Tag: Action Packed

King Sorrow by Joe Hill

On By The Unseen LibraryIn Fantasy, Five-Star Books, Horror, Thriller1 Comment

Publisher: Headline (Trade Paperback – 21 October 2025)

Series: Standalone 

Length: 881 pages

My Rating: 5 out of 5 stars

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One of the more unique and addictive novels I’ve had the great pleasure of reading in recent months has to be the exceptional horror read, King Sorrow, by the very impressive Joe Hill.

Joe Hill is an author who is well known for his creative and over-the-top narratives, especially with his very interesting contributions to the horror genre.  The son of the legendary Stephen King, Hill has followed in the family footsteps with some amazing releases, including several standalone novels like Horns, Heart-Shaped Box and NOS4A2, a huge array of short stories (including The Black Phone), and even some comics (Locke & Key being the obvious candidate).  Several of these publications have been turned into film and television adaptations over the years, and I have been keen to read something from Hill for a while.  As such, when I saw the compelling narrative of Hill’s new book, the massive King Sorrow, I knew I had to check it out, and boy was I glad that I did.

Plot Synopsis:

Bookish dreamer Arthur Oakes is a student at Rackham College, Maine, renowned for its frosty winters and beautiful buildings.

But his idyll – and burgeoning romance with Gwen Underfoot – is shattered when local drug dealers force him into a terrible crime: stealing rare and valuable books from the exceptional college library.

Trapped and desperate, Arthur turns to his closest friends for help: the wealthy, irrepressible Colin Wren; brave, beautiful Allison Shiner; the battling twins Donna and Donovan McBride; and brainy, bold Gwen. Together they dream up an impossible, fantastical scheme that they scarcely imagine will work: to summon the fabled dragon King Sorrow to kill those tormenting Arthur.

But the six stumble backwards into a deadly bargain – they soon learn they must choose a new sacrifice for King Sorrow each year or one of them will become his next victim. Unleashing consequences they can neither predict nor control, this promise will, over the course of four decades, shape and endanger their lives in ways they could never expect.

King Sorrow was a truly outstanding read from Hill that had me hooked from the very beginning, all the way to its heartfelt and complex end.  A wonderfully powerful read filled with great characters and dark moments, King Sorrow was an exceptional horror epic that proves near impossible to put down.  King Sorrow was one of my favourite books of 2025, and I cannot recommend it enough.

I really loved the elaborate narrative of King Sorrow, which I can tell Hill put an awful lot of care and thought into.  Told initially from the perspective of Arthur Oaks, a young scholar at Rackham College (in Maine, naturally) who is forced to steal rare books from the school’s library for local drug dealers with the ability to hurt his mother in prison.  When his secret becomes known to his friends, an eclectic mixture of fellow students at the college, they agree to help him with his troubles.  However, this help gets out of hand when, after a night of drinking, the group decides to use an infamous occult tome to summon a fabled dragon, King Sorrow, to kill those tormenting Arthur.  But to the group’s horror, this is no one-time occurrence, as King Sorrow decrees that the bargain they struck entitles him to a new soul each year.  This was a pretty awesome first part of King Sorrow, which, while long, was a very impactful introduction to the larger story and perfectly set up the chaotic events and dark bargains to come.

After this first part, King Sorrow’s story evolves into a more long-term storyline, skipping ahead years with each new part and focusing on the various main characters and how they are dealing with the Faustian bargain they have struck.  After deciding to live with King Sorrow and his desires, the group have primarily decided to use the dragon to punish the worst of humanity around the world, by setting him on murderers and terrorists.  However, thanks to the entertaining machinations of King Sorrow, many of these kills have unexpected consequences, forcing the protagonists to react in different ways, and bringing new characters into the group’s orbit.  Highlights include a particularly intense extended sequences, where two members of the group try to save a passenger jet containing one of their intended targets, which King Sorrow wants to burn as collateral.  Another harrowing part of the book sees twin protagonists Donna and Donovan McBride kidnapped and held hostage by a government organisation with knowledge of their actions, a course of action that goes well for nobody.  At the same time, Hill throws in some fascinating interludes that provide greater depth for some of the book’s more interesting characters, while also providing glimpses at a long-term threat that is coming for the main cast.

The author effectively keeps up the drama much of King Sorrow’s plot, and you are constantly on the edge of your seat as you attempt to guess where the story will go next.  However, even I was really thrown by the great antagonistic curveball that Hill threw in about three-quarters into King Sorrow, that really adds in some substantial drama and provides some fascinating revelations about previous adventures in the plot.  With one of the protagonists brilliantly taking on a far more villainous role, the surviving characters are constantly thrown through a loop as they attempt to find a way to end their bargain.  However, nothing goes the way anyone anticipates, with tragedy, more betrayals and dark moments consuming the entire cast.  Everything leads up to an excellent full-circle confrontation with the beast that shaped all of them, with some heartwarming final encounters and resolutions to the plot.  Hill wraps everything up perfectly, and you come away from King Sorrow extremely satisfied, especially after getting so wrapped up in the author’s elaborate, character-driven plot.

I must admit that before I read King Sorrow, I didn’t know quite what to expect from Joe Hill as a writer.  However, his style really resonated with me, and I ended up being quite blown away with the elaborate nature of this book when I got the chance to read it.  Set up as a complex character-focused book with a layered narrative, King Sorrow was a particularly powerful epic that covered decades of several brilliant characters.  Featuring an exceptional use of multiple character perspectives and interludes, King Sorrow was a cleverly and intricately written story that examined so many points of human nature and compelling character development throughout its near 900-page run.  Despite its length (it’s one of the longer physical books I’ve ever read), there was never a second that I was bored with King Sorrow, and I honestly powered through it in a relatively short amount of time.

Much of this addictive edge is because Hill effortlessly blended a great mixture of genres into this plot, with horror, fantasy and thriller elements all working well together.  Setting a terrifying and vengeful dragon spirit against the worst of humanity makes for some interesting contrasts, and I rather enjoyed seeing how normal criminals and even intelligence organisations would react to a magical dragon occasionally terrifying the world.  There are also some entertaining historical elements to King Sorrow, as the author cleverly ties the plot of this book into certain real-world events, with the actions of the protagonists often leading to some major tragedies.  I really enjoyed the unique feel that this gave the book, especially when combined with the certain gothic edge of the more supernatural scenes, especially the multiple varied depictions of the crazy occult ceremony that first summoned King Sorrow.  Hill maintains these elements for the entirety of the book, and I have a lot of appreciation, for the elaborate way he tied his cast together with tragedy and bad decision.  The result was an incredibly well written novel from Hill, who emulated aspects of his father’s style while also providing his own distinctive feel.

Another outstanding highlight of King Sorrow that I must mention are the incredible and complex characters loaded into the plot.  This includes its six main characters, whose inadvertent summoning of King Sorrow sets the dark events of the book in motion.  While I don’t want to go into too much detail about these characters to avoid spoilers, I will say that Hill does an amazing job introducing and exploring their experiences throughout the course of the novel, and you really get caught up in their specific arcs as a result.  Hill really dives into the dark choices surrounding their deadly bargain, and I found it fascinating to see how the impact of their decisions hit each of them differently, with each reacting in a fantastic manner.  There is some real tragedy involved with these characters, and you really fall in love with most of them (with one or two exceptions), even if it hurts to do so.

The character I will go into a little more detail about is the titular dragon, King Sorrow.  A malevolent, supernatural figure, King Sorrow is a haunting presence in the novel, stalking both the protagonists and their victims and revelling in their fear.  Thanks to his vindictive and manipulative nature, King Sorrow proves to be one of the more entertaining figures in this novel, and I loved the multitude of ways he messed with the protagonists, especially when it forces them to make hard decisions.  I really loved the various scenes King Sorrow was in, and he matched the main cast so perfectly, especially as he slowly brought out the worst in several of them.  Throw in an array of intriguing side characters, including several criminals whose actions haunt the group for decades, and the cast of King Sorrow was something special, especially once you get drawn into this novel’s outstanding narrative.

With a truly remarkable story, some amazing characters, and a brilliant writing style that sets him apart from other authors, Joe Hill’s latest novel, King Sorrow, was truly impressive and an exceptional novel to check out.  A sprawling epic with so many complex layers to it, King Sorrow was so damn addictive, and I still cannot believe how quickly I powered through it.  A highly recommended read that lives up to all the hype surrounding it, King Sorrow was Joe Hill at his finest, and I cannot wait to see what he writes next.

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Warhammer 40,000: Renegades: Harrowmaster by Mike Brooks

On By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Tie-in Novel, WarhammerLeave a comment

Publisher: Black Library (Audiobook – 29 October 2022)

Series: Warhammer 40,000: Renegades – Book 1 

Length: 11 hours

My Rating: 5 out of 5 stars

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One of the leading authors of Warhammer 40,000 fiction, the highly entertaining Mike Brooks, dives into the minds of humanity’s most complex traitors with the outstanding and particularly gripping novel, Renegades: Harrowmaster.

Mike Brooks is an author who I have really grown to appreciate in recent years thanks to his ability to pull together complex and highly addictive Warhammer 40,000 narratives from across the expansive franchise.  Brooks’s great contributions to Warhammer 40,000 fiction include some deep dives into several iconic characters, such as Huron Blackheart: Master of the Maelstrom, Lelith Hesperax: Queen of Knives and The Lion: Son of the Forest, as well as his absolutely hilarious ork focused novels with Warboss, Brutal Kunnin and Da Big Dakka, as well as his short story contributions to Da Red Gobbo Collection.  All these amazing novels were quite exceptional reads, and it has really made me appreciate Brooks’s ability to dive into the entire Warhammer universe and bring its various characters and factions to life.  As such, when in the mood for more Warhammer 40,000 fiction, it was a very easy choice to check out his 2023 release, Harrowmaster, which has been on my to-read list for a while.  The first book in the Renegades sub-series that focuses on traitor Space Marines, Harrowmaster proved to be an epic and noteworthy first entry in this series, especially as Brooks choice to focus on the deeply intriguing Alpha Legion.

