The Holdout by Graham Moore

The Holdout Cover

Publisher: Orion/Penguin Random House Audio (Audiobook – 18 February 2020)

Series: Standalone

Length: 10 hours and 15 minutes

My Rating: 5 out of 5 stars

From acclaimed author Graham Moore comes an amazing new thriller story that is one part legal drama, one part murder mystery and 100 per cent awesome: The Holdout.

The Holdout is an outstanding standalone book that I have been looking forward to for a little while now. I really enjoyed the sound of the premise when I first heard about it, so I was really glad when I received a copy of this book. Moore is probably best known as a Hollywood screenwriter, having written the screenplay for The Imitation Game, which won him an Academy Award for Best Adapted Screenplay. However, Moore is also a novelist, having previously written two books, The Sherlockian and The Last Days of Night, the latter of which I read and enjoyed back in 2016. The Holdout is Moore’s first foray into contemporary fiction, and he has produced quite a fantastic read.

It was the trial of the century. Jessica Silver, the 15-year-old heiress to a vast fortune, vanishes and the prime suspect is her African American teacher, Bobby Nock, with whom she was having an inappropriate relationship. With substantial evidence against him, a verdict of guilty for Jessica’s murder seemed assured, until one juror voted not guilty. This one holdout, Maya Seale, refused to alter her verdict and was eventually able to convince the other jurors to change their votes. Their resulting decision would shock the country and change the juror’s lives forever.

Now, 10 years later, Maya is a successful defence attorney who has tried her hardest to move on from the infamous trial that ruined her life, until Rick Leonard, her fellow former juror and secret lover during the trial, tracks her down. Rick has spent the last 10 years obsessing with case, believing that they let a guilty man go free. Now, to mark the 10th anniversary of the trial, a true-crime show wants to interview each of the jurors in the hotel they were sequestered at during the trial. At the end of the interview, they will be presented with new evidence that Rick has uncovered which he believes definitively proves Bobby Nock’s guilt. While initially reluctant to go, Maya ends up making an appearance, only to find Rick dead in her hotel room.

Now the prime suspect in Rick’s death, Maya is forced to relive the infamy that has dogged her for years. Determined to prove her innocence, Maya begins interviewing the only potential witnesses to the crime, the former members of the jury who were gathered at the hotel. However, her investigation reveals that Rick has been digging up dirt on each of the former jurors, and several of them may have had a motive to kill him. As she digs deep, Maya begins to believe that the solution to this current murder lies in the trial that brought them together. Did they let a guilty man go free all those years ago, and is that decision coming back to haunt them with lethal consequences?

Wow, just wow, this was a pretty incredible thriller novel. Moore has pulled together quite a compelling and complex read which presents the reader with a fantastic and intricate story that combines an excellent legal thriller with a captivating murder mystery to create a first-rate read.

The Holdout’s story is told in alternating chapters, with half of the chapters set back during the original trial in 2009, and the rest of the book is set 10 years later in the present day. The 2019 chapters are told exclusively from the point of view of Maya as she attempts to uncover who killed Rick Leonard, while each of the chapters set in the past are told from the perspective of a different juror as they observe the events surrounding the trial. This is a really clever storytelling technique as it presents the reader with two connected but distinct storylines. The storyline set during the original trial is a legal drama-thriller in the vein of 12 Angry Men or Runaway Jury, and it shows various points of the Bobby Knock murder trial and the jury deliberations that followed. Through the author’s use of multiple perspectives, the reader is able to see how the various members of the jury came to their ultimate verdict, what factors influenced their decisions and what they thought about the various people involved in the case and their fellow jurors. The storyline set in the present day, on the other hand, reads more like a murder mystery, and it deals with the protagonist’s hunt to find Rick’s killer in order to prove her innocence. Both of these separate storylines work extremely well together, especially as the Maya storyline explores the impacts of the events that occurred during the older timeline. I also think that Moore did an excellent job jumping between the various time periods and character perspectives, and this clever storytelling style helped to create a compelling read with a fun flow to it.

At the centre of this novel lies two fantastic and complex mystery storylines set around 10 years apart. The first one of these revolves around what happened to Jessica Silver in 2009, while the other involves the murder of Rick Leonard in 2019. Both of these separate cases are really intriguing, and they present the reader with some clever twists, compelling potential theories, alternative suspects and conflicting evidence, so much so that the eventual solutions to these mysteries are actually quite surprising. While both of these two mysteries work really well by themselves, the real beauty is in the way that they combine together throughout the book. The solution to the Rick Leonard murder is strongly rooted to the original 2009 trial with the jury, while the eventual revelation about Jessica Silver doesn’t come out until the events of the 2019 murder are concluded. I really enjoyed seeing both of these mysteries come together, and it was cool to see the motives for one case be revealed in a prior timeline, while the protagonist investigated in the present.

I also had a great appreciation for the legal aspects of The Holdout, as the author dives deep in the United States court system and shows off what happens during a murder trial. There are some tricky legal scenes throughout this book, and one of the major appeals of the 2009 storylines is seeing the entirety of the murder trial unfold. Moore also does a great job exploring how the jury system works and how jurors deliberate and decide upon a person’s innocence and guilt. There are some intriguing examinations of the jury system throughout the book, and it was interesting to see what information they are given and how a jury could come up with one verdict when the rest of the country has already decided. The use of multiple perspectives works well during the 2009 part of the book, and I quite enjoyed seeing how the disparate jurors had different opinions about the information presented to them. The 2019 storyline also contains some intriguing legal scenes which are shown from the perspective of Maya as a successful defence attorney. As a result, these scenes contain fascinating information about legal strategy and defence plans, and it was a little scary to consider innocent people being advised that their best legal strategy for a crime they didn’t commit was to claim self-defence. The Holdout also tried to show the chaos that surrounds a high profile court case, including examining the crazy media coverage, the impact of public perception, and the fact that people involved are often more concerned with making money or advancing their careers rather than finding out who actually committed the crime. All of this is extremely fascinating, and I enjoyed seeing Moore’s take on the current legal system, especially as he comes across as somewhat critical of it at times.

Moore has also filled this book with a number of complex and relatable characters in the form of the jurors, who you get to know throughout the course of both storylines. Thanks to the two separate timelines, you get to see how the events of the trial affected these people as each of them had their lives completely ruined thanks to one decision they made 10 years ago. Thanks to the use of multiple perspectives during the earlier timeline, you actually get to briefly see inside the mind of each of the jurors, and explore how events in their past lives, plus the stress of the trial helped influence their verdict. I also found it fascinating to see how the not-guilty verdict impacted on other characters associated with the trial, such as the family of Jessica Silver and the accused, Bobby Nock. This was especially true in the case of Bobby, who, despite being found innocent, was controversially prosecuted for another crime and was then subsequently hounded by the media for years, resulting in some compelling scenes around this character in the 2019 storyline. I also have to point out the underlying theme of obsession that the author expertly inserted into this story. Obsession with the trial affected several characters within the book, causing many of them to act in unpredictable ways to achieve their goals. This obsession came from a number of places, including from guilt, a sense of righteousness, a desire for revenge or to find justice, and it was quite compelling to see what this obsession drove some characters to do. One member of the jury in particular is driven to do some very dark things that were completely out of character to the person who was introduced in the earlier storyline, and this characters development was extremely fascinating to behold. Moore did an amazing job with these characters, and I really liked seeing how the events depicted in the book influenced and impacted them.

I ended up listening to the audiobook format of The Holdout, which was narrated by Abby Craden. The Holdout audiobook runs for just over 10 hours and I found myself flying through this novel, especially when I became obsessed with working out the overall solutions to this book. Craden is an excellent audiobook narrator, and I previously enjoyed her work on Recursion by Black Crouch last year. For The Holdout, Craden comes up with a number of distinctive voices for the various characters featured within the book. Each of these voices fit their respective characters extremely well, and I think that Craden did a good job portraying these character’s various ethnicities and genders. All of this really helped me to enjoy this incredible story, and this format comes highly recommended as a result.

