Publisher: Dark Horse Comics (Paperback – 1 February 2002)
Series: Usagi Yojimbo – Volume 15
Length: 184 pages
My Rating: 5 out of 5 stars
The classic adventures of Usagi Yojimbo continue as I look back at the 15th brilliant volume, Grasscutter II – Journey to Atsuta Shrine, one of Stan Sakai’s more ambitious and powerful comics, which sees the protagonist and his friends caught up in the tides of fate and history.
Ever since I read the recently released 40th volume of Stan Sakai’s iconic Usagi Yojimbo comic series, The Crow, I have been in a major Usagi Yojimbo mood, so I decided to go back and continue reviewing the older volumes of this classic comic, which follows a rabbit ronin in a version of Feudal Japan populated with anthropomorphised animals. I reviewed the first 14th volumes during COVID lockdown, and had a lot of fun doing so, especially as Usagi Yojimbo is one of my favourite comic series. I have been meaning to restart reviewing the older comics for a while, and I’m not going to throw away this sudden surge of creative energy, so this is the perfect time to bring out my review for the 15th volume in the series, Grasscutter II.
Grasscutter II is one of Sakai’s most impressive comics in the series. Featuring issues #39-45 of the first Dark Horse Comics run on the Usagi Yojimbo series, Grasscutter II serves as the gripping sequel and conclusion to the intense and pivotal story contained in the 12th volume, Grasscutter. This previous volume saw Usagi and his friends become embroiled in the recovery of the legendary sword Kusanagi and the foiling of a major plot to rebel against the Shogun. A dark and compelling entry in the series, Grasscutter featured an amazing story with major implications for the Usagi Yojimbo series. This was such a key volume, and it is interesting to see how Sakai follows it up here, especially as he needed to make Grasscutter II’s story in just as epic, if not more impressive.
Following dark events of magic and death, few people are aware that the legendary Imperial sword Kusanagi has been recovered from the sea. Forged by the gods and wielded as a symbol of Imperial authority for generations, Kusanagi, or the Grasscutter sword has the potential to reshape the power structure of Japan, as whoever holds it could rally all the country to their cause, bringing war and destruction to a currently peaceful nation.
Hidden at a small temple, the sword is currently guarded by the honourable samurai Miyamoto Usagi, the irrepressible bounty hunter Gen, and the head priest Sanshobo. However, the three know that they cannot keep the sword hidden for long, with dangerous foes seeking to uncover its secrets. The only place that the sword will be truly safe and out of the hands of those who would use it for political gain is the sacred shrine of Atsuta, where a replica of the sword currently rests.
Embarking on a noble quest, Usagi, Gen and Sanshobo hope to sneak the sword to the shrine before anyone knows they have it. However, the road to safety is long, and it soon becomes apparent that dangerous foes know exactly what they are carrying. Pursued by two rival ninja clans who will stop at nothing to possess the sword as fuel for their own dark ambitions, Usagi and his comrades will need to fight tooth and nail to survive and keep the sword out of their hands. But with old friends and new bitter rivals revealing themselves, can even Usagi and his skilled companions avoid the tragedy that stalks them?
Grasscutter II was an epic and captivating classic entry in one of the best ongoing comic series. Serving as an effective follow up to the bloody events of Grasscutter, Grasscutter II blended together a ton of outstanding action with some great character moments to create a memorable and beautifully drawn addition to the series that gets a very easy five-star rating from me.
This 15th volume of the Usagi Yojimbo series has a very gripping and intense storyline that seeks to combine Japanese history and mythology with the author’s action-packed style. Starting with a beautifully drawn prologue that gives some interesting historical and mythological context to the sacred shrine of Atsuta, Sakai quickly moves into the main story, with Usagi, Gen and Sanshobo starting their journey to the shrine after being forced to protect the sword in the previous volume, Demon Mask. At the same time, two rival bands of ninja, the Komori ninja and Neko ninja, discover that the existence of the sword and move quickly to intercept the companions, hoping to claim it for their own conflicting reasons. The Neko ninja, led by Chizu, who has a complicated history with Usagi, catch up to the protagonists around the same time as the Komori ninja, leading to a wild three-way brawl. Forced to work together, Chizu joins Usagi and his friends to recover the sword, which raises some interesting conflicts and issues, especially as Chizu has very different plans for the Kusanagi sword.
