Gideon the Ninth by Tamsyn Muir

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Publisher: Tor (Hardcover – 10 September 2019)

Series: The Ninth House – Book One

Length: 448 pages

My Rating: 4.5 out of 5 stars

From debuting author Tamsyn Muir comes a very unique and compelling science fiction novel filled with death, comedy and necromancers in space, Gideon the Ninth.

Before I begin reviewing Gideon the Ninth, I have to point out how impressive the design of the hardcover copy I received was. When I previously featured this book in one of my Waiting on Wednesday articles, I mentioned how much I loved the cover art. Indeed, the drawing of the book’s titular redheaded character with her face painted liked a skull surrounded by exploding skeletons is pretty damn cool. The hardcover copy also has some excellent visuals, as the outer rim of all the pages is coloured black, which definitely gives prospective readers a noticeable visual hook, especially when combined with the all-black binding underneath the jacket, emblazoned with gold writing on the spine and a single golden skull on the front. I really liked this fantastic presentation style, and it definitely left an impression on me as I started to read the book.

In the far future, a vast interstellar empire is ruled by necromancers whose control over the various magical disciplines of death make them a powerful force. Eight noble houses serve under the First House of the Emperor, and each of them has just received a message from their ruler. The heirs to each of these houses and their cavaliers, loyal sword-wielding protectors and companions, must attend the Emperor’s planet in order to compete to become the next generation of Lyctor, immortal beings of vast power.

Gideon Nav is an indentured servant to the Ninth House of the Empire, a small and impoverished house that carries a dark reputation. A skilled swordswoman, Gideon wants nothing more than to enlist in the imperial army to leave the dark crypts, the strict occult nuns and the multitude of skeletons that make up the Ninth Planet far behind. However, when her latest escape attempt fails, she finds herself offered an irresistible bargain: act as the Ninth House’s cavalier for the period of the trials and be granted her freedom. There is just one minor problem: Gideon and the heir to the Ninth House, Harrowhark Nonagesimus, an extremely powerful bone witch, absolutely hate each other.

Forced to temporarily put their differences aside, Gideon and Harrow travel to First House, only to discover it is a near ruin, looked after by a few old and mostly unhelpful servants. They soon learn that the secrets to becoming a Lyctor lie hidden within the walls around them, and the representatives of various houses can do whatever they wish to learn them. Trapped on the planet, Gideon and Harrow begin to explore the First House and encounter the heirs and cavaliers of the other houses. As the mismatched pair from the Ninth House start to unravel the various mysteries and challenges before them, a gruesome murder occurs. Something powerful is lurking within the First House, and it has the heirs in its sight. Can Gideon and Harrow work together, or will their own turbulent past and the secrets of their house tear them apart?

Gideon the Ninth is a chaotically clever and massively entertaining first novel from Tamsyn Muir, who has done an excellent job introducing readers to her intriguing new world. Gideon the Ninth is the first book in her The Ninth House series, which already has two planned sequels in the works, with the first of these currently set for release next year. After hearing the awesome plot synopsis for this book earlier in the year, I had picked this as potentially being on the best books for the latter half of 2019. I am glad to see that my instincts were once again correct, as this was an awesome read that gets four and a half stars from me.

Muir has produced an outstanding story for her first novel, as the plot for Gideon the Ninth is an amazing combination of humour, universe building, emotional character moments and a captivating set of mysteries as the protagonists attempt to uncover not only the vast secrets of the First House but the identity of the person or being that is killing them off one by one. The author has stacked this book with all manner of fantastic twists, and there are a number of major and game changing developments that are well paced out amongst the story. There is never a dull spot within the book, as even parts where no substantial plot developments are occurring are filled with excellent humour from the sarcastic narrator with a huge vocabulary of various swear words. There is also a substantial amount of action throughout the course of the book. The various fight scenes blister and explode off the page, especially thanks to the unique magical system that Muir has populated this world with. All of this results in an addictive and electrifying overall story with a very memorable ending.

The real heart of Gideon the Ninth lies in its incredible main characters, Gideon Nav and Harrowhark Nonagesimus, and the complex relationship the two of them have. Gideon is the badass, rebellious, coarse, girl-loving mistress of the blade, who serves as the book’s narrator and only point-of-view character. Gideon is an absolute blast as a main character, as she deals with every situation she comes across with an abundance of disrespect, anger and exaggerated responses, resulting in much of the book’s humour. Harrow, on the other hand, is the dark noble necromancer heir to the Ninth House, whose reserved persona, obsession with necromantic research and abilities, and vindictive nature work to make her initially appear as a polar opposite to Gideon. The relationship between these two main characters is initially extremely adversarial, as both characters declare their absolute hatred for each other, and Harrow seems determined to make Gideon’s life a living hell. As the book progresses, however, Muir really dives into the heart of the relationship between the two characters, revealing a complex history and a twin tale of woe and dark secrets that has defined them for their entire lives. The combined character arc of these two main characters was done extremely well. While you knew from the very start of the book that the two characters would eventually work together, the exact reason why this occurred was handled perfectly, and the final form of this cooperation helps create an epic and tragic conclusion to the entire book. While their relationship is not explicitly romantic (Harrow’s sexuality really is not explored in this book), they do become quite close by the end of the novel, and both characters are written exceedingly well.

In addition to Gideon and Harrow, Muir has also included a range of different characters, representing the heirs and cavaliers of the other major houses in the Empire. This results in an intriguing assortment of side characters who add a lot to the overall story. The author has made sure to invest in substantial backstories for all these additional characters, and this has a number of significant benefits for the story. Not only are the readers now blessed with an abundance of viable and duplicitous suspects for the story’s murder mystery, but each of the various representatives of the houses have their own individual secrets and motives for being at the First House. Learning more about each of these characters is quite fascinating, and a number of them have some pretty amazing character arcs. I particularly enjoyed the storyline of Palamedes Sextus of the Sixth House, who treats his necromancy more as a science than a form of magic. Sextus is the most logical character out of all the people in the book, and he serves as a major driving force of the investigation into the murders. His connection to some of the other characters in the book is a major part of the book, and the ultimate conclusion of his story arc is really cool. Muir has done an incredible job coming up with the book’s various characters, and it is a major part of why this book is so awesome.

It is quite clear that Muir has an amazing imagination, as she has produced a grim and compelling new universe to set this book in. Necromancy and a futuristic science fiction setting make for a fascinating combination, and I really loved her examination of an empire built on worshipping an immortal, necromantic Emperor and the various secrets that come with it. The sheer range of different necromantic magic featured within this book is pretty impressive, especially as each of the Imperial Houses has their own specific form of necromancy, all of which are examined throughout the book. Not only are all these different types of magic really fascinating to examine but it also results in some diverse pieces of magical action, as many of the necromancers unleash their various forms of magic throughout the book, resulting in some fantastic sequences. I do think that the author could have done a slightly better job of explaining some of the unique elements of her universe at the start of the book, as I got a little confused at some points towards the beginning; however, this was quickly chased away by deeper dives into the universe’s lore later in the book. Muir has left open a number of questions and plot directions to explore in future books in the series, and I am really curious to see what happens next.