The Holdout was an absolutely incredible read that does a fantastic job showcasing Graham Moore’s superb skill as a master storyteller. This amazing novel expertly combines together a compelling legal thriller with an addictive murder mystery in order to produce a first-rate story with some captivating twists and intriguing character developments. The Holdout gets a full five-star rating from me, and I am very excited to see what this remarkable author produces next.

The Museum of Desire by Jonathan Kellerman

The Museum of Desire Cover

Publisher: Century (Trade Paperback – 4 February 2020)

Series: Alex Delaware – Book 35

Length: 348 pages

My Rating: 4.25 out of 5 stars

Prepare for a compelling and intricate novel from one of the leading authors of the murder mystery genre as I check out The Museum of Desire, the newest novel from Jonathan Kellerman.

The Museum of Desire is the latest book in Kellerman’s Alex Delaware series of murder mystery books, which is the author’s main body of work. This series has been running since Kellerman’s 1985 debut, When the Bough Breaks, and the author has since released over 50 books, several of which he has co-written with either his wife or his daughter. I only started reading Kellerman’s novels last year when I picked up a copy of the previous book in the Alex Delaware series, The Wedding Guest, which contained a rather clever mystery that I had a great time reading. As a result, I made sure to keep an eye out for Kellerman’s next release and I subsequently found myself deeply intrigued when I saw the plot for his latest novel, The Museum of Desire, and really wanted to check it out. This latest Kellerman novel is the 35th novel in the Alex Delaware series and it contains another intriguing and complex murder mystery storyline that I had a lot of fun unravelling.

In the aftermath of a wild party in a Beverly Hills mansion, the cleaner assigned to the property makes a terrible discovery: a limousine containing four blood-soaked dead bodies. Each of the four has been murdered and artistically posed within the car, making for a grim and disturbed scene. To make matters even more unusual, the victims all appear to have been chosen at random, with none of the victims having any apparent connection to any of the others.

Realising that they are dealing with another special case, LAPD Lieutenant Milo Sturgis calls in his friend and frequent consultant, psychologist Dr Alex Delaware, to help unravel this mystery. Over the years that Alex and Milo have been working together, they have seen some particularly heinous and unusual murders, but these might be the most disturbing one yet. As the two begin running down the case, they find themselves on the trail of a vicious killer with a love for unusual art and a penchant for eliminating any potential witnesses to their crime. Worse, it soon becomes apparent that their killer is not yet done, and that many more people are going to die.

The Museum of Desire is another excellent release from Kellerman that delivers the reader an amazing and compelling murder mystery. The author has done a fantastic job with his latest mystery, coming up with a unique and interesting murder scenario, with four apparently random victims posed in a very distinctive manner. This turned into a quite a clever and complex mystery storyline that went in some very intriguing directions. Kellerman makes sure to fill the story up with a substantial number of twists, strong false leads and a raft of plausible suspects, making the real killer a bit hard to predict. I was certainly a bit surprised by who it turned out to be, but I thought it was quite a good twist. Kellerman makes sure to wrap this whole murder mystery storyline up with a memorable conclusion, which I thought was an incredible way to end this entire plot. The end result is a very captivating tale of passion, brutality and revenge, and I very much enjoyed unravelling this awesome mystery storyline.

One of the things that I really like about Kellerman’s books is the slower-paced, methodical style in which his protagonists investigate the various murders that they come across. Rather than coming to a massive conclusion off the smallest pieces of evidence, the two central characters slowly build up their case throughout the course of the book in order to work out what happened. This is mostly done by interviewing witnesses to the crime, as well as the friends and family of the murder victims, establishing what sort of people they were, where they spent their time and who they interacted with. With this information in hand, as well as some physical or forensic evidence and potentially some internet search results, they can create a rough picture of what happened and what sort of people they are dealing with in order to narrow down their suspects and come up with the necessary leads to identify the killers. This methodical approach to a murder investigation is quite distinctive and it makes the whole book feel a lot more realistic, like you are reading about a real investigation rather than one of those television shows where the crime is solved in a matter of hours. That being said, several breaks in the case are only coincidently revealed because the narrator happened to be driving by. This feeling of realism is backed up by the protagonists having to deal with things like delays in the lab, conflicting priorities within the department and a lack of manpower from overworked police officers who have multiple cases, all of which expands the investigative timeline out. I actually really like this style of crime writing from Kellerman, as it makes The Museum of Desire stand out from some of the other murder mysteries out there. I am a big fan of the realism that he installs in his work, and I feel that it makes the story even more compelling and enjoyable.

Another great part of the Alex Delaware books are the two main characters, Doctor Alex Delaware and LAPD Lieutenant Milo Sturgis. While this is the Alex Delaware series, with Alex Delaware serving as the books narrator and point-of-view character, Milo is just as important to the series. Both Alex and Milo are great characters in their own right. Alex is the brilliant child psychologist whose insights into the human mind are useful for many of the cases seen in these books and who also serves as a bit of stand-in for the author, who himself is a noted psychologist. Milo, on the other hand, is an openly gay veteran homicide detective who is heavily respected by both his fellow officers and the wider community he has been serving for years. While on paper this seems like a bit of an unusual partnership, Alex and Milo have been working together since the first book in the series and have now formed a rather effective team and a close friendship. It is a lot of fun watching the two of them solve crimes, especially as play off each other really well during the course of the book, with Milo providing the police knowledge and experience, while Alex brings his outside view and professional expertise to the game. While both are serious when it comes to the crimes they are investigating, Milo has a bit of a comedic edge to him, which works well as Alex is a bit more of the team’s straight man. Their views of the various people they meet and circumstances surrounding the cases are usually amusing, especially when dealing with unusual situations. The Museum of Desire is a great example of this, as you get to see them deal with art snobs, disrespectful rich kids, fierce landladies, a socially different teenager and unhelpful witnesses, and they have some good discussions about them later. Overall, I am a massive fan of this team up (although I like Milo a bit more as a character) and I cannot wait to see what crazy crimes and people they go up against in Kellerman’s next book.

With his latest novel, The Museum of Desire, Jonathan Kellerman has produced another captivating murder mystery. Featuring a unique case, a fantastic and twisty mystery and Kellerman’s trademark brand of investigation, this latest novel is an amazing and enjoyable read that pits his great protagonists against a clever killer. This was another awesome addition to the terrific Alex Delaware series, and readers are going to have an amazing time getting to the bottom of his latest case.

Into the Fire by Gregg Hurwitz

Into the Fire

Publisher: Michael Joseph/Brilliance Audio (Audiobook – 28 January 2020)

Series: Orphan X – Book Five

Length: 12 hours

My Rating: 5 out of 5 stars

From the mind of bestselling thriller author Gregg Hurwitz comes an outstanding and captivating adventure novel, Into the Fire, the latest book in his amazing Orphan X series.

Evan Smoak is Orphan X, a former orphan child who was taken in by a secret covert government and trained from a young age to become the most skilled assassin and special operator in the world. Orphan X served his country for years before finally having enough and leaving, pursued by the people who ordered his creation. Resettling to Los Angeles, Evan forged a new identity for himself as The Nowhere Man, a vigilante dedicated to helping those in desperate need who have no one else to turn to.

After killing his greatest enemy, the United States President, Evan has had enough of violence and is determined to retire and live a quiet life. But before he leaves everything behind, Evan has decided to help one more person as The Nowhere Man, as one final act of redemption. Enter Max Merriweather, a poor construction worker in LA. Two months earlier his cousin Grant, a successful forensic accountant, entrusted Max with an envelope and instructions to take it to a reporter if anything happened to him. Now Grant is dead, an armed thug is ransacking Max’s apartment and the reporter he was told to contact has been murdered. With nowhere else left to turn, Max calls The Nowhere Man.

