Waiting on Wednesday – Dark Desert Road by Tim Ayliffe

On October 25, 2025 By The Unseen LibraryIn Australian, Thriller, Waiting on Wednesday2 Comments

In addition to the Waiting on Wednesday post I did for 30Seven by Jeremy Robinson, I’m also going to do an additional post this week for an awesome upcoming Australian crime fiction read. This is to make up for missing my regular Waiting on Wednesday post last week (I was away), plus I really wanted to talk about this book which I literally discovered was coming out last night. This new book is Dark Desert Road by impressive Australian thriller author, Tim Ayliffe, which sounds extremely awesome.

Tim Ayliffe is a rising Australian author whose work I have been really enjoying in recent years, primarily thanks to his John Bailey series. Utilising his experience as a journalist, Ayliffe has pulled together a series of compelling and complex crime fiction novels as part of a series that follows his journalist protagonist, John Bailey, as he finds himself part of a series of dark crimes and conspiracies. Many of these books, which include The Greater Good, State of Fear, The Enemy Within, Killer Traitor Spy and The Wrong Man, cleverly reference or utilise real-world elements that have been impacting Australia, such as terrorism, espionage and the rise of right-wing extremism, to enhance their narratives. I have really enjoyed these excellent books, which are regularly amongst the best Australian novels released each year, and it is always interesting to see what Ayliffe explores next.

While I was hoping that we would be getting a new John Bailey novel soon, it looks instead that Ayliffe is going in a very different direction with his next book, Dark Desert Road. Following a new protagonist, Dark Desert Road will feature a complex Australian thriller as a burnt-out cop attempts to save her long-estranged family while also dealing with the dark fringes of Australian society. Set for release in early January 2026, Dark Desert Road will likely be one of the very first books I read in the new year, and I am already excited by its compelling sounding plot.

Plot Synopsis:

Kit McCarthy hasn’t seen her identical twin sister, Billie, in more than a decade.

The sisters don’t see eye to eye, which is understandable, considering Kit’s a police officer and Billie followed their violent father into a life of crime.

Kit is no angel. Burnt out by years working in child protection, she has been accused of using excessive force in the arrest of a violent drunk. Kit has just been ordered to take time off work when she gets a frantic message from Billie, telling her she has a young son and that somebody is trying to kill her.

And then Billie disappears.

Determined to find her estranged sister, Kit’s only lead comes after visiting their father in prison. Malcolm McCarthy claims Billie married a former United States Marine and has been living with a group of sovereign citizens in the desert country of the New South Wales Riverina.

Kit’s journey to find Billie takes her through shuttered towns destroyed by drought, where everybody owns guns, nobody talks to cops, and people get lost for a reason.

Out here a war is brewing between a ruthless bikie gang and a separatist community that is re-engaging with society in the most violent way.

Kit will risk everything to find her sister and the nephew she never knew she had.

But does Billie really want to be saved?

Ok, now this looks like another particularly impressive Australian crime fiction novel from Ayliffe. Moving away from the author’s previous journalistic/espionage focused narratives in the big city, Dark Desert Road will be more of a classic, outback Australian crime fiction tale, loaded with gritty action, complex characters and an isolated setting. However, Ayliffe will also throw in his customary examination of Australian society, this time by looking at sovereign citizens in the countryside, which, thanks to recent tragic events, is a very significant issue. I look forward to seeing Ayliffe’s compelling take on this, as well as his depiction of Australia’s declining rural towns, and I am curious to see what sort of story he writes around them.

Due to how compelling and socially relevant Ayliffe’s previous novels have been, I’m quite keen to check out Dark Desert Road, especially as it has an outstanding sounding plot behind it. It is going to be interesting to see Ayliffe focus on a new protagonist and a very different story focus, and I strongly believe that Dark Desert Road is going to be one of the top Australian releases of 2026, and I am very excited to check it out.

The Bolthole by Peter Papathanasiou

On September 24, 2025 By The Unseen LibraryIn Australian, Murder Mystery1 Comment

Publisher: MacLehose (Trade Paperback – 29 July 2025)

Series: DS George Manolis – Book Four

Length: 349 pages

My Rating: 4.25 out of 5 stars

Amazon

Acclaimed Australian crime fiction author Peter Papathanasiou returns with another outstanding entry in his DS George Manolis series, The Bolthole.

Peter Papathanasiou is an Australian author who has been making some excellent waves in recent years with his intricate and culturally relevant murder mysteries set around striking areas of outback Australia, as well as one novel set in Greece. These books form part of his DS George Manolis series, which I had had the pleasure of first reading in 2023 with the third entry in the series, The Pit. A fantastic novel that combined moving character history with the red desert of the Kimberley mining region, The Pit was a captivating and memorable novel that I had a great time with. As such, I was very interested when a copy of The Bolthole arrived, and it proved to be another curious read.

Plot Synopsis:

Located off the coast of South Australia, Kangaroo Island lies surrounded by violent seas harbouring deadly great white sharks and forgotten shipwrecks.

Over the centuries the Islanders have cultivated a sense of self-sufficiency, independence and resilience. But times are changing: multimillionaires from the mainland are building immense clifftop mansions and filling the skies with private planes and helicopters. A quiet paradise is being transformed into a bolthole for the rich and privileged. And the locals aren’t happy.

Richard Marlowe, a wealthy “blow-in” to the island, goes missing, last seen wading into the ocean for a dawn swim. A shark attack is blamed, but things don’t add up. Reuniting for a new investigation, Detective Sergeant Manolis and Senior Constable Sparrow arrive on the island, but their presence isn’t welcomed, either. Faced with hostility from both Islanders and newcomers, their attempts to locate the missing man are derailed by a civil war over limited resources, a fragile environment, and fractured community dynamics.

The Bolthole was another compelling novel from Papathanasiou that successfully blended a cool focus on an iconic Australian setting with a slow-burn mystery. The result was an awesome novel that I had an excellent time getting through and which consistently kept my attention.

Papathanasiou’s new novel is primarily set on the historical and picturesque Kangaroo Island and features an intricate mystery about a powerful business luminary who goes missing during his morning surf. Arriving on the island, protagonists Detective Sergeant Manolis and Senior Constable Sparrow begin an investigation of the disappearance. With a split focus between these two protagonists, The Bolthole’s narrative goes at slow but steady pace, as the police officers become familiar with the island, its people, and certain controversial local politics and developments that the victim, Richard Marlowe, was involved in.

The author sets The Bolthole’s mystery out in a very methodical and detail focused manner, with the protagonists trying to learn everything about the victim and potential suspects in the case, while also dealing with their own personal conflicts and concerns. While the plot was often focused more on the social, cultural and environmental issues affecting Kangaroo Island, the investigation angle was constantly ongoing, and Papathanasiou continued to fit in subtle clues and development. The conclusion of The Bolthole was intense and captivating, with several clever twists, some great reveals, and even a bit of exciting action. Most readers are going to come away from this novel very satisfied, and I felt that Papathanasiou produced an impressive piece of Australian crime fiction.