In the far future of the 41st millennium, there are many renegades and traitors assaulting the faltering Imperium of Man, but few are as dangerous or as insidious as the notorious traitor Space Marines of the Alpha Legion.  Masters of deceit, espionage and achieving victory through alternate tactics, the Alpha Legion have long haunted humanity with their spies and schemes.  But despite all their careful planning, even the Alpha Legion are unprepared when a new dangerous enemy is thrown against them.

Attempting to exploit the chaos caused by the opening of the Great Rift, the Alpha Legion warband known as The Serpent’s Teeth are the first of their legion to encounter Primaris Marines, a new breed of Space Marines that have been enhanced into something far more dangerous than anything the renegades have encountered before.  Now forced to contend with even more deadly threats from the hated Imperium, the members of the Alpha Legion gather to decide whether to hide from this new enemy or adapt to face it.

Into this uncertainty enters Solomon Akurra, the new leader of the Serpent’s Teeth.  Determined to lead a decisive war against the Imperium, Solomon claims the title of Harrowmaster and works to bind the various Alpha Legion bands to his cause.  Through deceit, lies and superior tactics, Solomon soon leads his men to victory, but that is only the start of the war to come.  With shadowy forces from the Imperium hunting him, and his own allies waiting to see if he fails, can Solomon survive all his enemies, as well as the hidden blades at his neck, to achieve his goal?  Only the most adaptable can become Harrowmaster, and the galaxy is unprepared for the carnage to come.

Harrowmaster was an exceptional Warhammer 40,000 novel from Brooks, and it is one that I wish I had read a lot sooner.  Perfectly blending action and intrigue with a fascinating dive into one of the franchise’s most notorious factions, Harrowmaster was a deeply impressive read that I couldn’t turn away from.  A very easy five-star read, this is one of my new favourites from Brooks due to its complex story and great characters.

I loved the very fun and captivating narrative that Brooks came up with for Harrowmaster, especially as it featured a lot of awesome moving parts that really came together perfectly.  Starting off with an excellent introduction that showcases the Alpha Legion’s tactics of manipulation, the villainous protagonists soon encounter a deadly new threat that forces them onto the backfoot.  From there the story takes on a bit of a lore-heavy focus, with Solomon Akurra, gathering different Alpha Legion factions and manipulating them into a single host.  This interesting focus on the Alpha Legion in this part of the book is well balanced by the appearance of a fun Inquisitor character, Kayzen Hart, who serves as an alternate protagonist for the plot, providing some excellent additional intrigue.

Following some great action sequences, the plot evolves into a complex game of cat and mouse, with the various characters trying gain advantage and achieve their varied goals.  For Solomon Akurra, this involves moulding his forces together into an effective and cohesive force, while using his Legion’s talents for deception and infiltration to their advantage.  At the same time, Inquisitor Hart finds himself not only trying to capture Solomon but also locked in a deadly battle of wits against a rival inquisitor.  The central plotlines of Harrowmaster cleverly force these two characters into greater danger, with both Solomon and Hart losing everything and being forced into some truly desperate action to get what they want.  This leads up to a great big confrontation sequence towards the end of the novel, which wraps up a lot of ongoing storylines.  There are some great twists here, including one that was particularly clever, and it was so much fun seeing it unfold.  Everything comes together very nicely, with some fitting final scenes that really highlight the underlying betrayals and battles of intrigue that categorised this novel.  Brooks ended this novel on a fun note that hints of more chaotic adventures to come.

Harrowmaster proved to be another exceptional read from Brooks, who honestly has one of the most readable and entertaining writing styles of all the current Warhammer 40,000 writers.  Presenting an intricate action narrative that expertly blends interesting character stories with some compelling dives into Warhammer lore, Harrowmaster will appeal to a wide range of readers.  Brooks does an excellent job breaking the story down across several interesting characters, which allows the reader to see various parts of the overarching and multilayered narrative.  I personally loved the combination of Alpha Legion action and deception that went alongside the inquisitor focussed shenanigans of Kayzen Hart’s storyline, and the high level on intrigue and alternating moves from the participants was a lot of fun.  Throw in some over-the-top action sequences which have an excellent flow to them, and Harrowmaster had a lot to recommend it, especially as it was easy to get caught up in the story.

One of the things I liked most about Harrowmaster was the way in which Brooks ensured it was open to new readers unfamiliar with the franchise, while also providing interesting details for Warhammer 40,000 fans.  The author ensures there is plenty of context and information for new readers to get involved in this universe, enough so that Harrowmaster would be a good introductory novel for new readers.  At the same time, Brooks also features a nuanced and layered look at the always awesome Alpha Legion, which established Warhammer readers will appreciate.  I personally enjoyed how cleverly Brooks dove into the disparate nature of the Alpha Legion, including their various philosophies and different way of interacting with the Imperium.  The focus on how they fight war through infiltration, deceit and spies was particularly awesome, and it was fascinating to see how they adapt and react to new threats, such as encountering Primaris Space Marines for the first time.  At the same time, Brooks also has fun showcasing other unique parts of the Warhammer universe here, such as the internally warring Inquisitors, who always make for entertaining narratives.  As such, I would honestly recommend Harrowmaster to readers of various experiences with Warhammer fiction, with everyone guaranteed to have an amazing time with this clever read.

I must also take this time to highlight some of the excellent characters contained within Harrowmaster, with Brooks focusing his narrative on some interesting figures.  This naturally includes the main character, Solomon Akurra, a veteran Alpha Legion member who seeks the title of Harrowmaster.  A clever and ambitious figure, Solomon proves to be an entertaining character to follow, with his schemes and plans allowing for some excellent story moments.  Despite being a member of an apparently villainous faction (very hard to judge with the Alpha Legion), Solomon proves to be an extremely likeable character, and you get really invested in seeing him succeed, even if his plans are quite destructive.  I felt a lot of Solomon’s likeability came from the entertaining friendship he had with his human sorceress comrade Tulaava Dyne.  A particularly sassy and dangerous figure in her own right, Tulaava served as a good foil to the more serious Solomon, and their partnership was a fantastic centre for Harrowmaster’s plot, especially when considering the unlikely loyalty that sprung up between them.

The other awesome main character for Harrowmaster was Inquisitor Kayzen Hart, whose obsession with hunting down the Alpha Legion, especially Solomon, resulted in some of the more compelling storylines of the entire book.  A radical Inquisitor, Kayzen attempts to understand and use his own target’s methods against them more much of the book, which has mixed results as he engages in a system-wide battle of wits against Solomon.  However, Kayzen’s methods put him at odds with his fellow Inquisitor Nessa Karnis, an old comrade who is just as obsessed with defeating the Alpha Legion.  However, the conflict between Kayzen’s radical methods and Nessa’s puritanical philosophies sees them fighting each other, and I loved how their conflict matched the infighting amongst the Alpha Legion.  Throw in a fantastic array of other over-the-top Alpha Legion members, each with different specialities and beliefs that Solomon is forced to manipulate, as well as the steadfast loyalist Space Marines of the Silver Templars, whose attempts to outthink the Alpha Legion lead to some of the book’s more exciting moments, and I have a lot of love for the characters in Harrowmaster, especially as Brooks weaves some intense and impressive storylines around them.

Unsurprisingly, I decided to check out Harrowmaster on audiobook, which is my go-to format for all things Warhammer due to how much more awesome the over-the-top stories become when read out loud.  This was the case with Harrowmaster, as its elaborate narrative of intrigue and action really came to life when read out, allowing me to absolutely power through its 11-hour long runtime.  A lot of this is due to the outstanding voice work of narrator Theo Solomon, whose work I preciously enjoyed in Leviathan by Darius Hinks.  Solomon perfectly captured the various characters contained within Harrowmaster with his narration, especially the main character Solomon Akurra, with the fitting voice for this protagonist forming the basis for much of the audiobook.  The rest of the cast was also voiced extremely well by Solomon, and I loved the fun array of voices that went to the complex and often outrageous cast, with some excellent choices for the crazed Chaos Space Marines, as well as the feuding inquisitors.  I honestly had such a great time listening to the Harrowmaster audiobook, and it is easily the best way to enjoy this incredible read.

Mike Brooks continues to showcase why he is one of the best current authors of Warhammer 40,000 fiction with his fantastic Renegades novel, Harrowmaster.  An exceptional read that perfectly showcases the iconic Alpha Legion, while also telling its own outrageous story of deceit, intrigue and chaotic action, Harrowmaster was so damn good, especially on audiobook.  I honestly cannot recommend Harrowmaster enough, and I am actually reading the recently released sequel to it, Ghost Legion, at this very moment.

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Tyrant of Rome by Simon Scarrow

On By The Unseen LibraryIn Historical Fiction1 Comment

Publisher: Headline (Trade Paperback – 11 November 2025)

Series: Eagles of the Empire – Book 24 

Length: 403 pages

My Rating: 4.5 out of 5 stars

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Prepare for more Roman era carnage as the always impressive Simon Scarrow continues his long-running Eagles of the Empire series with the epic and intriguing novel, Tyrant of Rome.