Taking on Max’s case, Evan dives into LA’s criminal underbelly in order to locate the people hunting Max. Easily finding the thugs responsible for Grant’s death, Evan manages to eliminate them quickly; however, it turns out that they are just the tip of an iceberg stretching throughout the entirety of LA. Grant was on the verge of uncovering a massive conspiracy, and his evidence could put away a lot of dangerous people who are now determined to kill Max to keep him quiet. Determined to keep Max safe, Evan soon finds himself embroiled in one of the most challenging and complicated missions of his life, as behind every corner a new adversary lies, each one more powerful and connected than the last. Can even this legendary assassin and vigilante win with the odds so severely stacked against him?

Gregg Hurwitz is a veteran thriller author who has been producing compelling and exciting novels since his 1999 debut, The Tower. Since then he has written over 20 novels, including his Tim Rackley series, The Rains Brothers books and several standalone novels. He has also contributed to several DC and Marvel comic book series, such as Batman: The Dark Knight and The Punisher, and he also does a bit of screenwriting, having written several episodes of the 2009 remake of V. Hurwitz’s main body of work at the moment is his Orphan X series, which started in 2016 with the novel Orphan X. Into the Fire is the fifth book in the Orphan X series and follows on shortly after the events of the fourth book, Out of the Dark. I actually got into Hurwitz’s works last year when I read Out of the Dark due its cool story premise of a former secret agent attempting to kill the President. After I enjoyed this fun action thriller last year, I was definitely keen to check out more of Hurwitz’s work and I have been looking forward to Into the Fire for a little while now.

Now, I have to admit that while I was interested in checking out Into the Fire, I was a little worried that Hurwitz was going to have a hard time topping his previous novel and its outrageous central plot point. However, Into the Fire turned out to be an outstanding read which I ended up enjoying more than Out of the Dark. Hurwitz has produced an incredible thriller that is filled with intense action, clever plot developments and an excellent character-driven central story. All of these amazing elements combine together perfectly into a novel which can easily be read as either a continuation of the series or as a compelling standalone novel.

One of the best parts of this novel is the well-written and captivating central thriller storyline which sees the protagonist attempt to take down a criminal conspiracy in the heart of LA. What starts out as a relatively simple mission to take down a small-time criminal organisation quickly morphs into a massive task, as each time Evan thinks he has succeeded, a larger and more dangerous adversary appears behind the people he has just taken out. There are so many twists and turns in this novel, you honestly don’t know when or where it is going to end, and the story goes in some very fun and clever directions. I really enjoyed how the author layered his story with seemingly innocuous comments and discussion that later morphed into major plot payoffs later down the line in the book, and I was actually surprised about a few of the reveals that occurred.

I really liked the overarching plot idea of an elite secret agent going after everyday criminals with his full range of tradecraft, advanced weapons and training, especially as it resulted in some amazing sequences throughout the book. The protagonist comes up with some truly unique, clever and at times brutal ways to take down some of his opponents, which were fun to check out. I know I will never look at a plastic drinking straw the same way again. My personal favourite part of the book are several chapters where the protagonist breaks into a prison to deal with one of his targets. The various ways that he infiltrated the prison, pulled off his mission and then escaped was not only clever but also very entertaining, and I loved every single second of it. I also really liked how Hurwitz introduced a handicap for his protagonist throughout this book in the form of a severe concussion obtained early on in the story. The author did an excellent job portraying the symptoms of a concussion, and it was interesting to watch the protagonist struggle to complete his tasks with blurred vision or a massive headache. The concussion angle was a great way to amp the risk surrounding the protagonist’s actions, as it actually put many of his opponents on an equal footing with this former elite special agent and was a fantastic inclusion to the story. Overall, this turned out to be an extremely well-written and deeply exciting thriller storyline, which proves to be quite addictive and captivating.

I was also quite impressed by the way that Hurwitz spent time examining and developing the central characters of this book. In particular, there is a fascinating focus on the complex character of Evan Smoak, who is the main protagonist of this series. Hurwitz has always done an amazing job of portraying Evan as a man very much haunted by his past lives, both as an abandoned child and as an assassin who was trained to kill since the age of 12. Both of these parts of his life still drive him, and his whole persona as The Nowhere Man is a form of redemption for him, as he attempts to not only atone for the lives he took as Orphan X but to also help those who feel as powerless as he did when he was a young child. Hurwitz continues to utilise this characterisation in Into the Fire, although this time it is further complicated by his plans to retire after this one final mission. This whole retirement angle is a major concern for Evan, as he spends a good part of the book weighing up the good he does as The Nowhere Man against all the personal benefits of attempting to live a normal life. This makes for a lot of internal conflict, which forces the author to once again dive into Evan’s motivations for being a vigilante, which adds a great dramatic edge to the entire story.

This consideration about having a more normal life is also explored in the way that the trained loner Evan starting to learn more about human interaction and relationships in this book. Part of this takes place in the way that he interacts with Joey, the teenage hacker and former Orphan trainee he saved and took under his wing. Evan has inadvertently taken on the role of a father figure to Joey, and it was great to see him continue to act protective towards her and see their unique relationship grow. There is also the rather amusing and awkward interactions that he has with the residence of his building. Despite not wanting to have much to do with them, he actually goes out of his way to protect them, and he is actually shown to care quite deeply when one of them is hurt. Finally, there is the complex relationship he has with Mia, the single mother and ADA in his building who he has feelings for but has driven away with his acts of vigilantism. All of these interactions help Evan develop more as a character and recover a little more of his lost humanity, and I really enjoyed the way that Hurwitz explored such a complex and damaged protagonist.

While most of the book’s focus is on Evan, Hurwitz also dives into the life of Evan’s latest client, Max Merriweather. Max, who serves as a significant point-of-view character, is a down-on-his-luck individual who is dragged into the events of this book by his more successful cousin. Throughout the course of Into the Fire, you get to learn about the past of Max, showing how, due to events outside of his control, he has always been seen as the family screw-up, something he has struggled to escape due to his corresponding low self-confidence. You also get to see the history of his tragic marriage, and how doing the right thing cost him everything. I really liked the way that Hurwitz took the time to explore the life of this new client, especially as it develops him into a much more sympathetic character that reader becomes invested in over the course of the book. I also liked the relationship he slowly built up with Evan, as each of them were able to provide some help in solving the deeper emotional or personal issues that were affecting the other. This excellent character was an outstanding and distinctive part of the book, and I am definitely keen to see what excellent characters are introduced in the next Orphan X book, especially after the intriguing reveal at the end of Into the Fire.

I ended up enjoying the audiobook format of Into the Fire, which was narrated by Scott Brick. This audiobook runs for a substantial 12 hours in length, but I got through it rather quickly, as I got really drawn in by the cool and compelling story. I personally found that this was an excellent way to consume this fantastic book, and I had a great time listening to the story. Brick is an excellent audiobook narrator who has a lot of experience bringing thriller novels to life. I previously enjoyed his narration of The Malta Exchange by Steve Berry, and I am currently listening to his narration of the sequel, The Warsaw Protocol. Brick did a wonderful job bringing the characters in Into the Fire to life, and I felt that he utilised perfect voices for each of them. As a result, I would strongly recommend the audiobook format of Into the Fire, as it is an amazing way to enjoy this book.

Into the Fire by Gregg Hurwitz is an incredible read that comes highly recommended. This latest book in the fantastic Orphan X series is an outstanding piece of thriller fiction, which sets its complex characters down an action-packed road of intrigue and twists to produce a five-star read. Hurwitz has really outdone himself with Into the Fire, which turned out to be one hell of a book. I cannot wait to see where Hurwitz takes the Orphan X series next, but I will definitely be grabbing a copy of his next book when it comes out.

