Top Ten Tuesday – Books with Colours in the Title

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  For this week’s Top Ten Tuesday, participants need to list their top ten favourite books that feature a colour in their title.  This proved to be a particularly interesting topic to do, and I was rather curious to see just how many of the books that I have read had a colour in the title.

While I had a few titles in the top of my mind when I first saw what this topic was, I had to dive through the bibliographies of some of my favourite authors and through my blog archives to see what I could find.  This worked out well, and I was able to come up with a final list that I am rather happy with.  This list is filled with a great range of different books which includes a combination of recent novels I have read and reviewed, as well as some old favourites.  I managed to eventually cull this down to my absolute favourites, as well as including a few special honourable mentions.

Honourable Mentions:


The Colour of Magic
by Terry Pratchett

The Colour of Magic Cover

When I first heard about this week’s topic this was the book that I initially thought of, even though technically it does not have a true colour in the title.  Because of this technicality, I decided to include it as an honourable mention, rather than on the main list, but there was no way I could not mention this amazing first entry in Pratchett’s iconic Discworld series.


Gray Man
books by Mark Greaney

Gray Man Covers

This is another one that is technically ineligible for this list, as it is the series name which has the colour in it rather than the individual book titles.  However, I have really enjoyed the two Gray Man novels that I have read (Mission Critical and One Minute Out), so I thought I would include it as an honourable mention.


The Red Ribbon
by H. B. Lyle

The Red Ribbon Cover


Greenlight
by Benjamin Stevenson

Greenlight by Benjamin Stevenson Cover

 

Top Ten List (no particular order):


Demon in White
by Christopher Ruocchio

Demon in White Cover 2

The first book that I am featuring in this list is the Demon in White, which I only just finished reading today.  This was a fantastic and epic read which serves as the third book in Ruocchio’s amazing Sun Eater series of science fiction novels.  This book has a couple of different cover designs, but I decided to go with the one above, as not only is it really striking but it features so much of the titular colour in it.


Red
Seas Under Red Skies by Scott Lynch

Red Seas Under Red Skies

There was no way that I could create a list about books with colours in their title without featuring this incredible book.  I absolutely loved Red Seas Under Red Skies, which is the second book in Lynch’s iconic Gentleman Bastards fantasy series, especially as, in some ways, it is a better novel than the incredible first entry in the series, The Lies of Locke Lamora.


Red Metal
by Mark Greaney and Hunter Ripley Rawlings IV

Red Metal Cover 2


Talon of the Silver Hawk
by Raymond E. Feist

Talon of the Silver Hawk Cover

I had to include at least one book from one of my favourite authors, Raymond E. Feist, and I actually found a couple of good options here.  While I was tempted to use Feist’s second book, Silverthorn, I ended up going with Talon of the Silver Hawk.  This is mainly because Talon of the Silver Hawk was the first of Feist’s books that I ever read and it started my life-long love for the author’s novels, as I immediately went back and checked out the rest of the books in the epic Riftwar Cycle after I finished reading it.


Black Leviathan
by Bernd Perplies

Black Leviathan Cover


Usagi Yojimbo
: Volume 24: Return of the Black Soul by Stan Sakai

Usagi Yojimbo - Return of the Black Soul

Readers of this blog will know that I am a major fan of the Usagi Yojimbo series of comics, so when I started working out what to include in this list I made sure to check out which collected edition had colours in their titles.  I ended up being spoiled for choice here as three full volumes had titles that could be featured on this list, and while I could have included Grey Shadows or Red Scorpion, both of which are truly outstanding comics, I decided to use the 24th volume of the series, Return of the Black Soul, for this list.  Return of the Black Soul contains an amazing story that reveals the origins of the compelling and terrifying antagonists, Jei, and it is a major and impressive volume in the Usagi Yojimbo saga.


Star Wars: Black Spire by Delilah S. Dawson

Galaxy's Edge - Black Spire Cover


Streams of Silver
by R. A. Salvatore

Streams of Silver Cover

R. A. Salvatore has written a phenomenal number of fantasy novels in his 30+ year career but only one of them has had a colour in the title, his second novel, Streams of Silver. This was a particularly good book from Salvatore, which served as a really strong sequel to his awesome first novel, The Crystal Shard, and it is a wonderful example of classic fantasy fiction.


Red War
by Kyle Mills (based on the series by Vince Flynn)

Red War Cover


The Priory of the Orange Tree
by Samantha Shannon

The Priory of the Orange Tree Cover

 

Well that’s my Top Ten List for this week.  I think it turned out rather well, and I liked the intriguing collection of different novels that I ended up featuring.  Not only are all the above books really amazing reads, but each of them have impressive covers and there are some great colour centric titles in there.  It looks like the colour red is very popular for book titles, although black and silver are both also used a lot.  Make sure to let me know which of the above books you enjoyed, as well as which are your favourite books with colours in their titles.

Top Ten Tuesday – My Favourite Books from the First Half of 2020

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  The task for this week’s Top Ten Tuesday was originally to list the top Books That Make Me Smile, however I am going to go off topic and instead look at something else.  We have just crossed into the second half of what has been a rather interesting year, and while most aspects of 2020 have been pretty crummy, I think that we can at least agree that this year has been pretty amazing when it comes to books.  I have read some incredible novels so far this year, including impressive standalone books, amazing new entries in established series and fantastic debuts.  Because of this, and because it goes well with my recent Most Anticipated Releases for the Second Half of 2020 list, I thought that I would take the time to work out what my top ten favourite books from the first half of 2020 are.

Once I knew what I wanted to pull together for this week’s Top Ten Tuesday, I started taking a hard look at all the different novels that I have read this year.  To be eligible, a book had to be released between 1 January 2020 and 30 June 2020, and I have not included any novels released before or after this date even if I read them during this period.  I have also excluded any books released during this period that I have not so far read, although I imagine The Obsidian Tower by Melissa Caruso or Cyber Shogun Revolution by Peter Teiryas would have appeared on this list somewhere if I’d had the chance to read them before now.

Coming up with this list proved to be a rather bigger task than I originally intended, as I ended up amassing nearly 20 different releases, all of which I consider to be some pretty outstanding reads.  I ended up being able to eventually whittle this down to an acceptable Top Ten list, although I did include my typical generous honourable mentions section.  I am rather happy with how this list turned out, although I am surprised at some of the great releases that ended up being excluded.  Still, the books below represent what I considered to be some of the best books from the first half of 2020, and I would strongly recommend each and every one of them.  So let us see what made the cut.

Honourable Mentions:


To the Strongest
by Robert Fabbri – 2 January 2020

To the Strongest Cover


The Holdout
by Graham Moore – 18 February 2020

The Holdout Cover

House of Earth and Blood by Sarah J. Maas – 3 March 2020

House of Earth and Blood Cover


Lionheart
by Ben Kane – 28 May 2020

Lionheart Cover

Top Ten List (By Date of Release):

 

Into the Fire by Gregg Hurwitz – 28 January 2020

Into the Fire


Song of the Risen God
by R. A. Salvatore – 28 January 2020

Song of the Risen God Cover


One Minute Out
by Mark Greaney – 20 February 2020

One Minute Out Cover


The Grove of the Caesars
by Lindsey Davis – 2 April 2020

The Grove of the Caesars Cover


The Girl and the Stars
by Mark Lawrence – 20 April 2020

The Girl and the Stars 2


Race the Sands
by Sarah Beth Durst – 21 April 2020

Race the Sands Cover


Usagi Yojimbo
: Bunraku and Other Stories by Stan Sakai – 21 April 2020

Usagi Yojimbo Bunraku and Other Stories Cover


Firefly
: The Ghost Machine by James Lovegrove – 28 April 2020

Firefly The Ghost Machine Cover


Fair Warning
by Michael Connelly – 26 May 2020

Fair Warning Cover


Devolution
by Max Brooks – 16 June 2020

Devolution Cover

 

That turned out to be a rather exciting and diverse group of books, and I am surprised about how many different genres are represented amongst them.  I think that this list is a fantastic example of some of early 2020’s top releases, and each of these books is really worth checking out.  Overall, I happy with how this list turned out, and I look forward to seeing which of these books end up being amongst my top reads of 2020.  In the meantime, what do you think about the books that made my Top Ten List?  Let me know if you enjoyed these books in the comments below and what your favourite releases from the first half of 2020 are.

Throwback Thursday: Usagi Yojimbo: Volume 10: The Brink of Life and Death by Stan Sakai

Usagi Yojimbo - The Brink of Life and Death

Publisher: Dark Horse Books (Paperback – 1998)

Series: Usagi Yojimbo – Book 10

Length: 215 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Another week, another Throwback Thursday review of an early volume of one of my all-time favourite comic book series, Usagi Yojimbo, by legendary author and artist Stan Sakai.  This week I will look at the epic 10th volume in the series, The Brink of Life and Death, which proved to be another amazing and exciting five-star read.

Usagi Yojimbo Mirage 15

The Brink of Life and Death continues the adventures of the rabbit ronin, Miyamoto Usagi, as he travels throughout the lands encountering all manner people and dangers.  This 10th volume is a fantastic addition to the series, featuring a great mixture of stories, from the tragic to the supernatural, and utilising some iconic recurring characters.  This volume is the third that has been collected by Dark Horse Books, and it features a mixture of issues from two separate publishers.  This includes the final issues of the Mirage Comics run on the Usagi Yojimbo series, with Issues #15 and 16, as well a story taken from Issue #13 (the rest of Issue #13 was used in the last volume, Daisho).  It also contains the first six issues of the Dark Horse Books publication run of Usagi Yojimbo and serves as the starting point to Dark Horse’s lengthy connection to the series.  As a result, the volume starts off with a quick recap of the series (titled Origin Tale), containing some very broad strokes and ensuring that new readers could start on this volume if they wanted (although Sakai does make most of his comics fairly accessible to unfamiliar readers).  This volume also contains Dark Horse’s trademark story notes at the end of the volume, which proved to be a particularly intriguing companion to the excellent stories contained within The Brink of Life and Death.

The first story contained within this volume is the intriguing and exciting Kaiso.  In Kaiso, Usagi encounters a local peasant, Kichiro, while wandering on the coast, and travels with him to his village.  There, Usagi becomes familiar with Kichiro’s family and begins to learn more about the village’s main trade, seaweed (kaiso) farming.  While Usagi enjoys the seemingly simple life of the villagers, he soon finds himself involved in a feud with a neighbouring village, who Kichiro believes are poaching their seaweed fields.  However, not everything is as it seems, and Usagi manages to uncover a conspiracy that threatens to destroy his new friends.

Usagi Yojimbo Mirage - 16

Kaiso is a fantastic and compelling story that once again highlights a traditional Japanese industry, in this case, seaweed farming.  Sakai does a fantastic job exploring seaweed farming in this story, as he introduces and portrays a number of key tools, concepts and techniques involved with the production of edible seaweed, all the way from harvesting it from the ocean to turning it into its dried form, nori.  This examination of seaweed farming serves as a surprisingly good centre for this story, and it is a testament to Sakai’s skill as a writer that he was able to produce an exciting and intrigue filled narrative around this industry in just 20 pages.  There are some great action sequences throughout this story, and it was cool to see Usagi fighting off a bunch of attackers whilst on a small fishing boat, utilising traditional farming tools as weapons.  There are also several impressive drawings throughout this story, as Sakai seeks to capture the beauty of the Japanese coastline as well as the complexities of the seaweed trade.  Kaiso proved to be an awesome first entry in this volume, and its intriguing story content and premise really helps to draw the reader in right off the bat.

The next story within The Brink of Life and Death is a great entry titled A Meeting of Strangers.  While enjoying a quiet lunch at an inn, Usagi watches as a striking swordswoman, later revealed to be called Inazuma, enters the inn.  Wary of this mysterious woman, Usagi bears witness to her skill and ferocity in combat as she takes down a band of bounty hunters who attack her, before departing into the wilds.  However, Inazuma is not the only person being hunted, and soon Usagi finds himself under attack from a group of killers who have been hired to end him.

