How to Rule an Empire and Get Away with It by K. J. Parker

How to Rule an Empire and Get Away With It

Publisher: Orbit (Trade Paperback – 18 August 2020)

Series: The Siege – Book Two

Length: 357 pages

My Rating: 5 out of 5 stars

Prepare to laugh like crazy with How to Rule an Empire and Get Away with It by K. J. Parker, an intensely funny and clever fantasy read that was one of my most anticipated releases of 2020.

Several years after their home fell under a brutal and prolonged siege, the inhabitants of the City have settled into a new way of life.  There may be a vast army camped on the plains outside and the occasional catapult shot may demolish a house or two, but that does not mean that people cannot make some money and get on with their lives.  This includes Notker, an acclaimed actor, skilled lookalike and mediocre playwright, who scrapes a living by impersonating the rich and powerful of the City at parties while trying to get someone to pay him money for his latest play.  However, what Notker does not know is that fame, opportunity, and a rather large boulder are about to land in his lap.

When the City’s greatest hero and nominal leader, Lysimachus, secretly dies, his followers/handlers, desperate to stay in power, recruit Notker to play the role of a lifetime.  Impersonating Lysimachus, Notker continues to act as the city’s figurehead, allowing life to go on, and he even begins to think he has a handle on this simple job, until someone tries to murder him.  Now he finds himself in the midst of a brutal and ongoing power struggle as the various power players in the city attempt to manipulate him for their own ends resulting in him being crowned as Emperor of the entire Robur Empire (or what is left of it).

As Notker attempts to find some sanity within his home, he begins to understand what a fragile position the City is in.  With enemies surrounding them and the besiegers slowly overcoming the City’s defences, Notker needs to choose between making a run for it or trying to save the City.  But what difference can one very good actor make in a war?  If Notker has anything to do with it, everything!

How to Rule an Empire and Get Away with It is another spectacular and extremely entertaining fantasy novel from legendary fantasy writer, K. J. Parker.  Parker, a pseudonym of bestselling author Tom Holt, has written a vast catalogue of books over the years, including a substantial collection of humorous and satirical fantasy novels.  I first really got into Parker’s work last year when I was lucky enough to receive a copy of the awesome Sixteen Ways to Defend a Walled City, a very funny novel that focused on a conniving engineer as he thwarted a massive army through guile, tricky and a substantial amount of BS.  Sixteen Ways to Defend a Walled City was an amazing read and it was easily one of my favourite books of 2019.  As a result, I have been eagerly keeping an eye out for any additional releases from Parker and was very excited when I saw that How to Rule an Empire and Get Away with It was coming out.  I was especially intrigued when I learnt that this latest Parker novel was some form of sequel to Sixteen Ways to Defend a Walled City, and I was very, very happy when I got my copy of this latest book.

This new novel from Parker proved to be an extraordinary read and it was easily one of the funniest novels of 2020.  The author writes a clever, fast-paced and addictive story that utilises the author’s unique sense of humour to create a very entertaining piece of literature.  This is a very enjoyable read, and fans of Parker’s work will love that How to Rule an Empire and Get Away with It is a sequel to Sixteen Ways to Defend a Walled City, continuing some of the great storylines from the prior book.  I had an outstanding time reading this book and it gets an easy five-star review from me.

Parker presents another brilliant and witty story for How to Rule an Empire and Get Away with It that follows the adventures of another unlucky and jaded protagonist as he tries to survive the chaotic events unfolding around him.  Just like with Sixteen Ways to Defend a Walled City, this novel is written purely from the perspective of the protagonist as he chronicles his actions and personal history into a historical text.  This results in a very fast-paced and hilarious story, as the main character bounces from one bad situation to another, encountering plotters, ambitious politicians, angry crime bosses, dangerous invaders and one particular fierce actress who serves as Notker’s leading lady.  I absolutely loved the various outrageous and challenging situations that the protagonist finds himself in, and Parker does a fantastic job presenting them in a humorous way, showing how silly everything is and the various, clever and well-written solutions to these problems.  The entire story goes in some very fun and compelling directions and this ends up being an overall excellent narrative that is extremely well written.  I was able to predict the overall conclusion of the story somewhat in advance, but Parker did an amazing job setting it up and it resulted in a very entertaining and satisfying conclusion.  This was such an amazing story and I had an absolute blast getting through it, laughing my head off the entire time.

As part of this awesome and entertaining story, Parker sets up a whole new protagonist for this novel, Notker the liar.  Notker is another fun protagonist in a similar vein to the main character of Sixteen Ways to Defend a Walled City, in that he is a self-serving and opportunistic individual who is mostly looking out for his own wellbeing.  This changes once he takes on the assignment of impersonating the dim-witted but charismatic Lysimachus and soon finds himself responsible for the safety of the city.  While at first he is mostly trying to survive and find a way to escape from all the insanity and backstabbing that is his life, once he becomes more aware of the situation facing the City and the danger it is really in he begins to take on more responsibility, manipulating everyone so that they can start fighting a more effective war.  I really liked seeing this protagonist attempt to take control of the situation surrounding the City, especially as he appears to be one of the only sane people around.  Watching his various incredulous reactions to the problems presented to him and his various solutions, which are a combination of common-sense responses and brilliant but out-there tactics, is really entertaining.  I especially loved how Parker played up the actor/screenwriter aspect of the character as many of his greatest tricks are derived from theatre techniques, such as selling something to a crowd, misdirection or the value of good lighting.  There is also a great underlying aspect to the character as he pretends to be Lysimachus and he needs to strike a balance between responses that Lysimachus would have done and his own common sense and craftiness.  This compulsion to act like Lysimachus actually becomes a major problem for Notker as he enjoys being the heroic former gladiator and soon begins emulating him instead of acting in his usual manner of self-preservation.  All of this results in another complex and likeable central character who the reader cannot help but root for as he attempts to survive.  I really liked how Notker’s story progressed and it was a real joy to read about him from start to finish.

Another thing that I really enjoyed about this book was the way in which it acts as a fantastic and humorous follow-up to Sixteen Ways to Defend a Walled CityHow to Rule an Empire and Get Away with It is set in the same city as the author’s 2019 release, and the story begins a few years after the events of this proceeding novel.  This new novel mostly presents a new story, told from the perspective of a different protagonist, but it does have a lot of connections to the previous novel.  The individual Notker is impersonating, Lysimachus, was a side character in the first novel, serving as a bodyguard to the original protagonist.  In this book it is revealed that following Sixteen Ways to Defend a Walled City, Lysimachus, a champion gladiator and a revered public figure, was given all the credit for the original protagonist’s efforts following his death.  Parker does a fantastic job revealing this to the reader, and it is extremely fitting in the scope of the first novel as this original protagonist was always getting overshadowed and overestimated.  The author makes sure to really drive this point home by completely excluding the name of the previous protagonist throughout How to Rule an Empire and Get Away with It, just to emphasise how no one in the city truly remembers who he was or what he did, which is pretty darn hilarious.  The novel contains a number of fantastic references to the events that occurred with the previous book, including giving Notker a copy of the previous protagonist’s memoirs (which formed the basis of Sixteen Ways to Defend a Walled City).  Notker of course then provides his own witty two cents to this memoir, providing a writer’s critical analysis, including doubting some of the events that occurred, such as the coincidence around the protagonist being the childhood friend of the mastermind of the siege.  All of this definitely adds a lot to the book’s overall humour, and it is always entertaining to see an author make fun of his own work.

Despite these fun references and the continuation of some story elements from Parker’s previous book, How to Rule an Empire and Get Away with It is very much its own novel, taking the reader on a whole new fun adventure.  As a result, you really do not need to have read Sixteen Ways to Defend a Walled City first, although it is a lot of fun to see the previous book’s events lampooned in this novel.  Indeed, due to the fact that the protagonist and point-of-view character has no idea of the full events of the previous book, you get a good overview as everything is explained to him, which is fun.  Overall, this serves as a very entertaining sequel to this amazing previous book and I will be interested to see if Parker decides to continue the story in some way, which I have no doubt will be another incredible read.

