Quick Review – The Mystery Guest by Nita Prose

The Mystery Guest Cover

Publisher: Harper Collins (Trade Paperback – 29 November 2023)

Series: Molly the Maid – Book Two

Length: 327 pages

My Rating: 4 out of 5 stars

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Last year I was lucky enough to receive a copy of The Maid, the debut novel of Nita Prose, which proved to be an excellent read.  Following a cleaning obsessed maid with a unique outlook on life who gets accused of a murder at her fancy hotel, The Maid was a fantastic read that made great use of its unique protagonist and her compelling personality.  The Maid ended up begin great book and one of my favourite debuts of 2022.  As such, I was pretty excited when I received a copy of Prose’s new novel, The Mystery Guest.  A sequel to The Maid, The Mystery Guest introduces a new compelling mystery that Prose’s protagonist needs to uncover.

Plot Synopsis:

Molly Gray is not like anyone else. With her flair for cleaning and proper etiquette, she has risen through the ranks of the glorious five-star Regency Grand Hotel to become the esteemed Head Maid. But just as her life reaches a pinnacle state of perfection, her world is turned upside down when J.D. Grimthorpe, the world-renowned mystery author, drops dead—very dead—on the hotel’s tea room floor.

When Detective Stark, Molly’s old foe, investigates the author’s unexpected demise, it becomes clear that this death was murder most foul. Suspects abound, and everyone wants to who killed J.D. Grimthorpe? Was it Lily, the new Maid-in-Training? Or was it Serena, the author’s secretary? Could Mr. Preston, the hotel’s beloved doorman, be hiding something? And is Molly really as innocent as she seems?

As the case threatens the hotel’s pristine reputation, Molly knows she alone holds the key to unlocking the killer’s identity. But that key is buried deep in her past—because long ago, she knew J.D. Grimthorpe. Molly begins to comb her memory for clues, revisiting her childhood and the mysterious Grimthorpe mansion where she and her dearly departed Gran once worked side by side. With the entire hotel under investigation, Molly must solve the mystery post-haste. If there’s one thing Molly knows for sure, it’s that dirty secrets don’t stay buried forever…

This was an interesting and fast-paced follow-up to The Maid that I’m glad I decided to check out.  Prose does a wonderful job reintroducing the character of Molly Gray, and the new mystery surrounding her is very clever, distinctive and featuring some fun meta commentary on mystery writers.

Starting off strong with the sudden poisoning of the mystery writer in question, you quickly get sucked into the case, especially when it becomes clear that Molly is hiding a personal connection to the victim.  As with the first book in the series, Prose splits the narrative across time periods, with one part of the story set in the present as Molly inadvertently starts to investigate the case, and the other set back in the protagonist’s past, exploring her upbringing and the history she has with the victim.  I liked the split between these two parts of the story, and the author does a good job of working key clues and character motivations into the scenes set in the past, which come full circle by the end of the book. I did think that the scenes set in the present were a little too similar in tone and content to that of the first book, with Molly coming into conflict with Detective Stark, Cheryl being an unnecessary cow, and a series of misunderstandings forcing Molly further into the investigation.  However, the dives into Molly’s past helped to cut this familiarity to an acceptable degree, and I really enjoyed learning more about the protagonist’s past.

Both these story arcs blend well into a complete and intriguing narrative and I had a fantastic time seeing the entire story coming together.  The mystery itself was quite strong, and I liked the unique motivations and characters that emerged as a result.  The way the crime was solved thanks to Molly’s attention to detail and knowledge of the maidly arts was a little over the top, but I can forgive that considering the plot and the characters involved.  Prose also works in some subtle but compelling character arcs that see several existing and new supporting figures go in some interesting directions, and I particularly enjoyed the changing attitudes of Detective Stark after how portrayal in the previous novel.  An overall clever and strong murder mystery book, I really enjoyed seeing how this all came together.

I main highlight of The Mystery Guest is protagonist Molly Gray, who is one of the more unique and entertaining crime fiction characters you are likely to see.  An obsessive, socially awkward woman with a unique outlook on life and human interactions, Molly has found her calling as a maid, especially as it allows her to clean up other people’s messes.  Much of The Mystery Guest’s uniqueness comes from the way that Molly observes her world and interacts with the people in it.  Her ability to remember small details is matched by her inability to understand people’s emotions and motivations, which can often get her into trouble.  I felt that Prose did a good job of expanding on Molly’s personality in The Mystery Guest, and it was great to see become more assertive and capable, especially after receiving her coveted promotion to Head Maid.  At the same time, Prose also dives into Molly’s childhood, which, while it is a little convenient that she had connections with the victim, provides more insights into Molly’s personality and some of the events that formed her.  I deeply enjoyed how Prose worked to grow Molly as a person in this sequel while also maintaining her atypical outlook and mentality, and it will be interesting to see how this character is developed in the future.  I do worry that Prose is going to get diminishing returns on how much one can enjoy Molly’s character as the series continues, but I’ll be happy to be proven wrong about that.

Overall, The Mystery Guest proves be an intriguing and captivating sequel to The Maid and I enjoyed the new mystery that Nita Prose came up with.  Making great use of her main character and presenting a complex, domestic murder, The Mystery Guest was a fantastic read that you can make quick work of.

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Quick Review – He Who Drowned the World by Shelley Parker-Chan

He Who Drowned The World Cover

Publisher: Mantle (Trade Paperback – 29 August 2023)

Series: The Radiant Emperor – Book Two

Length: 487 pages

My Rating: 4.5 out of 5 stars

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Rising Australian author Shelley Parker-Chan returns with the second part of her Radiant Emperor duology, He Who Drowned the World, an impressive and complex historical fantasy set in 14th century China.  He Who Drowned the World is the exciting sequel to the author’s first novel, She Who Became the Sun, which provided a compelling spin on a legendary Chinese Emperor by imagining them as a female who takes on her dead brother’s identity to achieve greatness.  She Who Became the Sun was a pretty awesome read, loaded with intriguing imagery, excellent characters, and a unique story.  I deeply enjoyed reading it when it first came out and it ended up being one of my favourite debuts and pieces of Australian fiction in 2021.  I was very excited to get a copy of He Who Drowned the World, especially as Parker-Chan does an excellent job of fishing off her epic story in a big and compelling way.

Plot Synopsis:

How much would you give to win the world?

Zhu Yuanzhang, the Radiant King, is riding high after her victory that tore southern China from its Mongol masters. Now she burns with a new desire: to seize the throne and crown herself emperor.

But Zhu isn’t the only one with imperial ambitions. Her neighbour in the south, the courtesan Madam Zhang, wants the throne for her husband – and she’s strong enough to wipe Zhu off the map. To stay in the game, Zhu will have to gamble everything on a risky alliance with an old enemy: the talented but unstable eunuch general Ouyang, who has already sacrificed everything for a chance at revenge on his father’s killer, the Great Khan.

Unbeknownst to the southerners, a new contender is even closer to the throne. The scorned scholar Wang Baoxiang has maneuvered his way into the capital, and his lethal court games threaten to bring the empire to its knees. For Baoxiang also desires revenge: to become the most degenerate Great Khan in history – and in so doing, make a mockery of every value his Mongol warrior family loved more than him.

All the contenders are determined to do whatever it takes to win. But when desire is the size of the world, the price could be too much for even the most ruthless heart to bear . . .