Usagi Yojimbo Dark Horse #1

This is a really good story that showcases Sakai’s ability to quickly introduce an intriguing new character.  Inazuma goes on to become a major figure in the Usagi Yojimbo series for the next 14 volumes, and she gets an amazing introduction in this story, instantly coming across as something new, due to her striking appearance and her tough mannerisms.  Sakai shows early in the story that she is pretty damn dangerous, as Usagi casually reaches for his sword the moment he sees her, a completely new action from the character, which clearly identifies Inazuma as a major threat.  She quickly backs this up with her impressive swordplay, including slicing up the clothes of a local creep, and then taking out a band of bounty hunters.  She has a brutal fighting style as shown in this comic, and I loved her trademark finishing manoeuvre of completely cleaning the blood off her blade with one deft swish through the air.  In addition to the introduction of this great character, other fun elements of the story include the return of the Snitch (who was introduced in the last volume), who facilitates the hit on Usagi.  The Snitch is such a fantastic minor antagonist, and it is really entertaining seeing him running around doing his thing: “money, money, money!”  There is also a particularly impressive fight sequence in the last half of the story between Usagi and the assassins in the woods.  This scene sees Usagi take on over 20 guys in quick succession and is a real showcase of his ability.  There is a particularly fun panel in this sequence which sees Usagi kill several people at the same time, with his defeated opponents arranged in a semi-circle, all of them dying in dramatic fashion while making a different death rattle (including one guy who goes: “Trout, Trout!” for some reason).  All of this was over-the-top and helped show off just how crazy and action-packed this series can be.

The third story in this volume is the short entry Black Soul, which continues to showcase the return of series antagonist, Jei.  During a stormy night, a young girl and her grandfather have their house invaded by three bandits who steal their food and kill the grandfather.  However, the bandits are far from the only predators out that night, as the mysterious and frightening Jei appears at the door.  This was a great story that added a lot of key elements to the character of Jei in only a few pages.  Jei’s sudden appearance is suitably dramatic, and it shows off how terrifying he can be.  I loved the way that Sakai portrayed Jei’s fight against the three bandits, as all you see is several drawings of the hut’s exterior while terrified screams run out.  The story then returns to the interior of the house, where the bandits’ corpses are strewn around the house, including one guy who is hanging upside-down from the rafters, dripping blood.  Not seeing what actually happened makes the reader imagine the very worst scenario, and it really amps up the dread that this antagonist emanates.  Sakai then continues to hint at Jei’s more supernatural abilities by having him ‘consecrate’ the spear of one of his fallen opponents, with the blade visibly turning black in his hands, matching the soul of the wielder.  Perhaps the most interesting part of the story is the young peasant girl, Keiko.  At first it appears that Jei is going to kill her; however, he stops after not sensing any evil in her.  This is the first time we have seen Jei show mercy, and it is a defining moment for the character, especially as Keiko starts following him as his companion.  Having Jei care for a young girl really adds to the complexity around Jei’s character, and in many ways it makes him seem even more evil, as he is corrupting this innocent with his dark crusade.  Overall, Dark Soul is a great and scary story which leaves the reader wanting to see more of this fantastic antagonist.

Usagi Yojimbo Dark Horse #2

Now we move on to Noodles, the only multi-issue entry in the volume which contains a powerful and impressive narrative that I really enjoyed.  In Noodles, Usagi enters a new town, only to be immediately accosted by the police, who are searching for a thief behind a recent crime wave.  Proving his innocence, Usagi swiftly finds out the source of the recent crimes is his friend Kitsune, who is up to her usual tricks.  Kitsune has a new companion, a soba noodle street vendor and mute giant known only as Noodles, who assists Kitsune to hide from the police.  However, Kitsune has underestimated the deviousness and corruption of the local police administrator who puts a deadly plan into place to save his own skin.

This was an incredible entry in this volume, and I have a lot of love for Noodles’s fantastic crime narrative.  Sakai crafts together a fantastic storyline that follows Usagi as he meets up once again with the entertaining side character Kitsune and intriguing new character Noodles.  Kitsune is her usual fun self, and the introduction of the mute gentle giant Noodle adds a lot of dimensions to her character.  Up to now, Kitsune has been shown to be a generally good person, although she is motivated by greed or a sense of mischief.  However, in this story, she is given someone to care for, and she is determined to protect him no matter what.  Unfortunately, this leads to some great tragedy for her, which I found to be extremely moving, and you cannot help but feel bad for her.  Luckily, this leads to a rather good revenge plot in the second part of the story, which gives Noodles a satisfying and enjoyable ending.  This entire story was extremely well written, combining together humour, intrigue, character interactions and some genuine tragedy to produce an epic and compelling read.  I also really enjoyed Sakai’s amazing depictions of life in a larger feudal Japanese town, and it is clear that he did a lot of research to show what day-to-day life would look like, as well as examining how the criminal justice system worked during this period.  There are some really impressive drawings throughout this story, from the multiple detailed street and crowd views filled with all manner of activities and people (there is a sneaky shot of Jei and Keiko walking through town at one point), to the amazing action sequences, including a great scene where the gigantic Noodles is attacked by the police.  However, I really must highlight a particularly gruesome execution sequence that was a key part of the story.  While this scene is sad and horrifying, it is extremely well drawn, very memorable and it does its job of producing a major emotional response from the reader.  Noodles is probably the best entry in this entire volume, and I cannot praise just how amazing its clever and captivating story is.

Usagi Yojimbo Dark Horse #3

The next story within this volume is the supernatural tale, Wrath of the Tangled Skein, which sees Usagi arrive at a local inn which is experiencing some trouble.  A rich merchant’s daughter has been taken mysteriously ill, and her entourage fear that it is the work of a demon or haunt, picked up from their travels through the dangerous forest known as The Tangled Skein.  Usagi, who has previously travelled through The Tangled Skein (back in Volume 7: Gen’s Story), offers his assistance and takes command of the merchant’s ronin while they wait for a priest to arrive.  It does not take long for events to come to a head, and Usagi finds himself facing off against dangerous and malicious terrors.

I really like it when Sakai does a supernatural tale in the Usagi Yojimbo series, and this one was particularly awesome as the author expertly utilises some fascinating creatures from Japanese mythology.  There are two separate monsters contained within this story.  First you have the nue, a terrifying chimeric creature with the head of a monkey, the body of a badger, the legs of a tiger and a snake for a tail.  Needless to say, this is a particularly weird creature, and Sakai does a fantastic job drawing it and then portraying a chaotic and dangerous fight around it as Usagi attempts to defeat it.  In addition to the nue there is also a tanuki, a shape-changing racoon dog, who manages to trick Usagi and almost costs him everything.  I really loved the designs of both these creatures within the comic, and it was extremely cool to see and learn more about these facets of Japanese culture and tradition.  This story is set up extremely well, and the author has a great blend of action, supernatural intrigue and fun character moments.  Wrath of the Tangled Skein also introduces the character of Sanshobo, a Bonze priest who goes onto become a key recurring character, helping to make this a significant and important entry in the Usagi Yojimbo series.

Up next we have another short character-driven tale, The Bonze’s Story.  In this entry, Usagi travels with the Bonze priest Sanshobo after the events of the previous story.  The two quickly find camaraderie with each other, especially when Usagi realises that his companion is a former samurai.  Sanshobo then relates the tragic tale of how he gave up his warrior ways, which occurred when the young son of his lord accidently died in his care.  This forced Sanshobo’s own son to take his own life to restore his family’s honour, an event that broke Sanshobo.  This was a rather fascinating tale that does a lot to cement interest in a new side character.  The origin tale for Sanshobo is really good, and the whole story of sacrificing a son to save honour is extremely captivating and memorable.  The entire background story is drawn amazingly, and the various expressions of horror, sorrow and pride on the face of participants as they attempt to survive in a storm are quite exceptional.  This was another amazing example of what sort of impressive story Sakai can tell in only a few short pages, and The Bonze’s Story definitely sticks in the mind.

Usagi Yojimbo Dark Horse #4

Following this shorter tale, we have the fun, action-packed Bats, the Cat and the Rabbit.  In this entry, Usagi seeks shelter in an old temple, but his quiet night is ruined when several Komori Ninja arrive, seeking a specific prey.  After they leave, Usagi discovers that the person they are hunting is an injured Chizu, the leader of the Neko Ninja.  Helping her, Usagi learns that she is carrying a valuable and dangerous scroll that the Komori Ninja are desperate to obtain.  Can Usagi and Chizu keep it out of their hands, or will a powerful new weapon be unleashed upon the lands?

Bats, the Cat and the Rabbit was an exciting and entertaining entry that sees Usagi reunited with one of his potential love interests Chizu, who we last saw back in Volume 8: Shades of Death.  This is a fast-paced story that focuses on the conflict between two rival ninja clans, Chizu’s Neko Ninja and the Komori Ninja.  The Komori Ninja, giant bats with blades on their wings who had an amazing introduction back in Volume 5: Lone Goat and Kid, are fantastic antagonists for this story, and it is always cool to see them in action, especially when Sakai draws them slicing through trees to get their prey.  The highlight of this story is the impressive ninja-on-ninja combat, as the more traditional ninja techniques of Chizu and the Neko Ninja go up against these flying opponents, all with Usagi in the middle.  This results in some epic fight sequences which end up being a lot of fun to see come to life.  I also really enjoyed the fantastic conclusion to this story, which not only has a great twist but which also adds a bit of tragedy to the life of Chizu, as she reflects on what constitutes duty for ninja.  An overall awesome and enjoyable story, this was another fantastic entry in this volume.

The penultimate entry in The Brink of Life and Death is the gripping story, The Chrysanthemum Pass.  After humiliating a group of thugs in a town, Usagi obtains a new travelling companion, Icho, a wandering medicine peddler.  The two become friendly as they wander around the mountains, but Icho is not what he seems.  Instead, he is secretly a member of the Koroshi, a notorious assassins’ guild, and is planning to take out a rich lord who is travelling through the Chrysanthemum Pass, and Usagi is also on his kill list.

Usagi Yojimbo Dark Horse #5

This was another outstanding story.  I loved the entire cleverly written narrative, which sees Usagi dragged into the middle of another devious plot.  Having his companion, Icho, turn out to be secretly evil was a fantastic choice by Sakai, and he sets it up perfectly, with only minor hints of his true intentions being revealed to the reader until about halfway through the story.  The rest of the story deals with Icho trying to subtly kill Usagi before his assassination mission and failing, allowing Usagi to be in the midst of the events in the pass.  This story then features a number of fantastic twists, including the fact that Usagi suspected that Icho was an assassin the entire time, implying that his reasons for travelling with him was to keep an eye on him and intervene if he was proven correct.  It was great to see the return of the Mogura Ninja, ninja moles with some really cool character designs who were introduced in the very first volume, The Ronin, and they once again proved to be surprisingly effective adversaries.  This story also serves to introduce a new group of antagonists for Usagi, with the first mention of the Koroshi assassins’ guild, whose various members tangle with Usagi multiple times throughout the rest of the series.  The Chrysanthemum Pass is therefore a fantastic and notable entry within this volume, and it ended up having quite an impressive story.

The final story in this volume is Lightning Strikes Twice, a powerful and captivating entry which provides new background for new character Inazuma.  In this story, Usagi once again runs into the mysterious Inazuma after finding several dead bodies on the road.  Encountering her within a temple, surrounded by other travellers, Usagi sits and listens to her tragic tale of love, loss and revenge as she recounts how she became so skilled with the sword, and the reasons why she is constantly being hunted throughout the lands.