How to Rule an Empire and Get Away with It is a truly awesome and enjoyable read, and author K. J. Parker lived up to all my expectations with this book.  Not only does it contain a captivating and addictive narrative anchored by a likeable and complex main character, but it is also intensely funny.  I loved every second that I spent reading How to Rule an Empire and Get Away with It, and this was without a doubt one of the best books that I have read this year.

Waiting on Wednesday – A Fool’s Hope by Mike Shackle

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings.  Stay tuned to see reviews of these books when I get a copy of them.   In my latest Waiting on Wednesday article I take a look at A Fool’s Hope by Mike Shackle, an intriguing upcoming fantasy novel that serves as a sequel to one of 2019’s best debuts.

A Fool's Hope Cover

Last year Mike Shackle burst onto the scene with the dark and exciting first entry in his The Last War fantasy series, We are the Dead, an outstanding read which followed a group of resistance fighters in a feudal Japan inspired fantasy nation that had been brutally conquered by its neighbours.  I did not get a chance to read We are the Dead when it came out, but I finally managed to listen to an audiobook version of the book a couple of months ago.  I absolutely loved its compelling story, damaged characters and intense action sequences, which resulted in an amazing and dark read.  As a result, I am now really looking forward to seeing how the series continues, and I’ll soon get my chance as the sequel, A Fool’s Hope, is coming out later this year.  A Fool’s Hope, which currently has a planned release in December 2020, looks set to continue the epic story started in We are the Dead, as the battle to free Jia from the Egril.

Goodreads Synopsis:

War takes everything.

From Tinnstra, it took her family and thrust her into a conflict she wanted only to avoid. Now her queen’s sole protector, she must give everything she has left to keep Zorique safe.

It has taken just as much from Jia’s revolutionaries. Dren and Jax – battered, tortured, once enemies themselves – now must hold strong against their bruised invaders, the Egril.

For the enemy intends to wipe Jia from the map. They may have lost a battle, but they are coming back. And if Tinnstra and her allies hope to survive, Jia’s heroes will need to be ready when they do.

The sequel to the darkly fantastic WE ARE THE DEAD: with more unflinching action, A FOOL’S HOPE sees Jia’s revolutionaries dig in their heels as they learn that wars aren’t won in a day.

I like the sound of this plot synopsis as it looks like A Fool’s Hope will continue to follow the main characters from the first novel, including the coward Tinnstra, the rebellious Dren and the damaged veteran Jax, as they play their part in the war against the Egril.  Based on the synopsis and where the story concluded in We are the Dead, I imagine that the book will have some split storylines, particularly with Tinnstra and her charge, the princess Zorique, seeking refuge in a neighbouring country, while Dren and Jax will continue their guerrilla war back in Jia.  No doubt this story will go in some new and dark directions as the inevitable Egril counterattack occurs and there will probably be some plots to take or corrupt Zorique which Tinnstra will have to deal with.  It also seems likely that this second book will explore the origins and potential of this world’s magical system, particularly as Zorique has the potential to be a powerful magic user and I look forward to seeing how this plays into the story.

One of the best things about We are the Dead was the diverse collection of compelling point-of-view characters who the story was focused upon.  Each of these characters was extremely damaged or broken due to the events of the war and all of them went through a lot of stuff in the first book, including torture, near-death experiences and immense growth as people.  I am therefore excited to see more of these characters in A Fool’s Hope and it will be extremely interesting to see where each of their individual storylines ends up.  You have to imagine that each of them will have to work through a lot of issues and trauma after the events of the first book and I look forward to seeing how they all develop.  I will be intrigued to see how much the other two point-of-view characters from We are the Dead will feature in this novel considering that neither were mentioned in the plot synopsis.  I will be particularly interested in seeing if the sadistic antagonist of the first book, the Egril Darus, returns for this second novel after he had his head chopped off (he has some fairly substantial regenerative powers, so I think he has a real possibility of coming back).  However, if he does not, I am sure that Shackle will introduce another compelling and sinister antagonist for the story, perhaps the mysterious leader of the Egril himself.  I cannot emphasise enough how much I am looking forward to diving back into the great storylines of this series’ fantastic characters, although I am a tad wary as We are the Dead had a rather high casualty rate and Shackle did sadistically hint when I reviewed his first book that some of the main characters may die in A Fool’s Hope.  Still, I think I will have to risk getting my heart broken as I really want to see how the sequel ends up.

A Fool’s Hope looks set to be a strong fantasy release for the end of the year and I am really looking forward to seeing how this book unfolds.  Based on how much fun I had reading the first novel in The Last War series, I know that I am going to have an incredible time reading A Fool’s Hope, and I cannot wait to see where Mike Shackle takes his fascinating story and captivating characters next.  This upcoming book has an amazing amount of potential and I am really excited it read it in a few short months.

Harrow the Ninth by Tamsyn Muir

Publisher: Recorded Books (Audiobook – 4 August 2020)

Series: The Locked Tomb – Book Two

Length: 19 hours and 51 minutes

My Rating: 5 out of 5 stars

Sensational author Tamsyn Muir follows up her incredible 2019 debut with another epic, complex and infinitely entertaining hybrid novel, Harrow the Ninth.

Tamsyn Muir burst onto the writing scene with a real vengeance last year with her debut novel, Gideon the Ninth, the first book in The Locked Tomb series.  Gideon the Ninth was an extremely clever and compelling novel that followed a group of spacefaring necromancers who were summoned to the house of their Emperor and god, and given an opportunity to learn from him and become Lyctors, immortal beings with immense necromantic power who are considered to be living saints.  What they instead found was a haunted manor filled with secrets, weird experiments and mysterious hints at the past.  The protagonist of this first novel was the titular Gideon, a smart assed, foul mouthed lesbian swordswoman who was reluctantly serving the necromantic lady of the Ninth House, Harrowhark Nonagesimus.  I absolutely loved Gideon the Ninth and it was easily one of my favourite debuts of 2019.  As a result, I was rather intrigued when I heard about its sequel, Harrow the Ninth (which, as you can see above, featured another intense and beautiful cover by the talented Tommy Arnold) and I eagerly grabbed an audiobook copy of it when it came out.  I have to say that I am extremely glad that I decided to do so as Harrow the Ninth turned out to be a truly outstanding book and I had an incredible time reading it.

Harrow the Ninth is set shortly after the dramatic conclusion to Gideon the Ninth and switches the focus of the novel over to Harrowhark, who has succeeded in becoming a Lyctor at great personal cost.  Now alone, mentally scarred and more powerful than ever, Harrow finds herself in the personal care of the Emperor of the Nine Houses, who is determined to use his new Lyctor in a deadly war against an ancient and powerful terror, a Resurrection Beast, the insane and vengeful ghost of a murdered planet.

Travelling to the Mithraeum, the Emperor’s isolated sanctum, Harrow finds herself trapped aboard a desolate space station with her god and her fellow Lyctors.  Each of her companions on the station has their own agenda and motive for being there, and all of them are seeking to use Harrow for their own ends.  Worse, as Harrow attempts to learn the full extent of her new powers and abilities, it becomes apparent that something has gone wrong with her transition to Lyctorhood.  Her body keeps failing her, her swordcraft is shoddy, her blade makes her nauseous and her mind keeps presenting her with impossible scenarios.

As the Resurrection Beast comes ever closer to the Mithraeum, Harrow desperately attempts to understand everything that is happening to her and learn how to survive the oncoming attack.  However, she finds herself distracted with the machinations and plots of her untrustworthy rival and the attitudes of her three ancient tutors, especially as at least one of them is trying to kill her.  Can Harrow unwrap all of the dark secrets that lie hidden on the Mithraeum before it is too late, or will the entire Empire fall into ruin before them?

Well damn, now that was a truly enjoyable and incredible read.  Harrow the Ninth is a complex, clever, entertaining and exceptionally well written novel that does an awesome job following on from Muir’s impressive first novel.  I had an absolutely amazing time reading this fantastic book, which I think in many ways is somewhat stronger than Gideon the Ninth.  Not only does Harrow the Ninth have a deeply captivating story that successfully utilises elements from a range of different genres, but it also features some memorable and compelling characters, excellent universe building and a magical system that really stands out thanks to its descriptive necromantic powers.  Harrow the Ninth also serves as a marvellous follow-up to Gideon the Ninth, continuing the clever story from the first book with the same distinctive tone and writing style, while also featuring an intriguing reimagining of prior events.  All of these makes for an epic read which gets a full five-star rating from me.

