Throwback Thursday: Usagi Yojimbo: Volume 8: Shades of Death by Stan Sakai

Usagi Yojimbo Shades of Death

Publisher: Dark Horse Books (Paperback – 1997)

Series: Usagi Yojimbo – Book 8

Length: 200 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

It’s been a little while since I’ve done a Throwback Thursday article so I thought I would go back to the old faithful that is the incredible Usagi Yojimbo series and review the eighth volume, Shades of Death.

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Shades of Death follows on right after the events of the seventh Usagi Yojimbo volume, Gen’s Story, and continues to follow the adventures of the rabbit samurai, Miyamoto Usagi, in this alternate version of feudal Japan populated by anthropomorphic animals. This eighth volume of the series is particularly significant as it is the first volume to be published by Dark Horse Comics, who printed the series for over 22 years, and who were only recently replaced by IDW for the latest volume, Bunraku and Other Stories.  However, the issues within this volume were originally printed by Mirage Comics, who did the entire second run of the Usagi Yojimbo series.  The Dark Horse Comics/Mirage Comics printing style is similar to the style used by the previous publisher, Fantagraphics Books. The only major difference is that the Dark Horse Comics volumes come with a story notes section at the back, as well as copies of all the covers for the various issues. I’m actually a big fan of the story notes that they started including in these volumes, as they contain some fascinating background information about some of the stories, including details about the various legends or elements of Japanese culture that Sakai focuses on in his story. Shades of Death contains issues #1-6 of the second run of the Usagi Yojimbo series, as well as containing stories from #7-8, and is made up of two major storylines and several shorter entries.

The first story is Shades of Green, and it is probably the most distinctive entry in this entire volume. The story starts with Usagi and his frequent travelling companion, Gen, being ambushed out on the road by a horde of Neko Ninja, forcing them to dive into a river to avoid being killed. Usagi and Gen eventually wash up near a remote village and encounter the mysterious rat mystic, Kakera, who asks Usagi and Gen for his help. Kakera reveals that the Neko Ninja are after him, as they hope to use his abilities to help rebuild their clan’s power after the events of The Dragon Bellow Conspiracy (volume 4). To that end, they have surrounded the village and intend to kill everyone in order to get Kakera, and even the skilled Usagi and Gen will be unable to stand up to their numbers. With no other help on the way, Kakera is forced to use his magic to summon four very special warriors to stand by their sides, the Teenage Mutant Ninja Turtles.

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Shades of Green is a fantastic and clever story that also serves as an excellent crossover between two iconic comic book series. Pretty much the big thing about this story is the way that is introduces all four members of the Teenage Mutant Ninja Turtles in the Usagi Yojimbo universe. Fans of either Usagi Yojimbo or the Teenage Mutant Ninja Turtles franchise will be aware that these two comics have had numerous crossovers throughout the years, with Usagi appearing in three of the Teenage Mutant Ninja Turtles animated television shows. The Turtles who appear in Shades of Green are the original Mirage Comics versions of these characters, who were created by Kevin Eastman and Peter Laird, and who had their own long-running series during the time this volume was published. Usagi has actually encountered Leonardo from this version of the Turtles several times before, including back in the third volume of Usagi Yojimbo, The Wanderer’s Road, so the two groups of characters were able to team up rather quickly. I thought that this was an incredible crossover, and I especially loved the dynamic between the Turtles and Usagi and Gen. Not only do you get the mutual respect that Usagi and Leonardo have for each-other but there is a rather fun dynamic between Gen and the other Turtles. I particularly liked one scene where Michelangelo questions the logic of the Usagi Yojimbo universe, including why the horses aren’t sentient but rabbits and rhinos are (something I have always wondered), and even asking Gen if he has a tail, which it turns out is a rather personal question. There are also some really fun battle sequences throughout this book, and it was great to see the two samurai team up with the Turtles to fight a whole bunch of ninjas. I really liked this crossover between them, and I also think that Sakai did an amazing job drawing and portraying these characters.