Usagi Yojimbo Dark Horse #6

This was another epic story that really helps to build up Inazuma as an impressive and unique character within the series.  Her entire backstory as a girl who followed her heart and then lost everything is really emotional and humanising, adding layers of complexity to her rough exterior.  It was rather jarring to see such a strong woman stay with an abusive and uncaring partner, and it serves as an intriguing starting point for her road to exceptional warrior.  I enjoyed seeing her learning the way of the sword, and Sakai really builds her up as a natural prodigy with the blade.  Despite the humanising aspects of this story, Inazuma again comes across as a major badass within this story, thanks to the bloody fight sequence at the beginning, where she swiftly takes down a band of assassins with some very fancy moves, as well as the sequence at the end of the origin story, where she shows just how dangerous and cruel she can be.  I also absolutely loved the shocking reveal at the end of Lightning Strikes Twice where Usagi discovers that the people who have been quietly sitting through Inazuma’s story with him are all dead bounty hunters, which adds a real edge to Inazuma and her actions.  Lighting Strikes Twice proves to be a truly compelling and exciting tale, and I really liked learning more about this intriguing new character.  I also really appreciated how it tied into the previous Inazuma story and it ended up being a fantastic way to end the entire volume.

This 10th volume of the incredible Usagi Yojimbo series, The Brink of Life and Death, is another outstanding and addictive creation from Stan Sakai that features several impressive stories.  I loved this amazing combination of tales, and it was great seeing both standalone stories and entries that have deeper ties with the rest of the series.  Filled with awesome character moments, stunning artwork, and detailed depictions of feudal Japan, The Brink of Life and Death is a must read for fans of this series, and Sakai should be very proud of what he accomplished with this volume.

Top Ten Tuesday – Authors I’ve Read the Most Books By

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics. For this week’s Top Ten Tuesday, participants need to list the authors who they have read the most books by.

This proved to be a rather intriguing list to pull together, and it required a bit of research on my behalf to work out. It turns out that I have a somewhat scattershot approach when it comes to authors and I tend to only read a few books from each, rather than sticking with some authors with larger series and reading every single one of their novels. Still, there are a few exceptions to this rule, and there are several authors who I have read many books from. Thanks to some digging through my bookshelves and some examination of online bibliographies, I was able to work out how many of their books I have read and then translate that to a top ten list. I liked how this list turned out and there are some interesting overlaps between this and other lists I have previously done, such as my Top Ten Auto-buy Authors list. So let us see which authors I have read the most books by.

Honourable Mentions:

John Marsden – Eight books

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The total includes the seven books in Marsden’s Tomorrow series and his standalone novel South of Darkness.

Lindsey Davis – Eight books

The Grove of the Caesars Cover

The total includes all eight books in Davis’s Flavia Albia series, including The Third Nero, Pandora’s Boy, A Capitol Death and The Grove of the Caesars.

Top Ten List:

Terry Pratchett – 42 books

Moving PIcture Cover

The total includes 37 Discworld novels (including Moving Pictures), the three novels in The Nome trilogy, and the standalone novels Strata and The Carpet People.

Stan Sakai – 36 books

Usagi Yojimbo Bunraku and Other Stories Cover

The total includes all 35 volumes of the main Usagi Yojimbo series (including The Ronin, Samurai, The Wanderer’s Road, The Dragon Bellow Conspiracy, Lone Goat and Kid, Circles, Gen’s Story, Shades of Death, Daisho, Mysteries, The Hidden and Bunraku and Other Stories) and the associated graphic novel, Usagi Yojimbo: Senso.

R. A. Salvatore – 31 books

The Crystal Shard Cover

The total includes 27 novels set in the Forgotten Realms universe (including Timeless and Boundless), The Coven trilogy (Child of a Mad God, Reckoning of Fallen Gods and Song of the Risen God) and The Highwayman.

Raymond E. Feist – 26 books

King of Ashes Cover

The total includes 25 novels from The Riftwar Cycle (including The Empire Trilogy he cowrote with Jenny Wurst) and King of Ashes.

Simon Scarrow – 22 books

Traitors of Rome Cover

The total includes all 18 books in the Eagles of the Empire series (including The Blood of Rome and Traitors of Rome), Arena, Invader, The Field of Death and Hearts of Stone.

Bernard Cornwell – 19 books

War of the Wolf Cover

The total includes Sharpe’s Tiger, all four books in the Grail Quest series, all 12 books in The Last Kingdom series (including War of the Wolf), The Fort and Fools and Mortals.

Brian Jacques – 17 books

Redwall Cover

All 17 books were entries in Jacques’s Redwall series.

Jonathan Maberry – 10 books

Rage Cover

The total includes eight books from the Joe Ledger series (including Patient Zero, The Dragon Factory, The King of Plagues, Assassin’s Code, Extinction Machine, Code Zero, Predator One and Deep Silence), Rage and Nights of the Living Dead.

Kate Forsyth – Nine books

Dragonclaw Cover

The total includes all six books in The Witches of Eileanan series and all three books in the Rhiannon’s Ride series.

Robert Fabbri – Nine books

To the Strongest Cover

The total includes seven books in the Vespasian series (including Rome’s Sacred Flame and Emperor of Rome), Magnus and the Crossroads Brotherhood and To the Strongest.

 

It turned out to be a rather fun and insightful list to pull together, and I liked figuring out which authors I have read the most books from. I think I will come back to this one in the future, perhaps when I have read more from certain authors. Until then, let me know which of the above authors are your favourites or let me know which authors you have read the most books by in the comments below.

Throwback Thursday: Usagi Yojimbo: Volume 9: Daisho by Stan Sakai

Usagi Yojimbo Daisho Cover

Publisher: Dark Horse Books (Paperback – 1998)

Series: Usagi Yojimbo – Book 9

Length: 215 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Usagi Yojimbo Mirage - #7

It has been another good week of reading and reviewing for me, so I thought I would reward myself by doing a Throwback Thursday review of Daisho, the ninth volume in the outstanding, long-running Usagi Yojimbo series from one of my favourite authors, Stan Sakai.

Daisho is an impressive and exciting entry in the series, which unsurprisingly gets a five star rating out of me (full disclosure, every volume of this series is going to get five stars from me, it is just that damn good). This volume contains Issues #7-14 of the second run on the Usagi Yojimbo series, which was originally published by Mirage Comics (Issues #7 and #8 are only partially represented in Daisho as some stories from these issues were used in the prior volume, while a story from Issue #13 appears in the tenth volume that I will review next), and which has been collected into this volume by Dark Horse Books. This ninth Usagi Yojimbo volume is filled with several fantastic and creative stories that follow Usagi as he journeys across the land, getting into all manner of trouble and misadventures in this version of feudal Japan populated solely by anthropomorphic animals. Daisho serves as a significant inclusion in the overarching series, due to its connections to previous stories, and its introduction or resurrection of several key characters.

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This volume starts off with an inspiring and tragic story, The Music of Heavens, which once again sees Usagi traversing the wilderness. His solitude is broken when he encounters the pack of Tokage lizards who he unwittingly befriended in a previous story, The Lizards’ Tale (which was featured in Volume 8: Shades of Death). While Usagi is less than thrilled to see the Tokages, they end up leading him towards another traveller who is making their camp in the woods. The traveller, Omori Kazan, is a mendicant Buddhist priest and skilled musician, who invites Usagi into his camp and talks to him about the various forms of music he studies. However, someone is stalking their camp, determined to get revenge and unafraid to kill an innocent bystander to get it.

I really liked The Music of Heavens and it proved to be a compelling first entry in this volume. The story is based on Usagi’s encounter with a new character, Omori Kazan. Kazan is an intriguing person due to his position as a komuso monk (the monks of emptiness) of a particular sect of Buddhism, which lends him a very distinctive look thanks to the woven basket hat (tengai) he wears on his head disguising his features. Kazan has an amazing arc that delivers a lot in a short while, as he introduces himself to Usagi and the reader, discusses music and religion, and then simultaneously meets his end while also experiencing the divine for the first time. This entire character arc is both beautiful and tragic at the same time, and it provides both Usagi and the reader with some significant emotional moments, especially when it comes to Usagi’s farewell to the Tokages. I also liked how Sakai utilises an antagonist from a previous story, and the fight between Usagi and this character was swift and well-drawn. This was an excellent introductory entry for this volume, and it is a story that I really enjoyed.

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The second story in Daisho is the entertaining and clever entry, The Gambler, the Widow, and the Ronin. This story reintroduces the gambler from the previous story, The Duel (featured in Volume 6: Circles), who is up to his old tricks of organising deadly sword duels and cashing in on the bets of the local townsfolk. After the death of his previous samurai accomplice, Shubo, during a duel with Usagi, the gambler has been forced to find a new partner, the brutish and less skilled swordsman, Kedamono. However, Kedamono’s greed has convinced the gambler that it is time to end their partnership, and he quickly finds the ideal solution when Usagi arrives in town. However, as the gambler plots, he fails to realise that he is being stalked by Shubo’s widow, who is determined to get her revenge for the role he played in her husband’s death.

This was another amazing story that serves as a fantastic follow-up to a great prior Usagi Yojimbo story. I always get a real western vibe out of The Gambler, the Widow, and the Ronin, due to its title and the premise around a duel, it proves to be an excellent entry in this volume. Usagi is once again drawn into the plots of the gambler, and thanks to his humility, honour and good manners, which are mistaken as a weakness, both Kedamono and the local villagers are convinced that Usagi is a poor swordsman. However, the gambler, who has seen Usagi in action before, manipulates the odds so that he wins all the money when Usagi defeats his opponent, in a fun reversal of the events of The Duel. This was an incredibly entertaining scene as Usagi is again forced to deal with a bloodthirsty crowd, while the gambler feigns being saddened by the loss of his companion, despite being secretly delighted. However, the gambler ends up getting his comeuppance, and the widow, whose sad final scene was so memorable in The Duel, finally gets a small measure of justice. This was a very clever and enjoyable story, and I really loved how Sakai dived back to a prior standalone story to provide some closure and a fun continuation.

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The next story is called Slavers, and it is a longer entry made up of two separate issues. In Slavers, Usagi encounters a young boy being pursued by bandits. Usagi defeats them and learns that the boy was attempting to get help for his village, which has been taken over by a gang of bandits who have enslaved the villagers as part of a destructive scam to steal their harvest and make a small fortune. Deciding to help the villagers, Usagi infiltrates the gang and attempts to rally the villagers to his cause. However, the gang’s leader, the villainous General Fujii, discovers the deception and captures Usagi, planning to kill all the villagers to make good his escape. Slavers is an amazing story that is not only intriguing in its own right but which also expertly sets up the series of follow-up stories that make up most of this volume. While the standalone narrative of Slavers gets a bit dark at times, due to an extended capture scene surrounding Usagi, it is a rather compelling story filled with action, deception and struggles against adversity.

Slavers is quickly followed up by three separate but distinct stories that can be combined together with Slavers into one large narrative that wraps up all the loose ends from the initial entry. The first one of these stories, Daisho Part One, sees Usagi in hot pursuit of General Fujii, who is in possession of Usagi’s precious swords. Due to the brutal actions of Fujii, Usagi loses his quarry and is forced into an extended hunt for him, eventually coming to a ransacked village. It turns out that the village had recently been raided by Fujii’s new gang, and Usagi must make a hard choice between recovering his soul or helping those in need.

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I have a lot of love for Daisho Part One; it is probably one of my favourite entries in this entire volume. The story starts out with a magnificent and beautifully drawn sequence that shows the various elaborate processes by which a samurai’s swords are created. This impressive opening sequence is one of my favourite pieces of Usagi Yojimbo art from the entire series, and its creation highlights not only Sakai’s skill as an artist but his ability to research and portray intriguing parts of Japan’s unique culture and heritage. This sequence also shows the important a samurai’s swords to their wielder, as they are reflections of that warrior’s soul. This key concept is then brought to life in the main story, as it sees a somewhat unhinged Usagi risking everything to reclaim his swords from Fujii. Sakai does an outstanding job showing off how frustrated and enraged Usagi is at having his swords stolen from him, and he comes across as being quite frightening several times through the story. Usagi’s anger comes to a head when he reaches the village and his initial decision is to abandon the villagers and immediately follow Fujii and his men. However, a local village girl is able to shame him into thinking of others, and the old Usagi returns, providing aid to the villagers. This was an extremely compelling story that does a wonderful job combining a powerful, character driven narrative, with some exquisite artwork and some intriguing aspects of history, into an exceptional entry in this volume.

