Star Wars: Vader: Dark Visions by Dennis “Hopeless” Hallum and Various

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Publisher: Marvel Comics

Publication Date: 27 August 2019

Length: 128 pages

My Rating: 4.5 out of 5 stars

Prepare to see one of the most iconic and beloved villains in all of fiction, Darth Vader, in a whole new light as Dennis “Hopeless” Hallum and several talented artists present five new and clever stories of the Dark Lord of the Sith from across the galaxy.

To most of the universe, Darth Vader is the Empire’s ultimate symbol of power, authority and fear, delivering death and destruction upon all who incur his wrath. But to some he can be something even more potent and remarkable. On one planet he is a Black Knight, a beacon of hope that saved them from a terrible monster. To a certain Imperial Commander, Vader is a reminder that failure is unacceptable. To one Imperial nurse, Vader is her one true love. But no matter how people see him, the one universal truth is that those who encounter this Sith Lord are likely to end up dead.

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Vader: Dark Visions is a fun and uniquely intriguing Star Wars comic that I bought a few weeks ago while on holiday. Vader is easily one of my favourite Star Wars characters, especially as most recent pieces of Star Wars expanded universe fiction have gone out of their way to show him as the ultimate badass. For example, I have absolutely loved some of the recent Darth Vader comics that have been published, including the 2015 Darth Vader series, the Darth Vader: Dark Lord of the Sith series (check out my reviews for Volumes 2 and 3 here), and he has also been exceedingly impressive as a villain in recent volumes of the 2015 Star Wars comic series and the always entertaining Doctor Aphra comics. I also loved his appearance in the second season of Star Wars Rebels and in novels such as Thrawn: Alliances (which features a very cool scene of Vader flying a Tie Defender). As a result, I have been looking forward to Dark Visions for a while, as I found the cool concept of five new and different stories about Darth Vader very appealing.

This collected edition of Dark Visions contains five separate, standalone comic issues that have been written by Hopeless, each of which features the talents of a different artist. Each of these separate stories is really cool, featuring some very interesting story elements, eye-catching artwork and interactions that give the reader a real sense of how terrifying and complex the character of Darth Vader truly is. I also liked how different each of the stories was as Hopeless goes in some very interesting directions to showcase Vader.

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The first issue of Dark Visions is Savior and it features the artistic talents of Paolo Villanelli and colour artist Arif Prianto. Savior is the set piece of the entire book and is probably the one that shows off how powerful Vader truly is as he faces off against a gigantic civilisation-destroying monster by himself. Not only is this a pretty epic fight, but everything is shown from the perspective of a young boy whose people have been living in fear of the monster for generations. To him, Vader appears as a great hero, a Black knight, who has come to save their planet, and who even rides a black horse-like steed into battle. However, even after he saves his entire world, the young narrator gets a sense of what Vader really is and is quite rightly terrified. This was an awesome, action-packed first issue and it serves as a great introduction to the entire volume. You also have to give props to the cool cover art that this story produced. The main cover for Issue #1 was used as the cover for the Dark Visions collected edition, and the shot of Vader as an actual knight is one of the main reasons why I wanted to grab this comic. I have also included the two alternate covers that this issue inspired as well, as they are a lot of fun, and show the behemoth that Vader faces off against

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The second issue of this comic is easily the funniest of the whole Dark Visions volume. Issue #2, Unacceptable, features an absolutely hilarious Moby Dick inspired story drawn by Brian Level and coloured by Jordan Boyd. The story follows an Imperial Commander who, after seeing Vader brutally kill an entire room full of officers when he was younger, is absolutely terrified of any form of failure. As a result, when a single Rebel spy escapes his attack and he learns that Vader is on route, he abandons the fleet to take his Star Destroyer after this spy in order to capture him, as “failure is unacceptable”. What follows is a destructive rollercoaster ride through space, as the Rebel spy pilots his ship through a range of obstacles and the Imperial Commander obsessively follows him no matter the risk. This results in a fantastically amusing story filled with laughs, disbelief, some very impressive artistic set pieces and an ending that brings the entire story full circle. Thanks to excellent artwork, the commander’s fall to insanity is pretty clear throughout the issue, and I absolutely loved the crazy obstacles he went through. If you’ve ever wanted to see a Star Destroyer fly into an exogorth (the giant space slug in Empire Strikes Back) then this is the comic for you.

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Next we come to the third issue of Dark Visions, Tall, Dark and Handsome, which has David Lopez and Javier Pina as the artists and Muntsa Vicente as the colour artist. Like Unacceptable, the story within Issue #3 is a tale of obsession; however, it goes in a very different direction. Tall, Dark and Handsome follows an Imperial nurse on the Death Star who, after treating Vader and feeling his power, starts to fall in love with him and begins to imagine an epic romance with him. This story pretty much ends the way you would imagine, but it is a very dark and emotional journey to the conclusion. While this story is pretty messed up, it is written and drawn extremely well, and you can’t help but feel sorry for the nurse who is slowly losing her mind. The artists did a fantastic job showcasing the various stages of the nurses obsession, from the initial stages of her infatuation, to the look she gives him after he knocks her down with the force (a look that can only be described as “thirsty”), to the scenes at the end where she finally cracks and goes into full-blown crazy stalker mode. I also loved the various sequences generated by the nurse’s imagination, which show her idealised versions of the romance, and they are a great portal into her shattered mind.

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The fourth issue of Dark Visions is titled Hotshot and featured Stephen Mooney as the artist and Lee Loughridge as the colour artist. This is a rather interesting story that examines the impact Vader has on the psyche of the Rebel pilots he flies against. In this issue, Vader goes up against a group of skilled Rebel pilots, including a young hotshot flyer with boundless confidence. However, Vader’s superior skills and reputation as a pilot soon have a noted influence on his opponent’s minds, and Vader is able to defeat one solely through fear. I really liked seeing a story that focused on Vader’s ability as a pilot, as it is one of his more impressive abilities, and is pretty cool when focused on (his appearance in the season 2, episode 1 of Star Wars Rebels springs to mind). The various space battles that occur within this issue look fantastic, and you get a real sense of how skilled Vader is in the cockpit.

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The fifth and final issue contained within this volume is called You Can Run…, and it was drawn by Geraldo Borges and coloured by Marcio Menyz. This final inclusion focuses on the general aura of fear that Vader exudes as he hunts down a person carrying valuable information on a hostile jungle world. Vader is already pretty terrifying on his own, but when his target gets dosed by a hallucinogenic compound and begins to see all sorts of horrors around him (like the Scarecrow’s fear toxin in Batman), Vader’s scariness gets amped up to 11. The artists come up with some pretty impressive fear-induced sequences throughout this issue, and the various exaggerated ways that Vader is shown are quite inventive (there is a hint of the Predator in one of them).

Overall, I think that this was a really varied and enjoyable combination of different stories that all examine a different aspect of this great character. All five of these issues are done extremely well and feature a fantastic combination of intriguing stories and amazing artwork. I absolutely loved each of the first three issues, and also quite enjoyed Hotshot and You Can Run… However, I actually found it really hard to pick out my favourite story, mainly because they were all enjoyable in such different ways. I do think that these various stories came together into a very satisfying overall volume that is extremely entertaining. As a result, I would strongly recommend Vader: Dark Visions, and it is an excellent read for all fans of the Star Wars franchise.

Throwback Thursday – Star Trek: Boldly Go, Volume 1 by Mike Johnson and Tony Shasteen

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Publisher: IDW Publishing

Publication Date: 25 July 2017

Length: 136 pages

My Rating: 4.5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

In this Throwback Thursday, get ready to explore the first volume of an intriguing Star Trek comic book series, Boldly Go, which presents the reader with clever new story directions spinning off from the alternate timeline Star Trek movies.

I think it is time to admit to myself that I am starting to get rather hooked on Star Trek extended universe fiction. Like my obsession with everything from the Star Wars extended universe, all it took for me to dive into this new fandom was reading a few compelling Star Trek books. Amazing titles such as Available Light and The Captain’s Oath made me realise that there are some pretty interesting Star Trek books out there. I just started listening to another Star Trek audiobook today (The Antares Maelstrom by Greg Cox, which is pretty good so far). As a result, when I recently saw some other reviewers talking about a cool-sounding Star Trek comic book series that came out a couple of years ago, I immediately went and grabbed a copy of the first volume (I am very impressionable like that). What I found was an extremely compelling Star Trek adventure that had some truly intriguing and clever elements to it.

