Unsouled by Will Wight

Publisher: TOR/Audible Studios (Audiobook – 13 June 2016)

Series: Cradle – Book One

Length: 8 hours and 52 minutes

My Rating: 4.5 out of 5 stars

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Enter a world of magic, adventure and personal growth with the compelling first entry in Will Wight’s epic Cradle series, Unsouled.

After finishing off several longer fantasy series in recent years, I’ve been looking for another extensive series to fill the void, and the one that kept getting suggested to me was the Cradle series.  Written by Will Wight, the Cradle books are part of a now complete progressive fantasy series which sees a young man born without power in a world of magic attempt to advance and overcome his deficiencies, while also fighting back against rivals far more powerful than him.  Described to me as a slow-burn series that gets better with every book, the Cradle series has long intrigued me, especially some of the storylines later in the series (a multi-book tournament arc was something that I found particularly appealing).  After circling this series for a while, I finally read the first Cradle book, Unsouled, an intriguing novel that managed to draw me in.

Plot Synopsis:

Advancing from zero to hero starts at zero.

Lindon is born Unsouled, the one person in his family unable to use the magical Paths of the sacred arts. He uses every trick and technique he can borrow or steal to improve his life, but it seems he will never be able to join the ranks of the truly powerful.

Until the heavens descend and show him the future.

When Lindon becomes the only one who sees the approaching doom, he must leave his homeland to save it… and to see how far he can go by walking his own Path.

Unsouled proved to be an excellent and captivating novel that perfectly sets up the Cradle series with some very interesting storylines.  Serving as a great introduction to the protagonist and the main setting, Unsouled was an awesome and addictive book, that provides an early hook to the larger series while maintaining its own compelling story.

I felt that Unsouled had an amazing narrative behind it that, while a little slow at the start, quickly drags you in.  Wight provides a compelling introduction to the protagonist, Wei Shi Lindon, who grows up in the Sacred Valley in the world of Cradle, a highly magical world where everyone has some form of power.  Unlike the rest of his clan, Lindon lacks the ability to control the magical madra of the world, and is branded an Unsouled, forbidden to be trained or to advance in a world where moving up the tiers of power is the only thing that matters.  Determined to prove himself, Lindon embarks on several risky ploys to gain some ability to utilise his madra, while also trying to learn a fighting style that works for him against more powerful opponents (which at the start of the book includes all the small children in Sacred Valley).  After a short but entertaining tournament, the story veers into a whole new direction when Lindon encounters a cosmic being who changes the entire course of his narrative.  This proves to be an excellent first half to Unsouled, and I really appreciated how well Wight set up the protagonist’s motivations, as well as details of the larger setting, and used them to create a compelling and changeable story.

The second half of Unsouled sees Lindon set out to find a potential new mentor.  To get there, he manages to trick his way into a powerful monastery, which results in a couple of the funniest sequences in the book, while also making Lindon a deadly enemy.  After gaining some new tricks and learning how to harness them to defeat stronger opponents, Lindon sets off to find and help the embattled Yerin, a skilled young woman who can take him away from Sacred Valley.  This results in a couple of big encounters, where Lindon must learn to work with his new companion, while also setting aside his life in the valley.  After some excellent and intense action-packed sequences, Wight wraps up Unsouled with an impressive final confrontation which are resolved utilising elements cleverly scattered in the earlier part of the book.  The story ends on an interesting note, with hints for how the series will progress in the future, which should leave readers curious enough to come back for more.

I really enjoyed how well this came together, as Unsouled’s was quite entertaining as a standalone read.  Not only did Unsouled have an amazing story, but Wight did an excellent job introducing the setting and some of the magical elements that are key to enjoying the story.  The initial setting for this book, the Sacred Valley, was a perfect starter zone location for this first book, and I quite enjoyed how Wight depicted it as being both too large and too small for the protagonist’s journey.  The resulting action and exploration of the character’s initial abilities, as well as the larger potential of power out in the world, all keep the reader quite interested in the story, and it works as the perfect set up to following the protagonists journey from weak nobody to powerful individual.  As such, Unsouled also worked quite well as the first book in the Cradle series, and I really appreciated how well some key elements were featured and explored here.  Combine this with some fun early humour, a good focus on character work and some slick sequences with real stakes behind them, and Unsouled proved to be a well-written novel that proves hard to get away from.

One of the highlights of Unsouled that helped set it up as the first book in the series was the excellent focus on its complex characters.  For this first book most of the focus is on series protagonist Wei Shi Lindon, whose stunted ability to manipulate madra sees him declared an Unsouled, an undesirable with no power who is restricted from training or participating in aspects of their society.  After spending years as the lowest rung in his clan’s hierarchy, Lindon spends the events of this book trying to gain power and advance.  The author does an excellent job portraying Lindon’s desperation to fit in and be accepted in the early half of Unsouled and it works well as a basis for his motivation to grow stronger that defines this entire series.  I quite enjoyed how Wight set up Lindon as a weak but clever protagonist who relies more on cunning and tricks to win rather than the inherent brute strength like everyone else in the world.  I think Wight hit the right balance when it comes to Lindon’s abilities, as while he has some early successes, he is generally still outclassed by his opponents, and his tricks only get him so far.  This increases the tension of plot, and it was nice not to have an overpowered/overly tricky protagonist right at the start of the series.  Due to this, Lindon worked well as the initial protagonist and main point-of-view character for this novel, and he proved to be a very relatable figure who the audience can get behind.

Aside from Lindon, Unsouled had a good supporting cast of characters, although it seems unlikely that too many of them will appear in future books to any great degree.  I did enjoy the introduction of Yerin, a young but very skilled outsider to the valley, who Lindon eventually allies with.  A brash and rough figure, Yerin is an entertaining change from many of the more reserved characters in this first novel, and she ends up being an excellent and entertaining addition to the cast in the second half of the book.  Wight does a good job setting up an odd-couple partnership between Lindon and Yerin, and I felt that the two characters played off each other in a fun way.  Throw in a good main antagonist for this novel in a powerful practitioner with an unfortunate baby face, as well as a powerful celestial being who takes an interest in Lindon, and the cast of Unsouled is an excellent highlight of this first book that works to support its amazing story.

To experience the full impact of Unsouled’s plot, I decided to check out the audiobook version of the novel, a decision I ended up very happy with.  I often find that listening to a novel’s audiobook format really helps me to absorb a complex setting or story, and this was the case with Unsouled.  Having the story read out really highlights the great characters, intense story and elaborate setting, and I found myself powering through the near nine hour run time.  It helped that Unsouled had an impressive narrator in Travis Baldree, whose inclusion was a factor in me checking out this series on audiobook as I have previously enjoyed his narration in Matt Dinniman’s Operation Bounce House and The Eye of the Bedlam Bride. Baldree has a great voice for fantasy fiction, and I really enjoyed hearing him describe all the unique elements of Wight’s fantasy world.  I felt he did an amazing job providing all the unique voices of the key cast of this series, especially the protagonist Lindon, and he really captured some of the emotions and traits of these characters, such as Lindon’s initial despair at his lot in life and the growing hope that emerges in the second half of the book.  This excellent narration really brought Unsouled alive, and I now fully intend to enjoy the entire Cradle series on the audiobook format.

While I did initially enjoy Unsouled on audiobook, I do have to mention the cool new paperback version I recently received from Pan Macmillan Australia.  A re-release of the original novel, this new version of Unsouled has a ton of interesting features, including some original art, an informative map, and most entertaining of all, bloopers, with Wight providing some very amusing alternate endings for some of the book’s key scenes (I laughed myself silly at some of these).  Having a physical copy of the book also helped to highlight how well Wight set out key parts of his book in the written format, such as written texts and the way in which a certain cosmic computer provides data to its user.  As such, while I had a great time with the audiobook version of Unsouled, I think many readers could also enjoy the physical copy instead.

Overall, I found Unsouled to be a deeply compelling novel that easy drags you in with its cool story and fantasy focus.  Featuring an excellent introduction to Will Wight’s progressive fantasy narrative, setting and magic system, Unsouled sets up a lot of cool story elements and character arcs, while also keeping the reader extremely engaged.  I got really drawn into Unsouled’s amazing story, and I enjoyed it so much that the moment I finished I immediately started listening to the sequel, Soulsmith.  I cannot wait to continue the Cradle series and I’m excited to see what happens next.

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Waiting on Wednesday – The Grave of Perfection by Adrian Tchaikovsky

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  For my latest Waiting on Wednesday, I highlight one of my most anticipated fantasy novels of 2026, The Grave of Perfection by Adrian Tchaikovsky.

