The Ghost Orchid by Jonathan Kellerman

On February 9, 2024 By The Unseen LibraryIn Murder Mystery7 Comments

The Ghost Orchid Cover (2)

Publisher: Century (Trade Paperback – 13 February 2024)

Series: Alex Delaware – Book 39

Length: 293 pages

My Rating: 4.5 out of 5

Legendary crime fiction author Jonathan Kellerman returns with another outstanding read in his long-running Alex Delaware series with The Ghost Orchid, which presents the reader with another gripping murder mystery.

Over the last few years, I have developed an awesome and highly enjoyable habit of starting the new year off by reading the new Jonathan Kellerman book as soon as I can. An excellent and well-established crime fiction author, Kellerman has been producing amazing reads for decades, with his best-known works being the Alex Delaware novels, following that follow a plucky psychologist and his cop best friend as they solve the most unusual or mysterious murders in Los Angeles. While I got into Kellerman’s work late, I have had an outstanding time with some of his more recent books, including The Wedding Guest, The Museum of Desire, Serpentine, City of the Dead and Unnatural History. All of these novels have been amazing and filled with great mysteries, and I am always very excited to check out a new Kellerman book. That is why I made sure to grab a copy of the new Alex Delaware novel, The Ghost Orchid, as soon as I could, and boy did it prove to be another outstanding read.

Love, revenge and deceit are all in the air when two bodies are found beside the pool in an upscale Bel Air mansion. The two victims have been mercilessly shot down in what appears to be a targeted hit. But who was the intended victim? Was it the rich playboy heir who lived in the mansion or was it his wealthier neighbour with whom he had been having an illicit affair?

Noting the apparent anger behind the case, LAPD homicide detective lieutenant Milo Sturgis calls in his old friend and colleague psychologist Alex Delaware to help unwind the twisted threads of both victims’ lives. Only recently recovered from a dangerous encounter on their last investigation, Alex is keen to get back into the saddle, even for what appears to be a simple case of revenge from a spurned husband. However, it soon becomes clear that this murder is anything but simple.

As Alex and Milo dig deeper into the case, they discover that both dead lovers had troubled pasts and dark secrets that they were running from. To discover who was behind the deadly murders, the two friends will need to uncover everything about their victims’ lives, including any dark connections that could identify the killer or their motives. But neither Alex nor Milo are prepared for just how convoluted the lives of these two Los Angeles elites truly were or just how far they went to escape their pasts.

This was another brilliant read from Jonathan Kellerman that I instantly fell in love with. The 39^th entry in the Alex Delaware series, The Ghost Orchid featured Kellerman’s trademark investigative style and iconic character as they dive into another excellent mystery.

The Ghost Orchid’s story proved to be extremely interesting and addictive as it once again followed the protagonists as they embark on another fascinating investigation. Mostly shown through the eyes of main character Alex Delaware, Kellerman paints a fantastic picture at the start of The Ghost Orchid, as he sets up the crime scene and then introduces the reader to the two murder victims. From there, the plot advances at a steady pace, as the protagonists begin to dive into the lives of their victims and learn about their past, their secrets, and their deeper motivations. Much of this investigation involves methodical interviews of the victim’s various friends, acquaintances, and relatives, and the running down of any leads that come their way.

Kellerman effectively moves this story along, and you are soon given some great clues regarding the case, as well as some potential additional crimes. I loved how well the author kept up a level of suspense and uncertainty regarding which victim is the most likely intended target, and the expert blending of their backstories worked extremely well. At the same time, Kellerman also adds in some more personal elements for the main character, including examining the fallout of the last book and his own work as a psychologist. The entire mystery comes together extremely well at the end of the novel, and I loved the compelling story that resulted, especially as one character’s past holds the secrets for the solution of the case. I did think that Kellerman wrapped everything up a little suddenly and with less involvement from the protagonists than you would expect, although there is a certain amount of realism in the final confrontation. However, this proved to be an overall extremely epic story that you can’t help but get drawn into.

I really love how Kellerman structures his outstanding mysteries in the Alex Delaware series, and The Ghost Orchid is a great example of this. Kellerman’s methodical and more realistic style of investigation always stands out to me, and I deeply appreciate how the protagonist’s attempts to solve the crime usually requires talking to multiple intriguing suspects or people with any sort of connection to the case. While some of the dialogue between these witnesses and the protagonists occasionally feels a little off, for the most part Kellerman succeeds in building a powerful and massive picture of events that fills the reader’s mind’s eye and really draws them into the mystery. The entire mystery in The Ghost Orchid was extremely well structured, and the slow move towards answers really drew me in and made for some great reading. Like most of the books in the Alex Delaware series, The Ghost Orchid can be easily read as a standalone novel. While parts of the main character arc do discuss events from the prior book and there are some callbacks to earlier novels in the series, you honestly don’t need any pre-knowledge of these books to completely appreciate The Ghost Orchid. Due to how insular the main mystery is, as well as how well Kellerman effectively covers any relevant prior events, anyone can dive into the series here without any issue, and The Ghost Orchid proves to be an excellent addition to the Alex Delaware books.

Like all the Alex Delaware novels, the heart of The Ghost Orchid lies in the fantastic and heartfelt partnership and friendship of main characters Alex Delaware and Milo Sturgis. Due to their long association together, the two have become best friends whose insights into the way the other thinks result in them being quite an effective investigative team. These two have a great patter as they investigate their cases, and it always so much fun to see them bounce ideas, suggestions and insights off each other. This friendship is always a great part of the series, and it was interesting to see it changed to a degree in The Ghost Orchid. Due to the closing events of the previous novel, Unnatural History, Alex was badly injured while investigating a case and has been out of action for a while. This led to quite a bit of guilt from Milo, who blamed himself for Alex getting hurt. This changed the dynamic between the two for much of the book, especially as Milo was reluctant to bring Alex into another investigation. It was moving and a little heartbreaking to see this guilt induced damage in their relationship, especially as Milo was a lot more protective as a result. As such, this was a great addition to the series, and I enjoyed seeing Kellerman try to stretch the bounds of this well-established partnership in some new ways.

Aside from Alex and Milo, the two character who impact the plot of The Ghost Orchid the most are the murder victims, Giovanni Aggiunta and Meagin Lea March. While dead for the entirety of the plot, their lives and legacies cast a shadow over the whole book, and the protagonists, as well as the reader, need to dive into the past to find out who the killer is. Kellerman does an excellent job of featuring these two dead characters in The Ghost Orchid, and the slow-burn examination of their lives becomes a key part of the story, as the protagonists talk to family, contacts and more, while also doing copious research. As such, you really get to know both dead characters as the book continues, which proves to be quite intriguing and powerful. Both victims are revealed to have complicated pasts, and the disentanglement of these secrets and the examination of all their interactions, relationships and motivations raises the tension of the plot while simultaneously increasing the reader’s attachment to solving the case. Kellerman ensures that there is a balanced focus on both victim’s pasts for much of the narrative to disguise who the intended target was for. This really enhances the mystery of the story, and you are constantly wondering what new secret or hidden truth will be uncovered to finally allow the reader to pinpoint why they were killed. As such, these dead characters prove just as important to The Ghost Orchid as the protagonist, and I was once again impressed at Kellerman’s ability to make me care about character we never actually see alive.

Even after decades of writing, Jonathan Kellerman continues to produce fascinating and complex mysteries that readers can get so easily lost in. The Ghost Orchid was an outstanding novel, that saw Kellerman’s fantastic protagonists dive into another elaborate mystery. Powerful, loaded with great characters, and making full use of Kellerman’s distinctive style, The Ghost Orchid was an excellent novel from start to finish, and I cannot recommend this latest Alex Delaware novel enough.

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Ripper by Shelley Burr

On January 23, 2024 By The Unseen LibraryIn Australian, Murder Mystery, Thriller6 Comments

Ripper Cover

Publisher: Hachette Australian (Trade Paperback – 30 August 2023)

Series: PI Lane Holland – Book Two

Length: 344 pages

My Rating: 4.5 out of 5 stars

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Impressive rising Australian crime fiction star Shelley Burr follows up her amazing debut with the complex and addictive rural murder mystery, Ripper.

In 2022 I had the very great pleasure of reading Shelley Burr’s debut novel, Wake. An awesome book that followed two compelling protagonists as they investigated an infamous missing persons case in a small Australian town, Wake really had me hooked from the get go. Wake ended up being one of my favourite debuts and favourite pieces of Australian fiction in 2022, and I have been eager to see how Burr would follow that up for a while. Burr did not disappoint, as she recently released an intriguing sequel, Ripper (also released as Murder Town).