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Star Trek: Boldly Go was an ongoing canon comic book series which started in 2016 and was set in the same continuity as the 2009 Star Trek film and its sequels. This continuity is an alternate timeline to the main Star Trek universe, which is known as the Kelvin Timeline due to the deviation that started with the time traveller Nero’s destruction of the U.S.S. Kelvin (Kirk’s father’s ship). This series was written by Mike Johnson, who has a lot of experience writing Star Trek comic book series, and featured contributions from several different artists. Boldly Go was the second ongoing series set in this timeline, following the 2011 Star Trek series which ran for 60 issues and was also written by Mike Johnson (which apparently had some really interesting-sounding storylines and which I might have to check out as well).

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Following the destruction of the U.S.S. Enterprise in Star Trek Beyond, the entire crew have been temporarily reassigned to new posts while they wait for their ship to be rebuilt. While Spock and Uhura are living on New Vulcan and Scotty is a lecturer at Starfleet Academy on Earth, Sulu, McCoy and Kirk are still serving out amongst the stars. Kirk has taken command of the U.S.S. Endeavour with McCoy begrudgingly at his side, and Sulu is serving a one-year exploration mission aboard the U.S.S. Concord.

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Events outside of their control will soon bring the former crew of the Enterprise back together, when the Concord encounters a ship of unknown design on the edge of Federation space. The ship is extremely powerful and technologically advanced and it attacks without warning, easily carving off pieces of the Concord with its destructive weapons. As alien boarders abduct members of the crew and devastate the ship, only one thing is certain: resistance is futile!

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The Borg Collective, one of the most dangerous races in the entire galaxy, have arrived in this version of Federation space nearly 100 years earlier than they were supposed to. Their motives are unclear, but as they attack several Federation vessels and settlements it is clear that they are en route to the capital of the Romulan Empire, Romulus. Answering the Concord’s distress call, Kirk and the Endeavour follow the Borg sphere after picking up Spock and Uhura. Forced to enter Romulan space, can Kirk and his crew save the abducted humans and defeat the Borg, or will actions provoke war with the Romulans? And what connection do the Borg have to the events that made this alternate timeline and formed this version of the Enterprise’s crew?

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This first volume of Boldly Go is a massive ball of fun that I had a great time reading. Not only does it feature a captivating and enjoyable story with some real cool twists; it also takes this Star Trek universe in some interesting directions. Featuring issues #1-6, this first volume starts a few months after the events of Star Trek Beyond and continues several of the fun storylines explored in the movies and the 2011 ongoing comic book series.

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This first volume features a bunch of interesting storylines. Issues #1-4 contain the volume’s major storyline, the invasion of the Borg into Federation and Romulan space. This is an extremely action-packed storyline, and I really enjoyed seeing the Borg, who are probably the best Star Trek antagonists ever created, go up against the classic crew of the Enterprise. The entire Borg storyline is cleverly written, with high stakes and explosive action sequences, and it has some really cool moments. If you have ever wanted to see what would happen if the Borg tried to assimilate Spock (and let’s face it, who wouldn’t find that awesome) then this is the comic for you.

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Issues #5 and #6 contain two different, intriguing storylines. Issue #5 contains a rather emotional story that examines the history of the fan-favourite character from Star Trek Beyond, Jaylah. Told chronologically backwards, this issue shows Jaylah’s tragic life trapped on the planet Altamid, and then goes further back to explore how she and her family were marooned there and the events of her past that would eventually lead her to Starfleet. The sixth and final issue in the volume continues some of the storylines from the first four issues of the series, reunites the always funny Scotty with the rest of the main characters and shows a rather curious story about an extremely advanced species of aliens interfering with the Endeavour in violation of their own version of the Prime Directive.

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While all of the storylines featured within this first volume are compelling and filled with emotional plot developments, it was also cool to see this version of the Enterprise crew once again. I really liked seeing how their adventures continued post-Star Trek Beyond, especially because, at the moment, it looks like Beyond is going to be the last film in this particular series of Star Trek films (which is a real shame, as some of the plans for the next instalment sounded particularly awesome). I did feel that the creative team of this comic did a fantastic job capturing the tone of the new movies and the personalities of these versions of the characters, and overall I found the story within this volume to be quite impressive.

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In addition to the great story, dedicated Star Trek fans will find some of plot inclusions to be extremely interesting, as they draw on some unique pieces of Star Trek lore. This volume features alternate timeline versions of characters from the original series, such as Captain Terrell, an older version of whom previously appeared in The Wrath of Khan, and there are intriguing hints at features of the Romulan Empire, such as the feared Tal Shiar. I also cannot get past how awesome it was to see the Borg in this timeline. Jackson has previously experimented with having this version of the original Enterprise crew interact with classic villains from other Star Trek shows. For example, they encountered Q in Jackson’s previous comic book series set in the Kelvin Timeline. However, it was particularly cool having the crew fight the Borg, and it resulted in a number of amazing scenes.

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I found the explanation for why the Borg were in Federation space during this time period to be extremely clever. In the main Star Trek universe, the Borg did not attack the Federation until the events of Star Trek: The Next Generation, set around 100 years after the start of The Original Series. However, in this comic, the Borg were attracted to the Federation much sooner than expected. The reason for this is eventually shown to be because Nero, the antagonist of the 2009 Star Trek film, constructed his massive ship, the Narada, out of Borg technology. This naturally drew the attention of the Borg, who travelled to Federation space at a much quicker rate than they did in their original appearance. While this explanation is pretty fascinating by itself, it actually results in some interesting connections with the main Star Trek universe. Technically, this alternate timeline is still considered to be within the canon of the main universe, as it was created when characters from this timeline, Nero and Spock from The Original Series, travelled back to the day Kirk was born. As a result, if the Narada contained Borg technology, then it is reasonable to assume that the Romulans are experimenting with captured Borg material in the main universe after The Next Generation ended. This has subsequently been somewhat confirmed, as the recent Comic Con trailer for the upcoming television series Picard showed images of Romulans dissecting Borg prisoners. As Picard is going to be set after the destruction of Romulus in the main Star Trek universe, it appears that this comic actually predicted events from the show before it was even in production (or else the creators of the show read this comic). This deep dive into Star Trek lore is really cool, and it is interesting to see ideas spawned in this comic have impacts in an upcoming show.

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This volume of Star Trek Beyond features some fantastic artwork from a variety of skilled artists. The main artist for the first five issues is Tony Shasteen, with Davide Mastrolonardo serving as colourist. Their combined artwork is pretty spectacular, and I really enjoyed it. Not only did they do a fantastic job of recreating the alternate timeline versions of the Enterprise crew, but the drawings of space, battles and the destruction of the Borg are amazing. I particularly liked the character designs of the Borg drones, especially when some of the Starfleet characters are converted into drones. I was also really impressed by an extended sequence that took place in Spock’s mind, where the Borg infiltrated his memories of several events of the 2009 film, and they made for a great scene. Issue #6 was drawn by Chris Mooneyham, with J. D. Mettler doing the colours. This naturally results in a noticeably different art style for this final issue, but this team does a great job of portraying some interesting scientific anomalies in space. Overall, the artwork featured within this volume is exciting and very well-done, and I had a great time seeing how the artists rolled out this adventure.

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Volume 1 of Star Trek Beyond is a fantastic comic book that is really worth checking out. The creative team have done a wonderful job portraying a new story that takes place in the aftermath of the last Star Trek movie. There are some really compelling story ideas taking place in this volume, and Johnson made sure to go big by bringing in a fantastic bunch of antagonists from The Next Generation. Best read by existing fans of the Star Trek franchise who will enjoy the creative team’s unique take on the characters and their adventures, this comic will also be appreciated by casual Star Trek fans who have only seen the more recent movies. I am extremely glad I decided to explore this Star Trek comic book series, and I will definitely be grabbing the next two volumes of this series when I next visit the comic book shop. This first volume gets four and a half stars from me and is an outstanding piece of Star Trek fiction.