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Over the last few years, I have become a massive fan of the constantly impressive Adrian Tchaikvosky, who is honestly one of the best current writers of fantasy and science fiction.  Known for his Shadows of the Apt, Children of Time, Echoes of the Fall and Final Architecture series, as well as several awesome standalone novels, Tchaikovsky has a truly outstanding catalogue of works to his name. I personally have had the pleasure of reading several of his outstanding books, with entries like Service Model (one of my favourite books of 2024), Alien Clay, the novella Orges and the Warhammer 40,000 novel, Day of Ascension (one of my favourite Warhammer 40,000 novels) and more proving to be quite amazing.

However, my absolute favourite works of Tchaikovsky has to be his incredible Tyrant Philosophers series.  This gripping, brilliant and highly amusing series is set in a cool fantasy world filled with magic, gods and demons, all of which are being consumed by the Palleseen, an anti-religious empire of perfection-seeking fanatics who have been conquering the world through elaborate military and diplomatic action. The first four books in the series have been quite exceptional, including City of Last Chances and House of Open Wounds (one of my favourite books and audiobooks of 2023), Days of Shattered Faith (one of my favourite books and audiobooks of 2025) and Pretenders to the Throne of God (one of my favourite books and audiobooks from the first half of 2026), as well as the cool novella Lives of Bitter Rain.  I really love these elaborate and highly entertaining novels, each one loaded with new settings, which made me very excited for the fifth book in the series The Grave of Perfection.

Set for release in February 2027, The Grave of Perfection will conclude the Tyrant Philosophers series and bring an end to the ongoing storylines.  Taking the reader back to first setting of the series, The Grave of Perfection sees all the chaos that has been building up throughout the previous four books coming to a crashing crescendo.

Plot Synopsis:

In the final instalment of the Tyrant Philosophers quintet, award-winning author Adrian Tchaikovsky takes us back to Ilmar, the ‘City of Last Chances’, a decade after our story began. Has the Palleseen campaign to impose ‘perfection’ on a chaotically magical world reached breaking point?

It’s almost ten years since the Gownhall Rising, in which time the Palleseen grip on the city has only strengthened. Landmarks like the Mahanic Temple and even the Gownhall itself have been torn down to be replaced by Palleseen edifices. The Grove, gateway to the infinite wood and all the worlds beyond, is scheduled for destruction. Only the haunted Reproach remains too much for even the Pals to extinguish.

Istri is a playwright, writing plays contrary to perfection and keeping ahead of both the censors and her creditors. In a bad spot, she is commissioned by Fidel, the ‘Old Owl’ of the resistance, to write her last and greatest work. Innocent enough, except it is to be a play touching on the most forbidden topic, the Reproach itself.

Orlandt, soldier of fortune and Istri’s former lover, has been over a decade away from the city since fleeing into the Grove to escape the Pal occupation. Now he’s back, looking for familiar faces. But his past is always with him, what he did in the war, and what was done to him within the Wood.

Yasnic the ex-priest, the conjurer, the beloved of Hell, has come home to find his city under threat not just from the Palleseen, but other sinister sources. Meanwhile the factory demons are working to rule, the old Gownhall site has been occupied by a familiar band of foreign soldiers, and the Palleseen Commission is schisming into mutually-opposed factions whose squabbling has finally reached Ilmar.

As Palleseen control of the city fractures and the terrible details of Fidel’s plan become clear, the destinies of all these disparate groups and individuals are set to collide in a war for the future of Ilmar, and of the whole Palleseen Sway.

Well now, this sounds particularly epic.  I always knew that the final Tyrant Philosophers book was going to be amazing, but the plot for The Grave of Perfection has a lot of cool details to it that I’m excited for.  Watching the inevitable fall of the Palleseen start at the city of Ilmar, which was the setting of the first entry in the series, is going to be amazing, and I’m really keen to see how much has changed since the events of the first book, especially as there have been wars, revolutions and schisms.  It sounds like Tchaikovsky intends to reintroduce this entire city again and then bring everything crashing down, which is something I’m extremely excited to witness.  Everything above hints at a particularly cool story for The Grave of Perfection and it’s one I’m keen to read.

In addition to the awesome plot notes hinted above, I’m also very intrigued in seeing all the excellent character-driven story arcs in The Grave of Perfection unfold.  The above synopsis hints at a lot of compelling characters that will be featured in this book, including a mixture of familiar faces and new protagonists, and I have no doubt there will be some brilliantly moving and complex storylines contained within.  Of particular interest to me is the return of Yasnic, who has served as the main recurring protagonist of this series.  A lot has happened to Yasnic since his first appearance, such as losing his religion and finding love in the very worst of places, and it will be fascinating to see what happens when he returns home with all his new skills and confidence.  After breaking our hearts with Yasnic’s plight in previous books, I’m a little worried about what Tchaikovsky has planned for the character in this final Tyrant Philosophers novel, but I am sure it will be engrossing and highly emotional no matter what.

After powering through all four previous books in this series, I can guarantee that I will be reading Adrian Tchaikovsky’s The Grave of Perfection the very second it is released next year.  There is no way that Tchaikovsky isn’t pulling together another complex and emotionally charged story, and I cannot wait to see all the clever twists and unique plot threads that come together into a beautiful complete narrative.  The Grave of Perfection will likely end up being one of my favourite books (and audiobooks depending on what format I read it in) of 2027, and I cannot wait to read this epic upcoming book.

He Who Fights With Monsters: Adventurer by Travis Deverell (Shirtaloon)

Publisher: Michael Joseph (Trade Paperback – 15 September 2026, originally published 18 May 2021)

Series: He Who Fights With Monsters – Volume Two

Length: 607 pages

My Rating: 5 out of 5 stars

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After falling in love with the first book in Travis Deverell’s He Who Fights With Monsters series, I just had to check out the second volume, Adventurer, which proved to be just as fun, entertaining and addictive as the first entry.

Readers of this blog may remember a couple of months ago I became obsessed with the amazing first volume of the impressive He Who Fights With Monsters LitRPG series.  Written by Australian author Travis Deverell (also known as Shirtaloon), the first volume of the He Who Fights With Monsters series was originally released several years ago but has since been republished in paperback by Penguin.  This series followed an Australian protagonist, Jason Asano, who becomes a deadly fantasy adventurer after being pulled into an alternate version of Earth filled with magic, monsters and all manner of carnage.

The first volume of this series, recently titled Outworlder, served as an excellent introduction to the protagonist, multiple supporting characters, and Deverell’s fantastic fantasy world.  I had a wonderful time with this initial book’s story, which saw Jason learn to become an adventurer as he gets involved with monster slaying, politics, local crime and larger conspiracies.  While a little rough in places, I ended up absolutely powering through this first volume, and I found it to be an extremely fun and impressive piece of LitRPG.  Due to how much pure enjoyment I got from the first He Who Fights With Monsters book, I made sure to grab a copy of the second volume when it was released, and boy was I glad that I did.

Plot Synopsis:

The path from retail middle management to interdimensional wizard adventurer wasn’t easy, but Jason Asano is settling into his new life.

Now, a contest draws young elites to the city of Greenstone, competing for a grand prize. Jason must gather a band of companions if he is to stand a chance against the best the world has to offer.

While the young adventurers are caught up in competition, the city leaders deal with revelations of betrayal as a vast and terrible enemy is revealed. Jason thinks he’s on the sidelines—until it becomes clear he’s already crossed the wrong path. With allies and enemies closing in, one thing is certain: this contest is only the beginning, and the coming conflict will change everything.

Now this was a very cool and relentlessly fun sequel.  This second volume of He Who Fights With Monsters, titled Adventurer, ended up being a particularly addictive read as Deverell loaded it up with a great story, zany humour and clever fantasy LitRPG elements.  I couldn’t stop reading Adventurer at times, and because I powered through all 600+ pages in only a couple of days (which is impressive even for me), I must give this second volume a full five-star rating.