Seventeen years ago, the small town of Rainier was rocked by a series of brutal killings that saw three people murdered and the infamous killer captured in a heroic effort by the police. Thanks to these tragic events, Rainier is now known as an infamous murder town, with people far more interested in checking out the site of the Rainier Ripper’s trial of destruction rather than the town’s quaint charm and bush location.

Now, after years of neglect and changing economic times, Rainier is starting to financially fail. The town’s only hope might be a dark tourism company that is eager to exploit Rainier’s infamous name. However, when the tour operator is brutally killed in the same location as one of the Ripper’s victims, it opens old wounds and forces the locals, long traumatised by the events of that massacre, to uncover long buried secrets.

Gemma Guillory knows everything about the Rainier Ripper, especially as her teashop was the location of the original Ripper’s final killing. When the new murder occurs, Gemma is brought back to her painful past and is determined to discover whether this new crime was done by a copycat or if the real Rainier Ripper escaped justice years before. Receiving unlikely help from incarcerated investigator Lane Holland, Gemma begins to chip away at years of secrets and lies she didn’t even know surrounded her. But is Gemma truly ready for the truth, especially as a dangerous killer is still hiding in town, waiting to kill again?

I really enjoyed Ripper and felt that it was a fantastic follow-up to Burr’s first novel. I deeply appreciated the complex, moving and character driven murder mystery storyline at Ripper’s centre, especially as it forced its complex protagonist to simultaneously look at events in the past and current concerns.

The book starts off very strong, with a flashback to the original killings, followed by a good recap of the events that made Rainier infamous, and some excellent set up around the current day town, including the proposal to start a dark tourism company and some of the personal problems impacting the key locals. Naturally, things get dark quickly, as a new body is found in the same location of one of the Rainier Ripper’s victims, and the population of Rainier, especially primary protagonist Gemma Guillory, is dragged back into their complex history. The following story is very powerful, as the protagonist begins to dive back into her towns past to try and find the killer, which also forces her to look at those closest to her in a new light. At the same time, the returning protagonist from Wake, imprisoned investigator Lane Holland, is tasked by his prison warden to interrogate the Rainier Ripper to determine if he has any additional information about the case.

Burr moves Ripper’s intriguing plot along at a quick pace, and I liked how complex and intricate the mystery soon became. Solving the crime involves a great mixture of current intuitions about the key characters, memories of the past, and interrogations by Holland in prison. The mystery branches off into some interesting places, and the protagonists need to do some emotionally charged digging to find out what really happened. The resulting solutions to the mystery are very clever, and Burr did a wonderful job laying down subtle but effective clues throughout the main body of the book. I really enjoyed how there wasn’t just one solution, but multiple secrets and reveals that had to come to light for the full truth to be revealed, and there was an outstanding domino effect of revelations and twists. I cannot emphasise enough just how impressive this full range of reveals was, and Burr did a great job weaving together the solutions into one moving and complex narrative.

I think Burr hit the right blend of mystery, excitement and character storylines in Ripper, and the author ensured that everything moved along at an exciting and enjoyable clip. I really enjoyed how much of the story relied on diving into the complex lives of the key Rainier residences, and the author balanced some interesting character storylines in both the present day and in the past. This was especially true of main character Gemma Guillory, and her return to the past, coupled with revelations around the lies of her loved ones, added some powerful emotion to the story. If I had one complaint, it would probably be that Burr worked a little too hard to insert Lane Holland into the plot. While I do appreciate that Burr is trying to set up an ongoing series with Lane Holland as the connecting character, the plot of Ripper might have been a bit sleeker without him. Still, it was fun getting a sequel to Wake and I’m very keen to see what exciting mysteries Burr cooks up in the future.

Ripper by Shelley Burr was another outstanding and compelling read from a talented, rising Australian author. This second rural Australian murder mystery from Burr was extremely compelling and featured an intense narrative, loaded with great twists and complicated characters. I had a brilliant time getting through Ripper and it was one of the top pieces of Australian crime fiction I read last year.

Murder Town (alternate Ripper) Cover

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Resurrection Walk by Michael Connelly

On January 2, 2024 By The Unseen LibraryIn Five-Star Books, Murder Mystery, Thriller9 Comments

Publisher: Allen & Unwin Australia (Trade Paperback – 31 October 2023)

Series: Mickey Haller/Lincoln Lawyer – Book Seven

Length: 407 pages

My Rating 5 out of 5 stars

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Acclaimed crime fiction author Michael Connelly returns with another outstanding and captivating read, Resurrection Walk, a clever and impressive legal thriller featuring two of Connelly’s best characters.

Gosh it has been a very good few years for fans of crime fiction author Michael Connelly. Not only have we got two fantastic television adaptations currently going, but Connelly has been producing several great books across his multiple subseries. Most of these books were part of his Ballard and Bosch series, with excellent novels like Dark Sacred Night, The Night Fire (one of my favourite books and audiobooks of 2019), The Dark Hours (one of my favourite books of 2021) and Desert Star (one of my favourite books of 2022), and he has also released a cool book from his fantastic Jack McEvoy series with Fair Warning (one of my favourite books of 2020). Each of these novels has been excellent in its own way, but for the best Connelly fun nothing beats a Mickey Haller novel.

The Mickey Haller series, also known as the Lincoln Lawyer books, follow Mickey Haller, an infamous and effective defence attorney in L.A who got his nickname, “the Lincoln Lawyer” by working out of a Lincoln town car. Known for intricate cases, elaborate court scenes and fantastic legal shenanigans, the Mickey Haller books are always a ton of fun and I love both the books and its current television adaption. Connelly’s last Mickey Haller book came out in 2020 with The Law of Innocence, and I was very happy to find out that he was releasing a new one this year with Resurrection Walk. Resurrection Walk was one of my most anticipated books of 2023, especially as it featured a great plot and fantastic team-up between Haller and Connelly’s best-known protagonist, Harry Bosch.

Following a successful case that freed an innocent man from prison, defence attorney Mickey Haller has gotten a taste for hopeless cases and is now working on helping those unfairly convicted of crimes they didn’t commit. Hiring his half-brother, retired detective Harry Bosch to vet the various requests for help being sent to him, Haller hopes that he can do a little good alongside his usual controversial legal practice. However, the first case that Bosch picks might be the most dangerous.

Several years ago, Lucinda Sanz was accused of killing her sheriff’s deputy ex-husband in front of her house, a crime she always claimed she was innocent of. Reading through her case, Bosch is convinced that there is far more to the murder than the files indicate, especially when he discovers evidence that the victim was part of a notorious police gang. Convincing Haller to take on Lucinda’s case, the pair begin to investigate further and begin the process of having her conviction appealed.

However, proving Lucinda’s innocence is no easy task, especially with substantial evidence proclaiming her guilt, a police force closing ranks against them, and no new witnesses willing to come forward. Worse, there are many people who don’t want Lucinda’s case re-opened, and soon Bosch and Haller find themselves being threatened on all fronts. With determined legal opponents facing them in the court and dangerous foes waiting for them at home, can even the Haller-Bosch dream team uncover the truth and save their client?

Connelly does it again with an outstanding and deeply addictive read that had me hooked from the very beginning. Expertly bringing together two of his best characters into an intense and clever legal thriller, Resurrection Walk is an amazing book, and it was probably one of my favourite Connelly reads from the last few years.

Resurrection Walk has a brilliant story around it that sees the characters of Haller and Bosch teaming up to try and get an innocent woman out of prison. While billed as a Lincoln Lawyer novel, the plot of Resurrection Walk is split between Bosch and Haller, with both characters working on the case from their own unique perspectives. Connelly dives into the fantastic story of Resurrection Walk quickly, effectively setting up the primary case, while also including some intriguing minor side cases and the compelling personal issues of the two protagonists. While a couple of the side cases and adventures at the start of the book do seem a little unnecessary in the context of the main plot, I quite enjoyed them, and Connelly does tie a couple of them back into the story in some compelling ways.

The main plot itself is extremely fun as it cleverly builds on Haller and Bosch’s existing character arcs, while also presenting the reader with a unique case. Haller and Bosch working to free a woman who pled no contest to a murder charge was always going to be a recipe for success, and Connelly turns it into gold with his writing. The author breaks the story perfectly down the middle between Haller and Bosch, and the combination of an intriguing investigation arc and Haller’s entertaining legal manoeuvrings was a ton of fun. There were also some intriguing thriller elements as the two protagonists are targeted by parties interested in stopping their investigation, which really ensures the reader gets more invested in the story. The start of the book deals with the initial investigations into their client’s claims and coming up with a game plan for a potential appeal. This proved to be a fascinating and vital part of the book as it expertly introduced a lot of the salient points to the reader while also quickly indicating that there are a ton of anomalies at play.

