The Tyrant Skies by David Annandale

On May 3, 2023 By The Unseen LibraryIn Comics/Manga, Extended Universe, Superhero, Tie-in NovelLeave a comment

The Tyrant Skies Cover

Publisher: Aconyte Books (Ebook – 2 May 2023)

Series: Marvel Untold

Length: 254 pages

My Rating: 4 out of 5 stars

Two of Marvel’s greatest villains square off in this highly entertaining tie-in novel from talented author David Annandale, The Tyrant Skies.

As most people familiar with this blog will know, I am a man who loves a good tie-in novel, be it related to Star Wars, Star Trek or Warhammer. However, one genre of tie-in books that I haven’t had a great deal experience with is those based around comic books, having only read a few in recent years, such as Loki: Where Mischief Lies by Mackenzi Lee and Catwoman: Soulstealer by Sarah J. Mass. However, that looks set to change as I was recently lucky enough to receive a couple of particularly fun Marvel tie-in novels through Netgalley. The first of these is The Tyrant Skies by David Annandale, which focuses on the always awesome supervillain, Doctor Doom. Introduced as part of the Marvel Untold novel sub-series, The Tyrant Skies is the third Doctor Doom novel by Annandale, who previously released The Harrowing of Doom and Reign of the Devourer. This third novel also has a great story to it as it sees Doom face off against an old rival, the Red Skull.

After defeating the deadly monsters that haunted his realm, Victor Von Doom has established peace within Latveria. However, this peace is short-lived as a new danger begins to rise in the world, one with an unhealthy obsession with both Latveria and Doom. The newly formed island nation of Wolkenland has just revealed itself to the world and quickly establishes itself as a playground for the rich and powerful, while also appearing to offer new lives for the world’s dispossessed. However, Wolkenland hides a dark secret at its heart: it’s true ruler is the insane fascist Red Skull.

Still enraged by his failed invasion of Latveria and his humiliating defeat at the hands of Doom, Red Skull is determined to gain revenge on his enemies by using the influence and power of Wolkenland. Utilising advanced technology and cosmic power, Red Skull transports Wolkenland to float above Latveria and begins a deadly invasion to capture the country and its advanced technology.

Doom’s only choice is to travel to Wolkenland and confront Red Skull directly, but even the might of Doctor Doom is unable to face the full power his enemy has amassed. With his country threatened, his body weakened, and the only woman he ever loved held hostage on Wolkenland, Doom will need to use every bit of cunning, intelligence and manipulation in his possession to face down the Red Skull. But even if he succeeds, the Red Skull has an ace up his sleeve that could destroy Latveria and break the entire world.

This was a pretty solid and deeply enjoyable novel from Annandale that tells a great story while also referencing some interesting elements from classic Marvel comics. The story in The Tyrant Skies follows on a degree from Annandale’s last two novels and this time sees Doctor Doom and his country facing an insidious invasion from the Red Skull and his new island fortress. The story advances at a pretty awesome pace, and the early highlights include Doom invading Wolkenland and unleashing his trademark havoc upon his foes. After the necessary setback for the protagonist, the story evolves into an intriguing phase with a de-powered Doom leading a slave rebellion against Red Skull, while down in Latveria several of the series’ supporting characters fight off the invasion using tools featured in the prior books. The action and intrigue were pretty non-stop the entire way through, and Annandale keeps the reader hooked to the book with some amazing and elaborate sequences. I personally loved some of the twists that developed, especially as Annandale brings in a couple of foes that haven’t been seen in comics for a very long time, and it was great to see how Doom faced off against them. The story does get pretty big and explosive at times, and I liked some of the great underlying examinations of tolerance, fascism and the vices of the mega-rich, all of which were used to great effect to make Doom, the brutal and deadly tyrant, actually seem like the good guy. The author ends everyone on a pretty compelling note, and I ended up coming away from The Tyrant Skies fairly happy with the cool action-filled and entertaining story that Annandale served up.

As I mentioned before, The Tyrant Skies serves as the third book in an intriguing trilogy from Annandale that dives into Doom’s connection to his country as well as his own dark ambitions and adversaries. I felt that The Tyrant Skies continued this story thread extremely well, and it was interesting to see how several of the recurring characters and their storylines developed as a result. However, Annandale also makes The Tyrant Skies quite accessible to new readers as well, and if this your first Marvel novel you can dive into it with very little prior knowledge about the series. While substantial comic or Fantastic Four knowledge isn’t needed to enjoy this book, Annandale does fill the story with several compelling references to previous comics, some of which were published a very long time ago. Not only does the origin of Doom and Red Skull’s feud emerge from the pages of these older comics, but there are references to Doom’s dark relationship with Valeria, especially her death in the main comics, as well as other previous adventures. Annandale also pulls one particularly intriguing feature out of a very old, obscure comic by Jack Kirby, Larry Lieber and Stan Lee, which I had honestly never heard about. The author’s fun description about this somewhat absurd comic will get a chuckle out of aficionados of classic comics who will appreciate the intriguing references. Annandale’s love for all things comic related really shines through with his writing, and I loved how he was able to effectively describe and bring to life several scenes that would usually need a full comic spread to appreciate. I personally thought this was an outstanding and very clever tie-in to the larger Marvel universe and The Tyrant Skies is a great book to check out no matter how connected you are to source material.

Of course, one of the major parts of The Tyrant Skies is Annandale’s excellent portrayal of Victor von Doom, who steals any scene he is in. Doom is probably one of the best villains (or anti-heroes, depending at how you look at him) in the entire Marvel canon, so anything featuring him is bound to be good (excluding a few Fantastic Four movies). Annandale’s use of Doom in The Tyrant Skies is pretty spot on, and he shows the protagonist at his full power and intelligence. I love the sheer arrogance and pride that dominates much of Doom’s character, and every scene shown from Doom’s point of view works to highlight this. Annandale also looks deep into the powers and abilities of Doom, puling out some interesting elements of his abilities over the years. Not only do you get to appreciate the technological prowess of Doom, but Annandale also makes sure to fully feature his magical skills, something which the mainstream media usually avoids, and even his old-school abilities to hypnotise people. However, the best part of Doom is his sheer intelligence as he manages to outsmart anyone he goes up against, even when disadvantaged in other ways. There are some great scenes when a de-powered and vulnerable Doom manages to secretly organise and inspire a slave revolt and lead his new followers on a deadly rampage against a superior foe. Watching him succeed in controlling everyone just with his sheer force of personality while tactically outthinking his opponents was pretty damn epic and it really captures just how impressive Doom can be as a character.

Aside from Doom, there are several other great characters featured throughout The Tyrant Skies that add a lot to the story. This includes the infamous villain of the story, the Red Skull, who serves as a great foil to Doom in this book. Few villains can make Doom look like a sane, noble and reasonable figure, but the Red Skull is one of them, especially in Annandale’s hands. The author seeks to make Red Skull as evil and diabolical as possible, causing chaos and initiating world-ending plots for petty reasons and prior defeats. I loved seeing the rivalry between Doom and Red Skull that formed the basis for much of the novel, and the author did a great job capturing the hatred they both have for the other. It was interesting to see Red Skull’s methods against Doom in this book, and he proves to be a very dangerous opponent, able to outsmart Doom at several turns, which works to make the novel pretty compelling and fun. As such, Red Skull is a very impressive villain for this book and it was really something to see these two iconic figures square off once again.

I felt that the rest of the cast, which includes a combination of some over-the-top second-tier villains and several recurring figures from Annandale’s existing novels, were worked into the plot well, and there are some great scenes, especially with the characters of Doctor Elsa Orloff and Captain Kariana Verlak, who have become heroic figures within Latveria during the last two books. I also deeply appreciated the inclusion of Valeria, Doom’s long-lost love, who is a key part of his origin story. The powerful reunion the two have in this novel is quite impressive, especially as it is clear that Doom still has feelings for Valeria, despite her reluctance to trust him and his nature. This was a very interesting inclusion, especially considering how their story spun out in the comics, and I am glad that the author attempted to dive into this older character element of Doom. Throw in some craven, evil and incompetent members of the uber-wealthy, many of whom are parodies of certain business owners, and The Tyrant Skies proved to be a very rich novel in terms of character, and I liked the wider story elements that emerged thanks to this cool alternate focus.

Overall, The Tyrant Skies is an outstanding and highly entertaining novel that perfectly ties into the larger Marvel universe. I deeply enjoyed how David Annandale set two of the genre’s best villains against each other in this novel, and I had a ton of fun with the thrilling encounters that emerged. Featuring a great blend of story development, references to classic comics, and amazing portrayals of Doctor Doom and the Red Skull, The Tyrant Skies has something for all comic book fans, and you are guaranteed to have a fantastic time getting through this amazing novel.

Amazon

Waiting on Wednesday – Starter Villain by John Scalzi

On March 22, 2023 By The Unseen LibraryIn Science Fiction, Superhero, Waiting on WednesdayLeave a comment

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy. I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. In this latest Waiting on Wednesday, I highlight one of the more entertaining sounding books of 2023 with the fun new release from John Scalzi, Starter Villain.

Starter Villain Cover

Amazon

There are few authors in the world right now that are more inventive and more hilarious that the always imaginative John Scalzi. Best known for his Old Man’s War and The Interdependency series, Scalzi has made a name for himself by producing captivating reads that make excellent use of high-concept science fiction elements. I have only had the opportunity to read a few of his books yet, but the ones that I have were pretty damn epic. This includes the incredible and brilliant standalone novel Redshirts, which serves as the ultimate parody of Star Trek by focusing on an Enterprise-esque spaceship whose ordinary crew start to realise that something very wrong is happening when all of them start brutally dying in ridiculous situations. This was an outstanding read and my love of Redshirts led me to read his 2022 release, The Kaiju Preservation Society. A clever new take on monster movies, The Kaiju Preservation Society saw a young man join a mysterious scientific organisation that protects giant monsters in an alternate dimension. I absolutely powered through both of these books, and I love the incredible scenarios Scalzi comes up with.

Needless to say, I am a pretty big fan of Scalzi at this point, but I was even more excited when I saw that his next book was going to take on the superhero/supervillain genre with the fantastic upcoming book Starter Villain. Set for release in September 2023, Starter Villain is another hilarious sounding novel that sees a young protagonist enter the world of capes and capers when they unwillingly become a supervillain.

Plot Synopsis:

Following the bestselling The Kaiju Preservation Society, John Scalzi returns with Starter Villain, another unique sci-fi caper set in the strangest of all worlds, present-day Earth.

Inheriting your mysterious uncle’s supervillain business is more complicated than you might imagine.

Sure, there are the things you’d expect. The undersea volcano lairs. The minions. The plots to take over the world. The international networks of rivals who want you dead.

Much harder to get used to…are the the sentient, language-using, computer-savvy cats.

And the fact that in the overall organization, they’re management…

Ok, so there is absolutely no way that I am not going to have a ball of fun when I read Starter Villain later this year. I’m already a big fan of comic books and superheros and any great parody or deconstruction of this genre is always a blast to read. Having this parody written by John Scalzi, who is planning to focus on the supervillain side of things, is an incredible recipe for success and one that I am pretty damn excited for. This synopsis is already painting a pretty awesome picture of what Starter Villain is going to feature, including lairs, minions and sentient, sinister cats, which I am always down for. This is going to be such an entertaining and amazing book and I cannot wait to get my hands on Starter Villain later this year.

Waiting on Wednesday – The Winter Soldier: Cold Front by Mackenzi Lee

On August 3, 2022August 24, 2022 By The Unseen LibraryIn Extended Universe, Superhero, Tie-in Novel, Waiting on Wednesday, Young Adult1 Comment

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy. I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. For this latest Waiting on Wednesday, I highlight a fantastic upcoming comic book tie in with the anti-hero focused The Winter Soldier: Cold Front by Mackenzi Lee.

The Winter Soldier - Cold Front Cover

Book Depository

Back in 2019 I was lucky enough to listen to a copy of a fantastic young adult tie-in novel, Loki: Where Mischief Lies, by the talented Mackenzi Lee. Where Mischief Lies was an intriguing read that followed a young Loki and showed one of his unique adventures in 19^th century London, where his lies, tricks and morality where strongly tested. This was a fantastic book and it served as a great first entry in a new Marvel young adult tie-in series from Lee, with all the planned entries looking at conflicted anti-heroes and villains from the Marvel universe. This series was followed up last year with the intriguing Gamora and Nebula: Sisters in Arms, which looked at the two fan favourite characters from Guardians of the Galaxy, Gamora and Nebula, as they worked a complex mission for their father. While I have not had the pleasure of reading Sisters in Arms yet, it sounded really fun and I have been meaning to check it out for a while. Luckily, due to the standalone nature of these series, I don’t have to read it before getting excited for the next Marvel novel from Lee, as there is a third book in the series coming out early next year with The Winter Soldier: Cold Front.

Synopsis:

1954: The Winter Soldier is the Soviet Union’s greatest weapon. Assigned the most dangerous covert missions from the USSR’s secret military branch, and guided by a handler who knows him better than he knows himself, he has only one purpose: to obey orders.

But he wasn’t always the Winter Soldier . . .

1941: As World War II begins, sixteen-year old Bucky Barnes is determined to enlist in the US army—if only the local commander will stop getting in his way. When Bucky is offered enrolment in a training program with the British Special Operations Executive—the UK’s secret service—he leaps at the chance to become a hero. But Bucky has hardly touched down in London when he finds himself running from a mysterious assassin and accompanied by an English chess champion fond of red lipstick and double crosses. She’s in possession of a secret every side is desperate to get their hands on. If only they knew what it was . . .

Decades later, the Winter Soldier struggles to solve the same mystery Bucky is just beginning to uncover. As their missions intersect across time, their lives collide too—in a way that neither of them would have expected, and that will change the course of their respective wars.

In The Winter Soldier: Cold Front, on-sale on February 7, 2023, New York Times best-selling author Mackenzi Lee explores the youth of one of Marvel’s most compelling characters, James Buchanan “Bucky” Barnes—and the enemy soldier he is forced to become.

Now, I first have to geek out a little about there being an upcoming book about the Winter Solider. I love this cool character (pun intended) and have been a massive fan of the unique way they brought back Bucky ever since his appearance in the comics. His brilliant use in the MCU movies has only increased my love of this character, and there are honestly few anti-heroes in the Marvel canon more conflicted than the Winter Soldier. As such I am very excited to read a whole novel about him, especially one that sounds as great as Cold Front.

I am deeply intrigued by the amazing synopsis featured above, especially as it looks like Lee is going to use multiple time periods to tell a complex and interlocking story. The plan to focus on various points in Bucky’s life, including his time in the army before meeting Captain America, as well as his early days as the Winter Soldier in the 1950’s Soviet Union sounds extremely awesome, and something I am very keen on. Watching the various phases of this character’s life is going to be great, and I am particularly keen to see how the author portrays the brain-washed version of the Winter Solider in comparison to the carefree teenager. I am also interested in seeing how the storylines interlock, and it sounds like the two time periods are going to come together in some fantastic ways.

I honestly was keen to check this book out the moment I heard that Mackenzi Lee was writing anything about the Winter Soldier. However, Cold Front has a great plot to it, and it sounds like it is going to spend a lot of time diving into the mind of the titular character and show multiple key parts of his life. Set for release in February 2023, Winter Soldier: Cold Front, is going to be epic, and I reckon that I am going to have an outstanding time reading this upcoming read.