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Uncanny X-Men – Vol. 2: Wolverine and Cyclops

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Publisher: Marvel Comics (Trade Paperback – 2 July 2019)

Series: Uncanny X-Men (2018) – Volume 2

Writer: Matthew Rosenberg

Artists: Salvador Larroca

               John McCrea

               Juanan Ramirez

Colour Artist: Rachelle Rosenberg

Length: 136 pages

My Rating: 4.5 out of 5 stars

Prepare to enter a whole new era of X-Men comics as writer Matthew Rosenberg and artist Salvador Larroca bring forth a second volume in the new series of Uncanny X-Men and focus on the aftermath of the latest disaster to befall mutantkind.

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For years, the X-Men have tried to fulfil Charles Xavier’s dream of unity between mutants and humans by being the shining examples of their species as superheroes, protecting even those people who hate and fear them. However, in one devastating moment, that dream has been smashed. The godlike mutant X-Man, in an attempt to remove all opposition to his messianic desires, combined his powers with that of the reality-bending mutant Legion in order to end all the X-Men who stood against him. In a single instant, nearly every mutant who had served as a member of the X-Men was gone, and the world reacted accordingly.

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In the aftermath of this loss, Mutantkind is on the brink of extinction. Already suffering from years of losses caused by the Genosha genocide, the M-Day Decimation, the Terrigen Mists and Disney’s wrath for being owned by Fox, the remaining Mutants are now left without their protectors. With public opinion firmly against them, government agencies hunting down and imprisoning any surviving mutants and the new mutant vaccine being made mandatory for the entire population, this looks like the end for the species. However, one mutant is desperate to change this: the original leader of the X-Men, Cyclops.

Having been recently returned from the dead, Cyclops attempts to find his way in the new world, where all his X-Men comrades have disappeared. After an encounter with the mysterious mutant Blindfold, whose cryptic visions now contain nothing but despair, Cyclops will try to do what he always does, attempt to save his species. However, with no allies willing to help and even the Avengers turning against them, Cyclops is finding it hard not to give in to despair. In a desperate move, he makes a televised plea for any remaining X-Men to join him at the remains of the X-Mansion. While at first it appears that only the X-Men’s enemies have turned up in order to kill him, one X-Man answers the call, the last person Cyclops expected to come to his aid, his long-time rival Wolverine.

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Having also just come back from the dead, Wolverine is reluctantly drawn back into Cyclops’s orbit. In their recent past these two legendary X-Men have fought, gone to war and nearly killed each other over their ideals, the future of mutantkind and the heart of Jean Grey, but now they can agree on one thing: the X-Men need to come back. Pulling together a rag tag team, including Magik, Wolfsbane, Havok, Dani Moonstar, Karma, Chamber and Jamie Madrox, Cyclops and plan to go after the biggest mutant threats they can find on order to stop additional escalations against mutants and to leave the world in a better place if this is truly the end of mutantkind. But what happens when they are forced to go up against old friends such as Banshee or Hope Summers, as they attempt to obtain their own form of justice leading a new version of the Mutant Liberation Front?

The second volume of this new series of Uncanny X-Men, Wolverine and Cyclops, is a fantastic and enjoyable comic that does a wonderful job introducing a cool new version of the X-Men following the major changes that occurred in the first volume of the series, X-Men Disassembled. Featuring issues #11-16 of the 2018 series of Uncanny X-Men, this volume does an excellent job of showcasing the new, darker version of the Marvel Universe following the disappearance of the X-Men.

Cyclops and Wolverine is written by Matthew Rosenberg, who has been working on a number of cool series for Marvel lately, including the extremely entertaining new Punisher series. In a nice sense of continuity, Rosenberg returns to write this second volume of Uncanny X-Men after completely changing everything with X-Men Disassembled. After setting up the cool story in that book, Rosenberg now puts his thoughts to exploring the aftermath of this tale, not only in this volume but in a number of future entries. For this second volume, Rosenberg is joined by artist Salvador Larroca, who provides the art for most of this book, while veteran artist Rachelle Rosenberg serves as the colourist for all the issues in this volume.

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After the previous entry in the series, the creative team was left with the interesting problem of how to run an X-Men series after you sent away all the X-Men (probably to the universe featured in the various Age of X-Man miniseries). What they came up with was a fantastic story that featured a new end of days for mutantkind and a new version of the iconic team. Since the events of the last volume, the whole world has dramatically changed for mutants. While they were never popular, now they are being actively hunted down, captured, experimented on or exterminated by government-sanctioned groups and there is no one able to stop them until this new team of X-Men come along. I really liked one of the ideas broached in the story that the X-Men, despite their attempts to be peacemakers, really only stopped this sort of government attack because they intimated the government, and now that the X-Men gone, there is nothing stopping them from ensuring there are no more mutants. As a result, this is a really interesting setting for a new X-Men series, and Rosenberg has come up with a really cool story. This is a much grimmer version of the classic X-Men story, as the team no longer has a high-tech base, matching uniforms or an advanced jet. Instead, they are a small team of rebels, hiding out in a bar and getting involved in fights for survival. This first volume contains a number of big plot moments, including the additional deaths of several mutant characters (which probably won’t last that long), noteworthy character developments (one character’s code-name gains a whole new level of significance) and the formation of an intriguing new team of X-Men.

I really enjoyed the way that the creative team set out this story in the first volume and I particularly enjoyed the first issue of the volume (Issue # 11). This issue does a wonderful job introducing the new Marvel Universe, and showing Cyclop’s difficulties coming back to such an altered world, bereft of hope for mutants. As the first issue continues, Cyclops meets several former friends and allies, such as Blindfold, Chamber, Ben Urich, Jamie Madox and Captain America, each of whom try to convince Cyclops that the X-Men are dead and that his mission is over. All of these encounters, including a second tragic meeting with Blindfold, drive Cyclops to his former home at the X-Mansion, where it appears he is truly the last X-Man, and only his enemies, such as the Reavers, the Purifiers and the Sapien League remain. However, at the last second, it is revealed that Wolverine was also on the scene and joins the fight, teaming up with Cyclops to defeat the mass of foes in the front of them in a particularly satisfying fight sequence to end the first issue. The volume then goes on to show two mini-stories, which show the reader that Wolverine had been following Cyclops for a while and had actually been helping him without the reader or Cyclops knowing it. Another story also shows why Blindfold had gotten involved and adds a whole new layer of tragedy to the story. The rest of the volume unfolds in a pretty logical way; without going into too much detail, Cyclops and Wolverine manage to form a team of X-Men, and in the following volumes they face a variety of different threats and find new allies, all of which will set up some interesting storylines for the next few volumes of the series. I liked where the story went towards the volume, and there were some really interesting developments that did a fantastic job following the strong opening issues.

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While this volume features a number of great characters, as the name suggests, the story is mostly focused around Cyclops and Wolverine, who team up again for the first time in years. These two are probably two of the most iconic X-Men ever created, and the longstanding rivalry and dislike between them has long been a recurring X-Men story arc. However, in recent years, this dislike has turned into direct antagonism, especially after the events of the 2011 miniseries, Schism, where a fight of their respective ideological differences saw them split off and lead two separate groups of X-Men. This antagonism continued through several major X-Men arcs, including Avengers vs X-Men, but it was ultimately left unresolved due to Wolverine’s death in 2014. As a result, this volume is the first time Wolverine and Cyclops have both been alive in nearly five years, and it was interesting to see the two of them finally come together again. I really enjoyed their reconciliation in this volume, especially as all it took for these two to get on the same page was two simultaneous resurrections, the complete destruction of the X-Men, one cathartic fight against a group of bigots, and a one-word greeting on the battle field.

The rest of the volume continued to build on their relationship as they work together to reform the X-Men. It is a fun return to the pre-Schism dynamic, as Wolverine once again follows Cyclops’s lead, and the two have a fun, banter-laden relationship built on mutual respect. However, Rosenberg does not ignore some of their prior conflict; rather he incorporates it into their relationship. Cyclops is fully aware that much of the X-Men’s current issues are due to his past actions, such as pushing for a more militant approach while he was the mutant leader, going to war with both the Avengers and Inhumans, and killing Professor X. As a result, he starts to rely on Logan’s opinion a lot more than some of the other X-Men, such as his brother Havok, as he knows that Wolverine won’t just agree with him if he is in the wrong again. This new era of cooperation between Cyclops and Wolverine forms a fantastic heart of this volume of Uncanny X-Men, and it was great to see these two characters back in action again after their lengthy absences.

