Quick Review – Only a Monster by Vanessa Len

Only a Monster Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 1 February 2022)

Series: Monsters – Book One

Length: 410 pages

My Rating: 4.5 out of 5 stars

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Only a Monster by Australian author Vanessa Len is a particularly wonderful debut highlight of last year that I have been meaning to talk about for some time.  A brilliant and awesome young adult fantasy read, Only a Monster is an impressive novel that sees a shocked girl realise that everything she thought she knew about her family was a lie and that deep down she really is a monster.  Intense, incredibly clever, and beautifully inventive, Only a Monster was pretty damn epic and proved to be one of the best debuts of 2022.

Plot Synopsis:

With the sweeping romance of Passenger and the dark fantasy edge of This Savage Song, this standout YA contemporary fantasy debut from Vanessa Len, is the first in a planned trilogy.

It should have been the perfect summer. Sent to stay with her late mother’s eccentric family in London, sixteen-year-old Joan is determined to enjoy herself. She loves her nerdy job at the historic Holland House, and when her super cute co-worker Nick asks her on a date, it feels like everything is falling into place.

But she soon learns the truth. Her family aren’t just eccentric: they’re monsters, with terrifying, hidden powers. And Nick isn’t just a cute boy: he’s a legendary monster slayer, who will do anything to bring them down.

As she battles Nick, Joan is forced to work with the beautiful and ruthless Aaron Oliver, heir to a monster family that hates her own. She’ll have to embrace her own monstrousness if she is to save herself, and her family. Because in this story . . .

. . . she is not the hero.


Only a Monster
has an awesome story that takes a teenage girl on a dark journey of self-discovery and magical adventure as she tries to figure out who she is and what lies within her.  Len starts this book quickly, with a good introduction to central protagonist and point-of-view character Joan Chang-Hunt, who is part of the unusual Hunt family.  A shuddering moment of unreality reveals that she is really half monster, someone who has the ability to steal time from humans to power their time-travelling abilities.  Though Joan initially tries to avoid this revelation and enjoy time with her crush, Nick, an encounter with the malevolent Oliver family of monsters forces her further into their hidden world, especially when it is revealed that Nick is secretly a monster slayer destined to kill every monster in existence, including Joan.  After a brutal series of events that sees most of her family and the other monsters of London killed in a single, coordinated massacre, Joan flees into the past with her surviving cousin Ruth and the youngest member of the Oliver family, Aaron, hoping to find a way to save their families.  Their quest leads them to try and recover a legendary artifact that will allow them to rewrite time.  But to do so, they will need to go up against the mysterious King of the Monsters and his dangerous plot to control reality.  Caught between monsters and monster slayers, the characters are forced into a series of deadly encounters which will force Joan to choose whether to retain her humanity or embrace her inner monster.

Len really came up with something special in Only a Monster, and I personally loved how this outstanding debut unfolded.  The author keeps a pretty fast pace throughout the entire book, and you are constantly thrown from intense moment to intense moment as the protagonist and her companions attempt to stay ahead of their enemies and find a way to bring back their families.  I felt that Len did a great job introducing her compelling world, fantastic characters and unique magical elements, and you quickly learn to appreciate the author’s inventive ideas.  This is actually a pretty dark read, especially as it starts with a massacre and focuses on a group of magical beings who can suck the life force out of normal humans to power their abilities.  I personally deeply enjoyed this darker tone, as Len balances it well with her unique creative ideas and the emotional character development to create an intense and addictive read.  The magical time travel elements of this book are very well done, and the darker ideas behind the absorption of people’s time span helped to make it a malevolent gift that the protagonist is forced to use by necessity.  Despite this, it does produce some fun time travel jokes, and I had a laugh at some of the pop culture references that were utilised in the identification of the period.  Len also lays down a series of interesting twists throughout the story which are revealed at perfect moments and which help to produce a pretty amazing story.  However, the absolute highlight of this book had to be the epic ending that Len decided to traumatise her readers with.  While I’m not going to give away anything here, let’s just say it is pretty insane, and I was deeply impressed with how Len set it up and executed it.

The final thing I really need to gush about when it comes to Only a Monster is the deeply complex and damaged characters featured within.  Only a Monster features a fun crew of central protagonists, each of whom are going through their own epic journeys.  The primary focus is on central character Joan Chang-Hunt, a sweet and nerdy character who, in the course of a day, finds out she is a half-monster with life-sucking time travel abilities, and then witnesses her entire extended family getting massacred.  This naturally causes her to experience a lot of emotions and trauma as she constantly tries to come to terms with how her life has unravelled and changed forever.  The main focus of her character arc is the examination of her inner monster as Joan tries to get to grips on whether she wants her abilities, especially as they force her to drain away people’s time.  She is also dealing with intense guilt over her role in the massacre that destroyed her family, partially thanks to her relationship with Nick, and this clashes hard with her own concerns about being a monster.  All this, and more, ensures that Joan is forced to grow up a lot throughout the course of Only a Monster, and she must keep making harder and harder decision as she gets closer to crossing lines she doesn’t want to.  Her final actions in this book bring all these deep feelings close to the surface as she is forced to make a terrible decision in a heartbreaking and powerful scene.  Len did an outstanding job when it came to Joan in this book, and I look forward to seeing how she continues to develop in future entries in this series.

Two other major characters I need to highlight are Joan’s accidental companion, Aaron Oliver, and her crush/personal nightmare, Nick.  Both characters have pretty dark introductions to the story, especially as they end up trying to kill Joan in the starting chapters, but Len develops them separately as the book continues.  Aaron ends up working with Joan as they try to stay alive and find a way to save their families, and they become an intriguing and combative duo throughout the book.  While Aaron is initially arrogant and antagonistic, you soon see that this is a façade, as Aaron is also incredibly damaged due to the actions of his cruel family.  Len does a wonderful job of slowly uncovering this deeper side of Aaron throughout the course of Only a Monster, and the eventual bond he forms with Joan is a touching and moving part of the book, even if it isn’t destined to last.  Nick, on the other hand, is an outstanding villain for this story, especially when it is revealed that he is an unflinching and implacable monster hunter.  Despite the connection he had formed with Joan before the events of this book, mainly because he sees her as more human than monster, Nick soon starts fanatically hunting her throughout time and becomes determined to stop her at all costs.  Clever and dark reveals about Nick come to light as the book continues, painting him in a somewhat sympathetic light, but this doesn’t stop him from hunting Joan, which leads to an exceptional and shocking confrontation towards the end of Only a Monster that perfectly changes everything.  The powerful character work contained in these central characters, as well as the intense bonds they form with Joan, are such a key part of Only a Monster, and you will come away heartbroken and moved with how their storylines unfold.

Overall, I had an incredible time with Vanessa Len’s Only a Monster, and not only was it one of the best debuts of 2022 but one of the best young adult books of the year as well.  This brilliant and powerful fantasy read had an amazing story and you will be impressed and excited by the complex characters and deeply inventive fantasy elements that are worked into this compelling narrative.  Intense, dark, and full of hope, Only a Monster is an incredible read that comes highly recommended to anyone interested in seeing the start of an extremely promising career in fantasy fiction.  I am very excited to check out the sequel, Never a Hero, later this year, and if Len keeps up the amazing writing from Only a Monster, it is going to be particularly epic and exceptional.

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Act of Oblivion by Robert Harris

Act of Oblivion Cover

Publisher: Hutchinson Heinemann (Trade Paperback – 20 September 2022)

Series: Standalone

Length: 464 pages

My Rating: 4.5 out of 5 stars

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That master of historical fiction, Robert Harris, returns with another deeply compelling read, this time diving into one of the most fascinating manhunts in history with Act of Oblivion.

1660, England.  It is the dawn a new age in English history.  Following the death of Oliver Cromwell, the country has allowed King Charles II to come to power.  In exchange, the King has agreed to clemency for the former Parliamentarians, allowing peace to return to England for the first time in decades.  However, the King’s clemency is not absolute, and under the terms of the Act of Oblivion, all the men involved in the execution of his father, King Charles I, including the 59 men who signed his death warrant, are to be hunted down and brutally executed.

General Edward Whalley and his son-in-law, Colonel William Goffe, are two such men.  Former Parliamentarian leaders, their signatures lie prominent on the king’s death warrant.  Knowing that their deaths are close behind, Whalley and Goffe are forced to abandon their families and flee to the colonies.  Arriving in New England, Whalley and Goffe attempt to become part of the local community, but the shadow of their treason is far-reaching, and both old soldiers will have to live with the consequences of their action.

In London, Richard Nayler has been appointed as secretary of the regicide committee of the Privy Council.  Tasked with tracking down, capturing and executing all the men wanted in relation to the King’s death, Nayler attacks his task with zeal and passion, determined to bring justice to those who wronged the kingdom.  However, Nayler saves the vast amount his hatred and determination for Whalley and Goffe, two men he bears a particular grudge against.  Soon, a large bounty is placed on the two fugitive’s heads, and Nayler himself arrives in America, determined to see the men captured.  Forced to flee across the continent, Whalley and Goffe find themselves as outcasts and fugitives wherever they go.  The chase is on in the new world, and no-one is prepared for how far this mission of vengeance will go.

Robert Harris does it again, producing a brilliant and riveting historical epic that reconstructs fantastic historical events in impressive detail.  I have long been a fan of Harris’s writing, having deeply enjoyed An Officer and a Spy and V2, and his latest book, Act of Oblivion, is one his better works.  I had an outstanding time getting through this complex novel, especially as it spent substantial time diving into a unique historical occurrence I was unfamiliar with.