The Sandman – Act 1 (Audiobook) by Neil Gaiman and performed by a full cast

On June 7, 2022August 13, 2022 By The Unseen LibraryIn Audiobook, Comics/Manga, Extended Universe, Fantasy, Five-Star Books, Horror, Superhero, Tie-in Novel8 Comments

Publisher: Audible Original (Audio Drama – 15 July 2020)

Series: The Sandman

Script: Neil Gaiman and Dirk Maggs (script adapter)

Director: Dirk Maggs

Cast: Neil Gaiman, James McAvoy, Kat Dennings, Taron Egerton, Riz Ahmed, Samantha Morton, Bebe Neuwirth, Andy Serkis, Michael Sheen, Justin Vivian Bond, Arthur Darvill, William Hope, Mathew Horne, Reginald D. Hunter, Sue Johnston, Paterson Joseph, Josie Lawrence, Anton Lesser, Joanna Lumley, Miriam Margolyes, Tom Alexander, Stephen Critchlow, Blake Ritson, Oris Herhuero, Karen Batke, Ray Porter, Michael Roberts, Kerry Shale, Andrew James, Simon Vance, Sandra Dickinson, Ellen Thomas, Cathy Tyson, Sandra-Mae Luyx, Amaka Okafor, Shey Greyson, Laurel Lefkow, Harry Myers, Mack Keith Roach, Laurence Bouvard, Toby Longworth, Daniel Weyman, Samantha Beart, Cliff Chapman, Felicity Duncan, Julia Winwood, Nicholas Boulton, John MacMillan, Tracy Wiles and Adam Thomas Wright.

Length: 11 hours and 2 minutes

My Rating: 5 out of 5 stars

Amazon Book Depository

Thanks to a lengthy and productive road trip, I have finally breached the realm of dreams and explored the iconic and powerful creation that is Neil Gaiman’s The Sandman. In this review I check out the first act of its impressive full-cast audiobook adaptation.

Back in 1989, mind-bending author Neil Gaiman unleashed his most iconic comic creation when he introduced the complex and dark The Sandman. Centred on the mysterious character of Dream, the anthropomorphic personification of dreams, The Sandman was a clever and intense hybrid of horror, fantasy and superhero storylines released as part of the Vertigo comic imprint, which was associated with the DC Comics universe. This series was considered a revolutionary success and its unique and colourful story cemented Gaiman’s legacy in comic circles, as The Sandman and its spinoffs are still very highly regarded.

Now I must make a bit of a confession: I have never actually read The Sandman and it is a bit of a gap in my comic book knowledge. I just never seemed to be in a position to read these comics despite hearing how good they were. However, with the upcoming television adaptation of The Sandman set for release later this year, I thought that it was about time that I tried to check it out. Luckily, the good folks at Audible decided to make this rather easy for me as they recently released a full-cast audiobook adaptation of The Sandman. Not only was this a great opportunity for me to check out this cool comic in my favourite format, but this adaptation featured a truly remarkable cast of actors, with the production pulled together by the highly acclaimed Dirk Maggs.

There are many strange, unusual and powerful creatures inhabiting the universe, but only seven siblings, known as the Endless, are truly immortal. The Endless, each a personification of a human concept, have their own realms and powers, with the most mysterious and unique belonging to Dream. Known by many names, including Morpheus, he is the manifestation of all dreams and stories, and governs the Dreaming, the vast realm made up of creation’s collected dreams. Unchanging since the dawn of time, Morpheus’s eternal life is about to get more complicated than he ever believed.

Summoned by a mystical cult seeking to capture his sister, Death, Morpheus finds himself trapped and powerless on Earth. Stripped of his tools of office and placed within a magical cage, Morpheus is kept as a prisoner for over 70 years. When he eventually escapes from his captors, Morpheus returns to his realm only to find it in tatters, with several of his servants missing and his own powers greatly weakened. To ensure the continued stability of the Dreaming, Morpheus must endeavour to regain his full strength by recovering his lost tools of power.

However, this is no easy task as all three items have been scattered across the world and are now in the hands of several dangerous foes. To obtain them, he will have to contend with human magician John Constantine, face down Lucifer and battle the malicious Justice League foe known as Doctor Destiny. From dangerous demons to rogue dreams and even his own siblings, Morpheus will face great challenges and unique creations on his road back from capture. But even if Morpheus does succeed, is he prepared for the full chaos his absence has wrought on the world?

I’ve been exceedingly foolish by neglecting The Sandman for so long. This is such a unique and epic tale that contains powerful looks at revenge, change, human perception and the power of dreams and stories, and so much more, as Gaiman cleverly examines elements of the human psyche through the eyes of an elusive immortal. The impressive and exceedingly memorable story contained within these early entries of The Sandman, are deeply captivating and I found myself really getting drawn into the amazing narrative and distinctive characters. Throw in an exceptional voice cast and a brilliant audiobook production, and I honestly have no choice but to give this a full five-star review.

When I first heard about The Sandman audiobook I did wonder if it would provide a more abridged version of the narrative. However, it appears that this production was a pretty faithful and full adaptation of issues #1-20 of The Sandman comic. As such you get an intense and fully developed story that is guaranteed to grasp your attention and send your imagination into overdrive, especially by the two major storylines contained within these first 20 issues. The first of these, the “More than Rubies” storyline, examines Morpheus’s capture by human occultists in the early 20^th century, his decades-long imprisonment, his eventual escape, and his subsequent attempts to recover his tools of office to regain his lost power. This storyline serves as a pretty awesome and captivating start to the entire production and it contains several distinctive and addictive chapters. The initial chapters that deal with Morpheus’s imprisonment set up a lot of major storylines for the rest of the series, give you some fantastic early impressions of this world, introduce some key concepts and provide readers with their first compelling look at the main character. From there, the story gets even more exciting as you follow Morpheus as he attempts to recover his items of power from some dangerous individuals. This sets up some brilliant chapters as he deals with everyone’s favourite magician, John Constantine, in a horrific tale that provides readers with their first glimpse at the true danger of dreams. From there, Morpheus goes straight to hell as he attempts to retain his helm from an army of demons while also dealing with the nefarious Lucifer in what is possibly one of the most entertaining parts of the entire production. That is then followed by a particularly dark storyline that sees Morpheus forced to contend with damaged DC comics supervillain Doctor Destiny, who is using Morpheus’s own powers to destroy the world. This initial main storyline is particularly good, with an amazing and captivating flow to it that is guaranteed to make you a fan of The Sandman.

The other major storyline of this first act of The Sandman sees Morpheus attempt to contend with a new dangerous threat impacting the Dreaming. This threat turns out to be young woman, Rose Walker, who is a powerful Dream Vortex. To fully understand her, Morpheus finds himself getting involved in her hunt for her missing brother, and soon finds himself in conflict with several of his missing creations, each of whom has their own agenda in the real world. At the same time, Morpheus must contend with the machinations of his powerful siblings as they attempt to manipulate him for his own ends. This second major storyline, The Doll’s House, is an extremely good follow-up to the introductory issues and continues several plot points, with several characters returning in interesting ways. Indeed, as you traverse through this storyline, it becomes apparent how much the author set up in the initial major storyline, and this helps to make The Doll’s House flow extremely well. This major storyline itself is pretty damn fun, and I liked how it split between Morpheus and several of the other major players, particularly Rose Walker and The Corinthian. The entire thing goes in some rather interesting directions, from the traumatised dreaming mind of a young boy also containing several lost superheroes, to a serial killer convention where some of Morpheus’s most dangerous creations have arrived. This entire storyline is pretty damn twisty and trippy in places, but it comes together extremely well and has some amazing high points to it. I particularly enjoyed the sequences depicting the serial killer convention, which was both entertaining and disturbing in equal measures but which also has an outstanding payoff to it. The Doll’s House ends the major storylines on an extremely high note and it will ensure that you will come back for the second act desperately wanting more.

Aside from the two main storylines, The Sandman also contains several filler arcs that take place around the main storylines, including all the stories contained in the collected volume Dream Country. While I would usually be a little disappointed to have a gap occur between some of the main storylines like this, it worked really well. Not only do these filler chapters serve as a bit of a palate cleanser, breaking up the major storylines, but they also provide a lot of additional context for the wider The Sandman universe by expanding on many of the supporting characters, such as Morpheus’s relatives or some of the strange people he encounters through his travels. Each of these storylines lasts for a single chapter (an issue from the comic), and are fairly self-contained, coming together and concluding in short order. Each of these filler stories is quite intriguing in their own right, especially as these stories are a little more metaphysical and often contain a dark, thought-provoking cautionary tale. There is also an interesting range of settings and time periods for many of these stories, as some occur many years before the events of the major storylines, due to the immortal nature of Morpheus and his siblings. I honestly enjoyed each of these separate storylines, not only because of the fantastic ways that they expanded The Sandman universe but because of the way that each story hit a different emotional note. My favourite was probably Men of Good Fortune (issue #13 of the comic), a brilliant story that sees Morpheus and Death encounter a man, Hob Gadling, who is certain of his desire never to die. Intrigued, Morpheus ensures his immortality and arranges to meet him once every 100 years in the same tavern. So begins a fantastic story that skips across centuries as you see Hob continue to exist and change through the centuries. Watching him achieve the highs and lows of an immortal is deeply fascinating, as is his compelling and deeply personal interactions with Morpheus as they discuss his experiences and his desires to stay alive. The conclusion of this story proves to be particularly moving, and it helps to humanise Morpheus after several issues of him being emotionally distant. Other interesting filler arcs include Morpheus meeting with Death and following her around in her complex and sad duties, another sees William Shakespeare, who years earlier made a Faustian bargain with Morpheus, debut A Midsummer’s Night Dream to a host of elven nobility in a touching performance. All these filler arcs, and more, add a certain gravitas to the overall book, and I think that they really helped to enhance the major storylines they were set around.

I was really impressed with all these major and minor storylines, especially as the writing behind them was particularly powerful and brilliant. Everything flows together extremely well and you can see that Gaiman is setting up a ton of fascinating storylines for the future, while also ensuring that the current plot points stand on their own and are extremely fun. Everything about this story is interesting, and while the author does occasionally go in some zany, grotesque and unique directions, it generally proves to be entertaining and eventually fits back into the major storylines in a great way. Gaiman seeks to create a massive and powerful epic that not is not only filled with action and excitement but which causes the reader to stop and think about certain states of being or metaphysical aspects such as dreaming. This is often achieved, especially in the audiobook format, with distinctive and powerful dialogues that showcase the unique attributes of the characters and the dramatic and dangerous situations they find themselves in.

I personally loved how there were a range of different styles and elements featured throughout the plot as The Sandman didn’t conform to one particular genre. The story could at any time jump from unique fantasy adventure to a deep character driven narrative or end up being a bleak and deeply disturbing horror tale. For example, one of the best chapters in this act of The Sandman was a dark, disturbing and somewhat detached horror narrative they fit in right after a chapter involving the Justice League and certain Batman villains. In this story the deadly Doctor Dee, having stolen Morpheus’s dream stone, holds several people hostage in a diner over the course of a day. Throughout this day (which is counted down hour by hour for some impressive dramatic impact), Doctor Dee toys with his pets, diving deep into their personal lives and using disturbing elements from their past to manipulate their emotions and their reactions. This results in several extremely disturbing hours as the bad doctor makes them experience lust, despair, hatred, animalist urges, religious zeal and more to entertain him as he waits, and it turns this chapter into a horrific experience in between some more action packed or fantasy issues. This frequent change in genre really helps to make this first act stand out, and all the different storylines and elements work well with the overall dark gothic theme of The Sandman. It also helps to make The Sandman a bit more accessible to different readers as there is something here for all fans of horror, fantasy and comics, although some basic knowledge of DC and Vertigo comics may be somewhat helpful.

This story is greatly helped by the complex and exceedingly memorable characters featured throughout. The most notable of these characters is the titular Sandman himself, central character Dream/Morpheus, an immortal anthropomorphic personification who lives in creation’s dreams and serves as their lord and master. I loved how Morpheus is portrayed in this first act as the reader really gets to sink their teeth into the character and find out what makes him tick. Gaiman ensures you get the most out of Morpheus by immediately showing him at his worst, imprisoned for decades by humans with his powers stolen from him. While you don’t get a lot of insight into who or what he is at the beginning, once he escapes you find out everything you need about his motivations, responsibilities and personalities. Gaiman initially paints Morpheus as a callous and detached being, removed from humanity and more concerned with his own needs and realm than the people he interacts with. While it does make it a little harder to root for him in some of the earlier storylines, I think this coldness helped to stoke some real mystery around the character and you wanted to find out more about him and his past. Once the first major story arc ends and you get into some of the filler stories, especially the one involving the interaction with his sister Death, you start to understand him a lot better and soon see that his a basically good person, just with some major personality flaws brought on by his immortal existence and purpose. Don’t get me wrong, at times he is still a pretty hard character to like, especially when details about his love life are revealed, but he is generally a lot more likeable than most of the other immortal or non-human characters you encounter, and you get really invested in his continual struggles. By the end of his first act you will become extremely addicted to his story arc, and I cannot wait to see how Morpheus’s narrative continues in the future.

Gaiman has come up with an eclectic and distinctive group of characters to support the story, with a fantastic combination of original characters, mythological figures and even a few established DC and Vertigo comic characters. These great characters are featured to various degrees throughout the story, with some being continuously used, while others only get brief flashes. All of them are pretty fantastic, and I loved seeing how Gaiman worked them into his brilliant narrative. There are so many notable characters throughout this first act to talk about, especially as they were portrayed by some outstanding actors (more on that later), and I could honestly spend pages talking about all of them, however, in the interests of saving time I might just limit it to my absolute favourites. I must highlight Dream’s sister Death; rather than a traditional mournful or skeletal figure, Death is shown as a cheerful young woman who bears great compassion and kindness to those she reaps. This is a really interesting change to the usual personification of Death you see in fiction, and it works really well, especially as Death here serves as a great positive foil to her dour brother Dream and the other Endless. As such, she swiftly becomes a favourite character to follow, especially with her many different appearances. I also must mention Gaiman’s great use of John Constantine, everyone’s favourite drunk English wizard, who has a notable chapter towards the start of the story. Lucifer himself is also brilliant as a brief secondary antagonist, and Gaiman lays some interesting story seeds here for him. The comedic duo of Cain and Abel brings some fun to several stories, as does Morpheus’s servant, Matthew the Raven. Rose Walker serves as an excellent protagonist of the second major storyline, and I enjoyed her very English protector, Gilbert, who has some intriguing scenes. Finally, I was rather impressed with the great early antagonist Doctor John Dee, better known as the Justice League villain Doctor Destiny. Gaiman went out of his way to make Doctor Dee as creepy and deranged as possible in this comic and he has some outstanding, if shockingly horrifying, scenes throughout the More than Rubies storyline. He, and other great villains like The Corinthian, add some intriguing danger and a ton of depravity to the story, and I had an absolute blast getting to know all these great characters.

As I mentioned before, I chose to check out the full-cast audio adaptation of The Sandman rather than reading the original comics, and this greatly impacted my experiences of how I absorbed this unique story. However, while I probably missed out on some brilliant artwork, I think that this audio adaptation was the perfect way to enjoy this elaborate and massive story. As far as I can tell, the audio production faithfully adapts all the comic storylines throughout its run, with the movement and action of the comic page replaced with narration, sound effects and probably altered dialogue where necessary for the benefit of the listener. While this is probably a little different than the comic, I think that it captured the tone, characters, and intent of The Sandman exceedingly well, and the resulting production is pretty damn impressive. Not only does it feature some brilliant acting, but the production team makes outstanding use of a ton of cool sound effects and some moving music to create something extremely special.

While this audio production has many great features, without a shadow of a doubt its most defining aspect is the incredibly stacked voice cast who bring the various characters to life. Someone clearly sold their soul to get the eventual cast for The Sandman, as some exceedingly talented actors are featured here giving some intense and powerful performances. These great performances deeply enhance the entirety of The Sandman and turn this already outstanding story into something that you will listen to again and again. This voice cast is led by the insanely talented James McAvoy, who voices main character Morpheus. McAvoy is extremely good in this production, showcasing all his acting range to bring this complex character to life in all his dark, gothic and detached glory. Thanks to the way he voices the character, listeners really get a sense of how ethereal and distant Morpheus can be, as well as the intense weight of the events of this story and the relationships he has formed. You really get the full gambit of Morpheus’s emotions during this first act and McAvoy covers them all perfectly, embodying the character’s rage, sorrow, impatience and intense regret extremely well. This performance really serves to enhance the character of Morpheus in this production of The Sandman, and McAvoy was the perfect actor to helm this entire series.