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I rather enjoyed the artwork that was featured in Wolverine and Cyclops, and the artistic team of Larroca and the colourist Rosenberg do a good job producing an interesting art style for this volume. I personally liked the darker artistic tone quite a lot of the scenes had, which I felt reflected the tone of the series and which was also a result of the X-Men trying to remain hidden by doing their missions at night. I also liked the interesting character designs that featured in the book, as the team is forced to wear a mismatched bunch of scavenged uniforms from across the various X-Men eras, which really helped highlight the low resources and support they have. There are a number of detailed and exciting action sequences throughout the book that the artists do an amazing job bringing to life. I was particularly fond of the first major sequence, in which Cyclops and Wolverine took on the anti-mutant soldiers near the X-Mansion. It was a particularly brutal couple of pages, and I loved seeing the two main characters in action again. I also really liked the scene where Wolverine first reveals himself. The look of horror and resignation of several characters’ faces when they hear “snikt” was just beautiful. Extra art done by John McCrea and Juanan Ramirez for the two background stories, Wolverine Returns and The Last Blindfold Story, added an interesting new element to the volume, and it was cool to see their different art style in the middle of the book. Overall, this was some great artwork, and I cannot wait to see what this team produces in the future.

Wolverine and Cyclops is a bold new direction for Uncanny X-Men that I really enjoyed. With a darker universe, some interesting story directions and the return of two of the team’s most iconic characters, the X-Men have entered a brave new era, and I was glad to be there for the ride. This new creative team for Uncanny X-Men did a fantastic job reintroducing these two amazing characters, and they have proven that they have some intriguing ideas. The next volume of this series is out in October and is already one of my top comics to buy later in the year.

Waiting on Wednesday – Upcoming Star Wars Books August-December 2019

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them.

It has come to my attention that I might have recently developed a slight addiction to Star Wars expanded fiction. Why else would I go out of my way to read and review four of the Star Wars books that have been released so far this year, as well as collect a huge number of Star Wars comics? The obvious answer is that Star Wars is awesome and all the tie-in media I have read are freakin’ spectacular, with some fantastic stories that feature so many of the franchise’s iconic characters. So far this year I have reviewed the 2019 releases Queen’s Shadow, Master and Apprentice, Alphabet Squadron and Thrawn: Treason, as well as several Star Wars books and comics that were released in previous years. Of these, Thrawn: Treason was probably my favourite; however, the year is far from over, and there are still a number of awesome Star Wars novels and comics set to be released.

For this week’s Waiting on Wednesday, I am looking at some of the top upcoming Star Wars tie-in media releases coming out later this year. Many of these books are tied into the upcoming Star Wars movie, The Rise of Skywalker, and I am curious about what sort of plot hints or tie-in elements will be included as a result. Each of these upcoming releases sound pretty amazing and I will be reading and reviewing all of them in the coming months, no matter what.

Vader: Dark Visions by Dennis “Hopeless” Hallum (Issues released between 6 March and 12 June 2019, trade paperback out 27 August 2019)

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This is a pretty cool one to start the article off with. Honestly, I will be grabbing this comic just for the cover alone; Vader looks so awesome as a dark knight on it. I just love it.

I am also a massive fan of the character of Darth Vader (who isn’t?) There has been an amazing run of Darth Vader comics in the last couple of years, including the 2015 Darth Vader series (check out my review of Volume 1 here) and the Darth Vader: Dark Lord of the Sith series (check out my review of Volume 2 and 3 as well), and this looks likes it is going to be another epic Vader story.

The series is being written by Dennis “Hopeless” Hallum and will be his debut Star Wars series. I have read a bunch of Hopeless’s series before, including Avengers Arena, Cable and X-Force and Avengers Undercover, and I look forward to seeing how he takes on the character of Darth Vader. If the series synopsis is anything to judge by, it sounds like Hopeless has come up with a pretty cool story concept.

Goodreads Synopsis:

WHO IS DARTH VADER? He has been many things: a SITH warrior, a commander, a destroyer. DARTH VADER is to many throughout the GALACTIC EMPIRE a symbol of fear and mysterious, otherworldly power. But there are some who have seen the DARK LORD in a different light. There are some corners of the galaxy so dark and desperate that even Vader can be a knight in shining armor. The first issue of a new STAR WARS limited series, writer Dennis Hopeless (CLOAK AND DAGGER, JEAN GREY) sheds new light on the many sides of the galaxy’s greatest villain.

I really like the idea of a more complex look at Darth Vader’s character, and watching Vader go up against opponents so evil they make him look good is surely going to be epic. While I have not read any of the individual issues yet, the collected edition is out in around two weeks, and I fully intend to grab this as soon as it comes out.

Galaxy’s Edge: Black Spire by Delilah S. Dawson (release date – 3 September 2019)

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Black Spire is the second book in Star War’s Galaxy’s Edge mini-series, which serves as a tie-in to the new Disneyland park of the same name (where I will be going to in a few weeks). Black Spire is written by intriguing author Delilah S. Dawson, who has previously written a couple of official Star Wars short stories, as well as 2017’s Phasma.

Goodreads Synopsis:

After devastating losses at the hands of the First Order, General Leia Organa has dispatched her agents across the galaxy in search of allies, sanctuary, and firepower—and her top spy, Vi Moradi, may have just found all three, on a secluded world at the galaxy’s edge.

A planet of lush forests, precarious mountains, and towering, petrified trees, Batuu is on the furthest possible frontier of the galactic map, the last settled world before the mysterious expanse of Wild Space. The rogues, smugglers, and adventurers who eke out a living on the largest settlement on the planet, Black Spire Outpost, are here to avoid prying eyes and unnecessary complications. Vi, a Resistance spy on the run from the First Order, is hardly a welcome guest. And when a shuttle full of stormtroopers lands in her wake, determined to root her out, she has no idea where to find help.

To survive, Vi will have to seek out the good-hearted heroes hiding in a world that redefines scum and villainy. With the help of a traitorous trooper and her acerbic droid, she begins to gather a colorful band of outcasts and misfits, and embarks on a mission to spark the fire of resistance on Batuu—before the First Order snuffs it out entirely.

I like the sound of this book’s plot. A small group of rogues and thieves battling against overwhelming odds is pretty classic Star Wars fare, and it looks like Dawson has an excellent setting and a cool collection of characters to for the story. Blatant commercialism aside, this does look like it is going to be a rather interesting read, and I am putting in an order for it as we speak.

Resistance Reborn by Rebecca Roanhorse (release date – 12 November 2019)

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This is probably the upcoming Star Wars book I am looking forward to the most, having previously mentioned it in my Top Ten Most Anticipated July – December 2019 Releases list. Resistance Reborn is the one of the first books in the loosely connected sub-series, Journey to Star Wars: The Rise of Skywalker, and will be one of the many upcoming novels that explores the period between The Last Jedi and The Rise of Skywalker before the movie comes out in December. From what I understand, Resistance Reborn is probably going to be the novel that ties in the most with The Rise of Skywalker, and if there are any big reveals or plot hints, this is where we are mostly likely to find them.

Goodreads Synopsis:

In this Journey to Star Wars: The Rise of Skywalker novel, Poe Dameron, General Leia Organa, Rey, and Finn must struggle to rebuild the Resistance after their defeat at the hands of the First Order in Star Wars: The Last Jedi.

While the above plot synopsis is a little light on detail, it does seem like this book will focus on the main protagonists from these latest movies as they attempt to rebuild from their major defeat in The Last Jedi. I imagine that the author will focus pretty heavily on the four characters mentioned in the synopsis and detail the various hardships and issues that they experience during this period. You also have to imagine that several other characters who featured in the movies, such as Rose or Chewbacca, will make some appearances, and I will interested to see what happens with them. It is unclear whether we will see much of Kylo Ren or other members of the First Order, but the book will need to have some form of antagonist. Personally, I hope that Benicio del Toro’s DJ fails to make an appearance (in either the book or future movies), but that’s just me. The idea of rebuilding a resistance from scratch sounds pretty cool, and I look forward to seeing how the author covers that. Overall, I think that this book will be a good combination of character development and intriguing story, and I look forward to checking it out.

I am also excited in the choice of author. Rebecca Roanhorse has been on a real tear in the last couple of years with her Navajo inspired fantasy novels, including the books in her acclaimed The Sixth World series. While I have not had the pleasure of reading any of her books yet, I have heard good things from a number of reviewers and look forward to seeing what her first foray into Star Wars fiction is like.