Lost by James Patterson and James O. Born

Lost Cover

Publisher: Century (Trade Paperback – 7 January 2020)

Series: Stand Alone/Book One

Length: 328 pages

My Rating: 4 out of 5 stars

From the excellent crime fiction team of James Patterson and James O. Born comes Lost, an enjoyable and thrilling novel that sets a fun new protagonist against the scourge of international human trafficking.

Detective Tom Moon is a Miami man, born and bred, who loves to protect his city. Assigned to lead a new FBI joint task force that’s been set up in the city, his new job is to tackle international crime. However, their job gets very complicated when they receive a tip about a man coming in through Miami International Airport from Amsterdam. Upon arresting their suspect, they find that he was attempting to smuggle in several children from Europe and that he is part of a notorious human trafficking ring.

Working closely with Dutch Detective Marie Meijer, Moon and his team work to uncover the full extent of the trafficking ring in both Amsterdam and Miami. However, the traffickers are being led by a ruthless pair of Dutch siblings who are desperate to succeed and even willing to target the police hunting them. Worse, the traffickers are working with a powerful syndicate of Russian gangsters who have a strong foothold in both Europe and Miami. When Moon and his team receive news that a massive shipment of people is being smuggled into Miami, they know that this is the break they need to bring down the entire operation. But with money and family on the line, both the Russians and the traffickers are desperate to claim their cargo and will go to any lengths to secure it, even if that means killing Moon and everyone he cares about.

Lost is the latest novel from co-writers James Patterson and James O. Born. Patterson is an author who needs very little introduction, having contributed to well over 100 crime fiction novels since his debut in 1976, including his bestselling Alex Cross series. Patterson has a longstanding tradition of collaborating with other crime fiction authors to create some intriguing reads, including the Detective Harriet Blue series with Candice Fox, the Women’s Murder Club series with Andrew Gross and Maxine Paetro, the Michael Bennett series which he has mostly done with Michael Ledwidge, the NYPD Red series with Marshall Karp and the Private series co-written with several different authors. James O. Born has been writing since 2004, when he debuted with the intriguing-sounding Walking Money. Born has written several novels in his career so far and has been collaborating with Patterson since 2016. Patterson and Born have already written several together, including the Mitchum series (the third book of which, The River Murders, was released only a few days ago) and the latest two entries in the Michael Bennett series. The two writers are also releasing a third Michael Bennett novel, Blindside, in the next week, which actually sounds pretty interesting and I might have to try and check out.

Lost is a standalone novel that features a brand-new protagonist, Tom Moone. Lost is a fantastic piece of crime fiction with a massively enjoyable story that was a lot of fun to check out. This was an exceedingly accessible novel from this writing pair, which requires no prior knowledge of any of the books in Patterson’s extensive library of works. Patterson and Born have produced an entertaining and very fast-paced story that I was to power through in a very short period of time. The story is told in a series of extremely short chapters, which helps to move the plot along at a quick clip, which I really appreciated. The authors also cleverly utilise multiple character perspectives to create a richer and more compelling overall novel. Around half the novel is told from the first-person perspective of the book’s protagonist, Tom Moon, while the rest of the novel is told from the third-person perspective of several other characters. The most prominent of these characters are the smuggler team of Hanna and Albert Greete, who serve as some of the book’s main antagonists. This great use of perspective has some real advantages for the story, as it allows a deeper look at this new exciting protagonist whilst also providing the reader with an enticing view of the dark underbelly that is the world of human trafficking.

The authors’ decision to focus this book on human trafficking was an interesting choice and one which I felt really payed off for this book. This whole criminal enterprise is both fascinating and despicable, and results in a number of fantastic sequences throughout Lost. The two authors do an excellent job of covering all the angles surrounding the human trafficking and their inclusion of multiple character perspectives is really useful here. Not only do we get to see the viewpoints of the police who are trying to stop these crimes but we also get to see the perspective of the traffickers and some of the people they are smuggling. This allows the authors to show some of the tricks and techniques that human traffickers use to smuggle people into the United States, and we also get to see the eventual fates of several people who are successfully trafficked (it doesn’t go well for them). We also see what has driven several smuggled people into the arms of the traffickers; whether they are there by choice or whether they have been forced their against their will, their story is generally a bleak one, and I liked that the authors tried to examine the victims of this crime in some detail. The use of international human trafficking as the central crime also allows this novel to have more of a multinational fair to it, as police from two separate countries, in this case agents of a United States FBI taskforce and the Dutch police, work together to solve the crime. I liked the various scenes set in Amsterdam, and it was really interesting to see the author’s interpretation of the city and how it has been impacted by international crime. It was also fun to see the two main police characters in the book, Miami cop Moon and Amsterdam police officer Meijer, spend time learning more about the cultures of their international counterpart, as both characters get tours of the other’s respective cities. I personally really enjoyed this captivating aspect of the book, and it really helped make this cool crime fiction novel even more enjoyable.

Patterson has a fantastic habit of coming up with a number of memorable protagonists for his works. The bestselling author and his co-writers have created some truly compelling protagonists to help helm their books, many of whom are then utilised as the central character of long-running series. In Lost, Patterson and Born have come up with another interesting main character in the form of Detective Tom Moon, who was an excellent protagonist for this new novel. Moon is a pretty distinctive police officer, whose large physical appearance clashes with a number of character traits featured within this book, such as his calm, philosophical nature, his soft spot for children and his dedication to his family. Moon is a truly nice guy who has earned the trust of the Miami street community and even some criminals thanks to his status as a local, his well-known past as a poor college athlete and his sense of fair play. I really enjoyed the whole man-of-the-streets vibe that the authors came up with for Moon, and it was fun seeing several examples of local people helping him out with his enquires, even the criminals. While we mainly see Moon being nice and helpful, he is not always such a laid-back guy, especially when his family is being threatened. He can actually get quite vicious at times, especially in one club scene when his sister is around, and he really doesn’t get intimidated, choosing to go after several dangerous people, often in fairly tactless ways (there is one entertaining scene where he calls out a criminal in a very public way). All of this adds up to another distinctive and enjoyable protagonist, and I quite enjoyed the combination of charm, humour and street smarts that made up Detective Moon. That being said, I think that the book would have survived without the continued stream of philosophically meaningful quotes he was spouting, and it really wasn’t my favourite thing in Lost.

Overall, Lost by James Patterson and James O. Born is another great piece of crime fiction that is bound to keep a lot of readers entertained. These two authors have come up with another intriguing story, which dives deep into the world of international human trafficking to produce an excellent read. I very much enjoyed this new novel, and I would love to see more of Tom Moon in the future, especially if the authors come up with some other fascinating examples of international crime to investigate. Lost is worth checking out, especially if you are in the mood for a compelling, fast-paced crime fiction novel with a fantastic protagonist.

Magnus and the Crossroads Brotherhood by Robert Fabbri

Magnus and the Crossroads Brotherhood Cover

Publisher: Corvus (Hardcover – 3 December 2019)

Series: Crossroads Brotherhood – Collected Edition

Length: 369 pages

My Rating: 4.5 stars out of 5 stars

From the mind of one of the most entertaining authors of historical fiction, Robert Fabbri, comes Magnus and the Crossroads Brotherhood, a superb collection of fun and exciting short stories set in the same universe as Fabbri’s bestselling Vespasian series.

Over the last couple of years, Fabbri’s Vespasian series has been one of my absolute favourite historical fiction series out there, so much so that Fabbri is now one of those authors whose works I will automatically buy, no questions asked. The Vespasian books, which ran between 2011 and 2019, examined the life story of the titular character, Vespasian, and showed the events that eventually led to him becoming emperor of Rome. Fabbri utilised a mixture of historical facts and a number of fictionalised potential adventures to tell an entertaining story which also mixed in some of the wildest and most over-the-top recorded tales of ancient Rome and its Emperors. This series featured a huge cast of figures from Roman history and it also made use of several fictional characters of Fabbri’s own design to move the story along. While the books featured several great fictional characters, the most significant of these was Magnus.