I really liked that Connelly took his time getting to the trial, and it helped to set up anticipation for the legal shenanigans to come. The trial in question takes up most of the second half of the novel, and it proved to be the best part of the entire novel as it brings together a lot of the story threads that Connelly previously set up. By the time you get to it, the reader is pretty invested in Lucinda Sanz’s story of innocence, and you want to see her triumph over the system that oppressed her. It also helped that Connelly was presenting a unique legal case in this book as Haller goes federal and sues the State of California with a habeas petition to try and overturn his client’s decision to plead out a murder they were framed for. This results in a very different game plan for Haller, and the resulting trial goes in some very interesting directions. Connelly really keeps the reader on their feet during the trial, and there is a blazing back and forth between Haller and his opposition, especially when both start playing some dirty tricks. Both sides have victories and defeats, and I liked how Connelly kept the reader in constant suspense, as you were never certain which way the case was going to go. Haller of course puts in his typical over-the-top and unconventional legal strategies, which throws the case in some interesting directions and leaves the reader very entertained at times. It was especially fun when some of them backfire on him, and the reminder that the protagonist isn’t legally invulnerable was a great part of the plot.

Everything leads up to a big conclusion which wraps up the plot in an interesting way. While I liked elements of the finale, I did think that Connelly got there a little suddenly, and it kind of messed up the overall flow of the book. I also wasn’t the biggest fan of the fact that the major event that sealed the deal occurred outside of the courtroom, and I honestly would have preferred some form of elaborate legal tactic to save the day. Still, there are some great moments at the end, especially when Haller uses a few more tricks to make things go his way, minus some funny legal repercussions, but it was a generally satisfying ending that I deeply enjoyed.

Connelly did a wonderful job writing Resurrection Walk, and I loved how well he set out the story. I deeply appreciated how there was some real authenticity in the various legal elements of this book, from the unique trial, the boundless prep-work, and the other vital work involved in the process. Connelly also broaches some interesting concepts during the trial, including AI generated crime scene renderings, which was fascinating, even if it didn’t always go the way you hoped it would. This book has a wonderful pace to it, especially during the intense and moving trial sequences, and I loved how invested I got in events, including those associated with the main case, and the personal lives of the two dynamic protagonists. Connelly has a lot of experience of inserting his main protagonist, Harry Bosch, into other protagonists’ stories, and I think that he was a strong inclusion in Resurrection Walk as an equal protagonist to tell an outstanding story. There is an equal balance of storylines and actions between the two, and I deeply appreciated the different tenses that the author uses depending on who the perspective character is, especially as the first-person perspective is perfect for Haller and his ego, while the third-person perspective fits Bosch’s quieter personality better. This, and other elements, ensured Resurrection Walk’s narrative really popped, and Connelly amazing writing helped to turn this into an amazing read.

I mentioned how well the author switched between these two well-established protagonists, but Resurrection Walk also had some awesome character dynamics and arcs that added to the overall impact of the plot. Both Haller and Bosch have been going through some intriguing ongoing storylines for several of their last appearances, and it was great to see some resolution or continuation of it here. Haller, for example, has been trying to come to terms with what he wants to do as a lawyer as he has been having a certain amount of dissatisfaction with being a defence attorney for the city’s scum. Bosch, on the other hand, has been slowly (ever so slowly) dying of cancer for the last few books, and his work with Haller in Resurrection Walk is due to Haller getting him on his insurance. However, this raises even more issues for Bosch, as he, a former cop, is now working for a defence attorney, and he finds himself on the other end of the law process as a result. This results in some intriguing and tense interactions between the two protagonists, especially as these brothers have different interpretations of the law, and it was really fascinating to see them come at the same case from very different angles. Tension, inner drama, and other personal concerns added some excellent emotional weight to Resurrection Walk’s plot, and I really enjoyed seeing these protagonists in action, especially as there is a certain amount of respect gained between them as the case proceeds. The author handles both characters extremely well in Resurrection Walk, and while I am a little dissatisfied that Connelly seems to be backing away from Bosch being on death’s door (an experimental treatment is making him better), both of Connelly’s amazing and iconic protagonist have an amazing time in this book and their collaboration was pure gold.

Michael Connelly once again produces one of the best crime fiction books of the year with the exciting legal thriller Resurrection Walk. This is a captivating and powerful novel that combines a fascinating and intense legal case with two fan favourite characters to produce an exceptional and awesome read. I powered through Resurrection Walk in no time at all, and it ended up getting an easy five-star rating from me. One of my favourite books of the year, I cannot recommend the clever, moving, and highly addictive Resurrection Walk enough.

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Quick Review – The Mystery Guest by Nita Prose

On December 21, 2023 By The Unseen LibraryIn Murder Mystery, Quick Review3 Comments

The Mystery Guest Cover

Publisher: Harper Collins (Trade Paperback – 29 November 2023)

Series: Molly the Maid – Book Two

Length: 327 pages

My Rating: 4 out of 5 stars

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Last year I was lucky enough to receive a copy of The Maid, the debut novel of Nita Prose, which proved to be an excellent read. Following a cleaning obsessed maid with a unique outlook on life who gets accused of a murder at her fancy hotel, The Maid was a fantastic read that made great use of its unique protagonist and her compelling personality. The Maid ended up begin great book and one of my favourite debuts of 2022. As such, I was pretty excited when I received a copy of Prose’s new novel, The Mystery Guest. A sequel to The Maid, The Mystery Guest introduces a new compelling mystery that Prose’s protagonist needs to uncover.

Plot Synopsis:

Molly Gray is not like anyone else. With her flair for cleaning and proper etiquette, she has risen through the ranks of the glorious five-star Regency Grand Hotel to become the esteemed Head Maid. But just as her life reaches a pinnacle state of perfection, her world is turned upside down when J.D. Grimthorpe, the world-renowned mystery author, drops dead—very dead—on the hotel’s tea room floor.

When Detective Stark, Molly’s old foe, investigates the author’s unexpected demise, it becomes clear that this death was murder most foul. Suspects abound, and everyone wants to who killed J.D. Grimthorpe? Was it Lily, the new Maid-in-Training? Or was it Serena, the author’s secretary? Could Mr. Preston, the hotel’s beloved doorman, be hiding something? And is Molly really as innocent as she seems?

As the case threatens the hotel’s pristine reputation, Molly knows she alone holds the key to unlocking the killer’s identity. But that key is buried deep in her past—because long ago, she knew J.D. Grimthorpe. Molly begins to comb her memory for clues, revisiting her childhood and the mysterious Grimthorpe mansion where she and her dearly departed Gran once worked side by side. With the entire hotel under investigation, Molly must solve the mystery post-haste. If there’s one thing Molly knows for sure, it’s that dirty secrets don’t stay buried forever…

This was an interesting and fast-paced follow-up to The Maid that I’m glad I decided to check out. Prose does a wonderful job reintroducing the character of Molly Gray, and the new mystery surrounding her is very clever, distinctive and featuring some fun meta commentary on mystery writers.

Starting off strong with the sudden poisoning of the mystery writer in question, you quickly get sucked into the case, especially when it becomes clear that Molly is hiding a personal connection to the victim. As with the first book in the series, Prose splits the narrative across time periods, with one part of the story set in the present as Molly inadvertently starts to investigate the case, and the other set back in the protagonist’s past, exploring her upbringing and the history she has with the victim. I liked the split between these two parts of the story, and the author does a good job of working key clues and character motivations into the scenes set in the past, which come full circle by the end of the book. I did think that the scenes set in the present were a little too similar in tone and content to that of the first book, with Molly coming into conflict with Detective Stark, Cheryl being an unnecessary cow, and a series of misunderstandings forcing Molly further into the investigation. However, the dives into Molly’s past helped to cut this familiarity to an acceptable degree, and I really enjoyed learning more about the protagonist’s past.

Both these story arcs blend well into a complete and intriguing narrative and I had a fantastic time seeing the entire story coming together. The mystery itself was quite strong, and I liked the unique motivations and characters that emerged as a result. The way the crime was solved thanks to Molly’s attention to detail and knowledge of the maidly arts was a little over the top, but I can forgive that considering the plot and the characters involved. Prose also works in some subtle but compelling character arcs that see several existing and new supporting figures go in some interesting directions, and I particularly enjoyed the changing attitudes of Detective Stark after how portrayal in the previous novel. An overall clever and strong murder mystery book, I really enjoyed seeing how this all came together.

