Originally published in the Canberra Weekly on 23 September 2021.
This review can also be found on the Canberra Weekly website.
Publisher: Self-Published (Trade Paperback – 8 June 2021)
Series: Bermagui Mystery – Book Two
Length: 222 pages
My Rating: 4 out of 5 stars
Prepare for a quick and fun historical murder mystery with The Widow’s Follower, an excellent and compelling second novel from Canberran author Anna Weatherly.
1919, Sydney. No-one was shedding tears for the death of Roy Maguire, especially not his wife. She’d been hiding from him for the past five years and now she’d come back to reclaim her freedom. It should’ve been simple. So why was she finding herself the object of interest for half the criminals in Sydney? At first it was mystifying. Then it was terrifying.
This is the second novel involving May Williams, once the wife of Sydney crime figure Roy Maguire. This time May travels to Sydney where she finds that extricating herself from her abusive husband is a dangerous business, even when he’s dead.
The Widow’s Follower is the second novel from Weatherly, following on from her 2018 debut, Death in the Year of Peace. This series is a fantastic historical murder mystery series that follows a young woman in 1919 who takes the name May Williams and flees from Sydney to the small town of Bermagui to escape from her abusive, criminal husband. The first book sets the scene for this series while also presenting a murder mystery as the protagonist attempts to uncover a killer in town. This sequel is set right after the initial book and sees May return to Sydney after the death of her husband.
I really liked the interesting story contained within The Widow’s Follower, as it combines historical fiction elements with an interesting, gangster-filled mystery, as well as featuring some great character development. Despite being relatively short for a novel, clocking in at just over 200 pages, Weatherly manages to achieve a lot in this book. The Widow’s Follower primarily focuses on May being harassed by gangsters and criminals around Sydney as she attempts to settle her late husband’s affairs. This gets complicated when it becomes apparent that before his death, her husband had stolen a great deal of money from his employers and managed to annoy all the big movers in town. This forces May to investigate her husband’s last few days to find the money to save herself and her friends from these gangster’s ruthless attentions. She also starts investigating the murder of her husband’s lover, a crime he was accused of before his death, as she cannot believe that even he could kill the father of his illegitimate child, whose welfare May also becomes concerned about.
This leads to an intriguing and extremely fast-paced story, as May is drawn into a twisted web of lies, manipulations and additional murders, while also trying to decide about her future. There is an interesting blend of storylines contained within this novel, and I quite liked the exciting and dramatic directions that it went in, especially as May slowly gets closer to the truth. May finds herself the target of several dangerous people from Sydney’s underbelly, each of whom is interested in her for all the wrong reasons. At the same time, May’s friends back in Bermagui find themselves in danger, and this results in some compelling discussions about May’s future and whether she wants to stay in Sydney, where she has some chance at professional success, or return to the small town and pursue love. These enjoyable storylines cleverly set up a massive twist about three quarters of the way through that I honestly did not see coming. This cool twist changes everything about the novel, and I deeply appreciated how it was foreshadowed and the implications it has on the rest of the story. The final part of the book is an intensely paced, as May finds herself in the middle of a dangerous conflict between some of the antagonists, while also reeling from some big revelations. I really found myself glued to the final part of the book, especially as it contained some cool scenes, such as a multi-person chase throughout the streets of Sydney. The book ends on a positive note, and it will be interesting to see where Weatherly takes the story next, especially as the protagonist’s storyline seems mostly fulfilled.
I also appreciated the cool setting of this novel, the historical city of Sydney in 1919. Weatherly spends a significant amount of time exploring Sydney throughout the novel, and you end up getting a great sense of its size, layout and people during the early 20th century. The author goes out of their way to try and emulate the historical version of this city, including by featuring clippings from real-life historical newspapers at the start of every chapter, a fun technique that I felt helped drag me into the moment. Weatherly also spends time examining how recent world events had impacted the city, such as the recent Spanish Flu pandemic (very topical) and the slow return of Australian troops from the European battlefronts of World War I. This fascinating setting added a lot to the authenticity and intrigue of The Widow’s Follower’s story, and it was really fun to explore this captivating historical locale.
Overall, I had a wonderful time with The Widow’s Follower, and I ended up reading pretty much the entire thing in one sitting. Anna Weatherly came up with a clever and entertaining tale, and I had a great time getting to the bottom of the intense mystery that was featured within. A fantastic and enjoyable piece of Australian historical fiction, this is a great book to check out and I look forward to seeing what this new author produces in the future.
Publisher: Allen & Unwin (Trade Paperback – 31 August 2021)
Length: 454 pages
My Rating: 5 out of 5 stars
Impressive Australian author Sarah Bailey returns with The Housemate, an outstanding and intense murder mystery that takes a complex protagonist through a dark journey as they attempt to solve an infamous murder.
It was the crime that shocked all of Australia: one night, after a fractious party in the suburbs of Melbourne, three female housemates would become infamous for all the wrong reasons. In the morning, one of the housemates is found brutally murdered, another is found covered in her blood, while the third goes missing and her body is never found. Dubbed the Housemate Homicide, the unexplained murder, the mysterious disappearance, and the subsequent controversial court case has baffled and enthralled the country for years. This includes Olive Groves, a journalist who got her first big break covering the murder and who then became obsessed with cracking the case.
Nine years later, the body of the missing housemate is found in a remote property in the Victorian countryside. Despite dealing with her own dark personal issues, Olive is assigned to cover the story, and soon finds herself once again dragged into her deepest obsession. Teamed up with millennial podcaster Cooper Ng, Olive begins to immerse herself in the details of the murder, reigniting her fiery obsession.
As Olive and Cooper work to uncover new details about the case and the three women at the heart of it, they start to make some startling discoveries. None of the housemates were what they seemed, and all had dark and terrible secrets that have remained hidden for years. What really happened to these three friends, and what secret was so terrible that they would kill to protect it? Olive is about to discover that there is a dark conspiracy at work throughout this case, one whose roots may lay far closer to home than she ever imagined, and whose discovery may end up breaking her.
This was an incredible and extremely clever dark murder mystery from Sarah Bailey, who has previously produced some impressive and compelling pieces of Australian fiction. The Housemate was pretty exceptional read and I quickly found myself getting really caught up in this remarkable and well-written piece of crime fiction. The author weaved together a dark and compelling tale of betrayal, murder and tainted love, featuring an extremely damaged protagonist and multiple epic twists.
The Housemate has a pretty amazing and memorable murder mystery narrative that follows a reporter as she attempts to uncover the truth behind an infamous cold case. Bailey does a great job setting up the plot of this book in the early pages, showing the protagonist’s involvement in reporting the initial discovery of the murder, before initiating a time skip nine years in the future. Once there, the author spends a little time exploring how the protagonist’s life has changed in the intervening years, before swiftly starting the next stage of the mystery, with the discovery of a body out in the Victorian countryside that has connections to the murders. The rest of the book flows by at a quick pace after this, as the reader gets stuck into the re-opened investigation. Bailey starts the various twists flying early, and the reader is soon struck with a series of theories, leads, potential suspects and connected side characters, all of which add to the overall tapestry of the mystery, while also serving to keep you guessing about who is responsible for the murder, and that isn’t even mentioning the compelling flashbacks from the surviving housemate.
As the investigation continues, The Housemate’s story continues to get even more complex, as the personal life of the protagonist, Olive, gets dragged into the plot, especially as Olive is in a complex relationship with the widower of the primary police investigator of the original case. This results in some extremely intense moments as Olive begins to suspect everyone, which has a major impact on her grip on reality. I deeply appreciated the psychological thriller aspects that were worked in, as the reader starts to really question Olive’s grip on her sanity, and it helped to make the story even darker and more unpredictable. Everything really kicks off in the final third of the novel, especially after the case becomes even more potentially convoluted and connected to a wider conspiracy. There were some great reveals in this final third of the novel, and a pretty major and surprising event that really changes everything. I found myself absolutely glued to this book in the final stages, as I couldn’t wait to see what happened. While I did think that the author was a little too heavy handed when it came to suggesting that one particular character was the murderer, I thought the eventual reveal of who was behind everything was extremely clever. The solution to the historic murder was very impressive, especially as some of the elements were set up extremely early in the novel and you didn’t even realise it. I really loved the impressive way the case was wrapped up, although the end of the final confrontation was a tad too coincidental for my taste. Still, it was a really great way to finish the novel, and I was well and truly hooked by this awesome and dark tale of murder.
You can’t talk about The Housemate without mentioning the author’s great characters, especially protagonist, Olive Groves (a fun name). Olive is a complex and damaged woman, who has been obsessed with the novel’s central case ever since she saw the suspected killer and the various family members emerging from the house during the initial media coverage. Years later, Olive now has a complex life, as she is living with the controlling widower of the cop who was originally investigating the crimes, something she is immensely guilty and conflicted about. Her already fragile mental state is put at risk when she starts working on the latest developments in the Housemate Homicides case, which reawakens her long-dormant obsession. This obsession drives her to investigate the case by any means and takes her to some dark spaces as she tries to get into the head of the three housemates and figure out what happened to them. Olive slowly goes downhill as the novel progresses thanks to a combination of stress, obsession, anger, and multiple personal reasons, such as the actions of her emotionally abusive partner and her own massive guilt for sleeping with him while his wife was still alive. Olive has a big breakdown towards the end of the novel, especially after a major surprise event, and it was fascinating to see such a dramatic and powerful burst of emotion. This compelling personal crisis is perfectly worked into the plot of the book, and it really helped to enhance the main murder mystery storyline, especially as you become really concerned for Olive’s mental and physical safety. I appreciated the way in which Bailey wrapped up Olive’s character arc by the end of the novel, and I cannot emphasise what an impressive bit of character work Bailey did around her.