Force Collector by Kevin Shinick (release date – 19 November 2019)

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This is another book in the Journey to Star Wars: The Rise of Skywalker range, and it is probably the novel that I know the least about. I do know that it is being marketed as a young adult novel, and I know that the author, Kevin Shinick, is an interesting choice. This will actually be Shinick’s first proper novel, as he is best known as a television show writer, having worked on shows such as Robot Chicken and Mad, as well as developing the current animated Spider-Man television show. Apart from writing several comic book series and the children’s book Chewie and the Porgs, Shinick has no experience writing a full novel, and it will be interesting to see what he comes up with.

Goodreads Synopsis:

In this Journey to Star Wars: The Rise of Skywalker young adult novel set just before The Force Awakens, a restless teenager sets out to discover what connection his mysterious Force powers have to the fabled Jedi and what the Force has in store for him.

This is a pretty generic synopsis for Force Collector, and aside from the useful titbit that the book is set just before The Force Awakens, there really is not too much information there. The cover picture actually gives a lot more away, as it shows a young man, probably the titular Force Collector, on a desert planet. In his possession he has a number of items associated with the franchise and the Jedi, including a Storm Trooper helmet, a Tusken Raider weapon, one of those Jedi training spheres and a lightsaber. While it is cool to see all of these, this cover really raises more questions than it answers. Is this character collecting these items or has he just found them? Which planet is he on: Tatooine or Jakku (both associated with famous Jedi)? Why would he be on either planet before the events of The Force Awakens? And how will his story tie into The Rise of Skywalker as promised? I look forward to finding out more about this book in the future, and I am very curious to see what happens in it.

Star Wars: Allegiance by Ethan Sacks and Luke Ross (released between 9 October – 30 October 2019)

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The final entry in this article is an upcoming four-issue comic book miniseries Star Wars: Allegiances. Allegiance is another series that ties into the upcoming The Rise of Skywalker movie, showing a different side to rebuilding of the Resistance.

Marvel Comics Synopsis:

BEFORE THE EXCITING EVENTS OF STAR WARS: THE RISE OF SKYWALKER! Hounded by the FIRST ORDER across the galaxy, the RESISTANCE is in dire need of ships, weapons and recruits to make a final stand against KYLO REN’S forces. Desperation drives a delegation led by GENERAL LEIA ORGANA and REY to entreat the Rebel veteran’s one-time allies, THE MON CALAMARI, to join the fight — but decades after Imperial occupation enslaved their planet, there are those willing to stop at nothing to prevent another war from bloodying the waters of Mon Cala. A system away, POE DAMERON and FINN have their own mission: to hunt down a weapons cache on the remote moon of Avedot, unaware that they are being hunted by the most notorious criminal gang in the galaxy.

This sounds like a pretty cool comic, as not only are there several intriguing adventures in it, but it also looks at politics in the post The Last Jedi universe. I am particularly interested in seeing how the Mon Calamari plays into this, as recent Star Wars comics have done some fantastic storylines around this water planet. The third volume of the Darth Vader: Dark Lord of the Sith series, The Burning Seas, featured the Empire’s initial invasion and conquest of Mon Cala and the devastation the caused taking the planet. The eighth volume of the 2015 Star Wars series, Mutiny at Mon Cala, which ran around the same time as The Burning Seas, shows how the Mon Calamari joined the Rebellion following the events of A New Hope. Both of these stories were extremely well written and showcased how much the people of Mon Cala suffered under the Empire. As a result, I am very keen to see what has happened to the planet after the fall of the Empire, and I am very curious to see what role they will play in fighting the First Order.

All four issues of this series are set to be released in October of this year, although I probably will not read it until it is released in its collected trade paperback (I really prefer collected editions to single issues). That means I probably will not be able to read it before The Rise of Skywalker comes out, but I am very eager to see how this series goes.

 

As you can see, there are some amazing sounding pieces of Star Wars extended fiction coming out in the few months. I want all of the ones I have listed above, and I fully intend to get them. What pieces of Star Wars fiction are you looking forward to? Let me know in the comments.

Usagi Yojimbo – Vol 33: The Hidden by Stan Sakai

Usagi Yojimbo The Hidden Cover

Publisher: Dark Horse Books (9 July 2019)

Series: Usagi Yojimbo – Volume 33

Length: 200 pages

My Rating: 5 out of stars

While there are a number of great books and comics coming out this year, one of the releases that I have been most keenly looking forward to was this year’s volume of Usagi Yojimbo. Usagi Yojimbo by Stan Sakai is a fantastic comic book series that utilises Japanese style, characters and history into an excellent series. This series is one of my favourite bodies of work, and I will move heaven and earth to get each instalment, and I especially loved last year’s volume, Mysteries. I was pretty darn excited to get the 33rd volume, The Hidden, and powered through it the afternoon that I received it.

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The Hidden continues the story of Miyamoto Usagi, a wandering ronin samurai who lives in a version of medieval Japan populated by anthropomorphic animals. Usagi’s life occurs in the early 17th century, during the Edo era of Japan. This is a pretty interesting time period to set a story, as with the land mostly at formal peace thanks to the rule of the Shogun, many samurai have been forced to roam the land without a master to serve. Usagi, a highly skilled samurai based on the legendary historical warrior Miyamoto Musashi, has been forced to live the ronin lifestyle after the death of his lord. Wandering the roads and seeking employment as a Yojimbo (a bodyguard), Usagi encounters all manner of rogues, bandits and criminals, as well as a number of supernatural foes from Japanese folklore.

The Hidden is made up of issues #166-#172 of the series and is actually one of the rare Usagi Yojimbo volumes to feature just one single adventure rather than multiple interconnected or standalone stories. This volume also continues to pair Usagi with Inspector Ishida for the entire volume. Ishida, who is essentially a Japanese Sherlock Holmes (although based on real-life Honolulu policeman Chang Apana), is a recurring character within the Usagi series who has appeared in multiple volumes, often for just one issue or adventure. However, after teaming up to investigate a murder a couple of volumes ago, Usagi has been living in Ishida’s town and assisting him with his investigations. As a result, Ishida has become a secondary protagonist for the last two volumes, with Mysteries, for example, focusing on the two solving several different crimes.

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This new volume starts with a brand-new case, when two samurai are pursued into the city and brutally murdered. When Usagi and Ishida discover crucifixes on the dead samurai’s bodies, they quickly realise that both the victims where Kirishitans (Christians). Christianity, which has been bought into the country by European missionaries, has recently been outlawed in Japan by the Shogun, and his agents are hunting down all practitioners. It soon becomes clear that the dead samurai were killed by agents of the Shogun who were attempting to recover a mysterious book of foreign design.

However, in a twist of fate, a petty thief manages to steal the book off the corpse of one of the samurai. This thief is now the most wanted man in the city, as the Shogunate agents and their hired killers attempt to find him and the book at all costs. As Usagi and Ishida work out what has happened, they are determined to bring the killers to justice. Hunting for both the book and the criminal who stole it, Usagi and Ishida, with the help of the masked master-thief Nezumi, manage to locate part of the book, and what they discover could rock the entirety of Japan. As they attempt to come to terms with their discovery, the Shogunate agents determine that the two investigators are a threat and decide to eliminate once and for all.

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While I may have had to wait a whole year to read this latest volume, it was definitely worth it. Sakai has once again produced an outstanding comic book that I could not have put down for anything. Not only has Sakai written an intriguing and clever story with a great mystery and an informative look at a new aspect of Japanese history, but he tells it through his beautiful Japanese-inspired artwork that really brings the characters and the landscape to life. Together this results in another exceptional piece of work that I absolutely loved.

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The main story focuses upon Usagi and Ishida’s investigation into the murders of Christian samurai and the hunt for the mysterious book the Shogunate agents are searching for. This was a really interesting story, and I liked how Sakai took the entire volume to really flesh out the investigation. The two characters go on a compelling adventure in this book, running into a number of colourful characters, dodging political restraints, interrogating a number of suspicious characters and getting into several deadly fights. However, what starts out as an intriguing investigation soon turns into a deep and powerful tale of convictions, belief and faith, and the things one must do to preserve all three. This is shown by a number of characters, including Usagi and Ishida, who risk everything to find the truth and more. There is also the amazing character arc of new character Hama, whose heart-rending sacrifice is one of the most memorable parts of this book. There is also a fairly major revelation about one of the other characters towards the end of the volume that actually changes the way you see the story and is guaranteed to make you look back to see the various things you missed the first time. Several recurring Usagi characters are used exceedingly well in this book. The mysterious masked thief Nezumi makes a great return, helping the protagonists with their investigation. It is always cool to see Nezumi in action, and I enjoy seeing the grudging respect build between him and Ishida, despite them living on opposite sides of the law. Everyone’s favourite snitch, Toady, makes another appearance, adding a lot of humour to the story as he attempts to weasel his way into more gold. Overall, this was another well-written and captivating story that was a real pleasure to read.