I had an exceptional time with Act of Oblivion, especially as Harris presents an elaborate and massive story set across multiple years.  Leaning heavily into historical sources, Harris dives deep into the flight of Goffe and Whalley and perfectly portrays their journey to America and the hardships they encountered.  This proves to be quite an intense and frustrating tale, as these two protagonists suffer a great deal through the course of the book.  Forced to abandon their families, Goffe and Whalley are initially seen as heroes by the people of Boston and Cambridge, but the two fugitives are gradually forced to flee from these towns due to the machinations of the English and their former enemies.  Forced to flee to smaller and smaller settlements, the protagonists are chucked into some uncomfortable positions in their flight, which includes years of depredation and isolation throughout the country.  The full tale of their time in America (or at least what is known), is pretty damn remarkable, and I felt that Harris did a wonderful job bringing it to life and showing what these two might of experienced and the lengths they went through to survive.  However, it does occasionally get slow in places, mainly because the historical fugitives were often unable to move for fear of being captured.

Harris covers these slower periods well by mixing in a second major storyline that runs parallel to the depictions of Whalley and Goffe.  This second storyline is primarily set in England and Europe and showcases the events occurring while the fugitives are in hiding.  Mainly shown from the perspective of the fictional character hunting them, Richard Nayler, as well as several scenes that show the fugitives’ family, this second storyline adds some real colour and danger to the events, especially as you get to witness the hunt from the other end.  The blend of fictional and historically accurate storylines works extremely well, and Harris creates a deeply fascinating and compelling overall narrative that really draws you in.  Seeing the simultaneous actions of both hunter and fugitives is a lot of fun, and I loved Nayler’s reactions to the constant escapes of Whalley and Goffe.  Harris also spends time showing the hunt for the other regicides, which Nayler embarks on with greater success.  Not only does this add in some additional fun action and historical context, but it also ups the stakes of the main storyline, as you are forced to witness the gruesome fate that awaits Whalley and Goffe if caught.  All this adds up to quite a remarkable tale, and I was deeply impressed with how exciting and captivating Harris was able to make these historical events appear.

One thing that is extremely clear about Act of Oblivion is the sheer amount of historical research that Harris put into crafting this book.  There is so much exceptional and compelling detail put into Act of Oblivion, as Harris goes out of his way to make this book as historically accurate as possible.  Naturally a substantial amount of this research goes into showing the known events of the two fugitives, as Harris meticulously recounts where they went and the various places they were forced to hide.  While the author does add in a few literary embellishments, this appears to be a very accurate and intriguing depiction of the fugitives’ flight in America, and I had such an amazing time seeing what they went through.  Harris makes sure to try and tells as much of their tale as possible, and the book goes all the way up until 1679, when the records end.  At the same time, Harris spends a large amount of time exploring the history of the rest of the world.  The novel is chock full of intriguing depictions of various key parts of British and American history at the time, which I found to be extremely fascinating, especially as you get to see how England changed after the return of the

King.  Harris also makes sure to examine how major historical events around the world might have impacted the lives of the two fugitives, and I felt that he worked all these fascinating events into the main story extremely well.  All the historical aspects of the book are showcased to the reader in a fantastic and very readable way, and even non-history fans will be able to dive into this story extremely easily.  This is mostly because the historical events themselves are pretty damn remarkable (honestly historical reality stranger than fiction in some places), but I really appreciated how well Harris was able to explore them and showcase them to the reader.

Another historical aspect of this book I deeply enjoyed was the author’s extremely detailed and moving depictions of the American countryside and its settlements in the 17th century.  Quite a lot of the book is spent out in the American wilds, as the two protagonists are constantly fleeing from their pursuers and avoiding people, and Harris makes sure to patiently and lovingly depict the various locations they find themselves in.  You really get a sense of the beauty and danger of the land during this period, and I loved seeing the various English characters react to the wide open spaces after spending time in cities like London.  Harris also takes the time to describe several of the historical settlements that the characters journeyed to and through, and you get a real sense of how built up or settled they were.  I found it fascinating to see all the descriptions about the various settlements, especially as many are quite significant cities in modern times, and it was really cool to see how they originated.  The descriptions of towns like Boston and Cambridge were pretty intriguing, especially as I didn’t realise just how built-up they were during this period (sentiments that some of the character’s shared), and I loved also seeing the Dutch settlement of New Amsterdam, especially as Harris also explored the events that saw it renamed as something far more iconic.  Throw in the deeply fascinating depictions of the people inhabiting these settlements, including the distinctive religious differences (so many puritans) and political sentiments.  Religion in particular becomes quite a key part of this book, and watching the various Puritan figures discuss their beliefs and their thoughts on the actions of the main characters, is particularly intriguing, as you get to see how these religious fugitives shaped early America.  Overall, this is a very impressive and clearly heavily researched look at 17th century America, which all historical fiction fans will deeply appreciate.

I also really enjoyed the central figures of Act of Oblivion and I found their storylines to be very compelling.  As I mentioned above, I really didn’t know that much about Edward Whalley and William Goffe before reading this book, but that swiftly changed.  Harris did a remarkable job showcasing the lives of these two historical figures and you really get to know everything about them.  While I am sure that Harris made a few character changes to fit the narrative, I felt that the overall presentation of them was pretty realistic.  Harris really highlights their personalities, religious convictions, and deep pride in the actions they took under Cromwell throughout the book as they spend time remembering their pasts.  All the key moments are their lives are captured in some way throughout the book, either in the plot or in their memories, and you soon see what events led them to become fugitives.  While the depictions of some their actions during the war and Cromwell’s control of England does make them a tad unsympathetic, I grew attached to them, especially as you see them suffer in isolation over a period of years.  Harris did a remarkable job showcasing how he believed these people would have felt spending years and years trapped in attics and basements, and you can just feel the mental and physical impacts it had on them.  This was frankly a brilliant portrayal, and I had an excellent time getting to know these unique historical figures.

Aside from Whalley and Goffe, the other major character I need to mention is Richard Nayler, the man charged with hunting the fugitives down.  Nayler is a purely fictional character, although Harris indicates upfront that someone likely had this job in the 17th century.  I quite enjoyed the portrayal of Nayler in this book, especially as he serves as a grim and determined counterpart to the protagonists.  A Royalist who witnessed the execution of King Charles I, Nayler goes about his duties with a resolute duty, determined to make all the regicides pay.  However, his main obsession lies with Whalley and Goffe, who holds responsible for the death of his wife and child.  Despite this tragic past, it is a times hard to feel sorry for the super serious Nayler, especially as he has little compassion for others, even the innocent.  However, he is quite a captivating figure, especially as his growing obsession with finding the fugitives becomes more and more apparent.  While his fellow returned Royalists initially share his determination, it soon becomes evident that he is true fanatic, while the others are purely in it for political reasons.  Harris really shows the downside of obsession through this character, especially as Nayler sacrifices a lot to try and find the fugitives.  I felt he had an impressive storyline throughout Act of Oblivion, and this great fictional character played off the real historical figures extremely well.

Robert Harris’ latest novel, Act of Oblivion, once again highlights the author’s outstanding skill as he recounts a particularly fascinating occurrence from history.  I loved the amazing story contained in Act of Oblivion, especially as the author did such a great job incorporating historical events into an intense and captivating plot.  Deeply intriguing and very entertaining, Act of Oblivion is a highly recommended read, and I can’t wait to see what elaborate historical tale Harris comes up with next.

Act of Oblivion Cover 2

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Amongst Our Weapons by Ben Aaronovitch

Amongst our Weapons Cover

Publisher: Orion (Trade Paperback – 12 April 2022)

Series: Rivers of London – Book Nine

Length: 406 pages

My Rating: 5 out of 5 stars

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One of the leading lights in the urban fantasy genre, the exceedingly talented Ben Aaronovitch, returns with the latest epic book in his brilliant Rivers of London series, Amongst our Weapons.

For the last 10 years, the fantasy world has been exceedingly impressed by the fantastic writings of Ben Aaronovitch, who came up with a real winner with his Rivers of London series (also known as the Peter Grant series).  Aaronovitch, who already had some major nerd cred as a writer of two Doctor Who serials, debuted the first book in this series, Rivers of London, back in 2011.  This book told the story of Peter Grant, a young Metropolitan Police officer who is assigned to a specialised branch of the Met that deals with magic and supernatural incidents.  This intriguing debut combined magical elements with a classic police procedural format to create an epic and captivating read.  The author has since expanded this series out to several novels, as well as a range of novellas, short stories, and even a graphic novel series, all of which continue the story of Peter Grant and Aaronovitch’s unique magical world.  I have had a lot of fun over the last few years with this series, and I have greatly enjoyed Aaronovitch’s last two entries, Lies Sleeping and False Value.  Aaronovitch is back with another exceptional read in his ninth Rivers of London novel, Amongst our Weapons, which continues the excellent format and presents the reader with an awesome new mystery.

The London Silver Vaults are a renowned underground market for silverware in the heart of London.  They are highly secured and constantly monitored, so getting away with any sort of crime in the vaults is impossible.  So when a crazed would-be robber is brutally killed in the middle of the vaults with no witnesses or cameras catching the act, the Met are forced to call in their secret weapon, Peter Grant and his fellow detectives from the Special Assessment Unit, better known as the Folly.

Specialising in investigating magical incidents, Peter and his team are quickly able to determine that the death and the murder’s subsequent escape were a result of powerful magic.  Taking the lead on the case, Peter hopes to catch the killer quickly, but are quick to discover that their investigation is about to get far too complicated.  Ancient magics and unknown powers are loose around London, and after discovering a second body, the Folly team begin to investigate the members of a mysterious college cult from Manchester that has been inactive for years.  As more attacks occur, it becomes apparent that members of the cult are being hunted down and that their killer appears to be a vengeful, spear-wielding angel.