The next story in this volume is Mongrels, a quick story about a recurring Usagi Yojimbo side character, the bounty hunter Gen, which occurs around the same time as Daisho Part One. In this story, Gen enters a village and starts asking questions about his current bounty, General Fujii. However, he is not the only bounty hunter in town, as he soon encounters the notorious hunter Stray Dog, who is also hunting for Fujii. After a tense conversation, the two-part ways; however, both are determined to capture Fujii and outsmart their competition. This was a fun story that not only brings Gen into this multi-issue narrative but also introduces a couple of great recurring characters. Stray Dog is a fantastic character in the Usagi Yojimbo universe, and he often appears as a compelling rival (and sometime partner) to Gen (such as in the latest Usagi Yojimbo volume, Bunraku and Other Stories). This story serves as a swift and clever introduction to the character, and it was fun to see the rivalry between Gen and Stray Dog form so quickly. Mongrels also introduces the extremely entertaining side character, the Snitch (also called Toady), a sneaky, greedy character who provides information to the highest bidder. While the Snitch has only a short appearance in this story, he is going to start appearing in a lot of follow up volumes, and it is always fun to see where a character starts out. Overall, this was a great story that fits a lot of significant introductions and events into a few short pages.

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The final story in this arc surrounding General Fujii is Daisho Part Two, in which Usagi and his guide meet up with Gen and Stray Dog right at the end of Mongrels. The three samurai decide to team up to raid General Fujii’s lair, and they engage in an all-out fight for money and honour. However, not everyone on the team is keen to work together, and betrayal is afoot. This was an excellent conclusion to the entire storyline, which I really enjoyed. This is a story chocked full of action, as the entire narrative sets up a massive fight between multiple combatants within an abandoned temple. There is some great character work within this story, not only from the protagonists, who bicker and fight amongst themselves, but also with the major antagonist, General Fujii. There some intriguing scenes that show Fujii’s efforts to lead and control a gang of bandits and cutthroats, and I also liked how Sakai shows him being haunted by thoughts of Usagi, whose swords he is holding onto. Usagi and Fujii finally get their showdown in this story, and it served as a fantastic end to this whole extended narrative. There are also some compelling moments surrounding Stray Dog, as he seeks to cheat the others out of the reward money for Fujii. While this initially paints him in a bad light, the source of his need for money is quickly shown, and it highlights just how complex and multifaceted this new side character is. I really liked how this entire story narrative ends, and Daisho Part Two is an excellent part of this volume.

The next story in this volume is the two-part entry, Runaways. In Runaways, Usagi journeys through a small town, when he finds himself in the path of a procession of the local noble lady. Hearing the lady’s name, Usagi is thrown back into the past as he remembers an adventure that occurred many years prior, when he was in the service of Lord Mifune. After finding out that the love of his life, Mariko, has married another man, Usagi is given a seemingly simple mission as a distraction. His task, to escort the young Princess Kinuko to the lands of her future husband, becomes infinitely more complicated, when their party is ambushed by a horde of Neko Ninja. Escaping with the princess, Usagi disguises Kinuko as a peasant in an attempt to hide her from their pursuers. However, the more time that Usagi and Kinuko spend together, the closer they become, until the lines of duty, honour and station become extremely blurred.

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This was another exceptional story within the volume, and I liked how it flashed back to an adventure during his pre-ronin life. Set during the period when Usagi served Lord Mifune (as shown in Volume 2: Samurai), Runaways contains a powerful and emotional narrative that is actually based on Roman Holiday (Sakai is a massive Audrey Hepburn fan), which sees a princess run away with a strong male protagonist and grow close to him, despite her responsibilities and their differences in station. This proves to be a fun, if extremely loose adaption of the movie, and Sakai builds up a complex relationship between Usagi and Kinuko, as the two characters, both tragic victims of circumstances when it comes to love, grow closer to each other. However, despite their feelings, this relationship is fated to never be, and it ends in heartbreak, with the memories of it haunting both Usagi and Kinuko years later. I really liked how this story played out, and it was interesting to see aspects of samurai honour folded into the narrative from Roman Holiday. Other fantastic highlights of this story include the multitude of impressive fight scenes between Usagi and the Neko Ninja, starting with a major battle between two large groups of samurai and ninja. I also liked the exploration of the traditional Tanabata Matsuri festival that the two characters find themselves attending, especially as Kinuko has fun experiencing local customs, foods and activities that someone of her station will never get to enjoy. It was also cool to see an early adventure from Usagi, especially as this entry foreshadows events that have occurred in other volumes, including the return of several now-dead characters, such as Shingen (future leader of the Neko Ninja, who was introduced in Volume 3: The Wanderer’s Road, and died in Volume 4: The Dragon Bellow Conspiracy). An overall exciting and impressive story, Runaways is an amazing highlight of this volume.

The final entry is the short story, The Nature of the Viper. In this tale, a local fisherman finds the badly injured body of Usagi’s recurring foe, Jei, after he was thrown from a cliff during the climatic events of Circles. Bringing him back to his hut, the fisherman tends to Jei and manages to save his life. When Jei awakens, he shows his gratitude to the farmer be recounting a tale of viper and a peasant (a version of the classic fable, The Farmer and the Viper), before killing him and resuming his hunt for Usagi. This is a good, short entry that shows the fate of Jei after his last appearance. Jei comes across just as villainous and creepy as ever, and it was fun seeing the fisherman slowly realise just how much trouble he is in as the story progresses. While having a villain recount The Farmer and the Viper as justification for why they are killing a person is somewhat cliched at this point (although to be fair, this story was written back in the 90s), it was still a fantastic sequence. I think that this was an excellent way to end the volume, especially as the reader is left knowing that Jei has returned and that Usagi will be encountering him once again in the future.

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Sakai has once again knocked it out of the park with the ninth volume in his series. Daisho contains several outstanding and memorable stories that are all wildly entertaining and contain some clever links to past and future entries in this series. I had an absolute blast reading this volume, and it is an extremely strong addition to the incredible Usagi Yojimbo series that comes highly recommend.

Throwback Thursday: Usagi Yojimbo: Volume 8: Shades of Death by Stan Sakai

Usagi Yojimbo Shades of Death

Publisher: Dark Horse Books (Paperback – 1997)

Series: Usagi Yojimbo – Book 8

Length: 200 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

It’s been a little while since I’ve done a Throwback Thursday article so I thought I would go back to the old faithful that is the incredible Usagi Yojimbo series and review the eighth volume, Shades of Death.

Usagi Vol 2 Issue 1

Shades of Death follows on right after the events of the seventh Usagi Yojimbo volume, Gen’s Story, and continues to follow the adventures of the rabbit samurai, Miyamoto Usagi, in this alternate version of feudal Japan populated by anthropomorphic animals. This eighth volume of the series is particularly significant as it is the first volume to be published by Dark Horse Comics, who printed the series for over 22 years, and who were only recently replaced by IDW for the latest volume, Bunraku and Other Stories.  However, the issues within this volume were originally printed by Mirage Comics, who did the entire second run of the Usagi Yojimbo series.  The Dark Horse Comics/Mirage Comics printing style is similar to the style used by the previous publisher, Fantagraphics Books. The only major difference is that the Dark Horse Comics volumes come with a story notes section at the back, as well as copies of all the covers for the various issues. I’m actually a big fan of the story notes that they started including in these volumes, as they contain some fascinating background information about some of the stories, including details about the various legends or elements of Japanese culture that Sakai focuses on in his story. Shades of Death contains issues #1-6 of the second run of the Usagi Yojimbo series, as well as containing stories from #7-8, and is made up of two major storylines and several shorter entries.

The first story is Shades of Green, and it is probably the most distinctive entry in this entire volume. The story starts with Usagi and his frequent travelling companion, Gen, being ambushed out on the road by a horde of Neko Ninja, forcing them to dive into a river to avoid being killed. Usagi and Gen eventually wash up near a remote village and encounter the mysterious rat mystic, Kakera, who asks Usagi and Gen for his help. Kakera reveals that the Neko Ninja are after him, as they hope to use his abilities to help rebuild their clan’s power after the events of The Dragon Bellow Conspiracy (volume 4). To that end, they have surrounded the village and intend to kill everyone in order to get Kakera, and even the skilled Usagi and Gen will be unable to stand up to their numbers. With no other help on the way, Kakera is forced to use his magic to summon four very special warriors to stand by their sides, the Teenage Mutant Ninja Turtles.

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Shades of Green is a fantastic and clever story that also serves as an excellent crossover between two iconic comic book series. Pretty much the big thing about this story is the way that is introduces all four members of the Teenage Mutant Ninja Turtles in the Usagi Yojimbo universe. Fans of either Usagi Yojimbo or the Teenage Mutant Ninja Turtles franchise will be aware that these two comics have had numerous crossovers throughout the years, with Usagi appearing in three of the Teenage Mutant Ninja Turtles animated television shows. The Turtles who appear in Shades of Green are the original Mirage Comics versions of these characters, who were created by Kevin Eastman and Peter Laird, and who had their own long-running series during the time this volume was published. Usagi has actually encountered Leonardo from this version of the Turtles several times before, including back in the third volume of Usagi Yojimbo, The Wanderer’s Road, so the two groups of characters were able to team up rather quickly. I thought that this was an incredible crossover, and I especially loved the dynamic between the Turtles and Usagi and Gen. Not only do you get the mutual respect that Usagi and Leonardo have for each-other but there is a rather fun dynamic between Gen and the other Turtles. I particularly liked one scene where Michelangelo questions the logic of the Usagi Yojimbo universe, including why the horses aren’t sentient but rabbits and rhinos are (something I have always wondered), and even asking Gen if he has a tail, which it turns out is a rather personal question. There are also some really fun battle sequences throughout this book, and it was great to see the two samurai team up with the Turtles to fight a whole bunch of ninjas. I really liked this crossover between them, and I also think that Sakai did an amazing job drawing and portraying these characters.

In addition to the crossover elements, Shades of Green also contains a rather intriguing overall narrative, especially the parts of it that examine the leadership of the Neko Ninja clan. The Neko Ninja clan has been in a bit of decline since the fourth volume, when a large number of their ninjas, including their leader, Shingen, died. Much of the plot of this storyline revolves around two high-ranking members of the Neko Ninja, the ambitious Gunji and Shingen’s sister Chizu, fighting for control of the clan, with their battle centred on the hunt for Kakera. This proved to be really exciting, and it was cool to see the internal ninja feud, while the clan is facing off against the protagonists. This book also contained the first meeting between Usagi and Chizu, who goes on to become a major recurring character in the series as well as a potential love interest for Usagi. I quite enjoyed Shades of Green, and it definitely serves as a memorable entry in the Usagi Yojimbo series that showcases how cool a crossover with this series can be.

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The next entry is a short story called Jizo, which only runs for a few pages. Despite its shorter length, this is a rather inventive and surprisingly powerful story that I have a lot of love for. Jizo is set on the side of a road, and features a mother placing a dosojin, a roadside icon, of Jizo-sama, in order to help the soul of her deceased young son who was recently killed by bandits. According to Buddhist beliefs, her son’s soul is attempting to make its way into paradise by piling rocks to cross a river. By leaving the statue to Jizo, the patron and protector of children, by the side of the road, the mother is hoping that passing travellers will place a stone near it, which will help her dead son’s soul in his eternal task. The story than continues without dialogue, as the statue of Jizo watches the road, noting the various travellers who walk across it. This includes Usagi, who runs into the same bandits who killed the child, and his actions seem to provide the statue with a measure of peace. This was a clever and beautifully rendered story, and I loved that Sakai redrew the same stretch of road for every single panel. This was such a fantastic concept, and I loved how he told such a powerful story with a minimum of dialogue, only utilising some exposition from the mother at the start and end of the story. The shots of the same stretch or road were done extremely well, and it was fun to see the various people who walked past the statue during the course of the day. Not only were there some familiar faces but there were several intriguing and distinctive-looking people going about all manner of different activities. It was also cool to learn a little bit about the statues to Jizo-sama, something I saw several times when I went to Japan, and the story notes I mentioned above proved to be really useful and interesting in regards to this. I was really impressed with this entry, and I loved the compelling story that Sakai told with his fantastic drawings.