In addition to the crossover elements, Shades of Green also contains a rather intriguing overall narrative, especially the parts of it that examine the leadership of the Neko Ninja clan. The Neko Ninja clan has been in a bit of decline since the fourth volume, when a large number of their ninjas, including their leader, Shingen, died. Much of the plot of this storyline revolves around two high-ranking members of the Neko Ninja, the ambitious Gunji and Shingen’s sister Chizu, fighting for control of the clan, with their battle centred on the hunt for Kakera. This proved to be really exciting, and it was cool to see the internal ninja feud, while the clan is facing off against the protagonists. This book also contained the first meeting between Usagi and Chizu, who goes on to become a major recurring character in the series as well as a potential love interest for Usagi. I quite enjoyed Shades of Green, and it definitely serves as a memorable entry in the Usagi Yojimbo series that showcases how cool a crossover with this series can be.

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The next entry is a short story called Jizo, which only runs for a few pages. Despite its shorter length, this is a rather inventive and surprisingly powerful story that I have a lot of love for. Jizo is set on the side of a road, and features a mother placing a dosojin, a roadside icon, of Jizo-sama, in order to help the soul of her deceased young son who was recently killed by bandits. According to Buddhist beliefs, her son’s soul is attempting to make its way into paradise by piling rocks to cross a river. By leaving the statue to Jizo, the patron and protector of children, by the side of the road, the mother is hoping that passing travellers will place a stone near it, which will help her dead son’s soul in his eternal task. The story than continues without dialogue, as the statue of Jizo watches the road, noting the various travellers who walk across it. This includes Usagi, who runs into the same bandits who killed the child, and his actions seem to provide the statue with a measure of peace. This was a clever and beautifully rendered story, and I loved that Sakai redrew the same stretch of road for every single panel. This was such a fantastic concept, and I loved how he told such a powerful story with a minimum of dialogue, only utilising some exposition from the mother at the start and end of the story. The shots of the same stretch or road were done extremely well, and it was fun to see the various people who walked past the statue during the course of the day. Not only were there some familiar faces but there were several intriguing and distinctive-looking people going about all manner of different activities. It was also cool to learn a little bit about the statues to Jizo-sama, something I saw several times when I went to Japan, and the story notes I mentioned above proved to be really useful and interesting in regards to this. I was really impressed with this entry, and I loved the compelling story that Sakai told with his fantastic drawings.

The third story in this volume is Shi, an action-packed and exciting tale that I really enjoyed. Shi sees a wandering Usagi come to a crossroad, where he lets fate and the gods choose his route (a homage to the start of the film Yojimbo). His chosen path takes him to a market town where he witnesses a peasant being bullied by a group of thugs. Intervening, Usagi chases the thugs off and is invited to the peasant’s village for dinner. However, it soon becomes clear that something strange is happening at the village, as the thugs arrive soon after and appear determined to scare all the villagers away. Investigating, Usagi soon finds himself in the midst of a conspiracy involving the local magistrate and his brother, who are determined to kill Usagi and his new friends. To that end they hire a group of four assassins, who call themselves Shi (a reworking of the Japanese character for Shi turns it into a character for death).

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Shi proved to be an compelling entry that serves as one of the main two stories for this volume (indeed, if you combine the names of the first story, Shades of Green, with the title of this story, Shi, which in this case means death, you get the volume’s overall title, Shades of Death). There are some great elements to this action-packed story: the intriguing conspiracy, Usagi’s mixed encounters with the villagers that he is trying to save, and some funny moments as Usagi effortlessly deals with the initial group of thugs. However, the best part of the book has to be the extended fight sequence at the end as Usagi takes on the four members of Shi, each of whom is master of a different type of weapon (sword, spear, bow and the sickle-and-chain). This was a brutal and exhausting fight for Usagi, and it serves as an impressive main set piece for the entire story. It also results in a rather confronting and memorable sequence where, in the aftermath of the fight, Usagi is challenged by a local peasant who is jealous of the attention Usagi is receiving from his betrothed. The peasant gamely steps up to fight Usagi, claiming not to be afraid, only to be faced by an enraged samurai who is worked up into a blood rage after his battle. The look of anger and hate on Usagi’s face is surprisingly terrifying, and I love how demonic Sakai made him look, showing off a darker side to his complex protagonist. I also really enjoyed the entry’s two shady antagonists in the magistrate and his brother. These two duplicitous siblings make for a murderous team, especially when each of them attempts to betray the other in a fantastic conclusion that showcases the consequences of greed. Overall, Shi was an exceptional story that I had an awesome time reading.

