Blood Sugar by Sascha Rothchild

Blood Sugar Cover

Publisher: Trapeze (Trade Paperback – 26 April 2022)

Series: Standalone

Length: 328 pages

My Rating: 4.75 out of 5 stars

Outstanding screenwriter Sascha Rothchild presents her debut novel with the utterly addictive Blood Sugar, an awesome and clever thriller with a sweet twist.

Ruby Simon has been a killer since she was five years old.  On a sunny day, young Ruby took an opportunity to rid herself and her sister of the school bully by helping him drown at the local Miami beach.  After managing to get away with her crime, Ruby expected to feel guilty for the life she took, but instead all she felt was relief that the boy would never hurt her sister again.  This action led to Ruby having a realisation that sometimes killing a terrible person is not necessarily a bad thing.

Twenty-five years later, Ruby appears to have it all.  A successful and driven psychologist in Miami, Ruby has killed several times over the intervening years and has never felt guilt for her actions.  However, everything she has built is about to come crumbling down when she finds herself in an interrogation room under suspicion of murder.  In front of her lie four photographs of people who she once knew and who are all now dead.

As the interrogation continues, Ruby soon discovers a significant problem: of the four victims she is accused of murdering, she has only killed three of them, and it is the death she is not responsible for that the police are most determined to bring her down for.  Can Ruby prove she is innocent of this one murder?  And even if she can, does she even deserve to be set free?

This was an impressive and compelling debut from Sascha Rothchild that I was really quite happy to get a copy of.  Not only did it have an awesome-sounding plot but I was also very intrigued by the author, as Rothchild already had some major writing creds after her work on several television shows, including GLOW, which I was a big fan of.  I ended up really loving Blood Sugar and I swiftly got drawn into its witty, humorous and powerful story set around an unlikely and extremely likeable murderer.

Blood Sugar has a distinctive and fun narrative that really grabs your attention from the beginning, starting as it does with child-on-child murder.  Told exclusively from the perspective of central character Ruby Simon, the book is an impressive, deep and occasionally humorous character study of a very unique fictional killer.  The initial narrative is split between events in the character’s present, where she is being interrogated by the police, and an extended look back at her past, as you see all the major events in her life.  These flashback sequences take up the majority of the first two thirds of the book, and they present some powerful and intriguing examinations of the protagonist and all the moments that led to her present.  In particular, they look at her key relationships, her schooling, the events that made her into the successful person she is today, as well as the moments where she decided to take a life.  These two separate narrative threads play off each other extremely well, with the character history providing some intriguing context to the character’s background and mindset, while the present-day interrogation does a good job at hinting at events that are still to be revealed in the flashbacks.  Rothchild’s excellent writing style and ability to forge interesting and compelling characters are on full display during this part of the novel, and she is effortlessly able to construct a powerful and natural life story around the very relatable protagonist, with her occasional murders cleverly worked in.  The blend of character history and justified killings really works well to keep your attention, while also making you really start to care about the protagonist and her future.  Both separate linear threads bind together perfectly as the novel progresses and leads the reader towards Blood Sugar’s awesome third and final act.

The final third of Blood Sugar takes on a completely new format as the first-person examination of the protagonist’s past is wrapped up and the book turns into an intense legal thriller.  This fantastic and powerful change of pace is quite jarring and sees the protagonist encounter all manner of personal setbacks and attacks as the police close in on her.  Thanks to all the awesome work that the author did in the first part of the novel, the reader is now incredibly invested in Ruby’s life story, and you feel incredibly sympathetic for her.  As such, it hurts a little to see her so terribly attacked, even though many of the things that they are accusing her of are true and a key part of her life.  This final part of the novel is incredibly intense, and Rothchild brings out all manner of intriguing twists and turns to shake the reader, especially as you still a little uncertain about who is responsible for one of the key events.  The author comes up with an intriguing and entertaining conclusion for the novel that really makes one of the supporting characters shine.  I really liked how everything wrapped up here, and it really did the rest of the book justice.  An overall impressive and highly addictive narrative that I powered through in very short order.

I deeply enjoyed some of the unique elements that Rothchild sprinkled throughout her novel.  While there is a natural focus on the morality of murder and the mindset of her protagonist, the author also takes the time to examine other interesting elements in her own entertaining way.  Many of these elements revolve around relationships, with the protagonist finding herself connected to multiple interesting people in a variety of complex ways, from a very close platonic friendship that experiences major highs and severe lows, to a loving relationship that tries to overcome mistrust and traumatic pasts.  The author also presents one of the most honest and powerful examinations of the relationships people have with their pets, as the protagonist becomes extremely close with several animals that she adopts.  While one of these ends quite tragically (I was legitimately heartbroken when this happened), it transitions into a very moving and accurate examination of the strong grief that people often feel for their pets, and it is one that every animal lover will understand and appreciate.  The various relationships featured in Blood Sugar form a key part of the story, and it was fascinating to see them unfold around the protagonist, especially as they brought out some unique family dynamics, and I really appreciated the clever ways that the author worked them into the wider plot.

There is also an outstanding look at the media circus that surrounds big crimes, especially once the protagonist finds their previous crimes under investigation.  Watching Ruby’s entire carefully constructed life come unravelled in the public eye is one of the more intense parts of Blood Sugar, and Rothchild pulls no punches when it comes to the savagery of the media and the isolation that accused people find themselves in.  I also appreciated the intense dive into the world of the personal psychology, as the protagonist uses her training to explore her mind as well as issues surrounding several of her clients.  This was a very intriguing part of the book’s plot, and I liked how Rothchild praised therapy, showing that it can be very beneficial to people, even trained psychologists and serial killers.  However, the most impressive story element that Rothchild worked into the novel was the in-depth examination of diabetes and the impacts it can have.  Due to a key plot point, quite a lot of the book revolves around a character’s diabetes, with their low blood sugar (yep, that is what the book is named after), become a major factor in the case against Ruby.  Rothchild has clearly done her research when it comes to the intricacies of diabetes, and I really appreciated how she was able to imagine a potential murder based around this disease.  All these distinctive elements and more are expertly utilised in the wider plot and become a key part of the protagonist’s unique and complex life.

Finally, I really must touch on Blood Sugar’s awesome protagonist of Ruby Simon, who stands out as one of the most original and surprisingly likeable literary characters of 2022.  Ruby is a very distinctive figure; she first killed at a very young age and has gone on to murder again several times through her life.  Even though she feels no guilt for these killings, Ruby is not portrayed as a psychopath or a serial killer; she is simply someone able to justify the actions she took in a very logical way.  Due to the way that the novel is set out, you see most of Ruby’s life through her eyes and you swiftly come to appreciate her point of view, especially as she appears as a mostly normal person who finds herself in some unique situations.  Each of her killings is laid out to the reader in a very logical and natural way, and you honestly have a hard time understanding and even supporting her reasons or justifications for the killings.  Due to this, as well as the extremely relatable way that Rothchild portrays her, you become strongly connected to the character, and you quickly start rooting for her to avoid being capture or prosecuted for her crimes.  I honestly cannot remember becoming as attached to a killer character as did with Ruby in Blood Sugar, and Rothchild really went out of her way to ensure that you liked her protagonist.  An excellent and memorable bit of character work.

Overall, Blood Sugar was one of the more unique and entertaining releases of 2022 so far, and I was really impressed with Sascha Rothchild’s first novel.  Featuring an extremely clever, hilarious, thrilling and addictive story, Blood Sugar was a very fun novel to dive into, especially once you become attached to the amazing main character.  Powerful, intense and very distinctive, Blood Sugar is easily one of the best debut novels of 2022 and it comes very highly recommended by the Unseen Library.

Waiting on Wednesday – Oath of Loyalty by Kyle Mills (based on the series by Vince Flynn)

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday book meme that is currently running at Wishful Endings.  Stay tuned to see reviews of these books when I get a copy of them.  For my latest Waiting on Wednesday, I highlight an upcoming novel that I know is going to be particularly fun and exciting with Oath of Loyalty by Kyle Mills.

Oath of Loyalty Cover

Over the last few years, I have been really getting into the action-packed Mitch Rapp novels, which have become a fantastic highlight of my reading schedule.  Featuring an elite special agent as he faces off against all manner of America’s foes, both foreign and domestic, this is an intense, compelling, and highly violent series that is always guaranteed to grab your attention with its unique plots.  The Mitch Rapp novels, which were first written by Vince Flynn before his passing, are now authored by the talented Kyle Mills who has done a wonderful job of continuing the series and keeping Flynn’s creation alive.  I have had an outstanding time reading some of the latest entries, including the World War III orientated Red War, the pandemic focused Lethal Agent (released pre-2020), the fantastic Total Power which was set during a nationwide blackout terrorist attack, and last year’s Enemy at the Gates, which featured Mitch Rapp going up against a corrupt president.

After having such a great time with these recent Mitch Rapp novels, I always keep an eye out for details of the next entry in the series and I am quite excited to talk about the upcoming Oath of Loyalty.  Set for release in September, Oath of Loyalty will be the 21st Mitch Rapp book and looks set to expand on some of the recurring storylines introduced in Enemy at the Gates.  In particular, it will see Mitch Rapp continue to feud with the current president, who has decided to attack Rapp by targeting those closest to him.

Synopsis:

Mitch Rapp confronts a very different kind of killer in the explosive new thriller in Vince Flynn’s #1 New York Times bestselling series, written by Kyle Mills.

With President Anthony Cook convinced that Mitch Rapp poses a mortal threat to him, CIA Director Irene Kennedy is forced to construct a truce between the two men. The terms are simple: Rapp agrees to leave the country and stay in plain sight for as long as Cook controls the White House. In exchange, the administration agrees not to make any moves against him.

This fragile détente holds until Cook’s power-hungry security adviser convinces him that Rapp has no intention of honoring their agreement. In an effort to put him on the defensive, they leak the true identity of his partner, Claudia Gould. As Rapp races to neutralize the enemies organizing against her, he discovers that a new generation of assassins is on her trail. A killer known to intelligence agencies only as Legion.

The shadowy group has created a business model based on double-blind secrecy. Neither the killer nor the client knows the other’s identity. Because of this, Legion can’t be called off nor can they afford to fail. No matter how long it takes—weeks, months, years—they won’t stand down until their target is dead. Faced with the seemingly impossible task of finding and stopping Legion, Rapp and his people must close ranks against a world that has turned on them.