Marcus Salvius Magnus, mostly referred to as Magnus in the series, was Vespasian’s best friend, confidant and fixer throughout the series and was at his side for most of the wild adventures Vespasian found himself on. Magnus was the leader of the South Quirinal Crossroads Brotherhood, one of the major criminal gangs in ancient Rome, but he also worked for his patron, Vespasian’s uncle, Gaius Vespasius Pollo, and helped him and his nephews rise politically. Magnus appeared in all nine Vespasian books and was a major part of the series. Fabbri evidently enjoyed featuring him in his stories as he was also used as the protagonist of the Crossroads Brotherhood series of novellas, which featured six separate novellas released between 2011 and 2018.

Magnus and the Crossroads Brotherhood is the first full collection of the six Crossroads Brotherhood novellas, which follow the adventures of Magnus and his brethren as they navigate the dangerous criminal underbelly of ancient Rome. Set out in chronological order across several points in the Vespasian series (which was set over the course of 40-plus years), these various short stories each feature a different criminal enterprise, including fixing a chariot race, manipulating an arms dealer, and property speculation, all whilst trying to stay on top of the city’s rival criminal organisations and surviving the crazy whims of Rome’s rulers.

This was a fun and exciting book that I really enjoyed, and I am exceptionally glad that I was able to read all these great novellas inside a single book. Fabbri has produced some truly entertaining tales which not only tie in with and close up some gaps in the Vespasian series but also provide a much more in-depth look at one of the series’ more amusing characters and the criminal undertakings he was getting up to in ancient Rome.

The featured novellas were a lot of fun to read, and I really liked the clever and fast-paced stories contained within them. Fabbri did an exceptional job of using the short story format to introduce and conclude a compelling tale as this book features some absolute rippers, each of which is around 60 pages long. The author has come up with some very intriguing scenarios for each of these short stories, all of which follow Magnus as he embarks on a new scheme or implements elaborate and at times brutal plans to gain power and wealth and address some form of threat to his criminal organisation. The sheer variety of criminal enterprises that Fabbri came up with is very impressive, and I enjoyed seeing how the author imagined Roman politics and crime would have intersected. I also liked how some of the crimes that the protagonists engaged in had a more modern flair to them, such as engaging in the lucrative opium trade. Out of all of these short stories, I think my favourite was the second one featured in this book, The Racing Factions. The Racing Factions followed Magnus as he attempted to fix a chariot race, to not only make himself and his associates a lot of money but also get revenge on a crooked bookie who foolishly tried to cheat Magnus out of his winnings. This story was filled with all manner of double-crosses, plotting, manipulations and intrigue, as Magnus put all the pieces into place for his revenge, resulting in a chaotic and entertaining story that can be quickly read in a short period of time. While The Racing Factions was my favourite short story, there were honestly no weak links in this book, and I loved every novella that was included, especially as I was able to easily read their entire stories in a single session each.

While each of the novellas can easily be enjoyed as standalone stories, there are some real benefits to reading all of them within this collected edition. The main advantage is that the reader gets to see each of the stories progress in chronological order over the course of many years. This allows us to see how Magnus slowly evolves over the years, becoming more devious as he ages, and it is interesting to see what happens to the various side characters in the novellas. While some of Magnus’s companions age with their leader and seem ready to retire with him, you also get to see the rise of Magnus’s successor, Tigran. Tigran is introduced in the first novel as a street urchin, and he rises up the ranks each story, eventually becoming a viable contender for Magnus’s throne. The slowly building tension between Magnus and the ambitious Tigran is quite intriguing, and it makes for a really fun confrontation in the final book. I also liked how having all the novellas in one place allowed Fabbri to showcase the continued street war between the South Quirinal Crossroads Brotherhood and their rivals the West Viminal Brethren. The West Viminal Brethren make several plays for Magnus’s interests throughout the course of the books, and many of the criminal plans featured where Magnus’s destructive retaliation, which caused some real trouble for the West Viminal Brethren and their leader.

While the character of Vespasian only briefly appears in a couple of stories within Magnus and the Crossroads Brotherhood, this book has some major connections to the Vespasian series. While each of these novellas has their own self-contained adventures, one of the main reasons they were written was to help fill in the gaps between the various Vespasian books. As a result, some of the novellas provide background on how Vespasian or his brother came to be in some key position of power or unique place at the start of certain books within the series. There were also some examinations of how Magnus was able to readily come up with key ideas that were later used in the main books, such as how he came up with a certain inventive murder technique that was necessary to eventually eliminate one of Vespasian’s opponents. These novellas also helped explain the reasons why Magnus was often away from Rome in the company of Vespasian rather than staying in the city running his criminal brotherhood. Through short introductions that appear in front of each novella featured in this book, Fabbri explains the context of each of these and details what gaps he was trying to fill. This of course means that Magnus and the Crossroads Brotherhood is going to hold a lot more appeal to those readers who are already familiar with the Vespasian series, especially as they will have a much better appreciation for each of these novella’s backgrounds. That being said, no knowledge of any of the Vespasian books is really required to enjoy the fun stories contained within this collected edition, and Magnus and the Crossroads Brotherhood would actually be a fantastic introduction to Fabbri’s excellent historical fiction series.

I quite enjoyed the intriguing snapshots of ancient Rome that Fabbri included in each of the novellas. There are some truly fascinating aspects of Roman life explored in this book, from the popularity of the chariot races for all levels of society, the various forms of law enforcement patrolling the streets, the role criminal organisations may have played and many other cool historical elements. I personally really liked how most of the stories were centred on some form of ancient Roman festival or celebration. There are some obscure and weird festivals occurring here, from one celebration that sees organised mobs from the various neighbourhoods fight over the head of a sacrificed horse, to another festival where the Rome’s dogs are brutally punished for failing to stop an ancient invasion of the city. These prove to be distinctive and interesting backdrops for several of the stories, especially as the protagonist uses several elements of these celebrations in his schemes, in often entertaining ways. As a result, this is a great read for fans of ancient Roman fiction, and I guarantee you will find some intriguing and entertaining portrays of Roman culture and society in this book.

Magnus and the Crossroads Brotherhood is a fantastic new addition from the amazing Robert Fabbri, which proved to be an exceedingly entertaining book. I really loved being able to read all of these excellent novellas in one place and I deeply enjoyed every one of their exciting and captivating stories. This is a perfect companion piece to Fabbri’s outstanding Vespasian series, and there is quite a lot to love about this collection of fun novellas. Compelling pieces of fiction like this is one of the main reasons why Fabbri is one of my favourite historical fiction authors at the moment, and I cannot wait to get my hands on his upcoming book, To the Strongest.

Just Watch Me by Jeff Lindsay

Just Watch Me Cover.jpg

Publisher: Orion (Trade Paperback – 10 December 2019)

Series: Riley Wolfe series – Book One

Length: 358 pages

My Rating: 4.5 out of 5 stars

From one of the world’s most popular thriller authors, Jeff Lindsay, comes Just Watch Me, an electrifying heist novel that pits an intriguing new protagonist against impossible odds.

Prepare to meet Riley Wolfe, the world’s greatest thief. Wolfe is a master of disguise, an expert con artist and a true devotee of the ridiculous heist. There is nothing he can’t steal, and he lives to target the super-rich with his capers in order to make them suffer. However, Wolfe is starting to get bored. His last few heists have gone off without a hitch and he is looking for a challenge. But his new target might be truly impossible to steal, even for him.

