Usagi Yojimbo – Vol 33: The Hidden by Stan Sakai

Usagi Yojimbo The Hidden Cover

Publisher: Dark Horse Books (9 July 2019)

Series: Usagi Yojimbo – Volume 33

Length: 200 pages

My Rating: 5 out of stars

While there are a number of great books and comics coming out this year, one of the releases that I have been most keenly looking forward to was this year’s volume of Usagi Yojimbo. Usagi Yojimbo by Stan Sakai is a fantastic comic book series that utilises Japanese style, characters and history into an excellent series. This series is one of my favourite bodies of work, and I will move heaven and earth to get each instalment, and I especially loved last year’s volume, Mysteries. I was pretty darn excited to get the 33rd volume, The Hidden, and powered through it the afternoon that I received it.

Usagi 166.jpg

The Hidden continues the story of Miyamoto Usagi, a wandering ronin samurai who lives in a version of medieval Japan populated by anthropomorphic animals. Usagi’s life occurs in the early 17th century, during the Edo era of Japan. This is a pretty interesting time period to set a story, as with the land mostly at formal peace thanks to the rule of the Shogun, many samurai have been forced to roam the land without a master to serve. Usagi, a highly skilled samurai based on the legendary historical warrior Miyamoto Musashi, has been forced to live the ronin lifestyle after the death of his lord. Wandering the roads and seeking employment as a Yojimbo (a bodyguard), Usagi encounters all manner of rogues, bandits and criminals, as well as a number of supernatural foes from Japanese folklore.

The Hidden is made up of issues #166-#172 of the series and is actually one of the rare Usagi Yojimbo volumes to feature just one single adventure rather than multiple interconnected or standalone stories. This volume also continues to pair Usagi with Inspector Ishida for the entire volume. Ishida, who is essentially a Japanese Sherlock Holmes (although based on real-life Honolulu policeman Chang Apana), is a recurring character within the Usagi series who has appeared in multiple volumes, often for just one issue or adventure. However, after teaming up to investigate a murder a couple of volumes ago, Usagi has been living in Ishida’s town and assisting him with his investigations. As a result, Ishida has become a secondary protagonist for the last two volumes, with Mysteries, for example, focusing on the two solving several different crimes.

Usagi 167.jpg

This new volume starts with a brand-new case, when two samurai are pursued into the city and brutally murdered. When Usagi and Ishida discover crucifixes on the dead samurai’s bodies, they quickly realise that both the victims where Kirishitans (Christians). Christianity, which has been bought into the country by European missionaries, has recently been outlawed in Japan by the Shogun, and his agents are hunting down all practitioners. It soon becomes clear that the dead samurai were killed by agents of the Shogun who were attempting to recover a mysterious book of foreign design.

However, in a twist of fate, a petty thief manages to steal the book off the corpse of one of the samurai. This thief is now the most wanted man in the city, as the Shogunate agents and their hired killers attempt to find him and the book at all costs. As Usagi and Ishida work out what has happened, they are determined to bring the killers to justice. Hunting for both the book and the criminal who stole it, Usagi and Ishida, with the help of the masked master-thief Nezumi, manage to locate part of the book, and what they discover could rock the entirety of Japan. As they attempt to come to terms with their discovery, the Shogunate agents determine that the two investigators are a threat and decide to eliminate once and for all.

Usagi 168.jpg

While I may have had to wait a whole year to read this latest volume, it was definitely worth it. Sakai has once again produced an outstanding comic book that I could not have put down for anything. Not only has Sakai written an intriguing and clever story with a great mystery and an informative look at a new aspect of Japanese history, but he tells it through his beautiful Japanese-inspired artwork that really brings the characters and the landscape to life. Together this results in another exceptional piece of work that I absolutely loved.