Long-time readers of this blog will know that I am a major fan of the exceptional Simon Scarrow, who is one of the top current authors of historical fiction, having written an outstanding array of historical novels over the years.  I have had a blast with many of Scarrow’s works, including his Berlin Wartime Thriller series (see my reviews for Blackout, Dead of Night and A Death in Berlin).  However, his main body of work remains his Eagles of the Empire series.  One of the premier Roman historical fiction series, Eagles of the Empire follows two elite Roman officers as they fight their way across multiple wars, provinces and battlefields.  I have been a fan of this series from the beginning, and the books within it have been a key part of my yearly review schedule, including The Blood of Rome, Traitors of Rome, The Emperor’s Exile, The Honour of Rome, Death to the Emperor, Rebellion and Revenge of Rome.  As such, the latest book in the series, Tyrant of Rome, has been a highly anticipated read for me, and I have been very keen to get my hands on it.  The 24th novel in the series, Tyrant of Rome, sees the protagonists forced to face a far more dangerous force than the recent rebellion of Boudica, politics and the howling mob of Rome.

Plot Synopsis:

AD 63. Under the reckless and tumultuous leadership of Emperor Nero, Rome is descending into near-anarchy and conspiracy. The brutal execution of 400 slaves has led to rioting and discontent. Only the strongest soldier could maintain control. And so Nero turns to Prefect Cato to help save his reign from collapse.

Cato has been lying low after a heroic campaign to quash the Boudica uprising. Now he is called upon to serve again. As the new Prefect of the Urban Cohorts in Rome, Cato needs a loyal and proven officer by his side. Centurion Macro is willing to step up.

War and rebellion hold few fears for these seasoned veterans. But the politics and intrigue of Rome make every day as perilous as the battlefield. And the fate of both men, and of the empire, lie in the hands of the most volatile emperor of the age. Death awaits anyone who dares to defy Nero.

Cato and Macro will need to call on all their experience, native cunning and bottomless courage to survive in this epic new adventure of Roman military heroism.

Tyrant of Rome was another incredible read from Scarrow, who presents another fun and deeply exciting historical tale, this time loaded with intrigue, schemes and some fascinating insights into ancient Roman society.  An outstanding continuation of one of my favourite series, I powered through Tyrant of Rome in no time at all, while also deeply appreciating its narrative differences from the typical Eagle of the Empire novel.

Scarrow provides a very interesting narrative that partially takes the reader away from the Roman battlefield fans of the series are familiar with.  Once again following the duo of Cato and Macro, this novel sees them secretly returned to Rome after surviving Boudica’s rebellion, attempting to avoid the attention of Nero.  However, when the emperor discovers that he is back, Cato is once again forced to report for duty to keep his secrets hidden.  Unexpectedly assigned to lead Rome’s Urban Cohorts, Cato attempts to impose his military order onto the corrupt and lax soldiers of Rome’s primary defence and urban control regiment.  However, Cato’s appointment couldn’t come at a worse time, as Rome is in uproar over Nero’s recent decision to execute hundreds of innocent slaves.  At the same time, Cato finds himself trapped at the whims of an increasingly unstable Nero and the dangerous people attempting to control the emperor for their own gain.  Desperate for help, Cato calls Macro out of retirement and sets him up as the Urban Cohort’s new drill sergeant and Cato’s backup against its corrupt officers.

Scarrow quickly sets much of the above scene early on in Tyrant of Rome, and the resulting mixture of the protagonist’s usual martial activity is nicely balanced by their personal concerns, and their immersion in the deteriorating politics of Rome.  As the protagonists attempt to navigate the city through several deadly events, Cato also finds himself caught up in the middle of a dark conspiracy to unseat Nero.  Caught between these conspirators and those manipulating Nero, Cato is forced to choose a side, especially when the city explodes into mob violence focused on the palace.  This results in an intense and extended battle sequence leading up to the finale of Tyrant of Rome, as the protagonists attempt to survive against deadly odds.  This awesome battle serves to bring together several of the ongoing storylines in Tyrant of Rome, with the big dark conspiracy of the novel resulting in additional carnage.  This leads to an interesting, if not surprising, conclusion, as the protagonists get their typical rewards, and Scarrow sets the board for more adventures to come for this long-running duo.

I felt that this latest outing from Scarrow was a strong entry in the Eagles of the Empire series, which played up its focus on politics, intrigue and notable historical events.  One of the few novels of this series set in Rome, Tyrant of Rome really dove into the chaotic reign of Nero, as well as some of the key figures behind the throne, and it was fascinating to see the soldier protagonists attempting to survive amid the resulting backstabbing and manipulations of an unstable emperor.  This is one of the more historically rich novels in this series, and Scarrow throws in some intriguing depictions of significant moments of Roman history, such as the Great Fire of Rome, and I really enjoyed his take on these events, as well as how the protagonists were inserted into them.  There were also some excellent depictions of a range of major historical figures, including Nero and other prominent Romans during this reign.  Scarrow has a lot of fun portraying Nero’s rule, as well as the role that several of these other figures, such as his wife and the heads of the Praetorian Guard, had during this turbulent period.  This focus on history helped to up the dramatic stakes of the plot, and it, alongside the well-written political intrigue and plotting, worked well with the more typical storyline of Cato and Macro whipping Roman soldiers into shape and leading them into battle.

While Tyrant of Rome is the 24th entry in a long-running series, Scarrow has long ensured that his Eagles of the Empire novels are mostly standalone in nature, with only a few requiring readers to check out earlier entries.  Tyrant of Rome in particular works well as an independent read, as it comes just after Scarrow wrapped up a major multi-book arc, and starts setting the series in a new direction in the later years of Nero’s reign and the lead-up to the Year of the Four Emperors.  As such, it’s easy to drop into the series here, especially as Scarrow provides excellent recaps of the protagonist’s relationships and past adventures.  Thanks to the author’s open writing style, readers with varying knowledge of either history, or the events of the previous Eagles of the Empire books, can easily read and appreciate the cool adventures and intrigues of the characters, although established fans are naturally going to get the most out of seeing Cato and Macro in action again.

Scarrow makes sure to treat these ongoing readers with some interesting movement on the series’ overarching narrative, especially as it starts to establish the protagonists as players in the oncoming civil wars, and you also get to see how these characters continue to develop after all these years.  The weariness around Cato and Macro after their multiple adventures, including their last harrowing stint in Britannia, is well showcased by Scarrow.  I particularly enjoyed seeing a far more cynical Cato as he attempted to navigate the politics of Rome, and it certainly was a far cry from the more innocent figure we saw at the start of the series.  I personally enjoyed seeing the return of a key figure from Cato and Macro’s past, the future emperor Vespasian, and the complex interactions he had with Cato, were very enlightening.

Simon Scarrow continues to showcase why he is one of the very best modern authors of Roman historical fiction with the latest Eagles of the Empire novel, Tyrant of Rome.  Combining captivating historical political intrigue with Scarrow’s typically impressive depiction of the Roman military, Tyrant of Rome was a distinctive and powerful entry in this long-running series, that comes very highly recommended.  An epic and action-packed read, I honestly couldn’t get enough of Tyrant of Rome, and I really cannot wait to see how Scarrow continues this series going forward, especially as we have a new entry, The Sword of Rome, set for release later this year.

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Warhammer 40,000: The Greater Good by Sandy Mitchell

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, WarhammerLeave a comment

Publisher: Black Library (Audiobook – 1 January 2013)

Series: Ciaphas Cain – Book Nine

Length: 9 hours and 50 minutes

My Rating: 4.5 out of 5 stars

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Continue to follow the legendary and complex Commissar Ciaphas Cain into death and danger, with another amazing book in Sandy Mitchell’s awesome Warhammer 40,000 series, The Greater Good.

After recently reviewing the eighth book in Sandy Mitchell’s iconic Ciaphas Cain series, The Last Ditch, I just had to continue following the fun adventures of the Imperium’s most charismatic yet cowardly commissar, Ciaphas Cain.  As such, the moment I finished The Last Ditch, I immediately read the ninth book in the series, The Greater Good, which had a very interesting scenario behind it that builds on several previous storylines from the series.

Commissar Ciaphas Cain, legendary hero of the Imperium of Man and self-declared fraud, is once again thrust into mortal danger when he is assigned to bolster the defences of the human planet of Quadravidia, against the high-tech attacks of the Tau.  Amid the expected brutal fighting against the advanced aliens, Cain is surprised when the Tau not only recognise him amongst the fighting but also single him out to request an unexpected ceasefire right on the cusp of a Tau victory.

Expecting the worst from this unlikely turn of events, Cain is unsurprised when the Tau reveal that an even greater threat is moving towards the sector, a hive fleet of Tyranids.  With neither side capable of fighting both each other and the ravenous Tyranids, the Imperium and the Tau agree to an uneasy truce, with both sides agreeing to coordinate their offensive against the incoming hive fleet.

Accompanied by a Tau ambassador, Cain, his trusty aid Jurgen, and the Imperial fleet journey to the vital Forge World of Fecundia, a potential target for the incoming Tyranids.  Using Fecundia as a base of operations, the Imperium are hopeful the Tyrands will focus their attack on the Tau controlled planets.  However, the chances of Cain remaining out of the fight are always slim, and the commissar soon discovers the existence of a secret facility hidden on the planet, one guaranteed to draw the Tyranids to Fecundia.

Caught between an invading fleet of ravening aliens, and the troubled politics of Fecundia, Cain must rally the defenders for another deadly battle.  However, the secrets lurking within the hidden facility look set to doom them all, and Cain must discover just how far the rot goes in Fecundia, before the entire world is devoured.

