Warrior of the Altaii by Robert Jordan

Warrior of the Altaii Cover

Publisher: Tor (Trade Paperback – 9 October 2019)

Series: Standalone

Length: 352 pages

My Rating: 4.25 out of 5 stars

In the mood for a very unique fantasy read? Think about checking out the hitherto unpublished first novel from Robert Jordan, an author many consider to be amongst the best fantasy writers of all time.

The late, great, Robert Jordan was a highly regarded author who started writing in the late 1970s and found his calling several years later in the fantasy genre. His first published work was The Fallon Saga of historical fiction novels, which were made up of three books released between 1980 and 1982. Following this early work, Jordan was contracted to write several Conan the Barbarian novels, starting with Conan the Invincible and Conan the Defender, both of which were released in 1982. Jordan ended up writing seven Conan the Barbarian books between 1982 and 1984, and they are some of his earliest works of fantasy fiction. However, Jordan would find his greatest success later when he wrote his epic fantasy series, The Wheel of Time, which were some of the first fantasy novels that I ever read.

The Wheel of Time series is an epic fantasy series that started in 1990 with The Eye of the World. Made up of 14 massive novels, the series ran until 2013, and is considered one of the most creative, complex and enjoyable fantasy book series ever written. Not only did many of the books gain high critical praise but it is one of the bestselling fantasy series of all times, selling over 80 million copies. Unfortunately, Jordan passed away in 2007 and it fell to fellow author Brandon Sanderson to complete the final three books in the series utilising Jordan’s notes. Sanderson did a fantastic job finishing off the series, which concluded in 2013 with A Memory of Light, (make sure to check out my reviews for some of Sanderson’s other books, including The Way of Kings, Skyward and Starsight). The Wheel of Time series is probably going to get a lot of attention in the next year or so, as it is currently being adapted into a major television series by Sony and Amazon. Featuring Rosamund Pike in the leading role, and with a mostly unknown cast of young actors, this series has some real potential to dominate in the post Game of Thrones television landscape. The Wheel of Time books were some of the first fantasy novels that I ever read, and they served as an excellent and enjoyable introduction to the genre for me. Despite recently featuring several of The Wheel of Time books in my Longest Novels That I Have Ever Read list, I do have to admit that it has been a substantial time since I have had the opportunity to read The Wheel of Time novels, and I am a little hazy on some of the series’ details. As a result, I am strongly considering trying to reread some of the books (probably the audiobook formats) before the first season of the television adaptation is released, although I will have to see how I go with time as each of the books are likely to be some of the longest audiobooks I will ever listen to, plus I also have a bunch of other series I want to get into.

Warrior of the Altaii is actually the first novel that Jordan wrote and attempted to get published. He apparently wrote it in 13 days back in 1978 but unfortunately no publishers picked it up at the time. By that point he was working on some of his other series, so the author shelved it and it remained unpublished until now. There is actually a rather fascinating and entertaining summary of this book’s publication history in the foreword that was written by Jordan’s wife and editor/publisher Harriet McDougal, which I am sure many fans of the author will find quite interesting.

Warrior of the Altaii is set on the vast and harsh lands known as the Plain. The Plain is home to all manner of terrors, obstacles and fierce warriors, as several barbarian tribes roam the cruel landscape. Amongst all the tribes of the Plain, none are more feared or deadly than the Altaii, fighters without peer, whose nomadic way of life and dedication to raiding has sustained them for generations. Life is always difficult on the Plain, but recent strange events are making it harder for the Altaii to survive. More and more ferocious beasts roam the land, dark omens abound, and some unknown group has been destroying the various water holes that keep all of the inhabitants of the Plain alive.

Amongst these chaotic events, Wulfgar, a leader of a troupe of Altaii, travels to the massive city of Lanta on the outskirts of the Plain on a trading mission. Arriving at the city, Wulfgar and his followers and comrades encounter great hostility and scorn from all they encounter, including the city’s twin queens. It soon becomes apparent that the queens of Lanta are conspiring against the Altaii with a rival barbarian tribe and the mysterious individuals known as the Most High. But what are their objectives, and why are they targeting the Altaii?

As Wulfgar attempts to understand the scope of the threat facing him, he receives a prophecy of doom and the destruction of the entire Altaii race. Their only salvation apparently lies in the hands of a traveller from another world, who will gift Wulfgar the knowledge needed to save his people. Can Wulfgar defeat the vast forces arrayed against him, or will he be overwhelmed by treachery, assassins and the vengeance of two scorned queens?

This was a rather exciting and enjoyable read that was a lot of fun to check out. Warrior of the Altaii is a cool classic fantasy read that features an interesting and, at times, over-the-top story with a number of great action sequences and some rather cool fantasy ideas. The plot of this book is extremely fast-paced, and there is never a moment that is not exciting or filled with action or adventure. There are a number of really fun sequences throughout the book, including the siege of a major city, several large-scale battle sequences that feature some fantastic strategies and high body counts, as well as a few desperate and brutal smaller fight scenes that are bound to keep readers on their toes. Despite being ostensibly a fantasy novel, there are a few interesting science fiction elements in this book, as several beings with advanced weapons have apparently travelled across from an alternate world. This results in a cool blend of science and magic in places, which added a whole new layer to the story. Warrior of the Altaii is a good standalone novel with a mostly self-contained narrative that did not leave any major storyline elements open. This is probably for the best, as, for very obvious reasons, there is not going to be any sort of sequel. Overall, I felt that Jordan created an excellent and thrilling story within this book, which I believe will be appealing to most fantasy readers.

One of the major appeals of this book is the fact that it is the unpublished first attempt at a novel from an author who is better known for their later works, and as a result, fans of Robert Jordan’s later works can get a glimpse of his early writing style. One of the major things that I took away from reading Warrior of the Altaii was the fact that Jordan clearly had an aptitude for creating intriguing fantasy worlds even early in his career. Throughout this book, he described a dark and detailed world, of which we only saw a small part, filled with memorable characters, organisations, threats and locations. Several of the elements utilised in this book were clearly early versions of things that were later featured in The Wheel of Time novels, such as the inclusion of an all-female group of magic users, which are similar to The Wheel of Time’s Aes Sedai. In addition, the whole barbarian tribe-centric storyline he produced for this book is very reminiscent of Conan the Barbarian and it is very clear why his wife thought that he would be a good fit to write several of these novels. I think that major fans of Jordan and his existing series are going to find a quite a lot to enjoy in this book, and I would strongly recommend Warrior of the Altaii to anyone interested in seeing how this great author started out.

