Throwback Thursday – Trollslayer by William King

Trollslayer Cover 2

Publisher: Games Workshop (Audiobook – August 1999)

Series: Gotrek and Felix – Book One

Length: 9 hours and 55 minutes

My Rating: 4.5 out of 5

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  In this latest Throwback Thursday article, I review a classic Warhammer Fantasy novel, the iconic Trollslayer by William King.

Over the last year or so, I have started to get back into the exciting and captivating extended universe that surrounds the Warhammer tabletop game franchise.  The Warhammer games are a lot of fun to play, but I have always deeply enjoyed the rich and extensive universe that has formed around it.  This is particularly true when it comes to the extensive literary world that has been created, with a huge collection of unique novels added every year.  I personally have barely scratched the surface of this franchise, having only recently read the exciting Space Marine novel Deathwatch: Shadowbreaker, and the fun crime novel Kal Jerico: Sinner’s Bounty.  For this review, however, I veer away from the science fiction based Warhammer 40,000, and instead look at a book in the Warhammer Fantasy universe.

The Warhammer Fantasy universe is set on a fantasy world where various races and factions fight for power, immortality, dark deities, and a general desire for bloodshed (Blood for the Blood God, Skulls for the Skull Throne!) in both large-scale battles and smaller skirmishes.  I love the fantastic and thrilling world of Warhammer Fantasy, especially as I used to play (my preferred factions were the Empire and the Lizardmen).  While there are many great novels set in this universe, the most recognisable and well-established series are the Gotrek and Felix books.

The Gotrek and Felix novels are some excellent dark fantasy books that follow the titular heroes, Gotrek Gurnisson and Felix Jaeger, as they traverse their world, facing every single monster, demon or villain they can find.  Created by William King, this long-running series has also been authored by fellow writers Nathan Long, Josh Reynolds and David Guymer, the last of whom has just released the latest entry, Gitslayer.  I have always heard good things about this series over the years, and I have previously enjoyed some of the short stories featured online or in the White Dwarf magazine.  As a result, when I had the brainwave to expand my knowledge of the Warhammer canon, this is one of the main series I wanted to check out, and to do so properly, I had to start with the original novel, TrollslayerTrollslayer, which was originally released in 1999, is an interesting novel that features seven original Gotrek and Felix short stories, including Geheimnisnacht, which was originally written as a one-off in 1988.  These seven stories have been bundled together into one continuous narrative, which proves to be an excellent and entertaining fantasy adventure.

Trollslayer Cover

Felix Jaeger, the son of a wealthy merchant and student in the Imperial capital Altdorf, used to live a blameless and dull life until he met the deranged Gotrek Gurnisson.  The son of a wealthy merchant and student in the Imperial capital Altdorf, Felix’s life was changed forever when Gotrek saved his life.  Gotrek is a Slayer, a dwarf who, after committing a terrible crime, has sworn to seek out a glorious death in battle, and who now wanders the world to find a foe worthy of killing him.  After a particularly damaging night of drinking, Felix drunkenly swears to follow him on his adventures to compose an epic ballad about Gotrek’s glorious death.

Bound by his oath, Felix now reluctantly accompanies Gotrek wherever he goes.  Their latest adventures will take them far and wide, as they venture throughout the Empire and beyond, travelling to the notorious holdings of the Border Princes, the mountainous realms of the dwarves and even under the halls of the conquered dwarf city of Karak Eight Peaks.  While they experience many unique discoveries and locations, one thing remains the same: enemies lurk around every corner, and Gotrek and Felix are forced to battle against some of the most dangerous creatures in existence, including orcs, goblins, trolls, the undead, mutants, beastman and more.

However, the most dangerous foe they face may be something far more insidious and unknowable.  The fell powers of Chaos are gathering throughout the land, and Gotrek and Felix seem to constantly become wrapped up in their plots and vile missions.  With danger and deadly foes all around, will Gotrek find the glorious death he seeks, and will Felix be able to survive whatever might foe eventually manages to kill his companion?

Wow, that was a cool novel I really should have read years ago.  Trollslayer was a fantastic and exciting novel that does a great job exploring some of the more dangerous settings in the Warhammer Fantasy world with two amazing characters.  Featuring seven dark and compelling short stories, Trollslayer is an outstanding book, and I had an incredibly fun and entertaining time getting through its audiobook format.  Banded together by some journal entries which bring the separate stories together, Trollslayer has a fantastic joint narrative that presents the reader with a collection of epic adventures.

TrollSlayer-john-gravato-Gotrek-and-Felix-1st-edition-cover

The book begins with the original Gotrek and Felix short story, Geheimnisnacht (Night of Secrets).  The two companions are stuck out in the dangerous forests of the Empire during Geheimnisnacht, an auspicious night of the year.  After nearly being run over by a dark carriage on the road, Gotrek and Felix investigate the actions of a dangerous Chaos coven out in the woods, and find more than they bargained for.  This is a rather entertaining and short entry in Trollslayers that serves as a fun introduction to the main protagonists and their quest.  King does a great job setting up both characters and you soon get a fantastic glimpse into their compelling personalities.  The author presents a very dark story within this first tale, as the heroes discover and fight the true horrors of chaos.  An excellent and intense opening story that will get you pumped up for the rest of the book.

The next entry contained within Trollslayer is called Wolf Riders, which sees Gotrek and Felix at the very edge of the Empire with plans to venture to the fallen dwarf stronghold of Karak Eight Peaks.  After encountering a beautiful young woman, Felix convinces Gotrek to join the doomed expedition of a cursed, banished noble family as they journey to the Border Lands to set up their own settlement.  Hired on as guards, the two heroes are forced to protect the caravan against a ravenous Greenskin horde, who are determined to destroy every one of them.  However, the true threat may lie within the convoy, as it soon becomes clear that someone has their own nefarious plans to kill everyone journeying with them.  Wolf Riders is an incredible second entry in the collection of stories, and it is easily one of the best tales in Trollslayer.  Not only does it reinforce the likeability of the two protagonists, but it also contains its own compelling and impressive narrative.  King manages to achieve a lot in Wolf Riders, introducing a cohort of great characters, showing several intense action sequences, and even presenting a clever and malicious mystery.  The entire narrative comes together extremely well, and readers are soon wrapped up in the compelling tale of redemption and bloodshed, which culminates in a tragic and memorable ending that forever changes one protagonist.

The third story is The Dark Beneath the World, which follows on immediately after Wolf RidersThe Dark Beneath the World sees Gotrek, Felix and some new companions journey into the dwarf stronghold of Karak Eight Peaks, which was infamously conquered by greenskins and Skaven in ages past.  Seeking treasure, holy relics and a glorious battle, the adventurers will face untold horrors in the halls beneath the city.  However, nothing will prepare them for the true dangers of Karak Eight Peaks, as the restless dead are stirring in response to a monstrous presence.  This was another great story that really highlights have exciting and action packed one of these stories can be.  I love how King takes his great characters right into the heart of one of the most iconic and dangerous settings in the entire Warhammer canon, and it proves to be an amazing backdrop to this compelling story.  A brutal hack and slash epic with some very intense moments, this is an excellent and fast-paced addition to Trollslayer that was an extremely thrilling read.

From powerful action to great humour, the next entry is the slightly shorter The Mark of Slaanesh.  This story sees Gotrek and Felix return to the Empire, where they encounter some malicious cultists of the Chaos god Slaanesh in a small town.  Unfortunately for Felix, Gotrek is suffering from amnesia after a blow to the head.  Forced to shepherd a docile Slayer through the town’s many dangers, Felix takes drastic action to bring his friend back to his senses.  The Mark of Slaanesh represents a very intriguing change of pace, with more of a focus on humour, as a weary Felix is forced to contend with a pacifist Dwarf Slayer, an eccentric doctor, and comedic mutants.  There are several extremely funny moments in this short story, which helped to turn The Mark of Slaanesh into one of the most entertaining entries in the entire novel.  I particularly appreciate how King was able to craft together such a despicable central antagonist in quite a short period of time, and it was great to see his implied comeuppance towards the end of the story.

King again rapidly switches gears with the next entry in the book, Blood and Darkness, a grim war story set in the darkest forest in the Empire.  This story sees Gotrek and Felix come across a ravished village within the Drakwald Forest, which has been utterly destroyed by beastmen.  Finding a young survivor, Kat, Gotrek and Felix escort her through the woods to the next village.  However, a vengeful and ambitious champion of Chaos is close behind them, with unholy plans for Kat and anyone else she comes across.  Blood and Darkness is another exceptional entry in the series, which is probably my overall favourite Trollslayer story.  Loaded with action, fantastic new characters and a particularly gruesome premise, Blood and Darkness really stands out from some of the other stories in this book, and I was blown away by how dark King made the narrative.  I really loved the story’s complex antagonist, and the entire plot surrounding Kat comes full circle in a great way.  While it is a tad creepy to see just how young Kat is in this story, especially as Felix apparently falls in love with her in a future novel (she gets aged up like 20 years before this happens, but it is still weird), this was an impressive and powerful story that really showed how complex, powerful and mature a Warhammer story can be.

The penultimate story in Trollslayer is The Mutant Master, which again switches pace and has a more humorous tilt to it.  After being attacked on the road by a swarm of mutants, the protagonists arrive at a struggling village and soon discover that the mutants are being controlled by a sorcerer in a nearby tower.  Betrayed by the villagers, Gotrek and Felix find themselves as prisoners and soon must deal with an insidious sorcerer who shares a history with Felix.  This was another great short story that places the protagonists into a uniquely dangerous position.  King includes some excellent humour in this novel, especially in the scene where Felix and the sorcerer have a very entertaining encounter, which proves that everyone, even dark sorcerers, fall to pieces when encountering former classmates.  While much of this story is dedicated to humour, the author fits in a particularly dark moment towards the end of the novel, which pushes one protagonist further than ever.  Another awesome and memorable story, I powered through this one extremely quickly.

The final entry in this book is the intense Ulric’s ChildrenUlric’s Children sees Felix trudging through a snowed-in forest, attempting to escape the cold and the wolves.  When they hear the sounds of a fight up ahead, Felix gets separated from Gotrek, and ends up getting captured by a dangerous group of soldiers.  The soldier’s leaders end up being revealed as cultists of the Chaos god Tzeentch, who are desperate to capture a mysterious family living nearby, who have strange powers and strengths.  Caught up in their conflict, Felix soon finds himself trapped in a manor house with two very different monsters and must try to overcome the powers of Chaos that threaten to consume him.  This was another fantastic story that serves as a great conclusion to the entire novel.  While I think that Ulric’s Children was one of the weaker stories in Trollslayer, it was still a compelling and thrilling tale which readers will enjoy.  I loved the inclusion of werewolves in this novel and it was fun to see Felix attempt to overcome a dangerous foe without Gotrek’s determined backup.  With some intriguing foes and an exciting story, this is a fun and fantastic entry in the book which will leave readers wanting more Gotrek and Felix in the future.

