Small Acts of Defiance by Michelle Wright

Small Acts of Defiance Cover

Publisher: Allen & Unwin (Trade Paperback – 1 June 2021)

Series: Standalone

Length: 344 pages

My Rating: 4.5 out of 5 stars

Impressive debuting Australian author Michelle Wright transports the reader back to the horrors and struggles of occupied Paris with the moving historical drama, Small Acts of Defiance.

May 1940.  Following the tragic death of her father, Australian teenager Lucie and her French mother Yvonne are left without any means of supporting themselves in Australia.  Reaching out to the only family they have left, Yvonne’s estranged brother Gerard, Lucie and her mother are convinced to journey back to Yvonne’s home city of Paris to live with Gerard in his apartment.

Despite having reservations about leaving for a Europe rocked by the early stages of war, Lucie is quickly enchanted by the beauty and culture of the city.  However, shortly after their arrival, disaster strikes and the French army suffers a catastrophic defeat, allowing the Nazis to invade France and occupy Paris.  Forced to adapt to the new regime, Lucie and her family attempt to survive as well as they can.

While wishing to remain safe and unnoticed by the Nazis, Lucie is drawn into the conflict when she befriends several people around Paris who resent the German occupation.  Encouraged by their strength and determination, Lucie experiments with using her artistic talents to engage in small acts of defiance against the Nazis and the puppet Vichy French government.  However, when she witnesses the Nazis’ increased attacks against Paris’s Jewish population and the attitudes of her authoritarian uncle, Lucie is drawn even deeper into the fight.  How far will Lucie go to save her new home, and what difference can even a few small acts of defiance truly have?

Small Acts of Defiance was a fantastic and moving novel from a promising new author that did an excellent job highlighting the horrors and troubles of occupied France.  Author Michelle Wright, an Australian who has spent considerable time in Paris, has written an outstanding novel with a story that is both beautiful and devastating, as she tells the intriguing and intense tale of Lucie and her experiences during the war.

Wright has produced a fast-paced and deeply moving narrative for Small Acts of Defiance.  The author swiftly sets the scene for the main characters of Lucie and her mother, who move to Paris right before the invasion while still dealing with the traumatic aftermath of Lucie’s father’s death.  It really does not take long for the historical horror to occur, as Paris is swiftly conquered by the Nazis, although Wright ensures that there is just enough time for Lucie, and the reader, to become enchanted with the city before its occupation.  Following the invasion, you are introduced to several great supporting characters who help Lucie to fully see how evil the Nazis and their French collaborators are, especially as some of her new friends are Jewish.  This centre part of the novel is great, and it was fantastic to see Lucie find her feet while also starting her initial acts of defiance.  However, while all appears mostly right, you know that tragedy is on the horizon, especially as the Jewish characters you become close to slowly have more and more restrictions placed upon them, which can only lead to disaster and despair.  Once the inevitable happens, the story really intensifies, as the protagonist witnesses true horrors and atrocities which slowly costs her some people she is really close to.  Readers will not be prepared for how dark and tragic the book becomes, although you cannot help but keep reading, especially as there is a little bit of hope for some characters.  The conclusion of Small Acts of Defiance is pretty intense and satisfying, especially as the protagonist achieves several great things while there is some good news for the other supporting characters.  This entire narrative very well written, and I loved the dramatic and powerful tale that Wright created here.  There is so much amazing and moving character development, especially around Lucie, which really grounds the novel and helps keeps the readers glued to the pages.  Wright has a real talent for writing hard and dark scenes, and I was utterly enthralled by this powerful story.

I was deeply impressed by the sheer amount of historical detail that Wright put into her debut novel, which is no doubt a side effect of all the time she spent in Paris.  The author covers the entirety of the Nazi occupation, from the French defeat, to the chaos of the invasion and the subsequent control of the city by the Germans.  There are so many interesting details and facets of history contained within the story, and I found myself getting really engrossed in the spectacular portrayal of this key historical location.  Wright spends time focusing on the various attitudes and reactions of the citizens of Paris, which ranged from outrage to acceptance or even outright support of the new regime.  The depictions of the puppet Vichy government and its actions was particularly intriguing, especially as the author examines the reason it had some support from the French.  This is particularly shown by Lucie’s uncle, an authoritarian former solider who respected the military general put in charge of the country, and who felt disenfranchised by the previous free French government.  There was also a lot of focus on the gradual crackdown and eventual deportation of the city’s Jewish population.  Due to the protagonist befriending several Jewish characters, you get to see the various restrictive laws come into effect, and the way that the Jewish population was dehumanised and destroyed one step at a time.  All of these proved to be deeply fascinating, and I loved how Wright was able to work it all into her intense and excellent story.

One aspect of this historical detail that I found extremely intriguing was the storyline surrounding the protagonist’s attempts at defying the Nazi and Vichy governments.  Unlike most historical fiction protagonists who fight back with guns, political speeches or brazen heists, the hero of Small Acts of Defiance at first uses art to subtly push back against authority.  This is achieved by drawing pamphlets or subtle symbols of French freedom in the postcards that she sells, small things that could still get her in trouble.  As the war progresses, the protagonist gets involved in other small ways, such as helping to pass information to the Allies or assisting the city’s remaining Jewish population.  I found these small acts of resistance to be a fascinating part of the book’s plot, and it was rather interesting to see the effect that even these minor actions could have on the character’s moral.  It also resulted in some compelling comparison to some of the more radical members of the French Resistance, especially some of Lucie’s friends, who take more drastic actions and face several physical and moral consequences as a result.  While Lucie does become more involved later in the book, I felt that it was really intriguing to see the various small, non-violent ways that French citizens could have helped in the war effort, and I think that it was a fantastic part of this captivating narrative.

Small Acts of Defiance was an incredible debut from Australian author Michelle Wright that does an amazing job capturing the tragedy, division and defiance that occurred during Nazi occupation of Paris.  Featuring a moving and captivating tale that surrounds one girl’s small attempt to help her friends and her new city, Small Acts of Defiance is an outstanding historical drama that comes highly recommended.  I am very intrigued to see what additional novels Wright creates in the future, and I am extremely glad I got the opportunity to read her fantastic first novel.

The Paris Collaborator by A. W. Hammond

The Paris Collaborator Cover

Publisher: Echo Publishing (Trade Paperback – 4 May 2021)

Series: Standalone

Length: 312 pages

My Rating: 4.5 out of 5

Amazing Australian thriller author A. W. Hammond presents his first historical read with The Paris Collaborator, a clever and exciting novel set in occupied Paris.

August 1944.  With Allied forces advancing towards Paris, the Nazi occupation of the city seems to be nearly at an end.  But just because the Germans are poised to leave does not mean that the city is any less dangerous, especially for those whose loyalties are in question.  Since the Germans arrived, former teacher Auguste Duchene has taken on a whole new profession to survive: finding missing children.  With his impressive observational skills, Duchene has proven to be a keen investigator, but his talents are about to get noticed by all the wrong people.

Despite his desire to only help reunite lost families, Duchene is forced into working for a violent faction of the French Resistance after they threaten the safety of his collaborating daughter, Marienne.  Recruited to find a missing priest and the cache of stolen weapons he was hiding for them; Duchene reluctantly begins his search.  However, hours after he begins working for the Resistance, he is approached by a senior Nazi officer who blackmails him into finding a missing German soldier.

Caught between two dangerous masters, Duchene has no choice by to comply with both if he and Marienne are to survive.  With only 48 hours until both groups will deliver on their deadly threats, Duchene scours Paris for both the missing men.  However, the more he discovers, the more he begins to realise that the cases may be connected, and that he may be only able to satisfy one of his employers.  Worse, the Gestapo have taken an interest in Duchene’s investigation and are determined to interfere for their own ends.  Can Duchene find his targets before it is too late, or will everything he love be taken away from him?

This was an awesome and fantastic novel from an impressive author who I was not too familiar with before I picked up this outstanding read.  A. W. Hammond has previously written two Australian thrillers under the name Alex Hammond.  These books, 2013’s Blood Witness and 2015’s The Unbroken Line, were intriguing legal thrillers that focused on his Will Harris protagonist.  The Paris Collaborator is the author’s first foray into historical fiction, and he did an exceptional job producing a clever and addictive historical thriller.  I had an incredible time reading The Paris Collaborator and I ended up finishing it off in a few short days once I got drawn into its cool and memorable narrative.

Hammond has come up with an excellent thriller storyline for The Paris Collaborator that is exciting and clever, and which also makes great use of its historical backdrop.  This is a very fast-paced story, and it really does not take long for it to take off, as unconventional missing child investigator Duchene is drawn into the conflicting webs of radical French Resistance fighters and an influential Nazi officer.  Forced to work on both cases on a very lean timeline, the protagonist conducts a hurried investigation, trying to find hints of two different missing persons while also trying to survive in the middle of a chaotic and failing city.  With the interference of the Gestapo, Duchene is trapped in the middle of a three-way battle for his loyalties, as each of these very dangerous groups threatens to kill him and his daughter unless he complies.  This results in a very epic final third of the book, as the protagonist runs around Paris, which is in the middle of overthrowing its German occupiers, trying to find the last pieces of the puzzle with everybody trying to kill or capture him.