The third story in this volume is Shi, an action-packed and exciting tale that I really enjoyed. Shi sees a wandering Usagi come to a crossroad, where he lets fate and the gods choose his route (a homage to the start of the film Yojimbo). His chosen path takes him to a market town where he witnesses a peasant being bullied by a group of thugs. Intervening, Usagi chases the thugs off and is invited to the peasant’s village for dinner. However, it soon becomes clear that something strange is happening at the village, as the thugs arrive soon after and appear determined to scare all the villagers away. Investigating, Usagi soon finds himself in the midst of a conspiracy involving the local magistrate and his brother, who are determined to kill Usagi and his new friends. To that end they hire a group of four assassins, who call themselves Shi (a reworking of the Japanese character for Shi turns it into a character for death).

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Shi proved to be an compelling entry that serves as one of the main two stories for this volume (indeed, if you combine the names of the first story, Shades of Green, with the title of this story, Shi, which in this case means death, you get the volume’s overall title, Shades of Death). There are some great elements to this action-packed story: the intriguing conspiracy, Usagi’s mixed encounters with the villagers that he is trying to save, and some funny moments as Usagi effortlessly deals with the initial group of thugs. However, the best part of the book has to be the extended fight sequence at the end as Usagi takes on the four members of Shi, each of whom is master of a different type of weapon (sword, spear, bow and the sickle-and-chain). This was a brutal and exhausting fight for Usagi, and it serves as an impressive main set piece for the entire story. It also results in a rather confronting and memorable sequence where, in the aftermath of the fight, Usagi is challenged by a local peasant who is jealous of the attention Usagi is receiving from his betrothed. The peasant gamely steps up to fight Usagi, claiming not to be afraid, only to be faced by an enraged samurai who is worked up into a blood rage after his battle. The look of anger and hate on Usagi’s face is surprisingly terrifying, and I love how demonic Sakai made him look, showing off a darker side to his complex protagonist. I also really enjoyed the entry’s two shady antagonists in the magistrate and his brother. These two duplicitous siblings make for a murderous team, especially when each of them attempts to betray the other in a fantastic conclusion that showcases the consequences of greed. Overall, Shi was an exceptional story that I had an awesome time reading.

The next story in Shades of Death is a fun entry titled The Lizards’ Tale, which focuses on a group of Tokages, the dinosaur-like lizard critters that infest the Usagi Yojimbo universe. In this story, a group of chilly Tokages attempt to warm themselves up one snowy night by snuggling together in the warmest place they can find, around the sleeping body of Usagi. Awakening the next morning, Usagi finds himself surrounded by the potentially vicious creatures, and only manages to flee by throwing them a bag of food and running for it. However, the Tokages are not that easily escaped, and they continue to follow Usagi hoping to get more food out of him. Despite his comical efforts to get rid of them, Usagi soon grows attached the Tokage pack, especially after they help him out of a sticky situation with some bandits. The Lizards’ Tale is a very fun and humorous story that provides some light-hearted moments in this volume after some of the preceding darker stories. I really liked how Sakai told the story without any dialogue whatsoever, relying on only the exaggerated movements and facial expressions of the various characters and the Tokage to tell the story. This was an incredibly entertaining entry, and I had a great laugh as I went through it.

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The final three stories are a bunch of shorter entries that focus on a younger Usagi as he trains with his sword master, Katsuichi. These three stories include Usagi’s Garden, Autumn and Battlefield, and feature some character-building moments for the protagonist. Each of these three stories is rather good, and it is always interesting to see a younger Usagi when he is a rash trainee, rather than the wiser, battle-hardened warrior that he is in the rest of the series. These three short stories contain a fun mix of narratives, including one about Usagi learning patience and honesty by attempting to grow plants, another where he frees the spirit of Autumn, Aki-Onna (Autumn Women) from a monster, and a final story where he sees his first battlefield and learns that there is rarely glory or honour in the midst of war. These were a great collection of stories, and I liked the moral based narratives that each of them contained. Reading these three shorter stories proved to be a good way to end the volume and it was nice to have some low-stakes entries to wrap everything up with.

As usual, Sakai’s artwork for this volume was deeply impressive for every story, and I loved every aspect of his drawings throughout Shades of Death. While I have already mentioned his fantastic fight sequences, the cool character designs and amazing use of facial expressions while talking about some of the stories above, I also have to highlight the detailed background sequences and depictions of the beautiful, multi-seasonal Japanese landscapes. Every panel of this book is loaded with incredible detail, and I loved examining all the different backgrounds, especially as I see something new and different in this volume every time I read it. Sakai did some outstanding artwork in this volume, and it was a real treat to see his drawings and characters come to life.

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Shades of Death is another incredible volume in the exception Usagi Yojimbo comic book series from the legendary Stan Sakai. Featuring some top-notch narratives, impressive character inclusions and some eye-popping artwork, Shades of Death was an exciting and captivating read. I loved every second that I spend reading this volume, and this eighth volume gets another five-star rating from me.

Usagi Yojimbo: Volume 34: Bunraku and Other Stories by Stan Sakai

Usagi Yojimbo Bunraku and Other Stories Cover

Publisher: IDW Publishing (Paperback – 21 April 2020)

Writer, Artist and Letterer: Stan Sakai

Colourist: Tom Luth

Series: Usagi Yojimbo – Book 34

Length: 178 pages

My Rating: 5 out of 5 stars

It is once again that wonderful time of the year when the brand-new volume of the ongoing comic series, Usagi Yojimbo, comes out. Legendary comic creator Stan Sakai returns with the 34th volume in this series, Bunraku and Other Stories, which contains four epic and entertaining stories taking place in the unique setting of a version of feudal Japan inhabited by anthropomorphic animals.

Usagi Yojimbo #1

Those who are familiar with my blog will know that I am a massive fan of the Usagi Yojimbo series, having read all of the comics that have been released, and this is easily one of my favourite series at the moment. I have been eagerly reading these comics for years, and since starting this blog I have been enjoying reviewing entries in the series, such as the prior two volumes, Mysteries and The Hidden (Mysteries was actually the first comic I ever reviewed on this blog), as well as some of the older volumes of the comic. As a result, I was extremely keen to get a copy of the new volume, and Bunraku and Other Stories was one of the top books I wanted to check out this autumn.

This latest volume is a rather special one, as it contains the first Usagi Yojimbo issues that Sakai has written for IDW Publishing. This series has been published by Dark Horse Comics since 1997, and their style was similar to that of the publisher before them, Fantagraphics Books. This move to IDW Publishing brings with it some very intriguing stylistic changes, namely that fact that each issue is now completely in colour. This is a massive departure from the previous entries in the series, each of which were originally released in black and white, and it brings the stories to life in a whole new manner. In order to do this, the series now employs a colourist, Tom Luth, who previously worked on Groo the Wanderer with Sakai. In addition, this latest volume is also physically different from all the previous volumes, as Bunraku and Other Stories is noticeably taller, which surprised me a bit when I saw it the first time, and which is seriously going to mess up aesthetics of my bookshelf. However, having the taller volume allows for slightly bigger panels than were typically featured in the previous Usagi Yojimbo stories, which I quite enjoyed.

Usagi Yojimbo #2

However, even with some of these physical changes, this is still the same old Usagi Yojimbo. Sakai has once again produced some outstanding and deeply enjoyable stories, equipped with his trademark art style and his fantastic and loveable characters. Bunraku and Other Stories contains Issues #1-7 of the new, IDW Publishing, run on the series, and is made up of four separate stories.

The first of these stories is titled Bunraku, and it is the main story of this entire volume, made up of the first three issues. In this story, Usagi is enjoying a bunraku, a traditional Japanese puppet play, when he encounters an old acquaintance, Sasuke, the Demon Queller. Sasuke’s endless hunt for demons and monsters has led him to the bunraku theatre, where he senses that a new evil has taken hold. Despite his reluctance to get involved in another one of Sasuke’s dangerous missions, Usagi agrees to help, especially after they find a corpse that has been supernaturally drained of its life energy. Together, Usagi and Sasuke find that a dangerous and malevolent being has infected the bunraku theatre, and they must do everything in their power to end it.

Usagi Yojimbo #3

Bunraku serves as an exciting and compelling first story in this volume, and I quite enjoyed its supernatural storyline. The Usagi Yojimbo series has a rich history of featuring Japan’s various supernatural monsters and demons in its narratives, and this is easily one of the better ones they have done. The antagonists of this story are rather creepy, and they serve as extremely deadly opponents to Usagi, who finds himself dramatically outclassed at several points throughout the story. I also liked the return of Sasuke, who has shown up in several supernatural storylines since his first appearance back in volume 14. Sasuke is a rather distinctive and intriguing character in this series, as he has dedicated his life to hunting and destroying demons and monsters, many of whom are opponents far beyond normal samurai like Usagi. Despite his tremendous magical powers, Sasuke often finds himself severely drained after each fight, but his drive to complete his mission spurs him on, despite how weary or physically weakened he becomes. Usagi and Sasuke have some interesting interactions throughout this story, as Usagi has become more wary of Sasuke after their last several encounters. Sasuke insists that Usagi helps him once again, and even guilts Usagi into working with him, which makes for a very unusual team dynamic. I thought it made sense that Usagi would be reluctant to get involved, as he or someone he loves has nearly died each time Sasuke has appeared so far. There was also a rather interesting moment when their antagonist asks Sasuke if Usagi was being groomed to replace him, a question that Sasuke does not provide an answer to, and which makes me think we will be seeing a lot more of this character in the future.

One of the more intriguing aspects of the story of Bunraku is the fascinating examination and depiction of the bunraku puppet shows. I always love it when Sakai highlights cool aspects of Japanese history, culture or industry in his stories, and this entry was really amazing. The whole concept of a life-size puppet theatre was really intriguing, and Sakai did a great job examining it, showing what sort of stories they produced and how elaborate their performances could be. This unique art form also turned out to be an awesome basis for this horror adventure story, and I really liked how Sakai worked it into the plot. I also really enjoyed the artwork contained within this first story, and Sakai has come up with some rather impressive sequences and scenes that not only do a fantastic job conveying the action that is occurring but which really highlight the horror aspect of the narrative. The various supernatural opponents in this book are shown to be quite scary and threatening, and I loved the way that Usagi’s face looked absolutely terrified as he fought against them. The use of colour in this first story is also extremely cool, and I loved how it helped bring the whole story to life. I particularly liked the way that the colour really enhanced all of Sasuke’s magical abilities and made them look that much more distinctive and mystical. There is one amazing sequence in which Sasuke turns his sword into flames, which looked so damn awesome and it put me in mind of that one iconic scene from the recent Demon Slayer anime. All in all, this was an outstanding and enjoyable first story in this volume, and readers are in for a real treat right of the bat.

Usagi Yojimbo #4

The next story that is featured within this volume is the two-issue tale, The Hero. In this entry, Usagi, still journeying across the countryside, has encountered an interesting fellow traveller, a famed author who is journeying to her father’s house. The author, Lady Mura, has written several novels, including a tragic tale of heroism that she lets Usagi read. As the two travel together, Usagi learns that Mura is the wife of a high-ranking samurai who is jealous of his wife’s writing ability, as the fame she gains from that far exceeds his reputation as a warrior. While Usagi is able to protect Mura from many of the dangers on the road, including bandits, how will he react when he encounters her husband, especially as the strict rules of honour that bind all samurai forbids him from interfering?

This is a rather heavy and clever story that I think is potentially the best entry in the entire volume. Sakai has crafted together an excellently written and well-thought out narrative that cuts deep into the reader’s emotional core before the end. The character of Lady Mura is an extremely tragic figure, as even after all Usagi does to protect her, her story still ends in heartbreak, just like all her novels. Despite how her story ends, she is able to pass on some inspiration to Usagi about the true nature of a hero, which is how she sees Usagi. There are some really intriguing discussions about the code of the samurai that binds all the major characters within this story, and the problems and compromises that occur because of it are in full display throughout The Hero. I also think that Sakai came up with a perfect ending for the entire story, which felt extremely satisfying, considering what had happened throughout the course of the narrative. The artwork in this story is also really cool, as not only do you have some of the most impressive depictions of the varied and beautiful feudal Japanese landscape (which look so impressive in colour) but you also have some amazing scenes that show fragments of Lady Mura’s novels. These scenes place Usagi in the role of the hero of the classic story (Sakai has done something similar in prior stories like My Lord’s Daughter in the sixth volume, Circles) and show him taking on an undead horde and their evil master, and they are some amazing drawn sequences. The Hero is a truly great story, and I think that Sakai has done an outstanding job coming up with this tragic and heartfelt tale.

