an anthropomorphised fox, who serves as the book’s vicious main antagonist and the head of the taskforce.  However, most of the character development is reserved for main protagonist Peter Knox, who goes through some serious redemption throughout the course of the story following some troubling events in his past.  His association with his rabbit neighbours really changes him, especially once he starts to see how crooked and petty humans are in comparison, resulting in him making some surprising decisions.  This is a gripping narrative and I really enjoyed all the wonderful and weird directions that the author took it.

Another fantastic aspect of The Constant Rabbit is the distinctive and intelligent sense of humour that permeates every page of this book.  I personally found this novel to be deeply funny, and I ended up laughing myself silly at several awesome jokes.  Much of the humour revolves around the ridiculous situations, the outrageous personalities, and the clever parodies of life in modern day England, all of which are considered normal in this version by the characters.  Seeing these various events or people occur in the novel is itself entertaining, but when combined with the witty and dry observations of the protagonist, the rabbit characters or the narrator through his footnotes, it becomes an absolute riot of fun and comedy.  There are some amazingly funny jokes and sequences throughout this book, although the part I laughed the hardest at had to be a farcical murder trial in which a man’s innocence or guilt was determined by whether they had brought an owl with them to the murder scene.  Other great jokes included lines about the rabbits’ inability to tell humans apart (most rabbits apparently cannot tell the difference between Brian Blessed and a gorilla), fun observations about rabbits in popular culture (spoilers, the rabbits are unimpressed) and the inclusion of rabbit versions of films and books.  I also had to have a laugh at the author’s description of a potential anthropomorphic event occurring at the city of Goulbourn in Australia (which is quite near to me), and all I have to say about that is I very much doubt my government could organise a secret massacre of a group of drunken wombats, much less hunt down a whistleblowing sheep.  That being said, the Big Merino statue in Goulbourn does totally exist and it is the town’s defining feature (which tells you quite a lot about what life in Goulbourn must be like).

One of the things that I most like about Fforde’s books is the way that he comes up with a whole new alternate universe for each of his works.  All his works are set in alternate versions of England that is specific to that series, all with a number of noticeable differences between the fictional and real worlds.  The version of England that The Constant Rabbit is set in was altered by an unexplained event 55 years earlier that turned a group of rabbits (as well as some other animals) into human-sized sentient beings who have gone on to create a large society of over one million rabbits which has its own culture and ideals.  This in turn has led to a much different version of the UK, with significant social and political differences as humanity tries to come up with new ways to adapt to the rabbits.  This is such a fantastic and out-there concept, but it works surprisingly well as a setting for this amazing and clever story.  There are so many intricate details associated with this new, rabbit inhabited England, and Fforde does an outstanding job welding together this new universe and showcasing all of its features.  While several key elements of this new world were introduced right at the start of the book, many were not identified until later, when they became relevant to the plot of the story.  I felt that this was a great way of presenting all the major aspects of this world, as it ensured that the reader was not overwhelmed right off the bat.  Fforde also includes a number of footnotes and short, out of narrative paragraphs at the start of each chapter, to provide intriguing and often hilarious anecdotes and descriptions of parts of rabbit culture or other inclusions from this world.  All the clever inclusions and distinctive variations from the real world prove to be a fascinating and entertaining part of the book and I had a wonderful time seeing what wacky and inventive things Fforde would come up with next.

Another thing that I really appreciated about this book was the way that Fforde used his overly ridiculous story and setting to successfully satirise racist politics in modern day England.  Anyone even vaguely familiar with some of the political and cultural issues in the UK will really appreciate what Fforde is trying to achieve with his story, and there are some great parables throughout it.  The whole ‘us vs them’ mentality surrounding the issues of rabbit rights is a clear send-up of racism and anti-immigration policies and mentalities that have infected the country.  Having peaceful, hardworking and tolerant rabbits and their supporters be targeted by bigoted idiots is very relevant and you cannot help but think of real-world examples of such behaviour.  The ruling UK political party, UKARP, is an obvious parody of the right-wing party UKIP, equipped with its own version of Nigel Farage.  Fforde really does not pull any punches and portrays them as an incompetent, intolerant, and power-hungry political party who are determined to forcibly rehome and contain all the rabbits as their main political ideal.  This book contains some terrifying, if probably accurate, depictions about how a ruling party like UKARP would act when it came to people it did not like, such as putting the ultimate anti-rabbit group (in this case anthropomorphised foxes) in charge of control and monitoring the rabbits.  There are some other great elements of satire throughout this book, and English readers in particular will probably get the most out of The Constant Rabbit as a result.  Overall, I thought it was a great piece of satirical fiction and I had a blast seeing the author highlight all these social issues in his own special way.