I had an absolute blast getting through Adventurer’s fantastic story, which brings together a range of intriguing plot elements into one brilliant tale of adventure and action.  Once again primarily set in the city of Greenstone, Adventurer’s narrative mostly focuses on protagonist Jason Asano, former Australian retail worker turned interdimensional badass, as he and his friends are still reeling from the death of one of their own at the end of the last book.  Determined to become a better adventurer, Jason focuses on the latest complication in his unusual life, the captured thief Sophie, who, thanks to political intrigue and bad luck, has gained the protection she needs by becoming Jason’s indentured servant (in a mostly non-weird way).  Needing to keep her safe, Jason works to make Sophie an adventurer, and much of the first half of Adventurer sees Jason and his friends training Sophie while also forming a new adventuring party.  At the same time, Deverell works in a compelling side story that sees much of the supporting cast investigating the mysterious interdimensional army that attacked the Greenstone adventurer expedition at the end of Outworlder, revealing a large-scale conspiracy that could destroy the entirety of this magical world.

This first half of Adventurer really drags the reader in, and you are soon quite absorbed in the various ongoing storylines.  The plot around Sophie and her attempts to become an adventurer matches Jason’s training in Outworlder, and it was nice to still get an outsider/trainee perspective on the rules of magic and adventuring.  This training element worked well with the book’s entertaining personal dynamics as Jason forms a team with Sophie and some of their other friends and associates, brought together utilising Jason’s chaotic, yet persuasive manner.  At the same time, Deverell also ensures that there are some storylines going for all the extensive supporting cast, and the separate exploits of several of these characters worked well alongside the main story focused on Jason.  I appreciated how well the author fell back on elements from the first book, even some of the more obscure inclusions, and many of these previous hints are cleverly built into the overlying conspiracy that was a big part of Adventurer’s plot.

While I had a brilliant time with the first part of Adventurer, the second half of the book is where things really kick off and drag the reader in.  Indeed, I read the entirety of this second half of Adventurer in a single day, I was that damn hooked.  Much of this is because the main story follows Jason, his team, and several other major supporting characters as they enter a magical competition for rising adventurers.  Essentially split up throughout a dungeon with many other aspiring adventurers, Jason and his team need to fight through an array of monsters and rivals to participate in the main trial of the competition.  This keeps you extremely hooked, as you are drawn into an extended session of action, exploration and advancement, with some interesting combinations of supporting characters coming together into impromptu groups.  This entire extended sequence was so damn good, and while the winner of the trials isn’t especially surprising, the journey to get there is so much fun and wraps up a lot of key storylines from this second volume.  This proves to be a particularly awesome main plot sequence for this volume, and I loved how it turned out.  I also enjoyed how there was still a little bit of Adventurer left after this dungeon sequence, with the author taking some time to showcase the gains following this major arc, while providing some build-up to the third novel.  While this slightly slows the story down at the end, it ensures that the main cast have all their new abilities ready for the next entry, and this will very much appeal to those readers who enjoy the nuances of the LitRPG genre.  Deverell does make sure to keep some intensity going with a big cliffhanger around a major supporting character, while other threats to Jason and the larger world continue to grow, and by the time you finish Adventurer, you are extremely ready for more He Who Fights With Monsters fun.

I had an amazing time with this second He Who Fights With Monsters book, especially as I felt that Adventurer was a better written novel than Outworlder, with Deverell improving as an author.  The author did a great job building on the best elements of the first book, like the worldbuilding and cool fantasy elements, and there was once again a fantastic blend of adventure, personal growth and underlying intrigue to draw the reader in.  I particularly love the effective way in which the LitRPG elements of the setting are incorporated into the story, and the resulting carnage from the distinctive magical system allowed for some intense scenes, especially in the well-structured and intense extended dungeon sequence, which really was a brilliant highlight of Adventurer. At the same time, most of the rough edges I noted in the first He Who Fights With Monsters novel where gone, allowing for a smoother read, especially as I was also more familiar with the author’s writing style.  I was particularly happy that the weird formatting issues that bugged me in the first book were missing, which was a major relief.

Another thing I appreciated about Adventurer was how well Deverell set it up as a sequel to Outworlder.  While LitRPG sequels tend to just be continuations of the first book without much variation, there was a clear plot delineation between the events of Adventurer and Outworlder, which ensures that it feels like an entirely separate novel.  There is also a great continuation and expansion of many of the story elements, world building and the magical system throughout Adventurer, all of which expands in some compelling and intriguing ways.  Naturally, this does mean that Adventurer is going to be a lot easier to read for those people who already checked out the first He Who Fights With Monsters novel, especially as this sequel starts right after the climactic battle of Outworlder.  However, I did think that Deverell’s writing style in Adventurer would allow new readers to start exploring this series with the second book if they wanted to, especially as there are some recaps about the magical system and character arcs. Still, I would recommend reading Outworlder first, as it will allow you to enjoy the entire He Who Fights With Monsters series a lot more.

As with the first He Who Fights With Monsters book, Adventurer features a huge cast of characters whose adventures form the basis for the plot.  Most of the attention of this book is once again on series protagonist Jason Asano, an Australian retail worker who was dragged to this world of magic and monsters thanks to a summoning ritual gone bad and is now making a new life as an adventurer.  As I mentioned in my review of Outlander, Jason is a complex and unique protagonist who projects an outer layer of silliness and seeming insanity to everyone around him.  However, deep down he is a far more collected and shrewd person who has not only already mastered adventuring but is thriving in this new world thanks to his unrivalled ability to empathise with and manipulate everyone he meets.  His anti-authority streak also comes into play a lot in this novel, and it was fun to see him interact with fantasy beings who usually appreciate a hierarchy (although the amused reactions of several gods to this is quite entertaining).  While I can see how some readers might not enjoy Jason as a character for being too over-the-top or a little preachy with his attitudes, for the most part he is great, and much of the book’s humour comes from his various crazy interactions.  I enjoyed how Deverell provided a bit more of a look at Jason’s past in this novel, including how his feelings of inadequacy towards his brother resulted in his current persona.  There was also some compelling focus on how Jason has finally found his calling and friends in this new world, and it will be interesting to see how future storylines that involve him returning to Earth will play into that.

While most of the book is focused specifically on Jason and his adventures, there are a huge number of additional supporting characters in this novel, including most of the cast of the first book, as well as several interesting new figures.  While in some ways the cast of this novel is too big (I must admit that I sometimes lost track of who was who, especially as they all have normal names rather than memorable fantasy ones), it was fascinating to see the various interactions and specific storylines that emerged around them.  Deverell expertly follows various cast members throughout the book, including Jason’s original companions, members of his new team, various key figures of Greenstone who Jason has interacted with, and even a few antagonists.  The third-person perspective of He Who Fights With Monsters really helped to ensure that Deverell could effectively showcase storylines around these characters without Jason needing to be there.  A good example of this occurred during the major dungeon arc of Adventurer, where most of the cast were across a large space and couldn’t communicate with each other.  This resulted in the various members of Jason’s usual party and other supporting characters being forced to team up with other new adventurers, and it was interesting to see how each character was able to work with people they had never dealt with before.

Supporting cast highlights of this book included Jason’s student/indentured servant Sophie, who fills an important role as the rookie adventurer in this story.  A generally untrusting figure, Sophie finds herself forced to work with Jason, and there was a good focus on her uncertainty about Jason’s motivations.  This allowed for some intriguing interactions alongside the interesting examination of Sophie’s abilities as an adventurer, and I felt that she worked well as a serious foil to the usually silly Jason.  The team that Jason and Sophie help form in this book were also a fun group of supporting characters from the first book, and it was interesting see their teamwork grow throughout the novel.  Jason’s friend and mentor Rufus Remore also gets a compelling arc in this book, as he feels guilty for the death of his team member Farrah at the end of Outworlder, and spends much of the story determined to find the one responsible.  These, and many other character storylines, ensured that a range of different plot points and bits of character growth in this novel, and it was fun following so many figures that had great introductions in the first novel.

The He Who Fights With Monsters series continues to impress me, with this second entry, Adventurer, proving to be a particularly addictive read.  Travis Deverell did an exceptional job with Adventurer, and I had such a brilliant time getting through this novel.  I really am not exaggerating with just how hard I found it to stop reading this outstanding novel, and I got through it so damn quickly.  Due to this, I’ve pretty much committed myself to reading the entire He Who Fights With Monsters series in order as soon as I can (a big commitment considering that the 13th book just came out).  Indeed, I’ve already ordered the third book in the series, titled Hero, and I will probably start reading it the second I get my hands on it next week, which really goes to show just how much I am enjoying Deverell’s amazing novels.

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The Daughter’s War by Christopher Buehlman

Publisher: Gollancz (Hardcover – 25 June 2024)

Series: Blacktongue series – Book 0 

Length: 389 pages

My Rating: 4.5 out 5 stars

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Prepare for the most brutal of wars with the intense and impressive fantasy prequel from Christopher Buehlman, The Daughter’s War, an intriguing read that dives into the early life of one of the author’s more complex characters.