He Who Drowned the World
proved to be a unique and captivating novel that continued to follow former monk turned general Zhu Yuanzhang as she attempts to free China from the Great Khan, outwit her rivals, and take the throne as Emperor.  Parker-Chan dives right into this scenario as the book starts, and you are soon enthralled by the complex, multilayered story that emerges.  Thanks to the power shift from the first book, the battle for control of China turns into a fight for dominance with four armies in the field, while the shadowy Wang Baoxiang manipulates events in his favour from the shadows at the capital.  The events are shown from the various unique perspectives of the four main characters, each of whom is trying to survive and win the throne by their own methods.  I love the blend of storylines that evolved here, whether it is the main protagonist’s plan to seize her destiny no matter what, Ouyang’s destructive quest for revenge, Madam Zhang’s attempt to manipulate all the men in her life to gain power, or Wang Baoxiang’s careful and lustful politicking.  All these character arcs are deeply fun in their own right, although I must admit I found Wang Baoxiang’s storylines to be the most fascinating, mainly because he was so deliciously devious and swiftly rose up as a brilliant villain.

As the book continues, the reader is treated to some amazing story points, including Ouyang being forced to work with Zhu, who keeps winning with inventive tactics; Madam Zhang’s plots failing her left and right; and Wang Baoxiang’s malevolent rise to power, taking down everyone he gets close to.  Each of these characters gets their moment to shine, and I loved some of the interactions that emerged, especially when the characters begin to meet each other.  Zhu and Ouyang in particular play off each other perfectly, with Ouyang’s sheer anger finding no purchase with Zhu’s more Zen outlook on life, which only infuriates Ouyang more.  I really loved the part of the book that focused on the complex alliance between these two characters, and its dramatic end also works extremely well, especially as it leads to that haunting scene where Ouyang encounters his destiny only for it to destroy him.

The entire book moves at an outstanding pace, and the compelling detail, unique world-building, and fascinating characters continue to build as the novel reaches its zenith.  The final fate of Ouyang really was a major highlight of He Who Drowned the World, and the rest of the plot that follows had me hooked to the end.  The last part of the book was a little more subtle than I was expecting, but it still featured some great moments as Zhu, who is not as benevolent as you would think, sacrifices much to try and achieve victory.  The taut emotions, devastating betrayals, and determined attempts for revenge really help this conclusion stand out, and I was enthralled the entire way through.  Parker-Chan ends everything on a somewhat hopeful note, which was nice after how dark the rest of the book was, and the reader will come away from He Who Drowned the World satisfied, if a little emotionally raw and shaken.

I really must comment on the fantastic and unique setting that Parker-Chan utilised for this duology.  The overarching setting of 14th century China is pretty awesome in itself as the author worked hard to capture the unique cultural aspects of the period, such as the control by the Mongolian dynasty, while also presenting all the chaos and war that emerged when Zhu attempted to claim the throne.  However, things get even more interesting as the author works in some subtle but significant fantasy elements that really make these books standout.  These elements are all tied into a person’s right to rule as those with the will, ability and destiny are gifted with a literal Mandate of Heaven, which allows them to call forth an aurora of light and fire to show their divine right to rule.  Several key characters in the series are gifted by the mandate, and the way they use it, whether to install fear, show their divinity, or utilise it for even darker purposes, is pretty damn fascinating.  The other major fantasy element revolves around ghosts that only a few characters can see, which end up being an interesting part of the plot.  The protagonist’s ability to see and occasionally manipulate these ghosts adds a certain edge to their story, especially as it serves as a representation of their deeper guilt, regret or determination, and I felt it was a fitting character element.  The manipulation of ghosts also results in some dark scenes, especially when one of the antagonists does some horrible things to get a supernatural advantage.  This interesting blend of historical and fantasy elements really helped to give the world of these duology a fantastic and unique tinge, and I really enjoyed seeing the elaborate war story Parker-Chan set out in it.

I also enjoyed how nearly all the major characters in this book had some compelling gender and orientation feature to them, which helped to define their character and take them to some interesting places.  This includes the main protagonist taking over a male identity and entering a unique relationship with their wife, while General Ouyang deals with the shame of being a eunuch, although that doesn’t stop him from being the biggest badass in the book.  These elements were really well handled by the author, who featured them in a thoughtful and tasteful manner, and it was interesting to see how this defined them.  Parker-Chan really dove into the emotional, cultural and spiritual nature of these factors, especially in their historical context.  I particularly enjoyed how all these characters tended to rise up above the shame or taboo nature surrounding this character element, and indeed many of them used it to their advantage.  I really enjoyed seeing how well Parker-Chan utilised these elements in the plot and it made for some great representation.

I really enjoyed this distinctive and fascinating novel from Shelley Parker-Chan who produced a remarkable conclusion to her impressive debut duology.  He Who Drowned the World was a powerful, intense and complex read that really showcased the horrors of war, ambition and self-delusion.  Featuring a moving and devastating narrative, loaded with great characters and a unique take on Chinese history, He Who Drowned the World is an exceptional read and a worthy sequel to Parker-Chan’s first book.

He Who Drowned the World Cover 2

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Throwback Thursday – Warhammer: Grudge Bearer by Gav Thorpe

Grudge Bearer Cover

Publisher: Black Library (Paperback – 12 June 2005)

Series: Warhammer Fantasy

Length: 250 pages

My Rating: 4 out of 5 stars

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For this week’s Throwback Thursday I am doing a double feature.  In addition to my review of the awesome Warhammer 40,000 novel Lords of the Night by Simon Spurrier, I am also doing a quick review of the classic Warhammer Fantasy novel, Grudge Bearer by Gav Thorpe.

I have a lot of love for all forms of Warhammer fiction across the various genres, but I will always have a soft spot in my heart for the intense and elaborate adventures that took place in the Warhammer Fantasy realm.  Before its destruction, the Warhammer Fantasy universe featured a raft of epic novels and stories, most of which tied into the gaming events surrounding the various campaigns or model releases.  While I haven’t read nearly as much Warhammer Fantasy books in recent years as Warhammer 40,000 fiction, there are still some amazing books there, including the Gotrek and Felix books by William King (Trollslayer, Skavenslayer, Daemonslayer, Dragonslayer, Beastslayer, Vampireslayer and Giantslayer), Van Horstmann by Ben Counter, Runefang by C. L. Werner and Broken Honour by Rober Earl.

All of these fantasy books have been very impressive, and I am always keen to check out more from this awesome setting.  As such, I eagerly read the second-hand copy of Grudge Bearer by Gav Thorpe earlier this year.  Thorpe has been one of the main authors of Warhammer fiction over the years, with books across the various sub-series.  I know him from his outstanding Warhammer 40,000 Last Chancers novels, which followed a doomed group of convicts sent to complete a suicide mission.  The first two books in this series, 13th Legion and Kill Team, were so much fun, and I can’t wait to get my hands on the rest of the Last Chancers books.  Grudge Bearer was the first Warhammer Fantasy novel of his I have read and it proved to be an excellent book that focussed on some of the most entertaining and determined figures in the Warhammer Fantasy canon, the dwarfs.

Plot Synopsis:

When his father dies, Barundin, prince of Zhufbar, becomes king of that realm and lord of one of the mightiest outposts of the ancient and powerful dwarf empire. Over the centuries that follow, he sets out to right many of the wrongs done to his people, fulfilling ancient grudges and bringing death to his foes as he wages war against his father’s killers, and strives to protect Zhufbar from the dark forces of Chaos.