The rest of the voice cast is just as impressive, with several major celebrities featured here. Taron Egerton has a notable time voicing the iconic John Constantine and his pretty damn good here, bringing the distinctive magician to life extremely well. Edgerton brilliantly brings forth Constantine’s full emotional range throughout The Sandman, and you get a great sense of his cheeky demeanour which overlays his insane amount of guilt and despair. This was a very good version of Constantine, and indeed after listening to this production, Edgerton would be my choice for Constantine if they chose to do another major movie with him. In addition, Kat Dennings has a major role in this audiobook as Death. Dennings is pretty amazing here, and she brings some real life (pun intended) to this major role, showcasing this character’s intense warmth and friendliness, as well as her exasperations when it comes to her brother. Dennings really made this unique character her own, and I deeply enjoyed her performance. I also had a lot of fun with Andy Serkis who voices Matthew the Raven, Dream’s messenger and servant. Matthew is a fairly comedic role which Serkis fills perfectly, giving the raven a sarcastic and everyman feel that fit the lines really well and helped to make him a very distinctive and fun figure.

Other big-name actors include Bebe Neuwirth, who perfectly voices a prophetic cat with aspirations to change the world through dreaming. Riz Ahmed is pretty terrifying as The Corinthian and you get some major serial killer vibes from his performance. Arthur Davill has a great couple of appearances as William Shakespeare, while the legendary Joanna Lumley has an unfortunately short appearance as Lady Johanna Constantine, although she gets her time to shine in future productions. Likewise, Michael Sheen has only a short appearance as Lucifer Morningstar, although he brings some incredible flair to the character, dripping style, venom and power. Like Joanna Lumley, Sheen will get his time to shine in future instalments of this audio series, so don’t be too disappointed with his limited appearances here. I loved William Hope as Doctor Dee, as he gives the villain some deep malevolence and insanity. Michael Roberts and Kerry Shale are fun as Cain and Able respectfully, while Paterson Joseph has a great sequence as The Demon Choronzon. I was also very happy to see that one of my favourite audiobook narrators, Ray Porter, was featured here, voicing multiple supporting characters. All of Porter’s portrayals were very fun, although I think he was best as Gilbert, providing some fun British pomp to the character. Finally, Neil Gaiman himself has a massive role in this production as the Narrator, which is pretty damn appropriate. Gaiman is great as the narrator, with his distinctive voice perfectly moving the story along, as he describes events, actions and settings, as well as providing a massive dose of exposition. I was really impressed with Gaiman’s continued performance here, and I honestly don’t know if anyone else could have done such an impactful and meaningful job of it. I am honestly only just scratching the surface of this cast, as there are a ton of other actors featured throughout The Sandman in some way. However, all of them are extremely good and their work on this show is just superb.

As you can no doubt tell from the elaborate and long-winded review above, I had an outstanding time with this audio production of The Sandman, and I am so very happy that I got to finally experience Neil Gaiman’s amazing series. Everything about this audiobook was impressive, with an elaborate and dark narrative, gritty characters, fantastic performances and some incredible world building. There is truly something for everybody here, as readers unfamiliar with The Sandman can easily jump in and learn everything they want to know about the series (I’m now ready for that upcoming Netflix series), while established fans will no doubt enjoy it performed by such a talented team of actors. I had such a good time listening to this first act that once I finished, I immediately jumped into listening to the second act, which has an even better and expanded voice cast. I will hopefully review that in a few weeks, but in the meantime do yourself a favour and listen to this incredible audio production of The Sandman, as you will not regret it.

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Throwback Thursday – Identity Crisis by Brad Meltzer, Rags Morales and Michael Bair.

On March 31, 2022August 23, 2022 By The Unseen LibraryIn Comics/Manga, Five-Star Books, Superhero, Throwback ThursdayLeave a comment

Publisher: DC Comics (Paperback – 1 October 2005)

Series: Identity Crisis Limited Series

Writer: Brad Meltzer

Penciller: Rags Morales

Inker: Michael Bair

Letterer: Ken Lopez

Colorist: Alex Sinclair

Length: 288 pages

My Rating: 5 out 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For this week’s Throwback Thursday I take a look at one of my absolute favourite comic book limited series, the epic 2004 DC Comics event, Identity Crisis. (Quick warning, there are spoilers ahead).

It is fair to say that the early to mid-2000s was one of my favourite periods of comic books, with some truly cool and epic ongoing and limited series being released. This was particularly true for DC Comics, who produced some of their best work during this time, many of which rank amongst my all-time favourite comic series. This easily includes the exceptional and brilliant crossover event, Identity Crisis, which to my mind is one of the best limited series ever written.

Made of seven issues, Identity Crisis combines the unique writing talent of thriller author Brad Meltzer with the artistic stylings of veteran DC Comics collaborators Rags Morales and Michael Bair. This ended up being a near perfect combination of talents and skill, and I have a lot of love for the exceptional story, which absolutely hooks me every time, and its outstanding associated artwork. I particularly impressed with the addition of Meltzer, who, despite his more literary background has written some of the absolute best and most human comics I have ever had the pleasure of reading, including Green Arrow: The Archer’s Quest and the two Justice League of America storylines, The Tornado’s Path and The Lightning Saga. However, his story in Identity Crisis is particularly powerful and thought-provoking, and it ends up being a comic that completely changes everything you knew about your favourite heroes.

For years the members of the Justice League of America have protected the world from all manner of evil and destruction, always prevailing no matter the odds. But who can protect them when someone goes after those closest to them? And what if they actually deserve the punishment being visited upon them?

On an unremarkable night, a mysterious attacker breaks into the home of long-serving Justice League associate, Ralph Dibny, the Elongated Man, and commits a terrible crime, the murder of Ralph’s beloved wife, Sue Dibny. With no evidence about who the killer is and no idea how they breached the Dibnys’ impressive security, the superhero community rallies behind their bereaved friend and seeks to find the killer by any means necessary.

As the rest of the heroes seek answers at any potential suspect within the supervillain community, the Elongated Man and a small group his closest friends hunt for a minor villain, Dr Light, whose secret connection to the League’s darkest moment may hold the answers they seek. However, when a second attack occurs on another publicly known relative of a superhero, Jean Loring, the former wife of the Atom, it soon becomes clear that someone else is targeting the heroes and their loved ones.

As Batman, Superman, Green Arrow and others attempt to get to the bottom of the case, cryptic threats to one hero’s relative reveal that whoever is targeting them knows all of the League’s secrets, including their hidden identities. As even more tragedies befall the superhero community, dark secrets from the League’s past are brought into the light and no-one will be prepared for the terrible truth behind these brutal murders. Can the League weather this latest attack, or is this the beginning of the end for the world’s greatest heroes?

Damn, no matter how many times I read this comic, the tragic and powerful events of Identity Crisis still really get to me. This exceptional comic contains one of the most impressive narratives I have ever seen in a limited series, taking the reader on a captivating and emotional dive into the world of your favourite heroes. Perfectly combing a dark, mysterious narrative with incredible character work and some truly amazing artistic inclusions, this comic gets an extremely easy five-star rating from me.

For Identity Crisis, Brad Meltzer really went to the well, producing an insanely compelling and moving story that relentless drags you in and introduces you to a completely new side of your favourite heroes. Utilising his experience as a crime thriller writer, he produces a powerful, character driven superhero narrative with detailed crime fiction elements to create an exceptional and unique story. Identity Crisis has an amazing start to it, which not only carefully introduces several key figures but also installs some dark tragedy, as the wife of a superhero is killed off. The subsequent investigation into her murder by the enraged superhero community is extremely compelling and intense, as the emotional heroes turn over every rock and stone, much to the horror of the villains. However, it is soon revealed that several members of the Justice League are harbouring a devastating secret, one that could reveal the identity of the killer. This secret becomes one of the most important parts of the first half of the series, and it leads to an epic, action-packed fight sequence against a particularly dangerous foe.

The story starts to go in a bit of a different direction at this point, with the above secret not really panning out regarding the investigation. However, other superhero relatives, both public and secret, are targeted, resulting in pandemonium around the characters. I loved the narrative’s move to a more classic investigation at this point, as the heroes start following every lead they can, while more character development and big moments are explored. This all leads up to the defining moment when another superhero loses a loved one and the identity of the killer is seemingly revealed. However, this turns out to be a bluff, as the real killer is still hidden. The reveal of who did it and why are revealed pretty suddenly towards the end, with some curious and clever motivations exposed. This leads to a tragic and heartbreaking conclusion, as more secrets are revealed, dangerous lies are uncovered, and several characters leave the story more broken and destroyed than ever before. You will be thrown through the emotional wringer as you check this comic out.

I deeply enjoyed the way that Meltzer told Identity Crisis’s excellent story, especially as it quickly and effectively engrosses the reader and ensures their undivided attention. The author utilises a mass-character narrative that follows a substantial collection of heroes and villains, many of whom have distinctive or semi-separate storylines. This works to tell an intriguing, rich narrative that not only has some clever dramatic components but also allows for some intriguing and compelling retcons and expansions to the already elaborate DC universe. It is very cool how the story developed into more of a murder mystery/thriller story as the comic progressed, and this really played to Meltzer’s strengths. The investigation is handled very well, and I liked how the superhero elements altered and enhanced it in some clever ways. The mystery itself is complex and clever, with Meltzer adding in some great twists, false leads and compelling surprises to keep the reader guessing. The twist about the actual killer is pretty good, and Meltzer did a great job layering in hints and clues throughout the rest of the story while also introducing a few good alternative suspects. While the motivations and complexities surrounding the killer’s actions are great, I did think that how the protagonists worked it out was a little abrupt, and it might have been a little better if they worked it out from some earlier clues. The use of female characters wasn’t the best either, especially as most of them are there simply to be victims in one shape or another. Having a long-established character getting both raped and murdered in a comic as a plot device is pretty unfortunate, and some stronger female figures might have helped balance this out. Still, this ended up being an awesome read and I deeply enjoyed how it turned out.

One of the things that I really enjoy about Identity Crisis is the interesting examinations that were included as part of the plot. Meltzer and the artistic team obviously had a lot of fun exploring or introducing some cool aspects of the DC Universe in this series, especially when it comes to the secret or hidden lives of superheroes and supervillains. I particularly loved the in-depth examination about how both groups are officially or unofficially organised, and there are some very intriguing views of them socialising or working together. The inclusion of a highly organised superhero death investigation squad, made up of a range of random heroes (the Ray, the Atom, Animal Man, Mister Miracle and two of the Metal Men) is particularly clever, as is the way the various heroes organise into a vengeful posse to question potential suspects. The deep dive into the importance of a superhero secret identity also becomes an important part of the story, especially as the loss of the secret brings pandemonium thanks to the killer stalking them. I also loved the counterbalance look at organised villainy, and there are some excellent scenes that see the villains gathering to socialise or talk shop. Having an organising force like the Calculator, as well as a secret space station hangout, is pretty elaborate, and the deeper look at the villains of this universe, definitely gave Identity Crisis a compelling and intricate edge.

However, easily the most groundbreaking and compelling new inclusion to the universe is the reveal about the unofficial league within the Justice League who have some dark secrets. Made up of heroes Green Arrow, Black Canary, Hawkman, Zatanna and Atom, as well as the Silver Age Green Lantern and Flash, this group of heroes apparently operated separately of the main Justice League during their classic Silver Age adventures, acting as their clean-up crew. This retcon by Meltzer provides an interesting explanation for why villains never remember the secret identities of the heroes they switch minds with or whose dreams they invade, namely they have their mind erased by Zatanna’s magic after being captured by this inner-League. While this is already a dark move by these established heroes, it gets even worse when they are forced to reveal that they intentionally destroyed Dr Light’s brain to make him less of a threat. This and other revelations, acts to make many of your favourite heroes appear much more morally grey and fallible, and it was a particularly impressive and monumental inclusion, that will have grave consequences down the line for the entire universe.

Unsurprisingly for something written by Meltzer, Identity Crisis contains some insanely complex and impressive characters who form the heart of the tale. Due to the way the story is told, Identity Crisis follows a massive cast of comic characters, including several obscure or underappreciated figures. Meltzer does a brilliant job of utilising all these established characters throughout his story, with nearly every major cast member getting a moment to shine in some way or another, and multiple figures who were underutilised or unappreciated before this comic were given brilliant and defining second chances here. While the use of multiple focus characters had the potential for a scattered narrative, Meltzer was able to direct the flow of the story around all these various protagonists and antagonists perfectly, and you still get a tight and concise story, which also takes the time to dive into each of these figures and showcase them to their greatest degree. As I mentioned before, there is a real focus on highlighting the darker side of the superhero characters throughout Identity Crisis, and you end up really seeing these fantastic figures in a whole new scary light.

Let’s start with Ralph and Sue Dibny. I must admit that the very first time I ever read Identity Crisis, many years ago, I honestly had no idea who Elongated Man and his wife were, as they were a little obscure. However, Meltzer really goes out of his way to feature them in this story (even adding in a few retcons) and you are given a great introduction to them at the start. In just a few panels, you understand who these characters are and what they mean to each other and the other superheroes, as well as some unique characteristics and relationship quirks. This excellent introduction makes you start to care about them just as Meltzer brings the hammer down and kills Sue. The subsequent grief, rage and despair from Elongated Man is just heartbreaking, and you go through the rest of the comic seeing him attempt to recover from these terrible events. This amazing use of characters at the start of the comic has a great flow-on effect to the rest of the story, and you become exceedingly invested in finding the killer as a result.

From there, a lot of the superhero focus goes to the surviving members of the Justice League who formed the league within the League I mentioned above. There is some exceptional character work around some of these team members, especially as they come to terms with the decisions they made in the past and how they are impacting them now. I loved seeing them attempt to justify their actions to the other heroes, even their darkest decisions, especially as you can understand why they did what they did, while also feeling disappointed in them. You really get a sense of determination and shame from them as the story continues, and you see all of them go through a lot in both the past in the present story. Despite multiple differences, this team are still friends and comrades, and watching them come together to brawl with some of the most dangerous characters is pretty heartwarming, even if darker elements lie just beneath the surface.

While there is a focus on these inner-Leaguers, some of them are utilised a lot more frequently than others, particularly the original Green Arrow, Oliver Queen. Green Arrow is an excellent figure in this comic and is probably the closest thing to a heroic narrator/central protagonist the story has. His unique perspective on the events acts as a good foil to many of the other characters, such as Batman and Superman, and he proves to be a calm, if potentially vengeful figure for much of the story, organising many of the League actions and forensic investigations. He also proves to be the voice of reason for the inner League, calmly justifying many of their actions and serving as a bridge between this existing group and the newer Flash and Green Lantern. Despite his belief that they are doing the right thing, you can see some real emotion and regret in his face, especially when the further revelations about Dr Light and Batman come out. I also appreciated the deeper look into his antagonistic relationship with Hawkman, which partially originated in the past events mentioned here, and it is interesting to see how the events of this comic impact future Green Arrow storylines.

Aside from Green Arrow, other members of this secret League who get an intriguing focus include the Atom, Ray Palmer, and his ex-wife, Jean Loring. Due to his status as another public hero, Atom and Jean are also targeted throughout the story, and you end up getting a rather intense and fascinating look at both. Watching their failed relationship rekindle is a nicer part of most of the comic, although eventual reveals and tragedies naturally ruin it and smash everything around. Still, their complicated emotions and issues surrounding their fractured relationship make for some of the best parts of the comic. I liked the interesting look at Zatanna throughout the comic, especially as she is largely responsible for some of the worst moments of this group of heroes, as she clearly feels guilty about her magic messing with the villain’s minds. I also need to highlight the younger Flash, Wally West, who finds out about the actions of the other characters during the current events of the comic. It is absolutely heartbreaking to see Wally learn that his mentor and predecessor, Barry Allen, was not as perfect as he imagined, and actually participated in some of the team’s worst events. The distress he exhibits with every subsequent reveal is showcased through the comic’s art extremely well, and his subsequent guilt as he is forced to keep it secret from other Leaguers like Batman is quite noticeable.