The Bolthole proved to be an effective, character-driven mystery novel that once again showcased the author’s love of remote and unique locations. A rich and detail laden book, The Bolthole is a slower read than most crime fiction novels; however, this deliberate pacing from Papathanasiou allows him to feature a great collection of supporting characters, while also really diving into compelling setting of Kangaroo Island. The author spends a lot of time exploring the island, and readers come away with a great deal of knowledge about its history, environment and culture, with a particular focus on some of the modern issues impacting it. This includes extended discussions about new developments, exploitation of natural resources, impacts on the environment, and concerns about cultural changes to Kangaroo Island led by new wealthy residents buying up the land. While the focus on these issues comes across a little preachy at times, it plays into the narrative around the main mystery extremely well and helps to explore certain character motivations and attitudes, while also laying down some false leads for the reader. As such, the resulting mystery proves to be quite compelling, and the unique tone that Papathanasiou took for this book is going to appeal to a lot of readers.

On top of the above elements, I must also mention the great characters featured within The Bolthole, as Papathanasiou brings back the two main protagonists from his previous novels, Detective Sergeant Manolis and Senior Constable Sparrow. Both these police characters have some interesting character elements, which the author does an excellent job exploring through their separate perspective chapters. Manolis, for example, is still dealing with certain revelations about his family that came up in previous books and spends much of the novel guilty about how the truth will impact his partner. At the same time, he tries to balance his obsession with finding justice with his failing marriage and his inability to properly prioritise them. Sparrow, on the other hand, is dealing with his extreme dislike of the island due to the historical atrocities inflecting on his people there by white settlers, as well as issues around his own past and hidden sexuality. While the author somewhat overplayed Sparrow’s cultural outrage and snarky nature in this book, for the most part these two protagonists are great to follow, and they blend well with the massive array of supporting characters that populate the author’s version of Kangaroo Island. There are a lot of interesting figures in this supporting cast, and it proved fun to see the protagonists dive into their various histories. This includes the victim, Richard Marlowe, whose own history and motivations proved quite interesting to uncover. These characters, and more, all added a lot to The Bolthole’s overall impact, and it allowed for quite a compelling narrative in the end.

Peter Papathanasiou continues to showcase his skill as one of Australia’s more unique crime fiction authors with the distinctive novel, The Bolthole. An excellent book with a lot of interesting elements to it, The Bolthole hits hard and keeps the reader’s attention with a great mystery and a compelling look at certain real-world issues. A recommended novel, especially for those who love crime fiction reads that make full use of the background settings.

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The Reunion by Bronwyn Rivers

On April 15, 2025 By The Unseen LibraryIn Australian, Thriller1 Comment

Publisher: Constable (Trade Paperback – 11 February 2025)

Series: Standalone

Length: 360

My Rating: 4.5 out of 5 stars

Amazon

New author Bronwyn Rivers bursts onto the Australian crime fiction scene in a big way with her impressive debut, The Reunion, a compelling and highly addictive read set in Australia’s iconic Blue Mountains that brings up dark secrets from the past.

Plot Synopsis:

Ten years ago, six teenagers hiked into the Blue Mountains wilderness – and only five came out alive.

The survivors have barely seen each other since the tragic bushwalk. Yet when an invitation arrives to attend a 10-year memorial of their friend’s death, Hugh, Charlotte, Alex, Laura and Jack find themselves travelling back into the rugged landscape where it all began.

The weekend at an isolated homestead in the bush – no phone signal, no distractions – should be a chance to reflect and reconnect.

But each of the friends has been carrying secrets from the fateful hike. And someone will stop at nothing to get the truth.

The Reunion was an impressive first novel from Rivers, who brings together a powerful, character-focused mystery that drags her protagonists through trying times in both the present and the past. Intense, captivating and filled with great twists, The Reunion was an excellent Australian debut that I had an amazing time reading.

This was a very exciting and intricate Australian crime fiction book that follows several damaged characters as they navigate their darkest secrets. Following five school friends reuniting for the 10-year anniversary of their friend Ed’s death, The Reunion starts with a necessary introduction of the characters in the present and their current issues. Cut with flashback chapters to the fateful group hike where Ed died, the initial 50 pages of the book are a tad slow to start with, although there is some very useful set-up here, as Rivers establishes the key characters and the scenario they are getting into. However, I didn’t think things really get started until the protagonists find themselves trapped in Ed’s family homestead in the Blue Mountains, caught up in a desperate plan by his grieving mother, who is convinced that there is more to the story then they ever told.

Suddenly finding themselves alone on the homestead with no water, no communication, and no ability to safely leave the property, the five friends start to find their secrets coming to light around them, which they must confront before Ed’s mother will let them leave. The protagonists’ attempts to survive at the homestead are perfectly cut with a variety of flashback chapters that showcase both the events of the hike and look at other key events of the protagonists’ lives that give them potential motive for killing Ed all those years ago. The blend of past and present storylines works extremely well to tell a complex story of lies, secrets and dark events, and you soon become obsessed with working out what really happened all those years before, as well as how the current scenario plays out. I felt that these storylines came together extremely well, as not only is there an intriguing end to the flashback sequences in the bush, but the main story ends with some intense and dangerous moments as the well-written and complex protagonists face the consequences of their actions. Featuring a surprisingly fast-paced but satisfying end to the captivating narrative, The Reunion came together extremely well, and I personally really liked the final twist, which wraps everything up in a fantastic way.

I felt that Rivers pulled together The Reunion quite nicely, and this ended up being a tight and powerful crime fiction read that really grabs the reader’s attention. Featuring an excellent narrative that perfectly oscillates between the present storyline and the various glimpse of the past, Rivers was able to provide a very moving and thrilling read that cleverly explored the history and psyches of the damaged characters and provided greater context for the main plot. The switches each chapter between the five characters worked well to expand each of their roles, and it was fascinating to see the differences between all the protagonists in the past and the present. While Rivers could have possibly made it a bit clearer who each chapter was focussing on (say by putting the name next to the chapter number), the switch between characters allowed for a highly personal read, as you experience each character’s growth and current damage. The author also ensures that the reader gets some interesting alternate views of the hike’s missing person, Ed, especially as the more you see of him the more you realise several characters may have had very valid reasons to kill him, which helps to deepen the mystery. Throw in the excellent use of the beautiful Blue Mountains setting as background for this story, which Rivers lovingly brings to life with her effective descriptions, and this was a very cool standalone crime fiction read that had a lot of impressive layers to it.

An overall sharp, captivating and well-thought-out Australian crime fiction debut, The Reunion was an outstanding first book from Bronwyn Rivers that proved hard not to enjoy. Featuring great twists, damaged characters, and excellent use of flashback chapters to paint a complex story of secrets, betrayal and tragedy, The Reunion comes highly recommended, especially for those readers keen for an impressive new talent.

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The Bluff by Joanna Jenkins

On March 10, 2025 By The Unseen LibraryIn Australian, Murder Mystery3 Comments

Publisher: Allen & Unwin (Trade Paperback – 4 March 2025)

Series: How to Kill a Client – Book Two

Length: 432 pages

My Rating: 4.5 out of 5 stars

Amazon

Impressive new Australian author Joanna Jenkins presents another captivating piece of crime fiction with the gripping and emotionally charged read, The Bluff.

Back in 2023 I had the very great pleasure of reading the fantastic legal thriller, How to Kill a Client. The debut novel of Australian author Joanna Jenkins, How to Kill a Client followed various members of a prestigious Australian law firm who are forced to deal with the fallout of the murder of one of their biggest clients, a man who everyone in the firm had a motive to kill. Jenkins produced an outstanding story in her first novel, and How to Kill a Client ended up being one of my favourite debuts and pieces of Australian fiction of 2023. Due to how good her first book was, I have been keeping an eye out for anything else from Jenkins and I was very happy to see she had a new book coming out in 2025 with The Bluff. A surprising sequel to How to Kill a Client, The Bluff has been on my to-read list for a while, and I was very glad that I finally got the chance to check it out.