Grudge Bearer
ended up being quite a fun and quick paced read that I had a wonderful time getting through.  As the somewhat sparse plot synopsis above indicates, Grudge Bearer follows Barundin, a prince who becomes king of Zhufbar, a dwarf stronghold after his father’s death in battle.  Due to the betrayal of a local human lord whose cowardice resulted in his father’s death, Barundin swears a grudge against the man who betrayed him and becomes determined to get appropriate vengeance.  However, before he can marshal enough of his forces and resources to lead an army into an assault on the lord’s castle, he needs to get his realm in order.

As such the book turns into a series of short stories, which cover different periods of Barundin’s reign and the events that lead up to him attempting to settle his grudge.  While the first two chapters deal with the events that result in Barundin becoming king, each of the following chapters is essentially a connected short story, that see the protagonist and his forces go up against a series of different traditional Dwarf enemies, including the forces of Chaos, the skaven and goblins, as well as deal with other issues, such as an overly-inventive dwarf engineer and Barundin’s attempts to get married.  Each of these stories are pretty intriguing in their own right, giving some fantastic insights into the dwarfs as a race, and they come together to tell an intriguing and action-packed overarching story.  Most of these stories result in a pretty typical hack-and-slash battle, and Thorpe has a good eye for action, producing intense and bloody scenes throughout Grudge Bearer.  Some of the stories within this book are really cool, and I especially loved the eventual resolution of the grudge against the treacherous human lord and his family, especially as it proves just how ridiculously determined the dwarfs can be.  I did think the overall end of Grudge Bearer was a little sudden, especially as it could resulted in one more fantastic battle, but this ended up being a pretty strong and easy to read piece of Warhammer Fantasy fiction.

Now I do have to get a little cynical in that while Grudge Bearer is good, it was a marketing tool to help boost sales for the 6th edition of the Dwarfs Warhammer Army book that also came out in 2005.  I actually recall reading a few extracts from Grudge Bearer that appeared in White Dwarf, so I had a couple of early moments ruined for me.  Still, Grudge Bearer was a pretty fun book to read, and Thorpe clearly had fun exploring the lore and diving into what makes the dwarfs tick, both in combat and in real life.  The compelling focus on the dwarven grudge was particularly fun, and it was interesting to see how much their desire for vengeance ruled their lives.  It also covers several quite a substantial period of Warhammer Fantasy history due to the long lives of the dwarf protagonists, and it was very entertaining to see them watch their human neighbours go through major historical events while the dwarfs constantly remain the same.  There was even a tie-in to the Storms of Chaos campaign that happened in the game the year before, so there is a lot going on for established fans.  At the same time, Grudge Bearer serves as a pretty good starting point for those readers unfamiliar with either the dwarfs or the Warhammer Fantasy setting and it makes for a great introductory novel.

One thing that I was a little disappointed by in Grudge Bearer is that we didn’t get to see more of the legendary White Dwarf character.  The White Dwarf had a pretty major role at the start of the book, and there are even some hints to his origin at the start, but after this initial appearance we never see him again, which I think was a bit of a waste.  It would have been cool to see him come back a few times to offer advice or help in battle, possibly while providing more clues to who he really is.  I know this is a pretty minor complaint which doesn’t dramatically impact my enjoyment of Grudge Bearer, but it was something that bothered me as I was reading as a wasted opportunity.

Overall, Grudge Bearer was a fun action and lore packed novel that managed to fit in several fantastic and exciting shorter stories.  Containing one of the best and compact examinations of the always entertaining dwarf faction you will likely see in a Warhammer Fantasy novel, Grudge Bearer is well worth checking out, especially if you were a fan of the tabletop game and its lore back in the day.

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Quick Review – The Girl From London by Olivia Spooner

The Girl From London Cover

Publisher: Moa Press (Trade Paperback – 14 November 2023)

Series: Standalone

Length: 314 pages

My Rating: 4.25 out of 5 stars

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Fantastic New Zealand author Olivia Spooner presents her first dive into historical fiction, with the intriguing and clever historical drama, The Girl Form London, an outstanding read that proved quite fascinating.

Plot Synopsis:

London, 1940. Ruth, a young schoolteacher, volunteers as an escort helping to evacuate children from war-torn England to Australia and New Zealand. Her three-month voyage is fraught – their passage is perilous, and the children anxious and homesick. Nine-year-old Fergus is more troubled than most and Ruth forms an unexpected bond with the boy.

It’s not just Fergus who captures Ruth’s attention. Bobby, a fellow volunteer who initially infuriates Ruth with his laidback charm, somehow gets under her skin and throws her ordered life into chaos.

Tragedy strikes on their return voyage, when the Rangitane is attacked by German raiders. As the ship goes down, the surviving passengers are taken as prisoners of war aboard the German vessel. To the rest of the world, they are missing, presumed dead.

New Zealand 2005. Hazel boards a plane to London, eager to explore Europe. Sitting next to her is a man named Joe. On her lap is a treasured book from her grandfather, Fergus. A book that will finally reveal Ruth’s story.

A captivating, heart-wrenching story of love, loss, and the resilience of the human spirit that will stay with you long after you turn the final page.

This was an outstanding novel from Spooner that took the reader on an enchanting and tragic adventure during some very distinctive moments from World War II.  Spooner chose to tell The Girl From London’s narrative through the somewhat overused medium of a young person in modern times learning about the struggles their older relatives went through during the war.  However, I rather enjoyed Spooner’s take on this writing trope by having her modern characters getting invested in a novel that covers the adventure of Hazel’s grandfather and the people that were important to him as a child.  This not only allowed the author to dive back into the unique story generated in the past but also allowed for a quite good and heartfelt romance story to occur in the present as Hazel and Joe have a meet-cute which develops naturally into a compelling, complex relationship.

While this modern storyline was interesting, I much preferred the storyline set in the past surrounding Ruth’s journey from England to Australian and New Zealand and then the tragic events aboard the Rangitane.  That entire journey away from England was pretty darn fascinating, and I loved the captivating details of how the children were being transported to safety, the inherent tragedy of their journey, and the complicated figures who volunteered to help escort them to a new life.  Spooner covers the historical aspects of their journey extremely well and the first half of their story is quite powerful and lovely, especially as she takes the time to explore the various characters, their developing relationships, and their complex motivations for being on the ship.

The Girl From London takes a fascinating turn once the main characters start the second part of their journey aboard the Rangitane.  The historical events covering the sinking of this ship off the coast of New Zealand during the war is absolutely amazing, and despite a love for history and a good knowledge of World War II history, I had personally never heard of the Rangitane before.  As such I was really enthralled by this real-life tale, and Spooner told it magnificently, examining the taking of the ship in detail and showcasing all the remarkable events that followed.  While these events in themselves are fascinating, Spooner makes them even more compelling by tying her great characters into this historical event.  By this point of the book, you’ve come to care for the characters, so having them involved in this tragedy really raises the stakes for the reader, especially as you know something bad has to happen to Ruth at some point.  This entire part of the book was pretty remarkable, and I really got caught up in how everything unfolded.