While I quite enjoyed this book, there are elements to Warrior of the Altaii that some readers might not enjoy. In particular, there are lot of examples of female enslavement by the barbarian characters of this book. While, to be fair, the main male character does get enslaved for a period of time, I can image that quite a few readers may not appreciate all the times that female slavery becomes a casual, recurring plot point. The way that it is used in this book does seem to be a bit more of an old-school fantasy inclusion such as would be seen in a piece of Conan the Barbarian fiction and is perhaps not as appropriate for a modern book. However, as this book was written in the 1970s, this is a somewhat understandable inclusion, and I don’t think you need to read too much into it. It honestly didn’t take too much away from the enjoyment of the story; it is just something people might need to consider before reading this book.

Warrior of the Altaii is an electrifying piece of fantasy fiction with a bit of an old-school feel to it that I quite enjoyed. I had a great time checking out this early work from a fantasy author I hold in very high regard, Robert Jordan, and it was a real treat to see his previously unpublished first novel. This is definitely an interesting read for fans of the fantasy genre and is well worth checking out, especially if you are in the mood for a fast-paced and action-packed fantasy adventure.

Waiting on Wednesday – The Last Smile in Sunder City and The Kingdom of Liars

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. For my latest Waiting on Wednesday, I am going to check out two intriguing-sounding fantasy debuts that are coming out in the first half of next year. Both of these upcoming debuts sound like they could be a lot of fun, and I have a feeling that both of them are going to be the start of some memorable fantasy series.

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The first one of these books that is coming out is The Last Smile in Sunder City by Australian author Luke Arnold. This is the first novel from Arnold, who is famous for his acting roles in shows such as Black Sails, and from what I have seen in the plot synopsis, his debut could be a rather interesting fantasy thriller.

Goodreads Synopsis:

I’m Fetch Phillips, just like it says on the window. There are a few things you should know before you hire me:
1. Sobriety costs extra.
2. My services are confidential – the cops can never make me talk.
3. I don’t work for humans.

It’s nothing personal – I’m human myself. But after what happened, Humans don’t need my help. Not like every other creature who had the magic ripped out of them when the Coda came…
I just want one real case. One chance to do something good.
Because it’s my fault the magic is never coming back.

I have had some good experiences with contemporary fantasy thrillers in the past, and this one does sound pretty cool. The concept of a drunk private eye helping de-powered magical creatures out of guilt has some real potential, and I will be pretty intrigued to see why it was Fetch’s fault that magic no longer exists in the world. There is currently no indication of what sort of case he will be investigating, although one of the other taglines I have seen for the book is “Welcome to Sunder City. The magic is gone but the monsters remain.” I have a feeling that the protagonist will be facing off against other humans intent on exploiting the vulnerable magical creatures, but I guess we will have to see. I am getting a real Rivers of London vibe from both the plot and the cool cover above, and hopefully it will have a similar sort of magic and fun to it. The Last Smile in Sunder City is set for release in early February next year, and I am actually in the process of putting in a request for it now.

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The next book that I am going to look at is The Kingdom of Liars by Nick Martell, which is set for release in early May. The Kingdom of Liars is a more classic fantasy tale, set in its own unique universe filled with magic and war. This is another really exciting-sounding novel, and I have to say that I was very impressed with the cool sounding plot below.

Goodreads Synopsis:

Michael is branded a traitor as a child because of the murder of the king’s nine-year-old son, by his father David Kingman. Ten years later on Michael lives a hardscrabble life, with his sister Gwen, performing crimes with his friends against minor royals in a weak attempt at striking back at the world that rejects him and his family.

In a world where memory is the coin that pays for magic, Michael knows something is there in the hot white emptiness of his mind. So when the opportunity arrives to get folded back into court, via the most politically dangerous member of the kingdom’s royal council, Michael takes it, desperate to find a way back to his past. He discovers a royal family that is spiraling into a self-serving dictatorship as gun-wielding rebels clash against magically trained militia.

What the truth holds is a set of shocking revelations that will completely change the Hollows, if Michael and his friends and family can survive long enough to see it.

This sounds like it is going to be a really cool fantasy read, and I am very much looking forward to it. A plot that follows a family of despised traitors and thieves infiltrating the royal court after their banishment sounds really fascinating to me, and I imagine that the politics and intrigue of such a situation are going to be very chaotic and very entertaining. I also like the sound of the book’s unique magical system, where memory powers magic, and I imagine that the author has come up with a number of intriguing features, powers, side effects and misuses for this sort of magic. I am also deeply curious about a world where people are missing a bunch of their memories, and I can see that playing into the book’s mystery elements very well. I also like the idea of magically powered soldiers fighting foes with gunpowder weapons, and I will be intrigued to see what sort of fight that turns out to be.

The Kingdom of Liars currently has two covers that I can see at the moment. The cover above, which I took from the Hachette Australia website (as that is the cover I am most likely to get on my copy of The Kingdom of Liars), has a very cool and sleek white and red design with a simple picture of the protagonist (I assume). The other cover that I have seen (included below) has a rather eye-catching shot of a cityscape with a broken moon rising behind it. While I will be interested to see how the broken moon plays into the plot, I personally like the first cover the most, and it is a very classical fantasy look.

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Both of the above upcoming fantasy debut sound pretty awesome and I have very high hopes for them. I am slightly more interested in The Kingdom of Liars than The Last Smile in Sunder City, but that is probably because I know a little more about the plot. That being said, I am sure that I am really going to enjoy both of these books and I look forward to checking out some great books from some talented new authors.

Gideon the Ninth by Tamsyn Muir

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Publisher: Tor (Hardcover – 10 September 2019)

Series: The Ninth House – Book One

Length: 448 pages

My Rating: 4.5 out of 5 stars

From debuting author Tamsyn Muir comes a very unique and compelling science fiction novel filled with death, comedy and necromancers in space, Gideon the Ninth.