Plot Synopsis:

People like Dash didn’t die. He was only what? Mid-thirties? Well off. Adored. By some anyway. World at his feet. Well, Myddle at his feet, which was his world.

Ruth Dawson has taken a break from big city law to fill in for a few months at a mate’s small-town legal practice in Myddle. It’s not what she’s used to . . .

So when she hears the front door of her office open she’s expecting a weird demand, or a question she doesn’t know the answer to. But it’s Bea Baulderstone’s mum, worried that she hasn’t seen her seventeen-year-old daughter for five days, and Constable Gazza Parker is refusing to report the girl missing.

Ruth tries to find Bea, but Myddle is a wall of indifference. Then Dash Rogers is found at his farm gate, dead from a gunshot wound, and suddenly the town is very interested in Bea’s whereabouts.

An unputdownable thriller of deception and greed, The Bluff reveals an enmeshed web of family and community loyalties, set in the lush rural hinterland of east coast Australia.

The Bluff was an extremely captivating and complex Australian thriller from Joanna Jenkins that stands on its own feet while also serving as a great sequel to How to Kill a Client. Featuring a fantastic character-driven story loaded with mystery, impressive storytelling and an excellent rural setting, The Bluff had me hooked very quickly, and I ended up powering through it in a day.

I really enjoyed the amazing story that Jenkins came up with for The Bluff, as she provides both an intriguing mystery, and some great character development. A mostly standalone plot set after the events of How to Kill a Client, the reader is reintroduced to high profile layer Ruth Dawson, who is taking a break from the high-flying life to manage a small law firm in the small New South Wales town of Myddle. This change in setting and story focus towards a rural thriller, rather than the big-city legal thriller of Jenkins’ previous book, proved to be quite effective, as was the very clever way the author set out The Bluff’s story.

Jenkins ensured that readers get dragged into The Bluff’s tale almost immediately, with two very quick sequences at the start: one that showed a key moment of the plot without any context, and then a subsequent scene where the protagonist is reintroduced and then finds out about the narrative’s two main mysteries, a missing girl and a murder. With these important bits of information in your brain, the reader is then transported back six months and is shown all the events that occurred over this period that led up to the disappearance of Bea Baulderstone and the murder of Dash Rogers. Through this six-month period, you become acquainted with all the key players around Myddle and observe their interactions with the victims and the protagonist, and you begin the appreciate the complex web of relationships, problems and personalities that surround the case, as well as the many potential motivations for the book’s main crimes.

This dive back in time was an outstanding writing choice by Jenkins that allowed the reader to really appreciate the full breadth of the relationships and troubles that accompany the crime, all while perfectly utilising The Bluff’s excellent rural setting. With every brick of plot laid down to hint at the events to come, you find yourself becoming more and more involved with the plot as you try to picture how and why the murder will occur and which of the many interesting and emotional characters may commit it. The inclusion of a countdown at the start of each new chapter gives a great ticking clock vibe to The Bluff, and you become more and more anxious and excited as you get closer the plot’s principal event. The reader also begins to appreciate just how despicable the main murder victim is, and that allows for an even more compelling read, as you can see just how many potential people have a motive to kill him, as well as cause the disappearance of the missing girl.

The final third of The Bluff is probably the best, and I flew through it to find out how the story ends. The final series of events leading up to the pivotal killings are particularly dark (and potentially triggering for some readers), and it was fascinating to see everyone’s emotional state in advance of this crime, especially as there are so many potential suspects. However, rather than show the killings there, Jenkins instead jumps back to the timeline from the front of the book and spends the last 100 or so pages dealing with the subsequent investigation, with the protagonist pulling events together. I liked this delay, as it provided an excellent trickle effect for the twists and also allowed the protagonist to shine as she uses her knowledge of events and her own skills at deduction to identify the culprit and protect her friends in the town. The eventual solutions for the mysteries were very clever, and Jenkins did such a great job subtly dropping the clues throughout the backstory of the plot and setting up the various motivations. I really appreciated the many complex and compelling twists which fit into the plot perfectly, especially the last one that really made you think.

This entire brilliant story is wrapped up in some great character arcs, as Jenkins features a range of protagonists and potential suspects, each of whom were quite compelling and brought different shades of drama to the plot. I loved seeing their complex relationships and interactions throughout the plot of The Bluff, especially those that could lead to them committing the book’s main crimes. There are some really great characters here, and it was especially interesting to see more of series protagonist Ruth Dawson, who is not only continuing to move on from the personal trauma and loneliness that was a key part of How to Kill Your Client, but is also trying to figure out where her life is going after the collapse of her previous law firm. These character arcs come together in a very satisfying manner at the end of The Bluff, and a lot of this book’s complexity and strength came from how relatable and compelling Jenkins’ made these various characters, especially when it comes to their anger, fear and potential ability to commit murder.

Overall, The Bluff was an exceptional and deeply impressive sequel from Joanna Jenkins that I think was even stronger than the excellent first book. Featuring a very clever and well-written narrative that brings together powerful character storylines and a great rural setting with complex mystery, The Bluff proved to be extremely captivating, and you will become engrossed in uncovering the full extent of the plot. One of the best Australian crime fiction books of 2025 so far, The Bluff comes highly recommended and is really worth checking out.

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High Wire by Candice Fox

On January 21, 2025 By The Unseen LibraryIn Australian, Thriller3 Comments

Publisher: Bantam (Trade Paperback – 24 September 2024)

Series: Standalone

Length: 480 pages

My Rating: 4.5 out of 5 stars

Amazon

One of Australia’s top authors of crime fiction finishes of 2024 with a massive bang as Candice Fox presents the powerful thriller, High Wire.

Few authors had the awesome year that Candice Fox did in 2024, as the author released three impressive crime fiction reads. The first of these was the fast-paced crime fiction read, The Murder Inn, which Fox cowrote with the legendary James Patterson. The sequel to their previous book, The Inn, The Murder Inn was a fantastic book that once again highlighted how well Fox and Patterson work together (see my review for their other book 2 Sisters Detective Agency). Fox also released the intense character-driven thriller, Devil’s Kitchen, that saw two highly damaged characters attempt to uncover the secrets of a seemingly heroic group of firefighters with a true dark side to them. Both The Murder Inn and Devil’s Kitchen were outstanding reads, and I was very happy I checked them out. However, Fox decided to provide us with even more fun before the year was over with the standalone novel High Wire. Taking the author back to her home country, High Wire was a compelling and deeply intense Australian thriller that takes you hostage and refuses to let go.

Out in the outback of Australia lies a notorious unmarked track known as the High Wire. Cutting across the country from Broome to Sydney, the High Wire is a lawless road full of small towns, unregulated trails and mobile phone blackspots. A favourite hangout of smugglers, hijackers and criminals, only the desperate, the dangerous and those looking for trouble use the High Wire.

Harvey Buck, former soldier and current recluse, knows all about the dangers of the High Wire, but desperation forces him to travel along it to reach his dying girlfriend. Despite knowing better, he stops to pick up a hapless traveller, Clare Holland, whose car has broken down on the road. However, Clare isn’t the person he should be worried about, as the two are soon ambushed by a masked assailants with their own sinister agenda.