I think that Spooner did a pretty good job of bringing the two separate storylines together in an effective and enjoyable way.  As I mentioned above, I liked Spooner’s version of the relative finding out their grandparent’s story here, and the constant breaks in the World War II storyline to explore Hazel and Joe’s burgeoning relationship gave the story a distinctive flavour.  Honestly having her grandfather’s story not become Hazel’s entire identity was quite refreshing compared to other historical dramas I’ve read and I liked the mixture of storylines that emerged.  Still, it was good to get some closure on the main storyline surrounding Ruth, and I liked the emotionally powerful way that Spooner chose to have her story be told.  The ending is both tragic and heartwarming in all the right ways and this ended up being quite an excellent read.

Overall, The Girl From London is a wonderful and compelling historical drama that I had a fantastic time reading.  Olivia Spooner produced a compelling and emotionally charged narrative, that examines romance, sacrifice and the power of choices across the generations, while also diving into a fascinating historical event.  This ended up being an amazing book and Spooner definitely showcased her ability as an author in her first foray into historical fiction.

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Quick Review – The Pit by Peter Papathanasiou

The Pit Cover

Publisher: Maclehose Press (Trade Paperback – 25 July 2023)

Series: DS George Manolis – Book Three

Length: 297 pages

My Rating: 4 out of 5 stars

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Australian author Peter Papathanasiou returns with his third DS George Manolis novel, The Pit, a complex and intriguing piece of Australian crime fiction that takes three unlikely companions on a memorable road trip.

Plot Synopsis:

A third outback noir from Peter Papathanasiou, following Special Constable Sparrow as he investigates a cold case in a barren mining region of Western Australia.

With DS Manolis on leave in Greece, Senior Constable Sparrow receives a phone call from a man who wants to turn himself in.

Bob is sixty-five years old, confined to a Perth nursing home. But thirty years ago, he killed a man in the remote northern Kimberley mining region. He offers to show Sparrow where the body is, but there’s a catch: Sparrow must travel north with him under the guise of being his carer.

They are accompanied on the drive by another nursing home resident: Luke, thirty years old, paralysed in a motorbike accident. As they embark on their road trip through the guts of Western Australia, pursued by outback police and adrenaline-soaked miners, Sparrow begins to suspect that Bob’s desire to head north may have sinister motivations. Is Luke being held against his will? And what lies in store for them when they reach their goal?


The Pit
proved to be quite an interesting and compelling novel which honestly was very different from what I was expecting.  I thought this would be more of a standard crime fiction/murder mystery novel in the Australian wilderness, but instead I got a character driven story that dove into one protagonist’s complex life, and I honestly think it worked out better this way.

The plot of The Pit is very far removed from Papathanasiou’s previous DS George Manolis novels, with the protagonist of the first two books not even actually appearing.  Instead we get an intriguing story about supporting character Special Constable Sparrow, who finds himself presented with an unusual opportunity by an old man, Bob, wanting to confess to a 30-year-old murder.  While I do think that Sparrow agreed to Bob’s strange request without backup a little too readily, it sets up an interesting and heartfelt storyline where Sparrow accompanies Bob and Bob’s unsuspecting young protégé, Luke, across Western Australia into the heart of mining country.  The narrative splits into two separate timelines at this point, with the main narrative focusing on the three companions as they travel across the Pilbara, getting into all manner of trouble and meeting a range of outrageous and unique outback locals.  The other main storyline is a series of intense flashbacks that examine the full life of Bob and the many hardships he experienced as a homosexual man in Australia from the 1960s onwards.  There is also a subplot that follows the friendship Bob formed with Luke in the nursing home and why Bob decided to take him on the road trip.

These different fantastic storylines are interesting and emotional in their own way, and the reader gets heavily invested in seeing both the past and the present.  Bob’s tragic and violent life story really drags the reader in, and it was fascinating to see his take on the homosexual experience throughout various periods of recent Australian history.  At the same time, you get quite entranced by the unique friendship that forms between the three road trippers, especially as each of them has their own secrets, personal issues and emotional turmoil.  I felt that the darker past storylines blended well with the unusual hijinks of the modern storyline, and the hidden clues in Bob’s recounting of events ended up having some interesting impacts on the central story.  These split storylines come together in an excellent way, and Papathanasiou really lays on the tragedy in the main narrative threads, especially when it comes to Bob and the tragedies he’s experienced.  The ending of the book is quietly poignant and ultimately unavoidable, and you will come away quite moved by how everything turned out and how the main characters developed.

Papathanasiou backed up this emotionally rich story with some fantastic and highly detailed background settings.  The Pilbara in particular is shown in all its red glory, and the author does a remarkable job describing its harsh beauty and the heavy burden of those who traverse it.  The anecdotes about the unusual people who worked in the Pilbara, both in the modern day and in the 1970s and 80s, are pretty over-the-top and very entertaining to absorb.  I do hope that Papathanasiou was exaggerating just how crazy everyone out in the Pilbara is, as there were a lot of unsettling and concerning characters involved who added some interesting spice to the story.  The memorable social interactions and courtship rituals of the repressed male Pilbara mining community back in the 1970s also seemed a bit unlikely, and I doubt I will be able look at a ute full of blokes the same way again after reading this book.  These outrageous scenes were quite entertaining, and I think they helped to enhance some of the more emotional parts of the book in greater detail.  Throw in other interesting historical locations, such as Sydney during the AIDS epidemic, and you have a fantastic background to this intense story that Papathanasiou used to full effect to tell his unique story.

Overall, The Pit was quite a memorable and compelling read by Papathanasiou, who told quite a complex Australian tale.  As a dramatic Australian tale with historical elements more than a pure crime fiction read, The Pit was a fantastic book that beautifully dove into some dark issues and showcased some amazing characters.  Charming and heartbreaking, The Pit was an excellent piece of Australian fiction that is well worth checking out.

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Quick Review – The Last Orphan by Gregg Hurwitz

The Last Orphan Cover 2

Publisher: Michael Joseph (Trade Paperback – 21 February 2023)

Series: Orphan X – Book 8

Length: 342 pages

My Rating: 4.5 out of 5 stars

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The always impressive Gregg Hurwitz continues his amazing Orphan X series with the awesome and wonderful new addition, The Last Orphan.

One of my favourite spy thriller series at the moment is easily the exciting and cool Orphan X series by rising thriller author Gregg Hurwitz.  This fantastic series follows a former elite government assassin, Evan Smoak, codenamed Orphan X, who is forced to go rogue and hide himself away from his old employers.  Hoping to redeem himself after all the killing he’s done, Evan takes up a new identity, the Nowhere Man, a vigilante who helps the most desperate people in ways no one else can.  I have been a fan of this series for ages, ever since I read Out of the Dark, which pitted the protagonist against a deranged US President.  Since then, I have had an outstanding time reading the latest books in the series, including Into the Fire, Prodigal Son, and Dark Horse.  I always make it a point to pick up the new Orphan X book each year, and the latest entry, The Last Orphan, was another pretty awesome book that I was quickly able to power through.

Plot Synopsis:

As a child, Evan Smoak was plucked out of a group home, raised and trained as an off-the-books assassin for the government as part of the Orphan program. When he broke with the program and went deep underground, he left with a lot of secrets in his head that the government would do anything to make sure never got out.

When he remade himself as The Nowhere Man, dedicated to helping the most desperate in their times of trouble, Evan found himself slowly back on the government’s radar. Having eliminated most of the Orphans in the program, the government will stop at nothing to eliminate the threat they see in Evan. But Orphan X has always been several steps ahead of his pursuers.