The next story in Shades of Death is a fun entry titled The Lizards’ Tale, which focuses on a group of Tokages, the dinosaur-like lizard critters that infest the Usagi Yojimbo universe. In this story, a group of chilly Tokages attempt to warm themselves up one snowy night by snuggling together in the warmest place they can find, around the sleeping body of Usagi. Awakening the next morning, Usagi finds himself surrounded by the potentially vicious creatures, and only manages to flee by throwing them a bag of food and running for it. However, the Tokages are not that easily escaped, and they continue to follow Usagi hoping to get more food out of him. Despite his comical efforts to get rid of them, Usagi soon grows attached the Tokage pack, especially after they help him out of a sticky situation with some bandits. The Lizards’ Tale is a very fun and humorous story that provides some light-hearted moments in this volume after some of the preceding darker stories. I really liked how Sakai told the story without any dialogue whatsoever, relying on only the exaggerated movements and facial expressions of the various characters and the Tokage to tell the story. This was an incredibly entertaining entry, and I had a great laugh as I went through it.

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The final three stories are a bunch of shorter entries that focus on a younger Usagi as he trains with his sword master, Katsuichi. These three stories include Usagi’s Garden, Autumn and Battlefield, and feature some character-building moments for the protagonist. Each of these three stories is rather good, and it is always interesting to see a younger Usagi when he is a rash trainee, rather than the wiser, battle-hardened warrior that he is in the rest of the series. These three short stories contain a fun mix of narratives, including one about Usagi learning patience and honesty by attempting to grow plants, another where he frees the spirit of Autumn, Aki-Onna (Autumn Women) from a monster, and a final story where he sees his first battlefield and learns that there is rarely glory or honour in the midst of war. These were a great collection of stories, and I liked the moral based narratives that each of them contained. Reading these three shorter stories proved to be a good way to end the volume and it was nice to have some low-stakes entries to wrap everything up with.

As usual, Sakai’s artwork for this volume was deeply impressive for every story, and I loved every aspect of his drawings throughout Shades of Death. While I have already mentioned his fantastic fight sequences, the cool character designs and amazing use of facial expressions while talking about some of the stories above, I also have to highlight the detailed background sequences and depictions of the beautiful, multi-seasonal Japanese landscapes. Every panel of this book is loaded with incredible detail, and I loved examining all the different backgrounds, especially as I see something new and different in this volume every time I read it. Sakai did some outstanding artwork in this volume, and it was a real treat to see his drawings and characters come to life.

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Shades of Death is another incredible volume in the exception Usagi Yojimbo comic book series from the legendary Stan Sakai. Featuring some top-notch narratives, impressive character inclusions and some eye-popping artwork, Shades of Death was an exciting and captivating read. I loved every second that I spend reading this volume, and this eighth volume gets another five-star rating from me.

Usagi Yojimbo – Vol 33: The Hidden by Stan Sakai

Usagi Yojimbo The Hidden Cover

Publisher: Dark Horse Books (9 July 2019)

Series: Usagi Yojimbo – Volume 33

Length: 200 pages

My Rating: 5 out of stars

While there are a number of great books and comics coming out this year, one of the releases that I have been most keenly looking forward to was this year’s volume of Usagi Yojimbo. Usagi Yojimbo by Stan Sakai is a fantastic comic book series that utilises Japanese style, characters and history into an excellent series. This series is one of my favourite bodies of work, and I will move heaven and earth to get each instalment, and I especially loved last year’s volume, Mysteries. I was pretty darn excited to get the 33rd volume, The Hidden, and powered through it the afternoon that I received it.