King really has loaded Trollslayer with an amazing range of different stories that highlight the gritty adventures of two memorable and loveable characters.  I had a great time getting through each of the short stories contained within this novel, and I think that the author did a good job combining seven shorter stories together into one cohesive tale.  I love how each of the stories has some impressive action set pieces, and readers are given an in-depth look at the true dangers and darkness that inhabits the Warhammer world.  King has also ensured that each tale contains a compelling blend of humour, dramatic character development and dark fantasy elements, all of which produce an outstanding overall narrative.  It was also very cool to see just how dark and gruesome King could make his narratives, and quite a few elements of this book closely bordered the horror genre.  Since the stories were originally published in instalments, readers are in for some repetition, especially as King rehashes Gotrek and Felix’s origin in every entry, and you also get quick summaries of their prior adventures.  While this and other pieces of repetition (for example, Gotrek runs his finger over his axe blade in every tale) can be a bit annoying at times, I personally thought it was a small price to pay for such an awesome and epic book.

One of the most impressive things about Trollslayer is the complex and distinctive characters.  Naturally, the main characters are series protagonists Gotrek Gurnisson and Felix Jaeger, both of whom prove to be really fantastic and exciting characters.  King has come up with an exceptional pairing in these two characters, and I absolutely love the combination of a doomed dwarf Slayer and a disgraced human with a penchant for poetry.

As the primary narrator of the separate stories in this book, Felix gets a great deal of attention, and you really get to grips with his superb character throughout the book.  I loved the depiction of a former arrogant dandy who finds himself in a situation well over his head, and Felix has a “fun” time facing off against all sorts of monsters in this book.  While most of the novel depicts him as a bit of a coward, Felix does manage to achieve some major heroics and you cannot help but sympathise with the terrible situations he finds himself in.  While the use of multiple short stories does tend to backslide Felix’s character at times (he reverts to a coward at the start of each story), I did enjoy seeing some of the excellent development that occurs around Felix.  Not only does he grow more confident in his own abilities, but he also becomes harder with each adventure, especially as he experiences tragedy and despair around every corner.  It was actually hard to see how some of the more tragic events of the book affected him, but I really appreciated the amazing character work that King worked around him.

The titular Trollslayer, Gotrek Gurnisson, is one of the most beloved figures in Warhammer Fantasy lore, and a magnificent character who I really enjoyed.  Much of Gotrek’s past is shrouded in mystery, and all you really know is that he is a mighty warrior who previously committed some great crime that still haunts him to this day.  Determined to find a glorious death, Gotrek willingly walks into the most dangerous of places, but always survives, much to his displeasure (even doomed dwarves are far too stubborn and proud to simply let an enemy kill them).  King mostly paints Gotrek as a crude, rude and bloodthirsty being, which is a lot of fun to see.  However, there is so much more to Gotrek than killing and fighting, and you see several glimpses of his true inner self in this book, especially when he thinks about the past.  I loved how King keeps Gotrek as a mostly enigmatic figure, mostly by not showing any of the story from his point of view, and the reader is never quite sure what he is thinking or planning.  All of this results in an excellent and memorable protagonist, and I am deeply intrigued to see what sort of adventures he has in the future, as well as any revelations about his past.

Aside from Gotrek and Felix, Trollslayer contains a range of interesting and compelling characters, several of whom act as point-of-view figures at various parts of the book.  King does a really good job of introducing and utilising so many unique figures throughout his various stories, and it is simply amazing how well he can develop and establish his character in such a short amount of time.  Even though you only see some characters for a few pages, you quickly become quite invested in their stories, which is the sign of a really good author.  However, readers are advised not to get too attached to anyone, as most of the side characters will come to a gruesome and tragic end.  Still, these supporting characters are really fun, and I look forward to seeing what unique figures are introduced in future Gotrek and Felix books.

Trollslayer also features the dark and well-established background setting of the Warhammer Fantasy world, with the protagonists adventuring through many iconic locations.  King makes excellent use of this fantastic background throughout his story, and I loved seeing all the cool locations, interesting factions and dangerous monsters contained within the story.  This actually serves as a really good introduction to the Warhammer Fantasy world, and readers unfamiliar with the various aspects of Warhammer will learn a lot here.  King can really craft together some dark and dangerous locations with his writing, and I love how spooking and claustrophobic some of his settings felt, especially the ancient dwarven catacombs and the haunted, monster infested forests.  I also loved the sheer range of different creatures and races featured within Trollslayer, as the author includes as many foes as possible.  It was extremely awesome to see Gotrek and Felix cut their way through various greenskins, monsters, and servants of Chaos, and there is something for all fantasy fans within this book.  I am extremely keen to see what other monsters and races are utilised in the future novels, and I am sure they will be pretty amazing.

I ended up listening to the Trollslayer audiobook format, which was an outstanding way to experience the awesome adventures contained within this book.  With a decent run time of just under 10 hours, I powered through this audiobook in a matter of days, especially once I got caught up in the fantastic depictions of intense action and dark creatures.  I was also really drawn in by the impressive narration of Jonathan Keeble, who has lent his voice to all the Gotrek and Felix audiobooks, as well as several other Warhammer projects and some of my favourite historical fiction novels, such as the Eagle of the Empire series.  Keeble has an epic voice, and the sheer passion that he brings to Trollslayer is immediately obvious, especially during the action scenes, where his excited voice captures the intensity and movement of the fights.  I also felt that Keeble did an exceptional job bringing all of the characters to life in an impressive way.  I particularly loved the gruff voice that he used for Gotrek, which fit the doomed dwarf warrior perfectly, and he also does a really good job voicing the often terrified Felix.  I also found some of the voices that he used for the supporting characters to be really fun and fitting, and I had a lot of love for a couple of the crazed sorcerers/alchemists they encounter, which were quite amusing.  All of this helps to turn the Trollslayer audiobook into an outstanding experience, and I think that this will be the format I check out the future Gotrek and Felix novels out in.  I might also have to consider listening to some historical fiction novels on audiobook in the future, especially as I know that Keeble will do a wonderful job narrating them.

Trollslayer by William King is an exceptional and clever Warhammer Fantasy novel that showcases the exciting and powerful adventures of the iconic Gotrek and Felix.  Serving as the main introduction to these two iconic heroes, Trollslayer contains seven outstanding and wildly entertaining short stories with some fantastic and wacky plots.  Readers who check out Trollslayer are in for a heck of a lot of fun and will swiftly become fans of this great duo and their outrageous adventures.  A highly recommended read, I suddenly have some major plans to check out more Gotrek and Felix novels in the future.

Later by Stephen King

Later Cover

Publisher: Simon and Schuster Audio (Audiobook – 2 March 2021)

Series: Standalone

Length: 6 hours and 32 minutes

My Rating: 4.75 out of 5 stars

Since I started this blog, one major author that I have neglected is the master of horror fiction, Stephen King.  King needs absolutely no introduction, with a decades-long career of amazing horror novels, thrillers and heartfelt pieces of fiction, most of which have been turned into iconic films and television shows.  Despite this, I haven’t read many of King’s novels before, aside from Cell and the novel he co-wrote with his son, Owen King, Sleeping Beauties.  Honestly, I have only started getting into horror novels in the last couple of years (it is still not my favourite genre TBH) and I have completely failed to make time to check out some of King’s more recent releases.  However, his latest novel, Later, caught my eye and I decided that it would be a good opportunity to expand my Stephen King knowledge.

Jamie Conklin is a young boy with a very unusual problem: he can see and talk to the spirits of the recently deceased.  The son of a struggling single mother, Tia, Jamie just wants to have a normal childhood.  However, as his ability becomes more apparent, his mother cautions him to hide his strange gift, worried that people will abuse his talents, especially as the dead have no choice but to truthfully answer any questions that Jamie asks of them.

Content to keep his secret to himself, Jamie attempts to live like a normal New York City kid during the late 2000s.  However, when his mother pressures him to use his abilities to help save her failing publishing business, it places him in the crosshairs of his mother’s lover, corrupt police detective Liz Dutton.  Liz, desperate for recognition from her bosses, draws Jamie into the hunt for a killer’s final surprise, which only his dead spirit can reveal.  However, not all secrets are easily taken from the dead, and soon Jamie must contend with a terrible force determined to torment him from beyond.  Can Jamie survive what is coming for him, or will it drag him into insanity?

This was an extremely cool novel that makes we really want to go out and read some more Stephen King books.  Later is a fantastic read which combines multiple genres together to create an exciting and fast-paced narrative loaded up with some real heart and memorable characters.  I had an absolute blast reading this clever novel, and thanks to its shorter length and captivating narrative, I powered through it in a very quickly.

I deeply enjoyed the cool and complex story that King came up with for Later, which proved to be a powerful and intriguing character-driven tale that moved across the genres.  Told in a first-person chronicle format by an older version of the main protagonist, Later details the childhood of Jamie Conklin and his early experiences of talking to the dead.  Weaving in anecdotes of his childhood and depictions of his early life with his mother, the story quickly and effectively sets up how Jamie discovered he had his powers, and some of the most significant times that he saw and talked to the spirits of the departed.  This proves to be a fascinating coming-of-age story that showcases how this unique talent twisted and altered the course of Jamie’s life and took him into some dark places.  The author does a fantastic job capturing the style of a young man recounting major events from his childhood, and I very much appreciated the mixture of childlike innocence with cynical reflections.

While this chronicle of a child’s life forms an effective and powerful centre to this entire narrative, this is also a horror story, as Jamie is traumatised by several of the spirits he encounters, especially as King provides some harrowing descriptions of mutilated ghosts and bodies.  These horror elements get even stronger and spookier when Jamie encounters a truly evil spirit who starts to haunt him.  Several of the scenes featuring this being are pretty terrifying, and I liked how King strongly highlights the dark side of Jamie’s power.

The author also works in some intriguing crime fiction elements as well, as the protagonist get wrapped up in a murder investigation and the dangerous schemes of a police officer.  The crime fiction features are pretty thrilling, and l appreciated the consideration of how Jamie’s powers could be abused.  I liked this unique blend of genres, and it ended up creating a very compelling and powerful story, which King sets out at an incredibly fast rate.  King sets the story up perfectly, and I found myself really getting pulled in as the narrative set off, thanks to its unique tone and intriguing selection of supporting characters.  The entire narrative goes in some very interesting directions and I liked how interconnected all the events that the narrator is recounting fit together into a clever and moving tale of discovery and redemption.  All of this comes together into an exciting and scary finale as the narrator comes face-to-face with several of the monsters in his life, and I think that King came up with a very satisfying and clever ending for the book, which has potential for a sequel.  I did think that the final big reveal of the book was extremely unnecessary, but it was a particularly typical Stephen King twist, so I should not have been so surprised.  Overall, this was an exceptional narrative that I cannot hype up enough.