Until he makes one little mistake…

Now the President has him in her control and offers Evan a deal – eliminate a rich, powerful man she says is too dangerous to live and, in turn, she’ll let Evan survive. But when Evan left the Program he swore to only use his skills against those who really deserve it. Now he has to decide what’s more important – his principles or his life.


The Last Orphan
was another outstanding entry in this great series and Hurwitz ensures that it features all his trademark features, including strong characters, a powerful emotional heart, and a ton of action and intrigue.

This latest Orphan X book has a very strong start to it as Evan is ambushed right at the beginning of the novel by a massive Secret Service detail, determined to finally bring him in after he went rogue on the President a few too many times.  Captured and trapped, Evan is forced to make a deal: kill mysterious industrialist Luke Devine or lose his own life.  However, Orphan X makes his own decisions about who he assassinates, and after escaping, he begins his own research into his target, hoping to determine if he deserves to die.  Investigating a mysterious death associated with Devine’s estate and the massive parties that go on there, Evan begins to make his own connections about the case and is forced to go up against Devine’s lethal and morally dangerous security detail.  There are some pretty intense scenes in this part of the book as Evan makes some curious discoveries about Devine and his company, while also being forced to protect potential witnesses from his target’s security.  At the same time, Evan begins to wonder if Devine actually deserves to die and must soon choose between his conscious and his peaceful life of anonymity.

This was a pretty good entry in this series, although possibly not the best that I have so far read (in my mind, that’s Into the Fire).  I really liked the awesome start to The Last Orphan, especially as the over-the-top and intense capture by the Secret Service was so damn cool and it was interesting to finally see Evan taken down by the Government.  However, this doesn’t last long, and once he rather easily escapes, the intensity and pace of the story kind of slows down a bit.  Don’t get me wrong; I did really enjoy the subsequent storyline set around the investigation into the mysterious industrialist and his security crew, but it was a bit of a step down after the initial excitement.  Still, this second half of the novel is a ton of fun, and Hurwitz presents his usual blend of fascinating spy thriller moments, particularly intense and brutal action, as well as the focus on Evan’s strained and unique personal life.

The villains of this story, Devine’s security detail, are some pretty over-the-top but genuinely threatening figures, and Hurwitz comes up with some excellent scenes around them, even presenting them as real threats to the protagonist.  At the same time, Hurwitz works in a very compelling morality edge to the story, as Evan tries to work out whether Devine is actually evil or just a political threat to the President.  The author makes this determination pretty hard, especially as Devine comes across as a very manipulative and unusual figure who manages to make even the legendary Orphan X doubt himself.  The big conclusion of this books is very good and features all the typical action and carnage that you would expect.  However, parts of the story go in some very surprising directions and I liked the unique ideas that Hurwitz presented here.

In addition to all the action and intrigue, quite a lot of The Last Orphan revolved around the compelling and moving emotional and personal concerns of the protagonist and his great supporting cast.  Evan has always been a very complex figure due to his unusual upbringing, his lack of personal skills, and his crippling OCD, and a fantastic recurring theme of the books has been him trying to overcome this and finally make some connections.  This continues extremely well in The Last Orphan, as he once again relies on his friends and his surrogate daughter/little sister to pull him out of the fire and keep his sanity.  There are some pretty emotional interactions between Evan and these figures throughout the course of The Last Orphan, especially as it appears that Evan might not be able to come back from his latest adventure, and I felt that this was another powerful and impressive evolution of some already deep character growth.  There are some other pretty big personal moments for Evan in The Last Orphan, including the seeming end of one relationship due to Evan’s fugitive status, and the potential development of another as Evan finally attempts to dive into his own complex past.  It will be fascinating to see how this develops in the future, and I am sure that Hurwitz has some very intense moments planned for all of us.  I honestly felt that the author got the right balance between action and emotion for The Last Orphan, and this ended up being a stronger book as a result.

Overall, The Last Orphan was a pretty awesome new entry in the great Orphan X series, and I really liked how Gregg Hurwitz continued his fantastic ongoing narrative.  Featuring an excellent blend of spy thriller fun and powerful character work, The Last Orphan was an addictive and clever read, and I am glad I got the chance to check it out.  Highly recommended, especially to established fans of the series, The Last Orphan is really worth the read.

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Quick Review – Fatal Legacy by Lindsey Davis

Fatal Legacy Cover

Publisher: Hodder & Stoughton (Trade Paperback – 11 April 2023)

Series: Flavia Albia – Book 11

Length: 397 pages

My Rating: 4.5 out of 5 stars

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Return to one of my favourite historical fiction series with another clever crime fiction read set in ancient Rome with Fatal Legacy by Lindsey Davis.

While I have had the pleasure of reading many great historical fiction series and books over the years, few have been as enjoyable to me as the Flavia Albia books by legendary author Lindsey Davis.  The follow-up to her iconic and long-running Falco novels, the series follow the titular Flavia Albia, a private investigator in Rome who finds herself involved with a series of unusual or gruesome crimes, often resulting in a series of over-the-top events.  I have had a great deal of fun with the Flavia Albia books over the years, including The Third Nero, Pandora’s Boy, A Capitol Death, The Grove of the Caesars (one of my favourite books of 2020), A Comedy of Terrors and Desperate Undertakings (one of my favourite books of 2022), and I am always excited to check out the latest novel in the series, especially when it has an intriguing plot behind it.

Plot Synopsis:

An unpaid bar bill leads Flavia Albia to her most bitter and complex case yet.

Decades earlier Appius Tranquillus Surus wrote his will: it freed his slaves and bequeathed his businesses to them. He left an orchard to the Prisci, a family he was friendly with, on the condition that his freedmen could still take its harvest.

The convoluted arrangement has led to a feud between the two families, each of which has its own internal strife. Endless claims and counterclaims lead to violence and even death. Lawyers have given up in exasperation as the case limps on. The original will has disappeared, along with a falsified codicil – and might there be another one?

But is there a solution? Two youngsters from each side of the divide, Gaius Venuleius and Cosca Sabatina, have fallen in love, which could unite the feuding families. There is only one problem: were Sabatina’s grandmother and father really liberated in the Surus will? If not, the stigma of slavery will stop the marriage and the dispute will rage on forever.

Reconciliation seems impossible, but Albia will try. Her investigation must cut through decades of secrets, arguments, lies and violence to reach a startling truth.


Fatal Legacy
was another compelling and fun entry in the series which once again brings together Davis’ fantastic take on Roman historical fiction with a unique mystery and several entertaining characters.  Fatal Legacy was the 11th book in the Flavia Albia series, and it proved to be quite an exciting and addictive read.

I had a lot of fun with Fatal Legacy’s great story, especially as it requires the protagonist to dive into an elaborate family feud.  Starting off by chance as Flavia attempts to appease one of her many eccentric relatives by investigating an unpaid bar bill, Flavia soon finds a family even more disastrous than her own when she encounters an infamous Roman clan embroiled in a variety of issues, including a feud with another family over a profitable orchard, as well as various internal conflicts and problems.  Hired to find proof that one member of the family was legally freed by their previous master, Flavia is forced to examine the labyrinthine relationships, family history and feuds that define this conflict, all while trying to deal with her own personal concerns.  This swiftly descends into a complex mess of many, many secrets, and readers will be left completely enthralled by how the story unfolds.