At the heart of this amazing novel is an intense and multilayered narrative that presents a compelling tale of love, tragedy, treachery and self-discovery.  The story is actually split into several distinct sections, with the main storyline focusing on Harrow after her transformation to Lyctorhood as she spends time in the Mithraeum with the Emperor and the other Lyctors.  This part of the book expertly jumps back and forth through time and is an extremely entertaining part of the book, detailing Harrow’s education under the Emperor and the other Lyctors and her attempts to survive the various internal politics, plots and personal chaos.  The other major part of the story shows a curious alternate version of the events of Gideon the Ninth, shown from Harrow’s point of view, made distinctive due to the complete lack of Gideon, who appears to be erased out of existence.  This alternate version of the prior book is a really intriguing part of Harrow the Ninth’s story, and while I was initially a little confused about why it was included and where Gideon had disappeared to, it proved to be an extremely clever and compelling part of the book, especially when everything becomes fully revealed.  Due to this reimagining of already existing narrative, as well as the continued references to the events of the first book, readers interested in checking out Harrow the Ninth really do need to have read Gideon the Ninth first, as the story gets a little confusing and significantly less impactful without this established knowledge.

These separate storylines complement each other is exceedingly cleverly.  This novel does start off a tad slow, but this is mainly because Muir is re-establishing the narrative from the previous book and loading up the front end of the story with hints and foreshadowing about the multitude or revelations that come throughout the course of the plot.  A lot of big events and reveals occur towards the end of Harrow the Ninth, including a few reveals that were hinted at in the previous novel, and I felt that the author set all of these up perfectly.  This results in an extremely epic conclusion to the novel and I was really impressed by how it all turned out.  This novel contains a unique blend of genres, as Harrow the Ninth features elements from the fantasy, science fiction, psychological thriller and murder mystery genres.  All of these disparate features work together extremely well in the story and it helps to produce a distinctive and entertaining narrative, especially as Muir adds on a rather good comedic edge.  The end result is a fascinating and exceedingly captivating overarching narrative, and I had an outstanding time getting pleasantly blindsided by the inventive twists and turns.

This excellent and unique story is expertly supported by a distinctive writing style that I felt did an amazing job enhancing the narrative.  Perhaps one of the most noticeable elements is the clever narration that accompanies the story.  While Harrow is the point of view character for most of the novel, she is not actually the one narrating the story.  Instead Harrow’s actions, emotions and thoughts are identified, summarised, and relayed back to Harrow by an unidentified second person narrator.  Naturally, this proved to be an interesting and unusual way to tell this story, although it works well in the context of the overall narrative, even if it takes a little to get used to.  This narrative format plays into certain character reveals and plot points of the novel and it makes a lot of sense once you get further into the book, with the style itself actually being a hint about what is happening with Harrow.  This narration style changes at a certain point towards the end of the book in accordance with certain plot developments and the subsequent deviation is clever and reminiscent of past events.  I also really must highlight the author’s extremely descriptive form of story writing, as every event, person or location is described in overly vivid detail.  Not only did this ensure that the reader got the full breadth of certain magical action and developments but it also helped to enhance the overall gothic feel of the book and ensure that reader was able to easily imagine the various locations the protagonist found themself in.  This really helped the story to shine and I have a lot of love for how Muir was able to work story elements into this style.

In addition to the great story that Muir has come up with for this book, Harrow the Ninth also boasts an impressive array of amazing characters.  The central protagonist is the titular Harrow, who takes over from Gideon as the main character after the first book.  Harrow is a vastly different character to Gideon as she has a much more subdued personality, less self-esteem, and a more restrained, subtler sense of humour.  Due to Gideon’s somewhat biased narration in the first novel Harrow was mostly viewed as an extremely arrogant, confident, and brilliant person, and this is how Harrow attempts to act throughout most of the novel.  However, certain vulnerabilities in Harrow’s character that were previously explored in Gideon the Ninth once again come to the fore in this second novel.  Harrow was already an extremely complex individual, having been birthed by dark magic, ended up being responsible for the death of her own parents and having an interesting love interest.  However, following her alteration into Lyctorhood, Harrow is a much more damaged person due to the absorption of her cavalier.  Harrow’s already fractured psyche is made even worse throughout the course of the book, as she sees all manner of things that are not there and has some very different ideas of the past or how she perceives the world.  In addition, Harrow bears an immense amount of guilt on her shoulders as a result of various events in her past and the many deaths on her conscience.  Harrow needs to work through all these issues throughout the course of the story if she has a chance to survive, and this becomes a major and dramatic part of the story that was really intriguing to explore.  I had an amazing time seeing the story primarily through Harrow’s eyes and it was a refreshing and compelling change of pace from the first book.

Harrow the Ninth also focuses on a great collection of supporting characters who add some intrigue and drama to the story.  Perhaps the most distinctive side characters in this novel are the five beings that Harrow finds herself trapped with aboard the Mithraeum, the Emperor of the Nine Houses and his four other Lyctors.  This is an extremely fascinating collection of people and much of the story revolves around Harrow’s unique interactions with them as each of them attempts to teach her, manipulate her or kill her at various points within the book.  These characters are really entertaining and distinctive, from the seemingly kind, patient, and infinitely calm Emperor, to the three ancient Lyctors, the cool and confident Augustine, the exceedingly self-involved Mercymorn and the ultra-focused and lethal Ortus.  In addition, we see the return of the manipulative Ianthe, who became a Lyctor at the same time as Harrow and who forms a very distinctive relationship with her throughout the course of the book.  I really enjoyed the complex interactions and relationships that forms between all of these characters (including some wild relationships between various participants), with the Emperor acting as the father figure, the three existing Lyctors portrayed as older siblings who have a complicated power dynamic with each other, while Ianthe and Harrow are the younger sisters learning the ropes from the others.

I also have to highlight the inclusion of several other characters who previously appeared in Gideon the Ninth.  It was rather intriguing to see many of these characters return, especially as most of them died or appeared to die in the prior novel.  Muir does a fantastic job working them into the fabric of this novel, such as by featuring some of them in the alternate version of the events of the first book, changing their roles and impacts on the story as a result.  I particularly enjoyed the extended role of Ortus, cavalier of the Ninth House.  Ortus, not to be confused with the Lyctor mentioned above (although the names are actually a clever clue to a big reveal), died early on in the events of Gideon the Ninth.  But in this book the dour Ortus serves as a fantastic yet reluctant companion to Harrow, with surprising hidden depths and an entertaining obsession with gloomy epic poems and verse.  He is also essentially the complete opposite to Gideon, resulting in a very different dynamic between necromancer and cavalier then we saw in the prior book.  Overall, I have to say that I was exceedingly impressed with the characters featured within this amazing novel.  Each of these complex and memorable characters added a heck of a lot to the story and it was deeply fascinating to see each of their storylines unravel and come to their compelling conclusions.

One of the major elements of this series that I love so much is the weird and wonderful necromantic magical system complements the science fiction of the book.  Pretty much all of the main characters in this book are powerful necromancers, specialising in a different form or style of necromantic magic.  All of this magic is extremely cool, and it was really awesome seeing it utilised in fight sequences and other scenes throughout the book.  Most of the magical elements revolve around Harrow’s bone magic, as she creates skeleton and bone constructs, manipulates her own bones to either enhance herself or detach them to make weapons or other creations, as well as elements of biological alteration.  Muir does an outstanding job explaining the full range of different powers that Harrow has, and there are some amazing scenes where the young necromancer does some really inventive and clever things with her bones.  There is one sequence in particular that sticks in the mind, and I’ll certainly remember it when eating soup in the future. 