Strapped into bomb vests, Harvey and Clare are forced into a twisted game by vengeful figures from Harvey’s past seeking to ruin his life and reputation. Forced to commit a series of increasingly murderous missions across several small towns, the two prisoners try to work together to escape and stop the insanity going on around them. Harvey and Clare’s only hope may be Senior Sergeant Edna Norris, one of the few police officers stationed on the Wire, and who soon begins to follow the trail of destruction being left in their wake. But Edna has her own problems, especially when Clare’s husband arrives on the scene with his own dark plans.

High Wire was another awesome book from Candice Fox that provides readers will some of the best Australian thrills and action that there were likely to get in 2024. Featuring a bold, compelling and powerful character-driven tale of revenge and escape, High Wire was an outstanding read from one of my favourite Australian authors and one that I cannot recommend enough.

Fox hits the ground running hard with High Wire’s excellent narrative, and I honestly was hooked early on thanks to the compelling and intense story. Quickly introducing the protagonist, Harvey Buck, as well as the High Wire, the lawless road that serves as an intriguing background setting for the plot. After a quick introduction to a secondary protagonist, the mysterious Clare Holland, the main plot of High Wire takes off as the two are ambushed by a group of armed attackers, who take them prisoner after a bloody shootout, and strap them into elaborate bomb vests. Fox keeps the tension running high here, as it becomes clear that the kidnappers know Harvey and are seeking revenge for some past misdeed. Around the same time, the readers are introduced to the other major point-of-view character, Senior Sergeant Edna Norris, who finds herself on the trail of Harvey, Clare and the kidnappers without knowing who is responsible and with an unlikely teenage sidekick helping and hindering her in equal measure.

The plot soon becomes even more intense on several levels, as Fox works several intriguing storylines and elements simultaneously to tell a complex and exciting narrative. The main plot around Harvey and Clare proves to be quite intense, as the two are forced to commit a series of brutal crimes while also trying to escape or take out their captors. Fox carefully doles out intriguing background on both Harvey and Clare to the readers, and you soon discover both have complicated pasts, as Clare is running from her suddenly murderous husband, while Harvey’s past connection to the kidnappers is revealed in a series of dark flashbacks. These flashbacks help to paint the main storyline in some different shades of grey, as you begin to realise that Harvey isn’t the moral hero you initially believed he would be, and while the antagonists are worse, you begin to doubt that Harvey deserves to survive.

At the same time, the focus on Edna and her intriguing supporting cast goes in some interesting directions, as she follows the carnage left behind by the kidnappers and their unwilling pawns. Not only is Edna forced to deal with her hard-headed charge Talon, but she finds herself in all manner of trouble when Clare’s husband, Gareth Holland the Northern Territory Police Commissioner, arrives on the scene looking for his wife. Instantly suspicious of Gareth, Edna is forced off the case due to police politics but continues to try and investigate, determining that she needs to get to Clare first. Edna’s storyline, which I personally enjoyed the most in High Wire, goes in some fantastic directions, and she soon finds herself forced to survive the murderous attentions of Gareth, while also trying to solve the clues being left behind by Harvey. Fox does an excellent job running these somewhat separated storylines simultaneously, and they tie into each other just enough to create an amazing overarching narrative. Fox wrapped these various storylines up in a very effective way, with a satisfying moment in the Edna storyline, while the main narrative goes out on a very dark note, which I felt was a powerful result to some of the character work that Fox had been building up. This honestly ended up being an epic and compelling standalone thriller, and I really appreciated how Fox held back no punches to create this powerful read.

Fox did another amazing job bringing this intense and complex narrative together, and I felt that High Wire was one of her more hard-hitting and enjoyable novels. I loved how the author imbued High Wire with a very dark edge, and between the intense action, despicable villains and deadly plot you really come away not wanting to visit central Australia. The setting of the “High Wire”, a semi-secret road running the length of Australia proved to be an awesome background, and Fox’s strong descriptions of the red-earthed, isolated road combined with its inherent lawlessness and dangerous inhabitants, gave me some major Mad Max vibes as I was reading the book. I felt that Fox utilised this setting perfectly throughout High Wire, and it helped to give this novel a very distinctive feel. The author also made great use of splitting the story across several intriguing central characters. The two main storylines, the one involving Harvey and Clare and the one following Edna and Talon, played off each other extremely well, and having Edna constantly behind the other protagonists and their captors allowed for a great chase narrative, as they tried to interpret all the events going on in front of them. Information from Harvey and Clare also cleverly increased the tension in the other storyline, especially as you learn in advance just how deadly secondary antagonist Gareth Holland is, which allows you to fully appreciate his manipulations and darker agenda. The balance between these two storylines was extremely effective, even with the additional flashback chapters, and this ensured that High Wire had a great pace to it that easily keeps the reader’s attention.

High Wire’s intense and compelling story was greatly enhanced by several fantastic and complex characters whose unique, and often dark narratives, provided some nuanced and complicated tales of personal growth and survival. The main protagonist, Harvey Buck (a great uber-masculine name btw), is a former soldier who spends the book trying to survive the plans of his attackers and save as many people as possible. While Harvey seems to be a good character, Fox makes excellent use of flashbacks to dive into his history with the antagonists, which provides some added complexity to the plot, as both sides have committed atrocities against the other. The same can be said for secondary protagonist, Clare Holland, a seemingly helpless figure inadvertently dragged into events. While Clare is portrayed as a victim for much of the plot, she eventually reveals an intriguing backstory to Harvey that ties into her complicated marriage, which implies she isn’t as innocent as she seems. The character I most got drawn to was local cop, Senior Sergeant Edna Norris, who comes away as one of the few legitimately decent people in the book. Thanks to her caring personality and clever insights, Edna is a protagonist you can get behind 100%, and even when elements of her past are brought up, it proves hard not to still see her as the best figure in the book.

Aside from these key characters, Fox features several intriguing supporting figures in High Wire, including some impressive antagonists. The main supporting character that is featured in the book is Talon, a teenager who is taken under Edna’s wing after she arrests him. An initially annoying and impulsive figure, Talon grows on you as the book continues, especially with his entertaining imagination and surprisingly accurate insights. However, it is the villains of the High Wire who I think stole the show here. The two kidnappers who take control of Harvey and Clare with bomb vests prove to be despicable, if highly damaged figures, and it was fascinating to see how much their current behaviour is due to previous rough treatment from Harvey. Clare’s husband, Gareth Holland, proves to be an excellent secondary antagonist, especially as he has his own murderous agenda and uses his position as Northern Territory Police Commissioner to get away with his goals. In some ways Gareth was a better villain than the kidnappers, especially as he is far more soulless figure who ends up being quite smug and controlling. I really enjoyed the entertaining way that Fox wrapped up Gareth’s storyline in this book, and it was quite satisfying to see him get what he deserved. These character deeply enhanced Hire Wire’s narrative, and it was awesome to see their various storylines unfold.

High Wire ended up being an incredible and thrilling piece of crime fiction from one of Australia’s best writers Candice Fox. Dark, brutal and filled with some complex and damaged characters, High Wire quickly gets you hooked, and you are in for an outstanding time with this brilliant read.