Most fantasy fans will be aware of author Christopher Buehlman, who has been very popular since 2021 when he released the acclaimed novel The Blacktongue Thief.  An elaborate dark fantasy adventure story set in a series of human nations recovering from a devastating total war against goblins, The Blacktongue Thief was an exceptional read that very much lives up to the hype around it.  I had the pleasure of finally reading The Blacktongue Thief earlier this year, and after finishing it I attempted to find a copy of the 2024 prequel novel, The Daughter’s War.  After a long search through many second-hand bookshops in Australia, I was eventually able to find a wonderful hardcover copy of The Daughter’s War at the tail end of a road trip (thank you Wyrdbooks in Wentworth Falls), and I just got the chance to read it.  A brutal war novel, The Daughter’s War was a great read that provides some additional history around a fantastic character from the first book in the series.

Plot Synopsis:

The goblins have killed all of our horses and most of our men.

They have enslaved our cities, burned our fields, and still they wage war.

Now, our daughters take up arms.

Galva ― Galvicha to her three brothers, two of whom the goblins will kill ― has defied her family’s wishes and joined the army’s untested new unit, the Raven Knights. They march toward a once-beautiful city overrun by the goblin horde, accompanied by scores of giant war corvids. Made with the darkest magics, these fearsome black birds may hold the key to stopping the goblins in their war to make cattle of mankind.

The road to victory is bloody, and goblins are clever and merciless. The Raven Knights can take nothing for granted ― not the bonds of family, nor the wisdom of their leaders, nor their own safety against the dangerous war birds at their side. But some hopes are worth any risk.

Buehlman brings the carnage in this compelling prequel novel.  The Daughter’s War was an interesting and action-packed addition to this cool fantasy series that tells a powerful character-driven narrative, while also cleverly expanding on the lore his unique fantasy universe.  A wonderfully dark and addictive novel, The Daughter’s War was an outstanding read you’ll have a hard time pulling away from.

I very much enjoyed the prequel narrative that Buehlman set for The Daughter’s War, especially as the author sets out a gritty war story rather than the classic adventure narrative in The Blacktongue Thief.  Set several years before the events of The Blacktongue Thief, The Daughter’s War follows young noblewoman Galva dom Braga, the striking character from the first book who was introduced as a scarred war veteran and death worshipper.  However, in this prequel Galva is a more innocent and hopeful figure who has volunteered to fight in the Daughter’s War against the goblins, so called because most of the new soldiers are women after most of the men died in the previous goblin wars.  A member of the experimental Corvid Knights unit, an all-female band of warriors who fight alongside giant, magically mutated ravens, Galva travels to the goblin occupied nation of Gallardia, and fights in some of the most brutal battles of this latest war.

Told in a chronicle format primarily from Galva’s perspective, The Daughter’s War starts off with an effective reintroduction to Galva and starts to showcase the various complexities of her early life that you never saw in The Blacktongue Thief.  This includes familial responsibilities and drama when she is reunited with her three brothers, each of whom is participating in the war in different ways.  Buehlman soon embarks on the full intensity of his war story as Galva and her companions head towards the inevitable battles and tragedy to come.  There is a good pace to this story, as the author expands the setting while slowly introducing both the protagonist and the reader to the horrors of war and the goblin enemies.  After several smaller battles, and the build-up of several additional problems around Galva, you soon get your taste of the first true combat, which also introduces readers to even more complexity for the protagonist as she meets her love interest from The Blacktongue Thief for the first time.

After a more emotionally charged centre to the story, the second half of The Daughter’s War is defined by true brutality, as the protagonist and her comrades encounter the wrath of the goblins.  Buehlman is in his dark fantasy element when it comes to this second half of the book, and he excels at highlight the horrors of the war through Galva’s constantly hardening eyes.  After an escalating series of tragedies, there is a major battle sequence that was a highlight of the book, and which sets the protagonist down a darker path.  This change in characterisation is showcased in the book’s climatic sequence, where Galva asserts herself in all the best ways, and becomes the figure we knew from The Blacktongue Thief.  Throw in some intriguing wrap up which helps to bridge the gap between this book and The Blacktongue Thief, and this ended up being an outstanding prequel narrative, guaranteed to keep you hooked to the end.

I enjoyed how Buehlman utilised a different writing style for The Daughter’s War, which helped it stand out as its own novel.  Rather than utilising the active first-person style of The Blacktongue Thief, this novel is told in a chronicle format, as Galva recounts her memories of the war to an unseen character (the protagonist of the first book).  Primarily told from Galva’s immediate perspective, Buehlman also utilises several in-universe documents and letters, as well as other inclusions and rogue memories to paint a wider picture of events and help to recount the larger war.  This chronicle style highlighted that The Daughter’s War was very much a prequel novel, and the author did an amazing job emulating the feel of a veteran recounting their most personal war story.  This includes working in a sense of regret and sadness from the very first page, as the protagonist/writer lays down hints about the tragedies to come.  This focus on the past ensures that The Daughter’s War works well as a prequel to The Blacktongue Thief, and readers have a choice of either enjoying this book after The Blacktongue Thief to see how the protagonist got the way she did, or by reading it first and then exploring the aftermath of the war with the original book in the series (with some potential spoilers).  I will admit that, thanks to its unique style and narrative structure, The Daughter’s War might not be for every fantasy reader out there, especially those who enjoyed the more straightforward and humour-laden style of The Blacktongue Thief.  However, for those looking for an intense and darker character-focused read with some epic and brutal battle sequences, The Daughter’s War has a lot to offer.

One of my favourite things about the original book in this series was the elaborate and dark fantasy world that Buehlman invented as the background for The Blacktongue Thief’s story.  The various human nations still diminished and feeling the impact of the goblin wars made for a striking and bleak setting, and I loved following the protagonists on the map as they made their way across the continent.  This setting was also a highlight of this prequel, especially as the author uses The Daughter’s War to provide an extended look at new parts of the world, while also showcasing some of the dark history mentioned in The Blacktongue Thief.  Readers follow the sprawling campaign through the invaded kingdom of Gallardia and get to appreciate the dark impacts war has had on it.  Multiple other kingdoms from the larger continent setting of the series are also represented in other ways, primarily from their soldiers fighting in the war, and the author’s portrayals of the different combat styles of these nations was very compelling.  Additional details about the protagonist’s home country of Ispanthia, which was talked about but not seen in The Blacktongue Thief, were also mentioned here, and this context helps to expand on the character’s origins.

While the focus on the human participants in the war is excellent, Buehlman’s portrayal of the goblin antagonists is particularly awesome.  Already shown as deadly and malicious creatures when nominally at peace in The Blacktongue Thief, the author does not hold back showcasing their true nature in this prequel as you see the goblins at their full war savagery.  The scenes showing them fighting against human soldiers are so damn brutal, and their varying tactics, weapons and counters to traditional warfare add some major impact to the impressive battle sequences.  However, it is the examination of how they treat humans, especially humans they have captured or conquered, that really showcases how terrifying the goblins are, with the goblins essentially considering them to be cattle that they can drug, mutilate, eat and find various uses for (human skin sails and mutated human warriors are a striking inclusion).  This portrayal of the goblin ruthlessness really ups the stakes of The Daughter’s War, and it was very fun to have an antagonist group that is so irredeemably evil.  These outstanding elements of the setting were perfectly utilised in Buehlman’s darker fantasy narrative, and I really appreciated this look at the war that caused all the scars in the original novel.

In addition to cool setting and dark fantasy features, another great highlight of The Daughter’s War was the author’s excellent character work, especially around protagonist Galva dom Braga, who enters the war as a hopeful Corvid Knight, leading two magically enhanced ravens into battle alongside her sister knights.  Buehlman does an excellent job showcasing the young noblewoman in a very different light than when you see her in The Blacktongue Thief, as through her own telling, she was a somewhat naïve and uncertain figure with no experience of war.  Thanks to the horrors of battle, interactions with several supporting characters, and various tragedies involving her three brothers, Galva is slowly turned into the experienced and death-worshipping figure that we encountered in the original novel, and I really appreciated the gradual and understandable transition that the author worked in.  The use of Galva as both the main character and the narrator recounting her most brutal memories allows for some powerful storytelling and she ended up being an excellent centre for this book.  Throw in some outstanding, if somewhat doomed, supporting characters, including comrades, rivals, cheeky talking ravens, an insane wizard, the princess Galva falls in love with, and her three brothers, each of whom has their own complex narrative in this book, and the cast of The Daughter’s War is extremely impressive and adds a lot to the overall story.  I’m extremely glad that Buehlman decided to provide all of Galva’s story in this prequel, and I cannot wait to see what happens with this eventually brooding warrior next.