The Greater Good was another excellent and highly entertaining Warhammer 40,000 novel from Sandy Mitchell that combines excellent and action-packed storytelling, with a fantastic and humorous protagonist.  Featuring an outstanding story, The Greater Good was a ton of fun from start to finish, and it served as an amazing continuation of one of the best Warhammer 40,000 series out there.

I quite enjoyed the plot of The Greater Good, although it did go in some different directions to what I was expecting.  From the cover and the official plot synopsis, I assumed this novel was going to feature humans and Tau fighting side by side on the initial planet the book is set, after temporarily setting aside their differences.  Instead, the plot is primarily set on a secondary planet of Fecundia, with the only Tau being a controversial ambassador providing some interesting alternative insights.  While this was still a fun and exciting narrative, it did run the risk of being a bit too similar to some of the previous Ciaphas Cain novels that focused on Tyranid invasions.

I felt that Mitchell compensated well for this change in direction, by drawing together an interesting read about infiltration, isolated battles and the Imperium’s research in the Tyranids as they attempt to find ways to defeat them.  Revisiting key story elements from the previous two Ciaphas Cain novels, the protagonist soon finds himself trapped amid a series of controversial and dangerous experiments that begin to attract the Tyranid hive fleet.  After a series of exciting set pieces, including a great extended sequence with the protagonist trapped in an alien filled desert, you reach the final third of the book which primarily takes place in the secret research centre.  Unsurprisingly, things go wrong, and Cain and Jurgen are forced into a seemingly hopeless situation as they fight enemies on all sides.  There were some good twists here, especially around potential betrayals, and while the culprit is easy to predict, there is an excellent amount of uncertainty and red herrings to keep you guessing.  The entire story comes together in an awesome way, filled with Mitchell’s usual excellent fight sequences and humour, and this proved to be a compelling and satisfying addition to the larger series.

Long-term fans of this Warhammer 40,000 series will know that Mitchell has a set format for the Ciaphas Cain books that blends clever character-driven humour with the usual grim action and lore of the universe.  This was also the case for The Greater Good, which features the usual chronicle style told from the protagonist’s perspective, bolstered by funny external commentary from a fictional editor, who also adds in some entertaining in-universe texts for some additional context.  While this style and certain narrative elements are very familiar, especially if you read a few of these books in a row, The Greater Good was still an awesome novel, and Mitchell did make it stand out by adding in some intrigue with Tyranid infiltrators, as well as some curious looks at diplomacy between the Imperium and the Tau.  I quite enjoyed seeing the conflicts that emerged between the various factions of this impromptu alliance, especially as Cain and the Imperial Guard had more issues with their Adeptus Mechanicus and Space Marine allies than the Tau.  Add to that Mitchell’s usually impressive humour and wonderful action set pieces, and The Greater Good was an overall outstanding novel that I quickly powered through.

While most of the Ciaphas Cain books work well as standalone reads that are very accessible to new readers, The Greater Good stood out as it had more of a connection to the previous entries in the series.  There were a lot of heavy references to the events of For the Emperor, The Emperor’s Finest and The Last Ditch, with key plot elements and some returning characters coming into the play during The Greater Good’s narrative.  As someone who enjoyed all the previous books, it was nice to see the consequences and aftermath of these prior adventures be utilised in this entry’s plot, and I think that long-term fans will really appreciate it.  These references also helped to dispel some of the usual issues this series has with reusing descriptions and thoughts from the previous books.  While much of the plot is geared towards established fans, new readers can still easily follow The Greater Good’s plot without too much issue, as Mitchell does an excellent job of recapping these previous adventures.  As such, The Greater Good proves to be an amazing overall entry in the Ciaphas Cain series, especially as it remains accessible and enjoyable to readers of varying experiences.

As always, I must give a shoutout to the outstanding cast of this novel, especially as there is an interesting array of unique characters contained within.  This includes a great mix of familiar and new characters, with much of the action focused on the titular Commissar Ciaphas Cain, who remains the usual complex rogue we’re so familiar with.  It is always fun to see Cain struggle with his imposter syndrome and supposed cowardice, and Mitchell ensures that the protagonist is the main source of the book’s humour thanks to his self-centred narration and hilarious insights into the usual grimdark universe.  Cain’s aide Jurgen remains an excellent source of additional entertainment, while Inquisitor Amberly Vail is once again perfect as the overarching editor of the story, providing her sarcastic insights and corrections to Cain’s actions and conclusions.  Throw in a captivating combination of new or minor characters, including a frustrated general, a calculating Tau ambassador, some returning Space Marines and a cunning Tech Priest with her own agenda, and the cast of The Greater Good is exceptional and drives the story into some fascinating places.

After hyping up the audiobook versions of all the previous Ciaphas Cain entries, I doubt anyone will be too surprised that I decided to check out The Greater Good on this format.  All Warhammer 40,000 novels are damn awesome on audiobook, and The Greater Good is a particularly epic example of this.  Coming in with a runtime just short of 10 hours, The Greater Good audiobook is an amazing listen that is easy to get addicted to, especially as the excellent use of several outstanding narrators really helps to enhance and highlight Mitchell’s unique writing style.

The Greater Good audiobook features an impressive six separate narrators, all of whom will be quite well known by Warhammer audiobook enthusiasts.  As with the rest of the series, most of the work is done by returning narrators Stephen Perring and Penelope Rawlins, both of whom have a key role in this production.  Perring serves as the entertaining and flippant voice of Cain as he recounts this adventure in his own words, while Rawlins is the voice of Inquisitor Vail as she provides her editorial notes throughout the plot and introduces other intermissions.  These two have long proven themselves to be perfect main narrators for the Ciaphas Cain books, and they fulfilled their roles in The Greater Good extremely well, full grasping the complexity of their respective characters.  The other four narrators for this audiobook, Matthew Hunt, Andrew James Spooner, John Banks and Tara Rawson, have minor but entertaining roles in this audiobook, providing voices for the various in-universe history texts and other books/messages that appear at various parts of the book, which allows for some additional comedy.  This mixed narration comes together extremely well throughout the entirety of The Greater Good, resulting in a particularly epic listen.  As such, I would once again recommend that potential readers of this Ciaphas Cain novel check out the audiobook version, as there is frankly no better way to enjoy The Greater Good.

With yet another clever, exciting and hilarious take on the epic Warhammer 40,000 universe, the ninth Ciaphas Cain novel, The Greater Good, was an outstanding addition to the series that I had a wonderful time listening to.  Utilising his tried and tested writing style, Sandy Mitchell produces another compelling and entertaining read that proves to be highly addictive and a lot of fun to get through.  I really enjoyed this excellent entry in the Ciaphas Cain series, and I am hoping to finish off this series by the end of the year.

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Warhammer 40,000: The Last Ditch by Sandy Mitchell

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer1 Comment

Publisher: Black Library (Audiobook – 1 February 2012)

Series: Ciaphas Cain – Book Eight

Length: 9 hours and 29 minutes

My Rating: 4.75 out of 5 stars

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The mighty hero of the Imperium returns for another rip-roaring and highly entertaining Warhammer 40,000 adventure, with The Last Ditch by Sandy Mitchell, a wonderful Ciaphas Cain novel that proves exceptionally hard to put down.

I have been in a real Warhammer 40,000 mood lately, so I decided to continue my exploration of the franchise by diving back into one of its best and most hilarious series with another Ciaphas Cain novel by Sandy Mitchell.  The Ciaphas Cain series are particularly awesome Warhammer 40,000 novels that follow the adventures of the legendary human hero Commissar Ciaphas Cain as he faces down the many horrors the grimdark Warhammer universe has to offer.  However, what sets the series apart from other series in the franchise is the fantastic tongue-in-cheek way in which the supposed hero of the series sees himself as a substantial coward concerned more with his own survival, and whose heroic exploits are down more to luck and chance.  This results in a fantastic collection of books, each one of which throws the protagonist into danger despite his best efforts, often resulting in a series of hilarious and over-the-top adventures.  I have had an outstanding team reading the previous entries in the series, including For the Emperor, Caves of Ice, The Traitor’s Hand, Death or Glory, Duty Calls, Cain’s Last Stand and The Emperor’s Finest, and I have been eager to read the eighth novel in the series, The Last Ditch for some time.

Commissar Ciaphas Cain, famed hero of the Imperium of Man, is at the height of his legendary career, fighting back the many enemies of humanity despite his best attempts to stay out of battle.  However, despite his reputation usually landing him in the most challenging of conflicts, Cain’s next mission seems to be relatively straightforward.  Once again accompanied by the Valhallan 597th regiment of Imperial Guard, Cain is tasked with eradicating a simple ork infestation on the frozen planet of Nusquam Fundumentibus.  However, not even Cain’s most pessimistic musings of the future can prepare him for the horrors to come.

Travelling aboard a disreputable freighter, Cain and his soldiers are forced to make a deadly crashlanding on Nusquam Fundumentibus, right into the middle of an ork horde.  Engaged in a desperate fight for their lives against the greenskins, the Imperial Guard are blind to other threats hiding on the planet, threats that are far more insidious than a group of rampaging orks.

As the conflict continues and several isolated communities on the planet start to go dark, Cain soon becomes aware that something apart from the orks are stalking the citizens of Nusquam Fundumentibus.  Something ancient and malevolent lies hidden beneath the ice of the planet, and the new war has finally woken them up.  Outnumbered and outmatched, the Imperial Guard need to pull a desperate and no doubt suicidal plan to survive.  Luckily, they have a bonified hero to lead the charge, even if he’d rather be anywhere else in the galaxy.