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Quick Review – Gunnawah by Ronni Salt

On January 19, 2025 By The Unseen LibraryIn Australian, Murder Mystery, Quick Review4 Comments

Publisher: Hachette Australia (Trade Paperback – 1 January 2025)

Series: Standalone/Book One

Length: 328 pages

My Rating: 4.5 out of 5 stars

Amazon

New Australian author Ronni Salt presents a compelling new crime fiction debut with the fantastic novel Gunnawah, an intriguing and distinctive read that explores an intriguing period of rural Australian history.

Plot Synopsis:

It’s 1974 in the Riverina

The weather is hot

But the body in the Murray River is stone cold . . .

A captivating and compulsive crime thriller about guns, drugs and a young woman dead on the money

When nineteen-year-old farmgirl Adelaide Hoffman applies for a cadetship at the Gunnawah Gazette, she sees it as her ticket out of a life too small for her. The paper’s owner, Valdene Bullark, seeing something of the girl she once was in young Adelaide, puts her straight to work.

What starts as a routine assignment covering an irrigation project soon puts Adelaide on the trail of a much bigger story. Water is money in farming communities, and when Adelaide starts asking questions, it’s like she’s poked a bull ant’s nest. Someone will do whatever it takes to stop Adelaide and Val finding out how far the river of corruption and crime runs.

Shady deals. Vested interests. A labyrinth of lies. It seems everyone in Gunnawah has a secret to keep. And too many are already dead quiet.

Set deep in the heart of rural Australia during the era of Gough Whitlam, pub brawls and flared jeans, Gunnawah is a compulsive crime thriller of corruption, guns and drugs from Australian Noir’s most arresting new voice.

Gunnawah was an excellent first book from Ronni Salt that was an amazing and entertaining bit of Australian fiction to start 2025 on. Cleverly examining the unique landscape of Australia’s Riverina area in the 1970s and diving into its controversial history, Gunnawah was a fast-paced and surprisingly complex read that blended big characters with an addictive crime fiction narrative.

The book has an interesting, if slow, start to it, as the reader is introduced to the protagonist, Adelaide Hoffman, as well as the various other memorable inhabitants of the town. Much of the first third of Gunnawah is dedicated to building these figures up, while also hinting at the many secrets surrounding the town. While readers don’t get a lot of excitement off the bat in Gunnawah, I felt that this slow burn start was vital to the book’s later impact, especially as Salt loads up a ton of clues and hints about the later events of the book.

Things begin to heat up when the protagonists discover that there is a darker side to their small town, especially when it becomes clear a vital new irrigation project has ties to a local drug operation, while other crimes remain hidden in the shadows. There are some tense scenes as Adelaide, Val and their offsider Wayne begin to uncover what’s really going on around Gunnawah. However, it is the last third of the book that really ensures Gunnawah sticks in the mind. Starting off with a big event that is reminiscent of a particularly infamous Australian crime, the protagonists are soon thrust into greater danger and are forced to fight back like the battling Australian farmers they are. There are some awesome scenes here, especially as damaged protagonist Adelaide shows how badass she is, and I liked some of the satisfying conclusions that occur to the main story. Salt also cleverly ties up some other intriguing mysteries that have been running alongside the central plot, and I liked the solutions that emerged, especially as the resulting reveals were well built up in the earlier parts of the book. Readers come away very satisfied with how Salt concludes Gunnawah, and there is some potential to continue this book as a series if the author wants to.

Salt pulls together an intriguing book for her debut that blends a fantastic crime fiction read with some cool historical inclusions and a subtle web of humour that proves hard to get away from. Featuring a mass of interesting perspective characters, Gunnawah’s plot revolves around finding out all their relevant secrets and working together the storylines of the various big personalities in the town. These multiple perspectives help to create a complex and layered narrative, and they often backup the fantastic central characters of Adelaide and Val. The author builds up some excellent character development and human moments throughout Gunnawah, especially as there are some complex and damaged protagonists featured throughout. For example, Adelaide comes into the narrative traumatised by a previous incident that is expanded on as the book continues, and it was great to see her regain her confidence as Gunnawah continues.

The rest of the characters in the novel are an excellent combination of outrageous small-town folk, and a lot of Gunnawah’s humour is built from the fantastically funny interactions between these entertaining figures. For example, Val and Wayne, long-time friends who have history with the seedier side of Sydney before coming to small-town Gunnawah, prove to be a highly entertaining duo, and I enjoyed how they took events into their own hands, especially when it comes to protecting Adelaide. Other great humorous figures include the ambitious, if slightly hapless, mayor of Gunnawah and his social-climbing wife, whose antics in face of the serious crimes going on around town prove to be a lot of fun. These figures, as well as a range of other great exaggerated small-town folk in Gunnawah, add a lot to how entertaining Gunnawah proved to be, and I am curious to see if Salt will revisit them in any future books.

Another amazing aspect of Gunnawah that I really enjoyed was the fantastic historical background surrounding the main setting of the plot. Salt did a great job emulating a Riverina town for this book, and you really got the sense of a small Australian town in the 1970s, with the mixture of farmers, local politics and other country folk. Small towns always work well in Australian crime fiction, especially as readers love to see antics out in the bush, and Salt makes her story stand out by tying the narrative into real-life crime aspects of 1970s Australia. In particular, the narrative features representatives of a criminal organisation active during the period, and one of the major events of the books is highly reminiscent of the Donald Mackay incident. The author also includes a lot of references to larger events occurring around Australia during the period, especially rampant police corruption in New South Wales, as well as a focus on Australian politics. I personally enjoyed seeing the references to the Gough Whitlam era, and Salt actually includes a visit from Whitlam to Gunnawah as part of the plot, which proves to be quite a fun scene, especially when two of the book’s more entertaining personalities become involved. These intriguing historical inclusions give Gunnawah some real authenticity, especially if you are familiar with how bad things got in the Riverina area during the period, and I appreciated how Salt worked it into her narrative.

Ronni Salt comes out of the gate swinging with her first novel as Gunnawah proves to be an outstanding and compelling piece of Australian fiction. An amazing debut to start 2025 on, Gunnawah featured a great blend of crime fiction and historical inclusions to create a gripping and entertaining read. I had an awesome time reading Gunnawah, and I look forward to seeing what Salt writes next.

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Waiting on Wednesday – High Wire by Candice Fox

On June 20, 2024 By The Unseen LibraryIn Australian, Thriller, Waiting on Wednesday8 Comments

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy. I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. In this week’s Waiting on Wednesday, I look at an awesome upcoming piece of Australian fiction from an author who is having a particularly good 2024, with High Wire by Candice Fox.

High Wire Cover

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This really is the year of the Fox as Australian author Candice Fox introduces her third epic thriller of 2024 with the exciting sounding High Wire. Fox is an author who I have come to really appreciate over the years, especially as she has wowed me with some truly amazing reads. This includes her great standalone novels, Fire With Fire, Gathering Dark and The Chase, as well as the novel she cowrote with James Patterson, 2 Sisters Detective Agency. All these novels feature some intriguing and clever concepts that Fox works into effective and powerful stories that you can’t turn away from. This was particularly true in 2024 as Fox’s other two books from this year, The Murder Inn (with Patterson) and Devil’s Kitchen, were extremely impressive and really drove home how good an author Fox is.

As such, it is little wonder that I am excited for Fox’s new novel, High Wire, which is currently set for release in late September 2024. High Wire sees Fox return her focus to the Australian outback, as two people get caught up in all manner of trouble in the very worst place you could imagine.

