
Originally published in the Canberra Weekly on 12 January 2023.
This review can also be found on the Canberra Weekly website.
Expert reviews of the latest and the best in Fantasy, Historical Fiction, Science Fiction and Crime Fiction from an Australian reviewer.

Originally published in the Canberra Weekly on 12 January 2023.
This review can also be found on the Canberra Weekly website.
Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy. I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. In this week’s Waiting on Wednesday, I look at an intriguing upcoming fantasy novel that I think has a lot of potential with Seven Faceless Saints by M. K. Lobb.

We are just around the corner from 2023 and already the new year is starting to look very promising in terms of awesome books. I am already quite excited for the next novels from some of my favourite writers, but I am also keeping an eye out for new authors who are going to be making their debut in 2023. One debuting author who has already caught my attention is M. K. Lobb, who is set to release her first novel in a few months’ time with Seven Faceless Saints.
Seven Faceless Saints, which currently has a release date for February 2023, is a fantasy novel with some excellent thriller and murder mystery elements to it. Set in a new fantasy city, the book will follow two protagonists on opposite ends of the cities corrupt ruling class, with one acting as a rebel seeking revenge, while the other serves as the head of the government’s security. However, both are dragged into a murder investigation when a dangerous serial killer stalks the streets, forcing them to dive deep into the dark heart of their city. I already really love the sound of this awesome book and I think that it could turn out to be an excellent and highly enjoyable read. Blending murder mystery, rebellion and two fantastic sounding characters in a new fantasy setting is a great starting point for an amazing read and I have a strong feeling that Seven Faceless Saints is going to be one of the top debuts of 2023.
Plot Synopsis:
In the city of Ombrazia, saints and their disciples rule with terrifying and unjust power, playing favorites while the unfavored struggle to survive.
After her father’s murder at the hands of the Ombrazian military, Rossana Lacertosa is willing to do whatever it takes to dismantle the corrupt system—tapping into her powers as a disciple of Patience, joining the rebellion, and facing the boy who broke her heart. As the youngest captain in the history of Palazzo security, Damian Venturi is expected to be ruthless and strong, and to serve the saints with unquestioning devotion. But three years spent fighting in a never-ending war have left him with deeper scars than he wants to admit… and a fear of confronting the girl he left behind.
Now a murderer stalks Ombrazia’s citizens. As the body count climbs, the Palazzo is all too happy to look the other way—that is, until a disciple becomes the newest victim. With every lead turning into a dead end, Damian and Roz must team up to find the killer, even if it means digging up buried emotions. As they dive into the underbelly of Ombrazia, the pair will discover something more sinister—and far less holy. With darkness closing in and time running out, will they be able to save the city from an evil so powerful that it threatens to destroy everything in its path?
Discover what’s lurking in the shadows in this dark fantasy debut with a murder-mystery twist, perfect for fans of Leigh Bardugo and Kerri Maniscalco.

Publisher: HQ (Trade Paperback – 30 November 2022)
Series: Lexi Winter – Book Two
Length: 349 pages
My Rating: 4.25 out of 5 stars
Australian author Sarah Barrie brings back her awesome vigilante protagonist, Lexi Winter, for another intense and dark crime fiction read in Retribution.
Earlier this year I was lucky enough to receive a copy of the 2021 Australian crime release, Unforgiven. An amazing novel by a talented Australian author, Unforgiven told the story of a former child abuse victim turned effective vigilante, Lexi Winter, who used her skills as a hacker to hunt down abusers online and bring them to justice. Initially keen to do her own thing, Lexi is forced to work with the police detective who failed her as a child when evidence at a series of murders suggests that the monster who ruined her childhood might still be out there. Unforgiven ended up being a shocking and captivating read that made great use of its darker subject matter to produce an addictive narrative. Unforgiven ended up being one of my favourite Australian fiction releases of 2021, and I have been keen to see how Barrie would follow this book up. Luckily, I received a copy of her sequel, Retribution, a few weeks ago, and it proved to be an outstanding read and a worthy sequel to Unforgiven.
Plot Synopsis:
Once a vigilante, she’s now a cop … but she still plays by her own rules. A fast-paced, suspenseful thriller for readers of Candice Fox and Sarah Bailey.
Ace hacker, ex-prostitute, Jack Daniels drinker and part-time vigilante Lexi Winter returns, now working with the police – mostly – with a new enemy in the target and an old foe at the back of her mind.
Most probationary constables would baulk at chasing a drug dealer into a train tunnel in the dead of night. Not Lexi Winter. She emerges injured but alive, to face the wrath of her boss. Lexi may now be in uniform, but she has as much trouble with authority as ever, and is quietly using her hacking skills to investigate a notorious drug-dealing Sydney crime family with links to her old prey, the paedophile Damon Vaughn.
Meanwhile, Detective Sergeant Finn Carson investigates a death on a Sydney building site … which oddly enough, leads him to the picturesque Wondabyne station on the Hawkesbury River, and Inspector Rachael Langley oversees an investigation that could tie it all together. Lexi holds the key … if only she’ll toe the line …
Retribution is an excellent follow-up to Unforgiven that provides the reader with an interesting continuation of the main character’s journey. Starting out about a year after the events of the first book, Barrie immediately introduces a new element to the story by having Lexi now an official member of the New South Wales police. However, despite her position, Lexi is the same reckless rebel who is using her spare time and hacker skills to mess with members of the infamous Hamill crime family, who are actively hiding her nemesis, the paedophile Damon Vaughn and his former police officer accomplice, Debbie Reynolds. Her efforts soon tie into the work of her friends, Detective Sergeant Finn Carson and Inspector Rachael Langley, who are not only involved with the official search for Vaughn and Reynolds but are investigating the murder of a successful businessman in a Sydney building site that has connections to the main case.
Barrie features a ton of distinctive plotlines in Retribution, and I really appreciated how she was able to keep up the darker tone that was such a distinctive feature of the previous book. The central focus on Lexi’s attempt to take down a notorious crime family was an awesome part of the book’s plot, and I felt that Barrie did a good job tying them into the previous book and making them a sensible continuation target for the protagonist. While they weren’t as despicable as the original antagonists of this series, they proved to be just as dangerous, and Barrie did an amazing job building them up quickly and making them a major threat. At the same time, the murder investigation that the other characters are involved in adds some fantastic mystery elements to the book. Not only does this result in a very compelling investigation with additional bodies, but it also ties into the rest of the story extremely well, especially when it is revealed that the murders have connections to the Hamill family. These two major storylines, as well as some interesting character development, blend well as the story continues and then end up becoming a fantastic joint case. The Hamills prove to be extremely impressive villains with some deadly plots they unleash against the police, and I loved seeing the protagonist take on a family, rather than a single potential threat. At the same time, the murder investigation slowly reveals a fantastically dark motivation that results in some great and memorable twists that I particularly enjoyed. Everything pulls together for an explosive conclusion which not only wraps up this narrative extremely well but also sets up a great potential sequel that I am quite excited for.
There was some good character work in Retribution as Barrie carries over all the major characters from the first book and keeps developing her central protagonist. As I mentioned before, the main character, Lexi Winter, goes through some major changes in this book as she moves from being a lone investigator to a member of the New South Wales police force. However, she still maintains her rebel attitude and her determination to solve everything herself. This, and her own deep trauma and desire for revenge, sees her attempt her own rogue mission against the Hamills, with some deadly consequences. I felt that this was a good natural progression of Lexi’s character, especially as she finds herself relying on other people especially after experiencing even more trauma in this second book. While I feel that Barrie is making some progress with Lexi, she still maintains a lot of rough edges, which I am sure will get addressed in the future. I did think that the repetitive reckless actions did get a little tiring as the book continued, but it generally results in some excellent storylines. The rest of the characters form an amazing supporting cast to Lexi, and there are a few interesting new characters that I really enjoyed. I must admit though that I didn’t massively care about Finn’s personal issues regarding his ex-wife, and I felt it was a bit of a distracting story element. I’m also not sure why Barrie introduced a hostile rivalry between Lexi and the new female member of the main police team, especially as it didn’t result in any major revelation or come to a good conclusion. Apart from that, I had a great time with the characters in Retribution and I look forward to seeing what happens to them in the next book.
Sarah Barrie’s excellent dark Australian crime fiction series gets an outstanding second book in Retribution. Combining some of the fantastic thriller elements from Unforgiven with a very clever murder mystery, Retribution continues the Barrie’s compelling narrative and results in a captivating and powerful read that will keep you hooked right up until the end. I had an incredible time with Retribution and I can’t wait to see how this intense series continues in the future.

Publisher: Viking/Penguin Audio (Audiobook – 15 September 2022)
Series: Thursday Murder Club – Book Three
Length: 11 hours and 17 minutes
My Rating: 5 out of 5 stars
Murder, comedy and the most badass team of investigators you are every likely to read about come together perfectly in the new Thursday Murder Club novel, The Bullet That Missed by Richard Osman.