I main highlight of The Mystery Guest is protagonist Molly Gray, who is one of the more unique and entertaining crime fiction characters you are likely to see. An obsessive, socially awkward woman with a unique outlook on life and human interactions, Molly has found her calling as a maid, especially as it allows her to clean up other people’s messes. Much of The Mystery Guest’s uniqueness comes from the way that Molly observes her world and interacts with the people in it. Her ability to remember small details is matched by her inability to understand people’s emotions and motivations, which can often get her into trouble. I felt that Prose did a good job of expanding on Molly’s personality in The Mystery Guest, and it was great to see become more assertive and capable, especially after receiving her coveted promotion to Head Maid. At the same time, Prose also dives into Molly’s childhood, which, while it is a little convenient that she had connections with the victim, provides more insights into Molly’s personality and some of the events that formed her. I deeply enjoyed how Prose worked to grow Molly as a person in this sequel while also maintaining her atypical outlook and mentality, and it will be interesting to see how this character is developed in the future. I do worry that Prose is going to get diminishing returns on how much one can enjoy Molly’s character as the series continues, but I’ll be happy to be proven wrong about that.

Overall, The Mystery Guest proves be an intriguing and captivating sequel to The Maid and I enjoyed the new mystery that Nita Prose came up with. Making great use of her main character and presenting a complex, domestic murder, The Mystery Guest was a fantastic read that you can make quick work of.

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Everyone on this Train is a Suspect by Benjamin Stevenson

On December 20, 2023 By The Unseen LibraryIn Australian, Comedy/Satire, Murder Mystery16 Comments

Everyone on this Train is a Suspect Cover

Publisher: Michael Joseph (Trade Paperback – 17 October 2023)

Series: Ernest Cunningham – Book Two

Length: 318 pages

My Rating: 4.75 out 5 stars

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Impressive Australian author Benjamin Stevenson returns with another hilarious and outstanding murder mystery that once again acts as a clever homage to the classics with Everyone on this Train is a Suspect.

Over the last few years, one of the most consistently enjoyable authors of Australian crime fiction has been the remarkably talented Benjamin Stevenson. Best known prior to his writing career for his comedic work with his brother James, Stevenson adapted well to crime fiction and made his first impression with his debut novel, Greenlight. Also released as Trust Me When I Lie and She Lies in the Vines, Greenlight was an outstanding read, and Stevenson quickly followed it up with the cool sequel Either Side of Minute. While both of these books had great murder mystery plots with some unique twists to them, I think Stevenson didn’t truly display his writing ability until his next novel; Everyone in my Family has Killed Someone.

Everyone in my Family has Killed Someone was an exceptional 2022 novel that saw a fictional murder mystery expert try to solve a classic locked room murder that was likely committed by a member of his notorious family, each of whom has killed someone in the past. Everyone in my Family has Killed Someone was so damn good as not only did it feature a clever case but Stevenson excelled at producing a very funny novel in his unique style that parodied the classics of the genre. Due to its entertaining and meta storytelling, Everyone in My Family has Killed Someone was such a joy to read and it ended up being one my favourite pieces of Australian fiction in 2022. As such, I have been eager to see what Stevenson would produce next, and while I was initially a little surprised to see that he would be writing a sequel to Everyone in my Family has Killed Someone, it was something that really excited me. This sequel, Everyone on this Train is a Suspect, was one of my most anticipated releases for 2023, and I had another outstanding time getting through it.

Plot Synopsis:

6 WRITERS. 5 DETECTIVES. 4 DAYS. 3 WEAPONS. 2 MURDERS. 1 TRAIN…

When the Australian Mystery Writers’ Society invited me to their crime-writing festival aboard the Ghan, the famous train between Darwin and Adelaide, I was hoping for some inspiration for my second book. Fiction, this time: I needed a break from real people killing each other. Obviously, that didn’t pan out.

The program is a who’s who of crime-writing royalty:

the debut writer (me!)
the forensic science writer
the blockbuster writer
the legal thriller writer
the literary writer
the psychological suspense writer.

But when one of us is murdered, six authors quickly turn into five detectives. Together, we should know how to solve a crime.

Or commit one.

How can you find a killer when all the suspects know how to get away with murder?

Stevenson once again presents an outstanding and wildly entertaining Australian crime fiction novel that proves impossible to put down. Thanks to his impressive story and wonderfully distinctive style for this series, Everyone on this Train is a Suspect was a particularly funny novel that takes some fun shots at classic murder mysteries, modern crime fiction and the publishing world at large.

I absolutely loved the story Stevenson came up with for Everyone on this Train is a Suspect, which essentially traps his returning protagonist, Ernest Cunningham, on the Australian version of the Orient Express with a group of other famous crime fiction authors. Ernest, who has achieved a certain amount of literary fame writing a true-crime book about the familial murder he solved, is the somewhat ostracised newcomer to the group and is currently suffering from writer’s block. Hoping to gain inspiration from meeting some of his fellow authors, most of whom are homages to famous crime fiction authors (Ian Rankin and Patricia Cornwell, for example), Ernest instead finds himself caught up in another deadly murder, this time involving suspicious writers, greedy publishers, scheming agents, angry mega-fans and other fun figures from the literary world. The resulting plot is extremely fun, as an obsessed Ernest attempts to solve the crime, only to encounter additional murders, opposition from his fellow writers, unique interactions, and all manner of ridicule.

This entire story is really well written, as it features all the elements that made Everyone in my Family has Killed Someone great, including a clever mystery, outrageous characters and an irrepressible sense of humour. Just as with Everyone in my Family has Killed Someone, Everyone on this Train is a Suspect is told in the form of a true-crime book written by the protagonist as he recounts the events that unfolded aboard the train. I really enjoyed this fun and clever way of writing the story, especially as the character of Ernest has such an amusing and satirical outlook on life and murder mysteries. The author also believes in challenging the classic ways of writing crime fiction and providing clues to the reader, and as such the book is loaded with a ton of hints from the protagonist about who the killer is and the events to come. For example, he indicates how many times he is going to mention the killer’s name early on and then keeps a running countdown going throughout the book to narrow down the suspect pool. In addition, several characters’ fates, actions and other clues are mentioned well in advance, just to heighten anticipation. While you would imagine that this would spoil much of the plot, I felt it honestly enhanced it, as you eagerly wait to see how these events occur or try to keep track of who is being talked about and in what context. Stevenson also does not always play it fair with these hints, with a few flagrant mistruths sprinkled through by the protagonist to mislead the reader, although this is all done in good fun.

As such, by the time you get to the second half of Everyone on this Train is a Suspect, you are really invested in the overall mystery that Stevenson has cooked up. All the various clues, hints and other interesting story details have been cleverly built up and you are eager to see how everything unfolds. There are a few hilarious set pieces loaded here, including an unnecessary chase sequence, a failed denouement gathering, and some major misunderstandings, all of which add to the chaotic nature of the plot. This exciting and funny story also makes great use of its iconic background setting of the Ghan, one of Australia’s most famous trains, and Stevenson works in some fantastic personal drama for the protagonist who finds that crime solving and romance do not mix. The eventual solution to the mystery is just great, as it blends multiple motivations, character histories and various subtle clues in an outstanding way. Even all the overt clues that the protagonist had been directly feeding the reader come into play, although not always in the way you would expect it to. This leads to an intense and memorable conclusion, which I thought wrapped things up nicely, especially with that fun twist designed to surprise readers familiar with first-person stories.

As with Everyone in my Family has Killed Someone, this second novel serves as a great homage and parody of classic murder mystery tropes, as the protagonist once again finds himself in a locked-room scenario. The parallels between this story and Murder on the Orient Express are purposely obvious, and I loved seeing the very self-aware protagonist revel in them as the plot continues. Stevenson also modernises his references by including homages to more modern mystery and crime fiction sub-genres. The legal thriller, forensic science, modern detective and psychological suspense genres are all featured here in some ways, as fictional authors of these genres are present as supporting characters, and all their specialties are considered when it comes to solving the crime. Stevenson works these into the plot perfectly, and it was a great deal of fun to see each of these elements discussed, satirised, and then utilised to a degree. As such, this proves to be quite a fun book for all manner of crime fiction fans, and the fun references, jokes and hints will greatly appeal to the wider murder mystery audience.