I have to say that I am extremely intrigued by the plot synopsis for Oath of Loyalty above and it has made me quite excited for the next Mitch Rapp novel.  I loved the start of the conflict between Rapp and the president in Enemy at the Gate and I can’t wait to see it continue in this upcoming entry.  Having the identity of Rapp’s partner be revealed to the world by his enemies is a great move by Mills, and it is one that he has been setting up for a while as many of his recent novels have featured Rapp strongly thinking about retiring.  As such, I figured that it was only a matter of time before Rapp’s family came under attack, and I imagine it is going to force him to do some rather rash actions (Rapp is so going to try to kill the president, either in this book or the next).  I am also really like the idea of the sinister Legion group, who will be the main antagonists of this novel.  A shadowy group of faceless assassins who keep hunting their target no matter their failures sounds pretty cool, and I look forward to seeing how they turn out and what Rapp will have to do to stop their attacks.

Overall, Oath of Loyalty sounds like it is going to be an extremely awesome new addition to this great series, and it is one that I am quite keen to check out.  Kyle Mills has been doing some awesome stuff with the Mitch Rapp series recently, and I am highly confident that this upcoming book is going to be just as good, especially with its impressive sounding story and continued elements from the recent books.  I already know I am going to have a lot of fun with Oath of Loyalty and I cannot wait to get my hands on it.

Death of the Black Widow by James Patterson & J. D. Barker

Death of the Black Widow Cover

Publisher: Century (Trade Paperback – 12 April 2022)

Series: Standalone

Length: 520 pages

My Rating: 5 out of 5 stars

Prepare for one of the trippiest and darkest thrillers of 2022 with Death of the Black Widow, the latest brilliant standalone novel from the all-star team of James Patterson and J. D. Barker.

Few thriller writers out there at the moment are as well-known or prolific as superstar author James Patterson.  Patterson has been absolutely dominating the thriller and crime fiction genre for nearly 30 years and has an incredible catalogue of works to his name, including his best-selling Alex Cross books.  In recent years, Patterson has released a torrent of works, including some solo books and several novels done in collaboration with other talented writers and even a few celebrities.  I personally have loved several of his previous collaborated books, including Lost (co-written with James O. Born) and 2 Sisters Detective Agency (co-written with Candice Fox).  However, one of the more intriguing authors he has teamed up with is acclaimed thriller and horror author J. D. Barker.  Barker, whose work I previously enjoyed on Dracul (co-written with Dacre Stoker), has already produced two intriguing novels with Patterson, The Coast-to-Coast Murders and The Noise.  I have been keen to check out this awesome writing team for a while (The Noise is currently sitting on my shelf waiting for my attention), and when I received a copy of their latest book, Death of the Black Widow, I made sure to read it as soon as possible.

It is a typical night in Detroit until former police officer Walter O’Brien and his comrades call in a bomb threat on a busy night club and use concentrated sniper fire to keep its patrons trapped inside.  When the police arrive on scene, Walter surrenders to them and offers them a simple choice: allow them to kill a single woman hidden within the club, or watch as the entire building is destroyed.  But who is this mysterious woman and what has driven Walter and his friends to such extremes?

The origins of these desperate actions date back decades to when a young Walter O’Brien is called to a murder scene on his very first night for the Detroit PD.  What he uncovers is a terrible and bloody crime scene: a scared and surprisingly alluring young woman has apparently escaped from captivity and skillfully bludgeoned her ruthless captor to death with a lamp.  Attempting to take her to hospital, Walter is shocked when she escapes from his custody, leaving an impression on him that will last a lifetime.

Years later, as a new homicide detective, Walter has a chance encounter with someone he believes to be same women from that fateful night.  Still obsessed with his previous encounter, Walter attempts to track her down, only to find a disturbing pattern between this mysterious and woman and several disturbing and unexplainable murders he is investigating.  But when his case takes an even more unusual twist, Walter finds himself thrust into something far bigger than himself.  A secret government agency is attempting to find this mysterious woman, and soon they and Walter begin to uncover a disturbing trend of murders going back years.  As Walter begins to lose himself more and more to obsession, he becomes determined to be the one to stop any more killings.  But what is he willing to do to stop the deaths once and for all?

Wow, now that was a fun and intense book.  Patterson and Barker have produced something very special with Death of the Black Widow, which was an utterly insane and awesome read.  I was actually a little surprised with how much I enjoyed this clever book, and I think I have very little choice but to give it a full five-star rating.

Now, I must admit that when I started reading Death of the Black Widow, I honestly did not know too much about the book, apart from what was in the synopsis.  From that and the name, I assumed that this was going to be a psychological thriller or a spy thriller.  However, while Death of the Black Widow does have thriller and murder mystery elements to it, and indeed it appears to be a purely crime fiction novel for the first few chapters, it actually turned out to be something entirely more complex.  Within the first 100 pages or so, you begin to realise that the authors are subtly including elements from other genres, and Death of the Black Widow soon starts to take on a distinctive horror vibe, with some incredible brutal killings done under extremely unusual circumstances.  While I was surprised by this, I cannot say that I was disappointed.  Instead, I felt that it was a brilliant move from the authors and one that played particularly well to Barker’s strengths.  This new genre combines well with the books existing thriller/crime fiction framework to create an intense and exhilarating read that is extremely easy to get into and very, very hard to put down.  I personally found myself powering through the last 350+ pages in less than a day, especially once I begun to fully understand just how clever and weird things were about to get.

I was really impressed with how Death of the Black Widow unfolded as a story, especially as Patterson and Barker went out of their way to make this standalone read as enticing and epic as possible.  The book starts in the present day and shows the older protagonist and his compatriots entering the end game of their confrontation with a mysterious woman.  This serves as a great setup to the rest of the story, which jumps back multiple decades to 1986, when Walter and the mysterious woman, known here as Amy Archer, first meet, and the strange and deadly circumstances behind their encounter.  The story then jumps forward several years to 1992, where Walter is investigating several strange murders when he has a chance encounter with someone he believes is Amy.  This results in an intriguing series of chapters where Walter deals with both the investigation and his growing obsession with this girl, before everything blows up terribly and the mystery becomes more convoluted and unusual with each new revelation.  This pattern continues throughout the book, with the story jumping ahead years at a time to show the multiple encounters between Walter and his obsession.  Each time period reveals some intriguing new angles and elements, and you find out new revelations about the woman the protagonist is hunting, resulting in the full truth about her finally being revealed.  The novel also keeps slipping back to the siege occurring in the present, with some new characters trying to uncover what Walter and his team are up to as the protagonists provide them with hints about who they are and what they are after.

I deeply enjoyed that the authors chose to utilise a split timeline for Death of the Black Widow, especially as it works extremely well to tell this outstanding narrative.  The switch between time periods and chronological length of the story really enhances just how mysterious the events of the book are and the powerful, life-altering impact they have on the protagonist.  There are many clever elements to the switches between the periods, and I loved the subtle inclusions in the present timeline that hint at the events in the past that the protagonist was yet to experience, and the full impacts of them.  There are also some fun summaries loaded at the front of each change between the past and the present that represent the protagonist’s notes on the case.  Not only can these be useful to remind the reader where they are, but it helps to highlight just how massive the case gets, especially towards the end of the book, as well as tracking Walter’s growing obsession (especially the last one).  This entire story is loaded up with brilliant reveals and shocking twists, and I was honestly surprised and very thrilled in some of the excellent directions that the authors took the story.  You will honestly have a hard time putting this novel down once you get past the halfway point, especially once the 1992 storyline comes to its shocking end, and the intense revelations and horrific scenes of the next few time periods ensures you will become unerringly trapped as you attempt to find out more about the antagonist and their past.  This entire story of obsession, murder and mystery concludes perfectly in the present, with some truly big moments, as everything comes full circle and twists that have been hidden in plain sight since the start come into the light.  This was such a great story, and I frankly loved every single second I spent reading it.

I cannot finish talking about this book without mentioning the excellent characters it contained.  Death of the Black Widow features an intriguing and unique cast, each of whom brings something fun and compelling to the story.  The most prominent of these is Walter O’Brien, who serves as the central point-of-view character for most of the story.  Thanks to how the book progresses, you get to see the entirety of Walter’s life unfold, from his young days as a rookie cop, all the way up to his present, when an older, dying Walter attempts to bring his great obsession to an end by finally catching the woman who has haunted him for decades.  This ensures you get a brilliant look at this character and it proves absolutely fascinating to see the various stages of his life and the continued impacts of his interactions with the woman he knows as Amy Archer.  One of the best parts of this is that you get to see the growing obsession that Walter builds towards this woman, as meeting her proves to be a defining experience for him.  Despite the fact that his interaction with her are relatively short, each time he meets Amy she changes his life in a different way and he soon becomes quite obsessed with her.  This obsession continues to bloom, even after certain revelations about her and her actions become known, and he is forced to fight his own feelings and observations throughout the entire book, especially once it becomes clear that this obsession is mutual and that Amy is drawn to Walter as well in a twisted romance that is so damn dark.  Watching this usually confident and capable person being haunted by this obsession proves to be powerful and captivating centre to this story, and you really feel for this protagonist as he struggles.  Walter ends up serving a great role as the central protagonist of this story, and I found his entire character arc to be extremely well written and cleverly exposed.

On the other side of the coin is the mysterious woman who serves as the titular Black Widow of the story.  Known to Walter as Amy, this woman serves as a shadowy and enigmatic figure in the book, especially as you have no idea who she truly is for most of it.  To avoid spoilers, I will not go into too much detail about her here, but I will say she was an exquisite and amazing character, and the authors did a remarkable job bringing her to life and fitting her into this remarkable story.  She is easily one of the most distinctive and memorable literary villains I have read for a while, and if they ever make a movie of this book (which they really should), I think a great actor could turn her into something very special.  These two characters, as well as some other great supporting characters (the members of Walter’s team in the present day, as well as some distinctive cops from the past timelines for example), prove to be the beating heart of this incredible story, and it was absolutely fascinating to see how their intriguing lives worked in to the plot of this book.

No doubt it, I was really, really impressed with Death of the Black Widow, which ended up being one of the most exciting and compelling reads of 2022 so far.  The outstanding team of James Patterson and J. D. Barker were absolutely amazing here, producing a clever and intricate thriller, loaded with unique characters, a deep obsession laden storyline and some excellent horror elements.  This was easily one of the most unique and memorable novels I have read in a while, and I loved every single second I was going through it.  A highly recommended read that will appeal to anyone interested in a dark and deadly read, you will not be disappointed with Death of the Black Widow.

Death of the Black Widow Cover 2

Waiting on Wednesday – The Accomplice by Steve Cavanagh

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings.  Stay tuned to see reviews of these books when I get a copy of them.  For this latest Waiting on Wednesday I look at an awesome upcoming legal thriller that is likely to be one of the most entertaining reads of 2022 with The Accomplice by Steve Cavanagh.