Over the last three years, some of the most impressive and outright entertaining murder mystery novels have been part of the Thursday Murder Club series by British television personality Richard Osman. Set in a luxury retirement village in the English countryside, the Thursday Murder Club books follow the adventures of four outrageous pensioners who spend their free time solving cold cases. However, their lives get even more complicated when several murders occur around their village, and they endeavour to find out who committed them. The series started with The Thursday Murder Club in 2020, which had an outstanding blend of mystery, great characters and humour, all of which came together in a perfect and deeply addictive read. The Thursday Murder Club ended up being one of my favourite books, audiobooks and debuts of 2020, and I cannot rave about it enough. Osman followed this first book up last year with The Man Who Died Twice, an excellent sequel that presents the reader with another great mystery, while also exploring the characters even further. I had another amazing time with The Man Who Died Twice, and it also ended up being one of the best things I read all year, making my top books and audiobooks of 2021 lists. Needless to say after the first two epic books, I have been very excited for the third Thursday Murder Club novel, and The Bullet That Missed has been one of my most anticipated reads for 2022 for a while now.
After their last exciting adventure, Elizabeth, Joyce, Ibrahim and Ron, are continuing to solve murders in their spare time. Their latest case sees them dive into an infamous cold case in which a young, highflying television reporter was murdered just before breaking a story on a major crime ring, with her body never recovered from the ocean. Teaming up with the reporter’s famous presenter colleague, the Thursday Murder Club eagerly begin their investigation, hoping to shed light on her murder while having fun with their new high-profile friends.
However, it soon becomes apparent that the people behind the reporter’s death might still be active and are attempting to cover their tracks. Their only witness in the case is found dead in her prisoner cell shortly after the club attempts to question her, and even the notorious crime lord many believe responsible for killing their original victim is afraid to talk.
Not ones to be deterred, the club continues their investigation and soon long-hidden secrets from the past come spilling out. However, as they close on the killer, a completely different threat emerges from Elizabeth’s past. A mysterious new nemesis wants Elizabeth to return to her assassin roots and kill an old contact from her spy days, if she does not, everyone close to her will die. Forced to choose between her friends and her conscience, Elizabeth needs to find a way to defuse the situation before someone gets hurt. But is this new encounter just the thing the Thursday Murder Club needs to solve their latest crime before the murderer strikes again?
Well damn, what another brilliant and impressive read. Richard Osman went all out for his third book and I honestly think that The Bullet That Missed is some of his best work yet, possibly even eclipsing the original The Thursday Murder Club. Bringing together an elaborate and deeply enjoyable mystery storyline with some brilliant characters, outstanding humour, and a heck of a lot of great twists, I was instantly addicted to this latest book from Osman and couldn’t wait to find out how everything ended. An extremely captivating read, The Bullet That Missed gets a very emphatic five-star rating from me, and I had an incredible time reading it.
I loved, loved, loved the exceptional story that Osman came up with for The Bullet That Missed, especially as Osman provided a perfect blend of mystery, character growth and genuine human moments that the reader can’t help but eat up. Starting off shortly after the events of the last book, The Bullet That Missed sees the Thursday Murder Club using their usual charm and manipulative practices to investigate another cold case, gaining insight through the victims’ old colleagues, while also dragging in their usual friends and police colleagues. They soon find themselves in the middle of a cracking mystery and use their connections and well-earned insights to examine the various clues and persons of interests associated with the case. At the same time, Elizabeth is quite literally dragged into a dark place by a mysterious new figure who knows about her past and who forces her to choose between killing an old colleague from her spy days or watching Joyce and the rest of her friends die. This side plot adds quite a bit to the overall story, especially the introduction of several awesome new characters, and I really enjoyed how Osman tied it into the main mystery.
Combined with the various scenes that show the day-to-day lives of the many characters in the book, as well as some genuinely heartbreaking moments of love and loss, this proves to be one heck of a story that I was particularly rivetted to. I loved the unique investigation that resulted from the mystery, and the characters have so many clever and hilarious ways of getting to the truth. Osman throws in an appropriate number of red herrings and suspects, which serves to effectively muddy the water and keep the readers in suspense as they try to work out which of the many suspicious characters might have had a hand in the killings. I was able to pick out the main villain a fair bit in advance, although the journey to getting there and the eventual reveal was really good, and I loved every single second of it. I also didn’t see a bunch of the final twists coming, and you really appreciate all the cleverly hidden hints and clues that Osman seeded throughout the book. I came away from The Bullet That Missed exceedingly satisfied with how the story unfolded, and I really cannot emphasise just how amazing and awesome the plot was.
On top of this, Osman has an awesome writing style that I feel really enhances the elaborate and powerful narrative of The Bullet That Missed. I particularly enjoyed how the author made great use of multiple character perspectives throughout the book to tell the elaborate narrative. While the focus is generally on the four members of the Thursday Murder Club, the perspectives of all the other characters in the book are shown several times throughout the story. Not only does this allow you to get multiple intriguing views of the main mystery and the club’s actions, including from the book’s many suspects, but it also ensures that the reader gets closer to all these characters by learning their motivations, feelings, and personal histories. This makes for a much more compelling narrative, especially as you grow attached to the new characters quickly, while also getting to experience the powerful human developments impacting the main cast. Osman does a great job of keep the pace pretty consistent and enjoyable throughout the entirety of The Bullet That Missed, and you are constantly exposed to intriguing mystery developments, deeper emotional moments from the characters, or a ton of entertaining humour which can’t help but make you chuckle. This keeps up throughout the entire book, although it does pick up at several points, especially when the club are making some big moves, and it always works out well.
While one of the best things about The Bullet That Missed is the compelling mystery, a discussion of this book really would not be complete without mentioning the fantastic humour loaded into it. Osman is undeniably a very funny man, and he puts his excellent comedic skills to great use in this series, and particularly in The Bullet That Missed, with nearly every page containing some subtle, fun, comedic elements that I absolutely loved. A large amount of this humour revolves around the various ways in which the older characters of the book manage to outwit and manipulate the younger people they come across, whether it be by acting senile, or forcing them to accommodate them out of politeness. At the same time, the main characters’ very diverse and highly amusing viewpoints of the world around them, especially involving modern society or pop culture, are extremely funny, and it is entertaining to see an older perspective on this crazy modern world. Osman fits in quite a huge number of references to British culture throughout the course of the book, and I had a lot of fun hearing all the clever references to iconic shows and products that the character’s mention throughout the book, especially as they often talk about them in a very clever way. Throw in some fantastic coincidences, a lot of jokes about turning old, several hilarious self-referential jabs about the trouble with writing crime novels, and the perfect banter that occurs between the four main protagonists and their exasperated cohorts, and The Bullet That Missed was an exceedingly funny read that is guaranteed to keep you wildly amused with its various antics.
As always, one of the strongest parts of this latest Thursday Murder Club novel is the characters. Osman has created an amazing group of protagonists for this series, and he continues to build on them with each book, showcasing their strengths, personalities, and inherent vulnerabilities, as the find themselves in dangerous and unique situations. Most of the focus is again on the four members of the Thursday Murder Club who, by this third book, are really quite well established, and the reader is already very attached. Osman keeps up the wonderful interpersonal dynamic that was such an impressive feature of the first two books, and it continued to work extremely well in The Bullet That Missed, with several great new developments added in. Elizabeth and Joyce are once again set up as the book’s main characters, with a huge chunk of the book dedicated to them. Elizabeth, the former spy, proves to be an excellent manipulator, and it is always fun to see her talk about her days as a trained assassin, especially when her past comes back to haunt her. Joyce, on the other hand, is a legitimate sweetheart, and she really is the heart and soul of the book. I love how Osman changes the perspective in all her chapters to reflect her journalling the events of the story, and she provides some of the best descriptions of the events going on in the book. It is also very fun to see her in action as, despite appearing to be a harmless, sweet old lady, she is a tough as nails and can be just as manipulative as Elizabeth when she needs to be (the scene in which she meets the Viking was perfect).
Ron and Ibrahim are also used to great effect in The Bullet That Missed and both have some impressive outings in this book. I loved the many scenes featuring Ron, especially as he really stands out from the rest of the crowd by being a blue-collar rabble rouser who holds on to the old-school tough guy mentality. A lot of Ron’s story in The Bullet That Missed revolves around the other characters breaking through his tough exterior, especially as he has a new love interest in this book who gets him to open up in several amusing ways. I also loved the sense of vulnerability that surrounds Ron when he starts to realise that a lot of the men of his generation are starting to go and he suddenly doesn’t have as many people to connect with anymore, which gets used to great effect when he manages to get information by playing snooker with an old criminal with a similar mindset to him. The final main character is Ibrahim, who is honestly one of the nicest, most genuine characters you are ever likely to meet in fiction. Ibrahim gets an outstanding showing in this book, and it was really a relief to see him recovered after the terrible beating he received in The Man Who Died Twice. I loved how he was able to use his psychology skills in this book, and he even spent time working with the woman responsible for his beating, which results in some excellent scenes. All four of these main characters continued to impress me in this latest book and I cannot wait to see how their next adventure unfolds.
Aside from these major characters, The Bullet That Missed also contains a substantial supporting cast of entertaining characters who Osman uses to great effect throughout the course of the narrative. These characters include a combination of some entertaining new figures, as well as many returning characters who made such an impact in the previous novels. Many of these returning characters have been built up in a big way in the previous books, and it was great to see a lot of their character development continue, especially as they are generally better off after having met the Thursday Murder Club. I really loved that the three main supporting characters from the first novel, DCI Chris Hudson, PC Donna De Freitas and Bogdan, each come into The Bullet That Missed with some positive storylines surrounding them, and the new romance between Donna and Bogdan was so damn nice.