Gideon the Ninth is a wild and exciting novel that makes use of an intriguing concept, some compelling characters and an excellent story to create an exceedingly entertaining book that was a heck of a lot of fun to read. Featuring laugh-out-loud humour, intense action and major emotional moments, this is an incredible read that is really worth checking out. Muir has hit it out of the park with her debut novel, and I cannot wait for the next book in the series.

We are Blood and Thunder by Kesia Lupo

We are Blood and Thunder Cover

Publisher: Bloomsbury YA (Trade Paperback – 4 April 2019)

Series: Standalone / Book 1

Length: 400 pages

My rating: 4.5 out of 5 stars

From first-time author Kesia Lupo comes We are Blood and Thunder, a clever, inventive and at times dark young adult fantasy novel that represents a brilliant start to a bold new fantasy world.

In the nation of Valorian, a powerful magical curse has been laid upon the city of Duke’s Forest. The curse has wrapped the entire city in a mystical storm cloud filled with death, sickness and despair. Following a series of virulent pestilences brought on by the storm cloud, the city has been placed in quarantine, although passage in or out of the cloud is already extremely difficult. Now, six years after the curse first struck Duke’s Forest, the fate of the city and all who live within will lie upon the shoulders of two young women.

Lena is a cryptling, one of the deformed or marked offspring of Duke’s Forest’s inhabitants who live in the sprawling crypts underneath the city and watch over the Ancestors, the interred dead of the city, who are worshiped as gods. Lena, whose birthmark saw her abandoned as a baby, led a quiet life below the city until strange things started happening all around her. Accused of being a mage by the magic-hating Lord Justice, Lena just barely escapes execution when she encounters Constance in the mists outside the city. Constance is the daughter of Duke’s Forest’s ruler, the Duke, and has returned to the city to reclaim what is hers. Trained as a mage, Constance recognises the magic within Lena and sends her outside the mist while she continues back to Duke’s Forest. However, this fateful meeting will have huge consequences on the lives of both women.

Once outside the mists, Lena encounters the huntsman Emris, a magic user trained to locate untrained mages like Lena, known as Rogues, who has been pursuing Constance for magical crimes she has been accused of. Emris brings Lena back to the City of Kings, the capital of Valorian, where she attempts to learn how to control her magic. However, her unusual magical abilities and status as a Rogue bring her to the attention of some of the city’s worst inhabitants. Back in Duke’s Forest, Constance finds that her city and her father have fallen under the control of the tyrannical Lord Justice. Keeping her status as a mage hidden, Constance attempts to regain control of Duke’s Forest while also searching for the source of the curse surrounding the city. As both Lena and Constance attempt to survive in their respective cities, fate keeps bringing their destinies together. The future of Duke’s Forest rests in the hands of these young women. Can they save the city, or will they be the storm that destroys it?

We are Blood and Thunder is a clever and extremely captivating young adult fantasy novel that I read a little while ago but only just got a chance to review. I wish I had gotten a review of this book up a little earlier as it is a fantastic first book and I have been quite keen to sing the author’s praises for a while. We are Blood and Thunder is the debut novel of exciting new talent Kesia Lupo and presents a powerful story filled with magic, betrayal, personal growth and the hunt for power. At the moment, We are Blood and Thunder is a standalone novel, but the author has indicated on Goodreads that she may set future books within the same universe.

The story of We are Blood and Thunder is told from the perspectives of Lupo’s two main characters, Lena and Constance. Each character narrates about half the book and tells their separate narratives through alternating chapters. This allows Lupo to tell two separate stories that are not only very different in content but which help show a far wider area of the new fantasy world that Lupo has created. I found both of the storylines contained within this book to be extremely fascinating. The first storyline, which is narrated by Lena, follows the character as she journeys to the City of Kings to learn more about magic. While there, she learns more about her mysterious powers and finds herself embroiled in the conflict between the Temples that control magic and an influential mage outside the control of the Temples who has the ear of the King. The second storyline, which is narrated by Constance, is a darker story of political intrigue, murder and dark magic within the walls of Duke’s Forest, as Constance attempts to find the heart of the storm cloud before it is too late, while also attempting to neutralise the tyrannical Lord Justice.

While the magical learning, emotional growth and world building featured within Lena’s storyline are really good, I did prefer the Constance storyline a little more. All the dark political manoeuvring within the unique setting of the cursed Duke’s Forest and the battle between Constance and the Lord Justice were pretty darn compelling, and I had a very hard time putting down the book while I was reading the Constance chapters. While both of these storylines are really good, I was quite impressed by the way that Lupo was able to combine the two separate stories together into one amazing overarching narrative. I felt that the two storylines really complemented each other and helped make each respective storyline better. For example, the explanations of this fantasy universe’s magic in Lena’s chapters help the reader understand some of the magical elements occurring in Constance’s chapters. At the same time, many of the preparations and relationships Constance forged for her desperate return to Duke’s Forest impact Lena as she uncovers dark secrets within the City of Kings. There are also a number of excellent plot twists cleverly hidden throughout the book that are slowly revealed in both storylines. I thought some of these twists, especially a big reveal towards the end of the book, were just amazing and helped turn this into an epic and electrifying story. I felt that the author’s use of the two separate storylines was an incredible way to tell the story, and the overall narrative was quite outstanding.

In addition to her excellent twin storylines, Lupo also came up with two awesome fantasy cities: the City of Kings and Duke’s Forest. The City of Kings is your classic fantasy capital with massive temples and palaces, where everything appears to be perfect and harmonious on the surface. However, there are some dark secrets at the heart of this city, and the magical politics prove to be a major threat to one of the book’s main characters. While this is a great setting, I have to say that the city of Duke’s Forest is the far more impressive setting. Even before the city was cursed, Duke’s Forest would have been an amazing fantasy setting, with its massive crypts staffed by abandoned children and its rabid intolerance of magic. However, by turning it into a city on the brink of death, surrounded by dangerous magical mists and clouds, Duke’s Forest transformed into a much more intriguing and memorable fantasy setting. Lupo does an amazing job bringing this inventive location to life, and I was impressed by the sense of despair and hopelessness that seemed to hang in the air in each chapter set in this city. These two city settings were great, and I felt that they both enhanced the book’s narratives. Duke’s Forest in particular added a sense of urgency to Constance’s hunt for the heart of the storm cloud. I am very curious to see what other locations Lupo will create for the nation of Valorian in the future, and I look forward to exploring more of this clever fantasy world.