This was a very captivating and high-stakes story, and I loved all the thrilling intrigue, action and suspense as the protagonist jumps from one bad situation to the next.  The overall investigation had some rather intriguing twists to it, many of which took me pleasantly by surprise, although they were very well set up in hindsight.  I absolutely lost it when the final twist was revealed, as it was so outrageous and surprising that I ended up laughing for several minutes.  This reveal, while a little hilarious, did fit nicely into the dark tone of the novel, and I felt it was an outstanding way to wrap up this novel, especially as it is guaranteed to stick in the reader’s mind.  I deeply enjoyed The Paris Collaborator’s clever story, and this ended up being one of the more entertaining and unique thrillers I have read all year.

While readers will definitely remember the amazing thriller story, I also must highlight the exceptional historical setting that was featured in The Paris Collaborator.  Hammond chose to set his clever story amid the final days of the Nazi occupation of Paris, which I really enjoyed.  The author does an outstanding job of portraying this intriguing historical setting, and I loved the exploration of an occupied city on the edge, with minimal resources, a thriving black market, a near-rebelling populace, nervous soldiers starting to pull out and a dangerous resistance movement planning their next strike.  Hammond makes great use of this unique setting throughout the story, and I really appreciated the way he featured historical elements like the Resistance, the Gestapo and the German army throughout the story.  The final part of the book is set during the French uprising to free Paris from the Nazis, and I loved how the protagonist had to overcome all the obstacles this put in his way, from tanks attempting to put down dissent, to crowds determined to kill any Germans they could find.  This was an outstanding depiction of occupied Paris and I felt that Hammond perfectly utilised it throughout this amazing book.

One of the most intriguing aspects of the historical setting of The Paris Collaborator is the compelling focus on the French mentality of collaboration and resistance.  Throughout the novel, the protagonist encounters a wide range of different characters who have survived the Nazi occupation by working for, engaging with, or falling in love with German soldiers, much to the disgust of their fellow French citizens.  The protagonist himself is considered by some to be a collaborator, not only because he has helped wealthy French collaborators find their children but because he finds himself working for various Nazis throughout the course of the book.  This forces the protagonist to walk a thin line, as he must appear to be a patriotic Frenchman disgusted with the occupiers while also making sure that he does not enrage any of the Nazis who are employing him, something he does not do particularly well.  As a result, Duchene, and several supporting characters, encounters dangerous reactions from some French characters and Resistance members, and this really adds to the tension and danger that he encounters.  I think that Hammond did an excellent job examining and portraying this mentality of anti-collaboration throughout the novel, especially as it is cleverly layered into nearly every interaction the protagonist has.  Some of the actions of French characters who were actively resisting against the Germans were also pretty intriguing, including one particularly over-the-top one that is definitely going to stick in my mind.  It was also fascinating to see what some people would do to avoid being labelled as a collaborator, even if that means completely changing who they are.  I really enjoyed the author’s examination of how collaborator would have been viewed during this turbulent period of history and it ended up being an excellent and compelling addition to The Paris Collaborator’s narrative.

The Paris Collaborator by A. W. Hammond is an outrageous and impressive historical thriller that comes highly recommended.  Hammond has written a fantastic fast-paced story that is heavy on action, intrigue, and amazing twists, all set amid Paris in the final days of the Nazi occupation.  I had a lot of fun getting through this awesome novel, and thanks to some outstanding reveals and exciting moments, The Paris Collaborator is really going to stick in my mind.  Readers are guaranteed a thrilling and clever time with this book and will power through it in no time at all.

Quick Review – The Chase by Candice Fox

The Chase Cover

Publisher: Bantam Press (Trade Paperback – 30 March 2021)

Series: Standalone

Length: 449 pages

My Rating: 4 out of 5 stars

Australian thriller author Candice Fox returns with another fast-paced and intriguing thriller novel, this time utilising an extremely fun prison break premise to create The Chase, a compelling and addictive read.

Candice Fox is a bestselling Australian author who debuted in 2014 with Hades, the first novel in her Archer & Bennett trilogy, a fantastic Australian crime series that followed two very damaged detectives.  She then followed that up with her Crimson Lake trilogy, as well as collaborating on the Detective Harriet Blue series with James Patterson.  Since then Fox, has written a couple of standalone crime fiction novels set in America, including the 2020 release Gathering Dark, which is the only previous novel of Fox’s that I have read and which proved to be a fun and fantastic book.  As a result, I was interested in reading more of Fox’s work, especially after I saw what kind of story her new novel would feature. 

Synopsis:

When more than 600 of the world’s most violent human beings pour out from Pronghorn Correctional Facility into the Nevada Desert, the biggest manhunt in US history begins.

But for John Kradle, this is his one chance to prove his innocence, five years after the murder of his wife and child.

He just needs to stay one step ahead of the teams of law enforcement officers he knows will be chasing the escapees down.

Death Row Supervisor turned fugitive-hunter Celine Osbourne is single-minded in her mission to catch Kradle. She has very personal reasons for hating him – and she knows exactly where he’s heading . . .

I am sure that I was not the only person drawn in by The Chase’s cool plot synopsis, I mean, 600 convicts escaping from prison at the same time, who can resist that?  I really enjoyed this book’s awesome story and I ended up finishing the entirety of The Chase in just over a day.  This was mainly because The Chase had such a strong and captivating start to it, with someone using deadly blackmail to instigate a mass breakout as cover to free one unknown prisoner.  This was one of the more awesome starts to a novel that I have seen, and I really loved the initial moments of this story, with the prisoners all heading off in various directions, including protagonist John Kradle, while other protagonist Celine Osbourne is left in shambles with all her Death Row charges escaping.

Fox soon breaks this narrative up into several smaller stories; you follow Kradle as he makes his escape, you also see Osbourne dealing with the fallout of the escape, and there are short descriptions of some of the other escapees and the people that encounter them.  The main two storylines surrounding Kradle and Osbourne continue in an awesome way towards the middle of the book.  I had a great time seeing Kradle attempt to evade the police and overcome an insane killer who is tagging along with him, while also heading home to solve the murder of his wife and child.  Osbourne’s story was also very compelling, as it details some of the initial hunts for the escaped fugitives, the investigation into who was responsible for the breakout, and the start of Osbourne’s obsessive hunt for Kradle.  The various smaller stories of the other escapees prove to be fun interludes to the main narratives, and Fox also includes key flashbacks to enrich the backstory of her central protagonists and showcase the reasons for emotional and combative history with each other.

Unfortunately, I found the last half of The Chase to be somewhat of a letdown after its outstanding beginning.  Kradle’s hunt for his family’s killer soon becomes one of the least interesting parts of the entire book, especially as it has no connection with the wider breakout.  His investigation is also loaded with way too many coincidences, unusually helpful witnesses, and strange motivations.  The eventual reveal of the killer was honestly pretty weak, and Kradle’s entire storyline only concludes satisfactorily due to a serendipitous appearance from a supporting character.  I was also not amazingly impressed with the identity of the person behind the prison escape, and I think that Fox missed a few opportunities, such as maybe tying Kradle’s personal investigation into a larger conspiracy.  Still, there were some fantastic highlights in this second half of the book, including Osbourne’s gradually changing relationship with Kradle, the action-packed conclusion to Osbourne’s hunt for the organisers of the prison break, as well as the extended and entertaining storyline of one escapee who managed to make the most of their situation.  While I would have loved a couple more extended storylines about some other outrageous inmates, I think that this was an overall good narrative, and I did have a lot of fun getting to the end.

I did really enjoy several of the characters featured in this fantastic novel.  The most prominent of these is John Kradle, the Death Row inmate accused of killing his wife and son.  Kradle is a likeable character, and you are quickly drawn into his desperate hunt for the person who framed him.  Fox makes great use of several flashback sequences to explore Kradle’s past, which paints an intriguing picture of a former recluse who eventually finds love and ends up raising a son by himself.  The reader does a feel a lot of sympathy for this unusual character, and he proves to be a fun protagonist to follow.  The other major character in The Chase is the supervising prison guard of Pronghom Correctional Facility’s Death Row, Celine Osbourne.  Osbourne is a strong and independent character who becomes obsessed with hunting Kradle and dragging him back to Death Row.  I really enjoyed Osbourne as a character, especially as Fox comes up with a very traumatic and clever backstory for her that perfectly explains her obsession.  Both lead characters serve as perfect focuses for The Chase’s narrative, and I had a great time seeing how their arcs unfolded, even if one was a little weaker than the other.