Another awesome aspect of Everyone on this Train is a Suspect that I liked was the exploration of the literary world. Due to the events of the first book, the protagonist finds himself as a published author, with all the baggage that brings with it. As such, this sequel is filled with a ton of fun discussions and jokes about being a writer, with Stevenson no doubt utilising his own personal experiences to give it a splash of realism. Most of these inclusions are done to provide another comedic edge to the story, especially as Ernest has been thrown into the deep end with a group of experienced writers who have no respect for him. The scenes where they discuss their works while also putting down his less successful book are so damn funny, although I could not help but feel a little self-conscious with some of the comments (I know I use too many adverbs). Stevenson also really dives into the dark side of writing and publishing, with sketchy agents, dodgy backroom deals, story thefts, and personal compromises all being featured quite heavily in the plot. These elements make for some great potential motives, but you have to appreciate the heavy level of cynicism that Stevenson is throwing into the mix. I deeply enjoyed the way that Stevenson explored the minefield of life as a murder mystery writer, as well as other connected literary issues, and it ensured that the protagonist’s storyline about being a new author was simultaneously funny and intriguing.

Benjamin Stevenson continues to impress as one of my favourite authors of crazy Australian crime fiction. His amazing latest novel, Everyone on this Train is a Suspect, is so damn good, as it combines a clever mystery with Stevenson’s unique style that satirises the entire crime fiction genre. Loaded with some brilliant homages to all manner of murder mystery, and mixing an intense murder plot with jokes, outrageous characters, and fantastic way to tell the story, Everyone on this Train is a Suspect was a blast of epic fun from start to finish. A worthy and incredible sequel to Everyone in my Family has Killed Someone, Everyone on this Train is a Suspect is funny, brilliant and occasionally dark, and you are guaranteed to love every second of it.

Everyone on this Train is a Suspect Cover 2

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Waiting on Wednesday – The Tainted Cup by Robert Jackson Bennett

On December 13, 2023 By The Unseen LibraryIn Fantasy, Murder Mystery, Waiting on Wednesday6 Comments

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy. I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. For this week’s entry, I check out one of the most anticipated fantasy novels of early 2024 with The Tainted Cup by Robert Jackson Bennett.

The Tainted Cup Cover

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Robert Jackon Bennett is a highly regarded fantasy author who has been producing captivating reads since 2010. Have started out writing several intriguing standalone novels, such as his debut, Mr. Shivers, Bennett is probably best known for his complex fantasy series, including The Divine Cities trilogy and The Founders trilogy, both of which had elaborate settings and compelling stories behind them. I personally had a wonderful time with his awesome novel, Foundryside, and while I haven’t had the chance to read anymore from Bennett since then, I have been keeping my eye out to see what he comes out with next. As such, I heard some interesting stuff about his next novel, The Tainted Cup, which is already getting a lot of love from fantasy fans.

The Tainted Cup, which is set for release in February 2024, is the first book in Bennett’s new Shadow of the Leviathan series. This first entry has a great story behind it that looks to combine a complex murder investigation with inventive fantasy elements and two fantastic sounding central characters. The synopsis below sounds pretty damn amazing and I love the idea of a brilliant, if highly eccentric, detective, trying to solve a murder caused by the spontaneous growth of a tree in someone’s body. Everything about this book sounds extremely cool and if Bennett is on his usual form this will probably be one of the top fantasy releases of 2024.

Plot Synopsis:

In Daretana’s most opulent mansion, a high Imperial officer lies dead—killed, to all appearances, when a tree spontaneously erupted from his body. Even in this canton at the borders of the Empire, where contagions abound and the blood of the Leviathans works strange magical changes, it’s a death at once terrifying and impossible.

Called in to investigate this mystery is Ana Dolabra, an investigator whose reputation for brilliance is matched only by her eccentricities.

At her side is her new assistant, Dinios Kol. Din is an engraver, magically altered to possess a perfect memory. His job is to observe and report, and act as his superior’s eyes and ears–quite literally, in this case, as among Ana’s quirks are her insistence on wearing a blindfold at all times, and her refusal to step outside the walls of her home.

Din is most perplexed by Ana’s ravenous appetite for information and her mind’s frenzied leaps—not to mention her cheerful disregard for propriety and the apparent joy she takes in scandalizing her young counterpart. Yet as the case unfolds and Ana makes one startling deduction after the next, he finds it hard to deny that she is, indeed, the Empire’s greatest detective.

As the two close in on a mastermind and uncover a scheme that threatens the safety of the Empire itself, Din realizes he’s barely begun to assemble the puzzle that is Ana Dolabra—and wonders how long he’ll be able to keep his own secrets safe from her piercing intellect.

Featuring an unforgettable Holmes-and-Watson style pairing, a gloriously labyrinthine plot, and a haunting and wholly original fantasy world, The Tainted Cup brilliantly reinvents the classic mystery tale.

Waiting on Wednesday – The Last Murder at the End of the World by Stuart Turton

On December 6, 2023 By The Unseen LibraryIn Murder Mystery, Science Fiction, Waiting on Wednesday4 Comments

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy. I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. In this latest post I highlight an outstanding upcoming murder mystery novel with a fun science fiction twist that I am extremely keen to check out in 2024 with The Last Murder at the End of the World by Stuart Turton.

The Last Murder at the End of the World Cover

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2024 is already shaping up to be an excellent year for books and I am even more excited because there is a new Stuart Turton novel coming out in the next few months. Turton is an outstanding author whose debut novel, The 7 ½ Deaths of Evelyn Hardcastle (also released as The Seven Deaths of Evelyn Hardcastle) deeply impressed me back in 2018. Featuring an elaborate murder mystery plot enhanced by clever science fiction elements, this great novel forced a protagonist to jump across the bodies of several different suspects to figure out who was behind a mysterious death. This was honestly such a brilliant and highly unique read that ended up being one of my favourite books of 2018.

While I unfortunately haven’t had the chance to read his second novel, The Devil and the Dark Water (maybe a good book to check out this Christmas), I am still very keen for any additional content from Turton and I was excited when I saw he had a new book coming out in May 2024. This new novel is The Last Murder at the End of the World and it looks like Turton is going to present another compelling murder mystery/science fiction hybrid.

Plot Synopsis:

Solve the murder to save what’s left of the world.

Outside the island there is the world destroyed by a fog that swept the planet, killing anyone it touched. On the island it is idyllic. 122 villagers and 3 scientists, living in peaceful harmony. The villagers are content to fish, farm and feast, to obey their nightly curfew, to do what they’re told by the scientists.

Until, to the horror of the islanders, one of their beloved scientists is found brutally stabbed to death. And they learn the murder has triggered a lowering of the security system around the island, the only thing that was keeping the fog at bay.

If the murder isn’t solved within 92 hours, the fog will smother the island – and everyone on it.

But the security system has also wiped everyone’s memories of exactly what happened the night before, which means that someone on the island is a murderer – and they don’t even know it…

The outstanding new high concept murder mystery from the Sunday Times bestselling and Costa Book Award winning author of The Seven Deaths of Evelyn Hardcastle . An ingenious puzzle, an extraordinary backdrop, an audacious solution.

I love the sound of the epic plot above and I reminds me a lot of The 7 ½ Deaths of Evelyn Hardcastle in terms of it having a complicated scenario serving as the compelling background to a murder investigation. The idea of a murder taking place in a post-apocalyptic society is pretty solid on its own, but throw in a mysterious fog, elaborate security systems and the fact that everyone, including the killer has forgotten the events of the night in question, and you have all the components for a highly compelling read. I cannot wait to see how Turton works all these elements into his new mystery and I’m sure it will make for quite a compelling and intense novel.

I am also quite intrigued by the cool setting the book is taking place in. A remote island that survived a world-ending event is pretty interesting and it will be fun if we get some history about how that came about. I’m getting some major The Island or The Village vibes from the sounds of this scenario (it’s totally going to be some form of experiment or social study), and I am quite intrigued to see if I’m right about that.

Overall, I am very excited for The Last Murder at the End of the World and I have some very high hopes for it when it comes out in May next year. Turton already has a proven skill of combining elaborate science fiction scenarios with murder mysteries and The Last Murder at the End of the World should turn out to be pretty epic as a result. I am fully expecting this upcoming book to be pretty damn exceptional and I cannot wait to see how Turton messes with my mind this time.