Christopher Buehlman continues to showcase his skill for dark fantasy fiction in this impressive novel.  The Daughter’s War was an outstanding prequel to Buehlman’s The Blacktongue Thief, and I really appreciated the exploration of the past of his complex setting and one iconic scarred character.  Shocking, intense and filled with inevitable tragedy, The Daughter’s War comes highly recommended, and I am very glad I finally got the chance to read this book.  I cannot wait to see what happens in the upcoming third book in the series, The Thrice-Bound Fool, and I’m hoping to get that very soon.

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Everybody Wants to Rule the World Except Me by Django Wexler

Publisher: Orbit (Trade Paperback – 27 May 2025)

Series: Dark Lord Davi Duology – Book Two

Length: 327 pages

My Rating: 4.5 out of 5 stars

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If you are in the mood for some compelling fantasy fiction with some bonkers humour behind it, make sure to check out the 2025 novel, Everybody Wants to Rule the World Except Me by Django Wexler, a fantastic and highly entertaining fantasy you can’t help but love.

Back in 2024, I had the very great pleasure of picking up the hilarious novel, How to Become the Dark Lord and Die Trying by Django Wexler.  The first book in his Dark Lord Davi duology, How to Become the Dark Lord and Die Trying was an amazing read that followed protagonist Davi, the fated hero of a fantasy realm who keeps dying and respawning with every failed attempt to save the humans of The Kingdom from an incoming monster horde led by a rotating array of leaders known as the Dark Lord.  After thousands of years spent dying in the most brutal of ways, Davi finally has enough and decides to instead try to become the new Dark Lord herself and win that way.  This amazing novel was honestly one of the funniest things I read in 2024, and I have so much love for the addictive story and impressive humour that Wexler loaded into it.  As such, I made sure to grab the sequel, Everybody Wants to Rule the World Except Me, as soon as I could last year, especially as it ended the duology.  While I did read and deeply enjoy Everybody Wants to Rule the World Except Me last year, I failed to write a review for it, which has been haunting me for nearly a year.  With Wexler’s latest novel, The Only Way Out Is Up, just released and in my reading queue, I had to pull together a review for Everybody Wants to Rule the World Except Me, so I can enjoy this new book guilt-free.

Plot Synopsis:

Dark Lord Davi rules the kingdom, but she must now break the time loop that binds her in this hilariously bloody conclusion to the Dark Lord Davi duology.

After countless failures (let’s not dwell on it), Davi has finally saved the kingdom from evil–by becoming the Dark Lord herself. But now, the hordes of wilders are at her command, and they still want blood. Human blood. And Davi’s not sure she can commit to the total extermination of humanity.

With restless armies at her doorstep, a treasonous duke scheming for power, and the legend of an ancient magician looming over her shoulder, Davi must find a way towards peace and uncover the truth behind her time loop if she is to bring harmony to the kingdom. Also, her girlfriend is mad at her. So, there’s that too.

Wexler did a wonderful job writing Everybody Wants to Rule the World Except Me, which contains a fantastic story with tons of humour and over-the-top moments.  Best read as a sequel to How to Become the Dark Lord and Die Trying, this follow-up perfectly wraps up the duology, while standing out in its own amazing way.

Once again following the duology’s titular protagonist Davi, the recently crowned Dark Lord of the wilders, Everybody Wants to Rule the World Except Me sees Davi try to mend the mistake of bringing together a horde of monsters.  To stop all the killing, Davi heads towards the Kingdom in advance of horde, hoping to negotiate a treaty.  However, rather than the usual nation that Davi has gained control of multiple times before, Davi instead finds that in the months she was away becoming the Dark Lord, the incompetent Duke Aster has taken over the Kingdom, while her usual love interest, Prince Johann, is already married to someone else.  With her horde nearly at the borders of the Kingdom, Davi needs to find a way to convince the humans to trust her. At the same time, Davi attempts to discover who or what is behind bringing her to this world and the constant time loops.

I loved the resulting story, as Wexler showcases an entertaining blend of politics and personal drama, as Davi and her orc girlfriend, Tsav, must attempt to control both sides of the war.  The first half of the story is particularly funny, as Davi is at her most entertaining, attempting to build credibility with the lords and adventurers of the Kingdom without the usual introduction of her magical mentor.  There are some brilliant moments here, with Davi’s ploys usually falling flat thanks to her manic personality, but her persistence and magical ability allow her to start making strides towards her goals.  At the same time, Davi and her friends start making progress uncovering the secrets of her origins in this world, which nicely builds on some hints that Wexler threw into the first book.  Naturally, things go to hell, as various antagonists force the war to go ahead, and Davi is forced to come up with some unusual solutions to the problems.  I love the crazy scenarios that Wexler envisions his protagonist coming up with, and the resulting carnage was very entertaining.  The author does an excellent job moving from there to the big reveal about the villain of the duology, and while the reveal of the ultimate manipulator isn’t too surprising, their identity and how it ties into Davi’s past is both clever and very dark.  This results in an epic, fun final confrontation which hits a lot of emotional high notes and is guaranteed to keep you hooked.  Readers will come away very satisfied with the resulting story, and I think that Wexler wrapped up this entire duology extremely well.

As with the first book in this duology, Everybody Wants to Rule the World Except Me was an excellently written novel that perfectly combined a compelling fantasy narrative with outrageous humour.  Told exclusively from the first-person perspective of the protagonist, much of the book’s humour is drawn from Davi’s oddball personality as she bombards the reader with an array of internal jokes, silly observations and half-remembered references from the real world.  This works to lighten most of the scenes in the book, and the contrast between dark fantasy events and the protagonist’s over-the-top or utterly insane responses, especially in the eyes of the other characters who have no idea what is going on or what she is referencing, will keep you laughing the entire way through.  Favourites for me include a fun The Lord of the Rings inspired attempt at magical intimidation, which was only slightly ruined by the protagonist’s bad sense of direction, as well as certain dastardly responses to other characters ploys.  Special mention once again goes to Wexler’s use of footnotes throughout Everybody Wants to Rule the World Except Me, which further enhanced the humour, and kept the readers on their toes as the book continued.

While Wexler tends to focus on unleashing his entertaining humour in this duology, there are a lot of other great elements to it that should be mentioned, such as the novel’s excellent character development.  This includes around Davi, who, after an untold number of time loops, had started to lose her humanity and had trouble seeing other beings as real.  Much of this book is her trying to maintain her sanity amid the chaos, and finally appreciating the connections she has made, both in her previous incarnations and in her current role as a dark lord.  I also must highlight Davi’s love interest, Tsav, an orc who accompanies Davi into the human kingdom in disguise.  While sharing Davi’s vision for peace between humans and wilders, Tsav is more wary, having grown up oppressed and hunted by human Guildblades her entire life.  Her attempts to fit in amongst the humans while witnessing them commit murderous acts against her kind is an interesting subplot that helps remind you just how dark parts of the setting are, even with all the humour.  This is honestly just the tip of the amazing character work in this novel, and when combined with other elements like the intriguing fantasy creatures, bonkers action and general insanity of Wexler’s writing, you get an impressive blend of elements that allows for a particularly addictive read.

Overall, Everybody Wants to Rule the World Except Me was an outstanding novel from Django Wexler, and one I should have reviewed earlier.  Serving as a great sequel to the author’s previous Dark Lord Davi novel, Everybody Wants to Rule the World Except Me utilises all the charm and humour of the first entry in the duology, allowing for a unique and exceedingly fun fantasy read.  As such, this duology comes highly recommended for those readers looking for an entertaining fantasy read that not only has some heart but will also make you laugh like crazy.   I am so excited to read Wexler’s next book after enjoying this series, and I am hoping to check out The Only Way Out is Up in the coming week.

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The Doubles by Jacob K. Gallagher

Publisher: Hachette Australia (Trade Paperback – 25 August 2026)

Series: Standalone/Book One

Length: 360 pages

My Rating: 4.5 out of 5 stars

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Australian author Jacob K. Gallagher drops one of the more distinctive fantasy debuts of 2026 with The Doubles, a captivating and inventive urban fantasy novel that makes amazing use of its rural Australian setting.