Plot Synopsis:

You only take the High Wire if you’re desperate – or up to no good.|

A notorious unmarked track through outback Australia, the ‘Wire’ crosses slabs of lawless land, body dumping grounds and mobile phone blackspots.

Harvey Buck is certainly desperate. Racing to be with his dying girlfriend, he encounters Clare Holland, whose car has broken down. He offers the hapless traveller a ride . . . and then their nightmare begins.

The pair are ambushed by a vengeful crew – and strapped into bomb vests. As part of a deadly game, Harvey and Clare are forced to commit a series of increasingly murderous missions, or else be blown to smithereens.

Senior Sergeant Edna Norris is dealing with a runaway teenager; not an unusual job in a place where people go to disappear. But an unfolding crime spree turns this outback cop’s night into a fight for survival. Hot on Harvey and Clare’s trail, Edna finds a burnt-out car, a missing woman, a bank robbery and a bullet-riddled body.

And this road trip from hell has only just begun . . .

High Wire sounds like it is going to be a pretty full-on and intense read, which I am totally here for. An explosive race across the country with murderous intentions, dangerous games, and two apparently innocent people trapped in badly escalating situation has all the potential to be an amazing story, especially with a talented author like Candice Fox at the wheel. Throw in the author’s ability to bring the wild outback Australian setting to life, as well as some great and intriguing characters, and I feel that High Wire is going to be a pretty epic book.

Honestly, after the 2024 that Candice Fox has been having, there is no way that I will not be picking up High Wire when it comes out later this year. Fox’s other two books this year have been extremely impressive, and High Wire looks set to follow that trend. This upcoming book has such an exciting and over-the-top plot behind it, and I fully believe that Fox will turn it into something special. This is easily one of my most anticipated pieces of Australian fiction coming out in the second half of 2024 and I cannot wait to read it.

White Ash Ridge by S. R. White

On June 2, 2024 By The Unseen LibraryIn Australian, Murder Mystery5 Comments

White Ash Ridge Cover

Publisher: Headline (Trade Paperback – 12 March 2024)

Series: Detective Dana Russo – Book Four

Length: 343 pages

My Rating: 4.5 out of 5 stars

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One of Australian’s most distinctive new crime fiction authors returns with a complex murder mystery the blends compelling characters with unique methods, White Ash Ridge by S. R. White.

Over the last few years, I have really been enjoying the works of new author S. R. White. White, a former UK Police officer who emigrated to Australia, has been producing some amazing pieces of Australian outback crime fiction. His work has so far been part of his Detective Dana Russo series, which follows the titular detective as she investigates complex cases out in the Australian bush. This series has so far featured three impressive reads, Hermit, Prisoner and Red Dirt Road and these amazing books have been very fun to read, especially as White comes up with some unique crimes which require the protagonist’s more unusual methods to solve. I have really enjoyed White’s previous books, and I jumped on his new novel, White Ash Ridge, the moment I got my hands on it.

Murder, deceit and controversy are all that are on the limited menu of the White Ash Ridge hotel, especially when tragedy strikes its guests. An isolated and decaying hotel, hidden away in the Australian wilderness, White Ash Ridge has been booked out by the inner circle of a high-profile charity organisation for urgent discussions about its future. As the relentless heat raises tensions, the body of one of the charity’s founders is found dead on the track outside, his death caused by a blow to the head.

Called to the scene, Detective Dana Russo anticipates another complex murder case. With no one else spotted in the area and tensions running high amongst the charity’s founders, it seems likely that one of the four remaining guests at the White Ash Ridge is the murderer. However, as she begins to investigate, Dana is unprepared for the chaos that is about to descend upon her small command. The charity the victim work for was founded by two parents whose son was killed after intervening in a violent assault. The subsequent failed police investigation sparked public outrage and launched the boy’s mother into Australia’s political orbit.

Now thrust into the centre of a controversial family familiar with the police, Dana must quickly solve the case before events get out of hand. With a lack of physical evidence, Dana and her small team are forced to pull the truth from the four suspects to determine their history with the victim and why anyone would want to kill him. However, they only have limited time before the overwhelming public interest forces her to let the suspects go, likely at the cost of her career and reputation. Can Dana convince her suspects, none of whom have any love of the police, to cooperate before it’s too late, or will the killer walk free thanks to the will of the people?

S. R. White delivers another complex, impressive, and highly distinctive piece of Australian crime fiction with White Ash Ridge. Blending White’s unique murder mystery style with great characters and a compelling situation, White Ash Ridge was an amazing read that I could not get enough of.

I have always really enjoyed White’s take on the Australian murder mystery, as his focus is always on finding out all the details of the victims and the suspects to solve the case, often through the medium of interrogation. This was once again the case in White Ash Ridge, as the protagonists, under pressure to solve the case quickly, need to find out which of the four suspects committed the crime. As such, the story develops in a very interesting way, as the detectives both investigate in the traditional way, including finding witnesses and evidence, while also diving into the lives of everyone involved in the case. Much of this revolves around the eight main interviews of the investigation as the protagonists talk to each of the suspects twice to gain the relevant insights into themselves and the murder victim. White, through his main protagonist, Detective Dana Russo, has a very person-centric take on the interrogation progress, and the resulting character-driven focuses become a key part of the plot.

This proves to be a very clever way to set out this excellent mystery and subsequent investigation, and thanks to White’s expert writing ability White Ash Ridge ended up being an extremely clever and captivating book. The focus around the charity and its anti-police sentiments added some great intrigue to the narrative, and I liked the ticking clock aspect of the plot it brought in. All eight of the main interviews were very intense and compelling in their own ways, and you soon get a great idea of the various people drawn into the case. White combines this expertly with the personal dramas of the protagonists, including some ongoing storylines from the prior books, although the overarching threat of Dana’s new supervisor is getting a little stale at this point. At the same time, the reader gets the full blast of the Australian wilderness from the unnamed part of the country that White sets his novels in, which adds a lot of character to the story in its iconic and beautiful ways. The central mystery of White Ash Ridge comes together extremely well, and the eventual solution is smart, intriguing, and very well set up. The entire story comes together in a powerful way, and I loved this unique mystery which was another strong story from White.

As with all of White’s books in the series, White Ash Ridge is a hugely character-driven read, not only because of the compelling and damaged protagonists, but because his style of writing relies on diving into the lives of the various suspects and victims of the case to solve the crime. This all results in some exceptional character development and focuses, and I loved how complex and powerful the various stories that emerged were. Most of the protagonists focused development occurred around returning main character Detective Dana Russo, who serves as the solid and empathetic centre of the investigation. Dana once again showcases her unique investigation style that focuses on character interactions, history and mindsets to solve the case, which proves to be quite effective at diving into the minds of her targets. This time Dana is backed up by new detective, Mila Jelovic, who serves as a great support for the main character. While the development around Dana is a little light in White Ash Ridge, you do get an intriguing and powerful examination of Mila, whose previous undercover work has cost her severely in more than one way.