The Accomplice Cover

Last year I was lucky enough to receive a copy of the sixth book in Steve Cavanagh’s Eddie Flynn series of legal thrillers, The Devil’s Advocate, which turned out to be a wildly addictive novel with a fun and captivating story.  Following the adventures of titular protagonist Eddie Flynn, former conman turned expert defence attorney, the Eddie Flynn novels have been some of the more interesting and unique thrillers of the last few years, with Cavanagh coming up with a range of awesome and complex scenarios for his protagonist to wiggle through.

I deeply enjoyed my first foray into this series, especially as The Devil’s Advocate featured, amongst other distinctive inclusions, a murderous district attorney, corrupt cops, a range of ridiculous and entertaining legal strategies, as well as several improbable but hilarious twists.  As such, I have been keeping a close out for Cavanagh’s next novel and I was very excited when I saw that The Accomplice is coming out soon.

The Accomplice, which is currently set for release in late July 2022, will be the seventh book in the Eddie Flynn series and will present the author’s cocky and exceedingly likeable protagonist with another seemingly impossible legal scenario.  This time, Flynn will have to prove that the most hated women in America, the wife of a notorious and at-large serial killer, didn’t know anything about her husbands’ crimes.  While this is already a pretty cool scenario, Cavanagh will apparently raise the stakes even further by throwing in a potentially murderous and guilty client, a rogue former-FBI agent and the returning serial killer who plans to murder anyone associated with the case, including Eddie Flynn.

All these elements sound pretty damn epic and I am deeply intrigued to see how it all comes together.  Based on how much I enjoyed The Devil’s Advocate I am highly confident I am going to have a wonderful and enjoyable time with The Accomplice, and I am sure it will be one of the more zany and unique novels of the year.

Plot Synopsis:

THE MOST HATED WOMAN IN AMERICA

The Sandman killings have been solved. Daniel Miller murdered fourteen people before he vanished. His wife, Carrie, now faces trial as his accomplice. The FBI, the District Attorney, the media and everyone in America believe she knew and helped cover up her husband’s crimes.

THE LAWYER

Eddie Flynn won’t take a case unless his client is innocent. Now, he has to prove to a jury, and the entire world, that Carrie Miller was just another victim of the Sandman. She didn’t know her husband’s dark side and she had no part in the murders. But so far, Eddie and his team are the only ones who believe her.

THE FORMER FBI AGENT

Gabriel Lake used to be a federal agent, before someone tried to kill him. Now, he’s an investigator with a vendetta against the Sandman. He’s the only one who can catch him, because he believes that everything the FBI knows about serial killers is wrong.

THE KILLER

With his wife on trial, the Sandman is forced to come out of hiding to save her from a life sentence. He will kill to protect her and everyone involved in the case is a target.

Even Eddie Flynn…

Three Assassins by Kotaro Isaka

Three Assassins Cover

Publisher: Harvill Secker (Trade Paperback – 14 April 2022)

English Translation: Sam Malissa

Series: Standalone

Length: 254 pages

My Rating: 4.5 out of 5 stars

Legendary Japanese author Kotaro Isaka brings us another fast-paced, intriguing and unique thriller with the English release of Three Assassins.

Last year I was lucky enough to receive a copy of the first English translation of Kotaro Isaka’s 2010 novel, Maria Bītoru (Maria Beatle), which was released in the Western world as Bullet Train ahead of a movie adaptation of the same name.  I had a lot of fun with this impressive novel which set several distinctive and crazy assassins against each other aboard a speeding bullet train.  Now, with the Bullet Train film only a couple of months away, an English version of another of Isaka’s novels, the 2004 novel Gurasuhoppā (Grasshopper) has just been released.  This novel, translated by Sam Malissa and released under the title Three Assassins, presents another intense and clever thriller read that was incredibly fun to read.

Suzuki is a former schoolteacher who has joined the notorious Tokyo criminal gang, Fräulein, to get revenge for his dead wife by killing the murderous son of the gang’s leader.  However, his revenge mission goes downhill when, moments before his flimsy cover is blown, his target falls onto the road and is run over by a van.  With the shocked gang watching on, Suzuki is sent to chase after someone he sees fleeing the scene, who the gang believes killed the leader’s son.

Convinced the man responsible is the elusive assassin known as the Pusher, Suzuki’s Fräulein contact demands that he reveal the location of the person he followed.  However, Suzuki is uncertain about whether the man is actually responsible or just a random passer-by, especially when he meets the man’s young family.  But with the gang determined for revenge, Suzuki must decide whether to pass on the information or attempt to flee for his life.  Worse, his actions have attracted the attention of other notorious assassins, each of whom have their own reasons for hunting down the Pusher.

The Whale is deadly and forlorn soul who can convince anyone to kill themselves just by talking to them, while Cicada is a talkative and deadly knife expert.  The Whale wants revenge on the Pusher for his part in a prior death, while Cicada is determined to make his own rep by killing this notorious assassin.  Both are determined to find Suzuki and have him lead them to the Pusher by any means necessary.  Can Suzuki survive the barrage of killers, gangsters and monsters being unleased upon him, or will he be forced to compromise his principles and morals to survive?

This was an awesome and exciting novel from Isaka that proved to be extremely fun to read.  Written in Isaka’s distinctive style, and featuring some unique twists, turns and characters, Three Assassins is an entertaining read that I powered through in a day and which is really worth checking out.

Three Assassins has a brilliant fast-paced story to it that readers will swiftly become addicted to.  Written in a distinctive style that emphasises odd character traits and relies heavily on intriguing anecdotes, you are quickly introduced to three captivating point of view characters: Suzuki, the Whale and Cicada.  All three have unique and compelling storylines: Suzuki is thrust into survival mode as he hunts for the elusive Pusher, the Whale is involved in political assassinations before being forced to turn on his employer, while the wildcard Cicada balances his killing desires with frustrations with his overbearing boss.  These storylines soon start to come together when the Whale and Cicada learn about Suzuki’s situation and his apparent connection with the infamous Pusher, and both try to get their hands on Suzuki before the gang does.  However, nothing is as it seems, and all three must battle with their own demons (literally in the case of the Whale), while also trying to outsmart each other and some of the other unique people populating the streets of this version of Tokyo.

All three separate character-driven storylines come together perfectly as the story progresses, and you will love seeing these amazing characters interact as each reaches their own unique destiny.  There are several fantastic and impressive confrontations towards the later part of the book, as well as some great twists, the best of which will leave you reeling and completely change how you viewed the first three quarters of the novel.  While I saw a couple of twists coming, I was pleasantly surprised by several of the reveals, revelations and story turns that occurred, and there are some fantastic moments scattered throughout this book.  I loved how fast-paced Three Assassins turned out to be and there is honestly not a single slow moment to be found as you get through it.  That, combined with its shorter length, will encourage readers to power through it in a very short amount of time, and you will not be disappointed when you see what happens with this entertaining and amusing story.

Like Bullet Train, Three Assassins is a standalone novel that requires no familiarity with any of Isaka’s previous novels to appreciate the clever story or intense action.  It does however have some interesting connections to Bullet Train that fans will really appreciate.  Three Assassins is noticeably written in a similar style to Bullet Train, with a familiar plot focused on multiple unusual Tokyo assassins, as well as certain unique types of characterisations, interactions and writing flow.  These similarities are intentional as the original Japanese version of Three Assassins, Grasshopper came out several years before Maria Beetle.  This means that Three Assassins is actually a precursor to Bullet Train, hence the stylistic similarities.  As such, Three Assassins features a couple of characters who would end up having minor roles in Bullet Train, such as the Pusher, who has a few short point-of-view chapters as the character Morning Glory in Bullet Train, and the assassin duo known as the Hornet.  I have to admit that when I read Bullet Train, I did wonder about why these characters were featured, as some relevant context appeared to be missing.  However, after reading Three Assassins I see that they were there as a reference to this preceding novel and you actually get to understand their role in Bullet Train a little better after reading this book.  I really liked the cool connections this novel had to Bullet Train, and it is really worthwhile checking Three Assassins out alongside it.  While I do think that I preferred Bullet Train a little more than Three Assassins, as its story was stronger and the characters a little more entertaining, Three Assassins really stands on its own and proves to be an excellent read.

Isaka clearly had a lot of fun with the awesome characters contained within Three Assassins, as this book features an eclectic mix of unusual and entertaining figures who make Tokyo’s underworld seem like a weird and deadly place to explore.  This novel is primarily anchored by its three main point-of-view characters, each of whom is a particularly complex and unique being that will quickly drag the reader in with their intriguing stories or antics.  This includes central character Suzuki, the former teacher turned attempted gangster, who is initially involved with this plot for revenge, and who has done some dark things in order to get there.  However, when the target of his revenge is killed and Suzuki seems to find the life of the Pusher and his family in his hands, he starts to have a real crisis of conscience and must determine what he really wants to do.  Watching him attempt to weigh up the lives of the family he encounters versus some hostages Fräulein potentially has is extremely intense and results in some major examinations of his conscience.  Suzuki also serves the role of the unenlightened character for most of the book as he is mostly ignorant of the various assassins and outrageous characters running around out there.  As such, he serves as a good introductory character for many of these unique world elements, and it was very entertaining to see him interact with some of the other characters for the first time without a clue about who or what they are.

The Whale and Cicada are both complex and weird figures for very different reasons.  The Whale is a highly unusual assassin who specialises in arranging deaths to look like suicides.  A large man with an unnatural aura, the Whale is “blessed” with a near supernatural ability to talk people into killing themselves.  This is a pretty unique and cool character trait which Isaka does a wonderful job portraying throughout Three Assassins.  Watching this character slowly and calmly talk various characters into killing themselves results in some naturally dark scenes, but they are a great part of the book and really add something to the distinctive feel of the book.  At the same time, Isaka tries to humanise the Whale to a degree by showing him to be haunted by the ghosts of everyone he has killed.  These ghosts routinely appear before him, airing their grievances with him while also blotting out his ability to see other people or things.  This serves to be an intriguing handicap for this otherwise unstoppable figure, and it proved fascinating to see this merciless killer face some substantial reservations about his work and slowly start to rethink his life and choices.  The Whale easily has some of the most complicated and intriguing scenes in the entire novel and it proves extremely fascinating to see his entire arc unfold.

Cicada, on the other hand, is a somewhat less complex figure who serves as the book’s comic relief.  A skilled knifeman who lacks empathy, Cicada has earned a reputation as a man who can take on the unpleasant jobs and is often hired to kill women and children.  However, Cicada finds himself in a very hostile working relationship with his boss and handler, Iwanishi, who treats him poorly.  This toxic relationship becomes the imperative for Cicada to engage in the hunt for the Pusher, as a form of finding his own independence, although nothing goes to plan.  Cicada is an excellent and enjoyable character, and you will quickly find yourself getting attached to the quick-talking killer, even when he does some terrible things.  The most physically gifted of all the characters, Cicada is often dragged into some of the book’s best fight scenes, and it was exciting to see his knife skills in action.  Thanks to his unique humour and continual banter, Cicada proves to be a great counterpoint to the book’s darker or more emotionally distressed characters like Suzuki and the Whale, and I think that his inclusion really helped to balance out the tone of the book.  All three characters and their chapters play off each other extremely well, and they help to form a captivating and amusing overall story.