The always outstanding Ciaphas Cain series continues in impressive form, as Sandy Mitchell adds further depth to some of the more entertaining and gripping novels in the Warhammer 40,000 franchise.  Combining intense action with the protagonist’s unique insights into the grimdark Warhammer universe, The Last Ditch was a brilliant addition to the series that I couldn’t get enough of.

Mitchell once again came up with an outstanding narrative for The Last Ditch that grabs your attention early on and keeps you hooked to the very end.  I must admit that I was a little apprehensive about reading The Last Ditch, as it looked like Mitchell was going to rehash the similar ice-world story found in Caves of Ice.  However, this book has a very different narrative, while still maintaining all the familiar story elements that make this series to dependable to read.  Starting off on a different footing with a fun transport arc that ends in deadly tears, The Last Ditch has an explosive first third (literally), which provided a lot of initial drama and risk.

The Last Ditch’s story quickly dives into even more awesome action, as the protagonist is reluctantly forced into action against the orks, while other dangerous threats lurk beneath the surface.  I liked how Mitchell did a good job building up tension in advance of the reveal about the true antagonists of the novel, with the reader knowing that something worse was coming thanks to Cain’s prescient narration from the future, and the author used this time to expand on his new setting.  The eventual sequence revealing this enemy had a great horror vibe to it as Cain explored tight quarters underground, and it led naturally into an extended campaign.  The rest of the book is a good mixture of connected action scenes, as Cain and the other characters slowly work out just how desperate the situation is and attempt to take steps to address it.  This works well as an overarching narrative, and you really appreciate the scope of the situation and the protagonist’s continued accidental heroics as he tries to run away.

All this perfectly leads up to a final big sequence, where the desperate protagonists are forced into a particularly brutal fight with little hope of survival.  Unsurprisingly, this requires Cain to engage in another suicide mission, which leads to some of the best action scenes in the entire book.  This entire last section of The Last Ditch is a particularly awesome thrill ride which I powered through so very quickly to see how everything came to an end.  Readers come away very satisfied from The Last Ditch, which honestly was one of the stronger books in this cool series, and I really enjoyed how Mitchell continues to entertain with his amazing and entertaining Warhammer 40,000 premise.

Mitchell maintains pretty much the same writing style for The Last Ditch he has previously utilised in the other Ciaphas Cain books, which allows for a very impressive light read.  It is told primarily in a chronicle/journal format written by an older Cain, which recounts the events of this adventure through the narrow focus of the protagonist’s unreliable memory.  This allows for a fun and self-centred take on events that examines Cain’s reluctant action while also loading up the story with some entertaining humour that provides a great satirical look at the usually grimdark Warhammer 40,000 universe.  This main narrative of action, adventure and supposedly cowardly behaviour is cleverly interspersed with a range of entertaining footnotes, commentary and in-universe texts that have been provided by the account’s patient, if sarcastic, editor, Inquisitor Amberly Vail.  This combination of narrative elements not only cleverly provides readers with and informative and light-hearted look at events taking place outside of Cain’s selfish storytelling, but it also pumps up both the humour and the stakes of the plot, especially as you become aware of the planet-wide impacts of the central adventure.

As with all the books in the series, The Last Ditch does work well as a standalone novel that readers can enjoy without any previous knowledge of the other Ciaphas Cain books, or indeed the wider Warhammer 40,000 universe.  While this novel is set in the middle of Cain’s personal chronology and makes mentions of several previous adventures, readers should have no trouble following along, with the point of these references made clear quickly through the writing and context.  Established fans of the series will also have a lot of fun with this book, especially as Mitchell continues Cain’s adventures with the Valhallan 597th, and there are a lot of entertaining familiar beats with this newer entry.  Like many of the previous books, The Last Ditch does have some repetition issues, with Mitchell reusing a lot of basic story ideas and phrases in Cain and Vail’s descriptions that returning readers will notice.  However, I felt that this entry was distinctive enough, especially with a more horror vibe to it, that any readers can come in and easily enjoy it.  This allows The Last Ditch to remain an awesome addition to the overall series, and it’s one I personally had an outstanding time getting through.

I also must once again highlight some of the great character work in this novel, especially when it comes to the main character of Commissar Ciaphas Cain.  A complex figure and self-professed coward, Cain spends most of the book trying to come up with ways to avoid combat and survive the inevitable danger his reputation and own bad lack force him to participate in.  With a very cynical and self-deprecating writing style, Mitchell always tries to emulate classic, comedic and craven military figures like Flashman or Blackadder with his depictions of Cain.  However, despite the protagonist’s best efforts to showcase himself as a dishonourable coward, his resultant heroic actions and Inquisitor Vail’s notes help to show the reader that his is somewhat lying to both us and himself, as he continues to be an inspirational figure.  This allows for quite a complex and relatively light-hearted read, as you are constantly wondering just how honest the protagonist is being with his observations and descriptions of his actions.  This all blends well with Cain’s witty and sarcastic humour, which lightly lampoons the usually serious Warhammer 40,000 universe and ensures that you are constantly entertained as you follow Commissar Cain into danger once again.

The rest of the cast of this novel are also a ton of fun, especially as many fan favourite characters from the previous novels are well utilised here.  This includes Cain’s faithful aide, Jurgen, who continues to toe the line between gormless soldier and ultra-effective sidekick, and is a very entertaining inclusion in any of these books.  Inquisitor Amberly Vail once again has a big impact, despite her actual appearance in the novel being quite negligible, and her no-nonsense overarching commentary allows for quite an amusing read.  The returning members of the Valhallan 597th regiment were a welcome inclusion, and it is always cool to see the close relationship that Cain has with these soldiers after so many adventures.  Throw in a young gung-ho commissar that Cain is forced to school, and a planetary governor trying to stay in control of her planet amongst the chaos of war, and the cast of The Last Ditch was pretty exceptional and continues Mitchell’s habit of showcasing entertaining and complex supporting characters.

I have long extolled the impressive virtues of the audiobook format when it comes to Warhammer 40,000 fiction, as it is just so much fun having the over-the-top stories read out loud.  Some of the very best Warhammer books in this format are the Ciaphas Cain audiobooks, due to their elaborate casts and the fantastic way their narrators capture the unique style of the series.  This is particularly true for The Last Ditch, which was another absolute joy to listen to, as its amazing narrators perfectly captured both the humour and complex action.  Coming in with a decent run time of nine and a half hours, listeners can absolutely fly through The Last Ditch audiobook, which once again features all the awesome elements that the rest of the series had.  This includes the use of several different narrators, with the incredible vocal talents of Stephen Perring, Penelope Rawlins, Emma Gregory, Toby Longworth and Andrew James Spooner, all adding a lot to the impact of this fun and fantastic story.

Perring is particularly awesome as he voices the main plot of The Last Ditch from the perspective of Cain.  Voicing the protagonist’s conflicted memories of the events, Perring perfectly captures the complex personality of the main character, while also providing a fun take on the action and adventure occurring around the protagonist.  Perring has a great range of different voices for this part of the book, with each of the characters getting a very fitting tone that showcases their separate personalities, including many recurring voices the narrator used in previous audiobooks in the series.  Perring is once again supported by Penelope Rawlins, who voices the character of Inquisitor Amberley Vail as she edits Cain’s memoirs.  Rawlins really dives into the sarcastic character of Inquisitor Vail in these supporting parts of the book, providing a calm, indulgently humorous voice that fits the fun feel of the series.  Rawlins’s interruptions and inclusions as Vail complement Perring’s narration extremely well, adding some great  humour to the plot without ruining the flow of the main story.  These two narrators work together extremely well to bring out much of the book’s humour, and I love how they both have kept coming back to this series to ensure some excellent continuity.

While Perring and Rawlins do the main narration, the additional narrators each have a fun supporting role in proceedings.  Emma Gregory probably gets the most use of the three as she once again voices the memoirs of an ambitious officer in Cain’s regiment, retelling events in a particularly bombastic way.  Gregory deliberately over-acts her part of the audiobook to show off the brash personality of the memoir’s author, and you have to love the pomp and self-importance that Gregory adds to her voice work in these scenes.  The other two, Longworth and Spooner, both of whom are well-established narrators of Warhammer fiction in their own right, have a lot of fun with more minor supporting roles in The Last Ditch, and their cool, if short, inclusions added some fun variety to the experience.  The overall result was another excellent listen that really enhances the fun and impact of the story and the larger franchise.  I honestly think that the Ciaphas Cain series has some of the best audiobooks, and The Last Ditch perfectly showcased how well these books come across in this fun format.

With all the fun action, humour and great focus on a fantastically flawed protagonist fans have come to know and love, Sandy Mitchell continues his exceptional Ciaphas Cain Warhammer 40,000 series with The Last Ditch.  A wonderful and deeply entertaining read, The Last Ditch was a joy to read from start to finish and I had such a brilliant time with it.  Indeed, I enjoyed The Last Ditch so much that I immediately dove into the next book in the series, The Greater Good, the second I finished it.

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Sins of the Fathers by John Byrnes

On By The Unseen LibraryIn Australian, Historical Fiction1 Comment

Publisher: Macmillan (Trade Paperback – 1 July 2025)

Series: Standalone

Length: 399 pages

My Rating: 4.5 out of 5 stars

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A rising author in the field of Australian drama and historical fiction, John Byrnes, had a very interesting book back in 2025 that I have been meaning to review for a while, Sins of the Fathers.