Before I begin reviewing Gideon the Ninth, I have to point out how impressive the design of the hardcover copy I received was. When I previously featured this book in one of my Waiting on Wednesday articles, I mentioned how much I loved the cover art. Indeed, the drawing of the book’s titular redheaded character with her face painted liked a skull surrounded by exploding skeletons is pretty damn cool. The hardcover copy also has some excellent visuals, as the outer rim of all the pages is coloured black, which definitely gives prospective readers a noticeable visual hook, especially when combined with the all-black binding underneath the jacket, emblazoned with gold writing on the spine and a single golden skull on the front. I really liked this fantastic presentation style, and it definitely left an impression on me as I started to read the book.

In the far future, a vast interstellar empire is ruled by necromancers whose control over the various magical disciplines of death make them a powerful force. Eight noble houses serve under the First House of the Emperor, and each of them has just received a message from their ruler. The heirs to each of these houses and their cavaliers, loyal sword-wielding protectors and companions, must attend the Emperor’s planet in order to compete to become the next generation of Lyctor, immortal beings of vast power.

Gideon Nav is an indentured servant to the Ninth House of the Empire, a small and impoverished house that carries a dark reputation. A skilled swordswoman, Gideon wants nothing more than to enlist in the imperial army to leave the dark crypts, the strict occult nuns and the multitude of skeletons that make up the Ninth Planet far behind. However, when her latest escape attempt fails, she finds herself offered an irresistible bargain: act as the Ninth House’s cavalier for the period of the trials and be granted her freedom. There is just one minor problem: Gideon and the heir to the Ninth House, Harrowhark Nonagesimus, an extremely powerful bone witch, absolutely hate each other.

Forced to temporarily put their differences aside, Gideon and Harrow travel to First House, only to discover it is a near ruin, looked after by a few old and mostly unhelpful servants. They soon learn that the secrets to becoming a Lyctor lie hidden within the walls around them, and the representatives of various houses can do whatever they wish to learn them. Trapped on the planet, Gideon and Harrow begin to explore the First House and encounter the heirs and cavaliers of the other houses. As the mismatched pair from the Ninth House start to unravel the various mysteries and challenges before them, a gruesome murder occurs. Something powerful is lurking within the First House, and it has the heirs in its sight. Can Gideon and Harrow work together, or will their own turbulent past and the secrets of their house tear them apart?

Gideon the Ninth is a chaotically clever and massively entertaining first novel from Tamsyn Muir, who has done an excellent job introducing readers to her intriguing new world. Gideon the Ninth is the first book in her The Ninth House series, which already has two planned sequels in the works, with the first of these currently set for release next year. After hearing the awesome plot synopsis for this book earlier in the year, I had picked this as potentially being on the best books for the latter half of 2019. I am glad to see that my instincts were once again correct, as this was an awesome read that gets four and a half stars from me.

Muir has produced an outstanding story for her first novel, as the plot for Gideon the Ninth is an amazing combination of humour, universe building, emotional character moments and a captivating set of mysteries as the protagonists attempt to uncover not only the vast secrets of the First House but the identity of the person or being that is killing them off one by one. The author has stacked this book with all manner of fantastic twists, and there are a number of major and game changing developments that are well paced out amongst the story. There is never a dull spot within the book, as even parts where no substantial plot developments are occurring are filled with excellent humour from the sarcastic narrator with a huge vocabulary of various swear words. There is also a substantial amount of action throughout the course of the book. The various fight scenes blister and explode off the page, especially thanks to the unique magical system that Muir has populated this world with. All of this results in an addictive and electrifying overall story with a very memorable ending.

The real heart of Gideon the Ninth lies in its incredible main characters, Gideon Nav and Harrowhark Nonagesimus, and the complex relationship the two of them have. Gideon is the badass, rebellious, coarse, girl-loving mistress of the blade, who serves as the book’s narrator and only point-of-view character. Gideon is an absolute blast as a main character, as she deals with every situation she comes across with an abundance of disrespect, anger and exaggerated responses, resulting in much of the book’s humour. Harrow, on the other hand, is the dark noble necromancer heir to the Ninth House, whose reserved persona, obsession with necromantic research and abilities, and vindictive nature work to make her initially appear as a polar opposite to Gideon. The relationship between these two main characters is initially extremely adversarial, as both characters declare their absolute hatred for each other, and Harrow seems determined to make Gideon’s life a living hell. As the book progresses, however, Muir really dives into the heart of the relationship between the two characters, revealing a complex history and a twin tale of woe and dark secrets that has defined them for their entire lives. The combined character arc of these two main characters was done extremely well. While you knew from the very start of the book that the two characters would eventually work together, the exact reason why this occurred was handled perfectly, and the final form of this cooperation helps create an epic and tragic conclusion to the entire book. While their relationship is not explicitly romantic (Harrow’s sexuality really is not explored in this book), they do become quite close by the end of the novel, and both characters are written exceedingly well.

In addition to Gideon and Harrow, Muir has also included a range of different characters, representing the heirs and cavaliers of the other major houses in the Empire. This results in an intriguing assortment of side characters who add a lot to the overall story. The author has made sure to invest in substantial backstories for all these additional characters, and this has a number of significant benefits for the story. Not only are the readers now blessed with an abundance of viable and duplicitous suspects for the story’s murder mystery, but each of the various representatives of the houses have their own individual secrets and motives for being at the First House. Learning more about each of these characters is quite fascinating, and a number of them have some pretty amazing character arcs. I particularly enjoyed the storyline of Palamedes Sextus of the Sixth House, who treats his necromancy more as a science than a form of magic. Sextus is the most logical character out of all the people in the book, and he serves as a major driving force of the investigation into the murders. His connection to some of the other characters in the book is a major part of the book, and the ultimate conclusion of his story arc is really cool. Muir has done an incredible job coming up with the book’s various characters, and it is a major part of why this book is so awesome.

It is quite clear that Muir has an amazing imagination, as she has produced a grim and compelling new universe to set this book in. Necromancy and a futuristic science fiction setting make for a fascinating combination, and I really loved her examination of an empire built on worshipping an immortal, necromantic Emperor and the various secrets that come with it. The sheer range of different necromantic magic featured within this book is pretty impressive, especially as each of the Imperial Houses has their own specific form of necromancy, all of which are examined throughout the book. Not only are all these different types of magic really fascinating to examine but it also results in some diverse pieces of magical action, as many of the necromancers unleash their various forms of magic throughout the book, resulting in some fantastic sequences. I do think that the author could have done a slightly better job of explaining some of the unique elements of her universe at the start of the book, as I got a little confused at some points towards the beginning; however, this was quickly chased away by deeper dives into the universe’s lore later in the book. Muir has left open a number of questions and plot directions to explore in future books in the series, and I am really curious to see what happens next.