Kill Your Husbands by Jack Heath

On December 2, 2023 By The Unseen LibraryIn Australian, Murder Mystery, Thriller9 Comments

Kill Your Husbands Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 28 November 2023)

Series: Kill Your Brother – Book Two

Length: 384 pages

My Rating: 4.75 out of 5 stars

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One of my favourite Australian authors, the scarily good Jack Heath, returns with another twisted and brilliant thriller, Kill Your Husbands.

Easily one of the best Australian thriller authors at the moment has to be the always impressive Jack Heath. Hailing from my hometown of Canberra, Heath has written a compelling range of epic thrillers over the years, all of which have been fun and captivating in their own way. I am a major fan of his Timothy Blake series (check out my reviews for Hideout and Headcase), which follows the gruesome adventures of a murder-solving cannibal. Heath has also produced several other great standalone or Australian series, including his 2021 novel, Kill Your Brother. An intense and shocking thriller that forced a highly damaged protagonist to choose between killing her guilty brother or dying herself, Kill Your Brother was one of the best pieces of Australian fiction in 2021 and I had such a great time reading it. As such, when I saw that Heath had a new Australian thriller coming out this year, I was very excited, especially when I found out it was a sequel to Kill Your Brother. This new book, Kill Your Husbands, had a wicked plot synopsis, and I fell in love with it the moment I read it. One of my most anticipated books for the second half of 2023, Kill Your Husbands was a shocking read that I had so much fun with.

It was supposed to be a relaxing weekend away for three couples, longtime friends since school the six overworked and stressed adults decide to escape their taxing lives for a weekend up in the mountains. With no internet or cell reception, their getaway was supposed to be a quiet time of drinking and bushwalking. However, after the topic of partner-swapping is raised on the first night, the entire mood of the weekend shifts. What starts as a joke soon turns into an elaborate plan to ensure anonymity between partners, with the lights turned off and the men choosing a bedroom at random. No one will know who they’ve been with, and no one will ever be certain if they slept with anyone other than their spouse.

However, when the lights come back on, one of the participants is missing. A search soon reveals their body outside, clearly the victim of a violent attack. With no cell reception and the keys to the cars missing, the remaining five people quickly become suspicious of the other survivors. As the weekend continues and more people begin to disappear and die, old wounds, festering grudges and decaying relationships come to the fore, turning husbands against wives and friend against friend.

Two weeks later, Senior Constable Kiara Lui returns to the murder scene with her girlfriend, Elise. Having interviewed the survivors, Kiara is certain at least one of them is lying and the killer is within her grasp. Kiara knows that the answers lie within the house, but with strange occurrences occurring around the property, one person still missing, and her own girlfriend’s strange behaviour starting to concern her, can Kiara break through all the lies and secrets and find the truth before the killer strikes again?

This was another excellent and thrilling read from Heath, who pulls together another insane, yet highly clever, mystery that you really cannot put down. Making full use of Heath’s outrageous plot, Kill Your Husbands is a dark and twisty novel that I had so much fun reading and which is easily one of the best pieces of Australian fiction I have read all year.

I loved the unique, memorable and very twisted central idea that Heath came up with for Kill Your Husbands, as murderous partner swapping is honestly it was one of the more amusing and outrageous plot focuses I have seen. Starting off with a quick introduction sequence, the reader is soon enthralled in split focus narrative throughout Kill Your Husbands as half the chapters recount the weekend of the murders and the events leading up to the killings, while the rest of the chapters are set after the murders and focus on Senior Constable Kiara Lui, a supporting character from Kill Your Brother, as she attempts to solve the crime. This proves to be a very clever and impressive way to showcase the plot, and I loved the simultaneous look at the investigation, the weekend in question, and all the key events that led up to the crime. Both separate storylines are very interesting and compelling in their own way, especially as they paint two different pictures of the chaotic events in question. Thanks to Heath using first names during the chapters set in the past and only referring to surnames when it comes to the later investigation, you don’t get any spoilers about what is going to happen during the weekend. As such, it isn’t until the end of the book that you are completely certain about who dies and who survives, and this allows you to remain on the edge of your seat as your watch the chaotic events unfold.

Heath paces out both arcs of the story extremely well, and they work well together to tell an intriguing and powerful story. The scenes set in the past tell a powerful and character-driven tale, with flashbacks to prior interactions, details about their turbulent relationships, and a great range of petty slights that ensure everyone had a motive for killing the rest of the group. Heath ensures that the characters are all stewing in this during the early chapters in the mountain before the partner swapping scene occurs. The author sets this up perfectly, with the subterfuge, secret plans, and hidden desires all coming into their choices, and the resulting chaos sufficiently messing with them. As such, all of them are primed to be the killer when the first victim emerges, and the subsequent environment of fear, suspicion and hatred make for some outstanding scenes, especially when all their secrets come to light.

At the same time, the reader gets a fantastic look at the ongoing investigation being undertaken by Kiara as she tries to get to grips with the case. There are some great scenes here, especially as Kiara independently uncovers the secrets of the three married couples, which works into the other timeline extremely well. There are some fun moments in this part of the investigation, especially when Kiara and Elise make the interesting decision to book out the murder house for a holiday so they can try and find some answers, while also dealing with their own intense personal issues. While there are some excellent moments in this part of the book, the investigation angle of Kill Your Husbands is the weaker half of the novel, mostly because it lacks the juicy details the lead up to all the murders. I also didn’t think that Heath needed to shoehorn in the characters from Kill Your Brother into the plot, as fresh new police protagonists would have also been just as effective. Still this second half of the book was very fascinating, and the clues revealed within give you some great hints about who the killer is and how they got away with it.

The eventual solution for Kill Your Husbands is exceedingly clever, and I really liked how all the key events of the book played out. The climax of the murderous weekend is pretty damn shocking in its entirety, and I loved just how well Heath managed to keep secret who survived and who died right until the end. The killer’s motivations and the events that drove them to it are well set out, and the scenes where they commit their crimes really drive home just how dangerous they are. Certain other reveals towards the end of the book, especially when Kiara gets close to the truth, reveal just how clever this entire story is, and I loved how certain innocuous mentions or clues are well utilised later in the story. The entire solution of the book, as well as the final confrontation between Kiara and the killer are just perfect, and you will come away from Kill Your Husbands extremely satisfied after travelling through such a captivating, unique and brilliant mystery.

This elaborate story and murder mystery wouldn’t be possible without the great characters featured in Kill Your Husbands. I particularly loved the six friends who journeyed to the cabin and who end up being pulled into the deadly partner swapping/murder plot. Heath does a wonderful job of effectively introducing them and you get drawn into their complex lives, filled with emotional damage and occasionally petty problems. While you do feel sorry for some of the characters, most of them are somewhat despicable and unlikeable to a degree, which ensures that are highly interesting and fun in the context of the main murder. I loved how many personal issues and secrets came out as the story progressed, and you really get invested in seeing who the killer is, possibly more than finding out who survived. I loved how fun and interesting these main characters where and Heath did such a great job featuring him in this crazy story.

The other major characters are Senior Constable Kiara Lui and her girlfriend, Elise, who serve as the main figures in the investigation arc of the book. As I mentioned about, Kiara and Elise both appeared in Kill Your Brother, with Elise serving as the main character of that novel. However, Elise takes more of a backseat here with Kiara stepping up and leading the investigation. While I don’t think Kill Your Husbands really needed some of the drama and ongoing trauma surrounding these characters, I did enjoy seeing them still together after the events of Kill Your Brother, and I liked how Heath moved Kiara more to the fore in this book. Kiara was a badass investigator, and it was great to see her try to prove herself while also still concerned about her clearly traumatised girlfriend. For her part, Elise is still trying to prove herself after her controversial past the helpless position she found herself in during the events of Kill Your Brother. As such, she takes some big risks and acts very recklessly in this book, often to the detriment of Kiara’s investigation or emotions. This extra layer of emotional charge ensured that Kill Your Husbands’ plot was a little more convoluted and intense, and I did enjoy seeing these two characters again. That being said, you don’t need to have read Kill Your Brother to full appreciate these characters in this sequel, and you can get the full range of emotions from reading Kill Your Husbands as a standalone read. I honestly came away from Kill Your Husbands very impressed with how Heath introduced and utilised his characters and they were such a distinctive and fun group of figures who were perfect to get wrapped up in a murder.

Overall, Kill Your Husbands was another outstanding and compelling novel from Jack Heath, who continues to show why he is the master of crazy Australian crime fiction. Heath had a lot of fun with his outrageous plot and the way he worked his excellent and damaged characters into this complex murder mystery was very impressive. A captivating and dark read from start to finish, Kill Your Husbands is one of the most memorable and intense Australian thrillers of 2023 and Heath is a must-read author for anyone looking for some truly shocking and mental crime fiction.