Aside from Olive, there is a great collection of complex side characters throughout the novel, each of whom play a vital role in the case. The main one is Cooper Ng, the socially shy tech expert and social media whiz who is assigned to help Olive investigate, with the two required to develop a new podcast for their paper. Cooper is a fun and energetic figure who stands as the complete opposite to Olive’s gruffer and irritable personality. Cooper and Olive make for an interesting partnership throughout the book, and it was fun to see them combine their vastly different skills and experiences. The author also spends a bit of time examining each of the three housemates who were at the centre of the book’s mystery. It initially appears that all three were bright and optimistic students when the fateful night occurred. However, as the book progresses you begin to see that they are a lot more complex than that, with all three involved in something dodgy. Seeing how they were driven to the events that occurred the night of the killing is pretty fascinating, and I really appreciated the dark and intense storyline that Bailey weaved around them. All these characters, and more, added a lot to the story, and I loved the fantastic and realistic interactions that occurred within.
The final thing that I wanted to highlight about The Housemate was its interesting examination of Australian journalism. I have always rather liked journalist protagonists in fiction, due to their less formal way of investigating crimes, and this worked very well in the context of The Housemate, with Olive employing some interesting methods to get answers. The focus on obtaining information for a story rather than attempting to bring someone to justice is very compelling and I loved seeing the protagonists setting up stories and podcasts. I also quite enjoyed the interesting examination of the evolving form of journalism that was represented by the two main characters, Olive and Cooper. Olive is the more old-school reporter, who just wants to do good journalism without resorting to popular gimmicks. Cooper, on the other hand, is the flash new kid, focusing on social media and podcasting, which he sees as the future of journalism. This fun comparison between reporting styles formed an interesting basis for their partnership, especially as they are brought together to do a podcast on the murders, and I felt that this was a great inclusion to an already exciting and entertaining narrative.
The Housemate by Sarah Bailey was an exceptional and captivating read that I had an outstanding time reading. Featuring a dark and thrilling mystery storyline, this Australian murder mystery was incredibly addictive, especially once you get caught up in the unique investigation and complex personal life of the protagonist. I really enjoyed seeing this fantastic story come together, and I was really impressed with how Bailey tied her brilliant mystery together. Easily one of the best pieces of Australian fiction I have read all year, The Housemate gets a full five-star rating from me and is a very highly recommended read.
Publisher: Simon & Schuster (Trade Paperback – 28 July 2021)
Series: John Bailey – Book Three
Length: 353 pages
My Rating: 4.5 out of 5 stars
One of Australia’s fastest rising crime fiction authors, Tim Ayliffe, returns with another impressive and brilliantly relevant novel, The Enemy Within.
Ayliffe is a great author whose work I have been really enjoying over the last couple of years as he sets some fantastic stories around contemporary Australian subjects. Debuting in 2018, this journalist wrote a compelling and intriguing first novel with The Greater Good, which looked at political corruption and the growing influence of China in Australia. He followed it up in 2019 with State of Fear, which looked at Islamic terrorism and featured a dramatic and impactful story. Now Ayliffe checks out the complete opposite end of the political spectrum in The Enemy Within, which features a look at growing right-wing radicals.
As the smoke from devastating January 2020 bushfires covers Sydney, investigative reporter John Bailey is covering a far more dangerous threat in the suburbs. Barely recovered from the traumatic events that took the love of his life from him, Bailey is now working for a news magazine. His first story will cover the re-emergence of right-wing nationalists and white supremacist groups in Australia. Attending one of their meetings, where a controversial American social media star whose entrance into the country has gained much political opposition and protest, Bailey attempts to gain the pulse of this movement, only to face violence and an anti-media mentality from the crowd.
Working on his story, Bailey has no idea of the chaos that is about to rain down on his life. After he meets with an old contact and informant, Bailey’s house is raided by the Australian Federal Police. The police are investigating him for a story he ran back while he was a war correspondent that highlighted the alleged war crimes Australian soldiers committed in the Middle East. Armed with a warrant granting them access to his phone, computer and all his files, the police tear through Bailey’s life and throw him in gaol for attempting to impede their search.
With the entire nation’s media covering his plight, Bailey is released from prison and soon discovers that someone orchestrated the police raid to delete evidence from the rally. Attempting to investigate further, Bailey is shocked when his contact ends up dead in mysterious circumstances and the police fail to investigate. With Sydney on the verge of a race war, Bailey continues his investigation and soon uncovers proof about a dangerous conspiracy that aims to shake the very foundations of Australian life. With only his old friend CIA agent Ronnie Johnson as backup, Bailey attempts to stop this plot before it is too late. But with a seemingly untouchable enemy targeting him from the shadows, has Bailey finally met an opponent even more determined than he is?
This was an awesome and captivating novel from Ayliffe who once again produces an intense, character-driven narrative. Set around some very relevant and controversial topics, The Enemy Within is a powerful and exciting novel that takes the reader on a compelling ride. I had a fantastic time reading this clever book and I loved the fascinating examinations of one of the more insidious threats facing Australia.
Set in the blistering, smoke covered streets of early 2020 Sydney, this story starts with protagonist John Bailey engaged in a controversial story about the rising far-right wing. After a predictably violent confrontation, the narrative takes off like a shot, with the protagonist investigating a series of concerning events, including several murders, racial attacks, and a re-opened investigation into an old story of his that sees the AFP raid his house. Each of these separate investigative threads are drawn together as the book progresses, and the reader is treated to an impressive and deadly conspiracy with several clever allusions to real-world issues and events. This was a very exciting and captivating novel to get through, and I found myself reading it extremely quickly, nearly finishing it off in a day. The story leads up to an awesome and intense conclusion, where Bailey uncovers the entire scope of the plot and races to stop it. While the identity of some of the participants is very clear since the character’s introductions, their full plan, methods, and reach are more hidden and it was great to see the protagonist uncover them all, especially as several were cleverly hidden in innocuous moments earlier in the novel. There is even an excellent twist towards the end of the book that reveals a well-hidden antagonist, which I particularly enjoyed as it was so skilfully inserted into the story. I ended having an excellent time getting through this amazing narrative, and this might be one of the best stories that Ayliffe has so far written.
One of the things that I have always enjoyed about the John Bailey novels is the way in which so much of the amazing story was tied to how extremely damaged the titular protagonist is. John Bailey is a veteran reporter whose previous life as a war correspondent has left him extremely broken, especially after being tortured by a dangerous terrorist leader. This eventually led to him becoming an alcoholic, which ruined his career and separated him from his family. However, since the start of the series, Bailey has shown some real character growth, although this is usually accompanied by some traumatic events or tragic moments. In The Enemy Within, as Bailey is still recovering from the loss of his lover at the end of State of Fear. Despite making some strides to recover, Bailey is still reeling from the loss, and this becomes a major aspect of his character in this latest book. This is especially true as Ayliffe does an outstanding job of highlighting the grieving process and showing Bailey’s feelings of despair. It was really moving to see Bailey in this novel, and I was glad to see him continue to recover from all the bad events of his life, including stopping drinking and getting a dog. However, Bailey still has an unerring knack to annoy the subjects of his stories, and he ends up getting into all sorts of danger. It was great to see him getting to the root of this story by any means necessary, and I continued to appreciate his impressive development.
I also love the way that the each of Ayliffe’s novels feature some fascinating contemporary issues facing Australia or the wider world. In The Enemy Within, the main issue is the rise of Australian right-wing and white supremacist groups in recent years. Like in the rest of the world, these groups have been becoming a bit more prominent recently in Australia, and Ayliffe does an excellent job analysing this issue throughout his novel. The author does a deep examination of the movement as the story progresses, and the reader is given a good insight into their concerns, motivations, and the reasons why the movement has been gaining progress in recent years. There are some clever parallels between the events or people portrayed in the novel and real life, which was interesting to see. Examples of this include the government allowing controversial right-wing figures into the country despite protests, and the reactions of certain right-wing media groups. I liked how Ayliffe once again featured the character of Keith Roberts, a right-wing commentator who is a pastiche of several Australian radio personalities. It was also quite fascinating to see how the concerns and motivations of the right-wing groups were extremely like some of the Islamic terrorists featured in State of Fear, with both groups feeling disconnected from and attacked by mainstream Australian society. Not only is this extremely fascinating and thought-provoking but it also serves as an amazing basis for Ayliffe’s narrative. The author does a fantastic job of wrapping his thrilling story around some of these elements, and it makes the overall narrative extremely relevant.