As you can expect from any major DC Comics crossover event, members of DC’s Big Three are strongly featured throughout Identity Crisis. While Wonder Woman only has a few intriguing scenes, in which you get to see both her ferocity and her kindness, there is much more of a focus on Superman and Batman. Superman gets some great sequences throughout Identity Crisis, especially as the creative team sinisterly focus on his family and friends, all of whom are potential targets. Watching Superman slowly get frustrated with the investigation, especially when Lois is threatened, helps to enhance the seriousness of the story, and he has some powerful moments here. I did appreciate the way in which Meltzer attempted to paint the big blue Boy Scout in a darker light, as it is revealed that even the supposedly righteous Superman is not as innocent as you’d believe. It is subtly implied that Superman always knew what the inner League was up to (yay for super hearing), and chose to ignore it for convenience. This brilliant and dark suggestion that even Superman isn’t infallible is a pretty weighty one that helps to enhance the weight and power of Identity Crisis’s narrative.

Batman is a lot more involved in the story and leads his own investigation into who is behind the killing. Even though he does not actually appear until halfway through the comic, he is a heavy presence throughout Identity Crisis, both because of his brusque, loner ways of trying to solve the crime, but because of the dark shadows of the past. There are multiple moments that revisit his childhood and the death of his parents, which parallels some of the other losses in Identity Crisis, and you get to see the human side of grief impacting this usually stoic character. Batman’s storyline gets even more intense when it is revealed that part of his memory was erased by his fellow Leaguers to cover up their actions surrounding Dr Light, which is a very haunting inclusion. Meltzer makes this even more intriguing by having Green Arrow suggest, mostly out of guilt, that Batman likely has done something similar in the past, while also acknowledging that he has likely already deduced that his memories were erased. This really makes you consider Batman’s relationship with the rest of his heroes, and it certainly has a big impact on future Batman storylines.

The Batman impact on this story is also felt through the great focus on the current Robin, Tim Drake, who plays a surprisingly big role in the events of Identity Crisis. At the start of the comic, Tim is one of the few members of the Bat-family who still has a father, which puts him at odds with Batman and the Robin predecessors. As his father has only just discovered his dual identity as Robin, he becomes one of the more interesting protagonists, as the comic explores the stress of the superhero lifestyle on family. Tim’s storyline ends up being extremely tragic when his father is murdered. Watching Robin talk to his father over the phone as he’s about to die is just damn horrific, and your heart can’t help but break during that epically drawn-out scene where he and Batman arrive too late. The subsequent parallel between him, Bruce Wayne and previous Robin Dick Grayson during this moment is particularly poignant, and it results in a whole new chapter of this amazing incarnation of Robin.

While there are a few other interestingly featured heroes in Identity Crisis, I’m going to start talking about the villains, as many of them have a brilliant role in this comic. Thanks to Meltzer’s fantastic writing, Identity Crisis proves to be just as much about the villains as the heroes, as many of them are deeply impacted by the events disclosed here. While I won’t reveal the identity of the killer here (I’m keeping some spoilers locked up), I will say that their motivations are pretty fascinating and provide a compelling insight into the super lifestyle. The rest of the villains in Identity Crisis are fair game for discussion, though, and I deeply loved the creative team’s excellent examination of them.

Easily the villain I need to talk about the most is Dr Light, an old school Justice League villain who had not been really utilised in recent years. Mostly known before this comic as the Teen Titans’ punching bag, Meltzer completely revitalised the character in Identity Crisis and, with a stroke, turned him onto one of the most deranged and dangerous figures in the entire universe. It is revealed throughout the comic that Dr Light used to be an extremely powerful villain, but after invading an empty Watch Tower and raping Sue Dibny, the League brutally took him down, erased his memory of the event and then magically lobotomised him. This resulted in him becoming the moronic and weakened villain who was routinely taken down by the teenage heroes and other embarrassing foes. This entire reveal is pretty damn epic and horrifying at the same time. Not only does Dr Light seem excessively evil and deranged in the flashback scenes, but the shocking revelations of his actions immediately make you hate him. Meltzer’s explanation for why he turned into such as pathetic creature (aside from the real reason of capricious authors) really hits home hard, and even though Dr Light is a terrible person, you can’t believe that members of the Justice League went so far. The subsequent scenes where Dr Light regains his memories and his powers feature some of the best artwork in the comic, and while he doesn’t do much here, the scenes with him brooding and plotting hit at his returned and future malevolence. I deeply appreciated how much Meltzer was able to morph this villain, and while the reliance on rape for antagonist purposes is a bit low, he succeeded in making him a very hateful and despicable figure.

Aside from the killer and Dr Light, several other villains hold interesting and significant roles in Identity Crisis, and I deeply enjoyed how they were portrayed. This includes Green Arrow villain Meryln, who serves as an interesting shadow to Oliver Queen throughout the comic (more so than usual). While Green Arrow provides the superhero community’s viewpoint on events, Merlyn’s narration examines the supervillain community and their various reactions. I loved his fun insights into his fellow villains, and he ends up being an interesting inclusion to the cast. The same can be said for the Calculator, a formerly silly figure who has turned himself into a non-costumed villain who acts as an anti-Oracle, providing the villain community with tech support and intelligence by charging them $1,000 per question. I loved this interesting revamp of this minor character, especially as this suave, behind-the-scenes information broker became his default look for years. Calculator’s conversations and business dealings offer some compelling insights into the superhero community, and I loved the occasional jokes about his old costume. Meltzer also makes exceptional use of one of my favourite villains, Deathstroke, who once again shows why he is the DC universe’s ultimate badass. Hired by Dr Light to protect himself from the League, Deathstroke takes on an entire team of heroes single handily and essentially spanks them. I love how the creative team not only showcase his insane physical abilities, but also his tactical knowhow, as he expertly takes down major heroes in brilliant ways (he takes down the Atom and Hawkman with a laser pointer, true story). His scene in the centre of the comic is the best action sequence in Identity Crisis, and it perfectly showcased this awesome villain (seriously, give this man a movie), while also hinting at some future grudges.

The final character I want to talk about is the lecherous and always entertaining Captain Boomerang, who has a major role in the plot. I absolutely loved the exceptional story that Meltzer wrote around this infamous villain, and it is easily one of his most defining depictions. Captain Boomerang has always been shown as a bit of a joke, but this comic shows him as a fat, washed up has-been, who leaches off his fellow villains and is generally looked down upon by them. However, he gets a very intense and emotional story in this comic, as he meets his long-lost son and starts to develop a relationship with him. The father/son moments add a rather interesting and nice edge to the main story and seem slightly disconnected from the rest of the plot. That is until the final killing, when it is revealed that Captain Boomerang has arrived to kill Robin’s father. The implied suggestion that Captain Boomerang of all people might be behind the killings is pretty iconic, and I loved the split panels that contrast his phone call to his son with the phone conversation between Robin and his father. The subsequent results of the attack, as well as the reveals in the aftermath are pretty awesome, and I really appreciated the fun second chance that Meltzer and the artistic team gave to this iconic, old-school villain.

While I have gone a lot about story elements and characters, I also really need to highlight the incredible artwork featured in Identity Crisis. The artistic team of Rags Morales and Michael Bair did an outstanding job in this limited series, producing some of the absolute best artwork from this era of DC Comics which perfectly enhances Meltzer’s epic storytelling. There are so many impressive and memorable artistic moments and sequences throughout Identity Crisis, and I loved the various ways in which the artists convey movement, action, and emotion in their detailed and captivating panels. There are so many brilliant action sequences in this comic, with my favourite being the Deathstroke vs Justice League fight I mentioned above, although a few others are also very cool to see. I also loved the character designs featured throughout Identity Crisis, especially as the creative team took the opportunity to seriously reinvent several heroes and villains. The streamlined look of the Calculator is particularly fun, and I also loved the balding and fat version of Captain Boomerang. While I didn’t love how a couple of characters looked (what was with the hair on Connor Hawke?), most of it was pretty exceptional, and I love how it was later reutilised by other artists.

There are multiple truly brilliant and eye-catching artistic highlights of Identity Crisis that I must highlight, including the massive and powerful funeral sequence that takes place in the early part of the series. There is an incredibly elaborate double-page public funeral spread that shows every single emotional superhero in attendance, with the various heroes organised by team or connection to the grieving family. The use of the multiple heroes and associates is pretty awesome, especially as there are a range of character-appropriate reactions, and I loved seeing the whole costume crowd surrounded by members of the press and public as they mourn. You also get also some excellent and heartfelt sequences in the subsequent scenes which show the eulogies, especially when Elongated Man starts to literally deteriorate due to his grief, which is just so powerful. Other great examples of the artist’s work include the fun flashback scenes that allowed them to draw events in various classic comic styles, that offer a little bit of simplicity compared to the darker modern spread.

I particularly loved some of the brilliant sequences that are set around Dr Light, as not only do you see him at his most dangerous in the past but you also have some outstanding scenes when he regains his memories and powers. The excellent parallels between the Justice League’s takedown of Dr Light and their attack on Deathstroke are incredible, and the subsequent massive panel of blinding light around Dr Light’s face is perfection. However, the absolute best-drawn sequence in Identity Crisis must be the panels leading up to the death of Robin’s father. Watching the insane amount of emotion on Batman and Robin as they realise that Robin’s father is about to die is so damn moving, especially the anguish on Robin. The most moving of these panels is the one that focuses on Batman’s face after Robin begs his mentor to save his father. The look of pure dread, fear and despair on Batman’s face takes my breath away every single time I look at it, and it perfectly conveys all of Batman’s repressed feelings as he realises that history is once again going to repeat itself. While there are some other great scenes, the above are easily the cream of the artistic crop and definitely make this comic stand out. I have so much love for the artistic work of Morales and Bair here, and it markedly enhances the already exceptional story, turning Identity Crisis into a true epic classic.

Well, that’s pretty much everything I have to say about Identity Crisis here. As you can no doubt guess from the excessive way I have waffled on, I have a lot of love for this exceptional comic and I’m not afraid to show it. The brilliant creative team behind Identity Crisis did an incredible job with this comic and they really turned out something special. Perfectly bringing together a deep and clever story with impressive artwork, amazing characters, and so much damn emotion, this comic has something for everyone and is so very highly recommended. I deeply enjoy everything about Identity Crisis, especially how it leads to some other epic comic books (the continuation of the mindwipe stuff in Justice League of America, Green Arrow, Teen Titans and more is particularly good). One of the most distinctive and amazing comics ever and a must read for all DC Comics fans.

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Throwback Thursday – X-Factor: Volume 1: The Longest Night

On February 18, 2022August 23, 2022 By The Unseen LibraryIn Comics/Manga, Five-Star Books, Superhero, Throwback ThursdayLeave a comment

Publisher: Marvel Comics (Paperback – 7 March 2007)

Series: X-Factor (Vol. 3) – Volume One

Writer: Peter David

Pencils: Ryan Sook & Dennis Calero

Inks: Wade Von Grawbadger & Dennis Calero

Colour Art: Jose Villarrubia

Letters: Cory Petit

Length: 144 pages

My Rating: 5 out of 5 stars

Amazon

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For this Throwback Thursday I look at the start of one of the best comic series I have ever had the pleasure of reading, with The Longest Night, the first volume in Peter David’s impressive and incredible X-Factor series.

There are many awesome comic series that I have a great appreciation for, but to my mind one of the most entertaining, clever and captivating series I have ever had the pleasure of reading has to be the third major version of the X-Factor title that ran between 2005 and 2013. This series span off the limited series, Madrox: Multiple Choice, with its entire run written by Peter David, with a rotating team of talented artists. Also known as X-Factor (Vol.3) or X-Factor Investigations, this long-running series focused on a team of mutants who formed a detective agency after the events of House of M. Calling themselves X-Factor Investigations and led by Jamie Madrox, the Multiple Man, this series followed the team as they investigated mutant related crimes, protected the area of New York formerly known as Mutant Town, and did general superheroics, often for a fee. Despite its odd-sounding plot, this was an incredibly good series, and it is one of my all-time favourite comic series. I have recently done a bit of a re-read of this series and thought that it would be a good time to talk about it on my blog, starting with this first volume, The Longest Night.

X-Factor is back, and this time they are in business for themselves as X-Factor Investigations, the weirdest and only mutant run private investigative agency in New York. Led by Jamie Madrox (the Multiple Man), made up of the ragtag group of heroes including, Strong Guy, Wolfsbane, Siryn, Rictor and Monet, X-Factor investigates the cases no-one else will, especially if it helps current and former mutants. However, X-Factor are about to find themselves investigating the most sinister case of their brief tenure, when a new client walks in the door, accompanied by the mysterious Layla Miller. Following the breadcrumbs given to them by Layla, X-Factor begins looking into the rival organisation, Singularity Investigations, who have dire plans for the future of all mutant kind. At the same time, X-Factor finds itself in the middle of the deteriorating conditions in Mutant Town, as they start their own investigation into what really depowered most of the mutant species.

As their investigations continue, X-Factor find themselves encountering crazy events and dire obstacles from all sides. Forced to protect their client from being arrested for murder, as well as the deadly attentions of Singularity Investigations, X-Factor struggles to solve the case before it is too late. However, their actions have awoken a dangerous enemy whose knowledge of time could prove disastrous. Can X-Factor succeed and become the team the world needs, and what role will Layla Miller play in their future, especially as she actively attempts to hide the events of House of M and Decimation from her new friends?

The Longest Night is a brilliant and intense comic volume that serves as the perfect introduction to this outstanding X-Factor series. Containing issues #1-6 of X-Factor (Vol. 3), The Longest Night contains an incredible and epic story by Peter David that expertly introduces the new team and sets up many of their future adventures, perfectly accompanied by the excellent art of Ryan Sook and Dennis Calero. This incredible comic will really start your fall towards X-Factor obsession.

To start this amazing series off, David has come up with an impressive narrative that not only introduces the team but also contains several clever mysteries and dangerous threats. The Longest Night starts off in a very interesting way, with Madrox attempting to save the life of a suicidal Rictor, while other members of the team find themselves under attack from sinister forces. The story quickly develops, with new player Layla Miller directing X-Factor Investigations towards the mysterious Singularity Investigations, while also implementing her own mysterious agenda. This sets the X-Factor team down a dark path as they contend with the corrupt and deadly Singularity employees as well as other malicious threats that pop up. I deeply enjoyed the main storyline, especially as the protagonists are forced to intervene in a murder case to prove that their client is innocent, despite dangerous interference from their competitors. This leads to some dark consequences, as one of the team is attacked and then kidnapped in scenes that strongly remind you of a dark thriller. The new villains of this early part of the series, Singularity Investigations and their management team the Tryps, prove to be pretty sinister, and I liked some of the unique storylines that are started up around them. There are also some impressive and clever sequences that explore the aftermath of the Decimation, as well as the current mental states of the various team members, which is extremely powerful and deeply moving.

I loved the cool style that this comic had, especially as the creative team were trying to give it a classic noir detective vibe at times. While some of the best themes from the X-Men comics are featured within this volume, such as prejudice, dual self-hatred and love of mutant abilities, and the fallout from the House of M limited series, this comic really stands on its own, and I loved the combination of mutant issues and crime fiction. There is a certain dark edge to many of the storylines, with the character dealing with brutal murders and attempted killings. While much of the focus is on the darker and more mature vibes, this comic also has a wicked sense of humour behind it which I deeply enjoyed. All the characters are pretty fun, and there are some dark and clever jokes sprinkled throughout the story, especially when it comes to group clown Madrox and resident mystery girl Layla Miller. This combination of superheroics, dark humour and crime fiction makes for quite an impressive read, and I always find myself getting really drawn into it. Due to how many times I have read this series of the years I also really respect The Longest Night as a first entry in the overall X-Factor (Vol.3) series. While all the best elements haven’t been introduced yet, this comic is still off to a brilliant start, and I loved all the hints and brief mentions of the events yet to come. Multiple storylines are perfectly set up here, and there are some great references to upcoming events and some key moments from recent comics. This proves to be an exciting and impressive first entry in this series, and I love how it spawns so many awesome moments in the future.