The second half of Grasscutter II is epic the entire way through, as Sakai continues to feature impressive action, while also allowing several character arcs to develop and conclude in tragic ways. This includes the companions meeting up with the excellent supporting character Ikeda, who had such a great redemption arc in the previous Grasscutter volume. Following some initial betrayal from Chizu, Usagi, Gen and Sanshobo follow her and enter battle with the Komori ninja, which ends in a dark moment of honour and loyalty from another interesting supporting figure. While this initially seems to wrap up the main story, a fun twist ensures that Grasscutter II enters a fantastic concluding arc that sees that protagonists enter one last battle before achieving their goal. This big battle is one of the most brutal and intense in the entire volume, and results in the book’s final tragic moment, which proves to be a fitting end to one amazing figure. Loaded with powerful emotion, sacrifice and grief, this ending to Grasscutter II wraps up the entire story perfectly and ensures you are hooked all the way to the final blow.
This was another great volume from Sakai that successfully pushes the overall narrative of the series onwards and results in some intriguing changes to the comics, both in this book and the future. As with all of Sakai’s work, Grasscutter II features a great combination of action, intrigue, character work and beautiful art that comes together perfectly to create an exceptional comic that is impossible not to finish in one sitting. There are some truly great moments in Grasscutter II that help to make it stand out amongst Sakai’s other outstanding work, including the cool battle sequences. The various scenes that feature the protagonists caught between two different schools of ninja were the best, and Sakai had fun showcasing the scary fighting ability of the blade-winged Komori ninja, as well as the established tricks of the Neko ninja. This fantastic clash of styles allowed for some brilliant sequences, which were so damn epic to see unfold. While I had a lot of fun with Grasscutter II, I must say that it probably isn’t the best volume of Usagi Yojimbo to start the comic on. While Sakai does a good job revisiting some of the key plotlines and characters, you probably should read the previous Grasscutter volume to fully appreciate the plot, as well as some of the other earlier volumes to understand some of the character arcs. Still, this is a very impressive Usagi Yojimbo entry, and a key read for established fans of the series who will have an exceptional time with Grasscutter II.
While fans will probably enjoy Grasscutter II’s exceptional action the most, I personally thought that it was some of the great character work in this volume that helped to make it particularly good. Thanks to the volume featuring one extended storyline, Sakai takes his time to set up some outstanding character moments that work perfectly alongside the complex narrative and cool artwork. While Usagi and Gen are their usual fun selves (there opposing views on honour, duty and what is right is always fun), I thought it was several returning supporting characters who really stole the show in Grasscutter II, especially as Sakai wove some great storylines around each of them. This includes the former samurai turned monk Sanshobo, who has been an excellent recurring figure since his introduction in the series’ 10th volume, The Brink of Life and Death. Not only does he mesh well with Usagi and Gen, acting as a voice of reason between the two strong-willed characters, but Sakai also brings one of his main character arcs full circle when he encounters his former lord. Sanshobo has some great moments in Grasscutter II, especially his grief at the end, and I liked how Sakai utilised him as part of the main trio.
Another impressive character in Grasscutter II is Ikeda, who Sakai has built up as a wonderful figure. Introduced in the moving story, The Patience of the Spider (contained in the 11th volume, Seasons) and expanded on in the first Grasscutter story, Ikeda is a former lord and general who learned to enjoy the quiet life of a peasant after his defeat. Reunited by chance here with his former retainer Sanshobo, Ikeda proves to be an interesting addition to the cast. Not only do his insights into the Neko ninja, who he greatly distrusts due to his history with them, result in a key plot point, but he is also once again tempted to achieve power, something he decides against in a great continuation of his storyline. However, it is in the final sequence where Ikeda’s full character is revealed, where he serves as a willing rearguard to the companions to ensure the Neko ninja don’t get the Grasscutter sword. His big battle sequence is very well portrayed, especially with how Sakai features his old war wound, and his final scene is one of the most badass inclusions in any Usagi Yojimbo comic. An extremely well-written and complex character who is used to his full potential in this last appearance.