Three Assassins was another awesome read from Kotaro Isaka that takes readers on a wild and exciting journey to Japan’s outrageous underworld of assassins.  Filled with quirky characters, surprising turns and intense action, this is a fantastic novel and you will swiftly get addicted to its entertaining and captivating story.  A must read for fans of this legendary Japanese author, especially in advance of the upcoming Bullet Train film, Three Assassins comes highly recommended and is really worth checking out.

Outcast by Louise Carey

Outcast Cover

Publisher: Gollancz (Trade Paperback – 25 January 2022)

Series: Inscape – Book Two

Length: 394

My Rating: 4.75 out of 5

Impressive rising science fiction author Louise Carey continues her awesome first series with Outcast, a brilliant and powerful cyberpunk thriller read that is incredibly fun and very clever.

Outcast is a sequel to Carey’s debut novel from last year, Inscape, which told a unique and intriguing story about espionage, betrayal and corporate politics in a cyberpunk world.  Set in the distant future after a major calamity, the fractured world is now ruled over by all-powerful and advanced corporations who battle for dominance while they attempt to create the latest in weaponry and bio-tech upgrades.  The protagonist of the series, Tantra, works as an intelligence operative for one of the largest companies, InTech, and investigates a mysterious theft that could have dire consequences for her company.  Filled with dystopian cyberpunk elements, such the built-in communication and information technology known as scapes, this ended up being an excellent and captivating science fiction thriller that was one of my favourite debuts of 2021.  Carey has continued her amazing series in a big way here with Outcast, which serves as an outstanding and impressive sequel to her first solo book.

Following the success of her first mission, Tantra’s life has been turned upside down.  Despite saving her company and uncovering a traitor, Tantra has been sidelined by a jealous supervisor and now works as a lowly security guard.  Worse, Tantra now knows the terrible truth: that the company who gave her everything has long controlled her mind with the invasive Harlow Programming, which she has since been freed from.  With her loyalties tested, Tantra is thrust back into the thick of the action when she discovers a bomb sent to InTech’s headquarters.

InTech soon finds itself thrust into a brutal corporate war with its main competitor, Throughfront.  The bombing of their headquarters is the latest in a series of attacks on InTech assets, and the board are desperate to get them under control.  Determining that she is their best operative to stop the culprits behind the attack, Tantra is assigned to the case.  Teaming up once again with her former partner, Cole, the brilliant scientist with severe gaps in his memory, Tantra attempts to find the culprit before they cripple InTech for good.

But, facing opposition from both deadly internal InTech politics and lethal external forces, their chance of succeeding seems slim, especially when they are banished to a remote InTech facility in the Unaffiliated Zone for the remainder of their investigation.  Barely escaping a deadly assassination attempt, this unconventional team find themselves caught in the middle of a dangerous conspiracy that is determined to bring InTech down for good.  However, when they discover that InTech is planning their own sinister machinations, will Tantra and Cole still be as eager to save their company?

Wow, Carey follows up her excellent solo debut in a big way here with Outcast.  This second book was even better than Inscape, taking the reader on a wild and action-packed adventure through the author’s unique cyberpunk world.  Bringing together some amazing characters with a powerful and thought-provoking narrative about control and the potential evils of technology, this was an exceptional read I powered through in a few short days.

Outcast has an excellent story that perfectly continues the fantastic narrative started in Inscape.  Taking place shortly after the events of the first book, Outcast sees a struggling Tantra and Cole once again placed in the middle of a big investigation with major implications, this time involving the destruction of company drones outside the city, which is impacting the company’s food supply.  At the same time, Tantra finds herself forced to deal with deadly company internal politics, while Cole finds himself involved with a mysterious rebel group who are attempting to stop InTech’s more troublesome activities, including their latest upgrade.  This forces them to venture outside of the city where they encounter unaffiliated mercenaries, enemy agents, dangerous rebels and deep secrets about InTech’s past.  The middle of this novel is filled with an excellent series of great emotional sequences, action scenes, world building, character development and shocking twists, as the protagonists get closer to finding out who is behind the attacks, as well as the true plans of their parent company.  This leads up to a brilliant final sequence where the protagonists are forced to make some very hard decisions in a great no-winners situation.  This leads up to the amazing and powerful conclusion where the protagonists, despite their best efforts, are left devastated by the events that unfolded, and which ensures that all the readers will be back for the third entry in this awesome series.

There are so many cool elements to Outcast which really help to turn it into a first-class read.  I deeply enjoyed the way the impressive story unfolded, and Carey makes great use of a couple of alternate character perspectives to tell a unique and multifaceted tale, such as the entertaining scenes told from the perspective of a smarmy and desperate secondary antagonist.  The author does a great job of combining a thriller storyline with the unique science fiction elements, and it results in a fast-paced and action-packed story that takes the time to explore certain technological implications.  There are some brilliant twists loaded throughout the book which are well paced out and ensure that the reader is constantly on their toes.  I liked how, despite the sheer amount of world building featured in the first book, Outcast still came across as an accessible novel, and new readers can probably jump into the series here.  That being said, I think you would be missing out if you didn’t try Inscape first as this sequel does an amazing job building on and expanding some excellent storylines from Carey’s debut.  However, nothing will compete with the awesome ending that this novel has, and the reader is chucked through the emotional wringer as the book’s characters are put into an impossible situation, which produces some very dark results for them.

The excellent cyberpunk science fiction elements of this series once again shine in Outcast as Carey continues to explore the advanced biotech that was such a great feature of the first novel.  Not only is a lot of this technology very cool, especially as it results in some brilliant moments in some of the action sequences, but this mind-connected technology continues to be a key part of the plot.  Multiple storylines examine the ethics behind this technology, especially as the protagonists are now fully aware of the full extent of their parent company’s attempts to program their employees’/residents’ minds using their scapes.  This leads to some intriguing and deep discussions, especially as you get to see corporate greed and a desire for control weighed up against the rights of a person and their desire for independent thought and identity.  This exciting look at the series’ unique technology becomes even more intense and important as Outcast continues, especially when certain new advancements are revealed which could have devastating impacts on all the characters.  I loved how deep and captivating some of the scenes involving this technology get, and it results in some of the best bits of the entire book.  I cannot wait to see what happens with these cool technological aspects later in the series and I imagine it is going to be very fun.

I was also very impressed with the incredible character work featured throughout this book as Carey did a wonderful job expanding on her complex and damaged protagonists.  Like Inscape, Outcast is primarily focused on the characters of Tantra, a young intelligence officer, and Cole a formerly unethical scientist whose memory was completely erased, giving him a very different personality while retaining his brilliant mind.  These two formed a unique and fun pairing in Inscape, where they both experienced a lot of development and trauma, and it was great to see them back together again here.

Both characters had some brilliant moments throughout the novel, especially Tantra, who realised in the first book that her mind and her actions have been subtly controlled by a program her entire life.  Now rid of the Harlow Programming, Tantra is in full control of her mind, but must keep this hidden from InTech, who would kill her or reprogram her if they found out.  Forced to act like the obedient drone they think she is, Tantra chafes against the restrictions and contradictions of her superiors and the company, as she can see many of the injustices or manipulations now that her mind is solely hers.  This also results in are also some excellent ethical and loyalty implications for her as she can finally see how nefarious InTech, the company who raised her, really are, and she must decide whether she is still loyal to them.  It was especially powerful to see how her relationship with Reet, her lifelong romantic partner, has been changed.  Reet is still infected by the Harlow Programming, and Tantra can only watch as she toes the company line and fails to understand Tantra’s many concerns, criticisms or newly awakened point of view.  This puts some real strain on their relationship, and it was heartbreaking to see Tantra suffer even though she is now free.  This was easily the best character work in the entire book, and if the tragedies and hard decisions that occurred towards the end of Outcast are any indication, Tantra is going to be in for a rough ride in the third book.

Cole also had some outstanding moments in Outcast as he continues to struggle with his sense of self and identity following his memory loss and the eventual revelation that his past self was responsible for many of InTech’s evils, including the Harlow Programming.  Now mistreated and mistrusted by InTech, Cole works with a mysterious group outside of InTech to try and bring them down, while also attempting to learn more about his past actions and what led him to do what he did.  He does get some of the answers he wants as the story progresses, especially when he is reunited with an old colleague, but it only leads to tragedy and despair.  Cole’s story gets pretty dark in places, especially when he realises how InTech have repurposed and enhanced his original work, and it was fascinating to learn more about his past mistakes.

Aside from these two, there are several awesome supporting characters who also add a lot to the novel, especially as several of them are utilised as point of view characters.  This includes Douglas Kenway, a senior director at InTech and Tantra’s boss, who is determined to keep his position and power no matter what.  Convinced that Tantra is gunning for his job, he spends most of the novel trying to undermine her, while also inching closer to discovering the truth about her lack of Harlow Programming.  Kenway serves as an excellent secondary antagonist, and his dive into company politics and sabotage of the protagonist adds a fantastic and entertaining edge to the novel that I really enjoyed.  Despite his self-centred nature, Kenway does provide an intriguing alternate perspective on the events of the book, and he gives some corporate context for much of what is going on.  I also really liked how his fears were mostly realised towards the end of the book, although not in the way he expected.  I should also mention new character, Fliss, the leader of a rogue gang out in the Unaffiliated Zone who gets dragged into the conspiracy attacking InTech.  Fliss provides another great alternate perspective, especially as she and her friends have no technological upgrades to their bodies and are naturally human.  I liked the story that surrounded Fliss, especially as she struggles to control her gang when forced to work for a corporation, and she ended up being an excellent addition to the plot.  These characters, and more, help to turn Outcast into a first-rate book, and I deeply enjoyed seeing all these amazing personal stories unfold.

Louise Carey continues to shine as one of the most impressive new authors of cyberpunk fiction out there with her second novel, Outcast.  This outstanding sequel does a brilliant job of continuing the powerful storylines from Inscape, while also introducing new dangers, betrayals, and some great characters.  Filled with action, intense character moments and captivating cyberpunk science fiction elements, Outcast is a fantastic novel that proves to be exceedingly addictive and fun.  I am really starting to get hooked on this outstanding series, and all cyberpunk and science fiction fans need to do themselves a favour and check out Carey’s impressive Inscape series.