Wolfe has his eyes on some of the most impressive treasures in the world, the Crown Jewels of Iran, and in particular the Daryayeh-E-Noor, a gigantic pink diamond that is valued beyond compare. With the jewels finally out of Iran and in New York for a tour, Wolfe knows that this is the time to steal them. They have been placed within the most secure gallery in the country, which utilises impenetrable security systems, state-of-the-art alarms and a small army of former special forces soldiers acting as guards. In addition, a regiment of the lethal Iranian Revolutionary Guard are also standing watch, ready to kill anyone who gets too close. With these security measures in place, the jewels appear to be beyond the reach of any potential thieves, no matter how careful or elaborate their plan may be, and anyone who tries is going to end up dead. However, Wolfe is no ordinary thief, and he has come up with a cunning scheme that no one else would have ever thought of. If all his planning succeeds, he will have an opportunity to make off with the jewels. But with all manner of complications in front of him and a determined FBI agent hunting down his past, can even the great Riley Wolfe succeed, or will his most daring heist be his last?

When I first saw that Jeff Lindsay was doing a heist novel, I knew that I was going to have to grab a copy of it. Lindsay is a bestselling thriller author who debuted in 1994 with the novel Tropical Depression. Lindsay is of course best known for his Dexter series, which was adapted into a highly popular television series. While I have not had the pleasure of reading any of Lindsay’s work prior to this book, I did really enjoy the first few seasons of the Dexter television show, so I was really interested in seeing the author’s take on a heist novel. I am really glad that I checked Just Watch Me out as Lindsay has produced a deeply compelling and exceedingly fun novel that not only contains a really cool heist story, but which also features another complex protagonist for the reader to sink their teeth into.

First of all, let’s talk heists. For Just Watch Me, Lindsay came up with a very interesting heist scenario which sees one man try to break into a massively secure gallery guarded by some of the most sophisticated technology in the world, as well as some of the deadliest killers. The story follows Wolfe as he attempts to find some way into the building that everyone agrees in impenetrable, and while he initially encounters major setbacks, he eventually comes up with an audacious plan to get in. This plan is very bold and complicated, and involves a lot of manipulation, disguises, seduction, confidence work, forgeries, doublecrosses and even a couple of well-placed murders. All of this comes together into one fun and exciting conclusion which sees everyone understand the full extent of the plan. Lindsay paces out all the parts of the heist extremely well, and I really enjoyed how the entire thing unfolded, especially as it was a cool, roundabout way to attempt to steal something from a gallery. The heist proves to be an exceptional centre to the whole narrative, and I really enjoyed seeing how this part of the book progressed.

I also liked the way that Lindsay utilised multiple viewpoints to tell this story. While several chapters are told from the protagonist’s point of view using the first-person perspective, a large amount of the book is actually told from the perspective of the book’s side characters. These side characters include a range of different people, such as Wolfe’s allies, the people he is trying to manipulate, the FBI agent hunting him and even several bystanders who are caught up in the whole heist. All of these different viewpoints help to show off the various angles of the heist, which I felt helped enhance this part of the story. It was also really cool to see how normal people, including police officers, guards, gallery employees and some of his marks, perceive the various disguises he comes up with or the confidence tricks that he is pulling. I loved seeing this outside perspective of Wolfe’s criminal techniques, and it was a great way to portray a large amount of the heist.

While the heist is a really amazing part of this book, one of the most compelling parts of Just Watch Me is actually its protagonist, Riley Wolfe. Lindsay obviously has a lot of experience writing complex and intriguing protagonists for his thrillers, and he has done an amazing job creating another one here in Wolfe. Wolfe is a master thief whose defining characteristic is an overwhelming compulsion to steal from the mega-rich, especially those who obtained their wealth by screwing over the little people in the world. Wolfe is absolutely obsessed with his crusade against the rich due to his experiences as a child, and this obsession forces him to complete his heists no matter the cost. The author spends quite a bit of time exploring Wolfe’s hatred for the rich, and it is quite fascinating to see his internal thoughts on why he is stealing from them. The reader also gets to see some of the events from the character’s childhood which form the basis for this obsession. Ironically enough, the reason we get to learn so much about Wolfe’s childhood is because one of the book’s antagonists, FBI Special Agent Frank Delgado, becomes so obsessed with learning more about him that he briefly leaves the FBI in an attempt to hunt him down (obsession is a key element of several of the book’s main characters). Delgado spends several scenes scouring the country trying to find out Wolfe’s history, which is slowly revealed throughout the course of the book. I really enjoyed that Lindsay included this dive into the character’s past, and I felt that it really complemented the main heist storyline and helped to create a fantastic overall narrative, especially as this investigation into his history, represents the biggest risk to Wolfe’s freedom.

Now, as Wolfe steals from the richest of the rich, it might be easy to assume that he’s a good guy or an anti-hero you can cheer on, but that is really not true. Not only does this protagonist come across as an excessively arrogant person who is high on himself, but he also does a ton of stuff that is totally morally wrong. For example, throughout the course of the book, Wolfe commits several murders, frames people for crimes they did not commit and totally ruins a number of people’s lives. While some of these people probably deserve to suffer at the hands of Wolfe, a bunch really did nothing wrong; they were either born into money, in his way, or merely collateral damage. In one case, he even spends time thinking about how much he respects one of his victims right before he arranges for her to be arrested for art fraud. What’s even worse is that, in many cases, Wolfe doesn’t even realise that he’s done something wrong. While he knows that he maybe should not have committed some of the murders, he totally fails to think of the emotional consequences some of his cons or manipulations will have on the people he is playing. He is even called out about some of his actions towards the end of the book by his only friend; however, he completely fails to see her point of view. Instead he merely thinks that she is overreacting and goes right back to plotting to get into her pants. Stuff like this makes Wolfe a very hard protagonist to like, and even the knowledge that his actions and viewpoint are the result of a messed-up childhood doesn’t really help. It does result in a much more compelling story though, and it was refreshing to follow a morally ambiguous protagonist. I will be interested to see if Lindsay will examine the impacts Wolfe’s actions had on some of the supporting characters in a later book, and I personally would love to see a story where one of his incidental victims attempts to hunt him down to get revenge for their ruined lives.

I have to say that I was also really impressed with all the discussions of art, paintings and other valuables that the author was able to fit into the story. Lindsay obviously did a large amount of research into the subject (his acknowledgements mention an art professor he consulted) and it was interesting to read the various discussions about art and art forgery. I have to admit that I have no real knowledge of or appreciation for art (except comic book art), but I really enjoyed all the discussions about art style and technique that were peppered throughout the novel. Overall, this was a pretty intriguing inclusion in the book, and I found it to be quite fascinating at times.

In conclusion, Just Watch Me is an amazing fast-paced heist thriller that is really worth checking out. Lindsay has come up with not only an awesome scenario that features a fun heist at the centre but also another complex and morally corrupted protagonist whose inner demons and powerful obsessions we get to explore. I really enjoyed this excellent new book from Lindsay, and I am definitely planning to grab any future novels that come out in this series.

Waiting on Wednesday – The Holdout by Graham Moore

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. In this week’s Waiting on Wednesday, I’m going to take a look at a deeply thrilling and intriguing-sounding upcoming murder mystery, The Holdout by Graham Moore.

The Holdout Cover.jpg

Graham Moore is an interesting author who has experience both as a screen writer and a novelist, having written the screenplay for The Imitation Game, as well as two previous novels, The Sherlockian and The Last Days of Night. I really enjoyed The Imitation Game a few years back, and I also read The Last Days of Night when it was first released, and was very impressed with the fantastic story it contained about the battle between Thomas Edison and George Westinghouse (which has no connection to the recent Benedict Cumberbatch film The Current War). As a result of this prior work, I was very interested when I heard that Moore was releasing a new piece of crime fiction, and I was especially keen to check it out once I read its cool plot synopsis.

Goodreads Synopsis:

It’s the most sensational case of the decade. Fifteen-year-old Jessica Silver, heiress to a billion-dollar real estate fortune, vanishes on her way home from school. Her teacher Bobby Nock is the prime suspect after illicit text messages are discovered between them–and Jessica’s blood is found in his car. The subsequent trial taps straight into America’s most pressing preoccupations: race, class, sex, law enforcement, and the lurid sins of the rich and famous. It’s an open and shut case for the prosecution, and a quick conviction seems all but guaranteed. Until Maya Seale, a young woman on the jury, convinced of Nock’s innocence, persuades the rest of the jurors to return the verdict of not guilty, a controversial decision that will change all of their lives forever.