One of the things that has always impressed me about this version of X-Factor is the excellent cast of characters featured. The team is an intriguing combination of some of the more unique and enjoyable characters from the various X-Men comics. The initial line-up featured in The Longest Night is a great example of this, as David has featured several previous X-Factor members alongside some interesting new choices. There is a real mismatched feel to the characters, as not only are they angry and discontent, but there is some thinly veiled antagonism going on between them, despite them all being on the same team. On top of that, they end up being some of the most damaged and complex figures you can expect to find in Marvel comics, as they are all dealing with unique personal issues. This results in some major personality clashes and great internal struggles that really enhances the drama of the narrative and results in some brilliant storytelling.

The main character of this series is team leader Jamie Madrox, the Multiple Man. Jamie is a very interesting figure in this series, due to the many divergent and tragic issues that result from his ability to create duplicates of himself. Attempting to be a grounded and calm figure for the team, Jamie often finds himself undermined, not only by his time but also by his own dupes, which proves to be both entertaining and occasionally emotionally powerful. A lot of these great elements are explored in The Longest Night, and you get a great sense of who the character is and his complex feelings, even if you haven’t read the lead-in limited series, Madrox: Multiple Choice. Jamie cuts a great figure as a noir-inspired private detective leading a team of misfits, but in reality, he is scared and emotionally drained, even before the series starts. Jamie ends up spending most of this comic battling his own inner demons and indecision, while also having difficulty controlling his team. While in many ways Jamie is a tragic figure, he also serves as one of the main comic reliefs, and his smart-assed comments and dark jokes add a lot to the narrative, while barely hiding his struggles within. I really liked how this comic spent significant time exploring Jamie’s power to create duplicates, as well as the many problems associated with it. What makes this power very unique is the way that each of his dupes has their own personality, most of which are a manifestation of his own fears, internal struggles, inner dark side and more. While this is often played for comedic effect, especially as his crazier dupes say some very random stuff, certain dupes show off a real mean side, such as one who pretends to be Zen, but is actually Jamie’s unpredictable side, his “X-Factor”. This was an overall incredibly impressive introduction to Madrox, and it serves as a brilliant base to his various follow-on storylines that are such an impressive feature of the rest of this series.

Aside from Madrox, the team is made up of former X-Factor members Julio Richter (Rictor), Guido Carosella (Strong Guy) and Rahne Sinclair (Wolfsbane), as well as X-Factor newcomers Theresa Cassidy (Siryn, daughter of Banshee) and Monet St. Croix (M from the Generation X comic). I really liked this great blend of figures as it produces some awesome and entertaining team dynamics, such as having the arrogant party girl, Monet, getting into various disputes with the other characters. All five of these characters have some interesting moments in this volume, such as Strong Guy and Wolfsbane’s interference against an anti-mutant riot, or Monet’s brief emotional breakdown after telepathically experiencing the murder of a young woman. However, I the best moments of this volume probably occurred with Siryn and Rictor. Siryn, who serves as a bit of a second-in-command, has several key storylines around her, and she ends up being the one most obsessed with the actions of Singularity Investigations. The subsequent brutal attack and creepy hostage situation she suffers from is pretty horrifying, and the resultant mental and physical damage makes for some harrowing moments. Rictor also has a great storyline in this series, as he is the only character on the team who lost their powers in the Decimation. This leads him to some serious depression, especially as the first scene in the comic involves his attempted suicide, which is only just stopped by the rest of the team. The author’s compelling and thought-provoking dive into Rictor’s feelings of loss and uncertainty is pretty heartbreaking, and I loved this complex look at the terrible impacts of the Decimation. Despite his lack of powers, Rictor still serves as a great member of the team, and his involvement in saving Siryn from a terrible situation is extremely cool and very intense.

However, my favourite member of this new version of X-Factor had to be the young and mysterious Layla Miller. Layla was first introduced as a unique character in House of M, as she could remember the real world and bring the memories back to the various heroes. She reappears in this volume right in the first issue, walking into office, providing information and declaring herself a member of the team. Despite the confusion of the other people on X-Factor and the fact that she’s a child, Miller manages to stick around on the team, mainly due to her uncanny insights into the future. This results in some brilliant and hilarious moments, especially as she can manipulate everyone around her and change events to match what she wants. Her sarcastic manner and funny reactions really help to enhance the humour of this entire comic, and I loved seeing her change future events in the most amusing ways. The cloak of mystery and uncertainty that David brilliantly builds up around her is very impressive, and you have no idea the real reason why she is there or what she can do, with her only explanation to that being her favourite saying: “I’m Layla Miller, I know stuff.” Despite this secrecy, the reader ends up getting some interesting reveals about her, such as her past in the orphanage, her secret mission to stop X-Factor finding out about House of M, and her tragic self-description as the Chaos Theory butterfly, which are pretty cool, even if they result in more questions than answers. I really loved how dark the creative team made her at times, especially in that brilliant scene where she kills a Singularity Investigations assassin by simply taking screws out of a bath. Her confession about her motivations to the assassin just before he gets killed is pretty heartbreaking as you can sense she’s revealing a deep secret that is eating her up. The subsequent conversation as the assassin lies dying is just so damn dark that I love it, especially as she follows up the dying man’s question about who she is with another grim “I’m Layla Miller, I know stuff.” Throw in that final scene where Rictor confronts Layla about her manipulations, only to completely miss her bringing a dead butterfly back to life, and you have such an impressive sequence of character moments. I have so much love for this brilliant character, and while the rest of the team is good, Layla Miller is the real X-Factor of this series.

The cool story and awesome characters are very well supported by the incredible artistic work of Ryan Sook, Dennis Calero and their team. These great artists give The Longest Night a darker feel that fits into the noir-inspired narrative extremely well. There are brilliant examples of shading and shadow throughout the comic, and you get a real sense of the dingy nature of the story and the depressed location of Mutant Town. I deeply enjoyed the cool character designs featured throughout The Longest Night, especially as there is an interesting combination of new styles and classic looks from other X-Men comics. You get a real sense of the dark emotions hiding within many of the different characters, especially around the various duplicates of Madrox, who run the gauntlet from depressed, to scared, to utterly insane. However, I felt that the best artwork was utilised around Layla Miller, and perfectly helped to capture her true nature. I particularly loved that brilliant scene where she killed the assassin in X-Factor headquarters, especially the final few panels. Due to her machinations the power is out, resulting in her lighting the scene of the dying man with a torch. The first appearance with her face completely black is just so fitting, especially given her death proclamation to the killer in the panel: ‘Your heart’ll give out in about five seconds. Your mother will mourn you … but your wife won’t”. The following two panels with her face in the light highlights her dark expression, followed by a perfectly set up final black panel that could either represent her turning the torch off or the death of the assassin. I also loved all the panels focused on Layla in issue #6, especially it shows her at her most emotionally compromised as she tries to describe her various issues. Throw in the reoccurring butterfly that is both dead and alive, and you have an excellent bit of art that emphasises just how complex this figure is. The villains of this comic are also perfectly shown in this cool artwork, and I was especially impressed with how sinister and disturbed they made the crazy kidnapper in fifth issue. I deeply enjoyed this and so many other aspects of the art in the volume, and I think it perfectly emphasised the darker nature of this incredibly cool comic.

Overall, The Longest Night was an incredible comic that I would strongly recommend. The awesome team of Peter David, Ryan Sock, Dennis Calero and the other artists did a fantastic job combining exquisite storytelling with outstanding characters, darker themes and wonderful artwork. Not only does it stand on its own as an excellent read, but it also works to introduce this superb run of X-Factor and its crime-fiction related storylines. I have so much love for this series, and I will always appreciate the way in which The Longest Night sets everything up, especially its brilliant characters. This first volume (and indeed every volume in this series) gets a full five-star rating from me and it comes very highly recommend to anyone wanting to find a unique and powerful comic series to get into.

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Throwback Thursday – The Death of Superman

On August 27, 2021 By The Unseen LibraryIn Animation, Comics/Manga, Extended Universe, Five-Star Books, Superhero, Throwback ThursdayLeave a comment

Studio: Warner Bros. Animation and DC Entertainment

Series: DC Universe Animated Original Movies – Film 32 / DC Animated Movie Universe – Film 11

Directors: Sam Liu and Jake Castorena

Writer: Peter J. Tomasi

Producers: Sam Liu and Amy McKenna

Length: 81 Minutes

My Rating: 5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review content I have enjoyed before or review older books I have only just had a chance to read. This week, after the fun I’ve had recently reviewing Batman: Assault on Arkham and Batman: Under the Red Hood, I continue to check out some awesome DC comic book animated features, with the impressive and powerful The Death of Superman.

Easily one of the most iconic comic book arcs of all time is the 1992/1993 storyline, The Death of Superman, which (spoiler alert) saw Superman die at the hands of new villain Doomsday. Not only did the act of actually killing off Superman shock the world but the series was a massive financial success, becoming one of the bestselling comics of all time. Due to its popularity, DC have attempted to adapt the storyline multiple times, with Smallville, the animated Justice League show, and Batman v Superman: Dawn of Justice, all using elements of it in one form or another. There has even been another direct animated attempt at recreating the storyline, with the 2007 release, Superman: Doomsday, the very first film of the DC Universe Animated Original Movies. However, in my opinion, none of them successfully conveyed the tone or the fantastic story as well as the 2018 animated film, The Death of Superman.

Directed by Sam Liu and Jake Castorena and written by Peter J. Tomasi, The Death of Superman is an incredible and amazing film that really gets to grips with the original comic, while also adding in some unique details to create a memorable and deeply moving experience. As the 32nd instalment in the DC Universe Animated Original Movies, it also sat in the joint DC Animated Movie Universe, and was a major instalment in this series, setting up several storylines that would later be utilised in later entries, such as the final film, Justice League Dark: Apokolips War. Featuring an awesome story, a fantastic voice cast and some exceptional animation, The Death of Superman is easily one of the best films in the entire DC Animated Movie Universe and is one of my all-time favourite animated comic book adaptions.

After saving the world multiple times, both by himself and with the Justice League, Superman reigns as one of the planet’s most popular superheros, inspiring the world with his spirit and determination to do good. His latest act of heroics saved the mayor of Metropolis from the notorious Intergang, who made use of a large arsenal of advanced weaponry, likely supplied by an apparently incarcerated Lex Luthor. However, despite his larger-than-life personality, Superman is also Clark Kent, a down-to-earth man from small-town America, trying to make his new relationship with fellow reporter Lois Lane work. As Clark finally opens himself up to Lois and reveals his biggest secret to her, a brand-new threat arrives on Earth, bringing with it only death and destruction.

A mysterious meteorite has rapidly entered the solar system and crashed down on Earth, landing in the ocean. When a team sent by Luthor and a group of Atlantean soldiers arrive, they find that the meteorite was a containment pod, and inside is something monstrous. Killing everyone it encounters, the beast escapes the ocean and makes landfall, heading towards the largest population centre it can find, Metropolis. With no-one able to slow it down, and even the Justice League powerless against it, it falls to Superman to engage it as Earth’s last standing defender.

Engaging in battle in the heart of Metropolis, Superman and the monster, Doomsday, begin a bloody battle that tears through the streets and levels buildings. Superman may by the strongest person on the planet, but his new foe is a deranged and unstoppable killing machine, concerned with only death, destruction, and dominance. Can Superman once again prevail and defeat his foe or has the Man of Steel finally met his match. Whatever, happens, the world with never be the same again, and everyone who Superman has inspired may suddenly have to deal with the death of their greatest champion.

I must admit that when I first saw that they were doing yet another adaption of The Death of Superman comic, I was a little ambivalent, as I have not been too impressed by some of the other versions out there. However, I still grabbed a copy as soon as it came out, and I was frankly blown away by how good it was. This film has everything you could want in a brilliant animated feature, including an exceptional story and some amazing actors, but what this film has in abundance is heart. Throughout its run time, you swiftly become attached to the great characters contained within, especially Superman and Lois, and then you are forced to watch as they suffer the most tragic moment of their lives. This results in an extremely moving and powerful film, which became an instant classic in my book, and it is one that I have no problem awarding a full five-star rating.

When writing this film, Peter J. Tomasi had to do a lot with a limited amount of time. Not only did he have to produce a pretty accurate adaption of the original Death of Superman comic, but he also had to work it into the wider DC Animated Movie Universe, which had already had its own unique history. He easily succeeded on both fronts, as The Death of Superman contains an excellent and powerful story, that I have an extremely hard time faulting in any way whatsoever. The story starts off with a shot of Superman saving the city and painting a pretty rosy picture of himself as Metropolis’s favourite son and defender. After the title card, which contains the grim name of the film, the movie works to quickly introduce all the key characters, relationships, and settings, most of which had only been briefly touched on in the preceding DC Animated Movie Universe films. This makes for a rather light-hearted start to the film; however, it also works to get you to know the characters and other key aspects of the Superman mythos and backstory, and all the setup is essential for you to get the full emotional and dramatic reactions during the second half of the film. I also liked the way in which the film is tied into the other films of the universe, mostly using the Justice League, especially Batman and Wonder Woman, and it was great to see more of that version of the League. All of this serves as a great set-up for the intense and action-packed second act, which is where all the action and mayhem begins.

About halfway through, the film really picks up the action with the Justice League, sans Superman, engaging Doomsday in a small town. The action here is fast and furious, as the various members of the League get their best shots in and are then taken down in some quite brutal ways. While this is happening, Clark is on a date with a frustrated Lois, where he finally reveals to her that his is Superman. This date scene is done really well, and Lois’s reaction to the revelations runs the full range of emotions, especially once Superman, forced to leave to confront the threat reveals his other secret: that he loves her. This is a great scene, and it is one that helps solidify the relationship and emotional bond between Superman and Lois while also making the viewer care for the characters just a little bit more. However, the focus is quickly changed back to the fight with Doomsday, who has managed to take out the entire League, with only Wonder Woman hanging in. As she falls, Superman steps in and begins a massive and brutal fight throughout Metropolis. The creative team behind The Death of Superman really do not hold back here, as they present a knockdown brawl between the two, with Superman forced to also try and save civilians as they fight. Their battle is a truly intense and amazing extended sequence, and there are some outstanding scenes featured throughout it. You get some great reaction shots from the various supporting characters, and Lois and Lex Luthor have some outstanding moments as well, as they get involved for various reasons. However, despite everything, it soon becomes clear just how indestructible and dangerous Doomsday is, and how even Superman doesn’t stand a chance.

The entire film leads up to the final climatic sequence, where the inevitable finally happens and Superman dies taking down Doomsday. This entire scene is done perfectly, with a near-defeated Superman spurred on to make one final effort against Doomsday as the monster advances towards a seemingly hopeless Lois, who reveals to a downed Clark that she loves him too. The blow itself is beautifully rendered with a powerful and lethal shot to Doomsday, but it is the aftermath that really turns this film into a five-star watch, as Superman is fatally impaled on a spike. Watching a grieving Lois slowly release that the love of her life is dying in her arms is so hard to watch, and the creative team really turn up waterworks with Superman giving some touching last words: “what a lucky man I was”. The eventual death is extremely moving, with the entire world witnessing his death and Lois’s grief, while standing in absolute shock. Even the Justice League is moved to tears, with the usually taciturn Batman’s reaction being the most telling. This entire sequence is deeply enhanced by a brilliant orchestral score that really plays up the emotion of the scene and strikes home every time you hear it. This is such a powerful and impactful sequence, and it is swiftly followed by a moving funeral, with all the major characters in attendance, and then a final shot of several characters reacting in a post-funeral grief while Superman superfan Bibbo Bibbowski narrates a fitting final prayer for the character. This entire sequence leaves me breathless, even after several re-watches, and it easily one of the most moving animated sequences I have watched. The film then does a decent wrap-up, with several concluding sequences and post-credit scenes setting up the events of the sequel film. However, it is the moving conclusion that will stick with you well past the films end, as it really brought everything about this movie together.