I also quite enjoyed the interesting magical elements that the author utilised in We are Blood and Thunder. Lupo has invented some great magical lore in this book, and I had a lot of fun exploring the various aspects of it. Not only is there a city-wide magical curse but there is also a whole new system of magic for the reader to enjoy. I quite liked the intriguing magical systems that Lupo came up with, and there are a number of great elements to them. These include the vision-filled practice of mages binding their magic to a god in order to control their power, which then influences their magical power and abilities, as well as mages who don’t bind their powers and then subsequently lose control and become a Radical, a destructive being controlled by the underlying darkness in magic. These magical elements are mostly explored by Lena. As a member of an ostracised minority who lived beneath a quarantined city where all knowledge of magic was punished, Lena is a perfect character to explore Lupo’s magical elements. Lena has the same lack of knowledge of this world’s mage as the reader, so the readers get a baseline explanation of magic that also makes sense to the plot. I quite enjoyed the various magical elements that the author came up with in this book, and I am sure that she will further expand upon them in later books in this universe.

We are Blood and Thunder is an outstanding debut from Kesia Lupo which combines some amazing and complex character-based storylines with inventive fantasy settings and cool magical fantasy elements to create an awesome overall book. Lupo has some considerable skill when it comes to a compelling young adult fantasy book, and We are Blood and Thunder is an excellent first outing for this talented author. I look forward to reading more of Lupo’s work in the future, especially if she returns to the excellent world she created in We are Blood and Thunder.

Throwback Thursday – Legend by David Gemmell

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Publisher: Hachette Audio (22 June 2017) – originally published by Century (April 1984)

Series: Drenai – Book 1

Length: 13 hours and 13 minutes

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

In this week’s Throwback Thursday, I try out a fantasy book that has been on my mind for many years, the 1984 classic fantasy novel, Legend, by the late, great David Gemmell.

Legend was the debut novel from Gemmell, an impressive author who wrote over 30 novels between 1984 and his death in 2006, most of which fell within the fantasy genre. Some of his works included the Rigante, Stones of Power, Jon Shannow and Hawk Queen fantasy series, as well as the Troy and Greek historical fiction series. However, his most famous body of work has to be the Drenai series. Featuring 11 books, the Drenai series were a collection of loosely connected novels set within the same fantasy universe. While the storylines are all linked in some way or another, especially books like the three Waylander novels, the series can pretty much be read in any order, which is kind of what I did.

I actually have a bit of a random history with the Drenai series, as I happened to listen to the 10th book in the series, White Wolf, some years ago. For the life of me I cannot think why I would have grabbed this fantasy book off the shelf. Whatever the reason, the story of White Wolf stuck with me, and I would find myself occasionally remembering details of the plot, while completely forgetting the book’s title or the author’s name. I was eventually able to figure out what book it was thanks to the one clear detail I could remember (the names of the protagonist’s famous swords) and tracked down another audiobook copy of White Wolf to listen to a few years ago. I also really enjoyed White Wolf the second time around and was eager to find out more about the rest of the books in the series.

Out of all of the books in the Drenai series that I looked at, the one that appealed to me the most was the very first one in the series, Legend. Legend tells the story of an epic and desperate siege that sets up the entire Drenai universe and contains the defining story of Gemmell’s most iconic character, Druss the Legend, who also appeared in White Wolf. Many of the story elements of Legend deeply appealed to me, and it also made practical sense to start at the beginning of the series, especially as it serves as a significant point in the series’ chronology. Unfortunately, due to a combination of a lack of time, problems finding a copy of Legend, and a requirement to focus on more recent books, I never got a chance to read Legend or dive deeper into the Drenai series. However, it always remained high on my to-read list, and I am so happy that I finally got a chance to read it.

Legend is the story of the siege of Dros Delnoch, the fortress city that acts as a gateway to the declining Drenai Empire. Dros Delnoch is the greatest fortress in the world. Sitting in the middle of a narrow pass and guarded by six high walls and a great keep, the city should be able to withstand any attack. However, the charismatic Nadir warlord Ulric has forged together a mighty host of 500,000 Nadir tribesmen, which he plans to sweep over the walls of Dros Delnoch.

If the city is able to hold for a few months, a new Drenai army will be able to reinforce the battlements. But with only a small force of 10,000 soldiers within the city, many of them raw recruits, this seems to be an impossible task. However, help soon arrives from the most unlikely of places. Former solider Regnak follows his newfound love to the city, despite his apparent cowardice and dark secrets. A gentleman bandit leads his band of outlaws to man the walls, partly for money and partly to make up for his past sins. The mysterious band of mystical warrior priests, known as The Thirty, also arrives to fulfil their destiny to die in battle. Each group has a role to play in the defence of the city, but only one of the new defenders will give the Nadir pause and raise the defenders’ hopes, the greatest hero of the age, Druss the Legend.

For decades, Druss has fought and defeated every enemy he has come across, but there is one thing even he cannot overcome: time. Now a grizzled veteran of 60 years, Druss has come to the city for one final battle, but first he needs to come to terms with his status as a living legend. Even as an old man Druss is still a dangerous person, and there is a reason that he is known as Deathwalker by the Nadir. As the siege begins, heroes will rise, tragedy will stalk the defenders and a legend will end, but will anything be enough to withstand the Nadir horde?

Well damn, that was a pretty epic book and one that was well worth the wait it took for me to get around to reading this. Legend was an incredible and enthralling read that had me hooked from the very beginning all the way to the very last word. It is a classic piece of fantasy action and adventure. Gemmell loaded his story with some truly compelling and flawed characters to create an outstanding read. Featuring a ton of amazing, pulse pounding action, heartbreaking tragedy and an epic siege, this book was absolutely fantastic, and I am really glad I read it.

Probably the main thing that I liked about the book was Gemmell’s outstanding portrayal of a massive fantasy siege. I have always loved the classic siege storyline, and there is something about a huge army attacking a castle that I cannot turn away from. The siege of Dros Delnoch within Legend is easily one of the best sieges that I have ever read, as Gemmell produces a magnificent battle around the city that lasts nearly the entire book. The whole setup for the siege is pretty insane, with 500,000 Nadir tribesmen (who bear a lot of similarities to the historical Huns) attacking a Drenai (essentially Roman) city with six massive walls. The author does an amazing job properly pacing out this siege throughout the novel, including appropriating enough time to really showcase all the pre-siege activities, including training, preparation of the defences and initial sabotages before the first battle even happens. Once the battle begins, though, it is a non-stop barrage of action as the defenders fight off multiple assaults each day.

Due to the author’s excellent storytelling and character work, the reader becomes extremely invested in the fate of the defenders, and each time a wall falls, or the attackers gain an inch, you are mentally rooting for them to fight back. There are a number of discussions and plans that take place throughout the book, and it is quite fascinating to see the thought and planning that the author put into the defence of his city. I especially liked how the city’s six walls played into the battle, as the defenders’ decisions on how and when to hold these battlements provided some great moments and debates for the reader to appreciate. The siege lasts the entire book and features a huge number of epic fight sequences, all of which will get your adrenaline racing and your heart pounding. I loved every second of the siege that was featured in this book, and I hope to see it brought to life on screen one day (provided they do it right).