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One of my favourite aspects of the Usagi Yojimbo books is that Sakai often uses them to explore some fascinating piece of Japanese history, culture, mythology or industry and present them in a way that his western audience can appreciate. I was really glad that he continued this trend in The Hidden, as this time he takes an intriguing look at the role of early Japanese Christians in 17th century Japan. These Christians, who are the titular hidden ones of this volume, were an outlawed minority, due to Christianity directly contradicting a number of traditional Japanese beliefs and therefore challenging the authority of the Shogun. This latest volume shows this persecution in action, as the city is locked down by agents of the Shogun who are hunting for a valuable Christian item. The reader gets a sense of the illicit and hidden nature of these Christians and the way they were hunted, and Sakai also shows certain unique parts of this hunt, such as the fumi-e (trampling image). The fumi-e was an image of a cross that the Shogun’s enforcers placed on the ground in front of the gates of barricades that were set up at key points of the city. In order to pass through the barricades, pedestrians were forced to stamp on the image, showing their disdain for the Christian religion, and those who refused to step on the image were arrested as Christians. This was a fascinating part of Japanese history that I found incredibly interesting to see in action, and one that Sakai was able to cleverly work into the book’s plot. There were also a few fun scenes which looked at a black-market dealer who sold items which originated outside of Japan. Due to the Shogun isolating the country, these were incredibly valuable items, and I liked seeing what items this dealer considered valuable (the dealer’s European dress also made for a stunning visual as well). All of this was really cool to learn about, and I cannot wait to see what aspects of historical Japan the author explores in his next volume.

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Sakai’s fantastic artwork is once again one of the major highlights of this volume. Sakai is a particularly skilled artist who always does a fantastic job bringing the beauty and grace of Japan and its culture to life. The artwork on the surrounding landscape is just spectacular, and I always love attention to the historical detail on the buildings and people inhabiting his towns. One of the highlights of The Hidden that I particularly liked was the consecutive prayer gates leading up to a shrine that the characters visit. The visuals on all these gates were just amazing and very distinctive. I also really enjoyed the way that Sakai portrays his battle sequences in his series; he has a real talent for bring multiple high-energy battle scenes to life. I especially like how he manages to convey so much action and intensity in his still frames, and it really shows off some cool aspects of Japanese sword play. This was another beautifully illustrated volume, and the great art goes exceedingly well with the fantastic story Sakai has devised.

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Volume 33 of Usagi Yojimbo, The Hidden, was another excellent addition to this amazing series. Sakai once again produces a compelling story in his unique comic-book universe which results in a spectacular volume that I know I am going to read again and again in the future. While this was an outstanding Usagi Yojimbo story, I now have the downside of having to wait a whole other year to get my next Usagi fix. Make sure to check back next year when I will no doubt gush about how much I loved volume 34 of this series.

Throwback Thursday – Star Wars: Darth Vader: Volume 1 – Vader

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Publisher: Marvel COmics

Writer: Kieron Gillen

Artist: Salvador Larroca

Colourist: Edgar Delgado

Publication Date: 20 October 2015

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this week’s Throwback Thursday, I check out the fun and exciting first volume of the Darth Vader comic book series, Vader, which features the destructive adventures of the Star Wars trilogy’s greatest villain, Darth Vader, and presents a new story for Disney’s extended universe.

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When I previously reviewed two volumes of the Darth Vader: Dark Lord of the Sith comic book series (Legacy’s End and The Burning Seas), I mentioned how much I love the classic Star Wars movie villain Darth Vader. This current series is pretty epic and does an amazing job of telling the story of Darth Vader’s early adventures following the fall of the Jedi and the rise of the Empire. However, another Darth Vader series, helmed by writer Kieron Gillen and artist Salvador Larroca, commenced in 2015 off the heels of the Star Wars comic book series.

This first volume of this Darth Vader series is set after the events of A New Hope and deals with the fallout of the destruction of the Death Star. It is also deeply connected with the Marvel 2015 Star Wars comic series that started around the same time, especially the first volume of this series, Skywalker Strikes. Issue #1 of the Darth Vader comic, for example, starts just after the events that occurred in first three issues featured in the Skywalker Strikes, and both Star Wars #6 and Darth Vader #6, which close out each series’ respective first volume, end at the exact same moment of time.

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For nearly 20 years, Darth Vader has been the most feared being in the Empire, loyally serving under the Emperor as his most effective enforcer and most trusted subordinate. However, recent failures have damaged his relationship with his master. The destruction of the Death Star on his watch has left the Empire vulnerable, and his failure to stop the recent Rebel assault on Cymoon (as seen in Star Wars issues #1- #3) has made them look weak. The Emperor, displeased with his apprentice’s failures, has placed Grand General Tagge in command of Vader and is keeping secrets that could prove deadly to him. At the same time, Vader finds himself intrigued by the young, unnamed Rebel who is responsible for the destruction of the Death Star, especially after their encounter on Cymoon, where he discovered that his old master, Obi-Wan Kenobi, gifted the boy the lightsabre Vader once wielded as Anakin Skywalker.

Concerned with the events occurring around him, Vader decides it is time to start operating outside of the Emperor’s orders. Not only does he send the bounty hunter Bobba Fett to capture the mysterious Rebel pilot and bring him directly to Vader; he also recruits the rogue archaeologist, Doctor Aphra, as his agent. Using Aphra’s knowledge and contacts and the two murderous droids she has assembled, Vader amasses the resources needed to investigate the Emperor’s hidden agenda. However, his investigation reveals that the Emperor has commissioned research into a series of deadly individuals meant to take Vader’s place at the Emperor’s side. As he attempts to deal with this new competition, Vader finds himself rocked by another revelation: the pilot who destroyed the Death Star is named Skywalker!

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Darth Vader: Volume 1: Vader features issues #1-6 of this series, and features the writing of Kieron Gillian and the artistic talents of Salvador Larroca. Gillian and Larroca are veteran comic book talents with a variety of different titles under their belts, although both are probably best known for their work with Marvel Comics. The two of them have formed an effective creative team in the last few years, as they have worked together on a number of Star Wars comic book titles, including all 25 issues of this Darth Vader series. The two have also produced the last 30 or so issues of the amazing Star Wars series, creating several of the series best moments, and have worked together on the entertaining Doctor Aphra title, which follows the adventures of the popular character, Doctor Aphra, who is introduced in this volume of Darth Vader. I think at this point I actually have a copy of every Star Wars comic this pair have created together, and it is almost guaranteed that I will feature more of their work in the future.

I started getting into the 2015 Darth Vader series late last year after I was blown away by the Darth Vader: Dark Lord of the Sith comics. I am extremely happy that I decided to check out the 2015 Darth Vader series, because I absolutely loved this first volume of the series, Vader, and had an amazing time reading it. Not only was this one of the first comic book volumes in the new Star Wars canon that showed what an absolute badass Darth Vader is but it features a captivating story, some major Star Wars moments, incredible artwork and iconic new characters.

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This first volume of Darth Vader contains some epic sequences that really highlight how awesome and destructive the character of Vader really is. I loved the opening scene in particular, which features Vader having a covert meeting with Jabba the Hutt at Jabba’s palace on Tatooine. This meeting is in some ways very similar to the meeting Luke has with Jabba at the start of Return of the Jedi, with Vader entering alone to stand before Jabba in his audience chamber. However, some key alterations really show how different Vader’s style is compared to his son’s. Rather than attempting to negotiate like a Jedi, Vader slaughters his way in, deliberately avoids standing on Jabba’s hidden trap door, kills every minion that Jabba ambushes him with and then proceeds to force choke Jabba until he gets his way. It makes for one hell of an introduction to the series, and does an incredibly successful job of setting up Vader as a major badass. This first issue #1 also has a great ending, showing Vader nonchalantly having a conversation over a smoking pile of Tusken Raiders that he spent the day killing. This is a nice call-back to his past as Anakin Skywalker and it also shows how much more causal he now is around death and destruction, especially as he leaves simply saying, “All my present business is concluded.”