Usagi Yojimbo #5

The next story, Adachi, is one of the more interesting entries in this volume, and it was one that I was curious to check out. This story was actually written in commemoration of the 35th anniversary of the series and features a fresh take on the very first Usagi Yojimbo story, The Goblin of Adachigahara, which I previously reviewed in the first volume, The Ronin. In this new version of the story, Usagi returns to the scene of one of his greatest personal tragedies, the battle of Adachigahara Plain (or Adachi Plain in later Usagi Yojimbo stories), where his lord, Mifune, died after one of his generals betrayed him. In the course of this battle, Usagi, who served as Lord Mifune’s bodyguard, was able to perform an essential service by fleeing the battlefield with Mifune’s head, keeping it out of the hands of the treacherous general and the evil Lord Hikiji. Usagi has journeyed back to this place to pay respects to the place he buried his late lord’s head, which only he knows the location of. However, he senses that he is being watched and continues his journey, eventually seeking shelter at the hut of an old lady, who warns him of a goblin that haunts the mountain. Later that night, the goblin attacks the house, trying to kill Usagi, but Usagi is able to trick him and engage him in a fair fight. The goblin is revealed to be the general who betrayed Mifune, who was disgraced and banished by Lord Hikiji due to Usagi’s actions in denying Hikiji his lord’s head. Now determined to claim Mifune’s head and claim what is owed to him, the goblin seeks to kill Usagi, who manages to win, thanks to the help of the old lady, revealed to be the general’s wife, who has remained in exile with him.

This is a really interesting updated version of the story, which I quite enjoyed reading. The whole story is actually a combination of three prior Usagi Yojimbo stories, with some new elements thrown in. The first part of the story, which shows Usagi reliving the events of Adachi Plain, utilises parts from two stories, including Samurai (which appeared in the second volume, Samurai) and Return to Adachi Plain (which appeared in the 11th volume, Seasons). This combination provided a much richer examination of the battle, especially Usagi’s role within it, and I think the two separate sequences merged together well, while also looking even more impressive in colour. The story then continues to focus on the events that previously occurred within The Goblin of Adachigahara, although there are some interesting additions. This includes the goblin deliberately targeting Usagi, due to his role in his dishonour, and Usagi finding out the identity of his attacker before killing him. Knowing that this is the general who betrayed his beloved lord adds a whole new emotional element to the story for Usagi, and their fight is a lot more vicious and elaborate. I also liked the way that Sakai spent time enhancing the visuals surrounding the goblin. While he looked rather cool in the original story, in Adachi, Sakai has made him look even more awesome and intimidating, especially in colour. I also found it interesting that Sakai has turned this whole event into a more recent story in Usagi’s timeline, rather than being an event that occurred quite early in his adventures. The change in the chronology is intriguing, especially as there is a rather great scene in the middle where Usagi, upon visiting the grave his former lord, begs to be released from his vow of service, perhaps so that he can pledge fealty to his friend, Lord Noriyuki of the Geishu Clan. Overall, I thought that this was a clever new take on a classic Usagi Yojimbo story, and fans of this series will appreciate this anniversary special.

Usagi Yojimbo #6

The fourth and final story in this volume is The Swords of the Higashi, which serves as a light-hearted and entertaining conclusion to this volume. The Swords of the Higashi sees the always amusing Usagi Yojimbo side character, Gen, involved in a whole new batch of trouble. This time, Gen and his occasional partner Stray Dog are attempting to recover two extremely valuable stolen swords from a group of bandits. Killing the bandits, the two bounty hunters run into Usagi, who decides to accompany them back to the sword’s owners, the Higashi clan. However, the three ronin make the mistake of leaving one of the bandits alive, and they must contend with a continued flurry of attacks as they make their way back to town.

Now this was a fun and enjoyable story that I found to be extremely hilarious. There are several great elements to this story that I really enjoyed, including the fantastic use of the three main characters, Usagi, Gen and Stray Dog, and their banter as they wander the wilderness is rather entertaining. There is also the really funny extended sequence which sees the characters come under constant attack from bandits and bounty hunters as they attempt to return the blades. Each of these attacks is led by the same bandit, who finds the three companions, gets his cohorts to attack them, and then runs away in a panic when the protagonists win, only to return with a new group of bandits and repeat the cycle a short time later. This repeated turn of events is extremely funny, mainly due to the ridiculousness of the situation and because of the way that Usagi and his friends get more and more exhausted and exasperated with each new cycle. Sakai does an amazing job of making all three protagonists look scruffier and more dispirited with each new attack, and their reactions each time are deeply entertaining, from the way that Stray Dog keeps yelling at Gen for it being his fault, Gen’s growing resentment and frustration at the bandit whose life he saved, and the usual stoic Usagi getting more and more exhausted with each fight: “I’ve been through battles less tiring than today!”. Sakai wraps this whole amusing episode up with a rather clever conclusion to the story, which sees another classic Usagi Yojimbo side character get the best of everyone, and which makes all of Usagi, Gen and Stray Dog’s effort be for nought, which is just so mean considering all they went through. This was an outstanding story that had me laughing the entire way through, and I thought it was the perfect way to end this entire volume.

Usagi Yojimbo #7

The latest Usagi Yojimbo volume, Bunraku and Other Stories, is another incredible comic from Stan Sakai that I absolutely loved. Sakai has once again produced several exciting and clever stories, filled with great characters, powerful emotional moments, clever examinations of classic Japanese culture and a number of visually stunning sequences, which are so much fun to read. With the comics now in full and glorious colour, this was an outstanding new entry in the series, and is a must read for all Usagi Yojimbo fans. It gets a full five-star rating from me and comes highly recommended.

Book Haul – Comics – 18 May 2020

For this latest Book Haul post, I am going to do something a little different and exclusively look at the comics that I have recently gotten copies of.  Like many people at the moment, I have been stuck at home for the last few weeks, and it is starting to drive me a little crazy.  In order to alleviate the boredom, I have ordered a few comics to keep me sane, and all of them started showing up over the last week or so.  I actually have a large pile of new comics on the dining room table at the moment (it goes well with the multiple piles of books I also have), and all of them are pretty cool.  I am actually planning to review most of these comics at some point at the future, so I thought I would take the time to highlight what I have gotten and what some of my early impressions about them are.

Usagi Yojimbo: Volume 34: Bunraku and Other Stories by Stan Sakai

Usagi Yojimbo Bunraku and Other Stories Cover

The first entry in this post is the latest Usagi Yojimbo volume, Bunraku and Other Stories.  I am a massive fan of this series and Sakai is easily one of my favourite authors at the moment.  I have been looking forward to this latest volume for a whole year and it really did not disappoint, containing some amazing stories, intense artwork and interesting concepts.  I am working on a review for it now, and should hopefully get it up in the next few days.

Hit-Girl: Volume 4: In Hollywood by Kevin Smith and Pernille Ørum

Hit-Girl in Hollywood Volume 4

The next comic is the fourth volume in the Hit-Girl series, Hit-Girl in Hollywood.  I have already reviewed this interesting entry in the series and it is a fun book to read, even if it is a tad extreme in places.

Firefly: The Sting by Delilah S. Dawson

Firefly - The Sting Cover

This is a fun one that I have been meaning to grab for a while.  The Sting is a cool Firefly limited series which sees the return of the murderous antagonist Saffron, who needs the female crew members of Serenity to pull off her latest heist.  This was an exciting and clever comic, written by Delilah S. Dawson (check out my review for her 2019 book, Star Wars: Black Spire), and I look forward to writing a review for it in the future.

Star Wars (2015): Volume 13: Rogues and Rebels by Greg Pak and Phil Noto

Star Wars Rogues and Rebels

The next comic is Rogues and Rebels the final volume in the excellent Star Wars comic series.  I have been loving this series ever since reading the first volume, Skywalker Strikes, and I think that Rogues and Rebels ends this current series rather well.
In addition to the four recent releases I detailed above, I also ordered in the first four volumes of the 2016 Batman series by Tom King, as well as its crossover with The Flash series, The Button.  I recently read a couple of later volumes on this run of Batman and I really enjoyed them, so I thought I would got out and grab the whole series.  I am extremely happy I made this decision, as each of the four Batman volumes are pretty damn epic, and I am planning to do Throwback Thursday reviews for each of them at some point in the future.  I haven’t had a chance to read The Button yet, but I sounds rather cool, especially as it ties into the Flashpoint and Doomsday Clock limited series.

I also have to point out the fantastic parcel that I ended up getting the Batman comics in.  Unlike the four volumes above, which I got from Book Depository, I got all the Batman comics from my local comic store, Impact Comics, who have been organising deliveries for the last two months.  When I got it, I was rather amused to find the following sketch of Batman drawn onto the packaging.  I love that the team at the comic book shop are managing to have fun during this time, and I am rather curious to see if anything will be drawn onto the next package that I order from them.

Batman Parcel

Batman: Volume 1: I am Gotham by Tom King and David Finch

Batman I am Gotham Cover

Batman: Volume 2: I am Suicide by Tom King, Mikel Janin, Mitch Gerads and Hugo Petrus

Batman I am Suicide Cover

Batman: Volume 3: I am Bane by Tom King, David Finch and Danny Miki

Batman I am Bane Cover

 

Batman: Volume 4: The War of Jokes and Riddles by Tom King, Mikel Janin, June Chung and Clay Mann

Batman The War of Jokes and Riddles

 

Batman/The Flash: The Button by Joshua Williamson, Tom King, Jason Fabok and Howard Porter

Batman, The Flash - The Button Cover

 

That’s the end of this latest Book Haul post and I hope you find this comic themed entry interesting.  Make sure to keep an eye out for my reviews of these comics in the future, and good luck with finding your own way to stay sane at the moment.

Throwback Thursday: Usagi Yojimbo: Volume 7: Gen’s Story by Stan Sakai

Usagi Yojimbo Gen's Story

Publisher: Fantagraphics Books (Paperback – 1996)

Series: Usagi Yojimbo – Book Seven

Length: 187 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this week’s Throwback Thursday, I once again dive into the wonderful world of Usagi Yojimbo and review the seventh volume of this incredible ongoing comic series, Gen’s Story. I have been really enjoying going back and reviewing the older volumes of this fantastic comic by legendary writer and artist Stan Sakai, and this seventh volume is another excellent addition to the series that I always have a terrific time reading.

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Gen’s Story is an amazing example of a Usagi Yojimbo volume, which contains several short stories, each of which shows a unique tale set within the series’ clever version of feudal Japan populated with anthropomorphised animals. Each of the individual stories in this volume is rather good, and together they form a fantastic volume that not only introduces a recurring side-character but which also explores the backstory of another key character and serves as a perfect end note for one of the series’ best character arcs. This volume is made up of issues #32-38 of the Fantagraphics Books run on Usagi Yojimbo, as well as a story from Critters #38, which makes Gen’s Story a tad longer than a typical volume. All of these issues make for an awesome read, and Gen’s Story is another excellent addition to the Usagi Yojimbo series.

The first story contained within this volume is the fun and enjoyable tale, Kitsune. In this story Usagi encounters a talented street performer, Kitsune, who entertains the crowd with the tricks she can perform with her koma (spinning tops). However, Kitsune is much more than a simple entertainer; she is also an extremely skilled thief and pickpocket who manages to take Usagi’s purse without him realising it. This forces Usagi to stay late at an inn, washing dishes to pay for his meal, which results in him witnessing and intervening in an altercation between a notorious gambler and some local gangsters. Deciding to help the gambler under the mistaken belief that he is an innocent merchant, Usagi attempts to escort him out of town, where the two encounter Kitsune again just before the gangsters attack, leading to a fight in the streets.