Byrnes is a relatively new Australian author whose work I have been rather enjoying in recent years.  Byrnes career started back in 2023 with his cool thriller Headland, a compelling modern crime fiction novel with some interesting dramatic twists around it.  Headland ended up being one of my favourite debuts of 2023, and I made sure to read his next novel, the historical saga The Youngest Son (one of my favourite Australian novels of 2024).  It looks like Byrnes intends to continue his focus on Australian historical epics going forward, as his third book was the intriguing and exciting novel from last year, Sins of the Fathers, which followed several compelling characters through several major events of the 1910s.

Plot Synopsis:

In 1910s Australia, the sins of the fathers leave behind a bloody legacy in this historical epic saga, perfect for fans of Peaky Blinders.

Two fathers, their sons and the feud that binds them.

In the early years of the twentieth century, Billy and Tommy Smith are growing up on the mean streets of Sydney’s Millers Point. It’s a hungry, hard-scrabble life, made even worse when their violent father returns home from a long stint in prison.

In the wealthy eastern suburbs, Charles Davies is living an entirely different life, the beneficiary of his father’s business acumen and insatiable, unyielding greed. Charles wants for nothing – except perhaps his father’s approval.

When an incident on The Point leads to the deaths of both Charles’ and the Smith boys’ fathers, a hatred is born that will follow the three men through their lives. In an epic saga taking them from Sydney to Gallipoli and the killing fields of France in World War I, to the melting pot of Darwin and the opal fields at Lightning Ridge, the men’s paths all lead to one final revenge.

But in the end, what price must be paid for the sins of the fathers?

Sins of the Fathers was a very good historical fiction read that thrusts several damaged youths into the grinder of early 20th century Australian history.  Starting off strong, the book primarily begins in early 1910, when violent father of Billy and Tommy Smith is released from prison back into their already hard lives.  As the Smith children attempt to survive in harsh poverty, their lives take a dangerous spin when their father is murdered, and the evidence points to crooked businessman Arthur Davies, who soon also dies.  This leads to a life-long, mostly one-sided feud between the Smiths and the spoiled son of Davies, Charles, who is determined to get revenge for the slights against him.  This revenge plot also extends to the Smith’s young neighbour Angeline, who serves as a love interest to Tommy throughout the book.

After these early chapters, the plot of Sins of the Fathers keeps jumping ahead every couple of years, with the protagonists examining some key historical events that impacted Sydney in the early 1910s.  Naturally, this leads to the three male characters of the book getting enlisted in the Australian Army for World War I, with the Smiths and Charles Davies eventually ending up on the same battlefield, with disastrous results for all involved.  At the same time, Angeline remains in Sydney and serves as an interesting fourth point-of-view character, as she uses her business acumen to survive and gain status.  Back in Europe, the three male characters are eventually separated and start making their own way in the world in their own standalone adventures.  The exception is Davies, who continues to attempt to get revenge and gain money by attacking his apparent rivals.  Byres explores some interesting different historical locales and periods throughout the second half of Sins of the Fathers, with some intense and exciting adventures befalling the cast.  Everything eventually leads up to all the characters reuniting towards the end of the book, as the protagonists attempt to overcome one last plot from Davies.  The end result is a very compelling and intense standalone narrative, that drags you in with its fun characters and cool historical content.

At this point Byrnes has settled well into the historical fiction groove, producing a complex and layered narrative across several entertaining characters.  Making good use of a split between four key characters, Byrnes did an excellent job exploring the turbulent 1910s in Sins of the Fathers, with some great dives into key elements of early Australia and World War I.  This exploration of this crucial decade served as a captivating backdrop to the personal narratives of the four main characters, and the mixture of personalities and their separate struggles allows for a highly enjoyable read.

The resulting narrative is loaded with action, adventure and some excellent examples of personal determination, which allows for a very fast-paced read.  I also loved the thrilling intrigue that surrounds the book’s antagonist, Charles Davies, who is a devious and entertaining brat incapable of taking responsibility for his actions.  Byrnes did such a good job creating another repellent villain here with Davies, and watching his various schemes against the protagonists and others really amps up the stakes of the book as the reader is eager to see him fail.  I frankly had the most fun with Davies’s various chapters, and it was an entertaining foil to perspectives of the more likeable protagonists.  Throw in some interesting twists about the death of the Smith’s father and the resulting rivalry between them and Davies, and the entirety of Sins of the Fathers plot really comes together into a clever and deeply personal historical journey.

Overall, I was quite impressed with John Byrnes’s second dive into the historical fiction genre, and Sins of the Fathers proved to be a strong and highly exciting piece of Australian fiction that you could really sink your teeth into.  An addictive epic that expertly showcased some key Australian moments and locations in the 1910s, Sins of the Fathers was a great read, and I am excited for whatever historical adventure Byrnes comes up with next.

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Seven Recipes for Revolution by Ryan Rose

On By The Unseen LibraryIn Fantasy2 Comments

Publisher: Daphne Press (ebook – 25 November 2025)

Series: What We Eat – Book One

Length: 480 pages

Rating: 4.5 out of 5 stars

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In the mood for a tasty fantasy debut? Then look no further than the clever and distinctive 2025 release, Seven Recipes for Revolution by talented new author Ryan Rose.

Plot Synopsis:

The Bear meets Attack on Titan in this exhilarating, food-based epic fantasy filled with high stakes and monster steaks, perfect for fans of Pierce Brown and Jay Kristoff.

Seventeen-year-old Paprick is a common butcher, carving slabs of meat from gargantuan monsters so elite chefs can prepare magic-granting meals for the rich. But Paprick’s true passion is cooking, and if he can learn the secret art, his dreams of liberating his people and sharing the monsters’ magic with the world could come true. He steals the precious ingredients needed to practise recipes at home, but if he’s caught, he’ll be executed.

As his desperation grows, he ventures into the black market and uncovers a spice imported from unknown lands. Combining it with the last of his stolen meat, he cooks a dish the world has never tasted before, with side-effects he couldn’t have foreseen.

The dish’s magic grows Paprick to kaiju-size, and legends of his powers spread among the people. Immediately, the rulers arrest him, but Paprick convinces them to make him a chef’s apprentice―if they ever want to learn his Recipe. However, his exposure to the world of high cuisine reveals the rot at its centre, and with his new power, rebellion is only a few recipes away…

Seven Recipes for Revolution was a particularly awesome book that really showcased Ryan Rose’s excellent imagination and ability to craft a compelling story around his unique food-based magic.  The first book in Rose’s What We Eat series; Seven Recipes for Revolution was an outstanding read that greatly impressed me with its clever story and unique ideas.

Rose produced a delicious story for Seven Recipes for Revolution, which quickly grabs the reader’s attention.  Primarily told in a chronicle format from the perspective of a future Paprick before his execution, you are soon transported to the protagonist’s early days as a common butcher in a segregated society of magical foodies.  This early part of the book serves as an excellent introduction to the protagonist and the larger world the series is set in, as you soon learn about the food magic of this nation, as well as the magical beasts whose meat give them power.  It doesn’t take long for Paprick to find himself in the middle of a deadly revolution when, after stealing magical meat from his job, he is able to create a new recipe that allows him to grow to massive size.  Able to leverage his discovery with the rulers of the city, the Rares, Paprick is allowed to become an apprentice chef, which leads him into even greater trouble.

What follows is an interesting centre to the narrative as Paprick enters a whole new world of cuisine in an excellent magical school narrative as Rose provides some compelling looks at the city’s main chef school.  I loved the mixture of interesting classes, which feature both cool magic and awesome-sounding food, and it serves as a great background to the rest of the plot as Paprick gets further involved with the revolution, as well as a bloody conspiracy lurking underneath the surface of Rare society.  The last third of the book is a fantastic blur of action and intrigue, as various secrets come to light and the protagonist faces some very dark choices and challenges.  The build-up to these events in the main story is well supported by the sequences occurring in the present day, as the future Paprick messes with the mysterious chronicler recording his story, while also providing some interesting hints of events to come.  All this leads up to a great conclusion, and I loved the fun twists that emerged as you get towards the end.  Readers come away very satisfied from Seven Recipes for Revolution, and you are left wanting to find out what happens next.

I really enjoyed how Rose pulled together his first book, and the unique fantasy story he came up with was particularly inventive and well-written.  Rose really showed off his creative style early, quickly introducing readers to a cool new fantasy realm where magic resides in the meat of gigantic beasts, known as emphon, and the way you prepare the food grants different abilities and powers.  It was really fascinating to see a complex and segregated fantasy society built around this magical cookery, and the resulting obsession with cooking and food that the characters gave Seven Recipes for Revolution a distinctive and complex feel.  Rose made full use of these creative elements throughout his story, and the resulting training, battles and intrigues related to secret recipes and culinary abilities was quite spectacular.

In addition to the amazing worldbuilding , I must compliment the way that Rose set out the story using the chronicle method, which shows the older Paprick telling his narrative to an initially unnamed archivist who has history with the protagonist.  Having a character retell the story of their life as narrative tool doesn’t always work, but I think was particularly effective in Seven Recipes for Revolution, especially as it added some fun uncertainty and visions of the future to the mixture.  Much of this is done through various interruptions from the archivist as they refute parts of Paprick’s story and claim that he is either embellishing or adding in material to make himself look better.  I liked how this established the protagonist as a bit of an unreliable figure, and you’re never quite sure where his story will go next.  The conversations about the future Paprick and the archivist give each other also adds to the anticipation of the main plot, and you are always waiting for the events they hint about to drop.  This cool style works so well with the combined fantasy and intrigue elements of Seven Recipes for Revolution’s plot, and you really get stuck into the food-based carnage and complex betrayals that emerge both in the main story and the plot surrounding the future recording of Paprick’s tall tale.