Fox also made use of several great side characters throughout The Chase.  My favourite is probably street hustler Walter Keeper, better known as Keeps, the one inmate at Pronghom who did not escape, as he was due to be released.  Keeps is dragged into Osbourne’s hunt for Kradle somewhat against his will due to his knowledge and intelligence.  Keeps serves as a good supporting act to Osbourne for much of the book, although his character arc goes in some very entertaining and ironic directions as the narrative progresses.  I also quite enjoyed tough-as-nails, no-nonsense, US Marshal Trinity Parker, who leads the manhunt.  Parker is a very entertaining character who serves as a perfect foil to Osbourne’s obsessions, mainly due to her absolute refusal to take any BS from her.  While I do think that Parker was a little over-the-top at times, she was still a fun addition to the cast.  The final character I want to talk about is one of the escapees, Old Axe.  Axe is a geriatric inmate who escapes from Pronghom on a whim and slowly makes his way to freedom.  I quite enjoyed the various sequences that highlighted Axe’s escape efforts, even if they were tinged with a sinister edge, but his arc was one of the more distinctive parts of the book.  All these characters were great, and I was really impressed that Fox was able to introduce them, build up their backstory and also provide satisfying conclusions for all of them in just one novel.

Overall, I really enjoyed The Chase and I felt that Candice Fox wrote a very entertaining and compelling narrative.  While this book did have its flaws, I had a fantastic time getting through it and readers will find it very hard to put this exciting novel down.  This was an awesome and addictive thriller, and I cannot wait to see what this amazing Australian author comes up with next.

The Warsaw Orphan by Kelly Rimmer

The Warsaw Orphan Cover

Publisher: Hachette Australia (Trade Paperback – 28 April 2021)

Series: Standalone/sequel to The Things We Cannot Say

Length: 416 pages

My Rating: 5 out of 5 stars

Prepare to have your heart broken again and again as Australian author Kelly Rimmer presents a captivating, powerful and dark historical drama, The Warsaw Orphan.

Warsaw, 1942.  The Nazis have a firm control over all of Poland and have moved the entire Jewish population into the infamous Warsaw Ghetto.  Vastly overcrowded and with limited supplies, life is extremely hard in the Ghetto, and many have given up all hope.  For Jewish teen Roman Gorka, all he can do is try to survive and earn enough to keep his family alive.  However, when rumours spread through the Ghetto about the Nazi plans to transport them to “work camps” out in the forest, Roman knows that it is time to act.  Knowing that the lives of himself and his parents are already forfeit, Roman attempts to find a way to save his younger siblings.

At the same time, a young woman, Elzbieta Rabinek, has just arrived in the city and appears to be a typical Polish girl living with her family.  However, Elzbieta is hiding a dangerous secret: her real name is Emilia, and she is the younger sister of an executed Jewish sympathiser.  Fleeing her village with her new family, Emilia is kept hidden from any potential pursuers.  But when Emilia discovers the truth about the Ghetto, she becomes determined to help and joins an underground group of women working to smuggle Jewish children to safety.

As Emilia becomes more involved with the secret work of her organisation, she soon encounters Roman.  Working together to save Roman’s younger sister, the two grow close and soon their fates are inevitably tied together.  But when a terrible tragedy strikes, both Roman and Emilia will be thrown into disarray.  As Warsaw becomes overwhelmed with fire and despair, can these two young people survive with hope, or will they be washed away in a flood of righteous anger?

Wow, just wow.  This was an incredibly touching historical drama that has really impressed me thanks to its moving story and striking portrayals of life in World War II Warsaw.  The Warsaw Orphan is the latest novel from Australian author Kelly Rimmer, who has previously produced moving novels such as Truths I Never Told You and Before I Let You GoThe Warsaw Orphan is actually a sequel to Rimmer’s previous book, The Things We Cannot Say, with some of the supporting characters from the previous novel appearing in more prominence in this latest novel.

I was lucky enough to receive a copy of The Warsaw Orphan a few weeks ago and thought it sounded like an intriguing novel, especially as it was from a new-to-me Australian author.  Based on the synopsis for the book, I knew going in that this would be a dark and emotionally rich novel, but I was very surprised with how compelling and poignant the narrative it contained would be.  Using the perspectives of the two narrators, Roman and Emilia, Rimmer paints a grim and powerful picture of the situation in Warsaw which the two protagonists find themselves in at the start of the book.  Both story arcs progress on their own separate way for a while, and it is intriguing to see the different experiences of two people living only a few streets away from each other in Warsaw.  It does not take long for the protagonists to encounter each other, combining the narrative together.  While the initial joining of their character arcs brings some hope to the story, Rimmer makes sure to quickly crush that with despair and heartbreak as both protagonists experiences tragedy after tragedy, as a series of different historical catastrophes engulf Warsaw and its people.  Every time the two central characters appear to be close to some sort of happiness, some new danger or disaster seems to befall them, and the reader is forced to sit back and watch as they endure their latest hardship.  While this novel is emotionally tough to read at times, Rimmer’s excellent storytelling ensures that you keep moving forward, especially as you become really invested in the lives of her two protagonists and the struggles of the various peoples of Warsaw.  While you may be left emotionally ragged and drained by the end of this book, readers will come away from this story extremely satisfied and with a little bit of hope.

I must really highlight the author’s outstanding and powerful depiction of historical events and places throughout The Warsaw Orphan.  Rimmer has clearly done her research on the subject and utilises a lot of fascinating and horrifying historical elements to great effect throughout the narrative.  For example, much of the story surrounding Emilia and the organisation she joins that helped to smuggle Jewish children out of the Ghetto is based on real life Polish hero Irena Sendler, with various features of Sendler’s work and personality imparted on some supporting characters.  The portrayal of occupied Warsaw is also extremely impressive, and you get a real sense of life in the city.  This is especially true of the Ghetto, as the author spends a significant amount of time exploring what happened within.  Rimmer pulls no punches when it comes to the horrors of the Ghetto and the brutalities the Nazi regime imparted on the Jewish population.  The various descriptions of the Ghetto are extremely harrowing, but through them the reader gets a sense of what the people within would have experienced.  I particularly appreciated the way in which she tried to capture the uncertainty that many of the characters, both Jewish and non-Jewish, had about the Nazis’ plans and you get a real sense of the fear and confusion in the lead up to the deportations.  Rimmer ends up covering all the key events that occurred in Warsaw between 1942 and 1947, and readers get some powerful and detailed views of the forced deportations to the camps, the Warsaw Ghetto Uprising, the Warsaw Uprising, the German retreat and the subsequent Soviet occupation.  The author shows every dark aspect of these historical events as her point-of-view characters find themselves involved in them, often to their great detriment.  All these powerful and remarkable historical events and locations serve as a great backdrop to this dramatic tale, and I found it fascinating to learn more about some of these events.

Rimmer has come up with an incredible pair of young point-of-view characters for this book, Roman and Emilia.  Roman is a Jewish teen living in the Warsaw Ghetto with his family.  Through his eyes you get to see many of the horrors of the Ghetto, starvation, Nazi oppression and the constant fear and death.  Rimmer does an impressive job of capturing the inner thoughts and feelings of someone caught up in these terrible events, and I really appreciated the strong sense of survival and desperation you get from him.  This quickly morphs in anger, righteousness and revenge when Roman experiences one tragedy too many, and he becomes in a number of dangerous fights against his oppressors.  Not only does this result in a number of brutal war sequences, but Rimmer paints a picture of a rebellious soul whose anger and moral outrage overwhelm his senses and force him to do darker and more dangerous deeds.  This depiction of anger and rage is quite powerful, and definitely fits an individual who loses everything and does not know what to do.

Emilia, on the other hand, is a somewhat more innocent figure, who, despite not being Jewish, has her own experiences with oppression after witnessing her brother dying in The Things We Cannot Say.  Due to the events of this previous book, she has fled to Warsaw with her adoptive parents, hiding under an assumed name.  Despite the troubles she is running from, Emilia chafes under the rules her guardians put in place, especially once she learns what is happening in the Ghetto.  Despite her fear, uncertainty and loyalty to her guardians’ wishes, Emilia soon becomes involved in the smuggling of children.  I really liked how Rimmer decided to utilise her previous character in this novel, and the author does a great job of revisiting parts of her story so that new readers can appreciate what has happened in her past.  Emilia proves to be a really interesting character throughout the book, and I loved the contrast in views between her views of Warsaw and Roman’s darker experiences.  Watching a non-Jewish citizen experience the horrors of the Ghetto for the first time is pretty moving, and the reader feels a certain kinship to her as they are also witnesses to the various tragedies.  I loved the storyline surrounding Emilia joining the movement to save Jewish children, and the author utilises her to tell this group’s very unique tale extremely well. 

Both Roman and Emilia have some fantastic storylines in The Warsaw Orphan, and I really liked the way their two separate character arcs come together.  These two characters experience an immense amount of grief, regret, violence and despair throughout the book, and their connection is one of the few things to keep them going.  Rimmer sets up both characters extremely well throughout The Warsaw Orphan and readers will quickly become obsessed with their unique tales and harrowing experiences.  I think both character storylines worked extremely well on their own, but together they tell an even more tragic story, as these two fall in love amongst the worst moments of human history.  Seeing the various tragedies and poor decisions that impact their relationship is pretty heartbreaking, and the reader is left in hope that they both survive in the end.  I think that Rimmer did an exceptional job creating and developing these two characters, and it is a mark of her writing ability that I ended up caring so much for them both. 