Aside from the police characters, the reader also gets an intense look at five specific figures who become the focus on the investigation, with the murder victim and the subsequent four suspects. All five of these people are members of a high-profile charity formed in the aftermath of a botched police investigation, with goals of stopping teen violence and keeping the police accountable. Due to the way the mystery is set out, there is a lot of focus on these characters and the events that brought them together, which provides the reader with an intriguing backstory to get familiar with. All five of these characters are interesting and complex in their own way, with various interactions, lies, manipulations and plans bringing them all together. Probably the most interesting of these is the charity’s figurehead, Keena Flynn, a major public figure following the death of her child. Due to her previous interactions with the police and politicians, Keena proves to be a tough nut to crack, and her pain, anger and distrust become a major obstacle to overcome. White does a wonderful job exploring these five characters, and indeed you often get more about them than the police protagonists. There is such a dark and compelling web of relationships surrounding these characters, and the subsequent reasons for why one of them was killed and by who was pretty impressive and helped to produce an incredible mystery.

S. R. White continues to flourish with another awesome entry in his compelling murder mystery series that is setting him up as one of Australia’s most distinctive crime fiction authors. Expertly combining his ability for complex murder scenarios and character-focused investigation methods to produce an outstanding story, White did an amazing job with White Ash Ridge, and I had an incredible time reading it. One of the cleverest mysteries of 2024 so far, this book comes highly recommended.

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Ripper by Shelley Burr

On January 23, 2024 By The Unseen LibraryIn Australian, Murder Mystery, Thriller6 Comments

Ripper Cover

Publisher: Hachette Australian (Trade Paperback – 30 August 2023)

Series: PI Lane Holland – Book Two

Length: 344 pages

My Rating: 4.5 out of 5 stars

Amazon

Impressive rising Australian crime fiction star Shelley Burr follows up her amazing debut with the complex and addictive rural murder mystery, Ripper.

In 2022 I had the very great pleasure of reading Shelley Burr’s debut novel, Wake. An awesome book that followed two compelling protagonists as they investigated an infamous missing persons case in a small Australian town, Wake really had me hooked from the get go. Wake ended up being one of my favourite debuts and favourite pieces of Australian fiction in 2022, and I have been eager to see how Burr would follow that up for a while. Burr did not disappoint, as she recently released an intriguing sequel, Ripper (also released as Murder Town).

Seventeen years ago, the small town of Rainier was rocked by a series of brutal killings that saw three people murdered and the infamous killer captured in a heroic effort by the police. Thanks to these tragic events, Rainier is now known as an infamous murder town, with people far more interested in checking out the site of the Rainier Ripper’s trial of destruction rather than the town’s quaint charm and bush location.

Now, after years of neglect and changing economic times, Rainier is starting to financially fail. The town’s only hope might be a dark tourism company that is eager to exploit Rainier’s infamous name. However, when the tour operator is brutally killed in the same location as one of the Ripper’s victims, it opens old wounds and forces the locals, long traumatised by the events of that massacre, to uncover long buried secrets.

Gemma Guillory knows everything about the Rainier Ripper, especially as her teashop was the location of the original Ripper’s final killing. When the new murder occurs, Gemma is brought back to her painful past and is determined to discover whether this new crime was done by a copycat or if the real Rainier Ripper escaped justice years before. Receiving unlikely help from incarcerated investigator Lane Holland, Gemma begins to chip away at years of secrets and lies she didn’t even know surrounded her. But is Gemma truly ready for the truth, especially as a dangerous killer is still hiding in town, waiting to kill again?

I really enjoyed Ripper and felt that it was a fantastic follow-up to Burr’s first novel. I deeply appreciated the complex, moving and character driven murder mystery storyline at Ripper’s centre, especially as it forced its complex protagonist to simultaneously look at events in the past and current concerns.

The book starts off very strong, with a flashback to the original killings, followed by a good recap of the events that made Rainier infamous, and some excellent set up around the current day town, including the proposal to start a dark tourism company and some of the personal problems impacting the key locals. Naturally, things get dark quickly, as a new body is found in the same location of one of the Rainier Ripper’s victims, and the population of Rainier, especially primary protagonist Gemma Guillory, is dragged back into their complex history. The following story is very powerful, as the protagonist begins to dive back into her towns past to try and find the killer, which also forces her to look at those closest to her in a new light. At the same time, the returning protagonist from Wake, imprisoned investigator Lane Holland, is tasked by his prison warden to interrogate the Rainier Ripper to determine if he has any additional information about the case.

Burr moves Ripper’s intriguing plot along at a quick pace, and I liked how complex and intricate the mystery soon became. Solving the crime involves a great mixture of current intuitions about the key characters, memories of the past, and interrogations by Holland in prison. The mystery branches off into some interesting places, and the protagonists need to do some emotionally charged digging to find out what really happened. The resulting solutions to the mystery are very clever, and Burr did a wonderful job laying down subtle but effective clues throughout the main body of the book. I really enjoyed how there wasn’t just one solution, but multiple secrets and reveals that had to come to light for the full truth to be revealed, and there was an outstanding domino effect of revelations and twists. I cannot emphasise enough just how impressive this full range of reveals was, and Burr did a great job weaving together the solutions into one moving and complex narrative.

I think Burr hit the right blend of mystery, excitement and character storylines in Ripper, and the author ensured that everything moved along at an exciting and enjoyable clip. I really enjoyed how much of the story relied on diving into the complex lives of the key Rainier residences, and the author balanced some interesting character storylines in both the present day and in the past. This was especially true of main character Gemma Guillory, and her return to the past, coupled with revelations around the lies of her loved ones, added some powerful emotion to the story. If I had one complaint, it would probably be that Burr worked a little too hard to insert Lane Holland into the plot. While I do appreciate that Burr is trying to set up an ongoing series with Lane Holland as the connecting character, the plot of Ripper might have been a bit sleeker without him. Still, it was fun getting a sequel to Wake and I’m very keen to see what exciting mysteries Burr cooks up in the future.

Ripper by Shelley Burr was another outstanding and compelling read from a talented, rising Australian author. This second rural Australian murder mystery from Burr was extremely compelling and featured an intense narrative, loaded with great twists and complicated characters. I had a brilliant time getting through Ripper and it was one of the top pieces of Australian crime fiction I read last year.

Murder Town (alternate Ripper) Cover

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Everyone on this Train is a Suspect by Benjamin Stevenson

On December 20, 2023 By The Unseen LibraryIn Australian, Comedy/Satire, Murder Mystery16 Comments

Everyone on this Train is a Suspect Cover

Publisher: Michael Joseph (Trade Paperback – 17 October 2023)

Series: Ernest Cunningham – Book Two

Length: 318 pages

My Rating: 4.75 out 5 stars

Amazon

Impressive Australian author Benjamin Stevenson returns with another hilarious and outstanding murder mystery that once again acts as a clever homage to the classics with Everyone on this Train is a Suspect.

Over the last few years, one of the most consistently enjoyable authors of Australian crime fiction has been the remarkably talented Benjamin Stevenson. Best known prior to his writing career for his comedic work with his brother James, Stevenson adapted well to crime fiction and made his first impression with his debut novel, Greenlight. Also released as Trust Me When I Lie and She Lies in the Vines, Greenlight was an outstanding read, and Stevenson quickly followed it up with the cool sequel Either Side of Minute. While both of these books had great murder mystery plots with some unique twists to them, I think Stevenson didn’t truly display his writing ability until his next novel; Everyone in my Family has Killed Someone.