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The Last Devil to Die by Richard Osman

On December 2, 2023 By The Unseen LibraryIn Audiobook, Murder Mystery16 Comments

Publisher: Penguin Audio (Audiobook – 12 September 2023)

Series: Thursday Murder Club – Book Four

Length: 10 hours and 50 minutes

My Rating: 5 out of 5 stars

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The exceedingly talented and amazing Richard Osman returns with another exceptional entry in his acclaimed Thursday Murder Club series, with the entertaining and emotionally rich The Last Devil to Die.

Over the last few years I have been blown away by the incredible Thursday Murder Club novels, the debut series of British television personality Richard Osman. This amazing series follows four residents of a retirement village who solve murders as the Thursday Murder Club. Featuring a perfect blend of gripping mystery, brilliant and likeable characters, a fantastic sense of humour and a certain amount of tragedy, the series has been a real joy to read. This includes The Thursday Murder Club (one of my favourite books, debuts and audiobooks of 2020), The Man Who Died Twice (one of my favourite books and audiobooks of 2021), and The Bullet That Missed (one of my favourite books and audiobooks of 2022), each of which got full five-star reviews from me. As such, I have been eagerly awaiting the fourth book in this series, and The Last Devil to Die was one of my most anticipated books for 2023. Unsurprisingly, Osman did not disappoint and presented another compelling and highly addictive read that I absolutely adored.

Elizabeth, Joyce, Ibrahim and Ron are the Thursday Murder Club, four bored and bright retirees living at Coopers Chase retirement village, spend their spare time keeping busy with an unusual hobby, solving murders. Already responsible for bringing several crooks to justice, the club hope to enjoy a nice Christmas without any deaths. However, murderers are rarely so considerate, and the four friends soon find themselves involved in a complex case that hits close to home.

Antiques dealer Kuldesh Sharma, an acquaintance of the group and an old friend of Elizabeth’s husband, Stephen, has been found shot dead on a dark country lane, apparently the victim of a professional hit. Determined to get justice for their friend, the club and their associates jump into action and begin their usual unconventional investigation. Their prying soon uncovers connections between Kuldesh and a local gang of drug importers who were using Kuldesh’s shop as cover for one of their deals.

It quickly becomes apparent that Kuldesh’s death is related to a box of heroin that was in his possession and which has since gone missing. To find Kuldesh’s killer, the members of the club will need to discover where the heroin is hidden, as well as why Kuldesh decided to steal it. Their investigation will take them into the dark world of drug dealers, art forgers and stolen antiquities, and force them up against several different groups of criminals each searching for the same prize. Can the Thursday Murder Club once again solve the case before the murderer escapes, especially when an even greater tragedy waits on the horizon?

This honestly might be one of the very best books I have read all year. Osman, who I have extremely impressed with in recent years, did a remarkable job with this fourth entry in the series, producing another superb and emotionally charged novel with a clever mystery around it. Thanks to some high-intensity inclusions and some brilliant character work, The Last Devil to Die is easily one of the strongest entries in this entire exceptional series, and I was hooked the entire way through. This latest book gets an easy five-star rating from me, and I doubt I will ever forgive Osman for everything I was forced to feel while getting through it.

The Last Devil to Die has an outstanding story behind it, and I was once again deeply impressed by how Osman effortlessly combines an elaborate mystery with intriguing character driven storylines. The book starts with Kuldesh Sharma, who appeared in the prior novel, getting murdered apparently over a missing box of heroin. This quickly sets off the new investigation, and the protagonists and their continuously growing group of associates utilise their usual unorthodox methods to get a good picture of events and pull together a group of unusual suspects. Of course, it doesn’t take long for the case to go in some very interesting directions, especially with extra murders and a segue into the world of antiquities forgeries. I really got caught up in the intriguing mystery, especially as there are some great complexities, an array of fun professional villains, and some highly entertaining encounters, including a remarkably fun lunchtime meeting with all the suspects. At the same time, I was also there for the characters, as Osman dove into their unique lives and provided some fantastic development. However, one major piece of character development proved to be the most compelling part of the entire book and really knocks you for six with a major event around two-thirds of the way through. This bit of development has been building for the entire series, but when tragedy finally hits you are not ready and it strikes you very hard in the feels. I honestly was near tears at parts of the book, it was that damn sad, and Osman works to ensure that every major character is affected in a noticeable and gloomy way.

Following this major event, Osman moves towards solving the various murders featured within the book. This last part of The Last Devil to Die is noticeably more subdued, which was honestly very fitting and completely understandable. Despite this darker tone, the reader is still very invested in the plot, especially as a solution to the mystery promises to bring some much-needed emotional relief. Osman delivers this in spades, and there are several clever and thoughtful solutions chucked in as a result. While I saw a few reveals coming, the way the characters solved the compelling case was impressive and quite brilliant. Several subtle and well-placed clues were masterfully exploited, and the way that Osman hid them in plain sight is exceedingly clever. The solutions to the other killings were great as well, especially as they tied into a fun longer-running storyline around a secondary character, and I loved how many of the villains got an appropriate reward for their deeds. The conclusion of the plot is very well handled, and the reader comes away from The Last Devil to Die both highly satisfied and very sad, much like the protagonists. This was such a brilliant and moving narrative, and Osman does a wonderful job of fitting in his mystery while wrapping up several long-running narrative threads.

Just as he has with the previous novels in the Thursday Murder Club series, Osman backs up his excellent story with some top-notch writing that drags you in with its tone, subtly and entertainment. The Last Devil to Die features Osman’s typical exquisite blend of mystery, humour and character development, which is expertly featured in every scene. While the main mystery is great, watching the brilliant characters grow as they solve it in the most entertaining way is so much fun, and you will be glued to the book as you go. The comedic charm of a Thursday Murder Club novel is very subtle and undeniably British, but it constantly flows into every scene, with the restrained and often topical jokes and observations of the characters working well with the other story elements. This includes a large amount of sombre and darker moments, as many of the characters experience a certain amount of tragedy, especially related to the woes of getting older. Osman honestly turns the heartbreak up to 11 in certain parts of The Last Devil to Die, and readers are in for some powerful emotional blows in this novel, which works both in the context of this single novel but the series as a whole, as it cleverly builds on prior events from the earlier books. Due to this, I would strongly recommend that readers start the series back at the first book, rather than diving into The Last Devil to Die first, as it will allow you to get the full emotional impact. However, Osman does ensure that The Last Devil to Die is open enough for new readers to experience, and they honestly will not be spared from the feels either. Osman does such a good job wrapping together the hurt with the humour, and the emotional combination really strengthens both the character arcs and the mystery elements of this outstanding read.

While the story, mystery and humour are all outstanding parts of The Last Devil to Die, without a doubt the high point of any Thursday Murder Club novel are the characters. Osman has an incredible knack for producing compelling, delightful, and impressive characters who you cannot help but fall in love with. Thanks to his split between different perspective characters (which includes a change in writing style for Joyce’s journal entries), you get to see so many different angles of this mystery, and I loved the amazing personal arcs that emerged as well. Osman does a great job of balancing the narrative between the many characters featured in the novel, including the recurring protagonists from the previous books and several new intriguing figures. These characters form the emotional heart of The Last Devil to Die and Osman really amps up the feelings, tragedy and love for this latest book to produce an exceptional and memorable read.

At the centre of the story are the members of the titular Thursday Murder Club: Elizabeth, Joyce, Ibrahim and Ron, four cheeky and brilliant retirees who pass their time solving murders. Osman has done such a good job setting these characters up as a group throughout the previous books, and they each have a well-defined role in the group, with Elizabeth the hard-nosed former spy serving as leader, Joyce the loving grandmother figure who is a lot more devious and strong then people realise, Ron the tough larrikin who is starting to come to terms with his feelings, and Ibrahim the sensitive soul who can connect with everyone. These fantastic characters prove to be the usual dedicated and brilliant investigators, and it is always fun to see them utilise their unique skills and their old age to solve their crime. Much of the book’s humour is derived from them leveraging their advanced years and apparent helplessness to trick or manipulate the younger suspects, and I always enjoy their direct and hilarious take on crime solving. However, while there is a certain humorous element around these characters in The Last Devil to Die, certain significant events throw them into an emotional tailspin and watching them become unstuck and devastated really hits the reader hard.