I also must highlight another significant contemporary inclusion that was featured in The Enemy Within, and that was the Australian Federal Police’s raids on Bailey’s house. This police raid is a direct reference to a series of controversial raids that occurred on several media organisations, including ABC News (who Ayliffe works for), in relation to articles they published. Ayliffe uses these real-life examples to really punch up what happens within The Enemy Within, and he produces some realistic scenes that were comparable to this. The subject of the articles that prompt the raids are also very similar and feature another topic that is quite controversial in Australia in the moment, that of alleged war-crimes by Australian soldiers fighting in the Middle East. Just like with the other divisive topics featured in this novel, Ayliffe did a fantastic job re-imagining these events in his novel, and it produces some excellent inclusions that will particularly resonate with an Australian audience. I deeply appreciated the way in which he was able to work these events into his story, and I think that it made The Enemy Within a much more compelling and distinctive read.
I have to say that I also really loved the author’s use of setting in The Enemy Within. This latest book is set in early 2020, when Sydney was surrounded by some of the worst bushfires in Australian history and the entire city was covered in smoke for months. Ayliffe does an excellent job portraying these terrible conditions, no doubt drawn from his own personal experiences, and the reader gets a good idea of how difficult life was under those conditions (it certainly brought me back to that time, although we didn’t have it quite as bad down in Canberra). Ayliffe uses this unique setting to full effect throughout the book and it provides some fitting atmosphere for the narrative, especially as the landscape reflects the simmering tensions flaring up within the city. This was one of the more distinctive features of The Enemy Within, and I really appreciated the way the author used it to enhance his great story. I also quite enjoyed the throwaway references to COVID-19, with none of the characters particularly concerned about it considering everything else that was happening, and I have no doubt that Ayliffe’s next novel will make great use of the pandemic in some way.
With his latest novel, The Enemy Within, Tim Ayliffe continues to showcase why he is one of the best new writers of Australian crime fiction. The Enemy Within had an awesome and incredible story that perfectly brings in amazing contemporary Australian issues and settings, which are expertly worked into a thrilling novel. I had an outstanding time reading this fantastic read and it comes highly recommended.
Publisher: Headline (Trade Paperback – 31 August 2021)
Series: Hermit – Book Two
Length: 421 pages
My Rating: 4.5 out 5 stars
Prepare for a twisty and dark Australian murder mystery novel as author S. R. White presents the compelling and powerful Prisoner.
Deep in rural Northern Australia, a dead body has been found in the middle of a dank and dangerous swamp. The corpse is staged to appear like a crucifixion, with the man’s arms and legs tied to poles, and his chest caved in with several blows. Called to the scene of the crime, Detective Dana Russo soon discovers that the victim was a convicted rapist who had only been released from prison a few hours earlier and whose crime occurred only a short walk away from his murder site.
Determined to get to the bottom of this unusual murder, Russo and her team swiftly begin tearing apart the victim’s life in prison and find that he had been in communication with two local sisters who offered him a place to stay once he was released. Investigating the sisters, they discover a unique pair of siblings who have been irreparably damaged by trauma and abuse and who live separate from the rest of society. Believing that the solution to the mystery may lay with them, Russo brings them both in for questioning, but finds them uncooperative and elusive.
Under pressure to solve the crime, the detectives slowly unwind an intriguing case, concerning corruption, drugs and prison gangs. However, the further they dig, the more apparent it becomes that the sisters are hiding some dark secrets about themselves and the victim. Forced to dig deep within herself, Russo uses the memories of her own traumatic childhood to analyse the suspects and find some common understanding with them. Can Russo break through these two unlikely suspects, or will the solution to this murder never be revealed?
This was a pretty cool and captivating novel from former British Police officer turned author S. R. White. Prisoner is White’s second novel and serves as a sequel to his 2020 debut, Hermit. This proved to be a fantastic read and I deeply enjoyed the intriguing and powerful narrative, especially as White loads his book with a complex mystery and some deeply damaged characters. I got pretty hooked on this book as it progressed and ended up finishing it in only a couple of days.
Prisoner contains a very impressive and compelling narrative that I really found myself getting drawn into. The novel mostly starts off focusing on the murder, with the discovery of the body in the first few pages, and then the protagonists immediately jump into the investigation, including the interrogation of one of the main suspects. As the story progresses, you get some other interesting elements thrown in, mostly around Dana Russo and one of her other colleagues as they deal with some dark personal history. There is also a captivating subplot regarding internal police politics that produces a real shakeup in the department and has some potential series-wide ramifications. However, most of the story remains on the mystery, and I really appreciated the creativity and darkness that the author fits into the case. Despite being a sequel to White’s first book, Prisoner can easily be read as a standalone novel, and no prior knowledge of the characters or the setting is needed. I felt that the entire narrative progressed along at a great pace, and there were no slow bits throughout the book, as the reader was either reading about the case or dealing with the intense personal demons of the various characters.
I must highlight the fantastic writing style that White featured throughout this novel. While most of the focus of Prisoner is on central character Russo, the author makes good use of multiple perspectives, mainly of the other detectives on the investigation team, to move the story along and provide some alternate points of view and different investigative threads. White utilises a very detailed writing style, which encourages a slower reading pace to make sure you don’t miss anything, and I felt that enriched the mystery and increased the realism of the plot. I also must highlight the incredibly detailed descriptions of the swampy landscape that surrounded the crime scene and the Northern Australian town where the plot is set. White paints a grim picture of small, isolated community on its last legs, where even the landscape has turned against it. You can really feel the stickiness and deadliness of the swamps, and it proves to be quite a haunting background to several scenes. I also must mention the really fun and unique take that several of the characters had on the film Signs. This film, which I personally rather enjoyed, is brought up several times and becomes a key plot point. While that does sound a little strange, its inclusion worked surprisingly well, and the subsequent discussions and insightful analysis of the film and its themes, ended up fitting into the overall narrative quite seamlessly, helping to create quite a unique tale.
I also deeply enjoyed the crime fiction/mystery elements of Prisoner, which really helped to turn this into quite a compelling and exciting story. White crafts together a really clever and psychologically intense mystery for this book, and I had a wonderful time seeing the protagonists unwind it. The author sets up a great methodical criminal investigation, with the characters slowly uncovering clues, backstory and various suspects throughout the story. While the police do achieve an impressive amount in just a couple of days, there is a gritty sense of realism to much of the story, and I really enjoyed seeing the police in action. The best part of the investigation is easily the focus on interrogations as the protagonist engages two uncooperative suspects in several separate interviews throughout the course of the book. These interrogation sequences are among some of the best parts of the entire book, as Russo really dives into the pasts and minds of her suspects, which also requires her to reach back and harness some of her own trauma to break through to them. This, combined with the rest of her team’s investigation, proved to be quite fascinating, and I really enjoyed seeing the cooperative work and professional skills involved. I also quite enjoyed the solution to the murder, especially as White comes up with quite a unique and dark motivation for the crime. There are several good suspects and motivations for the murder, which at times made me question who the killer might be. However, I thought the overall resolution of the mystery was extremely clever, and it really made great use of the dark psychology of some of the characters.
One of the biggest highlights of this book were the damaged and traumatised central characters, who White spent a substantial amount of time exploring throughout the course of the story. This includes a mixture of characters who previously appeared in Hermit and some new characters brought in for Prisoner. This includes central protagonist Dana Russo, the detective in charge of the investigation. Dana had a very traumatic childhood, brought on by an abusive mother who beat and emotionally tormented her following her father’s death. While this was revealed in the previous novel, it was recounted once again in Prisoner, especially as details of the case end up mimicking parts of Dana’s life. The protagonist is forced to dive deep into her prior experiences to help solve this case, and it was fascinating to see how she could instantly spot signs of abuse, as well as rationalise the various reasons behind it and the impacts it can have on a young person. The protagonist also uses her experiences to get into the minds of her two main suspects, resulting in some intense and extremely powerful interrogation scenes, where both suspect and interrogator are broken down at the same time. White also produces some more revelations about Dana’s terrible childhood, including a certain reveal on the last page that was pretty memorable, and I really liked the compelling picture he painted around this impressive leading character.
The other characters who proved to be extremely compelling were the main suspects of the murder case, Suzanne and Marika Doyle. The Doyle siblings are instantly identified as persons of interest in the case due to their house’s proximity to the crime scene and the fact that they wrote to the victim in prison and helped to organise his parole, despite having never met him. Upon examination of their history, as well as an insightful look at their house, it soon becomes apparent that both siblings had a hard childhood because of their controlling mother. Their life story becomes a key part of the overarching plot as Russo attempts to uncover their full history and personalities, as she believes it is important to solve the case. The eventual reveals about the siblings and their relationship, their past and their emotional states is extremely captivating, and White paints quite a dark and troubled narrative around them that was really fascinating. The way that this ties into the murder and their relationship with the victim is very clever, and White really outdid himself making these two sibling suspects.