The Constant Rabbit is an outstanding and incredible novel that proves to be boundlessly entertaining and deeply funny.  Jasper Fforde did an incredible job writing this novel and readers are in for an awesome and memorable read that will have them laughing for hours.  This is such an impressive and inventive novel, and I am highly recommending it to anyone who is after a boundlessly entertaining read that contains a real sense of comedic fun and some excellent satirical observations.

Throwback Thursday – Kill Switch by Jonathan Maberry

Kill Switch Cover

Publisher: Macmillan Audio (Audiobook – 26 April 2016)

Series: Joe Ledger – Book Eight

Length: 17 hours and 56 minutes

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

I recently found myself in the mood for another intense and crazy thriller novel, and luckily I knew exactly the book to check out, as I ended up listening to the eighth entry in the fantastic Joe Ledger series by Jonathan Maberry, Kill Switch.

People familiar with my blog will know that I have been really getting into Maberry’s writing over the last couple of years.  In particular, I have been making my way through the Joe Ledger series, which follows the titular agent as he investigates all manner of weird science and world-ending plots.  This has swiftly become one of my favourite series of all time thanks to the incredible stories that Maberry has come up with, and my intention is to finish off all the Joe Ledger books before the end of the year.  As a result, I knew far in advance that I was going to enjoy Kill Switch and I ended having an amazing time reading it.

In this eighth novel, Joe Ledger, agent for the clandestine Department of Military Sciences (DMS), is investigating a strange anomaly down in the Antarctic.  A secret military research facility has gone offline, and Ledger and his team need to find out why.  However, what at first appears to be a routine mission quickly devolves into an unnatural horror show as the DMS agents uncover a mysterious facility deep beneath the ice.  The things that Ledger and his team see will haunt them for the rest of their lives, and by the time they escape all three are infected with a deadly disease that places them into a coma.

Awakening several days later, Ledger discovers that much has happened in his absence.  America has been targeted by a ruthless terrorist organisation that apparently has access to an advanced EMP weapon that can turn off all power and technology in a certain area with devastating effects.  Worse, thanks to the consequences of the mission down in Antarctica and other recent failures, the DMS no longer has the confidence of the President, who refuses to give them the case.

Frustrated at being left out in the cold, Ledger and the DMS investigate where they can and soon come across several strange and seemingly unconnected events.  Able to piece together a pattern that no one else can see, Ledger soon finds himself in the heart of a vast conspiracy that aims to launch a shocking attack on the American people.  However, before they can intervene, Ledger and his team find themselves under attack from the most unlikely of places.  Can even the legendary Joe Ledger defeat an opponent who can attack him in his own mind, or will America face a wave of death and destruction the like of which they have never seen before?

Kill Switch was another fantastic and amazing novel from Maberry that continues the amazing Joe Ledger series.  This eighth book contains a captivating story that combines several different genres together to create an exciting and fast-paced read with some rather enjoyable elements to it.  I had an awesome time listening to this book, and while it is not my absolute favourite entry in the Joe Ledger series (I would have to give that honour either to The Dragon Factory or Code Zero), it was still a very impressive book that gets a full five-star rating from me.

In this eighth Joe Ledger novel, Maberry once again uses his distinctive style to tell another impressive and intriguing story that draws the reader in and ensures that they cannot turn away until it is finished.  Kill Switch contains a rather clever thriller storyline that deals with the protagonist attempting to stop another terrible terrorist plot utilising advanced technology.  While some of the elements to Kill Switch’s story are familiar, Maberry really gives this book a distinctive dark horror tint, as the novel deals with a number of Lovecraftian horror elements.  While this genre is not something that I have ever really gone out of my way to check out, I did enjoy its use in Kill Switch, especially as it sent its already unstable protagonist through some particular vivid and trippy vision sequences.  The various horror, science fiction and thriller aspects of the book’s narrative work together extremely well and it is a testament to Maberry’s skill as an author that the plot did not get too convoluted or hard to follow.  Instead, Kill Switch has an extremely elegant and fast-paced story with some great flashes of humour, enhanced by the author’s trademark use of multiple perspectives and interludes set before the main plot.  Maberry rounds this out with the return of the series enjoyable and long-running cast of characters, including protagonist Joe Ledger, who provides a first-person narration for around half the story.  Ledger’s warped and eccentric view of all the events going on around him adds so much enjoyment to the plot, resulting in much of the book’s humour.  This all ensures that Kill Switch contains another top-notch story that was an absolute pleasure to read.

