Tag: Multiple Character Perspectives

The Last True Templar by Boyd and Beth Morrison

On By The Unseen LibraryIn Historical Fiction, Thriller10 Comments

The Last True Templar Cover

Publisher: Head of Zeus (ebook – 14 September 2023)

Series: Tales of the Lawless Land – Book Two

Length: 492 pages

My Rating: 4.5

Amazon

The impressive sibling team of Boyd and Beth Morrison return with an epic and compelling sequel to their first impressive novel, The Last True Templar.

Last year I had the very great pleasure of reading the first book written by the pair of thriller author Boyd Morrison and historian Beth Morrison, The Lawless Land.  Following an excommunicated knight and a noblewoman as they try to keep a sacred relic out of the hands of a corrupt cardinal, The Lawless Land was an outstanding read that blended fascinating historical detail with an intense thriller storyline.  The Lawless Land ended up being one of my favourite books of 2022 and I have been eagerly anticipating a sequel for ages.  This second book in their Tales of the Lawless Land series, The Last True Templar, sets the awesome protagonists on a compelling new adventure, an elaborate treasure hunt through medieval Italy.

Italy, 1351.  After their first exciting adventure together, exiled English knight Gerard Fox and his determined companion, Willa, have decided to embark on a journey throughout a Europe still recovering from the ravishes of war and plague.  Determined to get married, the two seek a way to escape their complex pasts and move on to a future free of violence and persecution.  However, fate has something far more adventurous planned for them.

Arriving in a small village between Florence and Siena, Fox and Willa suddenly find themselves witnesses to a deadly ambush.  A band of skilled, masked bandits are targeting Luciana Corosi, the wife of a prominent Sienna businessman, determined to kill her and steal the payment she carries for a lucrative deal.  Intervening, Fox and Willa manage to save Luciana’s life, before escorting her home.  However, it soon becomes apparent that not everything is as it seems, especially as Luciana’s scheming husband, Riccardo Corosi, is behind the attempts of Luciana’s life.

Escaping from Riccardo’s clutches with Luciana, Fox and Willa soon find themselves embroiled in a complex scheme that reaches all the way back to the fallen Knights Templar.  Years ago, Luciana’s father helped the Templars hide their vast treasure from the Church before being betrayed by Riccardo.  Determined to save her family’s legacy and finally expose her treacherous husband, Luciana recruits Fox and Willa to her cause and requests their help in solving a series of clues leading to the treasure.  But with Riccardo and his men hot on their trail, can Fox and Willa find the legendary treasures of the Knights Templar, or have they finally met their match?

The Last True Templar was an interesting and enjoyable follow-up that captures the heart of the original book while changing some key story aspects and the background setting.  The result is a fantastic and exciting read that I had a wonderful time reading and which I managed to power through in a very short amount of time.

The plot of The Last True Templar is pretty damn cool as it places the author’s established protagonists into a whole new crazy medieval thriller scenario, this time involving the warring Corosi’s and their respective legacies.  Fox and Willa’s inadvertent entry into the plot is well handled and nicely ties into their current wanderings, and their continued presence in events feels pretty natural, especially as they are both trying to help a friend and achieve their own personal goal of getting married.  The authors do an effective job at building up and injecting the intriguing characters and real-life history that led up the events of the book early on and the story, and you soon get swept up in the resulting treasure hunt that is rich in Templar lore.  The story is masterfully told from a range of different perspectives, including the antagonists, which allows for some compelling insights into everyone’s respective motivations, histories and plots.  Several chapters are also set in the past, either to strengthen the history surrounding the missing Templar treasure or provide backstory and added drama for the characters.

The main story of The Last True Templar turns into an exciting, clever, and action-packed romp, as the authors set out some major thriller antics within a historical setting.  Just like with The Lawless Land, the initial thriller aspect of this story involves the protagonists attempting to stay one step ahead of the villains while learning about the dark history that surrounds their motivation.  However, the characters also get involved in an elaborate historical treasure hunt which sees them decode a series of historical clues to find the location of the treasure.  A storyline involving riddles and the hunt for ancient treasures is classic thriller fare, and I really enjoyed seeing medieval protagonists undertake this, especially as it takes them across 14th century Italy.  The authors come up with a fantastic and elaborate series of mysteries, riddles and clues for this aspect of the story, and I loved the constant and desperate roaming through various well-described cities as they attempt to puzzle together dated references and hints.

The authors’ use of multiple perspectives really helps to enhance the race aspect of the story, as you get to see key events through multiple eyes, including the scheming and double-crossing antagonists.  I loved seeing all the different moves each character made in The Last True Templar, and you are constantly on your feet as both groups get closer to the treasure while working to outsmart or outplay their opponents.  There are also some amazing set pieces scattered throughout this novel, including an elaborate horse race through the streets of a city, several skirmishes, and even ship-to-ship boarding action.  Everything leads up to an exciting and intense conclusion as both sides fight for the potential treasure, and all the compelling story elements come full circle.  All the characters get a compelling conclusion to their storyline, whether they want to or not, and the book ends on a satisfactory note that leaves the series open for further entries.

I loved the fantastic historical detail that was contained in The Last True Templar as the authors really immersed readers in the period.  The impressive depictions of the various Italian locations and cites was well done, and I could honestly see the settings in my mind’s eye as the protagonists visited them.  Much of the background setting and character attitudes and actions, whether it be in battle, business, or exploration, had some noticeable historical accuracy, and I loved the elaborate descriptions that accompanied the narrative.  I particularly enjoyed the author’s depiction of a historical Palio di Siena, which the protagonist was forced to participate in, and it honestly was one of the high points of the story.  However, the best historical detail in The Last True Templar is reserved for the examination of the Knights Templar and the hunt for their treasure.  The authors do an excellent job of exploring the legacy of the Templars, and I found it fascinating to see characters talk about them only a few decades after their fall.  This examination of the Templars adds a great deal to the narrative, as not only is it strongly tied to several of the new character’s backstories, but it also proves to be very relevant to the various riddles the characters need to unravel.  Each of the riddles is tied into a specific location or has some relevance to the Templars, and it was awesome seeing the characters work out and trying to solve them.  There were even some very clever instances where the relevant landmarks referenced in the clues were no longer there or current, even after only a few decades, which added some intriguing difficulties into the larger treasure hunt.  All these details, and more, were extremely interesting to me, and I had a wonderful time with how well the authors incorporated them into the plot.

I had a lot of fun with the characters in The Last True Templar, especially as we got to see more of Gerard Fox and Willa, both of whom were so well set up in the preceding novel.  An excommunicated knight likely to be charged with heresy for not repenting for his unfairly given punishment and a brave, independent and highly capable former servant, Fox and Willa make for an intriguing pair, and I love the idea of an entire series dedicated to them wandering around helping people.  The authors do an excellent job of reintroducing them in this sequel, and I really enjoyed how they were worked into this exciting story.  Since both of their backgrounds were thoroughly explored in The Lawless Land, you don’t get a lot of extra history for them in this sequel.  Instead, there is an intriguing storyline regarding their adventures in Europe and the struggles they have faced on the road together as a couple.  Their main issue involves their desire to get married, however, due to Fox’s excommunicated status, something he takes seriously despite the unfairness surrounding the entire situation, they are unable to find a church or priest likely to approve the ceremony.  This leads to some real strain on their relationship, and I liked how the authors dived into such compelling historical concerns for their character arc.  Despite this, the two remain a strong duo with a fantastic blend of talents, and it was a real pleasure to see their second adventure together.

The rest of the character focus is completely reserved for all the new characters involved in The Last True Templar.  In particular, you spend a lot of time with Luciana Corosi, an Italian matron who has been betrayed and manipulated by her evil husband.  A smart businesswoman with a painful history, Luciana proves to be an excellent addition to the main cast, and she plays off Fox and Willa extremely well as they work together.  I loved the intriguing history surrounding Luciana, especially all the betrayals she has experienced in her life, and it was great to see her finally try and reclaim her life and her destiny.  While Luciana is great, this book is would be nothing without a fantastic villain, and this role is well filled by Luciana’s husband, Riccardo Corosi.  A scheming former Templar who betrayed his order and Luciana’s father and turned his ill-gotten gains into a thriving business which he uses to control his city, Riccardo is a despicable antagonist you have a very easy time hating.  The authors show much of the story from Riccardo’s perspective, so you get some great insights into his various schemes, and you quickly realise just how irredeemable he truly is.  Partnered with a surprisingly loyal, if murderous, English knight, and a scheming female associate who plots against everyone, Riccardo is a great foil to the main cast, and I loved the various betrayals he brings to the table, even when it comes to his own followers.  This proved to be quite a fun and compelling cast of characters and I loved seeing their fantastic story unfold.

Overall, The Last True Templar was an outstanding read and I loved seeing more adventures from the team of Boyd and Beth Morrison.  This second Tales of the Lawless Land novel was very exciting and I loved the great new characters, intriguing historical detail, and compelling thriller centric plot.  An impressive sequel from start to finish, I deeply enjoyed The Last True Templar and I hope we get more books from these amazing authors in the future.

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House of Open Wounds by Adrian Tchaikovsky

On By The Unseen LibraryIn Fantasy, Five-Star Books26 Comments

House of Open Wounds Cover

Publisher: Head of Zeus (Ebook – 7 December 2023)

Series: The Tyrant Philosophers – Book Two

Length: 636 pages

My Rating: 5 out 5 stars

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The always deeply impressive Adrian Tchaikovsky returns with an exceptional and remarkable piece of fantasy fiction, House of Open Wounds, which presents the reader with a particularly unique and ruthlessly entertaining story, chock full of brilliant characters.

Few fantasy authors have the range and style of Adrian Tchaikovsky, whose distinctive contributions to the science fiction and fantasy fields are quite remarkable.  While Tchaikovsky has written several highly regarded series, I have only just scratched the surface of his works, having read a few of his recent reads.  This includes his first foray into the Warhammer 40,000 universe, with the captivating standalone read, Day of Ascension, as well as the brilliant and elaborate novella, Ogres.  However, my favourite book from Tchaikovsky so far would have to be the outstanding City of Last Chances.

The first book in The Tyrant Philosophers series, City of Last Chances was an outstanding read that I had the pleasure of enjoying earlier this year.  Set around a conquered city with several unique magical inclusions, City of Last Chances introduced the reader to a cool new world and told a range of character driven stories about resistance, religion and sacrifice.  City of Last Chances got a very easy five-star rating from me, and it honestly was one of the best books and audiobooks I enjoyed in the first half of 2023.  I had such a brilliant time with City of Last Chances that when Tchaikovsky announced he was releasing a sequel in the second half of 2023, I was ecstatic.  This sequel, House of Open Wounds, continued some of the complex storylines Tchaikovsky started in City of Last Chances, and it was one of my most anticipated books for the second half of the year.

There are few nations more feared or relentless than the ever-expanding Palleseen.  A rising empire of zealots who are determined to bring Perfection and Correctness to an imperfect world, the Palleseen have advanced out of their homeland in an unstoppable wave, wiping out all religion and superstition as they go.  As cities and kingdoms fall before their military might, their armies leave behind mounds of dead and wounded soldiers who require tending in field hospital tents just behind the frontline.

Into this chaos is thrust the god smuggler Yasnic.  A former priest, miracle healer and occasional rebel, whose previous experiences with the Palleseen saw him hanged, attacked and banished from his city, Yasnic has experienced many upheavals throughout his life.  Saved from another execution by the army bureaucracy, Yasnic and his box of orphan gods arrive at the frontlines, where he has been assigned to work in an unorthodox medical unit.

Made up of a mixture of former priests, gods, magicians, alchemists, artificers, necromancers and led by a gigantic brute known as the Butcher, the experimental medical unit treats the soldiers no one else can save and recycles the rest into the war effort.  Entrusted to save the Palleseen soldiers, but doomed if anyone ever discovers the full extent of their abilities, the surgeons and orderlies of this unit ply their bloody trade as best they can while living as part of an unusual family, but the arrival of Yasnic could change everything.

As Yasnic works to fit into the unit and save lives, his unusual connections to the weakened and hidden gods of the world slowly begin to cause chaos throughout the army.  Not only is he aware of the divine forces that secretly hang around the hospital, but his own illegal and crotchety God is determined to bring miracles to the Palleseen, whether that want them or not.  As an outbreak of impossible healing and sudden pacifism spreads through the regiment, can Yasnic keep himself and his gods alive, or will the full force of the Palleseen zealots come crashing down upon him?

This was another epic and truly remarkable novel from Tchaikovsky that had me hooked the entire way through.  Featuring a dark, bloody and fun story, House of Open Wounds was a particularly distinctive read that told its own captivating story while continuing some of the best elements from City of Last Chances.  Funny, thoughtful and moving in equal measures, House of Open Wounds was an incredible and addictive novel that gets another very easy five-star rating.