The final characters I want to mention are the various members of the Neko ninja who appear in this volume, primarily as antagonists. Long-time opponents of Usagi, the Neko ninja represent the more classic ninja styles in the Usagi Yojimbo universe and prove to be great foils to the protagonist’s samurai style. This includes their leader, Chizu, who has a long and complicated history with Usagi. Simultaneously serving as both an alternate protagonist, antagonist and potential love interest to Usagi, Chizu has a lot of storylines in Grasscutter II, which Sakai makes full use of. Forced to hunt for the Grasscutter sword against her better judgement, Chizu desires nothing more than to throw the sword back into the ocean to keep it out of anyone’s hands, and will betray anyone, including Usagi for that goal. This results in some intriguing personal issues amongst the protagonists, especially as Usagi tries to see the best in her, while Gen forms an instant, mutual dislike of her. Chizu’s inner conflicts become a key part of the plot, and her appearance here will have major impacts for her storyline going forward, especially when it comes to her ambitious number two, Kagemaru, who has been angling for power for several volumes now. Kagemaru proves to be a ruthless alternate antagonist in Grasscutter II, and I liked how well Sakai set him up as both a physical and political threat going forward. The final Neko ninja character I should mention is Saru, a former member of the clan betrayed by Kagemaru in the previous volume. Seeking revenge on Chizu, who Saru believes was behind the betrayal, Saru stalks Chizu for much of the volume, resulting in some excellent sequences of ninja-on-ninja violence. A compelling figure, Saru ends up redeeming herself in a particularly moving sequence and makes an impact despite her relatively short appearance. These great ninja characters, and indeed the entire case of Grasscutter II, deeply enhanced the impact of the comic’s narrative, and I had an outstanding time seeing their arcs unfold.
As with all the Usagi Yojimbo comics I review, I must highlight the outstanding artwork that is such a brilliant feature of Grasscutter II. Featuring Sakai’s classic pre-colour style of drawing, Grasscutter II’s art is very visually impactful, and I loved the fantastic black-and-white panels that cleanly show the complex actions and characters. Every panel is extremely striking, and I love how effectively Sakai showcases everything in such detail, including the actions of his many characters. I am always impressed with how well Sakai implies movement and activity with his drawings, and you really get the flow the scene from his panels. I particularly appreciate how well the intense fight sequences come across in Grasscutter II, especially as there are so many scenes of carnage that occur within this volume. The various battles, which usually involve a range of ninja, are so well drawn, and I loved the complex array of combat that flitters along the pages. Some of these scenes are quite elaborate, and I loved seeing all the multiple black-clad figures moving around the established cast, especially in some of the bigger fight sequences.
In addition to great fights, Sakai does a great job capturing the emotive nature of his cast with his fantastic drawings of the major characters. The intense reactions of many of his characters help to make the scene pop, and I love how well Sakai showcases the emotional range that the story elicits. Highlights include the final face of one badass warrior while the grief of another usually calm figure really hammers home the seriousness of the moment. All this amazing action and great character drawings is perfectly supported by Sakai’s trademark drawings of the picturesque Japanese landscapes, towns and temples that serve as an amazing backdrop to the main story. Sakai has some real talent of showcasing Feudal Japan with his artwork, and you can often feel the world through which the characters are trapsing. I particularly appreciated Sakai’s portrayals of a wild oceans beneath a ragged cliff, which was a setting for several of the volume’s more visually powerful panels. The harsh waves striking around the combatants was especially impactful, and you could almost feel the wave’s strength as the characters fight at their edge. Throw in Sakai’s interesting take on a classic Japanese legend at the very start of the volume in the prologue and Grasscutter II’s art comes together in a truly perfect manner, especially as this volume features some of the artist’s most ambitious fight sequences.
Based on my rambling paragraphs above, I think it is safe to say that I had an amazing time reading the 15th Usagi Yojimbo volume, Grasscutter II. Featuring the exceptional storytelling and artwork of the legendary Stan Sakai, Grasscutter II achieves so much with its ambitious plot, long-term, character driven storytelling, and amazing sequences of combat and chaos. A brilliant, classic addition to a truly incredible comic series, Grasscutter II comes highly recommend, and I had such a great time getting through it yet again.
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