Throwback Thursday – Identity Crisis by Brad Meltzer, Rags Morales and Michael Bair.

Identity Crisis Cover

Publisher: DC Comics (Paperback – 1 October 2005)

Series: Identity Crisis Limited Series

Writer: Brad Meltzer

Penciller: Rags Morales

Inker: Michael Bair

Letterer: Ken Lopez

Colorist: Alex Sinclair

Length: 288 pages

My Rating: 5 out 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this week’s Throwback Thursday I take a look at one of my absolute favourite comic book limited series, the epic 2004 DC Comics event, Identity Crisis.  (Quick warning, there are spoilers ahead).

Identity Crisis #1

It is fair to say that the early to mid-2000s was one of my favourite periods of comic books, with some truly cool and epic ongoing and limited series being released.  This was particularly true for DC Comics, who produced some of their best work during this time, many of which rank amongst my all-time favourite comic series.  This easily includes the exceptional and brilliant crossover event, Identity Crisis, which to my mind is one of the best limited series ever written.

Made of seven issues, Identity Crisis combines the unique writing talent of thriller author Brad Meltzer with the artistic stylings of veteran DC Comics collaborators Rags Morales and Michael Bair.  This ended up being a near perfect combination of talents and skill, and I have a lot of love for the exceptional story, which absolutely hooks me every time, and its outstanding associated artwork.  I particularly impressed with the addition of Meltzer, who, despite his more literary background has written some of the absolute best and most human comics I have ever had the pleasure of reading, including Green Arrow: The Archer’s Quest and the two Justice League of America storylines, The Tornado’s Path and The Lightning Saga.  However, his story in Identity Crisis is particularly powerful and thought-provoking, and it ends up being a comic that completely changes everything you knew about your favourite heroes.

For years the members of the Justice League of America have protected the world from all manner of evil and destruction, always prevailing no matter the odds.  But who can protect them when someone goes after those closest to them?  And what if they actually deserve the punishment being visited upon them?

On an unremarkable night, a mysterious attacker breaks into the home of long-serving Justice League associate, Ralph Dibny, the Elongated Man, and commits a terrible crime, the murder of Ralph’s beloved wife, Sue Dibny.  With no evidence about who the killer is and no idea how they breached the Dibnys’ impressive security, the superhero community rallies behind their bereaved friend and seeks to find the killer by any means necessary.

As the rest of the heroes seek answers at any potential suspect within the supervillain community, the Elongated Man and a small group his closest friends hunt for a minor villain, Dr Light, whose secret connection to the League’s darkest moment may hold the answers they seek.  However, when a second attack occurs on another publicly known relative of a superhero, Jean Loring, the former wife of the Atom, it soon becomes clear that someone else is targeting the heroes and their loved ones.

Identity Crisis #1b

As Batman, Superman, Green Arrow and others attempt to get to the bottom of the case, cryptic threats to one hero’s relative reveal that whoever is targeting them knows all of the League’s secrets, including their hidden identities.  As even more tragedies befall the superhero community, dark secrets from the League’s past are brought into the light and no-one will be prepared for the terrible truth behind these brutal murders.  Can the League weather this latest attack, or is this the beginning of the end for the world’s greatest heroes?

Damn, no matter how many times I read this comic, the tragic and powerful events of Identity Crisis still really get to me.  This exceptional comic contains one of the most impressive narratives I have ever seen in a limited series, taking the reader on a captivating and emotional dive into the world of your favourite heroes.  Perfectly combing a dark, mysterious narrative with incredible character work and some truly amazing artistic inclusions, this comic gets an extremely easy five-star rating from me.

For Identity Crisis, Brad Meltzer really went to the well, producing an insanely compelling and moving story that relentless drags you in and introduces you to a completely new side of your favourite heroes.  Utilising his experience as a crime thriller writer, he produces a powerful, character driven superhero narrative with detailed crime fiction elements to create an exceptional and unique story.  Identity Crisis has an amazing start to it, which not only carefully introduces several key figures but also installs some dark tragedy, as the wife of a superhero is killed off.  The subsequent investigation into her murder by the enraged superhero community is extremely compelling and intense, as the emotional heroes turn over every rock and stone, much to the horror of the villains.  However, it is soon revealed that several members of the Justice League are harbouring a devastating secret, one that could reveal the identity of the killer.  This secret becomes one of the most important parts of the first half of the series, and it leads to an epic, action-packed fight sequence against a particularly dangerous foe.

Identity Crisis #2

The story starts to go in a bit of a different direction at this point, with the above secret not really panning out regarding the investigation.  However, other superhero relatives, both public and secret, are targeted, resulting in pandemonium around the characters.  I loved the narrative’s move to a more classic investigation at this point, as the heroes start following every lead they can, while more character development and big moments are explored.  This all leads up to the defining moment when another superhero loses a loved one and the identity of the killer is seemingly revealed.  However, this turns out to be a bluff, as the real killer is still hidden.  The reveal of who did it and why are revealed pretty suddenly towards the end, with some curious and clever motivations exposed.  This leads to a tragic and heartbreaking conclusion, as more secrets are revealed, dangerous lies are uncovered, and several characters leave the story more broken and destroyed than ever before.  You will be thrown through the emotional wringer as you check this comic out.

I deeply enjoyed the way that Meltzer told Identity Crisis’s excellent story, especially as it quickly and effectively engrosses the reader and ensures their undivided attention.  The author utilises a mass-character narrative that follows a substantial collection of heroes and villains, many of whom have distinctive or semi-separate storylines.  This works to tell an intriguing, rich narrative that not only has some clever dramatic components but also allows for some intriguing and compelling retcons and expansions to the already elaborate DC universe.  It is very cool how the story developed into more of a murder mystery/thriller story as the comic progressed, and this really played to Meltzer’s strengths.  The investigation is handled very well, and I liked how the superhero elements altered and enhanced it in some clever ways.  The mystery itself is complex and clever, with Meltzer adding in some great twists, false leads and compelling surprises to keep the reader guessing.  The twist about the actual killer is pretty good, and Meltzer did a great job layering in hints and clues throughout the rest of the story while also introducing a few good alternative suspects.  While the motivations and complexities surrounding the killer’s actions are great, I did think that how the protagonists worked it out was a little abrupt, and it might have been a little better if they worked it out from some earlier clues.  The use of female characters wasn’t the best either, especially as most of them are there simply to be victims in one shape or another.  Having a long-established character getting both raped and murdered in a comic as a plot device is pretty unfortunate, and some stronger female figures might have helped balance this out.  Still, this ended up being an awesome read and I deeply enjoyed how it turned out.

One of the things that I really enjoy about Identity Crisis is the interesting examinations that were included as part of the plot.  Meltzer and the artistic team obviously had a lot of fun exploring or introducing some cool aspects of the DC Universe in this series, especially when it comes to the secret or hidden lives of superheroes and supervillains.  I particularly loved the in-depth examination about how both groups are officially or unofficially organised, and there are some very intriguing views of them socialising or working together.  The inclusion of a highly organised superhero death investigation squad, made up of a range of random heroes (the Ray, the Atom, Animal Man, Mister Miracle and two of the Metal Men) is particularly clever, as is the way the various heroes organise into a vengeful posse to question potential suspects.  The deep dive into the importance of a superhero secret identity also becomes an important part of the story, especially as the loss of the secret brings pandemonium thanks to the killer stalking them.  I also loved the counterbalance look at organised villainy, and there are some excellent scenes that see the villains gathering to socialise or talk shop.  Having an organising force like the Calculator, as well as a secret space station hangout, is pretty elaborate, and the deeper look at the villains of this universe, definitely gave Identity Crisis a compelling and intricate edge.

Identity Crisis #3

However, easily the most groundbreaking and compelling new inclusion to the universe is the reveal about the unofficial league within the Justice League who have some dark secrets.  Made up of heroes Green Arrow, Black Canary, Hawkman, Zatanna and Atom, as well as the Silver Age Green Lantern and Flash, this group of heroes apparently operated separately of the main Justice League during their classic Silver Age adventures, acting as their clean-up crew.  This retcon by Meltzer provides an interesting explanation for why villains never remember the secret identities of the heroes they switch minds with or whose dreams they invade, namely they have their mind erased by Zatanna’s magic after being captured by this inner-League.  While this is already a dark move by these established heroes, it gets even worse when they are forced to reveal that they intentionally destroyed Dr Light’s brain to make him less of a threat.  This and other revelations, acts to make many of your favourite heroes appear much more morally grey and fallible, and it was a particularly impressive and monumental inclusion, that will have grave consequences down the line for the entire universe.

Unsurprisingly for something written by Meltzer, Identity Crisis contains some insanely complex and impressive characters who form the heart of the tale.  Due to the way the story is told, Identity Crisis follows a massive cast of comic characters, including several obscure or underappreciated figures.  Meltzer does a brilliant job of utilising all these established characters throughout his story, with nearly every major cast member getting a moment to shine in some way or another, and multiple figures who were underutilised or unappreciated before this comic were given brilliant and defining second chances here.  While the use of multiple focus characters had the potential for a scattered narrative, Meltzer was able to direct the flow of the story around all these various protagonists and antagonists perfectly, and you still get a tight and concise story, which also takes the time to dive into each of these figures and showcase them to their greatest degree.  As I mentioned before, there is a real focus on highlighting the darker side of the superhero characters throughout Identity Crisis, and you end up really seeing these fantastic figures in a whole new scary light.

Let’s start with Ralph and Sue Dibny.  I must admit that the very first time I ever read Identity Crisis, many years ago, I honestly had no idea who Elongated Man and his wife were, as they were a little obscure.  However, Meltzer really goes out of his way to feature them in this story (even adding in a few retcons) and you are given a great introduction to them at the start.  In just a few panels, you understand who these characters are and what they mean to each other and the other superheroes, as well as some unique characteristics and relationship quirks.  This excellent introduction makes you start to care about them just as Meltzer brings the hammer down and kills Sue.  The subsequent grief, rage and despair from Elongated Man is just heartbreaking, and you go through the rest of the comic seeing him attempt to recover from these terrible events.  This amazing use of characters at the start of the comic has a great flow-on effect to the rest of the story, and you become exceedingly invested in finding the killer as a result.

Identity Crisis #4

From there, a lot of the superhero focus goes to the surviving members of the Justice League who formed the league within the League I mentioned above.  There is some exceptional character work around some of these team members, especially as they come to terms with the decisions they made in the past and how they are impacting them now.  I loved seeing them attempt to justify their actions to the other heroes, even their darkest decisions, especially as you can understand why they did what they did, while also feeling disappointed in them.  You really get a sense of determination and shame from them as the story continues, and you see all of them go through a lot in both the past in the present story.  Despite multiple differences, this team are still friends and comrades, and watching them come together to brawl with some of the most dangerous characters is pretty heartwarming, even if darker elements lie just beneath the surface.