I also must give a quick shout out to the character of Lucy Delaney, one of Dana’s co-workers and an invaluable resource in the case. Dana and Lucy got quite close to each other in the previous novel, with Dana revealing some of her childhood trauma to her, something she rarely does. In this novel, you get a much closer look at Lucy, who reveals some of her own personal issues, and the shared grief becomes a major part of her connection to Dana. Unfortunately for Lucy, she gets dragged into some internal police politics, which impact her and her secrets quite severely and will likely become a recurring issue in the series, especially if the relationship between Dana and Lucy progresses. Aside from Lucy, I felt that the police characters represented an interesting blend of personalities and skills, such as the wily veteran Mike or the similarly damaged officer Ali, who helped to give the film more personality. It will be interesting to see how these characters are featured in the future, and I look forward to learning more about them.
Prisoner by S. R. White is a clever and moving piece of Australian crime fiction that proved to be a real treat to read. White has produced a deep and compelling murder mystery narrative that focuses on a fantastic group of damaged protagonists and suspects, and who have some dark stories to tell. I really loved the more methodical and grounded police investigation angle of this book, especially the inclusion of some powerful interrogation sequences, and I was impressed with how the narrative unfolded. An excellent and captivating murder mystery, Prisoner comes highly recommended, and you will have a great time getting through the latest book from this fantastic Australian author.
Publisher: Pan Macmillan Australia (Trade Paperback – 1 August 2021)
Length: 384 pages
My rating: 4.5 out of 5
One of Australia’s leading thriller authors, Tony Park, presents another clever and intense thriller set in the nature parks of Africa with his latest action-packed novel, Blood Trail.
Tony Park is a talented author who has written several amazing thriller novels over the years, all of which make use of a distinctive African setting with a focus on wildlife parks and poachers. I have previously enjoyed three of his great books, Scent of Fear, Ghosts of the Past and Last Survivor, and his latest novel, Blood Trail, features another exceptional and exciting tale, which was an extremely fun and captivating read.
Life is always dangerous on the game preserves of South Africa, as poachers and opportunists are constantly looking for a way to make some serious money by harvesting endangered species. In recent years, the counter-poaching patrols and police have made great strides in defending the critical wildlife, with the poachers aware that entering the reserves means death or imprisonment. However, with South Africa severely impacted by COVID-19, more desperate locals are turning to poaching to survive, relying on the magic of their traditional medicine to protect them.
At the Lion Plains game reserve, something strange is happening. While conducting a virtual safari, park guide and ace tracker Mia Greenway witnesses a poacher kill a rhino. Chasing after him, Mia and her backup find no trace of him as his trail mysteriously disappears, with the killer appearing to have vanished into thin air. At the same time, police captain Sannie van Rensburg, is called to investigate two missing local girls, who also disappeared in suspicious circumstances. Sannie soon learns that the local populace fear that the girls have been killed and their bodies used as ingredients by a dark practitioner of traditional medicine.
When a young female tourist is kidnapped within the reserve, once again vanishing with no trail to follow, Mia and Sannie begin to realise that their cases are connected. With the locals convinced that the poachers are using dark witchcraft to evade the police and the anti-poaching teams, all evidence suggests that the kidnapped girls are going to be killed and harvested. However, something far more sinister is afoot, with a dark conspiracy working its way through the very heart of the game preserve. Can Mia and Sannie uncover the truth before it is too late or will the poachers and their dangerous benefactors continue to bring terror and death to the wilds of Africa?
In Blood Trail, Park has included another intense and action-packed story that makes full use of the author’s love of all things Africa. Set in a game reserve under siege, this multi-perspective story starts off fast, with a poacher on the loose and the trackers, led by the tenacious Mia attempting and failing to find him. There is also an intriguing criminal case happening concurrently, as police detective Sannie attempts to find two missing girls. Both central narrative threads are soon drawn together as Mia, Sannie and their colleagues work to solve the connected cases. Park has come up with a very exciting, character-driven narrative here, and it honestly did not take me long to get really invested. This book is loaded with some amazing action sequences, and the reader is treated to one electrifying scene after another as the protagonists face extreme opposition. The overarching mystery surrounding the poachers and the missing girls is very good, and I loved the complex and clever story the author wraps around them, especially as it ties into various aspects of life in Africa and the game reserves. The author makes sure to include a huge number of twists and reveals, especially towards the end of the novel, and while I was able to predict how a couple would go, I ended up being pleasantly surprised by some of the others, and I really enjoyed seeing how everything came together. I also liked the huge range of intriguing characters featured throughout this book, and I really got invested in some of their stories, especially the two strong lead female protagonists, Mia and Sannie, who overcome a lot in this novel and go through some excellent development. Blood Trail is set in the shared universe of Park’s other works, with characters from some of his prior novels and series either featured or mentioned. Despite this, you really need no prior knowledge of these books, and Blood Trail is a very easy novel to get into. This is an overall exceptional and thrilling narrative, and I found myself powering through the last half of this book in a day.
Easily the best things about Tony Park’s novels are his exceptional portrayals of the African wilderness and the amazing and insightful discussions about the troubles faced by game preserves. Park, who has spent a significant amount of time in Africa and the game reserves, is clearly very passionate on the subject, and he injects all his novels with some gritty realism about the parks and the poachers who prey on them. Blood Trail is a particularly good example of this, as a large amount of the narrative revolves around poaching on the park, the park’s anti-poaching detail and the local police who support them. It is always incredibly interesting to learn about poaching and anti-poaching techniques and Park includes a lot of detail about both. I found this to be extremely fascinating, and Blood Trail includes compelling detail about some of the modern techniques some of the parks potentially utilise, such as drones and even WhatsApp. Park also weaves a particularly good story around poaching, and I loved all the thrilling sequences of poachers versus authorities that this fantastic novel contained. You also have to love the outstanding and beautiful depictions of the African bush and the communities that serve as a backdrop for the story. Park clearly puts all his personal experiences into these depictions, and his writing brings in a strong visual element. I really enjoyed this use of setting, and it really sets Park’s novels apart from other contemporary thrillers.
In addition to the outstanding setting, Park also includes a deeply intriguing and fascinating examination of traditional African medicine and magic in Blood Trail, which becomes a very amazing and key part of the plot. This traditional medicine, known as umuthi, is utilised by the South African people as protection from a variety of dangers, with the poachers, and even some protagonists, using it in the hope that it will stop bullets or impair their opponents. This becomes a very interesting part of Blood Trail’s plot, as the characters encounter various unusual phenomenon, such as their targets vanishing without a trace or unexpected illnesses, which some blame on dark magic. This proves to really fascinating, especially as Park keeps including several mysterious events or occurrences, and the reader is left wondering whether it is just a coincidence, a psychological ploy, or something more spiritual in nature. I found this inclusion to be extremely intriguing, and I really appreciated the detailed and balanced examination that Park included in this book, as he goes out of his way to respectfully examine all the aspects of this traditional medicine, as well as the perceptions surrounding it. Various characters of differing backgrounds are shown reacting to the idea of umuthi, including local Africans, foreigners, academics, and white South Africans, each of whom have differing opinions on the validity of the magic behind it. I loved this fascinating range of views, which seems to accurately reflect the differing opinions you would find throughout South Africa, and there are some truly unique views and beliefs which Park has clearly researched. The character of Mia proves to be a very intriguing inclusion here, as she is a white South African who was raised by black South African women, and was brought up to believe in umuthi and other traditional beliefs. This results in some intriguing identity issues, as she and some of the other people who partake of umuthi attempt to work it around their modern perceptions or Christian teachings. This unique and captivating examination of umuthi and other traditional beliefs was extremely interesting and I am very glad that Park took the time to include this in his latest novel.
Another extension of Blood Trail’s game reserve setting that I enjoyed was the tracking. Several characters in the novel, particularly Mia, are trackers, who spend their days trailing animals and poachers through the bush. As such, there are some fascinating scenes where these characters use their tracking skills to chase after the antagonists. This proves to be extremely interesting, and Park ensures that his book features a lot of details about they various tracking techniques, and the counter techniques that poachers would use to try and avoid the trackers. Not only is this a very captivating inclusion by Park but it also flows extremely well into the narrative, with the protagonists forced to question their abilities when the villains keep getting away. The way in which the antagonists manage to avoid the trackers ends up being quite clever, especially as Park also includes some false leads to confuse the eventual reveal. I deeply enjoyed this awesome look at the work the trackers do in the park, and it produces some really fantastic scenes.
The final inclusion that I found really compelling was Blood Trail’s examination of the impacts of COVID-19 on South Africa, and how it is driving people to poaching. While I am sure that many people are getting sick of reading about COVID, even in thriller novels, I felt that Park did a really good job featuring it in Blood Trail. Park paints a pretty grim scene surrounding the impacts that the pandemic is having in South Africa, with many side characters either out of work or negatively impacted by the government’s harsh lockdown rules, such as an alcohol ban. This becomes quite a key theme of the novel, with the stress and loss of income impacting everyone and driving them to commit crime on the understaffed game reserves. The author really dives into the unexpected impacts the global pandemic is having on the nature reserves, and it adds some complexity to the dark story. Other featured aspects of COVID in South Africa are also pretty interesting, such as the increased roaming of certain animals, as well as the advent of virtual safaris, with streaming projects sharing the beauty of the wilds to a world in lockdown. Overall, this examination of the impacts of COVID was very fascinating and topical, and Park did a fantastic job including it in his story.