This was one of the more unique mysteries that Davis has come up with in her series, which really helped to set this book apart.  I personally enjoyed how Davis changed the focus of the book onto a family’s internal and external history and drama rather than the typical murder investigation, especially as it made for quite entertaining reading.  There are layers upon layers of secrets, betrayals, and hidden family connections that the reader needs to travel through to get to the truth, and you really get caught up in the new characters as a result.  The slow trawl through this history results in several great twists and turns, and it was fun watching the protagonist slowly unwind the many threads of the case, while also trying to avoid as much as their bitter conflict as possible.  I appreciated have Davis tried to break up this family focused investigation in places by adding in a few entertaining scenes, such as a farcical brawl at the protagonist’s house, as well as several over-the-top encounters amongst the family that Flavia is trying to investigate/help.  Despite that, the story does get rather dry and slow in places, especially towards the centre of the book as the reader gets a bit weary of finding out even more layers to the slow-paced mystery that emerges.  It also doesn’t help that this case has low stakes, especially compared to some of Davis’s other books that feature murder and serial killers, and this occasionally dulls the reader’s excitement.  Despite that, Davis manages to bring together quite an excellent read, and I loved the elaborate and fun reveal sequence at the end, which in some ways acts as a parody to classic whodunnits.

In addition to the clever and elaborate mystery, Fatal Legacy also features a great combination of entertaining characters and the typical fun ancient Rome setting.  I always love Davis’ vision of ancient Rome that are featured in the Flavia Albia books, especially as she tries to bring together classic Roman elements with characters and attitudes that are more recognisable in a modern setting.  Having the ancient characters speak with modern dialogue and act in ways we would associate more with contemporary people rather than figures in classic times gives the story a relatable and humorous edge at times, and it is always fun to see this version of ancient Rome.  This combines well with the cast of Fatal Legacy, especially as Davis introduces an eclectic group of new characters whose complex personal problems result in the book’s intriguing mystery.  The fun interactions between Flavia and these figures are very entertaining, and you have to love the protagonist’s cynical and sarcastic observations about the people she is forced to deal with.  The chaotic family she is forced to investigate contrasts comedically with Flavia’s own dysfunctional household, which got a good amount of focus in Fatal Legacy.  I think that Davis featured Flavia’s own family just the right amount in this latest book (sometimes they can be a bit overwhelming and distracting), and it was fun to see them interact, and at one point get into a massive punch up, with some of the case-specific character of the main plot.  All this helps to turn Fatal Legacy into a great read with an excellent blend of mystery, comedy and big personalities.

Overall, I felt that Fatal Legacy was a pretty awesome entry in one of my favourite historical fiction series.  Lindsey Davis wrote an outstanding and distinctive story for Fatal Legacy, and readers will enjoy the complex and character-focussed mystery that emerges as a result.  While aspects of Fatal Legacy’s narrative might not be as sharp as some of the other books in the Flavia Albia series, this was still an excellent read and one that fans of Davis will have a great time reading.

Fatal Legacy Cover 2

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Quick Reviews – Dark Rooms, Essex Dogs and Blow Back

In recent weeks, I have been trying to review several older books; especially ones that I read last year but never got a chance to publish about.  I am hoping to rectify that to a degree now by publishing brief reviews for three intriguing 2022 releases that I had a great time reading.

Dark Rooms by Lynda La Plante

Dark Rooms Cover

Publisher: Zaffre (Trade Paperback – 16 August 2022)

Series: Tennison – Book Eight

Length: 319 pages

My Rating: 3.5 out of 5 stars

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Over the last few years, I have had a great time getting through the amazing Tennison series by iconic crime fiction author Lynda La Plante.  A prequel series to the Prime Suspect television series, the Tennison books follows a younger version of Prime Suspect’s protagonist, Jane Tennison, as she works her way up the ranks while investigating several intriguing crimes.  There have been some awesome books in this series so far, including Good Friday, Murder Mile, The Dirty Dozen, Blunt Force and Unholy Murder, each of which is worth a read, especially for fans of the original show.  I managed to get through the eighth book in the series, Dark Rooms, last year, and it is high time I wrote a review for it, especially as the next Tennison thriller is out just around the corner.

Plot Synopsis:

Helena Lanark is an elderly woman, living in a luxurious care home. The heiress of an immense family fortune, she keeps the secret to the horror which once occurred within the Lanark family house.

Jane Tennison is leading a murder investigation into the recent brutal death of a young girl, her decomposed starved body discovered in an old air raid shelter in the garden of the Lanark’s now derelict house. Initially the focus is on identifying the victim, until another body is found, hidden in the walls of the shelter.

As the investigation and search for answers intensifies, Jane travels to Australia. There she discovers the dark secret, that the Lanark family has kept hidden for decades.  A secret, that not only threatens to bring down a family dynasty, but also places Jane Tennison in mortal danger . . .

This was a fairly compelling crime fiction novel from La Plante, although I must admit that it wasn’t my favourite Tennison novel.  Dark Rooms’ story has an excellent start to it, with Tennison investigating the sinister death of a young woman in an abandoned air raid shelter.  This mystery gets even more complicated when the body of a young baby is also found in the basement.  However, this strong start doesn’t last for as long as I would have liked, with the more interesting case about the dead young woman being solved relatively quickly (although with an extremely dark solution), leaving only the mystery of the dead baby behind.

This second case, while interesting in its own way, is simpler than I would have liked, and the mystery behind it is actually a bit obvious.  La Plante does insert some great dramatic elements behind it, especially behind the tragic nature of the events behind it, as well as the unreliability of the main witness, which increases the emotional impact of the story.  I also quite liked the quick journey to Australia that Tennison undertakes to get answers, which was a nice change of pace that I rather enjoyed.  However, none of this helps to make the case as interesting or suspenseful as it needed to be, and I did not get as attached to the second half of the book.  It also didn’t help that La Plante was a reusing a lot of story elements from the previous entries in the series here, with Tennison facing the usual sexist boss and police department, and the author spending too much time on the protagonist’s social life than was strictly needed.  As such, the story drags in the places, and the lack of a particularly substantive and complex mystery ensures that it never really picks up to the degree you hope it would.

Overall, Dark Rooms was a weaker Tennison novel from Lynda La Plante, and one that does not really stand out when compared to some of the more impressive books in the series.  While I am little critical of it, Dark Rooms did have its interesting and powerful moments, and is still worth a read, especially for established fans of the series.  I am hoping that the next book in the series, Taste of Blood, has a better story behind it, and I am still intrigued to see how this series continues.

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Essex Dogs by Dan Jones

Essex Dogs Cover

Publisher: Head of Zeus (Trade Paperback – 30 August 2022)

Series: Essex Dogs – Book One

Length: 456 pages

My Rating: 4.25 out of 5 stars

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One of the more intriguing historical fiction debuts of 2022 had to be the awesome action adventure novel, Essex Dogs by Dan Jones.

Plot Synopsis:

July 1346. Ten men land on the beaches of Normandy. They call themselves the Essex Dogs: an unruly platoon of archers and men-at-arms led by a battle-scarred captain whose best days are behind him. The fight for the throne of the largest kingdom in Western Europe has begun.

Heading ever deeper into enemy territory toward Crécy, this band of brothers knows they are off to fight a battle that will forge nations, and shape the very fabric of human lives. But first they must survive a bloody war in which rules are abandoned and chivalry itself is slaughtered.

Rooted in historical accuracy and told through an unforgettable cast, Essex Dogs delivers the stark reality of medieval war on the ground – and shines a light on the fighters and ordinary people caught in the storm.