Flash forward ten years. A true-crime docuseries reassembles the jurors, with particular focus on Maya, now a defense attorney herself. When one of the jurors is found dead in Maya’s hotel room, all evidence points to her as the killer. Now, she must prove her own innocence–by getting to the bottom of a case that is far from closed.

As the present-day murder investigation weaves together with the story of what really happened during their deliberation, told by each of the jurors in turn, the secrets they have all been keeping threaten to come out–with drastic consequences for all involved.

The above plot synopsis sounds quite captivating, and I have a good feeling up this upcoming book. I really like the idea of a story that blends together a controversial jury debate from the past with a murder in the present. The true crime documentary series aspect of the story could also prove to be interesting, although it has become a bit of an overused device in recent crime fiction novels. Still, if handled right, it could help turn this novel into an enjoyable and exciting read. In addition, I am anticipating a lot of twists and turns throughout this novel, and I very curious to see how the mystery unfolds. The Holdout is set for release in early 2020, and it looks like it will be released in Australia in late February, so I will be probably checking it out then. This is an amazing-sounding piece of crime fiction that has some intriguing potential, and I really look forward to unravelling the entire story in a couple of short months.

The Night Fire by Michael Connelly

The Night Fire Cover

Publisher: Hachette Audio (Audiobook – 22 October 2019)

Series: Ballard and Bosch – Book 2

Length: 10 hours and 4 minutes

My Rating: 5 out of 5 stars

One of the masters of modern crime fiction, Michael Connelly, returns with another book in his bestselling interconnected crime universe. In The Night Fire, Connelly once again brings together the outstanding team of Ballard and Bosch for another exceptional murder mystery.

Back when he was a rookie detective, Harry Bosch was mentored by one of the LAPD’s best homicide detectives, John Jack Thompson, who helped stoke his internal fires of justice to ensure that no case ever goes unsolved. Now, years later, Thompson is dead, and at his funeral, the now retired Bosch is given a gift from his widow: a murder book for an unsolved crime. The case revolved around the murder of a young man in a gang-controlled alley nearly 30 years before, and it appeared that Thompson secretly took the book when he retired from the force. What was Thompson’s connection to the case, why was this one murder so important to him and why did he keep the murder book a secret for so long?

Determined to get answers, but already committed to helping his lawyer half-brother Mickey Haller defend his client in a tricky murder case, Bosch takes the book to Detective Renée Ballard for help. Ballard, Hollywood Division’s resident detective on the night shift (known as the Late Show), and Bosch have recently formed an unofficial partnership in order to work on some of Bosch’s old, unsolved cases. Identifying several inconsistencies in the cold case, Ballard decides to start digging deeper, while also investigating a suspicious death by fire that occurred on her beat.

Together Bosch and Ballard are an effective investigative team, and it does not take them long to identify a potential killer. However, the more they dig, the more they begin to realise that Thompson might not have taken the murder book to solve the murder, but to ensure that nobody ever tried to investigate it. Can these two detectives get to the truth, and what happens when their various investigations put them in the line of fire of some very dangerous people?

The Night Fire is the latest book in Connelly’s shared crime universe, which features the various adventures and investigations of several of his iconic protagonists. This new novel is a fantastic piece of crime fiction that once again combines together two of Michael Connelly’s most intriguing characters, Bosch and Ballard, after their outstanding first team-up in 2018’s Dark Sacred Night. This is the 22nd book featuring Bosch, Connelly’s original and most utilised protagonist, while Ballard has so far appeared in two prior novels. This book also briefly sees the return of Mickey Haller, another one of Connelly’s protagonists, who has appeared in several legal thrillers within the universe such as The Lincoln Lawyer (which was adapted into a film of the same name).

Just like in Dark Sacred Night, the plot of the book is shown from both Bosch’s and Ballard’s perspectives, as each of them gets a number of separate point-of-view chapters (about half each) to tell their respective stories. While there is a lot of crossover between the two characters, especially when they are working together on their joint cold case, both of them do their own independent investigations and have several chapters where they deal with their various personal issues without the other character being present. However, they also both appear in a number of chapters together, allowing the reader to not only get an interior view of the character but to see each of them through the other’s eyes.

One of the main things that I love about the Michael Connelly books I have read are the multiple cases that the protagonists investigate simultaneously, many of which may or may not be connected in some way. In The Night Fire for example, the story features one cold case that brings Ballard and Bosch together at the start of the book and which they work together on, while both characters have separate cases to work on. Bosch becomes involved in the legal defence of one of Mickey Haller’s clients who is on trial for murder, and this then evolves into the hunt for the murderer of a judge. Ballard on the other hand does most of the investigative work on the cold case, mainly because she is the one with access to the LAPD’s resources. At the same time, she is also investigating several other crimes that come across her desk during her night shifts at Hollywood Division. These include a homeless man who was burnt alive in their tent, the apparent suicide of a young girl and the discovery of a truckload of illegal immigrants. While some of these cases do not go anywhere or are investigated by a different part of the LAPD, Ballard does find herself fully investigating several different cases and getting some rather interesting results. I really enjoyed this cool combination of varied cases and examples of police work, especially as it combines together a decades-old murder with several recent crimes. There are some really complex and compelling mysteries involved with these cases, and I found myself getting drawn into each of them, as they all featured some clever police work and an intriguing bunch of potential suspects. The cold case in particular was great, as the reader not only needed to figure out who the killer was but also why Bosch’s mentor was so concerned with the murder. While it was a little disappointing not to get some follow-through on a couple of Ballard’s cases, I thought that all of these mysteries come together into an excellent overall narrative that does an outstanding job keeping the reader’s attention. I also loved how two of the cases eventually come together in an unexpected way, resulting in an explosive conclusion, while the results of another murder investigation had a very emotional impact on one of the protagonists.

In addition to the great mysteries and fictional examples of police work, one of The Night Fire’s biggest strengths is its two protagonists, Ballard and Bosch. Both of these protagonists are excellent characters with strong backstories, and I really enjoyed how the two of them played off each other. In this novel, both Ballard and Bosch are outsiders to the LAPD. Ballard has been banished to the night shift for reporting a sexual assault by a superior officer, and now has serious trust issues when it comes to many of her male counterparts. Bosch on the other hand, after a long career with the police, is now retired, and thanks to some of his actions that forced him out the LAPD, many of the police no longer see him as one of them, a point reinforced when Bosch helps Mickey Haller free a murder suspect. This outsider viewpoint makes the team-up between both of them a lot more interesting, as both characters are still learning to trust the other, even after the success of their first case. I really liked how the relationship between the two of them grew throughout this book, and their different viewpoints and experiences turn them into an effective duo. Both characters go through some big moments in this book, including some medical issues with Bosch, Ballard standing up to her attacker and the various emotional impacts of the case, and it was great to see how they helped each other out. This is definitely a team-up I want to see again in the future, and I really hope that Connelly continues more of these adventures with Ballard and Bosch.

Just as I did with Michael Connelly’s previous book, Dark Sacred Night, I ended up listening to the audiobook version of The Night Fire. This audiobook runs for just over 10 hours, and features the vocal talents of Titus Welliver and Christine Lakin. I quite enjoyed the audiobook version of The Night Fire, as not only did it allow me to power through this book is short order (I think it only took me three days to finish it off) but its use of two separate narrators was done really well. Throughout the course of the book, Welliver is the voice of Bosch (which is a good fit as Welliver actually plays this character in the Bosch television show), while Lakin is the voice of Ballard, and they each narrate the chapters for their respective characters, including most of the dialogue. Welliver and Lakin are exceptional vocal talents, who did an outstanding job of bringing Bosch and Ballard to life. Both of these narrators really get to grips with the characters and are able to capture a lot of their various nuances in their performances.