The fantastically talented Tony Park once again shows why he is one of the best and most distinctive Australian thriller authors out there. His latest novel, Blood Trail, contained an intense and compelling story that takes the reader on a wild and thrilling journey through the game reserves of Africa. Filled with some amazing action and fantastic characters, Park makes full use of his powerful setting to craft a memorable and addictive narrative. I loved all the unique elements that Blood Trail contained, and you are guaranteed an exceptional time if you check this awesome book out.
Publisher: Simon & Schuster Australia (Trade Paperback – 22 July 2019)
Series: John Bailey – Book Two
Length: 390 pages
My Rating: 4.5 out of 5 stars
One of the fastest-rising Australian thriller writers, Tim Ayliffe, follows up his impressive debut with an excellent second entry in his John Bailey series, State of Fear.
Tim Ayliffe is a talented author who debuted in 2018 with The Greater Good, the first John Bailey book. This novel explored political corruption and international interference in Australia and made excellent use of the author’s experiences as a journalist. I really enjoyed this first book and was rather interested when I received the second novel from Ayliffe, State of Fear, in 2019. Unfortunately, I did not get a chance to read State of Fear when it first came out, and it has been in my to-read pile for a while, until I received a copy of the third John Bailey novel, The Enemy Within, a few weeks ago. I rather liked the sound of the third book’s plot, and I really wanted to read and review it. However, before checking out The Enemy Within I thought it would make more sense to read State of Fear first, and boy am I glad that I did.
Throughout his long career as a journalist and war correspondent, John Bailey has faced many dangers and been in several terrible situations. However, his worst encounter was with the notorious terrorist mastermind, Mustafa al-Baghdadi, who kidnapped Bailey while he was reporting on the invasion in Afghanistan and relentlessly tortured him mentally and psychically. Following his release from the terrorist group and a retirement from working in active war zones, Bailey thought that his days of dealing with terrorists was over, but he was wrong.
Speaking at a conference on Islamic terrorism in London, Bailey is horrified when a radicalised terrorist murders a woman in front of the convention centre. Rattled, Bailey returns home to Sydney, only to find his troubles have followed him there. The son of his former driver in Bagdad has gone missing, and Bailey has been implored to help. Investigating, Bailey finds that the son has been in contact with some dangerous men with connections to Islamic terrorist cells. Worse, it appears that they are planning to launch a massive attack in Sydney.
Desperate to save his friend’s son from making a terrible mistake, Bailey attempts to make sense of the terrible events unfolding in Sydney. However, the deeper he goes, the clearer it becomes that Mustafa al-Baghdadi is back, and he is targeting Bailey personally. As Bailey and everyone he loves comes under attack, Bailey is forced to turn to his old friend, CIA agent Ronnie Johnson, to find Mustafa and take him down. But will they be able to stop Mustafa before it is too late, or will the world’s most dangerous terrorist destroy everything that Bailey holds dear?
State of Fear was an excellent and powerful novel that takes its great protagonist on a rough and dangerous journey through hell and back. Ayliffe has definitely grown as an author since his first novel, and this second book is a compelling and intense novel with a well-crafted narrative. Starting off with an intense beginning, the protagonist is swiftly shoved into his latest harrowing adventure, as the terrorist he thought he escaped violently bursts back into his life. This is a very captivating novel, and despite its longer length I found myself powering through it in a very short amount of time. The protagonist goes through a real wringer as he is forced to visit the ghosts of his past while trying to stop his foe’s latest plot. Featuring a sprawling and deadly investigation through the suburbs of Sydney, the story eventually journeys back to London, where the protagonist and his friends engage in a deadly and dramatic fight to stop a deadly attack. There is so much going on in this story, and the reader will experience outstanding action, powerful drama, and some major tragedy, especially in the novel’s dramatic conclusion. This is a fantastic book which stands on its own and can easily be read by people unfamiliar with the other John Bailey novels. I had an exceptional time reading State of Fear and it is really worth checking out.
Ayliffe works a lot of fun elements into this novel that make it quite a unique read. Perhaps one of the most prominent of these is his experience and knowledge as a journalist which helps to produce a very Australian centric view of the events that are being depicted. For example, Ayliffe includes a very detailed and compelling look at radical Islamic terrorism and how it is occurring both in Australia and in the wider world, particularly England. Using several real-life Australian cases as basis, Ayliffe manages to expose and explore the heart of the issue, and he paints a fair and captivating picture of how individuals are lured into radical Islam as well as the consequences of their actions. There are some very intriguing and powerful discussions included within this novel, especially around how the Islamic and migrant community in Australia feels isolated and prejudiced against, and I really appreciated the compelling inclusion in the novel.
Other intriguing elements contained within State of Fear include Ayliffe’s experiences with modern media and how journalist stories are produced and distributed. There are some fascinating and fun journalistic scenes contained within this novel, and you have to assume that the protagonist’s extremely negative views about the swing to online social media based journalism has to reflect some of the author’s personal feelings. Another great feature of this novel was the way in which Ayliffe once again used his novel to highlight the city of Sydney. While a good portion of this novel is set in London (which Ayliffe also does a great job portraying), the scenes set within Sydney are a particular highlight. The author really dives into showcasing this city, with the protagonist visiting several real-life suburbs and locations throughout the course of the book, distributing local knowledge as he goes. As a result, this book is filled with some fun references that locals and Sydneysiders will really appreciate, and I enjoyed how Ayliffe spent the time to write a love letter to his city.
In addition to a fantastic story and excellent setting, Ayliffe also ensures that State of Fear is loaded with some complex and memorable characters. The most prominent of these is series main protagonist and primary point of view character John Bailey. Bailey is an outstanding veteran reporting character, and Ayliffe portrays him as a broken older news hound who is trying to balance his addictive career with holding onto his family. This protagonist is the very definition of a damaged character, as he has experienced great trauma, both psychical and emotional, over the years thanks to his work as a war correspondent. Despite this trauma, Bailey has experienced some major growth since the first book in the series, mainly thanks to the actions of major people in his life, and he is now a much more functional human being, allowing the reader to really connect with his struggles and damage. Unfortunately, the events of this novel really hit him hard, as he experiences fresh pain while also revisiting his traumatic past through a series of dark flashbacks. Despite this, Bailey keeps moving forward trying to solve the case, and it was great to see his determination and resolve, even under the worse of circumstances. The ending of the novel is pretty bad for Bailey, and he goes through some tragic moments that will no doubt rock him for the rest of the series. All of this makes for an incredible central protagonist, and readers will fall in love with this damaged and compelling character.
Aside from Bailey, State of Fear also contains several great supporting characters, most of whom are holdovers from The Greater Good, and who find themselves in all sorts of trouble in this book. The most prominent of these is Bailey’s romantic partner, Detective Chief Inspector Sharon Dexter, who serves as a secondary point-of-view protagonist for parts of the book. Dexter is a tough, no-nonsense cop whose past with Bailey led to a romantic relationship in the first book. Despite having a very complex and unusual relationship with Bailey, Dexter proves to be an excellent supporting character, acting as the sensible and official support to Bailey who tries to keep him out of trouble. While she has a bit of a cold exterior, especially when Bailey stuffs up or lies to her, Dexter is another character the reader can easily get attached to, and her involvement in the story is quite essentially the overall powerful narrative.
I also quite liked the inclusion of Bailey’s editor, Gerald Summers, another aging newsman who serves as Bailey’s emotional rock and best friend and who has an amazing run in this book. Gerald is an outstanding and loveable character, which of course means he is going to suffer a little bit, so prepare yourself for that. You also have to like Ronnie Johnson, the maverick CIA agent who spends most of his time living on Bailey’s couch, but who proves to be an effective and very dangerous operative when he needs to. Ronnie has been a favourite character of mine ever since the first book (I mean, he kills an Australian Prime Minister Harold Holt style), and he does some cool things in this second novel. Finally, I felt that Mustafa al-Baghdadi was a pretty good overarching antagonist for State of Fear. Ayliffe did a good job portraying a manipulative religious zealot with grand plans for vengeance and the advancement of his cause. Despite being hidden for most of the book, this character contains a great deal of menace, and I really enjoyed the sinister flashback sequences that featured him and Bailey. I did think that some of his reasons for vengeance on Bailey were a bit weak (I mean, he had to know that the first thing Bailey was going to do when freed was to share what he knew with the Americans), but he was an overall great villain with major impacts on the narrative. Each of these characters were well written and established, and I felt that their combined narratives really improved this fantastic novel.
State of Fear by Tim Ayliffe was an outstanding and captivating read that presents a powerful and moving adventure of journalist John Bailey. Containing an intense narrative about terrorism, some unique elements and amazing characters, State of Fear is an excellent read which swiftly grabs the reader’s attention and refuses to let them go. I had an incredible time reading this novel and I am still kicking myself for taking so long to check it out. I have already read the third entry in the John Bailey series, The Enemy Within, and I am hoping to get a review out for it soon.
Publisher: Echo Publishing (Trade Paperback – 4 May 2021)
Length: 312 pages
My Rating: 4.5 out of 5
Amazing Australian thriller author A. W. Hammond presents his first historical read with The Paris Collaborator, a clever and exciting novel set in occupied Paris.