Gideon the Ninth is a wild and exciting novel that makes use of an intriguing concept, some compelling characters and an excellent story to create an exceedingly entertaining book that was a heck of a lot of fun to read. Featuring laugh-out-loud humour, intense action and major emotional moments, this is an incredible read that is really worth checking out. Muir has hit it out of the park with her debut novel, and I cannot wait for the next book in the series.

We are Blood and Thunder by Kesia Lupo

We are Blood and Thunder Cover

Publisher: Bloomsbury YA (Trade Paperback – 4 April 2019)

Series: Standalone / Book 1

Length: 400 pages

My rating: 4.5 out of 5 stars

From first-time author Kesia Lupo comes We are Blood and Thunder, a clever, inventive and at times dark young adult fantasy novel that represents a brilliant start to a bold new fantasy world.

In the nation of Valorian, a powerful magical curse has been laid upon the city of Duke’s Forest. The curse has wrapped the entire city in a mystical storm cloud filled with death, sickness and despair. Following a series of virulent pestilences brought on by the storm cloud, the city has been placed in quarantine, although passage in or out of the cloud is already extremely difficult. Now, six years after the curse first struck Duke’s Forest, the fate of the city and all who live within will lie upon the shoulders of two young women.

Lena is a cryptling, one of the deformed or marked offspring of Duke’s Forest’s inhabitants who live in the sprawling crypts underneath the city and watch over the Ancestors, the interred dead of the city, who are worshiped as gods. Lena, whose birthmark saw her abandoned as a baby, led a quiet life below the city until strange things started happening all around her. Accused of being a mage by the magic-hating Lord Justice, Lena just barely escapes execution when she encounters Constance in the mists outside the city. Constance is the daughter of Duke’s Forest’s ruler, the Duke, and has returned to the city to reclaim what is hers. Trained as a mage, Constance recognises the magic within Lena and sends her outside the mist while she continues back to Duke’s Forest. However, this fateful meeting will have huge consequences on the lives of both women.

Once outside the mists, Lena encounters the huntsman Emris, a magic user trained to locate untrained mages like Lena, known as Rogues, who has been pursuing Constance for magical crimes she has been accused of. Emris brings Lena back to the City of Kings, the capital of Valorian, where she attempts to learn how to control her magic. However, her unusual magical abilities and status as a Rogue bring her to the attention of some of the city’s worst inhabitants. Back in Duke’s Forest, Constance finds that her city and her father have fallen under the control of the tyrannical Lord Justice. Keeping her status as a mage hidden, Constance attempts to regain control of Duke’s Forest while also searching for the source of the curse surrounding the city. As both Lena and Constance attempt to survive in their respective cities, fate keeps bringing their destinies together. The future of Duke’s Forest rests in the hands of these young women. Can they save the city, or will they be the storm that destroys it?

We are Blood and Thunder is a clever and extremely captivating young adult fantasy novel that I read a little while ago but only just got a chance to review. I wish I had gotten a review of this book up a little earlier as it is a fantastic first book and I have been quite keen to sing the author’s praises for a while. We are Blood and Thunder is the debut novel of exciting new talent Kesia Lupo and presents a powerful story filled with magic, betrayal, personal growth and the hunt for power. At the moment, We are Blood and Thunder is a standalone novel, but the author has indicated on Goodreads that she may set future books within the same universe.

The story of We are Blood and Thunder is told from the perspectives of Lupo’s two main characters, Lena and Constance. Each character narrates about half the book and tells their separate narratives through alternating chapters. This allows Lupo to tell two separate stories that are not only very different in content but which help show a far wider area of the new fantasy world that Lupo has created. I found both of the storylines contained within this book to be extremely fascinating. The first storyline, which is narrated by Lena, follows the character as she journeys to the City of Kings to learn more about magic. While there, she learns more about her mysterious powers and finds herself embroiled in the conflict between the Temples that control magic and an influential mage outside the control of the Temples who has the ear of the King. The second storyline, which is narrated by Constance, is a darker story of political intrigue, murder and dark magic within the walls of Duke’s Forest, as Constance attempts to find the heart of the storm cloud before it is too late, while also attempting to neutralise the tyrannical Lord Justice.

While the magical learning, emotional growth and world building featured within Lena’s storyline are really good, I did prefer the Constance storyline a little more. All the dark political manoeuvring within the unique setting of the cursed Duke’s Forest and the battle between Constance and the Lord Justice were pretty darn compelling, and I had a very hard time putting down the book while I was reading the Constance chapters. While both of these storylines are really good, I was quite impressed by the way that Lupo was able to combine the two separate stories together into one amazing overarching narrative. I felt that the two storylines really complemented each other and helped make each respective storyline better. For example, the explanations of this fantasy universe’s magic in Lena’s chapters help the reader understand some of the magical elements occurring in Constance’s chapters. At the same time, many of the preparations and relationships Constance forged for her desperate return to Duke’s Forest impact Lena as she uncovers dark secrets within the City of Kings. There are also a number of excellent plot twists cleverly hidden throughout the book that are slowly revealed in both storylines. I thought some of these twists, especially a big reveal towards the end of the book, were just amazing and helped turn this into an epic and electrifying story. I felt that the author’s use of the two separate storylines was an incredible way to tell the story, and the overall narrative was quite outstanding.

In addition to her excellent twin storylines, Lupo also came up with two awesome fantasy cities: the City of Kings and Duke’s Forest. The City of Kings is your classic fantasy capital with massive temples and palaces, where everything appears to be perfect and harmonious on the surface. However, there are some dark secrets at the heart of this city, and the magical politics prove to be a major threat to one of the book’s main characters. While this is a great setting, I have to say that the city of Duke’s Forest is the far more impressive setting. Even before the city was cursed, Duke’s Forest would have been an amazing fantasy setting, with its massive crypts staffed by abandoned children and its rabid intolerance of magic. However, by turning it into a city on the brink of death, surrounded by dangerous magical mists and clouds, Duke’s Forest transformed into a much more intriguing and memorable fantasy setting. Lupo does an amazing job bringing this inventive location to life, and I was impressed by the sense of despair and hopelessness that seemed to hang in the air in each chapter set in this city. These two city settings were great, and I felt that they both enhanced the book’s narratives. Duke’s Forest in particular added a sense of urgency to Constance’s hunt for the heart of the storm cloud. I am very curious to see what other locations Lupo will create for the nation of Valorian in the future, and I look forward to exploring more of this clever fantasy world.