Usagi 169.jpg

The main story focuses upon Usagi and Ishida’s investigation into the murders of Christian samurai and the hunt for the mysterious book the Shogunate agents are searching for. This was a really interesting story, and I liked how Sakai took the entire volume to really flesh out the investigation. The two characters go on a compelling adventure in this book, running into a number of colourful characters, dodging political restraints, interrogating a number of suspicious characters and getting into several deadly fights. However, what starts out as an intriguing investigation soon turns into a deep and powerful tale of convictions, belief and faith, and the things one must do to preserve all three. This is shown by a number of characters, including Usagi and Ishida, who risk everything to find the truth and more. There is also the amazing character arc of new character Hama, whose heart-rending sacrifice is one of the most memorable parts of this book. There is also a fairly major revelation about one of the other characters towards the end of the volume that actually changes the way you see the story and is guaranteed to make you look back to see the various things you missed the first time. Several recurring Usagi characters are used exceedingly well in this book. The mysterious masked thief Nezumi makes a great return, helping the protagonists with their investigation. It is always cool to see Nezumi in action, and I enjoy seeing the grudging respect build between him and Ishida, despite them living on opposite sides of the law. Everyone’s favourite snitch, Toady, makes another appearance, adding a lot of humour to the story as he attempts to weasel his way into more gold. Overall, this was another well-written and captivating story that was a real pleasure to read.

Usagi 170.jpg

One of my favourite aspects of the Usagi Yojimbo books is that Sakai often uses them to explore some fascinating piece of Japanese history, culture, mythology or industry and present them in a way that his western audience can appreciate. I was really glad that he continued this trend in The Hidden, as this time he takes an intriguing look at the role of early Japanese Christians in 17th century Japan. These Christians, who are the titular hidden ones of this volume, were an outlawed minority, due to Christianity directly contradicting a number of traditional Japanese beliefs and therefore challenging the authority of the Shogun. This latest volume shows this persecution in action, as the city is locked down by agents of the Shogun who are hunting for a valuable Christian item. The reader gets a sense of the illicit and hidden nature of these Christians and the way they were hunted, and Sakai also shows certain unique parts of this hunt, such as the fumi-e (trampling image). The fumi-e was an image of a cross that the Shogun’s enforcers placed on the ground in front of the gates of barricades that were set up at key points of the city. In order to pass through the barricades, pedestrians were forced to stamp on the image, showing their disdain for the Christian religion, and those who refused to step on the image were arrested as Christians. This was a fascinating part of Japanese history that I found incredibly interesting to see in action, and one that Sakai was able to cleverly work into the book’s plot. There were also a few fun scenes which looked at a black-market dealer who sold items which originated outside of Japan. Due to the Shogun isolating the country, these were incredibly valuable items, and I liked seeing what items this dealer considered valuable (the dealer’s European dress also made for a stunning visual as well). All of this was really cool to learn about, and I cannot wait to see what aspects of historical Japan the author explores in his next volume.

Usagi 171.jpg

Sakai’s fantastic artwork is once again one of the major highlights of this volume. Sakai is a particularly skilled artist who always does a fantastic job bringing the beauty and grace of Japan and its culture to life. The artwork on the surrounding landscape is just spectacular, and I always love attention to the historical detail on the buildings and people inhabiting his towns. One of the highlights of The Hidden that I particularly liked was the consecutive prayer gates leading up to a shrine that the characters visit. The visuals on all these gates were just amazing and very distinctive. I also really enjoyed the way that Sakai portrays his battle sequences in his series; he has a real talent for bring multiple high-energy battle scenes to life. I especially like how he manages to convey so much action and intensity in his still frames, and it really shows off some cool aspects of Japanese sword play. This was another beautifully illustrated volume, and the great art goes exceedingly well with the fantastic story Sakai has devised.

Usagi 172.jpg

Volume 33 of Usagi Yojimbo, The Hidden, was another excellent addition to this amazing series. Sakai once again produces a compelling story in his unique comic-book universe which results in a spectacular volume that I know I am going to read again and again in the future. While this was an outstanding Usagi Yojimbo story, I now have the downside of having to wait a whole other year to get my next Usagi fix. Make sure to check back next year when I will no doubt gush about how much I loved volume 34 of this series.

Usagi Yojimbo, Vol 32: Mysteries by Stan Sakai

Usagi Yojimbo Mysteries Cover.jpg

Publisher: Dark Horse Books

Publication Date – 10 July 2018

 

After a year I have finally gotten the new volume of Usagi Yojimbo, one of my favourite long-running comic series.  Now I and other fans of the long-eared samurai can finally enjoy another set of exhilarating adventures in Stan Sakai’s version of feudal Japan.