Determined to get to the bottom of the killings, Peter dives into the history of the cult and the mysterious artefacts they uncovered.  His investigation will lead him all over England, from the colleges of Manchester all the way to the dismal North.  But even as he begins to uncover the truth behind the killings and the being responsible, does even the full might of the Folly have the power to stop an angel and the deadly magic gifted to her?  Worse, another party has involved themselves in the case, someone that Peter knows far too well.  Can Peter solve this case before it is too late, and how will he deal with the greatest challenge of his life, becoming a father to his two magical twins?

Wow, Aaronovitch continues to massively impress me, bringing together another brilliant and unique urban fantasy read.  Once again bringing together an outstanding story that features distinctive fantasy elements with a clever mystery, Amongst our Weapons was a fantastic read that I had an incredible time reading.  This book was pretty damn awesome and gets a full five-star rating from me.

I had an absolute blast with the story contained within Amongst our Weapons as Aaronovitch has once again cleverly combined complex fantasy elements with a compelling murder mystery investigation, resulting in a deeply entertaining and addictive story.  Aaronovitch starts this latest novel off strong, with the protagonist and his team immediately thrust into an investigation of a man with a mysterious magical hole blown into his chest and no witnesses who saw what happened.  This intriguing start quickly becomes even more enticing, as a second murder is soon discovered, as well as other unusual signs and discoveries at the various crime scenes.  However, the excitement does not end there, as Aaronovitch also fits in an early encounter with the powerful murder, who appears to be an exceedingly deadly angel of vengeance, as well as the sudden reappearance of recurring antagonist Lesley May, Peter’s former partner who now acts as a magical mercenary.  Throw in some great character driven storylines about the protagonist’s family, as his river goddess wife is about to give birth, and you have quite an exceptional start to the novel.  Indeed, once all these elements were set up, I was hopelessly hooked on the story, and it proved extremely hard to put this book down at all.

The rest of the narrative flows on from here extremely strongly, as the characters launch an exhaustive and intense investigation not only into the murders but into the origins of certain magical items and the history of the college cult who appear to be targeted.  This takes the protagonist on a bit of a fieldtrip outside London, exploring Manchester and the North, and introducing the characters to some intriguing new magical elements.  While parts of the story here did get a bit bogged down when it came to exploring some of the more complex new fantasy inclusions, I flew through the second part of the book, especially as it is laced with several brilliant and imaginative confrontations between the protagonist and the book’s various antagonists.  Everything comes together extremely well in the lead-up to the conclusion, which results in a fantastic battle that helps resolve everything perfectly.  I did think that it got a little too metaphysical in places, but I still deeply enjoyed this great conclusion, which should really satisfy every reader, while also setting up some interesting storylines for the future.

Aaronovitch has such a distinctive writing style for the Rivers of London series, which is put to great use throughout Amongst our Weapons.  Like most of the Rivers of London novels, Amongst our Weapons can be read as a standalone read, with Aaronovitch doing a great job of rehashing some of the relevant continued storylines when they become relevant to the ongoing story.  This book features the usual awesome blend of magic, crime fiction and character-led storylines, wrapped up with a great sense of fun and humour, which helps to produce quite an entertaining and captivating read.  I particularly loved how the author makes his novels feel like a police procedural with magic, and this is perfectly on display in Amongst our Weapons, as the protagonists engage in elaborate investigation into several unique deaths.  It is so much fun to watch these magic-wielding protagonists do research, official police investigations, paperwork, evidence collecting and various theorising as they examine both the magical and human sides of the case, and I always love how well these elements can be fit into a seemingly typical murder mystery storyline.  Everything flows extremely well through this novel, and while I think there are some minor pacing issues towards the middle, readers will power through this entire book once they get caught up in the mystery and the magic.

I have always been really impressed with the distinctive and captivating fantasy elements contained within the Rivers of London novels, which prove to be intrinsic and outstanding parts of the book.  Rather than use classic fantasy elements, the magic and unique creatures featured within this series are a lot more abstract with a focus on energy manipulation, creatures from alternate universes and godlike beings who get their powers by being embodiments of important locations.  This really gives the novels a great, unique feel that is brilliantly enhanced by the way that the various characters treat magic in an almost scientific way, especially from a policing perspective, as the protagonists are effectively investigating and monitoring it in London.  This fantastic way of examining magic proves to be quite effective in Amongst our Weapons, as you get to see all manner of theorising, analyses and scientific conclusions drawn up as the protagonists attempt to identify and quantify the new forms of magic they are dealing with, especially when they come face to face with an unknown being of immense power.  This cool magic is also quite stunningly described throughout the novel, and I loved seeing its unique and clever use throughout the various magical confrontation sequences, and there is nothing more awesome than reading about a couple of wizards face off against an apparent angel.  I find all the cool magical elements quite fascinating to explore, and I loved seeing some of the world building that occurred throughout Amongst our Weapons, with some new groups of magical users introduced or referenced throughout.  Aaronovitch actually sets up some intriguing new world-building elements throughout Amongst our Weapons, and I look forward to seeing how this expands in some of the future novels.

Finally, I really must highlight the outstanding characters featured within Amongst our Weapons, who really help to turn this awesome story into something truly special.  This cast is headlined by the book’s main protagonist and point-of-view character, Peter Grant, who I really have a lot of fun with.  Grant is a funny and bold protagonist, who has been really growing since the first novel, not only in personality and responsibility but also in magical talent.  He serves as a brilliant protagonist for Amongst our Weapons, and his dogged and clever investigation of the unusual events moved the story along at a swift and enjoyable pace.  While his police work is a major part of the character, this latest novel also focuses again on his personal life, showing his unique marriage to a river (well, the living embodiment of a river), and the upcoming birth of his likely magical children.  This puts some major responsibility on Peter’s head, which he struggles to deal with, still taking risks with his work.  Watching him obsessively chase after the culprit while also trying to balance the upcoming birth of his children was a great part of the novel, and it really helped to make the reader feel attached to him.  However, I personally loved his outstanding sense of humour throughout this novel, as much of the book’s comedic elements are thanks to this protagonist’s funny statements and clever observations about the outrageous events he is witnessing.

Aside from this excellent and relatable protagonist, Amongst our Weapons features a large and diverse cast of figures, including a combination of new people associated with the case and a huge batch of recurring characters who have been perfectly set up before.  Most of the recurring characters are re-introduced extremely well, and even new readers should be able to follow who is who amongst this unique cast of magic users and professional police officers who work together to solve crimes.  My favourite supporting character is Detective Chief Inspector Thomas Nightingale, head of the Folly and the last official wizard.  A gentlemanly figure who fought in World War II, Nightingale serves as a great mentor as well as a badass magician able to throw down with the worst creatures or dark magic users.  While not featured as heavily here as in previous novels, Nightingale has some great moments throughout Amongst our Weapons, and it was awesome to see him squaring off against the winged antagonist.  Aaronovitch also sets up some interesting storylines for him in this book, and it sounds like he will have a much more altered role in the future.  The other major character I should highlight is Lesley May, who serves as a secondary antagonist throughout this book.  Lesley, who spends most of the book as a mercenary character attempting to undermine the police’s investigation, is a great addition to the plot and I am extremely glad that Aaronovitch brought her back for this novel.  Not only do you get more of the regret-filled interactions with Peter but she serves as a great foil for the protagonists, and it was really fun to see her get involved and attempt to manipulate the situation to her advantage.  All these characters, and many more, are great additions to the fantastic and complex plot of the book, and I deeply enjoyed seeing the fantastic and powerful interactions between them.

The Rivers of London series continues to shine as one of the best and impressive urban fantasy series with Amongst our Weapons.  Ben Aaronovitch is such a talented author, and I deeply enjoyed distinctive and captivating stories he crafts, especially with its outstanding blend of unique fantasy and memorable murder mystery elements.  Amongst our Weapons is one of my favourite books from Aaronovitch I have read so far and it is a highly recommended for all fantasy fans.  If you aren’t exploring the Rivers of London, then you are really missing out!

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Black Drop by Leonora Nattrass

Black Drop Cover

Publisher: Viper (Trade Paperback – 15 February 2022)

Series: Laurence Jago – Book One

Length: 343 pages

My Rating: 4.25 out of 5 stars

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Intriguing and talented new author Leonora Nattrass presents a compelling historical thriller debut with Black Drop, a fantastic novel that drags readers into the conspiracies and issues of late 18th century London.

In July of 1794, as the terror of the French Revolution reaches its height and the war on the continent goes poorly for the British army, uncertainty and fear of violent change infect the people of London.  For Laurence Jago, clerk to the Foreign Office, his position is even more uncertain that those around him.  A young man with hidden French heritage, Jago fears the day that his connections to his mother’s nation will be discovered, especially after spending years serving as a spy for sinister French agent Aglantine.

Now believing himself to be free from Aglantine’s employment, Jago is thrust into an untenable situation when vital confidential information about the British army is leaked from his office to the press.  Suspected by his peers of leaking the information and under investigation, Jago fears that all his secrets and former dealings are about to come out.  His problems are only further compounded when he discovers the body of a fellow clerk in his rooms, supposedly dead by suicide.

When the blame for the leak is shifted onto the dead man, Jago is freed of the suspicion against him.  However, Jago knows that the dead clerk was incapable of stealing the letter and believes that he was murdered.  Determined to find out the truth behind the death, Jago finds himself investigating the highest level of the British civil service and their political masters.  Out of his depth and thwarted at every turn, Jago will risk everything to root out the culprit before they strike to disrupt England again.  However, can he succeed without revealing his own dark secrets, or will Jago hang as a traitor instead of the murderer?

Black Drop is an excellent and clever novel that I had a great time reading as Nattrass perfectly combines a compelling spy thriller/murder mystery storyline with intriguing and detailed historical fiction elements.  This resulted in one of the more unique and fantastic debuts of 2022 and I really enjoyed Black Drop’s impressive story.