August 1944. With Allied forces advancing towards Paris, the Nazi occupation of the city seems to be nearly at an end. But just because the Germans are poised to leave does not mean that the city is any less dangerous, especially for those whose loyalties are in question. Since the Germans arrived, former teacher Auguste Duchene has taken on a whole new profession to survive: finding missing children. With his impressive observational skills, Duchene has proven to be a keen investigator, but his talents are about to get noticed by all the wrong people.
Despite his desire to only help reunite lost families, Duchene is forced into working for a violent faction of the French Resistance after they threaten the safety of his collaborating daughter, Marienne. Recruited to find a missing priest and the cache of stolen weapons he was hiding for them; Duchene reluctantly begins his search. However, hours after he begins working for the Resistance, he is approached by a senior Nazi officer who blackmails him into finding a missing German soldier.
Caught between two dangerous masters, Duchene has no choice by to comply with both if he and Marienne are to survive. With only 48 hours until both groups will deliver on their deadly threats, Duchene scours Paris for both the missing men. However, the more he discovers, the more he begins to realise that the cases may be connected, and that he may be only able to satisfy one of his employers. Worse, the Gestapo have taken an interest in Duchene’s investigation and are determined to interfere for their own ends. Can Duchene find his targets before it is too late, or will everything he love be taken away from him?
This was an awesome and fantastic novel from an impressive author who I was not too familiar with before I picked up this outstanding read. A. W. Hammond has previously written two Australian thrillers under the name Alex Hammond. These books, 2013’s Blood Witness and 2015’s The Unbroken Line, were intriguing legal thrillers that focused on his Will Harris protagonist. The Paris Collaborator is the author’s first foray into historical fiction, and he did an exceptional job producing a clever and addictive historical thriller. I had an incredible time reading The Paris Collaborator and I ended up finishing it off in a few short days once I got drawn into its cool and memorable narrative.
Hammond has come up with an excellent thriller storyline for The Paris Collaborator that is exciting and clever, and which also makes great use of its historical backdrop. This is a very fast-paced story, and it really does not take long for it to take off, as unconventional missing child investigator Duchene is drawn into the conflicting webs of radical French Resistance fighters and an influential Nazi officer. Forced to work on both cases on a very lean timeline, the protagonist conducts a hurried investigation, trying to find hints of two different missing persons while also trying to survive in the middle of a chaotic and failing city. With the interference of the Gestapo, Duchene is trapped in the middle of a three-way battle for his loyalties, as each of these very dangerous groups threatens to kill him and his daughter unless he complies. This results in a very epic final third of the book, as the protagonist runs around Paris, which is in the middle of overthrowing its German occupiers, trying to find the last pieces of the puzzle with everybody trying to kill or capture him.
This was a very captivating and high-stakes story, and I loved all the thrilling intrigue, action and suspense as the protagonist jumps from one bad situation to the next. The overall investigation had some rather intriguing twists to it, many of which took me pleasantly by surprise, although they were very well set up in hindsight. I absolutely lost it when the final twist was revealed, as it was so outrageous and surprising that I ended up laughing for several minutes. This reveal, while a little hilarious, did fit nicely into the dark tone of the novel, and I felt it was an outstanding way to wrap up this novel, especially as it is guaranteed to stick in the reader’s mind. I deeply enjoyed The Paris Collaborator’s clever story, and this ended up being one of the more entertaining and unique thrillers I have read all year.
While readers will definitely remember the amazing thriller story, I also must highlight the exceptional historical setting that was featured in The Paris Collaborator. Hammond chose to set his clever story amid the final days of the Nazi occupation of Paris, which I really enjoyed. The author does an outstanding job of portraying this intriguing historical setting, and I loved the exploration of an occupied city on the edge, with minimal resources, a thriving black market, a near-rebelling populace, nervous soldiers starting to pull out and a dangerous resistance movement planning their next strike. Hammond makes great use of this unique setting throughout the story, and I really appreciated the way he featured historical elements like the Resistance, the Gestapo and the German army throughout the story. The final part of the book is set during the French uprising to free Paris from the Nazis, and I loved how the protagonist had to overcome all the obstacles this put in his way, from tanks attempting to put down dissent, to crowds determined to kill any Germans they could find. This was an outstanding depiction of occupied Paris and I felt that Hammond perfectly utilised it throughout this amazing book.
One of the most intriguing aspects of the historical setting of The Paris Collaborator is the compelling focus on the French mentality of collaboration and resistance. Throughout the novel, the protagonist encounters a wide range of different characters who have survived the Nazi occupation by working for, engaging with, or falling in love with German soldiers, much to the disgust of their fellow French citizens. The protagonist himself is considered by some to be a collaborator, not only because he has helped wealthy French collaborators find their children but because he finds himself working for various Nazis throughout the course of the book. This forces the protagonist to walk a thin line, as he must appear to be a patriotic Frenchman disgusted with the occupiers while also making sure that he does not enrage any of the Nazis who are employing him, something he does not do particularly well. As a result, Duchene, and several supporting characters, encounters dangerous reactions from some French characters and Resistance members, and this really adds to the tension and danger that he encounters. I think that Hammond did an excellent job examining and portraying this mentality of anti-collaboration throughout the novel, especially as it is cleverly layered into nearly every interaction the protagonist has. Some of the actions of French characters who were actively resisting against the Germans were also pretty intriguing, including one particularly over-the-top one that is definitely going to stick in my mind. It was also fascinating to see what some people would do to avoid being labelled as a collaborator, even if that means completely changing who they are. I really enjoyed the author’s examination of how collaborator would have been viewed during this turbulent period of history and it ended up being an excellent and compelling addition to The Paris Collaborator’s narrative.
The Paris Collaborator by A. W. Hammond is an outrageous and impressive historical thriller that comes highly recommended. Hammond has written a fantastic fast-paced story that is heavy on action, intrigue, and amazing twists, all set amid Paris in the final days of the Nazi occupation. I had a lot of fun getting through this awesome novel, and thanks to some outstanding reveals and exciting moments, The Paris Collaborator is really going to stick in my mind. Readers are guaranteed a thrilling and clever time with this book and will power through it in no time at all.
Publisher: HQ (Trade Paperback – 3 March 2021)
Length: 460 pages
My Rating: 4.5 out of 5 stars
Interested in a fantastic historical fiction novel that looks at a unique and overlooked part of Australia’s history? Then make sure to check out The Codebreakers by bestselling author Alli Sinclair, an amazing and dramatic novel that I found to be extremely captivating and powerful.
1943, Brisbane: The war continues to devastate and the battle for the Pacific threatens Australian shores. For Ellie O’Sullivan, helping the war effort means utilising her engineering skills for Qantas as they evacuate civilians and deliver supplies to armed forces overseas. Her exceptional logic and integrity attract the attention of the Central Bureau-an intelligence organisation working with England’s Bletchley Park codebreakers. But joining the Central Bureau means signing a lifetime secrecy contract. Breaking it is treason.
With her country’s freedom at risk, Ellie works with a group of elite women who enter a world of volatile secrets; deciphering enemy communications to change the course of the war. Working under immense pressure, they form a close bond-yet there could be a traitor in their midst. Can the women uncover the culprit before it’s too late?
As Ellie struggles with the magnitude of the promise she’s made to her country, a wedge grows between her and those she holds dear. When the man she loves asks questions she’s forbidden to answer, how will she prevent the double life she’s leading from unravelling?
The Codebreakers was an amazing and well-written historical drama from Australian author Alli Sinclair, who has previously penned several other great historical novels. This latest book from Sinclair tells the impressive and captivating tale of some of the most unique women in Australia’s storied war history, the secret codebreakers of Central Bureau. This proved to be an impressive and captivating read that I powered through in a quick amount of time, especially as Sinclair came up with a clever and compelling narrative.
Throughout this outstanding tale, Sinclair not only covers the intricacies of a fascinating group of female codebreakers, also known as the Garage Girls (they worked out of a garage), but also includes some excellent character-driven drama as the protagonist is forced to come to terms with the secrecy of her work as well as the various tragedies that befall her and her friends as the war takes it harsh toll. Throw in an intriguing spy thriller angle, as the Garage Girls find out that one of their own may be a traitor, and this becomes quite an intriguing and exciting read. I loved the great blend of excitement, adventure and tragedy that the author produced, and I really liked how she not only showed the protagonist’s entire tenure with the Garage Girls but also featured the tragic aftermath of the war, where the consequences of the protagonist’s decisions and the loneliness of missing friends and colleagues forces her to choose a different path. Readers will swiftly find themselves very attached to the main protagonist and her amazing story, and I had a great time seeing this entire tale unfold.
I must highlight the excellent historical aspects of The Codebreakers as Sinclair has clearly done some intense research on this period. I really enjoyed the intriguing examination of the Central Bureau codebreakers who were active in Brisbane during WWII and who helped to decrypt transmissions and provide vital information to the Allies. Throughout this great book, Sinclair really goes into great detail about the work the codebreakers would have done and some of the impacts of their work. She also tries to examine the mentality that surrounded these codebreakers, both in their work and outside it, as each codebreaker was forbidden to talk about their work to anyone, both during the war and after it. This proves to be an intriguing and intense central part of the novel’s drama, and it is apparently based on interviews that Sinclair did with surviving members of the real-life Garage Girls. This was an impressive and amazing basis for this great story and I deeply enjoyed learning more about this fascinating and formerly-secret women.