While I would be plenty happy with this film with only the outstanding story and amazing conclusion, The Death of Superman is also backed up with some incredible animation and a fantastic musical score which deeply enhance this fantastic film. The animation is really great, and I loved the designs for the various characters, most of which hark back to their original comic book appearances. The most impressive animation is reserved for the excellent and impactful action sequences involving Doomsday. The animators show no hesitation in showing the blood and gore as Doomsday literally tears through everything in his way. The initial fight with the Justice League is brilliant, especially as Doomsday brutally counters all their unique abilities and absolutely destroys them. However, it is the giant fight with Superman which is the true highlight of The Death of Superman. This fight is pretty extraordinary, and the animators really highlight the desperation and inspiration of the two participants. Each of them is well and truly battered, and it is really shocking to see all the damage that Superman takes throughout the fight. There is also some very dramatic damage to the city of Metropolis, with even the Hall of Justice being turned to a pile of rumble as these two duke it out. I cannot emphasise how awesome this animation is, and it was so cool to see these battles unfold.

I also really need to highlight the fantastic use of music throughout this film, which works well in concert with the animated sequences. The Death of Superman features an exceptional orchestral score, with the various tunes often harking back to classic Superman music. This music is used perfectly throughout the various scenes in this film and help to really enhance the drama or emotion of the scene. There are some great scenes with music throughout the film, although nothing tops the fantastic climatic sequence I mentioned above. This animation and music are so very awesome, and it was an absolute joy to behold.

This film contains a pretty cool range of different characters, including iconic heroes, major Superman supporting characters and even a few more obscure characters. This helps to turn The Death of Superman into quite a unique and fun film, and I really loved the range of reactions and character arcs that it contained.

Unsurprisingly, the most highlighted character in the film is Superman, who is voiced by Jerry O’Connell, who voiced the character in most of the DC Animated Movie Universe entries. Up until this point, I felt that Superman was a bit underutilised. Most of the previous films have focused on Superman’s relationship with Wonder Woman, while also featuring him as the League’s powerhouse. However, this is easily Superman’s film, as the writers take substantial time to examine his history, relationships, inner personality and the duality between Superman and his Clark Kent persona. You really get some intense insights into both versions of the same person, especially when you see his evolving relationship with Lois, and you swiftly grow to care for him in a way that some of the recent live-action films really didn’t make you. His character really shines through during the battle with Doomsday, as he refuses to stay down, especially when people’s lives are on the line, and even risks himself to save his most hated enemy. His sheer determination and intensity is really inspirational, and it starts to hurt a little inside to see him get beaten down by his opponent. I felt that O’Connell does such a great job portraying Superman, and he really brings out the best of the character, showing his true heart and soul, and making him such a likeable character, who, despite his alien heritage, was still so very human. I was really impressed and shocked by how much I grew to love Superman by the end of this film, which of course, ensures that you are so moved by the final scenes. Seeing this character die in Lois’s arms in front of the world is just heartbreaking, and you guaranteed to be moved by his portrayal in this film.

While there is a natural focus on Superman, in many ways The Death of Superman is just as much a film about Lois Lane. Voiced by the talented Rebecca Romijn, this version of Lois is bold and fearless in her career but also a little guarded in her personal life, especially as she senses that Clark is hiding something from her. This film really builds up Lois extremely well in its short run-time, and you get a great sense of who she is and what she cares about. I felt that the character had some amazing chemistry with Clark, which really isn’t surprising as Romijn is married to O’Connell in real life, so I’m sure they channelled a lot of that film. I really was impressed by the way they showed Lois’s growing relationship with Clark as the film progresses, and the revelation about Superman’s true identity at the centre of the film really helps to solidify it, especially once Clark declares his love for her. The subsequent battle sees Lois go through hell, as she chases the fight throughout Metropolis and has to watch Superman continuously get beaten up. The scene where she tries to distract Doomsday and then gives up as he turns towards her is so dramatic, especially as she follows it up with her own declaration of love for Clark. The final grief laden scene with Superman really moves me every time, and I felt that the sheer emotion coming off Lois was just amazing. This might be one of my all-time favourite portrayals of Lois Lane, especially as Romijn does some exceptional follow ups in later DC Animated Movie Universe films.

The other major character I really want to highlight is Lex Luthor, who was voiced by the always entertaining Rainn Wilson. Like Superman, Lex had been really underutilised in the DC Animated Movie Universe; his reveal in the Throne of Atlantis post-credit scene really did not pan out in a meaningful way in Justice League vs. Teen Titans. However, this dramatically changed in The Death of Superman as they go out of their way to build up the showcase and show him as the maniacal yet brilliant businessman and criminal mastermind. The creative team did a lot with Luthor in a short amount of time, and you get a really good idea of his genius, his various plans, and his unrelenting antagonism with Superman, born out of jealousy. He proves to be a good secondary antagonist for the film, eventually turning into an erstwhile ally, abet for his own purposes, and he has some great scenes. I was particularly impressed by Rainn Wilson’s voice work in this film, as he brings all the arrogance he can to the film, while also giving character a bit of a slimy edge. I think he really captured Luthor’s various nuances, and ensures you see him lose his cool when faced with defeat. I really liked the scene where Luthor can only watch in horror as Superman, despite being beat to hell, saves his life, and that results in some interesting changes in the later films. I also liked how they captured a bunch of fun aspects of Luthor’s character from the 1990 comics, such as a nod to the Lex Luthor II persona that appeared in The Death of Superman comic.

I also need to highlight the main antagonist, Doomsday. Despite not saying anything, Doomsday is a major presence, mainly due to his brutality and capability for destruction. Doomsday is perfectly introduced and I loved the slow reveal of his true form, as the suit containing him is destroyed after several fights. I must again really highlight how cool he looks in a fight, and the battles between the Justice League, Wonder Woman and Superman are just so damn impressive and pretty intense. This was a really good portrayal of the character that perfectly harkens back to its comic origins, and it was a nice palate-cleanser after his cave-troll look in Batman v Superman: Dawn of Justice.

The Death of Superman also contains a pretty substantial supporting cast of characters, each of whom add a fair bit to the overarching narrative of the film. Some of the most prominent of these are the various members of the Justice League, with most of the actors from the earlier DC Animated Movie Universe films reprising their roles. Each of these characters and their actors have been perfectly introduced in the previous films, so they are inserted into The Death of Superman with minimal effort and form a fantastic cohort around Superman. The leading two characters are probably Batman, voiced by Jason O’Mara, and Wonder Woman, voiced by Rosario Dawson. Both characters have unique relationships with Superman, particularly Wonder Woman, and his death really impacts them both. I also liked the combination of Green Lantern (Nathan Fillion) and Flash (Christopher Gorham), who form a fun comedic duo, while also having some great action moments. I had a great laugh during the Justice League meeting scene where Flash does a good imitation of Batman joining the PTA of Damien’s school, and Batman’s glaring reaction is pretty funny.

I also loved the inclusion of a couple of unique Superman supporting characters. Despite the role he played in the original comic, I was really surprised to see so much of Bibbo Bibbowski, Superman’s biggest fan, in this film. Bibbo is a bit of a dated character, to be honest, but he slides into this film really well, and I loved the voice work done by Charles Halford. His comedic interactions with both Superman and Clark Kent in the early parts of the film are pretty fun, and there is something amusing about a big, rough sailor type fanboying about a superhero. It also proves to be quite heartbreaking to see this fan watch Superman die in front of him, and you can see it really breaks him. I felt that Bibbo’s Hail Mary prayer at the end, which overscored some great visuals of people in mourning, and the subsequent breakdown on the dock was quite touching. I also liked Erica Luttrell’s Mercy Graves, especially as she forms a great counterpoint to Luthor, especially as she calls him out on some of his more outrageous plans. Overall, I think that this film was incredibly well cast, and I loved the fantastic group of characters that they brought together.

The Death of Superman is a truly great and powerful animated film that continues to reign as one of my absolute favourite animated comic book adaptions. Featuring a near-perfect adaption of one of the most iconic comic stories of all time, The Death of Superman is intense, exciting, and downright heartbreaking, as it shows the greatest hero in his final battle. I was moved to tears the first time I saw this film, and I have so much love and admiration for the work the creative team did to revitalise the character of Superman in one short film. A highly recommend film to watch, this is one of the better Superman adaptations (live action or animated) I have ever seen.

Throwback Thursday – Batman: Under the Red Hood

On August 20, 2021 By The Unseen LibraryIn Animation, Comics/Manga, Five-Star Books, Superhero, Throwback Thursday1 Comment

Studio: Warner Bros. Animation and DC Entertainment

Series: DC Universe Animated Original Movies – Film Eight

Director: Brandon Vietti

Writer: Judd Winick

Producers: Bruce Timm and Bobbie Page

My Rating: 5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review content I have enjoyed before or review older books I have only just had a chance to read. For this latest Throwback Thursday, I am going to keep following a recent trend of looking at animated movies and review Batman: Under the Red Hood.

Ever since I reviewed Justice League Dark: Apokolips War last year, I have been focusing a little more on one of my favourite forms of entertainment, animated films based on comic books. Not only did I have a great time listing my favourite comic book based animated films and television shows, but I have also done some cool reviews for Batman: Soul of the Dragon and Batman: Assault on Arkham. After I got some positive responses to my review for Assault on Arkham last week, I thought I would use this Throwback Thursday to highlight the incredibly awesome Batman: Under the Red Hood, which is probably my absolute favourite DC Comics inspired animated film.

Released in 2010, Under the Red Hood was an early entry in the DC Animated Originals Movies range, and it remains one of the best that they have ever done. Directed by Brandon Vietti and written by Judd Winick, this film is an adaptation of the iconic Batman comics storyline Under the Hood, which was also written by Winick. Not only does this film contain an excellent story that does an amazing job capturing the original comic but it also features an all-star voice cast and some excellent animation, resulting in a dark and exciting film that is also rich in emotion and tragedy.

Years ago, Batman suffered the greatest defeat in his entire crime-fighting career when the Joker did the unthinkable by brutally killing his sidekick, Jason Todd, the second Robin. Despite this terrible loss, Batman left the Joker alive and continued his non-lethal mission for justice, fighting from the shadows to save Gotham City from its criminal element.

In the present, Gotham is controlled by the ruthless crime boss, Black Mask, who has managed to take over the entire criminal underworld. But a new player in town, the mysterious Red Hood, is making moves to disrupt Black Mask’s interests and take control of the city. With some incredible skills, brilliant manoeuvring and intense violence, Red Hood soon becomes a major thorn in Black Mask’s side, taking parts of the city from him. At the same time, Red Hood has placed himself right in the path of Batman and his former sidekick, Nightwing, determined to test his abilities against those of the Dark Knight.

As Batman attempts to stop the latest wave of violence sweeping the city, he notices something disturbingly familiar about the Red Hood. His skills and training are too familiar, and even more shocking, he knows that Batman is Bruce Wayne. With Black Mask on the warpath, the mysterious Ra’s al Ghul watching from the shadows, and the Joker always a menacing presence in Arkham, Batman gets closer to finding out the terrible truth about who Red Hood truly is. But is he prepared for the darkness and tragedy he will find under the hood, or will the ghosts of his past finally push Batman over the edge?

Under the Red Hood is a dramatic, exciting, and overall tragic animated feature, which is brought together beautifully to produce an epic and powerful film, anchored by an exceptional narrative. The film starts in a very dark place, with a malicious and hilarious Joker brutally killing Robin just before Batman can save him. This perfectly sets the tone for the entire film, as the story advances to modern times and shows a new brutal crime war between the Black Mask and newcomer the Red Hood. At the same time, Batman becomes embroiled in their war, when he interrupts a ploy by the Red Hood to steal an Amazo superweapon. This leads to an action-packed middle section of the film, as Batman and Nightwing attempt to capture Red Hood, who is also dealing with assassins sent by Black Mask. After several impressive fight sequences, Batman learns the shocking truth about Red Hood’s identity (which is as a tad obvious, even for those unfamiliar with the comics), resulting in some extreme drama, as Batman is forced to confront the dangerous ghosts of his past. As Batman attempts to come to terms with his discovery, Red Hood forces his opponents to make some dramatic moves, which work into his plans. What follows is a fantastically powerful and intense final act, as Batman confronts Red Hood and finds out the tragic and touching reasons behind his motivations. What follows is emotional blow after emotional blow, as Batman, Red Hood and the Joker have their final confrontation. The aftermath of this is absolutely heartbreaking and will leave you breathless and utterly moved: “This doesn’t change anything; this doesn’t change anything at all!” This is an epic and exceptional narrative that I have so much love for.

Under the Red Hood serves as an exceptional adaptation of the Under the Hood Batman comic storyline, although as the film and the comic share the same writer, that’s pretty understandable. This film does a great job fitting all the key points of the comic into its 75-minute runtime, and you get the full enjoyable story, as well as some useful backstory, especially around Jason Todd’s death. This is mostly a pretty straight adaption, although there are a few noticeable changes designed to make the movie flow a little better. I think these changes work extremely well, and Winick adds several great new scenes into this film that make for a different and, in some ways, better experience than the comic source material. This is mainly because the Under the Hood comic was set amid several other ongoing Batman storylines, as well as the major crossover event, Infinite Crisis, which impacted Under the Hood’s overall narrative. As it would have been too confusing to include some of these elements in the film, their removal resulted in a few notable changes. While this did result in a few fun parts from the comics being removed, such as having the opponents in the Batman/Red Hood team-up fight change from members of the Secret Society of Supervillains, such as Captain Nazi and Count Vertigo, to a group of mechanised martial artists (it’s still a great fight though), some of the other changes worked really well. I loved the alterations to the Joker’s story, as it was clever to have the Red Hood orchestrate Joker’s release to kidnap him. It also results in some amazing scenes, including that great cell scene with Black Mask, and the fantastic scene with the truck on the bridge.

One disadvantage that I felt the film version had was that the big reveal over Red Hood’s identity is a lot less impactful. When the Under the Hood comic first came out, it was a major revelation and there were some great surprise elements to it. However, by the time the film came out, every comic fan knew who Red Hood really was, so that really cut down on the surprise factor of the reveal. In addition, even if you were unfamiliar with the Under the Hood comic, the Jason Todd death scene at the start of the film ensured that most viewers would be easily able to figure out this twist as soon as the mysterious Red Hood appeared. This was kind of unavoidable though, as the rest of the film wouldn’t have made sense without the establishing scene. I did think that the reason behind Robin’s resurrection was handled a lot better in the film. The original story, in which he is brought back to life due to Superboy-Prime punching a dimensional barrier, never really worked for me, so having it purely be the result of a Lazarus Pit resurrection was a lot neater and simpler (well, as simple as a magical resurrection pit can be). Overall, I think that Under the Red Hood proved to be a really good adaption of the original comic, and in many ways I felt that in enhanced the source material while also compensating for the changed canons.

I am always deeply impressed by the fantastic and well-crafted animation of Under the Red Hood. This entire film features a constant stream of beautiful and amazing sequences that are an absolute joy to behold. The action is seamless throughout, and the creative team make sure to feature several sequences that show off the various skills of the main characters, while also bringing some iconic scenes from the comics to life. I really must call out the two excellent extended chase sequences, as Red Hood flees from Batman and Nightwing. These scenes are full of excitement and major moments, and the fantastic running sequences, equipped with all the players using their various gadgets and tricks, are so cool, and they are just animated perfectly. However, these chase scenes pale in comparison to some of the epic fight sequences featured throughout the film. While I do deeply enjoy the Amazo fight sequences at the start of the film, which expertly highlights the way Batman and Nightwing work together as a team, the best ones are the two fights involving Batman and Red Hood. The first of these, which sees the two former partners team up against the anime-inspired team of assassins, the Fearsome Hand of Four, is so deeply cool, especially as the amazingly drawn martial arts techniques are beautifully paired with the over-the-top gadgets (one guy gets thrown through the air with explosives several times). The animators save the best for last, with a brutal brawl between Batman and Red Hood near the end of the film. This impressive and dramatic fight sequence is teased throughout the entire film, and when it goes down it does not disappoint. The two heroes go to war with each other, each of them bringing lethal fighting abilities and an entire arsenal of toys and gadgets against each other for some incredible action. The fight goes from the alley where the two first met, to the rooftops, all the way to a dilapidated apartment bathroom, where bodies are brutally thrown through fixtures and walls. There is so much intensity in this sequence, and the animators outdid themselves bringing this major and spectacular fight to the screen. You will be so impressed by this terrific animation.