In addition to Harrow’s abilities, Muir also showcases the creative and impactful abilities and magical powers that some of the other characters have.  These various abilities are all biological or spiritual in nature, and it was quite fun to see what the different necromancers can do, especially when they go up against Harrow’s bone magic.  All these magic scenes feature some rather vivid imagery and descriptions from Muir as she tries to show the full biological manipulations that are occurring, which really help to make these scenes pop.  The author also does a truly fascinating deep dive into the origins and mechanics of her unique magical system.  A lot of these new magical elements are explained to protagonist in some detail from one of her teachers, so the reader is able to understand these elements really well, and a lot of the lessons and explanations of magic have major impacts on the story down the line.  This proved to be an extremely interesting and enjoyable part of the book and I have a lot of love for Muir’s creativity when it comes to her version of necromantic magic.

I also have a lot of love for the distinctive gothic settings that Muir has imagined up for this series.  Each of the central story locations are filled up with all manner of dark and macabre trappings and features, which the author does a fantastic job bringing to life with her descriptive writing.  This includes the dreary and dark Mithraeum, a vast and mostly abandoned space station where most of the story takes place, as well as an alternate version of the First House that appeared in Gideon the Ninth.  All of these locations are described in great detail and each of these fun and distinctive settings helps to present a darker vibe to story and helps makes this series more unique and memorable as a result.  Harrow the Ninth also contains some rather captivating and inventive universe building expansions as the author attempts to introduce new things into her universe.  All of these extensions to this universe are really clever, playing into the story really well and I loved learning more about this fun fictional setting which does so much to enhance the story. 

I found that the audiobook format of Harrow the Ninth proved to be an excellent way to enjoy this amazing novel.  With a run length of just under 20 hours the Harrow the Ninth audiobook does require a bit of a commitment to get through it, although I felt that it was really worth the time investment.  I do have to admit that it took me a little while to finish this audiobook, especially at the start.  However, I absolutely flew through the second half of the novel once I became extremely invested in the story, and I managed to knock out the final six hours in rather short succession.  I have to highlight the fantastic narrator for this audiobook, Moria Quirk, who does an outstanding job telling the story and bringing the various characters to life.  I felt that Quirk utilised perfect voices for each of the main characters and you get a real sense of each character’s personalities and emotions from this vocal work, from the calm, composed tones of the Emperor to the exceedingly petulant voice of the Lyctor Mercymorn.  This excellent voice work really added a lot to this audiobook. I really think that Harrow the Ninth translates well into the audiobook format, and listening to it really added to my enjoyment of this second novel, especially as I absorbed a lot more of the detail and gothic atmosphere through the narration.

Harrow the Ninth by Tamsyn Muir was an epic and exceptional piece of fiction that I deeply enjoyed, and which comes highly recommended.  Not only did Muir present an impressive follow-up to her amazing debut novel, Gideon the Ninth, but she was able to turn out a complex and beautifully written sequel that proved extremely hard to stop listening to.  Powerful, cleverly written and just generally outrageous, Harrow the Ninth is an outstanding read and you have no discovered Tamysn Muir and her fantastic pieces of literature, you are really missing out. 

Queen of Storms by Raymond E. Feist

Queen of Storms Cover

Publisher: Harper Voyager (Hardcover – 14 July 2020)

Series: The Firemane Saga – Book Two

Length: 471 pages

My Rating: 4.5 out of 5 stars

Legendary fantasy author Raymond E. Feist returns to his new series, The Firemane Saga, with Queen of Storms, an amazing and exciting fantasy novel that takes the reader on some intriguing adventures.

I have long been a fan of Raymond E. Feist and his epic works of fantasy.  His long-running Riftwar Cycle books were amongst some of the first fantasy novels that I ever read and many of them, including the excellent Empire trilogy that he cowrote with Janny Wurts, are still some of my favourite books of all time.  After finalising the Riftwar Cycle back in 2013, Feist released King of Ashes in 2018, which was the first book in The Firemane Saga.  I really enjoyed the fun and compelling new story featured within King of Ashes, and I have been looking forward to seeing how the series continued for a while now.  This second book, Queen of Storms, continues right after the events of King of Ashes and has some intriguing new twists and turns for readers.

In the ancient and magical world of Garn, war is coming to continent of Tembria and its first blow will fall on the trading town of Bernan’s Hill.  Many people call Bernan’s Hill home, but none are more mysterious than the new owners of the town’s inn, Hatushaly and his wife Hava.  Despite their simple outward appearances, Hatu and Hava were born on the secret island of Coaltachin and both serve their continent-spanning criminal and spy network.  A series of mysterious events have been occurring throughout the kingdoms and lands of Tembria, and Hatu and Hava are tasked with observing Bernan’s Hill and reporting anything out of the ordinary.

Having befriended the town’s blacksmith, Declan, Hatu and Hava appear content in their new lives and are they are planning to be officially married during the midsummer festival.  However, even their training and information will not prepare them for the horrors that are about to be visited upon Bernan’s Hill, as a new and mysterious force attacks without warning, plunging the entire continent into war.  Separated from each other, each of these young people embarks on their own adventure.  While Hava attempts to find her lost husband, and Declan sets out to get revenge, Hatu is kidnapped by those who wish him to fulfill his fiery legacy as the secret heir to the kingdom of Ithrace.  His family, the legendary Firemanes, have long been rumoured to contain a spark of magic, and Hatu, as the last remaining Firemane, may hold the key to the survival of magic itself.  As these three young people set out to realise their destinies, they will experience horrors and tragedy as it soon becomes apparent that a whole new threat seeks to destroy all within Tembria.

Queen of Storms was a captivating and fun book which I found myself reading in only a couple of days due to how much I enjoyed it.  Feist has come up with a fantastic and impressive story within this novel, and I liked how it followed a group of excellent characters caught up in the chaos of a mysterious war.  There is all manner of action, adventure, subterfuge, character development and exploration of a new fantasy universe that comes together extremely well into a compelling overall narrative.  Readers should be forewarned that Feist makes some rather bold plot choices throughout this book, with a major event around halfway through the book really altering the course of the story in some interesting and dramatic ways.  I also liked how Queen of Storms served as a great sequel to King of Ashes, and there are a number of amazing reveals and revelations that add to the storylines established in the first book.  For example, the real antagonists of this series are revealed in more detail in this sequel after they were foreshadowed in the previous novel while the reader focused on a different antagonist, who had the potential to be the main villain.  This bait-and-switch came together well in Queen of Storms, and I enjoyed uncovering more about these antagonists and their motives.

Queen of Storms contains a multi-character narrative which follows several key protagonists as they explore this new world from Feist and get involved in the politics and battles of the world.  The majority of the story is told from the perspective of the novel’s three major characters, Hatu, Hava and Declan.  Each of these characters gets some substantial focus throughout the course of this novel, with some interesting storylines.  For the first part of the book their various storylines are very closely intertwined, as all three are based in the town of Bernan’s Hill in various capacities.  However, after the novel’s major event around halfway through, these three characters are separated and each of them embarks on their own exciting and enjoyable adventure.  Hatu’s story is a classic tale of a chosen one finding his destiny, which sees him journey off into the unknown to learn more about his past and his secret abilities.  As Hatu is the most central protagonist, this storyline got a lot of focus, and it was interesting to learn more about his role in the world and about how his life is bonded to the world’s magic.  Declan’s story becomes an interesting one about a young man learning to become a solider to avenge the death of his loved ones.  Declan had some life events occur throughout this book and while it was a little sad to see some of the things he fought for in the first novel go up in smoke, it does serve as a good motivation for his character and it looks like Feist has some interesting plans for him in the future.  Out of the three, I think I ended up enjoying Hava’s storyline the most.  Hava attempts to find out what happened to Hatu and gets captured by slavers.  She ends up using her abilities to free herself and her fellow slaves and becomes a successful ship’s captain, chasing after her husband while also exploring the lands outside the continent of Tembria.  All three of these main character arcs are really enjoyable and together they form a fantastic heart for Queen of Storms, allowing for a rich and powerful narrative.