Elizabeth in particular is hit the hardest and this is honestly the most significant novel for her, especially as the great tragedy she has been expecting for the entire series finally comes to pass, and your heart hurts at seeing such a strong character broken down so much. Joyce proves to be the emotional rock the novel, stepping up when the others are down and trying to keep the investigation going. I loved seeing Joyce the leadership role, and watching her come out of her shell proves to be quite heartwarming in light of other tragedies. Ron probably gets the least amount of focus in The Last Devil to Die, but he still has his moment to shine throughout this book. Not only does he have one of the funniest scenes when he has to pretend to be traumatised at discovering a body, but his chaotic romantic relationship raises some fun questions about when Christmas gifts should be opened. I also deeply enjoyed Ibrahim’s character focus, not only because of his warmth and insights, but because of his unusual friendship with imprisoned criminal Connie Johnson and his fantastic patter with Ron. Osman also finally reveals some secrets about Ibrahim’s past that have been hinted at in previous books, and I loved the extra layer of understanding about Ibrahim that results. Each of these main characters are so well featured and their emotional struggles prove to be such an important part of the plot and help to turn The Last Devil to Die into in a very powerful and moving novel.

In addition to the main cast, Osman’s ever expanding collection of supporting characters were very well featured in The Last Devil to Die, and while they are primarily there to assist the main characters with their investigation, the author always takes the time to develop some intriguing and heartfelt storylines around them. This includes the duo of DCI Chris Hudson and PC Donna De Freitas, who find themselves once again competing against their retiree friends to solve the case, despite their futile attempts to keep them out of trouble. While many of their scenes are played for laughs, especially as they get exasperated trying to stop the club members, they add in a good official police presence and move the story along in some interesting ways. There is also a continued focus on their personal lives, especially as they have both found true happiness thanks to the events of the prior books. Cocaine queen and jailbird Connie Johnson proves to be another great recurring figure here, especially as much of her story deals with her simultaneously manipulations of Ibrahim and her attempts at rehabilitations. Her scenes opposite the team’s psychiatrist are pretty hilarious, and it’s going to be fun to see how her storyline continues. The always dependable Bogdan is also a fantastic presence in The Last Devil to Die, and I loved how he proves to be both a supportive partner to Donna and a reliable assistant in Elizabeth’s attempts to undermine the police. Bogdan is also hit emotionally hard in this book and you really have to feel for this wonderfully written character who has the body of a thug and a heart of pure gold. Throw in several great new antagonists, an unpopular elite police officer and several entertaining new residents at Coopers Chase, and this proves to be an amazing book when it comes to supporting characters.

However, the character I need to talk about the most is Elizabeth’s academic husband, Stephen, who honestly has been one of the strongest and saddest figures in the entire series due to his growing dementia. A caring and intelligent figure, despite his ailment and his wife’s attempts to hide him from the world, Stephen is such an impressive character you honestly cannot help but fall in love with. It is always so tragic to see Stephen slowly lose his mind while Elizabeth’s heart breaks next to him, and I really appreciate how well Osman portrays the complexities of dementia when it comes to this figure. Despite that, he proves to be an essential part of the plot, and his insights into his friend have some major impacts on the case, even if you do not realise it at the time. Osman also makes sure to enhance the misery around Stephen again in this book, especially as he finally becomes aware of his condition in one of his lucid periods, and the resulting scenes are so damn moving and emotional as a result. Everything about Stephen in The Last Devil to Die, from his continued warmth, his love for Elizabeth even when he doesn’t know who she is, his sad friendship with a local fox, and his journeys back inside the past of his mind, is handled perfectly and powerfully, and he honestly steals every moment he is in. Stephen steals the show in his own way in The Last Devil to Die, but honestly every character in this book is pretty exceptional, and you will find yourself falling in love with them again, even if it breaks your heart.

Due to my previous experiences with this series, I chose to check out The Last Devil to Die on audiobook, rather than reading the physical copy I received. Coming in with a runtime of just under 11 hours, this is a relatively quick audiobook to get through, especially once you get caught up in the story, which you definitely will. I find that the audiobook format is pretty damn good at getting so many elements of Osman’s story across, including the characters, the powerful emotions and the fun humour, and you really will have a hard time turning off this audiobook of as a result. It also definitely helps that they keep getting such awesome narrators in to read these books. The first two entries in the series were narrated by Lesley Manville, who did such a great job bringing the characters to life, especially Joyce. Unfortunately, Lesley left after narrating the first two books, which I was initially sad about. However, they did a really good job of replacing her in the third audiobook with acclaimed actress Fiona Shaw, who also returns for The Last Devil to Die.

Now I was already a fan of Fiona Shaw before her work here, and I think she was honestly the best possible replacement they could have gotten for Lesley Manville. Utilising her trademark Scottish accent, Shaw hits the story with a soft and gentle voice that perfectly fits the more relaxed tone of these murder mystery novels. These gentler tones are excellent at conveying the unique humour and emotions of the Thursday Murder Club books, and I really got enveloped by the powerful story as a result. Shaw also does an outstanding job voicing each of the brilliant characters featured within this book and I have a lot of love for the vocal choices she makes here. Now, while there is a little difference between Shaw’s performances and the previous audiobooks with Manville (Manville is a natural Joyce, while Shaw more of an Elizabeth), Shaw really keeps the magic from the first two books going. She does a great job of matching many of the key voices Manville originally used, while also adding her own flairs to make the characters her own. I really loved how effortlessly Shaw slipped into the various members of the cast, and this honestly helps you fall in love with all the characters and the story as a whole. This entire audiobook honestly comes up pretty perfectly, and there is even a fantastic and cosy chat at the end between Osman and Shaw discussing the series. As such, I would strongly recommend the audiobook version of The Last Devil to Die to anyone interested in checking out this novel, and it is easily the best way to enjoy this fantastic series. One of the best audiobooks of 2023!

Look, I could go on about how good The Last Devil to Die is, but the bottom line is that this was an exceptional read and one of the best entries in the already great Thursday Murder Club series. Richard Osman did a wonderful job of producing an elaborate and compelling book that featured both an amazing mystery, and some outstanding character work. Funny and tragic in equal measures, and with some of the most emotionally charged scenes of 2023, The Last Devil to Die was an incredible book from start to finish and I cannot recommend it enough. This fantastic book is going to top all my end-of-year best of lists and I cannot wait to see what Osman releases next.

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Waiting on Wednesday – White Ash Ridge by S. R. White

On November 22, 2023 By The Unseen LibraryIn Australian, Murder Mystery6 Comments

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy. I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. For this week’s Waiting on Wednesday, I highlight an intriguing and compelling upcoming piece of Australian crime fiction with White Ash Ridge by S. R. White.

White Ash Ridge Cover

Over the last couple of years, I have been having a lot of fun with the cool outback murder mysteries of one of Australian fiction’s rising stars, S. R. White. White has so far written three impressive novels that each focus on the character of Detective Dana Russo, an outback cop drafted in to solve the most difficult of cases with her talent for interrogation. These awesome books include Hermit, Prisoner, and Red Dirt Road, each of which had their own excellent mystery, as well as a great focus on unique characters and their stories. Each of these books have been pretty awesome and compelling in their own ways, and I was quite excited to hear that White has another intriguing read coming out in early 2024.

This new novel will be the impressive sounding novel, White Ash Ridge. Coming out in March 2024, White Ash Ridge sees Detective Russo dive into another complex murder investigation, this time surrounding the brutal death of a charity organiser. With the only suspects being other members of the same controversial anti-police charity, Detective Russo will need to balance politics and public perception with her desire to solve the case. I love the sound of this intriguing upcoming story and I look forward to seeing how complex and inventive White makes his new book. I have no doubt that this will be an amazing read and White Ash Ridge will probably end up being one of my favourite Australian fiction reads of 2024.

Plot Synopsis:

A REMOTE HOTEL. FIVE GUESTS. ONE MURDER.

During a broiling heatwave, the inner circle of a high-profile charity attend a critical meeting at White Ash Ridge, a small hotel nestled in the Australian wilderness.

As the temperature rises, a body is found lying in the thick bush, bludgeoned to death.

One of the four remaining guests is a murderer – but who, and why, is a mystery.

Detective Dana Russo knows the national spotlight will be sharply focused on the case.

The charity was formed when the founders’ teenage son was killed after intervening in a vicious assault – sparking public outrage and a damning verdict on the police investigation.

But under huge pressure and with few clues – plus suspects who instinctively distrust the police – how can Dana unravel the truth?