All the new characters in The Bullet That Missed were also very entertaining: an older makeup artist who takes a liking to Ron, a gigantic Scandinavian crime lord known only as the Viking, an eccentric local TV news host, and the local Chief Constable who also moonlights as a less-than-successful mystery writer. These great characters added a lot of flavour to the narrative, and it was fascinating to see how many were worked into the plot, especially as Osman was setting several of them up for returning appearances. I particularly loved the retired KGB officer turned criminal finance advisor, Viktor Illyich, who is an old contact of Elizabeth and who finds himself being hunted. He was a brilliant and entertaining addition to the plot, especially with his great methods of manipulation. You have to love that amazing scene where he applies his techniques to a young Virgin Media representative.
However, the best recurring character has to be Elizabeth’s husband, Stephen, who has been a bit of a tragic figure throughout the series due to his dementia, which Elizabeth tries to hide from the world. Stephen is perhaps the best character Osman has written, as the author provides a deep and extremely powerful view of the impacts dementia has on the sufferer and those closest to them. Watching Stephen slowly lose himself while Elizabeth suffers beside him has provided some of the most heartbreaking parts of this series. Stephen still proves himself to be a brilliant and caring figure, and Osman writes some great scenes for him in the series, especially when he plays chess with Bogdan, and it is always fun when he provides fantastic insights into Elizabeth’s cases. He was particularly effective in this book, especially after being kidnapped, and his knowledge and surprising criminal contacts allow Elizabeth to outsmart one of their enemies in several amazing scenes. Of course, these scenes are also loaded with sadness; with every positive step Stephen takes, he also loses a little, and every time he forgets a detail or a person it breaks your heart a little bit more. Honestly, every character in this book is pretty damn epic, and clearly creating amazing characters is one of Osman’s biggest strengths as a writer. I look forward to all the amazing character work that is bound to appear in the next Thursday Murder Club, and I am sure that I will fall in love with every single cast member once again.
While I did receive a physical copy of The Bullet That Missed, I chose to instead grab the audiobook version of this novel, as I had such an amazing time listening to the first two books in this format. As it was, I ended up being surprised and slightly disappointed to discover that Lesley Manville, who narrated the first two Thursday Murder Club books, wasn’t returning for this third entry. However, my disappointment was exceedingly short lived when I found out that she had been replaced by the amazing Fiona Shaw, who I have loved for years in things like the Harry Potter films, Killing Eve and Andor. Unsurprisingly, Shaw did an outstanding job narrating The Bullet That Missed, and she masterfully portrayed all the characters in a very fun and entertaining way. I loved all the great voices she used for this awesome audiobook, and each character got their own distinctive tone that allowed the reader to easily pick up who they were. Shaw brings a huge range of different accents to the table, and while her Swedish accent was purposely a little silly, it still fit the character extremely well. However, what really impressed me was the effort that Shaw took in matching the voices of most of the recurring characters with Lesley Manville’s previous take on them. All the four main members of the cast, as well as supporting characters like Donna and Bogdan, sounded extremely like their appearances in the previous two audiobooks, and while Shaw did do her own take on a couple of figures, I personally deeply appreciated her attempts to keep some continuity with the previous audiobooks. Shaw also kept the audiobook rolling along at a brisk pace, and the 11 hour and 17 minute runtime passed along in no time whatsoever, especially as you get deeper and deeper into the plot. Throw in another lovely interview with Richard Osman at the end and I felt that this was an absolutely incredible audiobook, and definitely the best format by which to enjoy The Bullet That Missed. I will be extremely happy if Shaw chooses to come back for the fourth Thursday Murder Club audiobook next year.
Richard Osman continues to show the world just how much talent he has a murder mystery writer with the third exceptional entry in the amazing Thursday Murder Club series, The Bullet That Missed. Continuing to follow his brilliant pensioner protagonists as they solve a complex murder in some clever and funny ways, The Bullet That Missed was an incredible addition to the series that is guaranteed to have you hooked from start to finish. I cannot recommend this book enough, and if you haven’t started reading the Thursday Murder Club books yet, you are really missing out.

Publisher: Orbit/Hachette Audio (Audiobook – 22 February 2022)
Series: Empire of the Wolf – Book One
Length: 13 hours and 45 minutes
My Rating: 4.25 out of 5 stars
Richard Swan makes his highly acclaimed fantasy debut with the much loved The Justice of Kings, a slick and compelling novel that combines a murder mystery with epic fantasy and political thriller elements in some very impressive ways.
Few authors have gained the respect of the fantasy community as quickly as Richard Swan did this year as he made the jump from science fiction to fantasy in a very big way. The Justice of Kings is an intriguing and awesome novel that serves as the author’s first entry in his new Empire of the Wolf series. Following a magical lawman as he investigates a terrible murder while also attempting to keep the political peace in the realm, The Justice of Kings has a lot of great parts to it and it received a lot of kudos as a result. I read it several months ago and neglected to write a review for it, which I making up for now. I had a great time getting through The Justice of Kings and it lives up to a lot of the hype surrounding it.
Plot Synopsis:
NO MAN IS ABOVE THE LAW
The Empire of the Wolf simmers with unrest. Rebels, heretics and powerful patricians all challenge the power of the imperial throne.
Only the Order of Justices stands in the way of chaos. Sir Konrad Vonvalt is the most feared Justice of all, upholding the law by way of his sharp mind, arcane powers and skill as a swordsman. In this he is aided by Helena Sedanka, his clerk and protege, orphaned by the wars that forged the empire.
When the pair investigate the murder of a provincial aristocrat, they unearth a conspiracy that stretches to the very top of imperial society. As the stakes rise and become ever more personal, Vonvalt must make a choice: will he abandon the laws he’s sworn to uphold in order to protect the empire?
Introducing an unforgettable protagonist destined to become a fantasy icon, The Justice of Kings is an unmissable debut where action, intrigue and magic collide.
The Justice of Kings is an excellent book which manages to bring together a lot of different genres for an excellent story. Told from the perspective of Helena Sedanka, the Justice’s protégé and clerk, the book follows Sir Konrad Vonvalt, a Justice of the Empire who acts as a travelling judge, lawyer, investigator and executioner. Able to wield unique magic, Vonvalt and his staff arrive in a small provincial city to investigate the murder of a local noblewoman. As they dive into the case, the Justice and his team discover that this is no simple murder, instead the victim was killed as part of an elaborate conspiracy infecting the town, forcing them to dive into a dark web of blackmail, bribery, religious corruption and assassination to find the killers. At the same time, Vonvalt finds himself going up against some deadly politics of the realm as a group of religious zealots with an ambitious and ruthless leader attempt to make a play for power in the Empire, specifically choosing to target the Order of Justices. These two separate concerns come together as the story unfolds, and the characters find themselves in an intense battle to save themselves.
Swan came up with a particularly strong narrative for The Justice of Kings, and I deeply enjoyed the interplay of the different elements. Not only does it perfectly introduce an outstanding and impressive fantasy series and realm, but it also presents the reader with a complex story of politics, intrigue, war and religious turmoil, overlaying an intense murder investigation. Swan starts the story off strong, introducing the protagonists, as well as the deliciously evil series antagonist, and the reader is soon quickly enveloped in the main mystery, finding out who is behind the brutal murder. The investigation embarks at a rapid pace, and it was fascinating to see how the magical protagonist and his cohorts attempt to solve the murder. At the same time, the protagonists get involved in some of the more urgent politics of the realm as they attempt to bring a group of religious zealots to justice. Things really intensify in the second half of the book, as the narrator is dragged into a disastrous undercover operation and the culprits of the murder are uncovered, resulting in a cool court trial sequence which gives the book an additional legal thriller edge. However, solving the case brings everyone further misery as the culprits are connected to the wider antagonists who arrive, seeking their own version of justice. This leads to a major and brutal confrontation, which really amped up the intensity and ensured you really could not put the book down. I had a brilliant time getting through this captivating narrative, and Swan really ensures you will come back for the next read, especially following some epic character developments and major confrontations. I cannot emphasise how amazing this story was, and Swan did a brilliant job of bringing so many different elements together into one exciting story.
I was pretty impressed with the detailed and compelling new fantasy universe that Swan created for this series. The divided, multi-nation Empire of the Wolf provided rich ground for the many conspiracies and plots that were uncovered in this book and readers are going to have a lot of fun exploring it. I also really loved the interesting magic elements of the book, especially as it revolves around the Justices. The idea of magical roaming lawmen bringing justice to the outer reaches of a massive empire is exceedingly cool, and Swan introduces it extremely well in this book. I also enjoyed the fantastic magical abilities that Swan featured in The Justice of Kings, although they are subtle compared to other fantasy books. Magic in this universe lies primarily with the Justices and each of them can wield one or two abilities at a time. Since there are only two Justices featured in this book you only really see a few of these abilities in action, although they are impressive in their own way. The main ability is The Emperor’s Voice, which is a bit of low-level magical mind control, forcing unsuspecting and weak-minded suspects to the tell the truth and admit their crimes. This ability is used to great effect throughout the book, and I loved the idea of a magical lawman’s primary power being the ability to force out a truthful confession. The other major ability was a bit of necromancy that Vonvalt can do which allows him to talk to recently deceased people to gain extra information from them. The scenes that feature Vonvalt talking to the dead are terrifying and they hint at some darker forces in the universe, which are no doubt going to be featured later in the series. I felt that these magical abilities and the wider world were perfectly introduced in The Justice of Kings and you really get an idea of how impressive the Justices are, as well as how unstable the Empire is. I look forward to some more worldbuilding in the future, which will hopefully feature some deep examinations of the Justices, perhaps in a magical school setting. No matter what, though, Swan really showed off his aptitude for fantasy fiction here and I very much enjoyed his magical inventiveness.