This awesome debut novel has an excellent story that expertly combines intriguing spy thriller and murder mystery elements with a character driven historical narrative to create a compelling and impressive read.  Set throughout key events of 1794 and told as a chronicle from the perspective of central character, Laurence Jago, Black Drop presents the reader with an intriguing tale of murder, political machinations and the threat of revolution at the heart of the period’s government.  Nattrass sets the scene perfectly at the start, introducing the key characters while also highlighting the feelings of unrest and dissent as the fear and inspiration from the French revolution hits London.  From there, the story starts to unfold in some interesting directions as the protagonist finds himself involved in political and espionage adventures while also investigating the murder of a fellow clerk, which appears to be connected.  At the same time, the slow-paced story utilises some intriguing aspects from the protagonist’s life as he struggles with dark secrets from his past that have potential implications on the current events.

Following this introduction and the initial parts of the narrative, the middle of Black Drop starts to bring in certain key historical events and figures, which results in some fantastic moments and character interactions, especially once an antagonistic figure becomes more prominent.  While the middle of this novel did drag in places, I felt that Nattrass was providing the reader with the right blend of intrigue, mystery, historical detail and character growth to produce a great overall story.  You really get to grips with the protagonist and the key aspects of the setting during this part of the book, especially when Jago hits a major personal downturn earlier than expected, and interesting reveals enhance the reader’s attachment to the mystery.  The story really starts to pick up once it gets to Nattrass’s recreation of the infamous trial surrounding supposed radical and revolutionary Thomas Hardy.  The ridiculous, and mostly accurate depiction of the trial (with certain elements from other trials thrown in for greater effect), proves to be a great high point for the novel, especially as other key parts of the plot are slotted in perfectly around it.  I did feel that the novel started to come undone around the conclusion a little, especially when it came to the big reveal.  While there were a couple of good twists around certain characters, the solution to the main mystery and the intrigue seemed a little weak to me, and I was a little disappointed with how it turned out, especially as you barely get to see anything about the final confrontation.  Still, this did not affect the overall quality of the story too much, especially as the author throws in an excellent wrap-up for the protagonist’s storyline in this novel which has a lot of potential for a sequel.  While much of the story can be a little sluggish and lacking a lot of action, I had a great time getting through Black Drop, and I loved how the excellent interplay of elements came together so well.

One of the most distinctive parts of Black Drop is the sheer amount of fascinating historical detail that was fit into the story.  Nattrass has clearly done her research on the period and the reader is presented with a fantastic and powerful view of London in the late 18th century.  Not only are there some brilliant and vibrant depictions of historical London but the reader gets some fascinating views into the inner workings of the government at the time.  Substantial parts of the book are dedicated to examining the civil service and the political hierarchy of the day, with multiple influential figures featured as supporting characters.  This proves to be a deeply fascinating part of the book, and I loved how Nattrass was able to weave these intriguing details into the thriller plot, becoming a key part of Black Drop’s story.  I also deeply appreciated the way in which Nattrass explores the social and political issues of the day, especially where it relates to the concerns in London about an uprising similar to what happened in France.  As such, you get a full spectrum of personalities from across London, as royalists and loyalists clash with potential radicals who are targeted by the worried government.  This all cumulates in the fantastic court case of Thomas Hardy, a shoemaker accused of radical actions and attempted rebellion.  This historical trial is expertly recreated by Nattrass to include all of its most interesting parts, including several extremely ridiculous elements from history (a blowgun murder conspiracy).  Nattrass also cleverly combines in some elements from related trials that occurred around the same time as the Hardy case for some amusing dramatic effect, and this extended sequence ended up being one of my favourite parts of the novel.  The overall hint of discontent by many members of London’s society, as well as the innate fear of the established institutions, is portrayed beautifully, and you get a great sense of the public issues during this period.  All these impressive historical elements are handled extremely well by Nattrass, and while it did get a tad tedious in places, it was an excellent part of the book that I deeply enjoyed.

To back up her unique historical tale, Nattrass has furnished Black Drop with a compelling array of characters with some complex and compelling character arcs.  This book actually contains a great combination of original characters and historical figures, with many major figures in 18th century British politics and the civil service featured in substantial roles throughout the book.  Not only does this brilliantly enhance the already substantial historical details of Black Drop, but it also results in some fascinating interactions and depictions as the fictional characters, including the point-of-view character, observe them.  Due to the complexity of the story, Black Drop makes use of a pretty large cast of characters, and while a few of them blend together, most come across as pretty distinctive with some interesting and fun character traits.

The best character of Black Drop is the protagonist Laurence Jago, who also serves as the book’s sole point-of-view character.  Jago turns out to be a particularly complex and damaged individual whose emotional attachment to the case and the state of London society provides some intriguing drama and insight into the events of the book.  Already made quite distinctive by his unique green-glass spectacles, Jago proves to be an impressive and captivating figure, especially as he has some major issues.  Secretly half-French, Jago lives a conflicted and fear-filled life, especially with the intense anti-French attitudes sprinkling the city.  This, combined with his foolish youthful dalliance of being a spy for France, ensures that he has a powerful sense of guilt, and is constantly worried about being discovered, especially once other accusations are made against him.  The discovery of a dead friend, combined with his guilt, the pressures of work, and the constant fear of discovery really strain his mind, and while he doggedly tries to find out the truth behind the murder, he starts to crack and nearly blows his cover.  Watching him trying to hide his own secrets while uncovering the lies and machinations of those around him becomes pretty intense, especially as you grow quite attached to this damaged soul.  His mental state further deteriorates once he becomes addicted to Black Drop (an opium concoction), which dulls his worried and troubled mind, while also leaving him lethargic and susceptible to danger.  This proves to be a serious handicap to his abilities, and it is fascinating to see him try to balance all his issues with the hunt for the truth.  All these issues and concerns result in a very conflicted and emotionally drained character, who Nattrass portrays perfectly, and it was very powerful to see Jago’s entire story unfold.

Aside from Jago there is a rich cast of supporting characters, each of whom add to the story in their own distinct way.  I particularly want to focus on two who ended up being the best supporting figures in different ways.  The first of these is William Philpott, a fiction British reporter character, who arrives in England from and extended stay in America and sets up his paper and family residence next to Jago’s lodgings.  An eccentric, rambunctious and slightly uncouth fellow, Philpott stands in stark contrast to the various stuffy characters that make up the majority of the cast, which ensures that the reader is quickly drawn to him.  Not only does he serve as a lighter character in the novel and a firm confidant for the protagonist, but you also get an interesting viewpoint into his changing feelings about the events occurring throughout London.  Philpott starts the novel as a strong, patriotic figure who fully intends to support the government in his paper when it comes to the court cases against the supposed radicals.  However, upon viewing some of the injustices they are committing, such as their harassment of and unfair case against Thomas Hardy, Philpott becomes more sympathetic, supporting the dissenting voices and writing fair accounts of the proceedings.  This interesting middle ground perspective on the historical events of the book proves to be extremely interesting, and I loved how Philpott’s unique storyline unfolded, especially as it results in him throwing some valuable lifelines to the troubled Jago.

The other character of note is real-life historical figure and future British Prime Minister George Canning, who serves a much more antagonistic role in this novel.  Canning, who at this point in the time period was a young MP with connections to the sitting PM, William Pitt, gets embroiled in the case quite early in the novel, thanks to his connection to the dead man and the suspicions surrounding Jago.  Portrayed in Black Drop as an uncaring and malicious man, Canning is a menacing antagonist for much of the novel, constantly butting heads with Jago and complicating his investigation.  I loved the use of this intriguing historical character, especially as Nattrass turns him into a very unlikable figure, who you cannot help but hate.  Not only does Nattrass do a great job of examining some of the historical elements surrounding him at this period of time but she also layers in some fantastic references to future events in his life, such as the infamous duel that he would eventually take part in.  However, his real benefit is the impact he has on the story and the deep rivalry he forms with the protagonist.  Watching these two battle it out in different arenas is very amusing, especially as Jago is constantly outmatched by this influential politician, and I do hope that we see more of Canning in future books in this series.  These great characters, and more, all add a great deal to this intriguing novel, and I really appreciated how fantastic and compelling they turned out to be.

Overall, Black Drop by Leonora Nattrass is an impressive and captivating piece of historical crime fiction that I am really glad I decided to check out.  Making excellent use of some fascinating historical elements, Nattrass did an amazing job of producing a clever and enjoyable spy thriller/murder mystery storyline in 18th century London, which came together very well.  Filled with great historical events and compelling characters, Black Drop was an absolute treat to read, and I look forward to seeing how Nattrass’s next book will turn out, especially as the sequel, Blue Water, is apparently set for release in October this year.

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Unholy Murder by Lynda La Plante

Unholy Murder Cover

Publisher: Zaffre (Trade Paperback – 17 August 2021)

Series: Jane Tennison – Book Seven

Length: 389 pages

My rating: 4.25 out of 5 stars

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The reigning queen of British crime fiction, Lynda La Plante, returns with another clever and intriguing murder mystery, with her latest entry in the Jane Tennison series, Unholy Murder.

La Plante is a great author whose books I have featured several times over the last few years.  Best known for her work in British television, where she produced and wrote several shows and television movies, La Plante has really started to focus more on her novels recently, producing some awesome and compelling reads.  Out of all her recent works, the one I have been enjoying the most is the outstanding Jane Tennison series.  Serving as a prequel to the acclaimed Prime Suspect television series, the Jane Tennison novels follow a younger version of the show’s protagonist, the titular Jane Tennison, as she works her way up the ranks of the Metropolitan Police.  This series has so far contained several awesome and impressive novels, including Good Friday, Murder Mile, The Dirty Dozen and Blunt Force.  The latest entry in the series, Unholy Murder, contained another amazing mystery that sets the protagonist against the dangerous influence of the Catholic Church.