I was very impressed with the exceptional and moving narrative that Tchaikovsky pulled together for House of Open Wounds, and I was hooked the second I got into it.  After the events of City of Last Chances, the reader is thrust into a new part of Tchaikovsky’s fantasy world as you find yourself imbedded in a Palleseen battalion following the members of an unusual but effective military hospital.  Like City of Last Chances, House of Open Wounds is strongly character driven, as you follow the personal stories surrounding each of these unusual outsider characters and learn about their complex pasts while watching their lives play out in the present.  Much of the plot revolves around returning protagonist Yasnic and his God, who are drafted into the unit, and you get to see his experiences of the other characters, the wars, and the internal Palleseen bureaucracy.  Most of the first half of House of Open Wounds is dedicated to exploring the new cast of characters and introducing their unique stories, as they find themselves closely following a bloody and dangerous war.  This part of the book is primarily focused on the healing and medical work of the protagonists, as well as diving into their reasons for being there and the unique skills they bring to the surgical table.  Apart from that, there isn’t an amazing amount of major plot progression here, except when Yasnic starts to mix things up around the battalion.  While this pace is a little slow, this first half of the book was really fun and enjoyable, as you find yourself getting really lost in the characters’ lives, unique struggles, desires, and experiences.  It also helps that many of these character details, as well as the mundane events of the hospital, eventually lead to bigger things later in the main plot, and Tchaikovsky does an outstanding amount of set up here.

The plot picks up a lot more in the second half, when the main battalion moves to a different warzone and find themselves involved in a substantial fight that really pushes the medical unit to its limits.  The new battles, as well as the intriguing location they find themselves in, move several of the character arcs in some big directions, and you find out more and more about each of the main characters as a result.  The constant chaos that surrounds Yasnic also starts to take its toll on the main story, as his strangeness and the double-edged miracles he occasionally brings cause him to make enemies and upset the delicate balance of the Palleseen army.  At the same time, the Palleseen war machine starts to alienate the members of the medical unit, who find their talents being stolen to create weapons.  Everything leads up to the big finale, where the protagonists attempt to free themselves with an elaborate and ambitious plan.  This plan makes great use of all their individual skills and histories, and so many little details and elements from the story are used to bring a fun and creative conclusion to the book.  Each of the fascinating character arcs conclude nicely and I loved how Tchaikovsky masterfully brought everything together in a satisfying and entertaining way.

Tchaikovsky utilises his typical excellent and distinctive writing style to convey this elaborate and entertaining narrative to the reader, and I had such a wonderful time seeing it unfold.  As with the previous novel in the series, Tchaikovsky relies very heavily on perspective changes to tell a multilayered, character-driven story.  Like the previous book, many of the major characters are initially showcased in their own chapter at the beginning, which often leads to additional cast introductions.  As the book progresses, the chapters feature perspective changes so you can see more interactions and a wider view of the entire story.  I loved the immediate deep background on several of these characters, and while you still often must wait a while to get their full story, you learn enough to like them in the opening parts of the novel.  Tchaikovsky makes full use of these characters to tell a fantastic story, and I loved how well he showcases some unique events through their eyes.  As with the previous book, House of Open Wounds has a range of tones as Tchaikovsky works hard to produce the right balance of humour, excitement, and moving and powerful character moments.  The multiple detailed and confronting scenes of the bloody battlefield hospitals are well balanced out by the fantastic and subtle humour, which often comes from the outrageous situations that occur throughout the book, as well as the various character’s unique outlooks on life.  This made for a particularly compelling book as you found yourself moving from comedic scene to a more dramatic or tragic moment with frequent regularity, as you find yourself stuck onboard a well-thought-out emotional roller coaster.

House of Open Wounds proves to be an intriguing and clever follow-up to City of Last Chances, especially as the author deepens the lore surrounding this fantasy world and brings back two fantastic protagonists.  Readers of City of Last Chances will have an absolute blast with this book, as you get some interesting follow up to Yasnic’s compelling storyline while also seeing a different side to the antagonistic nation from the first book.  This is a somewhat loose follow-up, and you really don’t need to have read City of Last Chances to enjoy House of Open Wounds.  In many ways this is a good standalone novel, especially as most of the focus is on a whole new group of protagonists, and even Yasnic is given a new name for much of the book.  Tchaikovsky does ensure that some of the key details and plot points from the first book are carried over when needed, although he does leave a bit of context out in places so as not to overwhelm new readers.  As such, House of Open Wounds is a very accessible read, although established fans of Tchaikovsky are going to particularly enjoy this, especially if they loved City of Last Chances.

One thing you can always rely on Tchaikovsky to do is to pull together an elaborate and deeply compelling world to set his stories around.  This is extremely true in this series as Tchaikovsky has come up with a war-torn landscape filled with magic, gods, demons and a new rising empire.  The author did some interesting set up for this world in the previous novel, although the plot there was primarily contained inside a single city.  In House of Open Wounds, the reader gets to see a bigger chunk of this world, even though much of the plot takes place either on the battlefield or in the camp behind the lines.  Despite this, you get a better idea of the politics, wars and conquests that have taken place in recent history, and you particularly learn more about the Palleseen.  The Palleseen are a group of ideological zealots dedicated to bringing their version of perfection to the world, which primarily involves breaking everything down into logic and reason, and doing away with superstitions and beliefs.  As such, their goal is to rid the world of gods, deities and other superstitions, usually by conquering the lands and bringing them under the control of their relentless bureaucracy.  Most of this book is dedicated to exploring the nature of their war machine, and you really get to see just how corrupt and ambitious some of their members are as a result.

I loved the focus on the military hospital and the war camp for most of the book, especially as seeing the various members of Palleseen camp allows the reader to fully understand the many problems, compromises and cruelties the Palleseen experience on their road to perfection.  Tchaikovsky throws in some great critiques of militarisation and empire building throughout the book as you see these perfect Palleseen become racked with pride, ambition and greed to prove themselves and advance up the ranks.  Their determination to win means they turn a blind eye to gods and superstitions when it suits them, and that results in the experimental medical unit that serves as the centre of the book.  However, while they appear to only want the assembled gods, alchemists, and other strange magics for healing, really they are working to corrupt them into terrible weapons to further their war capability.  There are several great storylines that see the Palleseen turning benevolent tools and creatures into highly inventive tools of war, and it serves as a major plot point and motivation for several characters, including a few Palleseen who have enough of their colleague’s lust for power.  Combine that with the returning minor gods, who end up having their own impact on several characters, and the reader comes away with a very cynical look at the Palleseen, and empires in general, which both ridicules them and shows just how malevolent and insidious they can be.

The real key that pulls together House of Open Wounds is the huge array of memorable and complex characters that are introduced throughout the course of the plot.  Tchaikovsky does a remarkable job of introducing and swiftly building up some truly amazing characters in this novel, and their compelling and often traumatic personal stories become so highly ingrained in the plot as a result.  There are so many great protagonists and supporting figures in this novel, and I was personally impressed with how all of them were original characters that were not built up in the prior novel.

The main exception to this rule is Yasnic and his god, both of whom were introduced in City of Last Chances and who are masterfully inserted into this sequel.  Yasnic was honestly one of Tchaikovsky’s best characters in City of Last Chances and I was so glad to see more of him here, especially as the author somehow manages to work in even more development after all the defining character moments that shaped him in the prior novel.  Since we last saw him, Yasnic has moved on from being the last priest of a forgotten god and has instead become a more generalised religious figure, offering shelter and assistance to fallen and orphaned gods who no longer have any power or believers by carrying them around in a box on his back.  After everything he has gone through, including his own crisis of faith, Yasnic now has a different view of the world, although he is still being haunted by his demanding and petty god.  Yasnic has some wonderful moments in this book as he tries to fit into his new role while also hanging onto the trappings of his old life.  Desperate to save everyone he can, Yasnic finds his views and pacifism really badly damaged by the constant war and the relentless and orderly Palleseen, and he is forced to make some haunting compromises.  You really get some very interesting insights into Yasnic’s mind in this book, especially as you see how the aftermath of him abandoning his position as a priest impacted him.  You cannot help but feel for the extremely likeable Yasnic at times, as he is thrust into tragic and heartbreaking positions against his will, and his quiet determination and general positivity pluck at your heartstrings.  Throw in some great new friends, an unusual but surprisingly wholesome love interest and a series of unfortunate misunderstandings that frustrate even this gentle soul, and Yasnic once again stands out as a particularly awesome and likeable protagonist.

The other side of Yasnic’s character resides in the body of his tiny, stumpy, and petty deity, God, a former major healing god who has lost all his worshippers apart from Yasnic, but still maintains his powerful healing abilities.  However, God refuses to heal anyone unless they swear a vow of pacifism, and if they cause harm to someone in any way, it will result in their wounds automatically returning, generally resulting in a sudden death.  Thanks to his stubbornness, pride, and his whiny focus on Yasnic’s soul, God was one of the most entertaining characters in City of Last Chances, and I am really glad that Tchaikovsky brought him back for House of Open Wounds.  While he is still a judgemental, mischievous and ugly angel on Yasnic’s shoulder in this sequel, you get to learn more about God and why he refuses to help save people.  There are some surprisingly emotional scenes where God expresses why he is so bitter and you really get a much better understanding of his angry mind, especially when Yasnic makes the same mistakes, adding to God’s sadness.  I also loved how well God played off Yasnic as he proves to be a surprising and entertaining counterpoint to the humble and nice former priest.  While most of their dialogue is quite contentious, with God trying to control his increasingly independent former priest, you can see deep down that God cares about Yasnic, and they form quite an interesting and fun duo.  Tchaikovsky took God’s character arc in some interesting directions towards the end of House of Open Wounds, and I have a feeling he is going to be a real nuisance to people in the next book.

House of Open Wounds also features quite a fun range of supporting characters, each of whom has their own compelling story to tell.  This primarily includes the crazy and unusual group of associated healers and hospital workers that work in the experimental hospital unit, as well as the competitive and dangerous Palleseen officers controlling their destinies.  I won’t go into too much detail here, as I could honestly go one for a paragraph about each, but I was really impressed with how well Tchaikovsky set each of them up and explored their histories and stories as the booked continued.  There are some brilliant and very well fleshed out character arcs everywhere in House of Open Wounds, and I loved just how compelling a story Tchaikovsky was able to make as a result.

Adrian Tchaikovsky once again shows why he is one of the absolute best authors of complex and intelligent fantasy fiction with this outstanding and epic read.  House of Open Wounds is a deeply clever, compelling and moving read that hooks the reader with its unique scenarios, fantastic humour, and memorable characters.  I loved every single second I spent reading this novel and I really appreciated the amazing way Tchaikovsky chose to continue the great story started in City of Last Chances.  I cannot wait to see what over elaborate fantasy stories Tchaikovsky creates in this universe in the future, and this epic novel is one of the best pieces of fantasy fiction I enjoyed in 2023.

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Throwback Thursday – Lord of the Night by Simon Spurrier

On By The Unseen LibraryIn Science Fiction, Throwback Thursday, Warhammer4 Comments

Lord of the Night Cover

Publisher: Black Library (Paperback – 25 January 2005)

Series: Warhammer 40,000

Length: 413 pages

My Rating: 4.75 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  This week I check out an impressive and dark older entry from the excellent Warhammer 40,000 extended universe, Lord of the Night by Simon Spurrier.

Readers of this blog will know that I have a lot of love for the always intense and fun Warhammer 40,000 fiction, having read quite a bit of it this year.  One of the better older pieces of this fiction I managed to check out this year was the awesome novel Lord of the Night by acclaimed author Simon Spurrier.  Spurrier is an excellent author who is best known for his work on various graphic novels and comics series across the major companies.  I have read a couple of his comics over the years, although my favourite is probably his run on the original Doctor Aphra series (check out my reviews for the awesome volumes Unspeakable Rebel Superweapon and A Rogue’s End).  Spurrier also wrote several Warhammer 40,000 novels back in the mid-2000s, including the highly regarded Lord of the Night.  I was lucky enough to get a copy of Lord of the Night second-hand, and I ended up reading it while away on holiday.  Unsurprisingly I loved it, as Spurrier came up with a powerful story about two complex characters caught up in a deadly game of cat and mouse.

Interrogator Mita Ashyn of the Ordo Xenos is newly arrived in the service of veteran Inquisitor Kaustus after the death of her previous master.  Desperately trying to earn her place amongst the Inquisitor’s haughty acolytes and her mysterious new master, Mita is isolated due to the taint associated with her advanced psychic powers.  Seeking alien cultists on the hive-world of Equixus, Mita is tasked with rooting out minor corruption and heresy.  However, when an ancient ship crash lands on the planet, Mita receives psychic warnings of a dark and terrible foe.