Later is a standalone novel from King which features a whole new group of characters.  As a result, it is very accessible to a wide range of readers, even for those people who have not previously enjoyed any of King’s novels.  I personally found it really easy to get into this cool story, even with my limited knowledge of the author’s prior works, and it honestly does not take long to get hooked on his clever and unique story.  This is also quite a good book for established fans.  Not only does it contain a lot of elements of a classic Stephen King novel, such as a young protagonist on a journey of self-discovery who ends up losing their innocence, but there are also some intriguing connections to some of King’s most iconic works.  One horror inclusion in the novel appeared to be a version of a creature from a previous book, and I think that King readers will really appreciate the clever references he chucks in.  Due to all this, I feel that Later is a perfect book for any curious readers, no matter their experiences with King’s works, and this may end up being the novel that draws new readers into this compelling master author’s web.  I personally will make a bit more of an effort to read more of King’s works in the future, and I already have my eye on his next novel, which is coming out later this year.  I also kind of hope that we see more of the characters at some point, especially as King did such a great job setting them up in this novel, while also leaving their overall story very open-ended.

I quite enjoyed the relatively modern setting that King utilised as a backdrop to his plot.  With the protagonist chronicling his tale in his 20s, presumably in the present day, most of his childhood took place in the late 2000s and early 2010s.  This is a pretty interesting departure from some of King’s more recognisable novels that explore the childhoods of their protagonists, such as It and Stand by Me, all of which make excellent use of their 1950s or 1980s settings (I liked the awesome 1980s nostalgia you got in the latest It film, for example).  Instead, King loads up Later with a ton of references to 2000s culture and movies, and I had a fun time remembering some of the things that the protagonist experienced as a child.  King, through the medium of his protagonist, also cleverly mentions The Sixth Sense right off the bat, ensuring readers that this story is “not like that movie with Bruce Willis”, which I thought was very entertaining, and also quite true.  The Great Recession also becomes a key plot point of the novel, and it was interesting to see how King was able to utilise it as a major motivator for various character actions.  I also liked how the story was set in New York City, rather than the small-town American locations King’s books are known for.  The author uses this city-based location to great effect throughout the novel, painting a fantastic picture of New York life, especially through the eyes of his young protagonist.  Jamie ends up visiting various parts of the city throughout the events of Later, including several communities on the outskirts of New York, and I enjoyed this great use of location.

I also have to highlight the multiple jokes about novelists and publishers that King features throughout Later, mainly due to Jamie being born into a publishing family.  You have to imagine that King had a lot of fun coming up with all the great jokes and comedic insights into Jamie and his mother’s experiences with writers, and it ended up being a really fun addition to the plot.  I had a particularly good laugh about the descriptions of a certain series of trashy historical romance/adventure novels that Tia’s struggling publishing company relies on, and I loved how King explored it throughout this entertaining narrative, as well as cleverly featuring a mock-up cover of one of these fictional novels released as a bonus dust jacket for Later.  This extra dust jacket (see below), was drawn by the same cover artist who did Later’s hardcover, and I enjoyed the similar styles and the excellent tongue-in-cheek testimonial from King, praising this book within a book.  Fun little inclusions like this really helped to push Later up to another level, and I liked how the humour from the publishing jokes contrasted nicely with the dark horror and crime fiction elements.

The Secret of Roanoke Cover

While I probably would have enjoyed reading a physical copy of Later, I instead chose to enjoy this fun novel in its audiobook format, which ended up being a fantastic choice.  This audiobook has an extremely quick run time of just over six and a half hours.  This shorter length was one of the main reasons I decided to listen to Later, and I was able to get through it in a day or two, although a lot of that was down to how awesome the story was.  This was an impressively fast-paced audiobook, and I really felt that this format worked well with the first-person chronicle style the author utilised, as it felt like the protagonist was the one vocalising the story to you.  Later was narrated by actor Seth Numrich, and it is one of the first audiobooks he has lent his voice to.  I really enjoyed Numrich’s work on this audiobook; not only did he do an amazing top capturing Later’s unique tone, but he also provided a range of great voices for the characters featured within the novel.  His main voice, which represented the narrating protagonist, really encapsulated the innocence and pain of the character as he tells the story of his strange childhood, and it helped draw me to the protagonist.  The rest of his voices were pretty good, although I thought the voice he used for female detective Liz Dutton sounded a little like John Leguizamo, which is probably not what he was going for.  Overall, though, this was an exceptional audiobook, and I would strongly recommend it to those who want to check out Later.  I also hope that Numrich considers narrating more audiobooks in the future as he displayed some real talent here and was an absolute treat to listen to.

Later is an outstanding and impressive novel from the legendary Stephen King, who creates a unique and powerful tale of life, death and coming to terms with both.  Featuring an intriguing narrative that blends together clever horror and crime inclusions with a powerful coming of age story, Later is a truly memorable novel that is extremely easy to fall in love with.  I had an exceptional time reading this book and it is a must read for all fans of King’s work and anyone who has ever been curious about his writing.

Later Cover 2

Throwback Thursday: Usagi Yojimbo: Volume 11: Seasons by Stan Sakai

Usagi Yojimbo Seasons

Publisher: Dark Horse Books (Paperback – 1999)

Series: Usagi Yojimbo – Book 11

Length: 198 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

It has been a while since I have done a Usagi Yojimbo Throwback Thursday, but after doing a Waiting on Wednesday for the next upcoming volume in this epic series, Homecoming, I was in a Usagi mood and decided to write something extra.  As a result, I check out the 11th Usagi Yojimbo volume by the legendary Stan Sakai, Seasons.

Seasons is a fantastic and spectacular entry in the series that presents the reader with a series of great Usagi Yojimbo adventures that follow the rabbit ronin Miyamoto Usagi as he traverses his version of feudal Japan during the various seasons of the year.  This is a key entry in the series as it sets up a number of storylines for the next several volumes while also introducing some great new characters.  Needless to say, I had an incredible time reading this volume of the series and I have a lot of love for a number of the stories contained within it.  Seasons contains issues #7-12 of the Dark Horse Comics run on the Usagi Yojimbo series, as well as stories taken from the Usagi Yojimbo Colour Special.  This results in 11 separate stories throughout the volume, made up of single-issue entries and a couple of shorter tales, all of which contain an impressive and deeply enjoyable story with beautiful artwork.

USagi #7

The first story featured within Seasons is The Withered Field, an epic story of samurai honour and the warrior’s way.  In this story, Usagi is visiting a famed fencing school with the hope of challenging some of its instructors to test his skill.  However, before he can issue his challenge, all of the school’s instructors are beaten by another ronin, Nakamura Koji, a skilled swordsman who demands a fight with the school’s master.  As he waits for his challenge, Usagi befriends him and discovers that he was once a famed sword master himself, who began the warrior’s pilgrimage after suffering a humiliating defeat at the hands of a mysterious and unconventional swordsman.  Now determined to find this swordsman and rechallenge him, Nakamura Koji shows great interest in Usagi, especially when they must content with treachery from the fencing school.

The Withered Field is an outstanding story that serves as a compelling and powerful start to this volume.  I really enjoyed the amazing narrative that examined honour and martial prowess, with Usagi encountering a famed warrior who is even better than he is.  This great story does an excellent job of introducing the character of Nakamura Koji, who becomes a major figure in some of the future volumes in this series and who has an interesting connection to Usagi and his past.  The entire storyline around the two ronin facing off against the fencing school is extremely cool and action packed, and it appears to take a lot of influence from the second entry in the iconic 1950s Samurai film trilogy (which follows the adventures of Miyamoto Musashi, the historical samurai who serves as an inspiration for Usagi), Duel of Ichijoji Temple, with the students attempting to stop the wandering ronin from defeating their master.  There are amazing action sequences throughout this story, with Usagi and Nakamura Koji engaging in several awesome duels.  I particularly loved the opening sequence where Koji goes through the pre-fight forms before facing off in his sparring match against a fencing school instructor.  The eventual reveal that the samurai who defeated Koji when he was younger was Usagi’s mentor, Katsuichi, comes as little surprise, but it sets up an amazing story later in the series which makes this great story a must read for fans of Usagi Yojimbo.

Seasons’ second story is the thrilling but haunting A Promise in the Snow, which sees Usagi travelling through a snowy mountain pass during the height of winter.  As he trudges along, he comes across bandits attacking an innocent merchant and his servants.  Intervening, Usagi is able to slay all the bandits, but not before they severely wound the merchant.  Usagi finds the merchant’s young daughter and promises to save her father, carrying him back to his village.  However, the mountain passes are treacherous, and Usagi must contend with harsh weather, a pack of hungry wild tokage lizards and a dangerous avalanche.  But no matter what the mountain throws at him, nothing will prepare Usagi for the great shock awaiting him at the end of his journey. 

Usagi #8

This is a great entry in this volume that features a desperate struggle for survival in a dangerous location.  Sakai came up with an epic story for A Promise in the Snow, and I really love seeing Usagi power through great trials and tribulations to keep his promise to a young girl.  There are some beautifully drawn scenes throughout this story, and Sakai does a fantastic job bringing the snowy landscape to life in all its wondrous, deadly glory.  I also loved the way in which Sakai’s drawings highlighted Usagi’s struggles to get through the tough terrain; you can see him get more and more weary with each obstacle he encounters.  This story has a fantastic ending that is reminiscent of a lot of classic ghost tales, and looking back you see that Sakai set this twist up brilliantly, with tons of little clues.  Overall, this was an exceptional story which is a true highlight of this volume.

Next up with have the action-packed, intriguing story, The Conspiracy of Eight.  In this entry, Usagi is visiting the temple of his friend, priest Sanshobo, when an injured samurai wearing the crest of the notorious Lord Hikiji arrives at the gate.  The samurai bears a dangerous letter that names eight conspirators who are plotting against the Shogun.  As Usagi and Sanshobo debate what to do with the information, a large force of ronin arrives at the temple, determined to claim the injured samurai and kill all witnesses. 

This is another fantastic entry in Seasons that once again sees Usagi drawn into a major conspiracy impacting the realm.  There are a lot of cool elements to this story, such as Usagi and Sanshobo being forced to mount a defence of the temple from a dangerous siege.  This is a great, fast-paced story, and I really liked the unique battle scenes, especially the monks with staffs facing off against sword-wielding bandits.  Many of the plot elements contained within this tale come into play in several later Usagi Yojimbo stories, including one featured later in this volume, and I think Sakai did an exceptional job introducing them in The Conspiracy of Eight.  I also liked seeing the return of Sanshobo, the wise and noble priest and former samurai general.  Sanshobo serves as a good foil to Usagi’s more impulsive nature, cautioning him about acting in the affairs of great lords and counselling him that his proposed actions could lead to the death of many people.  While mainly a figure of wisdom, Sanshobo also serves as a great leader, utilising his experiences as a general to defend his temple and keep his monks alive.  The Conspiracy of Eight ends up being a very solid and enjoyable entry in this volume and I very much enjoyed seeing Sakai solidify a great new side character.

Usagi #9

Right after The Conspiracy of Eight comes another intriguing story that is primarily set within Sanshobo’s temple, Snakes and Blossoms.  In this entry, Usagi tells two short tales to Sanshobo: one that describes a crazy misadventure he had, and another that describes some important lessons from his past.  This two shorter tales work as sub-stories to Snakes and Blossoms and ensures that it is a distinctive entry in Seasons.  The first of the shorter tales is titled Hebi, which is set shortly after the events of the final story in Volume 7: Gen’s Story and sees Usagi and Gen once again lost following one of Gen’s shortcuts.  As the two ronin wander the unused paths, Gen saves Usagi from a wild snake that attempts to kill him.  However, Gen’s heroic actions has unexpected consequences when the two travellers are confronted by a mysterious nun at an abandoned temple later that night.  This was a rather cool horror story that exemplifies the sort of weird situations that Usagi can find himself in.  I loved the way in which Sakai plays Usagi and Gen off each other, and there are some very humorous interactions between this oddball pairing.  There is also some really insane artwork in this short story, and I loved the fantastic and scary sight of a giant snake emerging from its disguise to try and kill the protagonists. 