I will admit that I had a bit of a mixed reaction when it came to the characters in The Justice of Kings, which really did impact my overall enjoyment of the story. This mixed reaction was mainly down to the main character of Helena Sedanka, the book’s narrator and point of view character. While Helena was an interesting character and her unique perspective on the events as the Justice’s clerk moved the story along, I personally did not connect with her as a character. No matter how hard I tried, I found a lot of her actions to be annoying and I was constantly groaning at her dialogue and narration. While I realise that many of her actions were done to highlight the character’s youth and inexperience, I had a hard time enjoying the story when events where focused on her, and my dislike never abated. Considering that she was the only voice of the book, this naturally affected my overall experience of The Justice of Kings and it was the major hurdle in my enjoyment of the novel. I am really hoping that Swan will tone down the characteristics of Helena I disliked in the future books, and perhaps I will have a much better time with the next book in the series.
Luckily, the other major character in The Justice of Kings were pretty damn awesome, and I felt that they did a great job offsetting my dislike for Helena. This character was the Justice, Sir Konrad Vonvalt, who serves as the complex and intense protagonist of the story. Vonvalt is pretty damn epic from the very start of the book, and even before it (he looks very cool on the cover above). A tough but fair Justice, Vonvalt is one of the few honest men left in the Empire and his primary concern is his duty and the administration of the law to anyone, no matter their station. You honestly can’t help but like Vonvalt throughout this book, as his straight forward and honest approach to the situations, as well as his general kindness and deeper fury at injustice, really struck a chord with me. Unfortunately, after getting you to like him, Swan ensures that Vonvalt goes through a lot of pain, which slowly start to change him, especially when his own naivety about the state of the Empire and his own order comes back to bite him in a big way. This really wounds Vonvalt, and you really see him change, especially towards the end of the book, where he becomes harsh, bordering on cruel, in his search for justice and revenge. All of this is extremely hard to watch for the reader, and you have to both hate and love Swan for making Vonvalt such a great character that these events also hurt you. This change in character is obviously going to be a major part of Vonvalt’s character arc in the future, and I can’t wait to see the more vengeful version of this once noble night.
I grabbed The Justice of Kings on audiobook, which was a fantastic and fun way of enjoying this intriguing read. Coming in with a run time of a little under 14 hours, The Justice of Kings audiobook has a descent length to it, although dedicated listeners can easily power through it quickly. I felt that this format did a great job of enhancing the complex story contained within this book, and you really appreciate some of the compelling details of the new universe when they are read out to you. I also quite enjoyed the narration of Lucy Paterson, who brings the story to life with her excellent voice. Paterson gives some amazing voices to all the key figures in the book, especially Helena, and I appreciated her take on all the characters. As such, this was a pretty awesome format to enjoy The Justice of Kings on and I will definitely be grabbing the next book on audiobook when it comes out.
Overall, The Justice of Kings was a particularly cool and enjoyable book that has rightfully put Richard Swan on the fantasy fiction map. Swan was deeply impressive with his fantasy debut here and it is hard not to love the amazing blend of mystery, magic, politics and the search for justice that were contained within. While I did have some dislikes when it came to The Justice of Kings, I felt that this was a wonderful book and I plan to come back to the series in the new year, especially as there is an awesome, potential laden sequel out very soon.

Publisher: Allen & Unwin Australia (Trade Paperback – 31 May 2022)
Series: Standalone/Book One
Length: 349 pages
My Rating: 4.5 out of 5 stars
Fantastic new author Matthew Spencer presents one of the best Australian crime debuts of 2022 with the powerful and intense Black River.
Plot Synopsis:
A long, burning summer in Sydney. A young woman found murdered in the deserted grounds of an elite boarding school. A serial killer preying on victims along the banks of the Parramatta River. A city on edge.
Adam Bowman, a battling journalist who grew up as the son of a teacher at Prince Albert College, might be the only person who can uncover the links between the school murder and the ‘Blue Moon Killer’. But he will have to go into the darkest places of his childhood to piece together the clues. Detective Sergeant Rose Riley, meanwhile, is part of the taskforce desperately trying to find the killer before he strikes again. Adam Bowman’s excavation of his past might turn out to be Rose’s biggest trump card or it may bring the whole investigation crashing down, and put her own life in danger.
Black River was a highly compelling Australian murder mystery thriller that I was lucky enough to receive a copy of a few months ago. The debut novel of veteran Australian journalist Matthew Spencer, Black River was an impressive read that dove into the dark heart of Sydney with a brilliant mystery.
Spencer comes up with a pretty exceptional and clever mystery for his first book, as Black River sees a damaged journalist and a dedicated cop investigate a deadly killer haunting Sydney. The investigation in question is a combination serial killer hunt and standard murder investigation, with the main question being whether a murder at an elite boarding school is connected to the larger case or whether it was the work of a copycat. At the same time, there is also a captivating dive into the mysterious history of the fantastically dreary and haunting boarding school setting, which seems to have a deeper connection to the case, especially as central protagonist, Adam Bowman, has some major history there. Spencer takes the investigation on several great tangents throughout the book and presents a powerful story with some clever twists and turns. I loved the balance of clever investigation, deep character examination, and psychological twists as you try to determine who the killer is and whether the two cases are linked. Spencer introduces some great side plots and red herrings to distract the reader from the solution, including some concerning revelations about the main protagonist. The eventual solution to the mystery was extremely good, and I loved just how shocking the main reveal was, especially as there is a very cool twist surrounding the identity of the killer. Everything came together extremely well, and I was spellbound throughout the entire book as Spencer delivered a great, dark Australian mystery.
In addition to the excellent story, I loved Spencer’s amazing use of Sydney as a background setting to the intense mystery, especially the parts of the city that border the Parramatta River. Watching the police characters slowly traverse the elegant river, trying to work out how the killer uses it to choose their victims, is a brilliant touch that is sure to bring a shiver to any readers familiar with the area. I also need to highlight the cool private school setting where the book’s primary murder takes place. The old elite school with its coating of history and tradition makes for a memorable background where murder and tragedy feel like they belong. Spencer really built up this school throughout the book, no doubt using his own personal experiences of such educational institutions, and it played into the plot extremely well, especially when aspects of class, privilege and money start to influence the investigation.
Spencer caps this all off with a great cast of excellent and captivating characters that add to the power and impact of the story. Most of the book focuses on the character of Adam Bowman, the damaged journalist who is dragged into the case thanks to his personal connection to the private school. Bowman is forced to revisit some of the worst moments from his past in this book, which helps to turn him into quite an intriguing protagonist, especially as you begin to wonder just how connected he is to everything. Bowman is well balanced out by police character Rose Riley, who serves as one of the primary investigators in the book. Rose is a great foil to Bowman and acts as the professional member of the cast who keeps the police storyline on track. I liked the connection and partnership that develops between Bowman and Rose in this novel, especially as it was lacking any romance. They make a great team, even though Rose considers him a possible suspect, and it will be interesting to see if Spencer revisits these characters again the future.
Overall, Black River is a pretty impressive crime fiction debut that really made an impression on me in 2022. New author Matthew Spencer came up with a dark and memorable mystery story that makes great use of its Australian setting and cool characters. A brilliant first outing from an amazing new talent and a must-read for all fans of Australian murder mysteries.

Publisher: Ace (Hardcover – 29 November 2022)
Series: The Unorthodox Chronicles – Book One
Length: 373 pages
My Rating: 4.5 out of 5 stars
Murder, magic and mayhem are about to be unleashed in the impressive urban fantasy debut from exciting new author James J. Butcher, Dead Man’s Hand.
I think it is fair to say that no recent urban fantasy book has intrigued me more than the compelling Dead Man’s Hand by James J. Butcher. Not only did it have a striking cover, a cool name, and an awesome synopsis, but the author himself is very interesting. Despite the fact this is his first novel, Butcher is a name that comes with some expectations, due to him being the son of legendary fantasy author Jim Butcher. Jim Butcher has pretty much set himself up as the gold standard of urban fantasy fiction thanks to his iconic Dresden Files series that follows wizards in modern Chicago. I am a pretty big fan of the Dresden Files and when I first heard that Jim Butcher’s son was releasing his own book, I was immediately curious about it. As such, I made sure to get a copy of Dead Man’s Hand as soon as it came out, and I was very happy that I did. The first book in his series, The Unorthodox Chronicles, Dead Man’s Hand was a superb read that I had an amazing time getting through.
On the mean streets of Boston, a dark murder has occurred whose ramifications will shake the city’s magical community. The victim was Samantha Mansgraf, an extremely powerful witch and one of the most effective agents of the Department of Unorthodox Affairs, the government department that polices magic users and keeps the peace between the ordinary Usuals and the paranormal Unorthodox. Her body has been found mangled and tortured, and the only clue is a secret message she left behind which simply reads, “Kill Grimsby.”