Ten thousand years ago at the end of the Horus Heresy, Commander Sahaal was chosen by his crazed Primarch, Konrad Cruz, as the heir to the Night Lords legion of Space Marines.  However, before Sahaal could take command of the Legion, his Primarch’s most sacred artefact was stolen, and Sahaal’s pursuit of the thief saw him trapped out in the depths of space for millennia.  Awaking on his crashed ship on Equixus, Sahaal finds the artefact gone, stolen by thieves from the planet.  Determined to claim lordship of his legion, Sahaal will stop at nothing to reclaim what is rightfully his, no matter how many people he has to kill.

As Sahaal begins a deadly campaign of fear in the underbelly of Equixus, Mita appears to be the only person in the Inquisitor’s retinue concerned about the danger.  Working against the wishes of her master, Mita attempts to destroy the traitor Astartes that has invaded the city before it is too late.  However, Sahaal is a master of urban warfare and soon his solo campaign of destruction has the entire hive on its knees.  As the two lost souls move to confront each other, they soon discover that there are even greater secrets at work than either of them realises, and soon the fate of Equixus hangs in the balance.

This was a powerful and compelling Warhammer 40,000 story from Spurrier that had me hooked from the very beginning.  Focussed on the two unique perspective characters of Mita and Sahaal, Spurrier sets up an intriguing and vicious story with great thriller elements in a fantastic and gloomy hive-city setting.  Starting off with some effective set-up that introduces both protagonists and their complex lives, Lord of the Night soon evolves into an impressive cat and mouse scenario between the two as Mita fights to stop Sahaal before he recovers his prize and destroys the city from within.

This leads to all manner of chaos and destruction, as Sahaal initiates a brutal urban warfare campaign by enlisting the help of a curious raft of unconventional allies, while Mita manipulates the city’s official resources to her use.  While this battle rages, Spurrier also introduces some compelling and highly important side storylines which see Mita trying to gain the respect and aid of her secretive Inquisitor master, while Sahaal comes to terms with his missing years, his complex past, and what it is to be a Night Lord.  This leads up to several great confrontations before all the characters finally come together a brutal final sequence.  There are some great reveals here, especially about who is pulling all the strings surrounding the characters, and I loved some the brilliant twists that emerged.  The book ends on a pretty dark note, with both protagonists getting what they wanted, even though it nearly destroys them, and this ended up being quite an epic and captivating read.

I love how dark and intense Spurrier made this novel, and it has such an elaborate and complex narrative surrounding it.  The split between the two main characters works extremely well to tell an elaborate and multilayered story, and I enjoyed how the two separate arcs bounced off each other, with both dealing with betrayals, personal lows and the realisation that nothing is as it seems.  The grim setting of the hive city is also very impressive, and there is a reason that Warhammer 40,000 authors use it as a prime location for their stories.  The multiple layers of tunnels, caverns, and cityscapes makes for an outstanding background to this story of urban warfare and bloody revenge, and you can easily feel the confinement, corruption and fear that Spurrier envisions in this epic location.

Lord of the Night also turns out to be quite an impressive and elaborate piece of Warhammer 40,000 fiction.  Spurrier clearly has a great appreciation and love for the lore, and it really shows in his portrayal of both a secretive Inquisitor squad and the Night Lords Space Marines.  While Inquisitors are well covered in Warhammer 40,000 fiction, such as the Eisenhorn books by Dan Abnett (Xenos, Malleus and Hereticus), I personally loved seeing a book focussing on a Night Lord, especially as they are a little unrepresented in the extended universe fiction.  Spurrier really dives into what it is to be a Night Lord, especially during the Horus Heresy and before their full corruption, and his primary Night Lord character gives the reader a full course on how to terrorise and manipulate a city to get what you want.  It was so cool to see a Night Lord in all his fear-bringing glory, and it made for quite a dark and bloody read as a result.  Spurrier also does a great job of exploring some of the wider lore of the Warhammer 40,000 universe and working it into the plot of Lord of the Night.  This ensures that readers a little less familiar with the canon can enjoy this book fairly easily and not have to worry about external lore details.  That being said, fans of the franchise are always going to get a little more out this book and Lord of the Night proved to be a particularly good earlier novel in the canon, especially with its great insights into both the protagonist and antagonist.

One of the things that I most liked about Lord of the Night was the complex and impressive protagonists that the story was set around.  Despite being on different sides, Mita Ashyn and Sahaal have a lot in common with each other, having been lost and reviled in various different ways.  Mita proves to be a great example of how dark and unfair the Warhammer 40,000 universe is, as the thing that makes her a useful servant to the Imperium, her psychic abilities, also ensures that everyone sees her as unclean and tainted.  Watching her desperately trying to prove herself to the Inquisitor, his cronies, and the people of Equixus, only to be rejected and reviled, is very heartbreaking, and you can’t help but feel for Mita as she is routinely betrayed, spurned, or ignored.  Spurrier does some wonderful work with Mita as Lord of the Night continues, and it was great to see her find her confidence, fight back against those who oppress her, and start to question her superior and the teachings that bound her and her powers.  Watching her come to terms with her place in the Imperium, and still try to do the right thing was extremely powerful, and it leads to some impressive and emotionally charged scenes.

Sahaal also prove to be a surprisingly deep and complex character to follow.  Before reading Lord of the Night, I thought Sahaal would be a deranged Chaos Space Marine, and indeed the first few scenes with Sahaal show him to be a deadly and remorseless killer who uses terror as an effective weapon.  However, as the book continues, you start to realise that there is more to Sahaal than meets the eyes.  While he kills to achieve his goals, often in brutal ways, some of the interactions he has with his surprising allies, as well as a series of compelling flashbacks, paint him in a somewhat noble light defined by his loyalty to his Primarch and his ideals for control and order.  This paints a bit more as a victim of circumstance rather than a full Chaos infected traitor, and it was fascinating to see him act very differently from other antagonistic Space Marines characters.  There are some intriguing hidden depths to Sahaal that are revealed towards the end of the book, especially when certain manipulations are uncovered, and there are some good revelations regarding his actual mindset and mental status.  I also loved the scene where he is finally reunited with his beloved Legion, only to realise just how far they have fallen in his absence.  Sahaal ends up having some intriguing interactions with Mita throughout the course of the book, and the two play off each other perfectly, representing different angles of betrayal, loyalty and misunderstood misuse.  I deeply appreciated how well Spurrier utilised both of these point of view characters in Lord of the Night and the helped to turn this into quite an amazing read.

Overall, Lord of the Night was an exceptional read and a wonderful piece of Warhammer 40,000 fiction.  Simon Spurrier does an excellent job of bringing together two amazing, misunderstood characters together in a brutal battle across a terrified city and I was hooked the entire way through this plot.  Clever, intense, and loaded with some intriguing pieces of Warhammer lore, Lord of the Night is an outstanding read and it was one of the better pre-2023 Warhammer 40,000 novels I enjoyed in 2023.

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Kill Your Husbands by Jack Heath

On By The Unseen LibraryIn Australian, Murder Mystery, Thriller9 Comments

Kill Your Husbands Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 28 November 2023)

Series: Kill Your Brother – Book Two

Length: 384 pages

My Rating: 4.75 out of 5 stars

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One of my favourite Australian authors, the scarily good Jack Heath, returns with another twisted and brilliant thriller, Kill Your Husbands.

Easily one of the best Australian thriller authors at the moment has to be the always impressive Jack Heath.  Hailing from my hometown of Canberra, Heath has written a compelling range of epic thrillers over the years, all of which have been fun and captivating in their own way.  I am a major fan of his Timothy Blake series (check out my reviews for Hideout and Headcase), which follows the gruesome adventures of a murder-solving cannibal.  Heath has also produced several other great standalone or Australian series, including his 2021 novel, Kill Your Brother.  An intense and shocking thriller that forced a highly damaged protagonist to choose between killing her guilty brother or dying herself, Kill Your Brother was one of the best pieces of Australian fiction in 2021 and I had such a great time reading it.  As such, when I saw that Heath had a new Australian thriller coming out this year, I was very excited, especially when I found out it was a sequel to Kill Your Brother.  This new book, Kill Your Husbands, had a wicked plot synopsis, and I fell in love with it the moment I read it.  One of my most anticipated books for the second half of 2023, Kill Your Husbands was a shocking read that I had so much fun with.

It was supposed to be a relaxing weekend away for three couples, longtime friends since school the six overworked and stressed adults decide to escape their taxing lives for a weekend up in the mountains.  With no internet or cell reception, their getaway was supposed to be a quiet time of drinking and bushwalking.  However, after the topic of partner-swapping is raised on the first night, the entire mood of the weekend shifts.  What starts as a joke soon turns into an elaborate plan to ensure anonymity between partners, with the lights turned off and the men choosing a bedroom at random.  No one will know who they’ve been with, and no one will ever be certain if they slept with anyone other than their spouse.

However, when the lights come back on, one of the participants is missing.  A search soon reveals their body outside, clearly the victim of a violent attack.  With no cell reception and the keys to the cars missing, the remaining five people quickly become suspicious of the other survivors.  As the weekend continues and more people begin to disappear and die, old wounds, festering grudges and decaying relationships come to the fore, turning husbands against wives and friend against friend.

Two weeks later, Senior Constable Kiara Lui returns to the murder scene with her girlfriend, Elise.  Having interviewed the survivors, Kiara is certain at least one of them is lying and the killer is within her grasp.  Kiara knows that the answers lie within the house, but with strange occurrences occurring around the property, one person still missing, and her own girlfriend’s strange behaviour starting to concern her, can Kiara break through all the lies and secrets and find the truth before the killer strikes again?

This was another excellent and thrilling read from Heath, who pulls together another insane, yet highly clever, mystery that you really cannot put down.  Making full use of Heath’s outrageous plot, Kill Your Husbands is a dark and twisty novel that I had so much fun reading and which is easily one of the best pieces of Australian fiction I have read all year.

I loved the unique, memorable and very twisted central idea that Heath came up with for Kill Your Husbands, as murderous partner swapping is honestly it was one of the more amusing and outrageous plot focuses I have seen.  Starting off with a quick introduction sequence, the reader is soon enthralled in split focus narrative throughout Kill Your Husbands as half the chapters recount the weekend of the murders and the events leading up to the killings, while the rest of the chapters are set after the murders and focus on Senior Constable Kiara Lui, a supporting character from Kill Your Brother, as she attempts to solve the crime.  This proves to be a very clever and impressive way to showcase the plot, and I loved the simultaneous look at the investigation, the weekend in question, and all the key events that led up to the crime.  Both separate storylines are very interesting and compelling in their own way, especially as they paint two different pictures of the chaotic events in question.  Thanks to Heath using first names during the chapters set in the past and only referring to surnames when it comes to the later investigation, you don’t get any spoilers about what is going to happen during the weekend.  As such, it isn’t until the end of the book that you are completely certain about who dies and who survives, and this allows you to remain on the edge of your seat as your watch the chaotic events unfold.

Heath paces out both arcs of the story extremely well, and they work well together to tell an intriguing and powerful story.  The scenes set in the past tell a powerful and character-driven tale, with flashbacks to prior interactions, details about their turbulent relationships, and a great range of petty slights that ensure everyone had a motive for killing the rest of the group.  Heath ensures that the characters are all stewing in this during the early chapters in the mountain before the partner swapping scene occurs.  The author sets this up perfectly, with the subterfuge, secret plans, and hidden desires all coming into their choices, and the resulting chaos sufficiently messing with them.  As such, all of them are primed to be the killer when the first victim emerges, and the subsequent environment of fear, suspicion and hatred make for some outstanding scenes, especially when all their secrets come to light.

At the same time, the reader gets a fantastic look at the ongoing investigation being undertaken by Kiara as she tries to get to grips with the case.  There are some great scenes here, especially as Kiara independently uncovers the secrets of the three married couples, which works into the other timeline extremely well.  There are some fun moments in this part of the investigation, especially when Kiara and Elise make the interesting decision to book out the murder house for a holiday so they can try and find some answers, while also dealing with their own intense personal issues.  While there are some excellent moments in this part of the book, the investigation angle of Kill Your Husbands is the weaker half of the novel, mostly because it lacks the juicy details the lead up to all the murders.  I also didn’t think that Heath needed to shoehorn in the characters from Kill Your Brother into the plot, as fresh new police protagonists would have also been just as effective.  Still this second half of the book was very fascinating, and the clues revealed within give you some great hints about who the killer is and how they got away with it.

The eventual solution for Kill Your Husbands is exceedingly clever, and I really liked how all the key events of the book played out.  The climax of the murderous weekend is pretty damn shocking in its entirety, and I loved just how well Heath managed to keep secret who survived and who died right until the end.  The killer’s motivations and the events that drove them to it are well set out, and the scenes where they commit their crimes really drive home just how dangerous they are.  Certain other reveals towards the end of the book, especially when Kiara gets close to the truth, reveal just how clever this entire story is, and I loved how certain innocuous mentions or clues are well utilised later in the story.  The entire solution of the book, as well as the final confrontation between Kiara and the killer are just perfect, and you will come away from Kill Your Husbands extremely satisfied after travelling through such a captivating, unique and brilliant mystery.