You cannot talk about Under the Red Hood without out mentioning the incredible collection of characters and the outstanding voice cast that perfectly portrayed each of them. Unsurprisingly for a Batman film, the cast is anchored by the Dark Knight himself, who is voiced by the talented Bruce Greenwood. This is a great portrayal of Batman and the writer really captured the complexities of the veteran version of this superhero. This Batman has been fighting crime for a very long time, and has been struck by tragedy after tragedy, especially the death of Jason Todd. This comes into play throughout the film, and there are some major emotional moments, especially in the final climatic scene with the Red Hood. Watching this film, it is impossible not to see Batman as a tragic figure, always destined to experience heartbreak and trauma as the result of his relentless crusade. I did love the amazing animation featured around Batman’s various fight scenes, and it contrasts nicely with some of the other characters, such as Red Hood, with more of a focus on his experience and placing the right move at the right time. I also really enjoyed Bruce Greenwood’s portrayal of Batman, who brings a gruff and determined depiction of the character which really works. Greenwood delivers several great dialogue sequences which show the depth and complexity of this iconic character, and I had a fantastic time following him in this film.

Another major character is the character of Jason Todd/Red Hood (I would add a spoiler alert, but after all these years it’s kind of redundant), voiced by Jensen Ackles. The Red Hood featured in this film is an amazing and outstanding version of the character, and you run the entire emotional gambit with him. I loved the fantastic and clever introduction of the character, where he manages to take over a large criminal organisation with just a bag and a machine gun. This evolves into a very fun game of cat and mouse between Red Hood and Batman, while he also works to take over from Black Mask. The eventual reveal about Red Hood works extremely well: “You haven’t lost your touch, Bruce,” and I loved the various chase scenes between the two, as well as their joint fight sequence against the Fearsome Hand of Four. All this perfectly leads up to the great final confrontation with Batman, with a big elaborate fight scene and that extremely dramatic sequence opposite Batman. Ackles adds some real cockiness to the character, and his various interactions with the supporting characters are pretty funny and really fun. However, it is his sequences with Batman that are the best, as Ackles adds all the appropriate drama of a murdered child when encountering his former mentor. The revelation of Red Hood’s motive is deeply captivating, and the entire scene where he, Batman and the Joker are reunited is so very tense and powerful. You also have to love how the final scene in the film features the younger version of Robin on his first night of crime-fighting, as his innocence and childlike joy at being a hero stands in such contrast to his eventual fate: “This is the best day of my life.” This is an outstanding portrayal of one of the most complex characters in the DC canon.

I also really must highlight the incredible version of the Joker that is featured in this film, who is voiced by the always entertaining John DiMaggio. This is a great interpretation of the Joker, and you get to see just how vicious and ruthless he can be. I love how the writers and actor did a great job capturing his insane mentality when it comes to the Batman, especially as his greatest ambition is to drive Batman insane enough to kill him. I was honestly surprised at how awesome John DiMaggio was in this role, especially as the purely evil Joker is very different from the comedic characters he is best known for portraying. However, he brings some very excellent menace to this character, and while there are a lot of humorous undertones to his actions, the sheer insanity and joy he has at other people’s suffering is more than evident. Joker has some incredible scenes throughout this movie, which DiMaggio really enhances with his unique take on the character. The opening sequence in which he beats Jason Todd half to death with a crowbar is pretty dark, despite the constant jokes, and his later confrontation with Batman in Arkham really captures his overall insanity. However, his best sequences occur later in the film. The first of these is the cell scene with Black Mask, where he accepts a job offer in the most boss way possible (never hand the Joker a cup of any variety). The follow sequence on the bridge, where he attempts to draw the Red Hood out with a truck, some guys and some gasoline is really great, especially when it is revealed that the Black Mask is also amongst his hostages. However, DiMaggio shines best in the final sequence where Batman and Red Hood finally have their dramatic showdown with the Joker in the middle. The Joker revels in all the drama and emotion in the room, especially when Red Hood attempts to force Batman to kill Joker: “This is turning out even better than I hoped!” The final bit of the confrontation where Joker, realising that Red Hood’s bomb will kill them all, joyfully attempts stop Batman, “This is perfect…. I’m the only one who’s going to get what they want tonight,” really captures the character’s chaotic mentality and is a great conclusion to his story arc.

The other major character in the film is Nightwing, former Robin Dick Grayson, who is portrayed by the legendary Neil Patrick Harris. Mostly featured in the first half of the film, Nightwing serves as the traditional sidekick role, bringing a lighter comedic role to the dynamic duo and playing off the ultra-serious Batman perfectly. I loved the fantastic coordination in the action sequences between these two, and the animators do an outstanding job showing how their fighting styles complement each other and they instantly know what the other one is doing. Harris’s voice work is great, hyping up the characters comedic, banter-laden fight style, and while it didn’t fit as well as some other versions of Nightwing I have seen, this was still a pretty epic bit of casting.

Aside from these above four main characters, I deeply appreciated Jason Issacs and Wade Williams as Ra’s al Ghul and Black Mask respectfully. Issacs does an outstanding job bringing the enigmatic and ruthless al Ghul to life, and it was great to see the respect and personal code this version of the character has, especially once his actions result in Jason Todd’s death. Williams’s unhinged version of Black Mask is also incredibly good, and I loved the ultra-anger he brings to the role, especially as he slowly becomes more and more targeted by Red Hood and Batman. His reactions to the crazy antics of the other characters is pretty fun, and you’ve got to love the look on his face when he sees Red Hood targeting him with a giant rocket launcher. I also want to call out Kelly Hu as Black Mask’s assistant, Ms Li, a gender-swapped version of the assistant character in the comic. Ms Li serves a pretty cool counterpart to Black Mask and is a constant calm presence in his chaotic administration, barely batting an eye at any of his angry or violent outbursts. These great supporting characters compliment the main cast perfectly, and I felt the film’s entire collection of characters and actors helped to turn Under the Red Hood into something incredibly special.

While there have been some incredible DC animated movies out there, none have eclipsed the exceptional and awesome Batman: Under the Red Hood. Featuring an impressive adaption of an iconic and cool comic story arc, this amazing film contains a fantastic narrative loaded with action, excitement, and intensity, as the characters engage in a dramatic and tragic battle. With a perfect voice cast and some outstanding animation, Under the Red Hood is a must-watch animated film that I have seen and deeply enjoyed so many times. An easy five-star watch that is highly recommended; if you love Batman, you need to see this film.

Top Ten Tuesday – Favourite Comic Book Animated Series

On August 18, 2021 By The Unseen LibraryIn Animation, Comics/Manga, List, Superhero3 Comments

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics. The official topic this week was Favourite Places to Read, however, I’m going rogue once again and instead will continue my trend of looking at Comic Book adaptations. Recently I have been highlighting and examining some of the great multi-media features that are adapted from established comic book series. So far, I have looked at my favourite animated comic book films, ranked all the MCU films, and looked at some cool DC Comics films. These were very interesting subjects which really appealed to my likes and focuses, and I am having a blast writing about them. To keep this trend going, I thought that this week I would spend some time looking at some of the incredible animated series based on comic books.

I am sure that all of us can remember watching a comic book adaption on our morning cartoons when we were younger (I know I can, and several examples are featured in the list below). There is an intrinsic connection between comics and cartoons, and Hollywood’s attempts to turn great comics into fun animated entertainment have resulted in some of the best adaptions of the original content out there. I have long enjoyed watching animated series based on comics, and we are currently in a bright new age of animated adaptations, especially with the continued focus on all-things comic book and superhero. As a result, I thought that this would be a great opportunity to explore some of my absolute favourite animated comic book shows.

To produce this list, I pulled together all the best animated shows I have watched over the years that were originally based on some form of comic book. There are quite a few great shows out there that have some origins in the comic book world, and I had a big pool of potential entries to work with. I was eventually able to whittle it down to my absolute favourite 10 shows, with my typical generous Honourable Mentions section. The final list turned out to be pretty interesting, and I was quite happy with the range of shows featured. I have only included shows I have so far watched, so that means a couple of notable series are missing, such as Superman: The Animated Series. I have also tended to steer away from a few 90s classics, such as X-Men or Spider-Man. While I enjoyed these shows when I watched them and they successfully adapt some of the most iconic storylines, they really haven’t aged that well. I also excluded the most recent animated series, What If…?, mainly because there has only been one episode so far, and I want to see at least the whole first season before I make any decision about it, although I am sure it will appear on future iterations of this list. Despite these limitations, I ended up coming up with a pretty cool list, so let us check it out.

Honourable Mentions:

Men in Black

Men in Black Animated Series

While strongly inspired by the films, this awesome show had a lot of connections to the original Men in Black comic, and it is an outstanding animated series with some incredible opening credits.

Ultimate Spider-Man

Ultimate Spider Man

This was a really good modern take on Spider-Man that nicely tied into some of the other Marvel shows running at the same time. Featuring some unique and cool adventures, this was an excellent series.

Wolverine and the X-Men

Wolverine and the X-Men

A brilliant series that was cut off far too soon after only a single season (an unfortunate casualty of the Disney buy-out of Marvel). The first season was extremely strong, and if it had gone on for longer, it would have easily been in the Top Ten.

Generator Rex

Generator Rex

Based on an extremely short-lived comic, Generator Rex was an epic and entertaining animated show. Set in a world where everyone has been infected by nanites, it follows titular hero Rex, a teen who can control his nanites and turn them into weapons, as he fights monsters and great villains. A very cool show that had a great run, and which even featured a fantastic crossover with Ben 10.

Top Ten List (Unranked):

Invincible

Invincible

Let us start off with the recently released Invincible. Invincible is an exceptional and amazing adaption of the comic of the same name, which follows a young hero as he attempts to follow in his father’s footsteps. Featuring an awesome cast, this show really does the comic justice and is very dark and bloody. I loved the changes they made to the story, while also keeping all the best bits of the comic, including that incredible twist. I literally just finished the final episode a couple of hours ago and I am still reeling from how brutal it got. A deeply impressive show, if you have not checked out this first season yet, you are missing out.

Harley Quinn

Harley Quinn

From one of the darkest shows on this list to one of the funniest, Harley Quinn is another relatively recent animated show that is extremely cool. This hilarious show features an R-rated look at one of DC’s most popular characters as she strikes out on her own. Featuring the voice of Kaley Cuoco in the titular role, this witty and fun show contains a fantastic and moving story that dives into the heart of the protagonist, while also showing off some excellent supporting characters. I love the great combination of over-the-top humour, intense violence, clever parodies, and emotional storylines, and I am really looking forward to the third season.

Young Justice

Young Justice

I must admit that I was initially wary when Young Justice was announced, as surely no show about young heroes could ever top Teen Titans. However, the moment I watched the first episode I was an instant life-long mega fan. With a surprisingly deep and complex narrative about a group of sidekicks who become the covert-ops wing of the Justice League, Young Justice was an impressive and compelling series that quickly produced two fantastic and moving initial seasons. Featuring a strong group of core characters, this series adapted several great storylines from the comics, while also telling its own clever and unique overarching narrative. I loved all the twists and character development that occurred, and I was so very, very happy when DC eventually announced a third season. This third season was even more adult than its predecessors and it continued to expand on the series extremely well. There is another season on the horizon and despite knowing nothing about it, I am already immensely confident that I will love it.

The Avengers: Earth’s Mightiest Heroes

Avengers_Earth's_Mightiest_Heroes_Vol_3_2_Textless

As you can probably imagine, there have been several attempts to adapt the Avengers into an animated series, and in my opinion the best example of this is The Avengers: Earth’s Mightiest Heroes. Taking most of its cues from the comics rather than the MCU, this outstanding series really captures the heart of the team and presents an exceptional take on each of the main characters. The first season is pretty perfect and comes together extremely well. The second season, while a tad rushed in places, is also incredibly cool, and features an amazing version of the Secret Invasion arc. Unfortunately, this series was cancelled well before its time, but while it was going, it was incredible.

Batman: The Animated Series

Batman - The Animated Series

There are many, many Batman series out there, but none have captured the titular hero, the outrageous villains, and the grim setting of Gotham City as perfectly as Batman: The Animated Series. With some deep and adult storylines, this series never pulled any punches, despite being a kids show, and for many, it was the best introduction to Batman and the world of comics that you can ask for. Serving as the definitive animated version of Batman out there, this incredible series features all the classic Batman characters, and even introduced a few new iconic faces, such as Harley Quinn. You also have to love the voice cast, especially with Kevin Conroy providing the quintessential Batman voice, while Mark Hamill is the ultimate animated Joker. I am lumping in The New Batman Adventures into this entry as well, mainly as it served as a continuation of the original show. I also must call out Batman Beyond here, which serves as a great end note to this series, especially with that dark and epic connected film, Batman Beyond: Return of the Joker.

Justice League/Justice League Unlimited

Justice League Unlimited 2

For this next entry I am combining the crowning jewels of the DC Animated Universe, Justice League and Justice League Unlimited, as they are honestly just the same show. Continuing some of the great storylines from Batman: The Animated Series and Superman: The Animated Series, this cool series brought together seven heroes who formed the Justice League to fight some of the DC Universe’s best and most dangerous villains. This series contains some incredible storylines, which are easily appealing to both a younger audience and veteran fans of the comics. I have a lot of love for both the original Justice League, which focused exclusively on the seven founding members, and Justice League Unlimited, which massively expanded the roster with a great cast of supporting characters. Despite how epic and captivating the other seasons are, my favourite storyline is the one surrounding the Justice League facing off against Project Cadmus, as it contains some of the best writing and some deep examinations of the nature of power and the potential threat that a group of heroes could pose. A must watch series for all fans of the Justice League and DC comics in general, you will love this show.

The Spectacular Spider-Man

The Spectacular Spider-Man

As Marvel’s most iconic and popular comic character, Spider-Man has had an insane number of animated shows over the years, but to my mind, the best is The Spectacular Spider-Man. Featuring a perfect take on the character without needlessly rehashing his origin tales, this series serves as a great adaption while also providing its own unique story. Every episode of this show is deeply entertaining, while also diving into the mindset of the teenage hero, his friends, and his menagerie of villains. Out of all the shows, I think this one captures the teenage years of Peter Parker the best, while also adding in some more modern twists to ensure it still holds up after all these years. I can honestly watch this entire series in one extended series, it is that damn good. Unfortunately, as with many of the best Marvel television shows, The Spectacular Spider-Man ended way too soon, although its final episode did wrap things up nicely. An excellent and compelling series.

Teen Titans

Teen Titans

When there’s trouble you know who to call, Teen Titans!!! Yeah, that theme song says it all when it comes to Teen Titans. This was a wonderful and spectacular show that had just the right mixture of silliness and darkness. Following the adventures of the titular superhero team, for four seasons, Robin, Starfire, Raven, Cyborg and Beast Boy fought a series of outrageous villains, with a combination of skill and humour. With some very distinctive characters, a Japanese inspired art style and two versions of the same theme song, this was one of the most unique shows out there with a style all its own. While there was a definite focus on humour and friendship, many of the storylines have a deeper, more emotional edge to them that will appeal to watchers of all ages, and there is constant and compelling character development. This series also contains several outstanding antagonists, with the highlight being Ron Pearlman’s Slade (Deathstroke). I cannot express how much I love this fantastic animated series, and I have watched it many, many times.

X-Men: Evolution

X-Men Evolution

I have mentioned a couple of X-Men shows so far, but the one that I think is the best, by dint of being still watchable and having a decent run, is X-Men: Evolution. Evolution features an impressive X-Men narrative that focuses on teenage versions of most of the main characters. Featuring all your favourite X-Men, this was a really cool and compelling take on the iconic team, and it contains so many great story arcs, many of which dealt with the comic’s overarching themes of discrimination and prejudice. While there are a lot of great impacts of this series, easily the best thing this show ever did was introduce the character of X-23, Wolverine’s murderous female clone, who is one of my favourite X-Men characters. An impressive and important series that is well worth a watch.