In addition to its first-rate siege, Legend also features a large number of complex and well-written characters. The first is Regnak, who turns into one of the book’s main characters. Regnak is a former soldier who is first presented as a coward, looking to flee all personal responsibility, although this is quickly revealed to be a side effect of being a natural ‘baresark’. However, when he meets Virae, the daughter of the Earl of Dros Delnoch, he falls in love and follows her back to the siege. Regnak has a great storyline about finding one’s inner courage and overcoming one’s issues, and while his romance with Virae is a bit weird at times, it does result in some tragic scenes throughout the book. Next you have the members of The Thirty, an order of 30 warrior priests who enter the fight knowing that 29 of their members are going to die. Not only do the priests represent most of the fantasy elements of this book thanks to their physic abilities but their ability to see into the future results in some interesting debates about destiny and fate. Quite a few members of The Thirty are introduced, although most of their story is focused on their youngest member, Serbitar, and his mentor, Abbot Vintar, as Serbitar has the hardest time accepting the future and wants to change it to help the defenders.

Without a doubt, the best character in the entire book is Druss the Legend. Druss is Gemmell’s most iconic character and has appeared in several other books in the Drenai series, all of which occur before the events of Legend. These include The First Chronicles of Druss the Legend, which details the rise of Druss and the events that made him a legend, The Legend of Deathwalker, which features an earlier encounter with Ulric and the Nadir, and White Wolf, where I first encountered the character of Druss. However, Legend is definitely the character’s defining book, as it features the conclusion of his epic life and his final stand.

There is a lot of great character work involved with Druss, and the man is a pretty epic character. He is an older man, many years past his prime, who was faced with a choice: die in glory at Dros Delnoch or decline into obscurity. Choosing to die in battle (mainly to spite Death), Druss arrives in Dros Delnoch ready to fulfil his destiny. Gemmell does an outstanding job portraying Druss as an old and wise warrior who is weakened by age but is still a far more capable warrior than many of the others involved with the siege. While readers will enjoy the action sequences featuring Druss, the main thing about the character is the way that he attempts to come to terms with his status as a living legend whose body can no longer keep up with his myth. Druss knows that his reputation as a man who always wins is one of the main things that keeps the soldiers going, and he is constantly working to inspire the soldiers and show that he is still the super human many of them think he is. However, at the same time he must deal with the tangible impacts of age and must try to overcome them in order to survive and inspire on the battlefield. This examination of a man uncertain about his continuing place in the world and who knows he is going to die very soon is extremely well done, and readers cannot help but fall in love with the character and get very invested in his storyline, even though you know how it is going to end. The Druss that is featured in Legend is probably one of the finest fantasy characters that I have read, and I look forward to reading some additional books featuring him in the future.

The book also features an amazing cast of secondary characters, each of whom adds so much to the story featured within Legend. These characters include:

  • Orrin – the commander of the forces defending Dros Delnoch. Orrin is a nobleman who is inexperienced and ill-suited for command. However, once Druss arrives, he works hard to change his ways and become a worthy leader of his troops. He has an amazing redemption arc and turns into quite a likeable character.
  • Bowman – a forest bandit who Druss convinces to join the defence of the city. Initially pretending he is there for money; it is eventually revealed that he is searching for some sort of redemption as well. Bowman’s sarcastic wit adds some necessary humour to the story and he proves to be quite a likeable character.
  • Gilad and Bregan – two farmers who sign up to the army and find themselves becoming heroes of Dros Delnoch. These two characters allow Gemmell to show the story of the common defender of the city. Together they have quite a surprisingly compelling storyline, and the readers actually get quite invested in their survival.
  • Hogun – one of the few professional soldiers in the city. Hogun serves as a great secondary observer for most of the book, and his growing respect and camaraderie with the other defenders mirrors the reader’s growing attachment to all those people featured within Legend.
  • Ulric – leader of the Nadir horde attacking the city. Ulric is presented as a visionary like Atilla the Hun or Genghis Khan, who has united his people against a common threat and now seeks to create a mighty empire. I quite liked how Ulric, despite being the antagonist, is only partially presented as an evil man. Instead, he sees all the violence he does as necessary and he even grows to respect the defenders of the city, especially Druss. Ulric turns out to be quite a complex and well-written antagonist that reader ends up respecting to a degree.
  • Caessa – a female member of Bowman’s band, who harbours a deep secret. She’s not my favourite character, but her storyline has a few intriguing twists, and it is interesting to see her growing attachment to Druss.

In addition to all the characters mentioned above, there are also a huge bevy of other minor characters from both sides of the conflict whose point of view and feelings are examined throughout the book. Not only does this allow for a number of short and, in some cases, tragic stories for the reader to enjoy; it also increases the scope of the battle. Overall the character work is pretty impressive, and pretty much every character allowed for a richer and more captivating tale to be told. If I had one criticism of Legend’s characters, it would be that the female characters are mostly portrayed as over-emotional, irrational or downright catty in most of their interactions, which makes the book feel a bit socially dated at times.

I ended up listening to an audiobook version of Legend narrated by Sean Barrett. At only 13 hours and 13 minutes, Legend represents a fairly quick listen, especially when you get stuck into the story. I had a fantastic time listening to the audiobook version of this book, and I felt that it really helped me sink into the story and appreciate all the amazing action and drama going on in the city. Barrett has an excellent voice for an older fantasy like Legend, and I really felt he got to the heart of most of the book’s characters. I strongly recommend the audiobook version of Legend, and I will probably check out the other books in the series on audiobook as well.

Legend really did not disappoint, as it easily met every single one of my high expectations. I enjoyed every minute of this exceptional book and it gets an easy five stars for me. I cannot overstate how epic in scale and writing the siege featured in this book was, and all of the characters within this story are just sensational, especially the Legend himself, Druss. I fully intend to check out some additional books in Gemmell’s Drenai series in the future, although there are so many interesting choices that I’m not too sure where to start. Be sure to check out future instalments of Throwback Thursday to see which other Gemmell books I look at.

Master of Sorrows by Justin Call

Master of Sorrows Cover

Publisher: Gollancz (Trade Paperback format – 21 February 2019)

Series: The Silent Gods – Book 1

Length: 576 pages

My Rating: 4.5 out of 5 stars

I have been looking forward to reading and reviewing Master of Sorrows for a while now.  I previously mentioned this book in one of my Waiting on Wednesday articles, which got a fair amount of attention, which I took as a sign of some interest from the general fantasy fandom.  The intriguing-sounding plot also made me extremely eager to check this book out, so I was very happy when I received a copy of it from Hachette Australia.  In the end I found Master of Sorrows to be a terrific piece of fantasy fiction and an outstanding debut from first-time author Justin Call.