The Warsaw Orphan by Australian author Kelly Rimmer is an exceptional and incredible historical drama that comes highly recommended.  Rimmer has produced a first-rate story that perfectly utilises two tragic protagonists, an extremely dark and atrocious historical period and an addictive, if tragic, story of love, loss and survival.  The Warsaw Orphan is a powerful and compelling book that will stick in your mind long after you finish its final harrowing page.

Quick Review – The Codebreakers by Alli Sinclair

The Codebreakers Cover

Publisher: HQ (Trade Paperback – 3 March 2021)

Series: Standalone

Length: 460 pages

My Rating: 4.5 out of 5 stars

Interested in a fantastic historical fiction novel that looks at a unique and overlooked part of Australia’s history?  Then make sure to check out The Codebreakers by bestselling author Alli Sinclair, an amazing and dramatic novel that I found to be extremely captivating and powerful.

Synopsis:

1943, Brisbane: The war continues to devastate and the battle for the Pacific threatens Australian shores. For Ellie O’Sullivan, helping the war effort means utilising her engineering skills for Qantas as they evacuate civilians and deliver supplies to armed forces overseas. Her exceptional logic and integrity attract the attention of the Central Bureau-an intelligence organisation working with England’s Bletchley Park codebreakers. But joining the Central Bureau means signing a lifetime secrecy contract. Breaking it is treason.

With her country’s freedom at risk, Ellie works with a group of elite women who enter a world of volatile secrets; deciphering enemy communications to change the course of the war. Working under immense pressure, they form a close bond-yet there could be a traitor in their midst. Can the women uncover the culprit before it’s too late?

As Ellie struggles with the magnitude of the promise she’s made to her country, a wedge grows between her and those she holds dear. When the man she loves asks questions she’s forbidden to answer, how will she prevent the double life she’s leading from unravelling?

The Codebreakers was an amazing and well-written historical drama from Australian author Alli Sinclair, who has previously penned several other great historical novels.  This latest book from Sinclair tells the impressive and captivating tale of some of the most unique women in Australia’s storied war history, the secret codebreakers of Central Bureau.  This proved to be an impressive and captivating read that I powered through in a quick amount of time, especially as Sinclair came up with a clever and compelling narrative.

Throughout this outstanding tale, Sinclair not only covers the intricacies of a fascinating group of female codebreakers, also known as the Garage Girls (they worked out of a garage), but also includes some excellent character-driven drama as the protagonist is forced to come to terms with the secrecy of her work as well as the various tragedies that befall her and her friends as the war takes it harsh toll.  Throw in an intriguing spy thriller angle, as the Garage Girls find out that one of their own may be a traitor, and this becomes quite an intriguing and exciting read.  I loved the great blend of excitement, adventure and tragedy that the author produced, and I really liked how she not only showed the protagonist’s entire tenure with the Garage Girls but also featured the tragic aftermath of the war, where the consequences of the protagonist’s decisions and the loneliness of missing friends and colleagues forces her to choose a different path.  Readers will swiftly find themselves very attached to the main protagonist and her amazing story, and I had a great time seeing this entire tale unfold.

I must highlight the excellent historical aspects of The Codebreakers as Sinclair has clearly done some intense research on this period.  I really enjoyed the intriguing examination of the Central Bureau codebreakers who were active in Brisbane during WWII and who helped to decrypt transmissions and provide vital information to the Allies.  Throughout this great book, Sinclair really goes into great detail about the work the codebreakers would have done and some of the impacts of their work.  She also tries to examine the mentality that surrounded these codebreakers, both in their work and outside it, as each codebreaker was forbidden to talk about their work to anyone, both during the war and after it.  This proves to be an intriguing and intense central part of the novel’s drama, and it is apparently based on interviews that Sinclair did with surviving members of the real-life Garage Girls.  This was an impressive and amazing basis for this great story and I deeply enjoyed learning more about this fascinating and formerly-secret women.

I also enjoyed the way in which the author perfectly captured the feel of mid-war Brisbane throughout The Codebreakers’ story.  Sinclair laces her narrative with a lot of fascinating discussions about various military attacks that hit Australia, wartime polices and general thoughts and feelings about the war and the people involved with it.  However, I was most impressed with Sinclair’s attempts to capture the mentality of the people on the home front in Brisbane at the time.  Not only did you get the frustrations of the common Australian citizen/soldier as they dealt with the deployed American soldiery, but there is also the sadness and regret of those that survived.  You could almost feel the despair of several characters in this book, especially after the deaths of some of their loved ones, and it was a truly moving inclusion in this fantastic and powerful read.  All of these historical inclusions were really remarkable, and I had an outstanding time exploring Sinclair’s vision of this intriguing and momentous period of Australian history.

The Codebreakers by Alli Sinclair was an awesome and moving historical drama that proved to be an exceptional examination of a truly unique group of Australian women.  Sinclair makes perfect use of the amazing historical basis for her novel and turns it into quite an exciting and captivating tale of resilience, friendship and romance, which comes highly recommended.  I really enjoyed this fantastic novel and I loved learning so much about the codebreakers of Australia’s Central Bureau.

Throwback Thursday – The Last Continent by Terry Pratchett

The Last Continent Cover

Publisher: Doubleday and ISIS Audiobook (1 May 1998)

Series: Discworld – Book 22

Length: 9 hours and 57 minutes

My Rating: 5 out of 5 stars

This is part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this Throwback Thursday I take a look at one of my absolute favourite books of all time, the incredibly funny and always enjoyable The Last Continent, by legendary author Sir Terry Pratchett.

I have never made it a secret that I absolutely love the works of the late, great, Terry Pratchett, who I consider to be one of the best authors of all time.  I love and adore every single one of Pratchett’s hilarious and captivating novels, especially the entries in the wacky and wild Discworld series, a comedy fantasy series set in an absolutely insane world of magic, monsters and outrageous personalities that lies upon a disc shaped world, borne through space on the back of four elephants, who themselves are on the back of a giant turtle.  I have so much love for this outstanding and hilarious series, and I have read each and every entry in multiple times.  Heck, even the name of my blog, The Unseen Library, is taken from a fictional institution in the Discworld series!  However, despite how much I love the series, I have so far only reviewed one Discworld novel on this blog so far (Shame! Shame! Shame!), Moving Pictures, and this is something I have been meaning to rectify for some time.

I recently did a Top Ten Tuesday list where I looked at some of the funniest books I have ever read, which included several Discworld novels, and this inspired me to do a review for another Pratchett read.  I ended up going with one of my favourite Discworld novels of all time, the incredible and wildly entertaining The Last Continent, which places one of the author’s most iconic characters into the most dangerous places imaginable, Australia.  I am reviewing this book slightly out of the order I originally planned, but I figured reviewing this one now may encourage me to get to others in the future.  I should admit that I have not read The Last Continent recently, but this is one of the many Discworld novels that I have read multiple times, either in its paperback (I’ve actually got a signed copy of this book) or its audiobook format, and at this point I have it pretty much memorised. 

So the first thing I should cover is:

“This is not a book about Australia.  No, it’s about somewhere entirely different which just happens to be, here and there, a bit…Australian.

Still…no worries, right?”

Welcome to EcksEcksEcksEcks (XXXX), the Discworld’s last continent.  Made by a rogue creator who snuck in after the rest of the Disc was created and kept hidden away from its other civilisations by a series of massive storms, XXXX is a deadly and dangerous place.  Filled with some of the most lethal and confusing creatures on the entire Disc and populated by a friendly, if occasionally murderous, group of people, XXXX is a hell of a place to live.  Unfortunately, everything in it is about to die as the water dries out and even the beer is getting hard to find.

Luckily for the people of XXXX, a hero has been found, one who is battling his way through the wastes and towns of the country, his legend growing all along.  But who is this road warrior, sheep shearer, horse wrangler, beer drinker and ballad-worthy bush ranger, and why is he apparently so determined to run away from his heroic destiny?

That man is Rincewind, the Discworld’s most cowardly and inept wizard, who has been bounced from one end of the Disc to the other and been chased by every sort of monster, maniac and seller of regional delicacies you can imagine.  All Rincewind wants to do is go home, and he is determined to avoid any new adventures as a chosen hero, no matter what the talking kangaroo stalking him tries to tell him.  Despite his best efforts, Rincewind once again finds himself caught up in the special craziness of the locals, and if he wants to survive, he needs to find a way to save everyone.  What’s the worst that could happen???

So, as you may be able to tell from the above synopsis, this is a bit of a crazy novel, but it is one that is always guaranteed to make me laugh, especially with its fantastic Australian-based humour.  The Last Continent is the 22nd overall entry in the Discworld series and the sixth book to focus on the character of Rincewind.  I personally have a lot of love for this particular Terry Pratchett novel, and it is probably one of my all-time favourite Discworld novels. 