In addition to these main characters, Feist also utilises several minor point-of-view characters who add in some extra narrative threads to the book.  For example, Donte, Hatu and Hava’s childhood friend who was captured by sea witches in King of Ashes, returns and a small part of the book is dedicated to his attempts to find Hatu and kill him.  You also get several parts of the book told from some of the key players in fight for the continent, such as Baron of Marquensas Daylon Dumarch, the sinister adviser Bernardo Delnocio, as well as a handful of other characters.  Each of these minor point-of-view characters provide their own insights and priorities to the mix and their various storylines and actions add a lot to the narrative and provide some interesting support to the main storylines.  I also liked some of the supporting characters who rounded out the cast of Queen of Storms and several of them proved to be quite enjoyable and likable, even if they have a greater chance of getting killed off.  Overall, Feist continues to write some great characters in this novel, and I look forward to seeing where each of these intriguing protagonists end up next.

The author also did a good job of continuing to expand on the amazing new fantasy world that the series is set in.  While a substantial part of the novel is set around Brenan’s Hill, which was introduced in the prior book, the story eventually starts to examine some other parts of the world.  In particular, several storylines are set around the islands and continents on the other side of the planet, none of which have been explored by any of the point-of-view characters.  These new additions to the story proved to be quite intriguing, especially as the character’s various explorations revealed some shocking truths about the world, as well as some troubling revelations about the series’ main antagonists.  It looks like the next book is set to feature some new areas of the world and should provide some more fascinating expansions down the line, which will no doubt provide some interesting backdrops and settings from the narrative.

While I did really enjoy Queen of Storms, I did find that some of the elements within it might be a little hard to follow if you had not read the first novel in the series.  Feist does do a good job of recapping the major events of the first book throughout the course of the story, but there were a few moments in the story when the significance of certain characters, locations and events were not as highlighted as they could have been, and new readers might get a little lost at this point.  There were even a few points at which I lost track of who a new character was, mainly because of the two-year gap between reading King of Ashes and Queen of Storms.  Still, I was usually able to remember who the character was after some prompting, and it worked out fine.  While this lack of certainty might occasionally impact the flow of the story for new readers, I think they can generally follow without too much difficulty.

Queen of Storms was an outstanding and exciting second entry in this fantastic new series from one of my favourite authors of all time, Raymond E. Feist.  This was an amazing and enjoyable novel, filled with adventure, great characters, and a compelling narrative.  I had an awesome time reading this book and I cannot wait to see how Feist continues The Firemane Saga in the next book.  A must-read for fans of fantasy fiction; this one is really worth checking out.

Queen of Storms Cover 2

The Constant Rabbit by Jasper Fforde

The Constant Rabbit Cover

Publisher: Hodder & Stoughton (Trade Paperback – 2 July 2020)

Series: Standalone

Length: 307 pages

My Rating: 5 out of 5 stars

From the insanely creative mind of one of fiction’s cleverest authors, Jasper Fforde, comes The Constant Rabbit, an incredible comedic satire featuring human-sized anthropomorphic rabbits in an alternate version of modern-day England.

Jasper Fforde is an awesome and fantastically inventive author who has a very distinctive and enjoyable writing style.  I have been a fan of Fforde’s work for years, and his Thursday Next books were a favourite series of mine when I was growing up (I should really go back and reread those).  I was also lucky enough to receive a copy of his 2018 standalone novel, Early Riser, which was certainly one of the more unique and entertaining books that I read that year.  While I do love Fforde’s writing, I have to admit that I was initially a little wary when I heard that his new book was going to be about rabbits as I assumed it was going to be a kids’ book.  However, once I realised that it was going to be another crazy adult standalone novel, I made sure to get a copy, especially once I found out it was a satire on UK politics.  I am extremely glad that I got a copy of this book as The Constant Rabbit turned out to be a truly remarkable novel with a complex and enjoyable story.

In the year 2020 there are over a million anthropomorphic rabbits living in the UK thanks to a mysterious event 55 years previously.  These rabbits can walk, talk, think and have developed their own unique culture and society.  While the rabbits on the whole are a polite and peaceful group, many in England, including the ruling United Kingdom Anti-Rabbit Party (UKARP), fear them and are planning to forcibly rehome them to a new Mega-Warren in Wales.  Before the planned rehoming occurs, one rabbit family moves into the quiet and cosy village of Much Hemlock, much to the concern of the villagers.  Convinced that this rabbit family will cost them their chance at the Best Kept Village award, the citizens of Much Hemlock attempt to force them out, but the family matriarch, Mrs Constance Rabbit, is having none of that and resolves to stay in the village.

Surprisingly, the rabbits soon find support from their neighbours, Peter Knox and his daughter, Pippa.  Peter, an employer at the Rabbit Compliance Taskforce, the organisation tasked with policing and controlling the rabbit population, quickly becomes infatuated with Constance and begins to question everything that he thinks he knows about rabbits.  However, with plans for the upcoming rehoming accelerating, Peter soon finds himself in the midst of a complex battle for freedom and control, and his actions will have surprising impacts on the entire future of the country.

Wow!  Just wow!  Now this was one hell of a fun read.  Fforde has absolutely outdone himself with this latest book which proved to be an exceptional and amazingly clever piece of fiction.  The Constant Rabbit is a captivating and widely entertaining novel that drags the reader in with its creativity and humour until they become enthralled with the unique story that it contains.  I had an incredible time reading this book and I ended up laughing myself silly throughout it due to Fforde’s clever and distinctive style of humour.  This book gets a full five stars from me and it truly was a thumping good tale.

The Constant Rabbit is told from the first-person perspective of human Peter Knox as he recounts some of the historical events he witnessed.  This was a truly remarkable story that follows a mostly blameless and ordinary small-village inhabitant as he navigates a complex and controversial world of rabbits and rabbit-hating humans.  This turns into quite a compelling tale about a battle for freedom, recognition and human stupidity, as the protagonist witnesses both sides of the struggle.  There are some great moments of drama, excitement, action, and romance throughout the book, which come together extremely well in a compelling and entertaining manner.  Fforde features some unique story elements throughout this book and introduces the reader to a series of enjoyable characters who are caught up in these crazy events.  These memorable characters include Constance Rabbit, a resourceful and clever rabbit who serves as a major moving part of the plot and the protagonist’s main love interest.  There is also a Lugless, an outcast rabbit who, after having his ears cut off in a ceremonial fashion, has turned against his own kind and now works for the Rabbit Compliance Taskforce, and Mr Ffoxe, an anthropomorphised fox, who serves as the book’s vicious main antagonist and the head of the taskforce.  However, most of the character development is reserved for main protagonist Peter Knox, who goes through some serious redemption throughout the course of the story following some troubling events in his past.  His association with his rabbit neighbours really changes him, especially once he starts to see how crooked and petty humans are in comparison, resulting in him making some surprising decisions.  This is a gripping narrative and I really enjoyed all the wonderful and weird directions that the author took it.

Another fantastic aspect of The Constant Rabbit is the distinctive and intelligent sense of humour that permeates every page of this book.  I personally found this novel to be deeply funny, and I ended up laughing myself silly at several awesome jokes.  Much of the humour revolves around the ridiculous situations, the outrageous personalities, and the clever parodies of life in modern day England, all of which are considered normal in this version by the characters.  Seeing these various events or people occur in the novel is itself entertaining, but when combined with the witty and dry observations of the protagonist, the rabbit characters or the narrator through his footnotes, it becomes an absolute riot of fun and comedy.  There are some amazingly funny jokes and sequences throughout this book, although the part I laughed the hardest at had to be a farcical murder trial in which a man’s innocence or guilt was determined by whether they had brought an owl with them to the murder scene.  Other great jokes included lines about the rabbits’ inability to tell humans apart (most rabbits apparently cannot tell the difference between Brian Blessed and a gorilla), fun observations about rabbits in popular culture (spoilers, the rabbits are unimpressed) and the inclusion of rabbit versions of films and books.  I also had to have a laugh at the author’s description of a potential anthropomorphic event occurring at the city of Goulbourn in Australia (which is quite near to me), and all I have to say about that is I very much doubt my government could organise a secret massacre of a group of drunken wombats, much less hunt down a whistleblowing sheep.  That being said, the Big Merino statue in Goulbourn does totally exist and it is the town’s defining feature (which tells you quite a lot about what life in Goulbourn must be like).