I also liked how this volume showed a completely different side to Vader’s relationship with the Emperor. The series is set in some unique circumstances, as it occurs right after the destruction of the Death Star, and the Emperor’s displeasure at Vader for allowing it to happen is vast. Vader in turn is suspicious of the Emperor’s secrets, and actively starts working behind the Emperor’s back for the first time. The sequences featuring Vader assembling his own private resources and working against the benefits of the Empire are quite fascinating, and results in some interesting missions. I also really liked the part of the book when Vader and the Emperor eventually find out each other’s secrets, especially as it results in an interesting discussion. While the Emperor is actually impressed with Vader showing initiative and working outside the system, Vader is outraged that the Emperor has been creating abominations to replace him for the last 20 years. The Emperor reveals that he has been disappointed with Vader ever since he was defeated at the end of Revenge of the Sith, and that he needs to prove himself worthy of the Emperor again.

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While all the above scenes are pretty awesome, the best part of this volume is the incredible conclusion of the volume in issue #6. Vader, already enraged after his talk with the Emperor, finds out that the young Jedi he encountered is named Skywalker. The building anger within Vader as he finds out is palpable as he flashes back to the events of Revenge of the Sith and realises that the Emperor lied to him; he did not actually kill Padmé before she gave birth to their child. The switch between Vader’s reaction in the present and the scenes from the past is done perfectly, building up the tension around Vader and making for some amazing pages. The scene then continues with Vader calling up the Emperor to confront him, in a nice continuation of the storyline I mentioned above. However, rather than revealing that he knows the Emperor lied to him all those years ago, he instead keeps it secret and indicates he understands his place with the Emperor. The final pages reveal Vader staring off into space and stating, “I have a son. He will be mine. It will all be mine”, referring to the Empire and the galaxy with the last part. There is so much in this scene to love. Not only do we actually get to see the moment where Vader finds out Luke is his son, a major moment in Star Wars history that ties together parts of the prequel series with the original trilogy, but we also get a look into Vader’s mind when he finds out the truth after all these years. This whole sequence is just incredible and has to be one of my favourite moments in this entire series. It also cleverly matches the end of the first volume of the related Star Wars comic book series and actually expands on that original comic for fans who were curious about it.

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While the focus on Darth Vader is amazing, this volume also features the introduction of several outstanding new characters in the Star Wars canon, Doctor Aphra and her droids. Dr Aphra is an awesome character, as she is essentially an anti-Indiana Jones living in the Star Wars universe. Aphra recovers valuable (and often extremely dangerous) artefacts from across the galaxy, either for her own use or to sell for a profit. However, in this first volume, Aphra is forced into Vader’s employ and must help him obtain the means to act outside the Emperor’s notice. Aphra story arc in the first volume is pretty darn compelling. While Aphra is willing to help Vader, and even thinks of it as a cool opportunity, she is under no illusions about the fact that Vader will kill her at some point in the future and is a constant mess of emotions as a result. There is a fantastic scene in this volume where Aphra makes it clear to Vader that she knows he is eventually going to kill her and begs him to show some mercy when the time comes and use his lightsabre rather than worse methods, such as chucking her out of an airlock (this actually comes into play later in quite a clever way). I also liked that the creative team really played up the Indian Jones aspects of her character at times, such as her introductory sequence, where she is forced to escape a series of booby traps, including a spherical droid, similar to the boulder sequence in Raiders of the Lost Ark. Humour like that really makes Aphra an excellent addition to this volume, and I love how the creative team are able to get some dark moments out of her relationship with Darth Vader.

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In addition to Aphra, we are introduced to her droids 0-0-0 (Triple Zero) and BT-1, who are fun parodies of C-3PO and R2-D2. Like C-3PO and R2-D2, Triple Zero and BT-1 are a protocol droid and astromech duo, but with a few key differences. Triple Zero has been programmed with a number of languages and human protocols, but he has also been programmed for torture and is equipped with a number of syringes and other torture implements. BT-1, on the other hand, is actually a lethal assassin droid disguised as an astromech in order to appear harmless, and is loaded with multiple weapons, including a massive cannon and a flamethrower. Both of them had been decommissioned by the Empire for being too dangerous (which tells you a lot), but are brought back online by Aphra and Vader. These two droids are an extremely fun duo, acting a lot like the iconic C-3PO and R2-D2, except with a complete disregard for human life and a desire for as much destruction and death as possible. The discussion the two have in this first volume about killing the various creatures they come into contact with are very funny: “Hahaha! You are on fire and also dead.” I also found it amusing that, even though they are remorseless killers, the two droids get along better than C-3PO and R2-D2 ever did, with Triple Zero actually complimenting BT-1 and appreciating everything he does, especially all the murder. These two are an extremely entertaining couple of characters, and it was fun to see them parody the classic Star Wars droids in such a clever way.

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I loved the artwork in this volume, and some of the cool details that were included in the various scenes added so much to the story. For example, the fantastic closing sequence where Vader finds out his son is still alive is superbly enhanced by the cracks that appear on all the glass around Vader as he comes to his realisations. This looks so cool and really highlights how angry he is feeling. The art also showcases all the awesome action contained within this book, especially when it comes to all the destruction Vader and his cohorts unleash to achieve their goals. There are so many explosions and so much destruction laced throughout the book, and the artists who contributed to this first volume make them look pretty darn spectacular. I also loved the close-up action when Vader gets to work with the force and his lightsabre. The artists do an impressive job showcasing all the destruction he is capable of, and the reader is constantly reminded of that amazing Darth Vader scene at the end of Rogue One. The artists also do an amazing job conveying character emotion through the subtleties of their facial expressions. You get a real idea of what the characters are feeling thanks to the artwork, whether it is Doctor Aphra’s fear whenever she has to deal with a pissed of Vader, or the constant anger Vader is feeling throughout this volume. I am particularly impressed with how they were able to compensate for the helmet Vader is always wearing in order to show off Vader’s various emotions. Subtle things like the tilt or shape of the mask and the character’s body language seemed to speak volumes at times, and I think that they captured Vader’s emotions perfectly every time. Vader featured some very clever and very impressive artwork, which not only stand on its own, but which enhances the book’s story substantially.

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The first volume of the 2015 Darth Vader series was an outstanding example of Star Wars fiction which really modernises one of the most iconic Star Wars characters of all times. Darth Vader is masterfully reborn here as a being of pure destruction, as this first volume places him in some extremely compelling situations. I loved where the story went in this first volume, and the creative team have come up with some amazing scenarios and several excellent new characters who are so unique and creative they manage to escape Vader’s sizeable shadow. Overall, this first volume did a fantastic job setting the stage for the rest of the series, and I had an incredible time reading this comic.

Buffy the Vampire Slayer – Vol.1: High School is Hell by Jordie Bellaire and Dan Mora

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Publisher: BOOM! Studios (28 May 2019)

Series: Buffy the Vampire Slayer – Volume 1

Length: Four issues – 128 pages

My Rating: 4.5 out of 5 stars

Prepare for a whole new take on Buffy the Vampire Slayer as the first four issues of BOOM! Studios’ new Buffy comic series are collected together in their first volume, High School is Hell.

For those unfamiliar with it, Buffy the Vampire Slayer was an extremely popular fantasy television show that started in 1997 and ran for seven seasons until 2003. The show followed the adventures of the titular Buffy, who has inherited the role of the Slayer, a magically strengthened warrior chosen to fight vampires, demons and the forces of darkness. Buffy the Vampire Slayer was the first show helmed by Joss Whedon, who went on create one of the best science fiction shows of all time, Firefly, as well as direct the first two Avengers movies (and parts of the Justice League movie, but let’s not look to closely at that). Buffy was actually an adaption of Whedon’s 1992 movie of the same name; however, there were some significant differences between the tone and writing of the movie and the show, as the show had some superb storylines and an amazing cast. It eventually resulted in the spin-off Angel, which also had a strong five-season run and some amazing episodes.