Pratchett came up with a pretty clever and fantastic story for The Last Continent, which sees several of his established characters get involved in wackiness all around a newly discovered continent.  The main story follows Rincewind as he tracks across the wastelands of XXXX after getting sent there at the end of his previous novel, Interesting Times (there was an accident with a butterfly), and he is now primarily concerned with trying to find a way home.  However, mysterious forces soon work to turn him into the hero who will save XXXX from a thousand-year crippling drought.  Rincewind, who is more concerned with reaching the nearest port, soon gets involved with all manner of road bandits, deadly creatures, drunken locals and an annoying talking kangaroo, all of which lead him to the secrets at the heart of this lost continent.  At the same time, the wizard faculty at Unseen University are faced with a serious problem when their trusty orangutan colleague, the Librarian, falls ill, and they require his real name to work a spell to save him.  However, the only person who knows the Librarian’s real name is Rincewind, and so the faculty blunder their way through a magical portal to find him.  However, in predictable fashion, they find themselves trapped on a weird island thousands of years in the past and forced to deal with an immature and slightly beetle-obsessed god of evolution.  

I really enjoyed both story arcs contained within this book, and Pratchett did an amazing job bringing them together.  Both have some fantastic and weird elements to them and they make great use of the particular adventures and attitudes of their relevant characters.  While Rincewind is forced to run away from all manner of deadly situations you typically see here in Australia (let me tell you, the dropbears and road gangs are murder), the wizard faculty blunder their way through all manner of unique situations, mostly by ignoring what is happening to them.  Each storyline is unique and has some fantastic highlights, but the real strength is the way in which Pratchett combines them together into one cohesive narrative.  Not only are both distinctive arcs perfectly spread out and separated throughout the course of the book, but Pratchett does a fantastic job combining them together in a clever way.  This ended up serving as a great near-final adventure for Rincewind (he’s more of a supporting character in his following appearances), and I think it did a wonderful job wrapping up his main arc.  While readers should probably read some of the earlier Discworld novels featuring Rincewind (especially the preceding Interesting Times), The Last Continent can easily be read alone, and readers will have an outstanding time reading this fun and compelling comedic adventure.

In my opinion, The Last Continent is one of Pratchett’s funniest novels, although I might be somewhat biased by my own personal humour and background.  I always have an outstanding time reading this book and there are so many clever jokes and amusing references that I cannot help but laugh, no matter how many times I hear them.  This book has a lot of Pratchett’s classic humour elements to it, such as the unusual quirks of his various characters and the funny little footnotes, filled with great references and punchlines.  The author goes off on some very entertaining segues during this book, and I love some of the great jokes he came up with, especially those that make fun of Australia.

Now, despite what the author says at the front of this book, The Last Continent is clearly a parody of Australia, and Pratchett clearly enjoyed utilising every single Australian reference or cliché he could think of to craft his funny book.  The continent of XXXX is an over-the-top fantasy version of Australia, with many of the outrageous stereotypes that you would expect, as well as some more subtle choices, and it serves as a truly amusing setting for this book, especially as Rincewind perfectly plays the part of clueless tourist.  While you could potentially discount The Last Continent as merely satirising Australia, I have always seen it as something cleverer, as I think that Pratchett was more making fun of the stereotypes that outsiders came up with rather than Australia itself.  That being said, Pratchett, as a Brit, did take a few good shots, although that’s only to be expected.  As an Australian myself, I always enjoy when comedy writers try to encapsulate Australia in their works, as it is quite amusing to see what they reference.  I always thought that Pratchett did this the best with The Last Continent, as he really dived into so many aspects of Australia life, nature and culture, and there are some truly funny jokes contained within.  Australian historical or cultural icons like Mad Max, Priscilla, Queen of the Desert, Skippy, The Man From Snowy River, Crocodile Dundee, and Ned Kelly are utilised in this book to great effect throughout The Last Continent, and there are some truly outrageous and clever references and jokes here.

While The Last Continent is filled with many, many funny Australian jokes, a few really stick out to me.  I personally always laugh so hard when Death, wanting to learn more about the continent his elusive prey Rincewind has landed on, decides to ask his library for a list of all the deadly animals on XXXX.  However, this results in him being buried by a massive pile of reference books, including “Dangerous Mammals, Reptiles, Amphibians, Birds, Fish, Jellyfish, Insects, Spiders, Crustaceans, Grasses, Trees, Mosses and Lichens of Terror Incognita: (Volume 29c, Part Three).  This is followed up by a request for a list of harmless creatures on the continent, and a single card appears bearing the sentence “some of the sheep”.  I love that over-the-top joke about how dangerous Australia’s wildlife is (it is honestly not that bad, although my editor was bitten by a sheep the other day), and that was one of the best ways I have seen it bought up.  I also loved the references to Australian hero worship of notorious criminals such as Ned Kelly or the jolly swagman from Waltzing Matilda.  There are some amazing jokes here, from people attempting to make catchy ballads, to the prison guards providing advice and help on last words and escape possibilities, all of which capture the rebellious Australian spirit.  I particularly liked Pratchett’s version of Waltzing Matilda, which was perfect in its rhyme, its satirical analysis of the original poem, and how it fit into The Last Continent’s narrative:

“Once a moderately jolly wizard camped by a waterhole under the shade of a tree that he was completely unable to identify.  And he swore as he hacked and hacked at a can of beer, saying ‘what kind of idiots put beer in tins?’”

Other great Australian comedic sequences for me include the scene where the Unseen University wizards attempt to design a duck by committee, resulting in the mighty platypus, an impromptu Mad Max road chase with horse-drawn carts and the constant references to a certain line in our national anthem.  All of these jokes, and more, were pretty amazing and I really enjoyed seeing some of the outrageous and over-the-top elements that British culture picks up about Australia.

While I really enjoyed all the fun references to Australia, some of Pratchett’s best jokes in The Last Continent occurred during the secondary storyline that followed the faculty of Unseen University as they go back in time and encounter the god of evolution.  The author uses this part of the book to make comedic observations about time travel, evolution and advanced biology.  Not only does include a particularly hilarious sequence in which someone tries to explain the grandfather paradox to a group of wilfully ignorant wizards, but there are some truly funny jokes about evolution and biology which cleverly reference some advanced concepts and historical basis of the science.  While I read this book years ago, it wasn’t until I took some specific biology classes that I fully grasped just how intelligent some of the jokes in this part of the book are.  I personally love a book which you can come back to time and time again and find some new joke or layer to, and this is the case with The Last Continent, which no doubt still contains elements or references I’ve missed.  All of this results in a comically brilliant read, and The Last Continent remains one of my favourite Disworld reads as a result.

I have always enjoyed the great character choices contained within this book, as Pratchett brings together some old favourites, as well as a few entertaining new ones, to tell the story.  The main character of The Last Continent is Pratchett’s original Discworld protagonist, Rincewind, the cowardly and inept hero who cannot even spell “wizard” properly, but who has served as a world-saving hero on multiple occasions.  Rincewind is always a particularly fun character to follow, not only because he constantly finds himself caught in all manner of unique situations which he heroically tries to run away from (he has become quite the expert at running away), but he has a certain realistic approach to life that allows him to see through the ridiculousness around him and address it in a funny manner.  At this point in the series, Rincewind has been bounced around from adventure to adventure against his will so much that he has developed a bit of knack for knowing when it is going to happen again, including figuring out all the signs someone gives off when they are trying to con him into being a hero.  It proves to be quite entertaining to see Rincewind try to escape from people trying to drag him into the narrative, especially as all his attempts to get out of dangerous situations generally put him in even worse trouble.  It is also really worth seeing Rincewind’s reactions to the various elements of XXXX life, especially as he soon begins to realise that everyone there has some very unusual ideas about how to live and die, most of which he is very opposed to.  I really enjoyed this more mature and somewhat resigned version of Rincewind and I have to say that this is one of my more favourite adventures of his (either this or Interesting Times).  It was definitely great to see the character get a happy ending towards the end of the book for once, which he frankly deserved after his last few adventures.

While Rincewind is tearing it up in not-Australia, Pratchett also dedicates around half of The Last Continent to the characters who form the faculty of the Disc’s premier wizard school, Unseen University.  Many wizard characters have featured in the Discworld books, but this current iteration of the faculty (with the exception of the Librarian) was originally introduced in the 10th book, Moving Pictures, and has remained pretty constant ever since.  This group includes the hunting-obsessed Archchancellor, Mustrum Ridcully; the quite insane Bursar; the incredibly obese Dean; the amusing team of the Senior Wrangler, the Chair of Indefinite Studies and the Lecturer in Recent Runes; the orangutan Librarian (working in a library is dangerous work); and the long-suffering Ponder Stibbons, the youngest member of the faculty and the only one with any common sense.  Pratchett had previously done an amazing job building up all of these characters in prior books, highlighting their unique quirks and issues, including the overwhelmingly stubborn, childish and traditionalist personalities of the older wizards.  This excellent blend of personality types really makes the older wizard characters really amusing and their adventures, especially when encountering strange gods and creators who they generally ignore, are extremely funny.  While an entire book about these characters would potentially be a bit overwhelming, I think that Pratchett got the balance right in The Last Continent, and they ended up serving as a fun counterpoint to Rincewind.  Stibbons was also a particularly good straight-man to his fellow wizards, and the contrast between keen intellectualism and entrenched “wisdom” is a fantastic part of the book.  I rather enjoyed Stibbons arc in this book, especially as you get to appreciate the true depth of his frustration with his fellow wizards, although he does gain a deeper appreciation for them as the book progresses.  Other amusing storylines with the wizards includes the Senior Wrangler’s obsession with housekeeper, Mrs Whitlow, which eventually gets shared with some of the other wizards, and the uncontrollable shapeshifting infecting the Librarian, which makes for some entertaining gags.  I also really enjoyed the fact that much of the book’s plot revolves around the fact that no-one actually knows the Librarian’s name, a fun feature from the previous books, and it was interesting to see the reasons why this was the case.