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The Hidden continues the story of Miyamoto Usagi, a wandering ronin samurai who lives in a version of medieval Japan populated by anthropomorphic animals. Usagi’s life occurs in the early 17th century, during the Edo era of Japan. This is a pretty interesting time period to set a story, as with the land mostly at formal peace thanks to the rule of the Shogun, many samurai have been forced to roam the land without a master to serve. Usagi, a highly skilled samurai based on the legendary historical warrior Miyamoto Musashi, has been forced to live the ronin lifestyle after the death of his lord. Wandering the roads and seeking employment as a Yojimbo (a bodyguard), Usagi encounters all manner of rogues, bandits and criminals, as well as a number of supernatural foes from Japanese folklore.

The Hidden is made up of issues #166-#172 of the series and is actually one of the rare Usagi Yojimbo volumes to feature just one single adventure rather than multiple interconnected or standalone stories. This volume also continues to pair Usagi with Inspector Ishida for the entire volume. Ishida, who is essentially a Japanese Sherlock Holmes (although based on real-life Honolulu policeman Chang Apana), is a recurring character within the Usagi series who has appeared in multiple volumes, often for just one issue or adventure. However, after teaming up to investigate a murder a couple of volumes ago, Usagi has been living in Ishida’s town and assisting him with his investigations. As a result, Ishida has become a secondary protagonist for the last two volumes, with Mysteries, for example, focusing on the two solving several different crimes.

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This new volume starts with a brand-new case, when two samurai are pursued into the city and brutally murdered. When Usagi and Ishida discover crucifixes on the dead samurai’s bodies, they quickly realise that both the victims where Kirishitans (Christians). Christianity, which has been bought into the country by European missionaries, has recently been outlawed in Japan by the Shogun, and his agents are hunting down all practitioners. It soon becomes clear that the dead samurai were killed by agents of the Shogun who were attempting to recover a mysterious book of foreign design.

However, in a twist of fate, a petty thief manages to steal the book off the corpse of one of the samurai. This thief is now the most wanted man in the city, as the Shogunate agents and their hired killers attempt to find him and the book at all costs. As Usagi and Ishida work out what has happened, they are determined to bring the killers to justice. Hunting for both the book and the criminal who stole it, Usagi and Ishida, with the help of the masked master-thief Nezumi, manage to locate part of the book, and what they discover could rock the entirety of Japan. As they attempt to come to terms with their discovery, the Shogunate agents determine that the two investigators are a threat and decide to eliminate once and for all.

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While I may have had to wait a whole year to read this latest volume, it was definitely worth it. Sakai has once again produced an outstanding comic book that I could not have put down for anything. Not only has Sakai written an intriguing and clever story with a great mystery and an informative look at a new aspect of Japanese history, but he tells it through his beautiful Japanese-inspired artwork that really brings the characters and the landscape to life. Together this results in another exceptional piece of work that I absolutely loved.

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The main story focuses upon Usagi and Ishida’s investigation into the murders of Christian samurai and the hunt for the mysterious book the Shogunate agents are searching for. This was a really interesting story, and I liked how Sakai took the entire volume to really flesh out the investigation. The two characters go on a compelling adventure in this book, running into a number of colourful characters, dodging political restraints, interrogating a number of suspicious characters and getting into several deadly fights. However, what starts out as an intriguing investigation soon turns into a deep and powerful tale of convictions, belief and faith, and the things one must do to preserve all three. This is shown by a number of characters, including Usagi and Ishida, who risk everything to find the truth and more. There is also the amazing character arc of new character Hama, whose heart-rending sacrifice is one of the most memorable parts of this book. There is also a fairly major revelation about one of the other characters towards the end of the volume that actually changes the way you see the story and is guaranteed to make you look back to see the various things you missed the first time. Several recurring Usagi characters are used exceedingly well in this book. The mysterious masked thief Nezumi makes a great return, helping the protagonists with their investigation. It is always cool to see Nezumi in action, and I enjoy seeing the grudging respect build between him and Ishida, despite them living on opposite sides of the law. Everyone’s favourite snitch, Toady, makes another appearance, adding a lot of humour to the story as he attempts to weasel his way into more gold. Overall, this was another well-written and captivating story that was a real pleasure to read.