I also enjoyed the way in which the author perfectly captured the feel of mid-war Brisbane throughout The Codebreakers’ story. Sinclair laces her narrative with a lot of fascinating discussions about various military attacks that hit Australia, wartime polices and general thoughts and feelings about the war and the people involved with it. However, I was most impressed with Sinclair’s attempts to capture the mentality of the people on the home front in Brisbane at the time. Not only did you get the frustrations of the common Australian citizen/soldier as they dealt with the deployed American soldiery, but there is also the sadness and regret of those that survived. You could almost feel the despair of several characters in this book, especially after the deaths of some of their loved ones, and it was a truly moving inclusion in this fantastic and powerful read. All of these historical inclusions were really remarkable, and I had an outstanding time exploring Sinclair’s vision of this intriguing and momentous period of Australian history.
The Codebreakers by Alli Sinclair was an awesome and moving historical drama that proved to be an exceptional examination of a truly unique group of Australian women. Sinclair makes perfect use of the amazing historical basis for her novel and turns it into quite an exciting and captivating tale of resilience, friendship and romance, which comes highly recommended. I really enjoyed this fantastic novel and I loved learning so much about the codebreakers of Australia’s Central Bureau.
Publisher: Doubleday and ISIS Audiobook (1 May 1998)
Series: Discworld – Book 22
Length: 9 hours and 57 minutes
My Rating: 5 out of 5 stars
This is part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For this Throwback Thursday I take a look at one of my absolute favourite books of all time, the incredibly funny and always enjoyable The Last Continent, by legendary author Sir Terry Pratchett.
I have never made it a secret that I absolutely love the works of the late, great, Terry Pratchett, who I consider to be one of the best authors of all time. I love and adore every single one of Pratchett’s hilarious and captivating novels, especially the entries in the wacky and wild Discworld series, a comedy fantasy series set in an absolutely insane world of magic, monsters and outrageous personalities that lies upon a disc shaped world, borne through space on the back of four elephants, who themselves are on the back of a giant turtle. I have so much love for this outstanding and hilarious series, and I have read each and every entry in multiple times. Heck, even the name of my blog, The Unseen Library, is taken from a fictional institution in the Discworld series! However, despite how much I love the series, I have so far only reviewed one Discworld novel on this blog so far (Shame! Shame! Shame!), Moving Pictures, and this is something I have been meaning to rectify for some time.
I recently did a Top Ten Tuesday list where I looked at some of the funniest books I have ever read, which included several Discworld novels, and this inspired me to do a review for another Pratchett read. I ended up going with one of my favourite Discworld novels of all time, the incredible and wildly entertaining The Last Continent, which places one of the author’s most iconic characters into the most dangerous places imaginable, Australia. I am reviewing this book slightly out of the order I originally planned, but I figured reviewing this one now may encourage me to get to others in the future. I should admit that I have not read The Last Continent recently, but this is one of the many Discworld novels that I have read multiple times, either in its paperback (I’ve actually got a signed copy of this book) or its audiobook format, and at this point I have it pretty much memorised.
So the first thing I should cover is:
“This is not a book about Australia. No, it’s about somewhere entirely different which just happens to be, here and there, a bit…Australian.
Still…no worries, right?”
Welcome to EcksEcksEcksEcks (XXXX), the Discworld’s last continent. Made by a rogue creator who snuck in after the rest of the Disc was created and kept hidden away from its other civilisations by a series of massive storms, XXXX is a deadly and dangerous place. Filled with some of the most lethal and confusing creatures on the entire Disc and populated by a friendly, if occasionally murderous, group of people, XXXX is a hell of a place to live. Unfortunately, everything in it is about to die as the water dries out and even the beer is getting hard to find.
Luckily for the people of XXXX, a hero has been found, one who is battling his way through the wastes and towns of the country, his legend growing all along. But who is this road warrior, sheep shearer, horse wrangler, beer drinker and ballad-worthy bush ranger, and why is he apparently so determined to run away from his heroic destiny?
That man is Rincewind, the Discworld’s most cowardly and inept wizard, who has been bounced from one end of the Disc to the other and been chased by every sort of monster, maniac and seller of regional delicacies you can imagine. All Rincewind wants to do is go home, and he is determined to avoid any new adventures as a chosen hero, no matter what the talking kangaroo stalking him tries to tell him. Despite his best efforts, Rincewind once again finds himself caught up in the special craziness of the locals, and if he wants to survive, he needs to find a way to save everyone. What’s the worst that could happen???
So, as you may be able to tell from the above synopsis, this is a bit of a crazy novel, but it is one that is always guaranteed to make me laugh, especially with its fantastic Australian-based humour. The Last Continent is the 22nd overall entry in the Discworld series and the sixth book to focus on the character of Rincewind. I personally have a lot of love for this particular Terry Pratchett novel, and it is probably one of my all-time favourite Discworld novels.
Pratchett came up with a pretty clever and fantastic story for The Last Continent, which sees several of his established characters get involved in wackiness all around a newly discovered continent. The main story follows Rincewind as he tracks across the wastelands of XXXX after getting sent there at the end of his previous novel, Interesting Times (there was an accident with a butterfly), and he is now primarily concerned with trying to find a way home. However, mysterious forces soon work to turn him into the hero who will save XXXX from a thousand-year crippling drought. Rincewind, who is more concerned with reaching the nearest port, soon gets involved with all manner of road bandits, deadly creatures, drunken locals and an annoying talking kangaroo, all of which lead him to the secrets at the heart of this lost continent. At the same time, the wizard faculty at Unseen University are faced with a serious problem when their trusty orangutan colleague, the Librarian, falls ill, and they require his real name to work a spell to save him. However, the only person who knows the Librarian’s real name is Rincewind, and so the faculty blunder their way through a magical portal to find him. However, in predictable fashion, they find themselves trapped on a weird island thousands of years in the past and forced to deal with an immature and slightly beetle-obsessed god of evolution.
I really enjoyed both story arcs contained within this book, and Pratchett did an amazing job bringing them together. Both have some fantastic and weird elements to them and they make great use of the particular adventures and attitudes of their relevant characters. While Rincewind is forced to run away from all manner of deadly situations you typically see here in Australia (let me tell you, the dropbears and road gangs are murder), the wizard faculty blunder their way through all manner of unique situations, mostly by ignoring what is happening to them. Each storyline is unique and has some fantastic highlights, but the real strength is the way in which Pratchett combines them together into one cohesive narrative. Not only are both distinctive arcs perfectly spread out and separated throughout the course of the book, but Pratchett does a fantastic job combining them together in a clever way. This ended up serving as a great near-final adventure for Rincewind (he’s more of a supporting character in his following appearances), and I think it did a wonderful job wrapping up his main arc. While readers should probably read some of the earlier Discworld novels featuring Rincewind (especially the preceding Interesting Times), The Last Continent can easily be read alone, and readers will have an outstanding time reading this fun and compelling comedic adventure.
In my opinion, The Last Continent is one of Pratchett’s funniest novels, although I might be somewhat biased by my own personal humour and background. I always have an outstanding time reading this book and there are so many clever jokes and amusing references that I cannot help but laugh, no matter how many times I hear them. This book has a lot of Pratchett’s classic humour elements to it, such as the unusual quirks of his various characters and the funny little footnotes, filled with great references and punchlines. The author goes off on some very entertaining segues during this book, and I love some of the great jokes he came up with, especially those that make fun of Australia.
Now, despite what the author says at the front of this book, The Last Continent is clearly a parody of Australia, and Pratchett clearly enjoyed utilising every single Australian reference or cliché he could think of to craft his funny book. The continent of XXXX is an over-the-top fantasy version of Australia, with many of the outrageous stereotypes that you would expect, as well as some more subtle choices, and it serves as a truly amusing setting for this book, especially as Rincewind perfectly plays the part of clueless tourist. While you could potentially discount The Last Continent as merely satirising Australia, I have always seen it as something cleverer, as I think that Pratchett was more making fun of the stereotypes that outsiders came up with rather than Australia itself. That being said, Pratchett, as a Brit, did take a few good shots, although that’s only to be expected. As an Australian myself, I always enjoy when comedy writers try to encapsulate Australia in their works, as it is quite amusing to see what they reference. I always thought that Pratchett did this the best with The Last Continent, as he really dived into so many aspects of Australia life, nature and culture, and there are some truly funny jokes contained within. Australian historical or cultural icons like Mad Max, Priscilla, Queen of the Desert, Skippy, The Man From Snowy River, Crocodile Dundee, and Ned Kelly are utilised in this book to great effect throughout The Last Continent, and there are some truly outrageous and clever references and jokes here.