Aside from this fun collection of wizard characters, Pratchett makes great use of a fine selection of supporting characters, each of whom add some fantastic fun to the overall story.  This includes a very inventive group of new characters, each of whom represent various parts of XXXX life, whether they be depressed operatic chefs, police officers more concerned with getting their charges ballads and famous last stands, bushland drovers, belligerent drinkers, desert-wandering crossdressers in a princess-themed cart and even a crazed road warrior named Mad.  Despite most of them being the result of a punchline or extended joke, Pratchett sets each of these characters up really well and ensures each of them has a fun and satisfying character arc in the book.  I also quite enjoyed the return of fan favourite character, Death, who goes on a bit of a tourist phase through the book.  I really liked Death’s random appearances throughout The Last Continent, especially as he drops some amusing anecdotes about dying in XXXX, and it was also great to see his current viewpoint on Rincewind.  Whereas before he was always determined to catch and kill Rincewind, as he was the one mortal who constantly got away from him, in this book, Death, who no longer has any idea of when Rincewind is actually going to die and is now quite fascinated by him, keeps himself appraised of his progress and is generally friendly to him, even if that freaks Rincewind out.  I also loved the appearance of another member of the extended Dibbler clan, even if the XXXX version was a parody of a certain unpleasant right-wing political figure here in Australia.  The appearance of another ruthlessly mercantile hot-food dispenser with inedible food is a great continuation of a running joke Pratchett has been using for several books, and it is one that really pays dividends in The Last Continent, when Rincewind recounts all the terrible foods he’s eaten over the years from the various Dibblers he has encountered, which then runs into a fantastic diatribe about the dangers of national delicacies, especially XXXX’s meat pie floater (a real meal here in Australia, although there is no way in hell I would ever eat one).  All of these characters add so much to the book’s story, and I love the inventiveness that Pratchett puts into them.

While I have enjoyed all the Discworld novels in their physical paperback format at one point or another, my preferred way to experience a Pratchett novel these days is in its audiobook form.  All of the Discworld novels have been turned into excellent audiobooks over the years, and The Last Continent is no exception.  Narrated by the outstanding Nigel Planer, who ended up narrating over 20 Discworld novels (The Last Continent was the penultimate Discworld book he leant his voice to), and with an easily enjoyable runtime of just under 10 hours, this is a pretty fantastic audiobook that I regularly rush through in not time at all.  I find that all the awesome jokes in this book come across in the audiobook format extremely well, even the jokes traditionally contained within the book’s footnotes, and Planer’s witty voice is always pitched at the best tone to bring out the joke’s potential.  I really appreciate the way in which Planer utilised the same voices for the various recurring characters he has used in all their previous appearances, and each of the voices fit the characters very well.  I also really enjoyed the voices he came up with all the new characters, and it was exceedingly amusing to see him come up with a range of Australian voices and accents and have them belt out a variety of outlandish slang terms.  All in all, this turns out to be an excellent audiobook version of The Last Continent and it is pretty much the only way I enjoy this novel at the moment.

As you can see from the huge review I pulled together above (I have written university essays that were shorter), I really love The Last Continent.  This fantastic Australian parody is easily one of my favourite Discworld novels, and I deeply enjoy the outstanding and entertaining story that Pratchett wove around this outrageous version of my country.  Anyone who is familiar with anything Australian is going to have an incredible time reading this book, and I honestly do not think I could give this anything less than five stars.  A highly recommended read from one of the funniest authors of all time.

The Last Convict by Anthony Hill

The Last Convict Cover

Publisher: Michael Joseph (Trade Paperback – 2 February 2021)

Series: Standalone

Length: 368 pages

My Rating: 4 out of 5 stars

Acclaimed Australian author Anthony Hill once again dives into the unique history of Australia’s colonial past with a fascinating examination of a truly remarkable individual in The Last Convict.

Perth, 1938.  Samuel Speed in an old man living his last days in a dreary public-run home for destitute old men, with no family or friends to take him in.  At 98 years old, Samuel knows that he does not have long to live and is content with his lot in life, but an unexpected opportunity to tell his tale has been given to him.  A local newspaper has requested an interview with him after they discover that he is the last person left alive who was transported as a convict to Australia.

As Samuel begins his interview, he is transported back to his past to a fateful day in Oxford in 1863 when, as a young, starving teenager, he helped set a barley stack alight in the hopes of being arrested to receive food and a warm bed in prison.  However, he is unprepared for the full consequences of his actions when a judge harshly sentences him to seven years hard labour on the other side of the world.  Boarding the transportation ship, Belgravia, everything from his past is taken from him, including his name, and he begins the long, arduous journey to Fremantle Prison in Western Australia.

Forced to endure years of backbreaking labour, isolation and enforced routine on his life, Samuel’s only relief is a newfound love of reading, as he enjoys escapism in several classic novels.  Eventually obtaining his ticket of leave in 1867 and full freedom in 1871, Samuel seeks to forge a new life for himself.  However, as he continues to work hard, he soon begins to understand that even though he is no longer in prison, he is still very much trapped by circumstances outside of his control.  What kind of man will Samuel become, and how deep does a person’s life sentence truly run?

The Last Convict is a fantastic and powerful historical novel from Anthony Hill that provides an impressive examination of an intriguing figure from Australia’s history.  Hill is an intriguing author from my home city of Canberra who has written several historical novels throughout his career, all of which examine unique individuals from Australia’s past, such as his novel Captain Cook’s Apprentice which followed a cabin boy aboard the Endeavour as it made its journey to Australia, or Soldier Boy, which followed Australia’s youngest-known soldier during WWI.  This latest novel from Hill continues this trend as the author takes a look at Samuel Speed, the last known surviving convict transported to Australia from England.

I really enjoyed the excellent narrative that Hill pulled together for his latest novel, and The Last Convict proved to be an exciting and fascinating tale of survival and determination.  Thanks to a trove of intriguing historical information and articles (all of which is either provided or referenced at the end of the novel), Hill provides the reader with a detailed and compelling bibliographic tale of Samuel’s life.  The story is set around a real-life interview that Samuel Speed had with the Mirror in 1938, and The Last Convict showcases both the elderly Speed sitting down for the interview and his visions of the past as he gets wrapped up in his captivating memories.  The resulting tale is a powerful and stirring narrative that combines historical fact, obtained from both the interview and other sources, as well as some dramatisation from the author.  I really enjoyed the clever narrative that resulted and I think that Hill did his historical protagonist justice, painting him as a conflicted and entertaining figure with both regrets and contentment about how his life turned out.  While many of the events that occurred in this novel have a strong historical basis, Hill did make several leaps (which he acknowledges in his notes) throughout the book.  I think that a lot of these literary creations of the character’s life worked well, and I like to think that Samuel was the amiable bibliophile that Hill made him out to be.  I found myself really getting drawn into this epic and captivating tale, especially as the author did a fantastic job portraying a number of fascinating scenes, locations and events from history, and it painted a vivid picture.  I also quite enjoyed the way in which Hill told the story through an excellent combination of flashback sequences and scenes featuring the older Samuel telling his tale to the newspaper.  All of this results in a fantastic and enjoyable narrative and I am really glad that I got the chance to experience this interesting take on the intriguing figure that was Samuel Steel.

One of the things that I loved the most about The Last Convict was the exceptional amount of historical detail that the author chucked into this book.  Hill is a massive history buff who has done an impressive amount of research for this novel, and he goes out of his way to populate this novel with all manner of facts and fascinating depictions of day-to-day life that a person like Samuel Steel would have experienced.  As a result, the reader gets a captivating, comprehensive and authentic-feeling examination of the convict experience in the latter half of the 19th century.  This includes fantastic depictions of how a person would be tried; their incarceration in England, including some of the horrendous bits of hard and painfully repetitive labour they would be required to undertake; all the way up to their transportation across to Western Australia.  The author also dives into the experiences of a convict living in Western Australia in the second half of The Last Convict, and there are some fantastic and intriguing discussions about what a person would have experienced once they arrived in a vast new land.  I found all the discussion about the various tasks, the intricate tickets of leave and day-to-day life of a convict locked up in Freemantle Prison (which is a cool building to visit) to be exquisitely done, and the reader gets an amazingly wide-ranging amount of knowledge on the subject.