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One of my favourite aspects of the Usagi Yojimbo books is that Sakai often uses them to explore some fascinating piece of Japanese history, culture, mythology or industry and present them in a way that his western audience can appreciate. I was really glad that he continued this trend in The Hidden, as this time he takes an intriguing look at the role of early Japanese Christians in 17th century Japan. These Christians, who are the titular hidden ones of this volume, were an outlawed minority, due to Christianity directly contradicting a number of traditional Japanese beliefs and therefore challenging the authority of the Shogun. This latest volume shows this persecution in action, as the city is locked down by agents of the Shogun who are hunting for a valuable Christian item. The reader gets a sense of the illicit and hidden nature of these Christians and the way they were hunted, and Sakai also shows certain unique parts of this hunt, such as the fumi-e (trampling image). The fumi-e was an image of a cross that the Shogun’s enforcers placed on the ground in front of the gates of barricades that were set up at key points of the city. In order to pass through the barricades, pedestrians were forced to stamp on the image, showing their disdain for the Christian religion, and those who refused to step on the image were arrested as Christians. This was a fascinating part of Japanese history that I found incredibly interesting to see in action, and one that Sakai was able to cleverly work into the book’s plot. There were also a few fun scenes which looked at a black-market dealer who sold items which originated outside of Japan. Due to the Shogun isolating the country, these were incredibly valuable items, and I liked seeing what items this dealer considered valuable (the dealer’s European dress also made for a stunning visual as well). All of this was really cool to learn about, and I cannot wait to see what aspects of historical Japan the author explores in his next volume.

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Sakai’s fantastic artwork is once again one of the major highlights of this volume. Sakai is a particularly skilled artist who always does a fantastic job bringing the beauty and grace of Japan and its culture to life. The artwork on the surrounding landscape is just spectacular, and I always love attention to the historical detail on the buildings and people inhabiting his towns. One of the highlights of The Hidden that I particularly liked was the consecutive prayer gates leading up to a shrine that the characters visit. The visuals on all these gates were just amazing and very distinctive. I also really enjoyed the way that Sakai portrays his battle sequences in his series; he has a real talent for bring multiple high-energy battle scenes to life. I especially like how he manages to convey so much action and intensity in his still frames, and it really shows off some cool aspects of Japanese sword play. This was another beautifully illustrated volume, and the great art goes exceedingly well with the fantastic story Sakai has devised.

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Volume 33 of Usagi Yojimbo, The Hidden, was another excellent addition to this amazing series. Sakai once again produces a compelling story in his unique comic-book universe which results in a spectacular volume that I know I am going to read again and again in the future. While this was an outstanding Usagi Yojimbo story, I now have the downside of having to wait a whole other year to get my next Usagi fix. Make sure to check back next year when I will no doubt gush about how much I loved volume 34 of this series.

Usagi Yojimbo, Vol 32: Mysteries by Stan Sakai

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Publisher: Dark Horse Books

Publication Date – 10 July 2018

 

After a year I have finally gotten the new volume of Usagi Yojimbo, one of my favourite long-running comic series.  Now I and other fans of the long-eared samurai can finally enjoy another set of exhilarating adventures in Stan Sakai’s version of feudal Japan.