The other short story contained within Snakes and Blossoms is the cute tale, The Courage of the PlumThe Courage of the Plum takes place during Usagi’s childhood when he is training with his master, Katsuichi.  As the two walk through the snow, Katsuichi attempts to teach his student the various hidden aspects of nature around them, including the trees, each of which can represent human virtues.  The young Usagi is particularly intrigued by Katsuichi’s description of the humble plum tree as brave, and Katsuichi schools Usagi on how this smaller tree can be braver than the mightiest of oaks.  I always enjoy the depictions of Usagi’s unorthodox training under Katsuichi, as the student and teacher have a very amusing dynamic, and The Courage of the Plum turned out to be a delightful shorter entry with some intriguing philosophical discussion and some lovely drawings of the winter landscape.  Overall, Hebi and The Courage of Plum make for a fantastic combination of tales and I quite enjoyed seeing these two unique, short stories come together.

Up next in Seasons is an amazing shorter entry, Return to Adachi Plain, which sees Usagi journey back to the site of his greatest defeat, Adachi Plain, the battlefield where his lord Mifune (named after actor Toshiro Mifune, who starred in multiple classic samurai films that Sakai references in his works, including as Miyamoto Musashi in the Samurai trilogy), was killed in front of him.  Flashing back to tragic events that started his wandering lifestyle, Usagi remembers the battle in greater detail and the reader sees not only the role he played in saving the head of his lord from mutilation but also the first time he came directly in conflict with the villainous Lord Hikiji. 

Usagi #10

Return to Adachi Plain is a fantastic entry in this series as it is essentially one big war sequence, showing Usagi amid a violent battle from his past.  This story expands on the war sequence that was shown in Volume 2: Samurai, and it was really cool to see more of this battle, especially the combat scene between Usagi and Hikiji, which serves as the origin for Usagi’s distinctive forehead scar.  A fantastic shorter story that provides greater depth to Usagi’s role in this major defeat, this battle sequence was later reused in colour in Volume 34: Bunraku and Other Stories, and the events disclosed within is likely to come up in the upcoming Volume 35: Homecoming.

The next story in this volume is a relatively short entry called The CrossingThe Crossing is set aboard a small passenger ship where a group of rowdy peasants sing and dance to a fun folk song on deck.  However, during the climax of the performance, one of the peasants accidently bumps into an arrogant samurai who takes offence and moves to kill the transgressor, until a fellow passenger intervenes.  Unfortunately for everyone involved, the Good Samaritan isn’t Usagi; instead it is the demon spearman Jei. 

This is a captivating darker story that once again highlights just how dangerous and deranged Jei, one of the best antagonists in the entire Usagi Yojimbo series, is.  Sakai has written an extremely clever tale here that does a wonderful job showcasing Jei’s compelling nature as both a defender of the innocent and a raging psychopath who views nearly everyone as evil in form or another.  It’s fantastic watching the expressions on the peasants’ faces turn from relief to absolute terror as they slowly realise just how crazy Jei is, and you have to love that entertaining ending with the unsuspecting dock worker.  The Crossing serves as an excellent follow-up to several other shorter Jei stories that appeared in recent volumes, including The Nature of the Viper (which appeared in Volume 9: Daisho) and Black Soul (which appeared in Volume 10: The Brink of Life and Death), and this ends up being an impressive and compelling filler story in this volume.

Usagi #11

The shorter entries keep on coming! The Patience of the Spider introduces a new compelling character, General Ikeda.  Ikeda is a famed warrior and general who led a revolt against the Geishu Clan years ago (when the clan was ruled by the father of Usagi’s friend Lord Noriyuki).  When his revolt fails and his army is vanquished, Ikeda and two of his retainers flee to an abandoned farm and determine that their next course of action is to hide and wait.  Using a patient web-building spider as inspiration, Ikeda and his comrades show fortitude and restraint by disguising themselves as peasants and farming the land as they wait for the opportune moment.  However, as the years pass and Ikeda gains a family and faces the many harsh trials and dangers that await a peasant farmer, he begins to see the world differently, until the once notorious general is a completely new person, one with very different desires and dreams.

The Patience of the Spider is an outstanding example of how Sakai can quickly build up an intriguing and powerful character and ensure that the reader is utterly transfixed by their tale.  While this entry is relatively short, it is very impactful and may be one of the best stories in Seasons.  The tale of General Ikeda, as he faces the many different hardships of peasant life, including drought, bandits, floods and great personal loss, while also experiencing great joy and community, is extremely well written.  It proves to be extremely captivating to see this resolute man slowly change his nature as life overcomes him.  This also proves to be an excellent introduction to the character of Ikeda, who will go on to have a substantial role in the two big Grasscutter storylines, and his amazing character arc has an exceptional start here.  A very impressive and powerful tale, The Patience of the Spider is an amazing character-driven narrative from Sakai that is an absolute treat to read.

The next story featured in Seasons is the curious tale, The Lord of the Owls, which sees Usagi encounter a strange fellow traveller.  As Usagi stops at an inn, he witnesses a group of ruffians follow after a mysterious hooded samurai walking the road with the intention of robbing him.  Following them, Usagi witnesses the figure quickly kill the bandits after first startling him with his hypnotic and powerful gaze.  This man is eventually introduced as Oyama Tadanori, the mysterious Lord of the Owls, who reputedly can see the future and who claims that his destiny is intertwined with Usagi. 

Usagi #12

This was an interesting story that presents the reader with a lot of curious and unanswered questions.  While the main story is rather good, especially when it comes to the fate of the greedy bandits, the reader is left extremely mystified by the Lord of the Owls and his powers of prediction.  This entry opens up a rather fascinating storyline that is still not complete; despite an appearance in a later comic, Usagi is still waiting to uncover more about this figure and their combined destiny.  While I am hopeful that this story will pay off somewhere down the line, but in the meantime this particular entry has some great action sequences, a fun new character and some stunning landscape shots, which makes it really worth checking out. 

Up next with have a clever story, The First Tenet, which deals with the machination and inside politics of the Neko Ninja clan.  In this entry, Kagemaru, the second in command of the Neko Ninja, makes a move to betray his commander, Chizu, by reporting some of her recent personal missions to Lord Hebi, Lord Hikiji’s chief advisor.  Hebi, who is enraged by the news that Chizu is moving the Neko Ninja against the interests of Lord Hikiji, considers supporting Kagemura but is reluctant, especially as “deceit is the first tenet of the ninja”.  However, Kagemaru has subtle ways of getting what he wants, and soon Hebi finds himself in a dangerous situation that will change the future of the Neko Ninja forever. 

The First Tenet is a great story that masterfully shows of the duplicitous internal politics of the Neko Ninja and the supporters of Lord Hikiji.  The storyline started here will eventually have some interesting implications for major side character Chizu, and Sakai does a fantastic job setting it up.  I loved all the plotting and subterfuge that appears in this story, and it proves to be a fun and clever read.  I also love the massive battle scene that occurs in the middle of the tale, and it was particularly cool to see Lord Hebi, a massive snake, finally get into a fight.  Hebi is a terrifying figure to behold in combat, and it is worth reading this story just to see that.  An excellent and exciting addition to Seasons, I really enjoyed The First Tenet, especially as it leads to a lot of outstanding ninja storylines down the road.

Usagi Colour Special - Green Persimmon

Seasons’ penultimate story is The Obakeneko of the Geishu Clan, a chilling supernatural tale that sees Usagi and his companions face off against a malignant spirit.  As Usagi draws closer to the lands of his friends in the Geishu Clan, he stops outside a ruined mansion where he suddenly recalls the last time he was there.  Flashing back to shortly after the events of Volume 4: The Dragon Bellow Conspiracy, Usagi, Gen and Tomoe are travelling back to Geishu lands and attempt to seek shelter at a beautiful mansion.  The mansion belongs to the Lady Takagi, a mysterious woman who provides them with rooms and food and seems quite happy for the company.  However, as the night continues, Tomoe grows suspicious with their host and attempts to investigate, eventually revealing that Lady Takagi is a demon who is determined to kill and eat her guests. 

This was a very fast-paced and exciting tale that provides an awesome horror edge to the stories contained with Seasons.  I love it when Sakai features iconic Japanese supernatural monsters in his tale as they always prove to be outstanding and fearsome opponents for the protagonists.  The monster featured within The Obakeneko of the Geishu Clan is no exception, and I loved the freaky tale based around her and the desperate fight for survival that Usagi and his friends are forced to undertake.  While Sakai mostly focuses on the horror aspects of this story, I liked how he included a few humorous moments, such as including a great reference to Sakai’s prior comic, Groo the Wanderer: “did I err?”, as well as the funny concluding moment that sees Usagi fleeing in terror from a couple of woodcutters.  This was a really fantastic supernatural tale and it is always cool to see Sakai’s amazing depictions of these inventive Japanese monsters.

The final story in this excellent volume is the intense and action-packed Green Persimmon.  In this story Usagi, who is on his way to the Geishu lands, comes across a dying Geishu retainer who entrusts Usagi with delivering a mysterious package to his lord.  Opening the package reveals a simple and seemingly unremarkable ceramic green persimmon.  However, moments after receiving the persimmon, Usagi is attacked by a band of armed samurai who are desperate to reclaim it at all costs.  Managing to defeat his attackers, Usagi continues along the rough and windy coast road to the Geishu lands, but he encounters even more men determined to reclaim the persimmon and is soon forced to fight for his life as his attackers employ ruthless means to kill him.

Usagi-Yojimbo-Book-11-Seasons-Print-

Green Persimmon is an awesome and fantastic story that I deeply enjoyed, and which holds a great deal of significance for me.  This was actually the first Usagi Yojimbo story that I ever read, as a colour version of this story appeared in a magazine aimed at younger teens down here in Australia when I was a lot younger.  This story really stuck with me over the years due to the exciting story and cool action sequences, and it was one of the main reasons (along with Usagi’s appearances in the Teenage Mutant Ninja Turtles cartoons) that I decided to check out the Usagi Yojimbo comics in later life.  Needless to say, I am still very impressed with Green Persimmon years later; it is an enjoyable and memorable story to end this 11th volume.  I love the fluid combat sequences in this issue, including Usagi throwing the persimmon into the air and killing all his opponents before deftly catching it, and there are also some great banter scenes between Usagi and his attackers.  I also enjoyed the epic scene where Usagi finds himself trapped within a field of flame thanks to a flurry of fire arrows around him.  Not only is it cool that Usagi successfully survives by utilising the lessons of the legend of Prince Yamato Takeru and the Grass-Cutting Sword (the full events of which are drawn by Sakai in the next volume), but when he emerges from the ground covered in soot and dirt, he looks particularly demonic and enraged as he faces his opponents, making for an epic and amazing scene.  All of this is set to a fantastically drawn background of the rugged coastal landscape, which proves to be a fantastic setting for the various combat scenes.  If I had to offer any criticism about this story, it would be that the conclusion and reveal of the purpose of the ceramic persimmon did not really go anywhere and there were no mentions of this victory over series antagonist, Lord Hikiji, ever again.  However, I still really love this entry as Green Persimmon has so many cool and impressive elements to it and it is a great end note for this volume.