Plot Synopsis:

‘I remembered a dream I had been having: a mountain, covered in trees, swelling up out of a plain like a tidal wave. But peering out from the underbrush was a row of eyeless faces looking past me out into the endless expanse I knew was at my back.’

On the Liverpool Plains, near the town of Werris Creek, the Veil that separates the mortal realm from the Outside is wearing thin. Children have been disappearing and turning up dead. Someone – or something – is responsible; taking them from their beds in the middle of the night and sending a message no one can understand.

That’s all Kring knows when she gets the case. That’s all she needs to know.

Kring is no stranger to magic and monsters – her job as an Envoy for the Higher Powers is to banish Trespassers from our world. But this mission will push her capabilities to the limit, and bring back memories of a past she’d rather leave forgotten. Together with Dries, a local officer of magical law enforcement, she finds herself in a race against time to stop a demon from killing again. And once the demon finds what it’s looking for, things will get a whole lot worse …

The Doubles was an exciting and impressive first novel from Jacob K. Gallagher, a fellow Canberran who has jumped onto the fantasy scene in a big way with a complex Australian fantasy story.  Featuring a great urban fantasy narrative loaded with cool details and a distinctive local Australian setting, The Doubles was an excellent read that hooked me extremely quickly.

I had an amazing time with the cool story that Gallagher came up with for The Doubles, that brought together classic urban fantasy elements with the always awesome Australian outback setting.  Following protagonist Kring, an Australian human magic user who works as a monster hunter (known as an Envoy), for the Higher Powers (angels).  After a series of mysterious disappearances of several children, Kring is sent to the small town of Werris Creek in rural New South Wales Australia to investigate the potential appearance of a Trespasser, an invading being from another reality.  Gallagher does an excellent job setting up a lot of these early story elements for The Doubles, including a concise introduction to the magic system and the overarching supernatural governance of this world.

This early worldbuilding is soon backed up by a compelling mystery, as you become invested in discovering what is targeting indigenous children in the area around Werris Creek and replacing them with magical duplicates.  Teaming up with local magical law enforcement agent Dries, Kring is forced into a complex investigation, as they look at impacted locals, legends and the sinister nearby mountain that appears to be at the centre of the mystery.  Gallagher provides some excellent and compelling story elements as The Doubles continues, with Kring and Dries forced to compete with multiple magical attacks as they attempt to uncover the being responsible and destroy them.  The author also throws in some interesting personal struggles, as Kring is forced to deal with social interactions after years of fighting monsters, while Dries attempts to get a more human reaction out of Kring.  Everything leads up to a massive final confrontation that nicely wraps up this specific story, while also hinting at larger issues to come if Gallagher chooses to continue this series.  An overall excellent Australian fantasy story that is guaranteed to hook you with its tense magical action and overarching mystery.

I had an excellent time reading The Doubles, which I felt was both a great Australian debut, and one of the more distinctive fantasy novels of 2026.  The quick paced story loaded with magical mayhem was very addictive right off the bat, and Gallagher produced a great urban fantasy narrative, with humans in the modern world dealing with hidden magic and monsters.  The story contained an impressive blend of world-building, character development and a complex magical mystery, which Gallagher did an excellent job of blending together into a tight, cohesive narrative.  The central mystery was of particular note, and I quite enjoyed seeing the powerful dive into the local culture to uncover clues.  The well-written character development was also quite impressive, and the main duo of the powerful yet impersonal Kring and the more human Dries played off each other extremely well, and it was great to see their clashing views of magic and the risks of the investigation.

While I enjoyed the mystery and character elements of The Doubles, I felt that the highlight was the compelling fantasy elements and the overarching setting of the story.  Gallagher made use of a fun blend of more traditional western fantasy inclusions, such as angels, monsters from another realm, and a system of world-spanning magic rules, which helped to create a fascinating urban fantasy framework for the plot.  These elements are very well introduced, and the reader soon gets their head around many of this universe’s particular rules.  I quite enjoyed the interchange between the angelic Higher Powers who create the rules of magic and the human operated Null Legion that enforce it, especially as it caused some friction for the protagonist, who serves as the angel’s human agent.  Gallagher also created some compelling additional mystery by hinting at secrets and a potential conspiracy behind the Higher Powers, and there were some interesting unanswered questions at the end of this book that will likely bring me back for a sequel.

One thing that made all these fantastic supernatural elements even cooler to me was the way in which Gallagher expertly brought it into an Australian setting by having the protagonists hunt for monsters out in some iconic rural bush territory.  As an avid fantasy reader who reads a lot of Australian fiction, I can tell you that there aren’t enough mainstream fantasy novels out there that feature Australia as a key setting.  Gallagher more than made up for the lack of competition, cleverly portraying some real-life Australian locations and setting them up as the scene of a magical investigation.  A lot of cool elements from this setting, including its local mythology, the Aboriginal history, the isolated nature of the towns and all its local flavour are worked into the plot in some fun ways.  The resulting contrast from the more traditional fantasy inclusions and the local Australian elements was very intriguing and helped The Doubles to stand out as a very special read.

Overall, I had an outstanding time reading The Doubles, which was ended up being an amazing urban fantasy debut.  Jacob Gallagher really wrote something impressive with his first book, and I loved the great magical mystery out in the Australian wilderness.  I really hope that Gallagher choses to write a sequel to The Doubles at some point, as this really was one of the better Australian-set fantasy novels I have had the pleasure of reading.

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Waiting on Wednesday – Floralinda by Tamsyn Muir

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  In this latest Waiting on Wednesday, I check out a cool and enticing fantasy novel coming out next year with Floralinda by Tamsyn Muir.

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There are a lot of cool fantasy and science fiction authors out there who specialise in unique and distinctive stories.  However, one of the more popular at the moment is the talented Tamsyn Muir, who gained particular attention in recent years thanks to her Locked Tomb series.  Featuring an elaborate, galaxy-spanning narrative that follows several complex, space-faring lesbian necromancers, the Locked Tomb series is deeply compelling, with some great queer representation.  I had an outstanding time reading the first two books in the series, Gideon the Ninth and Harrow the Ninth, especially as they contained some impressive twists and clever swerves.

While I still need to read the third book in the Locked Tomb series, Nona the Ninth, I currently have my eye set on Muir’s next upcoming book, Floralinda.  A captivating new upcoming fantasy novel, Floralinda looks set to be a fun twist on the classic trapped princess story, which will see the princess in question forced to implement her own escape after all the princes sent to rescue her brutally die.  Set for release in July 2027, Floralinda has an intriguing plot behind it which I really love the sound of.

Plot Synopsis:

THE TOWER BROUGHT THEM TOGETHER. TRUE LOVE MADE THEM WORSE.

The princess in the tower is a classic for a reason. Witch kidnaps princess. Witch puts princess in tower guarded by monsters. Prince kills monsters, rescues princess: happily ever after, roll credits. Princess Floralinda’s story goes a little differently.

Her witch was an artiste, and she got carried away. After a dozen or so princes died on the very first floor, the rest decided there were easier paths to wedded bliss. So Floralinda sets out to rescue herself, armed only with a breadknife, a good upbringing, and a captive fairy named Cobweb.

THE ONLY WAY OUT IS DOWN

Unfortunately for Floralinda, the trouble with the tower is only beginning. On the outside, succession looms. The Fairy Courts call. A princess would have no hope of surviving all that is to come… but maybe a monster could.

The above story for Floralinda sounds extremely cool, and it is something that has definitely caught my attention.  A fun take on the classic trapped princess narrative that sees the princess have enough of her captivity and then fight down multiple levels of a monster-filled tower has a ton of potential, and I imagine that Muir will throw in multiple fun twists as the story continues.  This has the potential to get quite crazy, and I’m very curious to see the author’s first full foray into fantasy fiction, especially one filled with adventure, intrigue and a clever deconstruction of iconic fairy tale tropes.  It also helps that I haven’t had the chance to read Muir’s existing novella, Princess Floralinda and the Forty-Flight Tower, which the author apparently used as a base for this book, so I can check out Floralinda with no existing expectations.

Due to it’s awesome sounding plot, Floralinda is now one of the top fantasy releases in 2027 that I want to read.  Sure to be one of the more entertaining and unique fantasy novels of the year, Floralinda has so much potential, and I cannot wait to see how Tamsyn Muir’s next book turns out.  I have no doubt I’m going to love every second that the protagonist spends descending this crazy tower, and Floralinda is going to be such an incredible read.