Another fun historical aspect of the novel was the range of entertaining historical anecdotes that the character of Samuel Steel told to the reporter during the story regarding major historical figures that Samuel would have had knowledge of.  Not only do these anecdotes help to flesh out the story and help to fit into a couple of minor references featured in the Mirror interview, but they also proved to be a rather intriguing inclusion.  Hill goes into substantial detail recounting tales of several outrageous and famous Western Australian historical figures and their major moments, which included infamous prison escapes and other shenanigans.  I found these parts of the book to be incredibly fascinating, especially as I was unfamiliar with several of the stories that were mentioned, including one mass escape of Irish convicts that nearly started an international incident between the colony of Western Australia and the United States.  These stories added some great context to Samuel’s tale and helped the reader to envision the lives of other convicts or people in power that may have had some influence over the protagonist’s way of life or who he may have gossiped about.  I also quite liked the author’s decision to make Samuel a fan of classic novels, which was added in due to a passing reference to a Mark Twain story that Samuel made during his interview, and because Samuel had an association with the Braille Society, who ended up burying him.  Hill expands on this to paint Samuel as a lover of other novels, especially Dickens, and suggests that he would have started reading whilst a convict looking to pass the time.  Not only is this a rather likeable and relatable character trait, but it allowed the author to explore what sort of literary works a person like Samuel might have been interested in and may have had access to.  I enjoyed the author’s depictions of this classic novels and the protagonist’s potential reaction to them, and it proved to be an intriguing part of the book’s plot.  Overall, I felt that all these cool historical elements really helped to elevate Hill’s story within The Last Convict and readers are in for a fantastic blast of information about colonial Western Australia that is extremely fascinating and interesting.

The Last Convict is another clever and meticulously researched Australian historical fiction novel from Anthony Hill that provides the reader with a powerful and compelling window into the life of an interesting figure from history.  Loaded with Hill’s usual intense levels of fascinating historical detail, I had a lot of fun reading The Last Convict.  I look forward to seeing which Australian historical figure Hill looks at in his next book and I will be grabbing a copy to read.

Top Ten Tuesday – Australian Books of 2020

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  For this week’s Top Ten Tuesday, participants were supposed to list their top new-to-me authors that they read in 2020, however, I am going to do something a little differently here at The Unseen Library.  I have actually already completed and published this list a few weeks ago as I knew in advance that I would be doing an alternate list today.  The reason for this is because 26 January is Australia Day, so I thought that I would take this opportunity to highlight some of the top pieces of fiction written by Australian authors that I read in 2020.

Each of year talented Australian authors produce an impressive and exciting range of amazing fiction from across the various genres, many of which I am lucky enough to get copies of from the local publishers.  As a result, I tend to read and review a ton of novels by Australian authors, most of which turn out to be some outstanding reads that I deeply enjoy.  While I have previously listed my absolute favourite pieces of Australian authored fiction, I thought that this year I would change it up and examine which Australian novels were the best in 2020.

To qualify for this list, a novel had to be released in 2020 and written by an Australian author, which I am defining as anyone born in Australia or who currently lives here (Australia is very good at adopting talented people as our own).  This resulted in a surprisingly long list, including several novels that I considered to be some of the best reads of last year.  I was eventually able to whittle this novel down to the absolute cream of the crop and came up with a fantastic top ten list (with my typical generous honourable mentions).  I really enjoyed how this list turned out, especially as it features novels from a range of different genres, all of which ended up being very awesome Australian novels.

 

Honourable Mentions:

 

The Left-Handed Booksellers of London by Garth Nix

The Left-Handed Booksellers of London Cover

 

Finding Eadie by Caroline Beecham

Finding Eadie Cover

 

Last Survivor by Tony Park

Last Survivor Cover

 

Where Fortune Lies by Mary-Anne O’Connor

Where Fortune Lies

 

Top Ten List:

 

Hollow Empire by Sam Hawke

Hollow Empire Cover 2

Let us start this list on a very high note with Hollow Empire by Canberran author Sam Hawke.  Hollow Empire was the exciting and much-anticipated sequel to Hawke’s epic fantasy debut, City of Lies, which continued the fantastic adventures of two poison-eating siblings as they attempt to save their city from war and intrigue.  This second novel was an exciting and deeply compelling read filled with new dangers, new enemies and an amazing selection of clever twists and reveals.  A deeply enjoyable novel that was one of the best fantasy novels of the year, I cannot talk up Hollow Empire enough.

 

A Testament of Character by Sulari Gentill

A Testament of Character Cover

The second entry on this list is the 10th historical murder mystery book in Gentill’s long-running Rowland Sinclair series, A Testament of Character.  This fantastic novel sent the titular protagonist and his bohemian friends on a captivating adventure in 1930’s America as they attempt to find out who killed an old associate of theirs.  I always have a great deal of fun when I read the Rowland Sinclair novels, and A Testament of Character turned out to be an impressive and highly enjoyable entry in the series which I deeply enjoyed.

 

Stormblood by Jeremy Szal

Stormblood Cover

Next up we have the exciting and creative science fiction debut, Stormblood, by brilliant new author Jeremy Szal.  This great new novel serves as the impressive first entry in a bold new series that follows a former soldier who was purposely infected by alien biological enhancements as he attempted to uncover a massive conspiracy on an elaborate space station.  Stormblood was an excellent and amazing read that perfectly sets up this cool series and which is really worth reading.  A sequel, Blindspace, is set for release later this year, and I am rather looking forward to it.

 

Either Side of Midnight by Benjamin Stevenson

Either Side of Midnight Cover

I only recently finished off this dramatic and compelling Australian murder mystery, but I had to include it on this list due to its clever mystery and complex characters.  A fantastic sequel to 2018’s Greenlight, this is Australian crime fiction at its best and comes highly recommended.

 

The Erasure Initiative by Lili Wilkinson

The Erasure Initiative Cover

One of the most unusual but extremely captivating pieces of Australian fiction this year was The Erasure Initiative by the infinitely talented Lili Wilkinson.  Wilkinson, who previously wrote the exceptional After the Lights Go Out, produced another high-concept and darkly creative young adult science fiction thriller that sees several strangers will no memories of their past locked in a bus by someone with a strange and lethal agenda.  Clever, intense and highly addictive, The Erasure Initiative was just amazing, and I ended up really loving it.

 

The Queen’s Captain by Peter Watt

The Queen's Captain Cover

One of my favourite historical fiction authors, Peter Watt, finished off his action-packed Colonial series on a high note with the amazing The Queen’s Captain.  Serving as a great conclusion to the story featured in The Queen’s Colonial and The Queen’s Tiger, this latest novel took the protagonist on another set of deadly adventures in the Victorian empire and was a very awesome book to read.

 

Hideout by Jack Heath

Hideout Cover

I had to include the fantastically fun and incredibly exciting Hideout by another Canberran author, Jack Heath.  This was the third novel in Heath’s fantastic Timothy Blake series.  It follows a cannibalistic protagonist as he attempts to kill and eat a house full of sociopathic killers.  An excellent read that you can really sink your teeth into, this is an awesome one to check out.

 

Aurora Burning by Amie Kaufman and Jay Kristoff

Aurora Burning Cover

If you are in the mood for an exceedingly fast-paced science fiction read, you need to check out the latest outstanding young adult read from the dream team of Australian authors Amie Kaufman and Jay Kristoff.  The epic sequel to 2019’s Aurora Rising, this latest novel continues an impressive tale that follows several cool teen protagonists on a wild adventure in space with the entire universe gunning for them.  Thanks to the epic cliffhanger at the end, I will have to grab the third entry in this series when it comes out, and I cannot wait to see how it ends.

 

The Last Smile in Sunder City by Luke Arnold

The Last Smile in Sunder City

The Last Smile in Sunder City is a sensational fantasy thriller that follows a depressed private investigator as he attempts to find a missing girl in a city tragically devastated by the destruction of all magic.  Arnold’s debut was pretty damn awesome, and he has already followed it up with a sequel, Dead Man in a Ditch.  A clever and inventive read from a fantastic new author, this is a great book to check out.

 

The Night Swim by Megan Goldin

The Night Swim Cover

Last, but certainly not least, was the moving and dramatic thriller The Night Swim, by acclaimed up and coming Australian author Megan Goldin.  Goldin is a talented and dramatic writer who previously wrote the bestselling thriller The Escape Room.  This latest novel from Goldin was a clever and powerful read that examined two haunting crimes taking place over two generations.  The Night Swim was an impressive novel, and I cannot wait to see what Goldin will come up with next.

 

 

Well, that is the end of this latest list and I am really happy that I got a chance to highlight some of the cool Australian releases of 2020.  The above books represent an outstanding collection of fiction from talented Australian authors, and each of them comes highly recommended by me.  I had a lot of fun coming up with this list and I plan to examine my favourite Australian novels of 2021 this time next year.  Until then, stay tuned for more epic reviews and lists, and make sure you let me know who your favourite Australian authors are in the comments below.

Either Side of Midnight by Benjamin Stevenson

Either Side of Midnight Cover

Publisher: Michael Joseph (Trade Paperback – 1 September 2020)

Series: Jack Quick – Book Two

Length: 327 pages

My Rating: 4.5 out of 5 stars

Following his outstanding 2018 debut, up and coming Australian crime fiction author Benjamin Stevenson returns with an excellent and exciting new novel, Either Side of Midnight.