In 1982, Detective Sergeant Jane Tennison has recently been assigned to the Bromley CID, a quieter London beat where she can focus on her upcoming inspector’s exam.  However, her knack for attracting the most unusual and deadly murders once again surfaces when construction workers uncover a coffin at the back of a new housing development.  Based on the site of an old, deconsecrated convent, it is initially assumed that the coffin could be part of a forgotten graveyard, and the coffin is taken to the local morgue.  However, when opened, the coffin is revealed to contain the corpse of a brutally murdered nun.

With no idea who the deceased is or when they died, Tennison is initially unsure how to proceed.  With her superiors assuming that the coffin could be decades or even centuries old, there is little desire for the case to continue.  However, when Tennison is able to determine that the crime took place just before the convent shut down in the 1960s, she is given permission to investigate and attempts to find who the murdered nun is and how her death was left undiscovered for so long.

Digging into the past of the convent and its attached orphanage, Tennison and her team soon discover a sordid history or abuse, neglect and cover-ups.  Convinced that the murder may be related to these charges, the police attempt to find out more about the nuns who lived there.  However, the Catholic Church is uncooperative and all their files on the convent are missing or destroyed.  With the Pope’s historical visit to London only days away, Tennison is determined to get to the bottom of this terrible case, no matter what, Tennison follows every angle she can to get to the truth.  But with someone high up in the church’s hierarchy doing everything to cover up the crime, and with her own superior’s attempting to stop the investigation, can Tennison and her team unmask the killer, or will the secrets of the past came crashing back with unfortunate collateral damage?

This was another pretty awesome novel from La Plante, who has come up with a fantastic and captivating crime fiction story.  Unholy Murder has an impressive murder mystery to it, with the premise of a murdered, unknown nun secretly buried on the grounds of a former convent.  La Plante sets up this entire mystery perfectly, and the reader is soon invested in the plot.  There are some great aspects to the investigation, and I liked the usage of an older crime, with the protagonists forced to dive back nearly 20 years.  There are multiple potential suspects, twists and a range of interferences featured throughout the course of the investigation, and I had a wonderful time following through and trying to figure out who did it and who is trying to keep it quiet for their own reasons.  It all leads up to an intense and fast-paced conclusion, with a second killing seeming to occur, and several separate story threads coming together and adding in some intrigue and excitement.  I was really impressed with the final solutions to the story, and I appreciated the dark and cynical ending that it contained.  This was one of La Plante’s more captivating and clever mysteries and it was a lot of fun getting to the bottom of everything.

One of the more interesting aspects of the entire novel was the inclusion of the Catholic Church as a major force in the investigation.  While some of the lower-level clergy and staff are initially helpful, once the case is revealed to be a murder, potentially committed by someone working at the convent, senior church members work hard to halt the investigation and try to protect themselves and the reputation of the church.  This was a fascinating and intense part of the investigation, and it added in layers of complexities and difficulties that the protagonists are forced to overcome.  The case becomes even more complicated, with multiple allegations of abuse or brutality from the sisters at the convent coming to light.  I really appreciated the way La Plante worked this aspect into the novel, and it was fascinating to see this in a historical context as I am personally more used to hearing about these sorts of issues in the 21st century.  The impacts of the church and its members on the case are pretty fascinating, especially as it makes the solution a lot more clouded, and some resolutions a lot more controversial.  While some authors would use this to simply bash the church, La Plante paints a more complex and multifaceted story here, attempting to show that some of the clergy characters were really good people bound by rules, their oaths or the ambitions of others who abuse their roles and responsibilities for their own aims.  I felt that they author’s use and inclusion of the Catholic Church in this novel helped to make Unholy Murder a much better novel, and it ensured that the case was a lot more intense and complex.

Jane Tennison is always an interesting character to follow, especially as she is one of the few senior female investigators in the MET during this prequel series.  While this is a crime fiction series, a large amount of the plot revolves around Tennison’s personal life, and La Plante has spent a lot of time showing Tennison’s growth as a character, as well as the events that turned her into the hard-edged investigator featured in Prime Suspect.  It has been really fascinating to see Tennison claw her way up the ranks over the last few books, and it was great to see her once again take a leading role in a murder investigation.  Due to some of her prior experiences with fellow officers, Tennison has a bit of a chip on her shoulder in this book, although she manages to mostly prove that she has what it takes.  I do wish that Tennison weren’t portrayed as someone who lets her personal life interfere with the job, especially as she once again gets involved with a person connected to the murder to her own detriment.  Still, I enjoyed Tennison in this novel, and she was a great central protagonist to follow.

This novel featured an interesting group of supporting characters, including police officers, suspects, and members of the church.  The author’s great use of multiple character perspectives in this novel was perfect to highlight these various side characters, and I liked how it also helped to make some of the people connected to the case seem more suspicious or guilty.  While there were several characters I liked, I mostly want to focus on the various police characters featured within Unholy Murder, as they were a major part of the plot.  Not only do you have several recurring police characters from the prior Jane Tennison novels but there are also some great new characters who were very fun to follow.  I quite liked rookie investigator DC Boon, a young officer that Tennison has taken under her wing.  While he initially appears a bit clumsy and clueless, he really starts to grow as a character as the novel progressed, becoming a much more competent investigator.  He also becomes a lot more serious, especially once he gets personally involved in the case, and there are some deep and emotional moments that occur around him as the novel progresses.

I also deeply appreciated the inclusion of DCS Barnes, Tennison’s new boss who heads up the investigation.  Barnes has previously dealt with cases of child abuse by members of the church whose crimes were covered up by his superiors and the church, and this memory drives him throughout the novel and ensures that he takes the cases extremely seriously.  Once it becomes apparent that the murder was likely committed by a member of the clergy, and that the priest he previously attempted to bring down is now a senior figure leading the latest cover-up, he becomes a bit obsessive and refuses to accept any alternate possibilities and suspects.  It was really quite intriguing to see an anti-Church police officer in the 1980s, and I really liked the complex and compelling portrayal around him.  All these side characters add a lot to the overall story, and La Plante did an excellent job of fitting these intense personal stories into the wider murder mystery.

Unholy Murder is an excellent new novel that continues the excellent Jane Tennison series by the amazing Lynda La Plante.  Featuring a clever mystery, some great characters and a really intriguing plot hook, Unholy Murder easily grabs the reader’s attention and ensures that they become deeply attached to the outcome of the story.  I had an outstanding time reading this latest book and I look forward to the next instalment of this fun series in 2022.

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State of Fear by Tim Ayliffe

State of Fear Cover

Publisher: Simon & Schuster Australia (Trade Paperback – 22 July 2019)

Series: John Bailey – Book Two

Length: 390 pages

My Rating: 4.5 out of 5 stars

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One of the fastest-rising Australian thriller writers, Tim Ayliffe, follows up his impressive debut with an excellent second entry in his John Bailey series, State of Fear.

Tim Ayliffe is a talented author who debuted in 2018 with The Greater Good, the first John Bailey book.  This novel explored political corruption and international interference in Australia and made excellent use of the author’s experiences as a journalist.  I really enjoyed this first book and was rather interested when I received the second novel from Ayliffe, State of Fear, in 2019.  Unfortunately, I did not get a chance to read State of Fear when it first came out, and it has been in my to-read pile for a while, until I received a copy of the third John Bailey novel, The Enemy Within, a few weeks ago.  I rather liked the sound of the third book’s plot, and I really wanted to read and review it.  However, before checking out The Enemy Within I thought it would make more sense to read State of Fear first, and boy am I glad that I did.

Throughout his long career as a journalist and war correspondent, John Bailey has faced many dangers and been in several terrible situations.  However, his worst encounter was with the notorious terrorist mastermind, Mustafa al-Baghdadi, who kidnapped Bailey while he was reporting on the invasion in Afghanistan and relentlessly tortured him mentally and psychically.  Following his release from the terrorist group and a retirement from working in active war zones, Bailey thought that his days of dealing with terrorists was over, but he was wrong.

Speaking at a conference on Islamic terrorism in London, Bailey is horrified when a radicalised terrorist murders a woman in front of the convention centre.  Rattled, Bailey returns home to Sydney, only to find his troubles have followed him there.  The son of his former driver in Bagdad has gone missing, and Bailey has been implored to help.  Investigating, Bailey finds that the son has been in contact with some dangerous men with connections to Islamic terrorist cells.  Worse, it appears that they are planning to launch a massive attack in Sydney.

Desperate to save his friend’s son from making a terrible mistake, Bailey attempts to make sense of the terrible events unfolding in Sydney.  However, the deeper he goes, the clearer it becomes that Mustafa al-Baghdadi is back, and he is targeting Bailey personally.  As Bailey and everyone he loves comes under attack, Bailey is forced to turn to his old friend, CIA agent Ronnie Johnson, to find Mustafa and take him down.  But will they be able to stop Mustafa before it is too late, or will the world’s most dangerous terrorist destroy everything that Bailey holds dear?

State of Fear was an excellent and powerful novel that takes its great protagonist on a rough and dangerous journey through hell and back.  Ayliffe has definitely grown as an author since his first novel, and this second book is a compelling and intense novel with a well-crafted narrative.  Starting off with an intense beginning, the protagonist is swiftly shoved into his latest harrowing adventure, as the terrorist he thought he escaped violently bursts back into his life.  This is a very captivating novel, and despite its longer length I found myself powering through it in a very short amount of time.  The protagonist goes through a real wringer as he is forced to visit the ghosts of his past while trying to stop his foe’s latest plot.  Featuring a sprawling and deadly investigation through the suburbs of Sydney, the story eventually journeys back to London, where the protagonist and his friends engage in a deadly and dramatic fight to stop a deadly attack.  There is so much going on in this story, and the reader will experience outstanding action, powerful drama, and some major tragedy, especially in the novel’s dramatic conclusion.  This is a fantastic book which stands on its own and can easily be read by people unfamiliar with the other John Bailey novels.  I had an exceptional time reading State of Fear and it is really worth checking out.