This elaborate story and murder mystery wouldn’t be possible without the great characters featured in Kill Your Husbands.  I particularly loved the six friends who journeyed to the cabin and who end up being pulled into the deadly partner swapping/murder plot.  Heath does a wonderful job of effectively introducing them and you get drawn into their complex lives, filled with emotional damage and occasionally petty problems.  While you do feel sorry for some of the characters, most of them are somewhat despicable and unlikeable to a degree, which ensures that are highly interesting and fun in the context of the main murder.  I loved how many personal issues and secrets came out as the story progressed, and you really get invested in seeing who the killer is, possibly more than finding out who survived.  I loved how fun and interesting these main characters where and Heath did such a great job featuring him in this crazy story.

The other major characters are Senior Constable Kiara Lui and her girlfriend, Elise, who serve as the main figures in the investigation arc of the book.  As I mentioned about, Kiara and Elise both appeared in Kill Your Brother, with Elise serving as the main character of that novel.  However, Elise takes more of a backseat here with Kiara stepping up and leading the investigation.  While I don’t think Kill Your Husbands really needed some of the drama and ongoing trauma surrounding these characters, I did enjoy seeing them still together after the events of Kill Your Brother, and I liked how Heath moved Kiara more to the fore in this book.  Kiara was a badass investigator, and it was great to see her try to prove herself while also still concerned about her clearly traumatised girlfriend.  For her part, Elise is still trying to prove herself after her controversial past the helpless position she found herself in during the events of Kill Your Brother.  As such, she takes some big risks and acts very recklessly in this book, often to the detriment of Kiara’s investigation or emotions.  This extra layer of emotional charge ensured that Kill Your Husbands’ plot was a little more convoluted and intense, and I did enjoy seeing these two characters again.  That being said, you don’t need to have read Kill Your Brother to full appreciate these characters in this sequel, and you can get the full range of emotions from reading Kill Your Husbands as a standalone read.  I honestly came away from Kill Your Husbands very impressed with how Heath introduced and utilised his characters and they were such a distinctive and fun group of figures who were perfect to get wrapped up in a murder.

Overall, Kill Your Husbands was another outstanding and compelling novel from Jack Heath, who continues to show why he is the master of crazy Australian crime fiction.  Heath had a lot of fun with his outrageous plot and the way he worked his excellent and damaged characters into this complex murder mystery was very impressive.  A captivating and dark read from start to finish, Kill Your Husbands is one of the most memorable and intense Australian thrillers of 2023 and Heath is a must-read author for anyone looking for some truly shocking and mental crime fiction.

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The Last Devil to Die by Richard Osman

On By The Unseen LibraryIn Audiobook, Murder Mystery16 Comments

The Last Devil to Die Cover

Publisher: Penguin Audio (Audiobook – 12 September 2023)

Series: Thursday Murder Club – Book Four

Length: 10 hours and 50 minutes

My Rating: 5 out of 5 stars

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The exceedingly talented and amazing Richard Osman returns with another exceptional entry in his acclaimed Thursday Murder Club series, with the entertaining and emotionally rich The Last Devil to Die.

Over the last few years I have been blown away by the incredible Thursday Murder Club novels, the debut series of British television personality Richard Osman.  This amazing series follows four residents of a retirement village who solve murders as the Thursday Murder Club.  Featuring a perfect blend of gripping mystery, brilliant and likeable characters, a fantastic sense of humour and a certain amount of tragedy, the series has been a real joy to read.  This includes The Thursday Murder Club (one of my favourite books, debuts and audiobooks of 2020), The Man Who Died Twice (one of my favourite books and audiobooks of 2021), and The Bullet That Missed (one of my favourite books and audiobooks of 2022), each of which got full five-star reviews from me.  As such, I have been eagerly awaiting the fourth book in this series, and The Last Devil to Die was one of my most anticipated books for 2023.  Unsurprisingly, Osman did not disappoint and presented another compelling and highly addictive read that I absolutely adored.

Elizabeth, Joyce, Ibrahim and Ron are the Thursday Murder Club, four bored and bright retirees living at Coopers Chase retirement village, spend their spare time keeping busy with an unusual hobby, solving murders.  Already responsible for bringing several crooks to justice, the club hope to enjoy a nice Christmas without any deaths.  However, murderers are rarely so considerate, and the four friends soon find themselves involved in a complex case that hits close to home.

Antiques dealer Kuldesh Sharma, an acquaintance of the group and an old friend of Elizabeth’s husband, Stephen, has been found shot dead on a dark country lane, apparently the victim of a professional hit.  Determined to get justice for their friend, the club and their associates jump into action and begin their usual unconventional investigation.  Their prying soon uncovers connections between Kuldesh and a local gang of drug importers who were using Kuldesh’s shop as cover for one of their deals.

It quickly becomes apparent that Kuldesh’s death is related to a box of heroin that was in his possession and which has since gone missing.  To find Kuldesh’s killer, the members of the club will need to discover where the heroin is hidden, as well as why Kuldesh decided to steal it.  Their investigation will take them into the dark world of drug dealers, art forgers and stolen antiquities, and force them up against several different groups of criminals each searching for the same prize.  Can the Thursday Murder Club once again solve the case before the murderer escapes, especially when an even greater tragedy waits on the horizon?

This honestly might be one of the very best books I have read all year.  Osman, who I have extremely impressed with in recent years, did a remarkable job with this fourth entry in the series, producing another superb and emotionally charged novel with a clever mystery around it.  Thanks to some high-intensity inclusions and some brilliant character work, The Last Devil to Die is easily one of the strongest entries in this entire exceptional series, and I was hooked the entire way through.  This latest book gets an easy five-star rating from me, and I doubt I will ever forgive Osman for everything I was forced to feel while getting through it.

The Last Devil to Die has an outstanding story behind it, and I was once again deeply impressed by how Osman effortlessly combines an elaborate mystery with intriguing character driven storylines.  The book starts with Kuldesh Sharma, who appeared in the prior novel, getting murdered apparently over a missing box of heroin.  This quickly sets off the new investigation, and the protagonists and their continuously growing group of associates utilise their usual unorthodox methods to get a good picture of events and pull together a group of unusual suspects.  Of course, it doesn’t take long for the case to go in some very interesting directions, especially with extra murders and a segue into the world of antiquities forgeries.  I really got caught up in the intriguing mystery, especially as there are some great complexities, an array of fun professional villains, and some highly entertaining encounters, including a remarkably fun lunchtime meeting with all the suspects.  At the same time, I was also there for the characters, as Osman dove into their unique lives and provided some fantastic development.  However, one major piece of character development proved to be the most compelling part of the entire book and really knocks you for six with a major event around two-thirds of the way through.  This bit of development has been building for the entire series, but when tragedy finally hits you are not ready and it strikes you very hard in the feels.  I honestly was near tears at parts of the book, it was that damn sad, and Osman works to ensure that every major character is affected in a noticeable and gloomy way.

Following this major event, Osman moves towards solving the various murders featured within the book.  This last part of The Last Devil to Die is noticeably more subdued, which was honestly very fitting and completely understandable.  Despite this darker tone, the reader is still very invested in the plot, especially as a solution to the mystery promises to bring some much-needed emotional relief.  Osman delivers this in spades, and there are several clever and thoughtful solutions chucked in as a result.  While I saw a few reveals coming, the way the characters solved the compelling case was impressive and quite brilliant.  Several subtle and well-placed clues were masterfully exploited, and the way that Osman hid them in plain sight is exceedingly clever.  The solutions to the other killings were great as well, especially as they tied into a fun longer-running storyline around a secondary character, and I loved how many of the villains got an appropriate reward for their deeds.  The conclusion of the plot is very well handled, and the reader comes away from The Last Devil to Die both highly satisfied and very sad, much like the protagonists.  This was such a brilliant and moving narrative, and Osman does a wonderful job of fitting in his mystery while wrapping up several long-running narrative threads.

Just as he has with the previous novels in the Thursday Murder Club series, Osman backs up his excellent story with some top-notch writing that drags you in with its tone, subtly and entertainment.  The Last Devil to Die features Osman’s typical exquisite blend of mystery, humour and character development, which is expertly featured in every scene.  While the main mystery is great, watching the brilliant characters grow as they solve it in the most entertaining way is so much fun, and you will be glued to the book as you go.  The comedic charm of a Thursday Murder Club novel is very subtle and undeniably British, but it constantly flows into every scene, with the restrained and often topical jokes and observations of the characters working well with the other story elements.  This includes a large amount of sombre and darker moments, as many of the characters experience a certain amount of tragedy, especially related to the woes of getting older.  Osman honestly turns the heartbreak up to 11 in certain parts of The Last Devil to Die, and readers are in for some powerful emotional blows in this novel, which works both in the context of this single novel but the series as a whole, as it cleverly builds on prior events from the earlier books.  Due to this, I would strongly recommend that readers start the series back at the first book, rather than diving into The Last Devil to Die first, as it will allow you to get the full emotional impact.  However, Osman does ensure that The Last Devil to Die is open enough for new readers to experience, and they honestly will not be spared from the feels either.  Osman does such a good job wrapping together the hurt with the humour, and the emotional combination really strengthens both the character arcs and the mystery elements of this outstanding read.

While the story, mystery and humour are all outstanding parts of The Last Devil to Die, without a doubt the high point of any Thursday Murder Club novel are the characters.  Osman has an incredible knack for producing compelling, delightful, and impressive characters who you cannot help but fall in love with.  Thanks to his split between different perspective characters (which includes a change in writing style for Joyce’s journal entries), you get to see so many different angles of this mystery, and I loved the amazing personal arcs that emerged as well.  Osman does a great job of balancing the narrative between the many characters featured in the novel, including the recurring protagonists from the previous books and several new intriguing figures.  These characters form the emotional heart of The Last Devil to Die and Osman really amps up the feelings, tragedy and love for this latest book to produce an exceptional and memorable read.

At the centre of the story are the members of the titular Thursday Murder Club: Elizabeth, Joyce, Ibrahim and Ron, four cheeky and brilliant retirees who pass their time solving murders.  Osman has done such a good job setting these characters up as a group throughout the previous books, and they each have a well-defined role in the group, with Elizabeth the hard-nosed former spy serving as leader, Joyce the loving grandmother figure who is a lot more devious and strong then people realise, Ron the tough larrikin who is starting to come to terms with his feelings, and Ibrahim the sensitive soul who can connect with everyone.  These fantastic characters prove to be the usual dedicated and brilliant investigators, and it is always fun to see them utilise their unique skills and their old age to solve their crime.  Much of the book’s humour is derived from them leveraging their advanced years and apparent helplessness to trick or manipulate the younger suspects, and I always enjoy their direct and hilarious take on crime solving.  However, while there is a certain humorous element around these characters in The Last Devil to Die, certain significant events throw them into an emotional tailspin and watching them become unstuck and devastated really hits the reader hard.

Elizabeth in particular is hit the hardest and this is honestly the most significant novel for her, especially as the great tragedy she has been expecting for the entire series finally comes to pass, and your heart hurts at seeing such a strong character broken down so much.  Joyce proves to be the emotional rock the novel, stepping up when the others are down and trying to keep the investigation going.  I loved seeing Joyce the leadership role, and watching her come out of her shell proves to be quite heartwarming in light of other tragedies.  Ron probably gets the least amount of focus in The Last Devil to Die, but he still has his moment to shine throughout this book.  Not only does he have one of the funniest scenes when he has to pretend to be traumatised at discovering a body, but his chaotic romantic relationship raises some fun questions about when Christmas gifts should be opened.  I also deeply enjoyed Ibrahim’s character focus, not only because of his warmth and insights, but because of his unusual friendship with imprisoned criminal Connie Johnson and his fantastic patter with Ron.  Osman also finally reveals some secrets about Ibrahim’s past that have been hinted at in previous books, and I loved the extra layer of understanding about Ibrahim that results.  Each of these main characters are so well featured and their emotional struggles prove to be such an important part of the plot and help to turn The Last Devil to Die into in a very powerful and moving novel.

In addition to the main cast, Osman’s ever expanding collection of supporting characters were very well featured in The Last Devil to Die, and while they are primarily there to assist the main characters with their investigation, the author always takes the time to develop some intriguing and heartfelt storylines around them.  This includes the duo of DCI Chris Hudson and PC Donna De Freitas, who find themselves once again competing against their retiree friends to solve the case, despite their futile attempts to keep them out of trouble.  While many of their scenes are played for laughs, especially as they get exasperated trying to stop the club members, they add in a good official police presence and move the story along in some interesting ways.  There is also a continued focus on their personal lives, especially as they have both found true happiness thanks to the events of the prior books.  Cocaine queen and jailbird Connie Johnson proves to be another great recurring figure here, especially as much of her story deals with her simultaneously manipulations of Ibrahim and her attempts at rehabilitations.  Her scenes opposite the team’s psychiatrist are pretty hilarious, and it’s going to be fun to see how her storyline continues.  The always dependable Bogdan is also a fantastic presence in The Last Devil to Die, and I loved how he proves to be both a supportive partner to Donna and a reliable assistant in Elizabeth’s attempts to undermine the police.  Bogdan is also hit emotionally hard in this book and you really have to feel for this wonderfully written character who has the body of a thug and a heart of pure gold.  Throw in several great new antagonists, an unpopular elite police officer and several entertaining new residents at Coopers Chase, and this proves to be an amazing book when it comes to supporting characters.