The key parts of any Joe Ledger novel are the complex and memorable antagonists and the elaborate and destructive plots that they weave.  Maberry does another great job of this in Kill Switch, introducing some compelling villains and associated side characters who have some fascinating motivations for initiating the events of this book.  Thanks to a series of interludes and short chapters that are told from the perspective of the antagonist and their puppets, you get a full sense of why these characters are doing what they are doing, especially when you get a glimpse into several key moments of their lives.  Seeing so much of the antagonist’s past and the formation of their plans adds quite a lot of depth and tension to the story, and I always really appreciate the way that Maberry tries to expand these character’s narratives.  I was also quite enraptured by the complex and detailed plan that the antagonist set in motion, especially as it required using some unique technology in some novel ways.  I especially enjoyed the cunning way in which the villains went after Ledger and the DMS, including by destroyed their image and their influence, and I appreciated the way in which it was easier for them to achieve this due to an inadvertent backlash at the organisations prior extreme successes and advanced technology.

Kill Switch ended up being a major part of the overall series with some big moments occurring and some interesting connections to the prior novels, ensuring that this is a must-read for established Joe Ledger fans.  This book ended up continuing a bunch of key storylines that were introduced in the fifth novel, The Extinction Machine, with several plot points from that story revisited, as well as some antagonists.  In addition, several of the story elements introduced in Kill Switch are heavily utilised in future novels, such as in the tenth book, Deep Silence, which also matches its Lovecraftian horror vibes and story.  In addition, readers might also really appreciate the cameo appearance of Maberry’s alternate zombie-filled universe that is used as a setting for several of his other series, such as the Dead of Night books and his iconic Rot & Ruin/Broken Lands young adult novels, all of which feature a different version of Joe Ledger as a character.  There were also a couple of references to the town of Pinedeep, which served as the setting for Maberry’s first series, and which Ledger visited in the short story Material Witness.

While Kill Switch does have some intriguing connections to some of Maberry’s other works, this novel is incredibly accessible for those readers unfamiliar with the Joe Ledger books.  Like all the novels in this series, Kill Switch’s narrative is mostly self-contained, and you can start reading this book without any issues.  While there are a number of references to the events of the prior books, Maberry also makes sure to cover the relevant backstory, expertly inserting anecdotes about prior books and description of key plot points into the story often in a great entertaining manner (mainly because the protagonists still cannot believe that these previous events actually occurred).  This ensures that readers have more than enough background information to follow the story and understand who all the various characters are and what their personalities are like.

While it is extremely possible to read Kill Switch out of order, I would strongly suggest that readers read this series from the first novel, Patient Zero, rather than starting at the eighth book.  Not only does this allow you to see the various characters develop and progress throughout the course of the series, but it also enhances the emotional attachment that readers will have to the events of this book, including a couple of key character deaths.  Reading the series in order also helps to cut down on spoilers for some of the prior books.  This was something that I particularly noticed while reading Kill Switch, due to the fact that I have already read the sequel novels Deep Silence and Rage.  Both of these books make several references to the events of Kill Switch, so I had an idea of some of the events that were going to occur, as well as the identity of who the main antagonist was going to be.  While this did not derail my enjoyment of Kill Switch by too much, it did slightly reduce the suspense, which was not ideal.

I cannot review a Joe Ledger novel without commenting on the impressive and graphic action sequences that occurred throughout the course of the plot.  Maberry always does such a fantastic job writing his action scenes and the various close combat fights and shoot outs that occur throughout these novels feel extremely realistic as the protagonist and the narrator provide detailed explanations of what is occurring and its destructive impacts.  Kill Switch contains some very impressive action sequences as Ledger and his comrades are placed in some unique fight situations.  While there are the usual swift and one-sided fights against nameless goons, the characters often find themselves facing off against unexpected opponents who visit surprising violence upon them.  This makes for some truly shocking scenes, especially as Maberry’s excellent writing ensures that the reader fully understands the various characters’ surprise and despair.  You also have a unique situation where Ledger, generally considered to be one of the deadliest killers on the planet, finds himself severely handicapped in several fights due to the machinations of the antagonists.  This adds a whole new element to the typical fight sequences from this series, and it is nice to see the protagonist have some new challenges.  All this action helps to pump the reader up as they enjoy the excellent story and it is an amazing part of the overall book.