Seasons is another fantastic and incredible comic by Stan Sakai that sees Usagi engage in some captivating and intriguing adventures.  Featuring a cool mixture of different Usagi Yojimbo tales, Seasons is an amazing entry in the series.  I absolutely love a lot of the stories contained within this volume, which are once again anchored by outstanding character and breathtaking artwork.  This volume gets a full five-star rating from me and comes highly recommended.  On a side note, I am very glad that I decided to do another Usagi Yojimbo comic in a Throwback Thursday article as I have a lot of fun reviewing them.  I might have to skip ahead a volume for my next Throwback Thursday, as I cannot find my copy of Volume 12, Grasscutter.  However, I will either find it or get a new copy soon, as Grasscutter is too major a storyline to miss.  I hope you enjoy the review and make sure to check out some of the other reviews I have done of this epic and amazing series.

Ink by Jonathan Maberry

Ink Cover

Publisher: Macmillan Audio (Audiobook – 17 November 2020)

Series: Standalone/Pine Deep series

Length: 15 hours and 9 minutes

My Rating: 4.75 out of 5 stars

Prepare to journey back to the weirdly dangerous town of Pine Deep as one of my favourite authors, Jonathan Maberry, presents his latest novel, Ink, an intriguing and clever horror thriller that dives down into the world of memories and tattoos.

Pine Deep, Pennsylvania is a town long-steeped in blood and death.  After barely surviving the terrible events of 15 years ago, now known by the locals as The Trouble, the town has slowly recovered, with fresh businesses and people bringing in new life.  However, no one is ever truly safe in Pine Deep, especially with a malicious predator haunting the streets, one with very particular appetites.

Monk Addison is man who has experienced many weird and horrifying things in his life, but what he is about to encounter in Pine Deep will shake him to his core.  A bounty hunter who has sought redemption in life by covering his body with tattoos depicting the faces of murder victims, Monk has recently moved to Pine Deep to be closer to his friend and tattoo-artist Patty Cakes, but what he arrives he finds Patty in a state of shock.  An important tattoo on Patty’s hand has started to disappear, and as it fades, so do the memories associated with it until Patty can no longer remember anything about, not even the precious person who inspired it.

As Monk desperately tries to understand what is happening to his friend, a pattern begins to emerge.  Several people within Pine Deep are experiencing losses of traumatic or significant memories, and in every case tattoos related to these events have also disappeared.  Worse, in some cases new tattoos are appearing on people, forcing them to do terrible deeds.  Working with Pine Deep’s chief of police, Malcolm Crow, and his adopted son, Mike Sweeney, Monk, Patty and other impacted residents of Pine Deep attempt to discover who or what is behind these stolen memories.  But can they find who is responsible before their memories fade, or will this predator continue to feast on the very thing that makes them human?  The Lord of the Flies is hungry, and his reign of terror has only just begun!

Over the last couple of years, I have become a major fan of Jonathan Maberry’s writings, and I only just recently finished reading all 10 Joe Ledger novels, as well as the first Rogue Team International book, Rage, so I was very excited to get my next fix of Maberry excitement with InkInk was one of my most anticipated novels for the second half of 2020, and it really did not disappoint in any way, as Maberry has produced an intense and captivating horror novel that proved to be both extremely exciting and deeply terrifying.

Ink is an outstanding and impressive book that contains one heck of a story that sees several remarkable characters attempt to deal with a weird and powerfully scary supernatural threat that is attempting to destroy what is most precious to them.  Maberry has crafted together a fantastic narrative for this book that is equal parts clever, compelling and scary, and which dives down deep into the psyche of several complex individuals.  The author utilises his trademark style to produce a wide-ranging, multi-character story that shows the full impact of the antagonist’s dark machinations, and the slow hunt of the protagonists to comprehend what is happening to them, and their subsequent attempts to combat the threat.  While I did think that the story was a little slow at the start, once it gets going the reader has a hard time putting it down, as they become obsessed with seeing the full extent of the horror, as well as becoming connected to the characters featured within.  While Ink contains a lot less action than a typical Maberry novel, this is an extremely exciting and fast-paced read, with the thrilling game of cat and mouse between the villain and his victims proving to be quite intense.  Readers should be warned that this is an extremely adult read, containing some fairly graphic sequences of violence, torture, mental manipulation and sexual content, which may not be for everyone.  Overall though, this is an exceptional read, and I really loved getting to the end of this enthralling and excellent narrative.

While Ink is ostensibly a standalone novel, in many ways it is a sequel to Maberry’s debut series, the Pine Deep trilogy, while also being set in the same universe as several of his other books, namely the Joe Ledger novels.  The entirety of Ink is set in the town of Pine Deep, which was the titular setting of the original trilogy.  As a result, several characters from these books appear throughout the course of the novel and there are a lot of mentions of the events of the Pine Deep trilogy, some of which play into the plot.  While you potentially could get a little more out of Ink by reading the Pine Deep novels first, I would say that you really do not need any prior knowledge of these books to enjoy Maberry’s latest novel.  Like always, Maberry’s writing is very inclusive, providing the reader with relevant information about the events that occurred in these previous novels.  As a result, the reader gets a decent summary of what occurred in the Pine Deep trilogy and how it relates to Ink.  This allows readers unfamiliar with the Pine Deep books to enjoy Ink without any issues, and this might even be a good Maberry starter novel for anyone who has been interested in reading some of his books.  On the other hand, those fans of Maberry who are familiar with this prior trilogy will no doubt really enjoy the return to this iconic setting and will have an amazing time seeing what has happened in the 15 years following the end of Bad Moon Rising (the third and final book in the Pine Deep trilogy).  The summaries of the Pine Deep novels contained within Ink are rather easy to get through and Maberry works them into the story extremely well, so those people familiar with these prior works should be able to read them without getting bored of a forced recap, and this is book that any horror or thriller fan can easily enjoy.

At the heart of Ink are the excellent main point-of-view characters that Maberry utilises to tell his complex tale.  There are several major characters featured throughout the book, including several original characters created specifically for Ink.  The most notable of these is Monk Addison, the relentless and scary former soldier who is desperately seeking redemption after a long and bloody life.  Monk turned out to be an amazing central character for this book and I loved the way that Maberry slowly revealed his past in order to show just how special he his.  Monk goes through a fair bit of development in this novel, and I found myself getting quite attached to him as the story progressed.  In addition to Monk, Ink also has a particular focus on Patty Cakes, Monk’s tattoo artist friend whose memories are impacted by the book’s antagonist.  Patty is a deeply tragic and magical character who has gone through a lot in her life and who now finds herself being attacked in a much more personal and devastating way.  Seeing Patty being overwhelmed by the loss of her memories is really disturbing and heartbreaking and you cannot help but feel her loss deep in your soul, which is a testament to Maberry’s excellent writing.  Patty is another character who you grow to care for as the story unfolds and the constant danger she is put into, both mentally and physically, keeps the reader on edge.  The other two original major characters I need to highlight are Dianna and Gayle.  Dianna is a medium who also has her memories stolen by Ink’s antagonist, while Gayle is someone who builds a connection to Dianna, who is then impacted by Gayle’s lost memories in a different way.  I liked the way that Dianna and Gayle were worked into the story, and they helped to provide a new angle to the narrative.  Watching them team up with Patty added some enjoyable female empowerment elements to the novel, and there is a touching LGBT romance between Dianne and Gayle that I thought Maberry handled well, even if it was a tad explicit.

In addition to these new characters, Maberry also makes use of the protagonists from the Pine Deep novels who return as major characters in Ink.  This includes major characters Malcolm Crow, Mike Sweeney, Val Guthrie and Jonatha Corbiel (now Jonatha Newton).  While Val and Jonatha have mostly smaller roles in this book, Malcolm and Mike are major point-of-view characters, performing their own investigation of the latest batch of weird events occurring around Pine Deep.  Both proved to be exceptional additions to the cast, as not only are they complex characters (especially after the events of the Pine Deep trilogy), but they also add some distinctive viewpoints into the investigate parts of the book.  Maberry does a fantastic job introducing these characters to new readers, while those who have read the Pine Deep books will deeply appreciate seeing what has happened to them since the events of this initial trilogy.  While I am sure that many of Maberry’s readers would have hoped for happy lives for Malcolm, Mike and Val after all they have been through, all three characters have experienced additional difficulties and tragedies in the last 15 years.  These additional life events, as well as their traumas from the Pine Deep books, are expertly incorporated into their characterisation for Ink, and it proved deeply compelling to see their arcs unfold.  I personally enjoyed seeing the new protagonists’ reactions when encountering Malcolm and Mike, and there are a lot of depictions about realising how dark, dangerous and damaged both of them are.  Some of these new characters are also in for a hair-raising surprise when it comes to Mike, and it was interesting to see how that certain aspect of Mike’s character has evolved since his last book.  All of the characters featured in Ink were deeply compelling, and I felt that Maberry did an exceptional job featuring them throughout this novel.

If there is one thing that Maberry is particularly good at it, it is creating iconic and despicable antagonists for his novels.  Ink is no exception to this, as Maberry has once again produced a dark and sinister figure in Owen Minor, the self-proclaimed Lord of the Flies.  Owen is an inherently creepy and deeply disturbing individual who has gained the ability to steal people’s tattoos and the associated memories with them, as well as several other abilities.  Thanks to a series of intriguing interludes, Maberry dives into the history of Owen, showing his origins as a character, what his motivations are and how he realised what his powers were.  This examination of Owen’s psyche and history is both fascinating and unsettling and getting this deeper look into the character’s soul makes the reader dislike him even more, especially as you begin to realise just how twisted he truly is.  The author also includes a number of chapters from the point of view of several different side characters who have been infected by Owen in some way or another.  These scenes not only help to explore the true extent of his abilities but they also show the lengths he is willing to go to get his favourite meal.  The way in which he attacks his victims and then revels in their mental agony ensures that the reader builds a deep hatred for him and you really cannot wait to see him get some form of comeuppance.  All in all, this was another great antagonist from Maberry, and I look forward to seeing what sort of maniac creature he comes up with next time.