Thanks to his outstanding imagination and excellent storytelling ability, Ryan Rose’s debut novel, Seven Recipes for Revolution, was a particularly awesome read, and it’s one I’m glad I checked out last year.  Loaded with cool food-based magic, duplicitous characters and some amazing action, Seven Recipes for Revolution was addictive fun from start to finish, and I really enjoyed how it came together.  Seven Recipes for Revolution ended up being one of my favourite debuts of 2025, and I cannot wait to see how Rose continues his series later this year with his upcoming book, Eight Tastes of Treachery.

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Whisper in the Wind by Luke Arnold

On By The Unseen LibraryIn Australian, Fantasy, Five-Star Books, Murder Mystery3 Comments

Publisher: Orbit (Trade Paperback – 29 April 2025)

Series: Fetch Phillips – Book Four

Length: 381 pages

My Rating: 5 out of 5 stars

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Australian author Luke Arnold delivers another incredible fantasy hit with his deeply impressive fourth novel, Whisper in the Wind.

In recent years, one of my favourite fantasy series has been the underrated but always amazing Fetch Phillips Archive.  Written by Australian actor Luke Arnold, who has very successfully transferred to a whole new career, the Fetch Phillips series is a clever and memorable urban fantasy series with an amazing, if dark, twist to it.  Primarily set around the fantasy metropolis of Sunder City, the Fetch Phillips books showcase the aftermath of a worldwide catastrophe that destroyed all magic and permanently warped the various magical citizens of the city into disfigured mortal beings.  Following titular investigator and odd-job man Fetch Phillips, a human partially responsible for the disaster, the books see Fetch attempt to solve unique crimes in the ruined city, while also looking to bring back magic in the face of human technological progress.  All three previous books in the series have been very impressive, including The Last Smile in Sunder City (one of my favourite debuts and Australian novels of 2020), Dead Man in a Ditch and One Foot in the Fade (one of my favourite Australian novels of 2022).  I have been eagerly awaiting this fourth book for a while, and Whisper in the Wind really did not disappoint.

Plot Synopsis

The fourth instalment of Luke Arnold’s Fetch Phillips series, Whisper in the Wind, takes readers to a very different Sunder City. One where government corruption is rampant and tensions are rising.

Fetch is done being a hero. Once a detective, all he wants now is to run his cafe in peace. Sunder City is still recovering from the sudden and violent end of magic, and if one man can’t solve all its problems, he can at least stop some people going hungry. But when a kid on the run shelters in Fetch’s cafe, and a chain of gruesome murders begins among Sunder’s high and mighty, trouble is brought to Fetch’s door.

There’s a word whispered on the wind, and that word is revolution…

Whisper in the Wind was another exceptional novel from Luke Arnold, who is very clearly getting better as an author with each new book he writes.  Bringing his damaged protagonist back into action, Whisper in the Wind was another extremely clever and impressive fantasy crime novel that makes full use of the author’s exceptional imagination and world-building.

I really enjoyed the new story that Arnold came up with for Whisper in the Wind, which, thanks to its great combination of a complex mystery, compelling characters and some ongoing storylines about changes to a former magical land, is probably the author’s best work yet.  Arnold starts the story off very effectively by showcasing returning protagonist Fetch Phillips as a changed man, no longer obsessed with trying to return the magic he helped destroy.  Managing his friend’s café in peace, Fetch is dragged back into the chaotic life when one of the city’s police officers is murdered after talking to him.  Initially trying to stay out of it, Fetch is blackmailed into investigating some additional killings plaguing the city, seemingly caused by acts of magic.

Arnold sets up this early part of the story extremely well, and you are once again dragged into Fetch’s often unsuccessful attempts to make his city a better place.  Things get very intense as the story continues, especially as it becomes apparent that the murderer has started targeting the city’s elite who are responsible for handing effective control of Sunder City over to a ruthless corporation that Fetch has long opposed.  Caught between various big players, Fetch tries to find the killer and uncover the latest corruption besetting his city from those in charge.  There is a great mixture of compelling investigation which dives into some outstanding character arcs and some fantastic action as the protagonist gets closer to his goal.  Arnold throws in some amazing and powerful twists as the reader gets towards the end of Whisper in the Wind, and the dark revelations play into the author’s long-term storytelling extremely well.  I loved the complex revelation about who the killer was and why they were doing their crime, as well as final big moments of the plot as Fetch shows the reader what kind of hero he really is.  Ending the book on a fantastic cliffhanger that brings back some interesting moments from the very first book, the entirety of Whisper in the Wind’s narrative was extremely awesome, and I honestly could not get enough of it.

As I have mentioned above, Luke Anrold has really gotten better as an author since starting the Fetch Phillips series, and I think that Whisper in the Wind showcased how good an author he really is.  Perfectly continuing the series from the turbulent conclusion of One Foot in the Fade, Arnold once again paints a compelling picture around a despondent former hero who is only now finding his way again.  This book’s mystery is probably one of Arnold’s best, as he presents an excellent conspiracy laden plot that presents as much tragedy as possible.  The author also once again expertly utilises his chaotic setting to really enhance his narrative, forcing the protagonist to deal with his past mistakes as well as the pliable nature of people.  A lot of the story revolves around a focus on how the wealthy and powerful manipulate the working classes through lies, fear and promises of safety and comfort, which has a certain real-world resonance to it, especially after the last year.  Arnold handled these elements extremely well, especially as it provided extra despair to his already damaged protagonist in a particularly relatable way.  The result is a particularly powerful read, that provides an exceptional balance of mystery, character growth, and a focus on the author’s unique fantasy elements.

While Whisper in the Wind would likely work well as a standalone novel for new readers, especially as Arnold is able to provide useful in-text recaps of the relevant prior books, this book is probably best read by those who have enjoyed the previous Fetch Phillips novels.  The author brings back a lot of ongoing storylines from these books, especially those involving the human corporate takeover and modernisation of a formerly magical city, which is quite fascinating.  In addition, reading the other Fetch Phillips books allows readers to get a lot more emotional impact from Whisper in the Wind, especially as you get some much better insights into the protagonist’s growth as well as his ongoing trauma and despair.  I personally also loved seeing more of the world that the Fetch Phillips books are set in, especially the changes around the main setting of Sunder City.  It has been fascinating to watch Arnold’s continued world-building since the first book, and he has turned this setting into some unique and distinctive.  I honestly cannot wait to see what changes come to this world next, and Arnold has some interesting avenues when it comes to continuing his current storylines.

A lot of Whisper in the Wind’s strength, and indeed that of the whole series, lies in the excellent portrayal of the titular protagonist Fetch Phillips.  Arnold has done an exceptional job turning Fetch into a highly tragic and repentant figure who was manipulated into betraying the magical races and taking away their power.  Fetch’s growth from the first book has been very impressive, especially as he spent much of that time trying to undo the damage he did, before he was worn down by hopelessness and the machinations of the powerful who like the new status quo.  This new book sees a somewhat healed Fetch who has managed to find a more peaceful life and has become an impromptu mentor to several younger characters.  However, the spectre of his past and his frustrations with the world around him keep coming back to haunt him, and he finds himself in the fight again, although this time in a more thoughtful and less emotional way.  I enjoyed the compelling and understandable changes to Fetch’s personality in this novel, playing off his prior failures extremely well, and his genuine attempts to stay out of trouble this time allowed for a refreshing change in narrative focus.  Despite his best efforts, Fetch once again has his life unravelled, and his attempts at being a hero backfire on him again.  Still, there was some genuine growth here, and I really appreciate the compelling way Arnold explores and enhances this great protagonist as the series continues.  Throw in an excellent collection of supporting characters, as well as some wonderfully despicable corporate adversaries, and the cast of this book was extremely awesome, and added a lot to both the story, and the emotional impacts of Whisper in the Wind.

Luke Arnold continues to impress as one of Australia’s more captivating current authors of fantasy fiction.  His fourth Fetch Phillips novel, Whisper in the Wind, was so damn good, and I honestly could not get enough of his elaborate and addictive plot, loaded with clever mystery and complex characters, all set in a unique fantasy world.  I must give Whisper in the Wind a full five-star review, and this ended up being one of my favourite books of 2025.  A highly recommended read, if you are a fantasy fan and you haven’t tried the Fetch Phillips series yet, you are missing out.

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Hotel Lucky Seven by Kotaro Isaka

On By The Unseen LibraryIn English Translation, Thriller2 Comments

Publisher: Harvill Secker (Trade Paperback – 12 November 2025)

English Translation: Brian Bergstrom

Series: Hitman – Book Four 

Length: 291 pages

My Rating: 4.5 out of 5 stars

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One of Japan’s most entertaining thriller authors, Kotaro Isaka, presents a great new entry in his shared crime fiction universe, with the wonderfully unhinged and entertaining Hotel Lucky Seven.

Kotaro Isaka is an amazing author who has dominated the Japanese crime fiction scene for years, thanks to his amazing and over-the-top thrillers that are filled with distinctive characters and entertaining narratives.  In recent years, Isaka has gained more of a Western following as several of his books have been translated and released in English.  This includes his best-known novel, Bullet Train, which was adapted into a particularly entertaining film with Brad Pitt a couple of years ago.  While I loved the film, I am also a major fan of the original Bullet Train novel, which is very different from its adaptation in its own awesome way.  Having really enjoyed Bullet Train when it came out, I’ve tried to read the other translated Isaka novels that have come out in his Hitman series, including the cool prequel novel Three Assassins.  While I did miss out on The Mantis, I made sure to grab a copy of Isaka’s latest book, Hotel Lucky Seven (released in Japan under the title 777).  Serving as a direct sequel to Bullet Train, Hotel Lucky Seven follows the terminally unlucky assassin Nanao, as he finds himself in a whole new mess.