It should come as no surprise to anyone who has read my prior Joe Ledger reviews that I ended up listening to the audiobook version of Kill Switch, which in my opinion is the best format for enjoying these fantastic novels.  The Kill Switch audiobook has a run time of just under 18 hours, which I was able to get through incredibly quickly, and it was once again narrated by Ray Porter, whose voice work is easily my favourite thing about this format.  I have extolled the virtues of Porter’s narration in several of my other reviews due to his impressive vocal skills and his ability to move the story along at a swift and exciting pace.  Very few narrators are as in touch with the characters that they voice than Porter especially when it comes to the series’ titular protagonist, Joe Ledger.  Porter always does such an outstanding job capturing Ledger’s intense emotions and sweeping personality, and this enhances the listener’s experience when it comes to these books.  Porter also does amazing and consistent personifications for all the other characters in these books and it was great to hear all the familiar voices of the series’ recurring characters again.  This first-rate narration from Porter makes the audiobook format of these novels, including Kill Switch, an absolute treat to listen to and the audiobook format remains my preferred format for enjoying this series.

Kill Switch by Jonathan Maberry is an excellent and impressive thriller novel that served as a great eighth entry in the incredible Joe Ledger series.  I had an absolute blast going back and reading this book, and I really enjoyed the clever and intriguing story that Maberry cooked up for Kill Switch, especially as it contained an outstanding blend of different genres.  This was a fantastic read and it comes very highly recommended.  At this point in time I only have one more Joe Ledger novel to check out, Dogs of War, which I am really hoping to read before the end of the year, and I am also looking forward to checking out Maberry’s new upcoming novel, Ink.

Film Review – Justice League Dark: Apokolips War

Justice League Dark - Apokolips War

Studio: Warner Bros. Animation and DC Entertainment

Series: DC Universe Animated Original Movies – Film 38, DC Animated Movie Universe – Film 15

Director: Matt Peters and Christina Sotta

Producer: James Tucker

Screenplay: Mairghread Scott

Writers: Christina Sotta and Ernie Altbacker

Length: 90 minutes

My Rating: 5 out of 5 stars

For this review I am going to go a little outside my wheelhouse by reviewing the latest animated comic book adaption from DC comics, Justice League Dark: Apokolips War. Fair warning: this is going to be a rather in-depth analysis, so those people who have not seen this film yet might be better served watching it first and then coming back. I will also have a spoiler alert for a key part of the movie towards the end of the review, so keep an eye out for that.

Over the last 13 years, DC Comics have been leading the way over Marvel Comics in the distinctive field of animated movie adaptations of their comic books. While Marvel have produced a couple of decent animated films, such as Planet Hulk and Hulk Vs., the DC adaptations have been leaps and bounds ahead of them. Most of these epic DC animated films have been part of the DC Universe Animated Original Movies project, which has produced 38 distinctive animated films since 2007. There have been some rather impressive and enjoyable releases as part of this project, and I have watched each one of them as soon as they have come out.

While a lot of the DC Universe Animated Original Movies stand alone, 15 films were set within a shared universe, with the same group of voice actors reprising their roles multiple times. This shared universe, known as the DC Animated Movie Universe, started in 2013 with Justice League: The Flashpoint Paradox, and examines an alternate universe inadvertently created by the Flash. This new universe is very heavily influenced by The New 52 continuity of comics (but don’t hold that against it), and features an interesting collection of films featuring a range of different DC characters, although there is a noticeable and understandable focus on Batman and the Justice League. Justice League Dark: Apokolips War is the 15th entry in the DC Animated Movie Universe and serves as the conclusion to most of the storylines that were featured within the preceding 14 movies. This film was directed by Matt Peters and Christina Sotta, and features a story written by Christina Sotta and Ernie Altbacker, with the screenplay written by Mairghread Scott.

Following two previous attempts to conquer Earth by intergalactic tyrant and New God Darkseid, the Justice League is determined to safeguard the planet no matter what. Led by a vengeful Superman, the League launches a pre-emptive attack against Darkseid’s fortress planet of Apokolips, when it becomes clear that he intends to invade Earth again. However, the League’s attack fails miserably as they fly into a trap set by Darkseid, who uses his new troops, the Paradooms, to swiftly defeating the entire Justice League, killing or capturing most of its members.

Now, two years later, Earth has been brutally conquered by Darkseid, who has devastated the planet, and intends to drain it of its magma in order to fuel his future designs of conquest. With nearly all of Earth’s heroes killed during Darkseid’s assault, only a scattered few remain to oppose his plans. At the fore is Clark Kent, the former Superman, who has been stripped of his powers by Darkseid, and who now leads a resistance movement with his wife, Lois Lane. Determined to save the Earth no matter the cost, Clark recruits the surviving members of the League and the Teen Titans: Raven, Damian Wayne and John Constantine for one final mission.