This was a very fun and exciting historical read that followed a small band of soldiers, the titular Essex Dogs, as they find themselves in the middle of the initial campaign of the Hundred Years War.  Jones writes a very compelling and action-packed story with a huge focus on camaraderie and survival, as the small band works together to try and overcome the many obstacles before and around them.  Written in the same character and themes as Band of Brothers or Saving Private Ryan, Essex Dogs has a good mixture of compelling historical detail, intense action, and interesting character moments, as the full story unleashes itself upon the reader with some major dramatic moments.  Cleverly working these characters into the middle of all the key events that occurred between the English landing in France all the way up to the Battle of Crécy (with some intriguing real historical extracts to give a fun contrast included at the start of each chapter), you will get wrapped up in Jones’ awesome and electrifying story.

This was a very impressive overall read, and I loved how well Jones managed to bring to life several desperate soldiers and lead them through the chaotic historical events depicted in Essex Dogs.  The captivating action, deep character moments, and inherent tragedy of war really help to turn this into an outstanding read and a pretty great first outing from Dan Jones as an author.  This ended up being one of my favourite debuts of 2022, and I am very interested to see how Jones will continue the story in the upcoming 2023 sequel, Wolves of Winter.

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Blow Back by James Patterson and Brendan Dubois

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Publisher: Century (Trade Paperback – 1 September 2022)

Series: Standalone

Length: 503 pages

My Rating: 4 out of 5 stars

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A great thriller that I had high hopes for in 2022 was the compelling James Patterson novel (co-written with Brendan Dubois), Blow Back, that featured a fun story about an insane US President.

Plot Synopsis:

He’s America’s most brilliant president ever. He’s also a psychopath.

US president Keegan Barrett swept into office on his success as director of the CIA. Six months into his first term, he devises a clandestine power grab with a deadly motive: Revenge.

President Barrett personally orders Special Agents Liam Grey and Noa Himel to execute his plan, but their loyalties are divided. As CIA agents they’ve sworn to support and defend the Constitution of the United States against all threats, both foreign and domestic.

When the threat comes directly from the Oval Office, that’s where the blowback begins.


Blow Back
ended up being a very entertaining thriller that was extremely easy to read.  The authors deploy the typical Patterson style of short, sharp chapters, and several intriguing character perspectives to showcase the exciting tale, and I loved the great buildup that occurs in the first third of the novel.  Told primarily through the eyes of two US intelligence agents brought in to oversee the President’s planned intelligence revival, the first third of the book is pretty awesome as you watch them change the game in several exciting ways.  There is a ton of action-packed sequences and exciting espionage moments during this first half, as well as some frank and compelling assessments of the state of US, Russian and Chinese intelligence programs in America and across the world, all of which makes for some epic reading.  While the focus is primarily on espionage and the actions of the protagonists, there is also a tangible and compelling sense of dread building in the background as the reader gets closer and closer to seeing what the President is actually planning.

The eventual reveal of the President’s full duplicity and the evil schemes he has cooked up help change the tone of the second half of the book as the protagonists, who have been manipulated the entire way through, are now forced to work outside the system to try and save themselves and the entire world.  This makes for a pulse-pounding second half, and the cool story is loaded with chases, firefights and betrayals, all set around an apocalyptic scenario with a ticking clock behind it.  I honestly had a hard time putting the novel down, and the authors’ easy-to-read style really worked in Blow Back’s favour, producing a lightning quick read with a fun conclusion to it.  I did think that the story did not hit as hard as it possibly could have, and I might have preferred a few more twists or big moments towards the end.  I also didn’t get particularly invested in any of the major protagonists, although I did find President Barrett to be a very fun villain, especially when he completely loses his marbles and goes full evil warmongering tyrant on his enemies.

While I did think that Blow Back’s narrative did have a few issues and could have been a little tighter and more explosive in places, this was a still a very fun read and one that is guaranteed to keep thriller fans highly entertained and engaged.  The fast-paced story proves very hard to put down, and you will get really swept up in Blow Back’s ultra-exciting story of a psychotic and morally bankrupt President trying to destroy the world in his own compelling way.

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Quick Review – The Interpreter by Brooke Robinson

The Interpreter Cover

Publisher: Harvill Secker (Trade Paperback – 6 June 2023)

Series: Standalone

Length: 317 pages

My Rating: 4 out of 5 stars

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Debuting Australian author Brooke Robinson presents an intriguing and captivating first novel with The Interpreter, which looks at a previously unseen player in the crime fiction genre, the person translating testimony in the background.

Plot Synopsis:

THE MOST DANGEROUS PERSON IN THE COURTROOM ISN’T THE KILLER…

Single mother Revelle Lee is an interpreter who spends her days translating for victims, witnesses and the accused across London. Only she knows what they’re saying. Only she knows the truth.

When she believes a grave injustice is about to happen, and a guilty man is going to be labelled innocent, she has the power to twist an alibi to get the verdict she wants. She’s willing to risk it all to do what’s right.

But when someone discovers she lied, Revelle finds the cost might be too high… and she could lose everything, including her son.


The Interpreter
proved to be a very interesting book that I had a good time getting through.  Following the titular interpreter, Revelle Lee, The Interpreter had a very cool crime fiction story to it that contained both mystery and a compelling dark thriller element to it.  I loved how the story focused on an interpreter in the legal scene, and Robinson did a very good job of diving into this unique profession, especially as the author takes a ton of time to show how such individuals work and the range of scenarios they might find themselves in.  The author also provides the reader with a compelling introduction to the character of Revelle Lee, a dedicated interpreter with a past who is trying to learn the parenting ropes after adopting a boy from a troubled home.

The main story quickly dives into Revelle’s life as she balances her interpreting duties with being a single parent who nothing seems to go right for.  You soon begin to realise how complicated Revelle’s life is, especially as she is constantly worrying about her new child being taken away from her.  Initially shown to be necessarily neutral in the courtroom, Revelle becomes personally invested in a case when someone she knows becomes the victim of a terrible attack.  When she is required to interpret for the police in this case, she alters the witness’s testimony to ensure the potential suspect has no alibi.  I love this intriguing slide away from impartiality that she adopts, especially as it builds off some of her prior frustrations, and she starts to implement her new idea of justice into some of her other jobs.  However, this decision eventually brings some degree of regret when it turns out one of the people she worked against might have been innocent, and she tries to find out the truth.

It is around this time that the author works in a secondary point of view character, a mysterious figure who is stalking Revelle and her son, working from the shadows to destroy her.  This intriguing hidden antagonist works to increase the tension of the plot, and their eventual identity is tied to the secrets from the protagonist’s past, which is being simultaneously explored to give her more depth and a tragic background.  Robinson soon works these story elements together in a very interesting way, and the final third of the plot is loaded with particularly tense moments as the protagonist tries to deal with the attacks from unseen angles, as well as the increased demands on her interpreting ability as she tries to determine the right course of action to take.  I liked how the plot came together, although the identity of the mysterious antagonist did come a little out of nowhere.  Still, this was a well-crafted and intriguing story, and it was fascinating to see more details about interpreters.