Ayliffe works a lot of fun elements into this novel that make it quite a unique read.  Perhaps one of the most prominent of these is his experience and knowledge as a journalist which helps to produce a very Australian centric view of the events that are being depicted.  For example, Ayliffe includes a very detailed and compelling look at radical Islamic terrorism and how it is occurring both in Australia and in the wider world, particularly England.  Using several real-life Australian cases as basis, Ayliffe manages to expose and explore the heart of the issue, and he paints a fair and captivating picture of how individuals are lured into radical Islam as well as the consequences of their actions.  There are some very intriguing and powerful discussions included within this novel, especially around how the Islamic and migrant community in Australia feels isolated and prejudiced against, and I really appreciated the compelling inclusion in the novel.

Other intriguing elements contained within State of Fear include Ayliffe’s experiences with modern media and how journalist stories are produced and distributed.  There are some fascinating and fun journalistic scenes contained within this novel, and you have to assume that the protagonist’s extremely negative views about the swing to online social media based journalism has to reflect some of the author’s personal feelings.  Another great feature of this novel was the way in which Ayliffe once again used his novel to highlight the city of Sydney.  While a good portion of this novel is set in London (which Ayliffe also does a great job portraying), the scenes set within Sydney are a particular highlight.  The author really dives into showcasing this city, with the protagonist visiting several real-life suburbs and locations throughout the course of the book, distributing local knowledge as he goes.  As a result, this book is filled with some fun references that locals and Sydneysiders will really appreciate, and I enjoyed how Ayliffe spent the time to write a love letter to his city.

In addition to a fantastic story and excellent setting, Ayliffe also ensures that State of Fear is loaded with some complex and memorable characters.  The most prominent of these is series main protagonist and primary point of view character John Bailey.  Bailey is an outstanding veteran reporting character, and Ayliffe portrays him as a broken older news hound who is trying to balance his addictive career with holding onto his family.  This protagonist is the very definition of a damaged character, as he has experienced great trauma, both psychical and emotional, over the years thanks to his work as a war correspondent.  Despite this trauma, Bailey has experienced some major growth since the first book in the series, mainly thanks to the actions of major people in his life, and he is now a much more functional human being, allowing the reader to really connect with his struggles and damage.  Unfortunately, the events of this novel really hit him hard, as he experiences fresh pain while also revisiting his traumatic past through a series of dark flashbacks.  Despite this, Bailey keeps moving forward trying to solve the case, and it was great to see his determination and resolve, even under the worse of circumstances.  The ending of the novel is pretty bad for Bailey, and he goes through some tragic moments that will no doubt rock him for the rest of the series.  All of this makes for an incredible central protagonist, and readers will fall in love with this damaged and compelling character.

Aside from Bailey, State of Fear also contains several great supporting characters, most of whom are holdovers from The Greater Good, and who find themselves in all sorts of trouble in this book.  The most prominent of these is Bailey’s romantic partner, Detective Chief Inspector Sharon Dexter, who serves as a secondary point-of-view protagonist for parts of the book.  Dexter is a tough, no-nonsense cop whose past with Bailey led to a romantic relationship in the first book.  Despite having a very complex and unusual relationship with Bailey, Dexter proves to be an excellent supporting character, acting as the sensible and official support to Bailey who tries to keep him out of trouble.  While she has a bit of a cold exterior, especially when Bailey stuffs up or lies to her, Dexter is another character the reader can easily get attached to, and her involvement in the story is quite essentially the overall powerful narrative.

I also quite liked the inclusion of Bailey’s editor, Gerald Summers, another aging newsman who serves as Bailey’s emotional rock and best friend and who has an amazing run in this book.  Gerald is an outstanding and loveable character, which of course means he is going to suffer a little bit, so prepare yourself for that.  You also have to like Ronnie Johnson, the maverick CIA agent who spends most of his time living on Bailey’s couch, but who proves to be an effective and very dangerous operative when he needs to.  Ronnie has been a favourite character of mine ever since the first book (I mean, he kills an Australian Prime Minister Harold Holt style), and he does some cool things in this second novel.  Finally, I felt that Mustafa al-Baghdadi was a pretty good overarching antagonist for State of Fear.  Ayliffe did a good job portraying a manipulative religious zealot with grand plans for vengeance and the advancement of his cause.  Despite being hidden for most of the book, this character contains a great deal of menace, and I really enjoyed the sinister flashback sequences that featured him and Bailey.  I did think that some of his reasons for vengeance on Bailey were a bit weak (I mean, he had to know that the first thing Bailey was going to do when freed was to share what he knew with the Americans), but he was an overall great villain with major impacts on the narrative.  Each of these characters were well written and established, and I felt that their combined narratives really improved this fantastic novel.

State of Fear by Tim Ayliffe was an outstanding and captivating read that presents a powerful and moving adventure of journalist John Bailey.  Containing an intense narrative about terrorism, some unique elements and amazing characters, State of Fear is an excellent read which swiftly grabs the reader’s attention and refuses to let them go.  I had an incredible time reading this novel and I am still kicking myself for taking so long to check it out.  I have already read the third entry in the John Bailey series, The Enemy Within, and I am hoping to get a review out for it soon.

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Turn a Blind Eye by Jeffrey Archer

Turn a Blind Eye Cover

Publisher: Macmillan (Hardcover – 30 March 2021)

Series: William Warwick – Book Three

Length: 330 pages

My Rating: 4.25 out of 5

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One of the world’s bestselling authors, Jeffery Archer, returns with the third exciting and enjoyable entry in his clever William Warwick series, Turn a Blind Eye.

London, 1987.  After successfully organising a high-profile raid of a notorious drug factory, William Warwick has been promoted to Detective Inspector.  However, with his promotion comes a very different assignment: exposing corruption at the heart of London’s Metropolitan Police Force.  Along with his team of detectives and officers, William begins to investigate an old friend of his from the police academy, Jerry Summers, whose affluent, high-flying lifestyle seems impossible to achieve on a police income.  Utilising several undercover operatives, William attempts to find out the truth behind Summers’s activities.

However, the investigation into Summers’s corruption is only one of William’s concerns, as the trial for drug baron Ahmed Rashidi, whose factory William’s team brought down, begins.  Rashidi’s conviction seems certain, especially with the formidable legal team of William’s father and sister arguing the prosecution’s case.  But Rashidi has hired the services of the slippery and corrupt lawyer, Booth Watson QC, whose contacts and ability to bend the rule of law puts the police’s case in serious jeopardy.  At the same time, William’s arch-nemesis, the criminal genius Miles Faulkner, has escaped from jail and is hiding out in Europe, plotting the next stage of his life of crime.  However, Miles’s sudden death proves to be a boon for his ex-wife, Christina, who uses her windfall to apparently reform and renew her friendship with William’s wife.

As William’s focus is torn between all these different cases, disaster strikes when a young female undercover officer under his command falls for Summers.  As William and his team attempt to discover just how compromised their investigation is, the young Detective Inspector finds himself under attack from all sides as enemies, both old and new, attempt to bring him down.  Can William continue his crusade to bring justice to London’s streets, or will he face the horrible realisation that more of his fellow officers are willing to turn a blind eye than he first suspected?

This was another fantastic novel from Jeffrey Archer, who has done an amazing job continuing the exciting and compelling adventures of William Warwick.  Archer is an intriguing figure who has written a number of amazing crime and historical fiction novels over the last few years, such as his iconic Clifton Chronicles.  I have been rather enjoying several of Archer’s recent novels, including the very clever Sliding Doors-esque novel, Heads You Win.  His latest series, the William Warwick books, follow the adventures of the titular protagonist, who was first introduced as a fictional detective created by one of the characters in the Clifton Chronicles.  The first two novels in this clever crime series, Nothing Ventured and Hidden and Plain Sight, were both awesome reads, and I was quite excited when I received Turn a Blind Eye a few weeks ago.  Turn a Blind Eye ended up being quite an impressive read, and I really enjoyed the compelling and fast-paced story.

Archer has come up with a great story for his latest novel which not only continues some of the amazing storylines from the previous novel but which sets the protagonist up against several new challenges and antagonists.  Archer blends a lot of great elements into Turn a Blind Eye from across the genres.  The most prominent of these is a compelling crime fiction storyline which sees the protagonist go up against several different villains, including corrupt police, art thieves and drug lords, and there are some impressive investigative angles and fun scenes featuring clever police work and investigations.  In addition, the author works in some clever legal thriller elements as the story features several courtroom sequences.  These court scenes are some of the best parts of the entire novel, especially as Archer loads them up with fun legal shenanigans as the antagonist lawyer employs some really evil tricks.  The author also makes great use of the 1980s setting as a backdrop to the main story, and I loved the exploration of this cool period during this fun historical novel.  The entire novel chugs along at a rapid pace, and readers will have a very hard time putting this book down, especially as it features some dramatic twists, clever undercover scenes and very entertaining moments.  Readers of the previous two William Warwick novels will appreciate the fantastic ways in which Archer continues the established storylines set up in the first novels, although the author does ensure that this third book is easily accessible to new readers.  I really enjoyed the fun and intriguing places where Archer took his latest novel and I cannot wait to see how he will continue his compelling story in the future William Warwick entries.