As I mentioned above, Maberry returns to his iconic town of Pine Deep for this latest novel, with most of the story set within it.  This proves to be a fascinating and dark location for this great book, and I think that Maberry had fun revisiting this haunted town.  The author really loads a sense of menace and despair into nearly every scene set within the town, and this is enhanced by every character recognising just how weird and dangerous the place can be.  There is a lot of history associated with Pine Deep, as during the original Pine Deep trilogy the town was nearly destroyed by dark forces, with the survivors deeply traumatised as a result.  These events, now know by everyone as The Troubles, are a major part of the town’s identity, and Maberry does a great job teasing out what happened during The Troubles to new readers, with only hints and vague comments describing for the first part of the book.  It proved to be quite fascinating to see how the town has recovered in the roughly 15 years since the events of the Pine Deep trilogy, and Maberry fans will have an amazing time seeing this continuation of the setting.  I really enjoyed seeing the characters explore Pine Deep once again and I hope that Maberry has plans to revisit again in some of his future novels.

One of the more compelling elements of this book is the author’s examination of the importance of tattoos and the memories that people associate with them.  I have to admit that I am not particularly into tattoos; while I can appreciate the cool art that other people get, it is really not something I would consider doing for myself.  However, I deeply enjoyed the way in which Maberry explored the tattoo world in this novel, examining both tattoo artists and the people who desire the art on their body.  In particular, he explores the way in which people get tattoos to mark special or significant occasions, or how tattoos can be used to memorialise tragedy or dark moments from someone’s life and the emotional and memory connections that result from the tattoos.  This becomes quite a significant part of the novel, because the antagonist steals the tattoos to get to the memories associated with it.  As a result, Maberry than examines the impact of losing such a memory and what it could potentially do it to a person.  While some characters manage ok with losing these darker memories, a lot of them are deeply troubled by it, as going through these events and overcoming them, are key to their identity.  Without these memories, and the tattoos that personify them on their body, these characters become despondent, and in many cases it becomes too much for them to bear.  It helps to really emphasise just how evil and malignant the actions of the antagonist is, and I really appreciated the author’s dives into the human psyche and his compelling depiction of what happens when someone loses their memory and identity.  The removal of certain memories from the various point-of-view characters also adds a new level of difficulty to the protagonist’s investigation, as they have to try and find a way to hunt down someone who they can’t remember.  These inclusions really added a lot to the story, and readers may come away with a deeper understanding of how important tattoos can be to people.

As with all of Maberry’s novels that I have so far enjoyed, I really could not resist grabbing the audiobook version of Ink.  The Ink audiobook has a run time of just over 15 hours, which is a typical length for one of Maberry’s novels, and I found it extremely easy to power through this book in less than a week.  Part of this was because of the excellent narration of long-time Maberry narrator, Ray Porter, who once again lends his awesome vocal talent to this thrilling book.  Porter is probably one of my favourite audiobook narrators at the moment, and I cannot imagine listening to one of Maberry’s novels without his amazing voices.  Just like he does in the Joe Ledger novels, Porter really dives into the characters he is portraying, ensuring that the full range of their emotions become abundantly clear to anyone to who listening to the story.  He is also does an amazing job enhancing the horror elements of this book with some of his creepier tones, and the listener can get chills at the horrible and slimy voices he uses for the antagonist or for some of the darker scenes in Ink.  While it was a little disconcerting at time to hear some of the familiar voices from the Joe Ledger audiobooks in this new novel, Porter was once again fantastic narrating Ink, and I would strongly recommend this format as the ideal way to check this book out.

Jonathan Maberry once again shows why he is one of the preeminent authors of the weird thriller novel, with this outstanding horror book InkInk is an extremely clever and thrilling horror book that grabs the reader’s attention from the beginning and refuses to let go.  Thanks to the outstanding narrative, impressive characters and interesting themes, Ink proves to be a captivating and exciting read, especially when combined with the distinctive setting of Pine Deep from Maberry’s previous novels.  As a result, Ink comes highly recommended, especially in its audiobook format, and this novel is worth checking out.  I had an exceptional time reading this book and I cannot wait for Maberry’s next novel, Relentless, which comes out in several long months.

Throwback Thursday – Kill Switch by Jonathan Maberry

Kill Switch Cover

Publisher: Macmillan Audio (Audiobook – 26 April 2016)

Series: Joe Ledger – Book Eight

Length: 17 hours and 56 minutes

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

I recently found myself in the mood for another intense and crazy thriller novel, and luckily I knew exactly the book to check out, as I ended up listening to the eighth entry in the fantastic Joe Ledger series by Jonathan Maberry, Kill Switch.

People familiar with my blog will know that I have been really getting into Maberry’s writing over the last couple of years.  In particular, I have been making my way through the Joe Ledger series, which follows the titular agent as he investigates all manner of weird science and world-ending plots.  This has swiftly become one of my favourite series of all time thanks to the incredible stories that Maberry has come up with, and my intention is to finish off all the Joe Ledger books before the end of the year.  As a result, I knew far in advance that I was going to enjoy Kill Switch and I ended having an amazing time reading it.

In this eighth novel, Joe Ledger, agent for the clandestine Department of Military Sciences (DMS), is investigating a strange anomaly down in the Antarctic.  A secret military research facility has gone offline, and Ledger and his team need to find out why.  However, what at first appears to be a routine mission quickly devolves into an unnatural horror show as the DMS agents uncover a mysterious facility deep beneath the ice.  The things that Ledger and his team see will haunt them for the rest of their lives, and by the time they escape all three are infected with a deadly disease that places them into a coma.

Awakening several days later, Ledger discovers that much has happened in his absence.  America has been targeted by a ruthless terrorist organisation that apparently has access to an advanced EMP weapon that can turn off all power and technology in a certain area with devastating effects.  Worse, thanks to the consequences of the mission down in Antarctica and other recent failures, the DMS no longer has the confidence of the President, who refuses to give them the case.

Frustrated at being left out in the cold, Ledger and the DMS investigate where they can and soon come across several strange and seemingly unconnected events.  Able to piece together a pattern that no one else can see, Ledger soon finds himself in the heart of a vast conspiracy that aims to launch a shocking attack on the American people.  However, before they can intervene, Ledger and his team find themselves under attack from the most unlikely of places.  Can even the legendary Joe Ledger defeat an opponent who can attack him in his own mind, or will America face a wave of death and destruction the like of which they have never seen before?

Kill Switch was another fantastic and amazing novel from Maberry that continues the amazing Joe Ledger series.  This eighth book contains a captivating story that combines several different genres together to create an exciting and fast-paced read with some rather enjoyable elements to it.  I had an awesome time listening to this book, and while it is not my absolute favourite entry in the Joe Ledger series (I would have to give that honour either to The Dragon Factory or Code Zero), it was still a very impressive book that gets a full five-star rating from me.

In this eighth Joe Ledger novel, Maberry once again uses his distinctive style to tell another impressive and intriguing story that draws the reader in and ensures that they cannot turn away until it is finished.  Kill Switch contains a rather clever thriller storyline that deals with the protagonist attempting to stop another terrible terrorist plot utilising advanced technology.  While some of the elements to Kill Switch’s story are familiar, Maberry really gives this book a distinctive dark horror tint, as the novel deals with a number of Lovecraftian horror elements.  While this genre is not something that I have ever really gone out of my way to check out, I did enjoy its use in Kill Switch, especially as it sent its already unstable protagonist through some particular vivid and trippy vision sequences.  The various horror, science fiction and thriller aspects of the book’s narrative work together extremely well and it is a testament to Maberry’s skill as an author that the plot did not get too convoluted or hard to follow.  Instead, Kill Switch has an extremely elegant and fast-paced story with some great flashes of humour, enhanced by the author’s trademark use of multiple perspectives and interludes set before the main plot.  Maberry rounds this out with the return of the series enjoyable and long-running cast of characters, including protagonist Joe Ledger, who provides a first-person narration for around half the story.  Ledger’s warped and eccentric view of all the events going on around him adds so much enjoyment to the plot, resulting in much of the book’s humour.  This all ensures that Kill Switch contains another top-notch story that was an absolute pleasure to read.

The key parts of any Joe Ledger novel are the complex and memorable antagonists and the elaborate and destructive plots that they weave.  Maberry does another great job of this in Kill Switch, introducing some compelling villains and associated side characters who have some fascinating motivations for initiating the events of this book.  Thanks to a series of interludes and short chapters that are told from the perspective of the antagonist and their puppets, you get a full sense of why these characters are doing what they are doing, especially when you get a glimpse into several key moments of their lives.  Seeing so much of the antagonist’s past and the formation of their plans adds quite a lot of depth and tension to the story, and I always really appreciate the way that Maberry tries to expand these character’s narratives.  I was also quite enraptured by the complex and detailed plan that the antagonist set in motion, especially as it required using some unique technology in some novel ways.  I especially enjoyed the cunning way in which the villains went after Ledger and the DMS, including by destroyed their image and their influence, and I appreciated the way in which it was easier for them to achieve this due to an inadvertent backlash at the organisations prior extreme successes and advanced technology.

Kill Switch ended up being a major part of the overall series with some big moments occurring and some interesting connections to the prior novels, ensuring that this is a must-read for established Joe Ledger fans.  This book ended up continuing a bunch of key storylines that were introduced in the fifth novel, The Extinction Machine, with several plot points from that story revisited, as well as some antagonists.  In addition, several of the story elements introduced in Kill Switch are heavily utilised in future novels, such as in the tenth book, Deep Silence, which also matches its Lovecraftian horror vibes and story.  In addition, readers might also really appreciate the cameo appearance of Maberry’s alternate zombie-filled universe that is used as a setting for several of his other series, such as the Dead of Night books and his iconic Rot & Ruin/Broken Lands young adult novels, all of which feature a different version of Joe Ledger as a character.  There were also a couple of references to the town of Pinedeep, which served as the setting for Maberry’s first series, and which Ledger visited in the short story Material Witness.

While Kill Switch does have some intriguing connections to some of Maberry’s other works, this novel is incredibly accessible for those readers unfamiliar with the Joe Ledger books.  Like all the novels in this series, Kill Switch’s narrative is mostly self-contained, and you can start reading this book without any issues.  While there are a number of references to the events of the prior books, Maberry also makes sure to cover the relevant backstory, expertly inserting anecdotes about prior books and description of key plot points into the story often in a great entertaining manner (mainly because the protagonists still cannot believe that these previous events actually occurred).  This ensures that readers have more than enough background information to follow the story and understand who all the various characters are and what their personalities are like.

While it is extremely possible to read Kill Switch out of order, I would strongly suggest that readers read this series from the first novel, Patient Zero, rather than starting at the eighth book.  Not only does this allow you to see the various characters develop and progress throughout the course of the series, but it also enhances the emotional attachment that readers will have to the events of this book, including a couple of key character deaths.  Reading the series in order also helps to cut down on spoilers for some of the prior books.  This was something that I particularly noticed while reading Kill Switch, due to the fact that I have already read the sequel novels Deep Silence and Rage.  Both of these books make several references to the events of Kill Switch, so I had an idea of some of the events that were going to occur, as well as the identity of who the main antagonist was going to be.  While this did not derail my enjoyment of Kill Switch by too much, it did slightly reduce the suspense, which was not ideal.