However, the character I need to talk about the most is Elizabeth’s academic husband, Stephen, who honestly has been one of the strongest and saddest figures in the entire series due to his growing dementia.  A caring and intelligent figure, despite his ailment and his wife’s attempts to hide him from the world, Stephen is such an impressive character you honestly cannot help but fall in love with.  It is always so tragic to see Stephen slowly lose his mind while Elizabeth’s heart breaks next to him, and I really appreciate how well Osman portrays the complexities of dementia when it comes to this figure.  Despite that, he proves to be an essential part of the plot, and his insights into his friend have some major impacts on the case, even if you do not realise it at the time.  Osman also makes sure to enhance the misery around Stephen again in this book, especially as he finally becomes aware of his condition in one of his lucid periods, and the resulting scenes are so damn moving and emotional as a result.  Everything about Stephen in The Last Devil to Die, from his continued warmth, his love for Elizabeth even when he doesn’t know who she is, his sad friendship with a local fox, and his journeys back inside the past of his mind, is handled perfectly and powerfully, and he honestly steals every moment he is in.  Stephen steals the show in his own way in The Last Devil to Die, but honestly every character in this book is pretty exceptional, and you will find yourself falling in love with them again, even if it breaks your heart.

Due to my previous experiences with this series, I chose to check out The Last Devil to Die on audiobook, rather than reading the physical copy I received.  Coming in with a runtime of just under 11 hours, this is a relatively quick audiobook to get through, especially once you get caught up in the story, which you definitely will.  I find that the audiobook format is pretty damn good at getting so many elements of Osman’s story across, including the characters, the powerful emotions and the fun humour, and you really will have a hard time turning off this audiobook of as a result.  It also definitely helps that they keep getting such awesome narrators in to read these books.  The first two entries in the series were narrated by Lesley Manville, who did such a great job bringing the characters to life, especially Joyce.  Unfortunately, Lesley left after narrating the first two books, which I was initially sad about.  However, they did a really good job of replacing her in the third audiobook with acclaimed actress Fiona Shaw, who also returns for The Last Devil to Die.

Now I was already a fan of Fiona Shaw before her work here, and I think she was honestly the best possible replacement they could have gotten for Lesley Manville.  Utilising her trademark Scottish accent, Shaw hits the story with a soft and gentle voice that perfectly fits the more relaxed tone of these murder mystery novels.  These gentler tones are excellent at conveying the unique humour and emotions of the Thursday Murder Club books, and I really got enveloped by the powerful story as a result.  Shaw also does an outstanding job voicing each of the brilliant characters featured within this book and I have a lot of love for the vocal choices she makes here.  Now, while there is a little difference between Shaw’s performances and the previous audiobooks with Manville (Manville is a natural Joyce, while Shaw more of an Elizabeth), Shaw really keeps the magic from the first two books going.  She does a great job of matching many of the key voices Manville originally used, while also adding her own flairs to make the characters her own.  I really loved how effortlessly Shaw slipped into the various members of the cast, and this honestly helps you fall in love with all the characters and the story as a whole.  This entire audiobook honestly comes up pretty perfectly, and there is even a fantastic and cosy chat at the end between Osman and Shaw discussing the series.  As such, I would strongly recommend the audiobook version of The Last Devil to Die to anyone interested in checking out this novel, and it is easily the best way to enjoy this fantastic series.  One of the best audiobooks of 2023!

Look, I could go on about how good The Last Devil to Die is, but the bottom line is that this was an exceptional read and one of the best entries in the already great Thursday Murder Club series.  Richard Osman did a wonderful job of producing an elaborate and compelling book that featured both an amazing mystery, and some outstanding character work.  Funny and tragic in equal measures, and with some of the most emotionally charged scenes of 2023, The Last Devil to Die was an incredible book from start to finish and I cannot recommend it enough.  This fantastic book is going to top all my end-of-year best of lists and I cannot wait to see what Osman releases next.

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The Defector by Chris Hadfield

On By The Unseen LibraryIn Historical Fiction, Thriller3 Comments

The Defector Cover

Publisher: Quercus (Trade Paperback – 10 October 2023)

Series: The Apollo Murders – Book Two

Length: 369 pages

My Rating: 4.5 out of 5 stars

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Former astronaut turned thriller author Chris Hadfield returns with his second excellent novel, the intriguing and clever historical read, The Defector.

Back in 2021, I was lucky enough to receive a copy of superstar astronaut Chris Hadfield’s cool and much-hyped debut novel, The Apollo Murders.  Set during the Cold War, The Apollo Murders depicted an alternate history adventure where a fictional Apollo flight mission to the moon suffered all manner of calamity, including murder, treachery, and unexpected Russian hitchhikers.  Thanks to Hadfield’s knowledge of history and spaceflight, this turned out to be quite the gripping read, and The Apollo Murders ended up being one of my top debuts for 2021.  As such, I have been eager to see how Hadfield planned to follow up his first book, and I was quite excited when I saw that his second novel was a sequel to The Apollo Murders.  This book, The Defector, was an excellent and compelling thriller which I had a brilliant time getting through.

Israel, 1973.  On the eve of the Yom Kippur War, a Soviet test pilot makes the bold decision to fake a crash in his state-of-the-art MiG fighter and secretly land in Israel.  Claiming that he wants to defect to the United States, the pilot, known by his codename, Grief, and his plane are traded to the Americans, who desperately want to know the secrets of the MiG and how it achieves such impressive altitude.

Having witnessed Grief’s defection while on holiday in Israel, NASA flight controller and former Navy test pilot Kaz Zemeckis is quickly drafted in to take carriage of the captured MiG and to work with Grief to fully understand the plane’s limitations and capabilities.  Their unlikely partnership eventually takes them to the most secure and secret location in the United States, Area 51, where Grief looks set to provide all the information the Americans have ever wanted about the MiG.  However, not everything is as it seems, and it soon becomes apparent that Grief has his own reasons for wanting to defect to the United States.  Can Kaz get to truth before it is too late, or has he let a wolf right into the heart of America’s most secret air base?

This ended up being an excellent and exciting novel from Hadfield that successfully follows up his original debut and provides a cool and intense new story that proves very hard to put down.  Hadfield tells a pretty tight and compelling story in The Defector that starts strong with the mysterious Grief defecting right in the middle of the Yom Kippur War.  This initial excitement morphs into an intense and gripping game of cat and mouse, as Kaz attempts to utilised Grief’s knowledge and keep his defection secret from the Soviets, while the Russian pilot works to initiate his own plans.

This continues for much of the book, and I thought this ended up being a much more focused and well-structured thriller narrative than we previously saw from Hadfield in The Apollo Murders.  The focus on espionage and military secrets was a great centre for the plot, and Hadfield did a good job on also utilising some intriguing characters, especially Kaz and the mysterious Grief.  The inclusion of a couple of fictional supporting characters from The Apollo Murders, namely a cosmonaut and a major Soviet antagonist, was also quite interesting, although as they were mainly there to set up a future entry in the series it did disrupt the narrative flow a little.  Everything leads up to the big conclusion, which Hadfield set up nicely throughout the course of the story.  While I do think that Hadfield might have considered utilising a twist to change the antagonist around, it was still really fun to see the full plan unfold, as well as the real reasons behind the defection.  Watching the manipulation and the resulting violence unfold was very impressive, and it led to a satisfying, if slightly predictable, final showdown with the protagonist that ended everything on a high note.

I really enjoyed how well The Defector came together, especially as Hadfield reused all his best writing elements from The Apollo Murders, while also strongly utilising his own personal experiences and knowledge as a test pilot.  The constant switching between perspective characters, as well as several interludes and flashback sequences, helped to produce a complex, multilayered storyline, and I liked seeing the various players in the plot attempt to work out what everyone else is doing.  It also allowed Hadfield to hide some good hints about the antagonist’s true motivations and feelings, which came out perfectly at the end of the book.  There was also some great character growth around the protagonist Kaz, especially as Hadfield successfully built on his personality and relationships from the first book, and it is clear that the author has some future adventures planned for him.

However, the real strength of The Defector lies in Hadfield’s encyclopaedic knowledge of military airplanes, Cold War espionage history and spaceflight, which was masterfully inserted into the plot.  Much of the plot revolves around the desire for both sides of the Cold War to get a better understanding of their opponent’s aircraft capability, and Hadfield expertly examines the history and mechanics around this.  The discussions about aircraft, fighter capabilities and more, are all quite fascinating, and Hadfield does a wonderful job of exploring them in a highly detailed way that readers unfamiliar with aircraft can easily understand.  His experience also allows for some highly realistic and intense aerial combat sequences, and I really enjoyed the elaborate scenes that resulted, especially the cool conclusion.  This grasp of aircraft, the history surrounding their development, and the espionage involved, are well worked into the plot of The Defector, and I loved how much it increased the authenticity of the book, making it so much better.

Overall, The Defector was an outstanding second novel from Hadfield that I had a wonderful time reading.  Containing a clever and well-paced spy thriller narrative loaded with intriguing details about aircraft and the cold war, The Defector had me hooked from its first awesome scene, and I managed to power through this book in no time at all.  Compelling and action packed, The Defector was an outstanding follow-up to The Apollo Murders and I cannot wait to see what Hadfield writes next.

The Defector Cover 2

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Cave 13 by Jonathan Maberry

On By The Unseen LibraryIn Audiobook, Five-Star Books, Science Fiction, Thriller16 Comments

Cave 13 Cover

Publisher: Macmillan Audio (Audiobook – 29 August 2023)

Series: Rogue Team International/Joe Ledger – Book 3/13

Length: 19 hours and 5 minutes

My Rating: 5 out of 5 stars

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One of my favourite twisted authors returns with an outstanding new entry in one of his best series with Cave 13 by Jonathan Maberry.

It has already been a massive year for fans of thriller/horror author Jonathan Maberry, who previously released the exhilarating and intense dark fantasy novel Son of the Poison Rose.  The awesome sequel to Kagen the Damned (one of my favourite novels and audiobooks of 2022), Son of the Poison Rose was one of my favourite books and audiobooks from the first half of the year, and if that had been the only Maberry novel I’d received in 2023 I would have been content.  However, Maberry chose to spoil us by providing us with another epic Joe Ledger novel, which is so damn amazing.

The Joe Ledger novels are an amazing science fiction thriller series that follows titular protagonist Joe Ledger as he attempts to stop a series of insane world-ending threats initiated by compelling group of villains.  The initial Joe Ledger series featured 10 epic books with some outrageous and addictive stories around them, including Patient Zero, The Dragon Factory, Code Zero, Predator One and Deep Silence, just to name a few.  Maberry followed up these novels with a new Joe Ledger focused series, the Rogue Team International books.  This series has so far featured Rage (one of my favourite books and audiobooks of 2019) and Relentless (one of my favourite books and audiobooks of 2021), both of which were pretty exceptional in their own ways.  As such, I have been quite excited to see a new Rogue Team International book and Cave 13 was one of my most anticipated books for 2023 as a result.

To many, Jason Aydelotte, better known to the world as Mr. Miracle, is a smiling and beatific public figure celebrated for his archaeological endeavours and his vast antiquities business.  However, beneath the smiles, Mr. Miracle is a far more ruthless and sinister operator.  Smart, determined and ambitious, Aydelotte has entered the world of international arms dealing and is willing to sell his advanced weapons to anyone who will buy them, including ISIS, and his latest product might be the scariest thing ever created.

Thanks to discoveries made in a hidden ancient Egyptian tomb, Aydelotte’s team has developed a powerful new bioweapon that drives its victims insane with a mere breath.  Its effect is terrifying and its potential for destruction in the wrong hands is immeasurable.  With the world going insane and chaos rising in the Middle East, the only people who might be able to stop such a potent weapon are Joe Ledger and the highly specialised agents of the independent intelligence agency, Rogue Team International.

However, the release of a deadly bioweapon soon proves to be the least of Ledger’s problems in the Middle East.  Far more dangerous materials were recovered from the tomb, including bizarre books of magic dating back to the time of Moses.  At the same time, greater secrets have been pillaged from a hidden cave containing even more Dead Sea Scrolls, some of which could alter the very fabric of the universe.  With threats piling up all around them, and enemies on all sides engaging in their own dangerous plots, can Ledger survive both the carnage and his own fractured mind to save the day, or will a new ruthless opponent destroy everything?