While there is a focus on these inner-Leaguers, some of them are utilised a lot more frequently than others, particularly the original Green Arrow, Oliver Queen.  Green Arrow is an excellent figure in this comic and is probably the closest thing to a heroic narrator/central protagonist the story has.  His unique perspective on the events acts as a good foil to many of the other characters, such as Batman and Superman, and he proves to be a calm, if potentially vengeful figure for much of the story, organising many of the League actions and forensic investigations.  He also proves to be the voice of reason for the inner League, calmly justifying many of their actions and serving as a bridge between this existing group and the newer Flash and Green Lantern.  Despite his belief that they are doing the right thing, you can see some real emotion and regret in his face, especially when the further revelations about Dr Light and Batman come out.  I also appreciated the deeper look into his antagonistic relationship with Hawkman, which partially originated in the past events mentioned here, and it is interesting to see how the events of this comic impact future Green Arrow storylines.

Aside from Green Arrow, other members of this secret League who get an intriguing focus include the Atom, Ray Palmer, and his ex-wife, Jean Loring.  Due to his status as another public hero, Atom and Jean are also targeted throughout the story, and you end up getting a rather intense and fascinating look at both.  Watching their failed relationship rekindle is a nicer part of most of the comic, although eventual reveals and tragedies naturally ruin it and smash everything around.  Still, their complicated emotions and issues surrounding their fractured relationship make for some of the best parts of the comic.  I liked the interesting look at Zatanna throughout the comic, especially as she is largely responsible for some of the worst moments of this group of heroes, as she clearly feels guilty about her magic messing with the villain’s minds.  I also need to highlight the younger Flash, Wally West, who finds out about the actions of the other characters during the current events of the comic.  It is absolutely heartbreaking to see Wally learn that his mentor and predecessor, Barry Allen, was not as perfect as he imagined, and actually participated in some of the team’s worst events.  The distress he exhibits with every subsequent reveal is showcased through the comic’s art extremely well, and his subsequent guilt as he is forced to keep it secret from other Leaguers like Batman is quite noticeable.

Identity Crisis #5

As you can expect from any major DC Comics crossover event, members of DC’s Big Three are strongly featured throughout Identity Crisis.  While Wonder Woman only has a few intriguing scenes, in which you get to see both her ferocity and her kindness, there is much more of a focus on Superman and Batman.  Superman gets some great sequences throughout Identity Crisis, especially as the creative team sinisterly focus on his family and friends, all of whom are potential targets.  Watching Superman slowly get frustrated with the investigation, especially when Lois is threatened, helps to enhance the seriousness of the story, and he has some powerful moments here.  I did appreciate the way in which Meltzer attempted to paint the big blue Boy Scout in a darker light, as it is revealed that even the supposedly righteous Superman is not as innocent as you’d believe.  It is subtly implied that Superman always knew what the inner League was up to (yay for super hearing), and chose to ignore it for convenience.  This brilliant and dark suggestion that even Superman isn’t infallible is a pretty weighty one that  helps to enhance the weight and power of Identity Crisis’s narrative.

Batman is a lot more involved in the story and leads his own investigation into who is behind the killing.  Even though he does not actually appear until halfway through the comic, he is a heavy presence throughout Identity Crisis, both because of his brusque, loner ways of trying to solve the crime, but because of the dark shadows of the past.  There are multiple moments that revisit his childhood and the death of his parents, which parallels some of the other losses in Identity Crisis, and you get to see the human side of grief impacting this usually stoic character.  Batman’s storyline gets even more intense when it is revealed that part of his memory was erased by his fellow Leaguers to cover up their actions surrounding Dr Light, which is a very haunting inclusion.  Meltzer makes this even more intriguing by having Green Arrow suggest, mostly out of guilt, that Batman likely has done something similar in the past, while also acknowledging that he has likely already deduced that his memories were erased.  This really makes you consider Batman’s relationship with the rest of his heroes, and it certainly has a big impact on future Batman storylines.

The Batman impact on this story is also felt through the great focus on the current Robin, Tim Drake, who plays a surprisingly big role in the events of Identity Crisis.  At the start of the comic, Tim is one of the few members of the Bat-family who still has a father, which puts him at odds with Batman and the Robin predecessors.  As his father has only just discovered his dual identity as Robin, he becomes one of the more interesting protagonists, as the comic explores the stress of the superhero lifestyle on family.  Tim’s storyline ends up being extremely tragic when his father is murdered.  Watching Robin talk to his father over the phone as he’s about to die is just damn horrific, and your heart can’t help but break during that epically drawn-out scene where he and Batman arrive too late.  The subsequent parallel between him, Bruce Wayne and previous Robin Dick Grayson during this moment is particularly poignant, and it results in a whole new chapter of this amazing incarnation of Robin.

Identity Crisis #6

While there are a few other interestingly featured heroes in Identity Crisis, I’m going to start talking about the villains, as many of them have a brilliant role in this comic.  Thanks to Meltzer’s fantastic writing, Identity Crisis proves to be just as much about the villains as the heroes, as many of them are deeply impacted by the events disclosed here.  While I won’t reveal the identity of the killer here (I’m keeping some spoilers locked up), I will say that their motivations are pretty fascinating and provide a compelling insight into the super lifestyle.  The rest of the villains in Identity Crisis are fair game for discussion, though, and I deeply loved the creative team’s excellent examination of them.

Easily the villain I need to talk about the most is Dr Light, an old school Justice League villain who had not been really utilised in recent years.  Mostly known before this comic as the Teen Titans’ punching bag, Meltzer completely revitalised the character in Identity Crisis and, with a stroke, turned him onto one of the most deranged and dangerous figures in the entire universe.  It is revealed throughout the comic that Dr Light used to be an extremely powerful villain, but after invading an empty Watch Tower and raping Sue Dibny, the League brutally took him down, erased his memory of the event and then magically lobotomised him.  This resulted in him becoming the moronic and weakened villain who was routinely taken down by the teenage heroes and other embarrassing foes.  This entire reveal is pretty damn epic and horrifying at the same time.  Not only does Dr Light seem excessively evil and deranged in the flashback scenes, but the shocking revelations of his actions immediately make you hate him.  Meltzer’s explanation for why he turned into such as pathetic creature (aside from the real reason of capricious authors) really hits home hard, and even though Dr Light is a terrible person, you can’t believe that members of the Justice League went so far.  The subsequent scenes where Dr Light regains his memories and his powers feature some of the best artwork in the comic, and while he doesn’t do much here, the scenes with him brooding and plotting hit at his returned and future malevolence.  I deeply appreciated how much Meltzer was able to morph this villain, and while the reliance on rape for antagonist purposes is a bit low, he succeeded in making him a very hateful and despicable figure.

Aside from the killer and Dr Light, several other villains hold interesting and significant roles in Identity Crisis, and I deeply enjoyed how they were portrayed.  This includes Green Arrow villain Meryln, who serves as an interesting shadow to Oliver Queen throughout the comic (more so than usual).  While Green Arrow provides the superhero community’s viewpoint on events, Merlyn’s narration examines the supervillain community and their various reactions.  I loved his fun insights into his fellow villains, and he ends up being an interesting inclusion to the cast.  The same can be said for the Calculator, a formerly silly figure who has turned himself into a non-costumed villain who acts as an anti-Oracle, providing the villain community with tech support and intelligence by charging them $1,000 per question.  I loved this interesting revamp of this minor character, especially as this suave, behind-the-scenes information broker became his default look for years.  Calculator’s conversations and business dealings offer some compelling insights into the superhero community, and I loved the occasional jokes about his old costume.  Meltzer also makes exceptional use of one of my favourite villains, Deathstroke, who once again shows why he is the DC universe’s ultimate badass.  Hired by Dr Light to protect himself from the League, Deathstroke takes on an entire team of heroes single handily and essentially spanks them.  I love how the creative team not only showcase his insane physical abilities, but also his tactical knowhow, as he expertly takes down major heroes in brilliant ways (he takes down the Atom and Hawkman with a laser pointer, true story).  His scene in the centre of the comic is the best action sequence in Identity Crisis, and it perfectly showcased this awesome villain (seriously, give this man a movie), while also hinting at some future grudges.

Identity Crisis #7

The final character I want to talk about is the lecherous and always entertaining Captain Boomerang, who has a major role in the plot.  I absolutely loved the exceptional story that Meltzer wrote around this infamous villain, and it is easily one of his most defining depictions.  Captain Boomerang has always been shown as a bit of a joke, but this comic shows him as a fat, washed up has-been, who leaches off his fellow villains and is generally looked down upon by them.  However, he gets a very intense and emotional story in this comic, as he meets his long-lost son and starts to develop a relationship with him.  The father/son moments add a rather interesting and nice edge to the main story and seem slightly disconnected from the rest of the plot.  That is until the final killing, when it is revealed that Captain Boomerang has arrived to kill Robin’s father.  The implied suggestion that Captain Boomerang of all people might be behind the killings is pretty iconic, and I loved the split panels that contrast his phone call to his son with the phone conversation between Robin and his father.  The subsequent results of the attack, as well as the reveals in the aftermath are pretty awesome, and I really appreciated the fun second chance that Meltzer and the artistic team gave to this iconic, old-school villain.

While I have gone a lot about story elements and characters, I also really need to highlight the incredible artwork featured in Identity Crisis.  The artistic team of Rags Morales and Michael Bair did an outstanding job in this limited series, producing some of the absolute best artwork from this era of DC Comics which perfectly enhances Meltzer’s epic storytelling.  There are so many impressive and memorable artistic moments and sequences throughout Identity Crisis, and I loved the various ways in which the artists convey movement, action, and emotion in their detailed and captivating panels.  There are so many brilliant action sequences in this comic, with my favourite being the Deathstroke vs Justice League fight I mentioned above, although a few others are also very cool to see.  I also loved the character designs featured throughout Identity Crisis, especially as the creative team took the opportunity to seriously reinvent several heroes and villains.  The streamlined look of the Calculator is particularly fun, and I also loved the balding and fat version of Captain Boomerang.  While I didn’t love how a couple of characters looked (what was with the hair on Connor Hawke?), most of it was pretty exceptional, and I love how it was later reutilised by other artists.