I really enjoyed the great range of characters that Archer fits into this novel, most of whom are recurring characters from the previous two entries in the series.  Archer features a rather large cast of excellent characters throughout Turn a Blind Eye, resulting in a mass of different character perspectives that makes for a compelling and vibrant blend of storylines and character arcs.  At the top of this list is William Warwick, who serves as the central figure for most of the book’s plot.  William is an exceedingly straight arrow, intently concerned with doing the right thing and bringing the villains to justice.  William has another interesting adventure in Turn a Blind Eye, where he is forced to investigate police corruption and finds himself in some strange new circumstances.  I really enjoy the linear storyline that Archer has set up for Warwick, especially as it appears that he will be investigating a whole new crime each novel, and he serves as a particularly good centre to this entire series.

In addition to the main protagonist, Turn a Blind Eye also features several other amazing characters who have some compelling arcs in this latest book.  As always, I have to start with series antagonist Miles Faulkner, the highly intelligent criminal mastermind and art fanatic with whom William has found himself in an intense feud.  Faulkner ended the last book on a high note after engaging in a bold prison escape, and this novel starts off with him fleeing to Europe before circumstances seem to take him right off the board.  This results in an interesting development for the character, although readers of the previous novels will not be surprised by the clever way in which that particular arc unfolds throughout the novel.  I also deeply enjoyed the character of Booth Watson QC, the go-to lawyer for the antagonists of this series.  Watson is a dastardly and conniving figure in this series, and readers will love all the sneaky and entertaining ways he finds to bend the laws and manipulate the legal system.  I particularly liked the way in which he serves as a counterpoint to William’s father, Sir Julian, the highly regarded and undeniably honourable legal prosecutor, and the two have an outstanding repartee with each other during the court sequences.  The other character who has a really good storyline is police officer Nicky Bailey.  Bailey, who is assigned undercover to watch the primary suspect of the corruption storyline, ends up falling in love with her target, resulting in the investigation becoming compromised.  Archer writes an impressive and dramatic arc around this character, and I was particularly moved by its intense conclusion.  All of these characters ended up adding a lot to Turn a Blind Eye’s story and I look forward to seeing some of them reappear in the next William Warwick novel.

Turn a Blind Eye was another awesome novel from Jeffrey Archer which proved to be a rather good and entertaining read.  I loved the way in which Archer has continued his fantastic William Warwick series, and the author has loaded this book with some clever and enjoyable sequences and characters.  A fun and intriguing novel that readers will power through in no time, Turn a Blind Eye is really worth checking out and comes highly recommended.

Turn a Blind Eye Cover 2

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Quick Review – The Imitator by Rebecca Starford

The Imitator Cover

Publisher: Allen & Unwin (Trade Paperback – 2 February 2021)

Series: Standalone

Length: 344 pages

My Rating: 4.25 out of 5

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Deception, divided loyalties and despair are all on offer in the debut novel of Australian writer Rebecca Starford, who presents a curious and captivating read with The Imitator.

Synopsis:

‘We trade in secrets here, Evelyn. There’s no shame in having a few of your own. Our only concern is for who might discover them.’

Out of place at boarding school, scholarship girl Evelyn Varley realises that the only way for her to fit in is to be like everyone else. She hides her true self and what she really thinks behind the manners and attitudes of those around her. By the time she graduates from Oxford University in 1939, ambitious and brilliant Evelyn has perfected her performance.

War is looming. Evelyn soon finds herself recruited to MI5, and the elite counterintelligence department of Bennett White, the enigmatic spy-runner. Recognising Evelyn’s mercurial potential, White schools her in observation and subterfuge and assigns her the dangerous task of infiltrating an underground group of Nazi sympathisers working to form an alliance with Germany.

But befriending people to betray them isn’t easy, no matter how dark their intent. Evelyn is drawn deeper into a duplicity of her own making, where truth and lies intertwine, and her increasing distrust of everyone, including herself, begins to test her better judgement. When a close friend becomes dangerously ensnared in her mission, Evelyn’s loyalty is pushed to breaking point, forcing her to make an impossible decision.

A powerfully insightful and luminous portrait of courage and loyalty, and the sacrifices made in their name.

This ended up being a fantastic and enjoyable read from Rebecca Starford, who has come up with a really intriguing and unique story.  Starford is an Australian writer who is probably best known for her work on the Kill Your Darlings magazine, as well as her non-fiction book Bad Behaviour, which chronicled the author’s life at an elite country boarding school.  The Imitator, which was also released under the title, An Unlikely Spy, is an impressive and captivating historical drama that follows a young woman who becomes involved with British espionage at the start of World War II. 

The Imitator has an interesting and surprising story to it which is guaranteed to grab the reader’s attention all the way up to its final shocking twist.  Told from the perspective of protagonist, Evelyn Varley, the story is split into two distinct periods, with some of plot set shortly after the end of World War II, while the rest follows the protagonist during the early days of the war.  Most of the narrative is set during the earlier time and examines the protagonist during this period, including her recruitment into MI5 and her eventual work investigating Nazi sympathisers.  This proves to be quite a fascinating narrative thread, and I really enjoyed the great blend of historical espionage and the compelling drama surrounding the character and her personal relationships.  I was particularly intrigued by the parts of the book that explored Evelyn’s attempts to infiltrate a major group of Nazi sympathisers, especially as she is forced to alter her personality to fit into the tight-knit group of fascists.  Starford also includes several chapters set after the war which show Evelyn dealing with the aftermath and her actions during the conflict.  These post-war sequences compliment the rest of the story extremely well, and hint at tragic consequences to what she did after she is contacted by people from her past.  However, readers are in for quite a shock, as these later sequences are shown to be a major bait and switch.  Instead of the conclusion that you would generally expect in one of these stories, Starford puts in a particularly major and dramatic twist which really changes the entire tone of the narrative.  This twist was a brilliant master stroke from the author, especially as it switches around the implications for the post-war chapters and shines a whole new light on everything.  I was really impressed with this amazing narrative, especially once you realise how the author set up the clever ending, and this was truly an awesome and memorable story.

One of the things that I really liked about The Imitator was the fantastic historical setting of London during the early period of World War II.  Starford did a great job of highlighting what life during this period would have been like, from the early actions of organisations such as MI5, to the feelings of the populace, most of whom were convinced that the war would be fought far away or would not happen at all.  I was also really impressed by the author’s examination and dramatization of several intriguing real-life historical events that occurred during this period.  The character of Evelyn Varley is based upon the real life of MI5 operative Joan Miller, who infiltrated a major Nazi sympathiser movement, known as the Right Club, in London back in 1939.  Many details about the Right Club are fitted into the book and used as the basis for the Nazi group the protagonist infiltrates.  While there are several name changes, the fictional group closely matches what actually happened with the Right Club and MI5’s mission to infiltrate it.  I felt that Staford did an amazing job exploring this group and the mission of Joan Miller, and it proved to be an exceptional and clever base to this awesome story.

I also must compliment the compelling and intriguing protagonist of this novel, Evelyn, who serves as the main point-of-view character for the story.  Evelyn is a complex individual with a number of features formed during her harsh early life at a prestigious private boarding school.  Thanks to her less affluent parents, Evelyn does not really fit in with the richer students and is soon forced to adopt a much different persona, which is helped by the relationship she forms with the family of her one friend at the school.  This ability to change her persona becomes particularly important later in life when she begins her career in espionage and must show a false side to herself to people she is trying to take down.  Starford has written a fantastically complex character here in Evelyn, and I really appreciated the way in which the author examines what events or personality traits a successful undercover spy might need to have.  I also liked the way in which we get to see the character at different parts of her life as the book progresses, such as her innocent pre-war life, her experiences as a seasoned infiltrator and her reflections as a damaged survivor.  These various periods of her life and the different personalities are very dramatic and intriguing, and I found it fascinating to see how the author envisioned her changing personality.  Starford also writes in an extremely good storyline around the protagonist’s twisted loyalties, which forces her to choose between the safety of her country and the people closest to her.  These conflicting loyalties and friendships take Eveyln in some dark places and I really must applaud the clever and powerful narrative that Starford constructed around this great character.

Overall, The Imitator by Rebecca Starford is an exceptional and captivating read that comes highly recommended.  I really enjoyed this fantastic book’s clever blend of historical fiction, espionage and dramatic storylines, and I had a wonderful time getting through all of The Imitator’s compelling twists and revelations.  An outstanding read that is guaranteed to stick in the mind long after you have finished reading it.

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Quick Review – The Art of Death by David Fennell

The Art of Death Cover

Publisher: Zaffre (Trade Paperback – 4 February 2021)

Series: Standalone/Book One

Length: 422 pages

My Rating: 4 out of 5 stars

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2021 is definitely proving to be a great year for debut novels and one of the most intriguing examples of this is the fantastic murder mystery, The Art of Death by David Fennell.

Synopsis:

Death is an art, and he is the master . . .

Three glass cabinets appear in London’s Trafalgar Square containing a gruesome art installation: the floating corpses of three homeless men. Shock turns to horror when it becomes clear that the bodies are real.

The cabinets are traced to @nonymous – an underground artist shrouded in mystery who makes a chilling promise: MORE WILL FOLLOW.

Eighteen years ago, Detective Inspector Grace Archer escaped a notorious serial killer. Now, she and her caustic DS, Harry Quinn, must hunt down another.

As more bodies appear at London landmarks and murders are livestreamed on social media, their search for @nonymous becomes a desperate race against time. But what Archer doesn’t know is that the killer is watching their every move – and he has his sights firmly set on her . . .

He is creating a masterpiece. And she will be the star of his show.

This first book from Fennell ended up being quite an enjoyable and intriguing read as this new author has come up with a compelling and dark murder mystery with some great surprises to it.  I was lucky enough to receive a copy of this book a few weeks ago and became quite intrigued by the plot synopsis and the extremely cool cover art by Nick Stearn.  I had a fun time getting through it, thanks to the captivating group of characters and clever mystery it contained, and this ended up being a fantastic novel to check out.