The world of Luquatra has known much chaos and turmoil throughout its long history as three elder gods and their followers have battled for supremacy.  But now with the dark god Keos banished from the land, the greatest concern for many is the presence of magic.  The ancient and hidden Academy of Chaenbalu has long been a bastion against all things magic and will go to extreme lengths to achieve its primary objective of finding and containing the vast number of magical artefacts scattered throughout Luquatra.  No artefact, no matter its strength or intended purpose, can be allowed to remain outside the control of the Academy, as even those artefacts created for good can be used for great evil.

In order to fulfil this sacred work, the Academy trains all the children of Chaenbula in the arts of combat and magical detection.  Only the best students will become Avatars, warrior thieves capable of infiltrating any location and making away with the hidden artefacts.  Most importantly, an Avatar is trained to resist the lure of magic and the corruption of Keos.

Annev de Breth has always dreamed of becoming an Avatar and is determined to pass the Academy’s tests.  However, Annev is different from every other student at the Academy; trained by the town’s mysterious priest, Annev has an affinity for magic and hides a secret disfigurement that would see him immediately put to death.  Caught between the warring ideologies of the man who raised him and the head of the Academy, Annev needs to decide what kind of man he wants to be while navigating the complex politics of Chaenbalu.  But ancient powers are rising from the past, and it soon becomes apparent that Annev might not be the hero of this story; instead, he may be the man destined to unleash Keos once more upon Luquatra.

As I mentioned above, Master of Sorrows is author Justin Call’s debut novel.  It is also the first book in his The Silent Gods series, which is going to be made up of four books.  Call has already announced that each of the three upcoming books will be released in late February of each year for the next three years, with this series set to wrap up in February 2022.  This first book is an ambitious introduction to series that does a fantastic job of setting up the main story, as well as introducing the reader to an intriguing new fantasy universe.

I really enjoyed the story contained within Master of Sorrows, as it is well paced out and contains some fantastic moments.  The first part of the book features Annev attempting to pass the Academy’s tests in order to become an Avatar.  I love a good magical school storyline, and this one is pretty fantastic, featuring some unique, complex and entertaining testing sequences, as well as an introduction to the complex and restrictive life within the Academy.  The rest of the book is extremely exciting and eventful as the protagonist learns more about the threats and complex world outside of Chaenbalu, and even embarks on a dangerous mission where he encounters a series of mysterious threats.  This all leads up to the book’s spectacular conclusion, which not only sets the scene for all manner of adventures in the future but also results in some interesting character development while also setting up several dangerous new antagonists with personal grudges against the main character.

One of my favourite things about the plot is the general intrigue and hypocrisy surrounding the Academy of Chaenbalu.  The Academy is framed as some ultimate bastion of good in the world, opposing the evils of magic and Keos.  However, as the book progresses, the reader, through the protagonist’s eyes, begins to see that everything about the Academy is more complex and morally ambiguous than it first appears, resulting in a number of powerful story developments.  For example, in this universe, any disfigurement or disability is viewed as a mark of the dark god Keos’s favour, and people who bear them, especially those born with some sort of disfigurement, are shunned or killed.  These rules are especially enforced within the Academy, and Annev is forced to hide his disability to stay alive.  Watching a basically good character be vilified for something outside of his control makes the reader lose trust in most of the characters associated with the Academy.  It is also very thrilling to see the lengths the protagonist will go to in order to hide his disfigurement and try to live a normal life within Chaenbalu, knowing that his secret could be discovered at any turn.  The reader is also left questioning the Academy’s many archaic rules, as these rules and blind obedience are particularly frustrating to the protagonist, who chafes at the restrictions and is constantly questioning everything.  There are also a huge number of different plots and schemes occurring within the Academy, with many of the characters having secret allegiances and plans, many of which come to the surface by the end of the book.  All of these elements are fantastic, and they really add a keen edge of intrigue and thoughtfulness to an already captivating story.

Within Master of Sorrows, Call introduces his readers to a deep and enjoyable new fantasy universe that serves as an excellent basis for his story.  While the author does make an effort to set up a much larger world, the vast majority of the story is set in and around the village of Chaenbalu, which houses the Academy.  As I have mentioned before, I loved the Academy as a setting, but some of the other locations are also intriguing, such as the massive magical forest that surrounds the town.  I really loved the overall setting of the gods and magic within this world, especially when it comes to people’s perceptions about them, as they have some fantastic impacts on the story.  Call spends a bit of time expanding on the mythology of this world’s main gods, telling their stories and explaining the impacts that they had on the world.  These are quite interesting, especially as the stories they tell reveal that the conflicts of the gods were just as complex as the issues occurring within the Academy.  The author has also come up with some fun and dangerous new fantasy creatures, mostly as servants of the god Keos.  These creatures have some great scenes, especially towards the end of the book, and I look forward to seeing more of them and this intriguing new world throughout the rest of The Silent Gods series.

I really need to the hype up some of the incredible action sequences featured within Master of Sorrows.  Call has created several exceptional extended action scenes within this book, including two intricate tests within the Academy, where the students must overcome not only each other but also the various obstacles set up against them.  These testing scenes are extremely elaborate and feature some interesting rules and opposition.  I loved reading these scenes, and it was great watching the protagonist try to complete them his way.  In addition to these testing scenes, there is also a great magic based combat sequence featured later in the book, where the protagonist and his companions must overcome all manner of magical traps and attacks in order to complete their objective.  This scene is massive in terms of destruction and brutality featured and was an excellent addition to the book.  As a result, readers who love a good amount of thrilling action in their fantasy stories should definitely check this book out as Call demonstrates a real skill for creating unique and captivating fantasy action sequences.

Master of Sorrows is an amazing debut from new author Justin Call, who has done a wonderful job setting up a fresh and intriguing new fantasy series.  This first book in the planned The Silent Gods series has some awesome and memorable plot points and features a thrilling and captivating action-packed adventure.  Call has certainly set himself up as a fantasy author to watch, and I am extremely eager to see where this story goes next.  I cannot wait to check out the second book in The Silent Gods series.

Half Moon Lake by Kirsten Alexander

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Publisher: Bantam Press (Trade Paperback Edition  – 2 January 2019)

Series: Standalone

Length: 320 pages

My Rating: 4.5 out of 5

 

Debuting Australian author Kirsten Alexander presents a dramatic, captivating and hard-hitting novel of desperation and loss loosely based around a real and shocking historical event.