There are multiple truly brilliant and eye-catching artistic highlights of Identity Crisis that I must highlight, including the massive and powerful funeral sequence that takes place in the early part of the series.  There is an incredibly elaborate double-page public funeral spread that shows every single emotional superhero in attendance, with the various heroes organised by team or connection to the grieving family.  The use of the multiple heroes and associates is pretty awesome, especially as there are a range of character-appropriate reactions, and I loved seeing the whole costume crowd surrounded by members of the press and public as they mourn.  You also get also some excellent and heartfelt sequences in the subsequent scenes which show the eulogies, especially when Elongated Man starts to literally deteriorate due to his grief, which is just so powerful.  Other great examples of the artist’s work include the fun flashback scenes that allowed them to draw events in various classic comic styles, that offer a little bit of simplicity compared to the darker modern spread.

I particularly loved some of the brilliant sequences that are set around Dr Light, as not only do you see him at his most dangerous in the past but you also have some outstanding scenes when he regains his memories and powers.  The excellent parallels between the Justice League’s takedown of Dr Light and their attack on Deathstroke are incredible, and the subsequent massive panel of blinding light around Dr Light’s face is perfection.  However, the absolute best-drawn sequence in Identity Crisis must be the panels leading up to the death of Robin’s father.  Watching the insane amount of emotion on Batman and Robin as they realise that Robin’s father is about to die is so damn moving, especially the anguish on Robin.  The most moving of these panels is the one that focuses on Batman’s face after Robin begs his mentor to save his father.  The look of pure dread, fear and despair on Batman’s face takes my breath away every single time I look at it, and it perfectly conveys all of Batman’s repressed feelings as he realises that history is once again going to repeat itself.  While there are some other great scenes, the above are easily the cream of the artistic crop and definitely make this comic stand out.  I have so much love for the artistic work of Morales and Bair here, and it markedly enhances the already exceptional story, turning Identity Crisis into a true epic classic.

Well, that’s pretty much everything I have to say about Identity Crisis here.  As you can no doubt guess from the excessive way I have waffled on, I have a lot of love for this exceptional comic and I’m not afraid to show it.  The brilliant creative team behind Identity Crisis did an incredible job with this comic and they really turned out something special.  Perfectly bringing together a deep and clever story with impressive artwork, amazing characters, and so much damn emotion, this comic has something for everyone and is so very highly recommended.  I deeply enjoy everything about Identity Crisis, especially how it leads to some other epic comic books (the continuation of the mindwipe stuff in Justice League of America, Green Arrow, Teen Titans and more is particularly good).  One of the most distinctive and amazing comics ever and a must read for all DC Comics fans.

Daughters of Eve by Nina D. Campbell

Daughters of Eve Cover

Publisher: Allen & Unwin Australian (Trade Paperback – 29 March 2022)

Series: Standalone

Length: 370 pages

My Rating: 4.5 out of 5 stars

Impressive debuting Australian author Nina D. Campbell presents one of the most intense, captivating, and thought-provoking thrillers of 2022 so far, with the outstanding Daughters of Eve.

Detective Emilia Hart is a dedicated New South Wales homicide detective whose gender and experience often sees her regulated the domestic violence murders.  When a prominent defence attorney is expertly shot in front of her, Hart jumps at the opportunity to investigate a high-profile case, despite opposition from her superiors.  However, this proves to be no simple investigation, especially when a second dead man with similar bullet wounds is also found.

As Hart and her colleagues investigate, they struggle to find any connection between the two victims until more men start dying and the killer releases a brazen manifesto to the world.  Claiming to be part of an organisation known as The Daughters of Eve, determined to tip the scales of justice once and for all, the killers reveal that their victims have been abusive men responsible for terrible acts against women.  They also claim that they are only just getting started, and they soon ask the public to identify more violent men for them to hunt down.

As more bodies start to drop, chaos starts to reign across Sydney, especially when a series of copycat murders begin around Australia.  Facing immense pressure from all around, Hart doggedly pursues the case, trying to find a link between the victims and the women they hurt.  However, with angry male protestors storming the city and soldiers deployed on the street, Hart is unprepared for how much her world is about to change, especially as the killer may be closer than she ever realised.

Daughters of Eve was an exceptional and outstanding first novel from Campbell that really sticks out.  Featuring a particularly powerful narrative that combines a terrific and clever mystery with some of the darkest elements of modern society, Daughters of Eve proves to be extremely addictive, and I actually ended up reading it in just one day once I got hooked on its powerful events.

I loved the intense and captivating murder mystery that this book contains, especially as it sets the protagonist down a moving and memorable rabbit hole.  Daughters of Eve has an awesome start, with a sleezy defence attorney shot down by a sniper in the middle of Sydney right in front of the protagonist.  This ensures her a key role in the investigation, and she quickly discovers that there is much more to the case, especially once more bodies drop with each of the victims identified as a potential abuser or rapist.  This initial part of the mystery is very well written, with several key elements set up for later in the book, while the reader is left guessing with the various potential suspects or motivations.  While this early investigation is ongoing, you get to know more about the protagonist, Emilia Hart, and her complex life, including her unique personal relationships and compelling professional life, especially as she works with several terrible people.

The story takes an excellent turn about halfway through when The Daughters of Eve organisation emerges and takes credit for the murders.  The entire city erupts into chaos as angry, scared men attempt to regain control, soldiers are deployed to the street, and multiple murders occur across Australia.  Hart and her colleagues are stuck desperately investigating more obscure potential suspects to discover who is behind the initial murders, while they try not to get overwhelmed by other events.  This middle section of Daughters of Eve goes into some very dark directions, especially when certain revelations and secrets come out.  This eventual leads up to the big reveal about who the killer is, which, while a little predictable, serves as a major and compelling moment in the plot, and was very well handled by the author.  The story continues for a decent while after the killer is arrested, as the events further deteriorate, and the protagonist finds herself extremely involved in everything going on.  It all leads up to the moving and dramatic conclusion, which, while tragic in its own way, leaves the reader on a somewhat hopefully note that think really worked.  This was an incredible and deeply moving story, and I deeply enjoyed the brilliant combination of captivating mystery and dark tone.

Without a doubt, the most memorable part of Daughters of Eve is the strong and powerful look at sexual and domestic violence that exists within the world today, as much of the story focuses on victims-survivors and abusive men.  Campbell paints an appropriately bleak picture of how society can hurt women of all ages, which gives the story a very grim, if realistic, coating that will both shock and move you.  Featuring multiple female characters, each with their own unique story, you get a deep understanding of some of the violence or discrimination out there, and the various issues and societal problems surrounding it, such as the restrictions on policing it.  There are so many dark elements about abusive men and sexual violence throughout this book, and I think Campbell utilised it perfectly throughout Daughters of Eve to create her captivating tale.  I particularly appreciated the way in which Campbell envisions the reaction that would occur if some vigilante women did start to target abusive men in a violent way.  The subsequent counterviolence, male protests, and over-the-top use of authorities and the military is a cynically entertaining inclusion, and the subsequent comparison between this and the existing violence against women makes for a harsh counterpoint.  While parts of the reaction by authorities, politician and men might seem somewhat unrealistic, certain recent events might potentially suggest that Campbell is right, and it is probably exactly how events would occur.  While I do think that Campbell did get a little heavy handed with some of these elements throughout the book, it produced a very emotional and confronting story that expertly enhanced the main mystery narrative.  I would probably suggest that people who are triggered by sexual and domestic violence may want to avoid Daughters of Eve because of these inclusions; this is a very thought-provoking part of the book that will stick with you for a long time.

Naturally, such dark and dramatic elements necessitate several strong and complex central characters, and Campbell uses them to great effect throughout the book.  Daughters of Eve’s main character is point of view protagonist Emilia Hart, who proves to be an excellent central focus for the entire plot.  Hart is a character with a substantial amount of baggage, and her own terrible childhood and long experience as a police officer, especially one who primarily deals with domestic murders, ensures the events of this book deeply impact her.  Watching her try to come to terms with some of the outrages she witnesses, as well as the deep personal stakes that emerge, is pretty inspirational and moving, and you end up feeling really connected to her.  The rest of the characters in this book are fantastic and they all add a great supporting edge to Hart’s story.  This includes Emilia’s adopted daughters, both of whom have their own tragic backstories, her brash but loyal police partner, and her surprisingly understanding love interest from Melbourne.  You get a real sense of some of the terrible sexism and violence experienced by women every day, and each of the characters in Daughters of Eve do a good job exploring this.  I really grew attached to several of the characters in this great cast and found their powerful stories to be brilliant.

Daughters of Eve ended up being an exceptional and distinctive Australian thriller and it is one that I am really glad I got the opportunity to read.  Nina D. Campbell hit her debut out of the park, and I really got addicted to the excellent, dark and moving story that her first book contained.  With some very powerful and insightful elements, Daughters of Eve will stick with you well after you have finished powering through its amazing story.  I cannot wait to see what Campbell produces next, and I look forward to reading more stuff from this exciting new Australian author.

Sierra Six by Mark Greaney

Sierra Six Cover

Publisher: Sphere/Audible Audio (Audiobook – 15 February 2022)

Series: Gray Man – Book 11

Length: 15 hours and 58 minutes

My Rating: 5 out of 5 stars

Epic thriller author Mark Greaney returns with the latest entry in his incredible Gray Man series with Sierra Six, an intense and captivating spy thriller that will grab your attention and refuse to let go until the final explosion.

Over the last few years, I have been absolutely hooked on the incredible thrillers of Mark Greaney, who is easily one of the best authors of spy fiction in the world today.  Not only did he cowrite a very cool military thriller, Red Metal (one of my favourite books and audiobooks of 2019), but he has continued his exceptional Gray Man series.  The Gray Man books follow Court Gentry, the titular Gray Man, an elite assassin and undercover operator who has worked both for and against the CIA.  This series has been so very cool, from the first novel The Gray Man (set to become a Netflix movie later this year), to the last three awesome entries, Mission Critical, One Minute Out (one of my favourite books and audiobooks of 2020) and Relentless (one of my favourite books and audiobooks of 2021).  Due to how impressive this series has been, I have been really excited to read the next book, Sierra Six, and it was one of my most anticipated releases of 2022, especially as it had a very cool plot to it.

Court Gentry, the Gray Man, is once again the world’s most wanted spy, hunted by his former employers, the CIA, and every other intelligence agency on the planet.  Looking for work, Gentry accepts an easy infiltration mission in Algeria to spy on a delegation from Pakistan.  However, the mission goes sideways when Gentry recognises one of the Pakistanis and his rookie technical officer is captured.  Chasing after the kidnappers, Gentry follows their trail to India and must relive one of the darkest moments from his past.

12 years ago, long before he became the Gray Man, Court Gentry was a talented young agent for the CIA.  Specialising in solo operations, Gentry is suddenly reassigned to Ground Branch and must work as the junior member of veteran CIA action team, Golf Sierra.  Given a new designation, Sierra Six, Gentry is forced to adapt to a new way of fighting as he and his team attempt to hunt down a dangerous terrorist leader in Pakistan.  However, their mission resulted in a high body count and a great personal loss that has haunted Gentry ever since.