Sam Midford is a man who seems to have it all.  The host of a popular current affairs program, Midnight Tonight, Sam routinely provides fun and insightful jokes to the Australian public.  But his latest show is about to deliver something very different for the audience, as a nervous Sam pulls out a gun on live television and shoots himself in the head.  The resulting video is seen by millions, and the entirety of the country is shocked by his actions, believing it to be the tragic suicide of a secretly disturbed and haunted individual.

However, there is one person who is convinced that Sam’s death was something very different from suicide: his twin brother, Harry.  Harry believes that Sam was murdered, but with incontrovertible evidence of his suicide seen by a multitude of witnesses, how can this possibly be the case?  Determined to prove that there is more to his brother’s death, Harry seeks the help of someone who is almost as notorious as his dead brother, disgraced former television producer and true crime documentary maker Jack Quick.

Following the infamous and deadly conclusion to his documentary series, Jack is currently serving time in prison for tampering with evidence in a murder investigation.  In the final days of his sentence, Jack is approached by Harry, who believes that he is the only person capable of finding out the real truth behind Sam’s death.  In desperate need of money to support his family, Jack reluctantly accepts the case, believing that all he will uncover is proof that Sam committed suicide.  However, he soon discovers several inconsistencies in Sam’s death as well as evidence that connects his suicide to that of a young girl in the brothers’ past.  Diving deeper, Jack begins to think that there is a sinister killer at work, using subtle and deadly methods to murder their victims.  There is more than one way to kill someone, and Jack is about to discover just how dangerous his new obsession is.

Either Side of Midnight is a fantastic and outstanding read from one of the rising stars of Australian fiction, Benjamin Stevenson.  Stevenson is a Canberra-born comedian and musician who recently made the jump to crime fiction author with his debut novel, Greenlight (which was subsequently released as Trust Me When I Lie and She Lies in the Vines outside of Australia).  Greenlight was a compelling and intriguing novel that followed a guilt-ridden true crime documentary maker who suddenly became convinced that the man his show released from prison was actually guilty.  Set amongst the distinctive scenery of Australia’s wine country, Greenlight was a deeply impressive debut that provided the reader with a dark and clever murder mystery.  Either Side of Midnight is the sequel to Greenlight and is set 18 months after the events of the first book, with the same protagonist engaging in another sinister investigation.

Either Side of Midnight contains an outstanding story that presents the reader with another captivating and intense investigation told through the eyes of the series’ damaged and dark protagonist.  Stevenson has come up with a very clever story for this novel which forces the characters to investigate a murder that appears to be a very public suicide.  I really liked this cool plot premise when I first heard about it and I was glad that Stevenson was able to work it into such a captivating and cohesive narrative.  The investigation starts off quick and fast and does not slow down throughout the entire book, as the author comes up with some excellent twists and dark turns to throw the reader on an emotional rollercoaster, and I was deeply surprised with the final reveals of this mystery.  The entire premise of how the victim is killed is extremely clever and topical, and while I cannot talk about it without spoiling the plot, I felt that Stevenson came up with a great story around it and did a fantastic job tying it into real-world events.  I also really enjoyed Either Side of Midnight’s intense and impressive ending, not only because of the eventual reveal of the true perpetrator of the murder was extremely clever and perfectly set up, but also because of the thrilling and deadly confrontation with the protagonist, which includes the villain setting up extraordinarily evil and extremely memorable means of taking Jack out.

Either Side of Midnight also serves as an excellent sequel to Stevenson’s first novel and I felt that the story elements from Greenlight flowed really well into the plot of this second novel.  This fantastic mystery can also be easily read as a standalone novel, as the author does a great job of revisiting some of the key plot elements from the previous entry.  This ended up being a fantastic read, and I really appreciated the very dark edge that Stevenson gave to the story, which allowed for an extremely compelling and dangerously addictive tale.  I do need to point out that this book is probably best avoided by readers who are triggered by mentions of suicide, as there are some rather graphic scenes and discussions, so be warned about that.  That being said, I had an amazing time reading this new novel from Stevenson and I ended up powering through this intense story in less than a day.

You cannot talk about Either Side of Midnight without discussing the compellingly damaged main protagonist, Jack Quick, who returns for another harrowing adventure.  When we last left Jack, he had been sentenced to two years in prison for manipulating evidence to ensure the success of his true crime documentary.  Jack, who was extremely emotionally and mentally strained in the first book, has started to recover somewhat since the events of Greenlight, having finally started to get help with his bulimia and having confessed his darkest secret to his father.  But life once again gets substantially complicated for Jack when he is reluctantly drawn back into the triggering world of lies, murder and television production due to his family obligations.  I liked Stevenson’s portrayal of Jack in this novel; the events of the first book have made him a little more responsible and compassionate and less of a dick than before.  However, he is still a clever and somewhat manipulative person who manages to BS his way towards the truth and proves to be an entertaining protagonist to follow.  Stevenson continues to examine Jack’s battle with bulimia, a particularly distinctive character trait for a male crime fiction protagonist, in a realistic manner and I really appreciated the way in which the author dives into the psychology of the disorder.  There is also a fantastic continuation of the storyline from the first novel around Jack’s older brother Liam who, after an accident Jack witnessed as a child, has been in a permanent vegetative state.  The fate of Liam and the guilt that Jack feels for his condition is a major part of the protagonist’s character arc in Either Side of Midnight, especially as Jack and his father are forced to discuss ending his care, and it proved to be an excellent and touching part of the novel’s plot.  I really enjoy Stevenson’s outstanding portrayal of this complex character and the examination of his various battles and issues was an essential part of Either Side of Midnight’s outstanding plot.

While the obvious focus of Either Side of Midnight is Jack, Stevenson has also loaded up his second novel with several other damaged and distinctive characters, each of whom add some intriguing angles to this great story.  The most significant of these characters are the Milford twins, Sam and Harry, who serve as the victim and main driving force of the novel respectfully.  The Milford twins, also known as the Midnight Twins, are a former comedy duo who split apart several years earlier, when Sam went on to host his television show and Harry vanished into obscurity.  The author really dives into the background and psyche of these two characters.  Sam was haunted by the guilt over his lost girlfriend, who died while the two twins were trapped on a Ferris wheel.  Harry, the younger twin, is filled with regret and sadness over how their partnership ended, and their relationship soured.  Both characters ended up being complex and damaged individuals, and their struggles have major impacts on Either Side of Midnight’s narrative.  Stevenson did a fantastic job with these characters, and I really appreciated the intriguing storylines that he weaved around them.  It was also interesting to see Benjamin Stevenson portray a set of twin comedy entertainers, as he himself is a member of a comedy duo, known as The Stevenson Experience, with his twin brother James.  You have to assume that Stevenson used a lot of his own experiences to build up these characters and their comedy routine, and I felt this was a fantastic part of the novel, although I’m going to avoid reading too much into the author killing off one of the twins.  I also really enjoyed some of the other damaged characters featured throughout the book, and the protagonist is forced to examine several compelling and tragic backstories to get to the truth of this case.  There is a particular focus on loss and the impacts it has on relatives of the deceased that I particularly appreciated, especially as three major characters (Jack, Harry and side character Ryan) each survived a great tragedy that impacted an older sibling.  I had an incredible time getting to know the broken and bereaved characters in this novel, and it turned out to be a significant part of this fantastic narrative.

One of the other cool features of this book was the author’s excellent use of the rugged Australian setting, which was also one of the most distinctive features of the first entry in the series.  While this book does not spend as much time in the rough countryside as Greenlight did, with most of Either Side of Midnight taking place in urban Sydney, a good part of the plot does take place in a small coastal town.  I really liked the parts of the novel set within this small-town environment as it proved to be an isolated and at times dark setting for this excellent mystery.  The author did a fantastic job of bringing a distinctively Australian rundown town to life in a way that is very realistic to anyone who has done some travel around coastal Australia, which was really cool to see.  I also liked how Stevenson takes the time to examine and parody some elements of wider Australia, particularly its television industry, with the investigation centred on a fictional Australian television network.  This fictional network shares a lot in common with some of the real-life television networks here in Australia.  Anyone who is familiar with some of the main Australian networks will really appreciate Stevenson’s portrayal of these television stations, as he mirrors the stations’ numerical names, provides notable callouts to some extremely popular shows, and portrays some of bitter rivalries the main commercial networks have with each other.  This actually becomes a major part of the plot, and I loved seeing the cynical protagonist navigating the cutthroat rivalries based around a series of soap operas and reality television programs (especially as I am not a big fan of these sort of shows, and they are absolutely saturated in our programming).  Overall, I felt that the author provided a very Australian setting which proved to be an amazing backdrop to this excellent novel.

Either Side of Midnight was an exceptional and amazing second novel from Australian author Benjamin Stevenson that comes highly recommended.  Stevenson has produced an addictive and dark crime fiction story that sees an excellent protagonist investigate an impossible crime.  Featuring great characters, an impressive mystery and a fantastic setting, Either Side of Midnight is an excellent novel that is easily one of my favourite Australian fiction novels of 2020.