Usagi Yojimbo is a great series that has been running since 1987, three years after the character was originally created.  In a world inhabited by anthropomorphic animals, the series is set in the early Edo period of Japanese history, during the time of the Shogun and the wandering samurai.  The series was originally supposed to feature human characters and a protagonist based on the famous historical samurai Miyamoto Musashi.  However, the series was changed to feature animals after the artist drew an early version of the hero with rabbit ears and created the series’ titular yojimbo, Miyamoto Usagi.

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The Usagi Yojimbo series follows the adventures of Miyamoto Usagi through feudal Japan.  After the death of his lord, Usagi has become a ronin, a masterless samurai, and has spent the last few years wandering the country seeking employment as a yojimbo, a bodyguard.  Throughout his travels, Usagi finds all sorts of danger and adventures, and is often drawn into a range of conflicts throughout the troubled landscape, facing threats both natural and supernatural in origin.

With 32 collected editions over 30 years, as well as the two additional graphic novels and the spin-off series, Space Usagi, Usagi Yojimbo has developed a dedicated fanbase.  Those who have not read this series may be familiar with it due to its frequent crossovers with the Teenage Mutant Ninja Turtles.  Characters from both franchises have crossed over into each other’s respective comic book series several times.  In addition, Usagi has appeared in all three Teenage Mutant Ninja Turtles television shows, often with some side characters.  One of my first exposures to the characters of Usagi Yojimbo was during The Big Brawl arch of the 2003 Teenage Mutant Ninja Turtles series, and I’ve been a fan of the character ever since.

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Stan Sakai’s series is a hybrid of western graphic novels and Japanese manga.  The style and format of the comics come across as more of a classic western style, but the story content and the series’ art is heavily influenced by Japanese culture and history.  Every issue is filled with incredible depictions of Japanese customs, history, folklore and mythology, and includes realistic and historically accurate illustrations of feudal Japanese weapons, clothes and buildings.  In addition, the dialogue includes a number of Japanese words which are translated in text, and the characters are all named using traditional Japanese naming conventions, with the family name presented before the given name.

Mysteries is the 32nd collected edition of this series, and contains issues #159-#165 of the Usagi Yojimbo series.  These issues see Usagi reunited with his friend Inspector Ishida as they investigate a series of mysteries in Ishida’s jurisdiction.  There are four main stories, including The Hatamoto’s Daughter, Death by Fugu, the two-part series The Body in the Library and the three-part series Mouse TrapMysteries also contains two of the shorter Chibi Usagi stories that Sakai writes with his wife, Julie, which feature cute versions the franchise’s characters.

Readers of the latest volume of Usagi Yojimbo are in for another visual treat as Sakai continues to highlight the delicate beauty of the Japanese landscape and fantastic architecture of its towns with his spectacular artwork.  Each of the portrayals of the anthropomorphic characters in their period accurate clothing is amazing, and the reader will be astounded by the author’s desire to make his comic as aesthetically realistic as possible.  However, the real visual highlights of this comic are the action sequences that see the protagonists engage in a series of elaborate sword fights against a variety of opponents.  The artistic styling of these sword fights is both exciting and intricate, which allows the reader to imagine how these battles would occur in real life.  Mysteries contains some great examples of this series’ fantastic art form, and the reader will love the creativity that inhabits every panel of this book.

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While most Usagi Yojimbo stories are standalone episodes, the separate stories featured within Mysteries share several connections with each other.  All of them are set within the same town and feature the character of Inspector Ishida.  In addition, several of the cases are connected by a shadowy crime boss, although the full nature of this connection isn’t fully known until the final story in the volume.