Plot Synopsis:

A luxury hotel full of assassins – what could go wrong?

Nanao ‘the unluckiest assassin in the world’ has been hired to deliver a birthday present to a guest at a luxury Tokyo Hotel. It seems like a simple assignment but by the time he leaves the guest’s room one man is dead and more will soon follow. As events spiral out of control as it becomes clear several different killers, with varying missions, are all taking a stay in the hotel at the same time. And they’re all particularly interested in a young woman with a photographic memory, hiding out on one of the twenty floors.

Will Nanao find the truth about what’s going on? And will he check out alive?

In this original, gripping and inventive follow-up to the international bestseller Bullet Train, Kotaro Isaka demonstrates his unparalleled gift for unique characters and unexpected twists.

Hotel Lucky Seven was another very impressive outing from Isaka, as he once again wows with his outrageous array of assassins, fighting for their lives amongst a complex conspiracy narrative.  Slick, relentlessly entertaining and very addictive, Hotel Lucky Seven was an amazing read, and one that I powered through in less than a day.

Isaka created another very fun over-the-top story for Hotel Lucky Seven that quickly drags you in with its fantastic action.  Initially focusing on the main protagonist, Nanao, who has only recently recovered from his near-death experience on the deadly bullet train, the book sees the constantly unlucky character enter a hotel for a routine delivery, only to find himself in the middle of another quickly deteriorating situation.  Forced to kill someone while delivering a birthday present, Nanao soon find himself drawn into a larger confrontation involving Kamino, a young woman with an impressive memory, who is trying to escape her underworld boss.  Having accidently killed or incapacitated Kamino’s bodyguards while trying to flee the hotel to save his handler, Nanao soon finds himself reluctantly helping Kamino contend with a band of assassins known as the Six.  This proves to be a great central focus for Lucky Seven, which Isaka further enhances with intriguing chapters focused on other amusing characters like the killer team of Pillow and Blanket, two effective body removalists who are stalking the halls of the hotel on their own mission, as well as some interesting interludes around a famous politician in the restaurant who is being interviewed by an ambitious reporter.

These interlocking storylines come together nicely as the book continue, and I liked how well the various chapters flowed into each other.  Isaka keeps loading up the action as Nanao uses his unlikely combat skills against the various members of the slowly dwindling six as he desperately tries to escape the hotel.  After some very entertaining antics, as well as a couple of over-the-top deaths, the author sets up for the big conclusion, with the surviving characters coming together for a big confrontation.  While the story had been very fun, if relatively straightforward, up to this point, Isaka throws in an excellent twist that makes you re-evaluate the rest of the book.  There was a ton of great build-up throughout the entire story, with your perspective of one character completely changing in the best ways.  This really enhanced the overall impact of the entire story, and I came away very satisfied and intrigued by this impressive piece of Japanese fiction.

I really enjoyed the great style that Isaka utilised in Hotel Lucky Seven, which is reminiscent of the rest of the books in his Hitman series.  Made up of fast-paced chapters that switch between the several main characters, Isaka moves his exciting story along very effectively, quickly grabbing the reader’s attention with his complex characters, entertaining action, and great humour.  Serving as both an enjoyable sequel to Bullet Train and a fun standalone crime thriller, this is a very accessible novel for any reader to get into, even with its subtle yet noticeable Japanese aesthetics.  Indeed, I felt that Hotel Lucky Seven had more of a certain cinematic edge than Isaka’s previous novels, no doubt a result of the success he had with the Bullet Train film, and this help to make this book a lot easier to appreciate for new readers.  It also helped that some of the characters, such as killers known as the Six, would be fun to cast in a film adaptation, and the over-the-top figures terrorising a hotel with blowguns were particularly fun.

Speaking of awesome characters, I personally loved seeing the return of the unlucky killer Nanao, who was the best part of the original Bullet Train novel (where his role was a little less central than Brad Pitt’s in the film).  Serving much more a central role in this sequel, Nanao was the heart-and-soul of Hotel Lucky Seven, and it was very fun to see him continue to get in trouble while trying to do the right thing.  The rest of the characters are a little more serious, well as serious as people living in a world of killers can be, and I liked the certain philosophical edge that several of them had when it comes to their actions, especially the fun killer duo of Pillow and Blanket.  Throw in a couple of interesting additional villains, none of whom are really what they seem and who benefit from some layered backstories and misdirection with their intentions.  This extremely unique cast really fit the light-hearted vibe that Isaka loaded this excellent thriller with, and I had a wonderful time seeing their murderous antics and complex interactions unfold.

Overall, I had a wonderful time with Hotel Lucky Seven, which was one of the more entertaining and compelling thrillers I read last year.  A very worthy sequel to Bullet Train, Hotel Lucky Seven was another incredible read from Kotaro Isaka that will keep you hooked right to end with his awesome action, brilliant humour and fantastic storytelling.  It honestly will be interesting to see if Hotel Lucky Seven gets a film adaptation at some point, which honestly could turn into something very fun if they get a good cast for it.

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Quick Review – Gone Before Goodbye by Harlan Coben and Reese Witherspoon

On By The Unseen LibraryIn Quick Review, Thriller1 Comment

Publisher: Century (Trade Paperback – 14 October 2025)

Series: Standalone/Book One

Length: 340 pages

My Rating: 4 out of 5 stars

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The unique writing team of acclaimed author Harlan Coben and world-famous actress Reese Witherspoon present a compelling and very exciting thriller, with Gone Before Goodbye.

Gone Before Goodbye was a very interesting read, that caught my attention when it was first announced thanks to the combination of it being Reese Witherspoon’s debut novel, and my previous experiences with the always impressive Harlan Coben.  I have had a great time with some of Coben’s previous novels, including I Will Find You, Think Twice and Nobody’s Fool, so I was very curious to see how this book turned out.

Plot Synopsis:

Maggie McCabe is teetering on the brink.

A highly skilled and renowned Army combat surgeon, she has always lived life at the edge, where she could make the most impact. And it was all going to plan … until it wasn’t.

Upside down after a devastating series of tragedies leads to her medical license being revoked, Maggie has lost her purpose, but not her nerve or her passion. At her lowest point, she is thrown a lifeline by a former colleague, an elite plastic surgeon whose anonymous clientele demand the best care money can buy, as well as absolute discretion.

Halfway across the globe, sequestered in the lap of luxury and cutting-edge technology, one of the world’s most mysterious men requires unconventional medical assistance. Desperate, and one of the few surgeons in the world skilled enough to take this job, Maggie enters his realm of unspeakable opulence and fulfills her end of the agreement.

But when the patient suddenly disappears while still under her care, Maggie must become a fugitive herself—or she will be the next one who is … Gone Before Goodbye

Gone Before Goodbye proved to be an exciting and enjoyably fast-paced read that drags you in quickly thanks to its unique plot, multiple twists and compelling medical focus.  Starting off with some good introductions to the key characters and highly damaged protagonist, you are soon drawn into the damaged life of Maggie and the mysterious job she chooses to accept.  After some useful exposition sequences in the hidden Russian compound that help to highlight how far the protagonist is out of her depth, things inevitably go downhill, and Maggie is forced to flee with the help of some unexpected allies.

What follows is a quick paced sequence of events across the world as Maggie and her family attempt to uncover the dark conspiracy that has been woven around them.  The authors do a good job of tying the current events of the book into Maggie’s complex past, including the death of her husband and their controversial medical company, and the various threads come together nicely as Gone Before Goodbye nears it ends, with lots of action and character growth thrown in for good measure.  The dramatic conclusion wraps things up nicely, and I especially loved the fantastic final twist, which was a particularly dark, but clever, way to end this entire novel.

This book comes together quite nicely, and you can really see the interesting combination of styles between Coben and Witherspoon here.  The fast-paced, character-focused storytelling, loaded with sudden twists, thrilling action and complex dramatic moments is classic Coben, who endeavours to quickly grab the reader’s attention and hook them early.  On the other hand, the inclusion of a strong military doctor protagonist is clearly Witherspoon referencing her parents, and I liked how this new author utilised something close to her and her family in her very first novel.  The resulting medical scenes are some of the best parts of the book, especially as the authors endeavoured to provide some detailed realism to the resulting sequences, and I enjoyed how they tied into Gone Before Goodbye’s larger narrative.

Gone Before Goodbye is further enhanced by some excellent and distinctive characters, including the damaged protagonist, some fun villainous figures, and the very entertaining biker character Porkchop, Maggie’s father-in-law who steals the show with every scene he’s in.  I did think that Gone Before Goodbye did come off a little too cinematic at times, and you can tell that the authors are thinking ahead to the inevitable television adaptation, especially with memorable characters like Porkchop.  Still, this cinematic forethought doesn’t take the reader too much out of the story, and the resulting book is a compelling thriller that is a lot of fun to get through.

The team of Harlan Coben and the debuting Reese Witherspoon’s first outing was an amazing success as Gone Before Goodbye was an entertaining and captivating thriller read that will appeal to a lot of readers.  Clever, twisty and filled with some great characters, Gone Before Goodbye was a ton of fun to get through, and I cannot wait to see what both authors have to write going forward, either by themselves or as a very distinctive team.

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