I cannot review a Joe Ledger novel without commenting on the impressive and graphic action sequences that occurred throughout the course of the plot.  Maberry always does such a fantastic job writing his action scenes and the various close combat fights and shoot outs that occur throughout these novels feel extremely realistic as the protagonist and the narrator provide detailed explanations of what is occurring and its destructive impacts.  Kill Switch contains some very impressive action sequences as Ledger and his comrades are placed in some unique fight situations.  While there are the usual swift and one-sided fights against nameless goons, the characters often find themselves facing off against unexpected opponents who visit surprising violence upon them.  This makes for some truly shocking scenes, especially as Maberry’s excellent writing ensures that the reader fully understands the various characters’ surprise and despair.  You also have a unique situation where Ledger, generally considered to be one of the deadliest killers on the planet, finds himself severely handicapped in several fights due to the machinations of the antagonists.  This adds a whole new element to the typical fight sequences from this series, and it is nice to see the protagonist have some new challenges.  All this action helps to pump the reader up as they enjoy the excellent story and it is an amazing part of the overall book.

It should come as no surprise to anyone who has read my prior Joe Ledger reviews that I ended up listening to the audiobook version of Kill Switch, which in my opinion is the best format for enjoying these fantastic novels.  The Kill Switch audiobook has a run time of just under 18 hours, which I was able to get through incredibly quickly, and it was once again narrated by Ray Porter, whose voice work is easily my favourite thing about this format.  I have extolled the virtues of Porter’s narration in several of my other reviews due to his impressive vocal skills and his ability to move the story along at a swift and exciting pace.  Very few narrators are as in touch with the characters that they voice than Porter especially when it comes to the series’ titular protagonist, Joe Ledger.  Porter always does such an outstanding job capturing Ledger’s intense emotions and sweeping personality, and this enhances the listener’s experience when it comes to these books.  Porter also does amazing and consistent personifications for all the other characters in these books and it was great to hear all the familiar voices of the series’ recurring characters again.  This first-rate narration from Porter makes the audiobook format of these novels, including Kill Switch, an absolute treat to listen to and the audiobook format remains my preferred format for enjoying this series.

Kill Switch by Jonathan Maberry is an excellent and impressive thriller novel that served as a great eighth entry in the incredible Joe Ledger series.  I had an absolute blast going back and reading this book, and I really enjoyed the clever and intriguing story that Maberry cooked up for Kill Switch, especially as it contained an outstanding blend of different genres.  This was a fantastic read and it comes very highly recommended.  At this point in time I only have one more Joe Ledger novel to check out, Dogs of War, which I am really hoping to read before the end of the year, and I am also looking forward to checking out Maberry’s new upcoming novel, Ink.

Waiting on Wednesday – Ink by Jonathan Maberry

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. For my latest Waiting on Wednesday article, I am going to take a look at Ink, an intriguing upcoming standalone supernatural novel from one of my favourite authors, Jonathan Maberry.

Ink Cover

Maberry is an extremely impressive and talented author who has been writing science fiction and horror novels since in 2006, with his debut novel Ghost Road Blues. He has since gone on to become one of the leading authors of horror in the world today, with such series as the Rot & Ruin series, the Dead of Night series and the Pine Deep trilogy. I myself am a massive fan of his Joe Ledger series of books, which pitches military operatives against various science fiction and horror scenarios, including manmade zombies (Patient Zero and Code Zero), genetically mutated vampires (Assassin’s Code) and other inventive scenarios (such as Air Force One getting turned into a weaponised drone in Predator One). The latest Joe Ledger novel, 2019’s Rage, started a whole new series of books, the Rogue Team International series, and I am eagerly waiting for the next Joe Ledger book. In the meantime, Maberry has come up with a brand-new supernatural mystery novel, Ink, which, due to how much I love his other work, I thought would be intriguing to check out.

In this upcoming novel, Maberry returns to his fictional town of Pine Deep (a crossover town that has been featured in several of Maberry’s novels, a bit like Castle Rock or Derry in Stephen King’s works), for a whole new set of mysterious occurrences.

Goodreads Synopsis:

Tattoo-artist Patty Cakes has her dead daughter’s face tattooed on the back of her hand. Day by day it begins to fade, taking with it all of Patty’s memories of her daughter. All she’s left with is the certain knowledge she has forgotten her lost child. The awareness of that loss is tearing her apart.

Monk Addison is a private investigator whose skin is covered with the tattooed faces of murder victims. He is a predator who hunts for killers, and the ghosts of all of those dead people haunt his life. Some of those faces have begun to fade, too, destroying the very souls of the dead.

All through the town of Pine Deep people are having their most precious memories stolen. The monster seems to target the lonely, the disenfranchised, the people who need memories to anchor them to this world.

Something is out there. Something cruel and evil is feeding on the memories, erasing them from the hearts and minds of people like Patty and Monk and others.

Ink is the story of a few lonely, damaged people hunting for a memory thief. When all you have are memories, there is no greater horror than forgetting.

Now this sounds like quite a fascinating new novel from Maberry and I am very curious to see what sort of story he comes up with here. The whole concept of someone or something stealing the memories of the protagonists is quite compelling, and it has quite a lot of potential as a story element, especially if the characters end up losing key memories or forget big story moments. Maberry has always had an ability to turn complex story ideas into amazingly entertaining narratives, and I am curious to see what sort of supernatural mystery he creates in this upcoming book.

Due to how much I have enjoyed Maberry’s prior work, and because of how interesting this new novel sounds, I am now rather excited for this upcoming standalone book. Ink, which is currently set for release on 17 November 2020, is sure to be a really fascinating read, and I think that it has some real potential to be one of my top books for the year. I will probably end up getting the audiobook version of this novel when it comes out, due to the fact that Ray Porter, the impressive narrator of the Joe Ledger audiobooks, is once again lending his vocal talents to Maberry’s latest novel. However, if I can score an early copy of this from the publisher, I probably will not be able to help myself. I cannot wait to immerse myself in Maberry’s new intense novel, and I am really looking forward to checking out Ink a few months time.

Throwback Thursday – Code Zero by Jonathan Maberry

Code Zero Cover.jpg

Publisher: Macmillan Audio (Audiobook – 25 March 2014)

Series: Joe Ledger series – Book Six

Length: 16 hours and 6 minutes

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

The ghosts of the past come back to haunt Joe Ledger and the DMS big time in this sixth book in Jonathan Maberry’s high-octane science fiction/military thriller Joe Ledger series.

For years, the Department of Military Sciences (DMS) has saved the world from some of the most deadly and insane weapons that science can create: race-specific bioweapons, genetically enhanced super soldiers, powerful plagues capable of killing people in the most horrendous way and even a pathogen that is capable of bringing its victims back to life as zombies. Each of these has been stopped by DMS agents and the legendary Joe Ledger, but these horrors are about to resurface in the most devastating of ways.

The mysterious hacker and terrorist Mother Night has been causing the DMS trouble for months, but when she broadcasts a call for anarchy, no-one is prepared for what happens next. Across America, Mother Night’s followers unleash hundreds of random acts of violence, causing horrendous amounts of terror and destruction. As Joe Ledger and the DMS attempt to counter them, a subway car full of people in New York is infected with something disturbingly familiar, the Seif-al-Din zombie pathogen that bought Ledger to the DMS in the first place.

As Ledger and Echo Team are once again forced to contend with the zombie victims of the pathogen, they find themselves targeted from several devastating angles. As the threats become more and more personal, it soon becomes apparent that they are facing someone who knows the DMS intimately and who is willing to use the most lethal tools at their disposal to win. Can Ledger and the DMS survive, or will the world burn at the hands of Mother Night?

Jonathan Maberry’s Joe Ledger books are one of my favourite series at the moment, and I love each book’s excellent blend of compelling storytelling, complex characters, over-the-top villains, electrifying action and insane plot points, which come together into fantastic, first-rate narratives. Ever since I read and got hooked on the tenth book in this series, Deep Silence, about this time last year, I have been periodically reading and reviewing the earlier novels in sequence. So far, I have read the first six novels, Patient Zero, The Dragon Factory, The King of Plagues, Assassin’s Code, The Extinction Machine and this novel, Code Zero. I am actually reviewing this book a little out of order, as I recently powered through both The Extinction Machine and Code Zero while I was away on holidays. As Code Zero is fresher in my mind, I decided to review it first, and I will hopefully get a review for The Extinction Machine up soon as well (the plan is to get it done before the next Joe Ledger book, Rage, comes out in November, but we’ll see how we go).

Considering how much I absolutely loved the rest of the books in the series, it is going to come as no surprise to anyone that I also really enjoyed Code Zero. This sixth book was pretty spectacular, and it is easily one of my favourite books in the entire series, only just being beaten out by The Dragon Factory. In Code Zero, Maberry has made sure to utilise several of the excellent features from the previous Joe Ledger books that l really love and have commented on previously, such as a first-rate story filled with intense action, a smartassed and damaged protagonist, a great group of side characters (including one of the best dogs in all of fiction) and a clever utilisation of flashbacks and multiple perspectives. This book also features some other great story and character elements that really make it stand out from the rest of the series, and which help make it such an outstanding and epic read.

I have mentioned before that one of the best things about the Joe Ledger books is the awesome antagonists that Maberry creates for each of the novels. These have so far included genetically modified Nazis, world-event manipulating masterminds and even a group of vampires. However, the villain of Code Zero, Mother Night, is perhaps one of the most interesting and complex antagonists that Maberry has come up with. Mother Night is an outstanding character who not only has a close connection with the DMS, but whose elaborate master plan does a great deal of damage. I really liked how Maberry used a series of flashback filled interludes to explore the background of this character. These flashbacks show how Mother Night is connected to all the DMS characters and examine how her exposure to various characters and threats from the previous books slowly corrupted her, and why she was compelled to become a terrorist. Despite this being the first book that Mother Night has appeared in, Maberry did a sensational job tying the character into many of the key events from the first three novels, and showing how she was actually involved with some of the previous threats. All of these cool connections really help up the personal stakes for all of the protagonists, and it allows Mother Night to actually hit Joe Ledger and his team harder than anyone else has before, resulting in an extra dramatic and compelling story.

Maberry also uses Mother Night’s plot to examine some rather interesting elements of the modern world. For example, the anarchist movement is explored in some detail, as Mother Night uses anarchist elements in her call to arms, gathering up members of America’s disenfranchised youth to form an army. There is also a rather intriguing look at the role video games can play in violence or espionage. This is not done in an attempt to demonise video games; instead Maberry, through several of the videogame savvy characters, explores how important problem-solving is for gamers, and how the skills obtained there can have real-world applications in both the espionage and defence worlds. The subsequent study of game theory and the desire to win that some gamers feel is particularly fascinating, and it adds very some interesting layers to the story and Mother Night’s overall character.

In addition to this incredible antagonist, the other thing that I absolutely loved about Code Zero is the fact that Maberry decided to bring back some of the iconic threats and story elements from the previous books in the series. Not only did the author do an outstanding job of working these pre-existing story elements into Code Zero’s plot, but their reappearance was also an excellent homage to the earlier books and a real treat for fans of the series. I really enjoyed seeing Ledger have to go up against threats like the walkers and the berserkers again, especially as each of these threats have pretty strong emotional triggers for him due to devastating previous missions. It was also really interesting to see the new and various ways that the antagonist utilised these existing elements in her own plans, and there were some really fun combinations of the insane scientific elements, such as a couple of berserkers who have been infected with Generation 12 of the Seif-al-Din Pathogen, and it’s as awesome as you’d expect.