This message can only relate to one person, Grimshaw Griswald Grimsby, whose future as an Auditor for the Department of Unorthodox Affairs was unceremoniously ruined by the victim. Now working in a terrible fast food job extremely close to where Mansgraf was killed, Grimsby seems the most likely suspect for her murder. However, there is one major flaw in this theory; Grimsby is magically incapable of committing the crime. Only able to cast a few minor spells and hampered by an old injury, there is no way that Grimsby could have killed the victim. But this fact isn’t going to be enough to stop everyone coming after him.
Targeted by both the Department and the monsters actually responsible for Mansgraf’s murder, Grimsby finds himself in a whole lot of trouble. His only hope of survival is to team up with Mansgraf’s old partner, the legendary Huntsman Leslie Mayflower, an expert at killing all things magical, and find out who is really behind this gruesome murder. However, Grimsby and Mayflower soon find themselves caught in the midst of a deadly magical conspiracy, one where every potential loose end needs to be killed. To survive, Grimsby and Mayflower will need to dig deep and uncover the darkest secrets from Boston’s magical community. However, can an old broken down Hunstman and a failed witch manage to take on the evil coming for them, or are they about to be as dead as Mansgraf?
Butcher comes out the gate swinging with his first magical adventure, and I really enjoyed the result. Dead Man’s Hand is a clever and cool new novel that sets up Butcher’s planned series while also presenting the reader with a captivating character driven story, filled with mystery, murder and magical mayhem. I managed to knock this book out in a couple of days, and it proved to be a wonderful and impressive debut.
Dead Man’s Hand has a great urban fantasy narrative to it that follows two interesting and complex characters caught in the middle of a magical conspiracy. Butcher kicks the story off quickly, with Mayflower getting involved in the hunt for his former partner’s killer, which leads him to Grimsby, who is initially a suspect, until it becomes very clear he couldn’t have pulled off such a destructive killing. When Grimsby is attacked by the apparent murderer, the two start to work together and they focus their investigation into finding a dangerous artefact that the victim had hidden before her death. That leads them into all manner of trouble, including demonic gangsters, freaky constructs, and Department agents, all of whom are coming after them with lethal intent. This results in a great twisty and slick narrative, as the characters need to uncover multiple mysteries while also confronting the many unusual creatures coming for them. There are several great action-packed confrontations loaded into this book, and Butcher makes excellent use of his distinctive new magical universe to create some memorable sequences. Everything leads up to a big and powerful conclusion where, after some personal betrayals, the two protagonists are forced to come together to take out the culprit and save the day. While the ultimate reveal of who the killer is was a little predictable, Butcher did it in an entertaining way and the stakes were pretty damn high by the end of it. Butcher also ramped up the tension for the final confrontation and you honestly had no idea how the book was going to conclude and who was going to pull through. I was personally hooked all the way to end and I came away pretty happy with the conclusion, especially as Butcher sets up some potential sequels in the future and I have a feeling that this is the first entry in an awesome long-running series.
I quite enjoyed Butcher’s writing style for Dead Man’s Hand and I think that the excellent story came across really well in the end. The story moved at a very quick pace, and Butcher really did not slow down for anything, hitting the reader with a ton of action, intrigue and moving character development from start to finish. Like most good urban fantasy novels, Dead Man’s Hand had a fantastic blend of mystery and fantasy elements, and you are soon swept up in the hunt for the magical killer, especially as it reveals a complex and deadly conspiracy. This helped to create quite a compelling and exciting read, which comes across like a buddy-cop romp thanks to the entertaining partnership between the two main characters. The story is broken up between these two character’s perspectives and you get to see how they come together as a dysfunctional but effective team, and I loved the fun veteran/extreme-rookie dynamic that their partnership achieved. Butcher further enhances the story by featuring a ton of comedic humour, most of which was brought in by the chatty and snarky main character. Readers will no doubt notice that Butcher took some inspiration from his father when it came to writing humour, especially when it came to the main character’s snark, as well as some of the very over the top scenes and inclusions. There are some pretty ridiculous moments, especially surrounding the character of Grimsby (his stint as a food entertainer was fun at the start), and things only get more over the top as you go (let’s just say that there is something very interesting in a box, and leave it at that). While this was amusing, I was glad that most of the focus remained on the more serious elements of the book, which came together extremely well. This ended up being a very strongly written book, especially for a debut, and I was pretty impressed with Butcher’s great style and writing ability.
Butcher’s series, The Unorthodox Chronicles, has an interesting urban fantasy setting to it, and I was impressed with the new world. While I am sure that some will try to unfairly compare it to his father’s urban fantasy world, I felt that Butcher did a good job making it stand out on its own the reader is successfully introduced to many cool key details in this first book. This series takes place in a version of Boston where the world is aware that magic exists, and magical creatures and magic users are kept in line by the Department of Unorthodox Affairs and their deadly agents known as Auditors. I was quite intrigued by the inherent bureaucracy surrounding an unhidden magical world and it was fun how wizards are treated in a world where people are aware of them. The visible magic itself is pretty simple, but effective, with magic users drawing their own inner-magic (Impetus) from within and launching it out using simple keyword spells. Some of the effects of these spells are pretty fun and the protagonist manages to achieve a lot with some very basic combinations. Butcher further populates his world with some freaky magical creatures, who give the book a darker and intense edge, especially those human familiars, who make for quite an effective and deadly enemy. However, one of the most distinctive features of this universe is the Elsewhere, a dark, alternate magical realm that most wizards can perceive and which have its own rules. The Elsewhere is so weird and crazy that all magic users need eye protection on all the time or else they will be driven mad by the things they see. One excellent extended sequence sees the protagonist forced to visit the realm (which can be achieved by travelling through mirrors), and it came across as a pretty gruesome place to journey, thanks to all the creepy creatures and its inherent time dilation. I loved all the cool details contained in this new world and I am quite excited to see how Butcher plans to expand on it in the future.
Aside from the amazing story and intriguing fantasy elements, one of the main strengths of Dead Man’s Hand was its excellent main two characters, who Butcher uses to great effect as alternating narrators of the story. Both central protagonists are very damaged and complex in their own ways, and their eventual team-up helps them both to develop and escape the ruts they find themselves in at the start of the book. The main character is Grimshaw Griswald Grimsby, an orphaned wizard who was badly scarred as a child in a fire that killed his family. Grimsby previously attempted to become an Auditor for the Department, but he found his path blocked by the murder victim, mainly due to his inability to do complex spells and because his scars weaken his magic. Now trapped in an embarrassing dead-end job, Grimsby starts the book off depressed and resentful, with zero confidence in himself. However, this changes as the story continues and he is able to prove himself to his new mentor character, Mayflower, who, while gruff, helps mould him into a better person. The one thing he cannot change is his motor mouth as Grimsby is constantly talking and joking, giving off a magical level of snark. Much of the book’s humour comes from Grimsby’s irreverent view of the world and there are some great jokes flying out his mouth here. I also loved seeing Grimsby’s inventiveness throughout the book, especially as he can only really cast three weaker spells, which requires him to be very imaginative in how he uses them, especially in self-defence. There are also some fantastic storylines surrounding his traumatic past, as well as some more contemporary storylines about whether he actually belongs in this dangerous lifestyle or whether he should seek a quieter life. While it would be easy to compare Grimsby to another snarky urban fantasy protagonist (say the one written by Butcher senior), I think that Grimsby stands on his own, and there are still quite a few layers for Butcher to uncover in the future.
The other major character is Leslie Mayflower, better known as the Huntsman, a bitter retired agent who specialises in killing magical creatures and beings. Eternally grouchy and bitter at the Department, Mayflower dives into the case seeking revenge and comes across Grimsby, eventually partnering with him. Mayflower is the direct opposite to Grimsby for much of the book, and I loved how Butcher portrayed him as a past-his-prime killer who returns for one last job. Shown to be full of regret, self-loathing and a desire for revenge, Mayflower was a powerful part of the book, especially once Butcher pairs him with Grimsby. These two made for a great team, and watching the positive Grimsby start to have an impact on Mayflower’s personality was a fun part of the book. Despite still being mistrustful for most of the book, Mayflower soon grows to appreciate the partnership with Grimsby, and it was quite moving to see the character have something to live for again. While you do see a lot of his personality and intensity in Dead Man’s Hand, I liked that Butcher was a little vague when it came to his past, and I am hoping that the author will dive into more of his history in future books. Both central protagonists were extremely well written and very damaged in their own way, and this makes for a great story focus, especially as there are some excellent scenes when they start working together.
Overall, I thought that Dead Man’s Hand was an excellent and captivating first book from James J. Butcher, and it is one that I had an amazing time reading. Fast-paced, hilarious, and filled with all manner of magical chaos, Dead Man’s Hand served as a powerful and enjoyable first entry in the author’s new series, and it comes highly recommended as a result. I will definitely be grabbing the next book in this series when it comes out and I look forward to seeing how Butcher’s career progresses from here.

Publisher: Allen & Unwin Australia (Trade Paperback – 8 November 2022)
Series: Ballard and Bosch – Book Four
Length: 393 pages
My Rating: 5 out of 5 stars
Legendary crime fiction author, Michael Connelly, returns with another impressive and deeply enjoyable read that once again brings together two of his best protagonists for a compelling investigation, with Desert Star.