With the help of an odd and violent group of villains, including Lex Luthor, Etrigan the Demon and Harley Quinn’s Suicide Squad, Superman and small team attempt the impossible, a second assault on Apokolips. However, even if they succeed in reaching Apokolips, they will face terrible opposition. Former members of the Justice League, including Batman and Wonder Women, have been converted into loyal soldiers for Darkseid, and they will do everything in their power to defend him. Can Superman and his team defeat Darkseid once and for all, or are these Earth’s final days?

Well damn, now that was one hell of an animated film. As I mentioned above, I have watched a ton of animated comic book adaptations but Justice League Dark: Apokolips War might just be one of the finest and most impressive animated adaptations that DC comics has ever created. This outstanding, five-star film is just plain amazing, and I had an incredible time watching it (multiple times). Apokolips War contains an intense story, pulse-pounding action, an amazing voice cast and a superb connection to prior films and comics, which helps create an epic and powerful animated movie experience. The creative team behind this movie did an exceptional job on this film, turning it into an intense and addictive viewing treat that I absolutely loved. Viewers should be warned, this is not a film for kids, as it has a well-deserved R-rating (MA15+ in Australia), which it earns very quickly and very explicitly.

At the heart of the excellent movie is an exciting and clever story that pits the broken remainder of Earth’s heroes against the ultimate villain in the DC canon. Apokolips War has such a cool concept, starting off with the entire Justice League getting taken out in the first few minutes and then abruptly jumping two years into the future, showing a world devastated by an evil alien invasion. This perfectly sets the scene for a character-driven narrative that follows the last desperate attempt of a handful of mixed protagonists, as they attempt an all-or-nothing mission with extremely high stakes. This results in all manner of character development, tragedy, intense action, and a fantastic smattering of witty humour, which all comes together into a compelling and utterly memorable overall narrative. I was deeply impressed with where the writers took this fantastic story, and I really appreciated all the existing storylines and the substantial character arcs that they were able to explore, expand on and finalise within the movie’s hour and a half run time. This was such a great story, and it worked exceedingly well with the enjoyable characters, eye-catching animation and the awesome team of voice actors to create an amazing overall film.

One of the things that I think I should address first is about whether or not you need to see the other entries in the DC Animated Movie Universe before watching Apokolips War. Due to its cool action and well-written plot, this is a film that is rather easy for viewers unfamiliar with the franchise to follow and enjoy, although a lot of the story elements will make a lot more sense if you are familiar with the DC Comics universe and characters. While you can probably get away without watching any of the previous movies, this is the 15th and final entry in an interconnected universe, so there are obviously going to be some advantages to watching these other films first. For example, you get a much better understanding of the characters, their relationships and their personalities in this universe, and having this knowledge about the characters beforehand can really increase the dramatic punch that a bunch of their actions have. I also personally enjoyed the continued storylines of this film universe, and I liked seeing how this movie wraps up a lot of character arcs and answers some interesting questions. As a result, I would strongly recommend watching some of the other movies first: The Flashpoint Paradox, Justice League: War, Justice League vs. Teen Titans, Justice League Dark, Suicide Squad: Hell to Pay, The Death of Superman and Reign of the Supermen as a bare minimum (yes, I know that calling seven movies a minimum is a bit much, but that just goes to show how intricate this animated universe was).

The creators of this movie utilise an intriguing and unique cast of characters, continuing many of the character arcs established in the prior animated movies. Fair warning: quite a few major comic book characters, including some characters who have been key additions to this animated universe, die in the opening moments of the movie, while some others only get a few scenes, often without any dialogue, before they are also killed. While this movie has quite a huge death toll, I think most of the killings do serve a purpose by motivating the surviving characters, highlighting the brutal nature of the film and its antagonist, or providing a real emotional punch to the viewer. While a large number of characters from the DC universe only get small roles, Apokolips War does contain a rather intriguing and diverse group of central characters who are extremely interesting to follow.