Another great thing about this audiobook was the amazing way they utilised the two separate narrators. I really liked how the book was split between them, and it ensured that both sets of chapters had a great distinctive feel throughout the book, and the reader was never left in doubt who was narrating the chapter. The only exception to this is any dialogue the other point-of-view character has in that chapter, as that character’s narrator will then speak instead. This means for example, while Welliver is the primary narrator during Bosch’s chapters, whenever Ballard speaks during these chapters you get Lakin’s voice. While it was a tad disconcerting at times to suddenly hear the other narrator’s voice in the middle of a lot of dialogue in the primary vocal talent’s chapter, it did save the reader from getting confused by having to listen to two different versions of the protagonist’s voices. Overall, I would strongly recommend the audiobook version of The Night Fire to anyone interested in checking out this book, and I know that I will be utilising this format again in the future for Connelly’s next book.

In his latest crime fiction masterpiece, Michael Connelly once again knocks it out of the park with this fantastic new addition to his connected crime universe. The Night Fire is an exceptional murder mystery that makes excellent use of its two main protagonists to tell a rich and exciting narrative, filled with a number of intriguing investigations and cases. This is probably my favourite Michael Connelly book that I have read so far, and it gets a full five stars from me. A fantastic new entry from the king of crime fiction, this is a must read for all fans of the genre.

Nothing Ventured by Jeffrey Archer

Nothing Ventured Cover

Publisher: Macmillan (Trade Paperback – 10 September 2019)

Series: William Warwick series – Book 1

Length: 323 pages

My Rating: 4 out of 5 stars

One of the biggest names in modern fiction, Jeffrey Archer, returns with Nothing Ventured, an intriguing piece of historical crime fiction that starts up his brand-new William Warwick series.

William Warwick, son of a respected London defence attorney, has always dreamed of becoming a detective in the London Metropolitan Police Force. Despite the opposition of his father, William enrols as a trainee police officer at the start of the 1980s after finishing university. Armed with determination, sharp observation skills, an education in fine art and a can-do spirit, William is unaware of the adventures in store for him.

After quickly making the rank of detective constable, William is assigned to Scotland Yard’s Arts and Antiquities squad. While also investigating of a series of different art crimes and frauds across London, the squad is mainly concerned with capturing Miles Faulkner, a criminal mastermind responsible for the thefts and forgeries of some of the most expensive art in England. All previous attempts to capture Faulkner have failed miserably, as the criminal is always two steps ahead of the police.

As William becomes more and more involved in investigating the various crimes Faulkner is organising, he makes a crucial breakthrough when he befriends Faulkner’s wife, Christina. Christina is willing to return a valuable stolen Rembrandt from Faulkner’s personal collection in return for help from the police. Can Christina be trusted, or will Faulkner once again evade justice and continue his dastardly schemes? In addition, what happens when William falls head over heels in love with Beth, a research assistant at the museum the Rembrandt was stolen from, whose family secrets may drive a terrible wedge between her and William?

I have mentioned before how Jeffrey Archer, or the Lord Archer of Weston-super-Mare as a Member of the British House of Lords, is one of the more colourful professional novelists in the world today. Archer has produced over 30 diverse books since 1976, including several standalone novels, a bestselling long-running series, several collections of short stories, three plays, three non-fiction books about his time spent in prison, and four children’s books. I have read several of his books in the past, although I only have his 2018 book, Heads you Win, currently reviewed on my blog at the moment.

Nothing Ventured is a fantastic new novel from Archer and is the first book in a planned eight-part William Warwick crime fiction series. The William Warwick series actually has a very interesting origin, as William Warwick served as the protagonist of a fictional series of books written by the main character in Archer’s most iconic series, the Clifton Chronicles, Harry Clifton. Following the end of the Clifton Chronicles in 2016 and several requests from his fans to expand on the adventures of Warwick, Archer started on this series. The William Warwick series will examine the career of its titular character and show the various cases he investigates that helped him to become a great detective.

This series is off to a good start with Nothing Ventured, as Archer creates a compelling and enjoyable read that does a fantastic job introducing the readers to his new protagonist and showing the early days of his police career. Archer has always excelled at creating historical fiction narratives that focus on the lives of specific characters, and Nothing Ventured is no exception. Within this book, the reader gets a great idea of the character of Warwick and sees the struggles and early influences that drive him to become a successful police detective. The reader is also introduced to a bevy of interesting side characters, many of whom are set up to be major friends, colleagues, love interests or antagonists of Warwick through the future books of the series. Overall, Archer does a superb job setting up his overarching series in Nothing Ventured, and the intriguing mysteries explored within, as well as the introduction of a likeable new protagonist, should ensure readers will check out future instalments of this series.

One of the most intriguing aspects about Nothing Ventured was the focus on the artistic world and the subsequent fraud or theft that accompanies it. At the start of the book, the protagonist studies art history at university and subsequently develops a life-long love for the artistic greats. This appreciation of art becomes an important part of his future career, as it helps him join the Arts and Antiquities squad. Throughout the course of Nothing Ventured, Warwick and his colleagues investigate a number of different instances of art fraud, including forgeries of famous works, fraudulent signatures of historical figures and the forging of fake antique coins, among several other interesting examples. I thought that this was an absolutely fascinating focus for this book, and I really enjoyed reading about all the different ways art fraud could be committed. It also allowed for a number of unique and compelling mysteries, and readers will enjoy seeing the diverse outcomes that result from these cases. I also enjoyed the various discussions about art that permeated the book’s narrative. Archer is obviously very passionate and knowledgeable about classic artworks and antiquities, and this shines through in his writing. I am hoping that this focus on art will continue in future books of the William Warwick series, as it really helped set this book apart from some other historical mystery series.

The focus on the art world in Nothing Ventured also allowed Archer to introduce a great antagonist in the form of Miles Faulkner. Faulkner is a criminal mastermind who specialises in crimes involving art and is the bane of the Arts and Antiquities squad. Faulkner is a great gentleman-thief character, who is in many ways quite similar to Warwick, especially when it comes to his love and appreciation of artistic works. However, unlike Warwick, he uses his knowledge for his own benefit and is a fantastic master criminal. I really enjoyed the various ways that Faulkner was able to outsmart the police in this book, and he proved to be a worthy opponent to Warwick and his colleagues. The reveal of the true depths of Faulkner’s intelligence and deviousness in the last sentence of the book is masterfully done and Archer is clearly setting the character up as one of the major antagonists of this series. I look forward to seeing him return in future entries in this series, and I am sure he will continue to be a great villain.

Readers should also keep an eye out for the chapters in which Archer splits the focus between two separate events occurring at the exact same time. This is done a couple of times throughout the course of the book, and these split chapters are a lot of fun to read. They are mostly done to highlight the differences between two similar events happening in different areas; for example, showing two different police operations occurring at the same time, or two unrelated court cases with implications for the protagonist that are running in separate court rooms. The inclusion of these simultaneous events was done really cleverly in places, and it resulted in a couple of amazing and compelling chapters which I felt were some of the book’s best scenes. I hope that Archer continues to utilise this writing technique in the future books of this series, as it was a true highlight of Nothing Ventured.

Jeffrey Archer has once again created a thrilling and intriguing novel that focuses on the life of an English protagonist in a historical fiction setting. Nothing Ventured is the compelling first instalment of a crime fiction series with some real potential. Within this first book of the William Warwick series, Archer has come up with an intriguing life story to follow, introducing some great characters and producing some captivating mysteries and criminals that readers will love to unravel in future books. The massive planned William Warwick series should ensure Archer remains one of the bestselling historical fiction authors for the next eight years, and I look forward to seeing how the career and life of the titular main character progresses in the next instalment of the series.