Connelly is an author who needs very little introduction, having spent the last 30 years dominating the crime fiction world. His various outstanding works often cover several diverse subgenres of crime fiction, and his unique and captivating protagonists all exist in one shared universe, primarily set around Los Angeles. Ever since I started properly reading crime fiction a few years ago, Connelly has been an author I have particularly enjoyed each year, and I have had a wonderful time reading several of his most recent books. This includes the fantastic Mickey Haller legal thriller, The Law of Innocence, and the intense Jack McEvoy journalistic investigative read, Fair Warning (one of my favourite novels of 2020). However, some of my favourite Connelly books have been the more classic police investigation novels, all of which have been part of the Ballard and Bosch subseries.
The Ballard and Bosch books are an intriguing set of recent novels that bring together Connelly’s two main police protagonists into one investigative team. These two protagonists are female detective Renée Ballard and Connelly’s original protagonist, Harry Bosch, who has long retired from the LAPD but is still in the detective game. These two form a fantastic team, and it is always fun to see their interesting mentor/mentee relationship as they investigate a series of cases. There have so far been three Ballard and Bosch books, and I have had a wonderful time with each of them, including Dark Sacred Night, The Night Fire (one of my favourite books and audiobooks of 2019) and The Dark Hours (one of my favourite books of 2021). Due to how awesome these last three books have been, I was quite excited to see that Connelly had a new one coming out in 2022, and that book, Desert Star, was one of my most anticipated reads for the second half of 2022.
Desert Star is set a year after the events of The Dark Hours, which saw Renée Ballard quit the LAPD after encountering sexism, corruption, and obstacles to solving her cases. Lured back after being offered a dream job, Ballard now finds herself leading an elite cold cases unit which hopes to find justice for the many unsolved murders throughout Los Angeles. While Ballard has already pulled together an effective team, there is still one person she needs to complete it: Harry Bosch.
While angry at Ballard following their last encounter, Bosch is lured back as a volunteer investigator after Ballard offers him help on the one cold case that has haunted him for years, the slaying of the Gallagher family. Years ago, the entire family of four was found brutally killed, their bodies buried in the desert, and Bosch has never forgotten them or the fact that he was unable to find the man he knows killed them. In return for access to the resources of Ballard’s unit, Bosch agrees to help Ballard solve her own cold case.
To keep their unit alive and well funded, Ballard needs to solve the rape and murder of a councilman’s sister years ago. There are few avenues for a further investigation, and Ballard hopes that Bosch’s unique views may be the key to solving it. However, after a chance clue connects their case to another brutal murder, Ballard and Bosch find themselves taking their investigation in some very dangerous directions. At the same time, Bosch’s obsession with finding the Gallagher family’s killer grows even more, as he finds himself determined to catch him before it’s too late. Can Ballard and Bosch solve their crimes, or will tragedy strike right at the heart of their partnership?
This was another outstanding crime fiction read from Connelly that combines a cool series of murder mystery cases with some intense character work to create and excellent story. Desert Star gets off to a quick start, bringing back the two main protagonists and showing what changes have gone through their lives in the last year, as well as introducing the new cold case unit. The reader is swiftly then brought across the two central murder cases that the protagonists are investigating. The initial focus is on the murder of councilman’s sister, which has political connotations for the cold case unit, but Bosch also spends a large amount of time examining his personal case. After some interesting breaks in the main case, Ballard and Bosch find themselves stuck looking far closer to home than they imagined, when clues point to a serial killer with connections to the very politician who created their unit. There are some great twists and turns towards the centre of the book as they come close to their revelations, and the identity of this killer is pretty clever, with several interesting clues in the lead-up to the big confrontation. At the same time, Bosch starts closing in on the main suspect in his case after revisiting witnesses from his initial investigation. This leads him down a long, dark road as he contemplates what he’s willing to risk to get justice. Everything leads up to a heart-pounding finale, which will leave readers on the edge of their seat as you honestly have no idea how far Connelly is going to take everything. Desert Star ends on a particularly satisfying note, and it will be interesting to see where Connelly’s narratives go next, as he has left several intriguing storylines open.
This was a pretty addictive and fast-paced read, and it really doesn’t take long to get drawn into the two intriguing cases. I loved the focus on cold case investigation in this book, which is a classic Connelly story element, and the author presents some excellent mystery elements. I had a lot of fun with both cases, one because it was a seemingly unsolvable case with huge political issues behind it, the other because of one protagonist’s intense obsession with cracking it. Connelly does a good job splitting focus between the two cases, which is made easier with the use of two perspective characters, Ballard and Bosch. Both have very different views of the investigations, and the split in perspectives helps to ratchet up the tension in several scenes extremely well. Connelly goes for a pretty fast pace in Desert Star, and you really find yourself powering through the narrative, especially once you get caught up in the excellent investigation arcs. I loved how both cases turned out, and Connelly puts in some great build-up for both of their powerful conclusions. Like most of the books in this shared crime universe, Desert Star can be easily read as a standalone novel, and no prior knowledge of either character is really required to enjoy it. However, this latest Ballard and Bosch book is coming off a lot of emotional build-up and character development from the previous entries, so you’ll appreciate Desert Star more if you’ve checked them out first. Connelly also throws in a ton of references to some previous novels, mainly some of Bosch’s older adventures, which established fans will really appreciate. I loved Desert Star’s amazing story and how it was presented, as will all die-hard Connelly readers.
As always with a Connelly read, there is a noticeable and impressive focus on the central characters, with the author diving deep into his two point-of-view protagonists, Renée Ballard and Harry Bosch. Both characters have a ton of history behind them at this point in Connelly’s joint universe, both as a team and as established, independent protagonists of their own novels. As such, Connelly takes a little less time introducing them in Desert Star than he would previously, and instead starts highlighting their current issues and concerns, as well as re-establishing the teamwork between them. While there is a little friction at the start of the book, mainly due to the fallout of The Dark Hours, Ballard and Bosch mostly get their investigative teamwork groove back and become an effective unit. While Bosch does take on the mentor role in this book, it isn’t as prevalent as it has been previously, mainly because Ballard is now in control of her own unit and is the boss. This forces her to supervise and try to control Bosch, with limited success, and this impacts their previous established dynamic. At the same time, Ballard also relies on Bosch’s unpredictability and dislike of the rules to solve their more difficult, politically associated case, so that creates some odd friction and reliance that I rather enjoyed.
Most of the best character work in Desert Star revolved around old favourite protagonist Harry Bosch. Bosch, who Connelly has aged up naturally over the last 30 years, is retired from the police, but he comes back to help Ballard with her case, and I loved seeing his maverick attitude reassert itself here. However, he is primarily concerned with his own cold case, and swiftly reignites his obsession with finding the man responsible for the murder of a family. This obsession soon starts to overwhelm him, and while he helps Ballard, he risks a lot to find his target while there is still time. Connelly paints a powerful picture of Bosch in this book, and there are some big reveals about him that have been a long time coming. While I won’t go into too much detail here, this is one of the more powerful and compelling Bosch narratives in a while, and Connelly does an outstanding job building up some tension around his storylines here. Ballard also gets some interesting development in this book, and it was great to see her as a leader in this book, especially after spending so many years as the LAPD’s unwanted pariah for her attempts to report a superior for sexual harassment. However, Ballard also encounters the darker side of leadership as she is forced to play politics and encounters various attempts to cover up the whole truth for expediency and self-gain. This forces her to make some tough choices, and she becomes a bit more like her mentor, Bosch, with every case. All this excellent character work really adds some impressive impact to Desert Star’s narrative, and this was one of the more significant novels for both of this amazing and iconic Connelly protagonists.
Michael Connelly continues to dominate the crime fiction scene with another epic and captivating read, Desert Star. Bringing back two outstanding protagonists for a joint investigation, Desert Star contains a compelling and clever investigation into two fascinating murders. Featuring a great story, some exciting pacing, and the amazing use of two complex protagonists, Desert Star was another exceptional read from Connelly that I had an awesome time reading. I can’t wait to see what Connelly writes next, and no doubt it will tie into the powerful moments raised in this incredible book.

Publisher: Macmillan Audio (Audiobook – 21 June 2022)
Series: The Glass Immortals – Book One
Length: 24 hours and 53 minutes
My Rating: 5 out of 5 stars
One of the most inventive and compelling authors of fantasy fiction, Brian McClellan, kicks off an awesome new series with In the Shadow of Lightning, the first book in The Glass Immortals series.
Few authors over the last 10 years have had more of an explosive impact on the world of fantasy fiction then Brian McClellan. Debuting in 2013, McClellan quickly set the world ablaze with The Powder Mage trilogy, which saw chaos and destruction unravel in a new fantasy world where gunpowder-powered mages face off against an enraged god. I had a brilliant time with the first book in the series, Promise of Blood, and McClellan followed this initial trilogy off with the sequel, Gods of Blood and Powder trilogy, set in the same universe. While I still need to finish the Powder Mage novels off, I was very excited to hear that McClellan was starting a new series with In the Shadow of Lightning, the first book in the author’s The Glass Immortals series. This is an impressive and outstanding read that introduces readers to a distinctive new fantasy world, this time with a fascinating focus on glass magic.
Demir Grappo was once one of the most respected politicians, tacticians and glassdancers in the Ossan Empire. A rising star in the assembly, a proven governor, and the only son of a prominent family, Demir’s promising career is suddenly shattered in the immediate aftermath of his greatest military victory when his army sacked and destroyed the entire city of Holikan, apparently on his orders. Mentally broken by the massacre done in his name, Demir abandons his army and vanishes into the provinces, giving up his life of privilege for one of anonymity.