The main character of Apokolips War is John Constantine, the rogue magician last seen in Justice League Dark. Ever since his live action television series a few years ago, Constantine has been popping up in all manner of DC Comic adaptions. Constantine is a fantastic central protagonist, constantly moving the plot along and providing entertaining commentary and witty remarks about the events occurring around him. He also has a rather tragic storyline, which sees him full of regret and shame after he let down his love interest, Zatanna. Not only does this result in a conflict with Superman, but it also serves as a driving force throughout the movie as he tries to redeem himself. Constantine also serves as the heart of the entire movie, acting as a confidant to several characters and providing inspiration during key moments, including one impressive speech at the very end. While he is an amazing character, he was a bit overused when it came to solving problems, as he seemed to have a magical solution for nearly every obstacle that the protagonists came up against. While it does show off his resourcefulness, and his jack-of-all-trades approach to magic, I thought that it was a bit of a crutch for the story at times. Still, I loved Constantine as a protagonist, and I cannot think of anyone better to be the main character for this film.

Another character that I really appreciated throughout this movie was Superman/Clark Kent. If the recent live-action DC movies have shown us one thing, it is that Superman is a very hard character to write or portray at times, due to his powerset, his iconic nature and his somewhat dated ideals. However, the DC Animated Movie Universe is one of the few projects which has covered the character perfectly and allowed the viewer to care about him. His use in The Death of Superman and its sequel Reign of the Supermen was particularly impressive, and the creative team have followed that up extremely well with Apokolips War. In the opening scenes, he is an angry and vengeful character, recklessly determined to take the fight to Darkseid and finish him off for good. However, following his defeat, he is cast back down to Earth without his powers and with a painful liquid Kryptonite tattoo to remind him of his failure and to demoralise those people he encounters. Despite this, Superman shows his usual spirit and determination, rallying the remaining heroes to Apokolips, and is a generally fun and inspirational character. The best thing about his character, however, is his relationship with Lois Lane throughout the film. Lois is a major badass in Apokolips War, reverting to the resistance leader persona that she had in The Flashpoint Paradox and leading the various heroes and villains (whom she brings to her side after a boxing match with Harley Quinn in a very fun scene). The relationship between Lois and Clark is one of the major emotional centres of Apokolips War, and it serves as a great continuation of their entire joint character arc from their previous movies. It also leads to the most powerful and emotionally charged scene of the entire movie, which was an extremely touching and memorable moment.

The other major protagonists are the two surviving Teen Titans, Robin and Raven, who both add a lot to the plot. The Robin in this movie is the Damian Wayne version of the character, who has been a focal protagonist of several films in the DC Animated Movie Universe. While Damian Wayne is not my favourite Robin (Tim Drake for the win), he has been a solid part of this shared universe, especially in the two Teen Titans movies. In Apokolips War, Damian is his usual arrogant self, although he has grown and matured since his introduction. However, the events at the start of the film turn him to a darker path, and he ends up leading the League of Shadows like his grandfather before him. While at first reluctant, he is convinced to help their mission by Raven, to whom he had grown close in Justice League vs. Teen Titans and Teen Titans: The Judas Contract. Damian’s major scene is the eventual encounter he has with a Darkseid controlled Batman, and their emotionally charged fight sequence is a great part of the movie. Raven is also a fantastic character as she spends most of the film fighting her literal inner demon, her father, Trigon, whom she has imprisoned in the gem in her forehead. The emotional turmoil of the film and the constant conflict against her father has drained Raven, and she is a shell of herself throughout Apokolips War. Raven has some rather dark moments in this film, and her continued inner conflict is an excellent part of the plot. I really liked that the writers chose to focus on Raven, and it turned out to be an exceedingly interesting continuation of her storyline from the excellent Justice League vs. Teen Titans film. I also really enjoyed seeing the extension of the relationship between Robin and Raven. There had been some hints of a connection between the two in their previous entries in the universe, but the writing team took the time to explore it in more detail in this film. There are some rather nice moments as a result, as well as some heartbreaking sequences (this is a pretty traumatic film after all), and overall, both of them proved to be a great addition to the movie.