Cave 13 was another outstanding and captivating Joe Ledger adventure from Maberry that sets his troubled protagonist against another brilliantly elaborate world-ending plot.  Slick, intense and loaded with complex characters, Cave 13 was an amazing read that gets an easy five-star rating from me, especially in its audiobook format.

Maberry produced another unique and compelling story for Cave 13 that is once again perfectly told in his unique writing style.  Utilising a vast number of shorter chapters, Maberry quickly starts the story off, reintroducing the protagonist and his team, while also setting up the compelling antagonists and their complex evil plan.  A series of well-placed and absolutely fascinating interludes throughout the book provide greater context to the events that are about to unfold, and you get to see the entire genesis of the antagonist and their plans, which adds a lot to the overall story.  Maberry artfully blends this together with the main storyline that sees Ledger and his team investigate several unique occurrences, including conflicts in the Middle East, increases in unique weapon trafficking, the recovery of the Dead Sea Scrolls, as well as mysterious events that could only have been done by certain biblical magic (“you’re playing with the big boys now”).  The intriguing blend of science, mysticism, faith and mystery gives Cave 13 a particularly fun edge, and I really liked the intriguing set-up surrounding the antagonist’s plot and its full potential for destruction. At the same time, the author also dives back into the complexity surrounding his protagonist’s damaged psyche, and how this new case might affect it.

While I loved all the set-up in the first third or so of the novel, it does ensure that the initial plot is a tad slower.  This changes once Ledger and his team arrive in Israel and find themselves under attack in a particularly brutal action sequence right off the bat.  Maberry’s action scenes are always extremely awesome, and you have to love the attention and detail he puts into making them as intense as possible.  This cool action sequence is well balanced at this point by some further background, as well as a compelling sequence of events surrounding recurring side-character Toys, who finds themselves at a different side of the conflict following an undercover operation gone wrong.  This part of the story, especially the twist about the antagonist’s true plan, really increases the stakes and intensity of the story, and Maberry has a lot of fun creating some intense visual horrors for the readers, especially when it comes to a series of twisted and brutal hallucinations.

The final third of Cave 13 is probably the strongest part of the book, and I honestly was hooked the entire way through, desperately trying to get to the end.  All the great set-up, intriguing interludes, and multitudes of well-established characters comes together for the big confrontation at the end as the antagonist’s plan goes full circle and Ledger and his team once again find themselves in hell.  Things get so damn dark, desperate and freaky at this point in the book, and you are left completely worried about all your favourite characters as Maberry doesn’t have the best track record of keeping likeable cast members alive.  There are some brutal scenes here, as well as a ton of tragedy, and the reader is left on the edge of their seat right until the very end.  While I came away from parts of this book a bit shellshocked, I was overall very happy with the conclusion, which was dark, had a good twist around the villain, raised a lot of questions about the protagonists, and left you with a little ray of hope that will no doubt get snuffed out in the future.  An overall pretty epic story that really came to life in Maberry’s hands, especially thanks to his unique set out and brilliant ability to write an action sequence.

Cave 13 ended up being quite an interesting Joe Ledger novel, especially as it presents a great story and the first original villain of the Rogue Team International era, while also cleverly diving into the prior events of the series and utilising them to enhance the characters and narrative.  I really enjoyed the step away from the villains of Rage and Relentless for this one book, although I also appreciated how well the author examined the aftermath of these novels and the dark things they’ve done to the protagonist.  Like most of the Joe Ledger books, Cave 13 can be read as a standalone novel, and Maberry does a good job of recapping all the relevant prior events and characters to ensure that new readers can fully understand and appreciate everything going on.  However, established fans of Maberry are going to get the most out of Cave 13, and there are a ton of unique hints or suggestions about what is to come.  I found it particularly interesting that Maberry chose to include multiple scenes in Cave 13 that were clearly intended to set up certain events for future entries.  While these scenes are a tad disjointed from the main story, I won’t lie and say it didn’t make me excited for the next book in the series, especially when it comes to those hints about certain villains returning.  I was a little less impressed that several storylines or mysterious events from Cave 13 were deliberately left unanswered by Maberry, but I guess I’ll just have to wait and see what happens with them in the next exciting Joe Ledger novel.

As with all Maberry’s work, one of the main highlights of Cave 13 was the excellent and complex characters.  Maberry features a pretty massive cast in this novel, including a range of recurring figures from the previous novels, as well as several intriguing new figures who I really enjoyed.  As usual, Maberry does a remarkable job of showcasing all his characters, diving into the compelling histories and minds, and showcasing just how crazy or morally dubious they are (you have to be in order to survive in this universe).

Naturally, the most prominent character is protagonist Joe Ledger, who has been the leading figure and main point-of-view character in this series since the beginning.  An unstoppable action man and natural leader, Ledger is always a fun character to follow, especially as Maberry installs an overwhelming level of snark and disrespect in his personality, ensuring that every scene he’s in is full of quips, jokes and very funny observations about the crazy things he encounters.  While this alone makes him a great character, and the source of much of Cave 13’s humour, Maberry ensures that Ledger is one of his most complex protagonists ever due to the sheer amount of trauma the character experiences.  Ledger has gone through so much damage, darkness, loss and despair during the course of the series, and Maberry spends a substantial part of the protagonist’s chapters diving into this, showcasing just how emotionally and mentally battered Ledger is.  While I always love how effectively Maberry showcases the building trauma surrounding his character, it is even more poignant and important in Cave 13, as this is Ledger’s first adventure since the events of Relentless, where Ledger was taken over by a murderous personification of his own inner darkness and went on a deadly revenge trip.  Some of the most emotionally powerful parts of the book revolve around Ledger and his friends coming to terms with his terrible actions in the last book, and it is clear that Ledger has been extremely changed by the events of the prior book.  Naturally, Maberry decides to twist the knife even further in Cave 13 by subjecting Ledger to a series of traumatising visions and hallucinations thanks to the book’s big bioweapon.  This drives Ledger even further over the edge, and there are some fascinating and highly revealing scenes that give you further insights into just how cracked this protagonist is and the dangers lurking just beneath his mental surface.  Honestly one of the best and most compelling action protagonists out there, I really love how Maberry showcases Ledger in this gripping novel.

In addition to Ledger, Cave 13 features a range of other compelling characters who get their moment to shine.  My favourite would have to be the always mysterious Mr Church, the head of the secretive Rogue Team International.  A highly elusive and deadly figure whose origins and full capabilities are only hinted at; Church is easily one of the best characters featured in the entire series.  Maberry makes exceptional use of Church in Cave 13, and there are so many more tantalising hints about who or what this character might be.  This actually proves to be one of the most substantial Church novels in the entire series, and Maberry goes out of his way to not only show that this seemingly unstoppable figure is actually vulnerable, and is in some ways just as much of a bastard as the book’s villains.  There are several amazing and highly powerful monologues from Church in Cave 13 that give you some fascinating insights into his mind, especially when it comes to Ledger and the constant war that he and Church are fighting, and I loved getting an idea of just how ruthless this figure can be.  Several of these monologues are delivered to another awesome figure in Cave 13, the team’s psychiatrist, Rudy Sanchez, a notoriously calm figure who finally loses his cool in this novel after Ledger goes back into the field, straining their relationship.  I loved seeing Rudy particularly passionate and angry in Cave 13, especially when he stands up to Church, and Maberry’s portrayal of his concern really helps to highlight just how much damage was done to Ledger in the previous book.

Another major figure from Cave 13 that I need to highlight is the intriguing figure of Alexander “Toys” Chismer.  A former villain turned repentant ally, Maberry set Toys on a redemptive arc several novels ago, and it has been really paying off as Toys has turned into a fascinating figure trying to atone for his past.  His impressive long-running storyline is extremely well featured in Cave 13, and indeed he is one of the major protagonists, leading his own team and experiencing some substantial additional trauma.  Toys honestly has one of the darkest and most impressive character arcs in the entire novel, and the scenes he shared with Ledger are particularly moving and play into their complex antagonist history perfectly.  The various recurring members of Rogue Team International are well featured again in Cave 13, and it was fascinating to see how some of their character arcs have developed over the course of 13 novels.  My favourite fuzzy assassin, Ledger’s dog, Ghost, was of course awesome in this book, and I always loved just how in touch with his human’s emotions Ghost is.  There was even an intriguing extended cameo from F. Paul Wilson’s iconic protagonist, Repairman Jack, who Maberry utilises extremely well in Cave 13’s story, simultaneously working them into the plot while also diving into the Repairman’s unique life in his own series.

Finally, I must highlight some of the villains in this book.  Maberry always excels in creating complex and insane antagonists for each of his novels, and Cave 13 is no exception, as you are introduced to several intriguing villains who are set to unleash chaos upon the world.  I won’t give away too much about them and their plans here, but I will say that Maberry did an exceptional job of introducing them and diving into their various quirks, plans and desires, in some cases humanising them.  This actually helps to make them even more sinister as you start to understand and appreciate some of their actions, even if they are reprehensible.  I deeply enjoyed the complex examinations of each of Cave 13’s main villains, especially as the various interludes showcase their intriguing histories as well as the genesis of their current plans and schemes, allowing you to fully appreciate everything about them.  These villains, as well as a couple of seemingly returning antagonists hidden in the shadows, ensure that Cave 13’s stakes are always extremely high, and I loved how well the various complex character arcs mixed together to create an outstanding and powerful read.

As with every Jonathan Maberry novel I have so far had the pleasure of enjoy, I chose to check out Cave 13 on audiobook, which is the only way to enjoy one of Maberry’s epic tales.  Not only does the author’s awesome writing style and action sequences really come across well in the audiobook format, but the exceptional narration of acclaimed voice actor Ray Porter, who narrates all of Maberry’s projects, is so damn awesome.  Porter has such a brilliant handle on Maberry’s great characters, and it is always fun to hear the familiar voices of the main cast come out of Porter’s mouth again.  I particular love Porter’s take on main character Joe Ledger, as Porter always manages to capture the key parts of his personality, including the humour, mental instability and the pure rage contained within.  This, and other excellent performances, really helps to turn Cave 13 into an amazing listen, and I had such a brilliant time getting through it, and its 19-hour runtime just flew by.  Indeed, it really helped to ensure an extended road trip in an uncomfortable van was actually pretty tolerable, so kudos for that.  Easily one of the better audiobooks of 2023 so far, I cannot recommend this format enough to anyone wanting to check this epic novel out.

Unsurprisingly, I had fun with the latest Rogue Team International novel by Jonathan Maberry and it is always so damn epic to get another Joe Ledger adventure.  Cave 13 was a particularly awesome and intense entry in the series that expertly brings together an elaborate narrative, evil villains, exceptional action and complex character in an impressive overall read.  Fun, exciting and oh so darkly addictive, Cave 13 was a powerful and gripping novel that I cannot recommend enough, especially for established fans of Ledger’s amazing books.

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Quick Review – The Pit by Peter Papathanasiou

On By The Unseen LibraryIn Australian, Drama, LGBT+, Murder Mystery, Quick Review3 Comments

The Pit Cover

Publisher: Maclehose Press (Trade Paperback – 25 July 2023)

Series: DS George Manolis – Book Three

Length: 297 pages

My Rating: 4 out of 5 stars

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Australian author Peter Papathanasiou returns with his third DS George Manolis novel, The Pit, a complex and intriguing piece of Australian crime fiction that takes three unlikely companions on a memorable road trip.

Plot Synopsis:

A third outback noir from Peter Papathanasiou, following Special Constable Sparrow as he investigates a cold case in a barren mining region of Western Australia.

With DS Manolis on leave in Greece, Senior Constable Sparrow receives a phone call from a man who wants to turn himself in.

Bob is sixty-five years old, confined to a Perth nursing home. But thirty years ago, he killed a man in the remote northern Kimberley mining region. He offers to show Sparrow where the body is, but there’s a catch: Sparrow must travel north with him under the guise of being his carer.

They are accompanied on the drive by another nursing home resident: Luke, thirty years old, paralysed in a motorbike accident. As they embark on their road trip through the guts of Western Australia, pursued by outback police and adrenaline-soaked miners, Sparrow begins to suspect that Bob’s desire to head north may have sinister motivations. Is Luke being held against his will? And what lies in store for them when they reach their goal?


The Pit proved to be quite an interesting and compelling novel which honestly was very different from what I was expecting.  I thought this would be more of a standard crime fiction/murder mystery novel in the Australian wilderness, but instead I got a character driven story that dove into one protagonist’s complex life, and I honestly think it worked out better this way.