One of the things that I most like about Fforde’s books is the way that he comes up with a whole new alternate universe for each of his works.  All his works are set in alternate versions of England that is specific to that series, all with a number of noticeable differences between the fictional and real worlds.  The version of England that The Constant Rabbit is set in was altered by an unexplained event 55 years earlier that turned a group of rabbits (as well as some other animals) into human-sized sentient beings who have gone on to create a large society of over one million rabbits which has its own culture and ideals.  This in turn has led to a much different version of the UK, with significant social and political differences as humanity tries to come up with new ways to adapt to the rabbits.  This is such a fantastic and out-there concept, but it works surprisingly well as a setting for this amazing and clever story.  There are so many intricate details associated with this new, rabbit inhabited England, and Fforde does an outstanding job welding together this new universe and showcasing all of its features.  While several key elements of this new world were introduced right at the start of the book, many were not identified until later, when they became relevant to the plot of the story.  I felt that this was a great way of presenting all the major aspects of this world, as it ensured that the reader was not overwhelmed right off the bat.  Fforde also includes a number of footnotes and short, out of narrative paragraphs at the start of each chapter, to provide intriguing and often hilarious anecdotes and descriptions of parts of rabbit culture or other inclusions from this world.  All the clever inclusions and distinctive variations from the real world prove to be a fascinating and entertaining part of the book and I had a wonderful time seeing what wacky and inventive things Fforde would come up with next.

Another thing that I really appreciated about this book was the way that Fforde used his overly ridiculous story and setting to successfully satirise racist politics in modern day England.  Anyone even vaguely familiar with some of the political and cultural issues in the UK will really appreciate what Fforde is trying to achieve with his story, and there are some great parables throughout it.  The whole ‘us vs them’ mentality surrounding the issues of rabbit rights is a clear send-up of racism and anti-immigration policies and mentalities that have infected the country.  Having peaceful, hardworking and tolerant rabbits and their supporters be targeted by bigoted idiots is very relevant and you cannot help but think of real-world examples of such behaviour.  The ruling UK political party, UKARP, is an obvious parody of the right-wing party UKIP, equipped with its own version of Nigel Farage.  Fforde really does not pull any punches and portrays them as an incompetent, intolerant, and power-hungry political party who are determined to forcibly rehome and contain all the rabbits as their main political ideal.  This book contains some terrifying, if probably accurate, depictions about how a ruling party like UKARP would act when it came to people it did not like, such as putting the ultimate anti-rabbit group (in this case anthropomorphised foxes) in charge of control and monitoring the rabbits.  There are some other great elements of satire throughout this book, and English readers in particular will probably get the most out of The Constant Rabbit as a result.  Overall, I thought it was a great piece of satirical fiction and I had a blast seeing the author highlight all these social issues in his own special way.

The Constant Rabbit is an outstanding and incredible novel that proves to be boundlessly entertaining and deeply funny.  Jasper Fforde did an incredible job writing this novel and readers are in for an awesome and memorable read that will have them laughing for hours.  This is such an impressive and inventive novel, and I am highly recommending it to anyone who is after a boundlessly entertaining read that contains a real sense of comedic fun and some excellent satirical observations.

Waiting on Wednesday – A Deadly Education by Naomi Novik

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings.  Stay tuned to see reviews of these books when I get a copy of them.  For this week’s Waiting on Wednesday, I check out an incredibly fun upcoming fantasy novel that should prove to be an entertaining read, A Deadly Education by Naomi Novik.

A Deadly Education Cover

Novik is an experienced and popular fantasy author who debuted back in 2006 with her first fantasy novel, Temeraire (also released as His Majesty’s Dragon).  Temeraire, which is the first book in long-running series of the same name, is a combination fantasy and historical fiction story that portrays a re-imagined Napoleonic War that was fought with dragons.  In addition to this main series, Novik has also written a couple of standalone novels, including her bestselling 2015 release, Uprooted, and her last book, Spinning Silver, which retold the classic tale of Rumpelstiltskin.  So far the only book of Novik’s that I have had the opportunity to read was Spinning Silver, which turned out to be a very creative novel, although I also really want to check out the Temeraire series at some point, as they sound incredibly interesting and exciting.  Until then, I will have to check out Novik’s new upcoming book, A Deadly Education, which is set for release in late September.

A Deadly Education is the start of a new fantasy series from Novik, the Scholomance series, and this first novel is starting off with a great concept that sounds extremely awesome.  This new book will be set within a dark magical school (I am personally envisioning a twisted version of Hogwarts), where the students have to fight against monsters and each other to survive and graduate.  Throw in a powerful chosen one who, instead of reaching her full potential, is trying to rein in her magic as it has the possibility of killing everyone, and you have an incredible-sounding story with a lot of potential.  As a result, I am very much looking forward to reading A Deadly Education in a few months (I am actually just about to order a copy in now), and I think that I am really going to enjoy it.

Goodreads Synopsis:

In the start of an all-new series, the bestselling author of Uprooted and Spinning Silver introduces you to a dangerous school for the magically gifted where failure means certain death – until one girl begins to rewrite its rules.

Enter a school of magic unlike any you have ever encountered.

There are no teachers, no holidays, friendships are purely strategic, and the odds of survival are never equal.

Once you’re inside, there are only two ways out: you graduate or you die.

El Higgins is uniquely prepared for the school’s many dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out untold millions – never mind easily destroy the countless monsters that prowl the school.

Except, she might accidentally kill all the other students, too. So El is trying her hardest not to use it… that is, unless she has no other choice.

Waiting on Wednesday – Ink by Jonathan Maberry

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. For my latest Waiting on Wednesday article, I am going to take a look at Ink, an intriguing upcoming standalone supernatural novel from one of my favourite authors, Jonathan Maberry.

Ink Cover

Maberry is an extremely impressive and talented author who has been writing science fiction and horror novels since in 2006, with his debut novel Ghost Road Blues. He has since gone on to become one of the leading authors of horror in the world today, with such series as the Rot & Ruin series, the Dead of Night series and the Pine Deep trilogy. I myself am a massive fan of his Joe Ledger series of books, which pitches military operatives against various science fiction and horror scenarios, including manmade zombies (Patient Zero and Code Zero), genetically mutated vampires (Assassin’s Code) and other inventive scenarios (such as Air Force One getting turned into a weaponised drone in Predator One). The latest Joe Ledger novel, 2019’s Rage, started a whole new series of books, the Rogue Team International series, and I am eagerly waiting for the next Joe Ledger book. In the meantime, Maberry has come up with a brand-new supernatural mystery novel, Ink, which, due to how much I love his other work, I thought would be intriguing to check out.

In this upcoming novel, Maberry returns to his fictional town of Pine Deep (a crossover town that has been featured in several of Maberry’s novels, a bit like Castle Rock or Derry in Stephen King’s works), for a whole new set of mysterious occurrences.

Goodreads Synopsis:

Tattoo-artist Patty Cakes has her dead daughter’s face tattooed on the back of her hand. Day by day it begins to fade, taking with it all of Patty’s memories of her daughter. All she’s left with is the certain knowledge she has forgotten her lost child. The awareness of that loss is tearing her apart.

Monk Addison is a private investigator whose skin is covered with the tattooed faces of murder victims. He is a predator who hunts for killers, and the ghosts of all of those dead people haunt his life. Some of those faces have begun to fade, too, destroying the very souls of the dead.

All through the town of Pine Deep people are having their most precious memories stolen. The monster seems to target the lonely, the disenfranchised, the people who need memories to anchor them to this world.

Something is out there. Something cruel and evil is feeding on the memories, erasing them from the hearts and minds of people like Patty and Monk and others.

Ink is the story of a few lonely, damaged people hunting for a memory thief. When all you have are memories, there is no greater horror than forgetting.

Now this sounds like quite a fascinating new novel from Maberry and I am very curious to see what sort of story he comes up with here. The whole concept of someone or something stealing the memories of the protagonists is quite compelling, and it has quite a lot of potential as a story element, especially if the characters end up losing key memories or forget big story moments. Maberry has always had an ability to turn complex story ideas into amazingly entertaining narratives, and I am curious to see what sort of supernatural mystery he creates in this upcoming book.