I also quite enjoyed the interesting magical elements that the author utilised in We are Blood and Thunder. Lupo has invented some great magical lore in this book, and I had a lot of fun exploring the various aspects of it. Not only is there a city-wide magical curse but there is also a whole new system of magic for the reader to enjoy. I quite liked the intriguing magical systems that Lupo came up with, and there are a number of great elements to them. These include the vision-filled practice of mages binding their magic to a god in order to control their power, which then influences their magical power and abilities, as well as mages who don’t bind their powers and then subsequently lose control and become a Radical, a destructive being controlled by the underlying darkness in magic. These magical elements are mostly explored by Lena. As a member of an ostracised minority who lived beneath a quarantined city where all knowledge of magic was punished, Lena is a perfect character to explore Lupo’s magical elements. Lena has the same lack of knowledge of this world’s mage as the reader, so the readers get a baseline explanation of magic that also makes sense to the plot. I quite enjoyed the various magical elements that the author came up with in this book, and I am sure that she will further expand upon them in later books in this universe.

We are Blood and Thunder is an outstanding debut from Kesia Lupo which combines some amazing and complex character-based storylines with inventive fantasy settings and cool magical fantasy elements to create an awesome overall book. Lupo has some considerable skill when it comes to a compelling young adult fantasy book, and We are Blood and Thunder is an excellent first outing for this talented author. I look forward to reading more of Lupo’s work in the future, especially if she returns to the excellent world she created in We are Blood and Thunder.

Throwback Thursday – Legend by David Gemmell

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Publisher: Hachette Audio (22 June 2017) – originally published by Century (April 1984)

Series: Drenai – Book 1

Length: 13 hours and 13 minutes

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

In this week’s Throwback Thursday, I try out a fantasy book that has been on my mind for many years, the 1984 classic fantasy novel, Legend, by the late, great David Gemmell.

Legend was the debut novel from Gemmell, an impressive author who wrote over 30 novels between 1984 and his death in 2006, most of which fell within the fantasy genre. Some of his works included the Rigante, Stones of Power, Jon Shannow and Hawk Queen fantasy series, as well as the Troy and Greek historical fiction series. However, his most famous body of work has to be the Drenai series. Featuring 11 books, the Drenai series were a collection of loosely connected novels set within the same fantasy universe. While the storylines are all linked in some way or another, especially books like the three Waylander novels, the series can pretty much be read in any order, which is kind of what I did.

I actually have a bit of a random history with the Drenai series, as I happened to listen to the 10th book in the series, White Wolf, some years ago. For the life of me I cannot think why I would have grabbed this fantasy book off the shelf. Whatever the reason, the story of White Wolf stuck with me, and I would find myself occasionally remembering details of the plot, while completely forgetting the book’s title or the author’s name. I was eventually able to figure out what book it was thanks to the one clear detail I could remember (the names of the protagonist’s famous swords) and tracked down another audiobook copy of White Wolf to listen to a few years ago. I also really enjoyed White Wolf the second time around and was eager to find out more about the rest of the books in the series.

Out of all of the books in the Drenai series that I looked at, the one that appealed to me the most was the very first one in the series, Legend. Legend tells the story of an epic and desperate siege that sets up the entire Drenai universe and contains the defining story of Gemmell’s most iconic character, Druss the Legend, who also appeared in White Wolf. Many of the story elements of Legend deeply appealed to me, and it also made practical sense to start at the beginning of the series, especially as it serves as a significant point in the series’ chronology. Unfortunately, due to a combination of a lack of time, problems finding a copy of Legend, and a requirement to focus on more recent books, I never got a chance to read Legend or dive deeper into the Drenai series. However, it always remained high on my to-read list, and I am so happy that I finally got a chance to read it.

Legend is the story of the siege of Dros Delnoch, the fortress city that acts as a gateway to the declining Drenai Empire. Dros Delnoch is the greatest fortress in the world. Sitting in the middle of a narrow pass and guarded by six high walls and a great keep, the city should be able to withstand any attack. However, the charismatic Nadir warlord Ulric has forged together a mighty host of 500,000 Nadir tribesmen, which he plans to sweep over the walls of Dros Delnoch.

If the city is able to hold for a few months, a new Drenai army will be able to reinforce the battlements. But with only a small force of 10,000 soldiers within the city, many of them raw recruits, this seems to be an impossible task. However, help soon arrives from the most unlikely of places. Former solider Regnak follows his newfound love to the city, despite his apparent cowardice and dark secrets. A gentleman bandit leads his band of outlaws to man the walls, partly for money and partly to make up for his past sins. The mysterious band of mystical warrior priests, known as The Thirty, also arrives to fulfil their destiny to die in battle. Each group has a role to play in the defence of the city, but only one of the new defenders will give the Nadir pause and raise the defenders’ hopes, the greatest hero of the age, Druss the Legend.

For decades, Druss has fought and defeated every enemy he has come across, but there is one thing even he cannot overcome: time. Now a grizzled veteran of 60 years, Druss has come to the city for one final battle, but first he needs to come to terms with his status as a living legend. Even as an old man Druss is still a dangerous person, and there is a reason that he is known as Deathwalker by the Nadir. As the siege begins, heroes will rise, tragedy will stalk the defenders and a legend will end, but will anything be enough to withstand the Nadir horde?

Well damn, that was a pretty epic book and one that was well worth the wait it took for me to get around to reading this. Legend was an incredible and enthralling read that had me hooked from the very beginning all the way to the very last word. It is a classic piece of fantasy action and adventure. Gemmell loaded his story with some truly compelling and flawed characters to create an outstanding read. Featuring a ton of amazing, pulse pounding action, heartbreaking tragedy and an epic siege, this book was absolutely fantastic, and I am really glad I read it.