While The Last Continent is filled with many, many funny Australian jokes, a few really stick out to me. I personally always laugh so hard when Death, wanting to learn more about the continent his elusive prey Rincewind has landed on, decides to ask his library for a list of all the deadly animals on XXXX. However, this results in him being buried by a massive pile of reference books, including “Dangerous Mammals, Reptiles, Amphibians, Birds, Fish, Jellyfish, Insects, Spiders, Crustaceans, Grasses, Trees, Mosses and Lichens of Terror Incognita: (Volume 29c, Part Three). This is followed up by a request for a list of harmless creatures on the continent, and a single card appears bearing the sentence “some of the sheep”. I love that over-the-top joke about how dangerous Australia’s wildlife is (it is honestly not that bad, although my editor was bitten by a sheep the other day), and that was one of the best ways I have seen it bought up. I also loved the references to Australian hero worship of notorious criminals such as Ned Kelly or the jolly swagman from Waltzing Matilda. There are some amazing jokes here, from people attempting to make catchy ballads, to the prison guards providing advice and help on last words and escape possibilities, all of which capture the rebellious Australian spirit. I particularly liked Pratchett’s version of Waltzing Matilda, which was perfect in its rhyme, its satirical analysis of the original poem, and how it fit into The Last Continent’s narrative:
“Once a moderately jolly wizard camped by a waterhole under the shade of a tree that he was completely unable to identify. And he swore as he hacked and hacked at a can of beer, saying ‘what kind of idiots put beer in tins?’”
Other great Australian comedic sequences for me include the scene where the Unseen University wizards attempt to design a duck by committee, resulting in the mighty platypus, an impromptu Mad Max road chase with horse-drawn carts and the constant references to a certain line in our national anthem. All of these jokes, and more, were pretty amazing and I really enjoyed seeing some of the outrageous and over-the-top elements that British culture picks up about Australia.
While I really enjoyed all the fun references to Australia, some of Pratchett’s best jokes in The Last Continent occurred during the secondary storyline that followed the faculty of Unseen University as they go back in time and encounter the god of evolution. The author uses this part of the book to make comedic observations about time travel, evolution and advanced biology. Not only does include a particularly hilarious sequence in which someone tries to explain the grandfather paradox to a group of wilfully ignorant wizards, but there are some truly funny jokes about evolution and biology which cleverly reference some advanced concepts and historical basis of the science. While I read this book years ago, it wasn’t until I took some specific biology classes that I fully grasped just how intelligent some of the jokes in this part of the book are. I personally love a book which you can come back to time and time again and find some new joke or layer to, and this is the case with The Last Continent, which no doubt still contains elements or references I’ve missed. All of this results in a comically brilliant read, and The Last Continent remains one of my favourite Disworld reads as a result.
I have always enjoyed the great character choices contained within this book, as Pratchett brings together some old favourites, as well as a few entertaining new ones, to tell the story. The main character of The Last Continent is Pratchett’s original Discworld protagonist, Rincewind, the cowardly and inept hero who cannot even spell “wizard” properly, but who has served as a world-saving hero on multiple occasions. Rincewind is always a particularly fun character to follow, not only because he constantly finds himself caught in all manner of unique situations which he heroically tries to run away from (he has become quite the expert at running away), but he has a certain realistic approach to life that allows him to see through the ridiculousness around him and address it in a funny manner. At this point in the series, Rincewind has been bounced around from adventure to adventure against his will so much that he has developed a bit of knack for knowing when it is going to happen again, including figuring out all the signs someone gives off when they are trying to con him into being a hero. It proves to be quite entertaining to see Rincewind try to escape from people trying to drag him into the narrative, especially as all his attempts to get out of dangerous situations generally put him in even worse trouble. It is also really worth seeing Rincewind’s reactions to the various elements of XXXX life, especially as he soon begins to realise that everyone there has some very unusual ideas about how to live and die, most of which he is very opposed to. I really enjoyed this more mature and somewhat resigned version of Rincewind and I have to say that this is one of my more favourite adventures of his (either this or Interesting Times). It was definitely great to see the character get a happy ending towards the end of the book for once, which he frankly deserved after his last few adventures.
While Rincewind is tearing it up in not-Australia, Pratchett also dedicates around half of The Last Continent to the characters who form the faculty of the Disc’s premier wizard school, Unseen University. Many wizard characters have featured in the Discworld books, but this current iteration of the faculty (with the exception of the Librarian) was originally introduced in the 10th book, Moving Pictures, and has remained pretty constant ever since. This group includes the hunting-obsessed Archchancellor, Mustrum Ridcully; the quite insane Bursar; the incredibly obese Dean; the amusing team of the Senior Wrangler, the Chair of Indefinite Studies and the Lecturer in Recent Runes; the orangutan Librarian (working in a library is dangerous work); and the long-suffering Ponder Stibbons, the youngest member of the faculty and the only one with any common sense. Pratchett had previously done an amazing job building up all of these characters in prior books, highlighting their unique quirks and issues, including the overwhelmingly stubborn, childish and traditionalist personalities of the older wizards. This excellent blend of personality types really makes the older wizard characters really amusing and their adventures, especially when encountering strange gods and creators who they generally ignore, are extremely funny. While an entire book about these characters would potentially be a bit overwhelming, I think that Pratchett got the balance right in The Last Continent, and they ended up serving as a fun counterpoint to Rincewind. Stibbons was also a particularly good straight-man to his fellow wizards, and the contrast between keen intellectualism and entrenched “wisdom” is a fantastic part of the book. I rather enjoyed Stibbons arc in this book, especially as you get to appreciate the true depth of his frustration with his fellow wizards, although he does gain a deeper appreciation for them as the book progresses. Other amusing storylines with the wizards includes the Senior Wrangler’s obsession with housekeeper, Mrs Whitlow, which eventually gets shared with some of the other wizards, and the uncontrollable shapeshifting infecting the Librarian, which makes for some entertaining gags. I also really enjoyed the fact that much of the book’s plot revolves around the fact that no-one actually knows the Librarian’s name, a fun feature from the previous books, and it was interesting to see the reasons why this was the case.
Aside from this fun collection of wizard characters, Pratchett makes great use of a fine selection of supporting characters, each of whom add some fantastic fun to the overall story. This includes a very inventive group of new characters, each of whom represent various parts of XXXX life, whether they be depressed operatic chefs, police officers more concerned with getting their charges ballads and famous last stands, bushland drovers, belligerent drinkers, desert-wandering crossdressers in a princess-themed cart and even a crazed road warrior named Mad. Despite most of them being the result of a punchline or extended joke, Pratchett sets each of these characters up really well and ensures each of them has a fun and satisfying character arc in the book. I also quite enjoyed the return of fan favourite character, Death, who goes on a bit of a tourist phase through the book. I really liked Death’s random appearances throughout The Last Continent, especially as he drops some amusing anecdotes about dying in XXXX, and it was also great to see his current viewpoint on Rincewind. Whereas before he was always determined to catch and kill Rincewind, as he was the one mortal who constantly got away from him, in this book, Death, who no longer has any idea of when Rincewind is actually going to die and is now quite fascinated by him, keeps himself appraised of his progress and is generally friendly to him, even if that freaks Rincewind out. I also loved the appearance of another member of the extended Dibbler clan, even if the XXXX version was a parody of a certain unpleasant right-wing political figure here in Australia. The appearance of another ruthlessly mercantile hot-food dispenser with inedible food is a great continuation of a running joke Pratchett has been using for several books, and it is one that really pays dividends in The Last Continent, when Rincewind recounts all the terrible foods he’s eaten over the years from the various Dibblers he has encountered, which then runs into a fantastic diatribe about the dangers of national delicacies, especially XXXX’s meat pie floater (a real meal here in Australia, although there is no way in hell I would ever eat one). All of these characters add so much to the book’s story, and I love the inventiveness that Pratchett puts into them.
While I have enjoyed all the Discworld novels in their physical paperback format at one point or another, my preferred way to experience a Pratchett novel these days is in its audiobook form. All of the Discworld novels have been turned into excellent audiobooks over the years, and The Last Continent is no exception. Narrated by the outstanding Nigel Planer, who ended up narrating over 20 Discworld novels (The Last Continent was the penultimate Discworld book he leant his voice to), and with an easily enjoyable runtime of just under 10 hours, this is a pretty fantastic audiobook that I regularly rush through in not time at all. I find that all the awesome jokes in this book come across in the audiobook format extremely well, even the jokes traditionally contained within the book’s footnotes, and Planer’s witty voice is always pitched at the best tone to bring out the joke’s potential. I really appreciate the way in which Planer utilised the same voices for the various recurring characters he has used in all their previous appearances, and each of the voices fit the characters very well. I also really enjoyed the voices he came up with all the new characters, and it was exceedingly amusing to see him come up with a range of Australian voices and accents and have them belt out a variety of outlandish slang terms. All in all, this turns out to be an excellent audiobook version of The Last Continent and it is pretty much the only way I enjoy this novel at the moment.
As you can see from the huge review I pulled together above (I have written university essays that were shorter), I really love The Last Continent. This fantastic Australian parody is easily one of my favourite Discworld novels, and I deeply enjoy the outstanding and entertaining story that Pratchett wove around this outrageous version of my country. Anyone who is familiar with anything Australian is going to have an incredible time reading this book, and I honestly do not think I could give this anything less than five stars. A highly recommended read from one of the funniest authors of all time.