Due to how much I have enjoyed Maberry’s prior work, and because of how interesting this new novel sounds, I am now rather excited for this upcoming standalone book. Ink, which is currently set for release on 17 November 2020, is sure to be a really fascinating read, and I think that it has some real potential to be one of my top books for the year. I will probably end up getting the audiobook version of this novel when it comes out, due to the fact that Ray Porter, the impressive narrator of the Joe Ledger audiobooks, is once again lending his vocal talents to Maberry’s latest novel. However, if I can score an early copy of this from the publisher, I probably will not be able to help myself. I cannot wait to immerse myself in Maberry’s new intense novel, and I am really looking forward to checking out Ink a few months time.

We are the Dead by Mike Shackle

We are the Dead Cover

Publisher: Orion (Audiobook – 8 August 2019)

Series: The Last War – Book One

Length: 18 hours and 6 minutes

My Rating: 4.75 out of 5 stars

Honour, loyalty, service and death! I finally get around to checking out one of last year’s hottest fantasy debuts with this review of We Are the Dead by Mike Shackle.

Generations ago, the nation of Jia was protected by powerful mages who wielded amazing magic that could shape the world around it. But when the magic faded, the people turned to the Shulka, their revered warrior caste, who held back the barbaric northern Egril tribes with their tactics, superior weapons and skills in combat. For hundreds of years the Shulka have successfully defeated the Egril raids, but their many victories have led to complacency.

During the latest raiding season, the Shulka are surprised when an organised and well-armed force marches upon them. Supported by demons and magic, the like of which has not been seen in an age, the Egril swiftly defeat the Shulka armies and conquer all of Jia in days. Their conquest is quick and brutal, and few are spared the bloody wrath of the Egril and their monsters. Those who do survive are forced in servitude and must worship the Egril’s terrible god or else suffer the consequences.

Now, six months after the invasion began, the country appears beaten, but there are always some heroes who are ready to fight back. In the capital city, Tinnstra, the disgraced, cowardly daughter of Jia’s greatest Shulka general finds herself drawn into a plot to save the royal family and soon finds the fate of the entire Kingdom resting in her hands. Elsewhere, a crippled Shulka warrior and his wheelchair-bound son attempts to lead an organised rebellion, but he soon finds that his greatest assets may be a young terrorist and a widowed mother who is trying to provide for her son. Can this unusual group of damaged heroes turn the tide against an all-powerful army or is it already too late to save their country from the control of a dark death god?

We Are the Dead is an intricate and impressive dark fantasy debut from talented new author Mike Shackle, which forms the first book in his The Last War series. This fantastic book came out last year, and it was one of the books I most regret not getting a chance to read in 2019, especially after I saw some of the very positive reviews being written about it. I really have been meaning to check this novel out for a while now, so I went out and grabbed the audiobook format of We Are the Dead a few weeks ago and started listening to it. I am extremely glad that I ended up reading this book, as I fell in love with this novel and its compelling character-driven story.

This novel contains an outstanding and exciting narrative that follows five unique and intriguing characters across eight days of rebellion and bloodshed in a conquered nation. We Are the Dead’s story starts off big; after a quick introduction to the world and a couple of the characters, everything soon blows apart as a destructive full-scale invasion occurs. The story than jumps forward six months and explores how the world has changed, and what has happened to the central group of characters. What follows is five intriguing and exciting separate storylines, each told from the perspective of a different character involved in various parts of the first major attempt from the Shulka resistance movement to strike back and restore their country. Each of these five storylines starts off by examining the unique adventures and experiences of that character and showing how they are brought into the latest round of fight. Each of the storylines starts off exclusively focusing on one point-of-view character, but they quickly start to connect as the plot of the book unfolds. All five separate storylines eventually come together exceedingly well into one extremely enjoyable and action-packed narrative that proves hard to put down. I really liked the way that all storylines all joined together, and it was fantastic to see the quicker narrative jumps between the various characters at the end of the book. I also enjoyed how the main story focused on eight days of conflict and adventure, with the various character arcs running concurrently with each other, as this allowed for a tight, powerful narrative. The various characters go through a lot of big and life-changing moments in the span of these eight days and there are some major cliff-hangers and surprising deaths that leave the reader in wild suspense. All of this makes for some great reading, and you will be on the edge of your seat for the entirety of this book.

Shackle chooses to tell his exciting story through the eyes of five separate point-of-view characters, all of whom have their own viewpoint and adventures within We are the Dead. Each of these characters have a fascinating character arcs, especially as most of the characters grow through adversity as they experience the horrors of war and learn the necessities of sacrifice, duty and loyalty.

The character who got the most focus within this novel was Tinnstra, the daughter of a legendary Shulka warrior who has a lot of high expectations weighing on her shoulders. Despite her heritage and her skill with a blade, Tinnstra starts the book dropping out of the Shulka academy, because she is a blatant and obvious coward. Managing to flee from the invasion, Tinnstra attempts to forge a new life for herself in the conquered capital, but eventually finds herself in the midst of the Shulka rebellion, with a particularly important package that could change the course of the war. At the start of this book, I really did not like Tinnstra, mainly because every second sentence in her chapters involved her pathetically doubting herself or calling herself a coward. Thankfully, this led to a rather good storyline about finding one’s courage and stepping up in a big way, and she eventually came across as a real badass with some fantastic and enjoyable chapters towards the end of the book.

Another great character is Jax, a former Shulka general who, after losing his arm during the initial invasion, becomes a determined resistance leader with his wheelchair-bound son. Jax is probably the most consistent protagonist throughout most of the book, serving as a steady and wise figure who is forced to face the reality of failing his country. Jax is an extremely likeable character, which makes it really hard for the reader when he goes through some incredibly dark moments that have the potential to break him.

Next up we have Dren, a teen terrorist who, after witnessing his family dying during the invasion, becomes a rabid killer, brutally attempting to take out any Egrils (or Skulls, as they are known, due to their distinctive helmets), not matter the collateral damage. Dren is a pretty unlikeable kid at the start of the book due to his overwhelming anger towards the Egrils, any Jian who associates with them and the Shulka resistance, who he hates just as much as the Egrils due to the way that they treated the peasants before the invasion and because of their failure in stopping the slaughter. However, as the book progresses, the reader gets more and more invested in Dren’s compelling story, especially when he starts spending time with Jax. Jax is a terrific mentor figure for Dren, who eventually learns the error of his ways and starts to take more responsibility for himself and the band of child terrorists he has recruited.

The final Jian character who the book focuses on is Yas, a single mother who attempts to earn a living working as a maid for the invaders. Yas is recruited as a spy by the Skulka resistance and ends up becoming more and more involved in their plots and schemes. Yas’s storyline is another fantastic arc, and there are some interesting similarities to Tinnstra’s arc, in that she finds her courage to fight back and do what is right. However, Yas’s story is more tied into the love of her family and her son, and how she wants a better world for her child to grow up in.

In addition to Jian characters, Shackle also tells a portion of the book from the perspective of Darus, an Egril Chosen, an officer who has been granted a magical ability by their powerful leader. Darus is a psychotic torturer with severe sister issues, who delights in causing pain and torment and who is determined to win glory and power. Darus’s powers are ironically that of healing, meaning that he is essentially an immortal antagonist who can also heal people that he comes into contact with. He uses this power throughout the book to heal his victims, bringing them back from the brink of death, so that he can torture them again and again in order to break their spirits. As you can probably guess, Darus is a rather reprehensible and unredeemable character, but one who offers an intriguing counterpoint to the protagonists. It is always cool to see something from the villain’s point of view, and I felt that Darus was a perfect antagonist for this dark and twisted novel.