Probably the main thing that I liked about the book was Gemmell’s outstanding portrayal of a massive fantasy siege. I have always loved the classic siege storyline, and there is something about a huge army attacking a castle that I cannot turn away from. The siege of Dros Delnoch within Legend is easily one of the best sieges that I have ever read, as Gemmell produces a magnificent battle around the city that lasts nearly the entire book. The whole setup for the siege is pretty insane, with 500,000 Nadir tribesmen (who bear a lot of similarities to the historical Huns) attacking a Drenai (essentially Roman) city with six massive walls. The author does an amazing job properly pacing out this siege throughout the novel, including appropriating enough time to really showcase all the pre-siege activities, including training, preparation of the defences and initial sabotages before the first battle even happens. Once the battle begins, though, it is a non-stop barrage of action as the defenders fight off multiple assaults each day.

Due to the author’s excellent storytelling and character work, the reader becomes extremely invested in the fate of the defenders, and each time a wall falls, or the attackers gain an inch, you are mentally rooting for them to fight back. There are a number of discussions and plans that take place throughout the book, and it is quite fascinating to see the thought and planning that the author put into the defence of his city. I especially liked how the city’s six walls played into the battle, as the defenders’ decisions on how and when to hold these battlements provided some great moments and debates for the reader to appreciate. The siege lasts the entire book and features a huge number of epic fight sequences, all of which will get your adrenaline racing and your heart pounding. I loved every second of the siege that was featured in this book, and I hope to see it brought to life on screen one day (provided they do it right).

In addition to its first-rate siege, Legend also features a large number of complex and well-written characters. The first is Regnak, who turns into one of the book’s main characters. Regnak is a former soldier who is first presented as a coward, looking to flee all personal responsibility, although this is quickly revealed to be a side effect of being a natural ‘baresark’. However, when he meets Virae, the daughter of the Earl of Dros Delnoch, he falls in love and follows her back to the siege. Regnak has a great storyline about finding one’s inner courage and overcoming one’s issues, and while his romance with Virae is a bit weird at times, it does result in some tragic scenes throughout the book. Next you have the members of The Thirty, an order of 30 warrior priests who enter the fight knowing that 29 of their members are going to die. Not only do the priests represent most of the fantasy elements of this book thanks to their physic abilities but their ability to see into the future results in some interesting debates about destiny and fate. Quite a few members of The Thirty are introduced, although most of their story is focused on their youngest member, Serbitar, and his mentor, Abbot Vintar, as Serbitar has the hardest time accepting the future and wants to change it to help the defenders.

Without a doubt, the best character in the entire book is Druss the Legend. Druss is Gemmell’s most iconic character and has appeared in several other books in the Drenai series, all of which occur before the events of Legend. These include The First Chronicles of Druss the Legend, which details the rise of Druss and the events that made him a legend, The Legend of Deathwalker, which features an earlier encounter with Ulric and the Nadir, and White Wolf, where I first encountered the character of Druss. However, Legend is definitely the character’s defining book, as it features the conclusion of his epic life and his final stand.

There is a lot of great character work involved with Druss, and the man is a pretty epic character. He is an older man, many years past his prime, who was faced with a choice: die in glory at Dros Delnoch or decline into obscurity. Choosing to die in battle (mainly to spite Death), Druss arrives in Dros Delnoch ready to fulfil his destiny. Gemmell does an outstanding job portraying Druss as an old and wise warrior who is weakened by age but is still a far more capable warrior than many of the others involved with the siege. While readers will enjoy the action sequences featuring Druss, the main thing about the character is the way that he attempts to come to terms with his status as a living legend whose body can no longer keep up with his myth. Druss knows that his reputation as a man who always wins is one of the main things that keeps the soldiers going, and he is constantly working to inspire the soldiers and show that he is still the super human many of them think he is. However, at the same time he must deal with the tangible impacts of age and must try to overcome them in order to survive and inspire on the battlefield. This examination of a man uncertain about his continuing place in the world and who knows he is going to die very soon is extremely well done, and readers cannot help but fall in love with the character and get very invested in his storyline, even though you know how it is going to end. The Druss that is featured in Legend is probably one of the finest fantasy characters that I have read, and I look forward to reading some additional books featuring him in the future.

The book also features an amazing cast of secondary characters, each of whom adds so much to the story featured within Legend. These characters include:

  • Orrin – the commander of the forces defending Dros Delnoch. Orrin is a nobleman who is inexperienced and ill-suited for command. However, once Druss arrives, he works hard to change his ways and become a worthy leader of his troops. He has an amazing redemption arc and turns into quite a likeable character.
  • Bowman – a forest bandit who Druss convinces to join the defence of the city. Initially pretending he is there for money; it is eventually revealed that he is searching for some sort of redemption as well. Bowman’s sarcastic wit adds some necessary humour to the story and he proves to be quite a likeable character.
  • Gilad and Bregan – two farmers who sign up to the army and find themselves becoming heroes of Dros Delnoch. These two characters allow Gemmell to show the story of the common defender of the city. Together they have quite a surprisingly compelling storyline, and the readers actually get quite invested in their survival.
  • Hogun – one of the few professional soldiers in the city. Hogun serves as a great secondary observer for most of the book, and his growing respect and camaraderie with the other defenders mirrors the reader’s growing attachment to all those people featured within Legend.
  • Ulric – leader of the Nadir horde attacking the city. Ulric is presented as a visionary like Atilla the Hun or Genghis Khan, who has united his people against a common threat and now seeks to create a mighty empire. I quite liked how Ulric, despite being the antagonist, is only partially presented as an evil man. Instead, he sees all the violence he does as necessary and he even grows to respect the defenders of the city, especially Druss. Ulric turns out to be quite a complex and well-written antagonist that reader ends up respecting to a degree.
  • Caessa – a female member of Bowman’s band, who harbours a deep secret. She’s not my favourite character, but her storyline has a few intriguing twists, and it is interesting to see her growing attachment to Druss.

In addition to all the characters mentioned above, there are also a huge bevy of other minor characters from both sides of the conflict whose point of view and feelings are examined throughout the book. Not only does this allow for a number of short and, in some cases, tragic stories for the reader to enjoy; it also increases the scope of the battle. Overall the character work is pretty impressive, and pretty much every character allowed for a richer and more captivating tale to be told. If I had one criticism of Legend’s characters, it would be that the female characters are mostly portrayed as over-emotional, irrational or downright catty in most of their interactions, which makes the book feel a bit socially dated at times.