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Due to the immense popularity of the show, a huge amount of Buffy the Vampire Slayer tie-in material has been created, including a number of novels and video games. A substantial number of comic books were also created through Dark Horse Comics, many of which involved Whedon in the creative process. Indeed, the storylines of both Buffy the Vampire Slayer and Angel were continued for many years as a comic book series that followed a huge number of events that occurred following the end of both television shows.

Recently, Dark Horse Comics gave up the comic book rights to several of Joss Whedon’s works, including Buffy the Vampire Slayer, Angel and Firefly. These rights were subsequently obtained by BOOM! Studios, who have embarked on a whole new wave of comics for these franchises. The first of these, Firefly, started up last year, and the first collected volume was released in late April (I grabbed a copy the other day and will hopefully review it in the next couple of weeks). A new Angel comic book series is also currently running, although the first issue was only released a short while ago, so it might be a little while before I get my hands on the collected edition of it. BOOM! Studios are producing a bunch of different stories for these various properties and have different plans for each of them. The Firefly comics, for example, will be set in the same universe as the shows and have presented an interesting new adventure. However, for the new Buffy the Vampire Slayer comic, they have decided to do something different. Rather than continue the storylines written by Dark Horse Comics or try to fit in the established universe left by the shows, the new creative team have taken the bold step of completely revamping the entire series, restarting the story from the beginning and swapping the setting to a more modern era. This new series takes place in 2018/19 instead of the 1990s and features a completely different story to the original series, similar to what Marvel Comics did with their Ultimate universe.

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This new series starts in a similar way to the events of the show, with Buffy Summers only recently arrived in Sunnydale and ready to start as the new kid at Sunnydale High. Buffy has to deal with many of the pitfalls of being a modern teenager, grades, friends and an embarrassing dead-end job. However, Buffy has one thing no over teenager has to deal with, an unescapable destiny as the latest in a line of vampire slayers. While the story may sound familiar so far, this is not the grunge era of the 1990s; instead it is the modern era of smart phones, social media and social norms. Buffy soon settles in as the new girl in school, training with her watcher, Giles, and making two new friends, Xander and Willow, after she saves them from a vampire. While the worst thing in her life may appear to be the exceedingly peppy Cordelia, Sunnydale is still Sunnydale. Vampires and demons are always lurking just beneath the surface, and two familiar and deadly foes are in town. The devastating team of Drusilla and Spike are looking for a mysterious power and will kill anyone who gets in their way. What is their sinister plan, and how will the lives of the new Scooby Gang be changed forever?

Volume 1, High School is Hell, features issues #1-4 of this new Buffy series and was written by Jordie Bellaire. It also features the artistic skills of Dan Mora as the illustrator and Raúl Angulo as colourist. Joss Whedon is also credited as the original creator of this series in all the issues, although I am uncertain if he consulted on this new project at all. Pretty much the moment I saw this comic in the shop, I knew I was going to enjoy it. I grew up with watching Buffy and Angel when I was younger and have enjoyed a lot of their comics in the past. I really liked the concept of this new series, and I was incredibly interested in seeing where the creators of this new series were going to take it. I have to say that I was not disappointed with the end result. These first four issues not only tell an excellent and deeply compelling story with some incredible artwork; they also present an incredible reimagining of the classic Buffy the Vampire Slayer universe and bring it into modern times.

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The issues featured within Volume 1 tell a pretty amazing story. The whole reintroduction of the Buffy world is done extremely well, as the new story told within is filled with the right amount of new ideas, classic characters and an exciting, action filled storyline with some major twists. I really think the blend of the old characters and story elements with the new storylines where done exceedingly well, and it creates and excellent new world that has some amazing potential for the future. Bellaire also does a fantastic job capturing the tone and humour of the original series and inserting it into this new vision of the Buffy universe, and it makes for quite an entertaining and enjoyable read. I also like how the creators brought the story out of the 90s into more modern times, incorporating all the relevant technology and social norms into the plot. There are also quite a few jokes making fun of the 90s, which is a nice touch, and a great call back to the original series. As a result, I thought the new story introduced in High School is Hell was pretty darn amazing and I had a lot of fun reading it.

The issues featured in High School is Hell feature an interesting mix of characters from the original television show, and I think fans of Buffy will enjoy the changes that the creative team introduce to the various characters. Firstly, Buffy remains pretty much unchanged; she is still the new girl at the school who is trying to balance the Slayer part of her life with high school, friends and romance. While there is a tad additional teenage apathy, perhaps as a result of her job at Tunaverse, her character remains as a pretty consistent touchstone from the original series. The same could be said of Giles, who is still the same stuffy English gentleman he was in the first few episodes of the original show with the disapproving mentor vibe, although we do get to see him playing his guitar in public a lot sooner.

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While Buffy and Giles are fairly similar to their original versions in the show, there are some interesting changes to the other major Buffy characters featured in this new series. For example, Willow has already discovered her sexuality and has a girlfriend, new character Rose. She also seems to be a whole lot more confident than she originally was in the series and is already eager to fight evil and start learning magic (which couldn’t possibly go wrong). Cordelia is still the most popular girl in school, although she is a lot braver and nicer than she was in the original show, although most of the characters find her extreme peppiness to be a bit too much. She also garners a rather unhealthy obsession with Spike, which was an intriguing addition which will no doubt become a major plot point in the future. Interestingly enough, Xander is probably the character who has changed the most in this series. On the exterior he is still the same happy-go-lucky character he was in the show. However, none of the characters realise that Xander is actually quite depressed, lonely and feels quite powerless, something the audience is made aware of by viewings of his anonymous blog. The inclusion of the blog entries is quite clever; we are initially made to think they are Buffy’s inner monologue. Once we are shown they belong to Xander, it gives an emotional look into his mind. Xander’s resultant story arc in this book ends in a pretty shocking twist, which has real potential to be a defining moment of this series.

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In addition to these main characters who were the focus of the original Buffy first season, there is also an interesting use of other characters from the show. Major characters Anya, Robin Wood, Spike and Drusilla all show up in these first four issues, each entering the story far earlier than they did in the television show, and with very different storylines. Anya is a demonic witch who deals magical artefacts from a secret occult shop (a fun nod to her business from the show). Anya is a neutral force in the town, and it is an interesting departure from her role as a vengeance demon. We only see a little of Robin Wood in these first four issues, although he is set up as Buffy’s potential love interest. In this series he’s set up as a star athlete and overall nice guy, with no real indication of whether he’ll have the same connections to the Slayers or Spike that he did in the show. Spike and Drusilla are a cool choice as the initial antagonists for this version of Buffy. The two of them always make a great team, although there is a bit of a change to the dynamic. Dru is somewhat less insane in this series, and seems to be the brains of the operation, relying on Spike a lot less. Spike is pretty much his usual fun self, although he appears a little less in love or devoted to Dru as he was in the show. He also has a fun relationship with Cordelia, and there is also a certain debate about his name. While Dru and Anya refer to him as William, he introduces himself to Cordelia as Spike to try and sound edgy, which results in a good joke from Dru about how the name “hardly played in the 90s”.

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Overall, I was quite happy with how the creative team behind this new series utilised the show’s existing characters and brought them into the new century. Some of the changes are really quite cool, and I liked how some of the dynamics were altered. Some of the new characters were also pretty cool, and it will be interesting to see what overall impact they will have on the series. I think that some of their decisions will lead to some excellent stories in the future, and I look forward to seeing how other existing characters are introduced.

The artwork in the first four issues of this series was pretty awesome and really added a lot to this volume. Mora did an outstanding job capturing the likenesses of the existing characters from the show; they looked so much like the original actors. The action sequences are done exceedingly well and there is a real sense of motion in some of the scenes that bring all the fights to life. The artwork and the colour schemes help add a lot of dread or unease to several scenes throughout the volume, which add a lot more to story. The artwork in this new version of Buffy the Vampire Slayer was first rate and really exciting.

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Buffy the Vampire Slayer: High School is Hell represents a bold new direction for the Buffy franchise, and one that I am quite excited for. The alternate timeline that the creative team has decided to set this story in is quite an intriguing concept that works exceedingly well. Bellaire has come up with a captivating initial storyline that is enhanced by Mora’s artwork. This series will definitely appeal to fans of the original television series, who will love seeing these great characters altered in a brand-new timeline. It is also easily accessible to those readers less familiar with the show and could be a good starting point for those who want to check out the franchise. This volume is highly recommended, and I am looking forward to the future inclusions in this excellent new comic book series.