Now, as Gentry works his way through Mumbai, he must face the realisation that the target of his original Sierra Six mission is still alive and active after all these years.  Determined to finish the job once and for all, Gentry works with a small team of rogue operators to find his target.  However, his old foe has initiated a bold new plan that could have devastating consequences for all of India.  Can Gentry get his revenge before it is too late, or will the ghosts of his past finally finish him off?

Greaney is in fine form with Sierra Six as he has written another excellent and intense spy thriller that I deeply enjoyed.  Containing an action-packed and multilayered narrative loaded with major set pieces, exciting spy elements and some complex characters, this was another awesome Gray Man novel from Greaney.

Sierra Six was an absolutely thrilling read and I had an outstanding time getting through the impressive and addictive narrative.  Greaney does something a little different for this book and features an excellent and intricate split timeline narrative, with the book divided between the events of the past when Gentry was part of Golf Sierra, and the current events in Mumbai which see Gentry again contending with the target of this original mission.  The narrative switches between the two timelines every chapter or two and you get a great sense of what is happening in both well-established storylines.  These two plot lines advance at a great pace throughout the entire novel and feature their own range of distinctive and fun supporting characters, some of whom appear in both the contemporary and past storylines.  I had a lot of fun with the two separate periods, and I loved how they both made excellent use of interesting characters, fantastic developments and a ton of high-octane action sequences.

The timelines support each other extremely well, with certain hints about the events of the past contained in the contemporary storyline increasing anticipation for the historical storyline, while revealed details about the villain and the young Court Gentry from 12 years ago enhance the protagonist’s current adventure.  In both cases, Gentry and his allies embark on a methodical hunt for their quarry, with a high body count accumulating as they follow various leads and respond to their opponent’s counter plays.  While primarily told from Gentry’s perspective, both timelines utilise distinctive side characters to great effect, and you see intriguing supporting perspectives, including from the antagonist, that help to widen the picture and enhance the richness of the story.  Both timelines eventually lead up to an awesome final sequence, comprised of two near-suicidal missions that the protagonist is engaged in.  This final section of the novel is extremely fast paced, especially as Greaney shortens the chapters and introduces more frequent jumps between the timelines to make everything seem even more frenetic.  Both timelines end with some incredible and awesome major set pieces, and I loved how Greaney used the end of the past storyline to set up the antagonist’s eventual return.  The novel ends on a great note, with the two separate storylines coming together perfectly, and the reader is left very satisfied, if a little moved, at the tragic ending of the events from 12 years ago.  I was extremely impressed with how this fantastic story came together, and this ended up being an addictive read with so many awesome moments in it.

Sierra Six was a particularly good entry in this already awesome series, and I loved how Greaney was able to create a book that both stands on its own as a thriller, while also serving as an amazing entry in the wider series.  This novel is structured to be very accessible to new readers, and anyone can easily pick up this book and start reading it without any knowledge of the prior entries in the series, especially as certain key elements are carefully explained when necessary.  There is also a lot for established Gray Man fans to enjoy here, as Greaney provides a bit of an origin story for his long-running protagonist.  Not only do we get to see Court Gentry do some of his earliest work for the CIA, but you also get to see his first interactions with key supporting characters, including Matthew Hanley and Zack Hightower.  I also loved a couple of fun little cameo appearances and throwaway lines that reference some of the earlier books, including the quick but enjoyable inclusion of the antagonist from the original novel.  While there is are no major continuations of some of the established storylines this is still a key and intriguing Gray Man novel, and it is one that people familiar with this series will deeply enjoy.

I was very impressed with some of the unique elements of this book, particularly those involving tradecraft, espionage work and covert combat teams.  There is a real focus on tradecraft throughout Sierra Six, and the author ensures that everything feels exceedingly realistic and gritty as the characters play their spy games.  Not only do you get to see some of the usual undercover work that Gentry excels in but you also get a great look at paramilitary combat, as the protagonist learns from scratch the rules of fighting as part of a combat team.  All this tradecraft really adds to the authenticity of the story, although it did make parts of the book a little clunky in places, especially when the narrator or the characters explain certain espionage or military elements multiple times in overly descriptive ways.

I also rather enjoyed the exciting settings of the various timelines, as Greaney takes the reader to wartime Afghanistan, Pakistan and modern-day India.  This is an interesting change of pace from most of the Gray Man novels I have read, which have been primarily set in Europe, and I liked seeing the various descriptive landscapes and unique people.  Mumbai proved to be a great setting for most of the contemporary storyline, and it was very fun to see Gentry manoeuvre his way through the crowded districts and locals.  I also really enjoyed the focus on Pakistani intelligence and the Indian underworld, which proved to be very fascinating.  For example, the fiction criminal group B-Company are clearly based on the infamous real-life D-Company, and it was quite intriguing to see them worked into the story, while also examining their origin and goals of their leadership.  All these cool tradecraft elements and intriguing settings deeply enhanced the overall story, and it made for quite a fascinating and distinctive read.

There was some rather interesting character work going on in Sierra Six as Greaney takes his fantastic protagonist to some very dark places at various points in his timeline.  I really appreciated the dive back into the period before Court Gentry became the Gray Man, and Greaney paints a compelling figure of a habitual loner with no personal attachments only at the beginning of his espionage career.  Watching Gentry join a team and try to play nice with others was a captivating part of the book, and it was fascinating to see the rookie Gentry get rattled by stuff he’ll become much more used to in the future.  Greaney also enhances Gentry’s development by including a curious, but touching, relationship in the earlier timeline, which helped to humanise Gentry a lot.  However, certain tragic elements from this help mould him into the killer we all know and love, and Greaney subtly introduced the ripples from this into the contemporary storyline.  The reader leaves Sierra Six with a much better understanding of this cool character, and I had a great time seeing more of the Gray Man’s past.

Both timelines are filled with an excellent and comprehensive cast of side characters, each of whom add a great deal to the narrative and Gentry’s development in their own way.  While there are a few recurring characters from the previous Gray Man novels, most of the focus are on newer figures, who Greaney provides with compelling and interesting backstories.  I liked how the past and modern-day storylines both featured great female side characters who helped move the story along in their own distinctive ways.  This includes the socially awkward intelligence officer Julie Marquez, from the original Golf Sierra mission, and Indian tech guru Priyanka Bandari, who Gentry is forced to work with after saving her from kidnappers.  Both female characters add to the plot a great deal, and it is fascinating to see events unfold from their eyes, especially as they have diverse life experiences and are also seeing very different versions of the protagonist.  The storylines around both women are written extremely well, and I really appreciated where both went, especially as they both included tragedy, regret and definitive action.  I also must really highlight the use of long-running supporting character Zack Hightower, who was an excellent inclusion in the historical storyline.  Zack is always a great foil to Gentry, and I really enjoyed seeing him interact with the younger, cockier version here, especially as it shows some of the earlier dynamics between them.  Watching Gentry meet his mentor and friend for the first time was great, and I really enjoyed the cool storyline that developed between them and the other members of the Golf Sierra kill team.  All these characters were extremely impressive and I had a brilliant time getting to know them throughout the course of Sierra Six.

While I did receive a paperback version of Sierra Six, I went out of my way to also get this novel on audiobook as I have had some awesome experiences with the Gray Man books in this format before.  This proved to be an excellent decision as the Sierra Six audiobook was amazing, perfectly telling the cool story while enhancing the intriguing tradecraft and action elements.  The Sierra Six audiobook has a run time just short of 16 hours and so requires a bit of a time investment to get through it, although I think this was more than worth it and dedicated listeners should be able to get through rather quickly.  I was also very happy to see that this audiobook once again featured the vocal talents of Jay Snyder, who is one of my favourite audiobook narrators at the moment.  Snyder has a gruff and distinctive voice that fits the harder spy thriller feel of this novel perfectly and drags the listener into the intense tale.  Snyder does a brilliant voice with all the characters featured within, and you get a good sense of their various emotions and feelings, especially during some of the more action-packed sequences.  I had an outstanding time listening to this audiobook and it is an excellent format for anyone interested in trying out this latest Gray Man novel.

The always impressive Mark Greaney has done it again, producing an incredible and exciting new Gray Man novel.  Sierra Six, features a bold and captivating story that cleverly utilises two distinctive timelines to tell its intense and moving tale.  Loaded with fun character, brutal action sequences, and some intriguing espionage moments, this was another outstanding book I had a brilliant time reading.  Sierra Six comes highly recommended from me and I cannot wait to get my hands on the next Greaney book.

Sierra Six Cover 2

Waiting on Wednesday – Seventeen by John Brownlow

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings.  Stay tuned to see reviews of these books when I get a copy of them.  For this week’s Waiting on Wednesday I look at a very cool sounding upcoming thriller that I predict is going to be buckets of epic fun with Seventeen by John Brownlow.

Seventeen Cover

Here at the Unseen Library, I have developed a real appreciation for the most awesome and unique sounding thriller novels out there and I have just discovered one upcoming book that I think fits that description perfectly with Seventeen.  Also known as Seventeen: Last Man Standing, this book is the debut novel of John Brownlow, a screenwriter known for working on films like Sylvia and television series such as Fleming and The Miniaturist.  Well Brownlow appears ready to make a jump to the literary world here with Seventeen, and I am for one am very excited for it.

The intriguing and fun sounding Seventeen is currently set for release down here in Australia in July 2022, and I am deeply impressed with the amazing and entertaining synopsis.  Set in a world where a secretive group of hidden killers keep the world safe through their political assassinations, the novel follows an assassin, known simply as 17, who strives to become the best killer on the planet by killing the current top contender, 16.  However, another assassin, 18, is chasing the same goal, and will stop at nothing to hunt down and kill our protagonist.  This novel sounds so freaking awesome to me and I cannot wait to see how the intense and epic Seventeen turns out.

Synopsis:

YOU’LL NEVER KNOW MY NAME.
BUT YOU WON’T FORGET MY NUMBER.

Behind the events you know are the killers you don’t.
When diplomacy fails, we’re the ones who gear up.
Officially we don’t exist, but every government in the world uses our services.
We’ve been saving the world, and your ass, for 100 years.

Sixteen people have done this job before me.
I am 17. The most feared assassin in the world.
But to be the best you must beat the best.
My next target is 16, just as one day 18 will hunt me down.
It’s a dog-eat-dog world and it gets lonely at the top.
Nobody gets to stay for long.
But while we’re here, all that matters is that we win.

Visceral, cinematic and insanely addictive, 17 will keep you on the edge of your seat and live long in the memory. Until 18 comes along …