I ended up listening to an audiobook version of Legend narrated by Sean Barrett. At only 13 hours and 13 minutes, Legend represents a fairly quick listen, especially when you get stuck into the story. I had a fantastic time listening to the audiobook version of this book, and I felt that it really helped me sink into the story and appreciate all the amazing action and drama going on in the city. Barrett has an excellent voice for an older fantasy like Legend, and I really felt he got to the heart of most of the book’s characters. I strongly recommend the audiobook version of Legend, and I will probably check out the other books in the series on audiobook as well.

Legend really did not disappoint, as it easily met every single one of my high expectations. I enjoyed every minute of this exceptional book and it gets an easy five stars for me. I cannot overstate how epic in scale and writing the siege featured in this book was, and all of the characters within this story are just sensational, especially the Legend himself, Druss. I fully intend to check out some additional books in Gemmell’s Drenai series in the future, although there are so many interesting choices that I’m not too sure where to start. Be sure to check out future instalments of Throwback Thursday to see which other Gemmell books I look at.

Master of Sorrows by Justin Call

Master of Sorrows Cover

Publisher: Gollancz (Trade Paperback format – 21 February 2019)

Series: The Silent Gods – Book 1

Length: 576 pages

My Rating: 4.5 out of 5 stars

I have been looking forward to reading and reviewing Master of Sorrows for a while now.  I previously mentioned this book in one of my Waiting on Wednesday articles, which got a fair amount of attention, which I took as a sign of some interest from the general fantasy fandom.  The intriguing-sounding plot also made me extremely eager to check this book out, so I was very happy when I received a copy of it from Hachette Australia.  In the end I found Master of Sorrows to be a terrific piece of fantasy fiction and an outstanding debut from first-time author Justin Call.

The world of Luquatra has known much chaos and turmoil throughout its long history as three elder gods and their followers have battled for supremacy.  But now with the dark god Keos banished from the land, the greatest concern for many is the presence of magic.  The ancient and hidden Academy of Chaenbalu has long been a bastion against all things magic and will go to extreme lengths to achieve its primary objective of finding and containing the vast number of magical artefacts scattered throughout Luquatra.  No artefact, no matter its strength or intended purpose, can be allowed to remain outside the control of the Academy, as even those artefacts created for good can be used for great evil.

In order to fulfil this sacred work, the Academy trains all the children of Chaenbula in the arts of combat and magical detection.  Only the best students will become Avatars, warrior thieves capable of infiltrating any location and making away with the hidden artefacts.  Most importantly, an Avatar is trained to resist the lure of magic and the corruption of Keos.

Annev de Breth has always dreamed of becoming an Avatar and is determined to pass the Academy’s tests.  However, Annev is different from every other student at the Academy; trained by the town’s mysterious priest, Annev has an affinity for magic and hides a secret disfigurement that would see him immediately put to death.  Caught between the warring ideologies of the man who raised him and the head of the Academy, Annev needs to decide what kind of man he wants to be while navigating the complex politics of Chaenbalu.  But ancient powers are rising from the past, and it soon becomes apparent that Annev might not be the hero of this story; instead, he may be the man destined to unleash Keos once more upon Luquatra.

As I mentioned above, Master of Sorrows is author Justin Call’s debut novel.  It is also the first book in his The Silent Gods series, which is going to be made up of four books.  Call has already announced that each of the three upcoming books will be released in late February of each year for the next three years, with this series set to wrap up in February 2022.  This first book is an ambitious introduction to series that does a fantastic job of setting up the main story, as well as introducing the reader to an intriguing new fantasy universe.

I really enjoyed the story contained within Master of Sorrows, as it is well paced out and contains some fantastic moments.  The first part of the book features Annev attempting to pass the Academy’s tests in order to become an Avatar.  I love a good magical school storyline, and this one is pretty fantastic, featuring some unique, complex and entertaining testing sequences, as well as an introduction to the complex and restrictive life within the Academy.  The rest of the book is extremely exciting and eventful as the protagonist learns more about the threats and complex world outside of Chaenbalu, and even embarks on a dangerous mission where he encounters a series of mysterious threats.  This all leads up to the book’s spectacular conclusion, which not only sets the scene for all manner of adventures in the future but also results in some interesting character development while also setting up several dangerous new antagonists with personal grudges against the main character.

One of my favourite things about the plot is the general intrigue and hypocrisy surrounding the Academy of Chaenbalu.  The Academy is framed as some ultimate bastion of good in the world, opposing the evils of magic and Keos.  However, as the book progresses, the reader, through the protagonist’s eyes, begins to see that everything about the Academy is more complex and morally ambiguous than it first appears, resulting in a number of powerful story developments.  For example, in this universe, any disfigurement or disability is viewed as a mark of the dark god Keos’s favour, and people who bear them, especially those born with some sort of disfigurement, are shunned or killed.  These rules are especially enforced within the Academy, and Annev is forced to hide his disability to stay alive.  Watching a basically good character be vilified for something outside of his control makes the reader lose trust in most of the characters associated with the Academy.  It is also very thrilling to see the lengths the protagonist will go to in order to hide his disfigurement and try to live a normal life within Chaenbalu, knowing that his secret could be discovered at any turn.  The reader is also left questioning the Academy’s many archaic rules, as these rules and blind obedience are particularly frustrating to the protagonist, who chafes at the restrictions and is constantly questioning everything.  There are also a huge number of different plots and schemes occurring within the Academy, with many of the characters having secret allegiances and plans, many of which come to the surface by the end of the book.  All of these elements are fantastic, and they really add a keen edge of intrigue and thoughtfulness to an already captivating story.

Within Master of Sorrows, Call introduces his readers to a deep and enjoyable new fantasy universe that serves as an excellent basis for his story.  While the author does make an effort to set up a much larger world, the vast majority of the story is set in and around the village of Chaenbalu, which houses the Academy.  As I have mentioned before, I loved the Academy as a setting, but some of the other locations are also intriguing, such as the massive magical forest that surrounds the town.  I really loved the overall setting of the gods and magic within this world, especially when it comes to people’s perceptions about them, as they have some fantastic impacts on the story.  Call spends a bit of time expanding on the mythology of this world’s main gods, telling their stories and explaining the impacts that they had on the world.  These are quite interesting, especially as the stories they tell reveal that the conflicts of the gods were just as complex as the issues occurring within the Academy.  The author has also come up with some fun and dangerous new fantasy creatures, mostly as servants of the god Keos.  These creatures have some great scenes, especially towards the end of the book, and I look forward to seeing more of them and this intriguing new world throughout the rest of The Silent Gods series.