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Kitsune is an entertaining story that works well as a suitably light-hearted start to the entire volume (get a fun story in before the feels start). The whole of this story is really amusing from the very start, and it contains some great comedy elements, from Usagi getting taken advantage of by Kitsune and the way he doesn’t initially realise that the person he is helping out is the same gambler who previously led a mob against him in A Kite Story, which was part of the fifth volume, Lone Goat and Kid. This leads to a great scenario where the gambler is forced to rely on Usagi for protection, while silently hoping that he will not remember who he is or what he previously did. Of course, Usagi eventually figures out who he is, thanks to the gambler’s boasting, and this results in a great end to the whole farcical tale. This issue also serves as an excellent introduction to the character of Kitsune, who goes on to become a major recurring figure within the Usagi Yojimbo stories. Sakai does a fantastic job showing off Kitsune’s personality and skills as a thief throughout this story, and I also love all the cool drawings he does of Kitsune’s various tricks with the spinning tops. Kitsune’s entire arc throughout this story is great, and I love how Usagi was able to get even with her at the very end, which is a fun prequel to all their future encounters. The combination of an entertaining plot, a great character introduction and an enjoyable call-back to a previous story helps to make Kitsune an excellent first entry in this volume, and I had an amazing time reading it.

The second story in this volume is the short entry Gaki. Gaki is quick and amusing story that follows a young Usagi back when he was a student under the tutelage of his sword master Katsuichi. After one of Katsuichi’s typical lessons, which sees Usagi receive a smack to the head, Usagi attempts to retaliate, striking a blow that seemingly kills his master and causes his ghost to start haunting Usagi. Of course, it ends up being a whole big misdirection, but it results in a fun sequence in which young Usagi is chased by a vengeful spirit, which all leads to a humorous conclusion. The highlight of this quick tale has to be the amazing drawings of the vengeful spirit and the pure terror that appears on the face of the young Usagi, all of which are way out of proportion to Gaki’s rather innocent story. All of this makes for an entertaining second inclusion in Gen’s Story, and it, together with the first story, provides readers with a fun start to this volume.

Critters 38

The third story is where we start getting to the heavier narratives of this volume, as the reader is treated to the supernatural tale, Broken Ritual. This story sees Usagi walking late at night through a small village filled with an unnatural amount of fear, especially after a loud and terrifying wail breaks the silence. Talking to the townsfolk, Usagi learns that the village, which is located close to the site of the battle of Adachi Plain, is haunted by one of Usagi’s old comrades, General Tadaoka, who died following the battle in the midst of an incomplete seppuku ritual. Now, due to the shame of having a dishonourable death at the hands of an unworthy and unnamed enemy, Tadaoka’s spectre appears in the spot where he died each full moon, letting out a wail of anguish. Upon hearing this tale, Usagi decided to try and help end the suffering of his former comrade and manages to help the spirt pass peacefully by successfully performing the seppuku ritual on the ghost.

Broken Ritual is an impressive and gripping story of honour and duty which is easily one of the best inclusions in this volume. This is one of those stories that really sticks in the reader’s mind, and the whole concept of samurai honour, even from beyond the grave, is a really fascinating central plot aspect. I loved the exploration of the seppuku ritual, and the supernatural elements of this story play into this really well, as it highlights just how important an honourable death is to a samurai like Tadaoka, so much so that he came back from the grave to ensure it was done properly. Sakai’s art is in top form for this volume, and his outstanding depiction of a wartime seppuku ritual is absolutely incredible. The intense facial expressions of Tadaoka during the seppuku scenes are particularly enthralling, and Sakai does a fantastic job of showing the pain and concentration that would have been on such a person’s face. All of this leads to a deeply captivating story, and it is amazing the sort of gripping tale Sakai can spin together in single issue.

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The fourth story in this volume is the shorter story, The Tangled Skein, which is the story that was originally featured in Critters #38. This is a creepy, quick story that follows Usagi in the immediate aftermath of the battle of Adachi Plain. Fleeing from the victorious troops of Lord Hikiji, Usagi attempts to hide in a dark forest known as The Tangled Skein, which is rumoured to be filled with all manner of haunts. Naturally, Usagi runs into one of these haunts, a demon disguised as a helpful old lady, and he must try to escape her clutches with help from the most unlikely of sources. This was an awesome supernatural storyline that I quite enjoyed, especially as the story once again highlights some of the philosophies surrounding samurai honour and what duties a samurai has to his lord, and vice versa. Fast-paced, exciting and with a surprisingly poignant moral to its story, The Tangled Skein is great entry to the volume, and I am glad that Sakai included it.

The next story in this volume is simply call Gen, and it is the major storyline contained within Gen’s Story. Made up of three Usagi Yojimbo issues, this is an excellent story of revenge and obsession that also continues the theme of the last few stories by looking at samurai honour and obligation. This story also reveals the full backstory of the always amusing and enjoyable recurring side character Gen and shows how he came to be a bounty hunter. The story is broken into three separate parts by issue, with the first part called Lady Asano’s Story, the second part called Sins of the Father and the third and final part titled Lady Asano’s Revenge.

Usagi 35

Naturally, Gen revolves around the character Gen, who Usagi once again meets out in the wilds, and helps him claim his latest bounty. Recovering from this fight in a nearby town, Usagi shares a meal with a destitute noblewoman and her retainer. The noblewomen, Lady Asano, is on the hunt for her husband’s murderer, a former advisor who betrayed him for great reward, and her exhaustive 20-year long quest has left her poor and on her own. The story is interrupted by the arrival of Gen, who is revealed to be the son of the great General Murakami, the most revered retainer of the Asano clan, and whose family owes allegiance to Lady Asano. Gen, bitter at the years his hard and disciplined father spent dragging him and his mother around the countryside hunting the murderer, an event that led to the death of Gen’s mother and Gen becoming a bounty hunter, refuses to help Lady Asano. However, once Lady Asano and Usagi are captured by the murderous advisor, revealed to be the town’s magistrate, Gen attempts to help, leading to an emotional and violent confrontation.

This was another excellent story that had a number of fantastic elements to it. It was great to finally get Gen’s backstory revealed, as Gen promised to tell his story all the way back in the second volume, Samurai. This was actually a rather tragic backstory for Gen, and I really liked seeing it, especially as it fits in really well with Gen’s character, not only explaining why he is so eager to fight for money but also why he is so dismissive and distrustful of honourable samurai, who must remind him of his father. Sakai makes sure to wrap up Gen’s personal history rather well within this story, as Gen gets some closure with his father towards the end of the story in one of the few instances that we see a really serious and emotionally wrought Gen. I also liked how Sakai continued to explore the concept of samurai honour within this story, especially the obsession and hurt that it can cause. We got to see the negative impacts that having an extremely loyal and honourable samurai as a father had on Gen, and Sakai also focused on the obsession for revenge and redemption that existed within Lady Asano, which not only drove her into poverty but also gave her the strength to finally get her revenge. The sequence where the dying Lady Asano slowly advanced towards the target of her wrath was pretty intense, and she almost appeared demonic as she slowly moved to get her revenge. Other cool highlights of the story include the huge pitched battle that occurred between the protagonists and their opponents’ retainers in the magistrate’s compound, and the continued fun banter between Usagi and Gen, which adds some much needed humour into this heavier story. Overall, this is an impressive and addictive expanded story, that achieves a lot of fantastic character development and which serves as an excellent focus of this entire volume.

Usagi 36

The next story contained within this volume is another lighter story, The Return of Kitsune. In this story, Usagi, who is accompanied by Gen, once again encounters Kitsune, who is up to her usual tricks of street performances and pickpocketing. This time, however, she accidently steals a valuable letter meant for a corrupt local merchant, and she is subsequently hunted through the streets until she runs into Usagi and Gen. Usagi and Gen was work together to save Kitsune from the merchant, even if they cannot agree on what the best course of action is.

The Return of Kitsune is probably one of the funniest inclusions in this volume. The highlight of this entry has to be the first meeting between the two fun side characters, Kitsune and Gen. These two characters play off each other extremely well, and you cannot help but chuckle at the exasperated expression on Usagi’s face as the Gen and Kitsune begin to flirt with each other. I also enjoyed seeing the opposing philosophies of Usagi and Gen clash throughout this story, as Usagi wants to intervene to save lives, while Gen wants to stay out of the whole thing and claims that Usagi is too nosey. This whole argument proves to be a rather entertaining part of the story, and it results in some excellent scenes towards the end of the story, especially when Usagi takes Gen’s advice about minding his own business and fails to tell his friend that Kitsune stole his purse.

Usagi 37

The final entry in this volume is the outstanding narrative, The Last Ino Story, which serves as the last appearance of one of the best recurring characters to appear in the earlier volumes of this series. In The Last Ino Story, Usagi and Gen are taking one of Gen’s infamous shortcuts late at night and find themselves ambushed by bandits while traversing a narrow path along the side of a cliff. Managing to outsmart their attackers, Usagi and Gen seek shelter in a nearby abandoned hut, where they find themselves confronted by a young woman who is attempting to defend her wounded husband. Able to make their way inside, they find that the woman’s husband is none other than the Zato Ino, who has settled down and abandoned his violent ways after his last encounter with Usagi and Gen. Gravely wounded by the same bandits Usagi and Gen encountered, Ino appears close to death and the two samurai must work quickly if they are to save him and ensure he gets to live the life he rightly deserves.

The Last Ino Story is an outstanding and emotionally rich story which is an amazing way to finish this entire volume off. This last entry in this volume contains a great story in its own right, especially as it serves as a fantastic conclusion to one of the best character arcs in the series, that of Zato Ino. Ino was introduced all the way back in the first volume, The Ronin, as a blind outlaw who was trying to find a quiet place to settle down and rid himself of his life of violence, but whose efforts were constantly disrupted by his large bounty and the hunters chasing him. However, as the series progressed and Usagi kept meeting him, he grew as a character, from him gaining his first true friend in the third volume, The Wanderer’s Road, to him finally finding a home and family after the events of the fourth volume, The Dragon Bellow Conspiracy. This final appearance from him (and it is indeed the last time that you see him), serves as a perfect send off to him, as Usagi and Gen, the only two people who knew his past and gave him a chance, find out that he ended up having a the peaceful life he always wanted and has even more happiness on the way. As a result, this is a perfect story for those readers who got attached to the character of Ino through the first volumes of the series, and it was great to see his story come to a satisfying end.

Usagi 38

I also liked Gen’s character arc throughout this story, especially once he finds out that Ino was the injured man in the barn. Gen and Ino have a complicated past, as Gen was initially trying to hunt Ino down for his bounty during their first encounter, and Ino ended up saving his life. In order to repay him, Gen dragged the injured Ino out of the castle before it exploded and told everyone, including Usagi, that Ino had died, in order to ensure that the blind pig would no longer be hunted and could settle down. In this story, Gen, upon seeing the man he saved once again dying, loses his cool and begins to take his rage out on an owl that has been stalking him throughout the course of the book, which he sees as an omen of death. Watching Gen constantly run out into the rain to chase away an owl is amusing on the surface, but it also reveals his deeper feelings that he usually keeps hidden: “The one decent thing I did was give him his peace, and you won’t take it away!” His determination to keep Ino alive because of this is a real change from his usual behaviour, and it helps underline that deep down Gen is a good character, even if he reverts to his usual gruff self the moment he knows Ino is fine. I also liked how the whole saga with the owl ended up, and it was a fun little turn around on the bird being an omen of death. Other highlights of this story include the cool battle sequence towards the front when Usagi and Gen manage to climb up the cliff and face the bandits trying to kill them. The five panels which show this fight are really cool, from the way that the grim faced Usagi and Gen are framed in the moonlight, the close-up of the bandits faces as they charge, the shot of Usagi’s bloody sword, and the way the fight is only alluded to by the sound effects that have been written in, makes for a great sequence that I really liked. All in all, The Last Ino Story is a first-rate inclusion, and it leaves the reader with a memorable and emotionally substantial ending to this volume.