All five of these characters proved to be extremely interesting to follow, and I really liked where all of their arcs went. Shackle does an impressive job making their portrayals and emotions seem realistic, and you can almost feel the fear, anger and hatred that several of the characters exude. I appreciated how none of the protagonists were perfect heroes, and most of them are victims or products of the war and the circumstances they find themselves in. I found it rather interesting to see how the various characters saw each other throughout the course of the story, such as when some of the characters viewed Tinnstra for the first time and mistake her expressions of terror and apprehension for looks of determination and impatience to get towards the enemy. I also have to highlight the raft of cool and likeable side characters featured throughout the course of the story, many of whom steal several scenes from the point-of-view characters. These are a fun collection of side characters, although readers really should not get too attached to them, as they tend to have a rather short lifespan within the course of the book. Overall, We are the Dead contains some excellent and enjoyable characters, and I really appreciated the complicated and captivating storylines that Shackle wove around them.

In addition to the impressive story and excellent characters, Shackle has come up with an awesome new fantasy world for We are the Dead. The entirety of the story is set within the nation of Jia, a cultured land with a proud warrior tradition, which is somewhat reminiscent of feudal Japan. Shackle does a fantastic job of setting up this landscape in the initial couple of chapters, before everything changes thanks to the invasion. The new Jia, six months after the brutal conquest, is a vastly different place, filled with hunger, fear and desperation as the survivors are forced to adapt to their new way of life. Shackle did an amazing job portraying a nation completely under enemy occupation, and I was put in mind of Nazi-occupied France, due to the round up of civilians, the inclusion of collaborators and snitches, retaliations against the populace and the careful resistance movements relying on help from a nation across the sea to survive. The Egrils also proved to be a great antagonistic nation for the plot of this book, and I loved how they were able to fool the conceited Shulka warriors by pretending to be tribal savages for years, before invading with an organised and advanced army, utilising magical and demonic assets to perfection. There were some distinctive Nazi elements to the Egrils, such as the way that they swiftly conquered all of Jia in a few days with Blitzkrieg-like tactics, their absolute devotion to their anointed leader (who is totally going to turn out to be the lost brother of the mage Aasgod, right?), their stormtrooper-like appearance and tactics, as well as the fact that the narrator of the audiobook format gave all the Egril characters a distinctive Germanic accent. All of this proved to be an excellent background for We are the Dead and I loved seeing the story unfold in this recently conquered fantasy nation.

Those readers who like some action in their stories will be extremely satisfied with We are the Dead, as Shackle has loaded his book with all manner of fights, battles and gratuitous violence (the best type of violence). This is an extremely action-packed novel, and I personally enjoyed all the cool fight sequences, from the small-scale battles between trained warriors, the brutal hit-and-run tactics of Dren’s fighters, and several larger fight sequences between opposing forces. Shackle proved to be very adapt at bringing these action sequences to life, and I found myself quite pumped up as a result of reading this book. Readers should be warned however that We are the Dead does feature a number of vivid and disturbing torture sequences, which are made even worse by the fact that the torturer, Darus, can heal his victim and keep inflicting pain, over and over again. As a result, if intense torture scenes make you uncomfortable, then you are probably better off avoiding this book.

As I mentioned above, I chose to listen to an audiobook version of We are the Dead, rather than grabbing a physical copy. The audiobook format has a run time of just over 18 hours, and it is narrated by Nicola Bryant. This is a lengthy audiobook and it took me a little while to get through it. Part of this is because the story is a tad slow at the start of the book, although I did end up absolutely powering through the last six hours extremely quickly in comparison to the first two thirds of the novel. I really enjoyed the audiobook version, and I found it to be an incredible way to absorb We are the Dead’s clever and detailed narrative. I was also impressed with Bryant’s narration, as she brought some real passion to the audiobook. You could hear the intense emotions in Bryant’s voice as she narrated the story, and you can tell that she was trying to emulate what the characters were feeling with her narration. Bryant also utilised a fantastic and distinctive set of voices for the various characters featured within the novel, and I think that she had an excellent grasp of their personalities and emotions. This proved to be an exception audiobook, and I would definitely suggest checking out this format of We are the Dead.

We are the Dead is an outstanding and deeply enjoyable fantasy novel from Mike Shackle, who really hit it out of the park with his debut novel. I had an amazing time listening to this book, and I loved the blend of compelling story, fantastic setting, complex characters and intense action sequences. This book comes very highly recommended, and I am regretting not picking up a copy of this book last year. I will not be making the same mistake later this year when Shackle’s sequel book, A Fool’s Hope, comes out in December, and I am looking forward to seeing where the story goes next.

Waiting on Wednesday – How to Rule an Empire and Get Away with It by K. J. Parker

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. In this week’s Waiting on Wednesday post, I am going to have a look at a fun upcoming fantasy book that is brimming with so much potential it could just burst: How to Rule an Empire and Get Away with It by K. J. Parker.

How to Rule an Empire and Get Away With It

K. J. Parker is an exceedingly talented and clever fantasy author who has written a huge number of exciting and entertaining fantasy novels throughout his career. Parker, a pseudonym used by fantasy author Tom Holt, first came to my attention last year when I happened to get a copy of his impressive and hilarious fantasy/comedy hybrid novel, Sixteen Ways to Defend a Walled City.

Sixteen Ways to Defend a Walled City was an excellent novel that followed a cowardly and duplicitous engineer as he managed to lead the successful defence of a besieged city against an overwhelming force through trickery, ingenuity and manipulating the psychology of both the invaders and citizens of the city. I had an incredible time reading Sixteen Ways to Defend a Walled City last year, and not only did it receive a full five-star review from me but it also topped several of my end-of-year lists, including my Top New To Me Authors list as well as easily making its may onto My Top Books of 2019 list.

Due to how much I loved this 2019 release, I have been keeping an eye out for any new books from Parker, and I was delighted when I heard about How to Rule an Empire and Get Away with It. This book, which is currently set for release in mid-August 2020, sounds like another fun and awesome read, and I not only discussed it in my recent Top Winter TBR list but I also predicted that it was an upcoming release that will get a five-star review from me. I am really intrigued by the plot synopsis of this book, especially as it looks to have some curious connections with Sixteen Ways to Defend a Walled City.

Goodreads Synopsis:

This is the story of how the City was saved, by Notker the professional liar, written down because eventually the truth always seeps through.

The City may be under siege, but everyone still has to make a living. Take Notker, the acclaimed playwright, actor and impresario. Nobody works harder, even when he’s not working. Thankfully, the good citizens of Classis appreciate an evening at the theatre even when there are large rocks falling out of the sky.

But Notker is a man of many talents, and all the world is, apparently, a stage. It seems that the Empire needs him – or someone who looks a lot like him – for a role that will call for the performance of a lifetime. At least it will guarantee fame, fortune and immortality. If it doesn’t kill him first.

This is the story of Notker, an occasionally good man and a terrible liar. With razor-sharp wit, K.J. Parker has created one of fantasy’s greatest heroes, and he might even get away with it.

I really like the sound of this synopsis, especially as it looks to be another clever and curious story about an unusual hero who is thrust into circumstances well above his head and suddenly has and entire city relying on him. I am expecting a really compelling read that will combine action, intrigue, politics and comedy to create a fun and exciting narrative. Parker did such an amazing job writing a story like this in Sixteen Ways to Defend a Walled City, so I have extremely high hopes that he will produce another incredible book around this sort of story.

Another reason that I am extremely excited for this book is because it sounds like it is going to have a connection to the previous Parker book that I loved. Both Sixteen Ways to Defend a Walled City and How to Rule an Empire and Get Away with It are being grouped together in a series titled The Siege. Not only do both books have a similar cover design and a fun title, but they also both set within a capital city under siege by an outside force while those inside the city battle for power and influence. At this point and time, it is a little unclear whether they books are set in the same city or are describing the same siege, but I imagine that there will be some interesting twists to the story that tie the two novels together in some way or form. Whatever it is, I am sure that it will be extremely clever, and I am really looking forward to seeing if there are any references to the previous book.

Based on how much I enjoyed Parker’s work, How to Rule an Empire and Get Away with It was always going to be a book that I was going to get and probably enjoy. However, because it has an intriguing story and because it might have some connections to Sixteen Ways to Defend a Walled City, I am extremely excited to get my copy of this book, and I have a really strong feeling that this upcoming release is going to be one of the best books that I read in 2020.