Teenage Mutant Ninja Turtles (2003 and 2012 series)

Teenage Mutant Ninja Turtles - Joint

For the final entry on this list, I am going to combine two separate Teenage Mutant Ninja Turtles shows, with both the 2003 and 2012 series. Based on the comics of the same name, I have a lot of love for both Teenage Mutant Ninja Turtles adaptations, and I honestly enjoy both equally (hence the shared spot on this list). While both follow the same characters with similar adventures, these are very different series that go in some unique directions. The 2003 series was the one I grew up with, and I still really love its drawing style and darker storylines. The 2012 series on the other hand works its CGI animation and anime inspirations extremely well, resulting in more humour and homages to popular culture. Despite this apparent divide, the 2003 series did have some extremely funny moments and episodes, while the 2012 series got extremely dark in places. I also deeply appreciate that both shows feature appearances from my favourite comic character, Usagi, with the rabbit ronin teaming up with the ninjas in multiple fun episodes. As a result, I would strongly recommend both these series as they serve as excellent introductions to this fantastic franchise.

Well, that’s the end of this list. As you can see, there are some truly awesome animated comic shows out there, and I am really passionate about which ones I watch. I am pretty happy with how this list turned out, and I think the unique spread of shows really reflects my tastes and preferences. Each of the above shows is extremely good, and I would highly recommend all of them. This is probably a list I will revisit in the future, especially as there are more and more comic-inspired animated series coming out all the time. With shows like Invincible and What If…? bringing in a whole new generation of fans to animated adaptions, it is only a matter of time before the other companies start adapting all manner of comics into something cool. I am already excited about a couple on the horizon (they are apparently working on an Usagi Yojimbo animated series 😊 😊 😊), and I look forward to watching them in the future. In the meantime, let me know which of the above shows you enjoyed, and if you have any recommendations for other cool animated comic book series, I will be interested in seeing what else is out there.

Throwback Thursday: Batman: Assault on Arkham

On August 14, 2021August 14, 2021 By The Unseen LibraryIn Animation, Comics/Manga, Five-Star Books, Superhero, Throwback Thursday2 Comments

Studio: Warner Bros. Animation and DC Entertainment

Series: DC Universe Animated Original Movies – Film 20

Director: Jay Oliva and Ethan Spaulding

Writer: Heath Corson

Producer: James Tucker

My Rating: 5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review content I have enjoyed before or review older books I have only just had a chance to read. For this week’s Throwback Thursday I go back and check out one of the more intriguing DC animated movies, with Batman: Assault on Arkham.

As I mentioned in a recent Top Ten Tuesday, I have been in a DC mood ever since I saw The Suicide Squad on the weekend, which was easily the best film focusing on the titular Suicide Squad. While people only familiar with the live-action films might think that this is a low bar, those who know about the awesome catalogue of DC Comics animated films will know that there are several awesome and outstanding films that perfectly capture the feel and tone of the supervillain team and are pretty fun to watch. Therefore, this week I will look at one of these great animated films, with Batman: Assault on Arkham.

Assault on Arkham is an amazing and fantastic film that came out in 2014 and is set in the same universe as the Arkham video game franchise (set between Arkham Origins and Arkham Asylum). Directed by Jay Oliva and Ethan Spaulding, written by Heath Corson and produced by James Tucker, this was a memorable and fun DC Universe Animated Original Movie, which contains some of the best comic book based animated films out there. Despite the name, Assault on Arkham is really a Suicide Squad movie, with Batman strongly featured but acting more as a side character. This was an excellent and impressive film, which makes use of a darker tone and more adult animation to create a fitting Suicide Squad experience. Heck, this was a much better Suicide Squad movie than the 2016 live-action film as it embraced the team’s darker side and their propensity for violence, while also featuring an impressive and clever story.

Two years before the Joker took over Arkham Asylum, the Clown Prince of Crime terrorises Gotham City, this time by threatening it with a dirty bomb. With the Joker locked up in Arkham Asylum and refusing to talk, Batman stalks the streets of Gotham, searching for those who helped him. His mission leads him to save the Riddler from a black-ops team of soldiers, sent by shadowy government agent Amanda Waller. With Riddler now locked up in Arkham Asylum, Waller assembles the one force capable of breaching Arkham’s walls to find him and the information she desires, Task Force X.

Task Force X, also known as the Suicide Squad, is made up of some of the most deadly and skilled villains in the world, each of whom have been forcibly drafted onto the team and offered reduced sentences if they complete their mission. Recruiting a team made up of Floyd Lawton (Deadshot), Harleen Quinzel (Harley Quinn), George Harkness (Captain Boomerang), Eric Needham (Black Spider), Nanaue (King Shark) and Louise Lincoln (Killer Frost), Waller sends them into Arkham with bombs implanted in their necks.

Forced to work together despite their innate distrust and dislike of each other, the Suicide Squad arrive in Gotham and make their plans to infiltrate the asylum. However, it doesn’t take long for petty rivalries, massive manipulations, and dangerous outside influences to put all their schemes in disarray. Working their way through the most dangerous place on the planet, the Squad soon learns a deadly secret that will change everything and set them on a bold new path. But with Batman wise to their presence, can the Squad achieve their goals and make their escape, or will they find themselves locked up in Arkham instead. Worse, someone far more dangerous is stalking the halls of the asylum, someone with an insane sense of humour and a desire to claim back what is his. The Joker is loose, and he wants to play!

This is an awesome film that really does the chaotic and dangerous Suicide Squad justice. Featuring an excellent story and serving as a clever adaption of the Suicide Squad comics and other pieces of media, this is an extremely fun movie. Throw in an exceptional voice cast, some great interpretations of iconic characters, and some powerful animated sequences, and you have a great and impressive movie that I have long been a fan of.

At the heart of this great movie is a very compelling and exciting narrative that takes its various characters on a wild and dangerous ride to hell in back. Assault on Arkham starts off with an excellent scene, which sees Riddler being attacked by Waller’s goons, only to be rescued by Batman in an intense and brutal fight sequence. This then leads into an entertaining introductory sequence for the various members of the squad, with a fun reel of shots with no dialogue showing each member of the Squad showing off some of their skills before getting captured by various law enforcement groups. These dark and sometimes gruesome introductory scenes really set the tone for the entire movie, while also providing great summaries of each of the main characters. What follows is a fun and captivating character-driven tale as the members of the Squad arrive in Gotham and make their play to break into Arkham. There are some fantastic clashes of personality and deep personal moments in this early part of the film, as the team initially comes together, despite their crazy differences. This leads to an intriguing central part of the film, where the characters begin their assault on the asylum, performing a reverse prison break. After some great scenes, the team are at large in the asylum, which leads to even more chaos, destruction, and big fight moments. All of this leads to an explosive and dangerous final act, as the characters need to escape while being pursued by Batman and the Joker. Caught between these extremely dangerous forces, the fractured Squad attempts to escape, facing some major defining obstacles which really bring the entire film together. I loved the fantastic and darker story that this film featured, and the writing team did an excellent job combining brutality, humour, character development and pure craziness into one enthralling tale. There are so many fun and thrilling moments to this outstanding film, and viewers will found themselves really getting drawn into the cool story.

The animation in Assault on Arkham is very impressive, and the creative team behind it did a great job bringing the various characters to life and placing them in some outstanding action sequences. The movement and action in this film is pretty damn seamless, and you are in for some very fast-paced scenes that look pretty superb, especially as they feature a great mixture of lighting and multiple unique characters. Highlights include the opening shadowy encounter between Batman and the special forces soldiers, the massive fight between Batman and the entire Suicide Squad, and the final two confrontations that occur after a big helicopter crash. I loved the cool character designs of the various characters, especially as they mix some new looks with classic drawings. I also felt that the creative team combined this cool animation with the excellent musical score well, and the various tunes really helped to set the scene. There is something very dark, bloody, and adult about the designs in the film, and the end result is definitely not a kid’s cartoon.

Part of the design that I really enjoyed was the way in which the creative team attempted to emulate the style from the fantastic Batman: Arkham video games. This film serves as a canon entry between Arkham Origins and Arkham Asylum, and the team did a great job capturing the cool style and themes that the games are famous for. This is particularly seen in the various scenes featuring Batman, the playable character of the games, and you get to see him whip out the various gadgets and viewscreens that appeared in the games. I particularly enjoyed the opening scene where Batman takes out a squad of soldiers in much the same way that a player would in the games, from the flips to the use of a batline. There are also several references to the games throughout the film, from a character trying to hide in a vent, to the layout of Arkham Asylum, where you spend significant time in the first film. Despite all these references, this film can easily be enjoyed by comic fans who have not played the video games. Assault on Arkham is very much framed as a standalone film, and no matter your familiarity with Batman or the Arkham games, you will have a fun time watching this movie.

As I have mentioned above, this awesome film contained a really impressive and memorable take on the Suicide Squad, producing a truly great movie. Part of this is the choice of team, as it features a compelling blend of characters that are inspired by the team first introduced in the New 52 range. Anchored by team leader Deadshot and wildcard Harley Quinn, it also features long-time Suicide Squad member Captain Boomerang, as well as a fantastic combination of Black Spider, King Shark and Killer Frost. While the team structure is similar to the team in the first live-action film, Assault on Arkham actually predates this film by a couple of years, and also utilises them a lot better, really showing off some more complex aspects of their personality, mainly thanks to the excellent voice cast. This animated film also takes itself a lot less seriously than the first live-action film did, and is less afraid to show blood, sex and death. While some of this is a tad over the top (some of the female characters are way too sexualised), I really wish that the subsequent live-action film had taken some cues from how successful this animated feature was, as that would have resulted in a much better experience.

Easily the best part of this film is the amazing characters and sensational voice cast, which really help to make it stand out. While it does feature a lot of Batman and Joker, the main characters of this film are the Suicide Squad. The most prominent is team leader an assassin extraordinaire, Deadshot. Voiced by the talented Neal McDonough, a man who has voiced quite a few villains in his day, this version of Deadshot is near perfect, and contains a lot of elements from the comics that the live-action version was lacking. While the overriding love for his daughter is still there, this version of Deadshot is a lot colder and a lot quicker on the trigger, happily massacring everyone who gets in his way. McDonough really captures the character’s menace, killer instinct, and determination, and this Deadshot serves as the tough and often exasperated leader of the Squad. I loved that they captured Deadshot’s crazier side (he has a massive death wish in the comics), especially as this leads to one of the best scenes in the entire film: “Mate, you just out-crazied the Joker”. It was also cool that Deadshot had one of the most satisfying character arcs in the entire film, ending Assault on Arkham on a very entertaining and memorable note, that showed that the character was a man of his word: “Bang!”

This film also features an amazing version of iconic character Harley Quinn. Before Margot Robbie and Kaley Cuoco put their spins on the character, veteran voice actor Hynden Walch provided her impressive voice to Harley, resulting in a fantastic and crazed female-lead. Walch, who is probably best known for voicing Starfire in Teen Titans or Princess Bubblegum in Adventure Time, does an excellent job going a little darker with this character, producing some excellent scenes of madness and humour as Harley manages to annoy the other characters while cracking up the audience. I loved the introduction that this character had, biting off an ear in a halfway house with Looney Tunes music playing (it’s weird, but it works). Harley proves to be quite conflicted in this film as she finds herself stuck between her abusive ex, the Joker, and her new love interest, Deadshot (all I am going to say about the later relationship is “Yahtzee!”). While this starts off with a very concerted attempt to kill the Joker, Harley is eventually drawn back to him, which is kind of heartbreaking. There is some of the typical abusive relationship stuff that comes out with Harley, as she blames everyone but Joker for her problems. This was a great portrayal of this fantastic and complex character, and I was very happy that Walch came back to portray Harley in other films such as Justice League Dark: Apokolips War.

Other great members of the Squad include Captain Boomerang, voiced by Greg Ellis. Boomerang acts as the Squad’s comic relief, and I liked the uncaring and selfish attitude that is such a feature of the character in the original Suicide Squad comics. Ellis really brings out the character’s smarmy and arrogant side, and I loved the amusing rivalry he formed with Deadshot, which results in a brilliant game of darts. This movie also features the outstanding Gincarlo Esposito in the role of Black Spider, a murderous vigilante who is less than pleased at being lumped in with a group of supervillains. Esposito brings some real gravitas to the character, and he proves to be a skilled and fun member of the team, and his inclusion results in a pretty major fake-out. The hilarious John DiMaggio does a great King Shark in this film, and I loved the somewhat more human design of the monster and his funny dim-witted mentality. Despite being a source of some humour, King Shark is a brutal killer, which is very much shown in his introduction where he emerges from a bathtub full of blood. Finally, the brilliant Jennifer Hale portrays a fantastic Killer Frost (not surprising, considering she’s voiced the character in nearly every film or animated television appearance). This version of Frost is pretty cold-blooded and proves to be a murderous addition to the team. I liked the fun friendship that she forms with King Shark, and they prove to be a great duo.

While the Suicide Squad takes most of the film’s focus, Batman is featured pretty extensively in this film, which is really cool. I personally was overjoyed that they got the iconic voice of Kevin Conroy for the character, and this amazing actor reprises his role from the various animated series and the Arkham games. Batman is mostly on the outside of the story for the first half of the film, only becoming involved when the Squad enters the asylum, but once he gets involved, the results are pretty damn awesome. This version of the character perfectly highlights the various aspects of Batman, as he kicks ass, intimates everyone he meets, outsmarts his foes, and utilises his amazing detective skills to make some big assumptions. Featuring Batman as a side-character in his own film was an interesting choice, but it is one that really works, and it was great to see him attempt to work out the various ploys of the Squad, Waller, and the Joker. Conroy’s voice work is of course, perfect, which isn’t surprisingly considering all the times he’s portrayed the character. Another excellent inclusion of the legendary hero.

While most of the cast of Assault on Arkham are villains, the one that sticks out the most is the master of anarchy, the Joker. Voiced by Troy Baker, who reprises his role from Arkham Origins, Joker really stands out as a character, which honestly isn’t that surprising. Joker escapes his cell and starts causing chaos all over the asylum, coming into conflict with both the Squad and Batman. This version of the Joker is the usual awesome mix of scary insanity and corny humour, and the character has several hilarious scenes throughout the film, including one of the best lines: “Denzel, what have they done to you?” I also enjoyed the new rivalry he forms with Deadshot, as he shows some uncharacteristic jealousy over the fact that Harley has moved on. This leads to a brutal brawl in the film’s conclusion, which is a major highlight. Baker, who would go on to voice the Joker in several other animated features, does a pretty good job in Assault on Arkham, and does well at replicating Mark Hamill’s take on the character. This results in an excellent villain, and I loved seeing the insane Arkham version of the character once more.

The final character I really want to highlight controls Task Force X, Amanda “the Wall” Waller. Voiced by the incredible CCH Pounder, the definitive voice actor for the character (she is so good in Justice League Unlimited), this manipulative bureaucrat is in many ways the true villain of Assault on Arkham, turning everyone against each other to get what she wants. She has an excellent introduction, where she manages to outsmart the Riddler, while also giving a fantastic line about riddles: “I have Google, like the rest of the world!” From there, she proves to be a consistent badass, dragging the ruthless killers together into her Suicide Squad, bending them to her will, and then unleashing them upon the world. Despite her plans not going as well as she hoped, Waller still manages to have a great run in Assault on Arkham, and Pounder really dives into the character’s manipulative nature and inner anger: “No one screws the Wall!” She also has a pretty badass stare-down with Batman, actually managing to win their confrontation. This character has a pretty amazing final moment in the film, especially as it wraps up her entire arc with Deadshot in one fantastic word. Overall, Pounder rounds out the awesome central voice cast perfectly, and it was an absolute treat to see their performance come together.

Batman: Assault on Arkham is a fantastic and memorable animated film that is so much fun to watch. Serving as the definitive and best film about the Suicide Squad for years, Assault on Arkham makes full use of its intense and exciting story, its brilliant design and exceptional cast and characters. I deeply enjoy this amazing film and I have watched it multiple times ever since it was released. A highly recommended watch, especially if, like me, you loved the latest Suicide Squad movie and want some more crazy, villain-led chaos and destruction.