In the summer of 1913, a young boy, Sonny Davenport, walks into the woods around his family’s summer home at Half Moon Lake, Louisiana, and never returns.  Despite a widespread search of the surrounding area by an army of volunteers, no trace of the boy can be found.  As the search grows in volume, the disappearance becomes headline news across the country, especially as Sonny’s parents, John Henry and Mary Davenport, are wealthy and influential members of their home town of Opelousas.  For the next two years, the Davenports engage in a desperate hunt for Sonny across the south, offering a massive reward for information on their missing son.  But with no substantiated leads, the Davenports slowly lose hope and Mary sinks more and more into her despair.

However, just when everything seems lost, a boy matching Sonny’s description is found wandering around several southern towns in the company of a tramp.  As the world watches, Mary meets the child and claims that he is Sonny.  But is he truly her missing son?  There are a number of differences between the two boys and many are convinced that the Davenports have taken in the wrong child and the real Sonny is still out there.

As the people of Opelousas, including many of the Davenport’s friends and servants, debate the true identity of this young boy, a kidnapping trial for the tramp begins.  However, the proceedings are thrown into chaos when Grace Mills, an unwed farm worker, arrives in town, claiming that the boy is her son.

This is an outstanding first book from Alexander, who has created a powerful and memorable story based partially around real-life events.  Half Moon Lake is a fantastic and dramatic story that dives deep into the hearts and psyche of its characters and the historical elements of the time to create a lasting impact on the reader.  I was very surprised about how addictive I found this book to be, as the intense character emotions and the dramatic actions that they take to alleviate their grief and the grief of their loved ones was just incredible.  I am still reeling from several of the revelations and developments that occurred towards the end of the book, many of which will stick with me for a long time.

One of the most intriguing aspects of this book is that is partially based on a real-life historical event, the disappearance of Bobby Dunbar, which took place in America’s south in the early 20th century.  Bobby Dunbar disappeared when he was four.  After months of searching, a young boy was found some distance away who appeared similar to Bobby and was claimed by Bobby’s parents, despite many people voicing their doubts about the boy’s true identity.  In addition, a second woman attempted to claim the child as her own son, and a legal case was initiated to determine the identity of the child.  I was unfamiliar with the Bobby Dunbar case before I read Half Moon Lake and did not look up the details of it until after I finished the book.  As a result, I was amazed that the intense story was so closely based on a real story.  This case and its eventual results are absolutely fascinating, and I felt that Alexander did a fantastic job of capturing the essence of this event and installing it within her story.

For example, the author does an excellent job of portraying the probable emotions, feelings and opinions of people who would have been involved in the real-life disappearance, as she utilises a number of different character perspectives throughout her book.  Readers of Half Moon Lake get a great idea of the despair all of the parents in this story would have experienced, the fear and confusion of the children, and the bewilderment and conflicted emotion of everyone else involved in the case.  I felt that Alexander’s portrayal of the missing child’s mother was done particularly well, as the readers gets to see her so filled with realistic fear, grief and despair that it drives her to try and claim a child that might not even be hers.  I also quite enjoyed the way that the author explored the highly publicised nature of the child’s disappearance and how the media at the time covered the case, dividing those following the case as they try to determine the true fate of the missing child and the real identity of the discovered child.  I also loved the way that the author looked at how the media scrutiny of the time might have affected the individuals involved in the case, and how this could have potentially influenced their actions and decisions.

I also really liked the way that the period’s ideas of class came into effect during this book.  There are some key examinations of the different ways that the rich and the poor were treated during this time, and how this would have impacted the investigation, the search for the missing child, the media scrutiny and overall results of the big trial that served as an important scene at the end of the book.  Also significant and intriguing was the way in which Alexander looked at how concerns for personal and familial reputations might have come into these events, resulting in several characters undertaking various actions that they knew to be wrong, all in the name of protecting someone’s social standing and reputation.  The story is set in America’s south during the early 20th century, and as such there are a number of African American characters who are involved with the case.  Race and the perception of certain ethnicities came into this book a lot more than I thought it would, and I thought that Alexander did a fantastic job capturing how these characters might have been ignored or disciplined for trying to get involved in proceedings.  All of these elements result in an amazing historical tapestry which forms an excellent setting for this story.

Overall, this is an amazing debut from Australian author Kirsten Alexander, who uses the inspiration of a fascinating real-life case to craft an epic and powerful story.  There are so many great story elements spread throughout Half Moon Lake, as the character’s emotions and despair drive them to desperate and immoral acts.  It features a narrative that is at times sad and at other times darn right appalling, and several reveals and character decisions at the end of the book will leave you shocked and will stick in your mind long after you finish reading it.  I loved this spectacular first book from Alexander and I am looking forward to seeing where she goes next.

Blood & Sugar by Laura Shepherd-Robinson

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Publisher: Mantle (Trade Paperback edition – 24 January 2019)

Series: Standalone/Book 1

Length: 432 page

My Rating: 5 out of 5 stars

 

From the creative mind of Laura Shepherd-Robinson comes this powerful, dark and extremely captivating historical murder mystery, which might just be one of the most impressive debuts of early 2019.

In June 1781, a horrific murder is discovered on the dock of the slaver port of Deptford, outside of London.  The body has been brutally tortured in a variety of ways associated with the slave trade, and his chest has been branded with a slaver’s mark.  The dead man was Tad Archer, a passionate abolitionist who had been causing trouble throughout Deptford as part of his abolitionist campaign.

Days later, Captain Harry Corsham, a war hero who fought in the American Revolution, currently attached to the War Office and about to embark on a promising career as a politician, receives a visit from Tad’s sister, who is searching for her missing brother.  Tad, an old estranged friend of Harry’s, was apparently in Deptford to expose a secret that could potentially end the British slave trade.  Travelling to Deptford, Harry discovers the terrible fate of Tad and is determined to bring his killer to justice.

In order to discover who is responsible for his friend’s the murder, Harry must uncover the secret that Tad believed could permanently end the slave trade.  But as Harry investigates further, he finds himself embroiled in a conspiracy that reaches to the very heart of the realm.  Powerful forces wish to see murder covered up and anyone connected to the dark secret silenced.  Harry soon finds himself on the wrong side of men who can easily destroy his career and family.  Undeterred, Harry presses on with his investigation, but he may prove to be unprepared for the cruel killer stalking him through Deptford.

Blood & Sugar is the debut novel of Laura Shepherd-Robinson, a fantastic new voice in the historical murder mystery genre.  Shepherd-Robinson has created an outstanding novel that masterfully blends a fantastic and clever murder mystery with some powerful and evocative historical content.  The result is a terribly addictive novel that highlights this debuting author’s obvious ability to craft an excellent and compelling story.  From how the story is written, Blood & Sugar will probably be a standalone novel, although I do hope that Shepherd-Robinson sticks with the historical fiction and murder mystery genres, as she has an amazing talent with both.