The plot of The Pit is very far removed from Papathanasiou’s previous DS George Manolis novels, with the protagonist of the first two books not even actually appearing.  Instead we get an intriguing story about supporting character Special Constable Sparrow, who finds himself presented with an unusual opportunity by an old man, Bob, wanting to confess to a 30-year-old murder.  While I do think that Sparrow agreed to Bob’s strange request without backup a little too readily, it sets up an interesting and heartfelt storyline where Sparrow accompanies Bob and Bob’s unsuspecting young protégé, Luke, across Western Australia into the heart of mining country.  The narrative splits into two separate timelines at this point, with the main narrative focusing on the three companions as they travel across the Pilbara, getting into all manner of trouble and meeting a range of outrageous and unique outback locals.  The other main storyline is a series of intense flashbacks that examine the full life of Bob and the many hardships he experienced as a homosexual man in Australia from the 1960s onwards.  There is also a subplot that follows the friendship Bob formed with Luke in the nursing home and why Bob decided to take him on the road trip.

These different fantastic storylines are interesting and emotional in their own way, and the reader gets heavily invested in seeing both the past and the present.  Bob’s tragic and violent life story really drags the reader in, and it was fascinating to see his take on the homosexual experience throughout various periods of recent Australian history.  At the same time, you get quite entranced by the unique friendship that forms between the three road trippers, especially as each of them has their own secrets, personal issues and emotional turmoil.  I felt that the darker past storylines blended well with the unusual hijinks of the modern storyline, and the hidden clues in Bob’s recounting of events ended up having some interesting impacts on the central story.  These split storylines come together in an excellent way, and Papathanasiou really lays on the tragedy in the main narrative threads, especially when it comes to Bob and the tragedies he’s experienced.  The ending of the book is quietly poignant and ultimately unavoidable, and you will come away quite moved by how everything turned out and how the main characters developed.

Papathanasiou backed up this emotionally rich story with some fantastic and highly detailed background settings.  The Pilbara in particular is shown in all its red glory, and the author does a remarkable job describing its harsh beauty and the heavy burden of those who traverse it.  The anecdotes about the unusual people who worked in the Pilbara, both in the modern day and in the 1970s and 80s, are pretty over-the-top and very entertaining to absorb.  I do hope that Papathanasiou was exaggerating just how crazy everyone out in the Pilbara is, as there were a lot of unsettling and concerning characters involved who added some interesting spice to the story.  The memorable social interactions and courtship rituals of the repressed male Pilbara mining community back in the 1970s also seemed a bit unlikely, and I doubt I will be able look at a ute full of blokes the same way again after reading this book.  These outrageous scenes were quite entertaining, and I think they helped to enhance some of the more emotional parts of the book in greater detail.  Throw in other interesting historical locations, such as Sydney during the AIDS epidemic, and you have a fantastic background to this intense story that Papathanasiou used to full effect to tell his unique story.

Overall, The Pit was quite a memorable and compelling read by Papathanasiou, who told quite a complex Australian tale.  As a dramatic Australian tale with historical elements more than a pure crime fiction read, The Pit was a fantastic book that beautifully dove into some dark issues and showcased some amazing characters.  Charming and heartbreaking, The Pit was an excellent piece of Australian fiction that is well worth checking out.

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Holly by Stephen King

On By The Unseen LibraryIn Audiobook, Five-Star Books, Horror, Thriller20 Comments

Holly Cover

Publisher: Hodder & Stoughton/Scribner (Audiobook – 5 September 2023)

Series: Holly Gibney

Length: 15 hours and 24 minutes

My Rating: 5 out of 5 stars

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The master of thrills and chills, Stephen King, returns with his latest exceptional read, the powerful and gruesome thriller Holly, an outstanding and utterly gripping read that brings back an amazing original protagonist.

Fans of this blog will be aware that I have been in a bit of a Stephen King mood recently, especially being quite a latecomer to his books.  I have had a wonderful time reading some of his latest works, including Later, Billy Summers and Fairy Tale, each of which has been great in its own way.  I have also been keeping a firm eye out for any upcoming books from King, and I was highly intrigued when I saw that he was releasing Holly in the second half of 2023.

Holly, which was one of my most anticipated books of the year, serves as a continuation of the adventures of protagonist Holly Gibney.  Holly Gibney, who first appeared in Mr Mercedes, is a unique and damaged figure who ended serving a vital supporting role in all three Bill Hodges books, as well as the horror-filled thriller, The Outsider (both of which have been adapted into awesome television series).  Holly is the first full novel where this quirky figure will be the main protagonist (although there was the novella, If It Bleeds), and I was very intrigued to see how that turned out.  I even went back and read Mr Mercedes for the first time so I would have a better idea of the character and their fascinating story.

It is the height of the 2021 COVID pandemic, and Holly Gibney is reeling from the sudden death of her domineering and stubborn mother.  Initially planning to take some time off, Holly finds herself drawn to a new case when distraught mother Penny Dahl calls the Finders Keepers detective agency hoping to get help in finding her missing daughter, Bonnie.  With her partner, Pete, out of commission with COVID, Holly decides to take on the case by herself, especially when Penny’s desperation breaks through to her.

Diving into the case to distract herself from her deep personal concerns, Holly begins to uncover all the details surrounding Bonnie’s sudden disappearance.  But the further she digs, the more sinister the case becomes, especially when it becomes apparent that more than one person has disappeared in the same residential area.  To uncover the truth, Holly will need to find out more about these other disappearances.

However, Holly is unaware of a deadly threat watching her from the suburban shadows.  Professors Rodney and Emily Harris are octogenarians living an easy life as semi-retired academics.  But this old married couple is keeping a dark and unimaginable secret in their basement, one that will shake Holly to her very core.  Can Holly find out what really happened to Bonnie and the other missing persons before the clever and patient professors make their move?

Wow, just wow!  This was such an exceptional and powerful read, and it is one of the best books I have ever read from Stephen King.  Featuring an exciting, emotionally charged and highly gruesome story that will leave you breathless and horrified, Holly had me hooked from the second I started it and it refused to let me go even after I finished it.  Intense, clever, and oh so beautifully disturbing, Holly gets an easy five-star review from me for so many delicious reasons.

Holly has an epic and addictive narrative that grabs the reader’s attention right off the bat, especially as you are immediately introduced to the horrifying schemes of the antagonists.  This great introduction perfectly leads into the main story, which focuses on the protagonist’s investigation into the disappearance of a missing girl.  This is very much a character driven plot, as the protagonist simultaneously deals with her troubled history and roiling emotions following the death of her mother.  King features a range of intriguing character perspectives throughout the course of Holly, showcasing different angles to the case and introducing several additional personal stories.  Thanks to these intriguing perspectives, especially those surrounding Holly herself, the investigative storyline rolls along at a fast and exciting pace, and Holly quickly begins to realise something nefarious did happen to her client’s daughter, as well as other people in the same area.  King backs up these revelations with great flashback chapters that showcase the actual sinister deeds of the antagonists, while also giving you some fascinating insights into who they are and what drives them to commit these insanities.

The resulting story continues at a fast and compelling clip, as you get further drawn into both Holly’s case and the intriguing history of the Harrises and the people whose lives they impact.  King writes a very tight and captivating investigative storyline around the protagonist, and I liked how Holly methodically finds connections and identifies new victims through a series of fun character interviews.  Thanks to the flashback sequences, the reader already knows what the Harrises have done and what Holly is going to find as her investigation continues, which gave the protagonist’s scenes more of an edge as you wait for her to uncover the full horrors awaiting her.  As this unfolds, you are also gifted to several compelling and emotionally charged scenes around Holly, as well as several other great supporting figures, as they go about their damaged and complex lives.  This includes a large sub-story thread around returning character Barbara Robinson, whose foray into the literary world proves quite powerful and personal, while also revealing several major clues in the case.  These multiple character-driven storylines are pretty fascinating and captivating in their own way, and they pull together perfectly into one cohesive and bloody narrative that you can’t prove away from.

While the first two thirds of Holly are extremely cool and addictive, the third act is where everything comes together, and boy is it glorious.  King came up with an excellent and very impressive conclusion that keeps you irresistibility hooked up to the end.  Several lingering questions, such as the fates of characters, are cleverly and gruesomely answered in the leadup to Holly pulling the clues together.  At the same time, the author also revolves several key character arcs and storylines, which set up these various figures for the big confrontations, for better or for worse.  I love how King maneuverers all the characters around through chance, tragedy and mistakes so that there is the maximum risk for his protagonists, and you are seriously left wondering who is going to survive and how the entire story will unfold.  The climatic scenes are pretty damn memorable, as King brings everything together in a brutal way that only he could envision.  The shock, the emotional damage and the horrors that are revealed are extremely powerful and cool, and you will come away from Holly disturbed and satisfied in equal measure.

While I already had a great deal of respect for King’s writing ability before reading this book, I have to say that I was even more deeply impressed with how he pulled Holly together.  This fantastic book was the perfect blend of mystery, suspense and character-driven narrative, and there was frankly not a single second that I did not enjoy.  The way that the author told his complex narrative is outstanding, and I loved how the perspective switches between the various intriguing characters, as well as featuring flashback chapters that range from heartfelt to highly sinister.  The constant changes in focus helped to create a very compelling and elaborate read, and showcasing all the key characters ensures that the reader gets a much more complete and powerful narrative, especially during the main investigative storyline.  While I liked the protagonist’s narrative, some of the best scenes were those that focused on the antagonists and their sinister secrets in the basement.  The Harrises’ scenes are pure and exquisite horror that had me shuddering and shivering the entire way through, especially when you find out exactly what they are doing and why.  I cannot fully express how gruesome King made this part of the book, and I could not stop reacting at his horrifying descriptions at times; it was that damn dreadful.  Combine that with the highly personal and relatable character arcs, and this ended up being an exceptional read that you will have a hard time putting down.

While Holly is part of a larger series of books and stories that feature the main character of Holly Gibney in some way, King makes sure to cover all the relevant details from these previous works where needed, and this can be read as a standalone novel.  Both I and my wife (who hasn’t read any of the books, but did watch the Mr Mercedes television series), were able to follow every point of this book without any issue, although established King readers will probably have fun seeing the story continue from these previous reads.  As such, Holly is an easy and compelling read to check out, even if you are unfamiliar with King’s work, and you are guaranteed to have fun with it.

I cannot talk about Holly without discussing the outstanding and beautifully written characters that help to turn this amazing novel into such a classic and exceptional read.  King has always excelled at wrapping his elaborate narratives around powerful and distinctive protagonists and villains, and Holly is a brilliant example of this.  The heart of the tale lies in the motivations and actions of Holly’s excellent cast, and the simultaneous examination of their lives and the case is so very addictive.

The most prominent of these characters is titular protagonist Holly Gibney, who returns this time as the main character of her own book.  Holly is such a fascinating and complex figure to focus a story around, and while much of her development occurred in previous novels, King still has a lot to work with here.  Already somewhat emotionally damaged and immature, especially after a lifetime of anxiety and manipulation, Holly has only come out of her shell in recent years thanks to the help of her friends and her new career as a private investigator.  However, the death of her mother brings up a whole new bag of issues, especially as it uncovers additional layers of manipulation that Holly had previously been unaware of.  Most of Holly’s scenes see her try to deal with continual feelings of guilt, betrayal and regret that results from these revelations, while the words of her mother continue to play in her head, influencing her decisions.  While this pain and uncertainty is a big part of Holly’s personality, King expertly balances this with some more positive character aspects, including her expert investigation skills, the emotional strength she draws from her friends, and her unyielding determination to find the truth.  King really did a great job of reintroducing and utilising Holly here, and I felt that she served as an excellent central protagonist of her own novel.  I did think that King really didn’t write Holly as a woman in her mid-50s, as she felt a lot younger than she should have, but a lot of this is due to how emotionally immature the character is due to her hard life.  Honestly, her unique insights, thoughts and relationships are extremely refreshing and so much fun, and I would read so many more novels that have Holly Gibney as the main protagonist.

While Holly is a great protagonist, this book would be nothing without the fantastic figures of Rodney and Emily Harris, who might be some of the best villains that King has ever written (which is saying something).  The Harrises are quickly shown to be anything but the harmless retired academics they present to the world, especially when readers are treated to a view of their basement.  I don’t want to give too much away here, because you really need to read King’s excellent buildup to fully experience the horror around them, but they are gloriously and exceptionally sinister.  Part of this is because their age belies how dangerous and malicious they truly are, with other characters constantly underestimating them, and watching these frail figures commit acts of utter evil is very shocking.  Other elements of their sinister nature are derived from the initial secrecy surrounding their motivations as well as the uncertainty around whether their actions are normal human evil or something more unnatural.  King does such a good job of diving into the mind of these characters throughout the course of Holly, and you really get some powerful and captivating insights into who they are and why they are committing their crimes.  The author works in a complex layer of fear, regret, love and insanity underneath their actions, you can kind of empathise with their desires and understand why they are doing what they are doing.  However, these brief flashes of empathy only ensure that the reader is even more repulsed by their actions, especially when you also get the points of view from their victims.  Honestly, I could go on, but I think I will just leave it here and say that Rodney and Emily Harris are exceptional villains, and you won’t be the same after visiting their basement.