Usagi Yojimbo is a great series that has been running since 1987, three years after the character was originally created.  In a world inhabited by anthropomorphic animals, the series is set in the early Edo period of Japanese history, during the time of the Shogun and the wandering samurai.  The series was originally supposed to feature human characters and a protagonist based on the famous historical samurai Miyamoto Musashi.  However, the series was changed to feature animals after the artist drew an early version of the hero with rabbit ears and created the series’ titular yojimbo, Miyamoto Usagi.

Usagi Photo 2

The Usagi Yojimbo series follows the adventures of Miyamoto Usagi through feudal Japan.  After the death of his lord, Usagi has become a ronin, a masterless samurai, and has spent the last few years wandering the country seeking employment as a yojimbo, a bodyguard.  Throughout his travels, Usagi finds all sorts of danger and adventures, and is often drawn into a range of conflicts throughout the troubled landscape, facing threats both natural and supernatural in origin.

With 32 collected editions over 30 years, as well as the two additional graphic novels and the spin-off series, Space Usagi, Usagi Yojimbo has developed a dedicated fanbase.  Those who have not read this series may be familiar with it due to its frequent crossovers with the Teenage Mutant Ninja Turtles.  Characters from both franchises have crossed over into each other’s respective comic book series several times.  In addition, Usagi has appeared in all three Teenage Mutant Ninja Turtles television shows, often with some side characters.  One of my first exposures to the characters of Usagi Yojimbo was during The Big Brawl arch of the 2003 Teenage Mutant Ninja Turtles series, and I’ve been a fan of the character ever since.

Usagi photo 1.png

Stan Sakai’s series is a hybrid of western graphic novels and Japanese manga.  The style and format of the comics come across as more of a classic western style, but the story content and the series’ art is heavily influenced by Japanese culture and history.  Every issue is filled with incredible depictions of Japanese customs, history, folklore and mythology, and includes realistic and historically accurate illustrations of feudal Japanese weapons, clothes and buildings.  In addition, the dialogue includes a number of Japanese words which are translated in text, and the characters are all named using traditional Japanese naming conventions, with the family name presented before the given name.

Mysteries is the 32nd collected edition of this series, and contains issues #159-#165 of the Usagi Yojimbo series.  These issues see Usagi reunited with his friend Inspector Ishida as they investigate a series of mysteries in Ishida’s jurisdiction.  There are four main stories, including The Hatamoto’s Daughter, Death by Fugu, the two-part series The Body in the Library and the three-part series Mouse TrapMysteries also contains two of the shorter Chibi Usagi stories that Sakai writes with his wife, Julie, which feature cute versions the franchise’s characters.

Readers of the latest volume of Usagi Yojimbo are in for another visual treat as Sakai continues to highlight the delicate beauty of the Japanese landscape and fantastic architecture of its towns with his spectacular artwork.  Each of the portrayals of the anthropomorphic characters in their period accurate clothing is amazing, and the reader will be astounded by the author’s desire to make his comic as aesthetically realistic as possible.  However, the real visual highlights of this comic are the action sequences that see the protagonists engage in a series of elaborate sword fights against a variety of opponents.  The artistic styling of these sword fights is both exciting and intricate, which allows the reader to imagine how these battles would occur in real life.  Mysteries contains some great examples of this series’ fantastic art form, and the reader will love the creativity that inhabits every panel of this book.

Usagi Photo 3.jpg

While most Usagi Yojimbo stories are standalone episodes, the separate stories featured within Mysteries share several connections with each other.  All of them are set within the same town and feature the character of Inspector Ishida.  In addition, several of the cases are connected by a shadowy crime boss, although the full nature of this connection isn’t fully known until the final story in the volume.