As this is a Joe Ledger book, Code Zero is of course filled to the brim with all the action and fire fights that you could ever need. Due to the presence of so many varied threats, including some of the monsters from the previous books, Code Zero probably has some of the most intriguing fight scenes in the entire series. This book is filled with a number of elaborate battle sequences in which the protagonists face off against a variety of different opponents at the same time. These opponents can include walkers, berserkers and gunmen disguised as zombies hiding amidst the walking dead, which is just so many layers of awesome. Maberry has an exceptional talent for writing fight sequences, and all this amazing action really helps to get the adrenaline pumping. I also have to commend all of the first-rate zombie scenes in the book, as the author crafts some truly horrifying scenes that showcase how terrifying and emotional damaging it would be to face off against these undead monsters.

As with all the previous books in the Joe Ledger series, I chose to listen to the audiobook format of Code Zero which was narrated by Ray Porter. Clocking in at just over 16 hours, I managed to get through this audiobook fairly quickly, mainly because I started listening to it while on an international flight. I think it is pretty clear at this point that I really enjoy listening to the audiobook versions of the Joe Ledger books, mainly due to the narration of the outstanding Ray Porter. I have sung Porter’s praises in all of my previous reviews, and I really cannot express what a good job he does bring the series titular protagonist to live with his voice work. Code Zero was no exception, and I would strongly recommend the audiobook format to anyone even vaguely interested in this book.

Code Zero by Jonathan Maberry is another spectacular book in the Joe Ledger series, and one that I absolutely loved. Maberry continues to utilise some of the amazing story elements that made his previous six books so darn enjoyable, and he ups the ante with another exceptional antagonist and the clever reuse of memorable story elements from previous books in the series. All of this results in another science fiction/thriller masterpiece that gets an easy five out five stars from me, and it is possibly one of the most enjoyable books I have read so far this year.

Throwback Thursday – Assassin’s Code by Jonathan Maberry

Assassin's Code Cover

Publisher: Macmillan Audio (Audiobook – 10 April 2012)

Series: Joe Ledger series – Book 4

Length: 15 hours and 35 minutes

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this week’s Throwback Thursday, get ready for the fourth high-stakes, action-packed instalment of Jonathan Maberry’s excellent Joe Ledger series, Assassin’s Code, which sets the titular character up against a fantastic new set of antagonists.

Joe Ledger, top field agent for the elite Department of Military Sciences (DMS), is about to have a very unusual day. On assignment in Iran, Ledger and Echo Team have been tasked with rescuing American college kids held hostage by the Iranians. After successfully rescuing the hostages, Ledger is forced at gunpoint into a meeting with a high-ranking Iranian security officer. However, instead of being arrested, Ledger is given information about an impending terrorist attack that could shake the very foundations of the world.

An unknown player apparently has several nuclear weapons in play and is planning to unleash them against a number of targets around the world. As Ledger relays this information to his superiors, he is attacked by a mysterious assailant who is faster, stronger and more deadly than anything he has faced before. Barely escaping from his attacker, Ledger finds himself being pursued through the streets of Tehran by the Red Order, an ancient group of killers whose operatives appear to intimidate even Ledger’s boss, the legendary Mr Church.

As Ledger attempts to come to terms with what exactly is hunting him, he finds himself in the crosshairs of several other secret organisations, each of which has their own agendas. As Ledger gets closer to the truth, he discovers that events are being manipulated by an old enemy. An ancient conspiracy has been revealed and the fate of the world hangs in the balance. Can Ledger defeat the monsters unleashed against him or will a new world order arise?

Assassin’s Code in the fourth book in Maberry’s Joe Ledger series, which sees an elite special forces agency go up against the worst horrors that modern science and science fiction can unleash. I have already read and reviewed several books in this series so far, including the previous three novels, Patient Zero, The Dragon Factory and The King of Plagues, as well as the 10th and latest book in the series, Deep Silence. Each of these books has proven to be fantastic dark science fiction thrillers that I have had an amazing time reading, and all four of them have received a full five-star rating from me. Assassin’s Code is another incredible addition to the series, as Maberry has once again produced an intense and clever story, with some great antagonists, a complex protagonist and a heck of a lot of high-grade action.

In his fourth Joe Ledger book, Maberry has continued to utilise the same writing format that made all the other books in the series such an awesome read. While a large amount of the storyline follows Ledger and the other members of the DMS as they attempt to investigate and then counter the threats they are up against, a large amount of the book revolves around showcasing the history that led up to the book’s current events, as well as exploring the antagonists side of the story. There are several chapters that solely focus on the antagonists, showing what they are planning and the full range of their various motivations. I always love these explorations of the antagonists as I feel it creates a much more complete and interesting overall storyline, and these alternate points of view are often used to really ramp up the book’s tension and hint at events that are going to hit the protagonists.

While he continues to successfully utilises a number of these familiar writing styles, I felt that Maberry also made sure that Assassin’s Code stood out from the other books in the series. Not only does this fourth book have a lot more of a horror vibe to it than the previous two books in the series (somewhat reminiscent of the first novel, Patient Zero) but it is also told as a rush of events over a 24-hour period. Ledger is barely given an opportunity to rest as he is attacked again and again by a series of different opponents in the hostile territory of Tehran. The author has also woven together a number of interconnected conspiracies and features appearances from several individuals and organisations, each of whom has their unique agendas throughout the plot of the book, all of which need to picked through by the reader. All these various players and motivations make for a very full story, but I quite enjoyed seeing all the various revelations come to light. Assassin’s Code is also an intriguing central piece to the whole Joe Ledger series. Not only does it introduce several key characters who become major fixtures of the series but it also introduces a number of key events in the lives of characters who were introduced in the previous books. As a result, it is a must read for those people trying to get a grip on the series as a whole and is a fantastic overall read.

In my mind, one of the best things about the Joe Ledger books are the distinctive antagonists, each of whom come across as major threats not only to the protagonists, but to the entire world. So far in the series, Ledger has had to face zombies, genetically enhanced Nazis and a powerful cabal of terrorists (whose members included Osama Bin Laden) whose attacks are used to manipulate the world for profit. In Assassin’s Code, Maberry has done a fantastic job converting an old legend into a terrifying modern threat, as the major villains of this book, the mysterious Red Order and their infamous Red Knights, are essentially vampires. Maberry already has significant experience writing vampires into the modern world, thanks to his V-Wars book series (an adaption of which is coming out on Netflix in a couple of months), and he does a great job coming up with a new and somewhat plausible explanation for their existence (well, slightly more plausible than a supernatural origin), as well as a creative historical explanation for their organisation. These vampires are written as major threats for most of the book, and the fear and concern that they cause in a number of characters whose badass credentials have been firmly established in previous books is pretty impressive. The use of vampires in modern thriller was a real highlight of this book, and I really loved seeing them go up against a modern special forces unit. Maberry spends a lot of time exploring their history, as the book features a number of interludes that go back to the time of the Crusades, when they were first recruited for their mission. All of this exploration does a fantastic job of showing what true monsters these types of vampires are, which helps the reader really root for the reader. I also really liked some of the other groups featured in this book that were formed as a direct result of the existence of vampires, including a group of modern Inquisitors and the mysterious Arklight. If I had one complaint about these antagonists, it would be that they were taken down a bit too easily in the final act, and I would have preferred a more protracted or vicious fight.

In addition to the vampires, this book also features the reappearance of two key antagonists from the previous book in the series, The King of Plagues, who are major manipulators of events behind the scenes. These characters are the former King of Fear, Hugo Vox, and the mysterious priest Nicodemus, both of whom were major players in the previous book. I really liked how Maberry continued to explore both of these cool characters, and he did a fantastic job of tying their storylines into the unique events of this book. Their respective roles in the plot of this book is quite interesting, and I really enjoyed how both their storylines progressed or ended in this novel. The true reveal of who (or what) Nicodemus is has been left for a later book, and I am very curious to see what he turns out to be.

Maberry continues to do an outstanding job utilising his complex and multilayered protagonist, Joe Ledger. While on the surface, Ledger’s defining character traits are his abilities as a special forces operative and his relentless sense of humour, the character is actually extremely emotionally damaged. Thanks to the fact that Ledger is the only character whose chapters are shown from the first-person perspective (a nice distinctive touch for the central protagonist), the reader gets a much more in-depth look at his inner thoughts, and as a result you see how the events of his life, including the events of the previous three books, have impacted his psyche. It is quite refreshing to have a character who is actually emotionally affected by the events of his books, and you get the feeling that Ledger is only a short way away from truly snapping. However, in the meantime, the thick layer of humour he overlays these feelings with is great for a laugh, and it helps gives the chapters that the character is narrating a very unique and enjoyable feel. In addition to Ledger, I really liked some of the new protagonists introduced in Assassin’s Code and I look forward to exploring them more in the future. Special mention as always needs to go the awesome supporting characters of Mr Church and Ghost, Ledger’s attack dog. With his actions and woofs, Ghost honestly has more personality that some human characters in other books I have read, while Church continues to be the ultra-mysterious intelligence god who you cannot help but want to know more about. These two characters are one of the many reasons why I am excited to check out all the future books in the series.

It should come as no surprise to those who read the plot synopsis, but Assassin’s Code is filled with wall-to-wall action. Maberry has a well-established history of doing detailed research into various forms of combat, especially martial arts, which he has actually written several books on. Maberry is able to transfer all of this knowledge into his books, creating some truly amazing action sequences. There are a huge number of great and varied battle scenes throughout the course of the book, and readers are guaranteed a pulse pumping ride as a result. Also, if you have ever wondered how martial arts trained special forces soldiers would go against vampires, than this is the book for you.

Like all the other books in the Joe Ledger series, I chose to listen to the audiobook format of Assassin’s Code, narrated by Ray Porter. Coming in at around 15 hours and 35 minutes, this is a substantial audiobook; however, due to how much I enjoyed the epic story, I powered through it in a couple of days. I would strongly recommend that readers always check out the audiobook format of this series, thanks mainly to Porter’s narration. Porter, who has so far narrated all of the Joe Ledger books, has an uncanny ability to bring this central protagonist to life. His great narration fully encapsulates Ledger’s full range of emotions, from light-hearted banter, to soul-crushing despair to powerful bursts of rage, and it is really worth checking out. In addition, Porter does some really good voices for the other characters in the book, especially Mr Church, and he is probably one of my favourite audiobook narrators at the moment.

When I started reading Assassin’s Code, I knew I was going to love it, and it did not disappoint. Not only did Maberry up the ante with some incredible antagonists but he created another complex and utterly captivating story that had me hooked in an extremely short period of time. Assassin’s Code easily gets another five stars from me, and I whole-heartily recommend the audiobook format of this book. I am planning to try and read all the other Joe Ledger books in the next couple of months as I only just found out that the story is continuing in November of this year as part of a new spin-off series. Stay tuned to see what I think of the other books in this series (spoiler alert, I think I am going to love them).