He Who Fights With Monsters: Outworlder by Travis Deverell (Shirtaloon)

Publisher: Michael Joseph (Trade Paperback – 7 July 2026, originally published 23 February 2021)

Series: He Who Fights With Monsters – Volume One

Length: 755 pages

My Rating: 4.5 out of 5 stars

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Looking for something to scratch your LitRPG itch?  Then dive into the acclaimed world of He Who Fights With Monsters, the first entry in an impressive series from Australian author Travis Deverell.

Fantasy fiction has a lot of interesting subgenres to it, with one of the more distinctive being the popular LitRPG genre, which throws ordinary humans into RPG settings.  This often results in some awesome narratives, where self-aware characters attempt to survive in fantasy worlds where the game system and its components are part of the setting.  While I so far haven’t read a ton of LitRPG books, it is a subgenre that I’m getting a lot more into recently, especially as there are a ton of awesome and often bonkers LitRPG books out there.  It’s thanks to this interest in the wider LitRPG genre that I made sure to pick up a copy of the first volume of Travis Deverell’s He Who Fights With Monsters, a long-running series that is considered a major recent addition to LitRPG fiction.

Travis Deverell is an Australian author who rose to prominence through writing on the Royal Road web novel site.  Also known as Shirtaloon, Deverell’s work on Royal Road formed into the He Who Fights With Monsters series, which has previously been released through independent publishing.  I was lucky enough to receive a review copy of the new trade paperback first volume of He Who Fights With Monsters released by Penguin Random House Australia (through their Michael Joseph imprint), I was quite intrigued by its fun sounding plot.  As such, I eagerly dived into this first book (titled in this release as Outworlder), and swiftly got drawn into this cool new series.

Plot Synopsis:

It’s not an easy career jump, going from retail assistant manager to interdimensional adventurer. Jason doesn’t have much of a choice, though, when he wakes up naked confused in a world of mystery and magic.

It wasn’t prophecy that brought him here. He wasn’t chosen. It was the wrong place, the wrong time and the very, very wrong guy. The wizard who summoned him by accident does not react well.

In short order, Jason will have to fight monsters, face cultists, escape cannibals and find some pants, preferably not in that order.

The good news? He has powers. The bad news? They’re kind of evil.

With no idea where he is or what he’s doing, he’s going to need friends, and fast, because in this world, power isn’t just about magic and monsters.

Jason will have to deal with politicians, noble houses and crime lords to survive. He’ll need to master his powers, evil or not, hopefully without becoming the worst monster of all.

Now that was a particularly epic and ultra-fun read.  I must admit that I didn’t quite know what to expect from He Who Fights With Monsters, but I honestly loved every second I spent with it.  There was something about this great first volume that quickly drew me in, and I soon got stuck powering through the novel’s wildly entertaining and compelling story.  A remarkably addictive read that serves as an outstanding introduction to the He Who Fights With Monsters series, I am so very glad I got a copy of this book.

The plot behind this first volume of He Who Fights With Monsters was extremely fun and awesome, and I was really impressed with how effectively Deverell dragged me into the action.  Starting off with a classic LitRPG set-up, with protagonist Jason Asano awaking in a strange fantasy land with no idea how he got there.  Equipped with a gaming interface and character abilities, Jason is soon forced to fight off monsters and cannibalistic cultists in a series of escalating misadventures while trying to figure out what is going on.  I quite liked this start to the story, although I felt it didn’t get going until Jason met up with several fellow adventures who, after some mutual saving and unlikely victories, agree to help Jason and teach him about this new world.

From this initial starting point, Deverell soon creates a rich and complex larger narrative and surrounding setting, and the reader gets an excellent crash-course in the magical system, how the world is set up, an explanation for how Jason is there.  With no other option, Jason accompanies his new friends on a journey to a nearby major city, and starts the process to become an adventurer, which includes taking on quests, fighting monsters and finding his own unique magical style.  The author keeps building in more world-building elements in this first half of the book, and you start to get a better idea of Jason’s personality, as well as hints about future threats.  The plot gets particularly interesting once Jason arrives at this volume’s central location of Greenstone, a major city where Jason endeavours to become a professional adventurer and soon gets in embroiled with a whole new range of supporting characters.

While I did quite enjoy the first half of He Who Fights With Monsters, I think the second half was stronger as Deverell didn’t need to explain the key concepts of his world as much and instead was able to unleash Jason and his full personality onto the unsuspecting city.  Jason soon finds himself experiencing multiple challenges and threats as he joins the Adventurer’s Society and becomes a player in local politics.  At the same time, Deverell sets up several intriguing secondary storylines around the other supporting characters, which blend well with the main adventure.  There is some excellent progression in the protagonist’s abilities and insights in this second half of the book, and I found it quite amusing to try and deal with the various threats and influences of the city.  Several of the ongoing storylines set in Greenstone come together in impressive fashion towards the end of the novel, especially as there is an extended series of fights with a dangerous new threat.  The author throws in some last-minute tragedy, as well as some moments that hammer home the underlying issues of corruption and stupidity that Jason was fighting through most of the book.  I felt that this volume ended on an interesting and compelling note, and there are several open storylines left to explore in the next volume of the story.

I rather enjoyed the writing in He Who Fights With Monsters, although it was admittedly rough in places.  It was a little obvious that Deverell was writing for an online audience, which resulted in some interesting style choices, most of which you get used to as the book continues.  For example, I initially questioned the author’s choice of writing this story in the third person, as I felt that a first-person perspective would have been a better choice.  However, the author made this third-person perspective work, as it allowed him to set up several storylines outside of the Jason’s perspective, while also showcasing the supporting character’s view the protagonist.  This book also had a great flow to it, with lots of action, compelling worldbuilding, and some very entertaining sequences.

All this resulted in an excellent blend of excitement, intrigue and humour, which was honestly addictive enough to keep me coming back and power through the over 700 pages within this volume.  This very compelling writing allowed me to overlook a lot of the book’s initial roughness, although I cannot forgive the weird error that resulted in various sentences of the book having noticeably different spacing.  I’m not sure if this was an issue with the Penguin release of He Who Fights With Monsters, or it’s just been carried over from the online edition, but it kept taking me out of the story, especially as the first few times I thought it was a deliberate choice to attempt to show a character talking quickly.  Whatever it was, I hope it’s not in future volumes, as it looks quite amateurish next to the rest of the fantastic formatting and artwork.

On top of the exciting story, I felt that a major highlight of He Who Fights With Monsters was the compelling worldbuilding.  The author clearly put a lot of thought into this compelling new fantasy world, which serves as a mirror to ours, filled with monsters, adventurers and magic.  Many of these elements were quite clever in concept and utilisation, as Deverell did an outstanding job introducing all these ideas to the reader.  He Who Fights With Monsters’ magical system, which involves adventurers absorbing various essences and slowly unlocking abilities associated with them, was particularly clever and helped to standout.  This cool system allowed for the author to introduce to some interesting power combinations, especially for the protagonist, and you quickly get the hang of its peculiarities and enjoy all the possibilities around it.

I also was very impressed with how the author worked the LitRPG aspect of the book into the narrative, introducing a credible reason why the protagonist had a game interface into his head, and ensuring that his ability to accept quests, loot corpses and more, seemed quite natural in the context of the story.  This great use of the LitRPG concept, as well as making the setting a real world with real people rather than a video game, ensured that there were some real stakes to the story, and helped to turn it into a particularly captivating adventure.

Another very interesting part of the He Who Fights With Monsters are the characters, especially the protagonist Jason Asano, who I had heard in advance was a bit of a divisive figure for readers.  I initially didn’t see any issues with Jason, who at first seemed to be a typical fish-out-of-water fantasy protagonist whose lack of knowledge about what is going on allowed readers to learn about the world and magic system at the same pace.  Even after the initial parts of the book, Jason seemed liked an entertaining main character, with a quirky sense of humour and insights into the fantasy world born from gamer experience.