As you may be able to guess from the title of the volume, all of the main stories featured within Mysteries feature a murder and the following investigation by Inspector Ishida and Usagi.  Inspector Ishida is a high-ranking member of the Shogun’s police and is renowned throughout Japan as one of country’s most effective detectives.  Usagi has teamed up with him before in a number of adventures, including a great story, Murder at the Inn, back in Volume 29, which featured Usagi, Ishida, and Usagi’s frequent companion Gen investigating murders in a locked-down inn.  There are some great stories in the Mysteries volume, especially as Sakai has crafted together some intriguing mysteries in such short entries.  Several of the big mysteries and crime stories are connected into an elaborate overarching narrative that examines the criminal underworld of feudal Japan.  Two of the stories feature some really complex murder mysteries that flit back and forth between a number of suspects and contain motives that are very unique.  The final entry, Mousetrap, is the longest story in the volume and features an excellent tale about a thief getting caught in a middle of a fight to control the area’s organised crime and the sinister figure that has been manipulating the events of the previous stories.

Usagi Photo 5.jpg

Sakai ensures that his examination of feudal Japanese society carries through to each of these stories and their investigative arcs, affecting the characters’ investigations.  For example, only members of a lower caste are allowed to touch the murder victims’ dead bodies, which hinders the protagonists from properly examining the bodies to work out the cause of death.  There is also a fantastic investigation of the role of the inspectors in feudal Japan and how they bear the authority of the Shogun.  It also allows Ishida to show off his fighting skills with the jitte, one of my favourite Japanese weapons.

In addition to the returning Inspector Ishida, this volume of Usagi Yojimbo sees the return of several characters from previous stories.  Our favourite thieving duo of Kitsune and Kiyoko make a return in the middle story, The Body in the Library.  The fox thief Kitsune was first introduced in 1992 and has become one the series’ main recurring characters, adding significant amusement to the stories she appears in through her schemes, humour and continued casual theft of the other characters’ valuables.  Her young companion, Kiyoko, was introduced in a later story and serves as her apprentice in the life of crime while taking up many of her mentor’s bad habits.  Their inclusion in this story adds significant comic relief to an otherwise dark story of murder, and it is always fun to see what this mischievous duo are up to.  The mysterious masked thief Nezumi returns for a second adventure and is a major player in the book’s longest story, Mouse Trap.  Nezumi was introduced in the Volume 20 story After the Rat, and acts as a public Robin Hood character in Inspector Ishida’s town.  He is used to great effect in this new story, being framed for murder in a way reminiscent of his first appearance in the series.  Sakai continues to taunt his audience with the mystery of Nezumi’s identity and motives, and it is great to see this interesting and formidable character interact with Usagi for the first time, especially with their differing definitions of honour.  Readers should also keep an eye out for a certain recurring snitch who has played a similar role in a number of prior Usagi stories, despite the main characters failing to remember how treacherous he is.

One of the best parts of the Usagi Yojimbo series is the incorporation of intriguing and unique parts of Japanese culture into amazing action based comic issues.  Throughout the series, the author has utilised a number of great Japanese cultural elements in various stories, including giant kites, giant drums, pottery, swordsmithing, tea ceremonies, seaweed farming, games of chance and a huge number of mythological creatures and legends.  These stories often contain descriptions and informative depictions of the cultural activities in question, and the author works them into a fun adventure or creative mystery.  Mysteries contains two of these stories.  The main one, Death by Fugu, focuses on the preparation of fugu, the meat of the poisonous pufferfish.  This story contains an excellent description of what fugu is and the preparation required to eat it.  Death by Fugu is a powerful and tragic tale that prominently uses the art of fugu in its mystery, and definitely one of this volume’s standout stories.  The other entry, The Body in the Library, takes a brief look at the examination and trade of western medicines in Japan.  While this is not examined in as much detail, it is a fascinating to see what impact western medicines could have in feudal Japan and to see it used as a motive for a series of murders.

Usagi Photo 4.jpg

Once again Stan Sakai has produced a powerful and fantastic new volume of his iconic Usagi Yojimbo series.  Fans of this series can look forward to seeing Sakai’s iconic art style and detailed cultural insights that are a love letter to Japan and its fascinating history and society.  Mysteries contains a range of outstanding new stories, and readers will enjoy unwrapping their mysteries with Usagi and the fan favourite Inspector Ishida.  I wish I didn’t have to wait a whole year for the next volume of this amazing series.

My Rating:

Five Stars