The seventh Usagi Yojimbo volume, Gen’s Story, is another incredible addition to this awesome and deeply enjoyable series. Each of the entries within this excellent volume are outstanding reads, containing complex characters, fantastic narrative arcs and Sakai’s impressive artwork. Gen’s Story gets another five-star review from me, and Stan Sakai has once again shown why he is one of my favourite creative minds.

Throwback Thursday: Usagi Yojimbo: Volume 6: Circles by Stan Sakai

Usagi Yojimbo Circles

Publisher: Fantagraphics Books (Paperback – 1994)

Series: Usagi Yojimbo – Book Six

Length: 164 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this latest Throwback Thursday, after reviewing Lone Goat and Kid a couple of weeks ago, I am still in a Usagi Yojimbo mood, so I thought I would check out the sixth volume of this fantastic comic book series, Circles.

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Circles is another fun and exciting addition to this excellent series which I honestly cannot praise enough (although I have been trying very hard in my last several Throwback Thursday articles). This sixth volume once again presents the reader with several outstanding and inventive stories that chronicle the adventures of the rabbit samurai, Miyamoto Usagi, as he journeys around a unique version of historical Japan. This volume contains five separate stories, derived from issues #25 – 31 of the Fantagraphics Books run on the Usagi Yojimbo series, as well as a short story taken from Critters number #50 (a comic magazine that had some early Usagi Yojimbo appearances). There are some rather amazing stories featured within this volume, and I had an incredible time reading them.

The first story contained within this sixth volume is called The Bridge, which sees Usagi encountering a demon out of Japanese folklore. During a dark a stormy night, Usagi is entering a village from across a bridge when suddenly he lashes out with his sword behind him, convinced something is sneaking up on him. When he finds nothing there, Usagi shrugs it off and enters the nearest inn, only to learn from the villagers that the bridge he just crossed has been possessed by a demon, and Usagi’s back now bears the claw marks of the demon. Awaking next morning, the villagers find a severed monstrous hand on the bridge, which Usagi appeared to have cut off the night before. Taking the hand into the inn, Usagi and villagers wait for a priest to arrive in order to perform an exorcism on the severed limb, but the demon of the bridge has other plans.

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This was a rather good supernatural story that sees Usagi go up against one of Japan’s many demons and monsters. Several significant elements from this story are taken from the story of the demon of Rashomon Gate, including the severing of the arm and the demon disguising itself as an old woman to recover its severed limb (although unlike the samurai in the legend, Usagi doesn’t fall for it). The demonic antagonist of this story is rather sinister in its drawing style and methods of attack, and it proves to be a dangerous opponent for Usagi. I love the extended fight on the bridge, and I especially enjoyed the way that the whole event ended, providing a side-character in the story their moment of vengeance. Overall, this was a tight, well-written story that was a lot of fun to read.

The next story in this volume is titled The Duel, and, as the name suggests, it features some duels between samurai. Usagi arrives in a village and is challenged to a public duel by the local champion while the watching villagers place bets with a travelling bookmaker, a duel that eventually results in Usagi’s opponent’s death. Completing the duel, Usagi meets and has lunch with a fellow unemployed samurai, Shubo, who subtly takes his measure. It is revealed that Shubo, who is a talented swordsman, is in league with the bookmaker who manipulates the odds of Shubo’s duels in order to make money off the betters. Shubo, who needs the money to provide for his wife and child, believes that he can beat Usagi, and the bookmaker inflates the odds in Usagi’s favour so that they can clean up when Shubo wins. Forcing Usagi into a duel, the two engage in a quick fight to death, with tragic results.

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This was a really clever and captivating single story that Sakai did an incredible job writing. The whole story concept is just brilliant, and Sakai sets it up and executes the plot brilliantly. There are some amazing scenes throughout The Duel, and the story features an excellent mix of comedy and tragedy which work together amazingly to produce a gripping narrative. Usagi, as the reluctant participant of this duel, is pissed at the entire affair, and his outraged reaction to the town people cheering his victory is rather good, especially as the peasants show over-the-top fake remorse in order to get him to go away so they can collect their winnings: “We are lower than the scum at the bottom of a stagnant pool!” While there is some fun and well-deserved karma coming down onto the bookkeeper who overextends himself and tries to escape, nothing quite takes away from the tragedy of Shubo’s wife and young child. The final panel of this story is incredibly heartbreaking, as it shows the wife and child waiting just outside the village for him to return. But as the light in the sky gets darker and darker, you can see the worry start to work its way onto the wife’s face, until she breaks down completely in the final panel, fully realising that her husband is dead. The wife comes across as a massively tragic character in this story, and the major impact that this final page has is a testament to how amazing Sakai’s storytelling and illustrations are.

The third story in the volume is the rather short entry, Yurei, which is the story that appeared in Critters. In this tale, Usagi, who is camping at the edge of a river, awakens to find a Yurei, a ghost, floating before him. The ghost imparts her tragic story to Usagi; she was betrayed and murdered by her husband, and she now seeks justice. Usagi then awakens and finds a woman’s hairpin on the ground next to him. Thinking his encounter with the ghost was just a dream, he travels to a nearby inn and attempts to trade the pin for a meal. What he does not realise is that the innkeeper is the murderous husband from the ghost’s tale, and his discovery of the pin leads to a series of deadly events. This was a good, fast-paced story which tells a compact and intriguing tale. I loved the supernatural elements in this story, and it was interesting to see Usagi portrayed as a tool of fate, who wonders into some ghostly revenge without even realising it. This was a fantastic short entry in this volume and was great to check out.

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The next entry in Circles is an entertaining and over-the-top tale titled My Lord’s Daughter. In this story, Usagi, who is telling a bedtime tale to children, is shown as the classic hero from Japanese legend, fighting through vast hordes of demons, monsters, and obstacles to rescue a beautiful princess from an Oni. This was a fun take on some of the traditional Japanese heroic legends, and it was cool to see Sakai draw a classic tale with Usagi as the protagonist. Sakai has some obvious fun setting the Usagi hero fearlessly against armies of demons and monsters, and he comes up with some clever fight sequences and scenes in this book, from a brutal duel with an Oni, to an underwater battle between Usagi, a shark and a giant octopus wielding several swords in its tentacles. This is an entertaining and exciting story, and I had a good laugh at the end reference to Sakai’s old comic, Groo the Wanderer.

Now let us get to the fifth story of this book, which is kind of the main event of the entire volume. This is a big story, told across four issues, titled Circles. This story follows Usagi as he returns home for the first time since the events of volume one, The Ronin. There are actually a couple of distinctive parts to this story, especially the first issue, which is somewhat separate from the rest of the story (with the exception of some build-up at the end). For this first part, Usagi, on his way back home, decides to stop at his old master’s house to pay his respects to the grave marker of Katsuichi, the man who taught him how to wield a blade. The story then shows a flashback, which serves as a continuation to part of the origin story Usagi told in the second Usagi Yojimbo volume, Samurai, about Usagi’s past. In the flashback, it is shown that Usagi’s master was ambushed and seemingly killed by members of the Dogora Fencing School after Usagi beat their students in a tournament. However, upon arriving at Katsuichi’s old house, he discovers that his master is still alive, having survived the ambush, and has taken on a new student. I liked this revisit of Usagi’s origin story with Katsuichi, although the whole death scene in the flashback comes a little bit out of nowhere. Still, it was interesting to see how much Usagi has matured since he was learning the way of the sword, and it was nice to see the teacher and student reuniting. The flashback sequence is also top quality, and Sakai illustrates up a storm in this one, showing a fierce battle and some intense emotions from Usagi, who goes from a full-on berserker rage as he gets his revenge on his master’s killer to an intense grief in just a few scenes.

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The story then continues as Usagi journeys back to his village, only to be confronted by his old childhood rival, Kenichi. It turns out that Jotaro, Kenichi’s son with Usagi’s former love, Mariko, has gone missing, and bandits are roaming the area. While Usagi and Kenichi are able to defend their town from a raiding party, the attackers reveal that Jotaro has been kidnapped by the bandits and are holding him hostage. Leading an army of local peasants against the bandit’s hideout, Kenichi and Usagi hope to rescue Jotaro and end the raids that have been plaguing them. However, what they do not realise is that the bandits are being led by the deranged and dangerous former adversary of Usagi, Jei, a mysterious and seemingly unkillable murder with a black blade, who hopes to use Jotaro to get his revenge on Usagi. But even Jei is not the most dangerous thing that lies ahead, as old resentments between Usagi and Kenichi, their shared love for Mariko and certain revelations may tear everything apart.

Wow, I have to say that the final three issues of Circles are just incredible. There is so much to unpack from them, as Sakai brings together a brilliant and powerful story. First of all, it was great to see Jei return as a villain once again. Jei, who was introduced in volume 3, The Wanderer’s Road, is an outstanding antagonist, and his continued feud with Usagi is just brilliant. The two engage in a fantastic and extended duel in this story, and Sakai did a fantastic job showing off each combatant’s skill and martial ability through his drawings. I also love the extensive battle between Kenichi’s peasant army and the bandits, which proved to be rather eye-catching. Not only is there a beautifully drawn sequence in the misty forest before the big battle in which Usagi does a great Jei impersonation to scare a bandit sentry, but Sakai illustrates a massive battle between the two forces. The massive single panel that shows the pitched battle is just impressive, and I love the detailed and entertaining scene that the author produced here.

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While all of the above is pretty amazing, what really makes this captivating story is the complex relationship between Usagi, Kenichi and Mariko. There are so many great layers plastered into this relationship. Usagi and Mariko were deeply in love when they were younger, and they still have great feelings for each other. However, Mariko ended up marrying Kenichi, and she is bound by duty, and her child, to him, no matter how she feels about Usagi. Kenichi, on the other hand, has always borne antagonism towards Usagi, which has been compounded over the years by their differences in skill and the fact that Usagi was chosen to serve Lord Mifune and left the village. However, Kenichi’s resentment towards Usagi is even greater, as he knows that Usagi is in love with his wife, and that these feelings are reciprocated by Mariko.

This leads to some outstanding scenes throughout this story, as these three try to come to terms with their complicated emotions. I particularly loved one scene in the middle of the story, where Usagi and Mariko discuss their feelings and reveal that they still both love each other, although Mariko makes it clear that they can never be together. The scene ends when Kenichi interrupts them, and while the look of heartbreak and shame on Mariko’s face is notable, what really gets me is the way that Kenichi’s usual stern/angry look is replaced with one of sad resignation in the last panel once he realises how Mariko still feels about Usagi. Despite this, Kenichi comes across in this story as a surprisingly honourable and well-intentioned character who puts aside his negative feelings for Usagi for the greater good, and it is a fantastic examination of a character who has mostly been antagonistic in the previous volumes. Sakai also drops a massive bombshell at the end of this story, when he reveals that Jotaro is actually Usagi’s son, and that Kenichi has known this and raised him as his own. Because of this, Mariko asks Usagi to leave and not try to settle down in their home village, as she fears it will put a wedge between Jotaro and Kenichi, who she sees as Jotaro’s true father. Usagi regretfully accepts this in another dramatic and captivating scene, although Mariko arranges for Usagi to see Jotaro as he leaves, and Usagi has a heartfelt time with his son, noting the similarities between them, and even suggesting Jotaro seek out Katsuichi as a teacher in later years. All of this is some first-rate storytelling and character development, and cannot praise Sakai enough for this amazing, emotional storyline. This is actually the last book that Kenichi and Mariko appear in (so far), and I think that Sakai did a fantastic job tying their love triangle together. All in all, Circles is easily my favourite story in this entire volume (The Duel comes close), and it is worth grabbing this volume just to check this key story out.

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It should come as no surprise to anyone considering all the praise I elicited above that I am giving this sixth volume of Usagi Yojimbo a full five star rating. This was another incredible comic book that features Sakai’s outstanding blend of powerful stories, memorable characters, intense action, fun references and depictions of traditional Japanese culture and history and some truly impressive artwork. I absolutely loved this volume, and this entire awesome series, comes highly recommended and is an unquestionable must-read.