I really need to the hype up some of the incredible action sequences featured within Master of Sorrows.  Call has created several exceptional extended action scenes within this book, including two intricate tests within the Academy, where the students must overcome not only each other but also the various obstacles set up against them.  These testing scenes are extremely elaborate and feature some interesting rules and opposition.  I loved reading these scenes, and it was great watching the protagonist try to complete them his way.  In addition to these testing scenes, there is also a great magic based combat sequence featured later in the book, where the protagonist and his companions must overcome all manner of magical traps and attacks in order to complete their objective.  This scene is massive in terms of destruction and brutality featured and was an excellent addition to the book.  As a result, readers who love a good amount of thrilling action in their fantasy stories should definitely check this book out as Call demonstrates a real skill for creating unique and captivating fantasy action sequences.

Master of Sorrows is an amazing debut from new author Justin Call, who has done a wonderful job setting up a fresh and intriguing new fantasy series.  This first book in the planned The Silent Gods series has some awesome and memorable plot points and features a thrilling and captivating action-packed adventure.  Call has certainly set himself up as a fantasy author to watch, and I am extremely eager to see where this story goes next.  I cannot wait to check out the second book in The Silent Gods series.

Half Moon Lake by Kirsten Alexander

Half Moon Lake Cover.jpg

Publisher: Bantam Press (Trade Paperback Edition  – 2 January 2019)

Series: Standalone

Length: 320 pages

My Rating: 4.5 out of 5

 

Debuting Australian author Kirsten Alexander presents a dramatic, captivating and hard-hitting novel of desperation and loss loosely based around a real and shocking historical event.

In the summer of 1913, a young boy, Sonny Davenport, walks into the woods around his family’s summer home at Half Moon Lake, Louisiana, and never returns.  Despite a widespread search of the surrounding area by an army of volunteers, no trace of the boy can be found.  As the search grows in volume, the disappearance becomes headline news across the country, especially as Sonny’s parents, John Henry and Mary Davenport, are wealthy and influential members of their home town of Opelousas.  For the next two years, the Davenports engage in a desperate hunt for Sonny across the south, offering a massive reward for information on their missing son.  But with no substantiated leads, the Davenports slowly lose hope and Mary sinks more and more into her despair.

However, just when everything seems lost, a boy matching Sonny’s description is found wandering around several southern towns in the company of a tramp.  As the world watches, Mary meets the child and claims that he is Sonny.  But is he truly her missing son?  There are a number of differences between the two boys and many are convinced that the Davenports have taken in the wrong child and the real Sonny is still out there.

As the people of Opelousas, including many of the Davenport’s friends and servants, debate the true identity of this young boy, a kidnapping trial for the tramp begins.  However, the proceedings are thrown into chaos when Grace Mills, an unwed farm worker, arrives in town, claiming that the boy is her son.

This is an outstanding first book from Alexander, who has created a powerful and memorable story based partially around real-life events.  Half Moon Lake is a fantastic and dramatic story that dives deep into the hearts and psyche of its characters and the historical elements of the time to create a lasting impact on the reader.  I was very surprised about how addictive I found this book to be, as the intense character emotions and the dramatic actions that they take to alleviate their grief and the grief of their loved ones was just incredible.  I am still reeling from several of the revelations and developments that occurred towards the end of the book, many of which will stick with me for a long time.

One of the most intriguing aspects of this book is that is partially based on a real-life historical event, the disappearance of Bobby Dunbar, which took place in America’s south in the early 20th century.  Bobby Dunbar disappeared when he was four.  After months of searching, a young boy was found some distance away who appeared similar to Bobby and was claimed by Bobby’s parents, despite many people voicing their doubts about the boy’s true identity.  In addition, a second woman attempted to claim the child as her own son, and a legal case was initiated to determine the identity of the child.  I was unfamiliar with the Bobby Dunbar case before I read Half Moon Lake and did not look up the details of it until after I finished the book.  As a result, I was amazed that the intense story was so closely based on a real story.  This case and its eventual results are absolutely fascinating, and I felt that Alexander did a fantastic job of capturing the essence of this event and installing it within her story.

For example, the author does an excellent job of portraying the probable emotions, feelings and opinions of people who would have been involved in the real-life disappearance, as she utilises a number of different character perspectives throughout her book.  Readers of Half Moon Lake get a great idea of the despair all of the parents in this story would have experienced, the fear and confusion of the children, and the bewilderment and conflicted emotion of everyone else involved in the case.  I felt that Alexander’s portrayal of the missing child’s mother was done particularly well, as the readers gets to see her so filled with realistic fear, grief and despair that it drives her to try and claim a child that might not even be hers.  I also quite enjoyed the way that the author explored the highly publicised nature of the child’s disappearance and how the media at the time covered the case, dividing those following the case as they try to determine the true fate of the missing child and the real identity of the discovered child.  I also loved the way that the author looked at how the media scrutiny of the time might have affected the individuals involved in the case, and how this could have potentially influenced their actions and decisions.

I also really liked the way that the period’s ideas of class came into effect during this book.  There are some key examinations of the different ways that the rich and the poor were treated during this time, and how this would have impacted the investigation, the search for the missing child, the media scrutiny and overall results of the big trial that served as an important scene at the end of the book.  Also significant and intriguing was the way in which Alexander looked at how concerns for personal and familial reputations might have come into these events, resulting in several characters undertaking various actions that they knew to be wrong, all in the name of protecting someone’s social standing and reputation.  The story is set in America’s south during the early 20th century, and as such there are a number of African American characters who are involved with the case.  Race and the perception of certain ethnicities came into this book a lot more than I thought it would, and I thought that Alexander did a fantastic job capturing how these characters might have been ignored or disciplined for trying to get involved in proceedings.  All of these elements result in an amazing historical tapestry which forms an excellent setting for this story.

Overall, this is an amazing debut from Australian author Kirsten Alexander, who uses the inspiration of a fascinating real-life case to craft an epic and powerful story.  There are so many great story elements spread throughout Half Moon Lake, as the character’s emotions and despair drive them to desperate and immoral acts.  It features a narrative that is at times sad and at other times darn right appalling, and several reveals and character decisions at the end of the book will leave you shocked and will stick in your mind long after you finish reading it.  I loved this spectacular first book from Alexander and I am looking forward to seeing where she goes next.