While the above main characters are great, I really need to highlight the inclusion of the entertaining side characters, who add an incredible amount of fun and excitement to the movie. At the top of this list is Etrigan the Demon, last seen in Justice League Dark. Etrigan was easily the most amusing character in the entire film, mainly because he is comically depressed following the death of the human he was bonded to, Jason Blood, in his previous appearance. Because of this, he spends most of the film following Constantine, looking for something to break him out of his stupor, and being too apathetic to take anything seriously or even to rhyme (which is a big problem for a rhyming demon). His antics are very entertaining, and every appearance he has is designed to make you laugh, right up to the end. I also loved the fantastic use of the Suicide Squad characters in this film. Harley Quinn is her usual, exceedingly violent and over-the-top self in this film, and it was fun to see her lead the Suicide Squad: “Best boss ever”. Next up you have the always dependable Captain Boomerang, who is at his sleaziest right of the bat. Boomerang is another fun addition to the team, due to his funny jabs towards the other members of the Squad, and he has some great moments, including starting an Australian/British rivalry with Constantine. However, the best member of the Suicide Squad has to be King Shark, who stands out right from his start when Constantine hilariously identifies him as one of his exes (which is a great nod to Constantine’s bisexual orientation in the comics). Unlike the pacifist King Shark we see in the Harley Quinn animated show, this version of the character is a bloodthirsty killing machine who gleefully eats several people. He also appears to only be able to only able to say one phrase: “King Shark is a shark!” which I thought was a nice homage to Groot. Pretty much every scene with King Shark is just great, and you will surprised how much fun his constant declarations of “King Shark is a shark!” becomes, especially as it leads up to an amazing joke with Captain Boomerang. I loved all four of these characters, and their inclusion was a masterstroke from the creators, due to how much heart and humour they add to the film.

No superhero movie would be complete without a great antagonist, and Apokolips War features the biggest bad in the entire DC universe, Darkseid. Darkseid has been the major villain for the entire DC Animated Movie Universe, from his destructive introduction in the Justice League: War, to his manipulations in The Death of Superman and Reign of the Supermen. As a result, Darkseid is an amazing antagonist for this movie, as you get to wrap up his storyline and see how he has been building up to this battle for the entire length of the DC Animated Movie Universe. Darkseid is exceedingly ruthless and destructive in this movie, more than living up to his reputation by brutally taking out the Justice League and killing so many protagonists and heroes. I loved his portrayal as a cold uber-tyrant, and he has some awesome scenes, such as taking out the entire Green Lantern Corp by himself, or facing off against a raft of powerful opponents (including one massive brawl against another major DC antagonist). Of course, his most evil acts revolve around his treatment of the heroes that he captures in the opening acts of the film. I have already mentioned his depowering of Superman, but that is nothing compared to what he does to other members of the League, as he turns them into twisted cybernetic monstrosities, slaved to his will. I was particularly impressed with how he managed to twist Batman’s mind, turning him into his chief enforcer and strategist. Having the ultimate hero become as ruthless as the Batman in this film is a little jarring, and I felt that it was a rather intriguing character arc to explore. I also have to mention Darkseid’s new foot soldiers, the Paradooms. Paradooms are the traditional Apokolipian soldier’s, the Parademons, who have been enhanced with the DNA of Doomsday, making them more than a match for most of the heroes in the Justice League. While the name ‘Paradooms’ is a little uninspired, they do add an exciting new element to the story, especially after the thrashing that the Justice League gave the Parademons in Justice League: War. I did think that their power levels were a little inconsistent at times, as one minute they are killing the entire Justice League, the next they are getting taken out rather easily by the Suicide Squad, but overall they were a destructive addition to the universe. I really liked this collection of antagonists, and I think that having such impressive baddies, really amped up the stakes and my enjoyment of the film.

Apokolips War has a truly impressive voice cast, with most voice actors returning after prior appearances in the DC Animated Movie Universe. At the forefront is Matt Ryan, who once again voices Constantine to perfection in this film. Anyone who has seen any live action or animated feature where Ryan portrays Constantine will know how awesome his work is, and in Apokolips War he once again shines, bringing his brand of charm and roguish appeal to the character. I also must highlight Jerry O’Connell voicing Superman in this movie. O’Connell has been killing it as Superman throughout this shared universe, and Apokolips War is some of his best work. He brings a great deal of passion to the role, and I think that his voice expertly captures all of Superman’s attributes, from his inherent positivity, to his anger at Darkseid and everything that he has done. O’Connell’s Superman also has an amazing amount of chemistry with the film’s Lois Lane, although this is not surprising, considering that Lois is voiced by O’Connell’s real-life wife, Rebecca Romijn. Romijn also does a fantastic job with Lois, and I really like her take on the character, showing of Lois’s boundless confidence and deep love for Clark. Romijn also touches on Lois’s vulnerabilities and doubts in this film, and this helps her produce one of the best and most heartfelt sequences in the entire movie.

I am also a major fan of young voice actor Stuart Allan and his take on Damian Wayne. Allan has been voicing Damian since 2014, and he has always perfectly captured the character’s arrogance and reckless personality. I like how Allan has grown up in step with the character, and his portrayal of Damian in this film adds some more restraint, uncertainty and vulnerability to the character after the opening events. Another impressive young voice actor in this movie is Taissa Farmiga, who returns to voice Raven for the third time. Farmiga has a much younger and more vulnerable take on the character of Raven than Teen Titans fans would be used to, and I think it works extremely well, showing off how scared Raven is of herself and her inherent darkness.