Now, nine years after the sacking of Holikan, Demir is a very different man, having spent the intervening time as a grifter with no true home. However, everything changes when news reaches him that his mother was murdered, brutally beaten to death in public in an apparent political attack. Determined to find her killers, Demir returns to the city of Ossa to reclaim his seat as the head of his family. But not everyone is happy that he has returned, and Demir soon finds himself in the midst of several deadly conspiracies, while Ossa goes to war against its neighbour, all in the name of avenging his murdered mother.
To get to the centre of these conspiracies, Demir must find allies, including old friends and new acquaintances if he is to gain the power and influence he needs find answers, especially those hidden by the powerful guild families who rule Ossa. However, as he searches, and soon finds a much more troubling secret: godglass, the source of magic within the world, is running out, and when it goes, chaos will reign. The key to securing the future may lie in a device that could re-power inert pieces of godglass, and only one girl appears to have the skill to create such a device. But as Demir fights to secure this new vital ally, he finds himself fighting against a mysterious new enemy, one that seems determined to destroy anyone who gets in their way.
McClellan impresses again with another incredible fantasy novel that had me instantly enthralled. Presenting the reader with a multifaceted narrative that combines great characters with intriguing fantasy elements, In the Shadow of Lightning proved to be an outstanding start to McClellan’s new series and I had an exceptional time reading it. Epic in scope, ambition and potential, In the Shadow of Lightning gets a full five-star rating from me and I am still reeling from just how good this was.
In the Shadow of Lightning is a particularly addictive novel, especially as McClellan presents the reader with an outstanding and complex narrative that pulls them in on so many levels. Starting off with a compelling prelude that perfectly introduces central protagonist Demir Grappo and shows his dramatic and bloody fall from grace and sanity, the novel then undergoes a time skip which takes the reader into the current storyline, right as events are kicking off. The initial focus is on Demir, who, after finding out his mother has been murdered, returns to Ossa to take over the family business and discover her murderers. However, he soon finds that his mother was involved in complex dealings that might have led to her death, and that her assassination has been blamed on a neighbouring city Ossa is going to war with. The story then splits as McClellan introduces three additional point-of-view characters, each other whom has their own distinctive story arc, closely related to Demir and the politics of Ossa.
These new characters include Thessa Foleer, a siliceer (godglass worker) from Ossa’s neighbour Grent, the breacher Idrian Sepulki and Kizzie Vorcien, an enforcer for a powerful guild-family who Demir hires to investigate his mother’s death. Each of these new characters have their own individual storylines that tie into the plot points introduced in Demir’s initial chapters. While these character arcs go in their own direction, their storylines are loosely connected together and form a great overarching narrative as they are dragged into war, imprisonment, political battles, conspiracies and criminal investigations. I loved the cool blend of character-driven storylines, and everything comes together extremely well to show that something very rotten is going on within Ossa. This is a very fast-paced story, and McClellan keeps multiple compelling plotlines running simultaneously to keep the reader’s attention, with some great reveals and amazing fight scenes scattered throughout the book. Most of these reveals are set up and foreshadowed extremely well, with a couple of exceptions, and I didn’t see some of the twists coming, which was pretty fun. Everything comes to a head towards the end of the novel, as all four characters find themselves in their own extremely dangerous and concerning situation. Not only is there a massive battle for the future of Ossa but there are some shocking revelations about who is involved in the conspiracy and why. The author leaves everything on an amazing note that not only leaves readers satisfied with the conclusion of some of the storylines but which also leaves a lot of questions unanswered and the reader wanting more. An excellent and impressive story that dragged me in extremely quickly.
I was very impressed with how In the Shadow of Lightning’s story came together, as McClellan presented an epic and addictive offering that I snapped up extremely quickly. I especially loved the use of four separate narrators to tell this story, and McClellan did an outstanding job of separating out their narratives. Each narrator has their own unique story to tell, and what is really good is that they also explore a different aspect of the author’s new fantasy world, which often breaks across the associated genres. For example, Thessa’s story focuses on the magical science behind godglass, and examines the political and social elements associated with this branch of magic. Idrian’s tale comes across as a war tale as he is forced to participated in the deadly conflict between Ossa and Grent, where his particularly magical expertise makes him a living weapon. Kizzie’s chapters come across as an investigation arc, as she attempts to uncover who killed Demir’s mother, and is forced to dive into the intrigues and shifting allegiances amongst the Ossan families, uncovering a deep conspiracy. Demir serves as a bit of a joining figure; while he also has his own unique adventures, especially around Ossan politics, a lot of his arc involves interactions with the other three point of view characters. Not only does this ensure that we get another viewpoint on the other character’s actions, as he gets involved in the godglass, espionage and the war elements that they are solely focussed on, but he helps to bring the other protagonist’s disparate storylines together into one solid and compelling narrative.
All four character-driven storylines are pretty exceptional in their own right, and this was one of those rare multi-perspective novels where you honestly can’t choose which character arc is the most intriguing or enjoyable. I was particularly impressed with how McClellan brought these storylines together into one outstanding novel, and it makes for quite the epic read, especially as the author ensures you get the right blend of intrigue, action, magic and mystery throughout. Despite its longer length, In the Shadow of Lightning has a pretty fast pace to it, and the readers are constantly treated to fantastic scenes that really keep your interest, either by being directly exciting, or featuring excellent examples of character development or world building. I also really have to highlight the outstanding and amazing action sequences featured throughout this book. McClellan has an impressive way of making these fight scenes really come to life in your mind, and it so easy to see all the epic events unfold. These action scenes are particularly impactful when combined with the new magical features that the author has come up with, and I had so much fun seeing them unfold. This really was an exceptional and highly entertaining read, and I loved how this entire amazing story was presented to the reader.
One of the things that most impressed me about In the Shadow of Lightning was the way in which McClellan envisioned and introduced the reader to an entirely new fantasy realm, equipped with its own distinctive magical system, all of which was substantially different from the elements featured in his previous Powder Mage novels. While there are some similarities, namely that the Glass Immortals series also features magic, firearms, and a similar level of technology, there are quite a few differences which really make this new series stand out. Most of the book is set in the Ossan Empire and its capital city of Ossa, which proves to be an excellent background location for the complex story. Ossa, as well as some of the other nations mentioned reminded me of an Italian city-state, and I felt that it was an interesting change of pace to the French/English influences of Powder Mage universe. The city is ruled by rival merchant guild families who are constantly battling for dominance, while the influence of the cities extends out to various provinces in the extended empire. There is an intricate society set up around Ossa, and I loved the compelling interplay of industries, politics and intrigue that resulted. McClellan examines various aspects of Ossan society, including sports, leisure, the military, and the various social levels, all of which were pretty intriguing to discover, and which painted Ossa and its people in a compelling light. I particularly enjoyed their innate love for intrigue, contracts and business above everything else, and the fact that their national sport involves two magically enhanced people beating each other with cudgels tells you a lot about them. Throw in some compelling snapshots of other relevant nations, as well as some sneaky hints at other mysterious beings, and the reader is given a really impressive and detailed introduction to this new world in this first book in the series, which McClellan did an outstanding job setting up.
However, the most distinctive part of this new universe is the cool magical system that forms the basis for much of the plot. Just like with the Powder Mage novels, there are actually several different variations of magic and magic users in this series, which are connected to various forms of glass. The first of these is the magical godglass, empowered glass items that give its users various abilities, such as strength, intelligence and enhanced senses, or which can be used to control a person. Godglass is the most common form of magic in this series, which anyone can use, and indeed the entirety of human society in this world is based around the use of these items. Pretty much every action a character does in this book is helped out in some way with godglass, resulting in some excellent sequences, especially during fights, and McClellan spends a lot of time exploring how it fits into his new world. This includes multiple scenes set inside glassworks, where the godglass is forged, and you get an idea of how it is made and the significance it holds to the people of this world, including the fact that many of the characters have piercings that allow them to attach godglass to them. Godglass actually becomes a key part of the book’s plot, once it is revealed that the supplies of magical cindersand that is used to create it is running low, resulting in an undercover war to control the remnants or finding a means of regenerating it.
The other magical elements of this new series involve the inbuilt talents of several characters, who have various degrees of sorcery in them. The most prominent of these are the glassdancers, sorcerers who can control glass (except godglass) to an astonishing degree, and use it as a weapon. There are multiple glassdancer characters featured throughout In the Shadow of Lightning (including the central protagonist), and you get to see multiple fights involving them, which are pretty badass. You would never consider just how dangerous someone controlling glass could be until reading this book, and the brutal and quick ways in which they kill their opponents are pretty damn impressive. The other major form of magical user are glazalier, who have more of a passive ability that allows them to resist the negative impacts of godglass (too much magic starts to eat away at someone) while still being able to use them. These glazaliers are deployed as breachers, heavily armoured soldiers equipped with a ton of godglass that make them unstoppable tanks in battle, capable of killing units of men by themselves. Acting as both a hammer and shield to their comrades, they are a lot more brutal than the subtly lethal glassdancers, and I loved the compelling contrast between the two major magical soldiers featured in this book. McClellan does an outstanding job introducing, explaining and showcasing all these different magical elements in this first book, and I deeply enjoyed seeing the many cool ways these magical abilities and the godglass could be used, especially in the book’s many awesome action sequences. I look forward to seeing how McClellan expands on them in the future, and I am still so impressed by how much magic the author could work into glass.