At the heart of this amazing book is a complex and intriguing murder mystery that sets the book’s protagonist off on a dangerous and dark investigation of the slave trade.  While the investigation is originally focused on the murder of Tad Archer, it spirals out into to encapsulate several additional murders and a larger and more widespread conspiracy which may or may not be connected to the initial murder.  Each of these mysteries is clever, well thought-out and guaranteed to grab the reader’s curiosity and keep them going through the story to work out the incredible solution.  The author has also populated her story with a number of distinctive and complex characters, each of whom has their own hidden secrets and dark pasts.  In order to solve Blood & Sugar’s overarching mystery, the protagonist has to unravel each of these character’s lies and personal secrets, each of which add a new layer to book’s excellent plot.  These characters are all extremely self-serving and naturally suspicious, providing the reader with a huge pool of potential suspects.  The investigation into each of these mystery elements is extremely well written, and I really loved all the solutions to the book’s various mysteries.  I was really impressed with the conclusion to each of the personal mysteries that are uncovered throughout the narrative, and some of them were extremely satisfying to see come to a conclusion.

In addition to the outstanding mystery storyline, Shepherd-Robinson has also created an amazing and realistic historical setting for her story.  I felt that the author did a terrific job capturing the essence of 18th century England, from the streets of London to the docklands of Deptford.  There was a particular focus on the then port town of Deptford, which served as a major plot focus for the book, as well as several other riverside locations.  I loved this examination of Deptford, and I found the examination of this part of its dark history to be absolutely fascinating.  These locations serve as an appropriately dingy setting for such a dark story, and I really enjoyed it.

A major part of this book was the focus on the evil slave trade that was a major business during the 18th century in England.  As part of the plot, the author spends a significant amount of time exploring every facet of English slavery and the slave trade in the 1780s, including the economics behind it, the burgeoning abolitionist movement, slave laws throughout England during this period and how it was a major part of Deptford’s economy and way of life.  These details are extremely interesting and disconcerting, as Shepherd-Robinson pulls no punches when it comes to describing the brutal actions of the slavers and the cold business that they practiced.  The slave trade also serves as an incredibly effective background motive and catalyst for the murders and the conspiracy that the protagonist finds himself drawn into.  The author crafts an incredibly captivating mystery storyline around the English slave trade, and I was both intrigued and appalled to find that certain horrendous elements of this plot were based around a real-life historical slave event.  Blood & Sugar is definitely a must-read for those unafraid to learn more about the cruelty of the English slave trade and who wish to see it creatively used as a major plot point in this captivating story.

While Blood & Sugar featured a number of duplicitous and villainous characters who serve as excellent antagonists, Shepherd-Robinson has also crafted a compelling and layered protagonist to tell this story as the book’s narrator.  On the surface, Captain Harry Corsham is your typical English hero, a former soldier determined to find the man responsible for the death of his friend.  However, as the book progresses, the reader finds out that there is a lot more to Harry’s character than first meets the eye.  Harry is a deeply conflicted character in many ways, but throughout this book he struggles with his opinions about slavery and the abolitionist movement.  In his past he was a strong supporter of abolishing the slave trade, but since he has entered politics and married into an influential family, he is more aware of the current political realities around the slave trade.  But as he spends more and more time investigating the Deptford slave traders, he finds himself being drawn more and more into the abolitionist way of thinking.  The author has also written in a fairly realistic portrayal of PTSD for Harry after the horrors he experienced fighting in the American Revolution.  This is an intriguing character trait, and one that comes into play the more horrors that Harry experiences during this book.  Shepherd-Robinson has also included some amazingly well-written and very surprising personal developments for her protagonist that really change everything in the latter half of the book.  All these character elements add layers to this central protagonist, and I liked the emotional and ethical impacts that they caused on the story.

Overall, I thought that Blood & Sugar was a powerful and captivating historical murder mystery that expertly combines an intriguing and clever mystery storyline with some first-rate historical backgrounds and plot points.  This is an exceptional debut from Laura Shepherd-Robinson which showcases her amazing talent and superb ability as a writer.  This was an easy five stars from me, and I am really excited to see what sort of story this fresh and inventive author writes next.

The Gutter Prayer by Gareth Hanrahan

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Publisher: Orbit (Paperback Edition – 17 January 2019)

Series: Black Iron Legacy (Book 1)

Length: 512 pages

My Rating: 4.5 out of 5 stars

 

From debuting author Gareth Hanrahan comes the grimdark fantasy book that everyone has been talking about, The Gutter Prayer.  This debut novel has been getting some serious hype from a lot of fantasy reviewers, so I was very happy when I got my copy earlier in the week, as it will give me a chance to check it out for myself.

For thousands of years, the large, sprawling city of Guerdon has survived against all manner of attacks and calamity.  In recent years, the city’s alchemical industry has taken off, producing powerful weapons and twisted creations to sell to Guerdon’s warring neighbours, involved in the destructive Godswar.  But with the rival nation’s eyes on Guerdon, refugees flooding into the city and the city’s various factions fighting for power, the potential for chaos is great.

In the middle of all this, three mismatched young thieves – stranger to the city, Cari; the Stone Man, Spar; and Rat the ghoul – find their lives changed forever.  Hired by the leader of the city’s criminal element, these three thieves attempt to break into an important civic building, only to be nearly killed by a massive explosion and framed for the crime.  Pursued by the Alchemist Guild’s murderous enforcers, the Tallowmen, and the relentless thief-taker, Jere, the three friends attempt to escape their pursuers, but find themselves entangled in a terrible plot to bring destruction to the city.

Ancient creatures are rising from the city’s bloody past, and the city’s old gods are prepared to rise once again.  As Cari, Spar and Rat uncover the full extent of these gods’ power, they must contend with others who seek to use the chaos for their own ends.  With everything on the line, can the three friends find a way to stop the events unfolding, or will their failure result in the destruction of everything they hold dear?

This is Hanrahan’s first fictional book, although the author has written a number of gaming manuals and fantasy guides over the years.  However, with the evident popularity of The Gutter Prayer among the fantasy community, it seems extremely likely that this will not be Hanrahan’s only book.  Indeed, the author already has plans for a sequel, and The Gutter Prayer will form part of this planned Black Iron Legacy series.

I thought that The Gutter Prayer was an ambitious and intriguing new entry to the fantasy genre, and it is definitely worthy of the hype around it.  Hanrahan presents a wide-ranging and dark story of magic, religion and betrayal, and he sets it within an imaginative new fantasy landscape with a ton of unique fantasy elements and creatures.  The story is then based around several great characters, each of whom has their own compelling arc within the narrative.  The result is an excellent and memorable novel that showcases Hanrahan’s creativity and serves as an amazing introduction into a bold new fantasy universe.

