Publication Date – 23 August 2018
One of English crime fiction’s most distinctive voices, Lynda La Plante, returns with her iconic female detective, Jane Tennison, for another dark and shocking case.
In February 1979, recently promoted Detective Sergeant Jane Tennison has been posted to Peckham CID, one of the toughest beats in all of London. Previously known as the Golden Mile due to its well-to-do shopping areas, the area is now in decline, a fact not helped by the garbage strikes besetting the entire city, ensuring that the entire area is covered rubbish and filth.
When the body of a young woman is found in the heart of Peckham, Jane and her team must investigate the suspicious circumstances surrounding her death. But when another body is found nearby, the possibility of a serial killer raises all sorts of problems. The media scrutinise the case and rename the area Murder Mile. Even worse, the second victim’s son is well connected, and several important people want the matter dealt with quickly.
As more bodies are uncovered, Tennison must use all of her investigative ability to uncover this dark murderer, while also dealing with the police force’s inherent sexism and disregard for her talent that she has dealt with her entire career. Can Tennison catch this killer, or will they find a terrible and unexpected way to win?
Lynda La Plante is a talented author and screenwriter responsible for several hit British crime series and movies. She achieved early success with the 1983 television series, Widows, which has been adapted into a major motion picture set to be released in November this year. Other successful shows that La Plante has created include Trial and Retribution and Above Suspicion, with nearly all of her books having been either adapted into screenplays or inspired by one of her televisions shows. Murder Mile is the fourth book in her Jane Tennison series, which serves as a prequel series to one of La Plante’s most successful and iconic shows, Prime Suspect, which features Helen Mirren as an older Jane Tennison. The first book in this prequel series, Tennison, also served as the basis for the short-lived prequel television series Prime Suspect 1973.
Murder Mile features a dark and disturbing mystery that serves as the central focus of this book. The protagonist must investigate a series of murders spread out among the dilapidated Peckham area. La Plante has created an intriguing and compelling investigation storyline as Tennison and her team follow a series of promising leads across Peckham and the rest of London, finding clues in a variety of places, as well as several other bodies. While the majority of the book leading up the conclusion of the story and the solution of the mystery is captivating in its own right, the best part of the book has to be its chilling conclusion. Not only is the revealed antagonist a despicable creature, but the way in which they attempt to manipulate Jane and the rest of the police characters is just plain creepy. The conclusion of the story and the ultimate reveal of the antagonist’s last actions are particularly shocking in their execution and extent. Worse, both the reader and the protagonist can see that the villain is planning something, but you just cannot predict the terrible lengths they will go to win and spite the police. This memorable conclusion serves as the perfect end to this dark and powerful story and represents some excellent writing from La Plante.
This story is set in 1970s London, and the author does a fantastic job bringing this iconic city to life during a period of economic downturn. There is a certain gloom around the city, especially in Peckham, where the majority of the book’s investigation takes place. The plot of Murder Mile is set during the infamous Winter of Discontent, a period of strikes and financial uncertainty that hit the country during 1978 and 1979. There are several discussions about the situation from the characters and it is interesting to see a fictional perspective of this part of England’s recent history. In addition, some of the physical effects of the ‘Winter of Discontent’ have some significant impacts on the case. During January and February 1979, the waste collectors of London were on strike, resulting in a build-up of rubbish throughout the city. As a result, many of the scenes set in the city feature streets strewn with garbage and littered with filth and rats. La Plante also examines the parks that were filled with rubbish by London authorities as a stopgap measure for this situation. This becomes particularly important in the story, as the police discover a dismembered body in one of these parks as the murderer attempted to utilise the situation for their own ends. The author has also cleverly highlighted the police techniques and technologies that would have been available during the time. Overall, La Plante has made full use of this chaotic period in Murder Mile, and readers will enjoy her vivid descriptions of these events.
In addition to the general descriptions of 1970s England, one of the key features of La Plante’s latest book is an examination of the inherent sexism in the London police force. Jane as a Detective Sergeant must continue to fight to gain respect from her co-workers. In Murder Mile she is constantly talked down to by her superiors, deals with disrespectful comments from the rank-and-file police, and must also deal with having her authority undercut by colleagues she considers to be her friends as they step in quickly to defend her. It is infuriating to see how senior police ignore Tennison’s detective work and observations, especially as she is right most of the time. This sexism also requires Tennison to act in a more maverick way, as her frustrations force her to work outside the main police investigation in order to prove herself – a decision that will have significant impacts on her life and career.
While the portrayal of sexism mentioned above has been used in all of the books of the Jane Tennison series, in Murder Mile La Plante has chosen to also focus on police homophobia and how it affects the investigation. The police homophobia is quite prevalent throughout the series, especially when one of the suspects is revealed to be gay. The police response to this is extreme, as several of the characters are quite hostile to this suspect and his relatives, alienating potentially helpful people in the investigation. In addition, there is the stupid assumption that all homosexual males were automatically paedophiles, and this sends the investigation into several biased directions. Tennison and several of the other characters attempt to change the minds of their colleagues, often without much success. In addition, one of the more approachable and capable members of the police team is revealed to be homosexual in this book, which serves as a good counterpoint to the more old school and homophobic cops. Overall, this is an intense and important part of the story, and it is intriguing to see how these old biases would likely have affected cases in the past.
Crime legend Lynda La Plante returns in fantastic form with Murder Mile, an exciting continuation of her Prime Suspect prequel series. Featuring some deep and powerful examinations of the 1970s London police force, this absorbing mystery takes its readers to the edge of darkness and beyond. Featuring an incredibly dark and unforgettable ending, Murder Mile is another exceptional release from La Plante and a highly recommend piece of crime fiction.