Another area where McClellan really excels as a writer is with the complex and multi-layered characters he is able to create. This was really evident in his new novel, where several great point of view protagonists and fascinating supporting characters are perfectly introduced to the reader and become exciting focal points for the brilliant plot.
The most prominent of these is central protagonist, Demir Grappo, a brilliant strategist and politician, whose entire life is shattered in the opening prologue. Forced back into public life after the death of his mother, Demir takes control of his family and attempts to rebuild his legacy while also finding answers. Utilising the swindling, bluff and manipulation skills he built in the decade he was away, Demir proves to be a tough political adversary and quite an interesting figure to follow. I loved his impressive and unique storyline, and watching him regain his political skills and self-confidence was really enjoyable, especially as he acts as a deadly glass sorcerer, businessman, politician, leader and even a general. There are great sequences that highlight his skills, and I loved how he was able to manipulate everyone in many different ways, from being an agreeable political ally, to acting like a smarmy lord who is able to bluff his way around by sheer force of personality. While he does come across as arrogant at times, which is partially due to the fear and respect everyone gives him due to his sorcerous abilities, McClellan ensures that the protagonist is aware of it, and works to fix his character flaws as he goes. However, the biggest character aspect of Demir involves the trauma he carries after his actions apparently led to the massacre of an entire city. Still haunted by the scenes from that night, Demir is forced to revisit them throughout the course of the book, especially when he meets a survivor while trying to find out who was actually responsible. His roiling emotions around these events are his one weak spot, and the author slips in some powerful and understandable scenes where he loses control. McClellan did a great job setting up Demir in this first book, and I have no doubt his story is going to get even more complex and painful.
McClellan ensures that all his intriguing characters have their own distinctive and compelling motivations, as well as a dark history that is explored throughout the course of In the Shadow of Lightning. This includes Thessa Foleer, whose heartbreaking narrative and past worked perfectly in concert with Demir’s, which was appropriate as their storylines were the most closely linked. Thessa’s story is one of constant loss, especially as everyone who seems to get close to her dies or suffers in some way, and the character goes through some major grief and trauma as a result. The author does a good job balancing the focus on her past and her feelings of loss, with the scenes depicting her work as a siliceer, and I liked how you get some of the best insights about this book’s primary fantasy elements throughout her chapters. McClellan sets up Thessa as quite a major character in this novel, and it will interesting to see how her story progresses in the future.
The other two point-of-view characters are Idrian Sepulki and Kizzie Vorcien, who add a lot more excitement and fun to the story. Idrian’s scenes are some of the most action-packed, and it is very cool to see him in battle, especially as he tends to plough through entire units of men like a human tank. However, Idrian is one of the most caring and likeable figures in the entire novel. Primarily concerned for the lives of his comrades, Idrian goes into the battle to protect them, and the close friendships he builds with his men help define him. However, Idrian is also battling some inner demons, and it is clear that McClellan has some tragedy planned for him in the future. This is a little heartbreaking, as you really cannot help but enjoy Idrian’s straightforward nature and natural integrity, and anything bad that happens to him is going to strike the reader twice as hard as a result. Kizzie, on the other hand, is a scrappy enforcer, forced to survive the intense politics of the city’s guild families. The bastard daughter of the Vorcien family head, Kizzie desperately seeks legitimisation and acceptance from her father, if only to protect her from vicious brother. Dragged into Demir’s hunt for his mother’s killers, Kizzie dives into the world of political intrigue and family espionage, only to find herself conflicted by the answers she seeks. Forced to choose between friends and family, as well as between her desires and what his right, Kizzie has some great moments in this book, and her inner conflicts add a great amount of drama to the plot.
These central protagonists are well rounded out by an impressive and enjoyable series of supporting characters, each of whom add to the plot in their own unique way. McClellan does a great job introducing all the key supporting characters featured in the plot, and there are some amazing and distinctive characters featured here, from long-time friends of the characters, to bitter enemies with their own agendas. My favourite supporting character would probably be Baby Montego, Demir’s adopted brother who returns to help Demir with his exploits and find out who killed their mother. A massive brute of a man and a former cudgeling world champion, Baby is considered to be the deadliest man on the planet, even though he doesn’t have any magical abilities and can’t use godglass. He more than lives up to this reputation throughout the book, and he has some of the most exciting and action-packed sequences in the entire novel as he casually deals out violence. At the same time, he is also a cunning thinker, and his dry humour and complete self-confidence really make him standout. It was fantastic to see amazing characters like Baby interact with the point-of-view characters, and you get some impressive moments as a result. Honestly, every character featured in this book was amazing in their own way, and I cannot emphasise enough how well McClellan wrote them.
As I tend to do with most massive fantasy novels, I chose to check out In the Shadow of Lightning in its audiobook format, which proved to be pretty damn awesome. Coming in with a runtime of just under 25 hours, this is a lengthy audiobook to listen to (it comes in at number 15 on my latest longest audiobooks I have listened to list), and it took me a decent amount of time to get through it. However, I felt that was time well spent, as I was relentlessly entertained every single second I spent listening to In the Shadow of Lightning, and there were times I wished it was even longer. This epic novel really came to life in the audiobook format, and I loved how impressive and cool some of the big action sequences and confrontations felt when being listened to. While I did initially struggle to keep track of the side characters in this format (having the ability to easily go back and figure out who people were would have been helpful), I was soon able to figure out who everyone was, while also absorbing a heck of a lot more detail about the new universe and its unique elements.
I was also deeply impressed with the outstanding narration In the Shadow of Lightning featured, thanks to the work of Damian Lynch. Lynch is a veteran audiobook narrator with several epic fantasy series under his belt and he swiftly made me a big fan with his great voice work here. He really dove into the various characters featured in the book, and you got a great sense of their personalities, emotions and actions as he narrated them. I had fun with several of the voices he provided in this book, and I thought that protagonists like Demir, Idrian and Baby Montego, were really good, especially as you get notes of weariness in the old veteran Idrian, and the barely contained violence that resonates off Baby every time he talks. I particularly liked the cool European accents that Lynch gave to the various characters, which helped to reinforce the Italian city-state nature of the main location, and people from other nations or cities had subtly different accents, which I thought was a very nice touch. All this, and more, makes for an outstanding audiobook and this is easily the best way to enjoy In the Shadow of Lightning. I had a wonderful time with this exceptional audiobook and I will definitely be grabbing the next book in this format when it comes out.
As you can no doubt see from this lengthy review, I deeply enjoyed In the Shadow of Lightning, which was such an epic book. Brian McClellan did a remarkable job with this new novel, and he really proved his ability to set up another distinctive and exceptional fantasy series. Loaded with so many amazing story elements, a cool new fantasy world with unique magical elements, and some impressive and complex characters, In the Shadow of Lightning was so very addictive, and I really could not stop listening to it. A highly recommended read, especially in its audiobook format, In the Shadow of Lightning was one of the best books of 2022 and is a must read for all fantasy fans, especially those who have enjoyed McClellan’s work in the past, and I am exceedingly excited to see how The Glass Immortals series progresses from here.
Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy. I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. In this week’s Waiting on Wednesday, I look at a fantastic upcoming debut with City Under One Roof by Iris Yamashita.

It has been an exceptional year for debuts in 2022, with some amazing and impressive first novels coming out, especially in the crime fiction genre. I always love checking out someone’s first book, especially as it provides some great insights into their writing style, and it is always interesting to see what the future holds for them. Well, it looks like 2023 is also going to be an excellent year for debut novels, and there is already one great crime fiction debut coming out early next year that has caught my eye.
That book is City Under One Roof by new author Iris Yamashita. Yamashita, who people may already know as the Academy Award nominated author of the intriguing film Letters From Iwo Jima, is breaking into the crime fiction scene in a big way next year, and I love the sound of her first book. City Under One Roof, which is set for release here in Australia in February 2023, has a great story that sees a determined and haunted detective attempt to solve a murder in a mysterious remote town in Alaska. However, her investigation becomes even more complex when the town is cut-off by a blizzard, gang members arrive, and the entire town become suspects in the murder.
I love the sound of this upcoming book, and I think that it has a lot of potential to be an impressive crime fiction release. Yamashita has definitely gone out of her way to create an elaborate sounding mystery storyline, and I am very intrigued to see how everything turns out. I also love the idea of an isolated and mysterious setting, and I can’t wait to see how it plays into the main narrative. Overall, City Under One Roof sounds like a particularly awesome mystery book to start next year off with and I am extremely confident that this is going to be one of the top debuts of 2023.
Plot Synopsis:
A stranded detective tries to solve a murder in a tiny Alaskan town where everyone lives in a single high-rise building, in this gripping debut by an Academy Award–nominated screenwriter.
When a local teenager discovers a severed hand and foot washed up on the shore of the small town of Point Mettier, Alaska, Cara Kennedy is on the case. A detective from Anchorage, she has her own motives for investigating the possible murder in this isolated place, which can be accessed only by a tunnel.
After a blizzard causes the tunnel to close indefinitely, Cara is stuck among the odd and suspicious residents of the town—all 205 of whom live in the same high-rise building and are as icy as the weather. Cara teams up with Point Mettier police officer Joe Barkowski, but before long the investigation is upended by fearsome gang members from a nearby native village.
Haunted by her past, Cara soon discovers that everyone in this town has something to hide. Will she be able to unravel their secrets before she unravels?”