This book contained a fantastic and intense story which focused on a variety of different characters and follows their attempts to investigate and forestall the strange events occurring around them.  I really enjoyed this story, although I had a little bit of a hard time getting into it at the start of the book due to mass of story and fantasy elements I was bombarded with.  However, I am extremely glad that I powered past this first part of the book because once I was able to place all the story elements together I appreciated the book’s wild and intricate plot.  One of the main things that I really loved about this book was the inclusion of a significant number of different characters and factions, each with their own motivations and hidden secrets.  As a result, you have no idea who is going to do what next and who is going to betray the protagonists to serve their own needs, creating an unpredictable story.  The narrative is also extremely dark, and readers should be prepared for characters dying or being altered in some way or another.  This is some fantastic storytelling from Hanrahan, and an overall clever narrative.

One of the most talked-about elements of this book is the author’s use of a huge range of unique fantasy elements.  Hanrahan has come up with and expertly utilised a ton of creative, inventive and at times just plain creepy new fantasy elements.  The best example of this has to be the Tallowmen, humans that have been turned into living candles, often as punishment for crimes.  These creatures are strong, lethal and fast, serving as the guards and law enforcers of the Alchemist Guild.  Their terrifying appearance, distinctive abilities and the glow of their candle flames as they hunt down the protagonists are extremely memorable.  Another terrifying inclusion is the Ravellers, servants of the city’s ancient gods who have the ability to unravel people out of existence and take on their appearance.  There are also the ghouls and Stone Men.  Stone Men are humans infected with a disease that slowly turns them into stone, although their condition can be held back by an alchemical compound.  The depictions of their condition are pretty horrific, and there is the interesting double-edged sword of the disease: they become stronger the more their condition progresses, but they also become less able to live normal lives.  The ghouls, humanoid creatures who feast of the dead flesh of humans, are an element that most fantasy fans will be familiar with, but Hanrahan has made some clever alterations to these creatures by expanding on their life cycle and making them a key part of the city’s history.  Another awesome creation is the Crawling Ones, a sentient hive of worms who take a human shape and are powerful magic users.

In addition to the above unique fantasy creatures, The Gutter Prayer also introduces the author’s great new twist on fantasy gods.  The world of the Dark Iron Legacy is filled with a vast pantheon of powerful gods, which forms a critical part of this universe.  Many of the deities outside of the city are engaged in a massive conflict known as the Godswar, where these gods and their followers are involved in battles against each other for supremacy.  While we get a brief look at this in The Gutter Prayer, most of the focus of this book is on the gods of Guerdon.  While a few other religions are mentioned within the city, the main two pantheons are the Kept Gods and the Black Iron Gods.  Both of these different gods are extremely intriguing, and I particularly loved the concept of the Kept Gods, who are chained and whose intake of prayer is controlled by their church to limit their power and control their actions.  The Black Iron Gods are a darker and more ancient pantheon with a great history, a horde of sinister followers and a captivating physical presence.  I also liked this universe’s concept of saints, those humans gifted power by their connection to the gods.  There are a couple of saints featured throughout the book who form an integral part of the plot, powering through the story with a range of different powers and abilities.  Quite frankly, all of these unique fantasy elements are deeply intriguing, and Hanrahan uses all of them perfectly to enhance his outstanding story.  I do hope that the Godswar will be explored in future books, as that sounded like a really fun concept that I would be deeply interested in.

Guerdon is a decent grimdark fantasy city, and it serves as the primary setting for most of the city.  The city’s range of interesting and unique residence allows for a fascinating overall story and makes this a fantastic setting.  I really like how the city is home to a range of competing factions, such as the Alchemists, the Church, the criminal organisation known as the Brotherhood, politicians and the city’s non-human races, each of whom have different plans for the future of the city.  This is a pretty typical dark, crime-ridden fantasy city, but it works really well as a setting for this story.  The author’s deep exploration of the history of his fantasy city served as a useful plot point, and I love how the city’s past came back to haunt it in a number of ways.

I have to say that I was really impressed with Hanrahan’s character work within this book.  The author introduces a number of amazing characters, most of whom get deep and satisfying story arcs.  The main three characters are particularly great.  I really liked Spar, who is not only the son of one of the city’s most famous criminals, but who is also a Stone Man.  It is through this character’s eyes that we get the best view of the living hell of life as a Stone Man, as Spar is forced to deal with all the unpleasant side effects that his condition brings.  At the same time he must deal with his family legacy as he fights to achieve his father’s dream of a more noble Brotherhood while forced to work for its current corrupt leader.  Rat the ghoul is another interesting character.  As a ghoul, he is generally supposed to live under the city, but he likes living above the streets with his friends.  Rat is constantly conflicted between loyalty to his friends and to his race’s ancient promises, as well as dislike for the traditional ghoul lifestyle.  Finally, there is the mysterious young thief, Cari, who holds a dark secret in her past.  Cari is a rebellious young female protagonist who is developing strange new powers.  The exploration of her past and her abilities is a key part of the book and a good basis for a large portion of this plot.  I liked the way that these three characters cared for each other and how their stories remain interconnected even as they have their own unique adventures within the story.

While these three main characters serve as an extremely powerful narrative base for The Gutter Prayer, the author also focuses on a couple of additional point-of-view characters, including the veteran thief-taker, Jere; Cari’s cousin, Eladora; and the saint of the Kept Gods, Arla.  These characters do not get as large a focus as the book’s three main characters, but their parts of the book are quite significant.  Each of them also has a full character arc within the book, and they all develop or change in substantial ways.  Jere is a grizzled private investigator obsessed with taking down the Brotherhood, and his investigations for the first two-thirds of the book provide the reader with some vital plot detail.  I really liked the end to Jere’s character arc, which was both dark and satisfying.  Eladora is a sheltered scholar who gets a rather rude awakening about life throughout the course of this book.  Eladora is not my favourite character, but I did like her gradual transformation from damsel in distress to something more useful.  Finally, there is Arla, who would have to be my favourite side character.  Arla is a saint of the Kept Gods blessed with fiery powers as a result.  Arla is a badass and entertaining character who spends most of the book fighting her opponents with her fiery sword and generally not acting in a way most people would consider saint-like.  I especially love when she utilises her god-empowered voice to command people, as she is usually swearing while doing this.  This comes up in the text in all caps, and you have to imagine it sounds pretty impressive in this book’s audiobook format.  There were a number of other entertaining side or minor characters throughout the book that the author put to good use, and I will enjoy seeing what role they will play in any future books in the series.

Overall, I truly enjoyed The Gutter Prayer and was impressed by Hanrahan’s magnificent debut.  This was an excellent piece of grimdark fantasy which expertly combined some very inventive fantasy elements together with a fantastic story and some excellent characters.  With this first book Hanrahan has shown some incredible talent as a fantasy storyteller whose outstanding imagination is his biggest asset.  This is a highly recommended book which lives up to the substantial hype surrounding it.  I am already extremely keen for any additional books in the Black Iron Legacy, especially as the interview at the end of the book implies that Hanrahan has some brilliant ideas for the rest of the series.