As you may be able to guess from the title of the volume, all of the main stories featured within Mysteries feature a murder and the following investigation by Inspector Ishida and Usagi.  Inspector Ishida is a high-ranking member of the Shogun’s police and is renowned throughout Japan as one of country’s most effective detectives.  Usagi has teamed up with him before in a number of adventures, including a great story, Murder at the Inn, back in Volume 29, which featured Usagi, Ishida, and Usagi’s frequent companion Gen investigating murders in a locked-down inn.  There are some great stories in the Mysteries volume, especially as Sakai has crafted together some intriguing mysteries in such short entries.  Several of the big mysteries and crime stories are connected into an elaborate overarching narrative that examines the criminal underworld of feudal Japan.  Two of the stories feature some really complex murder mysteries that flit back and forth between a number of suspects and contain motives that are very unique.  The final entry, Mousetrap, is the longest story in the volume and features an excellent tale about a thief getting caught in a middle of a fight to control the area’s organised crime and the sinister figure that has been manipulating the events of the previous stories.

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Sakai ensures that his examination of feudal Japanese society carries through to each of these stories and their investigative arcs, affecting the characters’ investigations.  For example, only members of a lower caste are allowed to touch the murder victims’ dead bodies, which hinders the protagonists from properly examining the bodies to work out the cause of death.  There is also a fantastic investigation of the role of the inspectors in feudal Japan and how they bear the authority of the Shogun.  It also allows Ishida to show off his fighting skills with the jitte, one of my favourite Japanese weapons.

In addition to the returning Inspector Ishida, this volume of Usagi Yojimbo sees the return of several characters from previous stories.  Our favourite thieving duo of Kitsune and Kiyoko make a return in the middle story, The Body in the Library.  The fox thief Kitsune was first introduced in 1992 and has become one the series’ main recurring characters, adding significant amusement to the stories she appears in through her schemes, humour and continued casual theft of the other characters’ valuables.  Her young companion, Kiyoko, was introduced in a later story and serves as her apprentice in the life of crime while taking up many of her mentor’s bad habits.  Their inclusion in this story adds significant comic relief to an otherwise dark story of murder, and it is always fun to see what this mischievous duo are up to.  The mysterious masked thief Nezumi returns for a second adventure and is a major player in the book’s longest story, Mouse Trap.  Nezumi was introduced in the Volume 20 story After the Rat, and acts as a public Robin Hood character in Inspector Ishida’s town.  He is used to great effect in this new story, being framed for murder in a way reminiscent of his first appearance in the series.  Sakai continues to taunt his audience with the mystery of Nezumi’s identity and motives, and it is great to see this interesting and formidable character interact with Usagi for the first time, especially with their differing definitions of honour.  Readers should also keep an eye out for a certain recurring snitch who has played a similar role in a number of prior Usagi stories, despite the main characters failing to remember how treacherous he is.

One of the best parts of the Usagi Yojimbo series is the incorporation of intriguing and unique parts of Japanese culture into amazing action based comic issues.  Throughout the series, the author has utilised a number of great Japanese cultural elements in various stories, including giant kites, giant drums, pottery, swordsmithing, tea ceremonies, seaweed farming, games of chance and a huge number of mythological creatures and legends.  These stories often contain descriptions and informative depictions of the cultural activities in question, and the author works them into a fun adventure or creative mystery.  Mysteries contains two of these stories.  The main one, Death by Fugu, focuses on the preparation of fugu, the meat of the poisonous pufferfish.  This story contains an excellent description of what fugu is and the preparation required to eat it.  Death by Fugu is a powerful and tragic tale that prominently uses the art of fugu in its mystery, and definitely one of this volume’s standout stories.  The other entry, The Body in the Library, takes a brief look at the examination and trade of western medicines in Japan.  While this is not examined in as much detail, it is a fascinating to see what impact western medicines could have in feudal Japan and to see it used as a motive for a series of murders.

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Once again Stan Sakai has produced a powerful and fantastic new volume of his iconic Usagi Yojimbo series.  Fans of this series can look forward to seeing Sakai’s iconic art style and detailed cultural insights that are a love letter to Japan and its fascinating history and society.  Mysteries contains a range of outstanding new stories, and readers will enjoy unwrapping their mysteries with Usagi and the fan favourite Inspector Ishida.  I wish I didn’t have to wait a whole year for the next volume of this amazing series.

My Rating:

Five Stars