While I did enjoy this fantastic novel, I did have some issues getting too attached to the protagonist, and this reduced my overall enjoyment a bit.  I appreciated the deep dive into the world of professional interpreters through Revelle’s eyes, as well as her complex past and desire to be a good parent, but I honestly had a hard time liking her.  This is probably because there was a certain narrative stupidity to her as she makes the worst decision possible for herself and her child time and time again.  While this is usually fine in fiction, I found myself getting a little annoyed at times with how she acted, and this impacted how much I wanted to see her succeed.  I did enjoy how Robinson tried to showcase through Revelle’s actions the importance of being neutral in the legal system, as her desire to get justice has major consequences for her.  However, the protagonist fails to learn from her mistakes, even at the very end, which was very frustrating.  This was probably the main issue I had with The Interpreter, and while it was mostly outweighed by the book’s positive features, these character elements really bugged me.

Overall, I felt that The Interpreter was a pretty solid debut from Brooke Robinson, who has an interesting future in crime fiction.  While the plot and the characters did have some issues, this was a compelling and intriguing read, especially as Robinson expertly captured the experiences and insights of professional interpreters in the legal and criminal justice fields.  I really enjoyed seeing how The Interpreter unfolded and this book is well worth the read for people interested in a fantastic crime fiction novel with a distinctive hook to it.

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Quick Review – Fractal Noise by Christopher Paolini

Fractal Noise Cover

Publisher: Tor (Trade Paperback – 16 May 2023)

Series: Fractalverse – 0.5

Length: 287 pages

My Rating: 4.5 out of 5 stars

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Return to the epic Fractalverse of the always awesome Christopher Paolini with this standalone prequel novel, Fractal Noise, a tense and impressive dark science fiction novel.

Christopher Paolini is an author that I have been a major fan of for a very long time thanks to his iconic and epic Inheritance Cycle series.  The amazing Inheritance Cycle first debuted over 20 years ago with the amazing fantasy novel Eragon, which told the compelling story of a young hero and his dragon companion as they fight to free a conquered land.  The Inheritance Cycle series is one of my all-time favourite series due to the great story, impressive world building, and the sheer nostalgia that I hold for them.  Indeed, I am particularly excited because Paolini is also releasing a sequel to the Inheritance Cycle books later this year with Murtagh, which is one of my most anticipated reads for the second half of 2023.  However, before we get to that there is even more Paolini goodness to unwrap this year as the author has also released the intriguing science fiction novel, Fractal Noise.  A standalone prequel to his science fiction epic from a few years ago, To Sleep in a Sea of Stars, Fractal Noise was an intriguing read that I had a lot of fun reading in the last week.

Plot Synopsis:

July 25th, 2234: The crew of the Adamura discovers the Anomaly.

On the seemingly uninhabited planet Talos VII: a circular pit, 50 kilometers wide.

Its curve not of nature, but design.

Now, a small team must land and journey on foot across the surface to learn who built the hole and why.

But they all carry the burdens of lives carved out on disparate colonies in the cruel cold of space.

For some the mission is the dream of the lifetime, for others a risk not worth taking, and for one it is a desperate attempt to find meaning in an uncaring universe.

Each step they take toward the mysterious abyss is more punishing than the last.

And the ghosts of their past follow.


Fractal Noise
was a very awesome book from Paolini that I had an outstanding time getting through.  I must admit that when I first received a copy of Fractal Noise, I wasn’t too sure that I was going to read it, mainly because while I enjoyed To Sleep in a Sea of Stars, it was a bit too long and overcomplicated, and I feared this potentially unnecessary prequel would be the same.  However, I decided to give it a shot, especially as Fractal Noise was considerably shorter than the original novel in this series, and boy am I glad that I did.

Paolini sets up a simple but very effective story in Fractal Noise that is set 23 years before the events of To Sleep in a Sea of Stars, which details the discover and early exploration of a mysterious alien artefact that was mentioned in the original novel.  Just like with To Sleep in a Sea of Stars, Fractal Noise is told from the perspective of a single scientific protagonist, this time a xenobiologist names Alex Crichton, and follows them and their team as they examine a newly discovered space anomaly, an uninhabited planet with a 50km-wide perfect hole in it that is constantly relaying a continuous, overwhelming beat.  This anomaly could only have been created by a sentient species, and the scientists aboard the ship decide to journey to the planet to find any additional signs of alien life and to discover more about the hole.  However, to make it to the edge they need to land a substantial distance away and trek to it by foot in an arduous journey with many potential complications.

Paolini does a good job of quickly and effectively setting up this compelling plot in the first 50 pages of Fractal Noise while also providing great introductions to the damaged protagonist, as well as the accompanying scientists that are taking the trek with him.  However, the real story doesn’t start until the protagonists land on the planet and begin walking the distance towards the hole.  The author really goes out of his way to make this trek as arduous as possible, as the characters need to walk through wind, dust and other obstacles, all while pulling a mechanised sled behind them that slowly breaks down.  The sheer repetitiveness of this task, combined with the desolate landscape, injuries, and the unique planet that rings with a loud “thud” every few seconds, works to slowly wear down the protagonists and force them into some very dark places of their mind.  The closer they get to their goal, the harder their task becomes as the vibrations and noise produced by the hole becomes more intense and places a bigger toil on their bodies and technology.  At the same time, every setback impacts their minds even further as the four scientists soon fall to dangerous infighting as each of them is haunted by their own ghosts and their own reasons for being there.

I really liked how the entire story slowly devolved into a dark and ultra-intense psychological science fiction thriller as Paolini worked to emulate desolate real-life expeditions (such as those old-school arctic journeys), with his excellent storytelling.  The slow but unstoppable mental decline of the characters is handled perfectly, and while you are initially more worried about the protagonist, Alex Crichton, due to the recent tragedies in his life, the other characters are the ones you have to watch out for as they become more and more deranged or determined in their own ways.  Watching everyone slowly turn on each other as the journey becomes harder and harder on them is extremely compelling, and it proves hard to turn away as things get darker and darker.  The author supplements this compelling narrative with some intriguing, realistic and very-well thought out science fiction elements, especially when it comes to the physics of the planet, the obstacles they are facing, and the technology they have access to.  However, there is also a certain primitive edge to the storytelling as no matter how advanced their technology is, when it starts to fail, they are forced to dive back into more a much more basic mindset.  All this combines well with the fantastic dive into Crichton’s bleak mental state, as the protagonist begins to see the expedition as an important quest that will give him some redemption for his recent losses.

The entire story continues along this dark vein all the way to its compelling conclusion, and I was honestly pretty addicted towards the end, knocking out the last couple of hundred pages in a single night.  Watching the final snap of each protagonist was pretty brutal, but it was a necessary commutation of the complex storytelling that had been leading up to at that point.  I loved how well the barren landscape served as a background to this great story, and the constant “thump” “thump” of the planet as they drew closer gave such an outstanding atmosphere to the plot.  Paolini really pulled together an excellent read here that both serves as a continuation of his existing universe, while also giving readers a story so very different to anything that he has produced before.

Overall, I found Fractal Noise to be an outstanding and epic new novel from Christopher Paolini, which I had such a great time with.  I cannot emphasise just how intense and complex this initially simple story becomes, and the author’s ability to create forbidding settings, damaged characters, and suffocating story atmospheres has clearly grow over the years.  Due to its connections to the history of his pervious novel, Fractal Noise is perfect for fans of To Sleep in a Sea of Stars, while also being very open to new readers interested in a compelling and bleak science fiction adventure.  Fractal Noise was an exceptional read that comes very highly recommended from me and I cannot wait to see more of Paolini’s writing later this year when Murtagh comes out.

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