Aside from the complex protagonist and the amazing villains, Holly is also loaded with a great cast of supporting characters, each of whom have their own moments to shine.  Many of these are returning figures from the previous Bill Hodges books, such as Jerome and Barbara Robinson, Holly’s friends and emotional support.  Both Jerome and Barbara have had a lot of growth in the previous novels, and it was great to see their stories continue in Holly.  Barbara in particular has a fascinating and moving character arc in this novel, as her horrifying experiences from the previous books inspire her to write haunting poetry.  This proves to be an intriguing and moving side storyline for part of the book, which, while it does have certain implications for the main investigation, also expands on Barbara’s creativity and highlights the joy that writing and creativity in all forms can bring to a person.  Barbara’s mentor, elderly poet Oliva Kingsbury, also proves to be a wonderful additional to the cast, and her canny insights and elaborate experiences add some great depth to parts of the novel.  I also need to highlight the poor unfortunates who serve as the victims of this story.  While many of them are only briefly featured throughout Holly, King ensures that each of them is effectively and emotionally highlighted.  While each of them is primarily shown at their very worst, you really get a sense of who they are, and the inherent tragedy of their lives and what is being done to them, will stick with you.  All these characters and more are so perfectly written by King, and their unique journeys and powerful emotions, help to drive Holly’s narrative in some outstanding directions.

King also injects an interesting level of social commentary into Holly by strongly featuring some of the key events of the last couple of years into this story.  Holly is King’s first novel set during COVID times, and he really tries to showcase how life was changed during this period.  The characters are constantly talking about masks, vaccines, and the impact of the pandemic on their lives.  While this is somewhat repetitive and traumatic for people trying to put that behind them, I felt that it was a perfect reenactment of how life was a few years ago.  The characters encounter all manner of different mindsets and opinions about the pandemic and other key events during this time, which will be instantly recognisable to readers, and I liked seeing the protagonists react to it, especially when it plays into their own personal experiences.  While King mostly speaks through his protagonists, there is a certain level of social commentary, and you can feel that King has some strong opinions about recent events.  While this commentary might not be for everyone, I really appreciated it and I felt that it gave the story some more realism, especially when the author sticks his narrative right in the middle of recent major events.

While I did get a physical copy of Holly, I decided to check out the audiobook version instead, because I had a road trip that this was the perfect accompaniment for, and also because they got the perfect narrator in Justine Lupe, who plays the character of Holly Gibney in the Mr Mercedes television series.  I love it when audiobooks get fun and appropriate narrators with connections to related media, and Justine Lupe was easily one of the best examples of this.  Not only does she perfectly capture Holly’s spirit, emotions and personality due to her experiences with Mr Mercedes, but she also does an amazing job narrating the rest of the story and bringing the other characters to life.  Lupe really dives into all the members of this brilliant cast in a great way, and I love how each of them is gifted a distinctive and fitting voice, such as how she made the Harrises sound both innocent and sinister at the same time.  I was really impressed with Holly’s perfect choice in casting, and I loved the continuation on from the existing portrayal of the titular protagonist.  Coming in at around 15 and a half hours, the Holly audiobook has a decent length to it, but once you start listening to it, you really can’t stop.  As such, I would strongly recommend this audiobook to anyone interested in checking out Holly in all its gory glory, especially if you also enjoyed the Mr Mercedes television series.

I could go on about Holly, but the point is that this latest Stephen King novel is pretty damn exceptional.  Perfectly blending established characters and an elaborate new narrative with some gruesome and intense elements, Holly had me hooked from the first scene thanks to its brilliant storytelling.  Dark, shocking and deeply personal, there is so much to love about Holly, and it was one of the strongest King stories that I have had the pleasure of reading.  I honestly cannot recommend this book enough, both to new readers and established King fans, and Holly is easily one of the best books of 2023.

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Warhammer 40,000: Cypher: Lord of the Fallen by John French

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Tie-in Novel, Warhammer4 Comments

Cypher - Lord of the Fallen Cover

Publisher: Black Library (Audiobook – 18 July 2023)

Series: Warhammer 40,000

Length: 5 hours and 8 minutes

My Rating: 4.75 out of 5 stars

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One of Warhammer 40,000’s most mysterious and elusive characters finally gets the spotlight in the awesome new book from John French with Cypher: Lord of the Fallen.

Gosh, 2023 is turning out to be a brilliant year for Warhammer 40,000 fiction.  I have already had a ton of fun with such great books as The Lion: Son of the Forest, Warboss, Shadowsun: The Patient Hunter, Leviathan, The King of the Spoil and Longshot, but the best is honestly yet to come.  There are still several great Warhammer 40,000 novels coming out before the end of the year, and one of the most intriguing was Cypher: Lord of the Fallen.  Written by well-established Warhammer fiction author John French, Cypher: Lord of the Fallen follows one of the most iconic and mysterious figures in the Warhammer 40,000 canon and places them in a sinister new adventure.

Thousands of years ago, at the end of the Horus Heresy, the Space Marines of the Dark Angels Legion suffered a devastating schism, as betrayal and deceit tore them apart from within.  The resulting civil war destroyed their home planet, killed their Primarch, and scattered the Dark Angels who rebelled across space and time.  Since then, the remaining loyal Dark Angels and their successor Chapters have hunted these traitors, known as the Fallen, throughout the galaxy, determined to bring them all to justice and hide the truth about their Legion’s fall.

Out of all the Fallen still at large in the galaxy, none is more hated or more dangerous the mysterious warrior known only as Cypher.  A Space Marine with strange motivations and deadly martial ability, Cypher has haunted the Dark Angels for centuries, manipulating them for unknown reasons and threatening everything they hold dear.  His latest mysterious scheme saw him and a small band of Fallen save the reborn Ultramarines Primarch, Roboute Guilliman, from the forces of Chaos and then accompany him to the Imperial Palace on Terra for his own purposes.  But rather than being welcomed as honoured guests, the suspicions around Cypher have seen him and his Fallen comrades locked up in the Dark Cells of the Adeptus Custodes, the most secure prison in all the Imperium, designed to never be breached or release their occupants.

But Cypher is no ordinary prisoner, and as the Great Rift unfolds across the skies of Terra, strange and seemingly unpredictable events will allow him to escape from the Dark Cells into the Imperial Palace proper.  Now loose in the most sacred and heavily guarded location in the entire Imperium of Man, Cypher leads his Fallen brothers from captivity and deeper into the palace complex.

However, their presence has not gone unnoticed, and Cypher and his comrades find themselves contending with the relentless defenders of Terra, including the Emperor’s personal bodyguards, the Adeptus Custodes, lethal Imperial Assassins and powerful predictive seers.  Worse, the Dark Angels are aware of Cypher’s presence on Terra, and a desperate strike force soon arrives, determined to capture or kill Cypher no matter the cost.  But as all these forces start to close around the members of the Fallen, it becomes clear that Cypher has a far greater agenda than anyone realised: to stand before the Emperor on the Golden Throne.  But are Cypher’s intentions noble, or does he intend to destroy the Emperor and sacrifice all of humanity to Chaos gods?

Cypher: Lord of the Fallen was a very fun and tricky Warhammer 40,000 entry that fans of the franchise are going to absolutely love.  French does a wonderful job of bringing the enigmatic and chaotic Cypher to life in all the best ways, pressing him and several other unique figures into a fast-paced and intense series of manipulations and conflicts.  The book is slick, addictive and loaded with clever references and allusions to the wider Warhammer 40,000 canon.  I managed to power through the audiobook version of this book in no time at all and had a wonderful time doing so.

Cypher: Lord of the Fallen has a short but exceedingly sweet story to it that wastes no time dragging the reader in.  This is primarily because of the unique narration that French features in this book, with the entire story told through Cypher’s enigmatic perspective.  Cypher describes all the events that are occurring, even when the chapter’s focus is on other characters far away from him, and his depiction of events is quite unique, as you are never certain how he is seeing events, or whether he is making everything up.  French, through the mechanism of Cypher, quickly dives into the events of Lord of the Fallen, efficiently setting the scene of the Imperial Palace in chaos and the defenders stretched thin.  Thanks to the arrival of the Dark Angels and other machinations, Cypher and his cohort are soon unleashed into the larger palace.

The narrative splits off into several threads, some following Cypher, some following the Dark Angels infiltrators, and some following the Palace defenders trying to restore order.  However, all of these scenes are still shown through Cypher’s mind’s eye, and his confident and possibly unreliable narration gives each sequence a compelling and ethereal edge that I quite enjoyed.  There are some great sequences spread throughout this part of the story as everyone dances to Cypher’s tune one way or another and you quickly grow attached to the great cast and their unique motivations.  Each character meets an intriguing end or conclusion to their tale, which is quite fitting in its own way, as French layers in the action, the compelling world building, and the constant allusions and stories from Cypher.  The overall conclusion of the main story is interesting, if a tad anticlimactic and overly mysterious, but the reader can make some substantial inferences from what happened.  I honestly was hooked the entire way through, and French did such a great job of creating as unique a read as possible that was perfectly fitting for the titular character.

While I usually find most Warhammer 40,000 novels are quite accessible to readers somewhat unfamiliar to the franchise, this is one piece of Warhammer 40,000 fiction that is best enjoyed by those people exceedingly familiar with the franchise’s lore.  French does do a good job of explaining certain aspects of what is going on, however this story quickly dives into some of the more complex pieces of lore surrounding the game, such as the hidden history of the Dark Angels and the mysteries surrounding the character of Cypher.  As someone highly familiar with the background lore, I personally found this to be extremely fascinating, although I could see new readers getting fairly frustrated.  However, even those fans of the game might get a little frustrated here, mainly because they are not going to find as many solid lore revelations here as they might hope for.  The narrator flat out states at the beginning of the book that this tale is not about him, and Cypher’s history remains mostly hidden as a result.  There are certain hints and anecdotes that could lead knowledgeable fans to make guesses, but the narrator fully admits that these could be lies or falsehoods designed to hide the truth even from the reader.  Those Warhammer 40,000 fans familiar with who or what Cypher might potentially be and how he operates will absolutely love this, and I personally enjoyed how French kept us guessing.

For those readers who are hoping for more, French does paint a fantastic and elaborate picture of the Emperor’s Palace on Terra, which is one of the more fascinating settings in Warhammer 40,000 fiction.  The dark and elaborate depiction of the palace, with its excessive bureaucracy, forgotten corners, vast religious underpinnings, and millions of workers, is endlessly fascinating, and I loved all the cool details French provided.  I particularly enjoyed seeing the Custodes in action, and the elaborate depictions of the Dark Cells, a truly unique location, was very damn fun.  This compelling dive into one of this universe’s best locations more than makes up for any disappointments a reader may have regarding the lack of revelations around Cypher, and French does such a great job bringing this entire setting to life.  A fantastic read for those already in love with all things Warhammer!

As I mentioned above, I ended up listening to the audiobook version of Cypher: Lord of the Fallen, which is honestly the best way to enjoy a Warhammer 40,000 novel.  This was once again the case in this tricky and fun book as Cypher: Lord of the Fallen’s impressive story really comes to life when it is read out to you.  All the secrets, twists and fantastic depictions of Terra are so much more epic in this format, and I really had a blast listening to it.  It helped that the audiobook was narrated by the very talented Jon Rand, who has previously impressed me in Ghazhkull Thraka: Prophet of the Waaagh! and Dredge Runners.  Rand has a great voice for dark Warhammer 40,000 fiction, and he puts that to full use in Cypher: Lord of the Fallen, especially when he brings the very cryptic narrator to life.  The near whispering and often gloating tones Rand ascribes to Cypher are pretty perfect, and I felt he captured this mythical and notorious trickster perfectly.  His portrayal adds a lot of depth to Cypher’s appearance in this audiobook, especially as he also covers the evident regret and occasional sad despondency that Cypher experiences as he manipulates events, which makes you grow attached to the figure, even though he could be faking it.  At the same time, the rest of the cool cast, including the proud Custodes, the vengeful Dark Angels and the lost members of the Fallen, are also portrayed extremely well.  Rand gives each of them very fitting voices and you cannot help but feel their relative emotions of duty, resolve and occasional despair that follow.  This was a masterful bit of voice work by Rand, and he really helps to turn this format into the ultimate way to enjoy the exceptional Cypher: Lord of the Fallen.

Overall, Cypher: Lord of the Fallen is an outstanding and epic piece of Warhammer 40,000 fiction that I cannot recommend enough.  John French did a remarkable job bringing together a novel that perfectly portrays and encapsulates one of the most mysterious and beloved figures in the canon, and shows him at his manipulating best.  Featuring a unique and enjoyable writing style, as well as a ton of hints for established Warhammer 40,000 fans, Cypher: Lord of the Fallen was one of my favourite Warhammer books of the year and is really worth checking out, especially in its audiobook format.

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