However, once you get to the part of the story set in Greenstone, I began to understand why some readers didn’t like him, as Deverell starts to showcase his ability to read people and manipulate them.  Despite being framed as a good guy, there is a certain arrogance behind how he interacts with a lot of characters, including being quite dismissive of well-established aspects of the new world he finds himself in.  Jason also came across as kind of conceited when it came to dealing with the inherent inequalities of the fantasy world.  While in a lot of cases this was justified, especially when dealing with incompetent or corrupt adventurers and nobles, it honestly came across as a little preachy at times.  Still, this slightly annoying character trait wasn’t enough to reduce my enjoyment of He Who Fights With Monsters, and I quite enjoyed seeing Jason develop as an adventurer.  While there is a certain amount of plot armour in how quickly he advances, I felt that Deverell hit the right mark in Jason’s development in this first book and ensured that it filled the bounds of a typical progressive fantasy book.  I especially liked the character build that Deverall gifted Jason, turning him into a shadowy affliction specialist with various evil-themed powers.  Watching Jason attempt to balance his pleasant nature with the scary abilities he needs to work with was a key part of the character’s arc in this first volume, and I think it was a compelling and memorable bit of character development.  I’m very curious to see Jason evolves as the series continues, and must highlight how fun it is to have an Australian character in a big fantasy series.

I do quickly want to mention the larger cast of this first He Who Fights With Monsters book, as Deverell introduces a large group of supporting characters throughout the novel.  While most of these characters are very overshadowed by Jason and his antics, there are still some entertaining or complex figures here, whose own personal storylines work into the large plot of the novel.  I quite enjoyed seeing some of their relevant storylines, and it also ensured the reader got several outsider perspectives of Jason and his actions, which helped to highlight just how weird the protagonist seems to the inhabitants of this new fantasy world.  Many of these characters were quite likeable, and I rather got attached to Jason’s initial party in this world, Rufus, Farrah and Gary (the three of whom get a short story at the end of this volume).  While there is no major named antagonist in this first book, Deverell introduces some fun secondary villains who serve as a good initial opponent for Jason alongside the multitude of monsters he faces, especially as he is forced to deal with politics, intrigue and criminal networks.  All these characters, and more, added a lot to the larger story, and the resulting interactions produced some great moments.

With a highly entertaining blend of action, complex world building and a certain chaotic energy, the first volume of Travis Deverell’s He Who Fights With Monsters proved to be an exceptional hit that I couldn’t stop thinking about.  Featuring an outstanding LitRPG adventure set around a compelling protagonist, He Who Fights With Monsters was really something special, and I really couldn’t stop reading it at times.  I’m definitely planning to keep reading this series now that I’ve powered through the first volume, and I cannot wait to see what crazy antics and moments happen in the rest of the series.

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Waiting on Wednesday – Termina Station by Nick Martell

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  For my latest Waiting on Wednesday post, I look at a unique and compelling new fantasy novel coming out in 2027 with Termina Station by Nick Martell.

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There have been some very talented fantasy authors who have gotten their start in the 2020s, but one of these authors who really stood out to me was the incredible Nick Martell.  Debuting in 2020, Martell impressed me right off the bat with The Kingdom of Liars.  The first book in his Legacy of the Mercenary King trilogy, The Kingdom of Liars was an exceptional fantasy novel that saw a damaged protagonist attempt to restore his disgraced family and uncover a conspiracy impacting his city.  I had such a great time with The Kingdom of Liars and it ended up being one of my favourite books, audiobooks and debuts of 2020.  Martell continued this excellent writing throughout the entirety of the Legacy of the Mercenary King series, with the following books, The Two-Faced Queen and The Voyage of the Forgotten, each being incredible reads. Indeed, The Two-Faced Queen was one of my favourite books and audiobooks of 2021, while The Voyage of the Forgotten was one of my favourite books of 2022.

After such a great opening trilogy, I made sure to keep an eye out for more books from Martell, and I was especially keen for some sort of sequel series that would follow some of the open storylines from the first series.  However, after a few years without any news from Martell and I was beginning to worry we might not see any more from him.  That changed earlier this week when by chance I found out that Martell had a new book coming out in 2027, Termina Station.

Termina Station, which is currently set for release in February 2027, is an intriguing new novel from Martell, which takes a protagonist on a unique sounding journey through life and death.  This new book has very compelling plot idea behind it, which should prove interesting to explore as it is a very different sort of fantasy adventure from Martell.

Plot Synopsis:

Joe Hill’sNOS4A2 meets Ray Bradbury’s Something Wicked This Way Comes in this captivating novel about a father trapped in Knowhere, a deadly border town between life and death, run by the sinister Mister Teeth.

When Roger falls asleep on the train after a long day at work, he’s shocked to learn he isn’t stuck at the end of the line. Instead, he emerges from the last stop to step out into the rainy gloom…in a place he’s never heard of: Knowhere, where monsters roam at night and the only way home is to travel through each of the five ringdoms to the very center. It is only there, at Termina Station, that he can take a train out of Knowhere and return to his wife and children.

But each ringdom has its own twisted logic, and the ticketmaster, Mister Teeth, isn’t keen on letting Roger out of Knowhere. With Mister Teeth’s son in tow, Roger hopes he has what it takes to puzzle his way out of each ringdom and face his demons in the process. But Mister Teeth is a powerful enemy, and he’ll do anything to stop his son from boarding the train at Termina Station.

Termina Station looks set to be a very curious and compelling new book, which is looks set to be very different from Martell’s previous epic-fantasy trilogy.  A standalone fantasy story about exploring a dark realm of death and mystery likely inspired by the protagonists’ own demons has a Stephen King-vibe to it (or Joe Hill as the above synopsis suggests), and I’ll be interested to see how Martell brings this about in Termina Station.  This will likely be a very personal, character-driven story, with the protagonist forced to overcome aspects of their past, and I’m curious to see how that ties into the more fantastic or horror-inspired aspects of the setting.  I’m also intrigued by the book’s villain, Mister Teeth, who has the potential to be a chilling and haunting figure, and I cannot wait to see them hunting the protagonist.  All this promises to be quite a cool story, and I know that Martell has the writing chops to really pull it together into something special.

If I’m being honest, the moment that I saw Nick Martell had a new book coming out, I knew I had to read it.  However, the above intriguing plot idea has also gotten me quite excited, and I am now very keen to read Termina Station.  Sure to be one of the more unique novels of early 2027, Termina Station is now very high on my to-read list for the new year, and I cannot wait to dive into it.

Waiting on Wednesday – Absolon Creed by R. S. Ford

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  For this week’s Waiting on Wednesday, I check out an awesome upcoming fantasy novel with Absolon Creed by R. S. Ford.

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I’m always in the mood for epic and dark fantasy reads and one of the more compelling sounding upcoming releases of 2026 is set to be released by R. S. Ford.  Ford is a veteran fantasy author who has previously written several intriguing series across the genres.  This includes his The Age of Uprising series (Engines of Empire), as well as some other excellent fantasy releases.  Readers may also be familiar with Ford’s contributions to the historical fiction genre under the alternate pen name of Richard Cullen, which includes his excellent Chronicles of the Black Lion series (Rebellion and Crusade).  I’ve had a great time with several of Ford’s previous novels; however, his next book has the potential to be his most exciting.

This new book is the fantastic sounding Absolon Creed, which is currently set for release in November 2026.  A grimdark fantasy novel with a compelling murder mystery centre, Absolon Creed sounds awesome, as it sets a monster-slaying knight on a quest to uncover a killer in city on the edge of ruin.  Everything about this novel, including its brutal setting, damaged protagonists and captivating plot, sounds incredible, and I have no doubt it is going to result in an outstanding read.  As such, I am extremely excited for Absolon Creed, and I have a feeling it is going to be a top fantasy novel of 2026.

Plot Synopsis:

A legendary soldier is the last line of defense between his city and monstrous chaos in this grimdark adventure from an unmissable voice in epic fantasy.

Bastion, the once-shining capital of Morrengard, teeters on the brink. Its grand spires are crumbling and its nobility fight over scraps, all while eldritch creatures stalk the streets. The only thing standing in the way of its utter destruction is the Order of Draken: a knightly order more brutal than the threats the city faces. And its most brutal champion… Absolon Creed.

When two nobles are found murdered in a manner most grotesque, suspicions arise about a traitor within the Order itself. Creed is tasked with investigating, and for his sins he is saddled with a partner: Guenivar Blackmere, a daughter of nobility and the Order’s newest, and most untested, initiate.

Together, they are plunged into Bastion’s fetid underbelly, where warlocks rub elbows with corrupt nobles and necromancers cavort with the dead. Guenivar must learn fast or perish under Creed’s cold tutelage. Her mentor is quick to anger, and about as friendly as a cornered wolf, but that is the only way to survive these unforgiving streets.

But as the investigation deepens, Guenivar discovers a secret about him that could shatter everything she believed about the order and its heroes. While Creed himself must defeat the ghosts he’s spent years trying to bury… before they bury Bastion itself.