Publisher: Michael Joseph
Publication Date – 3 September 2018
From debuting Australian author Benjamin Stevenson comes this chilling and intelligent murder mystery that builds a thrilling case with some sensational twists around an intriguing true crime documentary plot device.
Four years ago, in the small Australian country town of Birravale, Curtis Wade was arrested and tried for the murder of young woman Eliza Dacey. Hated by the entire town and viewed as an outsider, Curtis was quickly found guilty of the crime with very little evidence presented at the trial. Everyone was convinced of Curtis’ guilt until podcaster and documentarian Jack Quick decided to get involved.
Noting some inconsistencies in the case and sensing an opportunity for fame, Jack decided to make a true crime documentary series, presenting the local police as incompetent and biased. His series becomes an overnight hit across Australia, and his edited footage convinces many in the country of Curtis’s innocence. But the night before the finale is due to air, Jack notices a piece of crucial evidence near the murder scene that could prove that Curtis is guilty after all. Determined not to ruin his series, and convinced that no matter what happens Curtis will never see the light of day again, he disposes of the evidence. However, thanks to his series, Curtis is released on retrial, and then a second murder is committed, with several grisly details of the first case replicated. Has Jack just let a murderer go free?
Returning to Birravale, Jack must once again dive into the secrets of a town that hates him for the way his show portrayed them. As Jack attempts to solve this crime, he must overcome his own past while also dealing with the guilt of the situation. But did Curtis commit this new crime, or is he being framed by the real killer? Whoever the murderer is, Jack is wrapped up in their game and for once he needs to reveal the whole truth.
Greenlight is the first novel from Australian comedian and author Benjamin Stevenson and represents a brilliant and exhilarating debut. This book has an amazing central storyline with a massively intriguing mystery that focuses on the innocence or guilt of the man who has already been both convicted and found innocent of the same murder. The protagonist must look at whether the person he released from jail committed the murder he was originally convicted of, as well as a second, similar murder that occurred after the suspect has been released. The reader is constantly left guessing about whether the prime suspect, Curtis, has committed either or both of the crimes, or whether he is actually innocent. At the same time, the reader is presented with a series of plausible alternative suspects who have motive for either of the murders or, in some cases, the same motive for both of the killings, and this creates some exciting doubt about the original suspect’s guilt. The final reveals and twists of this case are rather shocking and will definitely provide the readers with some excellent surprises. Stevenson does a good job providing a lot of hints and foreshadowing in his text, and readers will enjoy seeing how these cleverly scattered clues are brought together in the end. Overall, this is a hell of a mystery and the author does a fantastic job tying the investigation into the book’s other elements.
One of the most noticeable and outstanding parts of Greenlight is its true crime elements and how this affects both the story and the way that the book is written. Ever since the dramatic popularity of the 2015 Netflix true crime show, Making a Murderer, various books and shows have attempted to emulate the documentary setting in their works. What I liked about Stevenson’s book was that, rather than dealing with the creation of the documentary, it is mostly set some months after the television series was released and instead takes a look at the consequences that the show has had. Not only is a potential murderer released, but various lives and careers have been ruined as a result of the protagonist’s actions. It is absolutely fascinating to see the various ways that the reaction and follow-up of the true crime television series comes into play through the story. The protagonist has to deal with a series of characters who are annoyed or angry about their portrayal in the series, which informs the help, assistance or compassion that these characters give. The success of the series also affects the police response, leaving the protagonist much more open to investigate the crime. It is also intriguing to see a television show being used as a motive for murder throughout the book, as the second murder could potentially be tied into righting the wrongs that the show caused. Stevenson covers all these elements incredibly well, and the examination of the consequences and damages of a successful true crime documentary series turns out to be the perfect backdrop for this captivating murder story.
On top of the powerful mystery and the terrific plot focus, Stevenson has also created an interesting central protagonist who serves as the point of view character for most of the book. The main character, Jack, is the documentarian who makes the show that gets the mystery’s main suspect freed from jail. Watching the guilt and shame that this character experiences as a result of his various actions, such as the creation of the show, tampering with evidence and editing the videos to tell a specific story, is a great part of this story, and it serves as a perfect motivation for this character’s continued and at times frantic investigation. Watching the character understand the full extent of his questionable actions, especially after the second murder, is an outstanding part of this book that highlights Stevenson’s strong writing ability. It is also interesting to see how his experiences creating a documentary have affected his judgement and the way he perceives the world. The protagonist now sees the slanted way many of the characters talk when it comes to case, and he is constantly trying to determine what role the people who are involved in the case would have in a television show, such as a main character or a supporting cast member. The author also creates some interesting character background for Jack that works well with this story, as guilt and trauma from his childhood combines with the current extreme blame and he is currently feeling. Stevenson also produces an accurate and powerful description of an eating disorder that Jack is suffering from, and not only is this description respectful done and informative, but it adds another level to this excellent main character.
A large amount of Greenlight’s plot is set in the fictional small, winegrowing country town of Birravale in the Hunter Valley of New South Wales. This serves as a great background setting for the murder investigation as the small town secrets and attitudes play a huge role in the overall mystery. Stevenson does an amazing job portraying a winegrowing community, and provides some interesting details that come into play in a number of ways and often result in a number of potential murder motives. The small-town setting also works well with the post true crime series plot element, as the protagonist encounters an entire town that has been portrayed in a negative light throughout this series and is viewed in a different way by the rest of the country. Seeing these resultant attitudes and the impacts his series has had on the town works wonders for the main character and is a great part of this book.
In his debuting novel, Australian author Benjamin Stevenson has created an incredibly captivating mystery storyline. Greenlight contains a number of outstanding elements, from shocking plot twists and reveals, an excellent central character and an utterly fascinating central plot device, all of which come together into one amazing novel. This is an exceptional first book from Stevenson which highlights both his fantastic ability and his huge potential as a crime writer.
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