At the centre of this fantastic debut novel is a rather good mystery that revolves around a callous and inventively deranged serial killer who kidnaps and kills people in order to feature them in his art show.  The Art of Death’s story follows this case from the discovery of the first three bodies, contained in a gruesome art display in Trafalgar Square, to its epic conclusion after the police engage in a lengthy investigation.  This proved to be a complex and exciting investigation, as the police characters are constantly one step behind the brilliant and sadistic killer as he works to finish off his masterpiece.  This results in a thrilling storyline as the police are forced to rush around and try to save the potential victims once the killer starts broadcasting their upcoming deaths online.  Fennell makes excellent use of multiple character perspectives to show off the various sides of this case, whether it be the police investigation or the killer’s sick plans as they kidnap several people from around London with the help of social media.  Fennell also adds an extra layer to the story when the killer starts to deliberately target and mess with the protagonist of the story in an attempt to draw them into his web.  All of this leads to a fantastic and intense conclusion, and I loved some of the twists that Fennell introduced into the story, including some misleading suspects and compelling circumstances.  I had an awesome time getting to the bottom of this dark and disturbing case and I thought that this was a great first mystery from this new author.

The best parts of this great novel were some of the distinctive and damaged characters featured throughout.  The most notable are probably the protagonist, Detective Inspector Grace Archer and the antagonist, the serial killer/artist known as @nonymous.  I thought that the character of Archer was an impressive cop protagonist, a no-nonsense, recently promoted female DI who takes the lead in the case over less capable colleagues.  Archer proves to be a great central character of this book, and I enjoyed seeing her attempt to balance this trying case with her own complex personal life and the distain of several of her colleagues who she has previously alienated with a police corruption case.  Fennell also works in a compelling angle which reveals that Archer was herself a survivor of a serial killer when she was younger, something which still haunts her to this day.  This proved to be an intriguing facet of Archer’s character and one that impacts her role in the main case, although I think that it could have been worked into the main story a little better.

I also very much enjoyed the main antagonist, @nonymous, and Fennell did a fantastic job coming up with a vile and irredeemable killer.  @nonymous is essentially an evil, murderous Banksy who stalks his prey through social media and live-streams his killings as a form of art.  I found myself really disliking this character due to his ego, his belief in his artistic “genius” and the way he ruthlessly preys on people with low esteem, especially as you see several terrible sequences from his point of view.  However, this worked well in the context of the book, as the reader cannot wait to see him fail, and it really amps up the anticipation in the story.  I also appreciated the way in which the killer becomes obsessed with the protagonist and it adds a great additional edge to their story.  I was able to predict who the killer was early in the novel, despite a couple of clever attempts from Fennell to throw the reader off the trail.  Still, the author sets the reveal up really well and final confrontation between @nonymous and the protagonists is thrilling and suspenseful.  Overall, this was an amazing use of characters, and I appreciate the complex protagonist and killer that the author created.

The Art of Death is an awesome debut murder mystery from new author David Fennell which I had a fantastic time reading.  Thanks to this book’s compelling mystery and clever characters readers will quickly become engrossed in the fantastic story and will have fun seeing how the case comes to an end.  I look forward to seeing what Fennell comes up with next, especially if he reuses the intriguing protagonist introduced in his amazing debut.

Hidden in Plain Sight by Jeffrey Archer

Hidden in Plain Sight Cover

Publisher: Macmillan (Hardcover – 27 October 2020)

Series: William Warwick – Book Two

Length: 304 pages

My Rating: 4.25 out of 5

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Bestselling author Jeffrey Archer returns with the second book in his William Warwick historical crime fiction series, Hidden in Plain Sight.

London, 1986.  Following the failed attempt to put his nemesis, expert art thief Miles Faulkner, behind bars, William Warwick has been promoted to Detective Sergeant and now has a whole new focus: drugs.  William and his team have been assigned to take down a notorious drug kingpin, one who has all of South London in his pocket and who takes great pains to hide his identity and methods.  However, despite their focus on catching this mysterious drug lord, known only as the Viper, Warwick is still determined to take down Faulkner.

When William coincidently arrests an old acquaintance from his school days, Adrian Heath, it unexpectedly provides him with the opportunity that he has been looking for.  Not only does Adrian have information about the identity of the Viper, but he also has a connection to Faulkner that could be exploited to finally throw his adversary behind bars.  As William attempts to close the net around his targets, he must also counter the moves of his enemies, even when they attempt to ruin his life or his upcoming marriage to Beth.  However, it will take more than personal attacks and clever setbacks to discourage William, and he soon has Faulkner and the Viper exactly where he wants them.  But even in defeat, Miles Faulkner is a dangerous opponent, especially now that he has his vengeful eyes fully set on William and everyone he loves.

Hidden in Plain Sight was another exciting and clever novel from Jeffery Archer featuring a compelling historical crime drama set around the life of a fun fictional character.  The protagonist of this series, William Warwick, actually first came into existence in Archer’s iconic Clifton Chronicles series of historical fiction books, where he was introduced as the in-narrative fictional protagonist of a series of detective books written by the Clifton Chronicle’s main character, Harry Clifton.  After Archer concluded the Clifton Chronicles a couple of years ago, he decided to provide his fans with a more detailed exploration of this fictional detective, and this series is the result.  The William Warwick series looks set to be Archer’s next major long-running series and it will explore the entire career of Warwick, from eager young recruit to hardened and brilliant detective.  This is the second William Warwick novel following last year’s Nothing Ventured, and Archer has come up with an enjoyable new tale that proved really hard to put down.

This second entry in the William Warwick series contains another intriguing and exciting character driven narrative that sees the protagonists engage in a game of wits with some despicable criminals.  This proved to be an excellent historical crime fiction novel that not that not only continues the compelling narrative set up in the previous book in the series but which also sees the protagonist go after an entirely new foe.  Archer presents a great recreation of 1980s London and takes the story in an interesting new direction by having William attempt to combat the city’s crippling drug trade.  However, the story still has a fascinating focus on the world of art and antiquities and its associated criminal underbelly, thanks to the amazing returning antagonist from the first novel.  This story proved to be really exciting and fast-paced, and I enjoyed the variety of different crime fiction elements that Archer included in the plot, as the protagonists attempt to take down their quarry in a number of different manners.  Readers are treated to a range of great sequences, from pulse-pounding police raids, detailed investigations, cunning undercover operations and even a very entertaining courtroom sequence.  Archer has loaded Hidden in Plain Sight’s story with all manner of twists and turns, so much so that the reader is often left surprised at who ends up on top and where the story will go next.  This was a really enjoyable narrative that I found to be extremely addictive, resulting in me powering through the entirety of Hidden in Plain Sight in just over a day.  Fans of the previous entry in the series (as well as the Clifton Chronicles) will have a great time continuing the fun story started in Nothing Ventured, while new readers will also be able to quickly dive into this novel and become engrossed in the story.

Like all of Archer’s books, the narrative of Hidden in Plain Sight is strongly driven by the excellent characters that the plot follows.  Archer utilises a range of different character perspectives to tell his story, presenting a rich and multifaceted narrative that explores the lives of several intriguing protagonists, as well as a couple of great villains.  Most of the story focuses on the series’ titular character, William Warwick, the determined, ambitious and righteous police officer who has dedicated his life to fighting crime.  Warwick continues to grow as a detective throughout Hidden in Plain Sight, losing more of his “choir boy” personality and gradually becoming more addicted to the job and the danger.  Despite that he still maintains his strong moral code and proves to be a very likeable central character, especially as Archer spends a lot of time exploring his personal life and his various relationships.  In addition to Warwick, Archer also dedicates a large amount of the book to several key side characters including Warwick’s police colleagues, the major antagonists and members of Warwick’s family.  These various additional characters and perspectives really added a lot to the story’s flow, and it was a much more effective way to tell this narrative than through the eyes of Warwick alone.  Most of these characters are only featured for a small amount of time throughout the book, but I felt that Archer made the most of their appearances, showcasing their personalities and motivations in an excellent manner and making sure that the reader was concerned for their various story arcs.

While these books are mostly focused on the exploits of William and his crime fighting associates, the character I have the most love for is the villain, Miles Faulkner, who is a constant highlight of each book.  Faulkner is a debonair and brilliant criminal mastermind who specialises in elaborate art thefts and forgeries and who gained the attention of the protagonists in Nothing Ventured.  Faulkner serves as a brilliant foil to William and the other police, continually outsmarting them at every turn and thoroughly acting as the cocky master villain.  Faulkner pretty much steals every scene he appears in, and you cannot help but enjoy his antics, even when you are pulling for the protagonists to knock him off his pedestal.  Archer introduces a number of entertaining and clever twists around Faulkner throughout Hidden in Plain Sight, and it was extremely entertaining to see the various ways in which this antagonist manages to manipulate everyone around him and generally come up on top, even when it appears that he has lost.  I personally liked the more vindictive streak that appeared as part of Faulkner’s character in this book, following his various losing encounters with William and the other protagonists.  Not only does this result in a number of clever and elaborate revenge ploys but it also gives a harder edge to Faulkner as the overall antagonist of the series, and hints that he may have some diabolical plans for William in the future entries of this series.  I had a lot of fun with this excellent antagonist and I cannot wait to see what villainy he unleashes next.

Hidden in Plain Sight is another fun and clever novel from Jeffery Archer that comes highly recommended.  Archer has done an excellent job of continuing his William Warwick series, and readers are in for an exciting and enjoyable time with this book.  I really liked where Archer took the story in Hidden in Plain Sight and I am looking forward to seeing how the series will continue next year.

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