Everyone in my Family has Killed Someone was an exceptional 2022 novel that saw a fictional murder mystery expert try to solve a classic locked room murder that was likely committed by a member of his notorious family, each of whom has killed someone in the past. Everyone in my Family has Killed Someone was so damn good as not only did it feature a clever case but Stevenson excelled at producing a very funny novel in his unique style that parodied the classics of the genre. Due to its entertaining and meta storytelling, Everyone in My Family has Killed Someone was such a joy to read and it ended up being one my favourite pieces of Australian fiction in 2022. As such, I have been eager to see what Stevenson would produce next, and while I was initially a little surprised to see that he would be writing a sequel to Everyone in my Family has Killed Someone, it was something that really excited me. This sequel, Everyone on this Train is a Suspect, was one of my most anticipated releases for 2023, and I had another outstanding time getting through it.

Plot Synopsis:

6 WRITERS. 5 DETECTIVES. 4 DAYS. 3 WEAPONS. 2 MURDERS. 1 TRAIN…

When the Australian Mystery Writers’ Society invited me to their crime-writing festival aboard the Ghan, the famous train between Darwin and Adelaide, I was hoping for some inspiration for my second book. Fiction, this time: I needed a break from real people killing each other. Obviously, that didn’t pan out.

The program is a who’s who of crime-writing royalty:

the debut writer (me!)
the forensic science writer
the blockbuster writer
the legal thriller writer
the literary writer
the psychological suspense writer.

But when one of us is murdered, six authors quickly turn into five detectives. Together, we should know how to solve a crime.

Or commit one.

How can you find a killer when all the suspects know how to get away with murder?

Stevenson once again presents an outstanding and wildly entertaining Australian crime fiction novel that proves impossible to put down. Thanks to his impressive story and wonderfully distinctive style for this series, Everyone on this Train is a Suspect was a particularly funny novel that takes some fun shots at classic murder mysteries, modern crime fiction and the publishing world at large.

I absolutely loved the story Stevenson came up with for Everyone on this Train is a Suspect, which essentially traps his returning protagonist, Ernest Cunningham, on the Australian version of the Orient Express with a group of other famous crime fiction authors. Ernest, who has achieved a certain amount of literary fame writing a true-crime book about the familial murder he solved, is the somewhat ostracised newcomer to the group and is currently suffering from writer’s block. Hoping to gain inspiration from meeting some of his fellow authors, most of whom are homages to famous crime fiction authors (Ian Rankin and Patricia Cornwell, for example), Ernest instead finds himself caught up in another deadly murder, this time involving suspicious writers, greedy publishers, scheming agents, angry mega-fans and other fun figures from the literary world. The resulting plot is extremely fun, as an obsessed Ernest attempts to solve the crime, only to encounter additional murders, opposition from his fellow writers, unique interactions, and all manner of ridicule.

This entire story is really well written, as it features all the elements that made Everyone in my Family has Killed Someone great, including a clever mystery, outrageous characters and an irrepressible sense of humour. Just as with Everyone in my Family has Killed Someone, Everyone on this Train is a Suspect is told in the form of a true-crime book written by the protagonist as he recounts the events that unfolded aboard the train. I really enjoyed this fun and clever way of writing the story, especially as the character of Ernest has such an amusing and satirical outlook on life and murder mysteries. The author also believes in challenging the classic ways of writing crime fiction and providing clues to the reader, and as such the book is loaded with a ton of hints from the protagonist about who the killer is and the events to come. For example, he indicates how many times he is going to mention the killer’s name early on and then keeps a running countdown going throughout the book to narrow down the suspect pool. In addition, several characters’ fates, actions and other clues are mentioned well in advance, just to heighten anticipation. While you would imagine that this would spoil much of the plot, I felt it honestly enhanced it, as you eagerly wait to see how these events occur or try to keep track of who is being talked about and in what context. Stevenson also does not always play it fair with these hints, with a few flagrant mistruths sprinkled through by the protagonist to mislead the reader, although this is all done in good fun.

As such, by the time you get to the second half of Everyone on this Train is a Suspect, you are really invested in the overall mystery that Stevenson has cooked up. All the various clues, hints and other interesting story details have been cleverly built up and you are eager to see how everything unfolds. There are a few hilarious set pieces loaded here, including an unnecessary chase sequence, a failed denouement gathering, and some major misunderstandings, all of which add to the chaotic nature of the plot. This exciting and funny story also makes great use of its iconic background setting of the Ghan, one of Australia’s most famous trains, and Stevenson works in some fantastic personal drama for the protagonist who finds that crime solving and romance do not mix. The eventual solution to the mystery is just great, as it blends multiple motivations, character histories and various subtle clues in an outstanding way. Even all the overt clues that the protagonist had been directly feeding the reader come into play, although not always in the way you would expect it to. This leads to an intense and memorable conclusion, which I thought wrapped things up nicely, especially with that fun twist designed to surprise readers familiar with first-person stories.

As with Everyone in my Family has Killed Someone, this second novel serves as a great homage and parody of classic murder mystery tropes, as the protagonist once again finds himself in a locked-room scenario. The parallels between this story and Murder on the Orient Express are purposely obvious, and I loved seeing the very self-aware protagonist revel in them as the plot continues. Stevenson also modernises his references by including homages to more modern mystery and crime fiction sub-genres. The legal thriller, forensic science, modern detective and psychological suspense genres are all featured here in some ways, as fictional authors of these genres are present as supporting characters, and all their specialties are considered when it comes to solving the crime. Stevenson works these into the plot perfectly, and it was a great deal of fun to see each of these elements discussed, satirised, and then utilised to a degree. As such, this proves to be quite a fun book for all manner of crime fiction fans, and the fun references, jokes and hints will greatly appeal to the wider murder mystery audience.

Another awesome aspect of Everyone on this Train is a Suspect that I liked was the exploration of the literary world. Due to the events of the first book, the protagonist finds himself as a published author, with all the baggage that brings with it. As such, this sequel is filled with a ton of fun discussions and jokes about being a writer, with Stevenson no doubt utilising his own personal experiences to give it a splash of realism. Most of these inclusions are done to provide another comedic edge to the story, especially as Ernest has been thrown into the deep end with a group of experienced writers who have no respect for him. The scenes where they discuss their works while also putting down his less successful book are so damn funny, although I could not help but feel a little self-conscious with some of the comments (I know I use too many adverbs). Stevenson also really dives into the dark side of writing and publishing, with sketchy agents, dodgy backroom deals, story thefts, and personal compromises all being featured quite heavily in the plot. These elements make for some great potential motives, but you have to appreciate the heavy level of cynicism that Stevenson is throwing into the mix. I deeply enjoyed the way that Stevenson explored the minefield of life as a murder mystery writer, as well as other connected literary issues, and it ensured that the protagonist’s storyline about being a new author was simultaneously funny and intriguing.

Benjamin Stevenson continues to impress as one of my favourite authors of crazy Australian crime fiction. His amazing latest novel, Everyone on this Train is a Suspect, is so damn good, as it combines a clever mystery with Stevenson’s unique style that satirises the entire crime fiction genre. Loaded with some brilliant homages to all manner of murder mystery, and mixing an intense murder plot with jokes, outrageous characters, and fantastic way to tell the story, Everyone on this Train is a Suspect was a blast of epic fun from start to finish. A worthy and incredible sequel to Everyone in my Family has Killed Someone, Everyone on this Train is a Suspect is funny, brilliant and occasionally dark, and you are guaranteed to love every second of it.

Everyone on this Train is a Suspect Cover 2