There is also a fantastic group of voice actors voicing the many side characters and antagonists in this movie. Candyman himself, Tony Todd, voices Darkseid, and his deep and callous take on the character, really helps to make the antagonist seem even more menacing and evil. Jason O’Mara does another amazing job as Batman in this film, and I like his more calculating take on the character, especially when he is under Darkseid’s control. Rainn Wilson is also entertaining as Lex Luthor, and he brings a real cowardly, slimy air to his parts of the film. Rosario Dawson is once again cast perfectly as Wonder Woman, and I loved her strong and confident voice for this character. John DiMaggio, Hyden Walch and Liam McIntyre all return to voice members of the Suicide Squad they have portrayed before, and they are all rather entertaining. I have already mentioned how much I loved DiMaggio’s King Shark, and it was fun to see him provide a new voice to the character after portraying him in Assault of Arkham. Walch provides another excellent turn as Harley Quinn, bringing some great energy to the character, and I think I prefer her portrayal to that of her Teen Titans co-star Tara Strong. McIntyre also does an excellent Captain Boomerang, and I personally liked it when they cast an Australian in the role, even if the character is a bit of a silly Australian caricature. While there are a couple of actors who I haven’t discussed, I think I have done enough to show how this movie has an exceedingly strong voice cast, and there was not a single miscast in the entire film.

I also have to praise the amazing animation quality featured within this movie. The animators behind Apokolips War have helped produce an incredibly slick movie with some impressive backgrounds and some fantastic and eye-popping action sequences, some of which were quite brutal and over-the-top at times. Apokolips War also features some cool and unique character designs, as many of the character had new and distinctive looks as a result of the harsh plot of the movie. This includes the depowered Superman with the Kryptonite S on his chest, half-dead cybernetic Justice League members and a whole new evil costume motif for Batman. I also have a lot of love for how the musical elements of this movie fit in with the visuals, and some of the instrumental scores that were featured really helped some key events pop out and stick in the mind, especially when combined with some of the impressive animation. For example, there is a great scene about two-thirds in where the music helps really enhances a major moment around one of the key characters, there is also a bit right at the end of the movie where the score plays extremely well with a really visually impressive moment, creating a fantastic ending for the entire movie. This helps turn Apokolips War in a visual and audible treat, and I thought that the fantastic combination of these elements helped to create an excellent movie.

 

The next paragraph gets extremely plot heavy in its discussion, so I am issuing a SPOILER ALERT.

I need to discuss how the entire movie concludes, mainly because I am in two minds about it. The film essentially ends with the entire DC Animated Movie Universe being erased out of existence, when Constantine talks the Flash into creating another Flashpoint once it becomes clear that the Earth is doomed. While it was an amazing scene, especially with the monologue that Constantine gives to convince Flash to do it and the fade to white that heralded the end of the movie, I thought it was a controversial way to end the film. Not only was it a rather predictable move thanks to several discussions about the alternative Flashpoint universe made earlier in the film (and the fact that time travel was the only obvious way to fix everything), but it also seems to do the rest of the amazing film a disservice by instantly erasing it, and it reminded me of those television episodes where major events turned out to be dream sequences or simulations. That being said, I did think it was a great way to conclude the entire DC Animated Movie Universe, which was created as a result of a Flashpoint in the very first movie, and it keeps the entire plot of this shared universe rather contained. It will be interesting to see what happens next in the DC Universe Animated Original Movies range, and whether they create a new animated shared universe in the future. I also would love if they maybe set another movie in this universe post-Apokolips War, because seeing what happened in the crumbling ruins of Earth with a depleted Justice League has a lot of story potential

SPOILERS END

 

Justice League Dark: Apokolips War is an incredible and highly recommended animated comic book adaptation, which serves as an epic and memorable conclusion to the DC Animated Movie Universe. I had an exceptional time watching this movie, especially as it blended a dark and clever story with amazing characters, impressive animation and a top-notch team of voice actors. This was an overall great film, and it might be one of the best new movies of 2020 so far (which to be fair, might be due to most films getting pushed back this year). I had a great time reviewing this animated film, and I might spend a bit of time reviewing more animated comic book movies in the future. As most of them are adaptions of existing comic books, I think this is close enough to my current focus as a reviewer to fit on this blog, and I look forward to examining some of my favourite animated comic book movies in the future.